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These are the user uploaded subtitles that are being translated: 1 00:00:11,133 --> 00:00:12,332 ** 2 00:00:12,367 --> 00:00:14,297 41, we have a code 39... 3 00:00:14,300 --> 00:00:16,600 - DOWNTOWN L.A... - Corner lot at 401 West Main. 4 00:00:16,635 --> 00:00:19,000 WHAT'S A CODE 39? 5 00:00:19,035 --> 00:00:21,830 CODE 39, SOMEONE IS DEAD. 6 00:00:21,833 --> 00:00:24,932 ...A REPORTER ON ASSIGNMENT TO UNCOVER CRIME... 7 00:00:24,967 --> 00:00:27,997 THE YOUNG WOMAN APPEARS TO HAVE BEEN STRANGLED AND BEATEN. 8 00:00:28,000 --> 00:00:29,713 ...WHEN A KILLER STRIKES. 9 00:00:29,748 --> 00:00:31,427 THE CITY WAS ON EDGE. 10 00:00:31,433 --> 00:00:33,773 I KEEP MY DOORS LOCKED AND MY GUNS LOADED. 11 00:00:35,733 --> 00:00:38,098 AND THERE'S A SHOCKING CONNECTION... 12 00:00:38,133 --> 00:00:42,168 THE KILLER WAS SEEN DISPOSING OF BLOODY CLOTHES. 13 00:00:42,203 --> 00:00:46,203 ...TO CALIFORNIA'S MOST NOTORIOUS SERIAL KILLER... 14 00:00:46,238 --> 00:00:48,465 HAIL SATAN. 15 00:00:48,500 --> 00:00:52,130 ...TO THE INFAMOUS CECIL HOTEL 16 00:00:52,133 --> 00:00:55,303 ...AND A JOURNALIST WHO BECAME PART OF THE STORY. 17 00:00:55,338 --> 00:00:57,530 I'M GOING TO NEED YOU TO STAY BACK. 18 00:00:57,533 --> 00:01:00,433 ASSAULTS, RAPES, MURDER. 19 00:01:00,468 --> 00:01:02,903 THERE'S BEEN MURDER AT CECIL. 20 00:01:04,900 --> 00:01:07,865 ** 21 00:01:32,667 --> 00:01:41,732 ** 22 00:01:41,767 --> 00:01:44,967 SOME PEOPLE BELIEVE THE CECIL HOTEL IS HAUNTED 23 00:01:45,002 --> 00:01:47,327 AND ACTUALLY CURSED. 24 00:01:47,333 --> 00:01:50,232 I'VE VISITED THE HOTEL ON SEVERAL OCCASIONS. 25 00:01:50,267 --> 00:01:54,397 I'VE FOLLOWED UP INVESTIGATIONS, AND WALKING INTO THAT HOTEL 26 00:01:54,400 --> 00:01:57,063 WAS ALWAYS AN EERIE FEELING FOR ME. 27 00:01:57,098 --> 00:01:59,727 LOOKING AT BROCHURES OR LOOKING AT 28 00:01:59,733 --> 00:02:01,598 THE LOCATION OVER THE INTERNET, 29 00:02:01,633 --> 00:02:05,473 THE CECIL HOTEL WOULD LOOK LIKE A NICE PLACE TO STAY, 30 00:02:05,508 --> 00:02:07,767 BUT ULTIMATELY, UPON ANYONE'S ARRIVAL, 31 00:02:07,802 --> 00:02:08,832 I THINK THEY WOULD QUICKLY SEE 32 00:02:08,867 --> 00:02:11,567 THAT IT'S NOT WHAT WAS ADVERTISED. 33 00:02:14,833 --> 00:02:21,532 ** 34 00:02:21,567 --> 00:02:23,932 JACK UNTERWEGER CHECKING IN. 35 00:02:23,967 --> 00:02:25,732 YOU SURE YOU GOT THE RIGHT PLACE? 36 00:02:25,767 --> 00:02:27,497 I HOPE SO. I CALLED LAST MONTH. 37 00:02:27,500 --> 00:02:29,932 I RESERVED ROOM 1402. 38 00:02:29,967 --> 00:02:33,597 HERE IT IS, JACK UNTERWEGER. 39 00:02:33,600 --> 00:02:37,570 IT'S JUST WE DON'T GET TOO MANY SUIT-AND-TIE TYPES ANYMORE. 40 00:02:37,605 --> 00:02:39,627 HOW MANY NIGHTS, MR. UNTERWEGER? 41 00:02:39,633 --> 00:02:41,332 DON'T KNOW. CAN I PAY BY THE DAY? 42 00:02:41,367 --> 00:02:43,597 SOME PEOPLE PAY BY THE HOUR. 43 00:02:43,632 --> 00:02:45,827 ELEVATOR IS DOWN THE HALL ON YOUR LEFT. 44 00:02:45,833 --> 00:02:47,903 TOP FLOOR, COME OUT OF THE ELEVATOR, TAKE A LEFT. 45 00:02:47,938 --> 00:02:49,100 THANK YOU. 46 00:02:52,100 --> 00:02:54,400 JACK UNTERWEGER WAS A JOURNALIST 47 00:02:54,435 --> 00:02:56,032 AND A TALK SHOW HOST IN AUSTRIA, 48 00:02:56,067 --> 00:02:58,767 AND HE WAS VERY WELL-KNOWN FOR WRITING ABOUT TRUE CRIME 49 00:02:58,802 --> 00:03:00,627 AND SPECIFICALLY MURDER. 50 00:03:00,633 --> 00:03:04,933 HE WAS ACTUALLY CELEBRATED FOR HIS WRITING ON THE SUBJECT. 51 00:03:04,968 --> 00:03:08,873 I HAD FINALLY ARRIVED AT THE CECIL HOTEL, 52 00:03:08,908 --> 00:03:11,697 BUT I WASN'T ABOUT TO CATCH UP ON SLEEP. 53 00:03:11,700 --> 00:03:13,065 IT WAS MY FIRST TIME IN L.A. 54 00:03:13,100 --> 00:03:16,100 IT WAS EVEN MY FIRST TIME IN THE U.S. 55 00:03:18,467 --> 00:03:20,032 AND RIGHT OFF THE BAT 56 00:03:20,067 --> 00:03:22,067 I COULD TELL I WAS IN THE RIGHT PLACE. 57 00:03:28,300 --> 00:03:31,132 BY THE 1990s, THE CECIL WAS THE PERFECT PLACE 58 00:03:31,167 --> 00:03:36,097 FOR A CRIME WRITER INTERESTED IN SEEDY LOS ANGELES, TO STAY. 59 00:03:36,100 --> 00:03:39,930 ** 60 00:03:39,933 --> 00:03:42,503 IT WAS WHERE DRUG DEALERS AND PIMPS 61 00:03:42,538 --> 00:03:45,032 AND PROSTITUTES AND HOMELESS PEOPLE 62 00:03:45,067 --> 00:03:48,067 KIND OF CONGREGATED AND WERE, IN A LOT OF WAYS, 63 00:03:48,102 --> 00:03:51,534 KIND OF LEFT TO THEIR OWN DEVICES 64 00:03:51,569 --> 00:03:54,918 WITH THEIR OWN SET OF RULES AND LAWS. 65 00:03:54,953 --> 00:03:58,232 I MEAN, IT WAS ALMOST A LAWLESS PLACE. 66 00:03:58,267 --> 00:04:03,297 IN 1924 WHEN THE CECIL HOTEL WAS BUILT, I MEAN, 67 00:04:03,300 --> 00:04:05,230 IT WAS PRIMARILY FOR TOURISTS 68 00:04:05,233 --> 00:04:07,533 AND BUSINESS PEOPLE TO VISIT LOS ANGELES. 69 00:04:07,568 --> 00:04:10,550 YOU KNOW, IT WAS A GLAMOROUS TIME. 70 00:04:10,585 --> 00:04:13,844 BY 1991, THE CECIL WAS JUST 71 00:04:13,879 --> 00:04:17,065 A SAD REFLECTION OF ITS FORMER SELF. 72 00:04:17,100 --> 00:04:21,332 IT HAD BEEN THIS BEAUTIFUL ART-DECO HOTEL, 73 00:04:21,367 --> 00:04:25,067 AND NOW IT WAS JUST SORT OF LIKE A DEAD FLOWER. 74 00:04:29,233 --> 00:04:31,151 MOST PEOPLE ASSOCIATE L.A. 75 00:04:31,186 --> 00:04:33,070 WITH HOLLYWOOD, MOVIES, STARS, 76 00:04:33,105 --> 00:04:35,432 ALL THAT GLAMOUR, 77 00:04:35,467 --> 00:04:39,467 BUT I WAS HERE TO FIND THE OTHER LOS ANGELES, 78 00:04:39,502 --> 00:04:42,267 STREETS TEEMING WITH TROUBLE. 79 00:04:42,302 --> 00:04:44,527 ** 80 00:04:50,767 --> 00:04:53,797 POLICE ARE HERE FOR YOU. 81 00:04:53,800 --> 00:04:56,465 ** 82 00:04:56,500 --> 00:04:57,663 JACK ARRANGED WITH 83 00:04:57,698 --> 00:04:58,827 THE LOS ANGELES POLICE DEPARTMENT 84 00:04:58,833 --> 00:05:00,298 TO GO ON RIDE-ALONGS, 85 00:05:00,333 --> 00:05:02,503 AND THE PRIMARY NEIGHBORHOOD THAT POLICE WERE TAKING HIM TO 86 00:05:02,538 --> 00:05:05,302 WAS THE NEIGHBORHOOD AROUND THE CECIL HOTEL. 87 00:05:05,337 --> 00:05:08,067 JACK, JIM LARRY, GOOD TO FINALLY MEET YOU. 88 00:05:08,102 --> 00:05:10,097 - SAME HERE, JIM. - YOU READY? 89 00:05:10,100 --> 00:05:12,865 I'VE BEEN READY FOR MONTHS. 90 00:05:12,900 --> 00:05:16,148 UNTERWEGER CAME TO LOS ANGELES ON ASSIGNMENT 91 00:05:16,183 --> 00:05:19,397 WITH SOME AUSTRIAN MAGAZINES TO WRITE ABOUT CRIME 92 00:05:19,400 --> 00:05:21,065 AND SPECIFICALLY PROSTITUTION 93 00:05:21,100 --> 00:05:23,870 IN THE LOS ANGELES METROPOLITAN AREA. 94 00:05:23,905 --> 00:05:28,427 ** 95 00:05:28,433 --> 00:05:31,073 FOR JACK, IT WAS IMPORTANT AS A WRITER 96 00:05:31,108 --> 00:05:33,797 TO GET INTRODUCED INTO THE CULTURE 97 00:05:33,800 --> 00:05:37,032 AND UNDERSTAND THE DIFFERENCES. 98 00:05:37,067 --> 00:05:38,832 WHILE I CAME TO REPORT ON VICE, 99 00:05:38,867 --> 00:05:42,567 IT WAS HOMICIDE THAT FIRST DREW ME TO CRIME IN L.A. 100 00:05:42,602 --> 00:05:46,167 IT HAD ONLY BEEN 6 YEARS SINCE A SERIAL KILLER 101 00:05:46,202 --> 00:05:48,697 NAMED RICHARD RAMIREZ TERRORIZED THE CITY 102 00:05:48,700 --> 00:05:50,032 AND MADE INTERNATIONAL NEWS. 103 00:05:50,067 --> 00:05:53,597 6 TO 8 MURDERS AND 25 TO 30 ATTACKS. 104 00:05:57,067 --> 00:06:00,432 YOU KNOW, BACK HOME, THE L.A.P.D. IS... 105 00:06:00,467 --> 00:06:02,467 WELL, WE THINK OF THEM AS THE FINEST POLICE FORCE 106 00:06:02,502 --> 00:06:04,227 IN THE WORLD. 107 00:06:04,233 --> 00:06:06,865 SO DO WE. 108 00:06:06,900 --> 00:06:10,265 THAT'S OFF THE RECORD. 109 00:06:10,300 --> 00:06:13,432 JACK HAD A LOT OF QUESTIONS ABOUT CRIME PROBLEMS 110 00:06:13,467 --> 00:06:17,367 AND THE ISSUES AND HOW THEY'RE TRYING TO DEAL WITH IT. 111 00:06:17,402 --> 00:06:20,667 THIS JOB, PATROLLING THE STREETS OF L.A., 112 00:06:20,702 --> 00:06:22,032 WHAT'S THE HARDEST PART? 113 00:06:22,067 --> 00:06:25,427 FIGHTING AGAINST THE TIDE, JACK. THAT'S THE HARDEST PART. 114 00:06:25,433 --> 00:06:28,673 SOMEHOW, EVERYTHING GOT TURNED AROUND IN THIS CITY. 115 00:06:28,708 --> 00:06:30,032 WE USED TO STAY AHEAD OF THE CRIME. 116 00:06:30,067 --> 00:06:34,897 NOW ALL WE DO IS CLEAN UP, WAIT FOR THE NEXT CALL. 117 00:06:34,900 --> 00:06:37,230 YOU TAKE PROSTITUTION. 118 00:06:37,233 --> 00:06:39,865 WE STILL MAKE ARRESTS, BUT WE SET IT UP 119 00:06:39,900 --> 00:06:42,770 SO THAT ALL OF THE HOOKERS HAVE BEEN CORRALLED 120 00:06:42,805 --> 00:06:45,832 INTO A FEW PARTS OF THE CITY. 121 00:06:45,867 --> 00:06:48,067 KEEP AN EYE ON THINGS THAT WAY. THAT'S SMART. 122 00:06:48,102 --> 00:06:51,732 ** 123 00:06:51,767 --> 00:06:55,497 IN L.A., CRIME WAS AT AN ALL-TIME HIGH IN 1991, 124 00:06:55,500 --> 00:06:57,800 AND IF YOU WERE GOING TO COME HERE TO WRITE ABOUT IT, 125 00:06:57,835 --> 00:06:59,832 THAT WOULD'VE BEEN THE YEAR. 126 00:06:59,867 --> 00:07:04,627 CRACK COCAINE HAD INFILTRATED MOST OF THE NEIGHBORHOODS. 127 00:07:04,633 --> 00:07:07,098 CRIME, MURDER WAS ON THE RISE, 128 00:07:07,133 --> 00:07:10,750 AND ON MAIN STREET, WHERE THE CECIL HOTEL IS LOCATED, 129 00:07:10,785 --> 00:07:14,367 THERE WAS LOTS OF STREETWALKERS, LOTS OF ACTIVITY. 130 00:07:21,067 --> 00:07:23,197 HERE'S A LITTLE COLOR FOR YOUR STORY, JACK. 131 00:07:27,333 --> 00:07:29,103 HEY, YOU KNOW THE DRILL, JANELLE. 132 00:07:35,700 --> 00:07:37,032 WHAT AM I GOING TO FIND IN HERE, JANELLE? 133 00:07:37,067 --> 00:07:41,267 - I DON'T KNOW. NOTHING. - YOU DON'T KNOW OR NOTHING? 134 00:07:46,400 --> 00:07:50,365 ** 135 00:07:50,400 --> 00:07:52,570 HOW MANY TIMES YOU BEEN ARRESTED, JANELLE? 136 00:07:52,605 --> 00:07:55,397 I DON'T KNOW. 10? 137 00:07:55,400 --> 00:07:58,600 WELL, IF YOU WANT TO KEEP IT AT 10, TALK TO MY FRIEND HERE. 138 00:07:58,635 --> 00:08:03,270 HE'S WRITING A STORY ON CRIME IN OUR FAIR CITY. 139 00:08:03,305 --> 00:08:06,367 I DON'T HAVE TO USE YOUR REAL NAME. 140 00:08:06,402 --> 00:08:07,897 WHAT DO YOU WANT TO KNOW? 141 00:08:07,900 --> 00:08:10,800 I WANT TO KNOW ABOUT YOU, YOUR LIFE ON THE STREETS, 142 00:08:10,835 --> 00:08:12,970 WHAT YOU DO TO MAKE IT DAY TO DAY. 143 00:08:13,005 --> 00:08:14,636 I STAND HERE. 144 00:08:14,671 --> 00:08:16,232 YOU STAND HERE? 145 00:08:16,267 --> 00:08:17,732 IT WAS THE SAME STORY 146 00:08:17,767 --> 00:08:21,132 I HEARD TIME AND TIME AGAIN BACK HOME. 147 00:08:21,167 --> 00:08:24,617 THEY CAME FROM BROKEN HOMES AND ABUSIVE RELATIONSHIPS 148 00:08:24,652 --> 00:08:28,067 AND BELIEVED THEY WERE FINDING SALVATION IN THE STREETS. 149 00:08:28,102 --> 00:08:29,897 BUT ON THESE STREETS NEAR THE CECIL, 150 00:08:29,900 --> 00:08:33,530 THEY WERE TRULY RISKING IT ALL. 151 00:08:33,533 --> 00:08:35,480 I'D LIKE TO PAY YOU FOR YOUR TIME. 152 00:08:35,515 --> 00:08:37,427 - JACK, TIME TO GO. - RIGHT. OKAY. 153 00:08:37,433 --> 00:08:40,403 WELL, THANK YOU, JANELLE, AND GOOD LUCK TO YOU. 154 00:08:40,438 --> 00:08:42,230 LUCK'S GOT NOTHING TO DO WITH IT. 155 00:08:42,233 --> 00:08:47,273 ** 156 00:08:54,333 --> 00:08:57,703 JACK ASKED THE POLICE, YOU KNOW, "TAKE ME TO THE NEIGHBORHOODS 157 00:08:57,738 --> 00:09:01,073 "WHERE YOU HAVE THE MOST CRIME, WHERE THEY HAD A LOT OF DRUGS, 158 00:09:01,108 --> 00:09:03,397 A LOT OF PROSTITUTION, A LOT OF KILLING," 159 00:09:03,400 --> 00:09:04,830 AND THAT'S PRIMARILY THE NEIGHBORHOOD 160 00:09:04,833 --> 00:09:06,603 AROUND THE CECIL HOTEL. 161 00:09:06,638 --> 00:09:11,730 ** 162 00:09:11,733 --> 00:09:14,051 DETECTIVE, I WANT TO THANK YOU AGAIN 163 00:09:14,086 --> 00:09:16,291 FOR LETTING ME RIDE ALONG WITH YOU. 164 00:09:16,326 --> 00:09:18,497 WE CAN DO THIS AGAIN IF YOU WANT. 165 00:09:18,500 --> 00:09:21,100 GOT TO MAKE SURE YOU GET ENOUGH MATERIAL. 166 00:09:21,135 --> 00:09:24,270 THANKS. I'LL TAKE ALL I CAN GET. 167 00:09:24,305 --> 00:09:29,527 ** 168 00:09:34,333 --> 00:09:37,803 MY EDITORS THOUGHT I WAS CRAZY TO STAY AT THE CECIL. 169 00:09:37,838 --> 00:09:40,430 THEY TRIED TO PUT ME UP IN A NICER PLACE, 170 00:09:40,433 --> 00:09:42,533 BUT I PREFERRED TO BE IN THE EYE OF THE STORM. 171 00:09:42,568 --> 00:09:45,198 ** 172 00:09:45,233 --> 00:09:47,673 - I WANT MY MONEY! - PLEASE COME ON! 173 00:09:47,708 --> 00:09:49,297 IT WAS THE DARK SIDE OF L.A... 174 00:09:51,270 --> 00:09:53,170 NO MOVIE STARS, NO GLAMOUR. 175 00:09:53,205 --> 00:09:54,327 I WANT MY MONEY! 176 00:09:54,333 --> 00:09:55,798 JUST THE CECIL HOTEL. 177 00:09:55,833 --> 00:09:58,466 I WANT MY MONEY! WHERE'S MY MONEY? 178 00:09:58,501 --> 00:10:01,100 WHERE'S MY MONEY?! 179 00:10:01,135 --> 00:10:03,532 ** 180 00:10:03,567 --> 00:10:05,567 JACK CONTINUED TO GO ON RIDE-ALONGS 181 00:10:05,602 --> 00:10:07,797 WITH THE LOS ANGELES POLICE DEPARTMENT, 182 00:10:07,800 --> 00:10:10,530 AND IT REALLY DREW HIM INTO THE HEART OF THESE SUBJECTS 183 00:10:10,533 --> 00:10:12,565 THAT HE WAS WRITING ABOUT. 184 00:10:12,600 --> 00:10:14,370 ALL THE WHILE, IN THE BACK OF MY MIND, 185 00:10:14,405 --> 00:10:15,732 I WAS HOPING TO PICK UP A STORY 186 00:10:15,767 --> 00:10:18,497 ABOUT A KILLER LIKE RICHARD RAMIREZ. 187 00:10:18,500 --> 00:10:22,130 ** 188 00:10:22,133 --> 00:10:24,673 I KNOW IT'S ODD TO SAY, BUT NOT ONLY AM I READY. 189 00:10:24,708 --> 00:10:27,327 I'M DYING TO GET BACK OUT THERE. 190 00:10:27,333 --> 00:10:30,016 FOR JACK, COMING FROM ANOTHER COUNTRY, 191 00:10:30,051 --> 00:10:32,390 TO ARRIVE HERE AND TO SECURE RIDE-ALONGS, 192 00:10:32,425 --> 00:10:34,730 I MEAN, THIS HAD TO BE THE ULTIMATE FOR HIM. 193 00:10:34,733 --> 00:10:36,716 I WAS GOING OVER MY NOTES FROM YESTERDAY, 194 00:10:36,751 --> 00:10:38,700 AND THERE'S ONE THING I DON'T QUITE GET. 195 00:10:38,735 --> 00:10:39,932 SURE. 196 00:10:39,967 --> 00:10:41,627 THESE PROSTITUTES, WHEN YOU ARREST THEM, WHO... 197 00:10:41,633 --> 00:10:46,233 WE HAVE A CODE 39, CORNER LOT AT 401 WEST MAIN. 198 00:10:46,268 --> 00:10:49,220 CENTRAL 11414 IS LOCAL AND EN ROUTE. 199 00:10:49,255 --> 00:10:52,173 WHAT'S A CODE 39? 200 00:10:52,208 --> 00:10:55,097 CODE 39, SOMEONE IS DEAD. 201 00:11:00,105 --> 00:11:04,767 ** 202 00:11:06,333 --> 00:11:10,598 ** 203 00:11:12,367 --> 00:11:16,067 I CAME TO LOS ANGELES TO WRITE ABOUT THE CITY'S CRIME 204 00:11:16,102 --> 00:11:18,467 AND DISCOVERED THERE WAS NO SHORTAGE. 205 00:11:20,633 --> 00:11:25,698 ** 206 00:11:25,733 --> 00:11:28,165 DELIVERY GUY FOUND HER THIS MORNING. 207 00:11:28,200 --> 00:11:31,332 JACK, I'M GOING TO NEED YOU TO STAY BACK. 208 00:11:31,367 --> 00:11:34,427 IT WAS ONLY MY SECOND TIME RIDING ALONG WITH THE L.A.P.D., 209 00:11:34,433 --> 00:11:38,603 BUT I WAS ALREADY LAYING EYES ON A GENUINE AMERICAN HOMICIDE. 210 00:11:43,133 --> 00:11:46,373 LIGATURE MARKS HERE AND HERE. 211 00:11:46,408 --> 00:11:51,427 ** 212 00:11:51,433 --> 00:11:53,973 - WHO'S COMING? - THE CORONER IS ON HIS WAY. 213 00:11:54,008 --> 00:11:56,497 OKAY. HANG TIGHT TILL THEY GET HERE. 214 00:11:56,500 --> 00:11:58,865 THEN START KNOCKING ON DOORS. 215 00:11:58,900 --> 00:12:01,500 THERE'S ANOTHER DETECTIVE COMING ALONG WITH A CORONER'S UNIT, 216 00:12:01,535 --> 00:12:04,100 SO WE SHOULD GET OUT OF THE WAY AND LET THEM DO THEIR WORK. 217 00:12:04,135 --> 00:12:06,430 RIGHT, RIGHT, OF COURSE. 218 00:12:06,433 --> 00:12:07,703 LET'S GO. 219 00:12:09,733 --> 00:12:12,098 JUNE 19th, 1991. 220 00:12:12,133 --> 00:12:14,532 THE BODY OF SHANNON EXLEY 221 00:12:14,567 --> 00:12:18,397 WAS DISCOVERED IN A VACANT LOT IN EAST LOS ANGELES. 222 00:12:18,400 --> 00:12:21,970 SHANNON'S MURDER WAS PARTICULARLY BRUTAL 223 00:12:22,005 --> 00:12:23,697 AND HORRIFIC. 224 00:12:23,700 --> 00:12:25,765 SHE'S BEEN STRANGLED WITH HER OWN BRA, 225 00:12:25,800 --> 00:12:27,830 AND THERE'S A CERTAIN KIND OF KNOT 226 00:12:27,833 --> 00:12:30,401 THAT'S BEEN USED TO MAKE A LIGATURE. 227 00:12:30,436 --> 00:12:32,751 THE NIGHT BEFORE SHANNON WAS DISCOVERED, 228 00:12:32,786 --> 00:12:35,032 SHE HAD ACTUALLY TALKED TO HER FATHER, 229 00:12:35,067 --> 00:12:38,267 AND SHE TOLD HER FATHER THAT SHE WANTED TO GET HER LIFE STRAIGHT. 230 00:12:38,302 --> 00:12:40,232 SHE WANTED TO GET OFF THE STREETS. 231 00:12:40,267 --> 00:12:44,067 SHE WANTED TO GET AWAY FROM THE DRUGS, THE PROSTITUTION. 232 00:12:44,102 --> 00:12:46,832 HER DAD WAS COMPLETELY SUPPORTIVE, 233 00:12:46,867 --> 00:12:50,797 ONLY TO FIND OUT THE NEXT DAY THAT SHE WAS DISCOVERED DEAD. 234 00:12:56,067 --> 00:12:59,367 AFTER EACH RIDE-ALONG, I'D RETURN TO THE CECIL, 235 00:12:59,402 --> 00:13:02,734 WHICH, LIKE THE REST OF DOWNTOWN L.A., 236 00:13:02,769 --> 00:13:06,032 APPARENTLY HAD ITS FAIR SHARE OF DEATH. 237 00:13:06,067 --> 00:13:09,527 I WANTED THE HOTEL TO BE A CHARACTER IN MY STORY, 238 00:13:09,533 --> 00:13:12,915 SO I TALKED TO EVERYONE I COULD ABOUT THIS PLACE. 239 00:13:12,950 --> 00:13:16,297 THERE WAS A GUY NAMED BILLY FLYNN, FOR INSTANCE. 240 00:13:16,300 --> 00:13:18,130 HE HAD BEEN AT THE CECIL FOR YEARS, 241 00:13:18,133 --> 00:13:20,173 ONE OF ABOUT 100 LONG-TERM RESIDENTS 242 00:13:20,208 --> 00:13:22,197 THAT LIVED HERE FULL-TIME. 243 00:13:22,200 --> 00:13:24,932 IT WAS SO CHEAP YOU COULD DO THAT. 244 00:13:24,967 --> 00:13:27,127 FLYNN KNEW AS MUCH AS ANYONE ABOUT THE HOTEL 245 00:13:27,133 --> 00:13:29,203 AND ITS BIZARRE HISTORY. 246 00:13:29,238 --> 00:13:31,100 HE LIKED TO TALK. 247 00:13:32,733 --> 00:13:35,168 - CAN I HELP YOU? - YOU BILLY FLYNN? 248 00:13:35,203 --> 00:13:37,565 I'M JACK UNTERWEGER. I'M A WRITER. 249 00:13:37,600 --> 00:13:40,070 I WAS HOPING YOU'D HAVE A DRINK WITH ME. 250 00:13:40,105 --> 00:13:49,967 ** 251 00:13:50,067 --> 00:13:52,882 ** 252 00:13:55,700 --> 00:14:00,300 DO YOU BELIEVE IN A PLACE BEING CURSED, JACK? 253 00:14:00,335 --> 00:14:01,732 I SUPPOSE SO. 254 00:14:01,767 --> 00:14:05,632 I DON'T SUPPOSE SO. I KNOW SO. 255 00:14:05,667 --> 00:14:09,397 THIS PLACE, THE CECIL, THIS PLACE IS CURSED. 256 00:14:09,400 --> 00:14:11,130 WE TALKED FOR HOURS. 257 00:14:11,133 --> 00:14:13,933 FLYNN TOLD ME ONE REAL-LIFE HORROR STORY AFTER ANOTHER 258 00:14:13,968 --> 00:14:15,898 ABOUT THE CECIL. 259 00:14:15,933 --> 00:14:19,833 THERE'S BEEN BEATINGS, ROBBERIES, 260 00:14:19,868 --> 00:14:21,903 ASSAULTS, RAPES, MURDER. 261 00:14:23,900 --> 00:14:26,163 THERE'S BEEN MURDER AT THE CECIL, 262 00:14:26,198 --> 00:14:28,427 PERMANENT RESIDENT JUST LIKE ME. 263 00:14:28,433 --> 00:14:29,665 WHAT WAS HER NAME? 264 00:14:29,700 --> 00:14:33,132 GOLDIE OSGOOD, PIGEON LADY. 265 00:14:33,167 --> 00:14:35,267 THEY CALLED HER THE PIGEON LADY BECAUSE SHE USED TO GO 266 00:14:35,302 --> 00:14:38,799 ACROSS THE STREET, FEED PIGEONS ALL DAY. 267 00:14:38,834 --> 00:14:42,297 TURNS OUT COPS FIND HER RIGHT DOWN THE HALL, 268 00:14:42,300 --> 00:14:45,248 RAPED, BEATEN, 269 00:14:45,283 --> 00:14:48,197 STABBED TO DEATH. 270 00:14:48,200 --> 00:14:50,932 PIGEON LADY IS AN INTERESTING STORY, AND IT WAS BRUTAL. 271 00:14:50,967 --> 00:14:54,067 SHE WAS FOUND STRANGLED TO DEATH IN HER ROOM AT THE CECIL HOTEL, 272 00:14:54,102 --> 00:14:57,797 AND IT WAS ONE OF THOSE CRIME SCENES 273 00:14:57,800 --> 00:15:01,330 THAT EVEN HARDENED INVESTIGATORS SORT OF TEARED UP OVER. 274 00:15:01,333 --> 00:15:03,773 AND IT REALLY STRUCK 'EM HARD BECAUSE THIS WAS A WOMAN 275 00:15:03,808 --> 00:15:07,427 THAT WAS WELL-KNOWN IN HER NEIGHBORHOOD FOR BEING 276 00:15:07,433 --> 00:15:11,473 JUST A KINDHEARTED LADY THAT LOVED THE BIRDS. 277 00:15:11,508 --> 00:15:14,527 NEVER CAUGHT THE GUY THAT DID IT. 278 00:15:14,533 --> 00:15:16,180 AND WHEN WAS THAT? 279 00:15:16,215 --> 00:15:17,827 THAT WAS 1982. 280 00:15:20,600 --> 00:15:22,300 WHEN DID YOU MOVE IN HERE? 281 00:15:23,600 --> 00:15:28,048 1982. 282 00:15:28,083 --> 00:15:32,497 ** 283 00:15:32,500 --> 00:15:33,930 I LEFT FLYNN'S ROOM 284 00:15:33,933 --> 00:15:36,032 WONDERING WHETHER THE CECIL ATTRACTED 285 00:15:36,067 --> 00:15:38,597 DANGEROUS, ADDICTED, OR INSANE TYPES OF PEOPLE, 286 00:15:38,600 --> 00:15:41,870 OR IF THE HOTEL SOMEHOW PUSHED GUESTS OVER THE EDGE, 287 00:15:41,905 --> 00:15:45,197 OR MAYBE IT WAS JUST CURSED. 288 00:15:49,267 --> 00:15:50,497 WHAT DO YOU WANT? 289 00:15:50,500 --> 00:15:52,130 LOOK AT YOU. "WHAT DO YOU WANT?" 290 00:15:53,667 --> 00:15:55,597 I'M A WRITER. I'M WORKING. 291 00:15:56,800 --> 00:15:58,032 THAT'S NOT WHY YOU'RE HERE. 292 00:15:58,067 --> 00:16:00,897 I KNOW WHY YOU'RE HERE, AND THAT AIN'T IT. 293 00:16:03,467 --> 00:16:04,897 GIVE ME 20 BUCKS. 294 00:16:06,300 --> 00:16:11,732 ** 295 00:16:11,767 --> 00:16:13,627 I'LL BE SEEING YOU AROUND, JACK. 296 00:16:18,268 --> 00:16:25,598 ** 297 00:16:25,633 --> 00:16:26,732 FOR THE NEXT FEW DAYS, 298 00:16:26,767 --> 00:16:28,567 I RODE AROUND L.A. WITH THE POLICE, 299 00:16:28,602 --> 00:16:30,032 AND THEY SHOWED ME ALL OF IT -- 300 00:16:30,067 --> 00:16:34,232 THE DRUG DEALERS, THE PIMPS, THE PROSTITUTES. 301 00:16:34,267 --> 00:16:38,397 I HAD NO IDEA HOW BAD THINGS WERE ABOUT TO GET, 302 00:16:38,400 --> 00:16:41,470 BUT AS A JOURNALIST, SOMETIMES BAD NEWS IS GOOD NEWS, 303 00:16:41,505 --> 00:16:44,032 MORE MATERIAL TO INCLUDE IN MY STORY. 304 00:16:44,067 --> 00:16:46,297 RETURNING FROM A 13-MONTH LAYOFF 305 00:16:46,300 --> 00:16:47,532 AFTER SHOULDER SURGERY, 306 00:16:47,567 --> 00:16:50,297 HERSHISER GAVE UP FOUR RUNS AND SIX HITS 307 00:16:50,300 --> 00:16:55,130 AS THE DODGERS LOST TO THE SAN FRANCISCO GIANTS 9-4. 308 00:16:55,133 --> 00:16:57,498 IN OTHER NEWS, THE L.A.P.D. REPORTS 309 00:16:57,533 --> 00:17:01,173 THAT A HOMELESS MAN FORAGING FOR FIREWOOD IN BOYLE HEIGHTS 310 00:17:01,208 --> 00:17:03,032 DISCOVERED THE BODY OF A WOMAN 311 00:17:03,067 --> 00:17:06,197 WHO APPEARS TO HAVE BEEN BRUTALLY MURDERED. 312 00:17:06,200 --> 00:17:08,365 THIS IS THE SECOND FEMALE VICTIM 313 00:17:08,400 --> 00:17:11,330 TO BE FOUND IN BOYLE HEIGHTS IN THE PAST WEEK. 314 00:17:11,333 --> 00:17:14,233 THE YOUNG WOMAN APPEARS TO HAVE BEEN STRANGLED AND BEATEN. 315 00:17:16,333 --> 00:17:18,973 IRENE RODRIGUEZ WAS THE SECOND VICTIM. 316 00:17:19,008 --> 00:17:21,167 SHE WAS ALSO FROM THAT 7th AVENUE AREA 317 00:17:21,202 --> 00:17:22,932 WHERE SHANNON HAD BEEN WORKING. 318 00:17:22,967 --> 00:17:25,232 AND LIKE SHANNON, SHE WAS A HEROIN ADDICT 319 00:17:25,267 --> 00:17:28,467 AND, AGAIN, WAS PROSTITUTING TO SUPPORT THE HABIT. 320 00:17:28,502 --> 00:17:30,327 SHE WAS STRANGLED WITH HER OWN BRA. 321 00:17:30,333 --> 00:17:32,403 SHE WAS SEXUALLY ASSAULTED AND BEATEN 322 00:17:32,438 --> 00:17:33,765 BEFORE AND AFTER SHE DIED, 323 00:17:33,800 --> 00:17:36,032 JUST LIKE THE OTHER GIRL, SHANNON EXLEY. 324 00:17:36,067 --> 00:17:40,097 SEE THOSE LIGATURE MARKS? THIS IS WHERE THEY CAME FROM. 325 00:17:40,100 --> 00:17:41,930 LOOK AT THIS. 326 00:17:41,933 --> 00:17:43,565 LOOK AT THE KNOTS. 327 00:17:43,600 --> 00:17:47,330 VERY DETAILED, PRECISE. 328 00:17:47,333 --> 00:17:49,303 NOW LOOK AT THIS ONE. 329 00:17:51,100 --> 00:17:52,830 WE FOUND THIS ON SHANNON. 330 00:17:55,900 --> 00:17:57,730 SAME KNOTS. 331 00:17:57,733 --> 00:18:00,573 BOTH VICTIMS STRANGLED WITH A BRA. 332 00:18:00,608 --> 00:18:02,197 BOTH BRAS HAD THESE KNOTS. 333 00:18:02,200 --> 00:18:04,570 SAME VIOLENT SEXUAL ASSAULT. 334 00:18:05,867 --> 00:18:10,227 IRENE HAD ARRIVED IN LOS ANGELES IN APRIL OF THAT YEAR. 335 00:18:10,233 --> 00:18:11,465 SHE HAD LEFT TEXAS, 336 00:18:11,500 --> 00:18:13,370 WHERE SHE WAS LIVING WITH HER COMMON-LAW HUSBAND. 337 00:18:13,405 --> 00:18:15,532 THEY HAD FOUR CHILDREN TOGETHER. 338 00:18:15,567 --> 00:18:19,067 SHE WASN'T AROUND A LOT BECAUSE HER LIFESTYLE, 339 00:18:19,102 --> 00:18:21,097 BUT THE FACT THAT SHE'D BEEN MURDERED 340 00:18:21,100 --> 00:18:22,865 AND TAKEN FROM THEM SO BRUTALLY 341 00:18:22,900 --> 00:18:26,500 WAS JUST AN ABSOLUTELY TRAGIC SITUATION FOR THE ENTIRE FAMILY. 342 00:18:32,067 --> 00:18:35,127 I CAME TO THE CECIL TO WRITE ABOUT CRIME. 343 00:18:35,133 --> 00:18:36,532 NOW IT WAS LOOKING AS IF 344 00:18:36,567 --> 00:18:38,627 A SERIAL KILLER LIKE RICHARD RAMIREZ 345 00:18:38,633 --> 00:18:40,398 MIGHT BE ON THE LOOSE AGAIN. 346 00:18:40,433 --> 00:18:44,303 THEY'RE ASKING ANYONE WITH INFORMATION TO CALL. 347 00:18:44,338 --> 00:18:45,900 I HAD A STORY. 348 00:18:48,533 --> 00:18:50,673 POLICE ARE REFRAINING FROM IDENTIFYING THE VICTIM 349 00:18:50,708 --> 00:18:52,627 UNTIL HER NEXT OF KIN ARE NOTIFIED. 350 00:18:52,633 --> 00:18:54,132 TWO VICTIMS. 351 00:18:54,167 --> 00:18:56,527 THEIR MANNER OF DEATH WAS SIMILAR IN NATURE. 352 00:18:56,533 --> 00:19:00,373 WE DEFINITELY HAD A SERIAL KILLER ON THE LOOSE. 353 00:19:00,408 --> 00:19:02,727 THE SAME DETECTIVE UNIT THAT HANDLED 354 00:19:02,733 --> 00:19:06,573 IRENE AND SHANNON'S MURDER WERE THE SAME DETECTIVES 355 00:19:06,608 --> 00:19:10,032 ASSIGNED TO INVESTIGATE RICHARD RAMIREZ, 356 00:19:10,067 --> 00:19:15,467 AND HERE WE ARE YEARS LATER WITH TWO FEMALE VICTIMS BEING KILLED. 357 00:19:15,502 --> 00:19:18,067 YOU KNOW, IS THERE GONNA BE A THIRD? 358 00:19:18,102 --> 00:19:19,597 IS THERE GONNA BE A FOURTH? 359 00:19:19,600 --> 00:19:23,230 IS THE CITY GONNA UNRAVEL AND BE IN THIS STATE OF PANIC 360 00:19:23,233 --> 00:19:26,132 AS WE WERE DURING RAMIREZ? 361 00:19:26,167 --> 00:19:29,467 BUT RICHARD RAMIREZ HAS THE BEST ALIBI THERE IS. 362 00:19:29,502 --> 00:19:32,767 HE'S BEEN BEHIND BARS AND ON DEATH ROW FOR ABOUT 6 YEARS. 363 00:19:34,167 --> 00:19:36,927 AND IF THIS IS THE WORK OF A RAMIREZ COPYCAT, 364 00:19:36,933 --> 00:19:41,773 THEN I NEED TO KNOW AS MUCH AS POSSIBLE ABOUT RAMIREZ. 365 00:19:41,808 --> 00:19:44,452 I FOUND A RESEARCH LIBRARY NEAR THE CECIL 366 00:19:44,487 --> 00:19:47,097 AND BEGAN LOOKING DEEPER INTO RAMIREZ. 367 00:19:47,100 --> 00:19:50,730 I WAS ABLE TO FIND THOUSANDS OF RECORDS ON HIM. 368 00:19:52,567 --> 00:19:55,727 I WAS SURPRISED TO FIND OUT THAT BACK IN THE '80s, 369 00:19:55,733 --> 00:19:59,298 HE, TOO, STAYED AT THE CECIL. 370 00:19:59,333 --> 00:20:02,703 FOR HIM, THERE WAS NO BETTER PLACE TO CONDUCT BUSINESS. 371 00:20:04,133 --> 00:20:06,473 AND THE CECIL HOUSED THE MOST DANGEROUS KILLER 372 00:20:06,508 --> 00:20:08,997 IN L.A.'s HISTORY. 373 00:20:12,500 --> 00:20:16,670 ** 374 00:20:18,800 --> 00:20:24,465 ** 375 00:20:24,500 --> 00:20:25,865 I WAS ON ASSIGNMENT, 376 00:20:25,900 --> 00:20:27,865 WRITING ABOUT CRIME IN LOS ANGELES, 377 00:20:27,900 --> 00:20:29,570 AND IT SEEMED LIKE I CAME TO THE RIGHT PLACE 378 00:20:29,605 --> 00:20:32,732 AT THE RIGHT TIME. 379 00:20:32,767 --> 00:20:35,767 IT WAS EERILY REMINISCENT OF A MURDER SPREE THAT 380 00:20:35,802 --> 00:20:38,767 MADE FAMOUS A SERIAL KILLER NAMED RICHARD RAMIREZ. 381 00:20:40,500 --> 00:20:42,832 BUT NOW, THE MORE I LOOKED INTO HIS STORY, 382 00:20:42,867 --> 00:20:46,627 THE MORE FASCINATED I BECAME BY THE MADNESS HE EMBODIED. 383 00:20:46,633 --> 00:20:50,253 HIS REIGN OF TERROR BEGAN ON MARCH 17th, 1985. 384 00:20:50,288 --> 00:20:53,873 IT WAS JUST ANOTHER NIGHT IN SOUTHERN CALIFORNIA. 385 00:20:53,908 --> 00:20:55,317 WHATEVER YOU WANT ME TO DO. 386 00:20:55,352 --> 00:20:56,727 - ALL RIGHT. - ALL RIGHT? 387 00:20:56,733 --> 00:20:57,933 - GOOD NIGHT. - GOOD NIGHT. 388 00:20:57,968 --> 00:20:59,198 I GOT THIS. 389 00:20:59,233 --> 00:21:01,516 - THANK YOU, PETEY. - ALL RIGHT. 390 00:21:01,551 --> 00:21:03,800 HAVE A GOOD NIGHT. DRIVE SAFE. 391 00:21:06,800 --> 00:21:13,730 ** 392 00:21:13,733 --> 00:21:15,773 MARIA HERNANDEZ LIVED IN AN APARTMENT 393 00:21:15,808 --> 00:21:17,127 IN ROSEMEAD, CALIFORNIA. 394 00:21:17,133 --> 00:21:20,603 IT'S ABOUT 15 MILES EAST OF DOWNTOWN LOS ANGELES. 395 00:21:20,638 --> 00:21:29,530 ** 396 00:21:29,600 --> 00:21:37,830 ** 397 00:21:37,833 --> 00:21:41,332 MARIA HAD JUST DRIVEN HOME. 398 00:21:41,367 --> 00:21:42,627 SHE HAD BEEN OUT FOR THE EVENING. 399 00:21:44,100 --> 00:21:48,930 IT WAS 10:40 AT NIGHT, ST. PATRICK'S DAY. 400 00:21:48,933 --> 00:21:57,373 ** 401 00:21:57,433 --> 00:22:05,065 ** 402 00:22:05,100 --> 00:22:07,130 PLEASE! PLEASE! PLEASE DON'T -- 403 00:22:08,467 --> 00:22:10,927 NO, PLEASE! PLEASE DON'T KILL ME! 404 00:22:10,933 --> 00:22:14,265 PLEASE, PLEASE! 405 00:22:19,567 --> 00:22:23,927 MARIA'S ROOMMATE, DAYLE OKAZAKI, WAS INSIDE OF THE HOME. 406 00:22:23,933 --> 00:22:26,953 SHE HAD DUCKED WHEN SHE HEARD THE GUNSHOT 407 00:22:26,988 --> 00:22:29,973 AND ACTUALLY SAW RAMIREZ COME INTO THE HOUSE. 408 00:22:30,008 --> 00:22:36,267 ** 409 00:22:36,333 --> 00:22:43,765 ** 410 00:22:47,467 --> 00:22:50,067 DAYLE OKAZAKI HAD DIED FROM A SINGLE GUNSHOT WOUND 411 00:22:50,102 --> 00:22:51,232 TO THE FOREHEAD, 412 00:22:51,267 --> 00:22:54,432 AND HER ROOMMATE, MARIA HERNANDEZ, 413 00:22:54,467 --> 00:22:58,097 HAD SUSTAINED A GUNSHOT WOUND TO HER RIGHT HAND. 414 00:22:58,100 --> 00:23:00,930 BUT THE SUSPECT WAS GONE PRIOR TO ARRIVAL 415 00:23:00,933 --> 00:23:03,133 OF ANY OF THE DEPUTIES RESPONDING. 416 00:23:05,333 --> 00:23:08,073 HE HAD LONG BLACK HAIR. 417 00:23:08,108 --> 00:23:09,197 NO! 418 00:23:09,200 --> 00:23:11,570 AND HIS EYES WERE BLACK, TOO. 419 00:23:11,605 --> 00:23:12,827 NO, PLEASE! 420 00:23:12,833 --> 00:23:14,933 JUST DEAD EYES. 421 00:23:16,167 --> 00:23:20,827 HIS SKIN AND HIS...HIS FACE. 422 00:23:20,833 --> 00:23:22,903 HIS HANDS... 423 00:23:28,133 --> 00:23:30,432 SHE DESCRIBED THIS MAN 424 00:23:30,467 --> 00:23:34,197 AS A GUY WITH BAD TEETH, BAD BREATH. 425 00:23:34,200 --> 00:23:36,800 SHE FELT A DARKNESS AROUND HIM, 426 00:23:36,835 --> 00:23:38,932 A DARK PRESENCE. 427 00:23:41,467 --> 00:23:43,897 I READ THAT 428 00:23:43,900 --> 00:23:45,765 MARIA HERNANDEZ AND DAYLE OKAZAKI 429 00:23:45,800 --> 00:23:48,865 WERE ONLY THE START OF THE KILLER'S RAMPAGE. 430 00:23:48,900 --> 00:23:52,470 EVEN ON THAT SAME NIGHT, THERE WAS ANOTHER VICTIM. 431 00:23:52,505 --> 00:23:55,497 THE KILLER LEFT DAYLE AND MARIA'S HOME 432 00:23:55,500 --> 00:23:58,130 AND DROVE AROUND FOR AWHILE, 433 00:23:58,133 --> 00:24:00,803 AND HE ENDED UP IN A NEIGHBORING COMMUNITY 434 00:24:00,838 --> 00:24:02,232 CALLED MONTEREY PARK. 435 00:24:02,267 --> 00:24:03,797 AND HE ENCOUNTERED A WOMAN 436 00:24:03,800 --> 00:24:06,130 JUST PULLING UP IN FRONT OF HER HOUSE. 437 00:24:06,133 --> 00:24:07,932 HER NAME WAS TSAI-LIAN YU. 438 00:24:07,967 --> 00:24:10,067 HE WAITED UNTIL SHE GOT OUT OF HER CAR, 439 00:24:10,102 --> 00:24:11,227 AND THEN HE SHOT HER. 440 00:24:11,233 --> 00:24:13,303 KILLED HER RIGHT THERE. 441 00:24:15,367 --> 00:24:17,427 MORE KILLINGS FOLLOWED. 442 00:24:17,433 --> 00:24:19,403 SOME OF THEM HE WOULD SHOOT. 443 00:24:19,438 --> 00:24:21,482 SOME OF THEM HE WOULD STAB. 444 00:24:21,517 --> 00:24:23,527 SOME HE WOULD BEAT TO DEATH. 445 00:24:23,533 --> 00:24:25,516 SOMETIMES, HE WOULD RAPE. 446 00:24:25,551 --> 00:24:27,500 SOMETIMES, HE WOULD ROB. 447 00:24:29,067 --> 00:24:31,497 I WAS ACTUALLY WORKING SOUTH LOS ANGELES 448 00:24:31,500 --> 00:24:34,332 AS A DETECTIVE, AND THE CITY WAS ON EDGE. 449 00:24:34,367 --> 00:24:38,967 I MEAN, WE HAD A SERIAL KILLER ON THE LOOSE WITH NO HARD LEADS. 450 00:24:39,002 --> 00:24:43,697 COPS STILL HAD NO IDEA THE KILLER WAS RAMIREZ, 451 00:24:43,700 --> 00:24:46,530 BUT THE MEDIA GAVE HIM A NAME -- 452 00:24:46,533 --> 00:24:48,465 THE NIGHT STALKER. 453 00:24:48,500 --> 00:24:50,470 THE SUSPECT VARIES THE TIME, PLACE, 454 00:24:50,505 --> 00:24:51,797 AND TYPE OF ATTACK, 455 00:24:51,800 --> 00:24:54,800 BUT HE ALWAYS ENTERS THROUGH AN OPEN DOOR OR WINDOW. 456 00:24:54,835 --> 00:24:56,132 LOS ANGELES COUNTY OFFICIALS 457 00:24:56,167 --> 00:24:59,197 HAVE AUTHORIZED A $10,000 REWARD. 458 00:25:01,067 --> 00:25:02,497 HE MOVED AROUND L.A., 459 00:25:02,500 --> 00:25:06,330 STRIKING IN ALL DIFFERENT KINDS OF NEIGHBORHOODS. 460 00:25:06,333 --> 00:25:09,165 IT WAS ALL SO RANDOM. 461 00:25:09,200 --> 00:25:12,070 THE ONLY CONSTANT WAS THAT HE'D STAYED AT THE CECIL. 462 00:25:12,105 --> 00:25:19,427 ** 463 00:25:19,500 --> 00:25:29,032 ** 464 00:25:29,067 --> 00:25:30,532 THERE WERE REPORTS AT THIS TIME 465 00:25:30,567 --> 00:25:32,727 THAT THE KILLER WAS SEEN LATE AT NIGHT 466 00:25:32,733 --> 00:25:35,733 DISPOSING OF BLOODY CLOTHES AND EVIDENCE 467 00:25:35,768 --> 00:25:38,133 IN THE DUMPSTER BEHIND THE CECIL. 468 00:25:38,168 --> 00:25:46,765 ** 469 00:25:46,800 --> 00:25:48,770 SOME PEOPLE CLAIMED THAT THE KILLER WOULD BE 470 00:25:48,805 --> 00:25:50,732 JUST WALKING BACK INTO THE CECIL 471 00:25:50,767 --> 00:25:53,197 AND DOWN THE HALL JUST IN HIS UNDERWEAR, 472 00:25:53,200 --> 00:25:56,130 PRESUMABLY 'CAUSE HE HAD JUST MAYBE KILLED SOMEBODY 473 00:25:56,133 --> 00:25:59,032 AND DISPOSED OF THE CLOTHES. 474 00:25:59,067 --> 00:26:00,797 THE THING THAT YOU'VE GOT TO REMEMBER ABOUT THE CECIL 475 00:26:00,800 --> 00:26:03,570 IN THE '80s IS NOBODY PROBABLY CARED. 476 00:26:03,605 --> 00:26:05,332 IT WAS A TYPICAL TUESDAY. 477 00:26:05,367 --> 00:26:08,867 6 TO 8 MURDERS AND 25 TO 30 ATTACKS. 478 00:26:08,902 --> 00:26:10,827 I'VE BEEN VERY APPREHENSIVE. 479 00:26:10,833 --> 00:26:14,032 I KEEP MY DOORS LOCKED AND MY GUNS LOADED. 480 00:26:14,067 --> 00:26:18,767 NOBODY KNOWS WHERE THIS INDIVIDUAL MAY STRIKE NEXT. 481 00:26:18,802 --> 00:26:21,727 215926 AAC. 482 00:26:21,733 --> 00:26:23,873 THE BODY COUNT ROSE WITH THE MERCURY 483 00:26:23,908 --> 00:26:26,032 IN THE SUMMER OF 1985. 484 00:26:26,067 --> 00:26:27,897 THE KILLER'S MURDERS BECAME DARKER, 485 00:26:27,900 --> 00:26:31,170 INFLUENCED BY HIS EVER-APPARENT BELIEF IN SATANISM. 486 00:26:33,233 --> 00:26:36,073 HE WAS MUTILATING HIS VICTIMS AND DRAWING SATANIC SYMBOLS 487 00:26:36,108 --> 00:26:38,232 ON THE WALLS OF THEIR HOMES, 488 00:26:38,267 --> 00:26:42,197 AND SOMETIMES ON THE VICTIMS THEMSELVES. 489 00:26:42,200 --> 00:26:45,630 THE NIGHT STALKER WORSHIPPED THE DEVIL AND HE WORSHIPED EVIL, 490 00:26:45,633 --> 00:26:49,850 AND IN SOME CASES WHERE HE ENCOUNTERED VICTIMS, 491 00:26:49,885 --> 00:26:54,067 HE WOULD ASK THEM TO PLEDGE ALLEGIANCE TO SATAN. 492 00:26:54,102 --> 00:26:55,527 THERE WAS ONE VICTIM. 493 00:26:55,533 --> 00:26:59,303 HE TOLD HER, "DON'T LOOK AT ME. DON'T CALL THE COPS." 494 00:26:59,338 --> 00:27:03,252 SHE SAID, "DON'T WORRY. I WON'T. I SWEAR TO GOD." 495 00:27:03,287 --> 00:27:07,167 HE TOLD HER, "DON'T SWEAR TO GOD. SWEAR TO SATAN." 496 00:27:08,500 --> 00:27:13,032 ** 497 00:27:13,067 --> 00:27:14,527 IT DIDN'T TAKE LONG 498 00:27:14,533 --> 00:27:17,398 FOR PANIC TO TEAR ACROSS LOS ANGELES. 499 00:27:17,433 --> 00:27:20,073 THE LATEST VICTIM, A 35-YEAR-OLD MAN, 500 00:27:20,108 --> 00:27:22,527 SHOT IN THE HEAD LAST THURSDAY. 501 00:27:22,533 --> 00:27:25,573 I'M AFRAID FOR EVERYBODY -- ELDERLY, YOUNG, EVERYBODY. 502 00:27:27,300 --> 00:27:30,300 DETECTIVES WERE BAFFLED BECAUSE THERE WASN'T ANY RHYME OR REASON 503 00:27:30,335 --> 00:27:32,230 TO WHAT WAS HAPPENING. 504 00:27:32,233 --> 00:27:34,703 EVERYBODY WAS SCARED FOR THEIR LIVES. 505 00:27:34,738 --> 00:27:37,732 YOU DIDN'T KNOW WHEN HE WOULD APPEAR. 506 00:27:37,767 --> 00:27:40,727 HE STRUCK ALL OVER LOS ANGELES COUNTY. 507 00:27:40,733 --> 00:27:44,973 HE ALSO DIDN'T HAVE A PARTICULAR KIND OF PERSON HE LIKED TO KILL. 508 00:27:45,008 --> 00:27:47,067 THE NIGHT STALKER KILLED INDISCRIMINATELY 509 00:27:47,102 --> 00:27:49,032 AND HE KILLED EVERYBODY. 510 00:27:49,067 --> 00:27:52,232 IT WAS THIS UNPREDICTABILITY THAT ADDED 511 00:27:52,267 --> 00:27:56,897 AN EXTRA LAYER OF JUST ABSOLUTE TERROR AND FEAR 512 00:27:56,900 --> 00:27:59,130 IN LOS ANGELES COUNTY. 513 00:27:59,133 --> 00:28:02,283 THE NIGHT STALKER BECAME WORLD-FAMOUS, 514 00:28:02,318 --> 00:28:05,410 AND THAT'S WHAT HE SEEMED TO CRAVE MOST -- FAME. 515 00:28:05,445 --> 00:28:09,437 NO ONE KNEW HE WAS LIVING RIGHT UNDER THEIR NOSE, 516 00:28:09,472 --> 00:28:13,430 RIGHT THERE AT 640 MAIN STREET AT THE CECIL HOTEL. 517 00:28:13,433 --> 00:28:17,773 BUT THIS REIGN OF TERROR COULDN'T LAST FOREVER. 518 00:28:17,808 --> 00:28:20,967 IT NEVER DOES. 519 00:28:21,002 --> 00:28:24,567 ** 520 00:28:27,267 --> 00:28:32,727 ** 521 00:28:32,733 --> 00:28:34,601 A KILLER WAS ON THE LOOSE, 522 00:28:34,636 --> 00:28:36,470 AND MY STORY ABOUT LOS ANGELES CRIME 523 00:28:36,505 --> 00:28:40,097 WAS TAKING A NEW TACK. 524 00:28:40,100 --> 00:28:41,800 IT WAS JUST LIKE THE MID-'80s, 525 00:28:41,835 --> 00:28:44,082 WHEN THE NEWS ARCHIVES DESCRIBED 526 00:28:44,117 --> 00:28:46,330 A CITY SPIRALING OUT OF CONTROL. 527 00:28:46,333 --> 00:28:49,951 WHILE RICHARD RAMIREZ WAS LIVING AT THE CECIL HOTEL, 528 00:28:49,986 --> 00:28:53,906 HE WAS RIDING HIGH ON A WAVE OF TERROR ACROSS L.A. 529 00:28:53,941 --> 00:28:57,827 WITH EACH ATTACK, HIS EGO GREW, WITH GOOD REASON. 530 00:28:57,833 --> 00:28:59,451 MY WORK IN SERIAL KILLERS IS THAT 531 00:28:59,486 --> 00:29:01,070 THEY THINK THEY'RE BETTER THAN EVERYBODY. 532 00:29:01,105 --> 00:29:03,232 THEY'RE SMARTER THAN EVERYBODY, 533 00:29:03,267 --> 00:29:04,827 AND THEY PROVE IT WHEN THEY DO THESE MURDERS 534 00:29:04,833 --> 00:29:06,065 AND GET AWAY WITH IT. 535 00:29:06,100 --> 00:29:07,830 AND THE MORE THEY DO AND THE MORE THEY GET AWAY, 536 00:29:07,833 --> 00:29:10,198 THE MORE THAT FUELS THE NARCISSISM, 537 00:29:10,233 --> 00:29:12,151 THE MORE THEY WANT TO SEE THAT IN THE NEWSPAPER 538 00:29:12,186 --> 00:29:14,070 AND THE MORE THEY WANT TO SEE IT ON TELEVISION 539 00:29:14,105 --> 00:29:15,632 BECAUSE IT JUST PROVES TO THEM 540 00:29:15,667 --> 00:29:19,827 THEIR SUPERIORITY TO EVERYBODY ELSE. 541 00:29:19,833 --> 00:29:25,573 BUT ON AUGUST 25, 1985, EVERYTHING CHANGED. 542 00:29:25,608 --> 00:29:27,667 A SUSPECT ATTACKED A COUPLE LIVING TOGETHER 543 00:29:27,702 --> 00:29:29,327 IN MISSION VIEJO, 544 00:29:29,333 --> 00:29:33,073 AND HE SEXUALLY ASSAULTED THE FEMALE AND SHOT THE MALE, 545 00:29:33,108 --> 00:29:35,227 LEAVING HIM FOR DEAD. 546 00:29:35,233 --> 00:29:38,133 FORTUNATELY FOR EVERYONE INVOLVED, THERE WAS A YOUNG MAN 547 00:29:38,168 --> 00:29:42,633 WHO SAW THE SUSPECT DRIVING BY IN A CAR. 548 00:29:42,668 --> 00:29:44,032 HE NOTIFIED AUTHORITIES, 549 00:29:44,067 --> 00:29:47,197 AND THAT CAR WAS A REPORTED STOLEN VEHICLE, 550 00:29:47,200 --> 00:29:50,470 AND IT WAS FOUND IN THE VICINITY OF THE SKID ROW AREA, 551 00:29:50,505 --> 00:29:53,827 CLOSE TO THE CECIL HOTEL. 552 00:29:53,833 --> 00:29:56,873 AND THEY WERE ULTIMATELY ABLE TO FIND A FINGERPRINT 553 00:29:56,908 --> 00:29:58,497 INSIDE THE CAR. 554 00:29:58,500 --> 00:30:02,600 IT WAS A PARTIAL THUMB PRINT ON THE REARVIEW MIRROR. 555 00:30:05,200 --> 00:30:06,965 GOTCHA. 556 00:30:07,000 --> 00:30:08,770 THEY RUN IT THROUGH A DATABASE, 557 00:30:08,805 --> 00:30:10,432 AND WHEN THEY DO, 558 00:30:10,467 --> 00:30:14,197 THEY FIND THE ONE GUY THAT THEY BELIEVE IS RESPONSIBLE 559 00:30:14,200 --> 00:30:17,465 FOR 13 MURDERS AND 30 ASSAULTS. 560 00:30:17,500 --> 00:30:21,530 HE WAS POSITIVELY IDENTIFIED AS RICHARD RAMIREZ. 561 00:30:25,100 --> 00:30:28,100 RICHARD RAMIREZ WAS A YOUNG HIGH SCHOOL DROPOUT. 562 00:30:28,135 --> 00:30:30,065 HE WAS A DRIFTER. 563 00:30:30,100 --> 00:30:32,685 THERE WAS NO VIOLENCE IN HIS PAST. 564 00:30:32,720 --> 00:30:35,270 HE WAS A THIEF, LITTLE STREET HOOD, 565 00:30:35,305 --> 00:30:36,827 A TWO-BIT CRIMINAL. 566 00:30:38,867 --> 00:30:40,727 WE'VE GOT A BOOKING PHOTO OF HIM, 567 00:30:40,733 --> 00:30:43,533 AND IT MATCHED WHAT THE SURVIVING VICTIMS HAD SEEN. 568 00:30:45,533 --> 00:30:48,083 POLICE WERE THEN SURE OF IT. 569 00:30:48,118 --> 00:30:50,633 RICHARD RAMIREZ WAS THE NIGHT STALKER, 570 00:30:50,668 --> 00:30:53,673 THE MOST WANTED MAN IN AMERICA. 571 00:30:53,708 --> 00:30:55,927 ** 572 00:30:55,933 --> 00:30:57,703 THEY PUT OUT HIS MUG SHOT. 573 00:30:57,738 --> 00:30:59,967 THEY GAVE IT TO ALL THE LOCAL MEDIA -- 574 00:31:00,002 --> 00:31:02,197 TV STATIONS, NEWSPAPERS, EVERYTHING. 575 00:31:05,900 --> 00:31:08,032 AND ON A SATURDAY MORNING, 576 00:31:08,067 --> 00:31:10,032 RICHARD RAMIREZ'S PICTURE WAS PLASTERED 577 00:31:10,067 --> 00:31:14,432 ON THE FRONT PAGE OF EVERY NEWSPAPER IN L.A. 578 00:31:14,467 --> 00:31:18,267 ALL OF THE PATROL UNITS, ALL OF THE POLICE DEPARTMENTS 579 00:31:18,302 --> 00:31:22,067 AND SURROUNDING AGENCIES WERE ON THE LOOKOUT FOR RAMIREZ. 580 00:31:22,102 --> 00:31:30,097 ** 581 00:31:30,100 --> 00:31:31,200 HEY, THAT'S HIM! THAT'S THE GUY! 582 00:31:31,235 --> 00:31:32,330 - HEY. - HEY. 583 00:31:32,333 --> 00:31:33,773 WHERE DO YOU THINK YOU'RE GOING, MAN? 584 00:31:33,808 --> 00:31:36,017 THIS YOU RIGHT HERE? 585 00:31:36,052 --> 00:31:38,227 A MOB OF LOCALS 586 00:31:38,233 --> 00:31:40,333 ACTUALLY CHASED RAMIREZ DOWN 587 00:31:40,368 --> 00:31:43,032 AND BEAT HIM VERY BADLY 588 00:31:43,067 --> 00:31:46,597 AND HELD HIM UNTIL THE COPS CAME AND ARRESTED HIM. 589 00:31:46,600 --> 00:31:50,230 THE PUBLIC, WHO WAS TERRORIZED BY RAMIREZ, 590 00:31:50,233 --> 00:31:53,365 WERE THE ONES WHO WERE ABLE TO TAKE HIM DOWN, 591 00:31:53,400 --> 00:31:56,670 WHICH IS, IN SOME WAY, KIND OF SWEET POETIC JUSTICE. 592 00:31:58,600 --> 00:32:00,685 IT WAS OVER -- 593 00:32:00,720 --> 00:32:02,770 THE TERROR, THE HORROR. 594 00:32:04,400 --> 00:32:07,830 LOS ANGELES COULD SLEEP WITH BOTH EYES CLOSED AGAIN... 595 00:32:07,833 --> 00:32:10,133 AT LEAST FOR A LITTLE WHILE. 596 00:32:12,200 --> 00:32:13,970 MR. RAMIREZ, A.K.A. "THE NIGHT STALKER," 597 00:32:14,005 --> 00:32:17,036 WAS CONVICTED OF 13 COUNTS OF MURDERS, 598 00:32:17,071 --> 00:32:20,067 SEVERAL OTHER COUNTS OF SEXUAL ASSAULT. 599 00:32:21,500 --> 00:32:26,970 HE WAS ULTIMATELY SENTENCED TO DEATH IN NOVEMBER OF 1989. 600 00:32:28,967 --> 00:32:32,597 RICHARD'S DEMEANOR IN COURT WAS SHOCKING. 601 00:32:32,600 --> 00:32:35,165 IN ONE INSTANCE, HE LAUGHED 602 00:32:35,200 --> 00:32:37,633 WHEN THE PROSECUTOR WOULD NAME OF THE VICTIMS 603 00:32:37,668 --> 00:32:40,067 AND THE CRIMES HE WAS ACCUSED OF COMMITTING. 604 00:32:40,102 --> 00:32:41,827 HE DIDN'T CARE ABOUT HIS VICTIMS. 605 00:32:41,833 --> 00:32:44,465 HE WAS CALLOUS. HE WAS COLD. 606 00:32:44,500 --> 00:32:47,670 AND HE BELIEVED THAT HE WAS DOING SATAN'S WORK. 607 00:32:49,700 --> 00:32:51,830 RAMIREZ BECAME SOMETHING OF A CELEBRITY. 608 00:32:53,933 --> 00:32:57,203 HE HAD BOOKS AND MOVIES WRITTEN ABOUT HIM. 609 00:32:57,238 --> 00:32:58,800 EVEN THOUGH HE WAS ON DEATH ROW, 610 00:32:58,835 --> 00:33:01,830 WOMEN WANTED TO BE WITH HIM. 611 00:33:01,833 --> 00:33:04,203 HE EVEN GOT MARRIED WHILE HE WAS IN PRISON. 612 00:33:09,500 --> 00:33:12,430 ** 613 00:33:12,433 --> 00:33:14,365 THIS, AGAIN, IS ABOUT MANIPULATING THE PUBLIC, 614 00:33:14,400 --> 00:33:19,100 MANIPULATING THE FEAR, HAVING THE CONTROL TO TERRORIZE PEOPLE 615 00:33:19,135 --> 00:33:21,530 AND REVELING IN THE INFAMY OF IT ALL. 616 00:33:21,533 --> 00:33:22,898 THE DEATH SENTENCE 617 00:33:22,933 --> 00:33:24,398 THAT WAS IMPOSED UPON RICHARD RAMIREZ 618 00:33:24,433 --> 00:33:28,073 WAS NEVER CARRIED OUT BY THE CRIMINAL JUSTICE SYSTEM. 619 00:33:28,108 --> 00:33:32,827 PRIOR TO EXECUTION, HE DIED OF NATURAL CAUSES. 620 00:33:32,833 --> 00:33:37,898 ** 621 00:33:37,933 --> 00:33:41,731 RICHARD RAMIREZ'S CONNECTION TO THE CECIL 622 00:33:41,766 --> 00:33:45,530 ADDED AN EXTRA LAYER OF JUST ABSOLUTE TERROR AND FEAR 623 00:33:45,533 --> 00:33:48,098 TO ITS NOTORIOUS REPUTATION 624 00:33:48,133 --> 00:33:51,031 AS KIND OF THIS MURDER HUB OF LOS ANGELES. 625 00:33:51,066 --> 00:33:53,930 SO DID RICHARD RAMIREZ, EVEN IN DEATH, 626 00:33:53,933 --> 00:33:56,733 HAVE ANYTHING TO DO WITH THE MURDERS NEAR THE CECIL? 627 00:33:58,508 --> 00:34:01,067 YES. YES, HE DID. 628 00:34:04,100 --> 00:34:06,565 I HAVE NO DOUBT IN MY MIND AT ALL 629 00:34:06,600 --> 00:34:09,530 THAT JACK UNTERWEGER STAYED AT THE CECIL HOTEL 630 00:34:09,533 --> 00:34:11,933 BECAUSE HE KNEW THAT RICHARD RAMIREZ 631 00:34:11,968 --> 00:34:14,132 HAD LIVED THERE BEFORE HIM, 632 00:34:14,167 --> 00:34:18,427 AND HE JUST WANTED TO FEEL THAT SAME ENERGY. 633 00:34:18,433 --> 00:34:22,773 I CAME TO THE CECIL TO COPY RICHARD RAMIREZ. 634 00:34:22,808 --> 00:34:25,967 I STAYED IN HIS ROOM. 635 00:34:26,002 --> 00:34:29,127 I ROAMED HIS STREETS. 636 00:34:29,133 --> 00:34:31,600 I WANTED TO BE JUST LIKE HIM. 637 00:34:31,635 --> 00:34:34,067 I WANTED TO BE FAMOUS LIKE HIM. 638 00:34:36,067 --> 00:34:38,497 I WANTED TO BE POWERFUL LIKE HIM. 639 00:34:40,533 --> 00:34:43,473 I WANTED TO BE FEARED LIKE HIM... 640 00:34:46,733 --> 00:34:48,833 ...BECAUSE JUST LIKE THE NIGHT STALKER, 641 00:34:48,868 --> 00:34:51,673 I HAD COME TO LOS ANGELES 642 00:34:51,708 --> 00:34:53,367 TO KILL. 643 00:34:56,200 --> 00:34:59,430 ** 644 00:35:02,533 --> 00:35:08,732 ** 645 00:35:08,767 --> 00:35:10,527 I'D COME TO LOS ANGELES UNDER THE GUISE 646 00:35:10,533 --> 00:35:13,098 OF WRITING ABOUT CRIME. 647 00:35:13,133 --> 00:35:15,303 - READY? - I'VE BEEN READY FOR MONTHS. 648 00:35:16,900 --> 00:35:21,600 BUT I FOOLED THE L.A.P.D. INTO HELPING ME MAKE CRIME. 649 00:35:21,635 --> 00:35:23,230 JACK, I'M GONNA NEED YOU TO STAY BACK. 650 00:35:24,667 --> 00:35:27,327 THE COPS SHOWED ME MY PREY... 651 00:35:27,333 --> 00:35:29,073 I DON'T HAVE TO USE YOUR REAL NAME. 652 00:35:31,200 --> 00:35:35,100 ...WHILE I STAYED AT THE CECIL HOTEL IN ROOM 1402, 653 00:35:35,135 --> 00:35:36,830 RICHARD RAMIREZ'S ROOM. 654 00:35:39,367 --> 00:35:42,627 I BECAME THE CITY'S NEXT BIG SERIAL KILLER. 655 00:35:42,633 --> 00:35:51,932 ** 656 00:35:51,967 --> 00:35:54,097 HEY THERE. 657 00:35:54,100 --> 00:35:55,632 WHAT'S YOUR NAME? 658 00:35:55,667 --> 00:35:58,797 DOES CANDY WORK FOR YOU? 659 00:35:58,800 --> 00:36:01,632 IT WAS ALMOST TOO EASY. 660 00:36:01,667 --> 00:36:04,727 WAVE A $10 BILL AT THEM, AND THEY WOULD DO ANYTHING. 661 00:36:06,900 --> 00:36:08,800 - YOU FROM AROUND HERE? - NO. 662 00:36:08,835 --> 00:36:10,230 YOU STAYING IN THE AREA? 663 00:36:10,233 --> 00:36:11,598 I AM. THE CECIL. 664 00:36:11,633 --> 00:36:13,873 - I KNOW THAT PLACE. - YEAH, IT'S OVER THERE. 665 00:36:13,908 --> 00:36:15,767 LOOKING FOR SOME FUN? 666 00:36:15,802 --> 00:36:17,697 YEAH. 667 00:36:17,700 --> 00:36:19,800 WANNA GET OUT OF HERE? 668 00:36:19,835 --> 00:36:21,900 - YEAH. - ALL RIGHT. 669 00:36:21,935 --> 00:36:25,332 ** 670 00:36:30,100 --> 00:36:33,800 JACK UNTERWEGER'S THIRD VICTIM WAS PEGGY BOOTH. 671 00:36:35,333 --> 00:36:37,598 ** 672 00:36:40,700 --> 00:36:43,215 SHE WAS MURDERED IN A SIMILAR MANNER. 673 00:36:43,250 --> 00:36:45,730 HEY. 674 00:36:47,067 --> 00:36:50,897 ** 675 00:36:50,900 --> 00:36:53,870 SHE WAS BEATEN AND STRANGLED, AND THEN HER BRA WAS USED 676 00:36:53,905 --> 00:36:56,327 IN A STRIKINGLY SIMILAR MANNER 677 00:36:56,333 --> 00:37:00,365 AS SHANNON EXLEY'S BRA HAD BEEN USED AS A WEAPON. 678 00:37:00,400 --> 00:37:04,397 THEY HAD BEEN CUT AND THEN TIED BACK TOGETHER 679 00:37:04,400 --> 00:37:06,032 AND PULLED TIGHTLY AROUND THE NECK 680 00:37:06,067 --> 00:37:10,327 AND TIED IN KIND OF AN UNUSUALLY INTRICATE KNOT. 681 00:37:10,333 --> 00:37:12,532 PEGGY WAS ONLY 26 YEARS OLD. 682 00:37:12,567 --> 00:37:14,767 I MEAN, SHE HAD HER WHOLE LIFE AHEAD OF HER, 683 00:37:14,802 --> 00:37:17,727 AND THIS IS NOT AN IMMEDIATE DEATH. 684 00:37:17,733 --> 00:37:20,498 I MEAN, THIS TAKES MINUTES TO OCCUR, 685 00:37:20,533 --> 00:37:25,073 AND TO, YOU KNOW, BE ALIVE AND THE FIGHTING OFF YOUR ASSAILANT 686 00:37:25,108 --> 00:37:28,067 AND WHAT A HORRIBLE WAY TO DIE. 687 00:37:32,600 --> 00:37:38,732 ** 688 00:37:38,767 --> 00:37:40,797 AFTER THREE MURDERS, IT WAS TIME 689 00:37:40,800 --> 00:37:44,330 TO CHECK OUT AT THE CECIL AND LEAVE LOS ANGELES. 690 00:37:44,333 --> 00:37:50,598 ** 691 00:37:50,633 --> 00:37:53,133 WHEN UNTERWEGER CHECKED OUT OF THE HOTEL CECIL 692 00:37:53,168 --> 00:37:56,733 ON JULY 2, 1991, HE HAD ACCOMPLISHED 693 00:37:56,768 --> 00:37:59,650 EVERYTHING HE HAD SET OUT TO DO, 694 00:37:59,685 --> 00:38:02,498 AND HE HAD GOTTEN AWAY WITH IT. 695 00:38:02,533 --> 00:38:04,873 BUT IT WASN'T THE FIRST TIME. 696 00:38:04,908 --> 00:38:06,827 LATER, THE AUTHORITIES FOUND THAT 697 00:38:06,833 --> 00:38:09,703 HE HAD BEEN CONVICTED OF A 1974 MURDER 698 00:38:09,738 --> 00:38:12,630 AND SENTENCED TO LIFE IN PRISON, 699 00:38:12,633 --> 00:38:14,773 BUT THEN HE BECAME THIS AWARD-WINNING AUTHOR 700 00:38:14,808 --> 00:38:17,227 AND PLAYWRIGHT IN PRISON. 701 00:38:17,233 --> 00:38:19,332 HE WAS RELEASED AFTER 15 YEARS, 702 00:38:19,367 --> 00:38:23,097 AND HE WAS OUT LESS THAN ABOUT 4 MONTHS 703 00:38:23,100 --> 00:38:24,670 BEFORE HE DID HIS FIRST MURDER. 704 00:38:26,700 --> 00:38:28,263 THE OBVIOUS TRAGEDY OF THIS IS 705 00:38:28,298 --> 00:38:29,827 HE DID MANIPULATE THE L.A.P.D. 706 00:38:29,833 --> 00:38:34,703 TO FAMILIARIZE HIMSELF WITH THE PROSTITUTION SCENE IN L.A. 707 00:38:36,167 --> 00:38:38,467 I MEAN, COULD I HAVE SOMEONE LIKE THAT IN MY CAR, 708 00:38:38,502 --> 00:38:40,197 NOT KNOWING? 709 00:38:40,200 --> 00:38:42,630 I MEAN, HERE WAS A KILLER SITTING WITH THE COPS, 710 00:38:42,633 --> 00:38:46,773 AND HE MAY BE PREYING AND LOOKING FOR HIS NEXT VICTIMS. 711 00:38:46,808 --> 00:38:49,232 WHAT A HORRIBLE FEELING. 712 00:38:49,267 --> 00:38:52,032 IN A WAY, THERE'S SOME BRILLIANCE TO THIS. 713 00:38:52,067 --> 00:38:54,497 IF YOU'RE A SERIAL KILLER AND YOU'RE GOING TO COME INTO L.A. 714 00:38:54,500 --> 00:38:56,532 AND KILL SOME PROSTITUTES, 715 00:38:56,567 --> 00:38:59,127 YOU'RE GOING TO KEEP A VERY LOW PROFILE. 716 00:38:59,133 --> 00:39:00,398 JACK, WHAT DOES HE DO? 717 00:39:00,433 --> 00:39:03,633 HE GOES TO THE L.A.P.D. AND GETS A RIDE-ALONG. 718 00:39:03,668 --> 00:39:05,403 YOU KNOW, WHO WOULD SUSPECT HIM? 719 00:39:06,900 --> 00:39:12,532 ** 720 00:39:12,567 --> 00:39:13,897 I WAS ALREADY LONG GONE 721 00:39:13,900 --> 00:39:16,470 WHEN THE L.A.P.D. FIGURED OUT WHAT I'D DONE. 722 00:39:22,733 --> 00:39:26,673 I WAS HOME IN VIENNA, BUT I WASN'T HOME FREE. 723 00:39:29,067 --> 00:39:31,197 AUTHORITIES WERE ON MY TRAIL AFTER REALIZING 724 00:39:31,200 --> 00:39:32,970 I HAD KILLED MANY OTHERS IN EUROPE 725 00:39:33,005 --> 00:39:34,727 BEFORE MY L.A. TRIP. 726 00:39:37,067 --> 00:39:38,327 AT THE HEIGHT OF JACK'S FAME, 727 00:39:38,333 --> 00:39:40,333 THERE WAS A SERIES OF PROSTITUTE MURDERS 728 00:39:40,368 --> 00:39:41,598 THAT TOOK PLACE IN AUSTRIA 729 00:39:41,633 --> 00:39:44,603 AND A COUPLE OF OTHER EUROPEAN COUNTRIES CLOSE BY. 730 00:39:44,638 --> 00:39:46,530 THESE ARE WOMEN WHO HAD BEEN BRUTALLY BEATEN, 731 00:39:46,533 --> 00:39:48,773 WOMEN WHO HAD BEEN STRANGLED WITH THEIR OWN BRAS. 732 00:39:48,808 --> 00:39:51,327 THEY KNEW THEY WERE LINKED TO ONE GUY. 733 00:39:51,333 --> 00:39:53,898 HE WAS CALLED THE VIENNA WOODS KILLER, 734 00:39:53,933 --> 00:39:56,373 AND IT WAS ONLY AFTER A POTENTIAL VICTIM GOT AWAY 735 00:39:56,408 --> 00:39:57,732 AND MADE IT TO A POLICE STATION 736 00:39:57,767 --> 00:40:01,097 THAT SHE WAS ABLE TO HELP DETECTIVES FIGURE OUT 737 00:40:01,100 --> 00:40:03,730 WHO THE VIENNA WOODS KILLER REALLY WAS, 738 00:40:03,733 --> 00:40:06,432 AND IT WAS JACK UNTERWEGER. 739 00:40:06,467 --> 00:40:11,197 JACK UNTERWEGER WAS ULTIMATELY CHARGED WITH 11 MURDERS, 740 00:40:11,200 --> 00:40:13,683 THREE OF WHICH OCCURRED IN LOS ANGELES 741 00:40:13,718 --> 00:40:16,167 WHILE HE WAS STAYING AT THE CECIL HOTEL 742 00:40:16,202 --> 00:40:19,267 WHILE HE RODE WITH POLICE OFFICERS 743 00:40:19,302 --> 00:40:22,327 FROM LOS ANGELES. 744 00:40:22,333 --> 00:40:24,915 JACK'S REAL REASON FOR COMING TO LOS ANGELES 745 00:40:24,950 --> 00:40:27,497 WAS HE WAS FASCINATED WITH RICHARD RAMIREZ. 746 00:40:27,500 --> 00:40:32,300 HE WANTED TO LIVE RAMIREZ'S LIFE IN HIS OWN WAY. 747 00:40:32,335 --> 00:40:34,230 HE WANTED TO BE IN THE CECIL HOTEL. 748 00:40:34,233 --> 00:40:36,718 HE WANTED TO COMMIT MURDER IN LOS ANGELES. 749 00:40:36,753 --> 00:40:39,203 HE WANTED TO BE A PART OF THE ROGUES' GALLERY 750 00:40:39,238 --> 00:40:40,930 OF LOS ANGELES CRIMINALS, 751 00:40:40,933 --> 00:40:43,603 AND HE SAW THE PINNACLE OF THAT BEING RICHARD RAMIREZ 752 00:40:43,638 --> 00:40:45,570 AND HIS LIFE IN THE CECIL HOTEL. 753 00:40:45,605 --> 00:40:49,327 ** 754 00:40:49,333 --> 00:40:51,165 I THINK THAT, IN HIS OWN WAY, 755 00:40:51,200 --> 00:40:54,470 JACK WAS PAYING A HOMAGE TO THE NIGHT STALKER, 756 00:40:54,505 --> 00:40:55,797 TO RICHARD RAMIREZ, 757 00:40:55,800 --> 00:40:58,530 BUT I THINK HE JUST LIKED THE IDEA. 758 00:40:58,533 --> 00:41:01,480 I MEAN, THERE AREN'T THAT MANY SERIAL KILLERS AT WORK. 759 00:41:01,515 --> 00:41:04,427 HOW OFTEN ARE YOU GOING TO BUMP INTO ONE OF YOUR OWN KIND, 760 00:41:04,433 --> 00:41:06,883 EVEN IF IT'S A FEW YEARS AFTER THE FACT? 761 00:41:06,918 --> 00:41:09,333 I THINK HE WANTED TO FEED ON THAT ENERGY. 762 00:41:11,267 --> 00:41:13,797 FOR MOST PLACES, THE FACT THAT TWO SERIAL KILLERS 763 00:41:13,800 --> 00:41:16,900 HAD LIVED THERE WOULD BE KIND OF THE REASON 764 00:41:16,935 --> 00:41:19,065 A PLACE IS SO DARK AND HAUNTED, 765 00:41:19,100 --> 00:41:22,770 BUT THIS WAS JUST KIND OF PAR FOR THE COURSE AT THE CECIL. 766 00:41:22,805 --> 00:41:25,597 THE CECIL HAD HAD HORRIBLE THINGS TAKING PLACE AT IT 767 00:41:25,600 --> 00:41:27,832 ALMOST FROM THE VERY BEGINNING. 768 00:41:27,867 --> 00:41:30,497 SEEMS LIKE KILLERS AND PREDATORS LOVE THE CECIL HOTEL. 769 00:41:30,500 --> 00:41:32,930 IT SEEMS TO BE A NATURAL HABITAT. 770 00:41:32,933 --> 00:41:36,433 I DON'T KNOW IF IT'S THE PEOPLE AT THE CECIL OR THE PLACE, 771 00:41:36,468 --> 00:41:39,333 BUT IT'S REALLY CHILLING WHEN YOU THINK ABOUT IT. 772 00:41:39,368 --> 00:41:43,065 ** 773 00:41:43,100 --> 00:41:44,930 IN THE END, I WAS TRIED AND CONVICTED 774 00:41:44,933 --> 00:41:48,403 OF 9 OUT OF THE 11 MURDERS I'D BEEN CHARGED WITH. 775 00:41:50,567 --> 00:41:53,167 I WAS SENTENCED TO LIFE IN PRISON. 776 00:41:55,100 --> 00:41:59,232 ** 777 00:41:59,267 --> 00:42:01,127 BUT I WOULD GET THE LAST WORD. 778 00:42:03,200 --> 00:42:05,332 I WOULD DEFY THEM ALL -- 779 00:42:05,367 --> 00:42:08,067 THE JUDGE, THE LAWYERS, THE POLICE. 780 00:42:09,733 --> 00:42:13,130 I WOULD NEVER SPEND A SINGLE NIGHT IN PRISON. 781 00:42:13,165 --> 00:42:16,527 WITHIN ABOUT 6 HOURS OF THE VERDICT COMING IN, 782 00:42:16,533 --> 00:42:20,398 JACK HAD HUNG HIMSELF IN HIS CELL. 783 00:42:20,433 --> 00:42:24,073 HE DID THE SAME KNOT THERE THAT HE DID WITH THE OTHER VICTIMS, 784 00:42:24,108 --> 00:42:26,067 AND SOME PEOPLE COMMENTED THAT THAT WAS PROBABLY 785 00:42:26,102 --> 00:42:28,497 JACK'S BEST MURDER OF ALL. 786 00:42:28,500 --> 00:42:31,700 ** 58564

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