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1
00:00:07,120 --> 00:00:09,530
- PREVIOUSLY
ON CALIFORNICATION...
2
00:00:09,560 --> 00:00:11,130
WHAT DO YOU DO
IN THE REAL WORLD?
3
00:00:11,160 --> 00:00:13,200
- I TRAVERSE THE GLOBE
IN THE COMPANY OF MUSICIANS.
4
00:00:13,230 --> 00:00:15,100
- YOU'RE A GROUPIE.
- MUSE...
5
00:00:15,130 --> 00:00:16,770
WOULD REALLY BE MORE
APPLICABLE.
6
00:00:16,800 --> 00:00:18,570
MEN HAVE WRITTEN SONGS
ABOUT ME.
7
00:00:18,600 --> 00:00:20,670
- I CAN SEE WHY.
DO YOU WANT TO GET HIGH?
8
00:00:20,700 --> 00:00:21,740
- DOES THE POPE SHIT
IN THE WOODS?
9
00:00:21,770 --> 00:00:23,770
- HAVE ANYTHING
TO ROLL WITH?
10
00:00:23,810 --> 00:00:25,410
- THEY DON'T CALL IT
"THE GOOD BOOK" FOR NOTHING.
11
00:00:25,440 --> 00:00:26,840
- I FEEL SO BAD.
12
00:00:26,880 --> 00:00:29,280
- I NEED TO HIT THE ROAD, LOVE.
- THIS IS FATE.
13
00:00:29,310 --> 00:00:31,150
TINY TALKED ABOUT YOU
ALL THE TIME.
14
00:00:31,180 --> 00:00:33,820
HE SAID THAT YOU HAD
AN UNCANNY ABILITY
15
00:00:33,850 --> 00:00:35,550
TO SUCK KILLER RIFFS
OUT OF HIM.
16
00:00:35,590 --> 00:00:37,150
- I WILL HAVE YOU KNOW, HANK,
17
00:00:37,190 --> 00:00:38,690
THAT I WAS A VERY GOOD
LITTLE CATHOLIC SCHOOLGIRL.
18
00:00:38,720 --> 00:00:40,360
- ARE YOU TRYING
TO TURN ME ON?
19
00:00:40,390 --> 00:00:42,630
- MY PARENTS, THEY HIT ME
PRETTY HARD ONCE UPON A TIME.
20
00:00:42,660 --> 00:00:44,290
I'M STILL SMARTING.
21
00:00:44,330 --> 00:00:46,160
I PLAYED AT THIS STUPID
LITTLE CHURCH SOCIAL.
22
00:00:46,200 --> 00:00:47,760
OF COURSE, ALL MY MOM
HAD TO SAY WAS
23
00:00:47,800 --> 00:00:49,470
THAT I LOOKED LIKE
A SLUT UP THERE.
24
00:00:49,500 --> 00:00:50,770
- METHINKS YOU LIKE
THIS ONE, FAITH.
25
00:00:50,800 --> 00:00:53,200
- SHE LIKES HIM.
I CAN TELL.
26
00:00:53,240 --> 00:00:55,310
- YOU SEEM TO HAVE
A REAL CONNECTION WITH THIS ONE.
27
00:00:55,340 --> 00:00:56,340
- IT COULD BE A REAL THING.
28
00:00:56,370 --> 00:00:57,510
- I HAVE BIG NEWS.
29
00:00:57,540 --> 00:01:01,450
TONIGHT I AM MAKING LOVE
TO A WOMAN.
30
00:01:01,480 --> 00:01:04,580
- KAREN, THIS IS BULLSHIT.
HE POOPS ON PEOPLE.
31
00:01:04,610 --> 00:01:06,750
- THAT WOMAN IS AMAZING.
32
00:01:10,850 --> 00:01:13,590
- OKAY, SO THE REASON I'VE
SUMMONED YOU BOTH TO DINNER--
33
00:01:13,620 --> 00:01:16,190
- OH, GOD!
- I HAVE NEWS.
34
00:01:16,230 --> 00:01:17,460
- JESUS CHRIST.
35
00:01:17,490 --> 00:01:19,200
- WHY DO YOU GO THERE
SO QUICKLY?
36
00:01:19,230 --> 00:01:20,860
- BECAUSE IT'S NEVER
GOOD NEWS WITH HER.
37
00:01:20,900 --> 00:01:23,600
IT'S ALWAYS DISGUSTING,
STOMACH-CHURNING AWFUL.
38
00:01:23,630 --> 00:01:24,870
SHE'S BAD-NEWS BECCA.
39
00:01:24,900 --> 00:01:26,500
- COULD YOU AT LEAST
LET HER SPEAK FIRST?
40
00:01:26,540 --> 00:01:29,140
PLEASE. I'M SORRY.
GO AHEAD.
41
00:01:29,170 --> 00:01:30,810
- SO I'VE DECIDED--
- TO GO BACK TO SCHOOL!
42
00:01:30,840 --> 00:01:32,740
THAT IS AWESOME.
- SHUT UP!
43
00:01:32,780 --> 00:01:34,680
- OF COURSE YOU HAVE.
UP HIGH.
44
00:01:34,710 --> 00:01:36,580
SOMEONE. ANYONE.
45
00:01:36,610 --> 00:01:39,480
- I'VE DECIDED
TO GO ABROAD
46
00:01:39,520 --> 00:01:41,420
FOR AN INDETERMINATE
AMOUNT OF TIME.
47
00:01:41,450 --> 00:01:42,620
- WOW.
- WHY?
48
00:01:42,650 --> 00:01:43,890
- I HATE L.A.
49
00:01:43,920 --> 00:01:45,290
- OKAY, WORD.
I'M WITH YOU ON THAT.
50
00:01:45,320 --> 00:01:47,620
BUT GO BACK TO SCHOOL,
GRADUATE,
51
00:01:47,660 --> 00:01:49,160
AND THEN YOU CAN GO ABROAD.
52
00:01:49,190 --> 00:01:50,390
- I WANT TO MAKE
A LITERARY PILGRIMAGE.
53
00:01:50,430 --> 00:01:51,730
I WANT TO FOLLOW
IN THE FOOTSTEPS
54
00:01:51,760 --> 00:01:53,500
OF MY FAVORITE
EXPATRIATE WRITERS...
55
00:01:53,530 --> 00:01:54,630
- I LOVE THAT.
- BURROUGHS,
56
00:01:54,660 --> 00:01:56,370
PAUL BOWLES,
HENRY MILLER.
57
00:01:56,400 --> 00:01:57,530
- SWEETIE, THAT'S WONDERFUL.
58
00:01:57,570 --> 00:01:58,770
- GOING ON
A LITERARY PILGRIMAGE
59
00:01:58,800 --> 00:02:00,300
DOES NOT MAKE YOU
A WRITER.
60
00:02:00,340 --> 00:02:01,610
THE ONLY THING
THAT MAKES YOU A WRITER
61
00:02:01,640 --> 00:02:03,270
IS GLUING YOUR ASS
IN A SEAT
62
00:02:03,310 --> 00:02:05,380
AND GETTING
WHAT'S INSIDE YOUR HEAD
63
00:02:05,410 --> 00:02:06,580
OUT ON THE PAPER.
64
00:02:06,610 --> 00:02:07,810
EVERYTHING ELSE IS A POSE.
65
00:02:07,840 --> 00:02:10,780
YOU CAN EXPAT YOURSELF
ON THE BACK
66
00:02:10,810 --> 00:02:13,220
AND GO "PILGRIMATE"
AFTER YOU'VE DONE SOMETHING,
67
00:02:13,250 --> 00:02:16,550
AFTER YOU'RE HAD SOME SUCCESS.
- WHY CAN'T I DO BOTH?
68
00:02:16,590 --> 00:02:19,390
IT JUST SEEMS
SO ROMANTIC.
69
00:02:19,420 --> 00:02:20,520
- THAT'S JUST IT, BECCA.
70
00:02:20,560 --> 00:02:22,660
YOU KNOW, THINGS
THAT SEEM ROMANTIC
71
00:02:22,690 --> 00:02:24,930
VERY RARELY ARE.
- AIN'T THAT THE TRUTH.
72
00:02:24,960 --> 00:02:26,760
- OH, DON'T GET ALL LOADED
WITH ME, WOMAN.
73
00:02:26,800 --> 00:02:29,530
- ANOTHER GOOD TALK.
- NO, SWEETIE--
74
00:02:29,570 --> 00:02:31,670
BECCA, I LOVE THE IDEA.
75
00:02:31,700 --> 00:02:33,270
- YOU KNOW...
- UGH!
76
00:02:33,300 --> 00:02:34,900
- I THINK WE CAN GET THROUGH
ALL THIS MUCK AND MIRE
77
00:02:34,940 --> 00:02:36,810
IF WE JUST GAVE IN
TO OUR BASER INSTINCTS
78
00:02:36,840 --> 00:02:39,780
AND ENGAGED IN A LITTLE
THERAPEUTIC HATE-FUCKING.
79
00:02:39,810 --> 00:02:41,550
OKAY, FINE.
80
00:02:41,580 --> 00:02:43,950
YOU KNOW, I'M NOT SURE I'D BE
INTO IT EVEN IF YOU WERE.
81
00:02:43,980 --> 00:02:45,980
YOU KNOW WHY? BECAUSE
YOU'RE SULLIED...AND SHIT.
82
00:02:46,020 --> 00:02:48,220
- YOU LOVE THAT SHIT.
- NO, NO, YOU'RE JUST--
83
00:02:48,250 --> 00:02:52,360
YOU'RE ALL SOILED...
AND SHIT.
84
00:02:52,390 --> 00:02:54,990
SULLIED...SHIT.
85
00:02:55,020 --> 00:02:57,990
[upbeat music]
86
00:02:58,030 --> 00:03:05,970
*
87
00:03:49,450 --> 00:03:53,280
[both speaking indistinctly]
88
00:03:55,420 --> 00:03:58,020
- HEY.
- HI.
89
00:03:58,050 --> 00:03:59,490
HOW ARE YOU?
90
00:03:59,520 --> 00:04:01,630
- HOW'S IT GOING?
- IS THIS A BAD TIME?
91
00:04:01,660 --> 00:04:04,430
- NO, OF COURSE NOT.
THIS IS BECKETT.
92
00:04:04,460 --> 00:04:05,800
THIS IS HANK MOODY.
93
00:04:05,830 --> 00:04:08,300
HE'S A WRITER AND A DRINKER.
- THANK YOU.
94
00:04:08,330 --> 00:04:11,640
- HE'S WORKING ON THAT MUSICAL
WITH YOUR BROTHER.
95
00:04:11,670 --> 00:04:12,970
- OH, REALLY?
- MM-HMM.
96
00:04:13,000 --> 00:04:14,640
- I HOPE THAT SPOILED
LITTLE GINGER'S
97
00:04:14,670 --> 00:04:16,470
TREATING YOU ALL RIGHT.
- YEAH.
98
00:04:16,510 --> 00:04:18,010
NOW, HE'S SWEET, ACTUALLY.
99
00:04:18,040 --> 00:04:20,040
I JUST GOT TO SLAP HIM UPSIDE
THE HEAD EVERY NOW AND THEN...
100
00:04:20,080 --> 00:04:21,650
- [laughs]
- OR GIVE HIM A TITTY TWISTER.
101
00:04:21,680 --> 00:04:22,910
- [laughs]
DON'T I KNOW IT.
102
00:04:22,950 --> 00:04:24,950
- BECKETT JUST GOT
OFF THE ROAD.
103
00:04:24,980 --> 00:04:27,420
- YEAH, FAITH'S BEEN KIND ENOUGH
TO HOUSE-SIT FOR ME
104
00:04:27,450 --> 00:04:29,350
WHILE I'VE BEEN GONE.
- AH.
105
00:04:29,390 --> 00:04:32,020
- AND WHAT IS MY REWARD?
I GET KICKED TO THE CURB.
106
00:04:32,060 --> 00:04:35,060
- COME ON.
I MET A MODEL IN AUSTRALIA,
107
00:04:35,090 --> 00:04:37,690
SO SHE'S MOVING IN.
WHO KNOWS?
108
00:04:37,730 --> 00:04:39,060
SHE MIGHT EVEN BE
THE ONE.
109
00:04:39,100 --> 00:04:41,530
- OH, BABY,
GOOD LUCK WITH THAT.
110
00:04:41,570 --> 00:04:43,600
- WELL, I GOT TO TRY, RIGHT?
YOU GOT TO KEEP TRYING.
111
00:04:43,630 --> 00:04:44,870
- YOU DO?
112
00:04:44,900 --> 00:04:46,370
- IT'S NOT AS IF
YOU'RE EVER GONNA
113
00:04:46,400 --> 00:04:47,640
LET ME MAKE AN HONEST GROUPIE
OUT OF YOU.
114
00:04:47,670 --> 00:04:48,640
- WELL, YOU NEVER ASKED, SO...
115
00:04:48,670 --> 00:04:49,840
- HEY, DOES ATTICUS KNOW
116
00:04:49,870 --> 00:04:51,980
ABOUT THIS SPECIAL
LITTLE FRIENDSHIP?
117
00:04:52,010 --> 00:04:53,680
- FUCK, NO.
- OH, GOD, NO.
118
00:04:53,710 --> 00:04:54,980
IT WOULD ABSOLUTELY
DESTROY HIM.
119
00:04:55,010 --> 00:04:56,480
HIS HEAD WOULD EXPLODE.
- WHICH WOULD FUCK UP
120
00:04:56,510 --> 00:04:58,080
THAT FABULOUS WEAVE
HE'S GOT GOING.
121
00:04:58,110 --> 00:04:59,820
LET'S DO IT.
- [chuckles]
122
00:04:59,850 --> 00:05:01,690
- OH, I LIKE THIS GUY.
123
00:05:01,720 --> 00:05:04,090
- YEAH, HE'S OKAY.
124
00:05:04,120 --> 00:05:07,090
[rock music]
125
00:05:07,120 --> 00:05:10,390
- * HERE SHE COMES NOW,
CHECK HER STYLE *
126
00:05:10,430 --> 00:05:12,360
*
127
00:05:12,400 --> 00:05:16,030
* SHE'S GOT GOLDEN EARRINGS,
DIAMOND SMILES *
128
00:05:16,070 --> 00:05:18,770
- YOU OKAY?
- YEAH. WHY?
129
00:05:18,800 --> 00:05:21,710
- I DON'T KNOW--YOU KIND OF GOT
THE BUM'S RUSH BACK THERE.
130
00:05:21,740 --> 00:05:25,070
HEY!
- COMES WITH THE TERRITORY.
131
00:05:25,110 --> 00:05:27,610
GUY GOES ON TOUR
FOR THE BETTER PART OF A YEAR,
132
00:05:27,640 --> 00:05:29,450
HE'S GONNA COME BACK
WITH SOMETHING...
133
00:05:29,480 --> 00:05:32,980
OR SOMEONE.
134
00:05:33,020 --> 00:05:34,480
I DON'T NEED
YOUR PITY, HANK.
135
00:05:34,520 --> 00:05:36,390
- OKAY, WELL,
THEN I WILL RETRACT IT,
136
00:05:36,420 --> 00:05:39,560
AND YOU WILL SEE NEITHER
HIDE NOR HAIR OF IT EVER AGAIN.
137
00:05:39,590 --> 00:05:40,860
- THANK YOU.
138
00:05:40,890 --> 00:05:43,130
- BUT HOW DO YOU LIVE?
- WHAT DO YOU MEAN?
139
00:05:43,160 --> 00:05:46,600
- WELL, YOU DON'T WORK.
YOU JUST KIND OF...
140
00:05:46,630 --> 00:05:48,100
- FLOAT?
- YEAH.
141
00:05:48,130 --> 00:05:51,130
- YES, I DO.
AND I LIKE IT THAT WAY.
142
00:05:51,170 --> 00:05:53,900
- HERE'S YOUR BEERS.
- THANK YOU, SIR.
143
00:05:53,940 --> 00:05:55,910
THINGS JUST HAVE A WAY
OF WORKING OUT.
144
00:05:55,940 --> 00:05:58,410
AND MEN HAVE BEEN
ESPECIALLY KIND TO ME.
145
00:05:58,440 --> 00:06:01,580
- UNDERSTANDABLY SO.
BUT WHAT IS NEXT?
146
00:06:01,610 --> 00:06:02,850
- I'M NOT SURE YET.
147
00:06:02,880 --> 00:06:04,610
I THINK WE SHOULD
KEEP DRINKING,
148
00:06:04,650 --> 00:06:06,550
AND SOMETHING WILL EVENTUALLY
SUGGEST ITSELF.
149
00:06:06,580 --> 00:06:09,150
- THAT'S WHAT MY MOM
ALWAYS USED TO SAY.
150
00:06:09,190 --> 00:06:11,090
- YOU CAN CRASH AT CHARLIE'S
IF YOU NEED TO.
151
00:06:11,120 --> 00:06:14,420
- BUT WHERE WOULD I SLEEP?
152
00:06:16,060 --> 00:06:19,930
[cell phone rings]
153
00:06:24,630 --> 00:06:27,770
- WHAT?
154
00:06:27,800 --> 00:06:29,110
TELEMARKETERS?
155
00:06:29,140 --> 00:06:31,740
- WORSE--MY MOTHER.
SHE'S A BIT OF A CUNT.
156
00:06:31,780 --> 00:06:35,140
SCRATCH THAT--SHE TAKES THE WARM
AND FUZZY OUT OF "CUNT."
157
00:06:35,180 --> 00:06:37,210
- OOH, I LIKE THAT.
AND I'M GONNA STEAL THAT.
158
00:06:37,250 --> 00:06:40,050
FAIR WARNING--
ONE DAY I WILL USE THAT.
159
00:06:40,080 --> 00:06:41,520
- OH, BE MY GUEST.
160
00:06:41,550 --> 00:06:43,750
I GUARANTEE YOU
SHE WANTS ME TO COME HOME.
161
00:06:43,790 --> 00:06:45,490
- MOMS ARE GOOD LIKE THAT.
YEP.
162
00:06:45,520 --> 00:06:50,530
- WELL, WHEN I DO,
IT'S ALWAYS A FUCKING DISASTER.
163
00:06:50,560 --> 00:06:52,930
SHE DOESN'T EXACTLY APPROVE
OF THE LIFESTYLE.
164
00:06:52,960 --> 00:06:54,460
- MOMS ARE GOOD
LIKE THAT TOO.
165
00:06:54,500 --> 00:06:56,930
HOW LONG'S IT BEEN?
- FUCK IF I KNOW, DUDE.
166
00:06:56,970 --> 00:06:58,700
I'VE BEEN WITH THE CIRCUS
A WHILE.
167
00:06:58,740 --> 00:07:01,000
SO LET'S JUST SAY
IT'S BEEN A SPELL.
168
00:07:01,040 --> 00:07:02,640
- IF YOU WANT SOME ADVICE
FROM A GUY
169
00:07:02,670 --> 00:07:04,940
WHO'S WATCHING HIS DAUGHTER
SOW SOME OF HER WILDER OATS,
170
00:07:04,970 --> 00:07:06,240
YOU SHOULD GO VISIT 'EM.
171
00:07:06,280 --> 00:07:10,880
WHAT'S THE HARM?
JUST THROW 'EM A BONE.
172
00:07:10,910 --> 00:07:14,720
- OKAY.
I'LL GO IF YOU GO.
173
00:07:14,750 --> 00:07:16,950
- WHAT?
- COME ON.
174
00:07:16,990 --> 00:07:18,860
IT'LL BE SUPER AWESOME
BRINGING HOME
175
00:07:18,890 --> 00:07:20,760
A RELATIVELY NORMAL
BOYFRIEND TYPE.
176
00:07:20,790 --> 00:07:23,130
- THANK YOU.
GEE, THANKS.
177
00:07:23,160 --> 00:07:24,830
- DON'T GET ME WRONG--
YOU ARE AS SICK AS THEY COME,
178
00:07:24,860 --> 00:07:26,560
BUT YOU'RE A LITTLE BIT BETTER
AT PASSING FOR NORMAL.
179
00:07:26,600 --> 00:07:28,000
- DO I HAVE TO GET
ON A PLANE?
180
00:07:28,030 --> 00:07:31,500
- NOPE.
JUST THE 405.
181
00:07:31,540 --> 00:07:35,100
* SHE SAYS, "MAN, I GOT TO
GET OUT OF THIS TOWN *
182
00:07:35,140 --> 00:07:39,210
* "MAN, I GOT TO
GET OUT OF THIS PAIN *
183
00:07:39,240 --> 00:07:43,110
* "MAN, I GOT TO
GET OUT OF THIS TOWN *
184
00:07:43,150 --> 00:07:44,980
* "OUT OF THIS TOWN
185
00:07:45,010 --> 00:07:47,780
* AND OUT OF L.A."
186
00:07:47,820 --> 00:07:56,060
*
187
00:07:59,700 --> 00:08:01,260
- [sighs]
188
00:08:01,300 --> 00:08:04,770
- LET'S DO IT.
- PRETTY SWEET, HUH?
189
00:08:04,800 --> 00:08:07,000
- I KNOW THIS PLACE.
190
00:08:07,040 --> 00:08:08,570
I GREW UP IN THIS PLACE.
- [chuckles]
191
00:08:08,610 --> 00:08:11,270
- IT WAS ABOUT
3,000 MILES AWAY, THOUGH.
192
00:08:11,310 --> 00:08:14,210
- OH...
I DON'T KNOW--
193
00:08:14,240 --> 00:08:16,250
GETTING BACK IN THE CAR
AND DRIVING REALLY FAST
194
00:08:16,280 --> 00:08:18,750
INTO A WALL IS LOOKING PRETTY
FUCKING APPEALING RIGHT NOW.
195
00:08:18,780 --> 00:08:20,750
- OH, COME ON,
IT'S TIME TO FACE THE MUZAK.
196
00:08:20,780 --> 00:08:23,220
- TOO LATE.
197
00:08:23,250 --> 00:08:26,120
[engine sputtering]
198
00:08:26,160 --> 00:08:29,760
- FAITH?
IS THAT YOU?
199
00:08:29,790 --> 00:08:31,160
- HEY, MOM.
- I'VE BEEN CALLING YOU.
200
00:08:31,190 --> 00:08:33,060
I'VE BEEN LEAVING
MESSAGES.
201
00:08:33,100 --> 00:08:35,630
- WELL, I THOUGHT
I WOULD SURPRISE YOU.
202
00:08:35,670 --> 00:08:36,730
SO...SURPRISE.
203
00:08:36,770 --> 00:08:39,070
- I'M SURPRISED.
- [laughing] SURPRISE.
204
00:08:39,100 --> 00:08:43,040
HEY.
- OH, LOOK AT YOU.
205
00:08:43,070 --> 00:08:45,910
- OKAY, JUST SAY IT.
- WHAT?
206
00:08:45,940 --> 00:08:47,310
- COME ON, JUST GO AHEAD
AND SAY IT,
207
00:08:47,340 --> 00:08:50,010
AND THEN WE CAN MOVE ON.
- OKAY, YOU LOOK LIKE A SLUT.
208
00:08:50,050 --> 00:08:51,280
I'M SORRY.
- THANK YOU, MOM.
209
00:08:51,310 --> 00:08:53,050
MISSION ACCOMPLISHED.
210
00:08:53,080 --> 00:08:55,050
- OH, WHO'S YOUR,
UH, FRIEND?
211
00:08:55,080 --> 00:08:58,320
- HI, MRS. FAITH'S MOM.
- OH!
212
00:08:58,350 --> 00:09:01,060
- NICE TO MEET YOU.
- THIS IS HANK MOODY, MOM.
213
00:09:01,090 --> 00:09:03,190
- HANK THE HUGGER.
- [chuckles]
214
00:09:03,230 --> 00:09:04,660
THAT'S WHAT WE CALL HIM.
215
00:09:04,690 --> 00:09:06,800
- IS HE YOUR BOYFRIEND?
- ISH.
216
00:09:06,830 --> 00:09:08,360
- "FRENEMY," REALLY.
217
00:09:08,400 --> 00:09:12,200
- WHERE'S ALL THE TATTOOS
AND THE LONG, FILTHY HAIR?
218
00:09:12,240 --> 00:09:15,070
- OH, I-I-I LEFT THOSE
IN THE CAR.
219
00:09:15,100 --> 00:09:16,940
I WAS TRYING TO MAKE
A GOOD IMPRESSION.
220
00:09:16,970 --> 00:09:19,780
- OH, GOOD. YOU CAN HELP ME
WITH THE GROCERIES.
221
00:09:23,950 --> 00:09:26,150
JACK, WHERE ARE YOU?
222
00:09:26,180 --> 00:09:29,790
I'VE GOT A SURPRISE.
223
00:09:29,820 --> 00:09:31,350
- OH.
224
00:09:31,390 --> 00:09:34,290
YOU DIDN'T TELL ME YOU GREW UP
IN A RELIGIOUS SUPPLY STORE.
225
00:09:34,320 --> 00:09:37,060
- OH, WELL, THAT'S WHY
I'M SUCH A SLUT.
226
00:09:37,090 --> 00:09:38,730
- YEAH.
- JACK, GUESS WHAT.
227
00:09:38,760 --> 00:09:41,670
FAITH'S HERE.
[television droning]
228
00:09:41,700 --> 00:09:46,770
HE'S WATCHING TV.
WHAT ELSE WOULD HE BE DOING?
229
00:09:48,400 --> 00:09:51,110
JESUS CHRIST!
WHAT ARE YOU DOING?
230
00:09:51,140 --> 00:09:53,710
- WHAT?
- YOU'RE WATCHING NASTY MOVIES?
231
00:09:53,740 --> 00:09:56,180
- OH, THE HELL I AM. I WAS JUST
SWITCHING THROUGH THE CHANNELS,
232
00:09:56,210 --> 00:09:57,780
AND THIS ONE CAUGHT MY EYE.
233
00:09:57,810 --> 00:09:59,650
- OF COURSE IT DID,
BECAUSE IT'S NAKED WOMEN.
234
00:09:59,680 --> 00:10:01,420
I'M SURPRISED YOU'RE NOT
TOUCHING YOURSELF.
235
00:10:01,450 --> 00:10:02,920
- WELL, WHO ELSE IS
GOING TO?
236
00:10:02,950 --> 00:10:05,120
- WILL YOU WATCH YOUR MOUTH?
FAITH IS HERE.
237
00:10:05,150 --> 00:10:08,060
- WHAT?
WHY DIDN'T YOU TELL ME?
238
00:10:08,090 --> 00:10:10,990
- TURN THAT OFF
BEFORE SHE GETS IN HERE!
239
00:10:11,030 --> 00:10:12,830
[television beeps]
- FAITH.
240
00:10:12,860 --> 00:10:14,200
- DAD.
241
00:10:14,230 --> 00:10:17,030
- HI. AHH.
[chuckles]
242
00:10:17,070 --> 00:10:19,370
WHO'S THIS CLOWN?
243
00:10:19,400 --> 00:10:21,440
- HANK MOODY, SIR.
NICE TO MEET YOU.
244
00:10:21,470 --> 00:10:23,010
- WHERE'S THE TATTOO
AND LONG HAIR?
245
00:10:23,040 --> 00:10:25,210
- IT WOULD APPEAR
YOU HAVE A TYPE, YOUNG LADY.
246
00:10:25,240 --> 00:10:26,910
- WELL...
- YOU STAYING FOR DINNER?
247
00:10:26,940 --> 00:10:29,080
- WHY NOT?
[both laugh]
248
00:10:29,110 --> 00:10:30,680
HEY, DO ME A FAVOR.
249
00:10:30,710 --> 00:10:32,320
WILL YOU RUN TO THE LIQUOR STORE
AND GET ME SOME BOOZE?
250
00:10:32,350 --> 00:10:33,980
YOUR MOTHER REFUSES
TO BUY IT FOR ME.
251
00:10:34,020 --> 00:10:35,950
[mockingly] SHE--SHE THINKS
I DRINK TOO MUCH.
252
00:10:35,990 --> 00:10:37,250
- SHE'S PROBABLY RIGHT, DAD.
253
00:10:37,290 --> 00:10:38,860
- WELL, WOULDN'T YOU?
254
00:10:38,890 --> 00:10:40,690
- HEY, YOU LIKE TO DRINK?
255
00:10:40,720 --> 00:10:42,030
- DOES THE POPE SHIT
IN THE WOODS?
256
00:10:42,060 --> 00:10:43,690
- YOU BETTER WATCH IT, PAL.
257
00:10:43,730 --> 00:10:45,860
THAT WOMAN WILL BURN YOU
AT THE STAKE
258
00:10:45,900 --> 00:10:46,900
FOR TALKING LIKE THAT.
259
00:10:46,930 --> 00:10:49,830
[rock music]
260
00:10:49,870 --> 00:10:53,700
*
261
00:10:58,470 --> 00:11:01,780
- WHAT WAS THAT FOR?
NO, NO, DON'T TELL ME.
262
00:11:01,810 --> 00:11:04,250
JUST--JUST DO IT AGAIN.
263
00:11:04,280 --> 00:11:07,920
OKAY, NOW,
WHAT WAS THAT FOR?
264
00:11:07,950 --> 00:11:10,190
- FOR ENCOURAGING ME
TO COME.
265
00:11:10,220 --> 00:11:11,920
- OH, I ALWAYS ENCOURAGE WOMEN
TO COME.
266
00:11:11,960 --> 00:11:14,820
IT--IT DOES NOT ALWAYS HAPPEN,
BUT I LIKE TO THINK
267
00:11:14,860 --> 00:11:16,960
THAT I'M AT LEAST
ENCOURAGING.
268
00:11:16,990 --> 00:11:20,960
- CLASSY.
- IS THAT...?
269
00:11:21,000 --> 00:11:25,840
FAITH?
IS THAT YOU?
270
00:11:25,870 --> 00:11:27,800
OH, MY GOD, IT IS YOU.
271
00:11:27,840 --> 00:11:30,340
HOLY SHIT.
YOU LOOK FUCKING AMAZING!
272
00:11:30,370 --> 00:11:33,040
- THANKS. YOU TOO.
- SHANNON.
273
00:11:33,080 --> 00:11:34,240
SHANNON MITCHELL.
274
00:11:34,280 --> 00:11:37,080
- NO, OF COURSE.
SHANNON--HI. HI.
275
00:11:37,110 --> 00:11:38,750
- I LOOK LIKE A FUCKING
FAT PIG.
276
00:11:38,780 --> 00:11:40,220
THAT'S PROBABLY WHY
YOU DON'T EVEN RECOGNIZE ME.
277
00:11:40,250 --> 00:11:42,750
- OH, STOP, STOP.
THIS IS AMAZING.
278
00:11:42,790 --> 00:11:44,920
YOU'RE FIRST?
- PBBBT. I WISH, DUDE.
279
00:11:44,950 --> 00:11:46,420
MY THIRD.
- WOW.
280
00:11:46,460 --> 00:11:48,160
- WHO'S THAT GUY?
IS THAT YOUR HUSBAND?
281
00:11:48,190 --> 00:11:49,290
- NO. NO, NO, NO.
- GOD, NO.
282
00:11:49,330 --> 00:11:52,160
- FIANCE.
CHARLES WOLFGANG RUNKLE.
283
00:11:52,200 --> 00:11:54,160
NICE TO MEET YOU.
- NICE TO MEET YOU.
284
00:11:54,200 --> 00:11:56,370
[laughter]
CONGRATS.
285
00:11:56,400 --> 00:11:57,970
- THANK YOU.
- THIS IS SO WEIRD.
286
00:11:58,000 --> 00:12:00,270
I NEVER THOUGHT
YOU'D HAVE A FIANCE.
287
00:12:00,300 --> 00:12:02,370
I HEARD YOU WERE, LIKE,
OUT THERE SLUTTING AROUND,
288
00:12:02,410 --> 00:12:03,910
LIKE, FUCKING A BUNCH
OF ROCK DUDES.
289
00:12:03,940 --> 00:12:06,440
SOMEBODY SAID THEY SAW YOU
IN A MUSIC VIDEO,
290
00:12:06,480 --> 00:12:08,440
OR, LIKE, ON A SEX TAPE
OR SOMETHING.
291
00:12:08,480 --> 00:12:10,250
- WELL, WHAT'S
THE DIFFERENCE, REALLY?
292
00:12:10,280 --> 00:12:12,320
- DON'T BELIEVE EVERYTHING
YOU HEAR.
293
00:12:12,350 --> 00:12:13,480
- THIS GIRL RIGHT HERE--
294
00:12:13,520 --> 00:12:15,520
SHE USED TO BE QUIET
AS A MOUSE.
295
00:12:15,550 --> 00:12:17,850
ALWAYS HAD HER FACE BURIED
IN SOME BOOK.
296
00:12:17,890 --> 00:12:19,960
AND THEN ONE DAY
SHE EXPLODED.
297
00:12:19,990 --> 00:12:22,530
SHE GOT SUPER HOT
AND FUCKED EVERYONE.
298
00:12:22,560 --> 00:12:24,560
- OH, GOOD FOR YOU, HONEY.
- OKAY. ALL RIGHT, ALL RIGHT.
299
00:12:24,590 --> 00:12:26,460
THAT'S NOT ENTIRELY TRUE.
300
00:12:26,500 --> 00:12:28,900
- SHE FUCKED MY HUSBAND, EVEN.
301
00:12:28,930 --> 00:12:31,800
- REALLY? DID I?
- YEAH. LARRY WALTERS.
302
00:12:31,840 --> 00:12:33,570
REMEMBER, YOU FUCKED
LARRY WALTERS?
303
00:12:33,600 --> 00:12:36,440
- LARRY WALTERS.
- I--VAGUELY, YEAH.
304
00:12:36,470 --> 00:12:38,910
- HE PLAYED GUITAR FOR MYSSTERY,
TWO "S"s.
305
00:12:38,940 --> 00:12:40,580
WELL, HE SURE REMEMBERS YOU.
- GUITAR PLAYER.
306
00:12:40,610 --> 00:12:43,580
- LARRY.
DUDE, GET YOUR ASS OVER HERE.
307
00:12:43,610 --> 00:12:46,020
IT'S FAITH
FROM AMERICAN MARTYRS.
308
00:12:46,050 --> 00:12:48,420
- OH, FAITH.
HOLY SHIT!
309
00:12:48,450 --> 00:12:51,290
- LARRY...
LOOKING GOOD. HEY.
310
00:12:51,320 --> 00:12:52,520
- THIS IS SO AWESOME.
- HEY.
311
00:12:52,560 --> 00:12:53,990
- SO FUCKING ABSO--
IT JUST IS.
312
00:12:54,020 --> 00:12:55,360
- SIR, DON'T FORGET
YOUR CHANGE.
313
00:12:55,390 --> 00:12:56,990
- HOW'S YOUR MOM AND DAD,
FAITH?
314
00:12:57,030 --> 00:12:58,490
I BET THEY'RE
SO HAPPY TO SEE YOU,
315
00:12:58,530 --> 00:13:00,500
'CAUSE YOU NEVER
COME HOME, EVER.
316
00:13:00,530 --> 00:13:02,400
I SEE YOUR MOM
IN TARGET SOMETIMES,
317
00:13:02,430 --> 00:13:04,400
AND SHE TRIES TO TELL EVERYONE
THAT YOU RAN OFF
318
00:13:04,430 --> 00:13:07,140
AND JOINED THE PEACE CORPS,
WHICH IS FUNNY,
319
00:13:07,170 --> 00:13:08,910
'CAUSE WE ALL KNOW THAT YOU,
LIKE, JUST HOPPED
320
00:13:08,940 --> 00:13:11,510
ON A ROCK-AND-ROLL TOUR BUS
AND NEVER LOOKED BACK.
321
00:13:11,540 --> 00:13:13,540
I GUESS MAYBE SHE'S STILL
KIND OF EMBARRASSED
322
00:13:13,580 --> 00:13:15,180
ABOUT ALL THAT STUFF THAT--
- YEAH, WELL, YOU KNOW...
323
00:13:15,210 --> 00:13:16,610
- WHAT--WHAT HAPPENED?
- IT'S--IT'S NOT--
324
00:13:16,650 --> 00:13:18,350
IT'S ANOTHER STORY
FOR ANOTHER DAY.
325
00:13:18,380 --> 00:13:19,420
- OH, WELL, THEN...
326
00:13:19,450 --> 00:13:21,020
- WE SHOULD GET TOGETHER...
327
00:13:21,050 --> 00:13:22,350
GRAB A DRINK.
328
00:13:22,390 --> 00:13:24,620
- YEAH, WE TOTALLY SHOULD.
- WE TOTALLY SHOULD.
329
00:13:24,650 --> 00:13:26,520
- YOU PROBABLY SHOULDN'T
BE DRINKING IN YOUR CONDITION.
330
00:13:26,560 --> 00:13:29,360
- PBBBT. COME ON,
SPRITZERS DON'T HURT--
331
00:13:29,390 --> 00:13:31,390
LITTLE PUFF OF WEED
EVERY NOW AND THEN.
332
00:13:31,430 --> 00:13:33,400
THEY TRY TO TELL YOU
IT HURTS THE BABY.
333
00:13:33,430 --> 00:13:34,560
IT DON'T.
334
00:13:34,600 --> 00:13:37,000
- I THINK CLETUS THE FETUS
IN THERE
335
00:13:37,030 --> 00:13:38,270
MIGHT DISAGREE WITH YOU.
336
00:13:38,300 --> 00:13:41,300
- HE'S FINE.
HE'S SEEN A LOT.
337
00:13:41,340 --> 00:13:43,440
- OW. OW! OH.
- WHAT? WHAT?
338
00:13:43,470 --> 00:13:44,910
- OOH. LOOK AT THAT.
339
00:13:44,940 --> 00:13:47,380
OH, LOOK AT THAT, HONEY.
I SHOULD PROBABLY--
340
00:13:47,410 --> 00:13:48,880
WE SHOULD TAKE THIS TOGETHER.
- OH, WE SHOULD.
341
00:13:48,910 --> 00:13:50,080
- WE SHOULD PROBABLY
GET THIS.
342
00:13:50,110 --> 00:13:51,480
- YOUR PHONE'S NOT RINGING.
343
00:13:51,510 --> 00:13:53,220
- I HAVE IT ON SILENT.
YOU DIDN'T HEAR THAT?
344
00:13:53,250 --> 00:13:54,920
- YEAH, BUT THERE'S NOTHING
ON THE SCREEN.
345
00:13:54,950 --> 00:13:56,350
- IT'S ON VIBRATE.
- YEAH, BUT I CAN TELL
346
00:13:56,390 --> 00:13:58,050
YOU'RE SHAKING YOUR PHONE
RIGHT NOW.
347
00:13:58,090 --> 00:14:00,360
- WELL, GUESS WHAT.
I HAVE BELL'S PALSY.
348
00:14:00,390 --> 00:14:02,030
- SORRY.
- OH, IT'S--IT'S FINE.
349
00:14:02,060 --> 00:14:03,360
GREAT SEEING YOU.
BYE, LARRY.
350
00:14:03,390 --> 00:14:04,660
- YEAH, YOU TOO.
SEE YOU SOON, HOPEFULLY.
351
00:14:04,690 --> 00:14:07,460
STOP STARING,
YOU FAT FUCK.
352
00:14:07,500 --> 00:14:08,900
- I TOTALLY FUCKED HER.
353
00:14:08,930 --> 00:14:11,370
- MOM, THANK YOU.
THIS LOOKS AMAZING.
354
00:14:11,400 --> 00:14:13,600
- OH, WHO WANTS
TO SAY GRACE?
355
00:14:13,640 --> 00:14:15,500
- OH, UH, HEY, WHY DON'T
WE JUST TAKE A BREAK
356
00:14:15,540 --> 00:14:18,210
FROM MUMBLING OVER OUR FOOD
BEFORE WE EAT?
357
00:14:18,240 --> 00:14:19,410
WHAT DO YOU THINK, GUYS?
358
00:14:19,440 --> 00:14:21,240
- WHAT IS THIS?
YOU'VE GOT AN AUDIENCE?
359
00:14:21,280 --> 00:14:22,550
WHAT, YOU'RE SHOWING OFF?
360
00:14:22,580 --> 00:14:24,950
- YOU KNOW SOMETHING?
I GREW UP IN A HOUSE
361
00:14:24,980 --> 00:14:26,650
WHERE WE CLOSED OUR EYES
AND MUMBLED ALMOST EVERY MEAL.
362
00:14:26,680 --> 00:14:28,990
I'M--I'M--
I'M GOOD WITH IT.
363
00:14:29,020 --> 00:14:29,990
- COME ON, DAD.
364
00:14:30,020 --> 00:14:32,490
- BLESS US, OH, LORD,
FOR THESE, THY GIFTS,
365
00:14:32,520 --> 00:14:34,620
FOR WHICH WE ARE ABOUT
TO RECEIVE
366
00:14:34,660 --> 00:14:37,190
FROM THY BOUNTY,
THROUGH CHRIST, OUR LORD.
367
00:14:37,230 --> 00:14:38,260
- AMEN.
- AMEN.
368
00:14:38,290 --> 00:14:39,400
- PASS THE--
- AND...AND...
369
00:14:39,430 --> 00:14:43,430
DEAR LORD,
THANK YOU SO MUCH
370
00:14:43,470 --> 00:14:47,200
FOR BRINGING OUR DAUGHTER FAITH
HOME TO US
371
00:14:47,240 --> 00:14:49,410
AND WATCHING OVER HER
WHILE SHE'S BEEN OUT WHORING
372
00:14:49,440 --> 00:14:51,510
WITH THE DEVIL'S CHILDREN
373
00:14:51,540 --> 00:14:54,180
AND PROTECTING HER
AND KEEPING HER FROM HARM
374
00:14:54,210 --> 00:14:58,450
AND KEEPING HER FROM
SEXUALLY TRANSMITTED DISEASES.
375
00:14:58,480 --> 00:15:00,120
- OOH.
- THROUGH JESUS' NAME WE PRAY.
376
00:15:00,150 --> 00:15:01,580
- AMEN.
- AMEN.
377
00:15:01,620 --> 00:15:04,220
- SO...THAT HAPPENED.
378
00:15:04,250 --> 00:15:05,690
- YEAH.
379
00:15:05,720 --> 00:15:07,220
- SO HOW DID YOU TWO MEET?
380
00:15:07,260 --> 00:15:09,060
- OH, IT'S A REALLY
FUNNY STORY, ACTUALLY.
381
00:15:09,090 --> 00:15:12,030
- IT'S ACTUALLY THE CUTEST
OF MEETS.
382
00:15:12,060 --> 00:15:16,130
I WASN'T FEELING VERY WELL
ABOUT MYSELF AT THE TIME,
383
00:15:16,170 --> 00:15:18,230
AND I ENDED UP AT, UM...
384
00:15:18,270 --> 00:15:20,340
- WHAT, A CHURCH?
385
00:15:20,370 --> 00:15:21,670
- IT'S A CHURCH-LIKE PLACE.
386
00:15:21,700 --> 00:15:23,640
I MEAN, THEY TALKED A LOT
ABOUT GOD THERE.
387
00:15:23,670 --> 00:15:26,310
- THEY DID.
- ANYWAY, THERE SHE WAS.
388
00:15:26,340 --> 00:15:27,440
AND, UH...
389
00:15:27,480 --> 00:15:29,080
- I WAS FEELING
PRETTY LOUSY MYSELF.
390
00:15:29,110 --> 00:15:31,550
- YEAH.
- OH, FAITH, I'M SO GLAD
391
00:15:31,580 --> 00:15:34,050
YOU'RE STILL TALKING TO HIM.
- YEAH, ME TOO.
392
00:15:34,080 --> 00:15:36,050
- OKAY...
- SO THIS ONE OVER HERE
393
00:15:36,090 --> 00:15:38,320
WAS PRETTY ANNOYING.
- OH, I WAS ANNOYING?
394
00:15:38,350 --> 00:15:40,320
- REALLY, HE WAS--
[laughs]
395
00:15:40,360 --> 00:15:41,760
HE WENT OUT OF HIS WAY,
REALLY.
396
00:15:41,790 --> 00:15:44,330
- WE GOT TO TALKING, AND
WE ACTUALLY--WE ACTUALLY BONDED
397
00:15:44,360 --> 00:15:46,160
OVER A PAGE
OF THE OLD TESTAMENT.
398
00:15:46,200 --> 00:15:48,060
- HOW WONDERFUL.
399
00:15:48,100 --> 00:15:51,070
FAITH CERTAINLY KNOWS HER BIBLE
BACKWARDS AND FORWARDS.
400
00:15:51,100 --> 00:15:54,000
- SHE INHALES HER BIBLE.
- ALL TRUE.
401
00:15:54,040 --> 00:15:56,070
- SHE MADE ME FEEL A LOT BETTER
ABOUT MYSELF AT THE TIME,
402
00:15:56,110 --> 00:15:58,070
AND WE'VE BEEN HANGING OUT
EVER SINCE.
403
00:15:58,110 --> 00:16:00,340
- WELL, THAT IS
A VERY NICE STORY.
404
00:16:00,380 --> 00:16:03,480
DOES THIS MEAN YOU'RE TURNING
OVER A NEW LEAF, SWEETHEART?
405
00:16:03,510 --> 00:16:05,750
- WHAT--
WHAT DOES THAT MEAN?
406
00:16:05,780 --> 00:16:08,220
- WELL, IT SOUNDS LIKE YOU'RE
NO LONGER DEGRADING YOURSELF
407
00:16:08,250 --> 00:16:10,720
BY HANGING OUT
WITH THOSE PERVERTED MUSICIANS
408
00:16:10,750 --> 00:16:12,360
ALL THE TIME.
- OKAY...
409
00:16:12,390 --> 00:16:14,090
- WELL, YOU KNOW, SOME
OF THOSE PERVERTED MUSICIANS
410
00:16:14,120 --> 00:16:15,690
HAVE WRITTEN SONGS
ABOUT HER.
411
00:16:15,720 --> 00:16:17,760
- WELL, SURE, AFTER SHE SUCKED
THEIR FILTHY PENISES.
412
00:16:17,790 --> 00:16:20,230
- ALL RIGHT--
- COME ON, OH...
413
00:16:20,260 --> 00:16:22,130
- MOM, WHY DO YOU JUST ASSUME
THAT THEY'RE FILTHY?
414
00:16:22,170 --> 00:16:24,170
AND WHAT'S SO BAD ABOUT
A BLOW JOB BETWEEN FRIENDS?
415
00:16:24,200 --> 00:16:26,070
YOU KNOW, MEN LOVE IT
WHEN YOU SUCK THEIR DICKS.
416
00:16:26,100 --> 00:16:29,270
IT MAKES THEM SO HAPPY, MOM.
- AMEN!
417
00:16:29,310 --> 00:16:30,810
AMEN, HUH?
[chuckles]
418
00:16:30,840 --> 00:16:33,240
WHAT?
- WATCH YOURSELF.
419
00:16:33,280 --> 00:16:35,780
- HEY, I AGREE WITH
MRS. FAITH'S MOM ON THIS ONE.
420
00:16:35,810 --> 00:16:37,750
I-I FIND PENISES
UNILATERALLY DISGUSTING.
421
00:16:37,780 --> 00:16:40,520
- CAN WE, UH, TALK ABOUT
SOMETHING OTHER THAN PENISES--
422
00:16:40,550 --> 00:16:43,390
I MEAN, FILTHY OR OTHERWISE?
YOU LIKE SPORTS?
423
00:16:43,420 --> 00:16:46,420
- SADLY, I AM NOT--I KNOW YOU'RE
GONNA DEDUCT POINTS FOR THAT.
424
00:16:46,460 --> 00:16:50,290
MY APOLOGIES. BUT I'M
A HUGE FAN OF YOUR DAUGHTER.
425
00:16:50,330 --> 00:16:51,660
I THINK SHE'S AMAZING.
426
00:16:51,690 --> 00:16:53,660
AND I THINK YOU TWO
SHOULD BE VERY PROUD.
427
00:16:53,700 --> 00:16:54,660
- I'LL DRINK TO THAT.
428
00:16:54,700 --> 00:16:56,530
- WE WERE VERY, VERY PROUD
429
00:16:56,570 --> 00:16:59,400
WHEN SHE DEDICATED HER LIFE
TO HIM AND--
430
00:16:59,440 --> 00:17:01,670
- WHO?
- HIM.
431
00:17:01,700 --> 00:17:05,610
- OH, HIM. THAT GUY.
OF COURSE. OF COURSE.
432
00:17:05,640 --> 00:17:08,480
WHAT--WHAT DID THAT ENTAIL?
- CAN WE JUST NOT?
433
00:17:08,510 --> 00:17:12,120
- BUT THEN
SHE ABANDONED HIM
434
00:17:12,150 --> 00:17:14,080
AND KIND OF HUMILIATED
OUR FAMILY.
435
00:17:14,120 --> 00:17:16,820
- I DON'T REALLY KNOW HOW MANY
TIMES I CAN SAY I'M SORRY, MOM.
436
00:17:16,850 --> 00:17:18,820
- GREEN BEANS?
- PLEASE.
437
00:17:18,850 --> 00:17:20,390
- HE FORGIVES
ALL OF HIS CHILDREN.
438
00:17:20,420 --> 00:17:21,590
- GOOD. GOOD TO KNOW.
439
00:17:21,620 --> 00:17:23,830
- UNFORTUNATELY,
I HAVE NOT.
440
00:17:23,860 --> 00:17:25,460
- THERE IT IS.
SHOCKER.
441
00:17:25,490 --> 00:17:27,830
- ROLL?
- NO.
442
00:17:27,860 --> 00:17:29,230
- IN SPITE OF YOUR LIMITATIONS
443
00:17:29,270 --> 00:17:30,700
AND YOU'RE MEAN-SPIRITED
BULLSHIT,
444
00:17:30,730 --> 00:17:32,570
I LOVE YOU--I FORGIVE YOU.
- YOU FORGIVE ME?
445
00:17:32,600 --> 00:17:34,100
- GOD DAMN IT!
446
00:17:34,140 --> 00:17:35,570
SHE DIDN'T WANT TO BECOME
A FUCKING NUN!
447
00:17:35,600 --> 00:17:37,340
I MEAN,
WHAT'S WRONG WITH THAT?
448
00:17:37,370 --> 00:17:38,670
HOW CAN YOU BLAME HER?
449
00:17:38,710 --> 00:17:40,510
WHAT KIND OF LIFE IS THAT
FOR SOMEONE?
450
00:17:40,540 --> 00:17:44,210
- EXCUSE ME.
451
00:17:44,250 --> 00:17:47,420
- MARY...
[sighs]
452
00:17:47,450 --> 00:17:48,620
- THANKS, DAD.
- JESUS.
453
00:17:48,650 --> 00:17:51,120
"THANKS, DAD"?
THANKS FOR WHAT?
454
00:17:51,150 --> 00:17:53,890
WHY DO YOU GOT TO GET HER
ALL WORKED UP OVER THIS?
455
00:17:53,920 --> 00:17:55,860
YOU KNOW, YOU KNOW
THIS IS GONNA HAPPEN.
456
00:17:55,890 --> 00:17:57,790
YOU DON'T COME AND VISIT,
AND WHEN YOU DO,
457
00:17:57,830 --> 00:18:01,300
WE--WE ALWAYS END UP TALKING
ABOUT THE SAME THING.
458
00:18:01,330 --> 00:18:02,770
WHY CAN'T WE JUST
HAVE DINNER
459
00:18:02,800 --> 00:18:06,270
AND TALK ABOUT--I DON'T KNOW--
THE FUCKING WEATHER?
460
00:18:12,210 --> 00:18:16,280
[Faith sighs]
461
00:18:16,310 --> 00:18:18,280
- YOU WERE A NUN?
462
00:18:18,310 --> 00:18:19,750
- KIND OF GROSS, HUH?
463
00:18:19,780 --> 00:18:21,550
- WELL, IT WOULD BE
IF YOU WERE ONE OF THOSE
464
00:18:21,580 --> 00:18:23,620
WRINKLY OLD WAR HORSES,
BUT YOU'RE NOT.
465
00:18:23,650 --> 00:18:25,620
SO IT'S KIND OF HOT.
466
00:18:25,650 --> 00:18:28,160
- WELL, I KNOW IT WAS
A LITTLE EXTREME,
467
00:18:28,190 --> 00:18:32,660
BUT I HAVE BEEN LOOKING
FOR SOMETHING...
468
00:18:32,700 --> 00:18:34,930
BIGGER THAN MYSELF
MY WHOLE LIFE.
469
00:18:34,960 --> 00:18:38,170
AND FOR A WHILE,
IT WAS REALLY NICE.
470
00:18:38,200 --> 00:18:41,370
BUT I JUST COULDN'T LIVE
THAT WAY.
471
00:18:41,400 --> 00:18:42,740
- OH, I UNDERSTAND.
472
00:18:42,770 --> 00:18:47,210
THE NUNNERY'S LOSS
IS HUMANITY'S GAIN.
473
00:18:47,240 --> 00:18:50,310
- THE SISTERS CAUGHT ME
GETTING OFF ONCE,
474
00:18:50,350 --> 00:18:53,750
WHICH WAS HUGELY,
HUGELY EMBARRASSING.
475
00:18:53,780 --> 00:18:55,250
- UH-HUH.
- BUT...
476
00:18:55,280 --> 00:18:56,920
- THEY TOLD YOU NOT TO
MAKE A HABIT OF IT.
477
00:18:56,950 --> 00:18:58,020
- [laughs]
478
00:18:58,050 --> 00:19:03,560
THE FUNNY THING IS,
I'M STILL LOOKING, SEARCHING.
479
00:19:03,590 --> 00:19:05,590
I STILL BELIEVE.
480
00:19:05,630 --> 00:19:07,560
IT'S ALL CONNECTED SOMEHOW,
481
00:19:07,600 --> 00:19:09,530
EVEN SEX AND GOD
AND ROCK AND ROLL.
482
00:19:09,570 --> 00:19:13,270
- WELL, BELIEVE IT OR NOT,
I HAVE THIS RECURRING DREAM
483
00:19:13,300 --> 00:19:14,470
ABOUT CHURCH AND A NUN.
484
00:19:14,500 --> 00:19:15,770
- REALLY?
- YEAH.
485
00:19:15,800 --> 00:19:17,810
- AND WHAT TYPICALLY HAPPENS
IN SUCH A DREAM?
486
00:19:17,840 --> 00:19:20,240
- TYPICALLY, I COME IN
FILLED WITH ANGST.
487
00:19:20,280 --> 00:19:21,040
- MM-HMM.
488
00:19:21,080 --> 00:19:22,610
- AND I WANT HAVE
A CONVERSATION
489
00:19:22,650 --> 00:19:24,550
WITH THE GUY
UP ON THE WALL THERE.
490
00:19:24,580 --> 00:19:28,320
AND THEN THIS NUN SHOWS UP.
SHE'S VERY PLEASANT...
491
00:19:28,350 --> 00:19:30,720
VERY AGREEABLE.
- AND HOW DOES IT END?
492
00:19:30,750 --> 00:19:32,960
- IN A VERY BLASPHEMOUS MANNER.
493
00:19:32,990 --> 00:19:34,460
- HMM.
494
00:19:49,710 --> 00:19:51,310
[zipper opens]
495
00:19:51,340 --> 00:19:52,710
- [sighs]
496
00:19:52,740 --> 00:19:56,250
UH...EYES UP HERE, YOU.
497
00:19:57,650 --> 00:20:01,620
WHO SAYS DREAMS
DON'T COME TRUE?
498
00:20:01,650 --> 00:20:04,520
[television droning]
499
00:20:04,550 --> 00:20:07,460
- FAITH?
HEY, DO ME A FAVOR.
500
00:20:07,490 --> 00:20:09,630
GO APOLOGIZE
TO YOUR MOTHER, WILL YOU?
501
00:20:09,660 --> 00:20:11,960
SHE'S BEEN CRYING AND PRAYING
EVER SINCE YOU LEFT.
502
00:20:11,990 --> 00:20:14,330
- COME ON.
- PLEASE?
503
00:20:14,360 --> 00:20:15,800
I KNOW SHE'S
OUT OF HER FUCKING MIND,
504
00:20:15,830 --> 00:20:17,030
BUT SHE'S STILL
YOUR MOTHER.
505
00:20:17,070 --> 00:20:21,600
- ALL RIGHT.
ALL RIGHT.
506
00:20:21,640 --> 00:20:25,240
- HEY, HANK,
GRAB A SEAT.
507
00:20:27,710 --> 00:20:30,380
WANT A BEER?
- DON'T MIND IF I DO.
508
00:20:30,410 --> 00:20:31,780
- HERE YOU GO.
509
00:20:31,810 --> 00:20:33,750
YOU GOT KIDS?
510
00:20:33,780 --> 00:20:35,650
- YEAH, ONE DAUGHTER,
511
00:20:35,680 --> 00:20:38,320
FROM A PREVIOUS
ROMANTIC ENTANGLEMENT.
512
00:20:38,350 --> 00:20:40,460
- OH, YEAH, DAUGHTERS ARE
THE FUCKING WORST.
513
00:20:40,490 --> 00:20:42,430
- TELL ME ABOUT IT.
514
00:20:42,460 --> 00:20:44,460
- I GOT TWO.
515
00:20:44,490 --> 00:20:46,760
ONE'S GONNA END UP
JUST LIKE HER MOTHER,
516
00:20:46,800 --> 00:20:48,500
AND THE OTHER ONE
LOOKING FOR GOD
517
00:20:48,530 --> 00:20:49,770
IN THE BACK OF A TOUR BUS.
518
00:20:49,800 --> 00:20:51,400
- IS THAT REALLY HOW YOU FEEL
ABOUT HER?
519
00:20:51,430 --> 00:20:53,640
'CAUSE IF YOU DO,
THEN I FEEL SORRY FOR YOU.
520
00:20:53,670 --> 00:20:57,070
- WELL, THEN
FEEL SORRY FOR ME.
521
00:20:57,110 --> 00:20:59,010
I DON'T REALLY KNOW HER
ANYMORE.
522
00:20:59,040 --> 00:21:00,640
- YOU SHOULD GET TO KNOW HER.
523
00:21:00,680 --> 00:21:01,980
SHE'S PRETTY GREAT.
524
00:21:02,010 --> 00:21:03,350
I THINK YOU'D BE SURPRISED.
525
00:21:03,380 --> 00:21:07,320
- YOU KNOW,
I NEVER TOLD HER THIS,
526
00:21:07,350 --> 00:21:10,050
BUT I WAS SO HAPPY WHEN SHE GOT
INTO ALL THAT JESUS STUFF.
527
00:21:10,090 --> 00:21:11,720
YOU KNOW, AS A FATHER, YOU--
528
00:21:11,750 --> 00:21:13,920
YOU KNOW, YOU WORRY ABOUT
ALL THOSE DIRTBAGS OUT THERE.
529
00:21:13,960 --> 00:21:15,920
AND I JUST THOUGHT,
"WELL, SHE'LL BE SAFE."
530
00:21:15,960 --> 00:21:19,560
- YEAH, THAT'S--THAT'S GENERALLY
HOW I FEEL ABOUT MY DAUGHTER.
531
00:21:19,600 --> 00:21:22,700
IN FACT, I-I SECRETLY HOPE
THAT SHE'S A LESBIAN.
532
00:21:22,730 --> 00:21:24,100
IT'S NOT VERY SECRET.
533
00:21:24,130 --> 00:21:26,540
I SAY IT EVERY CHANCE
I GET, ACTUALLY.
534
00:21:26,570 --> 00:21:28,740
- YOU'RE A WEIRD FUCKING GUY,
YOU KNOW THAT?
535
00:21:28,770 --> 00:21:31,440
- PRETTY MUCH, YEAH.
536
00:21:33,940 --> 00:21:37,080
- IF I HAD IT TO DO
ALL OVER AGAIN,
537
00:21:37,110 --> 00:21:39,720
I'D ENCOURAGE
HER EVERY FUCKING WHIM.
538
00:21:39,750 --> 00:21:42,050
I'D SAY YES
INSTEAD OF NO.
539
00:21:42,080 --> 00:21:44,090
I'D LAUGH
INSTEAD OF YELL.
540
00:21:44,120 --> 00:21:45,950
THIS HOUSE WAS
TOO FUCKING STRICT.
541
00:21:45,990 --> 00:21:48,120
SHE MUST HAVE FELT LIKE
A RAT IN A CAGE.
542
00:21:48,160 --> 00:21:52,090
BETWEEN ME AND HER MOTHER,
SHE COULDN'T DO ANYTHING RIGHT.
543
00:21:52,130 --> 00:21:55,560
PEOPLE DO STRANGE THINGS WHEN
THEY'RE JUDGED ALL THE TIME,
544
00:21:55,600 --> 00:21:58,500
INSTEAD OF JUST BEING LOVED.
545
00:21:58,530 --> 00:22:01,600
CHEERS.
546
00:22:10,610 --> 00:22:12,110
- I'M STILL SHOCKED
YOU HAVEN'T TURNED THIS
547
00:22:12,150 --> 00:22:13,980
INTO A SEWING ROOM
OR SOMETHING.
548
00:22:14,020 --> 00:22:17,750
- TOO MANY MEMORIES OF
THE LITTLE GIRL I USED TO KNOW.
549
00:22:17,790 --> 00:22:19,990
IT'S ALL I HAVE LEFT.
550
00:22:20,020 --> 00:22:21,860
- DON'T BE SO DRAMATIC,
PLEASE.
551
00:22:21,890 --> 00:22:26,560
LOOK, I'M SORRY...
552
00:22:26,600 --> 00:22:29,670
- I'M SORRY TOO.
553
00:22:29,700 --> 00:22:31,070
THERE WERE A LOT
OF NASTY THINGS
554
00:22:31,100 --> 00:22:33,070
THAT JUST CAME FLYING
OUT OF MY MOUTH.
555
00:22:33,100 --> 00:22:34,870
I-I DON'T KNOW WHY
I ALWAYS DO THAT.
556
00:22:34,900 --> 00:22:37,510
- OLD HABITS, I GUESS.
557
00:22:37,540 --> 00:22:39,410
- WE WOULD JUST LIKE
TO SEE YOU MORE OFTEN.
558
00:22:39,440 --> 00:22:42,550
- OH, CAN YOU JUST BE HAPPY
THAT I'M HERE RIGHT NOW?
559
00:22:42,580 --> 00:22:43,750
- I KNOW. I KNOW.
560
00:22:43,780 --> 00:22:45,480
IT'S JUST THAT WE MAY NOT BE
AROUND FOREVER,
561
00:22:45,510 --> 00:22:46,780
AND YOUR FATHER
REALLY MISSES YOU.
562
00:22:46,820 --> 00:22:48,150
- IS HE OKAY?
563
00:22:48,180 --> 00:22:49,950
- WELL, HE'S A RAGING ALCOHOLIC
564
00:22:49,990 --> 00:22:52,020
ON THE HIGHWAY TO HELL,
BUT OTHER THAN THAT,
565
00:22:52,050 --> 00:22:53,590
YEAH, HE'S FINE.
566
00:22:53,620 --> 00:22:58,030
- AND YOU? ARE YOU TRYING
TO TELL ME SOMETHING?
567
00:22:58,060 --> 00:23:01,760
- OH, WHAT A BEAUTIFUL CROSS.
- THANKS.
568
00:23:01,800 --> 00:23:04,030
IT WAS A PRESENT
FROM A REALLY SPECIAL GUY.
569
00:23:04,070 --> 00:23:07,140
- OF COURSE.
THERE'S ALWAYS A GUY.
570
00:23:07,170 --> 00:23:09,170
- MMM.
- I'M SORRY TO INTERRUPT,
571
00:23:09,200 --> 00:23:13,680
BUT YOUR FATHER STARTED WATCHING
SOFT-CORE PORNOGRAPHY AGAIN.
572
00:23:13,710 --> 00:23:14,940
I GOT UNCOMFORTABLE.
573
00:23:14,980 --> 00:23:17,150
- WHAT A POOR, LOST SOUL.
OKAY.
574
00:23:17,180 --> 00:23:20,020
WELL, I GUESS
YOU TWO ARE--WHOA--TIRED
575
00:23:20,050 --> 00:23:22,080
AND MAYBE A LITTLE DRUNK.
576
00:23:22,120 --> 00:23:24,950
I CAN SMELL IT ON BOTH OF YOU.
IT'S KIND OF HIDEOUS.
577
00:23:24,990 --> 00:23:26,690
GOOD NIGHT, HONEY.
- GOOD NIGHT.
578
00:23:26,720 --> 00:23:28,920
- OKAY.
- GOOD NIGHT.
579
00:23:28,960 --> 00:23:31,230
- OH, NO. YOU ARE GOING
TO THE COUCH.
580
00:23:31,260 --> 00:23:33,000
- OH, COME ON.
- NO.
581
00:23:33,030 --> 00:23:35,460
DO I SEE A RING ON THAT FINGER?
ARE YOU MARRIED?
582
00:23:35,500 --> 00:23:38,870
OTHERWISE, YOU'RE NOT GONNA
SLEEP TOGETHER IN THAT BED,
583
00:23:38,900 --> 00:23:40,670
NOT UNDER THIS ROOF.
584
00:23:40,700 --> 00:23:43,110
NO GOOD CAN COME OF THAT.
585
00:23:43,140 --> 00:23:46,210
- [chuckles]
[door closes]
586
00:23:46,240 --> 00:23:48,680
[sighs]
587
00:23:50,250 --> 00:23:51,910
- * REACH OUT AND TOUCH FAITH
588
00:23:51,950 --> 00:24:01,090
*
589
00:24:06,260 --> 00:24:08,800
- GREETINGS
AND SALUTATIONS, SIRE.
590
00:24:08,830 --> 00:24:11,970
I GUESS IT'S BEEN
KIND OF A WHILE, HUH?
591
00:24:12,000 --> 00:24:13,740
BUT YOU'RE LOOKING WELL...
592
00:24:13,770 --> 00:24:17,170
RIPPED AS EVER, I SEE.
593
00:24:17,210 --> 00:24:19,640
SORRY.
594
00:24:19,680 --> 00:24:21,980
- WHATEVER FOR, CHILD?
595
00:24:22,010 --> 00:24:25,850
- WELL, I GUESS I KIND OF
WENT OUT FOR A PACK OF SMOKES
596
00:24:25,880 --> 00:24:26,980
AND NEVER CAME BACK.
597
00:24:27,020 --> 00:24:29,750
I LEFT YOU HANGING
UP THERE.
598
00:24:29,790 --> 00:24:31,590
- WHAT CAN I DO
FOR YOU, FAITH?
599
00:24:31,620 --> 00:24:33,620
- I MISS YOU.
600
00:24:33,660 --> 00:24:36,120
I NEED YOU,
ESPECIALLY RIGHT NOW.
601
00:24:36,160 --> 00:24:37,860
I'M HAVING WHAT YOU MIGHT CALL
602
00:24:37,890 --> 00:24:40,030
A CRISIS OF FAITH,
IF YOU WILL.
603
00:24:40,060 --> 00:24:41,860
- PRAY WITH ME.
604
00:24:41,900 --> 00:24:44,830
- * REACH OUT AND TOUCH FAITH
605
00:24:44,870 --> 00:24:48,800
- UH...FORGIVE ME, FATHER,
FOR I HAVE SINNED.
606
00:24:48,840 --> 00:24:50,810
- [laughs]
607
00:24:50,840 --> 00:24:53,640
REALLY?
YOU THINK?
608
00:24:53,680 --> 00:24:55,040
[grunts]
609
00:24:57,810 --> 00:25:02,280
- * FEELING'S UNKNOWN,
AND YOU'RE ALL ALONE *
610
00:25:02,320 --> 00:25:04,020
- WHOA, JESUS, RELAX.
611
00:25:04,050 --> 00:25:06,290
THERE'S NO NEED TO GET YOUR
LOINCLOTH IN A BUNCH UP THERE.
612
00:25:06,320 --> 00:25:08,760
UM...
613
00:25:08,790 --> 00:25:11,030
- [grunts]
614
00:25:12,600 --> 00:25:13,900
TA-DA.
615
00:25:13,930 --> 00:25:18,330
- * I WILL DELIVER,
YOU KNOW I'M A FORGIVER *
616
00:25:18,370 --> 00:25:21,900
- I THINK YOU'RE FORGETTING
SOMETHING, FAITH.
617
00:25:21,940 --> 00:25:24,040
- * REACH OUT AND TOUCH FAITH
618
00:25:24,070 --> 00:25:27,940
* YOUR OWN PERSONAL JESUS
619
00:25:27,980 --> 00:25:30,110
- JESUS LOVES YOU.
620
00:25:33,150 --> 00:25:34,920
- * REACH OUT AND TOUCH FAITH
621
00:25:34,950 --> 00:25:36,750
- [gasps]
622
00:25:36,790 --> 00:25:38,850
[exhales deeply]
623
00:25:38,890 --> 00:25:41,790
UGH.
624
00:25:41,820 --> 00:25:44,090
[television droning]
625
00:25:47,130 --> 00:25:49,730
[television beeps]
626
00:26:07,850 --> 00:26:13,220
- * SO SHE SAID, "MAN, I GOT
TO GET OUT OF THIS TOWN *
627
00:26:13,260 --> 00:26:16,690
* "NOW I GOT TO GET BACK
ON THAT TRAIN *
628
00:26:16,730 --> 00:26:19,960
* "MAN, I GOT TO
GET OUT OF THIS TOWN *
629
00:26:20,000 --> 00:26:22,360
* "I'M OUT OF MY PAIN
630
00:26:22,400 --> 00:26:26,100
* SO I'M GOING BACK TO L.A."
631
00:26:26,130 --> 00:26:29,970
*
632
00:26:30,010 --> 00:26:33,110
* BACK TO L.A.
633
00:26:33,140 --> 00:26:37,050
*
634
00:26:37,080 --> 00:26:38,280
* BACK TO L.A.
635
00:26:38,310 --> 00:26:39,750
- THIS IS A REAL BUMMER.
636
00:26:39,780 --> 00:26:41,650
I THOUGHT YOU WERE WAKING ME UP
TO FUCK ME.
637
00:26:41,680 --> 00:26:43,320
- OH, TRUST ME,
I THOUGHT ABOUT IT.
638
00:26:43,350 --> 00:26:45,950
BUT THEN THE URGE TO FLEE
WON OUT.
639
00:26:45,990 --> 00:26:48,260
- YOU OKAY?
640
00:26:48,290 --> 00:26:50,990
- "DRIVE," SHE SAID.
641
00:26:51,030 --> 00:26:59,700
- * I'M GOING BACK TO L.A.
642
00:26:59,740 --> 00:27:04,270
* I'M GOING BACK TO L.A.
643
00:27:15,850 --> 00:27:17,420
- HEY.
- HELLO.
644
00:27:17,450 --> 00:27:21,160
- I THINK WE SHOULD
LET HER GO...ABROAD.
645
00:27:21,190 --> 00:27:22,930
- [whispering]
I WAS ALREADY THINKING THAT.
646
00:27:22,960 --> 00:27:24,790
- OF COURSE YOU WERE...
647
00:27:24,830 --> 00:27:26,860
BECAUSE YOU'RE
AN EXCEPTIONAL PARENT,
648
00:27:26,900 --> 00:27:29,700
WHICH IS NOT SOMETHING
THAT I CAN PUT ON MY RESUME.
649
00:27:29,730 --> 00:27:31,270
I'M TOO BUSY
SPOUTING OFF AT THE MOUTH
650
00:27:31,300 --> 00:27:32,800
WITHOUT THINKING.
651
00:27:32,840 --> 00:27:35,440
OUR DAUGHTER WANTS TO GO
ON A LITERARY PILGRIMAGE.
652
00:27:35,470 --> 00:27:37,440
WHO THE FUCK DOES THAT
IN THIS DAY AND AGE, RIGHT?
653
00:27:37,470 --> 00:27:39,710
AND WHAT KIND OF MALIGNANT
FUCKING ASSHOLE
654
00:27:39,740 --> 00:27:41,980
WOULDN'T INDULGE
THAT SORT OF BEHAVIOR...
655
00:27:42,010 --> 00:27:43,410
HOWEVER ASININE?
656
00:27:43,450 --> 00:27:44,980
- MY THOUGHTS EXACTLY.
657
00:27:45,010 --> 00:27:49,220
- YOU MEAN WE'RE IN AGREEMENT
ON SOMETHING?
658
00:27:49,250 --> 00:27:51,950
- IT LOOKS LIKE IT.
659
00:27:51,990 --> 00:27:53,390
- [shudders]
660
00:27:53,420 --> 00:27:55,320
THAT'S A MINOR
FUCKING MIRACLE, ISN'T IT?
661
00:27:55,360 --> 00:27:59,830
- MM-HMM. YOU WANT TO GO IN
AND TELL HER YOURSELF?
662
00:27:59,860 --> 00:28:04,470
- YOU COME WITH ME.
WE'LL TELL HER TOGETHER.
663
00:28:04,500 --> 00:28:07,840
[Karen speaking indistinctly]
48458
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