All language subtitles for Californication S05E10 Perverts & Whores

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,660 --> 00:00:09,530 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,560 --> 00:00:10,830 - MMM! - GOD, I LOVE FUCKING YOU! 3 00:00:10,860 --> 00:00:12,530 - I LOVE FUCKING YOU TOO. 4 00:00:12,560 --> 00:00:13,760 - HEY, HEY. HEY, HEY, HEY, HEY. 5 00:00:13,800 --> 00:00:14,830 HOW'S BATESY? 6 00:00:14,860 --> 00:00:16,400 - REHAB. 7 00:00:16,430 --> 00:00:19,170 - YOU STILL THINKIN' ABOUT LEAVING HIM? 8 00:00:19,200 --> 00:00:20,700 - YOU HAVE A MAGNIFICENT BODY! 9 00:00:20,740 --> 00:00:22,610 - DO YOU THINK I HAVE WHAT IT TAKES TO BE AN ACTRESS? 10 00:00:22,640 --> 00:00:24,140 - YES. 11 00:00:24,170 --> 00:00:25,310 - HAVE YOU HAD A CHANCE TO TALK TO STUART 12 00:00:25,340 --> 00:00:26,740 ABOUT SANTA MONICA COP? 13 00:00:26,780 --> 00:00:28,680 IF THERE'S A PART THAT I COULD READ FOR. 14 00:00:28,710 --> 00:00:29,680 - NO, BUT I WILL. 15 00:00:29,710 --> 00:00:30,680 - TRIXIE. 16 00:00:30,710 --> 00:00:32,320 - THAT IS A TERRIFIC NAME... 17 00:00:32,350 --> 00:00:33,450 IF YOU'RE A HOOKER. 18 00:00:33,480 --> 00:00:34,580 YOU TAKE DINERS CLUB? 19 00:00:34,620 --> 00:00:36,090 I'M NOT KIDDING. 20 00:00:36,120 --> 00:00:37,720 - IN ABOUT FIVE MINUTES, TYLER IS GONNA BE 21 00:00:37,750 --> 00:00:39,660 THE HOTTEST SCREENWRITER IN THE BUSINESS. 22 00:00:39,690 --> 00:00:42,090 SOMEONE HAS TO REPRESENT HIM. WHY NOT ME? 23 00:00:42,130 --> 00:00:44,590 - BECAUSE YOU'RE MY FUCKIN' AGENT, CHARLIE. 24 00:00:44,630 --> 00:00:46,500 - YOU'RE FIRED. - WHAT? 25 00:00:46,530 --> 00:00:48,670 - WE'RE BRINGING IN ANOTHER WRITER FOR THE ON-SET WORK. 26 00:00:48,700 --> 00:00:50,300 - CHARLIE SENT ME TO MEET WITH STU. 27 00:00:50,330 --> 00:00:52,800 - CHARLIE DID. - YEAH, I JUST SIGNED WITH HIM. 28 00:00:52,840 --> 00:00:54,370 - YOU JUST SIGNED WITH CHARLIE? 29 00:00:54,400 --> 00:00:56,210 - I DON'T WANNA HIT YOU. 30 00:00:56,240 --> 00:00:57,570 I DON'T WANNA HAVE ANYTHING TO DO WITH YOU, ALL RIGHT? 31 00:00:57,610 --> 00:00:59,380 - COME ON, BUDDY. DON'T BE THAT WAY. 32 00:00:59,410 --> 00:01:01,850 - I'M NOT YOUR BUDDY. YOU'RE FUCKIN' FIRED. 33 00:01:01,880 --> 00:01:04,110 AS AN AGENT AND A FRIEND. 34 00:01:13,390 --> 00:01:15,390 - FIVE MINUTES. THAT'S ALL I NEED. 35 00:01:15,430 --> 00:01:16,860 - CHARLIE, HE DOESN'T WANT TO SEE YOU. 36 00:01:16,890 --> 00:01:18,860 SAME AS YESTERDAY. I'M SORRY. 37 00:01:18,900 --> 00:01:20,800 - HE'S NEVER BEEN THIS MAD AT ME BEFORE, KAREN. 38 00:01:20,830 --> 00:01:22,330 I DON'T KNOW WHAT TO DO. 39 00:01:22,370 --> 00:01:23,900 - HE FEELS LIKE YOU BETRAYED HIM. 40 00:01:23,930 --> 00:01:25,300 - I DID, I DID! 41 00:01:25,340 --> 00:01:27,540 I-I-I SAW THE FORBIDDEN FRUIT 42 00:01:27,570 --> 00:01:28,840 DANGLE IN FRONT OF MY FACE, 43 00:01:28,870 --> 00:01:30,640 AND I TOOK A BIG BITE, A JUICY BITE. 44 00:01:30,670 --> 00:01:32,780 IT WAS WRONG. I SEE THAT NOW. 45 00:01:32,810 --> 00:01:35,150 - WH-WHAT CAN I DO? 46 00:01:35,180 --> 00:01:37,280 - SOMETHING. ANYTHING. 47 00:01:37,310 --> 00:01:39,650 MAYBE, UM, TEASE HIM A LITTLE BIT, YOU KNOW. 48 00:01:39,680 --> 00:01:41,420 UH, SHOW A LITTLE FLESH. A LITTLE NIP-SLIP. 49 00:01:41,450 --> 00:01:42,850 WHATEVER GETS ME IN THE DOOR. 50 00:01:42,890 --> 00:01:45,420 - I AM MARRIED TO ANOTHER MAN, CHARLIE. 51 00:01:45,460 --> 00:01:47,760 - SURE, SURE, SURE. BUT YOU AND HANK, YOU KNOW, 52 00:01:47,790 --> 00:01:48,930 YOU'RE ALWAYS JUST A NOD AND A WINK 53 00:01:48,960 --> 00:01:50,790 FROM JUMPING BACK IN THE SACK. 54 00:01:50,830 --> 00:01:53,230 OR...NOT. 55 00:01:53,260 --> 00:01:55,530 OH-KAY... 56 00:01:55,570 --> 00:01:57,230 I'LL BE ON MY WAY. 57 00:02:07,280 --> 00:02:09,450 - HEY. - YAH! 58 00:02:09,480 --> 00:02:11,450 HAVIN' A POOL IS AWESOME. 59 00:02:11,480 --> 00:02:14,550 HAVIN' A HUSBAND IN REHAB IS EVEN BETTER. 60 00:02:14,580 --> 00:02:16,350 - HANK, THAT WAS CHARLIE AGAIN. 61 00:02:16,390 --> 00:02:18,320 - FUCK THAT PENIS-HEADED MOTHERFUCKER! 62 00:02:18,360 --> 00:02:19,660 [wood splinters] - AGH! 63 00:02:19,690 --> 00:02:21,560 UHH! [grunts] 64 00:02:21,590 --> 00:02:23,290 HANK... 65 00:02:23,330 --> 00:02:24,860 FORGIVE ME. - NO! 66 00:02:24,890 --> 00:02:26,600 - I'LL DO WHATEVER IT TAKES! 67 00:02:26,630 --> 00:02:29,270 - FUCK YOU, CHARLIE. THERE'S NOTHING YOU CAN DO. 68 00:02:29,300 --> 00:02:31,300 - THIS IS THE PINK SLIP TO MY PORSCHE. 69 00:02:31,340 --> 00:02:32,740 HANK, I SIGNED IT OVER TO YOU. 70 00:02:32,770 --> 00:02:33,740 IT'S YOURS. 71 00:02:33,770 --> 00:02:35,310 - FINE, I'LL TAKE IT. 72 00:02:35,340 --> 00:02:36,570 - SO WE'RE GOOD NOW? 73 00:02:36,610 --> 00:02:37,640 - NO, NEVER. 74 00:02:37,670 --> 00:02:38,940 - PEOPLE ARE CALLING, HANK! 75 00:02:38,980 --> 00:02:40,840 THERE ARE OPPORTUNITIES TO DISCUSS! 76 00:02:40,880 --> 00:02:42,350 - REFER THEM TO MY NEW AGENT. 77 00:02:42,380 --> 00:02:43,810 - YOU HAVE A NEW AGENT? 78 00:02:43,850 --> 00:02:45,450 - I'M TAKING MEETINGS. 79 00:02:45,480 --> 00:02:47,880 - YOU'RE TAKING MEETINGS?! 80 00:02:47,920 --> 00:02:51,260 [screaming] 81 00:02:52,660 --> 00:02:53,860 - [laughs] 82 00:02:53,890 --> 00:02:55,990 - WELL, HANK, DO SOMETHING! 83 00:02:56,030 --> 00:02:57,360 - HE'S FINE. 84 00:02:57,390 --> 00:02:58,830 HE'S LIKE A BELUGA. 85 00:02:58,860 --> 00:03:00,860 - COME ON! - I THINK HE'S GOT A BLOWHOLE. 86 00:03:00,900 --> 00:03:02,770 - [bubbling] 87 00:03:12,910 --> 00:03:15,750 [sputters] 88 00:03:15,780 --> 00:03:17,480 AHH. 89 00:03:19,380 --> 00:03:21,790 [groans] 90 00:03:28,660 --> 00:03:29,830 I'LL BE ON MY WAY. 91 00:03:31,760 --> 00:03:32,830 - SEE YOU IN HELL... 92 00:03:32,860 --> 00:03:34,660 [falsetto] MOTHERFUCKER! 93 00:03:34,700 --> 00:03:36,770 - DON'T SAY MOTHERFUCKER LIKE THAT! 94 00:03:36,800 --> 00:03:38,540 IT MAKES ME MISS YOU! 95 00:03:47,710 --> 00:03:50,680 [upbeat music] 96 00:03:50,710 --> 00:03:58,660 * 97 00:04:30,850 --> 00:04:33,660 - HAVE A NICE DAY, HONEY. 98 00:04:33,690 --> 00:04:35,590 TOO SOON? 99 00:04:35,630 --> 00:04:37,390 - GOOD LUCK WITH YOUR MEETINGS. 100 00:04:37,430 --> 00:04:39,430 - WELL, THANK YOU. IT'S ABOUT TIME I GOT MYSELF 101 00:04:39,460 --> 00:04:41,000 SOME SERIOUS REPRESENTATION, HUH? 102 00:04:41,030 --> 00:04:42,730 - YOU SEEM TO BE DOING JUST FINE 103 00:04:42,770 --> 00:04:44,570 WITH YOUR CURRENT REPRESENTATION. 104 00:04:44,600 --> 00:04:46,670 - PREVIOUS REPRESENTATION, KAREN. 105 00:04:46,700 --> 00:04:47,670 PREVIOUS. 106 00:04:47,700 --> 00:04:49,010 - COME ON. 107 00:04:49,040 --> 00:04:50,540 CHARLIE'S BEEN GOOD FOR YOU, HANK. 108 00:04:50,570 --> 00:04:51,980 - AU CONTRAIRE, LADY FAIR. 109 00:04:52,010 --> 00:04:54,110 I HAVE DONE WELL IN SPITE OF CHARLIE, 110 00:04:54,140 --> 00:04:55,780 NOT BECAUSE OF HIM. 111 00:04:55,810 --> 00:04:57,780 - COME ON, THAT GUY WOULD TAKE A BULLET FOR YOU. 112 00:04:57,810 --> 00:04:59,550 - OH, PLEASE, HE'D PISS HIMSELF 113 00:04:59,580 --> 00:05:01,080 AND RUN AWAY SCREAMIN'. 114 00:05:01,120 --> 00:05:04,050 - REALLY? THAT'S AWESOME. 115 00:05:04,090 --> 00:05:05,690 YOU'RE SO BRILLIANT, BABY. 116 00:05:05,720 --> 00:05:07,460 - OH, I DON'T KNOW WHAT'S MORE OFFENSIVE-- 117 00:05:07,490 --> 00:05:08,760 BRILLIANT OR BABY? 118 00:05:08,790 --> 00:05:10,030 - [stifles laugh] STOP. 119 00:05:10,060 --> 00:05:12,360 - OKAY...CALL ME LATER. 120 00:05:12,400 --> 00:05:13,600 LOVE YOU. 121 00:05:13,630 --> 00:05:15,370 NO, LOVE YOU MORE. 122 00:05:17,900 --> 00:05:19,100 I SAW THAT. 123 00:05:19,140 --> 00:05:21,000 - WHAT? - YOU PRETENDED TO THROW UP. 124 00:05:21,040 --> 00:05:22,810 - I WASN'T PRETENDING. I THINK I THREW UP FOR REAL. 125 00:05:22,840 --> 00:05:24,470 LOOK, SPUTUM. 126 00:05:24,510 --> 00:05:25,880 ON THE MARBLE. WHAT-- 127 00:05:25,910 --> 00:05:27,840 - TYLER SAYS THAT APOCALYPSE LOVES HIS ASS, 128 00:05:27,880 --> 00:05:29,410 THINKS HE'S BRILLIANT. 129 00:05:29,450 --> 00:05:30,550 - YOU DO REALIZE YOU'RE TALKING TO THE MAN 130 00:05:30,580 --> 00:05:32,020 HE REPLACED, RIGHT? 131 00:05:32,050 --> 00:05:33,450 - I'M SORRY, DAD. 132 00:05:33,480 --> 00:05:34,880 DIDN'T MEAN TO EMBARRASS YOU. 133 00:05:34,920 --> 00:05:36,490 - YOU DIDN'T EMBARRASS ME. YOU INSULTED ME. 134 00:05:36,520 --> 00:05:37,990 AND SAM WILL LOVE HIS ASS 135 00:05:38,020 --> 00:05:39,860 RIGHT UP UNTIL THE POINT WHERE HE DOESN'T. 136 00:05:39,890 --> 00:05:42,630 HE'S A VERY FICKLE MISTRESS, THAT BROTHA. 137 00:05:42,660 --> 00:05:44,790 - FOR WHAT IT'S WORTH, I STILL LOVE YOU. 138 00:05:44,830 --> 00:05:47,030 - THAT IS WORTH QUITE A LOT. 139 00:05:47,060 --> 00:05:49,900 OH. THANK YOU. 140 00:05:49,930 --> 00:05:51,030 YO, LADY. 141 00:05:51,070 --> 00:05:53,540 YOU WANNA GET IN ON THIS? 142 00:05:53,570 --> 00:05:54,800 ALL RIGHT, YEAH. 143 00:05:54,840 --> 00:05:56,810 - OHH. - MMM. 144 00:05:56,840 --> 00:05:59,680 - I LOVE YOU. - MMM... 145 00:05:59,710 --> 00:06:00,680 PILATES? 146 00:06:00,710 --> 00:06:01,710 - [laughs] 147 00:06:01,750 --> 00:06:03,010 THAT'S MEAN. 148 00:06:03,050 --> 00:06:04,810 - SO THIS IS WHAT IT WOULD BE LIKE, 149 00:06:04,850 --> 00:06:06,620 THE THREE OF US LIVING IN THE BIG HOUSE 150 00:06:06,650 --> 00:06:08,150 BEHIND THE WHITE PICKET FENCE? 151 00:06:08,180 --> 00:06:10,950 ALL MY LIFE, I THOUGHT THAT SORT OF THING WAS LAME. 152 00:06:10,990 --> 00:06:13,420 NOW I REALIZE THE JOKE WAS ON ME. 153 00:06:15,560 --> 00:06:17,060 HAVE A NICE DAY. 154 00:06:17,090 --> 00:06:19,530 HONEY. 155 00:06:19,560 --> 00:06:20,560 [high-pitched] NAILED IT! 156 00:06:35,710 --> 00:06:37,550 - I GOT IT! [gasps] 157 00:06:37,580 --> 00:06:38,550 - WHAT? 158 00:06:38,580 --> 00:06:39,680 - THE PART! 159 00:06:39,720 --> 00:06:41,220 IN SANTA MONICA COP. 160 00:06:41,250 --> 00:06:42,990 - REALLY? 161 00:06:43,020 --> 00:06:44,550 - HEY, WHY DO YOU SOUND SO SURPRISED? 162 00:06:44,590 --> 00:06:45,990 YOU DON'T THINK I'VE GOT THE GOODS? 163 00:06:46,020 --> 00:06:48,020 - NO, I KNOW YOU GOT THE GOODS, ALL RIGHT. 164 00:06:48,060 --> 00:06:50,730 I JUST--IT'S-- IT WAS SUCH A LONG SHOT. 165 00:06:50,760 --> 00:06:53,100 - I KNOW, BUT STU SAID THAT I NAILED IT. 166 00:06:53,130 --> 00:06:55,630 - OHH, STU SAID THAT, DID HE? 167 00:06:55,670 --> 00:06:56,900 - YEP. ARE YOU PROUD? 168 00:06:56,930 --> 00:06:58,540 - OF COURSE. 169 00:06:58,570 --> 00:06:59,800 IT'S AWESOME. 170 00:06:59,840 --> 00:07:02,070 - I KNOW, OH, MY-- I'M SO EXCITED! 171 00:07:02,110 --> 00:07:04,510 OH, UM, I HAVE TO GET NAKED, THOUGH. 172 00:07:04,540 --> 00:07:06,110 - WELL, OF COURSE YOU DO. 173 00:07:06,140 --> 00:07:07,580 BUT IT'S A GOOD THING YOU LOOK PRETTY AMAZING NAKED. 174 00:07:07,610 --> 00:07:09,610 - OH, THANK YOU, MY LORD. 175 00:07:09,650 --> 00:07:11,250 - SPEAKING OF YOU LOOKING AMAZING NAKED, 176 00:07:11,280 --> 00:07:12,550 CAN WE MAKE LOVE? 177 00:07:12,580 --> 00:07:13,780 - NO, I'M--I'M SORRY, 178 00:07:13,820 --> 00:07:14,980 BUT I DON'T HAVE THE TIME, CHARLIE. 179 00:07:15,020 --> 00:07:16,250 - YOU SURE? I CAN BE QUICK ABOUT IT. 180 00:07:16,290 --> 00:07:18,220 I COULD REALLY USE THE RELEASE. 181 00:07:18,250 --> 00:07:20,120 - I'M SORRY, BUT I HAVE THREE AUDITIONS ALL OVER TOWN, 182 00:07:20,160 --> 00:07:22,730 AND THEN I HAVE TO PICK UP STUART FROM SCHOOL. 183 00:07:22,760 --> 00:07:24,830 WAIT, WHY ARE YOU ALL WET? 184 00:07:24,860 --> 00:07:26,230 [rock music] 185 00:07:26,260 --> 00:07:28,130 [traffic zooming] 186 00:07:28,160 --> 00:07:32,140 * 187 00:07:32,170 --> 00:07:34,870 - SO, HANK, TELL ME. 188 00:07:34,900 --> 00:07:36,270 WHAT DO YOU WANNA DO NEXT? 189 00:07:36,310 --> 00:07:39,240 WHAT IS YOUR WILDEST DREAM? 190 00:07:39,280 --> 00:07:42,210 - WELL, MY WILDEST DREAM INVOLVES A THREE-BREASTED MIDGET 191 00:07:42,250 --> 00:07:45,010 WITH LABIAL PIERCINGS AND A DESIRE TO PLEASE. 192 00:07:45,050 --> 00:07:47,150 BUT AS FAR AS HOLLYWOOD IS CONCERNED, 193 00:07:47,180 --> 00:07:48,650 I THINK I'D JUST LIKE TO WORK 194 00:07:48,690 --> 00:07:50,290 WITH A WORLD-CLASS DIRECTOR FOR ONCE. 195 00:07:50,320 --> 00:07:52,190 I'M SICK AND TIRED OF THE HACK PARADE. 196 00:07:52,220 --> 00:07:54,860 AND WHY HAVEN'T YOU DONE THAT? 197 00:07:54,890 --> 00:07:56,730 - I DON'T KNOW. MAYBE IT'S ME. 198 00:07:56,760 --> 00:07:58,090 MAYBE I JUST DON'T GOT THE GOODS. 199 00:07:58,130 --> 00:07:59,930 - NONSENSE. 200 00:07:59,960 --> 00:08:01,670 IT'S BECAUSE YOU HAVEN'T HAD SOMEBODY IN YOUR CORNER 201 00:08:01,700 --> 00:08:03,300 MAKING IT HAPPEN FOR YOU. 202 00:08:03,330 --> 00:08:07,870 YOUR FORMER REPRESENTATIVE-- IF I CAN EVEN CALL HIM THAT-- 203 00:08:07,900 --> 00:08:10,810 IS A SAD, DESPERATE SOUL. 204 00:08:10,840 --> 00:08:13,110 HE'S MORE INTERESTED IN HAVING AN OFFICE TO JERK OFF IN 205 00:08:13,140 --> 00:08:16,110 THAN MAKING HIS CLIENTS' DREAMS COME TRUE! 206 00:08:16,150 --> 00:08:18,720 - ALL RIGHT, I CAN MAKE FUN OF RUNKLE, BUT YOU CAN'T. 207 00:08:18,750 --> 00:08:21,620 OKAY? SAME WITH MY MOTHER. 208 00:08:21,650 --> 00:08:24,020 - I RESPECT THAT. 209 00:08:24,050 --> 00:08:26,060 AND I APOLOGIZE. 210 00:08:26,090 --> 00:08:28,730 NOW, SEE...THAT IS THE KIND OF HONOR 211 00:08:28,760 --> 00:08:30,660 I'M TALKING ABOUT, HANK. 212 00:08:30,690 --> 00:08:32,860 I CAN ALSO MAKE THAT THREE-BREASTED MIDGET THING 213 00:08:32,900 --> 00:08:34,330 HAPPEN FOR YOU. 214 00:08:34,360 --> 00:08:36,300 I KNOW A GUY. - OH. 215 00:08:36,330 --> 00:08:38,070 - HEY, BOYS! 216 00:08:38,100 --> 00:08:40,170 I SEE WE'RE DRINKING OUR LUNCH. 217 00:08:40,200 --> 00:08:41,940 - STU BEGGS! 218 00:08:41,970 --> 00:08:43,240 HOW'S THE HORSE COCK? 219 00:08:43,270 --> 00:08:44,710 - WELL...SHH... - [laughs] 220 00:08:44,740 --> 00:08:45,740 COME ON. COME--COME ON. 221 00:08:45,780 --> 00:08:47,310 TAKE OUT JUST ENOUGH OF IT 222 00:08:47,340 --> 00:08:49,680 TO SCARE ME, HUH? [laughs] 223 00:08:49,710 --> 00:08:52,350 - HANK, IF YOU ABSOLUTELY HAVE TO LEAVE RUNKLE, 224 00:08:52,380 --> 00:08:54,920 AND I BELIEVE YOU DO, THIS IS THE GUY! 225 00:08:54,950 --> 00:08:56,720 - I'M NOT TALKING TO YOU, STU. 226 00:08:56,750 --> 00:08:58,920 - LOOK, I KNOW I FIRED YOU, 227 00:08:58,960 --> 00:09:01,730 BUT THAT DOESN'T MEAN I DON'T LOVE YOU WITH ALL MY HEART. 228 00:09:01,760 --> 00:09:03,190 DON'T BE A GRUDGE HOLDER, HANK. 229 00:09:03,230 --> 00:09:04,830 IT'S UNBECOMING. 230 00:09:04,860 --> 00:09:05,960 - DON'T WORRY, HANK. 231 00:09:06,000 --> 00:09:07,060 I'LL HOLD THE GRUDGE FOR YOU. 232 00:09:07,100 --> 00:09:08,900 [both laugh] SO... 233 00:09:08,930 --> 00:09:10,600 WHO ARE YOU HAVING LUNCH WITH? 234 00:09:10,630 --> 00:09:12,270 - WELL, ACTUALLY, UM, 235 00:09:12,300 --> 00:09:14,740 THIS COULD BE SLIGHTLY AWKWARD. 236 00:09:14,770 --> 00:09:17,040 - SLIGHTLY? 237 00:09:17,070 --> 00:09:18,810 - STU. 238 00:09:18,840 --> 00:09:20,940 LARRY. 239 00:09:20,980 --> 00:09:22,710 [sighs] HANK. 240 00:09:22,750 --> 00:09:24,310 - AFTER THE SHIT I'VE SEEN YOU DO TO YOURSELF, 241 00:09:24,350 --> 00:09:25,980 THERE'S NO WAY I'M TOUCHING 242 00:09:26,020 --> 00:09:28,380 THAT FUCKING DISGUSTING MITT OF YOURS, RUNKLE. 243 00:09:28,420 --> 00:09:30,720 - UNDERSTOOD. 244 00:09:30,750 --> 00:09:33,390 JUST TAKE GOOD CARE OF HIM, OKAY? 245 00:09:33,420 --> 00:09:36,730 - JUST BECAUSE I FIRED YOU, CHARLIE, 246 00:09:36,760 --> 00:09:39,060 DOESN'T MEAN I DON'T LOVE YOU WITH ALL MY HEART. 247 00:09:39,100 --> 00:09:40,260 - I KNOW THAT. 248 00:09:40,300 --> 00:09:42,270 IT MAKES ME FEEL A LITTLE BETTER. 249 00:09:42,300 --> 00:09:43,300 - JUST KIDDING. 250 00:09:43,330 --> 00:09:44,730 FUCK YOU. 251 00:09:44,770 --> 00:09:46,670 [high-pitched] MOTHERFUCKER. 252 00:09:49,240 --> 00:09:51,040 - [whimpers] 253 00:09:51,070 --> 00:09:53,080 - NO CRYING AT THE PALM, RUNKLE. 254 00:09:53,110 --> 00:09:54,880 IF YOU'RE NOT CAREFUL, IT'LL BE ON DEADLINE 255 00:09:54,910 --> 00:09:56,680 BEFORE YOU GET BACK TO THE OFFICE. 256 00:09:56,710 --> 00:09:57,880 MM. 257 00:10:00,880 --> 00:10:02,690 - HEY, LARRY. IT'S BEEN A SLICE. 258 00:10:02,720 --> 00:10:04,150 - OH, THIS MEETING'S NOT OVER YET, HANK. 259 00:10:04,190 --> 00:10:05,720 THERE'S SOMEBODY I'D LIKE YOU TO MEET. 260 00:10:05,760 --> 00:10:06,860 FOLLOW ME. 261 00:10:14,160 --> 00:10:17,730 - THANK YOU, ROMEO. 262 00:10:17,770 --> 00:10:18,940 ARE YOU OKAY, RUNKLE? 263 00:10:18,970 --> 00:10:21,200 - AM I OKAY...STU? 264 00:10:21,240 --> 00:10:23,870 I'M THE FURTHEST FROM OKAY I'VE EVER BEEN. 265 00:10:23,910 --> 00:10:26,310 I'VE LOST THE ONLY CLIENT WHO EVER MEANT ANYTHING TO ME. 266 00:10:26,340 --> 00:10:27,940 - OKAY, OKAY. 267 00:10:27,980 --> 00:10:29,850 JUST KEEP YOUR FUCKIN' VOICE DOWN, RUNKLE. 268 00:10:29,880 --> 00:10:31,920 I MEAN, I'VE SEEN AT LEAST THREE OF YOUR OTHER CLIENTS 269 00:10:31,950 --> 00:10:33,320 IN THIS VERY ROOM. 270 00:10:33,350 --> 00:10:35,080 I MEAN, DO YOU WANT THEM TO SEE YOU LIKE THIS? 271 00:10:35,120 --> 00:10:36,750 - WHATEVER. 272 00:10:36,790 --> 00:10:38,920 LEAST I STILL GOT LIZZIE. 273 00:10:38,960 --> 00:10:41,190 - YEAH. 274 00:10:41,220 --> 00:10:42,730 - SO SHE REALLY NAILED IT, HUH? 275 00:10:42,760 --> 00:10:44,060 [laughs] 276 00:10:44,090 --> 00:10:45,290 - [chuckling] YEAH. 277 00:10:45,330 --> 00:10:47,030 I MEAN, SHE WAS GOOD. 278 00:10:47,060 --> 00:10:49,770 I-I MEAN, SHE WAS FINE. 279 00:10:49,800 --> 00:10:51,470 - WELL... 280 00:10:51,500 --> 00:10:53,100 BUT YOU GAVE HER THE PART, RIGHT? 281 00:10:53,140 --> 00:10:54,940 I MEAN, SHE MUST HAVE BEEN BETTER THAN FINE. 282 00:10:54,970 --> 00:10:58,270 - WELL, YOU KNOW, SHE'S CERTAINLY GORGEOUS. 283 00:10:58,310 --> 00:11:00,210 - YES, I KNOW. 284 00:11:00,240 --> 00:11:01,780 - [sighs] 285 00:11:05,780 --> 00:11:08,250 - YEAH, SOMETHING'S NOT ADDING UP HERE, STU. 286 00:11:08,280 --> 00:11:10,450 - YOU DON'T WANNA KNOW, CHARLIE. 287 00:11:11,520 --> 00:11:13,260 - KNOW WHAT? 288 00:11:13,290 --> 00:11:14,960 - LOOK, THE ONLY REASON I'M GOING TO TELL YOU 289 00:11:14,990 --> 00:11:17,060 IS BECAUSE I THINK YOU NEED TO KNOW 290 00:11:17,090 --> 00:11:18,330 WHAT YOU'RE DEALING WITH HERE. 291 00:11:18,360 --> 00:11:20,930 - OHH-KAY... 292 00:11:20,960 --> 00:11:21,930 - GENTLEMEN. 293 00:11:25,900 --> 00:11:27,240 - SHE BLEW ME. 294 00:11:27,270 --> 00:11:30,140 - WHAT? WHO? 295 00:11:30,170 --> 00:11:31,370 - LIZZIE. 296 00:11:31,410 --> 00:11:34,110 - THAT'S CRAZY. 297 00:11:34,140 --> 00:11:36,980 - SHE OFFERED ME A BLOWIE IN EXCHANGE FOR THE ROLE. 298 00:11:37,010 --> 00:11:39,780 NOW, I TOOK IT. IT WAS AN HONEST TRANSACTION. 299 00:11:39,820 --> 00:11:43,090 - HOW COULD YOU DO THAT TO ME? 300 00:11:43,120 --> 00:11:44,520 OR MARCY? 301 00:11:44,550 --> 00:11:46,190 - HEY, HEY, HEY! 302 00:11:46,220 --> 00:11:48,460 THAT ONE LITTLE BLOW JOB, HOWEVER DELIGHTFUL, 303 00:11:48,490 --> 00:11:50,360 IN NO WAY DIMINISHES THE DEPTH OF MY FEELING 304 00:11:50,390 --> 00:11:51,960 FOR MY BELOVED WIFE. 305 00:11:52,000 --> 00:11:53,260 - OH, I THINK IT DOES. 306 00:11:53,300 --> 00:11:54,500 - HEY, RUNKLE, YOU KNOW, 307 00:11:54,530 --> 00:11:55,870 THERE ARE CERTAIN THINGS IN THIS LIFE 308 00:11:55,900 --> 00:11:57,500 THAT A MAN JUST CANNOT PASS UP. 309 00:11:57,530 --> 00:11:59,440 AND ONE OF THEM IS HAVING LIZZIE'S LIPS 310 00:11:59,470 --> 00:12:01,870 WRAPPED AROUND MY LOVE CANNON. 311 00:12:01,910 --> 00:12:04,540 - I CAN'T BELIEVE MY GIRLFRIEND BLEW YOU! 312 00:12:04,570 --> 00:12:06,410 - SHE'S NOT YOUR GIRLFRIEND. 313 00:12:06,440 --> 00:12:08,280 - OKAY, SO WE HAVEN'T HAD THAT CONVERSATION. 314 00:12:08,310 --> 00:12:10,280 I STILL FEEL SHE'S MY ONE AND ONLY. 315 00:12:10,310 --> 00:12:12,020 - WELL, GUESS WHAT-- SHE'S NOT, OKAY? 316 00:12:12,050 --> 00:12:13,550 SHE IS A FUCKING CLIMBER, 317 00:12:13,580 --> 00:12:15,990 AND SHE'S DOING IT WITH STYLE. 318 00:12:16,020 --> 00:12:17,550 - HOW DO YOU KNOW 319 00:12:17,590 --> 00:12:19,920 I WON'T TELL MARCY ABOUT THIS? 320 00:12:22,130 --> 00:12:24,160 - WHAT IS WRONG WITH YOU? 321 00:12:24,190 --> 00:12:25,160 - WHAT? 322 00:12:25,190 --> 00:12:27,030 - WHY WOULD YOU DO THAT? 323 00:12:27,060 --> 00:12:29,300 WHY WOULD YOU WANT TO HURT THE MOTHER OF YOUR CHILD? 324 00:12:29,330 --> 00:12:31,030 YOU KNOW, THAT IS SICK. 325 00:12:31,070 --> 00:12:35,000 THAT IS SOMETHING ONLY A MONSTER WOULD DO, CHARLIE. 326 00:12:35,040 --> 00:12:37,440 NOW, ARE YOU READY TO ORDER? I GOTTA GET TO THE SET. 327 00:12:37,470 --> 00:12:39,180 ROMEO. 328 00:12:44,110 --> 00:12:45,480 - [German accent] SO I HEAR YOUR WORK IS... 329 00:12:45,510 --> 00:12:47,180 VERY SEXUAL, JA? 330 00:12:47,220 --> 00:12:48,920 - YEAH, I SUPPOSE SO. 331 00:12:48,950 --> 00:12:50,220 JA. 332 00:12:50,250 --> 00:12:51,590 - YOU KNOW, HANK, I WOULD VERY MUCH 333 00:12:51,620 --> 00:12:53,420 LIKE TO WORK WITH YOU. 334 00:12:53,460 --> 00:12:55,360 - WOW, THAT WOULD BE A DREAM COME TRUE. 335 00:12:55,390 --> 00:12:56,930 YOU WORK FAST, DUDE. 336 00:12:56,960 --> 00:12:59,000 - IT'S WHAT I DO. - HUH. 337 00:12:59,030 --> 00:13:01,230 I HAVE TO SAY THAT YOUR-- YOUR WORK 338 00:13:01,260 --> 00:13:03,500 HAS MEANT A LOT TO ME OVER THE YEARS, SIR. 339 00:13:03,530 --> 00:13:05,200 - "SIR"? WHAT IS WITH THIS "SIR." 340 00:13:05,230 --> 00:13:06,300 YOU CAN CALL ME LARS. 341 00:13:06,340 --> 00:13:08,870 JA? - OKAY...LARS. 342 00:13:08,910 --> 00:13:10,840 I JUST GOTTA SAY THAT IT'S REALLY A KICK 343 00:13:10,870 --> 00:13:12,380 TO BE SITTING ACROSS FROM A FILMMAKER 344 00:13:12,410 --> 00:13:14,210 WHOSE WORK I ADMIRE. 345 00:13:14,240 --> 00:13:16,080 USUALLY, I WORK WITH DIRECTORS WHOSE MOVIES SUCK SO HARD 346 00:13:16,110 --> 00:13:17,580 THAT I HAVE TO PRETEND THAT I WAS OUT OF THE COUNTRY 347 00:13:17,610 --> 00:13:19,250 OR IN A COMA WHEN THEY WERE RELEASED, 348 00:13:19,280 --> 00:13:20,350 IF YOU KNOW WHAT I'M SAYING. - [laughs] 349 00:13:20,380 --> 00:13:21,580 - THAT IS EXCELLENT, HANK. 350 00:13:21,620 --> 00:13:23,190 SO NICE TO HEAR. 351 00:13:23,220 --> 00:13:25,860 HOLLYWOOD HAS GONE TO SHIT. SCHEISSE. 352 00:13:25,890 --> 00:13:27,490 WHAT SHOULD WE DO. WE SHOULD LEAVE? 353 00:13:27,520 --> 00:13:29,130 GET OUT? NO! 354 00:13:29,160 --> 00:13:31,530 WE DIG IN. WE FIGHT. 355 00:13:31,560 --> 00:13:33,100 - YEAH. 356 00:13:33,130 --> 00:13:36,230 - I SEE MYSELF RETURNING TO MY ROOT. 357 00:13:36,270 --> 00:13:39,870 I WISH NEXT TO MAKE SOMETHING VERY VIOLENT, 358 00:13:39,900 --> 00:13:41,540 VERY...SEXUAL. 359 00:13:41,570 --> 00:13:43,370 - WHEELHOUSE! 360 00:13:43,410 --> 00:13:45,270 - JA... I WANT TO MAKE A PICTURE 361 00:13:45,310 --> 00:13:48,980 ABOUT THE MOST FAMOUS WHORE IN THE HISTORY OF MANKIND. 362 00:13:49,010 --> 00:13:51,110 MARY MAGDALENE. 363 00:13:51,150 --> 00:13:53,120 - HM. INTERESTING. 364 00:13:53,150 --> 00:13:54,520 - JENNIFER ANISTON... 365 00:13:54,550 --> 00:13:57,290 SHE IS ATTACHED. 366 00:13:57,320 --> 00:13:58,650 - OKAY. 367 00:13:58,690 --> 00:14:00,990 - WHY CAN'T THE BIBLE BE SEXY, HUH? 368 00:14:01,020 --> 00:14:03,530 - TOTALLY. THAT'S WHAT MY GRANDMOTHER ALWAYS USED TO SAY. 369 00:14:03,560 --> 00:14:05,960 AHA! THE GIRLS ARE HERE! 370 00:14:06,000 --> 00:14:08,000 - TRIXIE? TRIXIE! 371 00:14:08,030 --> 00:14:09,130 - [laughing] HANK. 372 00:14:09,170 --> 00:14:11,170 - OH, YOU KNOW EACH OTHER, HMM? 373 00:14:11,200 --> 00:14:12,600 HOW LOVELY. [laughing] 374 00:14:12,640 --> 00:14:14,640 I KNEW THIS RELATIONSHIP WAS MEANT TO BE, HUH? 375 00:14:14,670 --> 00:14:16,170 [laughter] 376 00:14:16,210 --> 00:14:18,270 - LARRY, MY MAN, RUNKLE NEVER SET ME UP 377 00:14:18,310 --> 00:14:19,580 ON A MEETING LIKE THIS. 378 00:14:19,610 --> 00:14:21,280 - WELL, I JUST WANTED YOU TO SEE 379 00:14:21,310 --> 00:14:23,550 WHAT REAL REPRESENTATION IS LIKE. 380 00:14:23,580 --> 00:14:26,250 - SO, HANK, YOU DO YOUR RESEARCH, 381 00:14:26,280 --> 00:14:27,920 I DO MY RESEARCH, 382 00:14:27,950 --> 00:14:29,420 WE COMPARE NOTES, JA? 383 00:14:29,450 --> 00:14:31,390 - HELLS JA. 384 00:14:34,090 --> 00:14:35,120 - HI! 385 00:14:39,360 --> 00:14:41,000 - YOU LOOK LIKE A SLUT. 386 00:14:43,070 --> 00:14:46,100 IN A...GOOD WAY. 387 00:14:46,140 --> 00:14:47,700 - IT'S FOR AN AUDITION. 388 00:14:47,740 --> 00:14:51,610 IS EVERYTHING OKAY, CHARLIE? YOU'RE HOME EARLY. 389 00:14:51,640 --> 00:14:53,610 - [sighs] 390 00:14:53,640 --> 00:14:55,080 I'M FINE. 391 00:14:57,610 --> 00:15:00,280 - YOU SEEM AWFULLY QUIET. 392 00:15:03,250 --> 00:15:05,450 - [wailing] 393 00:15:05,490 --> 00:15:06,960 - OH, WHAT'S WRONG? 394 00:15:06,990 --> 00:15:09,330 IS IT HANK? 395 00:15:09,360 --> 00:15:13,060 - DID YOU GIVE STU A BLOW JOB? 396 00:15:13,100 --> 00:15:14,960 - NO! GROSS! 397 00:15:15,000 --> 00:15:17,600 - I KNEW YOU DIDN'T! THANK GOD. 398 00:15:17,630 --> 00:15:19,570 OHH. UHH. 399 00:15:19,600 --> 00:15:21,570 - WELL, MAYBE I DID. 400 00:15:23,640 --> 00:15:26,080 - MAYBE? 401 00:15:26,110 --> 00:15:27,580 DID HE DRUG YOU? 402 00:15:27,610 --> 00:15:31,080 - NO, HE DIDN'T DRUG ME, CHARLIE. 403 00:15:31,110 --> 00:15:33,450 OKAY, I GAVE HIM A BLOW JOB. 404 00:15:33,480 --> 00:15:35,220 - WHY? 405 00:15:35,250 --> 00:15:37,350 - BECAUSE I REALLY WANTED THE PART. 406 00:15:37,390 --> 00:15:39,520 - BUT YOU MIGHT HAVE GOTTEN THE PART ANYWAY! 407 00:15:39,560 --> 00:15:40,990 - MAYBE. 408 00:15:41,020 --> 00:15:42,490 - SEE, NOW YOU'LL NEVER KNOW. 409 00:15:42,530 --> 00:15:44,130 - IT DOESN'T MATTER ANYMORE 410 00:15:44,160 --> 00:15:45,630 BECAUSE I HAVE THE PART. 411 00:15:45,660 --> 00:15:48,500 - RIGHT. 412 00:15:48,530 --> 00:15:52,270 I GUESS I SEE YOUR LOGIC. 413 00:15:52,300 --> 00:15:53,440 - OH... 414 00:15:53,470 --> 00:15:55,240 IT DIDN'T MEAN ANYTHING, CHARLIE. 415 00:15:55,270 --> 00:15:57,110 IT WAS JUST A BLOW JOB. 416 00:15:57,140 --> 00:15:59,310 - YEAH, BUT WHAT HAPPENED TO THE GIRL WHO-- 417 00:15:59,340 --> 00:16:01,780 WHO--WHO DIDN'T WANT TO GO FROM KISSING TO FINGER BANGING 418 00:16:01,810 --> 00:16:03,650 IN JUST A MATTER OF SECONDS? 419 00:16:03,680 --> 00:16:06,080 - SHE'S STANDING RIGHT HERE. 420 00:16:06,120 --> 00:16:08,680 SHE STILL DOESN'T. 421 00:16:08,720 --> 00:16:12,020 JUST BECAUSE SHE GAVE A BIG MOVIE PRODUCER 422 00:16:12,060 --> 00:16:13,790 A BLOW JOB IN EXCHANGE FOR A ROLE 423 00:16:13,820 --> 00:16:17,190 DOESN'T MEAN THAT SHE'S CHANGED OR SOLD OUT. 424 00:16:19,330 --> 00:16:21,130 - HE'S A MARRIED MAN, YOU KNOW. 425 00:16:21,160 --> 00:16:23,530 - I KNOW, BUT HE'S THE ONE THAT ACCEPTED MY OFFER, 426 00:16:23,570 --> 00:16:25,130 AND... 427 00:16:25,170 --> 00:16:26,600 - AND...? 428 00:16:26,640 --> 00:16:29,270 - MARCY CAN BE REALLY MEAN TO ME SOMETIMES. 429 00:16:29,310 --> 00:16:31,310 - YEAH, SHE CAN BE A REAL BITCH. 430 00:16:31,340 --> 00:16:33,210 - MM-HMM. 431 00:16:33,240 --> 00:16:34,680 - AND SHE HAS BEEN KNOWN TO RELAX ON THE BLOW JOBBING 432 00:16:34,710 --> 00:16:36,750 ONCE SHE SETTLES IN TO A MARRIAGE. 433 00:16:38,810 --> 00:16:40,680 - LOOK... 434 00:16:40,720 --> 00:16:43,550 I HOPE THIS DOESN'T CHANGE ANYTHING BETWEEN US. 435 00:16:43,590 --> 00:16:46,360 I STILL REALLY LIKE YOU. 436 00:16:46,390 --> 00:16:49,190 - [crying] I REALLY LIKE YOU TOO. 437 00:16:49,230 --> 00:16:50,630 - COOL. 438 00:16:50,660 --> 00:16:52,300 OKAY, I HAVE TO GET TO MY AUDITION. 439 00:16:52,330 --> 00:16:54,130 [kiss] WISH ME LUCK. 440 00:17:01,140 --> 00:17:02,810 - GOOD LUCK. [door closes] 441 00:17:02,840 --> 00:17:04,840 - AND HOW'S BECCA? 442 00:17:04,870 --> 00:17:07,110 - SHE'S GREAT. SHE'S IN COLLEGE NOW. 443 00:17:07,140 --> 00:17:09,580 - HOLY SHIT. THAT'S TRIPPY. 444 00:17:09,610 --> 00:17:11,350 DID SHE END UP BEING A LESBIAN? 445 00:17:11,380 --> 00:17:13,350 - NO, MUCH TO MY CHAGRIN. - OH. 446 00:17:13,380 --> 00:17:15,320 - SHE IS DATING A GUY WITH TWO MOMS, THOUGH. 447 00:17:15,350 --> 00:17:17,720 - [gasps] GROOVY. 448 00:17:17,750 --> 00:17:19,460 AND KAREN? 449 00:17:19,490 --> 00:17:21,420 - SHE'S ACTUALLY MARRIED... 450 00:17:21,460 --> 00:17:23,460 TO THIS CRAZY FUCKIN' CHARACTER. 451 00:17:23,490 --> 00:17:25,730 - OOH, THAT MUST REALLY CHAP YOUR HIDE. 452 00:17:25,760 --> 00:17:27,260 - NOT AS MUCH AS YOU'D THINK. 453 00:17:27,300 --> 00:17:28,860 YOU KNOW, I LIKE HIM. HE'S A GOOD GUY. 454 00:17:28,900 --> 00:17:29,870 BIT OF A DRINKER, THOUGH. 455 00:17:29,900 --> 00:17:31,200 - MORE SO THAN YOU? 456 00:17:31,230 --> 00:17:32,470 - DIFFERENT. 457 00:17:32,500 --> 00:17:34,500 WHEN I DRINK, I DO STUPID SHIT. 458 00:17:34,540 --> 00:17:37,370 AND WHEN HE DRINKS, HE DOES STUPID SHIT WITH YOUNG BOYS. 459 00:17:37,410 --> 00:17:39,340 - OOH, THAT'S NOT GOOD. 460 00:17:39,380 --> 00:17:41,480 - ALMOST NEVER A GOOD IDEA. 461 00:17:41,510 --> 00:17:44,610 - SO ARE YOU STILL HOPING FOR A RECONCILIATION? 462 00:17:44,650 --> 00:17:48,120 - I DON'T KNOW IF I'M HOPING SO MUCH AS YEARNING, YOU KNOW? 463 00:17:48,150 --> 00:17:50,350 WE'RE STILL PRETTY MUCH AS STAR-CROSSED AS EVER. 464 00:17:50,390 --> 00:17:51,850 - COPY THAT. 465 00:17:51,890 --> 00:17:53,590 - HOW 'BOUT YOU? 466 00:17:53,620 --> 00:17:54,760 ANY LOVE IN YOUR LIFE? 467 00:17:54,790 --> 00:17:56,190 - NO. 468 00:17:56,230 --> 00:17:57,660 THE WHOLE SEX-FOR-MONEY THING 469 00:17:57,690 --> 00:17:59,630 KIND OF SCARES THEM OFF, YOU KNOW? 470 00:17:59,660 --> 00:18:00,900 - WELL, YOU SHOULDN'T CHARGE THEM, THEN. 471 00:18:00,930 --> 00:18:02,230 - [laughs] - AH HA HA HA! 472 00:18:02,270 --> 00:18:03,630 - YOU'RE FUNNY. 473 00:18:03,670 --> 00:18:06,240 - IT'S GONNA TAKE A PRETTY SPECIAL FELLA. 474 00:18:06,270 --> 00:18:07,670 - YA THINK SO? 475 00:18:07,700 --> 00:18:09,910 I'M SICK OF WAITING. 476 00:18:09,940 --> 00:18:12,640 SO SHOULD WE DO THIS? - OH, WE SHOULD DO THIS. 477 00:18:12,680 --> 00:18:15,280 AND A LITTLE BIT OF THAT, IF YOU KNOW WHAT I'M SAYIN'. 478 00:18:15,310 --> 00:18:16,480 - OKAY... 479 00:18:16,510 --> 00:18:17,580 - HELLO. 480 00:18:17,610 --> 00:18:19,250 [Lars shouting, woman shrieking] 481 00:18:19,280 --> 00:18:20,650 - WHAT IS THAT? 482 00:18:20,680 --> 00:18:21,750 - I WOULDN'T WORRY ABOUT IT. 483 00:18:21,780 --> 00:18:23,350 HE'S A LEGENDARY KINKSTER. 484 00:18:23,390 --> 00:18:24,390 - LARS? 485 00:18:24,420 --> 00:18:25,890 - AND LARRY. - OH... 486 00:18:25,920 --> 00:18:27,460 - THOSE OLD-SCHOOL GUYS LIKE TO GET THEIR PERV ON 487 00:18:27,490 --> 00:18:28,690 WITH THE 'TUTES. 488 00:18:28,720 --> 00:18:30,160 - THE... - [whispering] PROSTITUTES. 489 00:18:30,190 --> 00:18:31,390 - OH, RIGHT ON. 490 00:18:31,430 --> 00:18:32,730 SO YOU THINK SHE'S OKAY? 491 00:18:32,760 --> 00:18:34,300 - YEAH, THEY'RE PROBABLY JUST PLAYING 492 00:18:34,330 --> 00:18:35,800 PASSION OF THE CHRIST OR SOMETHING. 493 00:18:35,830 --> 00:18:37,430 - HMM. 494 00:18:37,470 --> 00:18:39,200 [shouting continues] MMM... 495 00:18:39,240 --> 00:18:40,240 - I MISSED YOU, HANK. 496 00:18:40,270 --> 00:18:42,810 - I MISSED YOU TOO, TRIXELLA. 497 00:18:42,840 --> 00:18:46,480 [loud clatter, woman screams] 498 00:18:46,510 --> 00:18:47,680 ARGH. 499 00:18:47,710 --> 00:18:48,810 I GOTTA GO CHECK ON HER. 500 00:18:48,840 --> 00:18:50,910 - CLOCK'S TICKING. 501 00:18:53,850 --> 00:18:55,420 [Lars shouting, woman whimpering] 502 00:18:55,450 --> 00:18:56,850 - HEY, DUDE, WHAT'S THE DEAL? 503 00:18:56,890 --> 00:18:58,420 - WHAT'S THE WORLD COMING TO 504 00:18:58,450 --> 00:19:00,490 WHEN A WHORE CANNOT GET A MAN HARD, EH? 505 00:19:00,520 --> 00:19:02,430 - RELAX. POP A VIAGRA. 506 00:19:02,460 --> 00:19:03,860 YOU KNOW, YOU GOT A LOT ON YOUR MIND. 507 00:19:03,890 --> 00:19:05,960 - VIAGRA? I DON'T NEED THAT MEDICAL SHIT! 508 00:19:05,990 --> 00:19:07,700 I'M VIRILITY INCARNATE, YOU ASSHOLE! 509 00:19:07,730 --> 00:19:08,830 - IT'S NOTHING TO BE ASHAMED OF. 510 00:19:08,860 --> 00:19:09,970 YOU ARE GETTING ON IN YEARS. 511 00:19:10,000 --> 00:19:11,470 - FUCK YOU, WRITER! 512 00:19:11,500 --> 00:19:12,540 - OKAY, FINE. FUCK ME. 513 00:19:12,570 --> 00:19:13,800 BUT TAKE IT EASY ON HER. 514 00:19:13,840 --> 00:19:15,570 I THINK YOU'RE SCARING THE GIRL. 515 00:19:15,600 --> 00:19:16,810 - YOU'RE GOING TO TELL ME HOW TO CONDUCT MYSELF 516 00:19:16,840 --> 00:19:19,540 IN MY OWN HOUSE WITH A WHORE?! 517 00:19:19,580 --> 00:19:20,940 - STOP RAGING, JA? 518 00:19:20,980 --> 00:19:22,810 - HANK, IT'S BETTER TO JUST LET HIM BE. 519 00:19:22,850 --> 00:19:24,750 HE'S--HE'S AN ARTIST. 520 00:19:24,780 --> 00:19:25,880 HIS PASSIONS RUN DEEP. 521 00:19:25,910 --> 00:19:27,420 - [shouting] - [shrieking] 522 00:19:27,450 --> 00:19:28,980 - FINE, WHORE! YOU DON'T GET ME HARD, 523 00:19:29,020 --> 00:19:30,590 I WILL URINATE ON YOU! 524 00:19:30,620 --> 00:19:32,860 ASSUME THE POSITION-- I WILL PISS ON YOU! 525 00:19:32,890 --> 00:19:34,820 - OH, NO, DON'T ASSUME ANYTHING. 526 00:19:34,860 --> 00:19:35,890 DON'T DO THAT. THAT'S GROSS. 527 00:19:35,920 --> 00:19:37,590 UNLESS SHE'S OKAY WITH IT. 528 00:19:37,630 --> 00:19:38,860 YOU OKAY WITH IT? REALLY? 529 00:19:38,890 --> 00:19:41,500 - I AM PAYING THIS WHORE FOR HER TIME. 530 00:19:41,530 --> 00:19:44,000 IF I CHOOSE TO TREAT HER LIKE A TOILET... 531 00:19:44,030 --> 00:19:45,400 - I DON'T WANNA FIGHT WITH YOU. 532 00:19:45,430 --> 00:19:46,640 - I WILL TREAT HER LIKE A TOILET! 533 00:19:46,670 --> 00:19:48,570 AH! - I REALLY LIKE YOUR WORK, MAN. 534 00:19:48,600 --> 00:19:50,240 WHY DO I KEEP FIGHTING WITH DIRECTORS? 535 00:19:50,270 --> 00:19:53,010 - OHH! OHH. - IT'S GOTTA BE ME, YOU KNOW? 536 00:19:53,040 --> 00:19:55,310 YOU HAPPY NOW, YOU OLD FUCKIN' CREEPER? 537 00:19:55,340 --> 00:19:57,350 I DIDN'T WANT TO GIVE ONE OF MY FAVORITE FILMMAKERS 538 00:19:57,380 --> 00:19:59,350 A BLOODY NOSE, BUT YOU MADE ME. 539 00:19:59,380 --> 00:20:01,020 HE MADE ME. 540 00:20:01,050 --> 00:20:02,850 - [groaning] 541 00:20:02,890 --> 00:20:04,750 - UH, I GUESS IT'S KIND OF COOL TO REALIZE 542 00:20:04,790 --> 00:20:06,460 THAT WORLD-CLASS FILMMAKERS 543 00:20:06,490 --> 00:20:09,490 ARE JUST AS FALLIBLE AS THE REST OF US, HUH? 544 00:20:09,530 --> 00:20:11,260 [clears throat loudly] 545 00:20:11,290 --> 00:20:12,730 SO I, UH, I'LL CALL YOU. 546 00:20:12,760 --> 00:20:14,360 I'LL LET YOU KNOW WHAT I DECIDE, LARRY. 547 00:20:14,400 --> 00:20:16,030 IT WAS NICE TO MEET YOU AND, UH, YOU KNOW, 548 00:20:16,060 --> 00:20:21,570 THANKS FOR LUNCH AND FOR THIS WHOLE THING HERE, YOU KNOW. 549 00:20:21,600 --> 00:20:23,510 - YOU JUST LOST ME A CLIENT 550 00:20:23,540 --> 00:20:25,470 I'VE WORKED WITH FOR OVER THREE DECADES. 551 00:20:25,510 --> 00:20:27,640 OSCARS, GOLDEN GLOBES. 552 00:20:27,680 --> 00:20:29,410 PALME D'ORS. 553 00:20:29,450 --> 00:20:31,380 THE AGENCY WILL NEVER SIGN YOU, HANK. 554 00:20:31,410 --> 00:20:32,380 EVER. 555 00:20:32,420 --> 00:20:33,420 AS FAR AS I'M CONCERNED, 556 00:20:33,450 --> 00:20:34,880 YOU'RE DEAD. 557 00:20:34,920 --> 00:20:38,590 YOU AND THAT ANIMAL RUNKLE DESERVE EACH OTHER. 558 00:20:43,860 --> 00:20:45,930 - GREAT SEEING YOU AGAIN, HANK. 559 00:20:45,960 --> 00:20:47,900 - AH, YOU TOO, TRIXIE. 560 00:20:47,930 --> 00:20:49,770 ALWAYS A PLEASURE. - [giggles] 561 00:20:49,800 --> 00:20:51,730 THANKS FOR STICKIN' UP FOR US WORKING GIRLS. 562 00:20:51,770 --> 00:20:53,070 - THAT'S WHAT I DO. 563 00:20:53,100 --> 00:20:55,070 - ONE OF THESE DAYS, HANK, 564 00:20:55,100 --> 00:20:56,810 YOU'RE NOT GONNA BE PINING, 565 00:20:56,840 --> 00:20:58,810 AND I'M NOT GONNA BE WORKING. 566 00:20:58,840 --> 00:21:00,940 SHIT'S GONNA HAPPEN. 567 00:21:00,980 --> 00:21:02,410 SPARKS WILL FLY. 568 00:21:02,450 --> 00:21:04,710 - I LOOK FORWARD TO THAT. 569 00:21:04,750 --> 00:21:06,050 - WRITER! 570 00:21:06,080 --> 00:21:08,450 GET THE FUCK OUT OF MY HOUSE, JA? 571 00:21:08,480 --> 00:21:10,620 - HEY, TRIXIE, HOLD UP. HOLD UP. 572 00:21:12,460 --> 00:21:13,990 - WHAT THE FUCK, CHARLIE? 573 00:21:14,020 --> 00:21:15,890 WHAT IS SO IMPORTANT THAT I HAVE TO DRIVE 574 00:21:15,920 --> 00:21:18,430 ALL THE WAY TO FUCKING MALIBU? 575 00:21:18,460 --> 00:21:20,660 WHY CAN'T WE MEET HALFWAY OR SOMETHING? 576 00:21:20,700 --> 00:21:22,570 - I DIDN'T WANT TO DRINK AND DRIVE. 577 00:21:22,600 --> 00:21:25,400 - OH, YOU'RE SUCH A SILLY CUNT. 578 00:21:25,430 --> 00:21:26,900 - WHY DON'T YOU JUST, YOU KNOW, COME ON IN. 579 00:21:26,940 --> 00:21:30,070 SIT DOWN, RELAX. 580 00:21:30,110 --> 00:21:31,740 WOULD YOU LIKE SOMETHING TO DRINK? 581 00:21:31,770 --> 00:21:33,910 - NO, NOT PARTICULARLY. 582 00:21:33,940 --> 00:21:36,450 - I THINK I'M GONNA HAVE A DRINK. 583 00:21:36,480 --> 00:21:37,810 - GOOD FOR YOU. 584 00:21:37,850 --> 00:21:39,450 [liquid pouring] 585 00:21:39,480 --> 00:21:40,620 SO WHAT'S THE PROBLEM? 586 00:21:40,650 --> 00:21:41,850 IS SOMETHING WRONG WITH STUART? 587 00:21:41,880 --> 00:21:43,690 - NO, HE'S SLEEPING. 588 00:21:43,720 --> 00:21:45,350 - [sighs] 589 00:21:45,390 --> 00:21:47,520 WE WATCHED IRON GIANT AGAIN. 590 00:21:47,560 --> 00:21:49,090 IT'S SUCH A SWEET MOVIE. 591 00:21:49,120 --> 00:21:51,030 [deep voice] "HOGARTH... 592 00:21:51,060 --> 00:21:52,860 FRIEND." 593 00:21:52,900 --> 00:21:54,830 [whimpers] 594 00:21:54,860 --> 00:21:57,000 - I KNOW WHAT THIS IS ABOUT. IT'S ABOUT HANK, RIGHT? 595 00:21:57,030 --> 00:21:59,570 LOOK, I KNOW YOU'RE TAKING IT HARD, 596 00:21:59,600 --> 00:22:01,100 BUT THESE THINGS TEND TO HAPPEN, 597 00:22:01,140 --> 00:22:02,710 ESPECIALLY TO AGENTS. 598 00:22:02,740 --> 00:22:04,510 YOU GUYS-- - OKAY, IT'S NOT ABOUT HANK. 599 00:22:04,540 --> 00:22:06,480 ALTHOUGH THAT HAS BEEN VERY UPSETTING. 600 00:22:06,510 --> 00:22:08,810 - OKAY, CAN WE SKIP TO THE POINT? 601 00:22:08,840 --> 00:22:10,850 - OKAY, OKAY. 602 00:22:10,880 --> 00:22:12,150 THIS IS ABOUT YOU. 603 00:22:12,180 --> 00:22:13,720 - ME? 604 00:22:13,750 --> 00:22:14,920 - I JUST, I... 605 00:22:14,950 --> 00:22:16,490 - [sighs] 606 00:22:16,520 --> 00:22:18,720 - I WANTED TO KNOW IF YOU'RE HAPPY. 607 00:22:18,750 --> 00:22:20,520 - OF COURSE I'M HAPPY. 608 00:22:20,560 --> 00:22:23,630 - OKAY, SO STU... 609 00:22:23,660 --> 00:22:25,590 DO YOU LOVE HIM? 610 00:22:25,630 --> 00:22:27,130 - HEY, I KNOW WHAT THIS IS. 611 00:22:27,160 --> 00:22:28,930 THIS IS ONE OF YOUR HALF-ASSED ATTEMPTS 612 00:22:28,960 --> 00:22:31,470 TO WIN ME BACK OR SOMETHING. - NO, THAT'S RIDICULOUS. 613 00:22:31,500 --> 00:22:33,540 - NO, NOT RIDICULOUS, CHARLIE. 614 00:22:33,570 --> 00:22:34,740 - OKAY! OKAY! 615 00:22:34,770 --> 00:22:36,640 I HAVE TO TELL YOU SOMETHING! 616 00:22:36,670 --> 00:22:38,140 - WHAT? 617 00:22:41,510 --> 00:22:43,780 [high-pitched] LIZZIE CHEATED ON ME. 618 00:22:43,810 --> 00:22:47,450 [sobbing] 619 00:22:47,480 --> 00:22:48,620 - OH, GOD. 620 00:22:48,650 --> 00:22:51,990 - [sobbing continues] 621 00:22:52,020 --> 00:22:53,960 - I'M SORRY, CHARLIE. 622 00:22:56,590 --> 00:22:58,790 HANK LEAVES YOU, AND THEN... 623 00:22:58,830 --> 00:23:01,460 LIZZIE CHEATS ON YOU. 624 00:23:01,500 --> 00:23:03,630 IT'S NOT SUCH A STELLAR WEEK, HUH? 625 00:23:03,670 --> 00:23:05,670 - [whimpering] NO, NOT AT ALL. 626 00:23:05,700 --> 00:23:06,740 [sobbing quietly] 627 00:23:06,770 --> 00:23:08,570 - HEY...WAIT A MINUTE. 628 00:23:08,600 --> 00:23:09,710 - [sniffles] 629 00:23:09,740 --> 00:23:11,540 - WHO'D SHE BANG? 630 00:23:11,570 --> 00:23:14,810 - SHE DIDN'T BANG. 631 00:23:14,840 --> 00:23:16,650 SHE BLEW. 632 00:23:18,850 --> 00:23:21,450 - SHE BLEW WHO? 633 00:23:28,120 --> 00:23:31,560 - SOME GUY IN HER ACTING CLASS. 634 00:23:31,590 --> 00:23:33,830 - OH, THANK GOD. 635 00:23:33,860 --> 00:23:36,570 I MEAN, I'M... 636 00:23:36,600 --> 00:23:38,100 REALLY SORRY, CHARLIE. 637 00:23:38,130 --> 00:23:40,240 THAT'S GOTTA SUCK. 638 00:23:40,270 --> 00:23:41,740 - SURE DOES. 639 00:23:45,270 --> 00:23:47,510 - [sighs] 640 00:23:47,540 --> 00:23:48,740 FUCK HER. 641 00:23:48,780 --> 00:23:50,850 SHE'S A SLUT. 642 00:23:50,880 --> 00:23:52,210 CAN I GO NOW? 643 00:23:56,520 --> 00:23:57,850 - HOW WAS YOUR DAY... 644 00:23:57,890 --> 00:23:59,560 HONEY? 645 00:23:59,590 --> 00:24:01,860 - UH...WEIRD. 646 00:24:01,890 --> 00:24:03,760 I SPENT THE DAY WITH PERVERTS AND WHORES. 647 00:24:03,790 --> 00:24:05,090 - WELL... - DON'T WORRY. 648 00:24:05,130 --> 00:24:06,900 I DIDN'T SLEEP WITH ANY OF THEM. 649 00:24:06,930 --> 00:24:08,860 CLOSE, BUT I DIDN'T TAKE MY CIGAR OUT. 650 00:24:08,900 --> 00:24:10,870 - GROSS, AND I DON'T EVEN CARE. 651 00:24:10,900 --> 00:24:12,800 - SURE YOU DO, KAREN. - NO, I DON'T. 652 00:24:12,840 --> 00:24:14,870 ANYWAY, I DON'T EVEN HAVE A RIGHT 653 00:24:14,900 --> 00:24:16,170 TO CARE ABOUT SUCH THINGS. 654 00:24:16,200 --> 00:24:18,710 - YOU DO TOO... HAVE RIGHTS. 655 00:24:18,740 --> 00:24:21,240 YOU HAVE THE BABY MAMA'S BILL OF RIGHTS. 656 00:24:21,280 --> 00:24:23,080 - YOU HUNGRY? 657 00:24:23,110 --> 00:24:24,750 - NOT PARTICULARLY. 658 00:24:24,780 --> 00:24:27,080 BUT I DO LOVE WATCHING YOU COOK. 659 00:24:27,120 --> 00:24:28,650 - REALLY? - YEAH. 660 00:24:28,680 --> 00:24:30,120 IT'S BEEN REALLY NICE PLAYING HOUSE 661 00:24:30,150 --> 00:24:32,120 THIS LAST LITTLE WHILE. 662 00:24:32,150 --> 00:24:34,190 - IT'S ALWAYS NICE TO TAKE A VACATION 663 00:24:34,220 --> 00:24:36,020 FROM YOUR REAL LIFE, HANK. 664 00:24:36,060 --> 00:24:37,290 - WELL, ALL-- ALL THAT'S MISSING 665 00:24:37,330 --> 00:24:38,830 IS THE VACATION SEX. 666 00:24:38,860 --> 00:24:40,160 WHICH IS USUALLY PRETTY PRIMO. 667 00:24:40,200 --> 00:24:42,730 REMEMBER PARIS? - I DON'T. 668 00:24:42,770 --> 00:24:45,700 BUT I DO REMEMBER THE INSIDE OF A HOTEL ROOM IN PARIS 669 00:24:45,730 --> 00:24:46,870 THAT WE NEVER LEFT. 670 00:24:46,900 --> 00:24:49,040 - MM-HMM. YEAH. 671 00:24:49,070 --> 00:24:50,310 - I WANTED TO GO TO THE LOUVRE. 672 00:24:50,340 --> 00:24:52,270 - AND I WANTED TO GO TO THE VAGINE. 673 00:24:52,310 --> 00:24:53,810 - AND I THINK YOU WON OUT. 674 00:24:53,840 --> 00:24:55,780 - I THINK WE BOTH WON OUT, KAREN. 675 00:24:55,810 --> 00:24:56,980 - MAYBE. - IT'S JUST FUNNY THAT, 676 00:24:57,010 --> 00:24:58,610 AFTER ALL THESE YEARS, 677 00:24:58,650 --> 00:25:01,280 WE CAN JUST PICK UP AS IF IT WERE YESTERDAY, HUH? 678 00:25:01,320 --> 00:25:02,890 - I'M SURE WE COULD PICK IT UP AGAIN, 679 00:25:02,920 --> 00:25:05,750 BUT IT WOULD GO TO SHIT PRETTY SOON THEREAFTER. 680 00:25:05,790 --> 00:25:07,620 - AT SOME POINT SOON, WE'RE GONNA BE TOO OLD 681 00:25:07,660 --> 00:25:08,960 FOR IT TO GO TO SHIT. 682 00:25:08,990 --> 00:25:12,160 - [laughing] THAT'S SO DEPRESSING. 683 00:25:12,190 --> 00:25:14,700 SO, UM, BATES IS COMING HOME TOMORROW. 684 00:25:14,730 --> 00:25:17,070 - OH, BUMMER. 685 00:25:17,100 --> 00:25:19,100 I MEAN, THAT'S GREAT. - YEAH. 686 00:25:19,130 --> 00:25:20,340 - YEAH, NO, IT'S GOOD FOR HIM. 687 00:25:20,370 --> 00:25:22,270 - HMM. WE'LL SEE. 688 00:25:22,300 --> 00:25:23,970 [chopping softly] 689 00:25:24,010 --> 00:25:26,240 - SO WE'VE GOT TONIGHT. 690 00:25:26,270 --> 00:25:28,210 - [laughs] 691 00:25:28,240 --> 00:25:29,780 - [laughing] WHAT? 692 00:25:33,950 --> 00:25:35,650 - HEY, I CAN'T. 693 00:25:35,680 --> 00:25:38,150 - IT DOESN'T MEAN THAT SOME SMALL PART OF YOU 694 00:25:38,190 --> 00:25:39,720 DOESN'T WANT TO. 695 00:25:39,760 --> 00:25:40,760 DOES IT? 696 00:25:40,790 --> 00:25:41,990 - SMALL? 697 00:25:45,160 --> 00:25:46,130 I CAN'T. 698 00:25:46,160 --> 00:25:47,760 - I KNOW. 699 00:25:50,330 --> 00:25:52,070 WELL, MAYBE JUST KNOWING WE COULD IS ENOUGH. 700 00:25:54,300 --> 00:25:57,070 ACTUALLY, IT'S NOT. 701 00:25:57,110 --> 00:25:58,240 SORRY. 702 00:25:58,270 --> 00:26:00,180 [door opens and closes] 703 00:26:00,210 --> 00:26:01,780 [approaching footsteps] 704 00:26:03,410 --> 00:26:04,980 - OH, SWEETIE. 705 00:26:05,010 --> 00:26:06,210 WHAT IS IT? - WHAT'S WRONG? 706 00:26:06,250 --> 00:26:07,980 - [crying] WHAT DO YOU THINK? 707 00:26:08,020 --> 00:26:10,950 SAME OLD STUPID FUCKIN' SHIT WITH THAT ASSHOLE. 708 00:26:13,890 --> 00:26:15,720 - HEY, WHAT THE FUCK IS WRONG WITH YOU? 709 00:26:15,760 --> 00:26:17,060 WHAT HAPPENED TO THE GUY WHO WAS 710 00:26:17,090 --> 00:26:18,660 HEAD-OVER-HEELS IN LOVE WITH MY DAUGHTER? 711 00:26:18,690 --> 00:26:20,030 - I DIDN'T DO ANYTHING, HANK. I PROMISE. 712 00:26:20,060 --> 00:26:21,730 - REALLY? SHE SEEMS TO THINK OTHERWISE. 713 00:26:21,760 --> 00:26:23,070 - WELL, SHE WAS LOOKING THROUGH MY TEXTS, 714 00:26:23,100 --> 00:26:24,270 AND SHE FOUND SOMETHING SHE DIDN'T LIKE. 715 00:26:24,300 --> 00:26:25,930 - CAN YOU BLAME HER? WHAT WAS IT? 716 00:26:25,970 --> 00:26:27,140 - IT WAS NOTHING. 717 00:26:27,170 --> 00:26:28,970 THERE WAS THIS GIRL WHO'S-- 718 00:26:29,000 --> 00:26:30,710 WHO HAS BEEN WORKING WITH SAMURAI. 719 00:26:30,740 --> 00:26:32,270 KALI. HE'S PRODUCING HER-- 720 00:26:32,310 --> 00:26:33,940 - JUST STAY THE FUCK AWAY FROM HER, ALL RIGHT? 721 00:26:33,980 --> 00:26:35,080 YOU HEAR ME? - WHY? 722 00:26:35,110 --> 00:26:36,680 DID YOU HIT THAT OR SOMETHING? 723 00:26:36,710 --> 00:26:38,110 - I'M JUST KIDDING, DUDE! I'M SORRY. 724 00:26:38,150 --> 00:26:39,920 - LOOK, IT'S NOTHING TO KID ABOUT, ALL RIGHT? 725 00:26:39,950 --> 00:26:41,880 AS FAR AS SAMURAI'S CONCERNED, THAT'S HIS WOMAN. 726 00:26:41,920 --> 00:26:43,820 - WELL, I APPRECIATE YOUR CONCERN, HANK, 727 00:26:43,850 --> 00:26:45,290 BUT SAM LOVES THE SHIT OUT OF ME. 728 00:26:45,320 --> 00:26:46,890 - YEAH, HE LOVES THE SHIT OUT OF YOU, 729 00:26:46,920 --> 00:26:48,160 RIGHT UP UNTIL THE POINT THAT HE FINDS OUT 730 00:26:48,190 --> 00:26:49,290 YOU BEEN MESSING AROUND WITH THE WOMAN 731 00:26:49,320 --> 00:26:51,130 THAT HE LOVES THE SHIT OUT OF. 732 00:26:51,160 --> 00:26:53,030 - OH, COME ON, DUDE. THAT GUY GETS TONS OF PUSSY. 733 00:26:53,060 --> 00:26:54,230 - IT DOESN'T MATTER. THIS IS THE ONE HE WANTS. 734 00:26:54,260 --> 00:26:55,860 - WELL, WHATEVER. 735 00:26:55,900 --> 00:26:57,200 I REALLY DON'T THINK HE'S GONNA GO 736 00:26:57,230 --> 00:26:58,900 AND BEAT THE CRAP OUT OF ME ALL OVER AGAIN. 737 00:26:58,930 --> 00:27:00,140 - JUST KEEP PLAYING WITH FIRE, AND WE'LL SEE. 738 00:27:00,170 --> 00:27:01,370 - YEAH, I HEAR YOU, "DAD." JESUS. 739 00:27:01,400 --> 00:27:03,010 - OKAY, NOW GET THE FUCK OUT OF HERE. 740 00:27:03,040 --> 00:27:04,310 AND DON'T COME BACK WITHOUT A DOZEN ROSES 741 00:27:04,340 --> 00:27:06,440 AND YOUR DICK IN A BOX! 742 00:27:06,470 --> 00:27:09,440 [You Rascal You plays] 743 00:27:09,480 --> 00:27:12,780 * 744 00:27:12,820 --> 00:27:15,120 - * YEAH, I'LL BE GLAD 745 00:27:15,150 --> 00:27:17,750 * WHEN YOU'RE DEAD, YOU RASCAL, YOU * 746 00:27:17,790 --> 00:27:19,450 * 747 00:27:19,490 --> 00:27:22,120 * WHEN YOU'RE DEAD AND IN YOUR GRAVE * 748 00:27:22,160 --> 00:27:24,960 * NO MORE WOMAN WILL YOU CRAVE * 749 00:27:24,990 --> 00:27:28,800 * I'LL BE GLAD WHEN YOU'RE DEAD, YOU RASCAL, YOU * 750 00:27:28,830 --> 00:27:30,370 * 751 00:27:30,400 --> 00:27:31,730 * HEY 752 00:27:31,770 --> 00:27:39,710 * 753 00:27:42,180 --> 00:27:43,850 * I'LL BE OH SO GLAD 754 00:27:43,880 --> 00:27:47,220 * WHEN YOU'RE DEAD, YOU RASCAL, YOU * 755 00:27:47,250 --> 00:27:50,390 * I'LL BE STANDING ON A CORNER, FULL OF GIN * 756 00:27:50,420 --> 00:27:52,960 * WHEN THEY BRING YOUR DEAD BODY IN * 757 00:27:52,990 --> 00:27:55,360 * I'LL BE SO GLAD WHEN YOU'RE DEAD * 758 00:27:55,390 --> 00:27:57,760 * YOU RASCAL, YOU 759 00:27:57,790 --> 00:28:01,460 Captioning by Brian at CaptionMax www.captionmax.com 51343

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