All language subtitles for Californication S04E04 Monkey Business

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,620 --> 00:00:09,490 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,530 --> 00:00:12,530 - WE COULD ACTUALLY USE A LEAD GUITARIST, YOU KNOW, 3 00:00:12,560 --> 00:00:14,100 FOR THAT EDDIE VAN HALEN SHIT. 4 00:00:14,130 --> 00:00:15,330 - WHAT DO YOU GUYS CALL YOURSELVES? 5 00:00:15,370 --> 00:00:16,530 - QUEENS OF DOGTOWN. - YOU WANT TO KNOW 6 00:00:16,570 --> 00:00:17,830 HOW MANY WOMEN I'VE SLEPT WITH? - MM-MM. 7 00:00:17,870 --> 00:00:19,800 NO. NO, NO, NO. 8 00:00:19,840 --> 00:00:22,810 - I GOT TO GET IT UP TO 100. 9 00:00:22,840 --> 00:00:25,510 TRIPLE DIGITS, THEN I CAN DIE HAPPY. 10 00:00:25,540 --> 00:00:27,810 - MY TITS ARE SO SORE. I'M CRAMPY AS HELL. 11 00:00:27,840 --> 00:00:30,780 AND I'VE BEEN THROWING UP IN MY MOUTH ALL DAY LONG. 12 00:00:30,810 --> 00:00:34,220 - NICE. YOU'RE PROBABLY PREGGERS. 13 00:00:34,250 --> 00:00:35,750 YOU ARE QUITE A SLUT. 14 00:00:35,790 --> 00:00:37,250 - BECAUSE I'M A COCKY FUCKING ATTORNEY, 15 00:00:37,290 --> 00:00:38,460 AND THIS IS A GREAT CASE FOR ME. 16 00:00:38,490 --> 00:00:41,260 BUT IF YOU INSIST ON DICKING AROUND AND WASTING MY TIME, 17 00:00:41,290 --> 00:00:42,490 I'M HAPPY TO SEE YOU ROT IN JAIL. 18 00:00:42,530 --> 00:00:43,490 WHAT THE FUCK DO I CARE? 19 00:00:43,530 --> 00:00:45,530 - HANK MOODY, SASHA BINGHAM. 20 00:00:45,560 --> 00:00:47,200 - SASHA BINGHAM. ALL RIGHT, WHAT IS IT YOU DO, 21 00:00:47,230 --> 00:00:48,400 SASHA BINGHAM? - [laughs] 22 00:00:48,430 --> 00:00:50,130 SHE'S A FUCKING MOVIE STAR, YOU NUDNIK. 23 00:00:50,170 --> 00:00:51,340 - HOW AM I SUPPOSED TO KNOW THAT? 24 00:00:51,370 --> 00:00:53,140 - WITH SASHA'S INTEREST 25 00:00:53,170 --> 00:00:54,670 AND WITH HANK'S FACE ALL OVER THE NEWS RIGHT NOW, 26 00:00:54,700 --> 00:00:56,140 WE COULD BE AT SUNDANCE 27 00:00:56,170 --> 00:00:57,340 THIS TIME NEXT YEAR. 28 00:00:57,370 --> 00:00:58,540 - JUST GET ME OUT OF IT, CHARLIE. 29 00:00:58,580 --> 00:01:01,450 I CAN'T FOCUS ON A STUPID FUCKING SCREENPLAY RIGHT NOW. 30 00:01:01,480 --> 00:01:02,580 - I CAN'T DO THAT. 31 00:01:02,610 --> 00:01:04,280 STU'S BEEN CALLING. 32 00:01:04,310 --> 00:01:05,580 [keys clacking] 33 00:01:13,190 --> 00:01:16,330 [toilet flushing] 34 00:01:16,360 --> 00:01:18,260 - BRILLIANT! 35 00:01:18,300 --> 00:01:21,270 PURE, UNADULTERATED BRILLIANCE! 36 00:01:21,300 --> 00:01:22,800 - WOW, THAT MUST HAVE BEEN ONE HELL OF A DOOKIE. 37 00:01:22,830 --> 00:01:24,470 YOU WASH YOUR HANDS? 38 00:01:24,500 --> 00:01:26,470 - THE SCRIPT IS GOOD, HANK. 39 00:01:26,500 --> 00:01:28,540 IT'S REALLY GOOD. TOTAL GAME-CHANGER. 40 00:01:28,570 --> 00:01:31,380 - DON'T SAY THAT EVER AGAIN-- GAME-CHANGER. 41 00:01:31,410 --> 00:01:32,510 I'LL KILL YOU. 42 00:01:32,540 --> 00:01:34,410 - YOU TOTALLY, TOTALLY NAILED IT. 43 00:01:34,440 --> 00:01:36,850 YOU TOOK THAT BOOK, AND YOU... [grunting] 44 00:01:36,880 --> 00:01:38,520 YOU MADE IT YOUR OWN. 45 00:01:38,550 --> 00:01:39,650 - IT IS MY OWN, CHARLIE. 46 00:01:39,680 --> 00:01:40,820 - RIGHT. RIGHT. 47 00:01:40,850 --> 00:01:44,890 YOUR WORDS ARE DOWNRIGHT BRONER-INDUCING. 48 00:01:44,920 --> 00:01:47,190 YEAH, I ALMOST PLEASURED MYSELF IN THERE. 49 00:01:47,220 --> 00:01:49,630 - KIND OF LIKE A SOLO-BLUMPKIN DEAL? 50 00:01:49,660 --> 00:01:51,260 - JOKE ALL YOU LIKE, 51 00:01:51,300 --> 00:01:53,160 BUT MY BRIEFS ARE WAY CROWDED RIGHT NOW. 52 00:01:53,200 --> 00:01:55,200 - WELL, I AM JUST OVERJOYED THAT MY TALES 53 00:01:55,230 --> 00:01:56,730 OF MELANCHOLY AND THE INFINITE SADNESS 54 00:01:56,770 --> 00:01:58,700 CAN INDUCE SOME SORT OF A REACTION 55 00:01:58,740 --> 00:02:00,400 IN YOU LIKE THAT, OLD MAN. 56 00:02:00,440 --> 00:02:02,840 - THIS IS GONNA BE A REALLY GOOD MOVIE, HANK. 57 00:02:02,870 --> 00:02:06,210 I SMELL--I SMELL ME AN INDEPENDENT SPIRIT AWARD. 58 00:02:06,240 --> 00:02:09,510 - MM. YOU THINK THEY MIGHT GET IT ON DEMAND AT THE STATE PEN? 59 00:02:09,550 --> 00:02:10,880 - CHEER UP, WILL YOU, PAL? 60 00:02:10,910 --> 00:02:12,280 THIS IS GOOD FOR BOTH OF US. 61 00:02:12,320 --> 00:02:14,680 YOU, PUMPING OUT THE LITERARY GREATNESS. 62 00:02:14,720 --> 00:02:16,890 ME, RIDING YOUR COATTAILS, JUST LIKE OLD TIMES. 63 00:02:16,920 --> 00:02:18,820 - YES, WELL, AS MUCH AS I ENJOY 64 00:02:18,860 --> 00:02:20,820 A GOOD OLD-FASHIONED EGO HUMMER, 65 00:02:20,860 --> 00:02:23,730 IT IS TIME FOR YOU TO TAKE YOUR LEAVE, BALD SIR. 66 00:02:23,760 --> 00:02:26,200 I HAVE MUCH SELF-PITY IN WHICH TO WALLOW. 67 00:02:26,230 --> 00:02:28,300 - NO, NO, NO. NO TIME TO WALLOW. 68 00:02:28,330 --> 00:02:30,200 WE GOT US A DINNER DATE WITH STU AND ZIG. 69 00:02:30,230 --> 00:02:31,640 - ZIG? WHAT THE FUCK IS A ZIG? 70 00:02:31,670 --> 00:02:35,670 - ZIG SAMITAUR, THE BILLIONAIRE. 71 00:02:35,710 --> 00:02:37,810 HE'S FINANCING THE MOVIE, YOU DUMB SHIT. 72 00:02:37,840 --> 00:02:39,740 - SOUNDS BRUTAL. COUNT ME OUT. 73 00:02:39,780 --> 00:02:41,250 - IT IS BRUTAL, BUT ESSENTIAL. 74 00:02:41,280 --> 00:02:42,880 NO MONEY, NO HONEY. 75 00:02:42,910 --> 00:02:44,550 - WELL, NO CAN DO, RUNKS. 76 00:02:44,580 --> 00:02:47,850 I GOT A DATE WITH MY DONG AND SOME HOTEL-ROOM PO'NOGRAPHY. 77 00:02:47,880 --> 00:02:50,420 THE GOOD STUFF TOO-- PENETRATION AND EVERYTHING. 78 00:02:50,450 --> 00:02:52,790 - YOUR DONG'S GONNA HAVE TO WAIT TILL DINNER'S OVER. 79 00:02:52,820 --> 00:02:54,960 THE MONEY MAN WANTS TO MEET HIM SOME WRITER. 80 00:02:54,990 --> 00:02:56,330 HE'S A BIG FAN, BY THE WAY. - OH, SHIT. 81 00:02:56,360 --> 00:02:57,260 - BIG, BIG FAN. 82 00:02:57,290 --> 00:02:59,230 - YOU EVER NOTICE WHEN THEY DO THE EDITING 83 00:02:59,260 --> 00:03:01,270 IN THE HOTEL-ROOM PO'NOGRAPHY, 84 00:03:01,300 --> 00:03:02,800 AND THEY TAKE OUT ALL THE PENETRATION 85 00:03:02,830 --> 00:03:04,570 AND IT'S JUST PUMPING, SWEATY MAN ASS, 86 00:03:04,600 --> 00:03:05,500 IT LOOKS LIKE JUST ABOUT 87 00:03:05,540 --> 00:03:07,470 ANY MATTHEW MCCONAUGHEY PICTURE EVER MADE? 88 00:03:07,500 --> 00:03:11,580 [upbeat music] 89 00:03:11,610 --> 00:03:19,550 * 90 00:03:50,510 --> 00:03:52,420 - ISN'T IT A LITTLE EARLY? 91 00:03:52,450 --> 00:03:54,480 - WHAT? FOR AN ITTY-BITTY GLASS OF VINO? 92 00:03:54,520 --> 00:03:55,790 - UH-- - FUCK YOU, 93 00:03:55,820 --> 00:03:57,450 YOU TEETOTALING BUZZKILL. 94 00:03:57,490 --> 00:03:58,590 ALL RIGHT? - OKAY. 95 00:03:58,620 --> 00:04:00,320 - NOW IT'S TIME FOR BOTTOMS UP. 96 00:04:00,360 --> 00:04:01,460 THAT'S RIGHT. 97 00:04:01,490 --> 00:04:02,960 [feedback whines, note plays] - WHA-- 98 00:04:02,990 --> 00:04:05,730 [glass shatters] - MARCY, OH, GOD! 99 00:04:05,760 --> 00:04:07,830 - SORRY, MARCY. - NO. 100 00:04:07,860 --> 00:04:09,370 NO, IT'S OKAY. 101 00:04:09,400 --> 00:04:10,670 - MARCE, I'M SORRY. 102 00:04:10,700 --> 00:04:13,570 THANK YOU SO MUCH FOR LETTING THEM PRACTICE HERE. 103 00:04:13,600 --> 00:04:14,770 - IT'S FINE. 104 00:04:14,800 --> 00:04:17,470 THAT'S CUTE. 105 00:04:17,510 --> 00:04:19,410 [car horn honks] GIRLS GETTING TOGETHER 106 00:04:19,440 --> 00:04:20,680 TO PLAY THE ROCK AND ROLL-- 107 00:04:20,710 --> 00:04:21,850 I LIKE IT. 108 00:04:21,880 --> 00:04:24,480 I LIKE TO PATRONIZE THE ARTS. 109 00:04:24,510 --> 00:04:27,620 - HAVE YOU HEARD ANYTHING FRO--FROM CHARLIE? 110 00:04:27,650 --> 00:04:30,450 - ABOUT THE TRIAL? NOT REALLY. 111 00:04:30,490 --> 00:04:32,620 I MEAN, I COULD ASK, 112 00:04:32,660 --> 00:04:34,490 BUT IT WOULD MEAN HAVING AN ACTUAL CONVERSATION 113 00:04:34,520 --> 00:04:35,690 WITH BUTTERBEAN HIMSELF, 114 00:04:35,730 --> 00:04:38,730 AND I DON'T WANT HIM GETTING THE WRONG IDEA. 115 00:04:38,760 --> 00:04:41,470 - HMM. - WHY? 116 00:04:41,500 --> 00:04:43,700 ARE YOU MISSING YOU SOME HANKNESS? 117 00:04:43,730 --> 00:04:45,670 - WHICH ONE? THE ONE I LOVED OR THE ONE WHO FUCKED MIA? 118 00:04:45,700 --> 00:04:47,070 I DON'T KNOW. 119 00:04:47,100 --> 00:04:49,370 ALL I KNOW RIGHT NOW IS IT ALL FEELS A LITTLE UNREAL. 120 00:04:49,410 --> 00:04:51,510 IT'S KIND OF LIKE A WALKING DAYMARE. 121 00:04:51,540 --> 00:04:52,780 - FANCY-ASS... - A DAYMARE? 122 00:04:52,810 --> 00:04:55,040 - YEAH, IT'S A HANK THING. 123 00:04:55,080 --> 00:04:56,050 - NO, I THINK I KNOW WHAT YOU MEAN. 124 00:04:56,080 --> 00:04:57,550 HOLY FUCK NUTS. 125 00:04:57,580 --> 00:05:00,350 WHERE DID BECCA FIND THESE MISCREANTS--THE POUND? 126 00:05:00,380 --> 00:05:02,650 THEY LOOK LIKE A PACK OF FERAL ANIMALS. 127 00:05:02,690 --> 00:05:04,520 - WELL, LET'S GO TO THE STORE 128 00:05:04,550 --> 00:05:05,660 AND GET THEM SOMETHING TO GNAW ON. 129 00:05:05,690 --> 00:05:08,960 - AND LEAVE THEM HERE ALL ALONE? - YEAH, THEY'RE FINE. 130 00:05:08,990 --> 00:05:10,890 THEY'RE TOUGH CHICKS. NO ONE'S GONNA MESS WITH THEM. 131 00:05:10,930 --> 00:05:12,600 - I DON'T GIVE A SHIT ABOUT THEM. 132 00:05:12,630 --> 00:05:13,730 I'M TALKING ABOUT THE HOUSE. - COME ON. 133 00:05:13,760 --> 00:05:16,430 - I DON'T WANT THEM SACRIFICING A FREAKING GOAT IN HERE. 134 00:05:20,000 --> 00:05:23,070 - SO CAN WE SHOOT THE PICTURE IN 30 DAYS? 135 00:05:23,110 --> 00:05:25,840 - ABSOLUTELY. - ABSOLUTELY NOT. 136 00:05:25,880 --> 00:05:28,450 MAYBE. LET ME LOOK AT THE SCHEDULE. 137 00:05:28,480 --> 00:05:30,650 - HANK, WHAT DO YOU THINK? - [laughs] 138 00:05:30,680 --> 00:05:33,450 HANK'S NOT REALLY A SHOOTING SCHEDULE KIND OF GUY. 139 00:05:33,480 --> 00:05:34,920 - SILENCE, AGENT! 140 00:05:38,690 --> 00:05:41,890 - WELL, ZIG-ZAG, MY WORK HERE IS DONE. 141 00:05:41,930 --> 00:05:44,460 I--I REALLY DON'T GIVE A FUCK. 142 00:05:44,490 --> 00:05:45,860 - AND SASHA BINGHAM WILL STAR? 143 00:05:45,900 --> 00:05:48,000 - YES, SHE'S READING AS WE SPEAK. 144 00:05:48,030 --> 00:05:49,570 - THERE'S NO SAYING NO TO THIS DRAFT. 145 00:05:49,600 --> 00:05:51,130 HANK REALLY KILLED IT. 146 00:05:51,170 --> 00:05:54,870 - SHE IS REALLY FUCKABLE, ISN'T SHE? 147 00:05:54,900 --> 00:05:57,170 BEAUTIFUL BREASTS... 148 00:05:57,210 --> 00:05:59,780 BLOW-JOB SMILE. 149 00:06:02,710 --> 00:06:04,050 HANK, HAVE YOU MADE LOVE TO HER? 150 00:06:04,080 --> 00:06:05,980 YOU'RE QUITE THE COCKSMAN, NO? 151 00:06:06,020 --> 00:06:08,750 - NO COMMENT, ZIGGY. A GENTLEMAN NEVER TELLS. 152 00:06:08,790 --> 00:06:09,990 - THAT'S TRUE. 153 00:06:10,020 --> 00:06:12,620 HE KEEPS IT IN HIS WANK BANK UNTIL HE'S READY TO PULL IT OUT 154 00:06:12,660 --> 00:06:13,920 AND PLAY WITH HIS LITTLE PEE-PEE. 155 00:06:13,960 --> 00:06:18,460 [laughter] 156 00:06:18,500 --> 00:06:21,000 OF COURSE, I HAVEN'T HAD AN ERECTION IN THE PAST DECADE, 157 00:06:21,030 --> 00:06:22,600 BUT THAT'S ANOTHER STORY. 158 00:06:22,630 --> 00:06:24,470 BUT THAT DOESN'T STOP ME FROM GIVING FACE RIDES 159 00:06:24,500 --> 00:06:27,770 TO MY SISTER-WIVES, RIGHT, LADIES? 160 00:06:27,800 --> 00:06:30,010 - MY GOD, ZIG, YOU HAVE GOT A WAY WITH WORDS. 161 00:06:30,040 --> 00:06:32,780 FACE RIDES TO YOUR SISTER-WIVES--RESPECT. 162 00:06:36,550 --> 00:06:38,750 - AND WHAT ABOUT EDDIE NERO? 163 00:06:38,780 --> 00:06:40,950 HAVE WE, UH, LOCKED HIM YET? - HE'S CIRCLING. 164 00:06:40,980 --> 00:06:44,950 - [shouting] WHAT THE FUCK DOES THAT MEAN, AGENT? 165 00:06:44,990 --> 00:06:47,590 - IT'S VERY HARD TO NAIL HIM DOWN, ZIG! 166 00:06:47,620 --> 00:06:49,230 A LITTLE SLIPPERY! WE'RE DOING OUR BEST! 167 00:06:49,260 --> 00:06:50,890 - AH, IT DOESN'T MATTER. 168 00:06:50,930 --> 00:06:54,600 WITH SASHA BINGHAM'S PUDDUM AND HER MAGNIFICENT BOOBIES, 169 00:06:54,630 --> 00:06:56,470 I CAN PRE-SELL THE FOREIGN TERRITORIES 170 00:06:56,500 --> 00:06:59,970 SO THAT WE'LL BE IN THE BLACK BEFORE WE SHOOT AN INCH OF FILM. 171 00:07:02,540 --> 00:07:05,070 OKAY. 172 00:07:05,110 --> 00:07:08,880 TO FUCKING & PUNCHING: THE MOVIE. 173 00:07:08,910 --> 00:07:12,220 - MM. 174 00:07:12,250 --> 00:07:16,520 - HERE. - GOD, I LOVE THAT TITLE. 175 00:07:19,020 --> 00:07:20,760 MM. 176 00:07:20,790 --> 00:07:22,890 YOU AND ME, HANK-- 177 00:07:22,930 --> 00:07:26,000 WE KNOW THINGS... 178 00:07:26,030 --> 00:07:27,100 DARK THINGS. 179 00:07:27,130 --> 00:07:28,770 - MM. 180 00:07:28,800 --> 00:07:30,830 - I LOVE YOUR WRITING. 181 00:07:31,900 --> 00:07:33,040 - HIS BEST YET. 182 00:07:33,070 --> 00:07:35,510 - SCREENPLAYS BORE ME TO TEARS. 183 00:07:35,540 --> 00:07:36,440 - WORD. 184 00:07:36,470 --> 00:07:39,580 - I LIKE TO HAVE THINGS ACTED OUT FOR ME. 185 00:07:39,610 --> 00:07:41,550 LET'S GO TO MY HOUSE AND DO A READING. 186 00:07:41,580 --> 00:07:43,110 SHALL WE? 187 00:07:43,150 --> 00:07:45,280 GIRLS, HAVE THEM BRING THE CAR AROUND IMMEDIATELY. 188 00:07:45,310 --> 00:07:47,220 OKAY? 189 00:07:52,020 --> 00:07:54,720 - FUCK. FUCK, FUCK, FUCK. 190 00:07:54,760 --> 00:07:55,790 - WHY DO YOU KEEP SAYING FUCK? 191 00:07:55,830 --> 00:07:57,260 - MY BOOBIES ARE SO BIG AND SWOLLEN. 192 00:07:57,290 --> 00:07:58,290 THEY'RE KILLING ME. 193 00:07:58,330 --> 00:07:59,960 - RIGHT. - HERE, FEEL. 194 00:08:00,000 --> 00:08:01,570 - I'M GOOD. I'M GOOD. 195 00:08:01,600 --> 00:08:04,670 - NO, SERIOUSLY. - MARCE... 196 00:08:04,700 --> 00:08:06,000 - GRAB THAT TIT. SQUEEZE IT. - I DON'T WANT TO FEEL YOUR TIT. 197 00:08:06,040 --> 00:08:07,270 - SQUEEZE IT. 198 00:08:07,300 --> 00:08:09,040 OW. YEAH. WHAT'D I TELL YOU? 199 00:08:09,070 --> 00:08:10,810 - WELL, WHAT HAVE I BEEN TELLING YOU? 200 00:08:10,840 --> 00:08:12,040 - [crying] 201 00:08:12,080 --> 00:08:13,740 - OH, NO, MARCY, ARE YOU CRYING? 202 00:08:13,780 --> 00:08:14,910 WHY ARE YOU CRYING? 203 00:08:14,940 --> 00:08:16,180 - I DON'T KNOW. 204 00:08:16,210 --> 00:08:18,150 - OKAY, SUDDEN CRYING JAGS, 205 00:08:18,180 --> 00:08:19,880 SORE BOOBIES... 206 00:08:19,920 --> 00:08:21,320 - AND I'M LATE. - BINGO. 207 00:08:21,350 --> 00:08:23,290 COME ON, LET'S GO GET YOU A PREGNANCY TEST. 208 00:08:23,320 --> 00:08:25,620 - AND SOME SNACKS? 209 00:08:25,660 --> 00:08:28,190 - AND SOME SNACKS. - OW! JESUS, WOMAN. 210 00:08:28,220 --> 00:08:30,230 YOU'RE KILLING MY TITTIES. I'M SERIOUS. 211 00:08:35,330 --> 00:08:38,300 - HENRY, THIS IS BOB'S DAUGHTER CLEA. 212 00:08:38,330 --> 00:08:40,970 DO YOU TWO KNOW EACH OTHER? 213 00:08:41,000 --> 00:08:42,310 - WELL... 214 00:08:42,340 --> 00:08:45,210 - NO. - I DO RECOGNIZE YOU. 215 00:08:45,240 --> 00:08:47,640 - NO, YOU DON'T. - SURE I DO... 216 00:08:47,680 --> 00:08:49,150 FROM YOUR BOOK. 217 00:08:49,180 --> 00:08:51,920 YOUR PICTURE'S ON THE BACK. 218 00:08:51,950 --> 00:08:54,020 OOH, WHAT HAPPENED TO YOUR FACE? 219 00:08:54,050 --> 00:08:57,050 - OH, THIS. UH, IT'S NOTHING. 220 00:08:57,090 --> 00:08:58,890 YOU SHOULD SEE THE OTHER GUY. 221 00:08:58,920 --> 00:09:02,690 - [laughing] THE OTHER GUY. 222 00:09:02,730 --> 00:09:03,930 I LOVE IT. 223 00:09:03,960 --> 00:09:07,000 - WOW, HOPE SHE DOESN'T PRESS CHARGES. 224 00:09:07,030 --> 00:09:08,160 - HE. IT WAS A HE. 225 00:09:08,200 --> 00:09:10,630 - RIGHT. WELL, I'M OFF TO BED. 226 00:09:10,670 --> 00:09:12,770 IT WAS REALLY NICE TO MEET YOU, HENRY. 227 00:09:12,800 --> 00:09:15,340 - HEY, SHE'S, UM... 228 00:09:15,370 --> 00:09:16,770 NICE. 229 00:09:16,810 --> 00:09:17,910 HOW OLD MIGHT SHE BE? 230 00:09:17,940 --> 00:09:18,940 - 16. 231 00:09:18,980 --> 00:09:20,980 - OH, SHE'S 16! 232 00:09:21,010 --> 00:09:24,910 HOW DELIGHTFUL, HANK. 233 00:09:24,950 --> 00:09:26,750 VERY WELL PLAYED, BY THE WAY-- 234 00:09:26,780 --> 00:09:29,220 SO, UM... 235 00:09:29,250 --> 00:09:31,350 EROTIC. 236 00:09:31,390 --> 00:09:32,860 GOOD NEWS, EVERYONE. 237 00:09:32,890 --> 00:09:36,090 NOT ONLY HAVE I DECIDED TO FULLY FINANCE 238 00:09:36,130 --> 00:09:39,960 THIS SHINING EXAMPLE OF ART-HOUSE EROTICA, 239 00:09:40,000 --> 00:09:41,970 BUT I MYSELF AM IN POSSESSION 240 00:09:42,000 --> 00:09:44,400 OF MY FIRST DIAMOND-HARD ERECTION 241 00:09:44,430 --> 00:09:47,300 SINCE THE CLINTON WHITE HOUSE, 242 00:09:47,340 --> 00:09:49,310 THANKS TO YOU AND YOUR WORDS, HANK MOODY. 243 00:09:49,340 --> 00:09:50,840 - RESPECT. 244 00:09:50,870 --> 00:09:52,780 - TEND TO ME, TABBY. 245 00:09:52,810 --> 00:09:54,240 TAKE ME IN YOUR MOU-- NOT YOU, CORRINE, NO. 246 00:09:54,280 --> 00:09:55,340 YOU GIVE LOUSY HEAD. 247 00:09:55,380 --> 00:09:57,280 YOU'RE TIMID, AND YOU LACK FOCUS. 248 00:09:57,310 --> 00:09:59,120 WE GOT TO GET YOU SOME RITALIN. 249 00:09:59,150 --> 00:10:00,950 OKAY, COME ON. OVER HERE. 250 00:10:00,980 --> 00:10:02,950 OH, YES. 251 00:10:02,990 --> 00:10:06,120 OH. 252 00:10:06,160 --> 00:10:09,330 OH, YES. 253 00:10:09,360 --> 00:10:10,860 ISN'T THIS WONDERFUL, HANK? 254 00:10:10,890 --> 00:10:12,660 - OH. OHH. 255 00:10:12,700 --> 00:10:15,060 - MM. - YOU AND ME... 256 00:10:15,100 --> 00:10:16,970 MEN TOGETHER. 257 00:10:17,000 --> 00:10:18,400 - [clears throat] 258 00:10:18,430 --> 00:10:20,200 - HMM. 259 00:10:20,240 --> 00:10:22,140 - OH, CORRINE, SEE HOW GENTLE 260 00:10:22,170 --> 00:10:23,210 AND SUBTLE SHE IS. 261 00:10:23,240 --> 00:10:26,080 - [howls] - OH. 262 00:10:26,110 --> 00:10:28,180 HE DOESN'T LIKE YOU, AGENT. 263 00:10:28,210 --> 00:10:31,110 HE SMELLS YOUR FEAR, YOUR WEAKNESS. 264 00:10:31,150 --> 00:10:32,720 HOW DOES THAT MAKE YOU FEEL? 265 00:10:32,750 --> 00:10:34,250 HE COULD PUT ON A SUIT 266 00:10:34,280 --> 00:10:36,850 AND DO YOUR JOB, AND NO ONE WOULD KNOW THE DIFFERENCE. 267 00:10:36,890 --> 00:10:39,960 - [laughs] 268 00:10:39,990 --> 00:10:41,390 - ALL RIGHT, ALL RIGHT, THAT'S ENOUGH, THAT'S ENOUGH. 269 00:10:41,420 --> 00:10:45,230 I DON'T WANT TO WASTE THIS MAGNIFICENT ERECTION 270 00:10:45,260 --> 00:10:47,460 ON A SILLY SUCK AND FUCK. 271 00:10:47,500 --> 00:10:51,100 I'LL BE BACK, AND THEN WE WILL FINISH THE PERFORMANCE. 272 00:10:51,130 --> 00:10:54,970 KEEP THESE BOYS ENTERTAINED, WILL YOU? 273 00:10:55,000 --> 00:10:57,340 SHOW 'EM WHAT YOU GOT. 274 00:10:57,370 --> 00:11:01,180 I'LL BE BACK. 275 00:11:01,210 --> 00:11:04,780 - WELL, WHO WANTS TO GET BAKED? 276 00:11:04,810 --> 00:11:06,850 ALL RIGHT, THEN. 277 00:11:08,180 --> 00:11:10,450 - ALL RIGHT. UP HIGH. 278 00:11:10,490 --> 00:11:12,190 - HEY, I'LL TAKE ONE OF THOSE. 279 00:11:12,220 --> 00:11:13,390 WHAT DO YOU SAY? 280 00:11:13,420 --> 00:11:14,820 - [growls] - WHAT? 281 00:11:21,830 --> 00:11:24,130 - * WELL, I GOT SOMETHING TO SAY * 282 00:11:24,170 --> 00:11:26,870 * WELL, I RAPED YOUR MOTHER TODAY * 283 00:11:26,900 --> 00:11:28,910 * AND IT DOESN'T MATTER MUCH TO ME * 284 00:11:28,940 --> 00:11:31,340 * AS LONG AS SHE SPREAD 285 00:11:31,370 --> 00:11:33,980 * SWEET, LOVELY DEATH 286 00:11:34,010 --> 00:11:36,750 * I'M WAITING FOR YOUR BREATH * 287 00:11:36,780 --> 00:11:39,920 * OH, COME SWEET DEATH, ONE LAST CARESS * 288 00:11:39,950 --> 00:11:43,290 * 289 00:11:43,320 --> 00:11:44,920 * GO 290 00:11:44,950 --> 00:11:53,030 * 291 00:11:53,060 --> 00:11:54,330 - MARCE. - YOU KNOW WHAT? 292 00:11:54,360 --> 00:11:55,200 I DON'T WANT TO KNOW. 293 00:11:55,230 --> 00:11:57,930 - COME ON. NO. YOU NEED TO FIND OUT. 294 00:11:57,970 --> 00:11:58,940 - DID YOU SEE 295 00:11:58,970 --> 00:12:02,140 THOSE HIDEOUS FUCKING CREATURES DOWNSTAIRS? 296 00:12:02,170 --> 00:12:04,110 I DON'T WANT ONE OF THOSE! - MARCE, I SWEAR, 297 00:12:04,140 --> 00:12:06,210 THAT DOES NOT HAPPEN FOR A LONG TIME. 298 00:12:06,240 --> 00:12:08,040 THEY'RE--AT FIRST, THEY'RE SO CUTE. 299 00:12:08,080 --> 00:12:09,350 I MEAN, THEY'RE SO... 300 00:12:09,380 --> 00:12:11,280 - YEAH, SHITTING AND PISSING ALL OVER THE PLACE 301 00:12:11,310 --> 00:12:12,950 AND MAKING MY FUCKING NIPPLES BLEED-- 302 00:12:12,980 --> 00:12:14,820 THAT'S REALLY FUCKING CUTE. 303 00:12:14,850 --> 00:12:15,850 NO, THANK YOU. 304 00:12:15,890 --> 00:12:17,220 - MARCE. - KILL ME NOW! 305 00:12:17,250 --> 00:12:19,960 - LET'S JUST DO IT. COME ON, LET'S DO THIS THING. 306 00:12:19,990 --> 00:12:20,990 YOU NEED TO... 307 00:12:21,020 --> 00:12:22,460 - FINE! 308 00:12:22,490 --> 00:12:24,390 FINE. [spits] 309 00:12:24,430 --> 00:12:25,530 LET'S DO THIS. 310 00:12:25,560 --> 00:12:27,460 ALL RIGHT! 311 00:12:27,500 --> 00:12:30,470 LET'S GET THIS GOLDEN SHOWER STARTED. 312 00:12:30,500 --> 00:12:32,970 OPEN UP AND SAY PEE. 313 00:12:33,000 --> 00:12:34,370 [urinating] - [laughs] 314 00:12:40,880 --> 00:12:43,110 - HMM. - OH. 315 00:12:43,150 --> 00:12:44,810 - HMM. 316 00:12:44,850 --> 00:12:48,380 - THIS IS LIKE-- THIS IS LIKE THE VIRGIN SUICIDES 317 00:12:48,420 --> 00:12:49,890 MEETS THE YULE LOG. 318 00:12:49,920 --> 00:12:51,020 I CANNOT LOOK AWAY. 319 00:12:51,050 --> 00:12:53,090 - HEY, ARE YOU GUYS REALLY SISTERS, 320 00:12:53,120 --> 00:12:55,490 OR IS THIS KIND OF LIKE A WHITE STRIPES DEAL? 321 00:12:55,520 --> 00:12:58,360 OH, BETTER NOT. 322 00:12:58,390 --> 00:13:00,960 I CAN'T. ALL RIGHT, YOU KNOW WHAT? 323 00:13:01,000 --> 00:13:03,570 [laughs] T.S.T.B. 324 00:13:03,600 --> 00:13:08,170 T.S.T.B.-- TOO STONED TO BALL. 325 00:13:08,200 --> 00:13:11,370 - AW. - [laughs] 326 00:13:11,410 --> 00:13:13,080 - OH, STU. 327 00:13:13,110 --> 00:13:14,180 STU. 328 00:13:14,210 --> 00:13:15,910 - NO, BACK OFF, FUCK TOYS. 329 00:13:15,950 --> 00:13:18,410 THIS PRODUCER IS LOOKING FOR LOVE. 330 00:13:18,450 --> 00:13:21,380 - THIS GUY, UP HERE. 331 00:13:21,420 --> 00:13:23,150 - MOI? - YES, PLEASE. 332 00:13:23,190 --> 00:13:25,550 - WELL, MAYBE JUST FOR A MINUTE. 333 00:13:25,590 --> 00:13:29,190 - MM, YOU SMELL LIKE CIGARETTES AND CHAMPAGNE 334 00:13:29,230 --> 00:13:31,430 AND COOL RANCH DORITOS. 335 00:13:31,460 --> 00:13:34,060 AND IT MAKES ME STRANGELY HARD. 336 00:13:34,100 --> 00:13:36,170 - NUMBER 17. 337 00:13:36,200 --> 00:13:38,330 HOW DO YOU LIKE THEM APPLES? 338 00:13:38,370 --> 00:13:40,970 - SEE YOU GUYS LATER. - APPLES AND DORITOS-- 339 00:13:41,000 --> 00:13:42,640 STU, THAT SOUNDS PRETTY GOOD TO ME. 340 00:13:42,670 --> 00:13:44,310 YOU HUNGRY? - A LITTLE BIT... 341 00:13:44,340 --> 00:13:45,170 A LITTLE, LITTLE BIT. 342 00:13:45,210 --> 00:13:50,250 - SHIT. FUCK. THE RABBIT DONE DIED. 343 00:13:50,280 --> 00:13:51,510 - I'M SORRY, BABY. 344 00:13:51,550 --> 00:13:54,450 - OKAY, QUICK. 345 00:13:54,480 --> 00:13:56,390 PUNCH ME IN THE STOMACH. 346 00:13:56,420 --> 00:13:58,290 GO. - YOU HAVE OPTIONS. 347 00:13:58,320 --> 00:14:00,260 - OH, REALLY? - UH-HUH. 348 00:14:00,290 --> 00:14:03,390 OKAY, MY OPTIONS ARE I EITHER HAVE A FUCKING ABORTION, 349 00:14:03,430 --> 00:14:05,330 OR I HAVE A FUCKING BABY. 350 00:14:05,360 --> 00:14:07,600 - THOSE ARE WHAT'S COMMONLY KNOWN AS OPTIONS. 351 00:14:07,630 --> 00:14:12,070 - OKAY, SO I COULD EITHER VACUUM THIS NIGHTMARE OUT OF MY TWAT, 352 00:14:12,100 --> 00:14:15,070 OR I COULD SETTLE IN FOR THE BURDEN OF A LIFETIME. 353 00:14:15,100 --> 00:14:16,310 IS THERE ANYTHING ELSE? 354 00:14:16,340 --> 00:14:17,970 IS THERE SOMETHING BEHIND DOOR NUMBER THREE? 355 00:14:18,010 --> 00:14:21,080 OH, HOW DID THIS HAPPEN TO ME, KARENINA? 356 00:14:21,110 --> 00:14:23,510 WHY DOES HASHEM HATE ME? 357 00:14:23,550 --> 00:14:25,450 FUCK. - [giggles] 358 00:14:25,480 --> 00:14:27,250 OKAY, SO WHO--WHOSE IS IT? 359 00:14:27,280 --> 00:14:28,350 - I DON'T KNOW. 360 00:14:28,380 --> 00:14:30,190 - IS IT CHARLIE'S? - FUCK, NO. 361 00:14:30,220 --> 00:14:31,960 THAT KID'S ALL SNIPPED TO SHREDS. 362 00:14:31,990 --> 00:14:33,390 IT CAN'T BE HIM. 363 00:14:33,420 --> 00:14:35,960 - IT'S NOT RICK SPRINGFIELD. 364 00:14:35,990 --> 00:14:38,130 - UH-UH. HE WAS ALL ABOUT THE ASS. 365 00:14:38,160 --> 00:14:39,260 - NICE. - YEAH. 366 00:14:39,300 --> 00:14:40,360 PLUS, HE NEVER CAME. 367 00:14:40,400 --> 00:14:42,600 - WHAT? - NO, WE'D FUCK FOR HOURS. 368 00:14:42,630 --> 00:14:44,630 I'D COME NINE TIMES. HE'D SHOOT A PUFF OF SMOKE. 369 00:14:44,670 --> 00:14:46,500 CAN'T BE THAT DUDE. 370 00:14:46,540 --> 00:14:48,400 THERE WERE A COUPLE 371 00:14:48,440 --> 00:14:51,510 OF CRAIGSLIST "CASUAL ENCOUNTERS" 372 00:14:51,540 --> 00:14:54,110 HERE AND THERE... - OKAY. 373 00:14:54,140 --> 00:14:55,950 - BUT I NEVER LET 'EM RAW-DOG ME. 374 00:14:55,980 --> 00:14:57,250 - OKAY. 375 00:14:57,280 --> 00:14:58,410 - SO, SHIT. 376 00:14:58,450 --> 00:15:00,550 IT COULD BE AN IMMACULATE CONCEPTION. 377 00:15:02,290 --> 00:15:06,160 - WHAT? I'M NOT GOOD ENOUGH TO GET KNOCKED UP BY GOD? 378 00:15:06,190 --> 00:15:07,160 FUCK YOU. 379 00:15:07,190 --> 00:15:09,390 SOME FRIEND YOU ARE! 380 00:15:09,430 --> 00:15:11,690 - COME GET SOME REST. LIE DOWN. 381 00:15:11,730 --> 00:15:13,960 - I CAN'T REST, BECAUSE YOUR FUCKING CHILD 382 00:15:14,000 --> 00:15:15,700 IS PLAYING DEVIL MUSIC IN MY LIVING ROOM. 383 00:15:15,730 --> 00:15:17,200 - NO, NO, NO, IT'S OKAY. I'LL GO GET THEM TO STOP. 384 00:15:17,230 --> 00:15:19,370 - NO, NO, NO, GOOD--THEY'RE GOOD. 385 00:15:19,400 --> 00:15:21,000 LET 'EM PLAY. I LIKE IT. 386 00:15:21,040 --> 00:15:22,640 IT'S FINE. I'LL BE FINE. 387 00:15:22,670 --> 00:15:25,010 [sighs] 388 00:15:25,040 --> 00:15:27,280 DO YOU THINK I'D MAKE A GOOD MOM? 389 00:15:27,310 --> 00:15:30,510 - YES, I THINK YOU'D MAKE A GREAT MOM. 390 00:15:30,550 --> 00:15:32,380 - FUCKING-A, RIGHT. 391 00:15:32,420 --> 00:15:38,150 THAT LITTLE MUTANT WOULD BE LUCKY TO HAVE ME. 392 00:15:41,190 --> 00:15:44,030 - ARE YOU SURE YOU'RE INTO THIS? 393 00:15:44,060 --> 00:15:46,400 - OH, YES. TAKE ME, AGENT. 394 00:15:46,430 --> 00:15:48,730 - I ONLY ASK BECAUSE I'M--I'M ENCOUNTERING 395 00:15:48,760 --> 00:15:50,570 SORT OF A LACK OF LUBRICATION HERE. 396 00:15:50,600 --> 00:15:52,640 - OH, IT'S OKAY. I CAN GRIN AND BEAR IT. 397 00:15:52,670 --> 00:15:54,440 IT'LL FEEL LIKE I'M A "WIRGIN." 398 00:15:54,470 --> 00:15:57,110 - A "WIRGIN"? - MM-HMM. 399 00:15:57,140 --> 00:15:58,240 LIKE VIRGIN, BUT WITH A "W." 400 00:15:58,270 --> 00:15:59,680 IT SOUNDS SUPER CREEPY THAT WAY. 401 00:15:59,710 --> 00:16:03,350 - YES. YES, IT REALLY DOES. 402 00:16:03,380 --> 00:16:05,380 WELL... 403 00:16:05,410 --> 00:16:07,450 OKAY, THEN. 404 00:16:07,480 --> 00:16:09,490 HERE WE GO. 405 00:16:15,060 --> 00:16:16,660 AM I DOING SOMETHING WRONG? 406 00:16:16,690 --> 00:16:18,590 I'M--I'M NOT AVERSE TO A LITTLE GUIDANCE HERE. 407 00:16:18,630 --> 00:16:20,760 - IT'S NOT YOU. IT'S HIM. 408 00:16:22,400 --> 00:16:24,370 I CAN'T SCREW WITH HIM WATCHING US. 409 00:16:24,400 --> 00:16:26,040 HE'S GOT THAT GLEAM IN HIS EYE. 410 00:16:28,500 --> 00:16:30,540 - WELL, WE'RE ALL JUST MAMMALS HERE. 411 00:16:30,570 --> 00:16:31,670 - NO. 412 00:16:31,710 --> 00:16:32,610 NO, YOU DON'T UNDERSTAND. 413 00:16:32,640 --> 00:16:34,740 HE TRIED TO FINGER MY FRIEND JESS ONE TIME. 414 00:16:34,780 --> 00:16:36,480 HE IS HIGHLY SEXUAL. 415 00:16:36,510 --> 00:16:38,250 JUST GET HIM OUT OF HERE. 416 00:16:38,280 --> 00:16:40,250 - JEEZ, WHAT IS HE THROWING AT ME? 417 00:16:40,280 --> 00:16:42,050 - HIS POO. - HIS POO? 418 00:16:42,090 --> 00:16:43,050 JESUS CHRIST. 419 00:16:43,090 --> 00:16:45,690 THAT IS ONE ANTISOCIAL MONKEY. 420 00:16:45,720 --> 00:16:49,290 GOD! EW! 421 00:16:49,330 --> 00:16:51,490 KONG, WOULD YOU GET THE FUCK OUT OF HERE? 422 00:16:51,530 --> 00:16:52,830 JEEZ. 423 00:16:52,860 --> 00:16:54,830 EW! 424 00:16:54,860 --> 00:16:57,630 - AAH! - [howling] 425 00:16:57,670 --> 00:17:00,170 - KONG! 426 00:17:00,200 --> 00:17:02,270 [screams] OW! GET IT OFF! 427 00:17:02,310 --> 00:17:04,110 GET IT OFF! GET IT OFF! 428 00:17:04,140 --> 00:17:08,510 [screaming] 429 00:17:08,540 --> 00:17:10,510 [crunch] AAH! 430 00:17:16,490 --> 00:17:21,520 [muffled whimpers] 431 00:17:23,590 --> 00:17:26,700 - [screaming] KONG IS DEAD! 432 00:17:26,730 --> 00:17:28,560 - LONG LIVE KONG. - WHO IS KONG? 433 00:17:28,600 --> 00:17:30,300 - THE MONKEY. 434 00:17:30,330 --> 00:17:33,170 THAT BALD SCUMBAG MURDERED OUR MONKEY. 435 00:17:33,200 --> 00:17:34,540 - I COMMITTED NO SUCH ACT. 436 00:17:34,570 --> 00:17:36,270 IT WAS SELF-DEFENSE. 437 00:17:36,310 --> 00:17:38,540 - YOU KILLED THE MONKEY? - NO. 438 00:17:38,570 --> 00:17:40,310 - I TRACKED DOWN THE ONE MAN IN THIS CITY 439 00:17:40,340 --> 00:17:43,180 WHO'S GOT THE DOUGH TO PULL OFF MY FUCKING PASSION PROJECT, 440 00:17:43,210 --> 00:17:45,150 AND YOU KILLED HIS FUCKING MONKEY? 441 00:17:45,180 --> 00:17:47,550 - IT WAS AN ACCIDENT, I SWEAR. 442 00:17:47,580 --> 00:17:49,890 THAT MONKEY WAS A DEVIANT AND A COCKBLOCKER. 443 00:17:49,920 --> 00:17:52,690 HE WAS THROWING HIS FECAL MATTER AT ME! 444 00:17:52,720 --> 00:17:54,160 AND HE BIT MY FUCKING ARM! 445 00:17:54,190 --> 00:17:55,420 - MURDERER! 446 00:17:55,460 --> 00:17:56,760 - RUNKS... 447 00:17:56,790 --> 00:17:58,330 [laughing] KILLING AN INNOCENT MONKEY 448 00:17:58,360 --> 00:18:00,160 IN THE NAME OF GETTING SOME POON. 449 00:18:00,200 --> 00:18:01,400 IS NOTHING SACRED? 450 00:18:01,430 --> 00:18:03,270 - NO ONE HAS TO KNOW ABOUT THIS. 451 00:18:03,300 --> 00:18:05,300 I SAY WE ABSCOND WITH THAT CORPSE. 452 00:18:05,330 --> 00:18:06,400 WE TAKE IT UP TO GRIFFITH PARK, 453 00:18:06,440 --> 00:18:08,440 AND WE PUT THAT LITTLE TURD-FONDLER SIX FEET UNDER. 454 00:18:08,470 --> 00:18:09,770 WHAT DO YOU NEED? HUH? 455 00:18:09,810 --> 00:18:12,240 HUSH MONEY-WISE? - HEY, HEY, SHUT UP. 456 00:18:12,280 --> 00:18:14,280 TAKE A LOOK AT THE EYE IN THE SKY. 457 00:18:14,310 --> 00:18:16,310 HELLO. YEAH. 458 00:18:16,350 --> 00:18:18,850 LOOK, THEY'RE IN EVERY ROOM. THAT MEANS WE'RE FUCKED. 459 00:18:18,880 --> 00:18:20,220 OKAY? - MM-HMM. 460 00:18:20,250 --> 00:18:23,590 - SO LISTEN UP, YOU GIANT BOTCHER. 461 00:18:23,620 --> 00:18:27,260 WE HAVE ONLY ONE PLAY HERE. [laughter] 462 00:18:27,290 --> 00:18:29,890 AND THAT IS FOR YOU TO COME CLEAN 463 00:18:29,930 --> 00:18:32,860 AND TELL ZIG BEFORE HE FINDS OUT. 464 00:18:32,900 --> 00:18:35,760 I WANT YOU TO MARCH INTO THAT MAN'S BEDROOM... 465 00:18:35,800 --> 00:18:37,430 [laughter] 466 00:18:37,470 --> 00:18:41,600 AND TELL HIM YOU KILLED HIS FUCKING MONKEY! 467 00:18:41,640 --> 00:18:43,310 - I DON'T WANT TO DO THAT. 468 00:18:43,340 --> 00:18:44,540 - I'LL TAKE YOU. COME ON. 469 00:18:44,570 --> 00:18:47,880 COME ON. COME ON. 470 00:18:47,910 --> 00:18:52,450 - [laughing] GET OUT OF HERE, YOU FUCKING MORON. 471 00:18:57,790 --> 00:19:00,260 - HEY. 472 00:19:00,290 --> 00:19:01,590 MAKE YOURSELF AT HOME. 473 00:19:01,620 --> 00:19:03,830 - SORRY. SORRY. 474 00:19:03,860 --> 00:19:04,830 I WAS--I WAS KNOCKING, 475 00:19:04,860 --> 00:19:08,200 AND I WAS RINGING, AND--AND NO ONE ANSWERED. 476 00:19:08,230 --> 00:19:10,400 - SO WHAT, YOU JUST LET YOURSELF IN? 477 00:19:10,430 --> 00:19:13,900 - WELL, THE DOOR WAS OPEN, AND, UH, MY GIRL WAS INSIDE. 478 00:19:13,940 --> 00:19:15,840 WHAT WOULD YOU DO? 479 00:19:15,870 --> 00:19:17,670 - OH, OKAY, OKAY, I GET IT. 480 00:19:17,710 --> 00:19:19,440 UH, THE EXACT SAME THING. 481 00:19:19,480 --> 00:19:21,710 - HMM. 482 00:19:21,740 --> 00:19:24,410 - WHICH HELL SPAWN IS YOURS? 483 00:19:24,450 --> 00:19:27,320 - PEARL-- THE ONE WITH THE PIPES. 484 00:19:27,350 --> 00:19:28,880 - MM-HMM. 485 00:19:28,920 --> 00:19:31,320 MINE'S BECCA, THE ONE WITH THE BANGS. 486 00:19:31,350 --> 00:19:33,660 - A-HA. SHE'S PRETTY FIERCE, THAT ONE. 487 00:19:33,690 --> 00:19:35,920 - MM-HMM. - TASTY LICKS. 488 00:19:35,960 --> 00:19:38,290 [camera beeps] - AND YOU ARE? 489 00:19:38,330 --> 00:19:41,300 - I'M SORRY. I'M BEN. 490 00:19:41,330 --> 00:19:42,930 - KAREN. NICE TO MEET YOU. - KAREN. 491 00:19:42,970 --> 00:19:44,470 NICE TO MEET YOU TOO. 492 00:19:46,030 --> 00:19:50,470 WELL, UM, HERE YOU GO, KAREN. 493 00:19:50,510 --> 00:19:52,440 - [laughs] - YOU KNOW, NOT MANY PEOPLE 494 00:19:52,480 --> 00:19:54,410 CAN ACTUALLY SAY THEY HAVE A PICTURE 495 00:19:54,440 --> 00:19:55,740 OF THE EXACT MOMENT THEY MET SOMEONE 496 00:19:55,780 --> 00:19:57,580 FOR THE FIRST TIME, SO THERE YOU GO-- 497 00:19:57,610 --> 00:19:59,280 MY GIFT TO YOU. 498 00:20:00,620 --> 00:20:03,750 - I THINK THIS IS GOING REALLY WELL. 499 00:20:03,790 --> 00:20:05,750 - HELLO? 500 00:20:05,790 --> 00:20:07,890 - ZIG. - ZIG. 501 00:20:07,920 --> 00:20:09,560 - YOU FREAKY BASTARD, ZIG. 502 00:20:09,590 --> 00:20:13,400 - ZIG, WE GOT A-A-A LITTLE SITUATION OUT HERE. 503 00:20:13,430 --> 00:20:16,670 - KIND OF A MINOR MONKEY INCIDENT HAPPENING. 504 00:20:16,700 --> 00:20:18,470 [dance music echoing] 505 00:20:18,500 --> 00:20:21,340 AH, ZIG OR NO ZIG, I GOT TO TAKE A WAZ. 506 00:20:21,370 --> 00:20:24,540 * 507 00:20:24,570 --> 00:20:27,710 - HELLO? 508 00:20:27,740 --> 00:20:30,280 - * EAT MY PEACH, BABY, BLOW ON MY DICE * 509 00:20:30,310 --> 00:20:32,280 * YOU GOTTA-- 510 00:20:32,320 --> 00:20:33,780 ZI--HEY. 511 00:20:37,790 --> 00:20:39,790 CHARLIE! 512 00:20:39,820 --> 00:20:42,730 CHARLIE, WE GOT A BIT OF A PREDICAMENT IN HERE. 513 00:20:42,760 --> 00:20:44,860 - WHAT? 514 00:20:44,890 --> 00:20:47,630 [screaming] 515 00:20:53,770 --> 00:20:56,540 - HEY. HEY, HEY, HEY. HEY, WHAT THE FUCK'S GOING ON IN HERE? 516 00:20:56,570 --> 00:20:58,740 HEY, RUNKLE, HOW DID ZIG TAKE THE NEWS? 517 00:20:58,770 --> 00:21:01,680 - NOT SO WELL, ACTUALLY. 518 00:21:01,710 --> 00:21:02,750 - [screams] OH, GOD! 519 00:21:02,780 --> 00:21:03,950 - [screams] 520 00:21:03,980 --> 00:21:06,450 - COME ON! SWEET MOTHER OF GOD! 521 00:21:06,480 --> 00:21:08,320 RUNKLE, DID YOU DO THAT TO HIM? 522 00:21:08,350 --> 00:21:10,050 - NO, I DID NOT DO THAT TO HIM. 523 00:21:10,090 --> 00:21:12,090 WE CAME IN HERE, AND THAT'S HOW HE WAS. 524 00:21:12,120 --> 00:21:14,920 - I MEAN, I AM NOT AVERSE TO THE OCCASIONAL CHOKE AND STROKE, 525 00:21:14,960 --> 00:21:15,920 BUT THIS IS A PRIME EXAMPLE 526 00:21:15,960 --> 00:21:18,430 OF WHY ONE MUST ALWAYS USE THE BUDDY SYSTEM. 527 00:21:18,460 --> 00:21:20,530 - THIS IS NOT GOOD. THIS IS NOT GOOD AT ALL. 528 00:21:20,560 --> 00:21:22,600 - ON THE BRIGHT SIDE, IT MAKES THE WHOLE MONKEY THING 529 00:21:22,630 --> 00:21:24,670 A BIT LESS OF A SNAFU, DOESN'T IT? 530 00:21:24,700 --> 00:21:26,700 - THAT'S A GOOD POINT. - THAT IS TRUE. 531 00:21:26,740 --> 00:21:28,400 - ON THE OTHER HAND, IT'S GONNA BE HARD TO MAKE F&P: THE MOVIE 532 00:21:28,440 --> 00:21:29,810 WITHOUT CREEPY WARBUCKS OVER HERE. 533 00:21:29,840 --> 00:21:33,380 - OH, IT MAKES IT IMPOSSIBLE. 534 00:21:33,410 --> 00:21:35,340 ANYWAY, IT WAS A PLEASURE 535 00:21:35,380 --> 00:21:37,010 ALMOST WORKING WITH YOU. 536 00:21:37,050 --> 00:21:39,350 AND, YEAH. 537 00:21:39,380 --> 00:21:41,920 - YOU CAN'T GO ANYWHERE. WE GOT A SERIOUS SITUATION HERE. 538 00:21:41,950 --> 00:21:43,390 - THE FUCK I CAN'T. 539 00:21:43,420 --> 00:21:46,590 DEAD MONKEYS AND AUTOEROTIC ASPHYXIATION, 540 00:21:46,620 --> 00:21:47,860 THAT'S MY CUE. 541 00:21:47,890 --> 00:21:49,830 I WAS NEVER HERE. 542 00:21:49,860 --> 00:21:51,030 - WHAT? 543 00:21:51,060 --> 00:21:53,600 - NOT EXACTLY A "GOING DOWN WITH THE SHIP" TYPE, IS HE? 544 00:21:53,630 --> 00:21:56,130 - WHAT THE FUCK, HANK? WHAT DO WE DO NOW? 545 00:21:56,160 --> 00:21:57,900 - YOU HAVE TO STOP YELLING, FIRSTLY. 546 00:21:57,930 --> 00:21:59,900 - OOH, KIND OF TOUCHING THE DEAD GUY THERE. 547 00:21:59,940 --> 00:22:01,100 DON'T DO THAT. 548 00:22:01,140 --> 00:22:02,610 - SHOULDN'T WE TAKE HIM DOWN OR SOMETHING? 549 00:22:02,640 --> 00:22:03,940 - NOTHING GOOD CAN COME OF THAT, I ASSURE YOU. 550 00:22:03,970 --> 00:22:04,910 - JESUS. 551 00:22:04,940 --> 00:22:07,610 - HE REALLY LIKED THE SCRIPT, THOUGH, HUH? 552 00:22:07,640 --> 00:22:10,610 HE MUST HAVE. I'M FLATTERED...KIND OF. 553 00:22:10,650 --> 00:22:13,120 - OH, HANK, I'M SCARED. - YEAH. 554 00:22:13,150 --> 00:22:14,680 - THIS IS REALLY DARK. 555 00:22:14,720 --> 00:22:16,550 THIS IS WAY, WAY, WAY DARK. 556 00:22:16,590 --> 00:22:19,120 WE GOT TO MAKE THIS GO AWAY. HOLD ME, PLEASE. 557 00:22:19,150 --> 00:22:21,060 - COOL YOUR JETS, RUNKS. 558 00:22:21,090 --> 00:22:24,130 I GOT A GUY. 559 00:22:29,970 --> 00:22:32,700 - OH, SHIT, HANK. SHIT, HANK. - BE COOL, RUNKS. 560 00:22:32,740 --> 00:22:35,500 - SHIT, SHIT, SHIT. - MAINTAIN. 561 00:22:39,980 --> 00:22:41,480 - WHAT'S GOING ON HERE, FELLAS? 562 00:22:41,510 --> 00:22:43,610 - JUST ROCKING OUT WITH OUR COCKS OUT. 563 00:22:43,650 --> 00:22:46,480 - OH, ONE OF THOSE PARTIES, HUH? OKAY. 564 00:22:46,520 --> 00:22:47,980 AND WHERE'S MR., UH, SAMITAUR? 565 00:22:48,020 --> 00:22:50,490 - HE'S INSIDE... 566 00:22:50,520 --> 00:22:52,890 IN THE BATHROOM. - JUST HANGING OUT. 567 00:22:52,920 --> 00:22:54,890 - OKAY. YOU MIND IF I HAVE A WORD WITH HIM? 568 00:22:54,920 --> 00:22:57,930 LOOKS LIKE SOMEBODY HIT THE PANIC BUTTON, SO... 569 00:22:57,960 --> 00:23:00,660 - HE'S A FUCKING MURDERER! 570 00:23:00,700 --> 00:23:01,760 - ALLOW ME TO EXPLAIN. 571 00:23:01,800 --> 00:23:03,470 WHOA! 572 00:23:03,500 --> 00:23:07,000 - OH, YEAH. WHAT, HUH? 573 00:23:07,040 --> 00:23:08,640 YOU WANT SOME OF THIS? - NO, I DON'T WANT ANY OF IT. 574 00:23:08,670 --> 00:23:09,770 - YOU WANT SOME OF THIS, MIDNIGHT COWBOY? 575 00:23:09,810 --> 00:23:12,740 LET'S GO. 576 00:23:12,780 --> 00:23:15,710 - [screaming] 577 00:23:29,660 --> 00:23:30,530 - WHAT THE FUCK, HANK? 578 00:23:30,560 --> 00:23:32,500 - WELL, THANK YOU SO MUCH FOR COMING. 579 00:23:32,530 --> 00:23:33,700 - TELL ME. 580 00:23:33,730 --> 00:23:36,570 - ONE DEAD BILLIONAIRE, ONE DEAD MONKEY. 581 00:23:36,600 --> 00:23:40,240 AUTOEROTIC ASPHYXIATION-- THE BILLIONAIRE, NOT THE MONKEY. 582 00:23:40,270 --> 00:23:42,040 - WOW, REALLY? - SHIT HAPPENS. 583 00:23:42,070 --> 00:23:43,610 - IS HE OKAY? 584 00:23:43,640 --> 00:23:45,610 - OH, YEAH, HE JUST GOT TASED. 585 00:23:45,640 --> 00:23:47,610 - AND HIM? - HIM I KNOCKED OUT. 586 00:23:47,640 --> 00:23:49,210 DON'T BE TASING MY AGENT, MOTHERFUCKER. 587 00:23:49,240 --> 00:23:50,750 - OKAY, SELF-DEFENSE. 588 00:23:50,780 --> 00:23:52,750 - OH, I LIKE THAT. WHAT'S THE MOVE? 589 00:23:52,780 --> 00:23:53,880 - DEPENDS. 590 00:23:53,920 --> 00:23:55,720 DID YOU ACTUALLY DO ANYTHING ILLEGAL? 591 00:23:55,750 --> 00:23:57,990 IS THERE SOMETHING YOU'RE NOT TELLING ME? 592 00:24:00,960 --> 00:24:04,190 - I DID WATCH TWO SISTERS TAKE OFF THEIR CLOTHES 593 00:24:04,230 --> 00:24:06,090 AND MAKE OUT WITH EACH OTHER. 594 00:24:06,130 --> 00:24:09,230 AND THAT MADE MY WIENER FEEL A LITTLE WEIRD. 595 00:24:09,260 --> 00:24:11,030 - MM, YEAH, THAT'S-- THAT'S GROSS. 596 00:24:11,070 --> 00:24:12,870 - BUT I DON'T BELIEVE THAT THAT'S ILLEGAL. 597 00:24:12,900 --> 00:24:13,870 - NO, IT'S NOT ILLEGAL. - NOT ILLEGAL. 598 00:24:13,900 --> 00:24:15,940 - OKAY, UH, WE CALL-- - MAYBE IT SHOULD BE. 599 00:24:15,970 --> 00:24:17,540 - WE CALL 911. YOU GIVE A STATEMENT. 600 00:24:17,570 --> 00:24:18,640 I ASK FOR A FAVOR. 601 00:24:18,670 --> 00:24:20,580 WE MAKE SURE IT DOESN'T END UP ALL OVER THE PRESS. 602 00:24:20,610 --> 00:24:21,840 - WOW, NO, THAT'S GRACE UNDER PRESSURE. 603 00:24:21,880 --> 00:24:23,080 I DIG THAT IN A WOMAN. 604 00:24:23,110 --> 00:24:25,110 AND YOU LOOK SMOKIN' HOT TONIGHT. 605 00:24:25,150 --> 00:24:26,850 YOU GOT A BIG DATE? 606 00:24:26,880 --> 00:24:28,280 - YOU KNOW WHAT? IT'S STRANGE. 607 00:24:28,320 --> 00:24:30,750 A PART OF ME IS REALLY QUITE PISSED OFF AT YOU RIGHT NOW, 608 00:24:30,790 --> 00:24:32,890 BECAUSE YOUR IDEA OF STAYING OUT OF TROUBLE SUCKS BALLS, 609 00:24:32,920 --> 00:24:35,620 BUT THE OTHER PART, I DON'T KNOW, 610 00:24:35,660 --> 00:24:38,160 IT FEELS VAGUELY PROUD OF YOU. 611 00:24:38,190 --> 00:24:39,800 - PROUD? - UH-HUH. 612 00:24:39,830 --> 00:24:42,160 - I DON'T THINK THERE'S MUCH TO BE PROUD OF HERE TONIGHT. 613 00:24:42,200 --> 00:24:44,070 A DEBAUCHED PARTY, A COUPLE OF DEAD PRIMATES-- 614 00:24:44,100 --> 00:24:45,730 NOT REALLY WORTHY OF A GOLD STAR. 615 00:24:45,770 --> 00:24:48,900 - NO, YOU ABSOLUTELY SCREWED THE POOCH, BUT, UH... 616 00:24:48,940 --> 00:24:51,640 CALLING ME SHOWS AT LEAST A MODICUM OF SENSE 617 00:24:51,670 --> 00:24:54,580 AND, UH, MORE THAN A LITTLE TRUST. 618 00:24:54,610 --> 00:24:57,010 - SENSIBLE AND TRUSTING. 619 00:24:57,050 --> 00:25:00,180 THAT'S ME IN A NUTSHELL, REALLY. 620 00:25:00,220 --> 00:25:02,550 - HOW HIGH ARE YOU RIGHT NOW? 621 00:25:02,590 --> 00:25:04,890 - HMM? - HOW HIGH ARE YOU? 622 00:25:04,920 --> 00:25:07,660 - SIGNIFICANTLY. - YEAH. 623 00:25:07,690 --> 00:25:10,660 ALL RIGHT. LET ME DEAL WITH THIS. 624 00:25:12,760 --> 00:25:15,760 - [groans] 625 00:25:15,800 --> 00:25:18,800 - YOU OKAY, BUDDY BOY? 626 00:25:18,830 --> 00:25:20,870 - I FEEL LIKE ASS... 627 00:25:20,900 --> 00:25:23,170 LIKE A GREAT, BIG SLAB OF ASS. - YEAH. 628 00:25:23,210 --> 00:25:24,570 WELL, LOOK ON THE BRIGHT SIDE. 629 00:25:24,610 --> 00:25:26,270 YOU INCHED CLOSER TO YOUR MAGIC NUMBER. 630 00:25:26,310 --> 00:25:28,340 - IT WAS JUST THE TIP, HANK. 631 00:25:28,380 --> 00:25:30,150 IT DOESN'T COUNT. - THE TIP COUNTS. 632 00:25:30,180 --> 00:25:31,650 - YOU THINK? 633 00:25:31,680 --> 00:25:33,320 - FUCKING-A. THE TIP ALWAYS COUNTS. 634 00:25:33,350 --> 00:25:36,650 - THE TIP COUNTS? - YEAH. 635 00:25:36,690 --> 00:25:38,320 HOLD YOUR SHIT TOGETHER, CHUNKLE. 636 00:25:38,350 --> 00:25:40,690 TOMORROW'S ANOTHER DAY IN THE DREAM FACTORY. 637 00:25:43,960 --> 00:25:46,290 DON'T BLAME YOURSELF, BUDDY BOY. 638 00:25:46,330 --> 00:25:48,300 - I GOT BLOOD ON MY HANDS, HANK. 639 00:25:48,330 --> 00:25:50,230 SERIOUSLY, I DON'T KNOW IF I'M GONNA SLEEP TONIGHT. 640 00:25:50,270 --> 00:25:52,100 EVERY TIME I CLOSE MY EYES, 641 00:25:52,130 --> 00:25:55,900 I SEE THAT SWEET LITTLE MONKEY'S FACE. 642 00:25:55,940 --> 00:25:58,770 - MARCY? 643 00:25:58,810 --> 00:26:03,780 [laughing] 644 00:26:03,810 --> 00:26:04,850 - YOU WANT TO COME IN? 645 00:26:04,880 --> 00:26:08,050 - WHAT, AND TUCK YOU IN, READ YOU A BEDTIME STORY? 646 00:26:08,080 --> 00:26:09,050 - NO. 647 00:26:09,080 --> 00:26:11,590 YOUR LADY'S CHARIOT. 648 00:26:15,420 --> 00:26:17,630 - I DON'T THINK THEY WANT TO SEE ME, CHARLIE. 649 00:26:17,660 --> 00:26:20,260 - WHEN HAS THAT EVER STOPPED YOU? 650 00:26:20,300 --> 00:26:23,330 COME ON, DON'T BE A PUSSY. 651 00:26:23,370 --> 00:26:26,800 - * THIS HOUSE 652 00:26:26,840 --> 00:26:31,040 * SHE'S HOLDING SECRETS 653 00:26:31,070 --> 00:26:34,680 * GOT MY CHANGE 654 00:26:34,710 --> 00:26:39,820 * BEHIND THE BED 655 00:26:39,850 --> 00:26:41,920 * IN A COFFEE CAN 656 00:26:41,950 --> 00:26:43,790 * 657 00:26:43,820 --> 00:26:46,790 * THROW MY NICKELS IN 658 00:26:46,820 --> 00:26:51,890 * JUST IN CASE 659 00:26:51,930 --> 00:26:56,100 * I HAVE TO LEAVE 660 00:26:56,130 --> 00:27:00,370 * AND I WILL GO 661 00:27:00,400 --> 00:27:04,710 * IF YOU ASK ME TO 662 00:27:04,740 --> 00:27:08,980 * I WILL STAY 663 00:27:09,010 --> 00:27:12,950 * IF YOU DARE 664 00:27:12,980 --> 00:27:18,950 * IF I GO, I'M GOING CRAZY * 665 00:27:18,990 --> 00:27:24,090 * LET MY DARLING TAKE ME THERE * 666 00:27:24,130 --> 00:27:25,690 * 667 00:27:25,730 --> 00:27:31,700 * IF I GO, I'M GOING CRAZY * 668 00:27:31,730 --> 00:27:36,340 * LET MY DARLING TAKE ME THERE * 46363

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