All language subtitles for Californication S04E02 Suicide Solution

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,620 --> 00:00:09,230 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,260 --> 00:00:10,230 MY NAME IS HANK. 3 00:00:10,260 --> 00:00:12,400 - I KNOW. 4 00:00:12,430 --> 00:00:13,660 - OH! 5 00:00:13,700 --> 00:00:14,800 - THIS IS MIA, BILL'S DAUGHTER, 6 00:00:14,830 --> 00:00:16,330 AND THIS IS HANK. SHE'S 16. 7 00:00:16,370 --> 00:00:17,530 - 16. 8 00:00:17,570 --> 00:00:18,800 I NEED TO TELL YOU SOMETHING. 9 00:00:18,840 --> 00:00:21,770 - OKAY. - IT'S NOT A MEMOIR. 10 00:00:21,810 --> 00:00:24,240 - IT'S A WRITTEN ACCOUNT OF MY SEXUAL RELATIONSHIP WITH YOU. 11 00:00:24,270 --> 00:00:26,480 - WRITTEN BY ME AS A FUCKIN' NOVEL. 12 00:00:26,510 --> 00:00:27,410 - THE PUBLISHING WORLD 13 00:00:27,440 --> 00:00:29,710 KNOWS YOU AS THIS BRILLIANT TRAIN WRECK. 14 00:00:29,750 --> 00:00:31,720 LET EVERYONE ELSE IN ON IT. 15 00:00:31,750 --> 00:00:33,380 - ABBY HERE IS THE BEST THERE IS 16 00:00:33,420 --> 00:00:35,220 AT DEFENDING THE UNJUSTLY ACCUSED. 17 00:00:35,250 --> 00:00:36,750 - HANK MOODY? - FUCK. WHAT NOW? 18 00:00:36,790 --> 00:00:39,520 - YOU'RE BEING CHARGED WITH STATUTORY RAPE. 19 00:00:39,560 --> 00:00:40,620 - I'M NOT GOING TO SLEEP WITH YOU. 20 00:00:40,660 --> 00:00:42,860 - HANK. - MIA. 21 00:00:42,890 --> 00:00:44,160 - OKAY. 22 00:00:44,190 --> 00:00:45,760 - SASHA BINGHAM IS AMERICA'S SWEETHEART. 23 00:00:45,800 --> 00:00:48,770 - HOW ABOUT YOU REWRITE THE SCRIPT THAT I LOATHE? 24 00:00:48,800 --> 00:00:50,270 - HANK--HANK, LET ME HANDLE THIS. 25 00:00:50,300 --> 00:00:52,270 - YOU CONVINCE YOUR CLIENT TO TAKE THIS JOB, 26 00:00:52,300 --> 00:00:53,740 AND YOU CAN HAVE YOUR OLD JOB BACK. 27 00:00:53,770 --> 00:00:55,110 - YOU SAID YOU HAD SOME NOTES. 28 00:00:55,140 --> 00:00:57,640 YOU REALLY HAD SOME FUCKIN' NOTES. 29 00:00:57,670 --> 00:01:00,280 - WHAT WAS IT LIKE, HER PUNCH? 30 00:01:00,310 --> 00:01:02,150 - THERE'S ONLY ONE WAY TO FIND OUT. 31 00:01:02,180 --> 00:01:03,310 GO ON. GIVE IT A SHOT. 32 00:01:49,260 --> 00:01:50,730 - AAH! 33 00:01:50,760 --> 00:01:51,730 - AAH! 34 00:01:51,760 --> 00:01:56,300 - AAH! 35 00:01:56,330 --> 00:01:59,470 both: AAH! 36 00:01:59,500 --> 00:02:02,410 - OH. - WHAT THE FUCK, HANK? 37 00:02:02,440 --> 00:02:03,540 - UGH. I'M SORRY, MARCE. 38 00:02:03,570 --> 00:02:05,310 I JUST--I COULDN'T SLEEP LAST NIGHT. 39 00:02:05,340 --> 00:02:06,710 MY MIND WAS RACING, 40 00:02:06,740 --> 00:02:09,210 AND THAT COUCH OF YOURS IS NO FUCKING HELP WHATSOEVER. 41 00:02:09,250 --> 00:02:11,220 IT'S, LIKE, A MEDIEVAL FUCKING TORTURE DEVICE. 42 00:02:11,250 --> 00:02:13,650 - I WAS TOUCHING YOUR PENIS, HANK. 43 00:02:13,680 --> 00:02:15,390 - I KNOW, MARCE. FELT GOOD TOO. 44 00:02:15,420 --> 00:02:16,590 YOU GIVE A NICE TUG JOB. 45 00:02:16,620 --> 00:02:18,620 - SHE DOES, DOESN'T SHE? - YEAH. 46 00:02:18,660 --> 00:02:22,760 - WHEN SHE'S MOTIVATED. IT'S A LOST ART, REALLY. 47 00:02:22,790 --> 00:02:24,330 OH, SHIT. I THINK I'M GONNA PUKE. 48 00:02:24,360 --> 00:02:25,600 DID YOU GUYS FUCK? 49 00:02:25,630 --> 00:02:27,460 both: GROSS. 50 00:02:27,500 --> 00:02:29,630 - HEY! WHAT DO YOU MEAN, GROSS? 51 00:02:29,670 --> 00:02:31,200 FUCK YOU, YOU FUCKING PEDOPHILE. 52 00:02:31,240 --> 00:02:33,200 WHAT'S SO GROSS ABOUT FUCKING ME? 53 00:02:33,240 --> 00:02:34,270 - NOTHING, MARCE. 54 00:02:34,300 --> 00:02:35,540 YOU KNOW I'D THROW A SHOT INTO YOU. 55 00:02:35,570 --> 00:02:37,240 ANY TIME. 56 00:02:37,270 --> 00:02:38,540 - OH, CHRIST. MAKE IT STOP. 57 00:02:38,580 --> 00:02:40,510 - THAT'S IT. ALL YOU DO IS MOPE AROUND THE HOUSE 58 00:02:40,540 --> 00:02:41,510 ALL DAY IN YOUR UNDERWEAR. 59 00:02:41,550 --> 00:02:42,410 YOU'RE ON NOTICE. 60 00:02:42,450 --> 00:02:44,410 CONSIDER YOUR ASS KICKED TO THE CURB. 61 00:02:44,450 --> 00:02:45,780 - MARCE, I GOT NO PLACE TO GO. 62 00:02:45,820 --> 00:02:47,780 I MEAN, KAREN WON'T HAVE ME. BECCA WON'T HAVE ME. 63 00:02:47,820 --> 00:02:49,920 THE WORLD THINKS I'M THIS DEGENERATE SCUMBAG. 64 00:02:49,950 --> 00:02:52,490 I'M OUT ON BAIL FOR THE SECOND TIME THIS WEEK. 65 00:02:52,520 --> 00:02:55,990 YOU ARE MY TWO AND ONLY FRIENDS LEFT IN THE WORLD. 66 00:02:56,030 --> 00:03:00,260 COME ON. LOVE ME. 67 00:03:00,300 --> 00:03:01,930 - [sighs] - HANK NEEDS SOME SUGAR. 68 00:03:01,970 --> 00:03:04,500 - GOD. 69 00:03:17,810 --> 00:03:19,950 - I'M GAME IF YOU GUYS ARE. 70 00:03:19,980 --> 00:03:21,720 - FUCKING ANIMAL. 71 00:03:21,750 --> 00:03:25,720 AND WOULD IT KILL YOU TO PUT SOME GODDAMN CLOTHES ON? 72 00:03:25,760 --> 00:03:27,690 - SO I LIKE TO SLEEP IN THE RAW NOW. 73 00:03:27,720 --> 00:03:28,830 BIG WHOOP. WHAT DO YOU CARE? 74 00:03:28,860 --> 00:03:30,430 - [retching and vomiting] 75 00:03:30,460 --> 00:03:32,960 - GET A LOAD OF FLORENCE OLIVIER. 76 00:03:33,000 --> 00:03:34,760 I DON'T LOOK THAT BAD, DO I? 77 00:03:34,800 --> 00:03:35,870 - NO WAY, CHARLIE. 78 00:03:35,900 --> 00:03:36,870 NO, YOU LOOK GOOD. 79 00:03:36,900 --> 00:03:37,870 - HMM. 80 00:03:37,900 --> 00:03:38,870 - LIKE A BABY. 81 00:03:38,900 --> 00:03:41,000 LIKE A BIG, SEXY BABY. 82 00:03:41,040 --> 00:03:42,540 - THANK YOU. 83 00:03:48,880 --> 00:03:50,850 [upbeat music] 84 00:03:50,880 --> 00:03:58,860 * 85 00:04:30,690 --> 00:04:32,060 - GOOD LUCK TODAY, BUDDY. 86 00:04:32,090 --> 00:04:33,060 - THANK YOU. 87 00:04:33,090 --> 00:04:34,590 - WHO KNOWS? 88 00:04:34,620 --> 00:04:35,930 MAYBE YOU'LL GET SOME WRITING DONE. 89 00:04:35,960 --> 00:04:39,360 - FUCK YOU. 90 00:04:39,400 --> 00:04:41,700 - LOVE YOU TOO. 91 00:04:43,630 --> 00:04:45,840 - HELLO, OLD FRIEND. 92 00:04:45,870 --> 00:04:48,040 YOU'RE LOOKING QUITE WELL. 93 00:04:55,510 --> 00:04:57,380 MUCH BETTER. 94 00:05:02,690 --> 00:05:05,050 [engine falters] 95 00:05:05,090 --> 00:05:07,690 COME ON. 96 00:05:10,830 --> 00:05:12,600 - YEAH, I'M ON MY WAY. 97 00:05:12,630 --> 00:05:13,930 UH-HUH. I'M A LITTLE, UM... 98 00:05:13,960 --> 00:05:16,800 - OH. UH, HI. 99 00:05:16,830 --> 00:05:18,970 JUST PICKING UP OLD BLACKIE HERE. 100 00:05:19,000 --> 00:05:20,640 YEAH. 101 00:05:20,670 --> 00:05:22,110 ME? OH, I'M--I'M OKAY. 102 00:05:22,140 --> 00:05:23,210 - OKAY... 103 00:05:23,240 --> 00:05:25,810 - AS GOOD AS CAN BE EXPECTED UNDER THE CIRCUMSTANCES. 104 00:05:25,840 --> 00:05:26,810 AND YOU? 105 00:05:26,840 --> 00:05:28,710 EXCELLENT. HOW ABOUT BECCA? 106 00:05:28,750 --> 00:05:30,010 COOL. GLAD TO HEAR THAT. 107 00:05:30,050 --> 00:05:31,280 GIVE HER A KISS FOR ME. 108 00:05:31,310 --> 00:05:34,050 HEY, YOU WOULDN'T HAPPEN TO HAVE ANY JUMPER CABLES, WOULD YOU? 109 00:05:34,080 --> 00:05:35,850 OH, I GET IT. JUST KEEP ON WALKING. 110 00:05:35,890 --> 00:05:37,590 I KNOW. I RUINED YOUR LIFE AND ALL, 111 00:05:37,620 --> 00:05:38,960 AND I COULDN'T BE MORE SORRY ABOUT IT, 112 00:05:38,990 --> 00:05:41,630 BUT I GOT TO GET ACROSS TOWN TO MY ATTORNEY'S OFFICE, 113 00:05:41,660 --> 00:05:43,530 WHERE LATENESS IS FROWNED UPON. 114 00:05:43,560 --> 00:05:44,760 - OKAY, BYE. 115 00:05:51,940 --> 00:05:53,140 - I CAUGHT THAT. 116 00:05:53,170 --> 00:05:55,570 YOU WOULDN'T HAVE LOOKED IF YOU DIDN'T CARE, 117 00:05:55,610 --> 00:05:57,540 AND YOU SHOULD CARE, YOU KNOW? 118 00:05:57,570 --> 00:05:58,540 I'M BLEEDING HERE. 119 00:05:58,580 --> 00:06:00,780 I'M FEELING A LITTLE FAINT. 120 00:06:00,810 --> 00:06:02,780 LOOK, I DON'T HOPE TO GET BACK 121 00:06:02,810 --> 00:06:05,480 INTO YOUR GOOD GRACES ANYTIME SOON. 122 00:06:05,520 --> 00:06:07,850 OKAY, EVER. 123 00:06:07,880 --> 00:06:09,090 I JUST HOPE THAT MAYBE ONE DAY 124 00:06:09,120 --> 00:06:10,520 I CAN SIT DOWN ACROSS FROM YOU, 125 00:06:10,550 --> 00:06:11,720 LOOK YOU IN THE EYE AND TALK TO YOU 126 00:06:11,760 --> 00:06:13,160 AND EXPLAIN TO YOU WHAT HAPPENED. 127 00:06:13,190 --> 00:06:15,190 UNTIL THEN, I'D SETTLE FOR SEEING OUR DAUGHTER, 128 00:06:15,220 --> 00:06:17,190 WHO I MISS DEARLY. 129 00:06:17,230 --> 00:06:18,830 SHE STILL HAS A FATHER, YOU KNOW, 130 00:06:18,860 --> 00:06:20,760 EVEN IF HER MOTHER HATES HIS GUTS. 131 00:06:20,800 --> 00:06:25,030 - YEAH. WELL, WHAT HAPPENS IF SHE HATES YOUR GUTS TOO? 132 00:06:46,490 --> 00:06:48,630 - HEY, YOU. LADY LAWYER. 133 00:06:48,660 --> 00:06:49,630 - [sighs] 134 00:06:49,660 --> 00:06:50,630 - WHERE YOU GOING? 135 00:06:50,660 --> 00:06:51,630 - I HAVE A MEETING. 136 00:06:51,660 --> 00:06:52,760 - I THOUGHT WE HAD A MEETING. 137 00:06:52,800 --> 00:06:54,830 - WE DID. BUT YOU'RE 45 MINUTES LATE. 138 00:06:54,860 --> 00:06:55,830 - OH. - SO I'M MOVING ON 139 00:06:55,870 --> 00:06:56,830 TO MY NEXT MEETING. 140 00:06:56,870 --> 00:06:57,870 - OKAY, FUCK. FUCK. 141 00:06:57,900 --> 00:06:58,800 - SO I'M NOT LATE. AND RUDE. 142 00:06:58,840 --> 00:07:00,500 AND INCONSIDERATE OF OTHER PEOPLE'S TIME. 143 00:07:00,540 --> 00:07:01,510 - I'M SORRY. - NO, DON'T BE. IT'S YOUR LIFE. 144 00:07:01,540 --> 00:07:02,840 - I WAS JUST--I HAD THIS THING WITH MY FAMILY. 145 00:07:02,870 --> 00:07:03,640 - THREE YEARS, HANK. 146 00:07:03,670 --> 00:07:05,880 - WHAT? WHAT THREE YEARS? WHAT? 147 00:07:05,910 --> 00:07:09,010 - THAT'S THE MAXIMUM SENTENCE FOR UNLAWFUL SEXUAL INTERCOURSE. 148 00:07:09,050 --> 00:07:10,850 THREE YEARS, STATE PRISON. 149 00:07:10,880 --> 00:07:12,620 - YES, BUT I THOUGHT WE WERE ALL GUNG HO 150 00:07:12,650 --> 00:07:14,920 ABOUT MAKING SURE IT DIDN'T GO DOWN THAT WAY. 151 00:07:14,950 --> 00:07:17,050 - WELL, THAT'S CERTAINLY MY PLAN. 152 00:07:17,090 --> 00:07:18,760 BECAUSE I'M A COCKY FUCKING ATTORNEY 153 00:07:18,790 --> 00:07:19,960 AND THIS IS A GREAT CASE FOR ME. 154 00:07:19,990 --> 00:07:22,490 BUT IF YOU INSIST ON DICKING AROUND AND WASTING MY TIME, 155 00:07:22,530 --> 00:07:23,860 I'LL BE HAPPY TO SEE YOU ROT IN JAIL. 156 00:07:23,890 --> 00:07:24,990 WHAT THE FUCK DO I CARE? 157 00:07:25,030 --> 00:07:26,800 YOU'RE JUST ANOTHER ENTITLED SMART ASS 158 00:07:26,830 --> 00:07:28,260 WHO THINKS IT'S OKAY TO FUCK A TEENAGER. 159 00:07:28,300 --> 00:07:29,830 - NO--NO, NO, I DON'T THINK IT'S OKAY. 160 00:07:29,870 --> 00:07:32,040 I THINK IT'S WRONG. SICK AND WRONG. 161 00:07:32,070 --> 00:07:34,000 - AND YET YOU FUCKED A TEENAGER. 162 00:07:34,040 --> 00:07:35,270 - COME ON, I THOUGHT WE COVERED THIS. 163 00:07:35,300 --> 00:07:37,140 I DIDN'T KNOW HOW OLD SHE WAS. SHE SET ME UP. 164 00:07:37,170 --> 00:07:38,170 - OKAY, IT DOESN'T MATTER. 165 00:07:38,210 --> 00:07:40,240 THE D.A. IS LOOKING TO MAKE AN EXAMPLE OF YOU. 166 00:07:40,280 --> 00:07:43,580 STATUTORY RAPE IS A BIG FUCKIN' DEAL HERE IN THE GOLDEN STATE. 167 00:07:43,610 --> 00:07:44,450 - WHO KNEW? 168 00:07:44,480 --> 00:07:45,980 - MAYBE NO ONE WAS HURT IN YOUR CASE. 169 00:07:46,020 --> 00:07:47,280 - I WAS HURT. SHE PUNCHED ME. 170 00:07:47,320 --> 00:07:49,250 - MAYBE IT WAS ALL JUST GOOD, DIRTY FUN. 171 00:07:49,290 --> 00:07:51,590 BUT THERE IS PROBABLY SOME CREEP OUT THERE 172 00:07:51,620 --> 00:07:53,290 WHO'S GONNA THINK TWICE BEFORE BANGING THE BABYSITTER 173 00:07:53,320 --> 00:07:55,530 BECAUSE HE'S JUST READ ABOUT THE HOLLYWOOD ASSHOLE 174 00:07:55,560 --> 00:07:57,190 WHO'S DOING SERIOUS TIME FOR STICKING HIS DICK 175 00:07:57,230 --> 00:07:58,630 IN SOME UNDERAGE PUSSY. 176 00:07:58,660 --> 00:07:59,630 - [laughs] 177 00:07:59,660 --> 00:08:01,200 CAN YOU SAY IT LOUDER? 178 00:08:01,230 --> 00:08:02,900 'CAUSE I DON'T THINK THEY HEARD YOU IN CULVER CITY. 179 00:08:02,930 --> 00:08:04,170 - I THINK YOU NEED TO HEAR ME. - I GET IT. 180 00:08:04,200 --> 00:08:06,570 - OKAY, FROM NOW UNTIL THE PRELIMINARY HEARING, 181 00:08:06,600 --> 00:08:08,070 JUST BEHAVE YOURSELF. 182 00:08:08,100 --> 00:08:09,570 STAY OUT OF TROUBLE. - YES. YES, MA'AM. 183 00:08:09,610 --> 00:08:10,970 - OKAY? WITH ANY LUCK, 184 00:08:11,010 --> 00:08:12,010 I'LL CONVINCE THE JUDGE 185 00:08:12,040 --> 00:08:14,280 THERE'S NOT ENOUGH OF A CASE TO TAKE TO TRIAL. 186 00:08:14,310 --> 00:08:16,710 - AND IF YOU CAN'T? 187 00:08:16,750 --> 00:08:18,250 - THEN IT'S TIME TO WHEEL AND DEAL. 188 00:08:18,280 --> 00:08:19,880 DO SOME HORSE TRADING. 189 00:08:19,920 --> 00:08:21,020 THAT CAN BE FUN TOO. 190 00:08:21,050 --> 00:08:22,620 - YOU REALLY LOVE THIS SHIT, HUH? 191 00:08:22,650 --> 00:08:25,560 - DON'T TELL ANYONE I TOLD YOU, BUT, UM... 192 00:08:25,590 --> 00:08:27,320 SOMETIMES IT'S EVEN BETTER THAN SEX. 193 00:08:27,360 --> 00:08:28,830 - WOW. - SAFER TOO. 194 00:08:28,860 --> 00:08:31,290 - YOU MUST NOT LIKE SEX VERY MUCH. 195 00:08:31,330 --> 00:08:32,900 - NO, SEE, THAT'S WHERE YOU'RE WRONG. 196 00:08:32,930 --> 00:08:34,260 I LOVE SEX. 197 00:08:34,300 --> 00:08:37,770 - ARE YOU TRYING TO TURN ME ON, LADY LAWYER? 198 00:08:37,800 --> 00:08:39,770 - OH, PLEASE. 199 00:08:39,800 --> 00:08:41,270 I'M OBVIOUSLY FAR TOO OLD FOR YOU. 200 00:08:41,300 --> 00:08:42,940 - NO, YOU SEE, THAT'S WHERE YOU'RE WRONG. 201 00:08:42,970 --> 00:08:44,710 I LIKE ME A MATURE WOMAN. 202 00:08:44,740 --> 00:08:45,980 - OH? - CROW'S FEET, STRETCH MARKS, 203 00:08:46,010 --> 00:08:47,940 NIPPLE HAIR, I DIG THAT. DIG IT ALL. 204 00:08:47,980 --> 00:08:50,650 LOVE THAT SHIT. NOT THAT YOU HAVE ANY OF THAT SHIT. 205 00:08:50,680 --> 00:08:52,150 STUFF. I'M GONNA GO NOW. 206 00:08:52,180 --> 00:08:54,880 - YES. - THANK YOU. 207 00:09:02,330 --> 00:09:04,990 - IT'S COMING. - WHAT? 208 00:09:05,030 --> 00:09:08,260 - UGH. MY FUCKING PERIOD. 209 00:09:08,300 --> 00:09:10,100 - I'LL ALERT THE MEDIA. 210 00:09:10,130 --> 00:09:11,900 - MY TITS ARE SO SORE, 211 00:09:11,940 --> 00:09:15,710 I'M CRAMPY AS HELL, AND I'VE BEEN THROWING UP IN MY MOUTH 212 00:09:15,740 --> 00:09:17,240 ALL DAY LONG. - NICE. NICE. 213 00:09:17,270 --> 00:09:18,840 YOU'RE PROBABLY PREGGERS. 214 00:09:18,880 --> 00:09:21,310 I MEAN, YOU ARE QUITE A SLUT. 215 00:09:21,340 --> 00:09:23,710 - FUCK YOU. 216 00:09:23,750 --> 00:09:25,310 I'M TOO OLD TO SUSTAIN LIFE. 217 00:09:25,350 --> 00:09:26,780 I'M TOO BITTER TOO. 218 00:09:26,820 --> 00:09:29,950 SPERM WOULD ENTER MY PRETTY LITTLE VAJEW-JEW, 219 00:09:29,990 --> 00:09:35,290 AND MY COLD, BLACK HEART WOULD KILL THAT SHIT DEAD, SON. 220 00:09:35,320 --> 00:09:38,060 [mouths words] 221 00:09:38,090 --> 00:09:40,800 CAN YOU PLEASE DO SOMETHING ABOUT THAT FUCKIN' HANK? 222 00:09:40,830 --> 00:09:42,900 - WHAT? YOU WANT ME TO PUT OUT A HIT ON HIM, OR-- 223 00:09:42,930 --> 00:09:45,070 - YES. SERIOUSLY. 224 00:09:45,100 --> 00:09:46,200 - HE'S NOT MY PROBLEM. 225 00:09:46,240 --> 00:09:47,400 - THE GUY IS FUCKING MISERABLE. 226 00:09:47,440 --> 00:09:49,170 HE'S MAKING MY LIFE MISERABLE, ALL RIGHT? 227 00:09:49,210 --> 00:09:50,170 - I KNOW. 228 00:09:50,210 --> 00:09:51,910 - ISN'T IT BAD ENOUGH THAT I HAVE THAT PASTY, 229 00:09:51,940 --> 00:09:53,380 LITTLE MAN-CHILD EX-HUSBAND OF MINE 230 00:09:53,410 --> 00:09:55,180 UNDERFOOT ALL THE TIME? 231 00:09:55,210 --> 00:09:58,780 COME ON. YOU GOT TO LET HIM SEE BECCA. 232 00:09:58,820 --> 00:10:00,250 HE NEEDS A FIX. 233 00:10:00,280 --> 00:10:02,190 IT'LL DO THEM BOTH SOME GOOD. 234 00:10:02,220 --> 00:10:03,320 - I DON'T KNOW, YOU KNOW. 235 00:10:03,350 --> 00:10:05,660 I DON'T KNOW. I'LL THINK ABOUT IT. 236 00:10:17,470 --> 00:10:18,770 - WHAT PAGE YOU ON? 237 00:10:18,800 --> 00:10:20,300 DON'T ROUND UP TO THE NEAREST TEN. 238 00:10:20,340 --> 00:10:21,940 I KNOW YOUR TRICKS. 239 00:10:21,970 --> 00:10:23,870 - I'VE BEEN KIND OF BUSY, ASSHOLIO. 240 00:10:23,910 --> 00:10:26,240 - OF COURSE, OF COURSE, BUT YOU STARTED, RIGHT? 241 00:10:26,280 --> 00:10:29,010 I MEAN, YOU TYPED "FADE IN"? 242 00:10:29,050 --> 00:10:30,350 - CHARLIE, I HAVEN'T EVEN HAD TIME 243 00:10:30,380 --> 00:10:32,320 TO READ THE DRAFT THEY DON'T LIKE. 244 00:10:32,350 --> 00:10:35,350 - HANK, YOUR DEAL IS CLOSED. 245 00:10:35,380 --> 00:10:37,290 IT'S OKAY TO START WRITING. 246 00:10:37,320 --> 00:10:39,390 YOU SAID YOU WANTED TO DO THIS. 247 00:10:39,420 --> 00:10:41,190 - YES, BUT THAT WAS BEFORE I BECAME HANK MOODY, 248 00:10:41,220 --> 00:10:42,260 STATUTORY RAPIST. 249 00:10:42,290 --> 00:10:43,790 IT DOESN'T EXACTLY INSPIRE ONE 250 00:10:43,830 --> 00:10:44,890 TO SIT IN FRONT OF THE TYPER. 251 00:10:44,930 --> 00:10:46,030 - HEY, HEY. 252 00:10:46,060 --> 00:10:48,230 THIS KIND OF BALLYHOO DIDN'T STOP POLANSKI, DID IT? 253 00:10:48,260 --> 00:10:50,700 NO. THE MAN BANGED OUT SCRIPT AFTER SCRIPT, 254 00:10:50,730 --> 00:10:52,200 MOVIE AFTER MOVIE. 255 00:10:52,240 --> 00:10:54,370 HE WON HIMSELF A NICE LITTLE ACADEMY AWARD TOO, DIDN'T HE? 256 00:10:54,400 --> 00:10:56,370 - COMPARING ME TO THE WORLD'S MOST INFAMOUS 257 00:10:56,410 --> 00:10:57,340 FAN OF UNDERAGE GIRLS 258 00:10:57,370 --> 00:10:59,810 IS NOT THE WAY TO START A PEP TALK, CHARLIE. 259 00:10:59,840 --> 00:11:01,750 - ARE YOU FORGETTING ABOUT R. KELLY? 260 00:11:01,780 --> 00:11:03,280 JERRY LEE LEWIS. THERE'S ANOTHER ONE. 261 00:11:03,310 --> 00:11:04,710 SHIT. HE MARRIED ONE. 262 00:11:04,750 --> 00:11:07,050 I THINK SHE WAS HIS COUSIN TOO. 263 00:11:07,080 --> 00:11:08,450 THAT'S KIND OF HOT. 264 00:11:08,480 --> 00:11:09,890 - IF YOU SAY SO. 265 00:11:09,920 --> 00:11:12,120 - WORK WITH ME HERE, HANK. 266 00:11:12,160 --> 00:11:15,060 [cell phone vibrates] 267 00:11:15,090 --> 00:11:17,360 [uplifting music] 268 00:11:17,390 --> 00:11:24,930 * 269 00:11:26,340 --> 00:11:29,840 [electric guitar] 270 00:11:36,280 --> 00:11:39,020 - HEY. 271 00:11:39,050 --> 00:11:41,380 HI. 272 00:11:41,420 --> 00:11:42,390 - HI. 273 00:11:42,420 --> 00:11:43,890 - HUG? 274 00:11:43,920 --> 00:11:44,990 - TOO SOON. 275 00:11:45,020 --> 00:11:45,990 - FAIR ENOUGH. 276 00:11:46,020 --> 00:11:48,160 UM... 277 00:11:48,190 --> 00:11:49,830 SO YOU... [clears throat] 278 00:11:49,860 --> 00:11:52,030 YOU WANT TO, UH, GO FOR A WALK OR SOMETHING? 279 00:11:52,060 --> 00:11:54,460 YOU HUNGRY? YOU WANT TO GO DOWN TO THE STRAND, 280 00:11:54,500 --> 00:11:56,100 OR YOU WANT TO GET ICE CREAM OR SOMETHING? 281 00:11:56,130 --> 00:11:57,930 - NOT REALLY. 282 00:11:57,970 --> 00:12:01,170 - IS THERE ANYTHING THAT YOU WANT TO DO PARTICULARLY, 283 00:12:01,200 --> 00:12:05,070 OR ANYTHING YOU NEED? 284 00:12:05,110 --> 00:12:10,110 COME ON, BECCA. I'M DYING HERE. 285 00:12:10,150 --> 00:12:11,450 - I NEED GUITAR STRINGS. 286 00:12:11,480 --> 00:12:14,820 - OKAY. I CAN HELP WITH THAT. 287 00:12:14,850 --> 00:12:16,350 DEFINITELY. WE--WE--WE CAN GET ON-- 288 00:12:16,390 --> 00:12:18,220 LET'S GET ON IT. LET'S DO THIS. 289 00:12:18,250 --> 00:12:19,920 COME ON. IS THAT OKAY, KAREN? 290 00:12:19,960 --> 00:12:22,390 - AS LONG AS YOU COME STRAIGHT BACK. 291 00:12:22,430 --> 00:12:25,800 - WELL, IT'S NOT LIKE I'M GONNA MAKE A RUN FOR THE BORDER. 292 00:12:25,830 --> 00:12:28,360 - I DON'T KNOW WHAT YOU'RE CAPABLE OF NOWADAYS. 293 00:12:28,400 --> 00:12:31,200 - I'LL BE IN THE CAR. 294 00:12:39,240 --> 00:12:40,340 - THANK YOU, KAREN. 295 00:12:40,380 --> 00:12:45,080 I KNOW HOW HARD THIS MUST BE FOR YOU. 296 00:12:45,110 --> 00:12:47,180 - DO YOU? 297 00:13:02,000 --> 00:13:07,570 [electric guitar playing] 298 00:13:07,600 --> 00:13:11,110 - SOUNDS GOOD, JEFF BECCA. 299 00:13:11,140 --> 00:13:13,110 IT SOUNDS PRETTY GOOD. 300 00:13:13,140 --> 00:13:15,480 - WHAT? - YOU'VE BEEN PRACTICING. 301 00:13:15,510 --> 00:13:20,250 - YEAH, WELL, IT'S SOMETHING TO DO. 302 00:13:20,280 --> 00:13:22,990 - IT DOESN'T HAVE TO BE THIS HARD, BECCA. 303 00:13:23,020 --> 00:13:25,350 - SHOULDN'T IT BE HARD? 304 00:13:25,390 --> 00:13:27,460 I MEAN, ISN'T THAT PRETTY MUCH WHAT HAPPENS 305 00:13:27,490 --> 00:13:29,160 AFTER THE FINAL STRAW? 306 00:13:29,190 --> 00:13:32,960 IT'S IMPOSSIBLE TO MAKE THINGS GO BACK TO THE WAY THEY WERE? 307 00:13:33,000 --> 00:13:37,070 [plays guitar] 308 00:13:37,100 --> 00:13:38,070 - YOU LIKE THAT GUITAR? 309 00:13:38,100 --> 00:13:39,470 - WHAT'S NOT TO LIKE? 310 00:13:39,500 --> 00:13:41,100 IT'S A CLASSIC. 311 00:13:41,140 --> 00:13:43,210 - WELL, LET'S GET IT THEN. 312 00:13:43,240 --> 00:13:45,110 - NO WAY. IT'S TOO EXPENSIVE. 313 00:13:45,140 --> 00:13:46,910 - YOU WANT TO TAKE THE INSTRUMENT SERIOUSLY, 314 00:13:46,940 --> 00:13:48,540 YOU NEED A SERIOUS INSTRUMENT. COME ON. 315 00:13:48,580 --> 00:13:50,350 - WHATEVER. I DON'T WANT IT. SAVE YOUR MONEY. 316 00:13:50,380 --> 00:13:52,350 FOR A LAWYER. 317 00:13:56,050 --> 00:13:58,890 - WE'LL TAKE THIS ONE. 318 00:14:00,690 --> 00:14:03,330 THANK YOU. 319 00:14:03,360 --> 00:14:04,290 - THIS IS ONE HELL OF A FIDDLE. 320 00:14:04,330 --> 00:14:06,500 YOUNG LADY, YOU ARE ONE HELL OF A LUCKY GIRL. 321 00:14:06,530 --> 00:14:09,000 - THAT'S ME. A LUCKY GIRL. 322 00:14:09,030 --> 00:14:11,500 - YOU'LL THANK ME ONE DAY. 323 00:14:11,530 --> 00:14:12,470 [machine beeps] 324 00:14:12,500 --> 00:14:15,000 - IT CAME UP DECLINED ON THIS THING, MAN. 325 00:14:15,040 --> 00:14:16,240 - CAN YOU TRY IT AGAIN? 326 00:14:16,270 --> 00:14:17,410 - YEAH, IT'S ACTUALLY BEEN DOING THIS ALL DAY. 327 00:14:17,440 --> 00:14:19,210 [mutters] 328 00:14:19,240 --> 00:14:20,410 [beeps] 329 00:14:20,440 --> 00:14:22,580 NAH, I'M SORRY, MAN. IT'S DECLINED. 330 00:14:25,710 --> 00:14:27,350 HEY, YOU KNOW, NO WORRIES, MAN. 331 00:14:27,380 --> 00:14:28,620 I CAN SET THIS THING ASIDE FOR YOU. 332 00:14:28,650 --> 00:14:30,390 YOU KNOW, YOU GET YOUR CARD SORTED OUT. 333 00:14:30,420 --> 00:14:32,060 - WON'T BE NECESSARY. 334 00:14:32,090 --> 00:14:34,120 - OH, ALL RIGHT. 335 00:14:34,160 --> 00:14:35,660 SHE'S GOT TALENT, YOUR KID, BY THE WAY. 336 00:14:35,690 --> 00:14:36,660 GOT GREAT TALENT, MAN. 337 00:14:36,690 --> 00:14:38,190 LOT OF SOUL. 338 00:14:38,230 --> 00:14:40,400 - YEAH, SHE SURE DOES. 339 00:14:59,650 --> 00:15:02,050 HEY, YOU FORGOT THESE. 340 00:15:06,290 --> 00:15:08,460 HONEY, I LOVE YOU. 341 00:15:34,150 --> 00:15:37,750 - UH-HUH. RIGHT. OKAY. 342 00:15:37,790 --> 00:15:40,190 COOL. WE'LL SEE YOU THERE. 343 00:15:40,220 --> 00:15:43,130 WHAT, ARE YOU KIDDING? THIS IS GREAT NEWS. 344 00:15:43,160 --> 00:15:45,230 YEAH. OKAY. GOOD. 345 00:15:45,260 --> 00:15:46,660 [phone beeps] 346 00:15:46,700 --> 00:15:48,030 NO, NO, NO, NO, NO. 347 00:15:48,060 --> 00:15:49,100 PANTS ON, BUDDY BOY. 348 00:15:49,130 --> 00:15:50,170 WE GOT OURSELVES A MEETING. 349 00:15:50,200 --> 00:15:51,230 - OH, FUCK THAT NOISE. 350 00:15:51,270 --> 00:15:52,570 I'VE HAD A SHIT FUCKIN' DAY. 351 00:15:52,600 --> 00:15:54,370 MY PANTS ARE OFF. 352 00:15:54,400 --> 00:15:56,270 I'M JUST GONNA SIT HERE 353 00:15:56,310 --> 00:15:59,110 AND GET GOOD AND SNOOKERED AND WATCH MY STORIES. 354 00:15:59,140 --> 00:16:01,010 CAN YOU MAKE ME SOME DINNER? 355 00:16:01,040 --> 00:16:03,180 - HOW ABOUT I BUY YOU SOME DINNER? 356 00:16:03,210 --> 00:16:06,350 - MM. OH, CAN WE GO TO LONG JOHN SILVER'S? 357 00:16:06,380 --> 00:16:08,350 I USED TO LOVE THAT PLACE WHEN I WAS A KID. 358 00:16:08,380 --> 00:16:10,550 - I DON'T KNOW WHAT THE FUCK YOU'RE TALKING ABOUT RIGHT NOW, 359 00:16:10,590 --> 00:16:13,260 BUT I HAVE SOME VERY GOOD NEWS. 360 00:16:13,290 --> 00:16:15,760 EDDIE NERO WANTS TO SIT DOWN. 361 00:16:15,790 --> 00:16:17,390 - WHY? 362 00:16:17,430 --> 00:16:20,300 - WHY? BECAUSE HE WANTS TO PLAY YOU, DUMBASS, IN THE MOVIE. 363 00:16:20,330 --> 00:16:21,800 - NO, I HATE THAT FUCK, 364 00:16:21,830 --> 00:16:23,470 THAT SELF-SATISFIED PRICK. 365 00:16:23,500 --> 00:16:24,430 I'M HOLDING OUT FOR KEITEL. 366 00:16:24,470 --> 00:16:26,770 WHEN IN DOUBT, CALL IN THE BAD LIEUTENANT. 367 00:16:26,800 --> 00:16:28,600 PLUS THE GUY LOVES TO SHOW HIS DONG. 368 00:16:28,640 --> 00:16:30,170 GOT TO LOVE THAT IN A THESPIAN. 369 00:16:30,210 --> 00:16:31,170 - WE'LL PUT HIM ON THE LIST. 370 00:16:31,210 --> 00:16:32,280 COME--COME ON, COME ON. 371 00:16:32,310 --> 00:16:33,780 YOU'RE GONNA HAVE A GOOD TIME. COME ON. HERE WE GO. 372 00:16:33,810 --> 00:16:35,810 - WILL THERE BE ALCOHOLIC BEVERAGES? 373 00:16:35,840 --> 00:16:38,450 - MOST DEF. MOST DEF. AS MANY AS YOU LIKE. 374 00:16:38,480 --> 00:16:42,820 AND I'M SURE THERE WILL BE KIND WORDS AND FLATTERY. 375 00:16:42,850 --> 00:16:44,720 - CAN WE STOP AT IN-N-OUT ON THE WAY? 376 00:16:44,750 --> 00:16:46,120 - YES, HANK. WE CAN STOP AT IN-N-OUT. 377 00:16:46,160 --> 00:16:48,090 - YAY. - LET'S GO. LET'S GO. 378 00:16:48,120 --> 00:16:51,390 LET'S GO. PANTS UP. 379 00:16:51,430 --> 00:16:53,560 - BECCA HATES ME, CHARLIE. 380 00:16:58,730 --> 00:17:02,670 - SHE'LL GET OVER IT, BUDDY BOY. 381 00:17:02,710 --> 00:17:04,540 WE ALL DO. 382 00:17:16,590 --> 00:17:18,190 - SO IS THERE A SCRIPT? 383 00:17:18,220 --> 00:17:20,260 - FUCK NO. - BUT HE'S GETTING CLOSE. 384 00:17:20,290 --> 00:17:21,620 - ISH. 385 00:17:21,660 --> 00:17:24,760 HOPEFULLY IT'LL GIVE YOU A SIZEABLE BONER WHEN I'M DONE. 386 00:17:24,790 --> 00:17:26,700 - THANK YOU. 387 00:17:26,730 --> 00:17:28,530 - YOU KNOW WHAT I LIKE ABOUT YOU, MOODY? 388 00:17:28,560 --> 00:17:30,430 - NO, WHAT'S THAT? 389 00:17:33,640 --> 00:17:37,370 - YOU'RE HANDSOME. 390 00:17:37,410 --> 00:17:38,710 - WELL, AREN'T YOU THE CHARMER. 391 00:17:38,740 --> 00:17:41,180 - MOST WRITERS AREN'T HANDSOME. 392 00:17:41,210 --> 00:17:45,180 THEY'RE USUALLY PALE, SUN-STARVED, MAN-TITTED 393 00:17:45,210 --> 00:17:46,550 LITTLE WEAKLINGS LIKE YOUR FRIEND HERE. 394 00:17:46,580 --> 00:17:48,680 - THANK YOU. THANK YOU VERY MUCH. 395 00:17:48,720 --> 00:17:51,390 - ALWAYS WHINING ABOUT THE WORDS. 396 00:17:51,420 --> 00:17:54,420 IF IT AIN'T ON THE PAGE IT AIN'T ON THE STAGE. 397 00:17:54,460 --> 00:17:55,860 FUCK THAT. 398 00:17:55,890 --> 00:17:57,430 YOU KNOW WHAT I SAY? 399 00:17:57,460 --> 00:17:59,500 IF IT AIN'T ON THE STAGE, 400 00:17:59,530 --> 00:18:00,760 AIN'T NOBODY SHOWING UP 401 00:18:00,800 --> 00:18:03,170 AT THE GODDAMN MOTHERFUCKIN' THEATER ANYWAY. 402 00:18:03,200 --> 00:18:05,130 THIS ISN'T CLASSICAL MUSIC. 403 00:18:05,170 --> 00:18:07,570 THIS IS MOTHERFUCKIN' JAZZ! 404 00:18:07,600 --> 00:18:11,410 [imitates jazz music] 405 00:18:11,440 --> 00:18:13,610 [laughs] 406 00:18:13,640 --> 00:18:14,610 GOT ME? 407 00:18:14,640 --> 00:18:15,410 - NO. 408 00:18:15,440 --> 00:18:17,150 YOU REPRESENT EVERYTHING I HATE, 409 00:18:17,180 --> 00:18:18,580 BUT I DO FIND YOU HIGHLY ENTERTAINING. 410 00:18:18,610 --> 00:18:19,680 CONTINUE. PLEASE. 411 00:18:19,720 --> 00:18:21,920 - YOU'RE A FUCKIN' MAN. 412 00:18:21,950 --> 00:18:23,920 YOU UNDERSTAND THE DARK SIDE. 413 00:18:23,950 --> 00:18:25,320 - I DO? 414 00:18:25,350 --> 00:18:27,660 - YOU'VE SEEN SOME SHIT. 415 00:18:27,690 --> 00:18:31,790 A HANDSOME MAN COMES WITH A PRICE. 416 00:18:31,830 --> 00:18:34,330 IT'S A BURDEN. 417 00:18:34,360 --> 00:18:36,370 AND YOU UNDERSTAND THAT. 418 00:18:36,400 --> 00:18:42,270 AND THUS THE MOTHERFUCKIN' DARK SIDE. 419 00:18:42,310 --> 00:18:44,210 YOU KNOW YOU WANT TO GO! 420 00:18:44,240 --> 00:18:45,610 WELL, YOU KNOW YOU DO. 421 00:18:45,640 --> 00:18:46,880 LIKE A SEX MACHINE? MOVING IT? DOING IT? 422 00:18:46,910 --> 00:18:48,410 DOING IT? DOING IT? MOVING IT? 423 00:18:48,440 --> 00:18:49,410 - MOVING IT. MOVING IT. 424 00:18:49,450 --> 00:18:50,480 - YOU HEAR THIS GUY? 425 00:18:50,510 --> 00:18:52,950 BIBLES OF TRUTH. BIBLES OF TRUTH. 426 00:18:52,980 --> 00:18:54,780 BA-DOOP-BOOP. 427 00:18:54,820 --> 00:18:55,880 - EXCUSE ME? 428 00:18:55,920 --> 00:18:56,720 - HMM? WHAT? 429 00:18:56,750 --> 00:18:58,950 NO, I WAS AGREEING WITH YOU, EDDIE. 430 00:18:58,990 --> 00:19:00,960 I'M A BIG FAN, BY THE WAY. 431 00:19:00,990 --> 00:19:01,960 BIG FAN. 432 00:19:01,990 --> 00:19:03,530 - KEEP QUIET, LITTLE BOY. 433 00:19:03,560 --> 00:19:04,930 JUST SIT BACK AND NOD 434 00:19:04,960 --> 00:19:09,270 AND DRINK YOUR FUCKIN' GIRLY COCKTAIL. 435 00:19:09,300 --> 00:19:10,970 YOU KNOW WHAT I'D LIKE TO DO TO YOU? 436 00:19:11,000 --> 00:19:12,770 I'D LIKE TO SHOOT YOU IN THE DICK WITH A PAINTBALL GUN... 437 00:19:12,800 --> 00:19:13,870 - [laughs] 438 00:19:13,900 --> 00:19:17,640 - AND WATCH YOU SCREAM LIKE A 14-YEAR-OLD FAT GIRL. 439 00:19:17,670 --> 00:19:20,480 NO PLACE FOR YOU IN A MAN'S WORLD. 440 00:19:20,510 --> 00:19:23,680 FUCKIN' SUIT. RUINING EVERYTHING. 441 00:19:23,710 --> 00:19:25,950 - EDDIE, EDDIE, EDDIE, WHAT'S WITH THE FUCKIN' MOOD SWINGS? 442 00:19:25,980 --> 00:19:27,820 BE NICE TO MY FRIEND AND COUNTRYMAN. 443 00:19:27,850 --> 00:19:30,290 HAVE A FUCKIN' DRINK. PSYCHO. 444 00:19:30,320 --> 00:19:32,620 - OKAY. 445 00:19:34,920 --> 00:19:37,330 TO HARD COCKS. 446 00:19:37,360 --> 00:19:41,230 AND HANDSOME MEN. 447 00:19:41,260 --> 00:19:45,430 - ALL RIGHT. CHEERS. 448 00:19:45,470 --> 00:19:48,370 - COME ON, GOLDILOCKS. 449 00:19:50,970 --> 00:19:52,070 EXCUSE ME. 450 00:19:52,110 --> 00:19:56,450 I SEE A GIRL THAT I DEFECATED ON IN PALM SPRINGS ONCE. 451 00:19:59,980 --> 00:20:01,950 - HEY, GUYS. I'M SORRY I'M LATE. 452 00:20:01,980 --> 00:20:03,020 WHERE'S EDDIE GOING? 453 00:20:03,050 --> 00:20:04,720 - HE SAW SOMEONE HE POOPED ON ONCE. 454 00:20:04,750 --> 00:20:07,490 - SWEET. SO WHAT DO WE THINK? 455 00:20:07,520 --> 00:20:09,260 DO YOU THINK HE'D BE A GOOD HANK? 456 00:20:09,290 --> 00:20:11,690 - WE THINK HE'S PRETTY MUCH FUCKIN' INSANE. 457 00:20:11,730 --> 00:20:12,700 THAT'S WHAT WE THINK. 458 00:20:12,730 --> 00:20:13,760 - SPEAK FOR YOURSELF. 459 00:20:13,800 --> 00:20:15,460 I THOUGHT HE WAS VERY COMPELLING. 460 00:20:15,500 --> 00:20:16,600 - WHEN HE WAS CUPPING YOUR JUNK, 461 00:20:16,630 --> 00:20:17,900 YOU FOUND THAT COMPELLING, DID YOU? 462 00:20:17,930 --> 00:20:19,400 - I DID. IT WAS VERY INTENSE. 463 00:20:19,440 --> 00:20:20,940 CAN SEE WHY THE MAN HAS AN OSCAR. 464 00:20:20,970 --> 00:20:23,570 - HEY, YOU KNOW, I NEVER DID FINISH GIVING YOU MY NOTES. 465 00:20:23,610 --> 00:20:24,670 - OH, YEAH, I THINK YOU DID. 466 00:20:24,710 --> 00:20:25,810 - NO, I'M PRETTY SURE I DIDN'T. 467 00:20:25,840 --> 00:20:26,940 - WELL, GUESS WHAT? 468 00:20:26,980 --> 00:20:28,340 I'M NOT TAKING ANY MORE NOTES. 469 00:20:28,380 --> 00:20:29,610 I'M FULL. SO THERE. 470 00:20:29,650 --> 00:20:31,310 - HUH. 471 00:20:31,350 --> 00:20:33,550 YOUR CLIENT'S BEING VERY NAUGHTY. 472 00:20:33,580 --> 00:20:39,290 I THINK YOU SHOULD SEND HIM TO MY ROOM WITHOUT ANY SUPPER. 473 00:20:39,320 --> 00:20:41,420 - CHARLIE, THIS CAN'T BE WORTH IT. 474 00:20:41,460 --> 00:20:43,290 ALL FOR A STUPID, FUCKIN' MOVIE 475 00:20:43,330 --> 00:20:45,830 THAT'LL PROBABLY TURN OUT TO BE WORSE THAN THE LAST ONE. 476 00:20:45,860 --> 00:20:48,300 - THE ODDS ARE AGAINST US, MY FRIEND. 477 00:20:48,330 --> 00:20:50,630 ALWAYS. WHAT ARE YOU GONNA DO? 478 00:20:50,670 --> 00:20:51,630 GET A REAL JOB? 479 00:20:51,670 --> 00:20:53,400 [elevator bell dings] 480 00:21:14,820 --> 00:21:16,990 - HELLO? 481 00:21:19,430 --> 00:21:21,530 HELLO? 482 00:21:21,560 --> 00:21:23,030 SASHA BINGHAM. 483 00:21:23,070 --> 00:21:25,370 - HEY. HELLO. 484 00:21:25,400 --> 00:21:26,840 - HELLO. 485 00:21:26,870 --> 00:21:30,440 YOU ARE, UH, PRETTY NAKED UNDER THAT THING, AREN'T YOU? 486 00:21:30,470 --> 00:21:33,380 - YOU'RE PRETTY GOOD AT STATING THE OBVIOUS. 487 00:21:33,410 --> 00:21:36,010 - YOU KNOW, I GOT TO BE HONEST WITH YOU. 488 00:21:36,040 --> 00:21:40,080 UM, I DON'T THINK THAT WE CAN CONTINUE TO DO...STUFF. 489 00:21:40,120 --> 00:21:43,750 OF A--STUFF OF A PHYSICAL NATURE. 490 00:21:43,790 --> 00:21:45,520 - WHY IS THAT? 491 00:21:45,550 --> 00:21:46,720 YOU DIDN'T ENJOY YOURSELF? 492 00:21:46,760 --> 00:21:48,120 - NO, NO, SURE, IT WAS STELLAR. 493 00:21:48,160 --> 00:21:50,130 IT'S JUST THAT I DON'T REMEMBER MUCH AFTER THE KNOCKOUT. 494 00:21:50,160 --> 00:21:51,860 YOU KNOW. BUT SEX IS ALWAYS PRETTY GOOD. 495 00:21:51,890 --> 00:21:54,130 - PRETTY GOOD? - YEAH, YOU KNOW, LIKE PIZZA. 496 00:21:54,160 --> 00:21:56,000 OR MEXICAN FOOD OR SUSHI, EVEN. 497 00:21:56,030 --> 00:21:58,400 NO, NAH, SUSHI'S PRETTY HIT OR MISS. 498 00:21:58,430 --> 00:22:00,570 - IS THIS, LIKE, A TECHNIQUE OF YOURS, 499 00:22:00,600 --> 00:22:01,900 YOU KNOW, WHERE YOU INSULT THE GIRL 500 00:22:01,940 --> 00:22:03,040 SO SHE'LL WANT YOU EVEN MORE? 501 00:22:03,070 --> 00:22:05,370 BECAUSE IT'S TOTALLY WORKING. 502 00:22:05,410 --> 00:22:07,140 - YEAH, IT'S JUST THAT I'M-- 503 00:22:07,180 --> 00:22:09,780 I'M IN A HELL OF A LOT OF TROUBLE THESE DAYS. 504 00:22:09,810 --> 00:22:12,420 - YEAH, THIS WHOLE STATUTORY RAPE THING IS PRETTY FUCKED UP. 505 00:22:12,450 --> 00:22:13,750 - TOTALLY. 506 00:22:13,780 --> 00:22:15,420 - IT IS KIND OF HOT THOUGH TOO. 507 00:22:15,450 --> 00:22:17,650 YOU KNOW, KNOWING I SLEPT WITH A CRIMINAL. 508 00:22:17,690 --> 00:22:19,760 - ALLEGED CRIMINAL, THANK YOU VERY MUCH. 509 00:22:19,790 --> 00:22:20,760 - YES. 510 00:22:20,790 --> 00:22:22,760 - AND SPEAKING OF THAT BIT OF UNPLEASANTNESS, 511 00:22:22,790 --> 00:22:24,460 THE RAPE, NOT OUR PHYSICAL UNION, 512 00:22:24,490 --> 00:22:26,700 IT'S PROBABLY NOT THE BEST TIME FOR ME TO BE GETTING INVOLVED 513 00:22:26,730 --> 00:22:28,600 WITH THE ACTRESS WHO'S GONNA PLAY THE GIRL 514 00:22:28,630 --> 00:22:30,770 WHO I...RAPED, ALLEGEDLY. 515 00:22:30,800 --> 00:22:32,070 - I GET WHAT YOU'RE SAYING. 516 00:22:32,100 --> 00:22:33,170 THAT DOESN'T MEAN I DON'T WANT 517 00:22:33,200 --> 00:22:36,670 ONE OR MORE OF YOUR FINGERS IN MY VAGINA RIGHT NOW. 518 00:22:36,710 --> 00:22:37,970 - WHY YOU GOT TO TALK TO ME LIKE THAT? 519 00:22:38,010 --> 00:22:39,810 - TALK LIKE WHAT? 520 00:22:39,840 --> 00:22:43,480 - IT JUST MAKES IT KIND OF HARD TO... 521 00:22:43,510 --> 00:22:45,980 CLINK THEARLY. 522 00:22:46,010 --> 00:22:47,580 - [laughs] 523 00:22:47,620 --> 00:22:50,150 I GUESS IT DOES MAKE IT KIND OF HARD. 524 00:22:50,190 --> 00:22:52,150 [hard rock music] 525 00:22:52,190 --> 00:23:00,400 * 526 00:23:04,630 --> 00:23:06,600 - SHIT. - OH, I CAN DO BETTER. 527 00:23:06,640 --> 00:23:08,600 - OH, NO, NO, NO. IT'S THE DOOR. 528 00:23:08,640 --> 00:23:12,610 - WHAT? 529 00:23:12,640 --> 00:23:14,480 SHIT. SHIT, SHIT. EDDIE NERO. 530 00:23:14,510 --> 00:23:15,810 HOLD ON, EDDIE. 531 00:23:15,840 --> 00:23:17,010 - WHAT DOES THAT DOUCHEBAG WANT? 532 00:23:17,050 --> 00:23:18,510 - HE WANTED TO TALK ABOUT THE PROJECT, 533 00:23:18,550 --> 00:23:19,580 AND I TOLD HIM HE COULD STOP BY, 534 00:23:19,620 --> 00:23:20,720 BUT I DID NOT THINK HE WOULD. 535 00:23:20,750 --> 00:23:22,450 - I'LL GO THEN. I'LL JUST LEAVE. 536 00:23:22,490 --> 00:23:23,720 - YOU DON'T MIND? - NO, I DON'T MIND. 537 00:23:23,750 --> 00:23:24,990 I MEAN, MAYBE I SHOULD, 538 00:23:25,020 --> 00:23:27,590 BUT I JUST THINK I'M A LITTLE TOO TIRED TO FIGURE THAT OUT. 539 00:23:27,620 --> 00:23:28,790 SO, YOU KNOW, I'M GOOD. 540 00:23:28,820 --> 00:23:32,600 - HEY, ACTUALLY, JUST, UM, JUST HIDE IN THE BATHROOM, OKAY? 541 00:23:32,630 --> 00:23:34,200 HIDE IN THE BATHROOM? WHY DO I HAVE TO HIDE? 542 00:23:34,230 --> 00:23:35,930 - BECAUSE I DON'T WANT HIM TO KNOW YOU'RE HERE. DUH. 543 00:23:35,960 --> 00:23:37,170 - DUH? - YEAH. 544 00:23:37,200 --> 00:23:38,600 LOOK, THE SECRET TO BEING 545 00:23:38,630 --> 00:23:40,140 A SUCCESSFUL HOLLYWOOD ACTRESS 546 00:23:40,170 --> 00:23:41,740 IS PROJECTING THE VIBE 547 00:23:41,770 --> 00:23:44,610 THAT EVERYONE YOU WORK WITH HAS A SHOT AT FUCKING YOU. 548 00:23:44,640 --> 00:23:45,770 - THAT'S THE SECRET? 549 00:23:45,810 --> 00:23:46,810 YOU MEAN TO TELL ME 550 00:23:46,840 --> 00:23:48,640 THAT YOU WOULDN'T FUCK EDDIE NERO? 551 00:23:48,680 --> 00:23:51,180 ONE OF THE GREATEST ACTORS OF HIS GENERATION? 552 00:23:51,210 --> 00:23:52,650 ALLEGEDLY? 553 00:23:52,680 --> 00:23:54,150 - NO, I WOULD. HE'S HOT. 554 00:23:54,180 --> 00:23:55,980 THAT'S JUST NOT THE POINT. 555 00:23:56,020 --> 00:23:57,150 - HMM. HE POOPS ON PEOPLE. 556 00:23:57,190 --> 00:23:58,890 - JUST HIDE IN THE BATHROOM, OKAY? 557 00:23:58,920 --> 00:24:01,190 I'M GONNA GO GET RID OF HIM. GO DOWNSTAIRS FOR A DRINK. 558 00:24:01,220 --> 00:24:03,490 HOW DO I LOOK? - GOOD ENOUGH TO SHIT ON. 559 00:24:03,530 --> 00:24:04,590 - AH, HA HA. 560 00:24:04,630 --> 00:24:05,990 - WOULD IT KILL YOU TO PUT ON A BRA? 561 00:24:06,030 --> 00:24:08,730 - OOH. ARE YOU JEALOUS? - NO. 562 00:24:08,760 --> 00:24:10,800 - NO. - I'M NOT. 563 00:24:10,830 --> 00:24:13,940 IT'S JUST THAT I JUST HAD ONE OR MORE FINGERS INSIDE YOU, 564 00:24:13,970 --> 00:24:15,740 AND I--I DON'T KNOW WHERE YOU COME FROM, 565 00:24:15,770 --> 00:24:19,540 BUT THE WAY I WAS RAISED, THAT'S PRETTY INTIMATE. 566 00:24:22,680 --> 00:24:24,210 [exclaims] 567 00:25:16,800 --> 00:25:18,830 [soft moaning] 568 00:25:59,880 --> 00:26:02,280 "TO MY DEAR BEAUTIFUL DAUGHTER, 569 00:26:02,310 --> 00:26:03,910 "I'M WRITING YOU A LETTER. 570 00:26:03,950 --> 00:26:06,110 "THAT'S RIGHT, A GOOD OLD-FASHIONED LETTER. 571 00:26:06,150 --> 00:26:08,080 "IT'S A LOST ART, REALLY. 572 00:26:08,120 --> 00:26:09,850 LIKE HANDJOBS." 573 00:26:09,890 --> 00:26:12,350 SHIT. 574 00:26:12,390 --> 00:26:14,120 "I HAVE A CONFESSION TO MAKE. 575 00:26:14,160 --> 00:26:16,660 "I DIDN'T LIKE YOU VERY MUCH AT FIRST. 576 00:26:16,690 --> 00:26:19,160 "YOU WERE JUST THIS ANNOYING, LITTLE BLOB. 577 00:26:19,190 --> 00:26:22,300 "YOU SMELLED NICE. MOST OF THE TIME. 578 00:26:22,330 --> 00:26:25,130 "BUT YOU DIDN'T SEEM TO HAVE MUCH INTEREST IN ME. 579 00:26:25,170 --> 00:26:28,640 "WHICH I, OF COURSE, FOUND VAGUELY INSULTING. 580 00:26:28,670 --> 00:26:31,640 "IT WAS YOU AND YOUR MOM AGAINST THE WORLD. 581 00:26:31,670 --> 00:26:34,210 "FUNNY HOW SOME THINGS NEVER CHANGE. 582 00:26:34,240 --> 00:26:36,810 "SO I CRUISED ALONG, DOING MY THING, 583 00:26:36,850 --> 00:26:39,650 "ACTING THE FOOL, NOT REALLY UNDERSTANDING 584 00:26:39,680 --> 00:26:42,080 "HOW BEING A PARENT CHANGES YOU. 585 00:26:42,120 --> 00:26:45,950 "AND I DON'T REMEMBER THE EXACT MOMENT EVERYTHING CHANGED. 586 00:26:45,990 --> 00:26:48,120 "I JUST KNOW THAT IT DID. 587 00:26:48,160 --> 00:26:50,360 "ONE MINUTE I WAS IMPENETRABLE. 588 00:26:50,390 --> 00:26:52,060 "NOTHING COULD TOUCH ME. 589 00:26:52,090 --> 00:26:56,230 "THE NEXT, MY HEART WAS SOMEHOW BEATING OUTSIDE MY CHEST, 590 00:26:56,260 --> 00:26:58,800 "EXPOSED TO THE ELEMENTS. 591 00:26:58,830 --> 00:27:01,700 "LOVING YOU HAS BEEN THE MOST PROFOUND, 592 00:27:01,740 --> 00:27:04,870 "INTENSE, PAINFUL EXPERIENCE OF MY LIFE. 593 00:27:04,910 --> 00:27:08,040 "IN FACT, IT'S BEEN ALMOST TOO MUCH TO BEAR. 594 00:27:08,080 --> 00:27:09,140 "AS YOUR FATHER, 595 00:27:09,180 --> 00:27:12,350 "I MADE A SILENT VOW TO PROTECT YOU FROM THE WORLD, 596 00:27:12,380 --> 00:27:14,150 "NEVER REALIZING I WAS THE ONE 597 00:27:14,180 --> 00:27:16,320 "WHO WOULD END UP HURTING YOU THE MOST. 598 00:27:16,350 --> 00:27:19,720 "WHEN I FLASH FORWARD, MY HEART BREAKS. 599 00:27:19,760 --> 00:27:21,460 "MOSTLY BECAUSE I CAN'T IMAGINE YOU 600 00:27:21,490 --> 00:27:24,260 "SPEAKING OF ME WITH ANY SORT OF PRIDE. 601 00:27:24,290 --> 00:27:28,900 "HOW COULD YOU? YOUR FATHER IS A CHILD IN A MAN'S BODY. 602 00:27:28,930 --> 00:27:32,030 "HE CARES FOR NOTHING AND EVERYTHING AT THE SAME TIME. 603 00:27:32,070 --> 00:27:35,200 "NOBLE IN THOUGHT, WEAK IN ACTION. 604 00:27:35,240 --> 00:27:41,010 "SOMETHING HAS TO CHANGE. SOMETHING HAS TO GIVE. 605 00:27:41,040 --> 00:27:42,780 "IT'S GETTING DARK. 606 00:27:42,810 --> 00:27:44,850 TOO DARK TO SEE." 607 00:27:48,150 --> 00:27:50,820 Captioning by CaptionMax www.captionmax.com 42526

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