All language subtitles for Californication S03E02 The Land of Rape and Honey

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,030 --> 00:00:11,560 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:11,600 --> 00:00:13,260 - NO ONE WANTS TO PUBLISH YOUR BOOK. 3 00:00:13,300 --> 00:00:14,500 - THIS IS A BIG FUCKIN' BUMMER. 4 00:00:14,530 --> 00:00:17,130 I COULD REALLY USE AN INFLUX OF "CASHISH" RIGHT ABOUT NOW. 5 00:00:17,170 --> 00:00:19,400 - RUNKLE, QUIT BEATING YOUR MEAT. 6 00:00:19,440 --> 00:00:21,610 - HANK MOODY, SUE COLLINI. 7 00:00:21,640 --> 00:00:23,410 - BECCA'S DAD, RIGHT? - YIKES. 8 00:00:23,440 --> 00:00:24,440 - CHELSEA'S MOM? 9 00:00:24,470 --> 00:00:26,310 - HEY, SPEAK OF THE SHE-DEVILS. 10 00:00:26,340 --> 00:00:27,710 - CAN I GO OVER TO CHELSEA'S? 11 00:00:27,740 --> 00:00:29,810 - ACTUALLY, STAY FOR DINNER. HANK MOODY... 12 00:00:29,850 --> 00:00:32,420 I'D LIKE TO INTRODUCE YOU TO RICHARD BATES, THE WRITER. 13 00:00:32,450 --> 00:00:34,280 HE'S GOING TO BE TEACHING HERE THIS YEAR. 14 00:00:34,320 --> 00:00:35,790 - BIG FAN. DRINK WITH ME. 15 00:00:35,820 --> 00:00:37,520 - TEN YEARS' SOBRIETY DOWN THE DRAIN. 16 00:00:37,550 --> 00:00:39,190 - FUCK ME. - I CAN'T AFFORD 17 00:00:39,220 --> 00:00:40,420 TO KEEP PAYING RENT AND MORTGAGE 18 00:00:40,460 --> 00:00:42,090 AT THE SAME TIME, OKAY? 19 00:00:42,130 --> 00:00:43,790 I'LL JUST--I'LL MOVE BACK IN. - THIS CAN'T BE RIGHT. 20 00:00:43,830 --> 00:00:44,790 - IT'S WITHIN HIS RIGHT. 21 00:00:44,830 --> 00:00:46,160 - OH! YES! 22 00:00:46,200 --> 00:00:48,200 - YOU'RE THE DEAN OF THIS FINE INSTITUTE 23 00:00:48,230 --> 00:00:49,670 OF FANCY BOOK LEARNING? - CORRECT. 24 00:00:49,700 --> 00:00:53,200 - WHO WANTS TO SEE ME TUCK AND DO THE PEE-PEE DANCE? 25 00:00:53,240 --> 00:00:54,200 [laughter] 26 00:00:54,240 --> 00:00:56,340 - LET'S GET YOUR CLOTHES. 27 00:00:56,370 --> 00:00:57,670 - WHAT ABOUT BATES? 28 00:00:57,710 --> 00:00:59,140 IS HE GONNA BE ABLE TO DO HIS THING? 29 00:00:59,180 --> 00:01:01,710 - FROM REHAB? I DOUBT IT. 30 00:01:01,750 --> 00:01:03,450 YOU WOULDN'T HAPPEN TO KNOW 31 00:01:03,480 --> 00:01:05,850 OF ANY OTHER BAD BOY NOVELISTS 32 00:01:05,880 --> 00:01:08,620 LOOKING FOR A TEACHING GIG, WOULD YOU? 33 00:01:08,650 --> 00:01:11,620 [rock music] 34 00:01:11,660 --> 00:01:13,590 * 35 00:01:18,160 --> 00:01:21,300 - [whistles] 36 00:01:23,330 --> 00:01:25,670 [muttering gibberish] 37 00:01:25,700 --> 00:01:28,140 - MM! 38 00:01:28,170 --> 00:01:29,570 - YES, MARCY. 39 00:01:29,610 --> 00:01:31,540 - HOW ARE THINGS AT WORK, TEACH? 40 00:01:31,580 --> 00:01:34,140 - EXCELLENT QUESTION, COUGAR SMURF. 41 00:01:34,180 --> 00:01:36,380 ASIDE FROM THE FACT THAT I GENERALLY LOATHE YOUNG PEOPLE, 42 00:01:36,410 --> 00:01:37,650 IT'S A PRETTY CUSH GIG. 43 00:01:37,680 --> 00:01:40,380 - AND WE'RE KEEPING OUR HANDS OFF THE YOUNG NUBILES, ARE WE? 44 00:01:40,420 --> 00:01:41,250 - PLEASE. 45 00:01:41,290 --> 00:01:42,790 TEENAGE GIRLS ARE GREATLY OVERRATED. 46 00:01:42,820 --> 00:01:45,320 PRESENT COMPANY EXCEPTED, OF COURSE. 47 00:01:45,360 --> 00:01:49,790 - OF COURSE. 48 00:01:49,830 --> 00:01:51,160 - ARE YOU OKAY OVER THERE? 49 00:01:51,200 --> 00:01:52,800 ARE YOU STROKING OUT OR SOMETHING? 50 00:01:52,830 --> 00:01:53,930 - OH, WHATEVER DO YOU MEAN? 51 00:01:53,960 --> 00:01:55,670 - YOU'RE GRINNING LIKE A MONGOLOID. 52 00:01:55,700 --> 00:01:57,630 - NO, I THINK I'M JUST FEELING GRATEFUL. 53 00:01:57,670 --> 00:01:59,170 THIS SEEMS LIKE OLD TIMES, DON'T IT? 54 00:01:59,200 --> 00:02:00,840 - HERE WE GO. 55 00:02:00,870 --> 00:02:01,940 - TRUTH BE TOLD, 56 00:02:01,970 --> 00:02:03,940 I REMEMBER THE FOOD BEING A HELL OF A LOT BETTER. 57 00:02:03,970 --> 00:02:04,940 WHAT ABOUT THIS STEAK? 58 00:02:04,970 --> 00:02:06,580 TASTES LIKE PRISON ASS. 59 00:02:06,610 --> 00:02:08,310 - BECCA. MISS. 60 00:02:08,350 --> 00:02:11,280 YOU'RE NOT EATING. WHAT'S WRONG WITH YOU? 61 00:02:11,320 --> 00:02:13,180 - NOTHING. I'M ON A DIET. 62 00:02:13,220 --> 00:02:14,250 - WHAT? 63 00:02:14,280 --> 00:02:16,450 - HEY, YOU ARE A BEAUTIFUL, YOUNG, WHITE WOMAN. 64 00:02:16,490 --> 00:02:17,820 REMEMBER THAT. 65 00:02:17,850 --> 00:02:19,260 - YOU DO NOT NEED TO BE ON A DIET. 66 00:02:19,290 --> 00:02:20,620 - DAD, I COULD EASILY LOSE TEN POUNDS. 67 00:02:20,660 --> 00:02:21,890 - [gasps] YOUR MOTHER WOULD KILL ME 68 00:02:21,930 --> 00:02:23,430 IF YOU DEVELOP AN EATING DISORDER. 69 00:02:23,460 --> 00:02:25,660 - I LIKE ME A BIG GIRL. 70 00:02:25,700 --> 00:02:26,660 YEAH, BEFORE MARCY HERE, 71 00:02:26,700 --> 00:02:28,930 MOST OF MY GIRLFRIENDS WERE SOMEWHAT ZAFTIG. 72 00:02:28,970 --> 00:02:29,930 - YEAH, I REMEMBER THAT. 73 00:02:29,970 --> 00:02:31,640 YOUR APARTMENT WAS LIKE HALF OFF AT LANE BRYANT. 74 00:02:31,670 --> 00:02:32,970 - THAT'S RIGHT, THAT'S RIGHT. 75 00:02:33,000 --> 00:02:35,470 BIG AND GETABLE. THAT'S THE WAY I LIKED 'EM. 76 00:02:35,510 --> 00:02:37,510 AND THEN OLD HALF-PINT HERE CAME ALONG AND... 77 00:02:37,540 --> 00:02:40,440 - OH, GOD. PLEASE CUT THE SWEET TALK, WILL YOU? 78 00:02:40,480 --> 00:02:41,780 - [kisses] - WE'RE NOT TOGETHER. 79 00:02:41,810 --> 00:02:43,810 WE'RE LIVING TOGETHER. THERE IS A HUGE DIFFERENCE. 80 00:02:43,850 --> 00:02:46,380 - HEY, HEY. I'VE MADE MY INTENTIONS KNOWN. 81 00:02:46,420 --> 00:02:48,390 LOVE WILL FIND A WAY. 82 00:02:48,420 --> 00:02:49,720 [doorbell rings] 83 00:02:49,750 --> 00:02:51,560 NO, NO, NO, NO. SIT. 84 00:02:51,590 --> 00:02:53,590 SIT, RELAX, EAT, ENJOY. 85 00:02:53,620 --> 00:02:55,860 MWAH. I WILL GET IT. 86 00:03:00,360 --> 00:03:02,000 I'M SORRY, MY NUBIAN BROTHER. 87 00:03:02,030 --> 00:03:03,800 WE'RE RIGHT IN THE MIDDLE OF DINNER. 88 00:03:03,830 --> 00:03:05,500 WE'RE NOT INTERESTED THIS EVENING. TA. 89 00:03:05,540 --> 00:03:06,770 - NOT INTERESTED IN WHAT, EXACTLY? 90 00:03:06,800 --> 00:03:08,670 - WHATEVER IT IS YOU'RE SELLING, BROTHER. 91 00:03:08,710 --> 00:03:11,310 LET ME GUESS. MAGAZINE SUBSCRIPTIONS? 92 00:03:11,340 --> 00:03:12,310 - I'M HERE FOR MARCY. 93 00:03:12,340 --> 00:03:15,250 - MARCY? MY WIFE? 94 00:03:15,280 --> 00:03:18,880 - I'M HERE TO PICK UP MARCY. FOR OUR DATE. 95 00:03:18,920 --> 00:03:19,880 - HI. 96 00:03:19,920 --> 00:03:23,450 THANK YOU. 97 00:03:23,490 --> 00:03:27,590 - SEE YOU AROUND, MY NUBIAN BROTHER. 98 00:03:29,890 --> 00:03:32,860 [upbeat music] 99 00:03:32,900 --> 00:03:40,870 * 100 00:04:19,880 --> 00:04:21,650 - "THE SHY, TALENTED VAMPIRE 101 00:04:21,680 --> 00:04:24,450 "LOOKED UP TO HIS CENTURIES-OLD MENTOR. 102 00:04:24,480 --> 00:04:26,580 "EVEN IN THE TWILIGHT OF HIS ETERNAL YOUTH, 103 00:04:26,620 --> 00:04:29,320 "THE OLD MAN WAS WICKED-SMART AND ROGUISHLY HANDSOME, 104 00:04:29,350 --> 00:04:33,090 "A GLINT OF THE DEVIL FLICKERING IN HIS BEAUTIFUL, UNDEAD EYES. 105 00:04:33,120 --> 00:04:34,960 "THE YOUNG VAMPIRE KNEW THERE WAS MUCH TO BE LEARNED 106 00:04:34,990 --> 00:04:37,030 "FROM HIS BLOOD-SUCKING MENTOR-- 107 00:04:37,060 --> 00:04:40,960 "HOW TO LIVE, HOW TO FEED, HOW TO FUCK. 108 00:04:41,000 --> 00:04:42,930 "BUT THE BOY WAS HUNGRY. 109 00:04:42,970 --> 00:04:44,830 "RAVENOUS, ACTUALLY. 110 00:04:44,870 --> 00:04:46,470 "SOON HE WOULD HAVE TO FEED, 111 00:04:46,500 --> 00:04:48,470 "AND FEED HE WOULD. 112 00:04:48,510 --> 00:04:51,110 "THE MORONIC FRAT BOYS THAT MOCKED HIM ON A DAILY BASIS 113 00:04:51,140 --> 00:04:53,010 WERE GOOD FOR SOMETHING AT LEAST." 114 00:04:56,680 --> 00:04:58,880 - [clears throat] 115 00:04:58,920 --> 00:05:01,790 [coughs] 116 00:05:01,820 --> 00:05:05,120 - I--I'M JUST TEXTING WITH MY DAUGHTER. 117 00:05:05,150 --> 00:05:07,760 IT'S THE ONLY TIME SHE ACTUALLY ACKNOWLEDGES MY EXISTENCE. 118 00:05:07,790 --> 00:05:10,590 OKAY, SO WHAT ABOUT BALT'S STORY? 119 00:05:10,630 --> 00:05:12,730 I HEARD SOMETHING ABOUT VAMPIRES AND FRAT BOYS AND CUM, 120 00:05:12,760 --> 00:05:13,730 SO I'M HALF-CHUBBED. 121 00:05:13,760 --> 00:05:17,600 HOW ABOUT THE REST OF YOU SPOILED, RICH KIDS? 122 00:05:17,630 --> 00:05:19,600 SOMEONE? 123 00:05:19,640 --> 00:05:21,640 ANYONE? 124 00:05:21,670 --> 00:05:25,680 BUELLER? BUELLER? 125 00:05:25,710 --> 00:05:30,410 BUELLER. WHAT SAY YE, JACKIE? 126 00:05:30,450 --> 00:05:31,520 - HE'S MY ROOMMATE. 127 00:05:31,550 --> 00:05:33,120 HE'LL GET MAD AT ME. 128 00:05:33,150 --> 00:05:34,850 - MAYBE, BUT ULTIMATELY HE'LL THANK YOU 129 00:05:34,880 --> 00:05:37,890 FOR HAVING THE BALLS TO SAY SOMETHING OF SUBSTANCE. 130 00:05:37,920 --> 00:05:38,960 - OKAY. 131 00:05:38,990 --> 00:05:41,790 WELL, I'VE TOLD HIM A THOUSAND TIMES 132 00:05:41,830 --> 00:05:43,730 HE NEEDS TO DROP THE VAMPIRE BULLSHIT. 133 00:05:43,760 --> 00:05:45,130 IT'S STUPID. 134 00:05:45,160 --> 00:05:47,400 YOU'RE NOT A FUCKING CREATURE OF THE NIGHT, BALT. 135 00:05:47,430 --> 00:05:48,400 - SAYS YOU, SLUT. 136 00:05:48,430 --> 00:05:49,600 - SEE? WHAT'D I TELL YOU? 137 00:05:49,630 --> 00:05:50,730 - ANYTHING ELSE? 138 00:05:50,770 --> 00:05:54,740 - WELL, UH, THERE WAS AN AWFUL LOT OF TALK ABOUT FUCKING, 139 00:05:54,770 --> 00:05:56,010 BUT NO ACTUAL SEX. 140 00:05:56,040 --> 00:05:57,070 THAT KIND OF BUMMED ME OUT. 141 00:05:57,110 --> 00:05:59,580 - WELL, IT IS POSSIBLE THAT LONGING FOR SOMETHING 142 00:05:59,610 --> 00:06:01,410 IS BETTER THAN ACTUALLY HAVING IT. 143 00:06:01,450 --> 00:06:02,910 I'VE HEARD IT SAID THAT SATISFACTION 144 00:06:02,950 --> 00:06:04,850 IS THE DEATH OF DESIRE. 145 00:06:04,880 --> 00:06:06,820 - INTERESTING. DO YOU NEED A TAMPON? 146 00:06:06,850 --> 00:06:08,850 I THINK I HAVE AN EXTRA IN MY PURSE. 147 00:06:08,890 --> 00:06:11,020 - OW. WHOA. LOOK AT THE TIME ALREADY. 148 00:06:11,050 --> 00:06:12,160 WOW. 149 00:06:12,190 --> 00:06:13,720 - ACTUALLY, THERE'S 15 MINUTES LEFT. 150 00:06:13,760 --> 00:06:17,060 - WHICH IS WHY I WILL LEAVE YOU WITH THIS. 151 00:06:17,090 --> 00:06:18,900 I CAN'T TEACH YOU HOW TO WRITE, 152 00:06:18,930 --> 00:06:21,570 AND ANYBODY WHO SAYS THEY CAN IS FULL OF SHIT. 153 00:06:21,600 --> 00:06:23,530 THE ONLY THING I CAN DO 154 00:06:23,570 --> 00:06:24,970 IS WRITE ABOUT THE SHIT THAT EXCITES ME, 155 00:06:25,000 --> 00:06:25,970 THE SHIT THAT GETS ME HARD. 156 00:06:26,000 --> 00:06:28,840 SO, BALT, IF YOU WANT TO WRITE ABOUT VAMPIRES 157 00:06:28,870 --> 00:06:30,840 DRINKING EACH OTHER'S BLOOD AND CUM AND WHATNOT, 158 00:06:30,870 --> 00:06:32,140 BY ALL MEANS, GO FOR IT. 159 00:06:32,180 --> 00:06:33,480 WRITE THE SHIT OUT OF IT. 160 00:06:33,510 --> 00:06:35,140 DON'T BE NIGGARDLY WITH YOUR EMOTIONS. 161 00:06:35,180 --> 00:06:38,480 JUST RUN IT UP THE FLAGPOLE AND SEE WHO SALUTES, OKAY? 162 00:06:38,520 --> 00:06:40,550 NOW GET THE FUCK OUT OF HERE. 163 00:06:40,580 --> 00:06:41,620 GO READ A BOOK OR SOMETHING. 164 00:06:41,650 --> 00:06:43,150 PREFERABLY ONE OF MINE. 165 00:06:47,860 --> 00:06:49,560 - YOU KNOW, I TRY NOT TO THINK ABOUT IT TOO MUCH, 166 00:06:49,590 --> 00:06:52,200 BUT I COULD HAVE BEEN T.A.-ING FOR RICHARD BATES RIGHT NOW, 167 00:06:52,230 --> 00:06:54,600 AND THAT WOULD HAVE BEEN A REAL EDUCATION FOR ME. 168 00:06:54,630 --> 00:06:57,200 I WAS DOING MY THESIS ON HIM. 169 00:06:57,230 --> 00:07:00,140 YEAH, AND THEN YOU HAD TO GO AND KNOCK HIM OFF THE WAGON. 170 00:07:00,170 --> 00:07:01,670 - BUT LOOK HOW IT WORKED OUT FOR YOU. 171 00:07:01,710 --> 00:07:04,840 YOU GET TO LEARN AT THE FEET OF A MASTER...BATOR. 172 00:07:04,870 --> 00:07:06,880 - OH, HO. CLEARLY. 173 00:07:06,910 --> 00:07:08,850 OH, HI, FELICIA. 174 00:07:08,880 --> 00:07:10,610 - HI. 175 00:07:10,650 --> 00:07:11,680 HOW'S IT GOING, PROFESSOR? 176 00:07:11,720 --> 00:07:15,150 - IN A WORD? AWESOME. 177 00:07:15,180 --> 00:07:16,720 - OOH. 178 00:07:16,750 --> 00:07:18,220 INTERESTING CURRICULUM. 179 00:07:18,250 --> 00:07:20,890 - AH, LOOK AT THAT. I SOUND LIKE A FUCKIN' RETARD. 180 00:07:20,920 --> 00:07:22,860 - NO. DON'T BE SO HARD ON YOURSELF. 181 00:07:22,890 --> 00:07:24,190 BUT YOU MIGHT WANT TO ERASE IT 182 00:07:24,230 --> 00:07:26,230 BEFORE WORD SPREADS THROUGH THESE HALLOWED HALLS. 183 00:07:26,260 --> 00:07:28,130 ACADEMICS CAN BE VICIOUS. 184 00:07:28,160 --> 00:07:30,270 - AT LEAST I'M NOT TUCKING MY DONG IN CLASS. 185 00:07:30,300 --> 00:07:32,270 NOT WITH MY PANTS OFF, ANYWAY. 186 00:07:32,300 --> 00:07:34,870 - HAVE YOU TAKEN THE SEXUAL HARASSMENT SEMINAR, YET? 187 00:07:34,900 --> 00:07:38,610 - YEAH, I HAD JILL TAKE IT FOR ME ONLINE. 188 00:07:38,640 --> 00:07:42,280 WHAT? WHAT? 189 00:07:42,310 --> 00:07:45,850 - [sighs] - IT'S LIKE TRAFFIC SCHOOL. 190 00:07:49,050 --> 00:07:50,820 - UH, DAVID CURRAN WANTS TO KNOW 191 00:07:50,850 --> 00:07:52,290 WHY YOU GAVE HIM A "C". 192 00:07:52,320 --> 00:07:53,820 - OKAY, I'LL BITE. 193 00:07:53,860 --> 00:07:55,630 WHY'D I GIVE HIM A "C"? 194 00:07:55,660 --> 00:07:57,290 - YOU KNOW, AS YOUR T.A., 195 00:07:57,330 --> 00:07:59,230 I'M HAPPY TO READ THE STUDENTS' MATERIAL 196 00:07:59,260 --> 00:08:00,830 AND SUGGEST A GRADE, 197 00:08:00,860 --> 00:08:03,930 BUT, YOU KNOW, YOU'RE SUPPOSED TO READ IT ALSO. 198 00:08:03,970 --> 00:08:06,740 - WHAT DO YOU THINK OF JACKIE? 199 00:08:06,770 --> 00:08:08,100 - YOU THINK SHE'S HOT, DON'T YOU? 200 00:08:08,140 --> 00:08:09,740 - I HAVEN'T THOUGHT ABOUT IT. 201 00:08:09,770 --> 00:08:11,270 BUT NOW THAT I HAVE, YEAH, SHE'S SMOKING. 202 00:08:11,310 --> 00:08:13,180 - YOU'RE OLD ENOUGH TO BE HER FATHER. 203 00:08:13,210 --> 00:08:15,850 - WELL, SURE, I COULD BE, BUT I'M NOT. 204 00:08:15,880 --> 00:08:17,880 AND I HAVE NO INTEREST IN MAKING SWEET LOVE TO HER 205 00:08:17,910 --> 00:08:20,050 ASIDE FROM THE GENERAL INTEREST THAT ALL MEN HAVE 206 00:08:20,080 --> 00:08:21,220 IN MAKING SWEET LOVE TO ALL WOMEN. 207 00:08:21,250 --> 00:08:23,790 - YOU KNOW, I DON'T THINK I CAN BE YOUR T.A. ANYMORE. 208 00:08:23,820 --> 00:08:25,120 - I UNDERSTAND. - YOU DO? 209 00:08:25,150 --> 00:08:27,190 - YOU FIND ME IRRESISTIBLE. 210 00:08:27,220 --> 00:08:29,660 - [chuckles] THAT'S CLOSE. 211 00:08:29,690 --> 00:08:31,030 I FIND YOU IRRITATING. 212 00:08:31,060 --> 00:08:32,600 - CAREFUL. THAT'S HOW IT STARTS. 213 00:08:32,630 --> 00:08:33,860 THE MOTHER OF MY PROBLEM CHILD 214 00:08:33,900 --> 00:08:35,160 WOULD SAY THE EXACT SAME THING. 215 00:08:35,200 --> 00:08:36,770 SERIOUSLY. WATCH IT. 216 00:08:36,800 --> 00:08:38,600 - HAS A WOMAN EVER PUNCHED YOU IN THE FACE? 217 00:08:38,640 --> 00:08:40,800 - YOU KNOW WHAT? YOU SHOULD USE ME. 218 00:08:40,840 --> 00:08:41,810 - REALLY? - MM-HMM. 219 00:08:41,840 --> 00:08:42,970 - MM-HMM. I SHOULD USE YOU. 220 00:08:43,010 --> 00:08:44,770 I'M--I'M FRIGHTENED. 221 00:08:44,810 --> 00:08:47,210 - AS CONSULTANT IN YOUR SEARCH FOR WORTHY COMPANIONSHIP. 222 00:08:47,240 --> 00:08:49,750 - I, HANK MOODY, AM A PRIME EXAMPLE 223 00:08:49,780 --> 00:08:51,310 OF HOW THE MALE NOGGIN WORKS. 224 00:08:51,350 --> 00:08:53,620 YOU KNOW, SAY YOU'RE OUT ON A DATE WITH SOME DICK, 225 00:08:53,650 --> 00:08:55,220 HE DOES SOMETHING YOU CAN'T QUITE DECIPHER, 226 00:08:55,250 --> 00:08:56,620 YOU CALL ME UP, 227 00:08:56,650 --> 00:08:59,120 I'LL TELL YOU WHAT IT MEANT. 228 00:08:59,160 --> 00:09:02,030 - THANKS, DICK. THAT'S A GREAT IDEA. 229 00:09:02,060 --> 00:09:03,760 I'M GONNA THINK ABOUT IT WHILE I'M PEEING. 230 00:09:03,790 --> 00:09:05,630 - TINKLE, TINKLE. 231 00:09:05,660 --> 00:09:06,760 [knock at door] 232 00:09:06,800 --> 00:09:08,200 - PROFESSOR MOODY, 233 00:09:08,230 --> 00:09:09,670 UH, CAN I HAVE A WORD? 234 00:09:09,700 --> 00:09:11,130 - I SUPPOSE SO, BUT I WAS THINKING 235 00:09:11,170 --> 00:09:13,700 OF DUCKING OUT AND CATCHING A MOVIE. 236 00:09:13,740 --> 00:09:15,040 BUT I GUESS NOT. 237 00:09:15,070 --> 00:09:16,740 OFFICE HOURS AND WHATNOT. 238 00:09:16,770 --> 00:09:18,170 COME IN. HAVE A SEAT. 239 00:09:18,210 --> 00:09:20,980 CALL ME HANK. 240 00:09:21,010 --> 00:09:21,980 - THANK YOU, HANK. 241 00:09:22,010 --> 00:09:23,080 - I CHANGED MY MIND. 242 00:09:23,110 --> 00:09:25,310 CALL ME PROFESSOR MOODY. 243 00:09:25,350 --> 00:09:26,920 I'M JUST FUCKING WITH YOU. 244 00:09:26,950 --> 00:09:30,250 NOT REALLY. 245 00:09:30,290 --> 00:09:31,890 WHAT DO YOU WANT? 246 00:09:31,920 --> 00:09:33,720 - LOOK, I NEED TO KNOW... 247 00:09:33,760 --> 00:09:34,760 IF I'M A WRITER. 248 00:09:34,790 --> 00:09:35,760 - MM. 249 00:09:35,790 --> 00:09:37,190 JESUS CHRIST, KID. 250 00:09:37,230 --> 00:09:38,230 WHO AM I TO TELL YOU THAT? 251 00:09:38,260 --> 00:09:39,360 - WELL, YOU'RE MY TEACHER. 252 00:09:39,400 --> 00:09:41,800 I RESPECT YOU, AND I THINK YOU'RE AN AWESOME WRITER. 253 00:09:41,830 --> 00:09:43,270 - THANK YOU. - I'VE READ ALL YOUR BOOKS. 254 00:09:43,300 --> 00:09:44,800 COVER TO COVER. 255 00:09:44,830 --> 00:09:46,640 I LOVE YOUR PICTURE ON THE BACK, BY THE WAY. 256 00:09:46,670 --> 00:09:47,740 IT'S VERY HANDSOME. 257 00:09:47,770 --> 00:09:49,310 - THANK...YOU. 258 00:09:49,340 --> 00:09:53,140 - YOU'RE THE MENTOR, YOU KNOW? IN MY STORY? 259 00:09:53,180 --> 00:09:58,110 THE YOUNG VAMPIRE HAS A CRUSH ON THE OLD ONE. 260 00:09:58,150 --> 00:10:00,320 IT'S YOU. IT'S A METAPHOR. 261 00:10:00,350 --> 00:10:03,020 - I'M THE OLD VAMPIRE. FANTASTIC. 262 00:10:03,050 --> 00:10:06,660 - COME ON, HANK-- PROFESSOR MOODY. 263 00:10:06,690 --> 00:10:08,860 BRUTAL TRUTH. 264 00:10:08,890 --> 00:10:11,030 I CAN TAKE IT. 265 00:10:11,060 --> 00:10:12,760 - BRUTAL TRUTH, HUH? 266 00:10:12,800 --> 00:10:15,100 - MM-HMM. ABSOLUTELY. 267 00:10:18,200 --> 00:10:20,070 - YOUR STORY WAS BAD. 268 00:10:20,100 --> 00:10:21,440 IT WAS TERRIBLE, IN FACT. 269 00:10:21,470 --> 00:10:24,440 IT WAS LIKE THAT LAME TWILIGHT BULLSHIT. 270 00:10:24,470 --> 00:10:26,140 I HAVE NO PATIENCE FOR THAT CRAP. 271 00:10:26,180 --> 00:10:28,040 IT'S NOT WRITING. IT'S LIKE BOUND TOILET PAPER. 272 00:10:28,080 --> 00:10:29,880 NOW I'M NOT SAYING YOU WON'T GET BETTER 273 00:10:29,910 --> 00:10:31,280 IF YOU KEEP WRITING, BECAUSE YOU WILL. 274 00:10:31,310 --> 00:10:32,750 NO QUESTION. 275 00:10:32,780 --> 00:10:34,850 BUT I AM SAYING THAT IF YOU CAN DO ANYTHING ELSE 276 00:10:34,880 --> 00:10:35,890 WITH YOUR LIFE RIGHT NOW, 277 00:10:35,920 --> 00:10:37,690 ANYTHING AT ALL, 278 00:10:37,720 --> 00:10:39,460 I THINK MAYBE YOU SHOULD DO THAT. 279 00:10:39,490 --> 00:10:42,230 'CAUSE THE WORLD DOESN'T NEED ANYMORE LAME VAMPIRE FICTION. 280 00:10:42,260 --> 00:10:45,260 YOU KNOW WHAT I'M SAYING? 281 00:10:45,290 --> 00:10:47,700 YOU WITH ME, AMIGO? 282 00:10:47,730 --> 00:10:49,430 - I THINK SO. 283 00:10:49,470 --> 00:10:51,740 - BRUTAL TRUTH, RIGHT? 284 00:10:51,770 --> 00:10:54,400 - UH, RIGHT. 285 00:10:59,780 --> 00:11:02,180 - TEACHING'S NOT SO HARD. 286 00:11:02,210 --> 00:11:06,420 I FEEL BAD. HE WAS CLEARLY CRUSHING ON ME. 287 00:11:06,450 --> 00:11:08,050 MAYBE I LED HIM ON. 288 00:11:08,080 --> 00:11:09,750 - HMM? HOW SO? 289 00:11:09,790 --> 00:11:12,020 - I DON'T KNOW. MAYBE I WAS SENDING OUT SIGNALS. 290 00:11:12,060 --> 00:11:13,290 FUCK. MAYBE I'M GAY. 291 00:11:13,320 --> 00:11:14,860 - HANK, PLEASE. 292 00:11:14,890 --> 00:11:16,060 WE'RE ALL GAY. 293 00:11:16,090 --> 00:11:17,190 - WHAT THE? WHAT THE? 294 00:11:17,230 --> 00:11:18,430 - I'M SERIOUS. 295 00:11:18,460 --> 00:11:19,800 - YEAH, I KNOW, AND IT SCARES ME. 296 00:11:19,830 --> 00:11:21,230 - ALL RIGHT, LET ME PUT IT THIS WAY. 297 00:11:21,260 --> 00:11:23,430 IF YOU AND I WERE TRAPPED TOGETHER ON A DESERT ISLAND-- 298 00:11:23,470 --> 00:11:25,370 - I DON'T LIKE WHERE THIS IS GOING ALREADY. 299 00:11:25,400 --> 00:11:26,800 - IT WOULD ONLY BE A MATTER OF TIME 300 00:11:26,840 --> 00:11:28,270 BEFORE I WAS PUTTING IT IN YOUR POOPER. 301 00:11:28,300 --> 00:11:29,440 - HEY, I MAY BE EASY, 302 00:11:29,470 --> 00:11:30,440 BUT I AM NOT SLEAZY. 303 00:11:30,470 --> 00:11:32,510 BESIDES, I DON'T REALLY SEE MYSELF AS A BOTTOM. 304 00:11:32,540 --> 00:11:34,180 - FINE. YOU PUT IT IN MY POOPER. 305 00:11:34,210 --> 00:11:36,310 - MY FIST, MAYBE. 306 00:11:36,350 --> 00:11:38,110 - WHATEVER FLOATS YOUR BOAT. 307 00:11:38,150 --> 00:11:40,980 MY POINT BEING, WE'RE JUST ANIMALS. 308 00:11:41,020 --> 00:11:41,790 - PERHAPS, BUT THIS ANIMAL 309 00:11:41,820 --> 00:11:43,350 PREFERS THE WARM, COZY CONFINES 310 00:11:43,390 --> 00:11:44,520 OF THE FEMALE VAGINA. 311 00:11:44,550 --> 00:11:46,790 - BUT FACED WITH A SEVERE VAGINAL DROUGHT, 312 00:11:46,820 --> 00:11:47,960 MEN WILL BE MEN. 313 00:11:47,990 --> 00:11:49,160 BOYS WILL DO BOYS. 314 00:11:49,190 --> 00:11:52,200 - YOU'VE GIVEN THIS A FAIR AMOUNT OF THOUGHT, HAVEN'T YOU? 315 00:11:52,230 --> 00:11:54,430 - IT'S LIKE WHEN YOU WERE A KID, OKAY? 316 00:11:54,460 --> 00:11:55,460 YOU KNOW WHAT I'M SAYING? 317 00:11:55,500 --> 00:11:57,230 - NO, I DO NOT. 318 00:11:57,270 --> 00:12:00,440 - WE'VE ALL GOT A GAY EXPERIENCE OR TWO IN OUR BACK POCKETS. 319 00:12:00,470 --> 00:12:01,770 - OH, OKAY. ALL RIGHT. 320 00:12:01,810 --> 00:12:03,070 NOW--NOW I SEE WHERE YOU'RE GOING. 321 00:12:03,110 --> 00:12:05,070 OKAY. WHAT'S YOURS? 322 00:12:05,110 --> 00:12:07,040 - OH, OH, NO, NO, NO. YOU FIRST. 323 00:12:07,080 --> 00:12:09,210 - NO WAY. BALD BEFORE BEAUTY. 324 00:12:09,250 --> 00:12:11,080 - ALL RIGHT. YOU KNOW? FINE. OKAY. 325 00:12:11,110 --> 00:12:12,780 SO WHEN I WAS GROWING UP, 326 00:12:12,820 --> 00:12:14,150 MY BEST FRIEND WAS MIKE METZ. 327 00:12:14,180 --> 00:12:15,020 - UH-HUH. MIKE METZ. 328 00:12:15,050 --> 00:12:18,220 - OKAY, SOMETIMES WE WOULD UNDRESS, 329 00:12:18,250 --> 00:12:19,960 WE'D LAY DOWN ON THE BED, 330 00:12:19,990 --> 00:12:23,090 AND JUST, YOU KNOW, TOUCH EACH OTHER'S BODIES. 331 00:12:23,130 --> 00:12:24,530 IT WASN'T GAY. - SURE. 332 00:12:24,560 --> 00:12:26,000 - IT WASN'T EVEN SEXUAL. - MM-HMM. 333 00:12:26,030 --> 00:12:28,000 - IT WAS, YOU KNOW, VERY LOVING, ACT-- 334 00:12:28,030 --> 00:12:29,570 IT WAS JUST AN EXPRESSION OF OUR FRIENDSHIP. 335 00:12:29,600 --> 00:12:30,800 - MM-HMM, MM-HMM. - THAT'S ALL. 336 00:12:30,830 --> 00:12:32,900 - WELL, THAT'S INTERESTING, BECAUSE YOU AND I ARE FRIENDS, 337 00:12:32,940 --> 00:12:34,070 AND YET YOU'VE NEVER ASKED ME 338 00:12:34,100 --> 00:12:35,300 TO GET UNDRESSED AND TOUCH YOUR BODY. 339 00:12:35,340 --> 00:12:39,440 - SO WHAT'S YOURS, BIG BOY? 340 00:12:39,480 --> 00:12:41,810 YOU TRICKED ME, DIDN'T YOU? 341 00:12:41,850 --> 00:12:43,250 YOU MISERABLE FUCKING BASTARD. 342 00:12:43,280 --> 00:12:44,980 YOU KEEP THAT ONE CLOSE TO YOUR VEST, OKAY? 343 00:12:45,010 --> 00:12:47,220 - OF COURSE. OF COURSE. 344 00:13:00,260 --> 00:13:01,430 - OH, JESUS. 345 00:13:01,460 --> 00:13:03,270 YOU'RE GONNA RAPE ME, AREN'T YOU? 346 00:13:03,300 --> 00:13:05,070 - OH, YOU BET YOUR SWEET ASS, RICH WHITE LADY. 347 00:13:05,100 --> 00:13:06,070 - I'M NOT RICH! 348 00:13:06,100 --> 00:13:07,500 - BULLSHIT! YOU OWN A SALON. 349 00:13:07,540 --> 00:13:08,500 DON'T LIE TO ME. 350 00:13:08,540 --> 00:13:09,510 - OH, MY GOD. 351 00:13:09,540 --> 00:13:11,070 PUT THAT THING AWAY. 352 00:13:11,110 --> 00:13:14,140 THAT BIG, THICK, PURPLE THING! 353 00:13:14,180 --> 00:13:15,580 - THAT'S RIGHT. YOU BETTER RECOGNIZE. 354 00:13:15,610 --> 00:13:17,080 THIS HERE'S A ONE-EYED, ONE-HORNED, 355 00:13:17,110 --> 00:13:18,410 FLYING, PURPLE, WHITE-WOMAN EATER. 356 00:13:18,450 --> 00:13:19,580 - OH! 357 00:13:19,620 --> 00:13:21,150 - AND I'M GONNA SPLIT YOU LIKE WET PINE. 358 00:13:21,180 --> 00:13:22,190 - OH, YEAH. 359 00:13:22,220 --> 00:13:26,160 OH, YEAH. - [grunts] 360 00:13:26,190 --> 00:13:28,090 - NO MEANS NO, YOU KNOW? - CHARLIE! 361 00:13:28,120 --> 00:13:30,290 - THIS THE SURPRISE YOU WERE TALKING ABOUT? 362 00:13:30,330 --> 00:13:31,360 - WHAT THE FUCK ARE YOU DOING? 363 00:13:31,390 --> 00:13:32,960 - WHAT DOES IT LOOK LIKE I'M DOING? 364 00:13:33,000 --> 00:13:34,960 I'M SAVING YOU. - SAVING ME? I'M FINE! 365 00:13:35,000 --> 00:13:36,170 - NO, YOU'RE NOT FINE. 366 00:13:36,200 --> 00:13:38,330 YOU'RE BEING RAPED. 367 00:13:38,370 --> 00:13:41,200 - I AM NOT! 368 00:13:41,240 --> 00:13:45,170 - YOU WERE TOO. 369 00:13:45,210 --> 00:13:46,580 - WE'RE PLAYING A GAME. 370 00:13:46,610 --> 00:13:48,140 - A GAME? 371 00:13:48,180 --> 00:13:49,950 WHAT KIND OF GAME? 372 00:13:49,980 --> 00:13:52,350 SOME KIND OF SICK, TWISTED, PLANTATION-DAYS KIND OF THING? 373 00:13:52,380 --> 00:13:53,350 - HEY. 374 00:13:53,380 --> 00:13:54,580 WATCH IT, MOTHERFUCKER. 375 00:13:54,620 --> 00:13:56,950 - IT WAS A FANTASY, CHARLIE. 376 00:13:56,990 --> 00:13:58,650 - A FANTASY? 377 00:13:58,690 --> 00:14:00,490 - A RAPE FANTASY. 378 00:14:00,520 --> 00:14:02,390 - A RAPE FANTA--? 379 00:14:02,430 --> 00:14:03,490 THAT IS JUST SICK, MARCY. 380 00:14:03,530 --> 00:14:05,030 - SICK? 381 00:14:05,060 --> 00:14:06,630 I'M SICK? 382 00:14:06,660 --> 00:14:09,630 AFTER ALL THE TWISTED, DEPRAVED SHIT 383 00:14:09,670 --> 00:14:12,240 I'VE SEEN YOU DO? 384 00:14:12,270 --> 00:14:15,400 DON'T YOU DARE JUDGE ME, MOTHERFUCKER. 385 00:14:15,440 --> 00:14:17,170 - OH, GOD. 386 00:14:17,210 --> 00:14:18,340 I THINK I'M GONNA PUKE. 387 00:14:18,370 --> 00:14:21,610 - GOOD! 388 00:14:29,050 --> 00:14:30,550 - DEAN KOONS WANTS TO SEE YOU. 389 00:14:30,590 --> 00:14:33,420 - [coughs] HIT? 390 00:14:33,460 --> 00:14:35,220 - I'M GOOD. 391 00:14:38,590 --> 00:14:40,360 - HEY, GUYS. 392 00:14:40,400 --> 00:14:41,530 THANK YOU. 393 00:14:41,560 --> 00:14:43,370 THANK YOU. 394 00:14:43,400 --> 00:14:45,300 - FOR WHAT? 395 00:14:45,330 --> 00:14:46,440 - I HEARD YOU WANTED TO SEE ME, 396 00:14:46,470 --> 00:14:48,600 WHICH COULD ONLY MEAN YOU WANTED TO CONGRATULATE ME 397 00:14:48,640 --> 00:14:50,140 FOR THE KICKASS JOB I'VE BEEN DOING, 398 00:14:50,170 --> 00:14:53,240 SO I JUST WANTED TO SAY YOU'RE WELCOME. 399 00:14:53,280 --> 00:14:55,310 IT'S BEEN MY PLEASURE. 400 00:14:55,340 --> 00:14:56,980 - THIS IS NO TIME TO BE GLIB, HANK. 401 00:14:57,010 --> 00:14:58,980 - HOW CAN YOU BE SURE? 402 00:14:59,020 --> 00:15:00,620 - I'LL HANDLE THIS, STACY. 403 00:15:00,650 --> 00:15:03,020 THERE'S BEEN AN INCIDENT. 404 00:15:03,050 --> 00:15:04,190 - OKAY, WELL, LOOK. 405 00:15:04,220 --> 00:15:06,690 "NIGGARDLY" IS NOT A RACIAL SLUR. 406 00:15:06,720 --> 00:15:10,190 AND IN FACT, ONE MIGHT SAY THAT Y'ALL HAVE BEEN NIGGARDLY 407 00:15:10,230 --> 00:15:13,100 WHEN IT COMES TO FINANCIAL COMPENSATION POUR MOI. 408 00:15:13,130 --> 00:15:14,630 I'M JUST SAYING. 409 00:15:14,660 --> 00:15:15,700 - ARE YOU DONE HANDLING THIS? 410 00:15:15,730 --> 00:15:16,700 BECAUSE WE ARE DEALING 411 00:15:16,730 --> 00:15:18,030 WITH AN IDIOT MAN-CHILD HERE. 412 00:15:18,070 --> 00:15:21,240 - "OH, ME LOVE HER TOO MUCH. 413 00:15:21,270 --> 00:15:22,640 "ME PET HER TOO HARD. 414 00:15:22,670 --> 00:15:25,640 SHE NO WAKE UP." 415 00:15:25,670 --> 00:15:30,110 [groaning] 416 00:15:30,150 --> 00:15:33,350 - A STUDENT OF YOURS TRIED TO COMMIT SUICIDE LAST NIGHT. 417 00:15:36,050 --> 00:15:39,390 - SHITNESS. WOW. WHO? 418 00:15:39,420 --> 00:15:40,460 - CHRIS SMITH. 419 00:15:40,490 --> 00:15:42,230 - CHRIS SMITH? 420 00:15:42,260 --> 00:15:43,660 CHRIS SMITH. 421 00:15:43,690 --> 00:15:46,200 AH, HE'S NOT ONE OF MINE. THANK GOD. 422 00:15:46,230 --> 00:15:47,630 - NO, HIS FRIENDS CALL HIM BALT. 423 00:15:47,660 --> 00:15:51,100 - BALT? FUCK, I KNOW THAT DUDE. 424 00:15:51,130 --> 00:15:53,240 - DID HE SEEM DESPONDENT AT ALL? 425 00:15:53,270 --> 00:15:54,640 - MORE IMPORTANTLY, HIS ROOMMATE SAID 426 00:15:54,670 --> 00:15:56,470 HE HAD JUST RETURNED FROM A MEETING WITH YOU. 427 00:15:56,510 --> 00:15:59,510 - HE DID STOP BY... MY OFFICE-ES. 428 00:15:59,540 --> 00:16:02,280 - WELL, WHAT WAS DISCUSSED? 429 00:16:02,310 --> 00:16:06,450 - LIFE...LOVE... VAMPIRES AND SHIT. 430 00:16:06,480 --> 00:16:07,780 - WE'RE NOT ATTACKING YOU, HANK. 431 00:16:07,820 --> 00:16:09,250 WE'RE JUST TRYING TO WORK OUT WHAT HAPPENED. 432 00:16:09,290 --> 00:16:10,550 - FEELS LIKE YOU'RE ATTACKING. 433 00:16:10,590 --> 00:16:11,790 - IT'S PRETTY CLEAR WHAT HAPPENED. 434 00:16:11,820 --> 00:16:13,390 - STOP BEING SO CONDESCENDING, STACY. 435 00:16:13,420 --> 00:16:14,190 - LOOK, WHY DON'T YOU JUST 436 00:16:14,220 --> 00:16:16,030 TENDER YOUR RESIGNATION RIGHT NOW. 437 00:16:16,060 --> 00:16:18,390 SPARE US THE TROUBLE OF AN INVESTIGATION. 438 00:16:18,430 --> 00:16:19,730 - YOU WANT TO HANDLE THIS, STACY? 439 00:16:19,760 --> 00:16:21,330 FINE. GO RIGHT AHEAD. 440 00:16:21,360 --> 00:16:24,070 JUST LEAVE ME OUT OF IT. 441 00:16:26,400 --> 00:16:29,570 - SOMEONE'S SLEEPING ON THE COUCH TONIGHT. 442 00:16:29,610 --> 00:16:31,170 GOOD JELLY BEANS. 443 00:16:31,210 --> 00:16:33,380 - LOOK, HANK, 444 00:16:33,410 --> 00:16:35,510 I KNOW YOU'RE NOT EXACTLY 445 00:16:35,540 --> 00:16:38,680 WHAT ANYONE WOULD CALL AN EDUCATION PROFESSIONAL. 446 00:16:38,710 --> 00:16:41,320 OR A PROFESSIONAL OF ANY KIND, FOR THAT MATTER. 447 00:16:41,350 --> 00:16:44,650 BUT MY WIFE WENT OUT ON A LIMB FOR YOU. 448 00:16:44,690 --> 00:16:45,620 SHE LOVES BECCA. 449 00:16:45,650 --> 00:16:47,590 SHE THOUGHT IT WOULD BE NICE IF HER FATHER 450 00:16:47,620 --> 00:16:48,790 WAS GAINFULLY EMPLOYED. 451 00:16:48,820 --> 00:16:51,160 - [imitates Popeye] AH GAH GAH GAH GAH GAH! 452 00:16:51,190 --> 00:16:53,430 - THAT BEING SAID-- - GAH GAH GAH! 453 00:16:53,460 --> 00:16:56,270 - THAT'S AN ANTIQUE. 454 00:16:56,300 --> 00:16:59,100 IF I FIND OUT THAT YOU SAID OR DID ANYTHING 455 00:16:59,140 --> 00:17:00,540 TO PUSH THAT POOR KID OVER THE EDGE, 456 00:17:00,570 --> 00:17:01,800 I'M GONNA MAKE IT MY LIFE'S WORK 457 00:17:01,840 --> 00:17:03,140 TO MAKE SURE YOU NEVER STEP FOOT 458 00:17:03,170 --> 00:17:04,140 ON THIS CAMPUS AGAIN. 459 00:17:04,170 --> 00:17:06,380 DO YOU UNDERSTAND ME? 460 00:17:06,410 --> 00:17:09,080 DO I HAVE YOUR EAR, HANK? 461 00:17:09,110 --> 00:17:11,250 - YOU HAVE BEAUTIFUL, BLUE EYES. 462 00:17:16,350 --> 00:17:17,490 - ARE YOU HIGH? 463 00:17:17,520 --> 00:17:21,690 - I GOTTA RUN. TALK TO YOU LATER. 464 00:17:21,720 --> 00:17:23,830 - [sighs] 465 00:17:23,860 --> 00:17:27,800 - ALL WORK AND NO ASS-PLAY MAKES CHUCK A DULL BOY. 466 00:17:27,830 --> 00:17:30,300 - JUST TRYING TO EARN MY KEEP, SUE. 467 00:17:30,330 --> 00:17:33,440 - WHAT DO YOU SAY THE TWO OF US KNOCK OFF EARLY, HUH? 468 00:17:33,470 --> 00:17:35,200 SLIP OUT OF THIS BUSINESS CASUAL, 469 00:17:35,240 --> 00:17:36,540 NUDE-UP IN MY "JACOOZE", 470 00:17:36,570 --> 00:17:38,770 SEE WHAT KIND OF SODOMY LAWS WE CAN BREAK? 471 00:17:38,810 --> 00:17:42,210 - SOUNDS LIKE THE HEIGHT OF DECADENCE, SUE. 472 00:17:42,250 --> 00:17:44,410 BUT I SHOULD PROBABLY GET THROUGH THIS SLUSH PILE. 473 00:17:44,450 --> 00:17:46,480 WHO KNOWS? I MIGHT EVEN FIND SOMETHING GOOD. 474 00:17:46,520 --> 00:17:47,820 - WHO KNOWS? 475 00:17:47,850 --> 00:17:49,320 YOU MIGHT FIND SOMETHING BETTER 476 00:17:49,350 --> 00:17:50,620 IN MY PUNANI. 477 00:17:50,650 --> 00:17:52,260 - YEAH. 478 00:17:52,290 --> 00:17:54,690 WARREN BEATTY'S LOST ROLEX, MAYBE. 479 00:17:54,720 --> 00:17:56,530 - [laughs] 480 00:17:56,560 --> 00:17:59,900 OH, YOU ARE A DIRTY DOG. 481 00:17:59,930 --> 00:18:01,530 I LIKE YOUR STYLE, RUNKLE. 482 00:18:01,560 --> 00:18:06,370 - HEY, CAN I ASK YOU A QUESTION, SUE? 483 00:18:06,400 --> 00:18:07,770 - THE ANSWER'S YES. 484 00:18:07,800 --> 00:18:09,540 I WOULD LOVE A FACE-RIDE. 485 00:18:09,570 --> 00:18:11,910 - SERIOUSLY, 486 00:18:11,940 --> 00:18:15,840 DO WOMEN EVER FANTASIZE 487 00:18:15,880 --> 00:18:18,810 ABOUT...BEING RAPED? 488 00:18:18,850 --> 00:18:21,780 - ARE YOU TRYING TO GET ME WET? 489 00:18:21,820 --> 00:18:24,720 - I DON'T THINK SO. - YES, CHARLIE. 490 00:18:24,750 --> 00:18:27,660 WOMEN FANTASIZE ABOUT RAPE. 491 00:18:27,690 --> 00:18:28,920 - REALLY? - MM-HMM. 492 00:18:28,960 --> 00:18:34,760 AND MY OWN FEATURES A HANDSOME STRANGER. 493 00:18:34,800 --> 00:18:40,300 THINK JACK, CIRCA THE POSTMAN ALWAYS RINGS TWICE, 494 00:18:40,340 --> 00:18:43,910 SNEAKING INTO MY BEDROOM AND TAKING ME IN MY SLEEP. 495 00:18:43,940 --> 00:18:46,210 HE PULLS DOWN MY PANTIES. 496 00:18:46,240 --> 00:18:48,410 HE ENTERS SLOWLY. 497 00:18:48,440 --> 00:18:50,510 SLIPS RIGHT IN. 498 00:18:50,550 --> 00:18:53,280 OH, JACK. THE PUSSY NEVER LIES. 499 00:18:53,320 --> 00:18:54,420 REMEMBER THAT, RUNKLE. 500 00:18:54,450 --> 00:18:56,650 I KICK, I SCREAM, BUT IT'S TOO LATE. 501 00:18:56,690 --> 00:18:58,590 I MEAN, THE JUICES ARE FLOWING. 502 00:18:58,620 --> 00:19:00,320 THE TRAIN HAS LEFT THE STATION. 503 00:19:00,360 --> 00:19:04,360 WE ARE HEADED FOR A BIG, FAT, ROCKY ORGASM. 504 00:19:04,390 --> 00:19:07,400 OH, SWEET JESUS, GUIDE ME. 505 00:19:13,800 --> 00:19:15,600 ARE YOU TRYING TO TELL ME SOMETHING, RUNKLE? 506 00:19:15,640 --> 00:19:19,280 ARE YOU THINKING ABOUT SOME ROLE PLAYING? 507 00:19:19,310 --> 00:19:21,240 BECAUSE YOU NAME THE GAME, 508 00:19:21,280 --> 00:19:22,410 I'LL PLAY THE PART. 509 00:19:22,450 --> 00:19:24,210 AND I'M GOOD AT IT. 510 00:19:24,250 --> 00:19:26,820 I USED TO RUN LINES WITH MARGOT KIDDER. 511 00:19:26,850 --> 00:19:29,350 BEFORE SHE WENT APESHIT. 512 00:19:29,390 --> 00:19:30,850 TRY ME SOMETIME. 513 00:19:38,760 --> 00:19:40,760 - [clears throat] 514 00:19:40,800 --> 00:19:42,500 - WOW. LOOK WHO'S HERE. 515 00:19:42,530 --> 00:19:43,630 WHAT'S UP, ASSHOLE? 516 00:19:43,670 --> 00:19:45,870 - THAT'S NO WAY TO ADDRESS YOUR TEACHER, YOUNG LADY. 517 00:19:45,900 --> 00:19:48,000 - IS THAT WHAT YOU ARE? A TEACHER? 518 00:19:48,040 --> 00:19:50,870 I WAS THINKING MORE LIKE A DESTROYER OF HOPES AND DREAMS. 519 00:19:50,910 --> 00:19:52,010 - IS HE GONNA BE OKAY? 520 00:19:52,040 --> 00:19:53,310 - MAYBE IF YOU PUT 521 00:19:53,340 --> 00:19:55,410 YOUR FUCKIN' CIGARETTE OUT. 522 00:19:55,440 --> 00:19:56,610 HE'S FINE. 523 00:19:56,650 --> 00:19:57,680 HE GOT DEPRESSED 524 00:19:57,710 --> 00:19:59,680 AND HE DRANK ALL THE COLD MEDICINE HE COULD FIND. 525 00:19:59,720 --> 00:20:01,980 HE'S SUCH A FUCKIN' QUEEN. 526 00:20:06,620 --> 00:20:07,620 - YOU CAME. 527 00:20:07,660 --> 00:20:09,460 - 'COURSE I DID, BUDDY. 528 00:20:09,490 --> 00:20:11,260 HOW YOU DOING? 529 00:20:11,290 --> 00:20:12,930 - I HATE MYSELF, AND I WANT TO FUCKING DIE. 530 00:20:12,960 --> 00:20:15,030 - OH, BEEN THERE. 531 00:20:15,060 --> 00:20:16,030 - I DOUBT IT. 532 00:20:16,060 --> 00:20:17,300 WHAT COULD YOU POSSIBLY KNOW 533 00:20:17,330 --> 00:20:18,570 ABOUT BEING A FUCKED-UP GAY KID? 534 00:20:18,600 --> 00:20:21,370 - WE'RE ALL...GAY. 535 00:20:21,400 --> 00:20:24,440 IN--IN SOME FORM OR ANOTHER. 536 00:20:24,470 --> 00:20:29,350 WE'VE ALL HAD A GAY EXPERIENCE IN OUR PAST OR TWO. 537 00:20:29,380 --> 00:20:30,450 - YOU TOO? 538 00:20:30,480 --> 00:20:31,480 - OH, HELLS YEAH. 539 00:20:31,510 --> 00:20:33,580 - TELL ME ABOUT IT. 540 00:20:37,050 --> 00:20:40,660 - WELL, WHEN I WAS A-- WHEN I WAS A KID, 541 00:20:40,690 --> 00:20:43,830 BARELY A TEENAGER, 542 00:20:43,860 --> 00:20:46,660 MY BEST FRIEND AND I, MIKE METZ, 543 00:20:46,700 --> 00:20:51,000 YEAH, WE WOULD, UH, WE'D GET UNDRESSED.... 544 00:20:51,030 --> 00:20:54,970 - D-DON'T STOP. 545 00:20:55,000 --> 00:20:58,970 - RIGHT. AND, UM, YOU KNOW, 546 00:20:59,010 --> 00:21:02,310 WE WOULD--WE WOULD LAY IN BED TOGETHER... 547 00:21:02,350 --> 00:21:04,010 NAKED, UM, 548 00:21:04,050 --> 00:21:07,550 TOUCHING EACH OTHER'S... 549 00:21:07,580 --> 00:21:09,450 NAKED BODIES. 550 00:21:09,490 --> 00:21:11,550 YOU KNOW, JUST-- AND--AND IT WASN'T, LIKE, 551 00:21:11,590 --> 00:21:14,020 UH, SEXUAL OR GAY, 552 00:21:14,060 --> 00:21:16,390 BUT JUST MORE OF A... 553 00:21:16,430 --> 00:21:21,330 MORE OF AN EXPRESSION OF OUR PROFOUND FRIENDSHIP. 554 00:21:21,360 --> 00:21:23,670 - SEE, I DON'T KNOW. 555 00:21:23,700 --> 00:21:26,540 IT SOUNDS PRETTY FUCKING GAY TO ME. 556 00:21:26,570 --> 00:21:30,440 - IT DOES SOUND GAY. 557 00:21:30,470 --> 00:21:31,910 YOU KNOW WHAT? 558 00:21:31,940 --> 00:21:33,780 I'M SORRY IF I BUMMED YOU OUT. 559 00:21:33,810 --> 00:21:36,480 BUT YOU GOT TO CUT ME SOME SLACK HERE. 560 00:21:36,510 --> 00:21:37,950 I'M PRETTY NEW TO THIS TEACHING THING. 561 00:21:37,980 --> 00:21:40,650 I DON'T KNOW WHAT THE FUCK I'M DOING. 562 00:21:40,680 --> 00:21:43,390 YOU KNOW WHAT I DUG ABOUT YOUR STORY? 563 00:21:43,420 --> 00:21:44,720 THERE WAS ONE LINE I LOVED. 564 00:21:44,750 --> 00:21:47,460 UM, "THE TWILIGHT OF HIS ETERNAL YOUTH." 565 00:21:47,490 --> 00:21:50,060 REALLY DUG THAT. STUCK IN MY HEAD. 566 00:21:50,090 --> 00:21:52,560 - I POLISHED THAT ONE FOR A WHILE, ACTUALLY. 567 00:21:52,600 --> 00:21:54,960 - MM. POLISH IT. 568 00:21:55,000 --> 00:21:57,700 - WELL, SHIT. I GOTTA GET TO WORK. 569 00:21:57,730 --> 00:21:59,640 YOU THINK YOU COULD STAY WITH HIM FOR A LITTLE BIT? 570 00:21:59,670 --> 00:22:02,670 - OH, NO, I HAVE, UH-- 571 00:22:02,710 --> 00:22:05,410 I GOT TO-- I GOT TO RUN TOO, SO... 572 00:22:07,780 --> 00:22:09,850 YEAH, I CAN. 573 00:22:09,880 --> 00:22:11,780 - NO. YOU KNOW WHAT YOU CAN DO FOR ME? 574 00:22:11,810 --> 00:22:13,120 - WHAT? 575 00:22:13,150 --> 00:22:15,450 - GIVE HER A RIDE. 576 00:22:15,480 --> 00:22:17,050 SHE TOOK THE BUS ALL THE WAY HERE. 577 00:22:17,090 --> 00:22:18,920 GOD KNOWS SHE'S TOO HOT FOR THAT. 578 00:22:18,950 --> 00:22:21,160 I WOULDN'T WANT HER GETTING RAPED ON MY ACCOUNT. 579 00:22:21,190 --> 00:22:23,590 - THAT WOULD BE MOST UNFORTUNATE. 580 00:22:23,630 --> 00:22:26,560 - COME WITH ME. MY RAPE-PROOF CHARIOT AWAITS. 581 00:22:26,600 --> 00:22:27,560 LATER, PALE SKIN. 582 00:22:27,600 --> 00:22:28,560 I HOPE YOU FEEL BETTER. 583 00:22:28,600 --> 00:22:30,600 KEEP SCRIBBLING. 584 00:22:30,630 --> 00:22:33,040 - NO KISS GOODNIGHT? - OH. 585 00:22:35,900 --> 00:22:38,570 - BYE, HONEY. 586 00:22:55,690 --> 00:22:58,660 [sensuous music] 587 00:22:58,690 --> 00:23:06,700 * 588 00:23:48,040 --> 00:23:50,710 - HUH?! CHARLIE! 589 00:23:50,750 --> 00:23:52,520 WHAT THE FUCK ARE YOU DOING? 590 00:23:52,550 --> 00:23:53,780 - WHAT DOES IT LOOK LIKE I'M DOING? 591 00:23:53,820 --> 00:23:54,620 I'M RAPING YOU. 592 00:23:54,650 --> 00:23:57,090 - GET OFF ME, YOU FUCKING ASSHOLE! 593 00:23:57,120 --> 00:23:58,090 - DO YOU LOVE IT? 594 00:23:58,120 --> 00:24:00,260 - NO! STOP IT NOW! 595 00:24:00,290 --> 00:24:01,260 - BECAUSE I LOVE IT. 596 00:24:01,290 --> 00:24:03,130 THIS IS SO NOT CONSENSUAL. 597 00:24:03,160 --> 00:24:06,600 [punch] - OH! OW! OW. 598 00:24:06,630 --> 00:24:08,860 OW. OW. 599 00:24:08,900 --> 00:24:11,700 OW. 600 00:24:11,730 --> 00:24:13,740 FUCK. 601 00:24:13,770 --> 00:24:15,700 - WHAT ARE YOU THINKING? 602 00:24:15,740 --> 00:24:18,140 - GUESS I THOUGHT IT WAS SOMETHING YOU MIGHT ENJOY. 603 00:24:18,170 --> 00:24:20,140 YOU KNOW, AND MAYBE IN THE MIDDLE YOU'D BE LIKE, 604 00:24:20,180 --> 00:24:22,280 "GOD, I REALLY DO LOVE THIS SCHMUCK." 605 00:24:22,310 --> 00:24:24,650 - YOU THOUGHT THAT IN THE MIDDLE OF RAPING ME 606 00:24:24,680 --> 00:24:26,250 I'D REALIZE HOW MUCH I LOVE YOU?! 607 00:24:26,280 --> 00:24:28,520 - SOMETHING LIKE THAT. 608 00:24:28,550 --> 00:24:32,520 YEAH. BUT IT SOUNDED A LOT BETTER THE WAY I SAID IT. 609 00:24:32,560 --> 00:24:34,560 AND, JUST TO BE FAIR, YOU KNOW, 610 00:24:34,590 --> 00:24:36,160 IT WAS A RAPE FANTASY. 611 00:24:36,190 --> 00:24:37,860 - FOR YOU, MAYBE. 612 00:24:37,890 --> 00:24:39,900 - OKAY. 613 00:24:39,930 --> 00:24:42,930 WELL, I'M SORRY FOR THE MISUNDERSTANDING. 614 00:24:42,970 --> 00:24:43,900 MY BAD. 615 00:24:48,040 --> 00:24:51,610 SORRY. THESE ARE YOURS. 616 00:24:51,640 --> 00:24:54,010 [sighs] 617 00:24:54,040 --> 00:24:57,010 [rock music] 618 00:24:57,050 --> 00:25:04,720 * 619 00:25:04,750 --> 00:25:05,890 - THIS IS WHERE YOU WORK? 620 00:25:05,920 --> 00:25:06,990 - YUP. 621 00:25:07,020 --> 00:25:08,760 - BUT YOU JUST WORK THE FRONT DESK 622 00:25:08,790 --> 00:25:10,790 OR YOU'RE THE CASHIER OR SOMETHING LIKE THAT, RIGHT? 623 00:25:10,830 --> 00:25:12,760 - SOMETHING LIKE THAT. 624 00:25:12,800 --> 00:25:14,060 - INTERESTING. 625 00:25:14,100 --> 00:25:15,760 - YOU WANT TO COME INSIDE? 626 00:25:15,800 --> 00:25:17,030 MAYBE WET YOUR WHISTLE? 627 00:25:17,070 --> 00:25:19,330 - WOULD THAT INVOLVE SEEING YOU NAKED? 628 00:25:19,370 --> 00:25:20,170 - OH, MOST DEFINITELY. 629 00:25:20,200 --> 00:25:22,340 - THEN, NO OFFENSE, BUT I THINK NOT. 630 00:25:22,370 --> 00:25:24,210 IN THE INTEREST OF STUDENT-TEACHER RELATIONS. 631 00:25:24,240 --> 00:25:27,240 - WOW. LOOK AT YOU WITH THE MORAL RECTITUDE. 632 00:25:27,280 --> 00:25:28,240 I'M IMPRESSED. 633 00:25:28,280 --> 00:25:29,910 - I KNOW. ME TOO. 634 00:25:29,950 --> 00:25:30,980 - THANKS FOR THE RIDE, PROF. 635 00:25:31,010 --> 00:25:31,780 - ANY TIME. 636 00:25:31,810 --> 00:25:33,680 WELL, YOU KNOW, NOT--NOT ANY TIME. 637 00:25:33,720 --> 00:25:35,780 I DON'T THINK THIS IS THE BEST HABIT TO GET INTO. 638 00:25:35,820 --> 00:25:36,890 - YOU WERE RIGHT, YOU KNOW? 639 00:25:36,920 --> 00:25:38,650 HE'S A SHITTY WRITER. 640 00:25:38,690 --> 00:25:40,290 SOMEONE HAD TO TELL HIM. 641 00:25:40,320 --> 00:25:42,120 YOU KNOW, PARENTS TELL THEIR KIDS 642 00:25:42,160 --> 00:25:44,260 THEY CAN BE ANYTHING THEY WANT WHEN THEY GROW UP. 643 00:25:44,290 --> 00:25:45,260 BUT IT'S NOT TRUE. 644 00:25:45,290 --> 00:25:46,830 NOT FOR EVERYONE. 645 00:25:46,860 --> 00:25:48,630 SOMETIMES THAT CAN FUCK YOU UP 646 00:25:48,660 --> 00:25:49,930 A LOT MORE THAN SOMEONE TELLING YOU 647 00:25:49,970 --> 00:25:52,270 YOU CAN'T DO A GODDAMN THING. 648 00:25:52,300 --> 00:25:56,040 BESIDES, YOU CAN'T REALLY TEACH WRITING, CAN YOU? 649 00:25:56,070 --> 00:25:57,770 - YOU'RE A SMART KID. YOU KNOW THAT? 650 00:25:57,810 --> 00:26:00,040 - DAMN STRAIGHT. 651 00:26:00,080 --> 00:26:02,980 ALL RIGHT, I GOT TO GO SHAKE MY MONEY-MAKERS. 652 00:26:03,010 --> 00:26:04,680 - OKAY. - HAVE A GOOD NIGHT. 653 00:26:04,710 --> 00:26:06,150 - YOU HAVE A GOOD NIGHT TOO. 654 00:26:06,180 --> 00:26:09,690 I HOPE YOU GET, UH, LOTS OF SINGLES...I GUESS. 655 00:26:09,720 --> 00:26:12,150 OR FIVES, OR... - ALL RIGHT. 656 00:26:12,190 --> 00:26:13,160 - BENJAMINS? I DON'T KNOW. 657 00:26:13,190 --> 00:26:14,820 - BYE. - BYE. 658 00:26:24,870 --> 00:26:26,270 HEY, WHERE ARE YOU GOING, SHORT STUFF? 659 00:26:26,300 --> 00:26:28,900 - OUT. - OUT, YOU SAY? 660 00:26:28,940 --> 00:26:29,910 OUT WHERE? 661 00:26:29,940 --> 00:26:30,910 - JUST OUT. 662 00:26:30,940 --> 00:26:32,170 - JUST OUT? 663 00:26:32,210 --> 00:26:33,710 I'M NOT FAMILIAR WITH THAT AREA. 664 00:26:33,740 --> 00:26:35,710 - THE PROMENADE. I'M MEETING CHELSEA. 665 00:26:35,740 --> 00:26:39,010 - OH, NOT SO FAST. HOW YOU GONNA GET THERE? 666 00:26:39,050 --> 00:26:41,880 - I DON'T KNOW. I'LL WALK OR TAKE THE BUS. 667 00:26:41,920 --> 00:26:42,950 - DID YOU EVEN THINK TO ASK? 668 00:26:42,990 --> 00:26:45,050 - I DIDN'T THINK YOU'D CARE. 669 00:26:45,090 --> 00:26:47,290 - WELL, SORRY, HONEY. LOOKS LIKE I DO. 670 00:26:47,320 --> 00:26:48,290 - OKAY, GOOD TO KNOW. 671 00:26:48,320 --> 00:26:50,390 SO CAN I GO? - NO. 672 00:26:50,430 --> 00:26:52,090 WHY DON'T YOU STAY IN WITH ME TONIGHT? 673 00:26:52,130 --> 00:26:54,160 YOU KNOW, WE'LL-- WE'LL WATCH A MOVIE. 674 00:26:54,200 --> 00:26:55,430 POP SOME CORN. 675 00:26:55,460 --> 00:26:57,100 THE PROMENADE WILL ALWAYS BE THERE. 676 00:26:57,130 --> 00:26:58,670 UNFORTUNATELY. 677 00:26:58,700 --> 00:27:00,040 - YEAH, SOUNDS LIKE A GOOD TIME, 678 00:27:00,070 --> 00:27:01,800 BUT I THINK I'D RATHER GO OUT. 679 00:27:01,840 --> 00:27:03,910 - WELL, I--I THINK I'D RATHER HAVE YOU STAY HOME. 680 00:27:03,940 --> 00:27:04,810 HOW 'BOUT THAT? 681 00:27:04,840 --> 00:27:07,810 - GOT IT. LOUD AND CLEAR. SO CAN I GO? 682 00:27:07,840 --> 00:27:10,380 - ASKED AND ANSWERED, BECCA. - WHY? 683 00:27:10,410 --> 00:27:13,280 - BECAUSE I SAID SO. - BECAUSE YOU SAID SO? 684 00:27:13,320 --> 00:27:16,450 - BECAUSE I SAID SO. - JESUS. 685 00:27:16,480 --> 00:27:19,020 - WHO ARE YOU TEXTING? - CHELSEA. 686 00:27:19,050 --> 00:27:20,890 TO TELL HER YOU'RE BEING A TOTAL DICK RIGHT NOW. 687 00:27:20,920 --> 00:27:22,360 - WHAT IS GOING ON WITH YOU? 688 00:27:22,390 --> 00:27:24,860 WHEN DID YOU BECOME SUCH A LITTLE SNOT? 689 00:27:24,890 --> 00:27:26,130 THAT IS NOT FUNNY, BECCA. 690 00:27:26,160 --> 00:27:28,930 - IT'S FUNNY TO ME. 691 00:27:33,470 --> 00:27:34,740 [glass shatters] 692 00:27:34,770 --> 00:27:36,340 - I FUCKING HATE YOU! 693 00:27:36,370 --> 00:27:38,070 - YEAH, AND I FUCKIN' HATE YOU TOO, 694 00:27:38,110 --> 00:27:41,040 YOU LITTLE SHIT. 695 00:27:41,080 --> 00:27:43,480 [door slams] 696 00:27:43,510 --> 00:27:46,680 Captioning by CaptionMax www.captionmax.com 48156

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