All language subtitles for Californication S02E12 La Petite Mort

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,260 --> 00:00:11,200 PREVIOUSLY ON "CALIFORNICATION"... 2 00:00:12,660 --> 00:00:14,460 I THINK WE SHOULD GO INTO BUSINESS TOGETHER. 3 00:00:14,500 --> 00:00:17,470 TO BE HONEST, I'M INTERVIEWING FOR JOBS IN NEW YORK. 4 00:00:17,500 --> 00:00:18,770 SO, HOW DO YOU TWO KNOW EACH OTHER? 5 00:00:18,800 --> 00:00:21,210 HANK IS THE FATHER. ALLEGED FATHER. 6 00:00:21,240 --> 00:00:25,210 I'LL RAISE THE CHILD, AND I'LL LOVE IT AS MY OWN. 7 00:00:25,240 --> 00:00:26,110 OH, MY GOD. 8 00:00:26,140 --> 00:00:28,250 Look, look, look -- Damien and Becca. 9 00:00:28,280 --> 00:00:30,810 BECAUSE ISN'T THAT THE BECCA RIGHT THERE? 10 00:00:30,850 --> 00:00:32,220 OH! BEC! 11 00:00:32,250 --> 00:00:35,090 I DON'T WANT TO DO ANY MORE PORN. REALLY? 12 00:00:35,120 --> 00:00:37,690 I'D LIKE THE LAST PERSON I HAD ON-SCREEN SEX WITH TO BE YOU. 13 00:00:37,720 --> 00:00:38,590 Charlie: ALL RIGHT, MARCY. 14 00:00:38,620 --> 00:00:40,790 AFTER ALL THE SHIT WE'VE BEEN THROUGH, 15 00:00:40,820 --> 00:00:42,090 I WANT TO GET A DIVORCE. 16 00:00:42,130 --> 00:00:43,430 I'M GONNA BE WITH DAISY. 17 00:00:43,460 --> 00:00:44,590 YOU FUCKED MY MAN. 18 00:00:44,630 --> 00:00:45,830 MARCY, I DIDN'T MEAN -- 19 00:00:45,860 --> 00:00:46,860 AAH! 20 00:00:46,900 --> 00:00:48,530 SHE'S HERE. SHE WHO? 21 00:00:48,570 --> 00:00:49,830 "SHE WHO"? JANIE, YOU ASSHOLE! 22 00:00:49,870 --> 00:00:51,340 COME ON! 23 00:00:51,370 --> 00:00:53,670 [ SNORTS ] 24 00:00:53,700 --> 00:00:54,800 WHAT? 25 00:00:54,840 --> 00:00:56,810 LEW. SHIT, LEW. 26 00:00:56,840 --> 00:00:58,280 LEW! 27 00:00:58,310 --> 00:00:59,440 LEW! 28 00:00:59,480 --> 00:01:01,580 LEW? 29 00:01:07,620 --> 00:01:12,790 * SHADOWS ARE FALLING AND I'M RUNNING OUT OF BREATH * 30 00:01:12,820 --> 00:01:16,130 * KEEP ME IN YOUR HEART FOR A WHILE * 31 00:01:16,160 --> 00:01:17,790 [ TYPEWRITER KEYS CLACKING ] 32 00:01:17,830 --> 00:01:19,500 * IF I LEAVE YOU 33 00:01:19,530 --> 00:01:23,600 * IT DOESN'T MEAN I LOVE YOU ANY LESS * 34 00:01:23,630 --> 00:01:28,470 * KEEP ME IN YOUR HEART FOR A WHILE * 35 00:01:28,510 --> 00:01:31,480 * WHEN YOU GET UP IN THE MORNING * 36 00:01:31,510 --> 00:01:34,580 * AND YOU SEE THAT CRAZY SUN 37 00:01:34,610 --> 00:01:39,150 * KEEP ME IN YOUR HEART FOR A WHILE * 38 00:01:39,180 --> 00:01:41,690 * THERE'S A TRAIN LEAVING NIGHTLY * 39 00:01:41,720 --> 00:01:45,690 * CALLED "WHEN ALL IS SAID AND DONE" * 40 00:01:45,720 --> 00:01:50,730 * KEEP ME IN YOUR HEART FOR A WHILE * 41 00:01:50,760 --> 00:01:52,600 * SHA LA-LA-LA, LA-LA 42 00:01:52,630 --> 00:01:56,430 * LA LA LA-LA-LI-LO 43 00:01:56,470 --> 00:01:59,370 * KEEP ME IN YOUR HEART FOR A WHILE * 44 00:02:01,740 --> 00:02:03,770 * SHA LA-LA-LA, LA-LA 45 00:02:03,810 --> 00:02:07,540 * LA LA LA-LA-LI-LO 46 00:02:07,580 --> 00:02:09,310 [ CHUCKLES ] 47 00:02:09,350 --> 00:02:11,720 YOU GOT YOURSELF A BIT OF A RITUAL THERE, HUH? 48 00:02:11,750 --> 00:02:12,950 YEP. 49 00:02:12,980 --> 00:02:17,790 EVERY TIME I FINISH A BOOK, WHISKEY, WEED, AND WARREN ZEVON. 50 00:02:17,820 --> 00:02:19,620 IT'S THE LITTLE THINGS. 51 00:02:19,660 --> 00:02:21,660 YEAH. HOW'D IT TURN OUT? HARD TO SAY. 52 00:02:21,690 --> 00:02:24,760 YOU WOULD KNOW BETTER THAN I. YOU LIVED THE MOTHERFUCKER. 53 00:02:24,790 --> 00:02:25,700 YEAH, BUT LIVING IT RIGHT 54 00:02:25,730 --> 00:02:27,500 MEANS YOU DON'T REMEMBER MUCH OF IT AT ALL. 55 00:02:27,530 --> 00:02:29,630 WELL, YOU CAN READ ALL ABOUT IT HERE -- 56 00:02:29,670 --> 00:02:31,200 YOUR DIRTY LIFE AND TIMES. 57 00:02:31,240 --> 00:02:33,370 [ EXHALES HEAVILY ] 58 00:02:33,400 --> 00:02:34,940 WHAT'S NEXT? 59 00:02:34,970 --> 00:02:39,710 I SUPPOSE I TRY TO GET MY LIFE BACK IN ORDER IN SOME FASHION. 60 00:02:39,740 --> 00:02:41,380 YEAH, YOU... 61 00:02:41,410 --> 00:02:42,850 YOU DO THAT. 62 00:02:42,880 --> 00:02:46,250 REMEMBER, AT THE END OF THE DAY, 63 00:02:46,280 --> 00:02:47,950 IT'S ALL ABOUT HER. 64 00:02:47,980 --> 00:02:49,890 WHO? 65 00:02:49,920 --> 00:02:51,620 YOU KNOW. 66 00:02:53,960 --> 00:02:57,290 I'LL MISS SEEING YOU AROUND HERE, MAN. 67 00:02:58,330 --> 00:02:59,830 GONNA MISS YOU, TOO. 68 00:03:02,400 --> 00:03:04,570 AND IT'S TRUE WHAT THEY SAY, YOU KNOW. 69 00:03:04,600 --> 00:03:06,470 THEY GOT ONE HELL OF A BAND. 70 00:03:06,500 --> 00:03:08,710 * THESE WHEELS KEEP TURNING 71 00:03:08,740 --> 00:03:11,980 * BUT THEY'RE RUNNING OUT OF STEAM * 72 00:03:12,010 --> 00:03:17,480 * KEEP ME IN YOUR HEART FOR A WHILE * 73 00:03:17,510 --> 00:03:22,220 * KEEP ME IN YOUR HEART FOR A WHILE * 74 00:04:06,660 --> 00:04:10,430 [ INTRO TO THE ANIMALS' "IT'S MY LIFE" PLAYS ] 75 00:04:18,010 --> 00:04:21,850 * IT'S A HARD WORLD TO GET A BREAK IN * 76 00:04:21,880 --> 00:04:25,980 * ALL THE GOOD THINGS HAVE BEEN TAKEN * 77 00:04:26,020 --> 00:04:27,820 * BUT, GIRL, THERE ARE WAYS... * 78 00:04:27,850 --> 00:04:29,350 WHAT UP, BUTTERCUP? 79 00:04:31,090 --> 00:04:34,690 OH, I JUST THOUGHT I'D PAY MY LAST RESPECTS 80 00:04:34,720 --> 00:04:37,590 BEFORE I HIT THE ROAD. 81 00:04:37,630 --> 00:04:38,930 WHERE YOU HEADED? 82 00:04:38,960 --> 00:04:40,760 OH, DIDN'T YOU GET THE MEMO? MNH-MNH. 83 00:04:40,800 --> 00:04:42,870 I'M TAKING "FUCKING & PUNCHING" 84 00:04:42,900 --> 00:04:44,570 ALL OVER THIS FAIR COUNTRY OF OURS. 85 00:04:44,600 --> 00:04:47,370 COMING SOON TO A SUPERSIZED BOOKSTORE NEAR YOU. 86 00:04:47,400 --> 00:04:49,470 MOTHERS, LOCK UP YOUR SONS. 87 00:04:49,510 --> 00:04:51,710 AND HUSBANDS. 88 00:04:52,510 --> 00:04:53,140 * REMEMBER * REMEMBER 89 00:04:54,040 --> 00:04:57,750 * IT'S MY LIFE, AND I'LL DO WHAT I WANT * 90 00:04:57,780 --> 00:04:59,420 * IT'S MY MIND... 91 00:04:59,450 --> 00:05:01,020 I'M GONNA MISS HIM... 92 00:05:01,050 --> 00:05:02,950 WAY MORE THAN I THOUGHT. 93 00:05:02,990 --> 00:05:04,690 YEAH, I KNOW THE FEELING. 94 00:05:04,720 --> 00:05:07,920 AT FIRST, FUCKING HIM WAS... 95 00:05:07,960 --> 00:05:10,060 WAS JUST A WAY OF YANKING YOUR CHAIN. 96 00:05:10,090 --> 00:05:11,730 REALLY? YOU DON'T SAY? 97 00:05:11,760 --> 00:05:14,830 YEAH, BUT THEN HE JUST HAD TO WIN ME OVER, YOU KNOW? 98 00:05:14,860 --> 00:05:17,530 LIKE SOME SWEET, MANGY LITTLE PUPPY 99 00:05:17,570 --> 00:05:18,840 WHO JUST WANTED SOMEONE TO PET HIM 100 00:05:18,870 --> 00:05:20,070 AND TELL HIM HE WAS A GOOD BOY. 101 00:05:20,100 --> 00:05:22,940 THEN HE'D SHIT THE RUG. OR HUMP YOUR LEG. 102 00:05:22,970 --> 00:05:24,710 MM. WHERE'S YOUR FIRST STOP? 103 00:05:24,740 --> 00:05:26,440 UH, BORDERS IN TACOMA. 104 00:05:26,480 --> 00:05:28,950 KNOW IT. THERE'S A GREAT COFFEE SHOP DOWN THE STREET. 105 00:05:28,980 --> 00:05:31,680 AROUND THE BLOCK, THERE'S THIS OLD RECORD STORE, 106 00:05:31,720 --> 00:05:33,980 SELLS USED VINYL, TONS OF IT -- FANTASTIC. 107 00:05:34,020 --> 00:05:36,950 GREAT -- OLD GUY'S GUIDE TO TACOMA. GOOD TO KNOW. 108 00:05:36,990 --> 00:05:40,660 WELL, JUST BE GENTLE WITH OUR RETARDED LOVE CHILD. 109 00:05:40,690 --> 00:05:41,830 I WILL. 110 00:05:42,790 --> 00:05:45,060 BE GOOD OUT THERE, PSYCHO. 111 00:05:45,090 --> 00:05:46,930 TELL 'EM WHO SENT YOU. 112 00:05:46,960 --> 00:05:49,570 * I AIN'T NO SAINT 113 00:05:49,600 --> 00:05:52,100 * NO COMPLAINTS 114 00:05:52,140 --> 00:05:53,600 * AND BABY 115 00:05:53,640 --> 00:05:55,970 [ CELLPHONE RINGING ] 116 00:05:56,010 --> 00:05:59,540 * IT'S MY LIFE AND I'LL DO WHAT I WANT * 117 00:05:59,580 --> 00:06:02,010 WELL, IF IT ISN'T THE MADRE OF MY BAMBINO. 118 00:06:02,050 --> 00:06:03,710 WHAT'S SHAKIN', SWEET DUCK? 119 00:06:03,750 --> 00:06:04,910 I GOT A JOB. 120 00:06:04,950 --> 00:06:06,080 A GOOD JOB? 121 00:06:06,120 --> 00:06:09,490 A GREAT JOB. I MEAN, MY DREAM JOB. 122 00:06:09,520 --> 00:06:10,920 WOW, WAY TO GO, FANCY PANTS. 123 00:06:10,950 --> 00:06:13,920 YEAH. IT'S, UM... 124 00:06:13,960 --> 00:06:15,120 IT'S IN NEW YORK. 125 00:06:15,160 --> 00:06:16,590 EVEN BETTER. 126 00:06:16,630 --> 00:06:19,000 RIGHT. I START MONDAY. 127 00:06:19,030 --> 00:06:20,160 NO TIME LIKE THE PRESENT. 128 00:06:20,200 --> 00:06:23,000 OH, MY GOD. YOU'RE TAKING THIS MUCH BETTER THAN I THOUGHT. 129 00:06:23,030 --> 00:06:24,170 WHY SHOULDN'T I? 130 00:06:24,200 --> 00:06:27,600 I'VE BEEN TRYING TO GET BACK TO NEW YORK FOR YEARS NOW. 131 00:06:27,640 --> 00:06:28,710 HANK. 132 00:06:28,740 --> 00:06:29,840 KAREN. 133 00:06:29,870 --> 00:06:31,140 I GOT A JOB. 134 00:06:31,170 --> 00:06:33,480 YOU GOT A JOB. THAT'S WHAT YOU JUST SAID. 135 00:06:33,510 --> 00:06:34,640 NOT YOU. 136 00:06:34,680 --> 00:06:37,610 N-NO. NOT -- I'M NOT FOLLOWING. 137 00:06:37,650 --> 00:06:40,480 NO, YOU'RE NOT FOLLOWING. I MEAN, YOU'RE NOT INVITED. 138 00:06:41,620 --> 00:06:42,990 THAT IS FUCKED UP. 139 00:06:43,020 --> 00:06:45,220 WELL, THIS IS NOT ABOUT YOU OR US, OKAY. 140 00:06:45,250 --> 00:06:46,760 THIS IS ABOUT ME AND BECCA. 141 00:06:46,790 --> 00:06:48,490 BUT YOU CAN'T JUST WHISK HER AWAY 142 00:06:48,530 --> 00:06:51,460 AND EXPECT ME TO SIT HERE IN L.A. WITH A DRY THUMB UP MY ASS. 143 00:06:51,500 --> 00:06:52,500 WELL, YOU KNOW WHAT? 144 00:06:52,530 --> 00:06:55,000 YOU DO HAVE SOME SERIOUS SHIT TO DEAL WITH HERE. 145 00:06:55,030 --> 00:06:57,230 KAREN, I CAN WRITE ANYWHERE... 146 00:06:57,270 --> 00:07:00,100 OR NOT, AS THE CASE MAY BE, WHICH IS NOT THE CASE. 147 00:07:00,140 --> 00:07:01,970 I JUST FINISHED THE ASHBY BOOK 148 00:07:02,010 --> 00:07:03,810 THIS MORNING, AS A MATTER OF FACT. GOOD. 149 00:07:03,840 --> 00:07:05,140 HONEY, I'M ON FIRE... GOOD FOR YOU. 150 00:07:05,170 --> 00:07:06,780 ...WHICH IS WHY WE SHOULD BE TOGETHER, 151 00:07:06,810 --> 00:07:09,680 OR, AT THE VERY LEAST, WHY I SHOULD BE YOUR MANNY. 152 00:07:09,710 --> 00:07:10,880 [ CHUCKLES ] 153 00:07:10,910 --> 00:07:12,220 DO YOU LAUGH? 154 00:07:12,250 --> 00:07:13,120 MY MANNY? YEAH! 155 00:07:13,150 --> 00:07:15,490 YOU'RE A HIGH-POWERED CAREER GAL NOW. 156 00:07:15,520 --> 00:07:17,790 YOU NEED SOMEBODY TO HOLD DOWN THE FORT. RIGHT. 157 00:07:17,820 --> 00:07:18,820 A MAJORDOMO. THANK YOU. 158 00:07:18,860 --> 00:07:19,960 I'M YOUR MAN, WOMAN. 159 00:07:19,990 --> 00:07:22,960 I'M NOT TALKING ABOUT YOUR WRITING OR LACK THEREOF, OKAY? 160 00:07:22,990 --> 00:07:26,500 I WAS TALKING ABOUT THE IMPENDING ARRIVAL OF YOUR LATEST MISTAKE. 161 00:07:26,530 --> 00:07:27,500 D-DID YOU FORGET? 162 00:07:27,530 --> 00:07:30,070 UH, SIR FRANCIS DRAKE SAID HE WAS TOTALLY DOWN 163 00:07:30,100 --> 00:07:32,270 WITH RAISING THE LITTLE BASTARD AS HIS OWN. 164 00:07:32,300 --> 00:07:34,670 YOU HEARD THE BEARDED WOMAN. Y-YOU'RE OKAY WITH THAT? 165 00:07:34,700 --> 00:07:36,270 I'M NOT ENTIRELY CONVINCED IT'S MINE. 166 00:07:36,310 --> 00:07:37,970 YOU KNOW, I NEVER CAME INSIDE HER. 167 00:07:38,010 --> 00:07:39,640 I-I DON'T -- I DON'T THINK I DID. 168 00:07:39,680 --> 00:07:41,550 I MEAN, WHEN SHE BRONCOED ME, 169 00:07:41,580 --> 00:07:43,210 I SPASMED OUT A LITTLE DOG WATER, YOU KNOW. 170 00:07:43,250 --> 00:07:44,210 THANK YOU. 171 00:07:44,250 --> 00:07:45,450 I'M STILL HOLDING OUT THE HOPE 172 00:07:45,480 --> 00:07:48,150 THAT SHE BANGED SOME DUDE IN THE P.F. CHANG'S PARKING LOT 173 00:07:48,180 --> 00:07:49,920 WHILE SHE WAS LOOKING FOR MR. GOODBAR. 174 00:07:49,950 --> 00:07:51,960 I THINK THAT'S AN ENTIRELY PLAUSIBLE SCENARIO. 175 00:07:51,990 --> 00:07:53,620 THERE IS SOMETHING WRONG WITH YOU. 176 00:07:53,660 --> 00:07:54,720 WELL, I'M SPECIAL. 177 00:07:54,760 --> 00:07:55,990 I THINK I'M SPECIAL. I REALLY DO. 178 00:07:56,030 --> 00:07:59,100 WHAT DOES JEFF BECCA THINK ABOUT YOU TEARING OUR FAMILY APART? 179 00:07:59,130 --> 00:08:02,170 WELL, NO -- RIGHT NOW -- SHE'S HEARTBROKEN RIGHT NOW. 180 00:08:02,200 --> 00:08:03,730 YEAH, OF COURSE SHE'S HEARTBROKEN. 181 00:08:03,770 --> 00:08:05,100 YOU RIP HER AWAY FROM HER OLD MAN, 182 00:08:05,130 --> 00:08:06,770 YOU DON'T INVITE HIM TO COME WITH. 183 00:08:06,800 --> 00:08:07,870 THAT SHIT IS HARSH! 184 00:08:07,900 --> 00:08:09,270 SHE'S HEARTBROKEN ABOUT DAMIEN. 185 00:08:09,310 --> 00:08:10,570 WHAT ABOUT DAMIEN? 186 00:08:10,610 --> 00:08:12,180 WELL, SHE SAW HIM MAKING OUT 187 00:08:12,210 --> 00:08:16,150 WITH SOMEONE ELSE AT MIA'S PARTY, SO... 188 00:08:16,180 --> 00:08:17,750 [ TIRES SCREECH ] 189 00:08:17,780 --> 00:08:19,550 [ HORN HONKS ] 190 00:08:23,050 --> 00:08:25,590 WELCOME TO ALL AMERICAN BURGER. MAY I TAKE YOUR ORDER? 191 00:08:25,620 --> 00:08:28,560 CAN I GET A JUMBO "WHAT THE FUCK WERE YOU THINKING?" 192 00:08:28,590 --> 00:08:31,030 THAT'S THE PROBLEM -- I WASN'T THINKING. 193 00:08:31,060 --> 00:08:34,830 I MEAN, SHE FUCKING KISSED ME, DUDE. 194 00:08:34,860 --> 00:08:40,200 THAT KIND OF SHIT JUST DOESN'T JUST HAPPEN TO ME A LOT... 195 00:08:40,240 --> 00:08:41,610 LIKE EVER. 196 00:08:41,640 --> 00:08:45,310 W-- W-- YO. 197 00:08:45,340 --> 00:08:48,810 BE THAT AS IT MAY, ON THE FLIP SIDE, 198 00:08:48,850 --> 00:08:51,750 WHAT I'VE GOT IS A YOUNG GIRL WHOSE HEART IS BROKEN. 199 00:08:51,780 --> 00:08:52,750 YEAH, I KNOW. 200 00:08:52,780 --> 00:08:55,790 I KNOW, AND I FEEL ALL SORTS OF AWFUL ABOUT IT. 201 00:08:57,250 --> 00:09:00,160 BUT, YOU KNOW, I'VE BEEN THINKING ABOUT IT, 202 00:09:00,190 --> 00:09:04,630 AND GIVEN THE OPPORTUNITY TO -- TO DO IT AGAIN, 203 00:09:04,660 --> 00:09:07,030 I DON'T THINK IT WOULD GO ANY DIFFERENTLY, HONESTLY. 204 00:09:07,060 --> 00:09:13,740 I MEAN, A BEAUTIFUL GIRL IS KIND ENOUGH TO KISS YOU... 205 00:09:13,770 --> 00:09:15,710 FUCK, YOU KISS HER RIGHT BACK. 206 00:09:15,740 --> 00:09:17,310 'CAUSE... 207 00:09:17,340 --> 00:09:19,280 YOU KNOW, WHO -- WHO KNOWS 208 00:09:19,310 --> 00:09:22,350 WHERE THAT KISS IS GONNA TAKE YOU? 209 00:09:28,020 --> 00:09:29,820 I WENT THERE TO KICK HIS ASS, 210 00:09:29,850 --> 00:09:31,890 AND I STAYED TO SOAK UP HIS WISDOM. 211 00:09:31,920 --> 00:09:34,890 THEY KNOW MORE THAN WE DO -- THE CHILDREN. WE FORGET. 212 00:09:34,920 --> 00:09:37,890 WHICH IS WHY WE END UP IN THESE FUCKED-UP SITUATIONS. 213 00:09:37,930 --> 00:09:39,760 YEAH. SELLING BMWs IN THE VALLEY -- 214 00:09:39,800 --> 00:09:41,300 WHAT THE FUCK, DUDE? [ SCOFFS ] 215 00:09:41,330 --> 00:09:44,170 DON'T KID YOURSELF, PAL. I ALWAYS WAS. 216 00:09:44,200 --> 00:09:46,170 SELLING WRITERS, ACTORS, DIRECTORS -- 217 00:09:46,200 --> 00:09:47,300 IT'S ALL THE SAME SHIT. 218 00:09:47,340 --> 00:09:49,170 HAVE YOU TALKED TO THE MARCE? 219 00:09:49,210 --> 00:09:50,840 [ INHALES SHARPLY ] THROUGH THE LAWYERS. 220 00:09:50,870 --> 00:09:52,980 SHE'S A LITTLE FERAL RIGHT NOW -- 221 00:09:53,010 --> 00:09:55,210 WANTS TO TAKE ME FOR ALL I'M WORTH. 222 00:09:55,240 --> 00:09:57,050 OH, NO. ALL FOUR FIGURES? 223 00:09:57,080 --> 00:09:59,180 [ Chuckling ] I DON'T EVEN CARE, REALLY. 224 00:09:59,220 --> 00:10:01,050 I JUST WANT TO BE HAPPY, YOU KNOW. 225 00:10:01,080 --> 00:10:03,390 THAT'S ALL THAT MATTERS NOW -- THE BIG HAPPY. 226 00:10:03,420 --> 00:10:05,660 RIGHT -- PIMPING RIDES, LIVING IN A STUDIO APARTMENT 227 00:10:05,690 --> 00:10:07,090 IN THE VALLEY WITH A PORNO CHICK. 228 00:10:07,120 --> 00:10:10,230 HEY, HEY, HEY -- RETIRED PORNO CHICK. 229 00:10:10,260 --> 00:10:12,300 SHE'S TAKING SOME GROUNDLINGS CLASSES. 230 00:10:12,330 --> 00:10:13,730 SHE'S REALLY QUITE FUNNY. 231 00:10:13,760 --> 00:10:15,770 I AM SURE SHE'S A DEEP-THROATING LUCILLE BALL. 232 00:10:15,800 --> 00:10:17,230 BULLY FOR HER, BUT WHAT ABOUT YOU? 233 00:10:17,270 --> 00:10:20,340 DOES THIS WORK FOR YOU, GIVE YOU THE BIG HAPPY? 234 00:10:20,370 --> 00:10:23,040 MORE THAN YOU KNOW, PAL. I FEEL LIKE I'M 23 AGAIN. 235 00:10:23,070 --> 00:10:26,040 YOU KNOW, LIFE IS SIMPLE. IT'S GOOD. 236 00:10:26,080 --> 00:10:27,840 MONEY'S A LITTLE TIGHT, YOU KNOW. 237 00:10:27,880 --> 00:10:30,050 I THINK I'M GONNA HAVE TO USE THE OFFICE XEROX 238 00:10:30,080 --> 00:10:31,210 TO COPY YOUR MANUSCRIPT. 239 00:10:31,250 --> 00:10:33,320 I'M SO HAPPY I STAYED WITH YOU. 240 00:10:33,350 --> 00:10:36,690 ME TOO. GOOD FOR US. WE'RE MAKING SHIT HAPPEN. 241 00:10:36,720 --> 00:10:37,720 LET'S GO, RUNKLE. 242 00:10:37,750 --> 00:10:40,190 YOU GOT TO BE ON THAT SALES FLOOR AT ALL TIMES. 243 00:10:40,220 --> 00:10:43,460 A.B.C., BABY -- "ALWAYS BE CLOSING." 244 00:10:43,490 --> 00:10:45,800 YES, SIR! 245 00:10:45,830 --> 00:10:48,230 "A.B.C., BABY -- 'ALWAYS BE CLOSING'". 246 00:10:48,260 --> 00:10:49,330 THESE FUCKING GUYS -- 247 00:10:49,370 --> 00:10:50,930 THEY ALL THINK THEY'RE THE ONLY ONE 248 00:10:50,970 --> 00:10:52,370 WHO EVER SAW "GLENGARRY GLEN ROSS." 249 00:10:52,400 --> 00:10:53,840 [ CHUCKLES ] HEY, IF YOU WANT, 250 00:10:53,870 --> 00:10:55,940 I'LL TAKE YOU OUT BACK AND SHOOT YOU. 251 00:10:55,970 --> 00:10:57,170 I WILL LET YOU KNOW. 252 00:10:57,210 --> 00:10:58,910 THAT NUMBER, MY FRIEND, 253 00:10:58,940 --> 00:11:02,910 PUTS YOU IN A BEAUTIFUL '07 CONVERTIBLE WITH NAVIGATION. 254 00:11:02,950 --> 00:11:05,180 OH, YOU'RE GOOD. 255 00:11:05,210 --> 00:11:08,280 HOW WE DOING OVER HERE? CHUCK RUNKLE. 256 00:11:08,320 --> 00:11:09,790 Man: NICE TO MEET YOU. 257 00:11:09,820 --> 00:11:11,720 THERE GOES MY AGENT. 258 00:11:16,060 --> 00:11:18,090 I'M SICK TO MY STOMACH. 259 00:11:18,130 --> 00:11:20,230 IT'S GONNA GET BETTER. I PROMISE. 260 00:11:20,260 --> 00:11:21,830 MAYBE IT DOES, MAYBE IT DOESN'T. 261 00:11:21,870 --> 00:11:23,070 WELL -- 262 00:11:23,100 --> 00:11:25,300 EITHER WAY, DAD, WORDS DON'T HELP. YEAH. 263 00:11:25,330 --> 00:11:28,470 I SUDDENLY UNDERSTAND THE APPEAL OF CIGARETTES AND ALCOHOL. 264 00:11:28,500 --> 00:11:31,210 HERE'S AN IDEA -- WHY DON'T YOU HANG BEHIND WITH ME 265 00:11:31,240 --> 00:11:32,980 AND NURSE YOUR BROKEN HEART? 266 00:11:33,010 --> 00:11:35,280 WE COULD, UH, SMOKE SOME CIGARETTES, 267 00:11:35,310 --> 00:11:37,280 PASS THE BOTTLE, LISTEN TO SOME BLUES. 268 00:11:37,310 --> 00:11:38,510 IT'LL BE FUN. 269 00:11:38,550 --> 00:11:40,320 HANK, THAT IS VERY MANIPULATIVE. 270 00:11:40,350 --> 00:11:43,150 NO! IT'S NOT. IT'S NOT MANIPULATIVE. 271 00:11:43,190 --> 00:11:44,950 DAD... IT'S A SUGGESTION. 272 00:11:44,990 --> 00:11:47,460 ...I'M GOING WITH MOM. I NEED A CHANGE OF SCENERY. 273 00:11:47,490 --> 00:11:50,030 I DON'T WANT TO BE DRIVING DOWN THE STREET 274 00:11:50,060 --> 00:11:52,330 AND BE REMINDED OF ALL THE PLACES WE KISSED. 275 00:11:52,360 --> 00:11:53,400 "ALL THE PLACES"?! 276 00:11:53,430 --> 00:11:56,400 WHAT KIND OF AN OPERATION ARE YOU...RUNNING HERE? 277 00:11:56,430 --> 00:11:57,930 WHAT THE HELL? [ CELLPHONE RINGING ] 278 00:11:57,970 --> 00:12:00,070 HEY, NO, DON'T ANSWER THAT. IT'S RUDE. 279 00:12:00,100 --> 00:12:01,940 NO, IT'S SONJA. IT COULD BE IMPORTANT. 280 00:12:01,970 --> 00:12:03,470 WELL, REALLY DON'T ANSWER IT. 281 00:12:03,510 --> 00:12:05,370 NO! IT'S AROUND THE DUE DATE, RIGHT? 282 00:12:05,410 --> 00:12:07,110 RIGHT TO VOICEMAIL -- THAT'S WHAT IT'S FOR. 283 00:12:07,140 --> 00:12:08,340 NO, NO. EXCUSE ME, SWEETIE. 284 00:12:08,380 --> 00:12:09,910 [ CELLPHONE BEEPS ] HEY, SONJA. 285 00:12:09,950 --> 00:12:11,450 YOU ARE? 286 00:12:11,480 --> 00:12:13,520 DRUGS! I WANT SOME FUCKING DRUGS! 287 00:12:13,550 --> 00:12:17,090 FUCK! CAN'T YOU HIPPIES MAKE THIS SHIT STOP?! 288 00:12:17,120 --> 00:12:19,020 BREATHE, MOMMY. IT'S ALL ABOUT TRANSC-- 289 00:12:19,060 --> 00:12:22,190 OKAY, YOU KNOW WHAT? FUCK YOU, YOU STUPID FUCKING DOULA! 290 00:12:22,230 --> 00:12:24,490 HEY. OH, GOD. HEY. HI, GUYS. 291 00:12:24,530 --> 00:12:26,360 THANKS. THANKS FOR COMING. 292 00:12:26,400 --> 00:12:27,360 AND BY THE WAY, HANK, FUCK YOU 293 00:12:27,400 --> 00:12:29,470 FOR PUTTING THIS GODDAMN MONSTER IN MY STOMACH. 294 00:12:29,500 --> 00:12:31,970 I'M NOT ENTIRELY SURE IT'S MINE. THERE WILL BE SOME GENETIC -- 295 00:12:32,000 --> 00:12:34,070 HANK, DO NOT BE AN ASSHOLE! 296 00:12:34,100 --> 00:12:36,210 YOU'RE RIGHT, AND WHEN YOU'RE RIGHT, YOU'RE RIGHT. 297 00:12:36,240 --> 00:12:39,210 LET'S GET THE LITTLE FUCKER OUT FIRST, THEN WE'RE GONNA TEST. 298 00:12:39,240 --> 00:12:42,180 OH, HEY, LOOK AT YOU. LOOK WHO SHOWED UP. 299 00:12:42,210 --> 00:12:44,910 I'M BACK. THE MAN'S BACK. 300 00:12:44,950 --> 00:12:46,080 HAVE YOU BEEN DRINKING? 301 00:12:46,120 --> 00:12:48,220 JUST A LITTLE TEQUILA FOR THE PAIN. 302 00:12:48,250 --> 00:12:51,390 YOU BEARDED FUCKING LUNATIC. WHO DO YOU THINK YOU ARE?! 303 00:12:51,420 --> 00:12:53,090 YOU'RE STRESSED OUT, HUH?! 304 00:12:53,120 --> 00:12:54,820 YOU NEED A DRINK?! Shh. 305 00:12:54,860 --> 00:12:56,090 YOU KNOW WHAT? DON'T COME NEAR ME. 306 00:12:56,130 --> 00:12:59,060 I'LL RIP HIS FUCKING HANDLEBARS RIGHT OFF YOUR FUCKING FACE! 307 00:12:59,100 --> 00:13:00,300 I'LL DO IT. FUCKING DRUNK. 308 00:13:00,330 --> 00:13:02,270 COME ON. YOU GOT TO GET YOUR SHIT TOGETHER. 309 00:13:02,300 --> 00:13:06,170 IT'S TIME TO STAND UP AND EXTRACT THAT LITTLE ARTIST WITHIN. COME ON. 310 00:13:06,200 --> 00:13:08,040 I'M JUST A FRAUD, HANK. 311 00:13:08,070 --> 00:13:09,340 I KNOW, BUT IT'S TIME TO STAND UP. 312 00:13:09,370 --> 00:13:11,240 NO. TAKE THE DRESS OFF ALREADY. 313 00:13:11,270 --> 00:13:12,880 [ SOBBING ] OH, STOP. 314 00:13:12,910 --> 00:13:15,080 I AM. DON'T. DON'T. 315 00:13:15,110 --> 00:13:17,550 NO, ACTUALLY, ACTUALLY, THAT'S GOOD. THAT'S GOOD. 316 00:13:17,580 --> 00:13:19,220 YOU MARCH OVER THERE WITH THOSE TEARS, 317 00:13:19,250 --> 00:13:21,120 AND YOU TELL HER THOSE ARE TEARS OF JOY, OKAY? 318 00:13:21,150 --> 00:13:23,150 SHE WILL SWOON. TRUST ME. GO. 319 00:13:23,190 --> 00:13:24,190 OKAY. YOU GO. 320 00:13:24,220 --> 00:13:26,090 THANK YOU. YES, YOU'RE WELCOME. 321 00:13:26,120 --> 00:13:27,090 YOU'RE BEAUTIFUL. 322 00:13:27,120 --> 00:13:29,060 [ SMOOCHES ] 323 00:13:29,090 --> 00:13:30,230 JUST GO. 324 00:13:30,260 --> 00:13:32,000 NO, YOU GOT TO GO ALONE. 325 00:13:34,500 --> 00:13:37,070 OKAY, I'M JUST GONNA... 326 00:13:37,100 --> 00:13:39,100 [ CRIES ] WHAT THE FUCK, JULIAN? 327 00:13:39,140 --> 00:13:40,570 I'M CRYING. ARE YOU CRYING? 328 00:13:40,600 --> 00:13:42,510 YEAH. WHAT THE FUCK?! 329 00:13:42,540 --> 00:13:45,110 I'M THE ONE FUCKING PUSHING OUT A GODDAMN BOWLING BALL 330 00:13:45,140 --> 00:13:48,080 OUT OF MY PUSSY -- MY SWEET, BEAUTIFUL PUSSY 331 00:13:48,110 --> 00:13:49,610 THAT IS NEVER GONNA LOOK THE SAME AGAIN! 332 00:13:49,650 --> 00:13:51,350 I SHOULD BE CRYING! YOU A CRYING. 333 00:13:51,380 --> 00:13:53,950 I DID HAVE A PRETTY PUSSY, DIDN'T I, HANK? 334 00:13:53,980 --> 00:13:55,990 OH, MY GOD, YES. I MEAN, A BEAUTIFUL PUSSY. 335 00:13:56,020 --> 00:13:58,090 I WOULD PUT IT IN THE TOP 10 OF PUSSIES. 336 00:13:58,120 --> 00:13:59,920 I LOVE YOUR PUSSY, TOO. 337 00:13:59,960 --> 00:14:02,430 YOUR P-- YOU KNOW, NOT -- NO DISRESPECT TO YOURS. 338 00:14:02,460 --> 00:14:05,090 KAREN -- NUMBER-ONE PUSSY IN THE WORLD, WITH A BULLET. 339 00:14:05,130 --> 00:14:06,860 [ WHISTLES ] FUCK YOU. 340 00:14:07,660 --> 00:14:09,070 [ HORN HONKS ] 341 00:14:09,100 --> 00:14:11,070 [ BRAKES HISS ] 342 00:14:17,540 --> 00:14:19,980 LOVER! 343 00:14:20,010 --> 00:14:21,310 YOU HOME? 344 00:14:30,190 --> 00:14:32,320 [ MOANS PLEASURABLY ] 345 00:14:32,360 --> 00:14:35,090 OH, YEAH. 346 00:14:35,120 --> 00:14:36,590 CHARLIE. 347 00:14:36,630 --> 00:14:38,160 Marcy: OH, SHIT. 348 00:14:38,190 --> 00:14:41,060 I KNOW THAT LOOK. HE'S GONNA BLOW. 349 00:14:41,100 --> 00:14:43,300 Ronny: SLOW IT DOWN, RUNKLE. 350 00:14:43,330 --> 00:14:47,100 AHH. AHH. AHH. AHH. AHH. 351 00:14:47,140 --> 00:14:49,210 Daisy: FORGET IT, JAKE. IT'S VAGINATOWN! 352 00:14:49,240 --> 00:14:50,510 [ DOOR OPENS ] 353 00:14:50,540 --> 00:14:53,210 I KNOW. THAT'S THE ONLY WAY -- 354 00:14:53,240 --> 00:14:55,380 CHARLIE, WHAT ARE YOU DOING? 355 00:14:55,410 --> 00:14:57,450 EH! AAH! 356 00:14:57,480 --> 00:14:58,350 I'M SORRY. 357 00:14:58,380 --> 00:15:00,650 CAN YOU JUST WAIT OUTSIDE FOR A SECOND? 358 00:15:00,680 --> 00:15:02,550 SURE THING, BABE. 359 00:15:07,260 --> 00:15:08,990 I'M SORRY, BABY. I JUST -- 360 00:15:09,030 --> 00:15:12,160 I THOUGHT I WAS GONNA BE BY MYSELF FOR A WHILE, YOU KNOW? 361 00:15:12,200 --> 00:15:13,360 I -- WHO'S THAT? 362 00:15:13,400 --> 00:15:14,630 OH, JUST A GUY FROM MY GROUNDLINGS CLASS. 363 00:15:14,660 --> 00:15:15,970 WE WERE GONNA WORK ON A SKETCH. 364 00:15:16,000 --> 00:15:18,400 OH, OKAY. WOW. I'M REALLY SORRY. 365 00:15:18,430 --> 00:15:20,970 I JUST -- I THOUGHT I WAS GONNA HAVE A FEW MINUTES TO MYSELF. 366 00:15:21,000 --> 00:15:22,040 OH, IT'S OKAY. 367 00:15:22,070 --> 00:15:24,140 YOU KNOW I'M TOTALLY FINE WITH YOU MASTURBATING. 368 00:15:24,170 --> 00:15:28,240 IT'S JUST KIND OF WEIRD WHEN YOU BRING SOMEBODY OVER. 369 00:15:28,280 --> 00:15:32,980 I UNDERSTAND, AND IT'S IMPORTANT THAT WE SET THESE GROUND RULES. 370 00:15:33,020 --> 00:15:34,620 GUS? 371 00:15:34,650 --> 00:15:35,680 OH. 372 00:15:35,720 --> 00:15:38,420 UM, GUS, THIS IS MY LOVER, CHARLIE. 373 00:15:38,450 --> 00:15:39,490 GUS, CHUCK RUNKLE. 374 00:15:42,130 --> 00:15:43,460 HEY, CHARLIE. 375 00:15:43,490 --> 00:15:44,690 UH, SHOULD WE START? 376 00:15:44,730 --> 00:15:46,000 OH, FUCK. 377 00:15:46,030 --> 00:15:47,660 HERE IT COMES. Woman: OKAY. 378 00:15:47,700 --> 00:15:49,000 FUCK. OKAY, IT'S TIME. 379 00:15:49,030 --> 00:15:51,170 OH, YEAH. BREATHE, BREATHE. 380 00:15:51,200 --> 00:15:53,440 OKAY, GO, SONJA. GO! YES! [ SCREAMING ] 381 00:15:53,470 --> 00:15:54,640 FUCK! 382 00:15:54,670 --> 00:15:56,670 [ GAGGING ] 383 00:15:57,670 --> 00:15:59,140 PUSH. PUSH! 384 00:15:59,180 --> 00:16:01,480 OH, MY GOD! 385 00:16:01,510 --> 00:16:03,410 OH, LOOK. 386 00:16:03,450 --> 00:16:06,120 WHAT THE FUCK?! 387 00:16:06,150 --> 00:16:07,250 OHH. 388 00:16:07,280 --> 00:16:09,220 BOOOOOO-YA! 389 00:16:09,250 --> 00:16:11,790 BABY IS BLACK! KAREN! 390 00:16:11,820 --> 00:16:14,120 DAMN IT, THE BABY'S BLACK. YOU SEE THAT SHIT?! 391 00:16:14,160 --> 00:16:15,690 GODDAMN IT! I DIDN'T KNOCK HER UP. 392 00:16:15,720 --> 00:16:17,730 I KNOW! I LOVE YOU. 393 00:16:17,760 --> 00:16:19,330 I LOVE YOU. OHH. 394 00:16:19,360 --> 00:16:21,700 CONGRATULATIONS, MOMMY. 395 00:16:21,730 --> 00:16:25,270 BATHE THE CHILD, AND BRING HIM TO ME. 396 00:16:25,300 --> 00:16:27,070 I FORGOT ABOUT THAT FUCKING BARISTA. 397 00:16:27,100 --> 00:16:29,110 HE WAS SO HOT. HE LOOKED LIKE LENNY KRAVITZ. 398 00:16:29,140 --> 00:16:30,140 FUCK. 399 00:16:30,170 --> 00:16:32,710 I SAID, BATHE THE INFANT, AND BRING HIM TO ME. 400 00:16:32,740 --> 00:16:33,810 COMING. COMING. 401 00:16:33,840 --> 00:16:36,080 FUCK, I FORGOT. I'M SORRY, HANK. 402 00:16:37,410 --> 00:16:39,080 [ BABY CRYING ] YES. 403 00:16:39,120 --> 00:16:42,120 OH, YES. 404 00:16:42,150 --> 00:16:43,420 I WILL RAISE... 405 00:16:43,450 --> 00:16:46,720 THIS BLACK BABY AS MY OWN. 406 00:16:46,760 --> 00:16:50,060 BEFORE YOU DROP HIM, YOU FUCKING DRUNK, COME HERE. 407 00:16:50,090 --> 00:16:53,600 I WILL RAISE THIS BLACK BABY AS MY OWN. 408 00:16:55,130 --> 00:16:57,170 AS MY OWN. 409 00:16:57,200 --> 00:16:58,730 YEAH. 410 00:16:58,770 --> 00:17:00,270 OH. 411 00:17:00,300 --> 00:17:03,570 HE'S BEAUTIFUL. CONGRATULATIONS. 412 00:17:03,610 --> 00:17:05,770 HE LOOKS LIKE ME. HE DOESN'T LOOK LIKE YOU. 413 00:17:05,810 --> 00:17:07,210 [ DOOR OPENS ] 414 00:17:08,580 --> 00:17:10,150 HEY, LOVER. 415 00:17:10,180 --> 00:17:11,110 HEY! 416 00:17:11,150 --> 00:17:12,550 MWAH. 417 00:17:12,580 --> 00:17:14,080 [ GASPS ] OH! 418 00:17:14,120 --> 00:17:15,350 HOW'D IT GO? 419 00:17:15,380 --> 00:17:16,190 GOOD. 420 00:17:16,220 --> 00:17:18,720 I THINK IT'S GONNA BE REALLY FUNNY. 421 00:17:18,750 --> 00:17:20,760 GOOD. GOOD. 422 00:17:20,790 --> 00:17:22,660 I HAD SEX WITH GUS. 423 00:17:24,630 --> 00:17:25,630 WHAT? 424 00:17:25,660 --> 00:17:27,500 I GOT CONFUSED. 425 00:17:27,530 --> 00:17:29,800 YOU GOT CONFUSED? WHAT THE FUCK DOES THAT MEAN? 426 00:17:29,830 --> 00:17:32,300 WELL, I'VE NEVER DONE A SCENE LIKE THAT BEFORE, 427 00:17:32,340 --> 00:17:35,100 AND WE GOT TO THE KISSING PART, AND I GOT ALL CONFUSED. 428 00:17:35,140 --> 00:17:37,270 MY AUTOPILOT KICKED IN, AND I KISSED HIM FOR REAL, 429 00:17:37,310 --> 00:17:39,440 AND THE NEXT THING YOU KNOW, HE WAS INSIDE ME. 430 00:17:39,480 --> 00:17:41,310 THAT SOUNDS LIKE RAPE. 431 00:17:41,340 --> 00:17:42,580 NO, NOT REALLY -- 432 00:17:42,610 --> 00:17:44,480 UNLESS HE WANTS TO PRESS CHARGES. 433 00:17:44,510 --> 00:17:46,650 IT FELT GOOD. HE HAD A REALLY NICE COCK. 434 00:17:46,680 --> 00:17:48,750 JESUS CHRIST, DAISY! 435 00:17:48,780 --> 00:17:50,150 I'M SORRY. 436 00:17:50,190 --> 00:17:51,320 DOES THAT MAKE YOU FEEL BAD? 437 00:17:51,350 --> 00:17:53,660 YEAH, IT MAKES ME FEEL BAD! IT MAKES ME WANT TO THROW UP! 438 00:17:53,690 --> 00:17:55,890 DO YOU WANT ME TO SUCK YOUR DICK? 439 00:17:55,920 --> 00:17:57,790 NO! 440 00:17:59,160 --> 00:18:00,330 YES. 441 00:18:00,360 --> 00:18:02,500 I DON'T KNOW. NOW I'M CONFUSED. 442 00:18:02,530 --> 00:18:05,670 SEE?! THIS IS CONFUSING STUFF! 443 00:18:05,700 --> 00:18:07,470 MAYBE WE SHOULD TAKE A BREAK. 444 00:18:07,500 --> 00:18:10,370 "TAKE A BREAK"?! I JUST LEFT MY WIFE FOR YOU! 445 00:18:10,410 --> 00:18:11,840 I DIDN'T ASK YOU TO, CHARLIE! 446 00:18:11,870 --> 00:18:13,680 I KNOW! 447 00:18:15,710 --> 00:18:19,350 IT JUST...SEEMED INCREDIBLY ROMANTIC AT THE TIME. 448 00:18:19,380 --> 00:18:20,550 IT WAS. 449 00:18:20,580 --> 00:18:24,350 MAYBE WE SHOULD HAVE SOME SEX, JUST FUCK THROUGH THE PAIN. 450 00:18:24,390 --> 00:18:27,360 O...KAY. 451 00:18:27,390 --> 00:18:31,760 OKAY, CITIZEN, FUCK THE GUS OUT OF ME. 452 00:18:36,730 --> 00:18:38,330 AHH! 453 00:18:38,370 --> 00:18:39,470 [ GRUNTING ] 454 00:18:39,500 --> 00:18:41,640 OH! AHH! 455 00:18:41,670 --> 00:18:44,770 AAH! OHH. 456 00:18:44,810 --> 00:18:45,870 OHHH. 457 00:18:45,910 --> 00:18:47,740 [ EXHALES HEAVILY ] 458 00:18:47,780 --> 00:18:50,850 WHY DIDN'T YOU PINCH ME? 459 00:18:50,880 --> 00:18:52,550 [ HEAVY BREATHING ] 460 00:18:52,580 --> 00:18:54,420 [ KAREN MOANING ] 461 00:18:54,450 --> 00:18:56,750 Hank: JESUS! WOMAN! 462 00:18:56,790 --> 00:18:58,750 UHH, I'M TAPPING OUT. 463 00:18:58,790 --> 00:18:59,760 [ LAUGHS ] 464 00:18:59,790 --> 00:19:03,590 YOU HAD ME LOOKING FOR THE FUCKING RODEO CLOWN. 465 00:19:03,630 --> 00:19:04,690 REALLY? 466 00:19:04,730 --> 00:19:06,830 [ EXHALES HEAVILY ] 467 00:19:06,860 --> 00:19:08,430 HEY, YOU KNOW WHAT? 468 00:19:08,460 --> 00:19:11,630 I THINK YOU SHOULD COME TO NEW YORK. 469 00:19:14,600 --> 00:19:15,900 WELL. 470 00:19:17,540 --> 00:19:19,510 WHY THE CHANGE OF HEART? 471 00:19:19,540 --> 00:19:22,380 I CAN'T LIVE WITHOUT THIS. 472 00:19:22,410 --> 00:19:24,410 MM. I THOUGHT MAYBE IT WAS 'CAUSE 473 00:19:24,450 --> 00:19:26,320 YOU WANTED TO MAKE A BLACK BABY WITH ME. 474 00:19:27,480 --> 00:19:29,420 NO, I JUST NEED A MANNY. 475 00:19:29,450 --> 00:19:30,820 OH, I HAVE EXCELLENT REFERENCES. 476 00:19:30,850 --> 00:19:31,820 MM. 477 00:19:31,850 --> 00:19:36,430 PLUS, MY VAGINA'S BECOME REALLY ATTACHED TO YOU. 478 00:19:36,460 --> 00:19:37,960 NOT YOUR HEART? JUST YOUR VAG? 479 00:19:37,990 --> 00:19:39,700 WELL, IT'S TOUGH IF, YOU KNOW, 480 00:19:39,730 --> 00:19:42,230 THE HEART AND THE VAG ARE NOT ON THE SAME PAGE. 481 00:19:42,270 --> 00:19:44,900 BUT, YOU KNOW WHAT? IN THIS INSTANCE, THEY ARE. 482 00:19:44,930 --> 00:19:47,640 WELL, THAT'S TERRIFIC BECAUSE I AM ALL ABOUT 483 00:19:47,670 --> 00:19:49,640 IMPROVING HEART/VAG RELATIONS, YOU KNOW? 484 00:19:49,670 --> 00:19:50,640 IT'S MY THING. 485 00:19:50,670 --> 00:19:52,480 SO WE'RE IN SYNC. MM-HMM. 486 00:19:52,510 --> 00:19:54,910 SHOULD WE TAKE ADVANTAGE OF THAT? 487 00:19:54,940 --> 00:19:56,250 COULD -- COULD WE -- 488 00:19:56,280 --> 00:19:57,380 ROUND TWO? YEAH. 489 00:19:57,410 --> 00:19:59,650 I-I'M ANSWERING THE BELL. 490 00:19:59,680 --> 00:20:02,220 YOU GOT FIVE MINUTES, RUNKLE. 491 00:20:04,350 --> 00:20:05,620 YOU LOOK BEAUTIFUL. 492 00:20:05,650 --> 00:20:07,960 THAT'S RIGHT, MOTHERFUCKER, I DO. 493 00:20:07,990 --> 00:20:09,590 I'VE ALWAYS LOOKED BEAUTIFUL. 494 00:20:09,630 --> 00:20:10,830 THAT'S TRUE. YOU HAVE. 495 00:20:10,860 --> 00:20:13,260 THEN WHY THE FUCK DID YOU HAVE TO GO 496 00:20:13,300 --> 00:20:16,030 AND STICK YOUR DICK INTO SOME SKANKY PORNO CHICK? 497 00:20:16,060 --> 00:20:17,830 I DON'T KNOW. 498 00:20:17,870 --> 00:20:19,300 I GOT CONFUSED. 499 00:20:19,340 --> 00:20:21,340 YOU COULD'VE STAYED WITH ME. 500 00:20:21,370 --> 00:20:22,770 YOU WERE NUMBER 19. 501 00:20:22,810 --> 00:20:25,970 THERE WERE 18 COCKS BEFORE YOU, CHARLIE -- 502 00:20:26,010 --> 00:20:28,940 NOT A TON, NOT A ROGUES GALLERY, 503 00:20:28,980 --> 00:20:31,850 BUT ENOUGH TO KNOW THAT I LIKED YOURS THE BEST. 504 00:20:31,880 --> 00:20:34,780 NOT THE LONGEST, NOT THE THICKEST, 505 00:20:34,820 --> 00:20:38,550 LITTLE BIT OF ENGLISH ON IT, BUT IT WAS MINE -- ALL MINE. 506 00:20:38,590 --> 00:20:40,460 AND NOW YOU AND YOUR COCK 507 00:20:40,490 --> 00:20:42,830 HAVE BETRAYED ME FOR THE LAST TIME. 508 00:20:42,860 --> 00:20:43,960 DON'T GO, MARCE. 509 00:20:43,990 --> 00:20:45,330 I'M ALREADY GONE, BABY. 510 00:20:45,360 --> 00:20:46,460 I WAS GONE THE MOMENT 511 00:20:46,500 --> 00:20:48,700 THAT YOU SAID YOU WANTED TO BE WITH DAISY. 512 00:20:48,730 --> 00:20:51,570 YOU SAID IT OUT LOUD! YOU CAN'T TAKE IT BACK. 513 00:20:51,600 --> 00:20:56,470 OH, AND, UH...YOUR FRIEND RONNY PRAEGER CALLED. 514 00:20:56,510 --> 00:20:59,410 HE SAID SOMETHING ABOUT INTENSE VIDEO WANTING TO 515 00:20:59,440 --> 00:21:01,680 [ Australian accent ] "BUY 'VAGINATOWN' 516 00:21:01,710 --> 00:21:03,310 FOR A SHITLOAD OF MONEY." 517 00:21:03,350 --> 00:21:04,580 REALLY? MM-HMM. 518 00:21:04,610 --> 00:21:05,750 THAT'S GOOD NEWS. 519 00:21:05,780 --> 00:21:08,750 OH, HELLS YEAH. IT'S GREAT NEWS...FOR ME. 520 00:21:09,890 --> 00:21:12,590 WHAT? YOU SAID I COULD HAVE EVERYTHING. 521 00:21:12,620 --> 00:21:14,760 BUT DON'T WORRY YOUR PRETTY LITTLE HEAD ABOUT IT. 522 00:21:14,790 --> 00:21:16,390 WE'LL LET MY LAWYER FIGURE IT OUT. 523 00:21:16,430 --> 00:21:17,590 HE'S REALLY GOOD. 524 00:21:19,030 --> 00:21:21,030 LATER, RUNKLE. 525 00:21:25,000 --> 00:21:28,970 WHERE'S MY iPOD? I CAN'T FIND MY FUCKING iPOD! 526 00:21:30,140 --> 00:21:31,910 BEC -- [ LAUGHS ] 527 00:21:31,940 --> 00:21:34,440 IT'S GONNA BE A LONG TRIP. 528 00:21:34,480 --> 00:21:36,750 YEAH. 529 00:21:36,780 --> 00:21:37,850 UH-OH. 530 00:21:37,880 --> 00:21:39,780 WHAT? 531 00:21:39,820 --> 00:21:42,080 SOMETHING PUBESCENT THIS WAY COMES. 532 00:21:44,720 --> 00:21:47,860 OKAY, I KNOW YOU HATE ME RIGHT NOW. 533 00:21:47,890 --> 00:21:48,860 I DO. 534 00:21:48,890 --> 00:21:51,890 OKAY, BUT I FIGURED I'D HATE MYSELF EVEN MORE 535 00:21:51,930 --> 00:21:55,830 IF I DIDN'T, YOU KNOW, AT LEAST SAY GOODBYE. 536 00:21:57,900 --> 00:21:59,470 THAT'S IT? 537 00:21:59,500 --> 00:22:00,940 THAT'S THE BEST YOU CAN DO? 538 00:22:00,970 --> 00:22:03,370 HERE, I GOT YOU SOMETHING. 539 00:22:06,070 --> 00:22:08,080 I PUT A PLAYLIST ON THERE -- 540 00:22:08,110 --> 00:22:10,750 OUR PLAYLIST -- THE ONE WE MADE OUT TO... 541 00:22:10,780 --> 00:22:12,450 ALL 17 SONGS. 542 00:22:12,480 --> 00:22:14,620 WHAT?! 17 SONGS? 543 00:22:14,650 --> 00:22:16,520 THAT'S A LOT OF MAKING OUT. 544 00:22:16,550 --> 00:22:17,820 H-HANK, COULD YOU SHUT UP? 545 00:22:17,850 --> 00:22:18,950 HE SAID 17 SONGS. 546 00:22:18,990 --> 00:22:20,560 I STILL LOATHE YOU. 547 00:22:20,590 --> 00:22:23,130 I KNOW. I KNOW. AND YOU HAVE EVERY RIGHT. 548 00:22:23,160 --> 00:22:25,490 I DO FEEL LIKE I WAS UNJUSTLY SEDUCED, 549 00:22:25,530 --> 00:22:27,560 BUT I KNOW THAT DOESN'T MAKE IT OKAY. 550 00:22:27,600 --> 00:22:29,630 ANYWAY, I JUST WISH YOU WEREN'T LEAVING 'CAUSE... 551 00:22:31,530 --> 00:22:35,770 'CAUSE I -- I LOVE YOU... BECCA MOODY. 552 00:22:35,800 --> 00:22:39,640 YOU'RE LIKE THE ONLY POST-PUNK, HEAVY-METAL CHICK 553 00:22:39,680 --> 00:22:42,410 WHO'S EVER TRULY ROCKED MY WORLD. 554 00:22:50,220 --> 00:22:52,960 IS IT OKAY IF WE GO UPSTAIRS FOR A MINUTE? 555 00:22:52,990 --> 00:22:54,190 OF COURSE -- NO FUCKING WAY. 556 00:22:54,220 --> 00:22:56,430 NO, NO, NO. YOU TAKE IT OUT ON THE STRAND 557 00:22:56,460 --> 00:22:58,690 WHERE THERE ARE PEOPLE, AND I'M WATCHING YOU -- 558 00:22:58,730 --> 00:23:00,200 EYES IN THE BACK OF MY HEAD. 559 00:23:00,230 --> 00:23:01,630 AS ALWAYS. 560 00:23:03,500 --> 00:23:05,500 HEY, DAMIEN. 561 00:23:05,530 --> 00:23:06,840 WELL PLAYED. 562 00:23:06,870 --> 00:23:08,640 BIG UPS. 563 00:23:11,040 --> 00:23:13,640 YOU KNOW, THAT WAS A NICE PARENTAL MOVE. 564 00:23:13,680 --> 00:23:15,480 I-I-I -- YEAH. 565 00:23:15,510 --> 00:23:17,780 I-I KIND OF -- 566 00:23:17,810 --> 00:23:19,580 I LIKE THE WAY YOU HANDLED THAT SHIT. 567 00:23:19,620 --> 00:23:21,450 THAT'S RIGHT, MOTHAFUCKAH! 568 00:23:23,620 --> 00:23:28,120 I FEEL KIND OF BAD SPLITTING THEM UP RIGHT NOW. 569 00:23:28,160 --> 00:23:30,690 [ SIGHS ] 570 00:23:30,730 --> 00:23:31,990 WELL, THEN DON'T. 571 00:23:32,030 --> 00:23:33,960 WHAT DO YOU MEAN? 572 00:23:34,000 --> 00:23:36,030 YOU GO. I STAY. 573 00:23:37,600 --> 00:23:39,770 ARE YOU CRAZY? 574 00:23:39,800 --> 00:23:41,870 WHAT, YOU THINK I'D LEAVE BECCA BEHIND? 575 00:23:41,900 --> 00:23:44,140 WELL, I'M NOT GONNA BREAK HER. I PROMISE. 576 00:23:44,170 --> 00:23:46,610 WELL, HOLD ON A SECOND. WHAT ABOUT YOU? 577 00:23:46,640 --> 00:23:48,580 I MEAN, YOU'D GIVE UP NEW YORK? 578 00:23:48,610 --> 00:23:50,850 FOR HER, YEAH. 579 00:23:50,880 --> 00:23:55,020 AT THE END OF THE DAY, IT'S ALL ABOUT HER. 580 00:23:55,050 --> 00:23:57,750 IT'S ALWAYS BEEN ABOUT HER. 581 00:23:57,790 --> 00:24:01,190 WHAT HAPPENS BETWEEN US, I CAN'T FUCKING CONTROL. 582 00:24:01,220 --> 00:24:03,260 LORD KNOWS I'VE TRIED EVERY WHICH WAY. 583 00:24:03,290 --> 00:24:04,760 BUT WHAT I CAN DO 584 00:24:04,790 --> 00:24:07,930 IS BE THE ABSOLUTE BEST I CAN BE FOR HER. 585 00:24:07,960 --> 00:24:10,130 IF I FOLLOWED YOU TO NEW YORK, 586 00:24:10,170 --> 00:24:12,570 I'D JUST BE HOPING AGAINST HOPE 587 00:24:12,600 --> 00:24:14,900 THAT WE LIVED HAPPILY EVER AFTER. 588 00:24:14,940 --> 00:24:17,270 MAYBE WE DO. MAYBE WE DON'T. 589 00:24:17,310 --> 00:24:20,880 BUT YOU GOT SOME SHIT YOU GOT TO DO, LADY. 590 00:24:20,910 --> 00:24:22,880 I THINK YOU SHOULD DO IT. 591 00:24:22,910 --> 00:24:25,950 I'LL HOLD DOWN THE FORT... 592 00:24:25,980 --> 00:24:28,180 KEEP HER OFF THE POLE. 593 00:24:28,220 --> 00:24:30,620 [ CHUCKLES ] 594 00:24:30,650 --> 00:24:32,760 OH, JESUS. 595 00:24:32,790 --> 00:24:36,260 I WISH YOU HADN'T JUST SAID ALL THAT. 596 00:24:36,290 --> 00:24:37,990 WHY? 597 00:24:38,030 --> 00:24:39,130 I DON'T KNOW. 598 00:24:39,160 --> 00:24:43,100 'CAUSE, YOU KNOW, IT JUST MAKES ME LOVE YOU EVEN MORE. 599 00:24:43,130 --> 00:24:46,970 YEAH, WELL... THAT REALLY CAN'T BE HELPED. 600 00:24:47,000 --> 00:24:48,800 I AM ME, AFTER ALL. 601 00:24:58,180 --> 00:25:00,780 A QUICK ONE WHILE THEY'RE AWAY? 602 00:25:00,820 --> 00:25:02,120 YOU'RE DISGUSTING. 603 00:25:02,150 --> 00:25:03,420 MM. 604 00:25:03,450 --> 00:25:09,020 * SOMETIMES WHEN YOU'RE DOING SIMPLE THINGS AROUND THE HOUSE * 605 00:25:09,060 --> 00:25:13,900 * MAYBE YOU'LL THINK OF ME AND SMILE * 606 00:25:13,930 --> 00:25:16,600 * YOU KNOW, I'M TIED TO YOU 607 00:25:16,630 --> 00:25:19,840 * LIKE THE BUTTONS ON YOUR BLOUSE * 608 00:25:19,870 --> 00:25:25,010 * KEEP ME IN YOUR HEART FOR A WHILE * 609 00:25:25,040 --> 00:25:27,810 * HOLD ME IN YOUR THOUGHTS 610 00:25:27,840 --> 00:25:30,280 * TAKE ME TO YOUR DREAMS 611 00:25:30,310 --> 00:25:35,620 * TOUCH ME AS I FALL INTO VIEW 612 00:25:35,650 --> 00:25:38,290 * WHEN THE WINTER COMES 613 00:25:38,320 --> 00:25:40,620 * KEEP THE FIRES LIT 614 00:25:40,660 --> 00:25:46,230 * AND I WILL BE RIGHT NEXT TO YOU * 615 00:25:46,260 --> 00:25:48,030 * LA LA-LA LA 616 00:25:48,060 --> 00:25:51,670 * LA LA-LA-LA-LA OHH 617 00:25:51,700 --> 00:25:54,340 * KEEP ME IN YOUR HEART 618 00:25:54,370 --> 00:25:57,640 LOOK, JUST BECAUSE IT'S YOU AND ME NOW, ALONE, 619 00:25:57,670 --> 00:26:00,310 DOESN'T MEAN I'M GONNA LET YOU GET AWAY WITH STUFF. 620 00:26:00,340 --> 00:26:01,440 IT'S GOOD. 621 00:26:01,480 --> 00:26:04,110 'CAUSE I'M NOT GONNA LET YOU GET AWAY WITH STUFF EITHER. 622 00:26:04,150 --> 00:26:06,180 OH, REALLY? WHAT ARE -- WHAT ARE YOU GONNA DO? 623 00:26:06,210 --> 00:26:07,150 I'M NOT SCARED OF YOU. 624 00:26:07,180 --> 00:26:09,180 YOU'RE -- YOU'RE -- YOU'RE VERY DIMINUTIVE, 625 00:26:09,220 --> 00:26:11,290 YOU KNOW, AND I-I KNOW JUJITSU. 626 00:26:11,320 --> 00:26:13,120 I CAN STILL KICK YOUR ASS. 627 00:26:13,160 --> 00:26:15,090 YEAH, AT "GUITAR HERO," MAYBE. 628 00:26:15,120 --> 00:26:16,220 AHH. 629 00:26:16,260 --> 00:26:17,290 OH. 630 00:26:17,330 --> 00:26:18,690 HEY. HEY, YOURSELF. 631 00:26:18,730 --> 00:26:20,060 IS THIS YOUR OFFSPRING? 632 00:26:20,100 --> 00:26:22,970 YES, THIS IS, UH, THIS IS BECCA, MY DAUGHTER, 633 00:26:23,000 --> 00:26:24,270 AND THIS IS... 634 00:26:25,900 --> 00:26:27,770 THIS IS SURFER GIRL. 635 00:26:27,800 --> 00:26:29,910 HELLO, SURFER GIRL. 636 00:26:29,940 --> 00:26:31,240 IT'S MICHELLE. 637 00:26:31,270 --> 00:26:33,210 MY NAME IS MICHELLE. OKAY. 638 00:26:33,240 --> 00:26:35,780 I'M GONNA GO CHECK OUT THAT HEAD SHOP. 639 00:26:35,810 --> 00:26:37,780 I'LL BE WATCHING. N-- 640 00:26:37,810 --> 00:26:40,650 EYES IN BACK OF MY HEAD. 641 00:26:40,680 --> 00:26:41,650 HEAD SHOP. 642 00:26:41,680 --> 00:26:43,090 WOW. OH, BOY. 643 00:26:43,120 --> 00:26:45,120 [ LAUGHS ] CUTE KID. 644 00:26:45,150 --> 00:26:46,660 SHE HAS HER MOMENTS. 645 00:26:46,690 --> 00:26:49,860 SO, MICHELLE, HUH? THAT'S -- THAT'S INTERESTING. 646 00:26:49,890 --> 00:26:52,130 YOU'RE DISAPPOINTED, AREN'T YOU? 647 00:26:52,160 --> 00:26:54,860 WELL, YOU KNOW, I DID KIND OF LIKE NOT KNOWING. 648 00:26:54,900 --> 00:26:56,060 IT WAS -- IT WAS COOL 649 00:26:56,100 --> 00:26:58,300 IN A "LAST TANGO IN PARIS" KIND OF WAY. 650 00:26:58,330 --> 00:27:01,240 I THINK YOU MYTHOLOGIZE ME JUST A LITTLE TOO MUCH. 651 00:27:01,270 --> 00:27:02,910 OH. 652 00:27:02,940 --> 00:27:05,270 YOU KNOW, I'M JUST A NORMAL GIRL... 653 00:27:05,310 --> 00:27:08,240 WITH NORMAL WANTS AND NEEDS. 654 00:27:08,280 --> 00:27:12,150 YOU KNOW, I HAVE BEEN AROUND THE BLOCK A TIME OR TWO, LADY, 655 00:27:12,180 --> 00:27:15,050 AND THERE AIN'T NOTHING NORMAL ABOUT YOU. 656 00:27:15,080 --> 00:27:18,390 AW, YOU'RE STILL THE SWEETEST GUY I EVER FUCKED AND ROBBED. 657 00:27:18,420 --> 00:27:20,820 YOU KNOW, I'D LIKE NOTHING MORE THAN TO GET HIGH, 658 00:27:20,860 --> 00:27:23,360 FUCK YOU GOOFY, AND INDULGE YOUR LARCENOUS TENDENCIES, 659 00:27:23,390 --> 00:27:29,360 BUT I HAVE A, UH, SERIOUS CHILD-RAISING... 660 00:27:29,400 --> 00:27:30,370 PROBLEM HERE. 661 00:27:30,400 --> 00:27:31,330 LOOK AT THAT. 662 00:27:31,370 --> 00:27:34,140 I THINK SHE'S -- SHE'S LOOKING FOR A BONG. 663 00:27:35,240 --> 00:27:38,340 [ INTRO TO "CALIFORNIA DREAMIN'" PLAYS ] 664 00:27:40,240 --> 00:27:42,010 MM. 665 00:27:42,040 --> 00:27:44,150 AND THE DANCE CONTINUES. 666 00:27:44,180 --> 00:27:45,310 SO IT DOES. 667 00:27:46,250 --> 00:27:47,420 * ALL THE LEAVES ARE BROWN * ALL THE LEAVES ARE BROWN 668 00:27:51,120 --> 00:27:52,150 * AND THE SKY IS GRAY * AND THE SKY IS GRAY 669 00:27:54,420 --> 00:27:55,890 SHE SEEMS NICE. 670 00:27:55,920 --> 00:27:58,360 I DON'T KNOW IF "NICE" IS EXACTLY THE WORD. 671 00:27:58,390 --> 00:28:00,460 HAVE YOU BEEN INTIMATE WITH HER? 672 00:28:00,500 --> 00:28:02,970 WHY DO YOU GOT TO TALK TO ME LIKE THAT?! 673 00:28:03,000 --> 00:28:04,200 WHAT? 674 00:28:04,230 --> 00:28:06,500 YOU'RE ALWAYS UP IN MY GRILL ABOUT BOYS. 675 00:28:06,530 --> 00:28:10,040 WELL, AND UP IN YOUR GRILL I ALWAYS WILL BE. COUNT ON IT. 676 00:28:10,070 --> 00:28:11,110 DON'T STOP, OKAY? 677 00:28:11,140 --> 00:28:14,780 EVEN IF I CURSE YOUR NAME ON A SEMI-DAILY BASIS. 678 00:28:14,810 --> 00:28:17,450 I WOULDN'T DREAM OF IT. THAT'S THE GIG. 679 00:28:17,480 --> 00:28:18,950 HEY. 680 00:28:18,980 --> 00:28:22,050 OH. WHAT'S THIS FOR? 681 00:28:22,080 --> 00:28:24,450 FOR STAYING. 682 00:28:24,490 --> 00:28:27,060 YOU'RE STUCK ON THE ISLAND NOW. 683 00:28:27,090 --> 00:28:28,860 AND YOU DID IT FOR ME. 684 00:28:28,890 --> 00:28:30,290 WHAT ARE YOU TALKING ABOUT? 685 00:28:30,330 --> 00:28:31,890 I LIKE IT HERE. IT'S NICE. 686 00:28:31,930 --> 00:28:34,060 THE SUN IS CHIRPING. THE BIRDS ARE SHINING. 687 00:28:34,100 --> 00:28:37,300 THE WATER'S WET. LIFE IS GOOD, SWEETHEART. 688 00:28:37,330 --> 00:28:38,930 LIFE IS GOOD. 689 00:28:41,270 --> 00:28:42,340 * AND THE SKY IS GRAY * ...AND THE SKY IS GRAY 690 00:28:45,110 --> 00:28:46,070 * I'VE BEEN FOR A WALK * I WENT FOR A WALK 691 00:28:49,480 --> 00:28:50,450 * ON A WINTER'S DAY * ON A WINTER'S DAY 692 00:28:53,150 --> 00:28:54,220 * AND IF I DIDN'T TELL HER * IF I DIDN'T TELL HER 693 00:28:57,350 --> 00:28:58,390 * I COULD LEAVE TODAY * I COULD LEAVE TODAY 694 00:29:01,490 --> 00:29:02,520 * CALIFORNIA DREAMIN' * CALIFORNIA DREAMIN' 695 00:29:06,160 --> 00:29:07,230 * ON SUCH A WINTER'S DAY * CALIFORNIA DREAMIN' 696 00:29:10,370 --> 00:29:11,430 * ON SUCH A WINTER'S DAY * CALIFORNIA DREAMIN' 697 00:29:12,500 --> 00:29:15,970 -- Captions by VITAC -- www.vitac.com 698 00:29:16,000 --> 00:29:18,970 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS 699 00:29:19,010 --> 00:29:22,010 AND BLIND DECKER PRODUCTIONS 49132

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