All language subtitles for Californication S02E11 Blues from Laurel Canyon

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,260 --> 00:00:11,200 PREVIOUSLY ON "CALIFORNICATION"... 2 00:00:12,630 --> 00:00:13,760 IT'S NOT A MEMOIR. 3 00:00:13,800 --> 00:00:16,430 IT'S A WRITTEN ACCOUNT OF MY SEXUAL RELATIONSHIP WITH YOU. 4 00:00:16,470 --> 00:00:18,500 WRITTEN BY ME AS A FUCKIN' NOVEL. 5 00:00:18,540 --> 00:00:21,440 EVEN I'M CONFUSED, AND I STOLE THE DAMN THING. 6 00:00:22,710 --> 00:00:25,110 HOLY GUACAMOLE! 7 00:00:25,140 --> 00:00:27,140 Charlie: YOU HOCKED EVERYTHING. IS THAT IT? 8 00:00:27,180 --> 00:00:30,150 I NEED TO FESS UP, OKAY? IT'S PART OF THE PROCESS. 9 00:00:30,180 --> 00:00:32,420 ARE YOU READY TO HAVE THE TIME OF YOUR LIFE? 10 00:00:32,450 --> 00:00:34,250 I'M KING OF FUCK MOUNTAIN! 11 00:00:34,280 --> 00:00:35,790 I DON'T WANT TO DO ANY MORE PORN. 12 00:00:35,820 --> 00:00:36,820 REALLY? 13 00:00:36,850 --> 00:00:39,420 YOU KNOW, IF I CAN'T ACTUALLY BE WITH YOU, CHARLIE, 14 00:00:39,460 --> 00:00:42,230 I'D KIND OF LIKE THE LAST PERSON I HAD ON-SCREEN SEX WITH 15 00:00:42,260 --> 00:00:43,230 TO BE YOU. 16 00:00:43,260 --> 00:00:44,230 [ SIGHS ] 17 00:00:44,260 --> 00:00:45,400 WHO ARE YOU? DAMIEN. 18 00:00:45,430 --> 00:00:47,660 CALL ME "HE WHO WILL KILL YOU IF YOU TOUCH HIS DAUGHTER." 19 00:00:47,700 --> 00:00:50,200 SHE'S PRETTY AWESOME. SHE IS. 20 00:00:50,230 --> 00:00:51,840 HI, YOU DON'T KNOW ME. 21 00:00:51,870 --> 00:00:53,800 MY NAME IS HANK MOODY. I'M A WRITER. 22 00:00:53,840 --> 00:00:56,110 I WANT TO ASK YOU A QUESTION ABOUT LEW -- LEW ASHBY. 23 00:00:56,140 --> 00:00:57,710 [ GROANING ] GET THE PEN. 24 00:00:59,410 --> 00:01:01,650 OH, I HATE WHEN THAT HAPPENS. 25 00:01:01,680 --> 00:01:02,750 YOU'RE AN ASSHOLE! 26 00:01:02,780 --> 00:01:04,110 BUT WE HAVEN'T EVEN DATED. 27 00:01:04,150 --> 00:01:05,620 JUST IN TIME. 28 00:01:06,680 --> 00:01:08,650 SO, LEW, IT'S BEEN REAL. 29 00:01:08,690 --> 00:01:10,890 YIKES. WE'RE GONNA SHAKE HANDS? YES, WE ARE. 30 00:01:10,920 --> 00:01:13,390 WHAT THE FUCK? 31 00:01:13,420 --> 00:01:15,460 LIFE'S JUST TOO FUCKING BORING NOT TO TRY. 32 00:01:15,490 --> 00:01:18,630 HEY, YOU KNOW, HE THROWS THESE, UH, HUGE PARTIES. YEAH, I'VE HEARD. 33 00:01:18,660 --> 00:01:20,160 GUEST OF HONOR NEVER SHOWS. 34 00:01:29,210 --> 00:01:31,480 [ Singsong voice ] WAKEY, WAKEY... 35 00:01:31,510 --> 00:01:33,340 EGGS AND BAKEY. 36 00:01:36,450 --> 00:01:37,580 COME ON! WAKE UP! 37 00:01:37,610 --> 00:01:39,420 WE GOT TO GET THE KIDS TO SCHOOL ALREADY! 38 00:01:39,450 --> 00:01:41,850 OH, CHRIST, MIA. 39 00:01:41,890 --> 00:01:43,850 WHAT ARE YOU -- WHAT ARE YOU DOING? 40 00:01:43,890 --> 00:01:45,290 DID YOU FONDLE ME? 41 00:01:45,320 --> 00:01:47,820 I DON'T KNOW. DO YOU FEEL FONDLED? 42 00:01:47,860 --> 00:01:49,560 I DO A LITTLE BIT. GET OFF. 43 00:01:49,590 --> 00:01:51,930 IT'S WAY TOO EARLY FOR YOUR SHENANIGANS. 44 00:01:51,960 --> 00:01:54,330 BUT NOT FOR THIS -- OUR REVIEW IN THE TIMES. 45 00:01:54,360 --> 00:01:57,270 I HAD TO GO ALL THE WAY TO ONE OF THOSE OLD-MAN NEWSSTANDS TO GET IT. 46 00:01:57,300 --> 00:01:58,870 WHY DO THEY STILL HAVE THOSE, ANYWAY? 47 00:01:58,900 --> 00:02:00,770 WHAT, OLD MEN OR NEWSSTANDS? 48 00:02:00,800 --> 00:02:02,870 [ CHUCKLES ] LET'S READ IT TOGETHER. NO, THANK YOU. 49 00:02:02,910 --> 00:02:04,410 I DON'T WANT TO HEAR THAT SHIT. 50 00:02:04,440 --> 00:02:05,780 OF COURSE YOU WANT TO HEAR THAT SHIT. 51 00:02:05,810 --> 00:02:06,780 DO YOU KNOW HOW LONG IT'S BEEN 52 00:02:06,810 --> 00:02:08,810 SINCE YOU'VE ACTUALLY HAD SOMETHING PUBLISHED? 53 00:02:08,850 --> 00:02:10,650 ALL RIGHT. HERE IT GOES. 54 00:02:10,680 --> 00:02:13,950 "AT 17, MIA CROSS HAS EVERYTHING MOST GIRLS WANT." 55 00:02:13,980 --> 00:02:16,490 STOP. I TOLD YOU I DIDN'T WANT TO HEAR IT. 56 00:02:16,520 --> 00:02:18,420 NOW, WHAT ARE YOU EVEN DOING HERE ANYWAY? 57 00:02:18,460 --> 00:02:20,190 I THOUGHT LEW GAVE YOU... THE SPEECH. 58 00:02:20,220 --> 00:02:21,560 THE ONE ABOUT HOW SPECIAL I AM 59 00:02:21,590 --> 00:02:22,960 AND HOW WE'LL ALWAYS BE FRIENDS? 60 00:02:22,990 --> 00:02:24,460 YES, THAT ONE. 61 00:02:24,490 --> 00:02:26,460 HE DID. AND I PRETENDED TO BE SAD. 62 00:02:26,500 --> 00:02:29,300 HE LET ME HAVE MY BOOK PARTY HERE THIS AFTERNOON. 63 00:02:29,330 --> 00:02:31,400 OH, MY GOD. OH, MY GOD! 64 00:02:31,440 --> 00:02:33,300 HOLY SHIT, SHIT, SHIT! 65 00:02:33,340 --> 00:02:34,970 "A STRANGELY POIGNANT COMING-OF-AGE STORY 66 00:02:35,000 --> 00:02:38,440 "WRITTEN WITH THE SELF-ASSURANCE OF A MUCH OLDER WRITER. 67 00:02:38,480 --> 00:02:40,280 "IN THE END, THE BOOK'S TRUE SUBJECT 68 00:02:40,310 --> 00:02:42,410 "ISN'T SEX BUT LONELINESS. 69 00:02:42,450 --> 00:02:45,280 "IT'S HAUNTINGLY, HOPELESSLY ROMANTIC 70 00:02:45,320 --> 00:02:47,220 IN THE BEST SENSE OF THE WORD." 71 00:02:47,250 --> 00:02:48,490 THAT'S GOOD, RIGHT? 72 00:02:48,520 --> 00:02:51,390 WELL, I'LL BE DIPPED IN DOG SHIT. [ SQUEALING ] 73 00:03:35,400 --> 00:03:38,800 [ INDISTINCT CONVERSATIONS ] 74 00:03:40,740 --> 00:03:43,710 Charlie: CHRIST, THIS MAY BE THE BEST REVIEW YOU'VE EVER GOTTEN. 75 00:03:43,740 --> 00:03:44,710 YOU'RE NOT HELPING. 76 00:03:44,740 --> 00:03:46,740 WHAT DO YOU WANT ME TO DO, HAVE IT LAMINATED 77 00:03:46,780 --> 00:03:48,710 SO YOU CAN CARRY IT AROUND IN YOUR WALLET 78 00:03:48,750 --> 00:03:50,610 FOR THE REST OF YOUR NATURAL-BORN DAYS? 79 00:03:50,650 --> 00:03:52,580 HAVE YOU SEEN YOUR OLD ASSISTANT? 80 00:03:52,620 --> 00:03:54,650 SHE CAN GO FUCK HERSELF. 81 00:03:54,680 --> 00:03:56,720 NOT ALL WOMEN ARE LIKE THAT, YOU KNOW -- 82 00:03:56,750 --> 00:03:57,850 CONNIVING, VICIOUS... 83 00:03:57,890 --> 00:04:00,590 WILLING TO WALK ALL OVER A MAN TO GET WHAT THEY WANT. 84 00:04:00,620 --> 00:04:03,290 I FORGET. IS THAT ONE OF THE THINGS YOU GUYS DID TOGETHER? 85 00:04:03,330 --> 00:04:05,630 [ SIGHS ] TAKE DAISY, FOR INSTANCE. 86 00:04:05,660 --> 00:04:07,930 OH, JESUS, NOT THIS SHIT AGAIN. 87 00:04:07,960 --> 00:04:09,300 YES, THIS AGAIN. 88 00:04:09,330 --> 00:04:11,070 TELL YOU, MAN, BEING WITH HER JUST -- 89 00:04:11,100 --> 00:04:12,540 IT REMINDS ME OF EVERYTHING 90 00:04:12,570 --> 00:04:14,440 THAT'S SIMPLE AND GOOD IN THE WORLD. 91 00:04:14,470 --> 00:04:16,570 SHE'S NOT RETURNING YOUR PHONE CALLS, SHIT FOR BRAINS. 92 00:04:16,610 --> 00:04:18,710 BECAUSE SHE'S GOT TOO MUCH INTEGRITY. OH. OKAY. 93 00:04:18,740 --> 00:04:20,010 SHE KNOWS MARCY'S HOME FROM REHAB. 94 00:04:20,040 --> 00:04:21,450 SHE THINKS WE SHOULD COOL IT... 95 00:04:21,480 --> 00:04:23,410 YEAH, YEAH. TAKE A BREATHER. 96 00:04:23,450 --> 00:04:25,720 INTEGRITY -- THAT'S A FINE QUALITY IN A MISTRESS. 97 00:04:25,750 --> 00:04:26,650 BE CAREFUL. 98 00:04:26,680 --> 00:04:28,850 WHAT, I SHOULDN'T SAY ANYTHING BAD ABOUT HER 99 00:04:28,890 --> 00:04:31,860 BECAUSE NEXT YEAR WE MIGHT ALL BE SITTING DOWN TO SEDER WITH HER? 100 00:04:31,890 --> 00:04:32,790 NOT ON MY WATCH, RUNKLE. 101 00:04:32,820 --> 00:04:34,820 YOU DON'T ABANDON A WOMAN WHO STOOD BY YOU 102 00:04:34,860 --> 00:04:35,990 THICK AND THIN, 20 YEARS, 103 00:04:36,030 --> 00:04:37,660 THE MINUTE SHE GETS OUT OF REHAB. 104 00:04:37,690 --> 00:04:39,760 NO, YOU WAIT 90 DAYS. I LOOKED THAT SHIT UP. 105 00:04:39,800 --> 00:04:41,330 THAT'S THE DECENT THING TO DO. 106 00:04:41,370 --> 00:04:42,430 Marcy: OH, I KNOW. 107 00:04:43,870 --> 00:04:46,700 OH! THE MARCE. 108 00:04:46,740 --> 00:04:48,810 THIS PLACE IS SO DIFFERENT IN THE LIGHT OF DAY -- 109 00:04:48,840 --> 00:04:49,710 NOT SO OMINOUS. 110 00:04:49,740 --> 00:04:51,980 HEY, SO WHAT'D YOU THINK OF THE READING? 111 00:04:52,010 --> 00:04:54,710 HONESTLY, I COULD NOT BE MORE SURPRISED. 112 00:04:54,740 --> 00:04:58,110 I KNOW. WHO KNEW THE LITTLE VIXEN COULD WRITE? 113 00:04:58,150 --> 00:04:59,180 OH. HMM. 114 00:04:59,220 --> 00:05:02,520 SO, WHAT SURPRISED YOU WAS THE BASIC GOODNESS OF IT? 115 00:05:02,550 --> 00:05:04,120 WELL, I HAVEN'T READ THE WHOLE BOOK. 116 00:05:04,150 --> 00:05:05,990 I MEAN, I JUST READ THE PASSAGE, SO... 117 00:05:06,020 --> 00:05:08,590 SO GOOD, NOT EXCELLENT? 118 00:05:10,690 --> 00:05:12,860 WE HAVE A QUESTION. 119 00:05:12,900 --> 00:05:13,930 FIRE AWAY. 120 00:05:13,960 --> 00:05:16,470 MOM SAYS WE'RE NOT OLD ENOUGH TO STAY FOR THE PARTY. 121 00:05:16,500 --> 00:05:17,470 RIGHT. 122 00:05:17,500 --> 00:05:18,740 WHAT DO YOU THINK? 123 00:05:18,770 --> 00:05:21,740 OH, SO IT'S A TRICK QUESTION, BIT OF A HAND GRENADE. 124 00:05:21,770 --> 00:05:23,770 I'D KIND OF LIKE TO MEET LEW ASHBY. 125 00:05:23,810 --> 00:05:26,910 REALLY? HERE'S A TIP -- DON'T GIVE HIM ONE OF YOUR DEMOS. 126 00:05:26,940 --> 00:05:29,050 COME ON, MOM. WHERE'S THE TRUST? 127 00:05:29,080 --> 00:05:30,180 LET US LIVE A LITTLE. 128 00:05:30,210 --> 00:05:34,020 THERE'S A RUMOR AFLOAT THAT ROGER DALTREY MIGHT SHOW. 129 00:05:34,050 --> 00:05:36,620 OKAY, WE'LL STAY FOR A LITTLE BIT, 130 00:05:36,650 --> 00:05:39,690 JUST A LITTLE WHILE, OKAY? 131 00:05:39,720 --> 00:05:40,690 MM-HMM. 132 00:05:40,720 --> 00:05:41,760 [ CHUCKLES ] 133 00:05:41,790 --> 00:05:43,690 ALL RIGHT. HAVE FUN, CHILDREN. 134 00:05:43,730 --> 00:05:46,460 LONG LIVE ROCK 'N' ROLL. 135 00:05:46,500 --> 00:05:50,730 I THINK THAT WAS A -- THAT WAS A GOOD DECISION. 136 00:05:50,770 --> 00:05:52,400 SOLID PARENTING. 137 00:05:52,440 --> 00:05:55,540 [ INDISTINCT CONVERSATIONS, ROCK-'N'-ROLL MUSIC PLAYING ] 138 00:05:59,180 --> 00:06:02,080 CLUB SODA WITH A TWIST. 139 00:06:02,110 --> 00:06:04,080 ALCOHOL IS STILL OKAY FOR ME, RIGHT? 140 00:06:04,110 --> 00:06:05,680 YOU DO WHAT YOU HAVE TO DO. 141 00:06:05,720 --> 00:06:08,150 PEOPLE WHO LIVE IN FEAR NEED TO BE CHEMICALLY ALTERED. 142 00:06:08,180 --> 00:06:10,150 OKAY. SO WHAT AM I SO AFRAID OF, THEN? 143 00:06:10,190 --> 00:06:11,820 HOW THE FUCK SHOULD I KNOW? 144 00:06:11,860 --> 00:06:13,790 BUT YOU'VE BEEN SCARFING THOSE THINGS 145 00:06:13,820 --> 00:06:16,460 LIKE THE STRESS-EATER MAMA RUNKLE RAISED YOU TO BE. 146 00:06:16,490 --> 00:06:18,160 HEY, THERE'S DANI. 147 00:06:18,190 --> 00:06:20,160 I NEED TO TALK TO HER. SHE'S ON MY LIST. 148 00:06:20,200 --> 00:06:22,730 NO, NO. NO FUCKING WAY, OKAY? 149 00:06:22,770 --> 00:06:25,540 HER WE DO NOT FORGIVE, NOR DO WE ASK HER FORGIVENESS. 150 00:06:25,570 --> 00:06:28,200 YOU CAN'T TELL ME WHO I CAN AND CANNOT MAKE AMENDS TO. 151 00:06:28,240 --> 00:06:29,840 YES. YES, I CAN. 152 00:06:29,870 --> 00:06:32,540 WE, AS A FAMILY, DO NOT FORGIVE HER. 153 00:06:32,580 --> 00:06:35,450 ALL THE BAD SHIT THAT'S HAPPENED TO US -- SHE STARTED IT. 154 00:06:35,480 --> 00:06:37,880 SHE'S THE CAUSE OF IT. SHE'S THE OUTBREAK MONKEY. 155 00:06:37,910 --> 00:06:40,050 DID YOU SEE THAT GIRL WITH THE SPICY SHRIMP ROLLS 156 00:06:40,080 --> 00:06:41,220 GO THROUGH THERE? 157 00:06:41,250 --> 00:06:42,490 Lew: OKAY, OKAY. UPSTAIRS, PEOPLE. 158 00:06:42,520 --> 00:06:44,490 YOU JUST DO THE DRUGS UPSTAIRS. 159 00:06:44,520 --> 00:06:46,560 FOR FUCK'S SAKE, THERE'S CHILDREN PRESENT, OKAY? 160 00:06:46,590 --> 00:06:47,690 SO JUST MOVE IT ON UP, OKAY? 161 00:06:47,720 --> 00:06:49,460 JUST MOVE IT ON UP. MOTHER MARY. 162 00:06:49,490 --> 00:06:52,230 THAT WOULDN'T HAPPEN TO BE COCAINE THERE, WOULD IT? 163 00:06:52,260 --> 00:06:55,000 COCAINE, METH. I THINK THIS IS HEROIN. 164 00:06:55,030 --> 00:06:57,470 SOME PEOPLE REALLY HAVE PROBLEMS, YOU KNOW? 165 00:06:57,500 --> 00:06:58,970 I HAD TO REMORTGAGE OUR HOUSE 166 00:06:59,000 --> 00:07:00,670 IN ORDER TO SEND HER TO PASSAGES. 167 00:07:00,700 --> 00:07:01,640 YOU KNOW WHAT I'M SAYING? 168 00:07:01,670 --> 00:07:03,740 HEY, NEXT TIME LET ME KNOW. I KNOW PEOPLE. 169 00:07:03,770 --> 00:07:05,810 I CAN HOOK YOU UP, ARRANGE A LITTLE DISCOUNT. 170 00:07:05,840 --> 00:07:06,880 "NEXT TIME"? 171 00:07:06,910 --> 00:07:08,210 YEAH, THERE'S ALWAYS A NEXT TIME. 172 00:07:08,240 --> 00:07:11,080 YOU KEEP WORKING THOSE STEPS, BABY GIRL. 173 00:07:11,110 --> 00:07:14,520 GOT A LITTLE SOMETHING THAT DAVID CROSBY ONCE TOLD ME -- 174 00:07:14,550 --> 00:07:18,050 A LITTLE POT -- IT'S NOT CHEATING, HUH? 175 00:07:18,090 --> 00:07:21,490 I DEEPLY AND PROFOUNDLY LOVE MYSELF. 176 00:07:21,530 --> 00:07:24,890 I DEEPLY AND PROFOUNDLY LOVE MYSELF. 177 00:07:26,130 --> 00:07:28,700 HEY, THERE HE IS -- NOT SO FAST, YOU. 178 00:07:28,730 --> 00:07:30,230 LOOK WHO'S HERE. IT'S ANNIKA STALEY. 179 00:07:30,270 --> 00:07:32,170 FROM ROLLING STONE MAGAZINE. HELLO. 180 00:07:32,200 --> 00:07:33,800 PLEASURE TO SEE YOU AGAIN. 181 00:07:33,840 --> 00:07:35,810 HOW ARE THE TOE CRAMPS? 182 00:07:35,840 --> 00:07:37,740 ANNIKA HAS AN INTERESTING LITTLE THEORY 183 00:07:37,770 --> 00:07:39,940 ABOUT THE BOOK THAT SHE'S BEEN SHARING WITH US. 184 00:07:39,980 --> 00:07:42,680 A LITERARY THEORY? NONE FOR ME, THANK YOU. 185 00:07:42,710 --> 00:07:45,680 WELL, I WAS JUST SAYING HOW, WHEN I REREAD THE BOOK, 186 00:07:45,720 --> 00:07:47,980 IT JUST BECAME COMPLETELY OBVIOUS TO ME 187 00:07:48,020 --> 00:07:50,290 THAT YOUR FINGERPRINTS ARE ALL OVER IT. 188 00:07:50,320 --> 00:07:51,350 MY -- MY FINGERPRINTS? 189 00:07:51,390 --> 00:07:53,690 MY -- MY STYLISTIC FINGERPRINTS, MY STYLE. 190 00:07:53,720 --> 00:07:56,890 NO, COME ON. HER STYLE'S MUCH MORE FLUID THAN YOURS. 191 00:07:56,930 --> 00:07:58,290 I MEAN -- I MEAN YOU -- 192 00:07:58,330 --> 00:08:01,800 YOUR PERSONALITY, YOUR, UH -- YOUR TICS, 193 00:08:01,830 --> 00:08:03,230 THAT SENSE OF HUMOR OF YOURS, YOU KNOW. 194 00:08:03,270 --> 00:08:05,770 COME ON. IT'S YOU, ISN'T IT? EXCUSE ME? 195 00:08:05,800 --> 00:08:07,300 THE GUY IN THE BOOK. 196 00:08:07,340 --> 00:08:10,570 IT'S A MEMOIR. IT'S OBVIOUSLY BASED ON SOME REAL PERSON. 197 00:08:10,610 --> 00:08:12,310 I-I-I SEE NO REASON TO ASSUME 198 00:08:12,340 --> 00:08:14,810 SOMETHING LIKE THAT NOWADAYS, YOU KNOW. 199 00:08:14,840 --> 00:08:16,310 HOW ABOUT -- HOW ABOUT ALL THESE PEOPLE 200 00:08:16,350 --> 00:08:18,050 PASSING OFF THEIR NOVELS AS TRUE STORIES 201 00:08:18,080 --> 00:08:20,180 JUST BECAUSE NOBODY GIVES A FUCK ABOUT FICTION ANYMORE? 202 00:08:20,220 --> 00:08:21,180 I FIND THAT FASCINATING. 203 00:08:21,220 --> 00:08:22,650 YEAH, THAT'S TOTALLY BORING. 204 00:08:22,690 --> 00:08:25,760 NOT TO ME. BUT -- BUT A SEXY OLDER MAN 205 00:08:25,790 --> 00:08:27,290 WHO SEDUCES A TEENAGE GIRL, 206 00:08:27,320 --> 00:08:29,260 NOT KNOWING SHE'S A TEENAGER. 207 00:08:29,290 --> 00:08:31,060 NO. [ WHISTLES ] 208 00:08:31,090 --> 00:08:33,630 IS THAT WHAT THIS THING'S ABOUT? I GOT TO GET ME A COPY. 209 00:08:33,660 --> 00:08:34,800 COME ON. ADMIT IT. 210 00:08:34,830 --> 00:08:35,670 YOU GUYS OBVIOUSLY HAD 211 00:08:35,700 --> 00:08:38,800 SOME KIND OF A... RELATIONSHIP, RIGHT? 212 00:08:40,100 --> 00:08:42,810 ANNIKA, I THINK YOU'RE WORKING A LITTLE TOO HARD TONIGHT. 213 00:08:42,840 --> 00:08:45,240 HOW ABOUT WE GO MEET ZAKK WYLDE? 214 00:08:45,270 --> 00:08:47,210 WHO'S ZAKK WYLDE? 215 00:08:47,240 --> 00:08:50,180 EXCUSE US. I HAVE TO THROW THIS CHICK OUT OF MY PARTY. 216 00:08:50,210 --> 00:08:51,680 COME ON. 217 00:08:52,920 --> 00:08:54,680 WHAT THE FUCK ARE YOU DOING? 218 00:08:54,720 --> 00:08:55,950 YOU THINK THIS IS FUNNY? 219 00:08:55,990 --> 00:08:59,360 UH, SO SHE MAYBE WRITES A LITTLE BLURB ABOUT US. 220 00:08:59,390 --> 00:09:00,620 SO WHAT? 221 00:09:00,660 --> 00:09:02,160 IT'S NOT LIKE THEY'RE GONNA MAKE YOU 222 00:09:02,190 --> 00:09:03,890 GO LIVE IN FRANCE WITH ROMAN POLANSKI. 223 00:09:03,930 --> 00:09:05,800 IT'LL JUST BE ONE OF THOSE HYPOTHETICAL, 224 00:09:05,830 --> 00:09:08,870 "GUESS WHICH WASHED-UP NOVELIST?" THINGS. 225 00:09:08,900 --> 00:09:11,300 YEAH. I DON'T THINK KAREN IS EVER GONNA LOOK AT IT THAT WAY. 226 00:09:11,330 --> 00:09:14,700 OH. SHE'LL GET OVER IT... EVENTUALLY. 227 00:09:14,740 --> 00:09:15,870 [ CHUCKLES ] 228 00:09:15,910 --> 00:09:19,180 AND IT COULD BE GREAT PUBLICITY FOR YOUR BOOK ABOUT ASHBY. 229 00:09:19,210 --> 00:09:21,380 LOOK, MIA, NOT EVERYBODY THAT PICKS UP A PEN 230 00:09:21,410 --> 00:09:23,050 SWEATS BLOOD FOR PUBLICITY. 231 00:09:23,080 --> 00:09:25,650 YOU'VE GOT TO DISABUSE ANNIKA OF THIS PERSPECTIVE. 232 00:09:25,680 --> 00:09:27,620 MM. SHE BELIEVES WHAT SHE BELIEVES. 233 00:09:27,650 --> 00:09:29,020 AND IT'S YOUR OWN DAMN FAULT. 234 00:09:29,050 --> 00:09:31,860 YOU SHOULDN'T HAVE GIVEN HER SUCH A MIND-BLOWING ORGASM. 235 00:09:31,890 --> 00:09:33,720 WHAT? THAT'S WHAT THIS IS ABOUT -- 236 00:09:33,760 --> 00:09:36,260 I DIDN'T CALL HER BACK? THERE WAS NO REPEAT PERFORMANCE? 237 00:09:36,290 --> 00:09:38,630 NO. I MEAN THAT THAT'S WHAT TIPPED HER OFF. 238 00:09:38,660 --> 00:09:40,300 SHE SAID THAT THE REAL-LIFE FUCKING 239 00:09:40,330 --> 00:09:42,630 SEEMED A LOT LIKE THE FUCKING IN THE BOOK. 240 00:09:42,670 --> 00:09:44,870 WHAT? MINUS THE PUNCHING, OF COURSE, 241 00:09:44,900 --> 00:09:47,170 SO YOU MAY WANT TO GET SOME NEW MOVES NOW. 242 00:09:47,200 --> 00:09:51,640 IF YOU'LL EXCUSE ME, I'M GONNA GO ENJOY MY PARTY. 243 00:09:51,680 --> 00:09:54,240 I THINK I MAY BE OVER MY THING WITH OLDER MEN. 244 00:09:54,280 --> 00:09:55,750 MM, MM. 245 00:09:57,380 --> 00:09:59,650 I MEAN, EVER SINCE I STARTED MEDITATING -- 246 00:09:59,680 --> 00:10:02,050 DON'T SAY ANYTHING -- OH, MY GOD. 247 00:10:02,090 --> 00:10:02,990 I'M MORE IN TOUCH 248 00:10:03,020 --> 00:10:05,390 WITH THE EMOTIONS OF THE PEOPLE AROUND ME. 249 00:10:05,420 --> 00:10:06,820 I'M NOT SO EGO-FOCUSED. 250 00:10:06,860 --> 00:10:08,190 WELL, YOU SOUND LIKE -- 251 00:10:08,220 --> 00:10:10,360 WELL, OKAY. THAT'S GOOD, SWEETIE. 252 00:10:10,390 --> 00:10:12,430 THAT'S -- THAT'S -- THAT'S PROGRESS, RIGHT? 253 00:10:12,460 --> 00:10:13,860 THAT'S WHY YOU WENT THERE. 254 00:10:13,900 --> 00:10:15,900 DID HANK SAY ANYTHING TO YOU 255 00:10:15,930 --> 00:10:18,230 ABOUT CHARLIE GETTING UP TO ANY WEIRD SHIT 256 00:10:18,270 --> 00:10:19,340 WHILE I WAS AWAY? 257 00:10:19,370 --> 00:10:21,270 NO. WHAT? 258 00:10:21,300 --> 00:10:25,780 WELL, YOU KNOW, HE'S STRESS-EATING, 259 00:10:25,810 --> 00:10:28,180 AND HE'S NOT PAWING AT ME OR PRESSURING ME FOR SEX. 260 00:10:28,210 --> 00:10:31,180 WELL, THANK GOD, RIGHT? I MEAN -- 261 00:10:31,210 --> 00:10:33,950 WELL, HE SEEMS RESTLESS. 262 00:10:33,980 --> 00:10:36,320 WELL, HONEY, WHAT ABOUT YOU? 263 00:10:36,350 --> 00:10:40,290 I HAVE INNER PEACE, BABY. I SEE WHAT'S IMPORTANT. 264 00:10:40,320 --> 00:10:43,790 AND BY BEING LOYAL AND FAITHFUL TO CHARLIE, 265 00:10:43,830 --> 00:10:46,130 I ATTRACT THAT SAME SHIT BACK INTO MY LIFE. 266 00:10:46,160 --> 00:10:48,800 THAT'S HOW THE UNIVERSE WORKS. 267 00:10:48,830 --> 00:10:50,800 I'M VERY PROUD OF YOU. 268 00:10:50,830 --> 00:10:52,440 YOU LIKE THAT? YES, I DO. 269 00:10:52,470 --> 00:10:54,770 OH, YEAH, COME ON. IT'S PROGRESS. 270 00:10:54,800 --> 00:10:56,310 HEY, NOT THAT WAY. 271 00:10:56,340 --> 00:10:57,710 UNH-UNH. COME. 272 00:10:57,740 --> 00:10:59,110 WHY? ARE THERE DRUGS THAT WAY? 273 00:10:59,140 --> 00:11:00,480 I'M STRONG. I CAN HANDLE IT. 274 00:11:00,510 --> 00:11:03,380 NO. I'M NOT STRONG. COME ON, LET'S GO. 275 00:11:03,410 --> 00:11:05,780 WHAT? IT'S JUST LEW ASHBY. WELL, RIGHT. 276 00:11:05,820 --> 00:11:07,780 I DON'T WANT TO, LIKE, FAN THE FLAMES, YOU KNOW. 277 00:11:07,820 --> 00:11:09,250 WHAT? 278 00:11:09,290 --> 00:11:10,450 HE BURNS FOR YOU? 279 00:11:10,490 --> 00:11:12,790 SHIT. I MISSED A LOT, DIDN'T I? 280 00:11:12,820 --> 00:11:14,060 NO, YOU DID NOT. 281 00:11:14,090 --> 00:11:15,490 HE -- HE'S LIKE A TODDLER, YOU KNOW. 282 00:11:15,520 --> 00:11:17,190 HE SEES SOMETHING SHINY IN HIS MIDST, 283 00:11:17,230 --> 00:11:18,860 AND HE -- HE KIND OF WANTS IT. 284 00:11:18,900 --> 00:11:21,360 YOU ARE SHINY. 285 00:11:21,400 --> 00:11:23,430 OF COURSE HE DOES. 286 00:11:23,470 --> 00:11:25,870 OH, MY GOD. 287 00:11:25,900 --> 00:11:26,870 WHAT? 288 00:11:26,900 --> 00:11:27,900 Oh, my God! 289 00:11:27,940 --> 00:11:29,140 Look! Look, look, look! What? 290 00:11:29,170 --> 00:11:31,940 I've been trying to give them space -- it's Damien and Becca. 291 00:11:31,980 --> 00:11:33,310 Where? Right there! 292 00:11:33,340 --> 00:11:34,940 Not everyone is freakishly tall! 293 00:11:34,980 --> 00:11:35,780 Okay. 294 00:11:35,810 --> 00:11:38,410 CAN YOU SEE? THAT'S SWEET, ISN'T IT? 295 00:11:38,450 --> 00:11:41,020 NO? NOT REALLY SO SWEET, NO. 296 00:11:41,050 --> 00:11:41,920 WHY NOT? 297 00:11:41,950 --> 00:11:46,390 BECAUSE ISN'T THAT THE BECCA RIGHT THERE? 298 00:11:46,420 --> 00:11:49,330 THAT WOULD BE. OH, MY GOD. 299 00:11:49,360 --> 00:11:50,990 TAKE IT. 300 00:11:51,030 --> 00:11:54,060 OH, HEY, BEC! 301 00:11:54,100 --> 00:11:56,200 [ CLEARS THROAT ] COME HERE. 302 00:11:56,230 --> 00:11:58,430 OH, NO. OH, GOD. 303 00:11:58,470 --> 00:12:01,970 I'M THE BEST ME I CAN POSSIBLE BE. 304 00:12:02,010 --> 00:12:05,340 I'M THE BEST ME I CAN POSSIBLE BE. 305 00:12:10,380 --> 00:12:13,050 [ SIGHS ] 306 00:12:13,080 --> 00:12:15,150 I TELL YOU, I'M JUST FRESH OUT OF ANSWERS. 307 00:12:15,180 --> 00:12:16,820 MAYBE MARCY'S RIGHT, YOU KNOW. 308 00:12:16,850 --> 00:12:19,020 MAYBE WE ALL JUST NEED TO SURRENDER TO SOME HIGHER POWER, 309 00:12:19,060 --> 00:12:22,390 YOU KNOW, JUST -- JUST BE CLEAR AND LET GO. 310 00:12:22,430 --> 00:12:24,860 FUCK THAT. YOU SOUND LIKE JULIAN. 311 00:12:24,890 --> 00:12:26,430 WELL, MAYBE JULIAN'S ON TO SOMETHING. 312 00:12:26,460 --> 00:12:28,300 GUY GETS MORE PUSSY THAN EITHER ONE OF US. 313 00:12:28,330 --> 00:12:29,400 EITHER ONE OF US? 314 00:12:29,430 --> 00:12:32,340 WHO ARE YOU FUCKING BESIDES YOUR WIFE AND A PORN STAR? 315 00:12:32,370 --> 00:12:34,240 MIND IF I JOIN YOU GUYS? 316 00:12:34,270 --> 00:12:36,110 YES. NO. NO. PULL UP A CHAIR. 317 00:12:36,140 --> 00:12:37,470 YOU'VE ALWAYS HAD A UNIQUE ABILITY 318 00:12:37,510 --> 00:12:39,980 TO TALK SENSE INTO THIS MAN. 319 00:12:40,010 --> 00:12:41,210 DON'T MIND IF I DO. 320 00:12:41,240 --> 00:12:43,110 SO, WHAT COMPROMISING POSITION 321 00:12:43,150 --> 00:12:45,480 HAS HE GOTTEN HIMSELF INTO THIS TIME? 322 00:12:45,510 --> 00:12:47,150 WELL, IT SEEMS THAT HIS NEW CAREER IN PORN 323 00:12:47,180 --> 00:12:48,220 IS NOT ENOUGH FOR HIM. 324 00:12:48,250 --> 00:12:50,050 HE ALSO HAS TO MARRY THE PORN STAR, 325 00:12:50,090 --> 00:12:51,550 SAVE HER FROM HER ROAD TO RUIN. 326 00:12:51,590 --> 00:12:53,460 APPARENTLY HE'S NEVER SEEN "STAR 80." 327 00:12:53,490 --> 00:12:55,060 WHAT ABOUT MARCY? 328 00:12:55,090 --> 00:12:56,930 WHAT ABOUT MARCY? HERE'S A THOUGHT. 329 00:12:56,960 --> 00:12:58,460 WHAT ABOUT MARCY? HERE'S A THOUGHT. 330 00:12:58,490 --> 00:13:00,130 MAYBE THE TWO PEOPLE IN THIS CONVERSATION 331 00:13:00,160 --> 00:13:02,530 WHO HAVE NEVER BEEN MARRIED SHOULD SHUT THE FUCK UP 332 00:13:02,570 --> 00:13:04,600 AND NOT PASS JUDGMENT ON THE ONE WHO HAS. 333 00:13:04,630 --> 00:13:06,340 HERE'S A THOUGHT RIGHT BACK AT YOU. 334 00:13:06,370 --> 00:13:07,940 MAYBE MARCY'S NOT THE PROBLEM. 335 00:13:07,970 --> 00:13:09,540 I NEVER SAID SHE WAS. 336 00:13:09,570 --> 00:13:11,340 "DAMN MY COKE ADDICT OF A WIFE," 337 00:13:11,370 --> 00:13:13,410 I'VE HEARD YOU SAY ON SEVERAL OCCASIONS. 338 00:13:13,440 --> 00:13:16,210 MM, IT SEEMS TO ME YOU'VE TRAVELED A LONG ROAD 339 00:13:16,250 --> 00:13:18,610 TO END UP RIGHT BACK WHERE YOU WERE NINE MONTHS AGO -- 340 00:13:18,650 --> 00:13:20,480 ENTHRALLED TO SOME MUCH YOUNGER WOMAN 341 00:13:20,520 --> 00:13:23,220 WHO ALLOWS YOU TO FEEL LIKE YOU'RE COMPLETELY IN CONTROL -- 342 00:13:23,250 --> 00:13:26,120 A MASTER OF THE UNIVERSE, IF YOU WILL. 343 00:13:26,160 --> 00:13:30,130 OR IN HIS CASE, A MASTURBATOR OF THE UNIVERSE, IF YOU WILL. 344 00:13:30,160 --> 00:13:32,130 [ Sarcastically ] HA HA HA HA HA. 345 00:13:32,160 --> 00:13:33,500 WHO KNOWS? 346 00:13:33,530 --> 00:13:35,560 MAYBE IT'S YOUR DESTINY, CHARLIE RUNKLE. 347 00:13:35,600 --> 00:13:37,430 MAYBE YOU WERE BORN TO DOMINATE... 348 00:13:37,470 --> 00:13:39,270 OH, NO. 349 00:13:39,300 --> 00:13:41,970 ...IN WHICH CASE, MY ADVICE TO YOU IS EMBRACE IT, 350 00:13:42,010 --> 00:13:44,240 BE WHO YOU ARE, LET YOUR FREAK FLAG FLY. 351 00:13:44,270 --> 00:13:46,540 INTERESTING. 352 00:13:46,580 --> 00:13:48,340 BECCA, COME ON, SWEETIE. 353 00:13:48,380 --> 00:13:49,480 JUST LET ME IN. COME ON. 354 00:13:49,510 --> 00:13:50,410 Lew: WHAT THE HELL? 355 00:13:50,450 --> 00:13:52,980 SOMEBODY BETTER NOT BE DOING COKE IN THERE. 356 00:13:53,020 --> 00:13:54,620 OH, SORRY. 357 00:13:54,650 --> 00:13:56,150 IT'S -- IT'S BECCA. 358 00:13:56,190 --> 00:13:57,890 IS SHE OKAY? 359 00:13:57,920 --> 00:13:59,890 SHE FOUND THAT ASSHOLE BOYFRIEND OF HERS 360 00:13:59,920 --> 00:14:01,420 MAKING OUT WITH ANOTHER GIRL. 361 00:14:05,330 --> 00:14:08,030 BECCA. IT'S LEW ASHBY. 362 00:14:08,060 --> 00:14:10,300 OH, WELL, THAT'S JUST GONNA DO IT. 363 00:14:10,330 --> 00:14:14,900 BECCA, I KNOW THINGS ARE FEELING PRETTY SHITTY RIGHT NOW -- 364 00:14:14,940 --> 00:14:17,110 CRAPPY, WHATEVER. 365 00:14:17,140 --> 00:14:20,110 BUT, UH, IN TWO WEEKS, SLIPKNOT'S AT THE FORUM, 366 00:14:20,140 --> 00:14:23,310 AND IF YOU OPEN UP THIS DOOR, LET YOUR MOTHER IN THE BATHROOM, 367 00:14:23,350 --> 00:14:25,010 YOU'RE THERE, BACKSTAGE. 368 00:14:25,050 --> 00:14:27,020 YOU'RE AT THE FREAKIN' SOUND CHECK, OKAY? 369 00:14:27,050 --> 00:14:28,320 YOU KNOW WHAT? 370 00:14:28,350 --> 00:14:29,490 THAT'S REALLY SWEET, 371 00:14:29,520 --> 00:14:31,520 BUT MY DAUGHTER CANNOT BE BRIBED. 372 00:14:33,220 --> 00:14:35,220 NOT YOU... 373 00:14:35,260 --> 00:14:37,360 HIM. 374 00:14:37,390 --> 00:14:39,100 OKAY. 375 00:14:42,130 --> 00:14:43,330 I'M REALLY SORRY. 376 00:14:43,370 --> 00:14:46,100 SHE'S GOING THROUGH SOME STUFF, SO... 377 00:14:46,140 --> 00:14:48,700 IT'S RECENTLY COME TO MY ATTENTION 378 00:14:48,740 --> 00:14:51,140 THAT MEN CANNOT BE TRUSTED. 379 00:14:51,170 --> 00:14:53,410 TRUER WORDS HAVE NEVER BEEN SPOKEN. 380 00:14:53,440 --> 00:14:55,440 CAN YOU PROVIDE ANY ASSURANCE 381 00:14:55,480 --> 00:14:58,980 THAT YOU'LL FOLLOW THROUGH ON THIS EXTRAVAGANT PROMISE? 382 00:14:59,020 --> 00:15:00,520 CAN YOU PROVIDE ANY ASSURANCE 383 00:15:00,550 --> 00:15:03,350 YOU'RE ACTUALLY GONNA LET YOUR MOTHER INTO THE BATHROOM? 384 00:15:03,390 --> 00:15:05,960 NO. 385 00:15:05,990 --> 00:15:10,060 SO, I GUESS WE HAVE NO CHOICE BUT TO, UH, TRUST EACH OTHER. 386 00:15:22,470 --> 00:15:24,970 LOOK. 387 00:15:25,010 --> 00:15:27,340 IT'S GONNA TAKE THAT DUDE 15 YEARS 388 00:15:27,380 --> 00:15:30,050 BEFORE HE REALIZES WHAT HE'S MISSING. 389 00:15:30,080 --> 00:15:32,380 HE'S MISSING A LOT, 390 00:15:32,420 --> 00:15:35,180 'CAUSE YOU'RE FUCKING MAGIC. 391 00:15:35,220 --> 00:15:37,520 AND IF THAT'S TOO LONG TO WAIT, 392 00:15:37,550 --> 00:15:39,490 I CAN ALWAYS GET LEMMY FROM MOTORHEAD 393 00:15:39,520 --> 00:15:41,660 TO CUT OFF HIS CHEEKS WITH A STRAIGHT RAZOR. 394 00:15:41,690 --> 00:15:43,660 TOTALLY UP TO YOU. [ IMITATES RAZOR SLICING ] 395 00:15:43,690 --> 00:15:45,230 [ CHUCKLES ] 396 00:15:47,260 --> 00:15:49,070 GOOD? 397 00:15:51,470 --> 00:15:53,300 SHAKE IT OFF, PRINCESS. 398 00:16:00,410 --> 00:16:02,080 SHE'S ALL YOURS. 399 00:16:02,110 --> 00:16:04,310 THANK YOU. YOU'RE WELCOME. 400 00:16:08,420 --> 00:16:10,250 Karen: HEY, YOU. 401 00:16:10,290 --> 00:16:11,650 WHAT'D HE SAY? 402 00:16:11,690 --> 00:16:13,460 I'LL NEVER TELL. 403 00:16:18,260 --> 00:16:20,000 COME HERE. 404 00:16:26,800 --> 00:16:30,170 SO, I GUESS I'M THE BIGGEST LOSER OF ALL TIME. 405 00:16:30,210 --> 00:16:32,480 NOT EVEN CLOSE. 406 00:16:32,510 --> 00:16:36,280 TRUSTING SOMEONE DOES NOT MAKE YOU INTO A LOSER, OKAY, 407 00:16:36,310 --> 00:16:37,580 'CAUSE YOU TOOK A LEAP. 408 00:16:37,610 --> 00:16:39,520 INTO A BRICK WALL. 409 00:16:39,550 --> 00:16:42,350 AND THAT'S WHY IT HURTS SO MUCH. 410 00:16:42,390 --> 00:16:46,390 AND ALL YOU CAN DO IS...LET IT HURT. 411 00:16:46,420 --> 00:16:48,420 [ SNIFFLES ] 412 00:16:53,500 --> 00:16:57,130 HEY! HEY! LOOK WHO I FOUND! 413 00:16:57,170 --> 00:16:58,700 DAISY. HEY. 414 00:16:58,730 --> 00:16:59,770 HI, BABY. 415 00:16:59,800 --> 00:17:01,570 OH, SO THIS IS DAISY. 416 00:17:01,600 --> 00:17:03,710 YEAH. DAISY, HANK. 417 00:17:03,740 --> 00:17:04,870 HANK, DAISY. 418 00:17:04,910 --> 00:17:09,080 YOU SEE THAT? EVERYBODY REALLY DOES COME TO LEW ASHBY'S. 419 00:17:09,110 --> 00:17:11,850 HAVE YOU SEEN THE ENTIRE HOUSE, ALL THE NOOKS AND CRANNIES? 420 00:17:11,880 --> 00:17:13,380 I COULD GIVE YOU A GUIDED TOUR. 421 00:17:13,420 --> 00:17:15,350 NO, NO, NO. YOU'RE NOT SQUIRRELING HER AWAY. 422 00:17:15,380 --> 00:17:16,520 NO. I JUST FOUND HER. 423 00:17:16,550 --> 00:17:18,450 SO, WHAT'S THE HAPS? 424 00:17:18,490 --> 00:17:20,290 OH, NOTHING MUCH. 425 00:17:20,320 --> 00:17:22,590 JUST SAME OLD, SAME OLD. 426 00:17:22,630 --> 00:17:24,290 NEXT GUIDED TOUR LEAVING IN 30 SECONDS. 427 00:17:24,330 --> 00:17:25,760 COME ON, WE CAN TALK ABOUT YOUR WORK. 428 00:17:25,790 --> 00:17:27,660 I'M NOT A BIG FAN OF PORN MYSELF, 429 00:17:27,700 --> 00:17:30,400 BUT I WAS -- DON'T GET ME WRONG -- IN MY FORMATIVE YEARS. 430 00:17:30,430 --> 00:17:32,540 DAISY, WHAT? YOU CAME HERE ALL ALONE? 431 00:17:32,570 --> 00:17:33,600 WHAT? OH, NO, NO, NO. 432 00:17:33,640 --> 00:17:34,770 SHE CAME WITH RONNY. 433 00:17:34,800 --> 00:17:36,670 WHERE THE FUCK DID HE JUST GET OFF TO? 434 00:17:36,710 --> 00:17:38,410 RONNY! RONNY. 435 00:17:38,440 --> 00:17:40,880 WELL, I'M NOT WITH RONNY. HE WAS COMING TONIGHT. 436 00:17:40,910 --> 00:17:42,780 THOUGHT IT'D BE FUN TO TAG ALONG, SO -- 437 00:17:42,810 --> 00:17:44,880 THOUGHT YOU GUYS MIGHT BE HERE. 438 00:17:44,910 --> 00:17:46,880 I KNOW LEW ASHBY'S PARTIES ARE REALLY FAMOUS. 439 00:17:46,920 --> 00:17:48,250 RONNY! 440 00:17:48,280 --> 00:17:51,220 OI, OI. HOW DID I KNOW I'D FIND YOU HERE? 441 00:17:51,250 --> 00:17:53,120 RUNKLE, HOW YOU DOING? 442 00:17:53,160 --> 00:17:54,260 HANK MOODY, RONNY PRAEGER, 443 00:17:54,290 --> 00:17:56,660 THE VERY GIFTED AUTEUR BEHIND "VAGINATOWN." 444 00:17:56,690 --> 00:17:58,130 Hank: OH, I'M HONORED. I'M A BIG FAN. 445 00:17:58,160 --> 00:18:00,400 WHAT IS NEXT FOR YOU, "A COCK-WORK ORANGE," 446 00:18:00,430 --> 00:18:02,670 OR PERHAPS "2069: A SIT-ON-MY-FACE ODYSSEY"? 447 00:18:02,700 --> 00:18:04,130 THAT'S ACTUALLY NOT TOO FUCKING BAD. 448 00:18:04,170 --> 00:18:05,370 WE'VE ACTUALLY BEEN TALKING ABOUT IT, 449 00:18:05,400 --> 00:18:06,400 HAVEN'T WE, SWEET TITS? 450 00:18:06,440 --> 00:18:08,740 WE'VE DECIDED ON "NETWORK." OH, "NETWORK." 451 00:18:08,770 --> 00:18:10,540 NO. WHAT ARE YOU TALKING ABOUT -- DAISY? 452 00:18:10,570 --> 00:18:13,710 SHE DIDN'T TELL YOU? DAISY IS GETTING OUT OF PORN. 453 00:18:13,740 --> 00:18:14,810 YOU ARE? 454 00:18:14,840 --> 00:18:16,310 DAISY'S HERE, PORN'S OVER THERE. 455 00:18:16,350 --> 00:18:18,410 UH, YOU KNOW, I'M GIVING IT SOME THOUGHT. 456 00:18:18,450 --> 00:18:20,420 NO. YEAH. 457 00:18:20,450 --> 00:18:23,150 WHAT KIND OF SHIT-FOR-BRAINS AGENT GAVE YOU THAT ADVICE? 458 00:18:23,190 --> 00:18:24,550 THAT'S TERRIBLE ADVICE! 459 00:18:24,590 --> 00:18:27,160 I MEAN, SERIOUSLY, WHEN YOU'VE GOT 100% USDA CHOICE BEEF 460 00:18:27,190 --> 00:18:28,290 LIKE THAT SLAPPIN' ABOUT, 461 00:18:28,320 --> 00:18:29,790 YOU DON'T LET IT GET TO THE FREEZER. 462 00:18:29,830 --> 00:18:31,930 HEY, HEY, HEY. JUST BACK OFF, BUDDY, WOULD YOU? 463 00:18:31,960 --> 00:18:33,760 OKAY? THE DECISION'S BEEN MADE. 464 00:18:33,800 --> 00:18:35,830 DAISY DOESN'T WANT TO DO ANY MORE PORN. 465 00:18:35,860 --> 00:18:37,730 AND MAYBE YOU SHOULD JUST GET YOUR PAWS OFF HER, 466 00:18:37,770 --> 00:18:39,440 YOU KNOW, GIVE HER A LITTLE SPACE. 467 00:18:39,470 --> 00:18:41,940 WHAT THE FUCK DO YOU CARE WHERE HIS PAWS ARE? 468 00:18:41,970 --> 00:18:44,740 I DON'T THINK A GIRL SHOULD BE HANDLED LIKE THAT AGAINST HER WILL -- THAT'S ALL. 469 00:18:44,770 --> 00:18:45,810 IT'S FINE. IT'S FINE? 470 00:18:45,840 --> 00:18:47,410 IT'S FINE HE TOUCHES YOU? 471 00:18:47,440 --> 00:18:49,280 IT'S FINE YOU'RE OUT ON A DATE WITH HIM? 472 00:18:49,310 --> 00:18:50,680 IT'S FINE THAT -- 473 00:18:50,710 --> 00:18:52,580 THAT HE'S PLANNING THE REST OF YOUR LIFE FOR YOU? 474 00:18:52,620 --> 00:18:54,420 WHAT? WHAT? I MEAN, WHAT ABOUT US? 475 00:18:54,450 --> 00:18:55,450 WHAT? 476 00:18:55,480 --> 00:18:56,850 EXCUSE ME? 477 00:18:56,890 --> 00:18:57,790 PROFESSIONALLY SPEAKING. 478 00:18:57,820 --> 00:18:59,760 CHARLIE, YOU LOOK LIKE YOU NEED A REFILL. 479 00:18:59,790 --> 00:19:01,460 YOU LOOK DRY. I THINK I SHOULD GO. 480 00:19:01,490 --> 00:19:03,260 I -- OH, NO, NO, NO, NO! 481 00:19:03,290 --> 00:19:05,530 NO. NO ONE'S GOING ANYWHERE, 482 00:19:05,560 --> 00:19:07,960 NOT TILL THIS SKINNY LITTLE PORNO HO 483 00:19:08,000 --> 00:19:10,400 TELLS ME WHAT HE MEANT JUST NOW. 484 00:19:10,430 --> 00:19:11,730 CHARLIE? UH, NOTHING. 485 00:19:11,770 --> 00:19:13,670 OKAY, YOU KNOW WHAT? ALL RIGHT, FINE. 486 00:19:13,700 --> 00:19:14,970 I'M SORRY, MARCY, YOU KNOW, 487 00:19:15,000 --> 00:19:16,910 BUT AFTER ALL THE SHIT WE'VE BEEN THROUGH, 488 00:19:16,940 --> 00:19:18,870 YOU KNOW, PRETENDING IS POINTLESS. 489 00:19:18,910 --> 00:19:20,840 THIS IS TOO MUCH FUCKING WORK. 490 00:19:20,880 --> 00:19:22,750 YOU KNOW, IT'S TOO MUCH MESS, TOO MUCH CRAZINESS. 491 00:19:22,780 --> 00:19:25,750 I WANT TO GET A DIVORCE. I'M GONNA BE WITH DAISY. 492 00:19:25,780 --> 00:19:29,490 THERE. I SAID IT OUT LOUD, CAN'T TAKE IT BACK. 493 00:19:34,590 --> 00:19:36,430 YOU FUCKED MY MAN. 494 00:19:36,460 --> 00:19:38,290 MARCY, I -- MARCY -- 495 00:19:38,330 --> 00:19:40,930 AAH! [ GLASS BREAKING ] 496 00:19:40,960 --> 00:19:42,370 AH, YOU BITCH! 497 00:19:42,400 --> 00:19:43,700 DID YOU SEE THAT? 498 00:19:43,730 --> 00:19:45,430 OH! 499 00:19:45,470 --> 00:19:46,970 YOU FUCKING WHORE! 500 00:19:47,000 --> 00:19:48,570 WHOA! WHOA! 501 00:19:48,600 --> 00:19:50,470 WHAT ARE YOU DOING, MOODY? YOU CAN'T STOP A GIRL FIGHT. 502 00:19:50,510 --> 00:19:52,580 YOU MIGHT ACCIDENTALLY HIT ONE OF THEM. 503 00:19:52,610 --> 00:19:55,740 Hank: ASSHOLE. YOU JUST HAD TO GO THERE, DIDN'T YOU? 504 00:19:55,780 --> 00:19:58,450 [ INDISTINCT SHOUTING ] 505 00:20:00,650 --> 00:20:02,250 NO, GO AHEAD. 506 00:20:02,290 --> 00:20:03,450 YOU DO THE HONORS. 507 00:20:03,490 --> 00:20:04,450 SURE? YEAH. 508 00:20:04,490 --> 00:20:05,550 [ RIFLE COCKS ] 509 00:20:06,920 --> 00:20:08,990 [ SCREAMING ] 510 00:20:09,020 --> 00:20:11,860 [ LAUGHS ] 511 00:20:11,890 --> 00:20:16,600 WHAT WE HAVE HERE IS A FAILURE TO COMMUNICATE. 512 00:20:16,630 --> 00:20:18,530 [ CRACKING ] 513 00:20:20,700 --> 00:20:22,870 [ SCREAMING ] 514 00:20:30,610 --> 00:20:33,850 ERROL FLYNN USED TO SWING FROM THAT THING. 515 00:20:33,880 --> 00:20:36,790 WHAT, NO PROPS FOR SAVING YOUR LIFE? 516 00:20:36,820 --> 00:20:37,950 COME ON. 517 00:20:37,990 --> 00:20:40,020 HEY, LEW. 518 00:20:40,060 --> 00:20:41,460 GREAT PARTY. 519 00:20:41,490 --> 00:20:43,460 YOU TAKING OFF? THE NIGHT IS YOUNG. 520 00:20:43,490 --> 00:20:45,830 WE'LL TALK. 521 00:20:45,860 --> 00:20:48,430 BYE, ANNIKA...STALEY. 522 00:20:48,460 --> 00:20:50,830 I USED TO KNOW THAT GIRL. WHAT'D YOU DO TO HER? 523 00:20:50,870 --> 00:20:52,700 I DON'T WANT TO GO INTO THE EXACT DETAILS, 524 00:20:52,740 --> 00:20:55,000 BUT I DID SOLVE THAT, UH, LITTLE PROBLEM YOU WERE HAVING. 525 00:20:55,040 --> 00:20:57,670 YOU SOLVED IT JUST LIKE THAT? 526 00:20:57,710 --> 00:20:58,970 YES, I DID. HUH. 527 00:20:59,010 --> 00:21:01,610 I TOLD ANNIKA 528 00:21:01,640 --> 00:21:05,010 THAT I WAS THE SEXY OLDER MAN THAT MIA'S BEEN BANGING -- 529 00:21:05,050 --> 00:21:05,950 YOU KNOW, THE ONE FROM THE BOOK. 530 00:21:05,980 --> 00:21:08,080 YEAH, BUT YOU HAVEN'T EVEN READ THE BOOK. 531 00:21:08,120 --> 00:21:09,890 THAT'S WHAT YOU TAKE ME FOR, RIGHT, 532 00:21:09,920 --> 00:21:11,650 LIKE A FUNCTIONAL ILLITERATE? 533 00:21:11,690 --> 00:21:12,690 [ LAUGHS ] 534 00:21:12,720 --> 00:21:15,590 I READ THE LITTLE FUCKER -- NOT YOUR BEST WORK. 535 00:21:15,620 --> 00:21:16,830 NOT MY BEST WORK? 536 00:21:16,860 --> 00:21:17,930 GIRLS TALK A LOT AFTER SEX. 537 00:21:17,960 --> 00:21:19,430 I MEAN, DON'T GET DOWN ON YOURSELF. 538 00:21:19,460 --> 00:21:20,830 YOU HADN'T WRITTEN ONE FOR A WHILE. 539 00:21:20,860 --> 00:21:22,530 I'M SURE THE NEXT ONE'S GONNA BE A LOT BETTER. 540 00:21:22,570 --> 00:21:24,700 YOU HAVE TO SQUEEZE ONE OUT OF THE CHAMBER, 541 00:21:24,730 --> 00:21:26,000 LET THE GOOD STUFF COME THROUGH. 542 00:21:26,030 --> 00:21:27,840 [ LAUGHS ] 543 00:21:27,870 --> 00:21:29,100 [ LAUGHS ] 544 00:21:29,140 --> 00:21:31,470 WELL, THANK YOU, 545 00:21:31,510 --> 00:21:33,810 AND...FOR THE OTHER. 546 00:21:33,840 --> 00:21:35,410 WHATEVER, YOU KNOW? 547 00:21:35,440 --> 00:21:38,580 NO OFFENSE, BUT I'M A MUCH BIGGER STORY. 548 00:21:38,610 --> 00:21:41,380 "CRAZY RECORD PRODUCER LIVES ALONE IN BIG, EMPTY HOUSE 549 00:21:41,420 --> 00:21:43,890 WITH A TASTE FOR UNDERAGE WOMEN" -- WRITES ITSELF. 550 00:21:43,920 --> 00:21:46,590 IT'S NOT THE REAL STORY, THOUGH. IT'S A STORY. 551 00:21:46,620 --> 00:21:48,860 IT'S A VERSION OF THE TRUTH -- THE EXTENDED DANCE MIX. 552 00:21:48,890 --> 00:21:52,130 SO, PROBLEM SOLVED. 553 00:21:52,160 --> 00:21:53,900 MARCY'S GONNA COME BACK WITH US, 554 00:21:53,930 --> 00:21:56,530 AND I'M GONNA PUT ALL THE ALCOHOL UNDER LOCK AND KEY. 555 00:21:56,570 --> 00:21:57,870 OH, THAT'S -- THAT'S GOOD. 556 00:21:57,900 --> 00:22:00,440 OH, NO, I HAVE A BOTTLE STASHED -- 557 00:22:00,470 --> 00:22:03,010 I KNOW WHERE ALL YOUR BOTTLES ARE STASHED. 558 00:22:03,040 --> 00:22:05,370 OH. YEAH. 559 00:22:05,410 --> 00:22:06,810 DAMN IT. 560 00:22:06,840 --> 00:22:09,980 SO, LEW, IT WAS A TRULY DISASTROUS PARTY. 561 00:22:10,010 --> 00:22:11,450 IT WAS, WASN'T IT? THANK YOU. 562 00:22:11,480 --> 00:22:12,780 THANK YOU. 563 00:22:12,820 --> 00:22:15,580 BUT YOU KNOW WHAT? I UNDERESTIMATED YOU. 564 00:22:15,620 --> 00:22:17,020 ME? MM-HMM. 565 00:22:17,050 --> 00:22:20,720 IN THE HEAT OF BATTLE, YOU SHONE THROUGH, YOUR TRUE COLORS. 566 00:22:20,760 --> 00:22:25,460 HMM. WOW. HIGH PRAISE. 567 00:22:25,490 --> 00:22:27,500 I BETTER LEAVE ON THAT NOTE. 568 00:22:27,530 --> 00:22:29,600 THANKS FOR COMING. THANKS FOR HAVING ME. 569 00:22:29,630 --> 00:22:30,930 [ WHISTLES ] 570 00:22:30,970 --> 00:22:31,930 [ CHUCKLES ] 571 00:22:31,970 --> 00:22:33,640 SEE YOU. 572 00:22:35,470 --> 00:22:36,870 WHAT WAS THAT ALL ABOUT? 573 00:22:36,910 --> 00:22:38,710 I'LL NEVER TELL. 574 00:22:38,740 --> 00:22:40,580 MORE SECRETS, HUH? 575 00:22:40,610 --> 00:22:41,980 I KNOW. 576 00:22:42,010 --> 00:22:43,810 WELL, YOU KNOW, IT'S SUCH AN EFFORT. 577 00:22:43,850 --> 00:22:45,680 I HAVE TO RETAIN MY AURA OF MYSTERY. 578 00:22:45,710 --> 00:22:47,150 IT'S NO EFFORT. 579 00:22:52,820 --> 00:22:53,820 MM. 580 00:22:53,860 --> 00:22:54,820 GOOD NIGHT. 581 00:22:54,860 --> 00:22:55,920 GOOD NIGHT. 582 00:23:07,700 --> 00:23:09,000 HEY. 583 00:23:09,040 --> 00:23:11,170 THOUGHT I'D BE FASHIONABLY LATE. 584 00:23:11,210 --> 00:23:12,210 YOU CAME. 585 00:23:12,240 --> 00:23:13,680 I WAS INVITED, RIGHT? 586 00:23:13,710 --> 00:23:16,610 YES, BUT I-I NEVER THOUGHT YOU'D ACTUALLY SHOW. 587 00:23:16,650 --> 00:23:18,680 JUST WAIT RIGHT HERE. LEW'S, LIKE, THREE FEET AWAY. 588 00:23:18,710 --> 00:23:20,020 NO, NO, NO. WAIT A MINUTE. LEW? 589 00:23:20,050 --> 00:23:21,580 YEAH, LEW. 590 00:23:21,620 --> 00:23:23,690 AND WHAT IF I DIDN'T COME TO SEE LEW? 591 00:23:23,720 --> 00:23:25,720 THEN YOU'RE NOT MAKING ANY SENSE, WOMAN. 592 00:23:25,750 --> 00:23:26,960 I CAN'T LIE, HANK MOODY. 593 00:23:26,990 --> 00:23:28,920 I THINK YOU STIRRED SOMETHING UP IN ME. 594 00:23:28,960 --> 00:23:30,130 OH. 595 00:23:30,160 --> 00:23:31,860 MEMORIES -- MISTY, WATERCOLORED ONES. 596 00:23:31,890 --> 00:23:33,060 LOOK AROUND, LADY. 597 00:23:33,100 --> 00:23:34,730 ALL THIS IS FOR YOU -- ALL OF IT -- 598 00:23:34,760 --> 00:23:36,730 THE CRAZY FUCKING HOUSE, THE PARTY, EVERYTHING. 599 00:23:36,770 --> 00:23:39,130 REALLY? YEAH. 600 00:23:39,170 --> 00:23:40,800 I ALREADY HAVE A HOUSE. 601 00:23:40,840 --> 00:23:43,610 IT'S A TOTALLY SOULLESS ONE. THIS IS A REAL HOUSE. 602 00:23:43,640 --> 00:23:45,570 IT'S OLD AND BROKEN AND BATTERED 603 00:23:45,610 --> 00:23:48,110 'CAUSE SHIT HAPPENS HERE -- REAL SHIT. 604 00:23:48,140 --> 00:23:49,980 YEAH. LOOKS LIKE SOME REAL SHIT HAPPENED HERE. 605 00:23:50,010 --> 00:23:53,050 AH, IGNORE THAT. THINGS FALL APART. THEY BREAK. 606 00:23:53,080 --> 00:23:54,480 THAT'S LIFE. 607 00:23:54,520 --> 00:23:55,720 OH, I SEE. 608 00:23:55,750 --> 00:23:58,490 SO, LIFE HAS TO BE SAD AND BROKEN, HAUNTED? 609 00:23:58,520 --> 00:24:00,190 YES. 610 00:24:00,220 --> 00:24:02,690 I DON'T BUY IT. 611 00:24:02,730 --> 00:24:03,990 THIS PLACE LOOKS AWFUL. 612 00:24:04,030 --> 00:24:05,530 IT LOOKS LIKE SOMEBODY DIED HERE. 613 00:24:05,560 --> 00:24:07,730 SOMEBODY ALMOST DID, BUT NOT TONIGHT. 614 00:24:07,760 --> 00:24:09,230 JUST WAIT HERE. STAY PUT. 615 00:24:09,260 --> 00:24:11,000 HEY, LEW! 616 00:24:11,030 --> 00:24:12,870 LEW! 617 00:24:12,900 --> 00:24:15,100 * NO ONE KNOWS WHAT IT'S LIKE 618 00:24:15,140 --> 00:24:17,610 * TO BE THE BAD MAN 619 00:24:17,640 --> 00:24:19,680 Lew: OH, YEAH. 620 00:24:19,710 --> 00:24:21,140 * TO BE THE SAD MAN 621 00:24:21,180 --> 00:24:23,280 I FORGOT ABOUT THAT. 622 00:24:23,310 --> 00:24:27,250 * BEHIND BLUE EYES 623 00:24:27,280 --> 00:24:28,750 YES? 624 00:24:28,780 --> 00:24:30,090 * NO ONE KNOWS WHAT IT'S LIKE * 625 00:24:30,120 --> 00:24:31,520 * TO BE HATED 626 00:24:31,550 --> 00:24:33,120 OUT. EVERYBODY OUT, PLEASE. 627 00:24:33,160 --> 00:24:34,790 PLEASE. THANK YOU. HEY. WAIT. 628 00:24:34,820 --> 00:24:37,030 WHAT THE FUCK ARE YOU DOING? DON'T GO. DON'T GO. 629 00:24:37,060 --> 00:24:38,090 THANK YOU. WHAT THE F-- 630 00:24:38,130 --> 00:24:39,090 SHE'S HERE. SHE WHO? 631 00:24:39,130 --> 00:24:41,030 "SHE WHO"? JANIE, YOU ASSHOLE. 632 00:24:41,060 --> 00:24:42,670 SHE CAME. 633 00:24:42,700 --> 00:24:44,730 NO WAY. YES WAY. 634 00:24:44,770 --> 00:24:46,000 GET YOUR ASS DOWNSTAIRS RIGHT NOW. 635 00:24:46,030 --> 00:24:47,970 NO. I MEAN, NO WAY. 636 00:24:48,000 --> 00:24:49,270 NO FUCKING WAY I'M GOING DOWN THERE. 637 00:24:49,300 --> 00:24:51,110 DID YOU NOT HEAR ME? 638 00:24:51,140 --> 00:24:53,710 YOU -- YOU GO TALK TO HER. 639 00:24:53,740 --> 00:24:56,610 YOU WANT ME TO TALK TO HER? WHAT IS THIS, FIFTH GRADE? 640 00:24:56,650 --> 00:24:59,680 LOOK, I CAN'T, I MEAN, NOT AFTER ALL THIS TIME, 641 00:24:59,720 --> 00:25:01,980 AFTER ALL THE SHIT THAT I PULLED. 642 00:25:02,020 --> 00:25:02,990 I-I DON'T KNOW. 643 00:25:03,020 --> 00:25:05,090 ACCORDING TO HER, YOU'RE NOT SUCH A BAD BOY. 644 00:25:05,120 --> 00:25:07,660 I MEAN, YOU KNOW, YOU LOVE MUSIC A LITTLE TOO MUCH, 645 00:25:07,690 --> 00:25:08,890 BLAH, BLAH, BLAH. 646 00:25:08,920 --> 00:25:10,090 SHE SAID THAT SHIT? YEAH. 647 00:25:10,130 --> 00:25:12,330 I MEAN, MAYBE SHE REALLY DOES LOVE ME. 648 00:25:12,360 --> 00:25:14,130 WHY? 649 00:25:14,160 --> 00:25:15,730 BECAUSE IT'S A BIG FUCKING LIE 650 00:25:15,760 --> 00:25:17,770 BECAUSE I DID ALL KINDS OF BAD SHIT TO HER. 651 00:25:17,800 --> 00:25:19,000 I-I FUCKED AROUND CONSTANTLY. 652 00:25:19,030 --> 00:25:20,640 I CRASHED A CAR INTO HER HOUSE. 653 00:25:20,670 --> 00:25:22,100 I, YOU KNOW, SHIT -- 654 00:25:22,140 --> 00:25:25,140 ONCE I EVEN...MADE HER GET AN ABORTION. 655 00:25:25,170 --> 00:25:26,640 YOU MADE HER? 656 00:25:26,680 --> 00:25:28,940 WELL, IT'S NOT LIKE I DID IT MYSELF OR ANYTHING. 657 00:25:28,980 --> 00:25:31,050 IT'S JUST... WHAT? 658 00:25:32,780 --> 00:25:35,820 I WAS KIND OF FUCKING THIS OTHER GIRL AT THE SAME TIME. 659 00:25:35,850 --> 00:25:38,290 WHILE SHE WAS PREGNANT? SURE. 660 00:25:38,320 --> 00:25:40,760 ONLY YOU DIDN'T KNOW THAT. NO, I KNEW. 661 00:25:40,790 --> 00:25:42,990 I JUST -- I WAS... 662 00:25:43,030 --> 00:25:45,760 SCARED SHITLESS, SO... 663 00:25:45,790 --> 00:25:47,800 KIND OF LIKE YOU ARE RIGHT NOW? YEAH, YEAH, YEAH. 664 00:25:47,830 --> 00:25:50,200 SIT DOWN, RATSO RIZZO, YOU'RE MAKING ME NERVOUS. 665 00:25:50,230 --> 00:25:51,770 COME ON. HAVE A SEAT. 666 00:25:51,800 --> 00:25:53,640 I'M ONLY GONNA SAY THIS ONCE, 667 00:25:53,670 --> 00:25:55,700 SO I WANT YOU TO LISTEN, ALL RIGHT? 668 00:25:55,740 --> 00:25:58,810 NO MATTER WHAT YOU DID, DON'T GIVE UP. 669 00:25:58,840 --> 00:26:01,040 DO NOT GIVE UP. 670 00:26:01,080 --> 00:26:03,310 WHY? 671 00:26:03,350 --> 00:26:06,750 BECAUSE IF SHE LOVES YOU, SHE'LL FORGIVE YOU. 672 00:26:06,780 --> 00:26:07,980 YOU REALLY BELIEVE THAT? 673 00:26:08,020 --> 00:26:09,250 I HAVE TO. 674 00:26:09,280 --> 00:26:11,920 OTHERWISE THERE'S NO POINT. 675 00:26:11,950 --> 00:26:14,890 THERE IS NO LIFE WITHOUT LOVE -- 676 00:26:14,920 --> 00:26:17,160 NONE WORTH HAVING, ANYWAY. 677 00:26:17,190 --> 00:26:20,360 [ INHALES, EXHALES DEEPLY ] 678 00:26:21,900 --> 00:26:23,670 FUCK IT. YOU'RE RIGHT. 679 00:26:23,700 --> 00:26:27,040 ALL RIGHT. I'M GONNA DO THIS. IT'S GONNA SUCK. 680 00:26:27,070 --> 00:26:28,640 HOW DO I LOOK? 681 00:26:28,670 --> 00:26:30,740 LIKE A BIG DOUCHE BAG... THANK YOU. 682 00:26:30,770 --> 00:26:34,310 ...A VERY, VERY SEXY DOUCHE BAG. 683 00:26:34,340 --> 00:26:36,080 JUST LET ME GRAB MY JACKET. 684 00:26:36,110 --> 00:26:37,310 ALL RIGHT. 685 00:26:37,350 --> 00:26:39,050 FIX MY HAIR. 686 00:26:39,080 --> 00:26:40,680 THERE YOU GO. 687 00:26:42,420 --> 00:26:44,150 [ EXHALES DEEPLY ] 688 00:26:44,190 --> 00:26:45,690 YOU GOT IT. HANG ON. 689 00:26:45,720 --> 00:26:47,890 WHAT? YOU'RE GONNA DO THAT NOW? 690 00:26:47,920 --> 00:26:50,360 OKAY, HURRY UP. 691 00:26:50,390 --> 00:26:51,690 CHILL OUT. 692 00:26:51,730 --> 00:26:52,800 DO YOU WANT -- DO YOU WANT ONE? 693 00:26:52,830 --> 00:26:54,160 JUST GO AHEAD. YOU FIRST. 694 00:26:56,330 --> 00:26:57,900 WHOA! 695 00:26:57,930 --> 00:26:59,670 COME ON. 696 00:26:59,700 --> 00:27:02,370 COME ON. 697 00:27:04,370 --> 00:27:07,010 YOU GOOD? FORTIFIED? 698 00:27:07,040 --> 00:27:08,740 LET'S GO. 699 00:27:08,780 --> 00:27:09,980 LET'S GO. 700 00:27:10,010 --> 00:27:12,310 [ SNIFFS ] 701 00:27:12,350 --> 00:27:14,080 WHAT? 702 00:27:14,120 --> 00:27:15,280 [ GROANS ] 703 00:27:15,320 --> 00:27:16,280 OH. 704 00:27:16,320 --> 00:27:17,450 LEW. 705 00:27:17,490 --> 00:27:19,220 LEW! LEW! 706 00:27:19,250 --> 00:27:20,820 [ MOANING ] 707 00:27:20,860 --> 00:27:22,020 SHIT. LEW. 708 00:27:22,060 --> 00:27:23,360 WHERE'S YOUR FUCKING PEN? 709 00:27:25,190 --> 00:27:28,260 I GOT IT. I GOT IT. I GOT IT. 710 00:27:29,460 --> 00:27:32,300 THERE YOU GO. THAT'S GOOD, RIGHT? 711 00:27:32,330 --> 00:27:33,470 * BE THE BAD MAN LEW! 712 00:27:33,500 --> 00:27:35,340 * BE THE SAD MAN LEW! 713 00:27:35,370 --> 00:27:37,440 [ Echoing ] LEW. 714 00:27:37,470 --> 00:27:38,710 LEW! 715 00:27:38,740 --> 00:27:42,950 * BEHIND BLUE EYES LEW! 716 00:27:45,150 --> 00:27:48,120 -- Captions by VITAC -- www.vitac.com 717 00:27:48,150 --> 00:27:51,120 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS 718 00:27:51,150 --> 00:27:54,160 AND BLIND DECKER PRODUCTIONS 51012

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