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Don't you want to dance with me?
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00:00:17,430 --> 00:00:19,570
Don't you want to dance with me?
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00:00:20,030 --> 00:00:25,750
I want to hold you so bad. I want you so
bad. Don't you want to dance with me?
4
00:00:50,989 --> 00:00:56,910
Special to me. Special to me. Yeah,
yeah, yeah.
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Special to me.
6
00:02:24,820 --> 00:02:25,820
Oh,
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thank you. It's so nice to have a man
around. It's my pleasure.
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I'm Mr. Lewis.
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Welcome to our museum.
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In today's slide show, I've tried to
highlight several different periods.
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Hey, listen to that.
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Splendid enthusiasm, boys.
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Quiet, quiet.
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Afterwards, when you go through our
museum, you can have a little more
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understanding of what art is all about.
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Look, let's just get started.
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00:03:13,210 --> 00:03:14,330
Do you have any questions?
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Jot them down, and I'll try to answer
them later. No, you can turn out the
19
00:03:19,880 --> 00:03:20,880
light over there for me.
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00:03:24,800 --> 00:03:25,800
You got it.
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00:03:27,300 --> 00:03:29,300
All right, quiet, please.
22
00:03:31,320 --> 00:03:32,860
Hey, he's cute.
23
00:03:33,560 --> 00:03:34,560
Hey, Dory.
24
00:03:34,980 --> 00:03:35,980
Why?
25
00:03:36,320 --> 00:03:37,320
Check him out.
26
00:03:37,600 --> 00:03:38,640
Look at that boat.
27
00:03:38,840 --> 00:03:41,440
We've just been around boys. That's a
real man.
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00:03:42,240 --> 00:03:43,800
He's more your type.
29
00:03:44,580 --> 00:03:45,580
Wow.
30
00:03:45,940 --> 00:03:47,420
He's too old.
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His beard probably tickles. He couldn't
get it up in a hundred years.
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00:03:53,480 --> 00:03:54,560
Hey, he'd be surprised.
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00:03:55,200 --> 00:03:58,060
Bet you he could outperform Mr. Muscle
back there.
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00:03:58,300 --> 00:04:01,560
I don't doubt it. Oh, don't be crazy,
sissy.
35
00:04:01,860 --> 00:04:05,700
You couldn't get him up even if you were
Charo. What do you want to bet?
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00:04:06,960 --> 00:04:08,320
Two weeks allowance.
37
00:04:08,940 --> 00:04:10,240
You're on. Bet.
38
00:04:10,460 --> 00:04:13,100
Bet. Just go along with what I do.
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00:04:31,500 --> 00:04:32,700
She doesn't feel well.
40
00:04:33,180 --> 00:04:34,079
Oh, dear.
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00:04:34,080 --> 00:04:35,920
Shall I get the nurse? Yes. No.
42
00:04:36,420 --> 00:04:38,920
No. I've got to go lie down. I'm going
to die.
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00:04:39,280 --> 00:04:42,360
She's got to lie down. I'll take you to
the... Miss Ginny, can you hold down the
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00:04:42,360 --> 00:04:44,140
fort here? I'll take her. Nurse.
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00:04:46,560 --> 00:04:49,300
All right, all right. Wait a minute. Be
quiet.
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00:04:54,060 --> 00:05:00,460
The rape of the Sabine woman.
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00:05:00,920 --> 00:05:04,820
This Victorian bronze takes its theme
from the capture of a group of women by
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Roman soldiers Notice the total abandon
of the woman in the arms of her captor
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00:05:11,220 --> 00:05:18,180
In case any of you were interested this
act is how Rome was
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00:05:18,180 --> 00:05:25,180
populated It represents the attack by
Romulus and his soldiers on the town
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00:05:25,180 --> 00:05:28,680
of Sabine to gather together wives for
his soldiers
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00:05:33,680 --> 00:05:38,720
Thus was the sordid beginning of the
greatest Empire the world has ever known
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Rome You
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00:06:07,659 --> 00:06:08,659
You're going to like it.
55
00:08:40,670 --> 00:08:41,670
What do you do with this?
56
00:08:42,590 --> 00:08:44,830
Huh? So what do you do with this?
57
00:08:45,870 --> 00:08:46,870
Suck it.
58
00:08:47,170 --> 00:08:48,170
Suck it.
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00:08:52,170 --> 00:08:53,230
You whore.
60
00:08:56,250 --> 00:08:58,950
You fucking filthy whore.
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00:10:57,100 --> 00:10:58,100
Oh.
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How deep, huh?
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00:11:28,390 --> 00:11:31,250
You want it deep? How deep, huh?
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00:11:32,090 --> 00:11:33,970
Oh, yeah.
65
00:11:34,990 --> 00:11:36,090
Oh, yeah.
66
00:11:38,170 --> 00:11:39,170
Deeper.
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00:11:39,650 --> 00:11:40,650
Come on.
68
00:11:43,690 --> 00:11:44,690
Good.
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00:13:06,250 --> 00:13:07,390
You old maid.
70
00:13:08,690 --> 00:13:12,170
Oh, anyone here? Looks like we're all
alone.
71
00:13:13,790 --> 00:13:16,010
I'm sure they'll be back in just a
minute.
72
00:13:16,790 --> 00:13:18,450
People are never here when you need
them.
73
00:13:20,230 --> 00:13:21,230
Oh.
74
00:13:21,950 --> 00:13:22,950
What is it?
75
00:13:23,050 --> 00:13:24,650
Oh, my stomach.
76
00:13:24,850 --> 00:13:26,310
Here, sit down. I'm dying.
77
00:13:26,570 --> 00:13:27,570
I'm dying.
78
00:13:29,270 --> 00:13:32,910
I'm sure it's nothing serious. Probably
just a bad hot dog, maybe.
79
00:13:35,400 --> 00:13:38,420
Oh, Lord, I hope it's not appendicitis.
Does it hurt when I press here?
80
00:13:38,720 --> 00:13:41,100
Oh, just a little bit.
81
00:13:41,900 --> 00:13:45,160
Maybe if you didn't press quite so hard,
it wouldn't hurt.
82
00:13:46,040 --> 00:13:49,140
Well, I'm sure it's not appendicitis.
You would have hit the ceiling.
83
00:13:50,540 --> 00:13:54,860
You know, my screw's kind of tight.
Maybe I should go and take off my
84
00:13:54,860 --> 00:13:56,840
clothes. Maybe I'd feel better.
85
00:13:57,500 --> 00:13:58,500
Well,
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00:13:58,920 --> 00:13:59,659
all right, then.
87
00:13:59,660 --> 00:14:00,720
I'll go look for the nurse.
88
00:14:12,750 --> 00:14:13,790
Here, put this on.
89
00:14:14,110 --> 00:14:15,110
I'll wait right here.
90
00:14:15,350 --> 00:14:17,010
You're not going to go anywhere.
91
00:14:17,630 --> 00:14:19,090
No, no, I'll stay right here.
92
00:14:19,490 --> 00:14:21,790
Promise? Yes, I promise.
93
00:14:23,310 --> 00:14:24,310
Okay.
94
00:14:29,430 --> 00:14:30,430
You promise?
95
00:14:30,830 --> 00:14:32,150
Oh, yes, I promise.
96
00:14:32,970 --> 00:14:33,970
Okay.
97
00:14:38,170 --> 00:14:39,450
There, how's that better?
98
00:14:41,100 --> 00:14:41,979
Thank you, Mr.
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00:14:41,980 --> 00:14:45,920
Peterson. I don't know what I ever would
have done if you hadn't have come along.
100
00:14:46,380 --> 00:14:47,460
Oh, it was nothing, really.
101
00:14:48,520 --> 00:14:52,580
Maybe if you rubbed my tummy a little
bit, my cramps would go away.
102
00:14:53,900 --> 00:14:54,900
Yes.
103
00:14:57,920 --> 00:15:00,440
You know what, Mr. Peterson?
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00:15:00,840 --> 00:15:07,620
I read an old wife's tale where he gets
rid of cramps. Maybe if you
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00:15:07,620 --> 00:15:08,900
rubbed me like this.
106
00:15:09,770 --> 00:15:11,330
It'll go away faster.
107
00:15:13,910 --> 00:15:14,910
That's nice.
108
00:15:15,770 --> 00:15:17,650
It's doing better already.
109
00:15:20,350 --> 00:15:21,350
Mr.
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00:15:22,230 --> 00:15:23,230
Peterson!
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00:15:25,230 --> 00:15:27,870
Doesn't your daddy ever stroke your
pussy?
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00:15:28,090 --> 00:15:30,030
My daddy's a vulnerable man.
113
00:15:32,850 --> 00:15:34,290
How about your boyfriend?
114
00:15:35,170 --> 00:15:36,870
Would you like to be my boyfriend?
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00:15:37,290 --> 00:15:39,190
Oh, yes. Right now, especially.
116
00:15:39,790 --> 00:15:41,670
Oh, then let's play doctor.
117
00:15:52,430 --> 00:15:53,430
That's strange.
118
00:15:54,330 --> 00:15:57,450
Your heart's not beating down here. I
think we'd better do something about it.
119
00:15:57,510 --> 00:16:00,750
I think a little bit of mouth-to-mouth
resuscitation's in line here.
120
00:16:02,050 --> 00:16:03,050
What?
121
00:16:16,010 --> 00:16:17,010
Better.
122
00:16:21,690 --> 00:16:22,770
Couldn't be better.
123
00:16:23,710 --> 00:16:24,710
Oh.
124
00:16:26,310 --> 00:16:27,310
Oh.
125
00:16:29,810 --> 00:16:32,790
Is this what they teach you at that
girls' school?
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00:16:33,610 --> 00:16:35,610
Over, over, over easy.
127
00:16:40,710 --> 00:16:42,210
It's been so long.
128
00:17:04,650 --> 00:17:05,650
Don't touch me.
129
00:17:13,990 --> 00:17:15,130
Oh, Professor.
130
00:17:15,490 --> 00:17:16,490
Oh,
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00:17:24,650 --> 00:17:27,569
I'm going to take you to class next
year.
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00:17:47,150 --> 00:17:49,010
The older the better.
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00:18:31,080 --> 00:18:33,840
I'll give you an A-plus for this one.
134
00:22:07,310 --> 00:22:08,310
Ugh.
135
00:23:03,960 --> 00:23:10,060
He emerged as an artist in the early 60s
in connection with the New York pop art
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00:23:10,060 --> 00:23:11,060
movement.
137
00:23:11,780 --> 00:23:18,540
And he would take ordinary objects, such
as typewriters, toilets,
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00:23:18,920 --> 00:23:23,300
pieces of cake, and render them into a
sculptured form.
139
00:23:24,800 --> 00:23:29,340
His early work was considered a reaction
to the crass commercialism of the art
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00:23:29,340 --> 00:23:30,340
world.
141
00:23:30,990 --> 00:23:35,270
As you'd see, many of his sculptures
appear to be soft and fleshy,
142
00:23:35,330 --> 00:23:41,530
thus giving a very strong sexual
143
00:23:41,530 --> 00:23:47,830
connotation, and in this case, a very
blatant sexual connotation.
144
00:25:35,310 --> 00:25:36,510
Don't make me feel...
145
00:26:56,840 --> 00:26:57,840
No.
146
00:26:57,860 --> 00:26:58,860
No.
147
00:27:31,850 --> 00:27:32,850
No!
148
00:30:36,140 --> 00:30:37,140
Thank you.
149
00:31:07,470 --> 00:31:08,470
Oh.
150
00:31:50,060 --> 00:31:51,060
Huh?
151
00:33:03,269 --> 00:33:09,030
Note the similarity to this 20th century
painter in the delineation of mass, the
152
00:33:09,030 --> 00:33:10,970
resident line, and the use of color.
153
00:33:13,370 --> 00:33:14,370
Modigliani.
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00:33:15,980 --> 00:33:17,920
the master of sensuality.
155
00:33:18,740 --> 00:33:25,240
If you'll notice his elongated forms and
how they accentuate the live, erotic
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00:33:25,240 --> 00:33:26,420
nature of his news.
157
00:33:26,720 --> 00:33:28,640
I think Elizabeth likes him.
158
00:33:29,140 --> 00:33:31,500
She's always been teacher's pet.
159
00:33:32,280 --> 00:33:39,000
He was a master of creating a soft, warm
light that emanates from his canvases.
160
00:33:44,140 --> 00:33:46,080
I've never posed for an artist before.
161
00:33:46,860 --> 00:33:47,880
Doing just fine.
162
00:33:49,100 --> 00:33:50,100
Are you comfortable?
163
00:33:50,320 --> 00:33:51,320
Yes.
164
00:33:51,660 --> 00:33:52,660
Don't move.
165
00:33:52,820 --> 00:33:53,820
I'm sorry.
166
00:33:55,440 --> 00:33:56,760
Why did you pick me?
167
00:33:57,900 --> 00:33:58,900
What do you mean?
168
00:34:00,120 --> 00:34:05,680
Well, why did you ask me to sit for you?
I know there are plenty of prettier
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girls than I am.
170
00:34:07,120 --> 00:34:08,120
Nonsense.
171
00:34:08,560 --> 00:34:11,580
An artist looks for something more than
just being pretty.
172
00:34:19,469 --> 00:34:21,409
I think that's enough for now. You're
getting fidgety.
173
00:34:22,010 --> 00:34:23,730
Oh, I'm sorry. I forgot.
174
00:34:26,469 --> 00:34:27,530
I'll be all right.
175
00:34:28,050 --> 00:34:30,150
No, no, no. Rest now. We'll work later.
176
00:34:34,110 --> 00:34:35,110
Hey.
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00:34:35,750 --> 00:34:36,750
Oh.
178
00:34:39,130 --> 00:34:42,969
Oh. I can't feel my feet. They must be
asleep.
179
00:34:43,310 --> 00:34:44,489
See, I told you.
180
00:34:45,370 --> 00:34:47,770
Posing isn't as easy as it looks. I
guess not.
181
00:34:48,620 --> 00:34:51,560
Here, lay back, relax. I'll get the
blood circulating again.
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00:34:53,699 --> 00:34:59,420
I can
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00:34:59,420 --> 00:35:03,600
see you've never been with a man before.
184
00:35:04,520 --> 00:35:05,580
Isn't that obvious?
185
00:35:07,600 --> 00:35:09,400
I suppose someday you will.
186
00:35:09,900 --> 00:35:11,280
I suppose I will.
187
00:35:15,020 --> 00:35:16,580
Ever wonder what it might be like?
188
00:35:17,100 --> 00:35:20,980
Yes. No, I mean, it's a sin to think of
such things.
189
00:35:21,480 --> 00:35:23,660
It's not a sin to think about making
love.
190
00:35:24,320 --> 00:35:26,780
Making love is one of the most beautiful
things in the world.
191
00:35:27,620 --> 00:35:28,840
Like painting.
192
00:35:30,160 --> 00:35:31,760
You must think I'm very silly.
193
00:35:32,740 --> 00:35:35,820
I don't think being innocent is silly at
all.
194
00:35:36,820 --> 00:35:40,020
And I don't think that making love is a
sin, either.
195
00:35:42,040 --> 00:35:45,280
I could make it very beautiful for you.
196
00:35:45,700 --> 00:35:47,400
Well, I... It would hurt.
197
00:35:48,340 --> 00:35:49,420
I wouldn't hurt you.
198
00:35:50,260 --> 00:35:51,340
I'd be very gentle.
199
00:35:52,600 --> 00:35:53,600
What are you doing?
200
00:35:54,940 --> 00:35:56,340
You know what I'm doing.
201
00:35:56,700 --> 00:35:57,700
You're very wet.
202
00:35:58,640 --> 00:35:59,640
Please don't.
203
00:36:02,160 --> 00:36:03,580
Let me sit beside you.
204
00:36:09,140 --> 00:36:10,140
Give me your hand.
205
00:36:11,720 --> 00:36:14,020
I want you to feel how hard my cock is.
206
00:36:15,480 --> 00:36:16,480
It's so big.
207
00:36:16,960 --> 00:36:18,140
It would hurt me.
208
00:36:19,900 --> 00:36:21,540
I wouldn't put it in until you're ready.
209
00:36:23,880 --> 00:36:25,360
First, I want to kiss your pussy.
210
00:36:26,360 --> 00:36:27,520
Get it nice and wet.
211
00:36:30,560 --> 00:36:31,560
Open your legs.
212
00:36:31,780 --> 00:36:32,780
Open them wide.
213
00:36:35,020 --> 00:36:36,020
Just relax.
214
00:37:48,840 --> 00:37:50,100
Put your lips around it.
215
00:37:50,980 --> 00:37:52,500
Cover my cock with your mouth.
216
00:38:02,600 --> 00:38:03,600
Kiss it.
217
00:38:13,340 --> 00:38:14,340
Deeper.
218
00:38:14,780 --> 00:38:17,500
I want to go deeper and deeper into your
mouth.
219
00:38:19,080 --> 00:38:22,160
I want to push my cock into your mouth.
220
00:38:22,880 --> 00:38:23,880
Swallow me.
221
00:38:24,680 --> 00:38:25,960
Oh, yeah.
222
00:38:27,140 --> 00:38:28,920
Your mouth is so hot.
223
00:38:29,720 --> 00:38:32,380
Oh, that's a good girl.
224
00:38:37,140 --> 00:38:40,140
I wish you were inside me.
225
00:38:41,440 --> 00:38:42,820
I am inside you.
226
00:39:43,680 --> 00:39:44,680
Explode.
227
00:39:45,500 --> 00:39:47,220
You are inside me.
228
00:39:57,020 --> 00:39:58,880
Oh, what am I feeling? I'm scared.
229
00:40:00,320 --> 00:40:01,980
It's all right. Just relax.
230
00:40:02,420 --> 00:40:05,940
Oh, no. I can't. Relax.
231
00:40:06,460 --> 00:40:07,460
You're coming.
232
00:40:08,080 --> 00:40:09,640
It feels good to come.
233
00:40:09,960 --> 00:40:10,960
Oh, yes.
234
00:40:13,130 --> 00:40:14,270
A man who is good to come to.
235
00:41:49,460 --> 00:41:50,960
Hi. Hi.
236
00:41:52,320 --> 00:41:53,320
Can I help you?
237
00:41:53,880 --> 00:41:55,520
I don't know. Maybe you can.
238
00:41:56,280 --> 00:41:59,540
Well, why don't you come on in and sit
down and make yourself comfortable.
239
00:42:03,240 --> 00:42:05,080
Well, come on in.
240
00:42:05,520 --> 00:42:06,520
Come on.
241
00:42:07,900 --> 00:42:08,900
Please, sit down.
242
00:42:11,380 --> 00:42:14,860
Now, what seems to be the problem?
243
00:42:15,380 --> 00:42:18,200
That's just what my doctor always asks
me.
244
00:42:19,230 --> 00:42:21,910
I assure you, I'm not a doctor.
245
00:42:22,190 --> 00:42:25,850
Oh, I'm glad about that, because I don't
feel like taking my clothes off.
246
00:42:26,150 --> 00:42:27,330
But I do have a doctorate.
247
00:42:27,670 --> 00:42:28,670
What's that?
248
00:42:28,950 --> 00:42:30,130
It's a Ph.D.
249
00:42:31,590 --> 00:42:32,590
Oh.
250
00:42:33,450 --> 00:42:36,330
No wonder your office is so beautiful.
251
00:42:36,750 --> 00:42:38,870
You must be very important.
252
00:42:40,330 --> 00:42:42,130
Well, yes,
253
00:42:43,030 --> 00:42:46,110
I am, actually. I'm a curator.
254
00:42:47,010 --> 00:42:48,010
A who?
255
00:42:48,880 --> 00:42:52,680
A curator. I find things for the museum.
256
00:42:52,940 --> 00:42:55,780
As you can see, I've been all over the
world.
257
00:42:56,380 --> 00:42:58,800
Oh, I just go to school.
258
00:42:59,620 --> 00:43:00,920
What did you say you were?
259
00:43:01,580 --> 00:43:02,580
I'm a curator.
260
00:43:03,280 --> 00:43:08,220
Gee, that sounds super. Going all around
the world looking for treasures?
261
00:43:10,520 --> 00:43:16,960
Pardon me for asking this, but...
Shouldn't a girl like you be in school
262
00:43:16,960 --> 00:43:17,960
now?
263
00:43:18,600 --> 00:43:19,600
Yes, I am.
264
00:43:20,220 --> 00:43:23,740
I'm on a field trip with the Mount
Virginia Art Club.
265
00:43:25,340 --> 00:43:27,860
Mount Virginia Art Club?
266
00:43:29,760 --> 00:43:30,760
It's a girls' school.
267
00:43:31,620 --> 00:43:34,700
That's very nice, but why aren't you
with them now?
268
00:43:36,180 --> 00:43:38,620
You won't believe me if I tell you. I'll
believe you.
269
00:43:39,060 --> 00:43:40,060
I got lost.
270
00:43:40,960 --> 00:43:43,820
Oh, I'll believe it. You see, this is a
very large museum. You can get lost
271
00:43:43,820 --> 00:43:46,110
easily. You can say that again.
272
00:43:46,330 --> 00:43:47,330
This is a large museum.
273
00:43:48,650 --> 00:43:49,650
Well,
274
00:43:51,450 --> 00:43:54,970
I'm not too worried. I have until 3
o'clock to find them.
275
00:43:56,150 --> 00:43:57,150
You do?
276
00:43:57,470 --> 00:43:59,150
Like a drink? I mean, a Coke?
277
00:44:00,690 --> 00:44:03,710
Sure. You got one? Well, I have a
machine right outside.
278
00:44:04,130 --> 00:44:05,130
Your own machine?
279
00:44:06,290 --> 00:44:07,290
Yes.
280
00:44:09,470 --> 00:44:10,470
Wow.
281
00:44:10,990 --> 00:44:13,870
Well, I like to let the rest of the
museum use it now and then.
282
00:44:39,110 --> 00:44:40,150
Oh, hi.
283
00:44:41,130 --> 00:44:42,790
Here's your Coke. Thank you.
284
00:44:43,850 --> 00:44:45,270
This is beautiful.
285
00:44:45,570 --> 00:44:46,570
Oh, yes, isn't it?
286
00:44:47,130 --> 00:44:49,210
It's rice paper, you know.
287
00:44:49,690 --> 00:44:51,610
They make paper out of rice?
288
00:44:52,510 --> 00:44:54,310
Yes, they also make cereal out of it.
289
00:44:57,010 --> 00:44:59,190
Well, I think it's sexy.
290
00:44:59,650 --> 00:45:00,930
You think that's sexy?
291
00:45:01,770 --> 00:45:02,770
Want to see my etchings?
292
00:45:03,130 --> 00:45:08,970
Huh? I have a book here of erotic art.
293
00:45:09,470 --> 00:45:10,710
Japanese erotic art.
294
00:45:11,930 --> 00:45:12,930
Erotic art.
295
00:45:13,440 --> 00:45:14,440
This is sexy.
296
00:45:14,940 --> 00:45:15,940
Please, sit down.
297
00:45:20,300 --> 00:45:23,020
Ready? Yeah. Really? Yeah.
298
00:45:27,100 --> 00:45:28,120
Are you kidding?
299
00:45:30,220 --> 00:45:31,980
They really did things like this?
300
00:45:32,200 --> 00:45:33,078
Oh, yes.
301
00:45:33,080 --> 00:45:37,520
To the Japanese, lovemaking is highly
respected, and it's represented in much
302
00:45:37,520 --> 00:45:38,520
of their art, see?
303
00:45:39,340 --> 00:45:42,300
Wow. I thought they were just dirty
pictures.
304
00:45:43,530 --> 00:45:48,430
Some people think of them as dirty
pictures, but to a true artist, these
305
00:45:48,430 --> 00:45:51,370
are... They make me tingle.
306
00:45:53,370 --> 00:45:54,370
How old are you?
307
00:45:55,370 --> 00:45:56,370
Old enough.
308
00:45:56,530 --> 00:45:57,830
No, no, no. How old are you?
309
00:45:59,910 --> 00:46:01,770
A woman never tells her age.
310
00:46:02,410 --> 00:46:03,790
I think the judge will buy that.
311
00:46:04,550 --> 00:46:09,570
Why, do you think I'm too young for you?
Oh, no, no. I love chicken.
312
00:46:10,590 --> 00:46:12,370
Well, do you think...
313
00:46:12,590 --> 00:46:13,750
You're too old for me?
314
00:46:13,970 --> 00:46:17,230
Oh, no, no. I'm the youngest curator in
the museum. In fact, I was at the bottom
315
00:46:17,230 --> 00:46:18,069
of my class.
316
00:46:18,070 --> 00:46:21,570
Oh. I was at the bottom of my class,
too, in school.
317
00:46:22,470 --> 00:46:24,450
But there were some things that I did
learn.
318
00:46:24,730 --> 00:46:25,730
Yes, like what?
319
00:46:25,970 --> 00:46:28,930
Like, for every action, there's a
reaction.
320
00:46:29,390 --> 00:46:30,129
Yes, Newton.
321
00:46:30,130 --> 00:46:34,430
Like, if I touched you there... And if I
were Roman Polanski?
322
00:46:34,990 --> 00:46:37,310
Who? No, no, no. General in London
Napoleon.
323
00:46:38,470 --> 00:46:39,470
Oh.
324
00:46:40,670 --> 00:46:41,670
You went to jail.
325
00:46:48,010 --> 00:46:48,749
Is it working?
326
00:46:48,750 --> 00:46:49,750
It's working.
327
00:46:51,010 --> 00:46:52,890
Does this help?
328
00:46:54,230 --> 00:46:55,610
Oh, yes, that helps a lot.
329
00:46:56,890 --> 00:47:03,590
The judge won't believe it.
330
00:47:03,890 --> 00:47:05,670
I love older men.
331
00:47:05,970 --> 00:47:06,970
Yeah, they're very nice.
332
00:47:08,030 --> 00:47:09,030
You know why?
333
00:47:09,610 --> 00:47:12,630
Because they know how to treat a woman.
334
00:47:13,490 --> 00:47:15,230
Yeah, they do, don't they?
335
00:47:19,760 --> 00:47:20,760
Hi there.
336
00:47:21,020 --> 00:47:22,020
Hi.
337
00:47:22,740 --> 00:47:23,740
What's your name?
338
00:47:24,520 --> 00:47:26,260
Dory. Dory.
339
00:47:26,780 --> 00:47:28,500
I'm Harold Worthington III.
340
00:49:15,630 --> 00:49:16,630
You're such a nice person.
341
00:49:24,170 --> 00:49:26,090
Oh, wow.
342
00:49:31,830 --> 00:49:38,790
Oh, shit.
343
00:49:38,910 --> 00:49:40,970
Oh, shit.
344
00:50:16,450 --> 00:50:17,630
Better than the rug?
345
00:50:18,150 --> 00:50:22,290
Oh, I don't feel anything on that side
of my body.
346
00:50:23,750 --> 00:50:24,790
You don't?
347
00:51:53,300 --> 00:51:57,060
Our discussion of Impressionism would
not be complete without taking a look at
348
00:51:57,060 --> 00:52:00,000
this work. This happens to be one of my
favorite paintings.
349
00:52:03,180 --> 00:52:09,340
Paul Gauguin rejected his bourgeois
background early in his career and
350
00:52:09,340 --> 00:52:12,340
embarked on a journey in search of the
ideal lifestyle.
351
00:52:13,020 --> 00:52:14,380
Quiet, please. Quiet.
352
00:52:18,060 --> 00:52:19,260
Quiet back here.
353
00:52:22,720 --> 00:52:29,680
He felt a need to return to a more
primitive lifestyle and actually
354
00:52:29,680 --> 00:52:30,680
a paradise.
355
00:52:31,060 --> 00:52:37,080
He found his paradise in Tahiti, and he
also found beautiful women.
356
00:52:42,300 --> 00:52:46,400
His style and form of painting reflects
his...
357
00:52:47,530 --> 00:52:54,250
His fascination for the erotic and
exotic beauty of the Tahitian women.
358
00:53:36,430 --> 00:53:37,970
Don't be afraid. Who are you?
359
00:53:42,630 --> 00:53:45,550
Yeah, I know. I died and I went to
heaven, right?
360
00:53:46,390 --> 00:53:47,390
And you're an angel.
361
00:53:48,230 --> 00:53:49,770
What is an angel?
362
00:53:51,750 --> 00:53:52,569
You are.
363
00:53:52,570 --> 00:53:53,790
For saving my life.
364
00:53:55,290 --> 00:53:56,290
You're weak.
365
00:53:56,310 --> 00:53:57,450
You must lie down.
366
00:54:00,030 --> 00:54:01,110
Yeah, maybe you're right.
367
00:54:05,740 --> 00:54:06,740
Where did you find me?
368
00:54:08,340 --> 00:54:11,480
You were lying on the beach, and we
carried you here.
369
00:54:14,220 --> 00:54:15,640
How long have I been here?
370
00:54:15,980 --> 00:54:16,980
Four days.
371
00:54:18,080 --> 00:54:20,300
We've prayed to our gods to make you
well.
372
00:54:20,720 --> 00:54:22,620
Well, you tell your gods I owe them one.
373
00:54:24,100 --> 00:54:25,260
What does that mean?
374
00:54:25,980 --> 00:54:32,760
It means you do something
375
00:54:32,760 --> 00:54:34,620
nice for me, and I'll do something nice
for you.
376
00:54:44,060 --> 00:54:46,080
Where did you learn to speak so well?
377
00:54:48,180 --> 00:54:49,180
The traders.
378
00:54:49,500 --> 00:54:51,460
They come for pearls and fruit.
379
00:54:51,940 --> 00:54:54,620
Traders? Means there'll be ships in and
out of here.
380
00:54:54,880 --> 00:54:56,380
There are no ships now.
381
00:54:57,240 --> 00:54:58,860
Every three moons they come.
382
00:54:59,400 --> 00:55:00,480
Every three moons?
383
00:55:02,220 --> 00:55:03,880
How many moons to go?
384
00:55:04,760 --> 00:55:08,960
Two have passed, but you have fruit, and
we bring you this.
385
00:55:10,820 --> 00:55:11,820
What's that?
386
00:55:11,860 --> 00:55:12,860
That's to wear.
387
00:55:13,340 --> 00:55:14,340
To wear?
388
00:55:14,520 --> 00:55:15,680
You've got to be kidding.
389
00:55:15,940 --> 00:55:16,940
Wait a minute.
390
00:55:17,120 --> 00:55:18,480
I can't wear that.
391
00:56:42,220 --> 00:56:43,980
Thank you.
392
00:58:49,220 --> 00:58:50,220
Don't doubt.
393
01:04:30,740 --> 01:04:32,380
That was fantastic.
394
01:05:11,630 --> 01:05:12,970
Oh, did it feel good?
395
01:05:13,190 --> 01:05:14,630
Do you like that?
396
01:05:17,610 --> 01:05:24,330
I'm in
397
01:05:24,330 --> 01:05:25,330
paradise.
398
01:05:26,890 --> 01:05:28,390
I'm in paradise.
399
01:05:49,020 --> 01:05:50,260
And you walk me home.
400
01:07:03,340 --> 01:07:04,340
I'm in paradise.
401
01:07:05,580 --> 01:07:06,740
What's wrong with you?
402
01:07:11,340 --> 01:07:12,340
Sorry,
403
01:07:14,080 --> 01:07:15,080
sorry.
404
01:07:16,160 --> 01:07:17,640
Quiet, please, quiet, quiet.
405
01:07:20,900 --> 01:07:27,800
Another one
406
01:07:27,800 --> 01:07:29,600
of Gauguin's famous works.
407
01:07:31,560 --> 01:07:32,560
Anyway.
408
01:07:32,910 --> 01:07:33,910
Oh, we saw this one already.
409
01:07:34,090 --> 01:07:35,090
Well,
410
01:07:36,390 --> 01:07:40,250
we have covered many of the important
movements in art history during this
411
01:07:40,250 --> 01:07:41,250
brief lecture.
412
01:07:41,470 --> 01:07:45,990
I've tried to evoke an appreciation for
the sensitivity that moved the artists
413
01:07:45,990 --> 01:07:47,430
to create their masterpieces.
414
01:07:48,010 --> 01:07:53,310
I hope that you'll begin to explore and
express your own creative potential.
415
01:07:58,230 --> 01:07:59,330
Third lights, please.
416
01:08:04,840 --> 01:08:05,840
Thank you.
417
01:08:07,240 --> 01:08:08,560
That concludes the show.
418
01:08:11,380 --> 01:08:17,279
I'm glad that you all settled down to
show an interest in the art that I had
419
01:08:17,279 --> 01:08:18,279
to show you.
420
01:08:20,600 --> 01:08:24,399
Well, that's it. I guess you could go on
through the museum now. Have a good
421
01:08:24,399 --> 01:08:25,399
time.
422
01:08:34,540 --> 01:08:37,340
We will meet back at the bus at 3 p.m.
promptly.
423
01:08:37,580 --> 01:08:39,600
And please, everybody, be careful.
424
01:09:12,690 --> 01:09:17,210
I hope you don't think I'm being
forward, but I'd really like to paint
425
01:09:17,210 --> 01:09:18,210
you sometime.
426
01:09:18,229 --> 01:09:19,790
I was afraid you wouldn't ask.
427
01:09:20,370 --> 01:09:24,710
Good. Why don't I give you a private
tour of the museum and we'll talk about
428
01:09:24,710 --> 01:09:25,710
it. I'd love that.
429
01:09:26,069 --> 01:09:27,270
Do you have any favorite slides?
430
01:09:27,590 --> 01:09:30,529
I have to admit I have a weakness for
Gauguin.
431
01:09:30,790 --> 01:09:31,790
Yes, me too.
432
01:09:40,779 --> 01:09:42,960
I cleaned up the joint and left my
purse. You believe that?
433
01:09:48,939 --> 01:09:52,500
I've been looking for you.
434
01:09:54,960 --> 01:09:56,980
You know what? I just came back to get
my purse.
435
01:09:57,200 --> 01:09:58,200
Yeah, I heard you.
436
01:09:58,500 --> 01:09:59,840
Yeah, I'm a little klutzy.
437
01:10:00,120 --> 01:10:01,120
Oh, no, you're not.
438
01:10:01,280 --> 01:10:02,360
Let me give you a hand.
439
01:10:06,000 --> 01:10:08,860
You look pretty. Yeah, I know.
440
01:10:22,350 --> 01:10:24,530
Anybody coming? Yeah, maybe you.
441
01:10:36,430 --> 01:10:39,690
Oh baby, this is crazy.
442
01:10:40,390 --> 01:10:41,910
I've never done this before.
443
01:11:17,200 --> 01:11:18,360
I can't believe it.
444
01:11:20,920 --> 01:11:23,840
Oh baby.
445
01:11:26,280 --> 01:11:27,280
Fuck it.
446
01:11:29,100 --> 01:11:30,240
Fuck it, baby.
447
01:11:40,260 --> 01:11:41,620
Oh Christ.
448
01:11:42,460 --> 01:11:44,780
Oh Christ, I can't believe we're doing
this.
449
01:11:56,080 --> 01:11:57,080
Oh, yeah.
450
01:11:58,860 --> 01:12:00,040
Oh, yeah.
451
01:12:02,420 --> 01:12:03,680
Oh, yeah.
452
01:12:04,420 --> 01:12:05,600
I will.
453
01:12:15,900 --> 01:12:16,900
Oh,
454
01:12:22,040 --> 01:12:23,040
fucking hell.
455
01:13:05,000 --> 01:13:06,000
Yeah, baby.
456
01:13:54,160 --> 01:13:57,000
You should come quick because I'm
getting caught. I'm hurrying, I'm
457
01:13:57,000 --> 01:13:58,000
hurrying.
458
01:15:34,670 --> 01:15:35,670
Thank you.
459
01:16:16,110 --> 01:16:17,470
Bessie. Bessie.
460
01:16:17,930 --> 01:16:18,930
Dory.
461
01:16:20,050 --> 01:16:21,390
Where are they?
462
01:16:24,350 --> 01:16:25,670
Where are they?
463
01:16:26,870 --> 01:16:28,630
Jesus Christ, was that close?
464
01:16:30,290 --> 01:16:31,310
Sure was.
465
01:16:31,630 --> 01:16:32,630
Come on.
466
01:16:40,170 --> 01:16:46,470
3 o'clock We're the white
467
01:17:14,440 --> 01:17:15,440
You want to taste your coke?
468
01:17:23,560 --> 01:17:29,000
Have you seen my shorts?
469
01:17:29,340 --> 01:17:31,800
My shorts, have you seen my shorts? No,
I haven't seen them.
470
01:17:32,200 --> 01:17:33,200
My God,
471
01:17:34,020 --> 01:17:36,160
it's 3 o'clock. Come on, the lecture's
going to be over.
472
01:17:36,740 --> 01:17:37,740
Come on, Professor.
473
01:17:47,600 --> 01:17:50,500
Wait a minute. You go ahead. You go
ahead. And remember, not a word of this
474
01:17:50,500 --> 01:17:51,438
to anyone.
475
01:17:51,440 --> 01:17:52,440
Mr. Peterson!
476
01:18:59,020 --> 01:19:03,000
Oh, you won't believe it. I've been in
the cure ready to go. You're kidding.
477
01:19:06,520 --> 01:19:09,020
Oh, Mr. Peterson. How is Sissy?
478
01:19:09,440 --> 01:19:13,720
Oh, Sissy's fine. I think she maybe had
a bad hot dog or something. But the
479
01:19:13,720 --> 01:19:17,080
nurse gave her bicarbonate and she's
just fine. Oh, that's good. I feel badly
480
01:19:17,080 --> 01:19:19,600
that we couldn't have been together
more.
481
01:19:20,080 --> 01:19:21,080
Hey, Susie.
482
01:19:21,520 --> 01:19:25,040
What? Susie, you owe me two weeks of
allowance.
483
01:19:25,320 --> 01:19:26,760
Yeah, prove it.
484
01:19:39,240 --> 01:19:43,920
It's much more open. Yes. If only we had
some time. I'd love to show you the
485
01:19:43,920 --> 01:19:46,100
nurse's office. Thank you. It would be
nice.
486
01:21:13,700 --> 01:21:17,960
Don't you want to tell a story to me,
girl? I'll tell you why you're
487
01:21:17,960 --> 01:21:21,140
different, why you could be right for
me.
488
01:21:21,740 --> 01:21:23,860
You've been right for me, girl.
489
01:21:25,440 --> 01:21:31,140
You know you're special to me, special
to me. Yeah, yeah, yeah.
490
01:21:31,720 --> 01:21:35,120
You know you're special to me, special
to me.
31679
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