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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,795 --> 00:00:05,384 - THE SOUL MANIS RECORDED IN FRONT OF A LIVE STUDIO AUDIENCE. 2 00:00:05,419 --> 00:00:08,560 UH-OH. WHOA. WHOA, WHOA, WHOA, WHOA. 3 00:00:08,594 --> 00:00:09,664 HOLD ON, BABE. 4 00:00:09,699 --> 00:00:11,183 NOW, I DON'T MIND GIVING AWAY 5 00:00:11,218 --> 00:00:12,840 A FEW OF MY SUITS TO THE CHURCH CLOTHING DRIVE, 6 00:00:12,874 --> 00:00:15,222 BUT NOT THIS ONE. 7 00:00:15,256 --> 00:00:18,639 I WORE THIS 1991 NEW YEAR'S EVE AT THE MIRAGE, 8 00:00:18,673 --> 00:00:23,161 WHEN I WAS BACKED UP BY THE BLIND BOYS OF ALABAMA. 9 00:00:23,195 --> 00:00:27,199 - YEAH, AND EVEN THEY ASKED YOU NOT TO WEAR IT AGAIN. 10 00:00:28,787 --> 00:00:31,100 - HEY, Y'ALL. HERE'S SOME CLOTHES WE GOT LYING AROUND. 11 00:00:31,134 --> 00:00:32,377 - CLOTHES AREN'T THE ONLY THING 12 00:00:32,411 --> 00:00:33,964 THAT HAVE BEEN LYINGAROUND HERE. 13 00:00:33,999 --> 00:00:35,380 - OH, HERE WE GO. 14 00:00:35,414 --> 00:00:36,795 - OOH-HOO-HOO. 15 00:00:36,829 --> 00:00:40,385 Y'ALL JUST GOT HERE, AND THIS IS ALREADY GETTING GOOD. 16 00:00:40,419 --> 00:00:42,732 - IT SEEMS LIKE WE SHOULD BE MINDING OUR OWN BUSINESS. 17 00:00:42,766 --> 00:00:45,528 WE'RE NOT, BUT IT SEEMS LIKE WE SHOULD. 18 00:00:45,562 --> 00:00:48,358 - KIM'S ALL UPSET BECAUSE I ACCEPTED A FRIEND REQUEST 19 00:00:48,393 --> 00:00:50,119 FROM A GIRL NAMED TRACY I USED TO DATE. 20 00:00:50,153 --> 00:00:52,845 - STAMPS, THAT'S JUST WRONG. - I KNOW, RIGHT? 21 00:00:52,880 --> 00:00:55,296 ARGUING OVER A HARMLESS FRIEND REQUEST--OH. 22 00:00:55,331 --> 00:00:59,369 STAMPS, I MEAN, HOW COULD YOU? THAT'S JUST WRONG. 23 00:00:59,404 --> 00:01:00,922 - I JUST ACCEPTED HER REQUEST. 24 00:01:00,957 --> 00:01:02,752 I HAVEN'T EVEN MESSAGED HER OR ANYTHING. 25 00:01:02,786 --> 00:01:04,823 - WHEN YOU GET A FRIEND REQUEST FROM AN EX-GIRLFRIEND 26 00:01:04,857 --> 00:01:07,446 AND YOU ACCEPT IT, YOU'RE LEAVING THE DOOR OPEN. 27 00:01:07,481 --> 00:01:08,620 - YOU KNOW WHAT? 28 00:01:08,654 --> 00:01:10,208 I'M JUST SO GLAD THAT I DIDN'T HAVE TO 29 00:01:10,242 --> 00:01:12,072 DEAL WITH FACEBOOK BACK IN MY DAY. 30 00:01:12,106 --> 00:01:14,143 I MEAN, YOU SEE A GIRL, YOU TALK TO HER, FACE TO FACE. 31 00:01:14,177 --> 00:01:16,283 EVERYBODY KNEW WHAT YOU WERE THINKING. 32 00:01:16,317 --> 00:01:18,008 - OOH. 33 00:01:18,043 --> 00:01:21,495 LIKE THAT LITTLE BLONDE GIRL THAT TIME, SANDI? 34 00:01:21,529 --> 00:01:24,843 UH-HUH. THE ONE FROM NEWTON, KANSAS. 35 00:01:24,877 --> 00:01:26,500 - WHY DOES SHE KEEP COMING UP? 36 00:01:26,534 --> 00:01:28,295 I MEAN, WHY ARE WE TALKING ABOUT HER? 37 00:01:28,329 --> 00:01:32,506 - OOH, WE JUST GOT HERE, AND THIS IS ALREADY GETTING GOOD. 38 00:01:32,540 --> 00:01:34,266 - SHE'S JUST TALKING ABOUT A LITTLE BLOW-UP WE HAD 39 00:01:34,301 --> 00:01:35,957 WHEN WE FIRST STARTED DATING. 40 00:01:35,992 --> 00:01:37,925 YOU KNOW, LOLLI HAD A BIT OF A TEMPER. 41 00:01:37,959 --> 00:01:40,100 - BOYCE BALLENTINE, YOU ARE A JACKASS! 42 00:01:40,134 --> 00:01:43,241 - COME ON, NOW, LOLLI, CHILL OUT! WHOA! 43 00:01:43,275 --> 00:01:44,863 WHAT YOU DOING? NO! NOT MY PHONE! NOT MY PHONE! 44 00:01:44,897 --> 00:01:48,867 COME ON, LOLLI. AAH! 45 00:01:48,901 --> 00:01:52,560 - I NEVER WANT TO SEE YOUR FACE AGAIN! 46 00:01:52,595 --> 00:01:56,530 - AND THAT'S WHY WE CAN'T HAVE NICE THINGS. 47 00:01:56,564 --> 00:01:59,533 [soul music] 48 00:01:59,567 --> 00:02:06,609 ♪ 49 00:02:06,643 --> 00:02:08,990 ♪ HEY 50 00:02:09,025 --> 00:02:12,546 ♪ THE SOUL MAN 51 00:02:12,580 --> 00:02:15,100 - THAT WAS THE WORST FIGHT WE EVER HAD. 52 00:02:15,135 --> 00:02:18,068 WE ALMOST BROKE UP FOR GOOD. 53 00:02:18,103 --> 00:02:20,209 - I MEAN, SO A GIRL CAME ON TO ME. 54 00:02:20,243 --> 00:02:22,694 THAT HAPPENED ALL THE TIME, MAN. I WAS A BIG STAR. 55 00:02:22,728 --> 00:02:25,973 I WAS LIKE RICKY MARTIN. 56 00:02:26,007 --> 00:02:28,286 BEFORE WE KNEW WHAT WE KNOW NOW. 57 00:02:28,320 --> 00:02:31,530 - BUT SEE, EVEN IF A GIRL WAS COMING ON TO ME, 58 00:02:31,565 --> 00:02:33,049 I WOULDN'T DO NOTHING. 59 00:02:33,083 --> 00:02:35,810 A GIRL CAME ON TO ME AT DENNY'S, AND I DIDN'T DO NOTHING. 60 00:02:36,984 --> 00:02:40,712 - GUESS WHAT, NO MORE DENNY'S. 61 00:02:40,746 --> 00:02:43,128 - MEN TRY TO ACT LIKE THEY DON'T KNOW WHAT THEY'RE DOING, 62 00:02:43,163 --> 00:02:46,511 BUT THEY KNOW WHAT THEY'RE DOING. 63 00:02:46,545 --> 00:02:48,478 - SO, BOYCE, WHAT DID YOU DO WRONG? 64 00:02:48,513 --> 00:02:51,723 - LOOK, I DON'T REMEMBER ALL THE DETAILS, YOU KNOW. 65 00:02:51,757 --> 00:02:54,381 IT WAS A RAINY NIGHT IN VEGAS. 66 00:02:54,415 --> 00:02:56,866 UNUSUAL, YOU KNOW, FOR THE TIME OF SEASON. 67 00:02:56,900 --> 00:03:01,836 I'D JUST SOLD OUT MY THIRD SHOW, 3,062 SEATS. 68 00:03:01,871 --> 00:03:04,736 [chuckling] YEAH. 69 00:03:04,770 --> 00:03:06,772 THAT'S HOW YOU DO IT. YEAH. 70 00:03:06,807 --> 00:03:08,878 - YOU KILLED 'EM TONIGHT. 71 00:03:08,912 --> 00:03:11,536 - HEY, YOU KNOW WHAT? I JUST WANT TO TELL YOU THIS. 72 00:03:11,570 --> 00:03:13,814 YOU KNOW, WHEN YOU'RE UP ON THAT STAGE, 73 00:03:13,848 --> 00:03:17,473 AND YOU'RE STANDING IN A CERTAIN LIGHT, 74 00:03:17,507 --> 00:03:20,338 - LET ME LET YOU INCRET. 75 00:03:20,338 --> 00:03:23,962 THAT'S 76 00:03:23,996 --> 00:03:25,377 - OH, WAIT! 77 00:03:25,412 --> 00:03:27,759 LET ME GO GE AND I'LL SEE YOU IN A MINUTE. 78 00:03:27,793 --> 00:03:30,175 - ALL RIGHT, OKAY. - BOYCE. BOYCE. 79 00:03:30,210 --> 00:03:31,832 PICK A CARD. 80 00:03:31,866 --> 00:03:34,800 - ALL RIGHT, BERNIE. 81 00:03:34,835 --> 00:03:36,146 - AND SIGN YOUR NAME ON THE BACK. 82 00:03:36,181 --> 00:03:38,321 - OKAY. 83 00:03:38,356 --> 00:03:41,600 - PERFECT. IT'S FOR MY SISTER. SHE'S A BIG FAN. 84 00:03:48,089 --> 00:03:50,885 - MR. BALLENTINE. HI. - HELLO. 85 00:03:50,920 --> 00:03:53,854 - IT'S SANDI. FROM NEWTON, KANSAS. 86 00:03:53,888 --> 00:03:55,304 WE MET LAST YEAR. 87 00:03:55,338 --> 00:03:56,374 I CAME UP TO YOU AFTER THE SHOW, 88 00:03:56,408 --> 00:03:58,514 AND I TOLD YOU I LOVE YOUR MUSIC. 89 00:03:58,548 --> 00:03:59,894 - OH, YES. 90 00:03:59,929 --> 00:04:02,656 I MEAN, HOW COULD ANYBODY FORGET SOMETHING LIKE THAT? 91 00:04:02,690 --> 00:04:04,830 SO, UH, WHAT'S UP? 92 00:04:04,865 --> 00:04:08,317 - WELL, HOW ABOUT WE GO FOR A DRINK? 93 00:04:08,351 --> 00:04:12,148 - OH, I WOULD LIKE THAT, BUT REALLY I CAN'T. 94 00:04:12,182 --> 00:04:15,945 - ARE YOU TELLING ME THAT BOYCE THE VOICE IS TAKEN? 95 00:04:15,979 --> 00:04:19,293 - WELL, ACTUALLY, UM... 96 00:04:19,328 --> 00:04:22,538 I HAVE AN INTERVIEW WITH SLICK BROTHERMAGAZINE. 97 00:04:24,781 --> 00:04:29,061 THEY'RE DOING AN ARTICLE ON, UH, SLICK BROTHERS, YOU KNOW. 98 00:04:29,096 --> 00:04:30,477 SO MAYBE SOME OTHER TIME. 99 00:04:30,511 --> 00:04:34,274 - WELL, I HOPE SO. I'D LIKE THAT. 100 00:04:34,308 --> 00:04:36,690 VERY, VERY MUCH. 101 00:04:41,833 --> 00:04:43,386 - ALL RIGHT. [chuckles] 102 00:04:43,421 --> 00:04:46,493 IT IS GOOD TO BE BOYCE THE VOICE, MAN. 103 00:04:48,080 --> 00:04:50,980 - OH. HEY, BOYCE. 104 00:04:51,014 --> 00:04:53,914 CHECK IT OUT-- I RESTOCKED YOUR BAR, 105 00:04:53,948 --> 00:04:55,709 I HAD YOUR SUITS CLEANED FOR THE NEXT SHOW, 106 00:04:55,743 --> 00:04:58,332 AND I CLEANED OUT ALL YOUR GREEN JELLY BEANS YOU HATE. 107 00:04:58,367 --> 00:04:59,471 - YOU MEAN THE YELLOW ONES, RIGHT? 108 00:04:59,506 --> 00:05:00,472 AHH. 109 00:05:00,507 --> 00:05:02,474 - DANG! 110 00:05:02,509 --> 00:05:06,996 - STAMPS, MAN, IF YOU WANT TO BE MY TOUR MANAGER ONE DAY, 111 00:05:07,030 --> 00:05:09,516 YOU'LL HAVE TO LEARN TO PAY ATTENTION TO DETAILS. 112 00:05:09,550 --> 00:05:13,416 FOR EXAMPLE, KNOW YOUR COLORS. 113 00:05:13,451 --> 00:05:15,660 [knock on door] - HI, BOYCE. 114 00:05:15,694 --> 00:05:17,386 HEY, BOYCE'S LITTLE BROTHER. 115 00:05:17,420 --> 00:05:20,147 - HEY, TIFFANY. ARE YOU STILL... 116 00:05:20,181 --> 00:05:22,908 MAGICIAN ASSISTING? 117 00:05:22,943 --> 00:05:24,220 - YES, BUT I'VE LOST THE LITTLE, WHITE DOVE 118 00:05:24,254 --> 00:05:25,497 FOR THE MIDNIGHT SHOW. 119 00:05:25,532 --> 00:05:27,706 HAVE YOU GUYS SEEN HIM? - WHAT'S HE LOOK LIKE? 120 00:05:27,741 --> 00:05:31,710 - REALLY? LITTLE, WHITE DOVE. 121 00:05:33,436 --> 00:05:35,162 WE'LL KEEP AN EYE OUT FOR HIM. 122 00:05:35,196 --> 00:05:37,164 - THANKS SO MUCH, BOYCE, AND... - STAMPS. 123 00:05:37,198 --> 00:05:39,062 LIKE THE POSTAGE. 124 00:05:39,097 --> 00:05:42,790 - YOU'RE SO ADORABLE. 125 00:05:42,825 --> 00:05:44,965 - [chuckles] YOU HEAR THAT? SHE THINKS YOU'RE ADORABLE. 126 00:05:44,999 --> 00:05:46,518 - OH, COME ON, BOYCE. 127 00:05:46,553 --> 00:05:48,313 SHE THINKS I'M JUST SOME GOOFY KID. 128 00:05:48,348 --> 00:05:50,177 HOW COME I CAN'T BE AS SMOOTH AS YOU? 129 00:05:50,211 --> 00:05:51,799 - YOU KNOW WHAT I FIND INTERESTING? 130 00:05:51,834 --> 00:05:54,215 THAT BILLY DEE WILLIAMS ASKED ME THAT SAME THING, 131 00:05:54,250 --> 00:05:55,907 LIKE, A WEEK AGO. 132 00:05:55,941 --> 00:05:57,840 - OH, HEY, LOLLI. 133 00:05:57,874 --> 00:06:01,015 - OUT. - OH, ALL RIGHT, LOLLI, BYE. 134 00:06:01,050 --> 00:06:04,364 - BOYCE BALLENTINE, I GOT SOMETHING TO SAY. 135 00:06:04,398 --> 00:06:05,744 AND IT'S GONNA GET LOUD! 136 00:06:05,779 --> 00:06:07,953 - OKAY, NOW, FOR COMPARISON'S SAKE, 137 00:06:07,988 --> 00:06:10,024 WHAT LEVEL ARE WE AT NOW? 138 00:06:10,059 --> 00:06:12,372 - WE'VE BEEN DATING FOR THREE MONTHS, BOYCE. 139 00:06:12,406 --> 00:06:15,651 WHY? WHY DIDN'T YOU TELL THAT GIRL YOU WERE IN A RELATIONSHIP? 140 00:06:15,685 --> 00:06:17,653 - OH, BABE, YOU KNOW WHAT? 141 00:06:17,687 --> 00:06:21,208 I LOSE SOME OF THE MAGIC WHEN LADIES THINK I'M OFF THE MARKET. 142 00:06:21,242 --> 00:06:25,108 I MEAN, WHEN I SING I WANT TO BITE YOUR THIGH, 143 00:06:25,143 --> 00:06:27,352 THEY HAVE TO THINK THAT IT'S THEIR THIGH 144 00:06:27,387 --> 00:06:31,321 THAT I MIGHT BE BITING. 145 00:06:31,356 --> 00:06:35,843 - BOYCE, DO YOU KNOW HOW MANY MEN OFFER TO BITE MY THIGH? 146 00:06:35,878 --> 00:06:37,707 A LOT, BUT THAT'S NOT-- - WHOA, WHOA, WHOA. 147 00:06:37,742 --> 00:06:41,159 WHAT DO YOU CALL "A LOT"? 'CAUSE I WOULD CALL ONE "A LOT." 148 00:06:41,193 --> 00:06:44,852 - IT DOESN'T MATTER, BECAUSE I TELL EACH AND EVERY ONE OF 'EM 149 00:06:44,887 --> 00:06:47,579 THAT I'M IN A COMMITTED RELATIONSHIP. 150 00:06:47,614 --> 00:06:49,339 - COME ON, BABY. 151 00:06:49,374 --> 00:06:51,480 I MEAN, WHY WE GOTTA PUT LABELS ON THINGS? 152 00:06:55,000 --> 00:06:57,451 OH, WHOA, WHOA! NOW-- 153 00:06:57,486 --> 00:06:59,073 - BOYCE BALLENTINE, YOU ARE A JACKASS! 154 00:06:59,108 --> 00:07:02,870 - COME ON, NOW! LOLLI, CHILL OUT! WHOA! 155 00:07:02,905 --> 00:07:04,700 NOT MY PHONE! NOT MY PHONE, LOLLI! 156 00:07:04,734 --> 00:07:09,221 COME ON, THAT CAME FROM NEW JACK CITY.DON'T YOU-- 157 00:07:09,256 --> 00:07:12,742 - AND I NEVER WANT TO SEE YOU AGAIN! 158 00:07:17,022 --> 00:07:20,992 - WELL, GOOD LUCK TRYING TO REPLACE ALL THIS. 159 00:07:21,026 --> 00:07:22,821 I WISH YOU THE BEST. 160 00:07:22,856 --> 00:07:24,444 SHE'LL BE BACK. 161 00:07:24,478 --> 00:07:26,135 - NEED THESE? 162 00:07:26,169 --> 00:07:27,550 - REALLY, BERNIE, THAT'S ALL YOU GOT? 163 00:07:27,585 --> 00:07:29,656 - HOW ABOUT THIS? 164 00:07:29,690 --> 00:07:31,934 - AHH, NOW YOU'RE TALKING. 165 00:07:31,968 --> 00:07:34,902 TRICKY LITTLE BASTARD. 166 00:07:34,937 --> 00:07:36,456 I GOTTA ADMIT, 167 00:07:36,490 --> 00:07:39,286 I WAS A LITTLE SHOCKED WHEN YOU WALKED OUT ON ME. 168 00:07:39,320 --> 00:07:40,770 BUT IT WAS VEGAS, RIGHT? 169 00:07:40,805 --> 00:07:43,739 WHEN ONE TABLE GOES COLD, YOU JUST FIND A HOT ONE. 170 00:07:43,773 --> 00:07:45,292 [both laugh] 171 00:07:45,326 --> 00:07:48,122 - YEAH, YOU FOUND A LOT OF HOT TABLES. 172 00:07:48,157 --> 00:07:50,608 HOT, DUMB TABLES. 173 00:07:50,642 --> 00:07:52,023 [both laugh] 174 00:07:52,057 --> 00:07:54,646 - NO, NO, NO, IT REALLY IS TRUE, THOUGH. 175 00:07:54,681 --> 00:07:56,372 I MEAN, 'CAUSE AT FIRST YOU'RE THINKING, LOOK, 176 00:07:56,406 --> 00:08:00,134 DON'T THROW YOUR PANTIES ON THE STAGE, THAT CAN'T BE HEALTHY. 177 00:08:00,169 --> 00:08:01,826 BUT THEN YOU REALIZE IT'S A COMPLIMENT. 178 00:08:01,860 --> 00:08:03,966 HEY, LOLLI. WANT TO COME WITH US? 179 00:08:04,000 --> 00:08:06,106 WE'RE GOING OVER TO CAESARS, PLAY A LITTLE BLACKJACK. 180 00:08:06,140 --> 00:08:08,557 I'M FEELING RAIN MANLUCKY. 181 00:08:08,591 --> 00:08:12,422 - ACTUALLY, I'M HAVING A NICE, QUIET DINNER WITH DEION. 182 00:08:12,457 --> 00:08:14,735 - DEION WHO? DIONNE WARWICK? 183 00:08:14,770 --> 00:08:16,565 [laughter] 184 00:08:16,599 --> 00:08:17,566 - HEY, BABY. 185 00:08:17,600 --> 00:08:19,395 - HEY, BEAUTIFUL. 186 00:08:19,429 --> 00:08:20,396 YOU LOOK GOOD. 187 00:08:20,430 --> 00:08:21,501 - OH! [giggles] 188 00:08:21,535 --> 00:08:25,194 - DEION [bleep] [bleep] SANDERS. 189 00:08:25,228 --> 00:08:29,198 - UM, HONEY, I WANT TO INTRODUCE YOU TO MY BOSS. 190 00:08:29,232 --> 00:08:31,234 THIS IS BOYCE BALLENTINE. 191 00:08:31,269 --> 00:08:32,235 - LOVE YOUR MUSIC. 192 00:08:32,270 --> 00:08:34,548 - YEAH, WHAT'S UP, MAN? 193 00:08:34,583 --> 00:08:37,102 - AND I DIG YOUR DANCERS, ESPECIALLY THIS ONE RIGHT HERE. 194 00:08:37,137 --> 00:08:38,518 I'VE BEEN CHASING YOU FOR A WHILE, 195 00:08:38,552 --> 00:08:40,312 BUT SHE'S ALWAYS HAD A BOYFRIEND. 196 00:08:40,347 --> 00:08:43,764 BUT IT SEEMS LIKE THAT FOOL LET HER SLIP AWAY. 197 00:08:43,799 --> 00:08:48,458 - OH, WELL, YOU KNOW I DON'T LIKE TO PUT LABELS ON THINGS. 198 00:08:49,701 --> 00:08:53,533 BUT YOU'RE RIGHT. HE IS A FOOL. 199 00:08:56,674 --> 00:08:58,538 - [laughs] THAT'S DEION SANDERS. 200 00:08:58,572 --> 00:09:01,610 - MAN, LOLLI IS DATING DEION SANDERS, MAN. 201 00:09:01,644 --> 00:09:04,889 I WISHED HER THE BEST, AND SHE WENT OUT AND GOT IT. 202 00:09:07,581 --> 00:09:09,307 - AND I STILL CAN'T BELIEVE YOU DATED DEION SANDERS. 203 00:09:09,341 --> 00:09:11,412 OOH, THAT IS A PRETTY MAN. 204 00:09:11,447 --> 00:09:14,001 - MM, SO PRETTY! 205 00:09:14,036 --> 00:09:16,866 - REALLY, WHY Y'ALL GOTTA BE LIKE THAT? 206 00:09:16,901 --> 00:09:19,386 - ALL RIGHT, IF THE LORD WANTS CLOTHES FOR THE NEEDY, 207 00:09:19,420 --> 00:09:21,284 I'LL BRING CLOTHES FOR THE NEEDY, 208 00:09:21,319 --> 00:09:24,633 EVEN IF IT IS ONE OF MY FAVORITE SHIRTS. 209 00:09:24,667 --> 00:09:26,013 - DADDY, 210 00:09:26,048 --> 00:09:29,499 THIS SHIRT LOOKS EXACTLY LIKE THE ONE YOU'RE WEARING. 211 00:09:29,534 --> 00:09:31,501 - NOW, HOW IS A SHIRT WITH EIGHT BUTTONS 212 00:09:31,536 --> 00:09:34,608 THE SAME AS A SHIRT WITH SEVEN BUTTONS? 213 00:09:34,643 --> 00:09:37,093 - COME ON, BARTON, YOU'RE MISSING ALL THE FUN. 214 00:09:37,128 --> 00:09:38,785 WE'RE TALKING ABOUT THE TIME 215 00:09:38,819 --> 00:09:41,511 THAT BOYCE GOT ALL JEALOUS OVER DEION SANDERS. 216 00:09:41,546 --> 00:09:42,651 - [laughs] 217 00:09:42,685 --> 00:09:44,169 - I WAS NOT JEALOUS OVER DEION SANDERS. 218 00:09:44,204 --> 00:09:45,654 - YOU WAS MORE THAN JEALOUS. 219 00:09:45,688 --> 00:09:48,484 YOU WERE A BROKEN MAN. [laughs] 220 00:09:51,418 --> 00:09:54,283 THANKS FOR PICKING ME UP AT THE AIRPORT. 221 00:09:54,317 --> 00:09:56,561 - SORRY, DADDY. 222 00:09:56,596 --> 00:09:59,633 LOOK, MY BRAIN CAN'T TELL TIME, AND MY HEART DOESN'T CARE. 223 00:09:59,668 --> 00:10:00,979 I LOST MY GIRL. 224 00:10:01,014 --> 00:10:05,535 - SHE'S PROBABLY BURIED UNDER SOMETHING IN HERE. 225 00:10:05,570 --> 00:10:07,607 - YOU KNOW, DADDY, I USUALLY LOVE IT 226 00:10:07,641 --> 00:10:10,886 WHEN YOU FLY CROSS-COUNTRY TO JUDGE ME, 227 00:10:10,920 --> 00:10:12,957 BUT MY HEART IS HURTING FOR REAL, MAN. 228 00:10:12,991 --> 00:10:16,339 - THIS MUST BE SOME GIRL WE'RE TALKING ABOUT. 229 00:10:16,374 --> 00:10:19,411 - SHE IS. I MEAN, LOLLI, SHE'S-- 230 00:10:19,446 --> 00:10:21,931 SHE'S BEAUTIFUL, SHE'S PASSIONATE. 231 00:10:21,966 --> 00:10:23,933 I CAN'T GET HER OUT OF MY HEAD. 232 00:10:23,968 --> 00:10:26,004 - THEN DO SOMETHING ABOUT IT, MAN. 233 00:10:26,039 --> 00:10:27,247 YOU'RE A BALLENTINE. 234 00:10:27,281 --> 00:10:29,801 BALLENTINE MEN DON'T WALLOW IN SELF-PITY. 235 00:10:29,836 --> 00:10:31,561 LET HER KNOW WHAT SHE MEANS TO YOU. 236 00:10:31,596 --> 00:10:33,702 THEN AT LEAST YOU KNOW YOU TRIED. 237 00:10:33,736 --> 00:10:36,049 - YOU KNOW WHAT? YOU'RE RIGHT, DADDY. 238 00:10:36,083 --> 00:10:37,084 YOU'RE RIGHT. 239 00:10:37,119 --> 00:10:39,604 I'M GONNA GET MY WOMAN BACK, 240 00:10:39,639 --> 00:10:42,365 AND I DON'T CARE THAT SHE'S WITH DEION SANDERS. 241 00:10:42,400 --> 00:10:45,368 - WAIT, WHAT? 242 00:10:45,403 --> 00:10:47,957 SHE'S WITH DEION SANDERS? 243 00:10:47,992 --> 00:10:49,476 OH, YOU DON'T STAND A CHANCE 244 00:10:49,510 --> 00:10:51,892 AGAINST THAT MULTITALENTED BRICK HOUSE OF A MAN. 245 00:10:51,927 --> 00:10:53,480 - DADDY. 246 00:10:53,514 --> 00:10:56,656 - TRY ANYWAY, I GUESS. 247 00:10:57,898 --> 00:10:58,934 - OH, HEY, POPS. 248 00:10:58,968 --> 00:11:00,418 BOYCE HAS A HANGOVER. 249 00:11:00,452 --> 00:11:02,006 I GOT HIM SOME COFFEE AND ASPIRIN. 250 00:11:02,040 --> 00:11:03,801 - YOU'RE ON YOUR WAY, SON. 251 00:11:03,835 --> 00:11:08,150 YOU WERE RIGHT TO DROP OUT OF COLLEGE. 252 00:11:08,184 --> 00:11:11,049 - HEY, HEY, STAMPS, I'M GOING TO GET LOLLI BACK, MAN. 253 00:11:11,084 --> 00:11:12,430 I NEED YOU TO HELP ME FIND MY OTHER SHOE. 254 00:11:12,464 --> 00:11:13,845 - OKAY, WHAT'S IT LOOK LIKE? 255 00:11:13,880 --> 00:11:18,850 - EXACTLY LIKE THIS ONE, BUT FACING THE OTHER DIRECTION. 256 00:11:18,885 --> 00:11:20,921 - BOYCE, CAN YOU DO ME A FAVOR? 257 00:11:20,956 --> 00:11:22,509 I NEED YOU TO GIVE THIS LETTER TO TIFFANY. 258 00:11:22,543 --> 00:11:24,925 - A LETTER? WHY DON'T YOU JUST TALK TO HER? 259 00:11:24,960 --> 00:11:27,479 - BECAUSE EVERY TIME I TALK TO HER, I SAY SOMETHING STUPID. 260 00:11:27,514 --> 00:11:28,860 WELL, HOW DOES THIS SOUND? 261 00:11:28,895 --> 00:11:30,759 "FOR MY MAGICAL GIRL, I KNOW YOU--" 262 00:11:30,793 --> 00:11:32,657 - YEAH. YEAH, YEAH, YEAH, YEAH. SOUNDS GOOD. 263 00:11:32,692 --> 00:11:35,211 JUST PUT IT ON THE DESK. I'LL TAKE CARE OF IT. 264 00:11:35,246 --> 00:11:36,247 [chuckles] LOOK AT US. 265 00:11:36,281 --> 00:11:38,042 BALLENTINE MEN GOING TO GET OUR WOMEN. 266 00:11:38,076 --> 00:11:39,043 - THAT'S RIGHT. 267 00:11:39,077 --> 00:11:40,769 - WATCH OUT, PRIMETIME! - YEAH! 268 00:11:40,803 --> 00:11:44,013 - OH, DALLAS COWBOY PLAYING. - YEAH, BASEBALL PLAYING. 269 00:11:44,048 --> 00:11:45,774 - LOOK AT MY DANCE. - LOOK AT MY DANCE. 270 00:11:45,808 --> 00:11:47,707 MUST BE THE MONEY. MUST BE THE MONEY. 271 00:11:47,741 --> 00:11:49,743 [knock on door] - [laughs] 272 00:11:49,778 --> 00:11:51,849 OH, HEY. - HEY, BOYCE, YOU SEEN LOLLI? 273 00:11:51,883 --> 00:11:55,335 - NO, I HAVEN'T SEEN HER. BUT LOOK, MAN. 274 00:11:55,369 --> 00:11:56,785 I NEED TO TELL YOU SOMETHING. 275 00:11:56,819 --> 00:11:58,890 - YOU NEED TO TELL ME WHAT, LITTLE MAN? 276 00:11:58,925 --> 00:12:01,099 - UH--UH-- 277 00:12:01,134 --> 00:12:03,032 WHAT KIND OF PRODUCT DO YOU USE IN YOUR HAIR? 278 00:12:03,067 --> 00:12:05,828 BECAUSE I'M ON A DIFFERENT-- I'VE HAD-- 279 00:12:05,863 --> 00:12:08,037 - ALL RIGHT, IT'S SHOWTIME. - HEY, LOOK, THE BAND 280 00:12:08,072 --> 00:12:09,418 GOT THE NEW MUSIC, RIGHT? - MM-HMM. 281 00:12:09,452 --> 00:12:11,144 - HOW I LOOK? I LOOK GOOD? - YEAH. 282 00:12:11,178 --> 00:12:12,490 - I'M COOL, RIGHT? - YEAH. 283 00:12:12,524 --> 00:12:13,802 - IS IT TOO SUBTLE? I SHOULD GET MY CAPE. 284 00:12:13,836 --> 00:12:15,976 - BRO, YOU DON'T NEED YOUR CAPE, OKAY? 285 00:12:16,011 --> 00:12:17,702 YOU LOOK GREAT. - ALL RIGHT. 286 00:12:17,737 --> 00:12:18,945 - NOW, LOLLI'S NOT GONNA KNOW WHAT HIT HER. 287 00:12:18,979 --> 00:12:21,361 - LADIES AND GENTLEMEN, THE SANDS HOTEL AND CASINO 288 00:12:21,395 --> 00:12:24,122 IS PROUD TO PRESENT R&B SENSATION 289 00:12:24,157 --> 00:12:27,643 BOYCE "THE VOICE" BALLENTINE! - GO GET 'EM, BRO! 290 00:12:27,677 --> 00:12:29,231 [cheers and applause] 291 00:12:29,265 --> 00:12:31,543 - HEY, POST OFFICE. 292 00:12:31,578 --> 00:12:33,407 - HEY, LAMP. 293 00:12:33,442 --> 00:12:35,616 TIFFANY. YOU KNOW, LIKE TIFFANY LAMP. 294 00:12:35,651 --> 00:12:38,378 OKAY, THEN. 295 00:12:38,412 --> 00:12:41,484 [applause] [R&B music] 296 00:12:41,519 --> 00:12:45,972 - THANK YOU. THANK YOU SO MUCH. YOU'VE BEEN TOO KIND. 297 00:12:46,006 --> 00:12:47,697 LISTEN. 298 00:12:47,732 --> 00:12:51,218 I WANT TO DO THINGS A LITTLE DIFFERENT TONIGHT. 299 00:12:51,253 --> 00:12:54,670 CAN WE BRING THE LIGHTS DOWN JUST A LITTLE BIT? 300 00:12:54,704 --> 00:12:56,534 THANK YOU SO MUCH, GEORGE. 301 00:12:56,568 --> 00:13:01,159 YOU KNOW, I WANT TO TALK ABOUT LOVE. 302 00:13:01,194 --> 00:13:03,437 HOW YOU DOING, SWEET THING? 303 00:13:03,472 --> 00:13:05,819 I WANNA TALK ABOUT REAL LOVE. 304 00:13:05,854 --> 00:13:08,063 YOU KNOW, THAT GOOD LOVE. 305 00:13:08,097 --> 00:13:12,343 THE KIND OF LOVE YOU DON'T KNOW YOU HAVE UNTIL IT'S GONE. 306 00:13:14,069 --> 00:13:17,762 YOU KNOW, IT'S HARD BEING A SEX SYMBOL. 307 00:13:17,797 --> 00:13:21,662 AND THAT'S JET MAGAZINE'SWORDS, NOT MINE. 308 00:13:21,697 --> 00:13:26,081 I JUST NEED Y'ALL TO KNOW THAT I FOUND THAT ONE SPECIAL LADY. 309 00:13:26,115 --> 00:13:30,637 AND SHE KNOWS WHO SHE IS. 310 00:13:30,671 --> 00:13:33,882 THAT'S NOT HER RIGHT THERE. 311 00:13:33,916 --> 00:13:35,159 LISTEN, I CAN'T TELL YOU 312 00:13:35,193 --> 00:13:37,920 HOW I FEEL EVERY TIME I LOOK AT MY LADY. 313 00:13:37,955 --> 00:13:42,269 BUT MAYBE I CAN. 314 00:13:42,304 --> 00:13:45,997 [R&B music] 315 00:13:46,032 --> 00:13:49,656 [cheers and applause] 316 00:13:49,690 --> 00:13:50,933 ♪ YEAH 317 00:13:50,968 --> 00:13:53,798 ♪ SINCE I SAW YOUR FACE 318 00:13:53,833 --> 00:13:57,250 ♪ THERE'S NO OTHER FACE MY EYES CARE TO SEE ♪ 319 00:13:57,284 --> 00:14:00,356 ♪ SINCE I HEARD YOUR NAME 320 00:14:00,391 --> 00:14:02,151 ♪ THERE'S NO OTHER NAME 321 00:14:02,186 --> 00:14:06,259 ♪ THAT MEANS ANYTHING TO ME 322 00:14:06,293 --> 00:14:09,365 [crowd cheering] 323 00:14:09,400 --> 00:14:13,059 ♪ OH, BABY 324 00:14:13,093 --> 00:14:15,751 ♪ YOUR FACE, YOUR FACE, YOUR FACE ♪ 325 00:14:15,785 --> 00:14:18,443 SHE WAS SO OVERCOME WITH EMOTION 326 00:14:18,478 --> 00:14:20,445 THAT SHE RAN RIGHT OFF THE STAGE. 327 00:14:20,480 --> 00:14:22,965 I MEAN, I CAME UP WITH A GOLD RECORD 328 00:14:23,000 --> 00:14:26,106 AND GOT MY GIRL BACK AT THE SAME TIME. 329 00:14:26,141 --> 00:14:30,214 - NO. NO, NO, NO, NO. THAT SONG IS NOT HOW YOU GOT ME BACK. 330 00:14:30,248 --> 00:14:33,907 IT'S HOW HE ALMOST LOST ME. - SAY WHAT, NOW? 331 00:14:33,942 --> 00:14:36,116 - WHEN I SAW THAT RIDICULOUS PERFORMANCE 332 00:14:36,151 --> 00:14:37,531 YOU PUT ONSTAGE THAT NIGHT... 333 00:14:37,566 --> 00:14:40,983 [chuckles] YOU ALMOST LOST ME FOR GOOD. 334 00:14:41,018 --> 00:14:44,090 - GOOD LORD, AM I THE ONLY ONE WORRIED ABOUT THE MAGIC BIRD? 335 00:14:48,922 --> 00:14:50,234 - WHAT DO YOU MEAN THAT SONG DIDN'T WIN YOU BACK? 336 00:14:50,268 --> 00:14:51,683 WHEN I GOT TO MY DRESSING ROOM, 337 00:14:51,718 --> 00:14:53,478 YOU WALKED UP AND KISSED ME RIGHT ON THE MOUTH. 338 00:14:53,513 --> 00:14:55,687 - RIGHT, I CAME TO YOUR DRESSING ROOM, 339 00:14:55,722 --> 00:14:57,448 BUT IT WASN'T TO KISS YOU. 340 00:14:57,482 --> 00:15:01,141 IT WAS TO TELL YOU I WAS LEAVING YOU. 341 00:15:03,040 --> 00:15:04,317 - HELLO. - OH. 342 00:15:04,351 --> 00:15:06,457 I'M SORRY, I DIDN'T KNOW ANYONE WAS IN HERE. 343 00:15:06,491 --> 00:15:08,700 - I'M BARTON BALLENTINE, BOYCE'S DADDY. 344 00:15:08,735 --> 00:15:11,358 - OH, NICE TO MEET YOU. I'M LOLLI. 345 00:15:11,393 --> 00:15:13,153 - HE'S TOLD ME A LOT ABOUT YOU. 346 00:15:13,188 --> 00:15:17,295 - I WAS, UH, JUST COMING IN HERE TO WRITE YOUR SON A NOTE 347 00:15:17,330 --> 00:15:19,263 TELLING HIM WHAT A FOOL I THINK HE IS. 348 00:15:19,297 --> 00:15:21,058 - HE IS THAT. 349 00:15:21,092 --> 00:15:25,476 SOMETIMES I THINK HE COULD TEACH A CLASS ON HOW TO ACT A FOOL. 350 00:15:25,510 --> 00:15:28,203 - HOW DARE HE USE OUR RELATIONSHIP 351 00:15:28,237 --> 00:15:30,032 FOR MATERIAL FOR HIS ACT? 352 00:15:30,067 --> 00:15:31,758 I MEAN, THAT PERFORMANCE OUT THERE, 353 00:15:31,792 --> 00:15:33,104 THAT WAS ALL ABOUT HIM. 354 00:15:33,139 --> 00:15:35,624 NOT ME, NOT US, JUST HIS BIG, FAT EGO. 355 00:15:35,658 --> 00:15:37,453 - [chuckling] 356 00:15:37,488 --> 00:15:38,903 THAT'S BOYCE. 357 00:15:38,938 --> 00:15:41,768 HE DOESN'T ALWAYS DO THE RIGHT THING THE RIGHT WAY. 358 00:15:41,802 --> 00:15:43,425 BUT FOR WHAT IT'S WORTH, 359 00:15:43,459 --> 00:15:45,599 I'VE NEVER SEEN HIM AS LOW AS HE WAS TODAY. 360 00:15:45,634 --> 00:15:48,257 YOU MUST REALLY MEAN A LOT TO HIM. 361 00:15:48,292 --> 00:15:51,916 ANYWAY, I HOPE THIS ISN'T THE LAST I SEE OF YOU. 362 00:15:55,195 --> 00:15:58,233 AND THAT'S HOW I TALKED LOLLI INTO TAKING YOU BACK. 363 00:15:58,267 --> 00:16:00,925 - UH, IT WASN'T YOU EITHER, BARTON. 364 00:16:00,960 --> 00:16:02,375 - WELL, IF IT WASN'T ME, 365 00:16:02,409 --> 00:16:04,480 AND YOU'RE NOT GONNA TALK ABOUT THE MAGIC BIRD, 366 00:16:04,515 --> 00:16:07,932 I'M GOING HOME. 367 00:16:07,967 --> 00:16:10,072 I THINK I'LL KEEP THIS SHIRT. 368 00:16:10,107 --> 00:16:15,077 NEVER CAN TELL WHEN THERE MIGHT BE AN EVENT. 369 00:16:15,112 --> 00:16:17,942 - HERE'S WHAT REALLY HAPPENED. 370 00:16:20,945 --> 00:16:23,051 WHAT IS THIS? 371 00:16:23,085 --> 00:16:24,742 "FOR MY MAGICAL GIRL. 372 00:16:24,776 --> 00:16:26,640 "I KNOW YOU THINK I'M IMMATURE 373 00:16:26,675 --> 00:16:29,402 "AND ALWAYS DOING DUMB THINGS AROUND YOU, 374 00:16:29,436 --> 00:16:32,888 "BUT I'VE NEVER FELT THIS WAY ABOUT A WOMAN. 375 00:16:32,922 --> 00:16:34,683 "I WANT TO BE YOURS. 376 00:16:34,717 --> 00:16:37,237 "I WANT TO BE THE DOVE THAT FLIES HIGH 377 00:16:37,272 --> 00:16:40,206 AND PROTECTS YOU UNDERNEATH ITS WINGS." 378 00:16:40,240 --> 00:16:42,622 OH, BOYCE! 379 00:16:42,656 --> 00:16:43,864 - HEY, BABE, YOU COMING BACK OUT THERE? 380 00:16:43,899 --> 00:16:45,038 THE AUDIENCE IS WAITING. 381 00:16:45,073 --> 00:16:46,902 MM? MM. 382 00:16:49,077 --> 00:16:51,424 IT AIN'T NO HURRY. 383 00:16:51,458 --> 00:16:55,393 - BOYCE BALLENTINE, YOU HAVE A WAY WITH WORDS. 384 00:16:55,428 --> 00:16:56,843 AND I LOVE YOU. 385 00:16:56,877 --> 00:17:00,295 [gasps] 386 00:17:00,329 --> 00:17:02,366 AND YOU GOT ME A DOVE! 387 00:17:02,400 --> 00:17:04,954 AWW! 388 00:17:04,989 --> 00:17:06,128 - AND FLOWERS. 389 00:17:06,163 --> 00:17:09,235 - AWW! COME HERE! 390 00:17:09,269 --> 00:17:10,581 both: MMM. 391 00:17:10,615 --> 00:17:12,410 - THAT WAS MY NOTE! 392 00:17:12,445 --> 00:17:13,791 - YOUR NOTE? 393 00:17:13,825 --> 00:17:15,965 - WAIT, THAT NOTE IS WHAT MADE YOU COME BACK TO ME? 394 00:17:16,000 --> 00:17:17,898 - TIFFANY NEVER EVEN READ IT. 395 00:17:17,933 --> 00:17:19,866 - I CAN'T BELIEVE MY WHOLE LIFE CHANGED 396 00:17:19,900 --> 00:17:21,661 OVER SOMETHING THAT STAMPS WROTE. 397 00:17:21,695 --> 00:17:24,733 - MY LIFE CHANGED TOO. TIFFANY WAS THE LOVE OF MY LIFE! 398 00:17:24,767 --> 00:17:26,079 - THE LOVE OF YOUR LIFE? 399 00:17:26,114 --> 00:17:28,392 - I DID NOT SAY THAT. 400 00:17:28,426 --> 00:17:29,945 - WHY DIDN'T YOU JUST SIGN IT? 401 00:17:29,979 --> 00:17:33,052 - I PUT A STAMP AT THE BOTTOM. I WAS TRYING TO BE CLEVER. 402 00:17:33,086 --> 00:17:35,640 - WAIT, BUT THE STAMP SAID "LOVE" ON IT. 403 00:17:35,675 --> 00:17:37,573 I THOUGHT BOYCE WAS BEING CLEVER. 404 00:17:37,608 --> 00:17:42,268 - ALL THIS TIME I ASSUMED TIFFANY JUST BLEW ME OFF. 405 00:17:42,302 --> 00:17:44,477 [chuckles] MAN, I WAS HEARTBROKEN. 406 00:17:44,511 --> 00:17:45,650 I STARTED WORKING OUT, 407 00:17:45,685 --> 00:17:47,445 I GOT BOYCE TO HIRE ME AS HIS TOUR MANAGER, 408 00:17:47,480 --> 00:17:51,035 AND I MADE SURE I WAS NEVER GONNA GET HEARTBROKEN AGAIN. 409 00:17:51,070 --> 00:17:53,658 - ALL THIS TIME I'VE KEPT THIS NOTE, 410 00:17:53,693 --> 00:17:57,041 AND OUR RELATIONSHIP WAS BUILT ON A LIE. 411 00:17:57,076 --> 00:18:01,321 - NO, NOT A LIE, BABE, 'CAUSE I MAY NOT HAVE WRITTEN THIS NOTE, 412 00:18:01,356 --> 00:18:03,151 BUT I MEANT EVERY WORD. 413 00:18:03,185 --> 00:18:06,533 - OH, HONEY, THAT'S THE MOST RIDICULOUS 414 00:18:06,568 --> 00:18:09,847 AND SWEETEST THING YOU EVER SAID. 415 00:18:09,881 --> 00:18:12,125 - SEE, BABE, IT'S FATE. 416 00:18:12,160 --> 00:18:13,713 WHEN TWO PEOPLE ARE MEANT TO BE TOGETHER, 417 00:18:13,747 --> 00:18:15,922 NONE OF THEIR GARBAGE IN THE PAST MATTERS. 418 00:18:15,956 --> 00:18:19,443 - OH, YOU'RE RIGHT, BABE, AND I SHOULD'VE REALIZED THAT. 419 00:18:19,477 --> 00:18:20,409 I'M SORRY. - MM. 420 00:18:20,444 --> 00:18:22,101 IT'S OKAY. 421 00:18:22,135 --> 00:18:23,826 I'M JUST GLAD YOU SEE IT MY WAY NOW. 422 00:18:23,861 --> 00:18:25,311 - SEE IT YOUR WAY? 423 00:18:25,345 --> 00:18:28,279 - OH, MAN, YOU WERE SO CLOSE. 424 00:18:28,314 --> 00:18:30,833 - NO. NO, NO, NO, NO, NO. I'M NOT SEEING IT YOUR WAY. 425 00:18:30,868 --> 00:18:32,559 I'M JUST BEING A BIGGER PERSON. 426 00:18:32,594 --> 00:18:35,044 - BABE, COME ON, NOW, WE'VE BEEN THROUGH THIS, ALL RIGHT? 427 00:18:35,079 --> 00:18:36,598 TRACY IS NO BIG DEAL. 428 00:18:36,632 --> 00:18:38,669 HER SISTER'S THE ONE I SLEPT WITH. 429 00:18:38,703 --> 00:18:39,911 - OH! 430 00:18:39,946 --> 00:18:42,224 STAMPS, JUST STOP TALKING! 431 00:18:42,259 --> 00:18:44,192 - REALLY? - WHAT DID I SAY? 432 00:18:44,226 --> 00:18:46,194 AND YOU SAID HONESTY IS THE BEST POLICY. 433 00:18:46,228 --> 00:18:47,885 I'M JUST TRYING TO BE HONEST. - [sighs] 434 00:18:47,919 --> 00:18:50,922 DOES IT REALLY BOTHER YOU THAT I DIDN'T WRITE THAT NOTE? 435 00:18:50,957 --> 00:18:52,545 - NO, NOT AT ALL. 436 00:18:52,579 --> 00:18:54,754 BECAUSE THAT NOTE KEPT YOU FROM LOSING 437 00:18:54,788 --> 00:18:57,136 THE BEST THING THAT EVER HAPPENED TO YOU. 438 00:18:57,170 --> 00:19:00,208 - TRUE THAT. [both laugh] 439 00:19:00,242 --> 00:19:01,657 I MEAN, WHEN YOU THINK ABOUT IT, 440 00:19:01,692 --> 00:19:03,038 IF I HADN'T FLIRTED WITH THAT GIRL, 441 00:19:03,072 --> 00:19:04,695 WE MIGHT NOT EVEN BE MARRIED. 442 00:19:04,729 --> 00:19:07,698 YOU NEVER REALLY THANKED ME FOR THAT. 443 00:19:07,732 --> 00:19:08,871 - YOU'RE PUSHING IT. 444 00:19:08,906 --> 00:19:10,701 - I KNEW WHEN I WAS SAYING IT-- 445 00:19:10,735 --> 00:19:12,427 - IT WAS WRONG. - THIS WAS DONE. 446 00:19:12,461 --> 00:19:13,980 [muttering] 447 00:19:15,809 --> 00:19:18,743 - "DEAR TRACY, I JUST WANTED TO LET YOU KNOW 448 00:19:18,778 --> 00:19:21,160 "THAT I AM IN A COMMITTED RELATIONSHIP 449 00:19:21,194 --> 00:19:23,403 WITH A GIRL NAMED KIM." 450 00:19:23,438 --> 00:19:25,854 - "SHE IS"... 451 00:19:25,888 --> 00:19:29,064 - "SHE IS A DOCTOR." 452 00:19:29,098 --> 00:19:31,653 - WHAT KIND OF DOCTOR? 453 00:19:31,687 --> 00:19:35,277 - "A PRETTY DOCTOR." 454 00:19:35,312 --> 00:19:39,488 - NOT WHAT I WAS GOING FOR, BUT I'LL TAKE IT. 455 00:19:39,523 --> 00:19:41,110 - OKAY, NOW HOW ABOUT ANDREA? 456 00:19:41,145 --> 00:19:43,699 WE CAN SKIP HER 'CAUSE SHE'S MARRIED WITH FOUR KIDS. LOOK. 457 00:19:43,734 --> 00:19:44,907 - SHE HAS FOUR KIDS, 458 00:19:44,942 --> 00:19:47,496 AND SHE STILL LOOKS LIKE THAT IN A BIKINI? 459 00:19:47,531 --> 00:19:51,707 WOW. - GOOD-BYE, ANDREA. 460 00:19:51,742 --> 00:19:53,813 - I TELL YOU, MAN, I LIKED IT BETTER BACK IN MY DAY, 461 00:19:53,847 --> 00:19:55,021 WHEN ALL YOU HAD TO DO 462 00:19:55,055 --> 00:19:56,850 WAS HIDE YOUR LITTLE, BLACK BOOK IN THE GARAGE. 463 00:19:56,885 --> 00:19:58,921 - GO GET IT. - I'M GONNA GO GET IT. 464 00:20:02,615 --> 00:20:05,583 [soul music] 465 00:20:05,618 --> 00:20:13,626 ♪ 466 00:20:21,703 --> 00:20:24,602 - ♪ THE SOUL MAN 34345

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