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These are the user uploaded subtitles that are being translated: 1 00:00:02,485 --> 00:00:03,762 - ♪ SOME MIGHT SAY 2 00:00:03,796 --> 00:00:06,385 ♪ THAT IT AIN'T OKAY 3 00:00:06,420 --> 00:00:07,800 ♪ SOME MIGHT CALL ME A FOOL 4 00:00:07,835 --> 00:00:09,354 - HEY, MAN, YOU KNOW WHAT THIS BEAT REMINDS ME OF? 5 00:00:09,388 --> 00:00:12,909 THAT--THAT SONG FROM YOUR BABY OIL, BABY POWDERALBUM. 6 00:00:12,943 --> 00:00:14,531 WHAT SONG AM I THINKING ABOUT? 7 00:00:14,566 --> 00:00:17,189 - OH, YOU THINKING ABOUT TRUST ME, IT'LL FIT. 8 00:00:17,224 --> 00:00:19,088 - AH HA! 9 00:00:19,122 --> 00:00:20,917 - I TELL YOU, MAN, I MISS THEM DAYS, BABY. 10 00:00:20,951 --> 00:00:23,126 ME AND YOU UP ALL NIGHT 11 00:00:23,161 --> 00:00:24,472 KICKIN' IT, MAN. - OH, MAN. 12 00:00:24,507 --> 00:00:26,302 - YOU WERE THE ONLY PERSON I COULDN'T KEEP UP WITH. 13 00:00:26,336 --> 00:00:27,337 - HEY, YOU KNOW HOW I WAS ABLE 14 00:00:27,372 --> 00:00:28,407 TO STAY UP THREE STRAIGHT NIGHTS? 15 00:00:28,442 --> 00:00:29,684 - OF COURSE I DO, SWEETS. 16 00:00:29,719 --> 00:00:32,135 I'M THE ONE THAT DROVE YOU TO REHAB. 17 00:00:32,170 --> 00:00:34,655 - DAMN, THAT WAS YOU? 18 00:00:34,689 --> 00:00:35,690 - YEAH, MAN. 19 00:00:35,725 --> 00:00:36,864 YOU WERE ONE OF THE BEST SONGWRITERS 20 00:00:36,898 --> 00:00:38,486 IN THE '90s, MAN, YOU KNOW? 21 00:00:38,521 --> 00:00:40,212 I'M JUST REALLY SURPRISED TO SEE YOU 22 00:00:40,247 --> 00:00:41,834 MAKE THAT LEAP TO THE CORPORATE SIDE. 23 00:00:41,869 --> 00:00:42,870 - HEY, NOW LOOK. 24 00:00:42,904 --> 00:00:44,113 THESE EXECS AT MUSICLAND 25 00:00:44,147 --> 00:00:46,184 ARE REALLY EXCITED ABOUT YOUR COMEBACK, BOYCE, 26 00:00:46,218 --> 00:00:47,426 ESPECIALLY CHAD. 27 00:00:47,461 --> 00:00:49,394 - CHAD? WHO IS CHAD? 28 00:00:49,428 --> 00:00:50,705 - CHAD BRADNER. 29 00:00:50,740 --> 00:00:52,259 HE'S THE NEW HEAD OF MARKETING FOR THE LABEL. 30 00:00:52,293 --> 00:00:53,605 HEY, WE HAVE A MEETING WITH HIM 31 00:00:53,639 --> 00:00:55,572 AT 10:00 TOMORROW, ALL RIGHT, MAN? 32 00:00:55,607 --> 00:00:58,403 HE LIKES TO BE INVOLVED WITH THE CREATIVE PROCESS. 33 00:00:58,437 --> 00:01:00,612 - ALL RIGHT, SO THEY JUST GONNA GET SOME LITTLE WHITE DUDE 34 00:01:00,646 --> 00:01:03,615 TO COME DOWN HERE AND TELL ME HOW TO SING R&B. 35 00:01:03,649 --> 00:01:06,963 WHAT, EVERYBODY ROBIN THICKE ALL OF A SUDDEN? 36 00:01:06,997 --> 00:01:08,344 - I FEEL YOU, I FEEL YOU. 37 00:01:08,378 --> 00:01:09,414 HOLD ON, BOYCE. 38 00:01:09,448 --> 00:01:10,622 HEY, COME ON, JESSICA. 39 00:01:10,656 --> 00:01:11,761 - OKAY. - ALL RIGHT. 40 00:01:11,795 --> 00:01:14,212 HEY, BOYCE, JESSICA KERR FROM 30 MINUTES. 41 00:01:14,246 --> 00:01:16,490 HI. - OH, THE TV SHOW. 42 00:01:16,524 --> 00:01:17,663 Y'ALL LIKE 60 MINUTES, 43 00:01:17,698 --> 00:01:20,080 BUT FOR PEOPLE WITH SHORT ATTENTION SPANS. 44 00:01:20,114 --> 00:01:22,634 - YOU KNOW, WE WERE HOPING TO DO A PROFILE ON YOU. 45 00:01:22,668 --> 00:01:24,498 WE GOT CHAD BRADNER'S PRESS RELEASE. 46 00:01:24,532 --> 00:01:27,259 "BOYCE BALLENTINE BACK IN THE STUDIO. 47 00:01:27,294 --> 00:01:29,365 COME WITNESS HISTORY IN THE MAKING." 48 00:01:29,399 --> 00:01:31,298 - YEAH, YOU KNOW I WAS JUST TELLING SWEETS 49 00:01:31,332 --> 00:01:32,747 HOW I LOVE CHAD. 50 00:01:32,782 --> 00:01:34,508 - AND I WAS JUST TELLING BOYCE 51 00:01:34,542 --> 00:01:37,718 HOW GREAT HE IS AT CHANGING HIS TUNE. 52 00:01:37,752 --> 00:01:40,479 IT'S GONNA BE GOOD FOR YOU, MAN. 53 00:01:40,514 --> 00:01:42,723 - WE'RE JUST GONNA BE HERE FOR A COUPLE OF DAYS, 54 00:01:42,757 --> 00:01:44,034 YOU KNOW, GRAB SOME INTERVIEWS, 55 00:01:44,069 --> 00:01:46,761 THEN DO A LIVE BROADCAST OF THE NIGHT OF THE SHOW. 56 00:01:46,796 --> 00:01:48,211 - LIVE TV? - MM-HMM. 57 00:01:48,246 --> 00:01:50,420 - I HAVEN'T BEEN ON LIVE TV SINCE THAT CAR CHASE 58 00:01:50,455 --> 00:01:52,733 WHEN I TOOK SWEETS TO REHAB. 59 00:01:52,767 --> 00:01:56,978 - BOYCE, YOU DO HAVE SUCH A FASCINATING STORY. 60 00:01:57,013 --> 00:01:59,705 LEGENDARY RECORDING ARTIST TURNED PASTOR. 61 00:01:59,740 --> 00:02:01,569 - YEAH, I MEAN, THAT'S MY TOP PRIORITY NOW, 62 00:02:01,604 --> 00:02:02,605 THE CHURCH, YOU KNOW? 63 00:02:02,639 --> 00:02:04,572 EVERY SUNDAY, I'M JUST THERE 64 00:02:04,607 --> 00:02:07,506 LIFTING UP THE MASSES AND SAVING SOULS. 65 00:02:07,541 --> 00:02:09,508 - WELL, WHAT ABOUT TODAY? 66 00:02:09,543 --> 00:02:10,613 TODAY'S SUNDAY. 67 00:02:10,647 --> 00:02:13,650 - OH, [bleep]. 68 00:02:15,411 --> 00:02:18,379 [soul music] 69 00:02:18,414 --> 00:02:24,385 ♪ 70 00:02:27,733 --> 00:02:31,392 ♪ THE SOUL MAN 71 00:02:31,427 --> 00:02:32,773 BABE. - MM? 72 00:02:32,807 --> 00:02:34,050 - YOU THINK ANYBODY NOTICED ME 73 00:02:34,084 --> 00:02:35,362 SLIPPING IN LATE TO CHURCH THIS MORNING? 74 00:02:35,396 --> 00:02:36,604 - SLIPPING IN? 75 00:02:36,639 --> 00:02:38,503 BOYCE, YOU SPRINTED DOWN THE AISLE 76 00:02:38,537 --> 00:02:40,919 WITH YOUR ROBE HIKED UP AROUND YOUR WAIST. 77 00:02:40,953 --> 00:02:43,715 YOU KNOW, YOU KNOCKED OVER SISTER HENDERSON'S OXYGEN TANK. 78 00:02:43,749 --> 00:02:46,269 - THAT'S WHY SHE WAS FLIPPING AROUND 79 00:02:46,304 --> 00:02:48,271 LIKE A GOLDFISH OUT OF WATER? 80 00:02:48,306 --> 00:02:51,412 I THOUGHT SHE HAD JUST CAUGHT THE SPIRIT. 81 00:02:51,447 --> 00:02:55,485 - BOYCE, THAT'S THE SAME SERMON YOU GAVE LAST MAY. 82 00:02:55,520 --> 00:02:58,247 I CAN'T BELIEVE YOU IN RERUNS ALREADY. 83 00:02:58,281 --> 00:03:00,249 - DADDY, MY BOSS HASN'T WRITTEN 84 00:03:00,283 --> 00:03:04,287 NEW MATERIAL IN OVER 2,000 YEARS. 85 00:03:04,322 --> 00:03:05,461 DON'T WORRY, DADDY. 86 00:03:05,495 --> 00:03:07,428 I ONLY GOT A FEW MORE DAYS IN THE STUDIO. 87 00:03:07,463 --> 00:03:08,671 YOU KNOW WHAT? 88 00:03:08,705 --> 00:03:10,500 30 MINUTESIS DOING A LITTLE STORY ON ME 89 00:03:10,535 --> 00:03:12,192 ABOUT MY RETURN TO MUSIC. 90 00:03:12,226 --> 00:03:15,505 - BABY, I'M SO PROUD OF YOU! 91 00:03:15,540 --> 00:03:17,473 - HEY, I'M PROUD OF ME TOO, BABY. 92 00:03:17,507 --> 00:03:19,820 YOU KNOW, AND THEY MAY WANT TO DO INTERVIEWS WITH YOU GUYS. 93 00:03:19,854 --> 00:03:21,891 - [gasps] - SO JUST BE HONEST, ALL RIGHT? 94 00:03:21,925 --> 00:03:23,203 EXCEPT FOR YOU, DADDY. 95 00:03:23,237 --> 00:03:26,827 I ACTUALLY HAVE SOME TALKING POINTS FOR YOU. 96 00:03:26,861 --> 00:03:28,725 - IF ANYONE STICKS A MIC IN MY FACE, 97 00:03:28,760 --> 00:03:30,382 I'M GONNA TELL 'EM ABOUT MY SON 98 00:03:30,417 --> 00:03:32,246 WHO FORGOT HE'S A PASTOR. 99 00:03:32,281 --> 00:03:34,973 - DADDY, I GOT IT COVERED, ALL RIGHT? 100 00:03:35,007 --> 00:03:37,113 EXCEPT FOR THIS ONE THING I NEED YOU TO COVER. 101 00:03:37,147 --> 00:03:39,943 BROTHER HAROLD'S 100th BIRTHDAY BRUNCH. 102 00:03:39,978 --> 00:03:43,119 JUST GO THERE AND SAY A PRAYER, PAT HIM ON THE BACK-- 103 00:03:43,153 --> 00:03:46,674 NOT TOO HARD BECAUSE HE TIPS OVER REAL EASY. 104 00:03:46,709 --> 00:03:48,020 - OH, PLEASE. 105 00:03:48,055 --> 00:03:49,884 DON'T LET THAT FEEBLE ACT FOOL YOU. 106 00:03:49,919 --> 00:03:52,542 BROTHER HAROLD ONLY FALLS DOWN AROUND WOMEN. 107 00:03:52,577 --> 00:03:54,855 AND TRUST ME, HE KNOWS WHAT TO GRAB 108 00:03:54,889 --> 00:03:57,927 TO PULL HIS SELF BACK UP. 109 00:03:57,961 --> 00:04:00,688 - LISTEN, Y'ALL, I GOTTA GET BACK TO THE STUDIO. 110 00:04:00,723 --> 00:04:02,794 I DON'T WANT 'EM TO START WITHOUT ME. 111 00:04:02,828 --> 00:04:04,485 [chuckles] WHO AM I KIDDING? 112 00:04:04,520 --> 00:04:07,039 THEY CAN'T START WITHOUT ME. 113 00:04:07,074 --> 00:04:10,111 I'LL HOLLA. 114 00:04:11,665 --> 00:04:13,114 - LISTEN, CHARLIE. 115 00:04:13,149 --> 00:04:15,634 OKAY, MY CUPCAKE TRUCK HITS THE STREETS IN A WEEK. 116 00:04:15,669 --> 00:04:16,808 MY ADVERTISING'S IN PLACE. 117 00:04:16,842 --> 00:04:18,465 ALL MY OTHER VENDORS HAVE DELIVERED. 118 00:04:18,499 --> 00:04:21,364 WHAT--COME ON, MAN, THIS IS SERIOUS BUSINESS! 119 00:04:21,399 --> 00:04:24,056 I NEED MY DAMN GIGGLE SPRINKLES! 120 00:04:24,091 --> 00:04:25,713 - MM-MM. 121 00:04:25,748 --> 00:04:28,785 LOOK AT YOU BEING ALL FORTUNE500 ABOUT CUPCAKES. 122 00:04:28,820 --> 00:04:29,821 YOU KNOW WHAT? I HAVE NEVER SEEN 123 00:04:29,855 --> 00:04:33,342 THIS SIDE OF YOU BEFORE, AND IT IS HOT. 124 00:04:33,376 --> 00:04:34,722 YOU WANT TO SPLIT A GRAPE WITH ME? 125 00:04:34,757 --> 00:04:37,725 - MM. - [laughs] 126 00:04:45,215 --> 00:04:46,665 - WHAT'S GOING ON? 127 00:04:46,700 --> 00:04:48,288 WHY Y'ALL LOOKING SO GUILTY? 128 00:04:48,322 --> 00:04:49,944 - GUILTY? WHY? 129 00:04:49,979 --> 00:04:51,187 BECAUSE WE BLACK? 130 00:04:51,221 --> 00:04:52,671 - YEAH. 131 00:04:52,706 --> 00:04:54,501 I'M NOT GONNA STAND HERE AND BE PROFILED. 132 00:04:54,535 --> 00:04:56,606 - YEAH, BLACK-ON-BLACK RACIAL PROFILING IN MY OWN HOUSE. 133 00:04:56,641 --> 00:05:00,714 WHAT'S THE WORLD COMING TO? 134 00:05:00,748 --> 00:05:01,749 - HEY, BABY. 135 00:05:01,784 --> 00:05:02,785 HEY, I'M GETTING READY 136 00:05:02,819 --> 00:05:04,131 FOR MY 30 MINUTES INTERVIEW. 137 00:05:04,165 --> 00:05:07,686 TELL ME, DOES THIS SUIT SAY, "MODEST PREACHER?" 138 00:05:07,721 --> 00:05:10,482 - NO, BUT IT DOES SAY, 139 00:05:10,517 --> 00:05:13,727 "TRICK BETTER HAVE DADDY'S MONEY." 140 00:05:15,349 --> 00:05:19,802 BABY, LISTEN, I-I JUST DON'T THINK YOU WANNA BE FLASHY 141 00:05:19,836 --> 00:05:21,666 ON YOUR 30 MINUTES INTERVIEW. 142 00:05:21,700 --> 00:05:23,081 - YEAH, YOU RIGHT, BABY. 143 00:05:23,115 --> 00:05:24,634 IT'S NOT ABOUT THE CLOTHES. - NO. 144 00:05:24,669 --> 00:05:26,740 - THIS IS ALL ABOUT MY SPIRITUAL JOURNEY 145 00:05:26,774 --> 00:05:30,433 FROM INTERNATIONAL SUPERSTAR TO A HUMBLE SERVANT OF GOD. 146 00:05:30,468 --> 00:05:32,987 YOU KNOW, I GOT A GREAT FAMILY, 147 00:05:33,022 --> 00:05:36,266 ADORING FANS, A FAITHFUL FLOCK. 148 00:05:36,301 --> 00:05:40,063 SOMEHOW I'M JUST ABLE TO BE EVERYWHERE AT ONE TIME. 149 00:05:40,098 --> 00:05:44,758 I'M LIKE, UM-- WHAT'S THE WORD? 150 00:05:44,792 --> 00:05:46,346 SUPERMAN. 151 00:05:46,380 --> 00:05:49,349 [chuckles] 152 00:05:52,421 --> 00:05:53,801 - AND THIS IS HIM WITH PRESIDENT BILL CLINTON 153 00:05:53,836 --> 00:05:55,044 AT THE WHITE HOUSE. 154 00:05:55,078 --> 00:05:56,735 - MM, SO THE PRESIDENT WAS A FAN? 155 00:05:56,770 --> 00:05:58,116 - OH, YEAH. 156 00:05:58,150 --> 00:06:00,808 NO, HE EVEN SUGGESTED THAT BOYCE DO A FOLLOW-UP SONG 157 00:06:00,843 --> 00:06:02,603 TO I WANNA HAVE SEX WICHOO 158 00:06:02,638 --> 00:06:06,745 CALLED I DIDN'T HAVE SEX WITH HER. 159 00:06:06,780 --> 00:06:08,264 - WELL, THIS IS GREAT. 160 00:06:08,298 --> 00:06:10,024 THANKS FOR SHOWING US AROUND, LOLLI. 161 00:06:10,059 --> 00:06:11,232 - OH, YOU KNOW WHAT? 162 00:06:11,267 --> 00:06:13,027 BOYCE REALLY SHOULD BE THE ONE DOING THIS, 163 00:06:13,062 --> 00:06:14,374 AND I'M GONNA GO UP AND CHECK ON HIM. 164 00:06:14,408 --> 00:06:15,409 YOU KNOW, IT'S JUST THAT HE 165 00:06:15,444 --> 00:06:17,342 HAD A REALLY LATE NIGHT AT THE STUDIO. 166 00:06:17,377 --> 00:06:18,447 - DON'T WAKE HIM. 167 00:06:18,481 --> 00:06:19,655 - OH, NO, HE'S NOT ASLEEP. 168 00:06:19,689 --> 00:06:20,828 HE'S IN THE JACUZZI. 169 00:06:20,863 --> 00:06:23,452 HE SAYS IF YOU TILT THE JETS JUST RIGHT, 170 00:06:23,486 --> 00:06:26,627 IT TICKLES HIS GENIUS. 171 00:06:26,662 --> 00:06:27,697 WHAT? 172 00:06:27,732 --> 00:06:31,563 GIRL, THAT'S HIS QUOTE, NOT MINE. 173 00:06:31,598 --> 00:06:34,359 - MMM. 174 00:06:34,394 --> 00:06:36,326 OH, THIS FROZEN YOGURT IS GREAT. 175 00:06:36,361 --> 00:06:38,328 OH, HEY, THANKS FOR BUYING, BABY. 176 00:06:38,363 --> 00:06:40,917 - I DIDN'T PAY. I THOUGHT YOU DID. 177 00:06:40,952 --> 00:06:42,125 - FIRST WE HAVE SEX IN A CHURCH 178 00:06:42,160 --> 00:06:44,127 AND NOW WE'RE STEALING YOGURT? 179 00:06:44,162 --> 00:06:47,027 I USED TO BE SUCH A GOOD GIRL. 180 00:06:47,061 --> 00:06:48,856 - NOW THAT'S NOT WHAT I HEARD. 181 00:06:48,891 --> 00:06:50,064 - OH. - UH-UH. 182 00:06:50,099 --> 00:06:51,514 - OKAY, OKAY. 183 00:06:51,549 --> 00:06:53,343 WELL, WAIT A MINUTE, ARE YOU SURE THAT WE'RE ALONE? 184 00:06:53,378 --> 00:06:55,518 - WELL, I HEAR BOYCE IN THE JACUZZI TUB, 185 00:06:55,553 --> 00:06:57,796 SO WE ARE COMPLETELY AND TOTALLY ALONE. 186 00:06:57,831 --> 00:06:59,902 - OKAY. - OOH. 187 00:06:59,936 --> 00:07:02,663 EXCUSE ME. 188 00:07:02,698 --> 00:07:04,078 - UH, WHO ARE YOU? 189 00:07:04,113 --> 00:07:06,356 - OH, I'M JESSICA KERR FROM 30 MINUTES. 190 00:07:06,391 --> 00:07:08,324 - COMPLETELY AND TOTALLY ALONE? 191 00:07:08,358 --> 00:07:10,740 EXCEPT FOR A NATIONAL TELEVISION SHOW. 192 00:07:10,775 --> 00:07:13,363 - YOU MUST BE BOYCE'S BROTHER. 193 00:07:13,398 --> 00:07:15,814 IS THE WHOLE FAMILY THIS ATTRACTIVE? 194 00:07:15,849 --> 00:07:17,920 - WELL, WE DO HAVE A COUSIN THAT WE'RE NOT TOO PROUD OF. 195 00:07:17,954 --> 00:07:20,094 - OH. [laughs] 196 00:07:20,129 --> 00:07:21,958 - UH, EXCUSE ME. 197 00:07:21,993 --> 00:07:23,477 HOW IS HIS BODY RELEVANT? 198 00:07:23,512 --> 00:07:24,927 - WELL, I DIDN'T SAY "BODY," 199 00:07:24,961 --> 00:07:27,343 BUT NOW THAT YOU MENTION IT, IT IS IMPRESSIVE. 200 00:07:27,377 --> 00:07:28,689 - YOU KNOW WHAT? 201 00:07:28,724 --> 00:07:30,657 WHY DON'T YOU KEEP YOUR EYES TO YOURSELF? 202 00:07:30,691 --> 00:07:32,624 - WHOA, WHOA, NOW--NOW HOLD ON, NOW. 203 00:07:32,659 --> 00:07:34,212 AS MUCH AS I LIKE PEOPLE ADMIRING MY BODY-- 204 00:07:34,246 --> 00:07:35,765 - WHO'S ADMIRING YOUR BODY? 205 00:07:35,800 --> 00:07:38,354 WHAT IS GOING ON IN HERE? 206 00:07:38,388 --> 00:07:40,460 - YOU KNOW WHAT, SIS? WHY DON'T YOU JUST ADMIT IT? 207 00:07:40,494 --> 00:07:44,187 YOU DON'T LIKE BLACK PEOPLE IN YOUR KITCHEN. 208 00:07:46,017 --> 00:07:49,261 - ♪ LET YOUR HAIR HANG DOWN, BABY ♪ 209 00:07:49,296 --> 00:07:52,230 ♪ OVER YOUR FACE 210 00:07:52,264 --> 00:07:54,025 - WHAT'S UP, DADDY? WHAT IT DO? 211 00:07:54,059 --> 00:07:59,168 - I THINK IT SHOULD GIVE JERMAINE JACKSON BACK HIS JACKET 212 00:07:59,202 --> 00:08:01,895 AND GET HIS BUTT DOWN TO THE CHURCH WHERE IT BELONGS. 213 00:08:01,929 --> 00:08:06,416 - WHOA, WHOA, WHY ARE YOU ALL IN BOYCE'S GRILL? 214 00:08:06,451 --> 00:08:08,626 DID SOMETHING HAPPEN AT BROTHER HAROLD'S BIRTHDAY BASH? 215 00:08:08,660 --> 00:08:11,732 - WELL, HE BLEW OUT HIS CANDLES AND FELL OFF HIS CHAIR. 216 00:08:11,767 --> 00:08:15,184 GOT HIMSELF UP WITH TWO HANDFULS OF SISTER PEARLY. 217 00:08:15,218 --> 00:08:19,291 - THAT'S A BAD THING TO HAVE TO WAIT 100 YEARS FOR. 218 00:08:19,326 --> 00:08:21,052 HEY, GOOD LOOKIN' OUT, DADDY. 219 00:08:21,086 --> 00:08:22,950 HEY, BY THE WAY, I GOT A COUPLE MORE THINGS 220 00:08:22,985 --> 00:08:24,849 I WOULD LIKE YOU TO DO ON MY TUESDAY SCHEDULE. 221 00:08:24,883 --> 00:08:27,955 - LIKE WHAT? - MY TUESDAY SCHEDULE. 222 00:08:27,990 --> 00:08:29,336 - SON, I DON'T THINK YOU REALIZE 223 00:08:29,370 --> 00:08:31,545 HOW SERIOUS THIS CHURCH SITUATION IS. 224 00:08:31,580 --> 00:08:34,272 SOME OF YOUR FLOCK ARE WONDERING IF THEY STILL HAVE A SHEPHERD. 225 00:08:34,306 --> 00:08:35,791 - THAT'S WHY I NEED AN OLD DOG LIKE YOU 226 00:08:35,825 --> 00:08:38,069 TO KEEP 'EM IN LINE. 227 00:08:38,103 --> 00:08:40,036 - BOYCE, I AM RUNNING OUT OF STUFF 228 00:08:40,071 --> 00:08:41,762 TO TELL YOUR TV PEOPLE. 229 00:08:41,797 --> 00:08:43,695 ONE MORE QUESTION AND I'MA FALL BACK 230 00:08:43,730 --> 00:08:46,422 ON TELLIN' THEM THE TRUTH. 231 00:08:46,456 --> 00:08:48,597 - UH, BABE, LOOK, I CAN'T DO THAT TODAY. 232 00:08:48,631 --> 00:08:50,046 I GOTTA GET DOWN TO THE STUDIO. 233 00:08:50,081 --> 00:08:51,738 WHICH REMINDS ME, WOULD YOU PICK ME UP 234 00:08:51,772 --> 00:08:53,222 SOME CHINESE FOR LUNCH? 235 00:08:53,256 --> 00:08:56,190 CASHEW CHICKEN, HOLD THE CASHEWS. 236 00:08:56,225 --> 00:08:59,124 - WH--NO--BOYCE, I GOTTA GET TO THE SALON. 237 00:08:59,159 --> 00:09:00,954 I'M UP TO MY WEAVE IN WEAVES. 238 00:09:00,988 --> 00:09:02,058 - THANK YOU SO MUCH FOR HELPING OUT, BABY. 239 00:09:02,093 --> 00:09:03,197 I APPRECIATE THAT, ALL RIGHT. 240 00:09:03,232 --> 00:09:05,579 [kisses] SEE YOU LATER, ALL RIGHT. 241 00:09:05,614 --> 00:09:08,582 DON'T WAIT UP FOR ME. [chuckles] 242 00:09:10,239 --> 00:09:11,792 - OKAY, IT HAS HAPPENED. 243 00:09:11,827 --> 00:09:13,760 DIVA BOYCE IS BACK. 244 00:09:13,794 --> 00:09:16,659 NOW HE'S GONNA START TREATING ME LIKE I'M ON THE PAYROLL. 245 00:09:16,694 --> 00:09:19,110 - BOY BETTER NOT BRING THAT STUFF MY WAY. 246 00:09:19,144 --> 00:09:21,353 - HEY, DADDY, GO DOWN TO THE CLEANERS 247 00:09:21,388 --> 00:09:22,354 AND GRAB MY ROBES FOR ME, ALL RIGHT? 248 00:09:22,389 --> 00:09:23,528 AND BRING 'EM TO THE STUDIO. 249 00:09:23,563 --> 00:09:25,254 AND REMEMBER, IF YOU WANNA GET REIMBURSED, 250 00:09:25,288 --> 00:09:27,049 KEEP THE RECEIPT. [chuckles] 251 00:09:27,083 --> 00:09:30,052 TWO FINGERS, Y'ALL. 252 00:09:36,334 --> 00:09:38,785 - BOYCE, WHERE HAVE YOU BEEN, MAN? 253 00:09:38,819 --> 00:09:40,096 - OH, MAN, SORRY. 254 00:09:40,131 --> 00:09:41,960 I GOT MOBBED DOWN IN JAMBA JUICE, MAN. 255 00:09:41,995 --> 00:09:43,790 BUNCH OF KIDS WANTED MY AUTOGRAPH. 256 00:09:43,824 --> 00:09:45,688 - COME ON, BOYCE, THAT DON'T EVEN HAPPEN TO YOU NO MORE. 257 00:09:45,723 --> 00:09:47,241 - OH, SURE IT DOES. 258 00:09:47,276 --> 00:09:49,761 I MEAN, ONCE I TOLD 'EM MY NAME AND THEY GOOGLED ME, 259 00:09:49,796 --> 00:09:51,245 PANDEMONIUM. 260 00:09:51,280 --> 00:09:54,041 I GOT A FREE RAZZMATAZZ OUT OF IT. 261 00:09:54,076 --> 00:09:56,285 - MAN, YOU MISSED OUR MEETING WITH CHAD. 262 00:09:56,319 --> 00:10:00,082 - LOOK, MAN, BOYCE THE VOICE IS COMING INTO THE STUDIO, MAN. 263 00:10:00,116 --> 00:10:02,809 THE DUDE CAN WAIT AROUND 20 MINUTES. 264 00:10:02,843 --> 00:10:05,812 - BOYCE, YOU'RE AN HOUR AND A HALF LATE! 265 00:10:05,846 --> 00:10:08,711 - LET ME FILL YOU IN ON SOMETHING, SWEETS. 266 00:10:08,746 --> 00:10:10,126 - MM-HMM. - THIS WATCH RIGHT HERE? 267 00:10:10,161 --> 00:10:13,474 - YEAH. - DECORATIVE. 268 00:10:14,648 --> 00:10:16,167 - YOU SHOULD HAVE BEEN HERE, MAN. 269 00:10:16,201 --> 00:10:17,927 CHAD WAS FULL OF IDEAS. 270 00:10:17,962 --> 00:10:22,587 - CHAD WAS FULL OF IDEAS. DO TELL. 271 00:10:22,622 --> 00:10:25,314 - HE GAVE ME ONE WORD TO GIVE TO YOU, ALL RIGHT? 272 00:10:25,348 --> 00:10:28,420 LOOK, DON'T REACT. LET IT SINK IN. 273 00:10:28,455 --> 00:10:30,768 BANJO. 274 00:10:31,976 --> 00:10:33,391 - REALLY? - MM-HMM. 275 00:10:33,425 --> 00:10:35,393 - OKAY, WELL, I'M GONNA GIVE YOU MY RESPONSE, OKAY? 276 00:10:35,427 --> 00:10:36,394 - UH-HUH. - AND DON'T REACT. 277 00:10:36,428 --> 00:10:37,706 - OKAY. - JUST LET IT SINK IN. 278 00:10:37,740 --> 00:10:40,536 - MM-HMM. - HELL NO. 279 00:10:40,570 --> 00:10:41,813 - BOYCE. 280 00:10:41,848 --> 00:10:44,160 - LOOK, DUDE MIGHT BE A LITTLE MARKETING GENIUS, 281 00:10:44,195 --> 00:10:46,197 BUT THAT DOESN'T MEAN I'M GONNA TAKE NOTES FROM HIM. 282 00:10:46,231 --> 00:10:48,268 - COME ON, DON'T MESS THIS UP FOR ME, BOYCE. 283 00:10:48,302 --> 00:10:50,788 LOOK, MAN, THIS COUNTRY MUSIC 284 00:10:50,822 --> 00:10:52,513 IS THE HOTTEST THING GOING RIGHT NOW, 285 00:10:52,548 --> 00:10:56,310 AND CHAD BELIEVES YOU HAVE CROSSOVER POTENTIAL. 286 00:10:56,345 --> 00:10:58,796 HE SAW A PICTURE OF YOU IN A COWBOY HAT. 287 00:10:58,830 --> 00:11:00,383 - IT WAS HALLOWEEN. 288 00:11:00,418 --> 00:11:03,939 I WENT AS ZOMBIE CHARLEY PRIDE. 289 00:11:03,973 --> 00:11:05,595 - COME ON, MAN. 290 00:11:05,630 --> 00:11:08,012 CHAD JUST WANTS YOU TO HAVE A BANJO, BROTHER. 291 00:11:08,046 --> 00:11:09,979 WHAT--WHAT'S THE PROBLEM WITH A BANJO? 292 00:11:10,014 --> 00:11:11,429 - I JUST DON'T LIKE THE WAY 293 00:11:11,463 --> 00:11:14,225 "BANJO" JUST ROLLS OFF YOUR TONGUE LIKE THAT. 294 00:11:14,259 --> 00:11:15,916 [phone rings] 295 00:11:15,951 --> 00:11:17,677 - WHAT? 296 00:11:17,711 --> 00:11:19,161 OH. 297 00:11:19,195 --> 00:11:21,025 HEY, CHADSTER. 298 00:11:21,059 --> 00:11:24,269 - "CHADSTER." - EVERYTHING'S FINE. 299 00:11:24,304 --> 00:11:25,270 - HEY, BABY. 300 00:11:25,305 --> 00:11:26,478 - OOH, HEY, BABY. 301 00:11:26,513 --> 00:11:29,516 - HERE IS YOUR CASHEW CHICKEN, NO CASHEWS, 302 00:11:29,550 --> 00:11:33,520 WHICH MR. FONG HAS NOW RENAMED "CHICKEN." 303 00:11:35,487 --> 00:11:37,179 LISTEN, LET ME ASK YOU SOMETHING. 304 00:11:37,213 --> 00:11:39,112 HAVE YOU NOTICED SOMETHING WEIRD 305 00:11:39,146 --> 00:11:41,666 GOING ON BETWEEN STAMPS AND KIM LATELY? 306 00:11:41,701 --> 00:11:44,082 - BABY, THERE'S SOME CASHEWS IN HERE. 307 00:11:44,117 --> 00:11:46,982 - THERE'S ALSO SOME STUFF IN THERE YOU THINK IS CHICKEN. 308 00:11:47,016 --> 00:11:49,053 JUST EAT IT. 309 00:11:49,087 --> 00:11:52,366 LISTEN, SOMETHING IS GOING ON BETWEEN THOSE TWO. 310 00:11:52,401 --> 00:11:53,920 - DOES THIS LOOK LIKE A CASHEW? 311 00:11:53,954 --> 00:11:56,439 'CAUSE THAT LOOKS LIKE A CASHEW TO ME. 312 00:11:56,474 --> 00:12:00,029 - IT'S GONNA LOOK LIKE A HAT TO YOU IN A MINUTE. 313 00:12:00,064 --> 00:12:03,688 BOYCE, YOU'RE NOT EVEN LISTENING TO ME. 314 00:12:03,723 --> 00:12:05,448 - LOOK, BABE, I JUST GOT A CASHEW PROBLEM, 315 00:12:05,483 --> 00:12:06,829 I GOT A BANJO PROBLEM. 316 00:12:06,864 --> 00:12:10,384 I GOT A WHOLE CASHEW-BANJO SITUATION GOING ON HERE. 317 00:12:10,419 --> 00:12:13,077 - HEY, BOYCE. THIS IS CHAD. 318 00:12:13,111 --> 00:12:14,768 HE'S GOT TOBY KEITH ON THE LINE, 319 00:12:14,803 --> 00:12:17,909 AND TOBY IS WILLING TO PUT ASIDE HIS POLITICAL AND SOCIAL VIEWS 320 00:12:17,944 --> 00:12:20,084 TO GET IN ON THIS ALBUM WITH YOU, MAN. 321 00:12:20,118 --> 00:12:22,949 HE'S EVEN WILLING TO BRING HIS OWN BANJO DUDE. 322 00:12:22,983 --> 00:12:25,572 - SAY "BANJO" ONE MORE TIME. 323 00:12:25,606 --> 00:12:28,057 SAY "BANJO" A DAMN T--I-- YOU SAY "BANJO" AGAIN. 324 00:12:28,092 --> 00:12:29,058 I AIN'T DOING NO SONG WITH TOBY KEITH. 325 00:12:29,093 --> 00:12:30,059 - I'M ON THE PHONE! 326 00:12:30,094 --> 00:12:33,442 - YOU CAN TELL CHADSTER I SAID SO. 327 00:12:33,476 --> 00:12:36,652 - UH, CHADLY? 328 00:12:36,686 --> 00:12:38,723 OH, SO YOU HEARD THAT? 329 00:12:38,758 --> 00:12:40,449 OH, ABSOLUTELY. 330 00:12:40,483 --> 00:12:42,278 [chuckles] YEAH, SHE IS FUNNY. 331 00:12:42,313 --> 00:12:43,832 [laughs] 332 00:12:43,866 --> 00:12:45,178 REALLY? 333 00:12:45,212 --> 00:12:47,076 OKAY, I'LL TELL HIM, 334 00:12:47,111 --> 00:12:48,491 AND I WILL TALK TO YOU LATER. 335 00:12:48,526 --> 00:12:50,010 ALL RIGHT. 336 00:12:50,045 --> 00:12:51,771 HEY, BOYCE, TWO THINGS: 337 00:12:51,805 --> 00:12:53,634 CHAD HAD LUNCH WITH ELLEN, 338 00:12:53,669 --> 00:12:55,671 AND YOU'RE FIRED. 339 00:12:55,705 --> 00:12:57,017 - ARE YOU KIDDING ME? 340 00:12:57,052 --> 00:12:58,778 - NO. DOWN AT THE FOUR SEASONS. 341 00:12:58,812 --> 00:13:00,918 - NO, NOT ABOUT THAT. 342 00:13:00,952 --> 00:13:02,436 I'M TALKING ABOUT ME BEING FIRED. 343 00:13:02,471 --> 00:13:05,474 - OH, YEAH, BRO. YOU OUT. 344 00:13:05,508 --> 00:13:09,064 HE ALREADY CALLED AL JARREAU, AND AL IS BANJO-FRIENDLY. 345 00:13:09,098 --> 00:13:12,101 DEUCES. 346 00:13:13,931 --> 00:13:15,829 - I GOT BAD NEWS, SON. 347 00:13:15,864 --> 00:13:18,349 I JUST CAME FROM THE CHURCH ELDER BOARD MEETING. 348 00:13:18,383 --> 00:13:20,247 YOU'VE BEEN RELIEVED OF YOUR DUTIES AS PASTOR. 349 00:13:20,282 --> 00:13:21,939 I TRIED TO WARN YOU. - WHAT? 350 00:13:21,973 --> 00:13:23,457 WAIT A MINUTE, WHO THEY GONNA GET TO LEAD THE CHURCH? 351 00:13:23,492 --> 00:13:25,011 - THEY ASKED ME TO DO IT. 352 00:13:25,045 --> 00:13:29,187 - YOU STILL WORRIED ABOUT YOUR NUTS? 353 00:13:34,158 --> 00:13:35,469 - SO BOYCE, WE'RE NOT TRYING TO AMBUSH YOU HERE, 354 00:13:35,504 --> 00:13:37,575 BUT WE DO HAVE THIS LITTLE PIECE OF VIDEO 355 00:13:37,609 --> 00:13:38,818 WE'D LIKE TO SHOW YOU. 356 00:13:38,852 --> 00:13:40,060 - GO ON AHEAD AND SHOW 357 00:13:40,095 --> 00:13:41,579 WHAT YOU NEED TO SHOW, BABY GIRL. 358 00:13:41,613 --> 00:13:43,684 [chuckles] I'M READY FOR ANYTHING. 359 00:13:43,719 --> 00:13:45,307 ♪ WHO ELSE THINKS MY WIFE IS HOT? ♪ 360 00:13:45,341 --> 00:13:47,343 ♪ WHO ELSE THINKS MY WIFE IS HOT? ♪ 361 00:13:47,378 --> 00:13:49,242 ♪ WHO ELSE 362 00:13:49,276 --> 00:13:51,727 - SO, DO YOU THINK THERE'S A CONNECTION 363 00:13:51,761 --> 00:13:55,213 BETWEEN INCIDENTS LIKE THIS AND YOU BEING DISMISSED 364 00:13:55,248 --> 00:13:57,595 BY BOTH YOUR CHURCH AND YOUR RECORD LABEL? 365 00:13:57,629 --> 00:14:01,841 - I WOULD SAY THAT HE WHO IS WITHOUT SIN...SHUT UP. 366 00:14:03,704 --> 00:14:06,293 OH, OKAY. OH, COOL, THIS IS MY MAN. 367 00:14:06,328 --> 00:14:07,605 THIS SWEETS, RIGHT HERE. 368 00:14:07,639 --> 00:14:10,988 LIKE, YOU GONNA FIND OUT THE REAL DEAL FROM THIS GUY. 369 00:14:11,022 --> 00:14:14,439 - DIFFICULT, INFLEXIBLE, DEMANDING. 370 00:14:14,474 --> 00:14:18,754 - HE TALKING ABOUT HIS EX-WIVES AGAIN. 371 00:14:18,788 --> 00:14:23,690 - THOSE ARE THE ONLY WORDS TO DESCRIBE BOYCE BALLENTINE. 372 00:14:25,588 --> 00:14:28,246 - WE ALSO TALKED TO YOUR BROTHER, STAMPS. 373 00:14:28,281 --> 00:14:31,387 - GREAT, NOW YOU'LL HEAR WHAT REAL SUPPORT SOUNDS LIKE. 374 00:14:31,422 --> 00:14:33,320 PLEASE DON'T TELL THE JELLY BEAN STORY. 375 00:14:33,355 --> 00:14:35,736 PLEASE DON'T TELL THE JELLY BEAN STORY, PLEASE. 376 00:14:35,771 --> 00:14:37,980 - BOYCE USED TO HAVE 5 POUNDS OF JELLY BEANS 377 00:14:38,015 --> 00:14:39,154 DELIVERED TO HIS DRESSING ROOM 378 00:14:39,188 --> 00:14:40,741 AND MADE ME PICK OUT ALL THE YELLOW ONES. 379 00:14:40,776 --> 00:14:43,123 BUT THE MAN DOESN'T EVEN EAT JELLY BEANS. 380 00:14:43,158 --> 00:14:45,332 HE JUST SAW RAY PARKER JR. DO IT ONCE. 381 00:14:45,367 --> 00:14:46,644 - NOW THAT'S UNTRUE. 382 00:14:46,678 --> 00:14:48,404 I'D NEVER SEEN RAY PARKER DO IT. 383 00:14:48,439 --> 00:14:50,993 I...HEARD HE DID IT, AND AT THE TIME, 384 00:14:51,028 --> 00:14:53,962 I JUST THOUGHT IT MADE SENSE. 385 00:14:53,996 --> 00:14:55,239 - WELL, WHY DID YOU LET HER 386 00:14:55,273 --> 00:14:56,757 FLIRT WITH YOU IN FRONT OF ME, HUH? 387 00:14:56,792 --> 00:14:58,104 YOU SHOULD HAVE TOLD HER THAT WE WERE DATING. 388 00:14:58,138 --> 00:15:00,037 - SHE'S A REPORTER. 389 00:15:00,071 --> 00:15:03,730 THEY GET PAID TO REPEAT STUFF, LIKE A SEXY PARROT. 390 00:15:03,764 --> 00:15:05,594 A PRETTY PARROT. 391 00:15:05,628 --> 00:15:07,078 A STUPID PARROT. 392 00:15:07,113 --> 00:15:09,805 I DON'T KNOW WHAT I'M TALKING ABOUT! 393 00:15:09,839 --> 00:15:11,600 - SO, LOLLI, WOULD IT BE FAIR TO SAY 394 00:15:11,634 --> 00:15:16,467 THAT BOYCE CAN BE TEMPERAMENTAL, UNFAIR, VOLATILE, SELFISH? 395 00:15:16,501 --> 00:15:19,125 - YES. 396 00:15:19,159 --> 00:15:20,920 BUT... 397 00:15:20,954 --> 00:15:23,888 BUT, LET ME FINISH, JESSICA, OKAY? 398 00:15:23,923 --> 00:15:27,927 HE CAN ALSO... BE STUBBORN. 399 00:15:30,170 --> 00:15:34,761 YOU'RE DOING GOOD, BABY. KEEP IT UP. 400 00:15:34,795 --> 00:15:36,625 - WHEN 30 MINUTESRETURNS, 401 00:15:36,659 --> 00:15:38,351 WE'LL BE SPEAKING TO BOYCE'S FATHER, 402 00:15:38,385 --> 00:15:40,560 BARTON BALLENTINE. 403 00:15:40,594 --> 00:15:42,665 - OKAY, JUST SO I'M CLEAR, 404 00:15:42,700 --> 00:15:44,322 WE'RE GONNA KEEP THIS A SECRET FROM EVERYBODY 405 00:15:44,357 --> 00:15:46,497 EXCEPT PRETTY WOMEN WHO FLIRT WITH ME, 406 00:15:46,531 --> 00:15:47,912 IN WHICH CASE I HAVE TO TELL THEM 407 00:15:47,947 --> 00:15:50,156 I'M UNAVAILABLE AND OFFENDED BY THEIR INTEREST, 408 00:15:50,190 --> 00:15:51,467 BUT CAN'T TELL 'EM WHY? 409 00:15:51,502 --> 00:15:53,400 - DON'T YOU DARE MAKE IT SOUND LIKE I'M CRAZY. 410 00:15:53,435 --> 00:15:56,231 - WELL-- - DON'T YOU DO IT! 411 00:15:56,265 --> 00:15:58,336 - REALLY? THAT'S WHAT Y'ALL THINK OF ME? 412 00:15:58,371 --> 00:15:59,648 THAT I'M A DIVA? 413 00:15:59,682 --> 00:16:03,617 - UH, BOYCE, SWEETIE, LET ME ASK YOU A QUESTION. 414 00:16:03,652 --> 00:16:05,550 HOW MANY TIMES OVER THE YEARS 415 00:16:05,585 --> 00:16:09,451 HAVE I TAKEN MONTH-LONG TRIPS TO PALM SPRINGS WITHOUT YOU? 416 00:16:09,485 --> 00:16:10,900 - I DON'T KNOW, MAYBE FIVE? 417 00:16:10,935 --> 00:16:13,144 - AND HOW MANY ALBUMS HAVE YOU RECORDED? 418 00:16:13,179 --> 00:16:16,389 - FIVE. BUT YOU DID THAT TO GIVE ME MY CREATIVE SPACE. 419 00:16:16,423 --> 00:16:18,667 - BOYCE, ANY TIME I FLY TO PALM SPRINGS 420 00:16:18,701 --> 00:16:20,082 AND DON'T PACK A BAG 421 00:16:20,117 --> 00:16:23,292 IS REALLY NOT ABOUT GIVING YOU YOUR SPACE. 422 00:16:23,327 --> 00:16:26,123 - WHY HAVEN'T Y'ALL TOLD ME THIS BEFORE? 423 00:16:26,157 --> 00:16:27,917 - WELL, WE ALWAYS TRY, BUT YOU'RE NOT CALLED 424 00:16:27,952 --> 00:16:30,230 "BOYCE THE VOICE" FOR YOUR LISTENING SKILLS. 425 00:16:30,265 --> 00:16:33,578 - I'M SURPRISED Y'ALL JUST DIDN'T PUT A HIT OUT ON ME. 426 00:16:33,613 --> 00:16:35,822 - WHY? DID SOMEBODY TELL YOU WE HAD A MEETING? 427 00:16:35,856 --> 00:16:38,859 'CAUSE WE DIDN'T HAVE A MEETING. 428 00:16:43,968 --> 00:16:47,351 - SO BOYCE THE VOICE IS CONFESSING THAT HE FAILED. 429 00:16:47,385 --> 00:16:49,767 - I'M JUST SAYING THAT I COULD USE MORE HUMILITY, 430 00:16:49,801 --> 00:16:52,908 AND I DEFINITELY COULD HAVE BEEN MORE PRESENT AS A PASTOR. 431 00:16:52,942 --> 00:16:57,740 SO IT'S JUST PROOF THAT MY PARISHIONERS WERE RIGHT, 432 00:16:57,775 --> 00:16:59,949 THAT I GOT A LONG WAY TO GO 433 00:16:59,984 --> 00:17:04,644 BEFORE I'M READY TO LEAD THE FIRST CHURCH OF ST. LOUIS. 434 00:17:04,678 --> 00:17:05,783 DADDY, WHAT ARE YOU DOING HERE? 435 00:17:05,817 --> 00:17:07,681 - TELLING YOU THAT, AS USUAL, 436 00:17:07,716 --> 00:17:10,477 YOU HAVEN'T GOT A CLUE WHAT YOU'RE TALKING ABOUT. 437 00:17:10,512 --> 00:17:12,824 NOW GET UP. 438 00:17:12,859 --> 00:17:14,033 - DAD, ALL RIGHT NOW, 439 00:17:14,067 --> 00:17:16,449 BUT REMEMBER, THIS IS YOU ONTV, 440 00:17:16,483 --> 00:17:19,452 NOT AT HOME YELLING AT IT. 441 00:17:23,249 --> 00:17:25,734 - IT'S AS SIMPLE AS THIS, JESSICA. 442 00:17:25,768 --> 00:17:27,736 ALL THE THINGS MY SON HAS DONE-- 443 00:17:27,770 --> 00:17:29,772 DRINKING, CAROUSING, SINNING-- 444 00:17:29,807 --> 00:17:32,810 ARE WHAT MAKE HIM A GOOD SHEPHERD. 445 00:17:32,844 --> 00:17:34,984 A MAN WHO HASN'T LED A LIFE CAN'T LEAD OTHERS. 446 00:17:35,019 --> 00:17:38,574 IT TAKES A GREAT STRENGTH OF CHARACTER 447 00:17:38,609 --> 00:17:42,820 TO HUMBLE YOURSELF ON NATIONAL TV. 448 00:17:42,854 --> 00:17:44,994 SO I'M NOT TAKING OVER AS PASTOR. 449 00:17:45,029 --> 00:17:48,722 CHURCH ALREADY HAS ONE. 450 00:17:48,757 --> 00:17:53,658 BOYCE BALLENTINE IS THE RIGHT MAN FOR THE JOB, 451 00:17:53,693 --> 00:17:56,799 AND I LOVE HIM LIKE A SON. 452 00:17:56,834 --> 00:17:59,733 THAT LAST PART WAS A JOKE. 453 00:17:59,768 --> 00:18:02,702 I-I'M A FUNNY MAN. 454 00:18:03,703 --> 00:18:05,843 - [crying] HEY, DAD. 455 00:18:05,877 --> 00:18:07,189 - BOY, WHAT'S WRONG WITH YOUR EYES? 456 00:18:07,224 --> 00:18:08,949 - NO--NOTHING. I'M JUST, UH, YOU KNOW-- 457 00:18:08,984 --> 00:18:11,952 I JUST, UM-- 458 00:18:11,987 --> 00:18:12,953 I'M COMING IN, DAD. 459 00:18:12,988 --> 00:18:14,162 - NO, I'D RATHER YOU DIDN'T. 460 00:18:14,196 --> 00:18:16,164 NO, SON! 461 00:18:16,198 --> 00:18:19,891 - OH, I WANT IN ON THIS. 462 00:18:21,790 --> 00:18:23,516 - THAT'S WHY WE DO WHAT WE DO. 463 00:18:23,550 --> 00:18:25,518 THESE SPONTANEOUS MOMENTS OF HEALING, 464 00:18:25,552 --> 00:18:27,002 A FAMILY REUNITED. 465 00:18:27,036 --> 00:18:29,004 WHAT MORE CAN ANYONE SAY? 466 00:18:29,038 --> 00:18:31,248 - KIM AND I ARE DOING IT! 467 00:18:31,282 --> 00:18:32,594 YEP, KIM AND I ARE DOING IT. 468 00:18:32,628 --> 00:18:33,664 WE'RE HAVING A WHOLE LOT OF SEX 469 00:18:33,698 --> 00:18:34,872 AND I DON'T CARE WHO KNOWS ABOUT IT. 470 00:18:34,906 --> 00:18:35,907 ARE YOU HAPPY? IS THAT WHAT YOU WANTED? 471 00:18:35,942 --> 00:18:38,186 - NOT REALLY! WELL, KINDA! 472 00:18:38,220 --> 00:18:40,636 I-I WISH I HAD ON A NICER OUTFIT. 473 00:18:40,671 --> 00:18:43,639 - I TOLD YOU, BOYCE! I KNEW THEY WERE DOING IT. 474 00:18:43,674 --> 00:18:47,056 - WHERE Y'ALL BEEN DOING ALL THIS DOING IT? 475 00:18:47,091 --> 00:18:49,024 - KIM, HAVE YOU LOST YOUR MIND? 476 00:18:49,058 --> 00:18:50,784 THE TWO OF YOU ARE RELATED. 477 00:18:50,819 --> 00:18:52,993 - SEE, THAT'S WHAT I THOUGHT, BUT SHE SAYS NO. 478 00:18:53,028 --> 00:18:56,480 - MY BOYS, CAIN AND DISABLED. 479 00:18:56,514 --> 00:18:58,896 - HEY, HEY, BOYCE. 480 00:18:58,930 --> 00:19:00,898 MAN, I JUST FINISHED THE TRACK AND WE GOT A HIT. 481 00:19:00,932 --> 00:19:03,556 THERE'S ONE THING MISSING: BANJO. 482 00:19:03,590 --> 00:19:05,937 - SWEETS, WHAT DID I TELL YOU ABOUT THAT BANJO? 483 00:19:05,972 --> 00:19:07,249 - OH, COME ON. - GET THAT BANJO OUTTA MY HOUSE. 484 00:19:07,284 --> 00:19:08,595 - WE GOT A HIT, BOYCE! - GET THAT BANJO-- 485 00:19:08,630 --> 00:19:09,596 - GET OUT OF HERE. 486 00:19:09,631 --> 00:19:11,943 [overlapping arguing] 487 00:19:11,978 --> 00:19:14,256 - AND I TOLD YOU, I DON'T LIKE CASHEWS! 488 00:19:14,291 --> 00:19:15,671 - SAY THAT TO ME ONE MORE TIME! 489 00:19:15,706 --> 00:19:17,811 SAY IT ONE MORE TIME! 490 00:19:17,846 --> 00:19:19,192 GET THAT BANJO-- 491 00:19:21,056 --> 00:19:25,025 - ♪ MM MM MM MM MM 492 00:19:25,060 --> 00:19:28,477 ♪ BABY, LET YOUR HAIR HANG DOWN ♪ 493 00:19:28,512 --> 00:19:30,893 ♪ OVER YOUR FACE 494 00:19:30,928 --> 00:19:32,205 ♪ COVER THAT THANG 495 00:19:32,240 --> 00:19:34,242 ♪ THOSE MOJITOS HAVE WORN OFF ♪ 496 00:19:34,276 --> 00:19:36,416 ♪ AND NOW I CAN SEE 497 00:19:36,451 --> 00:19:38,004 ♪ YUCK 498 00:19:38,038 --> 00:19:40,972 ♪ WHEN I WAS BUZZED, YOU WAS A TEN ♪ 499 00:19:41,007 --> 00:19:43,354 ♪ BUT NOW YOU'RE A THREE 500 00:19:43,389 --> 00:19:45,011 ♪ COVER THAT THANG 501 00:19:45,045 --> 00:19:48,980 ♪ LET'S GET A PAPER BAG AND MAKE SOME MAGIC ♪ 502 00:19:49,015 --> 00:19:50,982 [banjo picking] 503 00:19:51,017 --> 00:19:54,193 ♪ YEAH, YEAH 504 00:19:54,227 --> 00:19:57,057 ♪ PLAY THAT BANJO, MAN 505 00:19:57,092 --> 00:19:58,542 ♪ PLAY IT 506 00:19:58,576 --> 00:20:00,544 ♪ PLAY YOUR BANJO 507 00:20:02,442 --> 00:20:05,411 [soul music] 508 00:20:05,445 --> 00:20:13,419 ♪ 509 00:20:21,081 --> 00:20:24,395 - ♪ THE SOUL MAN 37000

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