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These are the user uploaded subtitles that are being translated: 1 00:00:02,519 --> 00:00:03,831 - THE SOUL MAN IS RECORDED 2 00:00:03,865 --> 00:00:06,592 IN FRONT OF A LIVE STUDIO AUDIENCE. 3 00:00:06,627 --> 00:00:09,595 - LOLLI, YOU MAY WANT TO AVERT YOUR EYES. 4 00:00:09,630 --> 00:00:11,632 WHAT YOU'RE ABOUT TO WATCH IS NOT PRETTY. 5 00:00:11,666 --> 00:00:12,943 - DADDY, PLEASE TELL ME 6 00:00:12,978 --> 00:00:15,601 THAT'S NOT YOUR GOLDEN GLOVE TAPE AGAIN. 7 00:00:15,636 --> 00:00:16,671 THEY DIDN'T CHEAT. 8 00:00:16,706 --> 00:00:19,778 CLEARLY, THE MAN KNOCKED YOU OUT. 9 00:00:19,812 --> 00:00:22,643 - AS USUAL, MY SON PASTOR BONEHEAD 10 00:00:22,677 --> 00:00:24,748 HAS ENDANGERED HIS PEACEFUL FLOCK 11 00:00:24,783 --> 00:00:28,787 BY LETTING SLIP THE WOLVES OF CONTROVERSY. 12 00:00:28,821 --> 00:00:31,514 SISTER PEARLY ACCIDENTALLY RECORDED THIS LAST NIGHT 13 00:00:31,548 --> 00:00:32,894 WHEN SHE WAS TRYING TO CATCH NEWS ANCHORS 14 00:00:32,929 --> 00:00:35,656 BLINKING SATANIC MESSAGES IN CODE. 15 00:00:35,690 --> 00:00:37,899 - YOU HAVE CERTAINLY SET UP THE CREDIBILITY 16 00:00:37,934 --> 00:00:40,523 OF WHAT WE'RE ABOUT TO SEE. 17 00:00:40,557 --> 00:00:41,558 - THERE IT IS. 18 00:00:41,593 --> 00:00:44,561 [R&B music plays] 19 00:00:44,596 --> 00:00:45,976 ♪ 20 00:00:46,011 --> 00:00:47,012 - ♪ COME ON BABY 21 00:00:47,047 --> 00:00:48,910 - OH, HONEY! 22 00:00:48,945 --> 00:00:50,878 I WANNA HAVE SEX WICHOO. 23 00:00:50,912 --> 00:00:52,949 THAT'S YOUR JAM. I LOVE THAT SONG, 24 00:00:52,983 --> 00:00:55,572 AND NOT JUST BECAUSE I'M THE 'CHOO. 25 00:00:55,607 --> 00:00:57,988 - [laughs] LOOK AT THAT. 26 00:00:58,023 --> 00:01:00,750 SOME YOUNG VISIONARY REMIXED MY MAGIC 27 00:01:00,784 --> 00:01:02,407 AND MADE SOME NEW MAGIC. 28 00:01:02,441 --> 00:01:03,925 BLESS THEIR HEART. 29 00:01:03,960 --> 00:01:06,376 - ♪ I BE A DIRTY LITTLE [bleep] ♪ 30 00:01:06,411 --> 00:01:07,998 ♪ I WILL PRAY FOR YOUR STUFF ♪ 31 00:01:08,033 --> 00:01:09,690 ♪ I'M THE PREACHER'S DAUGHTER BUT I LIKE IT ROUGH ♪ 32 00:01:09,724 --> 00:01:12,210 ♪ I'LL GIVE YOU HOLY WATER IF YOU GOT A [bleep] ♪ 33 00:01:12,244 --> 00:01:14,453 - OKAY, NO, NO, NO. 34 00:01:14,488 --> 00:01:15,661 - ♪ WE GET TO KISSIN' AND [bleep] ♪ 35 00:01:15,696 --> 00:01:17,111 ♪ WE GET TO LICKIN' AND [bleep] ♪ 36 00:01:17,146 --> 00:01:18,147 ♪ WE GET TO TOUCHIN' AND [bleep] ♪ 37 00:01:18,181 --> 00:01:19,493 ♪ NEXT THING WILL BE AHHH ♪ 38 00:01:19,527 --> 00:01:23,807 - OKAY, I HAVE NEVER HEARD SUCH DISGUSTING LANGUAGE. 39 00:01:23,842 --> 00:01:26,534 - SON, YOU'RE RESPONSIBLE FOR THIS. 40 00:01:26,569 --> 00:01:28,295 - OH, NO. I DIDN'T GIVE THAT GIRL 41 00:01:28,329 --> 00:01:29,606 PERMISSION TO SAMPLE MY SONG. 42 00:01:29,641 --> 00:01:31,539 HOW AM I RESPONSIBLE FOR THIS? 43 00:01:31,574 --> 00:01:32,575 - KEEP WATCHING. 44 00:01:32,609 --> 00:01:34,128 - HAVE A NICE DAY. 45 00:01:41,239 --> 00:01:43,448 - UNPROTECTED SEX WICHOO, 46 00:01:43,482 --> 00:01:44,725 BY LYRICAL B.? 47 00:01:44,759 --> 00:01:48,211 AS IN LYRIC "CAME OUT OF MY WOMB" BALLENTINE? 48 00:01:48,246 --> 00:01:50,558 - THAT'S CORRECT. YOUR DAUGHTER. 49 00:01:50,593 --> 00:01:51,801 - NO, NO, DAD. 50 00:01:51,835 --> 00:01:54,044 MY DAUGHTER WOULD NEVER DO SOMETHING LIKE THAT. 51 00:01:54,079 --> 00:01:58,187 HOWEVER, YOUR DAUGHTER IS OUT OF CONTROL. 52 00:01:58,221 --> 00:02:01,190 [soul music] 53 00:02:01,224 --> 00:02:08,852 ♪ 54 00:02:10,647 --> 00:02:14,134 - ♪ THE SOUL MAN 55 00:02:17,792 --> 00:02:20,001 - OH, HEY. - HEY. 56 00:02:21,865 --> 00:02:23,004 - WHAT'S GOING ON? 57 00:02:23,039 --> 00:02:25,075 - OH, JUST DROPPING THIS OFF FOR LOLLI. 58 00:02:25,110 --> 00:02:27,354 OH, AND ONE MORE THING-- 59 00:02:27,388 --> 00:02:29,321 A GIRL WALKS INTO A CROWDED BAR... 60 00:02:29,356 --> 00:02:30,322 - YEAH. 61 00:02:30,357 --> 00:02:31,944 - KISSES YOU AS HARD AS SHE CAN, 62 00:02:31,979 --> 00:02:33,601 AND YOU DON'T DO ANYTHING? 63 00:02:33,636 --> 00:02:36,121 - I DON'T GET IT. 64 00:02:36,156 --> 00:02:39,297 - IT'S NOT A JOKE. WHY DIDN'T YOU CALL ME? 65 00:02:39,331 --> 00:02:41,506 - I DON'T KNOW, I THOUGHT MAYBE IT WAS AN ACCIDENT. 66 00:02:41,540 --> 00:02:42,748 - AN ACCIDENT? 67 00:02:42,783 --> 00:02:45,337 LIKE I JUST TRIPPED AND FELL ONTO YOUR MOUTH? 68 00:02:45,372 --> 00:02:46,718 - WELL, YOU KNOW, YOU'D BE SURPRISED 69 00:02:46,752 --> 00:02:49,928 AT HOW MANY TIMES THAT'S HAPPENED BEFORE. 70 00:02:55,968 --> 00:02:59,006 - WHAT ABOUT THAT? WAS THAT AN ACCIDENT? 71 00:02:59,040 --> 00:03:02,630 - YOU BETTER TRY ONE MORE TIME. 72 00:03:03,873 --> 00:03:05,185 - MM, OKAY, OKAY, UH-UH. 73 00:03:05,219 --> 00:03:06,669 WE NEED TO, YOU KNOW, SLOW DOWN, 74 00:03:06,703 --> 00:03:08,740 AND TALK ABOUT WHAT THIS IS EXACTLY 75 00:03:08,774 --> 00:03:10,845 BEFORE WE GO ANY FURTHER PHYSICALLY. 76 00:03:10,880 --> 00:03:11,881 - RIGHT. - [laughs] 77 00:03:11,915 --> 00:03:12,916 - RIGHT. GOOD IDEA. 78 00:03:12,951 --> 00:03:16,161 SO LET'S TALK. - OKAY. 79 00:03:16,196 --> 00:03:19,923 [clears throat] 80 00:03:23,410 --> 00:03:25,481 - WORD OF ADVICE-- 81 00:03:25,515 --> 00:03:26,861 DON'T EVER HAVE DAUGHTERS. 82 00:03:26,896 --> 00:03:28,104 - I AIN'T HAVING NO BABIES. 83 00:03:28,138 --> 00:03:29,416 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 84 00:03:29,450 --> 00:03:30,624 - THAT IS JUST RUDE. 85 00:03:30,658 --> 00:03:32,142 - YOU KNOW, DAUGHTERS AIN'T GONNA 86 00:03:32,177 --> 00:03:35,180 DO NOTHING BUT JUST GROW UP AND JUST STAB YOU IN THE BACK. 87 00:03:35,215 --> 00:03:38,528 STAMPS, BUTTON UP YOUR SHIRT. 88 00:03:38,563 --> 00:03:41,669 YOUR SISTER-IN-LAW IS HERE. SHOW SOME RESPECT. 89 00:03:45,639 --> 00:03:49,436 STAMPS, COME AND HOLLER AT ME, SON! 90 00:03:49,470 --> 00:03:51,990 - SAY, BRO, WHAT DID LYRIC DO TO GET YOU SO WORKED UP? 91 00:03:52,024 --> 00:03:53,923 - SHE DONE SAMPLED ONE OF MY SONGS, 92 00:03:53,957 --> 00:03:55,752 THEN MADE A VIDEO WITH AN ORGY 93 00:03:55,787 --> 00:03:59,377 OF WRITHING HALF-NAKED BODIES. 94 00:03:59,411 --> 00:04:03,001 - DOES THIS MEAN YOU FAILED AS A PARENT? 95 00:04:03,035 --> 00:04:05,624 I'M SORRY. MY BAD, MY BAD. 96 00:04:05,659 --> 00:04:07,488 - NOW, LOLLI'S GOING UP THERE AND DRAGGING HER BACK 97 00:04:07,523 --> 00:04:08,731 FROM THAT BOARDING SCHOOL. 98 00:04:08,765 --> 00:04:10,353 I'M GONNA SUE THEM AND GET MY MONEY BACK. 99 00:04:10,388 --> 00:04:13,149 WE SENT HER UP THERE TO GET A LEG UP ON LIFE, 100 00:04:13,183 --> 00:04:17,636 NOT WRAP ONE AROUND SOME DANCER'S NECK. 101 00:04:17,671 --> 00:04:20,087 - MOM, YOU'RE NOT LISTENING. 102 00:04:20,121 --> 00:04:21,709 I'VE GOT MY OWN VOICE. 103 00:04:21,744 --> 00:04:24,816 I DON'T NEED YOUR PERMISSION TO EXPRESS MYSELF. 104 00:04:24,850 --> 00:04:27,474 HEY, UNCLE S. - HEY. 105 00:04:27,508 --> 00:04:28,716 - HI, DADDY. 106 00:04:28,751 --> 00:04:30,097 - HELLO, SWEETHEART. HOW YOU DOING? 107 00:04:30,131 --> 00:04:31,478 - I'M GOOD. - ALL RIGHT. 108 00:04:31,512 --> 00:04:35,447 HAVE YOU LOST YOUR MIND? 109 00:04:35,482 --> 00:04:37,035 WHERE DID YOU GET THE IDEA THAT IT WAS OKAY 110 00:04:37,069 --> 00:04:39,279 TO SHAKE YOUR BUTT IN FRONT OF MILLIONS OF PEOPLE? 111 00:04:39,313 --> 00:04:42,523 - WATCHING MOM IN YOUR OLD VIDEOS. 112 00:04:42,558 --> 00:04:45,112 - [stammering] 113 00:04:45,146 --> 00:04:47,217 BOYCE, YOU WERE THE ONE THAT TOLD ME 114 00:04:47,252 --> 00:04:50,082 TO DROP IT LIKE IT WAS HOT. 115 00:04:50,117 --> 00:04:51,325 - YOU WERE SOMEBODY ELSE'S DAUGHTER. 116 00:04:51,360 --> 00:04:53,223 I DIDN'T CARE. 117 00:04:53,258 --> 00:04:56,882 - LOOK, GUYS, IT'S JUST PART OF MY STAGE PERSONA. 118 00:04:56,917 --> 00:04:58,539 BESIDES, I'M 18. 119 00:04:58,574 --> 00:05:01,024 YOU REALLY CAN'T TELL ME WHAT TO DO ANYMORE. 120 00:05:01,059 --> 00:05:03,441 - UH, LYRIC, I'M 35. 121 00:05:03,475 --> 00:05:07,341 YOU'D THINK THAT WOULD BE TRUE, BUT IT'S NOT. 122 00:05:07,376 --> 00:05:09,723 - LYRIC, AS LONG AS YOU LIVE UNDER OUR ROOF, 123 00:05:09,757 --> 00:05:11,034 YOU'RE GONNA FOLLOW OUR RULES. 124 00:05:11,069 --> 00:05:14,037 - I DON'T LIVE UNDER YOUR ROOF. 125 00:05:14,072 --> 00:05:16,592 - WELL, AS LONG AS WE PAY FOR SCHOOL, 126 00:05:16,626 --> 00:05:18,352 YOU WILL FOLLOW OUR RULES. 127 00:05:18,387 --> 00:05:19,526 - I'LL PAY FOR SCHOOL MYSELF 128 00:05:19,560 --> 00:05:21,286 WITH ALL THE MONEY I'M MAKING FROM iTUNES. 129 00:05:21,321 --> 00:05:22,391 - OKAY, ALL RIGHT, 130 00:05:22,425 --> 00:05:24,910 MS. "I KNOW THE ANSWER TO EVERYTHING," 131 00:05:24,945 --> 00:05:27,706 IT'S MY SONG, AND YOU DON'T HAVE THE RIGHTS TO USE IT. 132 00:05:27,741 --> 00:05:28,949 - IT'S NOT YOUR SONG. 133 00:05:28,983 --> 00:05:30,433 YOU SIGNED THE PUBLISHING RIGHTS OVER TO ME 134 00:05:30,468 --> 00:05:33,781 THE DAY I WAS BORN, REMEMBER? 135 00:05:33,816 --> 00:05:35,438 - YEAH, WELL NOW THAT YOU BRING IT UP 136 00:05:35,473 --> 00:05:37,095 AS A PART OF YOUR AIR-TIGHT ARGUMENT, 137 00:05:37,129 --> 00:05:39,442 I DO. 138 00:05:39,477 --> 00:05:41,271 - YOU REALLY DIDN'T THINK THIS THROUGH, DID YOU? 139 00:05:41,306 --> 00:05:42,376 - YOU KNOW WHAT? I'M NOT GONNA HAVE 140 00:05:42,411 --> 00:05:43,688 ALL THIS TALKING BACK. 141 00:05:43,722 --> 00:05:46,207 I DO NOT KNOW WHERE ALL THIS ATTITUDE IS COMING FROM, 142 00:05:46,242 --> 00:05:47,657 BUT I HAVE HAD IT WITH YOU. 143 00:05:47,692 --> 00:05:49,107 - AND I HAVE HAD IT TOO. 144 00:05:49,141 --> 00:05:53,318 AND WHEN WE BOTH HAVE HAD IT, YOU DON'T WANT IT. 145 00:05:53,353 --> 00:05:55,527 - OKAY. 146 00:05:55,562 --> 00:05:57,080 I THINK YOU GUYS NEED TO GO TO YOUR ROOM, 147 00:05:57,115 --> 00:06:00,601 AND WHEN YOU CAN DISCUSS THIS RATIONALLY, WE CAN TALK. 148 00:06:00,636 --> 00:06:01,671 [both stammering] 149 00:06:01,706 --> 00:06:03,190 both: FINE! 150 00:06:03,224 --> 00:06:04,985 YOU DON'T HAVE TO TELL ME NOTHIN'! 151 00:06:05,019 --> 00:06:08,540 - WHAT'S UP? YOU KNOW. 152 00:06:11,301 --> 00:06:14,374 WHAT JUST HAPPENED? 153 00:06:14,408 --> 00:06:17,342 - HELL IF I KNOW. 154 00:06:17,377 --> 00:06:20,863 - I DON'T WANT TO GO TO MY ROOM. 155 00:06:23,279 --> 00:06:24,280 - YOU NEED TO GET THAT GIRL OF YOURS 156 00:06:24,314 --> 00:06:25,454 UNDER CONTROL. 157 00:06:25,488 --> 00:06:26,731 WHEN I WAS IN BOOT CAMP, 158 00:06:26,765 --> 00:06:31,598 ALL IT TOOK WAS A BAR OF SOAP IN A SOCK. 159 00:06:31,632 --> 00:06:34,186 YOUR PROBLEM IS SHE DOESN'T HAVE A HEALTHY FEAR OF YOU. 160 00:06:34,221 --> 00:06:35,464 - I CAN'T. 161 00:06:35,498 --> 00:06:37,431 - YOU'VE GOTTA BE FIRM WITH LYRIC, 162 00:06:37,466 --> 00:06:38,846 LIKE I WAS WITH YOU. 163 00:06:38,881 --> 00:06:41,435 - SO YOU'RE SAYING WHOOP HER WITH A HOT WHEEL TRACK? 164 00:06:43,195 --> 00:06:45,957 - YOU NEVER TRIED TO TUMBLE DRY YOUR BROTHER AGAIN. 165 00:06:45,991 --> 00:06:47,441 - AT HOME. 166 00:06:47,476 --> 00:06:50,996 WHY YOU THINK I WANTED MY ALLOWANCE IN QUARTERS? 167 00:06:51,031 --> 00:06:53,067 LOOK, DADDY, WE'RE NOT USING YOUR TACTICS 168 00:06:53,102 --> 00:06:54,310 TO RAISE OUR DAUGHTER. 169 00:06:54,344 --> 00:06:57,693 - KIDS SHOULD BE SEEN AND NOT HEARD. 170 00:06:57,727 --> 00:06:59,729 UNLESS YOU'RE WHOOPIN' THEM. 171 00:06:59,764 --> 00:07:03,733 AND THEN A LITTLE NOISE IS ACCEPTABLE. 172 00:07:03,768 --> 00:07:05,908 - THAT MAN IS WRONG, ALL RIGHT? 173 00:07:05,942 --> 00:07:07,979 WE'RE NOT USING THOSE TACTICS. 174 00:07:08,013 --> 00:07:09,843 THAT'S WHY I LEFT THE HOUSE WHEN I WAS 17. 175 00:07:09,877 --> 00:07:11,845 IT WAS HARD ON ME OUT THERE, LOLLI. 176 00:07:11,879 --> 00:07:14,434 I LIVED IN MY CAR FOR EIGHT MONTHS. 177 00:07:14,468 --> 00:07:16,539 NOTHING BUT A.M. RADIO. 178 00:07:16,574 --> 00:07:19,473 AND THE WINTERS WERE COLDER BACK THEN. 179 00:07:19,508 --> 00:07:21,026 AND WOLF PACKS RULED THE NIGHT. 180 00:07:21,061 --> 00:07:23,063 - OH-HO, OKAY. 181 00:07:23,097 --> 00:07:25,824 LET'S BRING THE CURTAIN DOWN, ALL RIGHT? 182 00:07:25,859 --> 00:07:28,171 DON'T GO ALL AUGUST WILSON ON ME. 183 00:07:28,206 --> 00:07:29,310 WE'VE GOT TO FIGURE OUT 184 00:07:29,345 --> 00:07:31,347 WHAT ARE WE GONNA DO ABOUT LYRIC? 185 00:07:31,381 --> 00:07:32,831 - YOU KNOW, I HATE TO SAY IT, BABE, 186 00:07:32,866 --> 00:07:34,488 BUT I THINK SHE'S GOT US BOXED IN. 187 00:07:34,523 --> 00:07:36,076 IF WE KEEP YELLING AT HER, 188 00:07:36,110 --> 00:07:37,629 ALL THAT'S GONNA DO IS PUSH HER AWAY. 189 00:07:37,664 --> 00:07:41,046 - AND WE CAN'T TAKE YOUR DADDY'S ADVICE AND BEAT HER. 190 00:07:41,081 --> 00:07:42,841 - YOU KNOW WHAT? I HAVE AN IDEA. 191 00:07:42,876 --> 00:07:44,360 LET'S BE HER MANAGERS. 192 00:07:44,394 --> 00:07:45,741 - [gasps] - THAT WAY, 193 00:07:45,775 --> 00:07:46,914 WE CAN HELP HER AVOID 194 00:07:46,949 --> 00:07:48,778 THE PITFALLS OF THE MUSIC BUSINESS, 195 00:07:48,813 --> 00:07:52,472 MANAGE HER CREATIVE VISION, AND FULFILL HER DREAMS. 196 00:07:52,506 --> 00:07:55,440 - ALL THE WHILE, MANIPULATING HER LITTLE BUTT 197 00:07:55,475 --> 00:07:59,202 INTO DOING EXACTLY WHAT WE WANT HER TO DO, RIGHT? 198 00:07:59,237 --> 00:08:00,549 - I FEEL LIKE WE SHOULD BE TALKING 199 00:08:00,583 --> 00:08:02,171 IN A LABORATORY RIGHT NOW. 200 00:08:02,205 --> 00:08:04,138 [both laugh] 201 00:08:06,002 --> 00:08:08,349 - SO SINCE, YOU KNOW, WE CAN'T CONTROL OURSELVES 202 00:08:08,384 --> 00:08:10,386 WHEN WE'RE TOGETHER, I FIGURED, YOU KNOW, 203 00:08:10,420 --> 00:08:12,457 WE COME TO THE CHURCH, 'CAUSE IT'S A SAFE PLACE 204 00:08:12,492 --> 00:08:14,873 FOR US TO TALK ABOUT WHAT WE WANT TO DO NEXT. 205 00:08:14,908 --> 00:08:18,187 - WELL, I DEFINITELY DON'T WANT TO HAVE SEX HERE. 206 00:08:18,221 --> 00:08:20,569 - SO OKAY, LET'S TALK. 207 00:08:20,603 --> 00:08:22,709 - OKAY, ALL RIGHT, AND I'M GONNA GO FIRST. 208 00:08:22,743 --> 00:08:25,677 - OKAY. - ARE WE INSANE? 209 00:08:25,712 --> 00:08:27,058 - PROBABLY. 210 00:08:27,092 --> 00:08:29,647 - MY TURN. - OKAY. 211 00:08:29,681 --> 00:08:31,994 - ARE WE RELATED? 212 00:08:32,028 --> 00:08:33,892 - STAMPS, I'M YOUR BROTHER'S SISTER-IN-LAW. 213 00:08:33,927 --> 00:08:35,618 THAT'S NOT A THING. 214 00:08:35,653 --> 00:08:37,102 - WELL, LOOK, THIS IS IMPORTANT TO ME. 215 00:08:37,137 --> 00:08:38,621 YOU KNOW, IF WE GOT SOMETHING REAL, 216 00:08:38,656 --> 00:08:40,036 I DON'T WANNA MESS IT UP. 217 00:08:40,071 --> 00:08:41,486 - GOOD. WELL, THEN, LET'S JUST, 218 00:08:41,521 --> 00:08:42,867 YOU KNOW, FIGURE OUT WHAT WE HAVE 219 00:08:42,901 --> 00:08:44,385 BEFORE WE RUSH INTO THINGS. 220 00:08:44,420 --> 00:08:45,870 - I AGREE. - OKAY. 221 00:08:45,904 --> 00:08:46,871 - LET'S GO. - YEAH. 222 00:08:46,905 --> 00:08:48,942 - ALL RIGHT. - [sighs] 223 00:08:48,976 --> 00:08:52,221 - AFTER YOU. - THAT WAS A GOOD TALK. 224 00:09:00,816 --> 00:09:02,680 - OKAY. 225 00:09:02,714 --> 00:09:04,095 I KNOW THIS IS WRONG, 226 00:09:04,129 --> 00:09:06,546 BUT IT ONLY TAKES SIX TO EIGHT MINUTES. 227 00:09:06,580 --> 00:09:08,133 - THAT'S IT? 228 00:09:08,168 --> 00:09:10,653 - WELL, I'M EXCITED, BUT I PROMISE I'LL DO MY BEST. 229 00:09:10,688 --> 00:09:12,690 [both chuckling] 230 00:09:15,693 --> 00:09:17,695 - YEAH. - WOW. 231 00:09:17,729 --> 00:09:20,732 - STUDIO "B." ST. LOUIS SOUND. 232 00:09:20,767 --> 00:09:22,803 YOU KNOW, THIS IS WHERE I LAID DOWN SOME TRACKS 233 00:09:22,838 --> 00:09:26,531 FOR MY SECOND ALBUM-- KARMA KINDA SUITS-YA. 234 00:09:26,566 --> 00:09:28,568 - OH, BOY, WE GOT IT IN IN HERE. 235 00:09:28,602 --> 00:09:30,224 IF THESE WALLS COULD TALK, BOY. 236 00:09:30,259 --> 00:09:32,744 - THEY WOULDN'T SAY ANYTHING, BECAUSE YOUR DAUGHTER'S HERE. 237 00:09:32,779 --> 00:09:33,952 - OH. 238 00:09:33,987 --> 00:09:35,367 - I STILL CAN'T BELIEVE YOU GUYS 239 00:09:35,402 --> 00:09:36,437 ARE GONNA BE MY MANAGERS. 240 00:09:36,472 --> 00:09:39,579 DAD, THIS STUDIO IS BANANAS! 241 00:09:39,613 --> 00:09:41,719 - OH, I CAN MERK SOME TRACKS UP IN HERE. 242 00:09:41,753 --> 00:09:44,273 BRING MY MAINS N'EM AND GET CRAY-CRAY. 243 00:09:44,307 --> 00:09:46,655 WHAT! [laughs] 244 00:09:46,689 --> 00:09:48,311 - SO YOU JUST GOT WITH YOUR LITTLE CREW 245 00:09:48,346 --> 00:09:50,866 AND JUST GAVE UP SPEAKING ENGLISH? 246 00:09:50,900 --> 00:09:53,282 - BABY, JUST LOOK AT THEM, COCK YOUR HEAD, 247 00:09:53,316 --> 00:09:54,904 AND SAY "'SUP." 248 00:09:54,939 --> 00:09:56,837 both: 'SUP. 249 00:09:56,872 --> 00:09:59,599 - DAD, THIS IS REALLY NICE. 250 00:09:59,633 --> 00:10:03,464 I DID UNPROTECTED SEX WICHOO IN THE BATHROOMS AT THE DORM. 251 00:10:03,499 --> 00:10:05,812 - OKAY, THERE ARE EIGHT WORDS A FATHER NEVER WANTS TO HEAR, 252 00:10:05,846 --> 00:10:07,848 AND SOMEHOW YOU JUST PUT THEM ALL TOGETHER. 253 00:10:07,883 --> 00:10:10,817 - SWEETIE, TOMORROW, DOWN AT THE SALON, 254 00:10:10,851 --> 00:10:12,922 WE'RE GONNA HAVE A PUBLICITY SHOOT FOR YOU. 255 00:10:12,957 --> 00:10:14,372 - WHAT? - WE'RE GONNA TAKE SOME PICTURES 256 00:10:14,406 --> 00:10:16,098 THAT'LL ROLL OUT RIGHT BEFORE YOUR RECORD DROPS. 257 00:10:16,132 --> 00:10:18,756 - [shrieks] I'M GONNA BLOW UP! 258 00:10:18,790 --> 00:10:22,069 I'M GONNA BE POPPIN' BOTTLES IN VIP WITH ALL THE BALLERS 259 00:10:22,104 --> 00:10:24,624 AND DRIVIN' THAT LITTLE VICIOUS DROP-TOP WHIP. 260 00:10:24,658 --> 00:10:26,798 WHAT! [laughs] 261 00:10:26,833 --> 00:10:29,525 - WHAT! 262 00:10:29,559 --> 00:10:31,769 - LOOK, LYRIC, YOU KNOW, 263 00:10:31,803 --> 00:10:33,391 SO I WANTED FATHERS AND DAUGHTERS 264 00:10:33,425 --> 00:10:36,118 TO, UM, BE LIKE A NAT KING COLE, NATALIE COLE 265 00:10:36,152 --> 00:10:37,119 KIND OF FEEL. 266 00:10:37,153 --> 00:10:40,018 LIKE UNFORGETTABLE. 267 00:10:40,053 --> 00:10:42,572 NAT KING COLE? ANYTHING? 268 00:10:42,607 --> 00:10:46,059 - WAS HE THE ONE WITH THE MERRY OLD SOUL? 269 00:10:46,093 --> 00:10:48,199 - NO, THAT WAS ANOTHER DUDE. 270 00:10:48,233 --> 00:10:50,650 ALL RIGHT, SO ANYWAY, 271 00:10:50,684 --> 00:10:52,030 YOU KNOW THE MELODY. - MM-HMM. 272 00:10:52,065 --> 00:10:53,376 - ALL RIGHT, WE WORKED ON THAT. 273 00:10:53,411 --> 00:10:55,585 AND SO WHAT I'M GONNA DO IS LAY DOWN THE FIRST PART, 274 00:10:55,620 --> 00:10:57,795 AND THEN YOU COME IN AND JUST DO YOUR THING. 275 00:10:57,829 --> 00:10:59,762 - ALL RIGHT. - ALL RIGHT. 276 00:10:59,797 --> 00:11:01,557 - [clears throat] 277 00:11:01,591 --> 00:11:02,592 - HEY, GO AHEAD. 278 00:11:02,627 --> 00:11:04,871 [R&B music plays] 279 00:11:04,905 --> 00:11:08,391 - YEAH. YEAH, CHECK IT. 280 00:11:08,426 --> 00:11:11,360 ♪ I AM ME BECAUSE OF YOU 281 00:11:11,394 --> 00:11:13,811 ♪ EVERYTHING I SAY AND DO 282 00:11:13,845 --> 00:11:18,678 ♪ AND IF YOU LOSE YOUR WAY I'M THERE TO SEE YOU THROUGH ♪ 283 00:11:18,712 --> 00:11:21,991 ♪ I AM ME BECAUSE OF YOU 284 00:11:22,026 --> 00:11:24,822 - ♪ YO, THIS IS THE BEST IT GETS BEEN AROUND THE WORLD ♪ 285 00:11:24,856 --> 00:11:27,134 ♪ DADDY'S LITTLE GIRL, [bleep] BITCHES WANNA BE ME ♪ 286 00:11:27,169 --> 00:11:28,791 ♪ 'CAUSE I'M AN INDIE LIKE IFC ♪ 287 00:11:28,826 --> 00:11:30,172 ♪ SO [bleep] [bleep] 288 00:11:30,206 --> 00:11:31,449 ♪ ME AND MY DAD DRESSED IN BLACK ♪ 289 00:11:31,483 --> 00:11:33,175 ♪ IN A [bleep] [bleep] CADILLAC ♪ 290 00:11:33,209 --> 00:11:34,590 ♪ TOP RACKS ON [bleep] ♪ 291 00:11:34,624 --> 00:11:36,488 ♪ SETTIN' 'EM UP LIKE QUARTERS ♪ 292 00:11:36,523 --> 00:11:38,801 ♪ 'CAUSE NOTHING COMES BETWEEN A FATHER AND HIS DAUGHTER ♪ 293 00:11:38,836 --> 00:11:40,769 ♪ UNH, LYRICS ♪ 294 00:11:40,803 --> 00:11:42,909 [squeaks] 295 00:11:42,943 --> 00:11:45,463 - WHAT THE [bleep] IS WRONG WITH YOU? 296 00:11:51,400 --> 00:11:52,435 - LOOK, LITTLE MISSY, 297 00:11:52,470 --> 00:11:53,920 I DON'T LIKE YOUR BODY LANGUAGE. 298 00:11:53,954 --> 00:11:56,750 - AND I REALLY DON'T LIKE YOUR LANGUAGE LANGUAGE. 299 00:11:56,785 --> 00:11:58,614 - MY LANGUAGE IS MY ART, DAD. 300 00:11:58,648 --> 00:12:00,478 - WHOA, WHOA, DON'T CALL ME "DAD." 301 00:12:00,512 --> 00:12:03,101 SOMEBODY MIGHT MISTAKE ME FOR ONE OF YOUR PARENTS. 302 00:12:03,136 --> 00:12:05,034 - YEAH, I DON'T WANT THEM TO KNOW THAT EITHER. 303 00:12:05,069 --> 00:12:06,795 YOU'RE SUPPOSED TO BE MY MANAGER. 304 00:12:06,829 --> 00:12:08,486 - THAT'S RIGHT. AND AS YOUR MANAGER, 305 00:12:08,520 --> 00:12:09,590 I WANT TO ADVISE YOU 306 00:12:09,625 --> 00:12:11,282 THAT YOU DON'T WANT TO ALIENATE 307 00:12:11,316 --> 00:12:12,628 HALF OF YOUR AUDIENCE. 308 00:12:12,662 --> 00:12:14,319 I MEAN, WHAT ABOUT THE OLDER PEOPLE? 309 00:12:14,354 --> 00:12:16,839 - BUT I GOTTA KEEP IT 100. I GOTTA SPEAK MY MIND. 310 00:12:16,874 --> 00:12:19,152 - WELL, YOUR MIND HAS A DIRTY LITTLE MOUTH. 311 00:12:19,186 --> 00:12:21,430 - OH, MAN, I NEVER THOUGHT YOU WERE COOL, 312 00:12:21,464 --> 00:12:23,087 BUT I THOUGHT YOU WERE COOLER THAN THIS. 313 00:12:23,121 --> 00:12:25,365 - [stammering] - BOYCE, LET ME HANDLE THIS. 314 00:12:25,399 --> 00:12:27,505 - YEAH, YOU BETTER HANDLE IT, 'CAUSE IF I GOT TO HANDLE THIS, 315 00:12:27,539 --> 00:12:29,265 I--WHOO! 316 00:12:40,035 --> 00:12:41,795 - LISTEN, ALL RIGHT, 317 00:12:41,830 --> 00:12:43,417 YOU GOTTA CUT YOUR DADDY SOME SLACK. 318 00:12:43,452 --> 00:12:46,351 WE KNOW LYRIC. WE DON'T KNOW "LYRICAL B." 319 00:12:46,386 --> 00:12:47,870 - MOM, BUT IT'S NOT FAIR. 320 00:12:47,905 --> 00:12:50,321 JAY Z AND EMINEM AND KANYE RAP LIKE THIS, 321 00:12:50,355 --> 00:12:52,392 AND DAD'S GOT THEM ON HIS iPOD. 322 00:12:52,426 --> 00:12:53,634 WHY IS IT DIFFERENT FOR ME? 323 00:12:53,669 --> 00:12:57,500 - UH, BECAUSE THEIR PARENTS DON'T LOVE THEM? 324 00:12:57,535 --> 00:13:00,883 LISTEN, I KNOW WHAT IT'S LIKE WHEN PEOPLE DON'T APPRECIATE 325 00:13:00,918 --> 00:13:02,643 YOUR SELF-EXPRESSION. 326 00:13:02,678 --> 00:13:04,922 A LOT OF THE CHURCH MEMBERS DIDN'T THAT I WOULD MAKE 327 00:13:04,956 --> 00:13:07,062 A GOOD FIRST LADY BECAUSE MY DRESSES 328 00:13:07,096 --> 00:13:09,029 SHOWED OFF TOO MUCH OF MY... 329 00:13:09,064 --> 00:13:11,031 BLESSINGS. 330 00:13:11,066 --> 00:13:14,000 - SEE, MOM, I LOVE THE WAY YOUR STYLE SAYS WHO YOU ARE. 331 00:13:14,034 --> 00:13:16,002 YOUR SWAG IS CRAZY. 332 00:13:16,036 --> 00:13:19,281 - OH, HONEY, YOU MAY HAVE LOST YOUR WAY, 333 00:13:19,315 --> 00:13:22,249 BUT YOU'VE STILL GOT GOOD TASTE. 334 00:13:22,284 --> 00:13:25,528 LOOK, I KNOW YOU WANT TO KEEP IT 100, 335 00:13:25,563 --> 00:13:27,772 BUT YOUR DADDY IS A PASTOR NOW, 336 00:13:27,807 --> 00:13:29,843 SO YOU REMEMBER THAT BEFORE YOU GO OUT THERE 337 00:13:29,878 --> 00:13:31,672 AND GET ALL THE WAY TURNT UP. 338 00:13:31,707 --> 00:13:33,709 - [laughs] I FEEL YOU, MOM. 339 00:13:33,743 --> 00:13:35,193 - YOU DIDN'T KNOW I KNEW THAT. 340 00:13:35,228 --> 00:13:37,161 - HEY, YO, WE OUT. 341 00:13:37,195 --> 00:13:40,198 LET'S HIT THAT COLD STONE, SON. 342 00:13:41,441 --> 00:13:43,443 - WHERE'S DADDY'S LITTLE THUG GOING? 343 00:13:43,477 --> 00:13:46,377 TO PLAY "FILTHY WORDS WITH FRIENDS"? 344 00:13:46,411 --> 00:13:48,931 - LYRIC AND I TALKED, AND SHE DOES HAVE A POINT 345 00:13:48,966 --> 00:13:50,450 ABOUT SELF-EXPRESSION. 346 00:13:50,484 --> 00:13:52,348 SHE REMINDS ME A LOT OF YOU, BOYCE. 347 00:13:52,383 --> 00:13:53,936 - SHE IS NOTHING LIKE ME. 348 00:13:53,971 --> 00:13:55,869 - REMEMBER WHEN YOUR RECORD LABEL SAID 349 00:13:55,904 --> 00:13:58,976 THAT I WANNA HAVE SEX WICHOO WAS TOO RAUNCHY FOR THE RADIO? 350 00:13:59,010 --> 00:14:01,495 - YOU STOOD UP FOR YOUR ARTISTIC VISION, 351 00:14:01,530 --> 00:14:04,153 AND THE REST IS MUSIC HISTORY. 352 00:14:04,188 --> 00:14:05,879 - YEAH, I DID DO THAT, DIDN'T I? 353 00:14:05,914 --> 00:14:06,915 [chuckles] 354 00:14:06,949 --> 00:14:08,778 I WAS A BIT OF A REBEL BACK THEN. 355 00:14:08,813 --> 00:14:12,472 - LISTEN, NO ONE IS GONNA WIN THIS WAR OF WILLS 356 00:14:12,506 --> 00:14:15,613 BETWEEN YOU AND MINI-YOU, ALL RIGHT? 357 00:14:15,647 --> 00:14:18,340 LET ME DO THE MOM THING AT THE PHOTO SHOOT TOMORROW. 358 00:14:18,374 --> 00:14:20,894 I CAN CONTROL HER. SHE LIKES MY STYLE. 359 00:14:20,929 --> 00:14:22,931 SHE SAID I HAD SWAG. 360 00:14:22,965 --> 00:14:23,966 - REALLY? 361 00:14:24,001 --> 00:14:26,727 SHE TOLD ME I HAD LONG NOSE HAIRS 362 00:14:26,762 --> 00:14:29,730 YOU KNOW THAT'S HEREDITARY. 363 00:14:29,765 --> 00:14:31,491 - OKAY, WE'RE GONNA HAVE TO PUT A LITTLE EXTRA 364 00:14:31,525 --> 00:14:33,148 IN THE COLLECTION PLATE THIS WEEK, 365 00:14:33,182 --> 00:14:36,910 AND BY WE, I MEAN YOU, 'CAUSE I AIN'T GOT NO MONEY. 366 00:14:36,945 --> 00:14:39,844 - WELL, THAT WAS AMAZING. 367 00:14:39,879 --> 00:14:42,433 - IT GETS MY STAMPS OF APPROVAL. 368 00:14:42,467 --> 00:14:44,607 - DON'T RUIN IT, STAMPS. 369 00:14:44,642 --> 00:14:47,438 SO WHAT DO YOU DO NEXT? DO WE TELL BOYCE AND LOLLI? 370 00:14:47,472 --> 00:14:49,440 - NO, NO, NO, I DON'T THINK WE SHOULD TELL LOLLI. 371 00:14:49,474 --> 00:14:51,511 MM-MM, NO. SHE'S VERY PROTECTIVE OF YOU. 372 00:14:51,545 --> 00:14:53,893 AND SHE THINKS THAT I'M NOT GOOD FOR ANYBODY, ERGO... 373 00:14:53,927 --> 00:14:55,549 - YOU'RE NOT GOOD ENOUGH FOR ME. 374 00:14:55,584 --> 00:14:58,759 OH, AND LOOK AT YOU, USING "ERGO." 375 00:15:00,209 --> 00:15:01,348 SO YOU THINK WE SHOULD KEEP 376 00:15:01,383 --> 00:15:02,625 THIS DIRTY LITTLE AFFAIR A SECRET? 377 00:15:02,660 --> 00:15:04,179 - DEFINITELY. 378 00:15:04,213 --> 00:15:06,146 - GOOD TALK. 379 00:15:06,181 --> 00:15:07,768 - WE SHOULD TALK AGAIN. 380 00:15:07,803 --> 00:15:10,150 - YOU SURE YOU CAN TALK TWICE IN ONE DAY? 381 00:15:10,185 --> 00:15:11,393 - GIVE ME ANOTHER HOUR, 382 00:15:11,427 --> 00:15:14,499 I'LL GIVE YOU ANOTHER NINE MINUTES. 383 00:15:18,055 --> 00:15:20,609 - HUH? - OH, WOW. 384 00:15:20,643 --> 00:15:22,576 BABY, THIS LOOKS JUST LIKE HEAVEN. 385 00:15:22,611 --> 00:15:25,579 IT SEEMS A SHAME TO WASTE IT ON THE DEVIL CHILD. 386 00:15:25,614 --> 00:15:28,617 - BOYCE, SHE'S IN THE BACK CHANGING. 387 00:15:28,651 --> 00:15:30,619 SHE LOVED THE OUTFIT I PICKED OUT FOR HER. 388 00:15:30,653 --> 00:15:33,277 IT'S NICE AND TASTEFUL. THAT'S HOW MAMA DOES IT. 389 00:15:33,311 --> 00:15:35,382 NICE AND CALM. 390 00:15:35,417 --> 00:15:36,659 [shouting] HEY, YOU! 391 00:15:36,694 --> 00:15:39,766 YOU'RE TRACKING FOOTPRINTS ALL OVER HEAVEN! 392 00:15:41,941 --> 00:15:44,426 - BOYCE, WHAT THE HELL IS GOING ON DOWN HERE? 393 00:15:44,460 --> 00:15:47,601 SISTER PEARLY SAY YOU MAKING A PORNO! 394 00:15:47,636 --> 00:15:49,258 - OKAY, IN THIS SCENE, 395 00:15:49,293 --> 00:15:51,329 YOU'RE GONNA BE DELIVERING PIZZA, 396 00:15:51,364 --> 00:15:54,160 AND WHEN THE SEXY COED SAYS SHE CAN'T PAY, 397 00:15:54,194 --> 00:15:55,437 SO YOU GOT TO... 398 00:15:55,471 --> 00:15:58,681 ♪ WAH-WACKA-WOW-WUH-WAH 399 00:15:58,716 --> 00:16:00,442 - THAT'S REAL FUNNY, SON. 400 00:16:00,476 --> 00:16:04,653 MUST BE STANDING ROOM ONLY TONIGHT IN SATAN'S LAUGH HOLE. 401 00:16:04,687 --> 00:16:06,966 - LIGHTEN UP, DADDY, ALL RIGHT? 402 00:16:07,000 --> 00:16:10,348 WE JUST SHOOTING A FEW NICE PUBLICITY PHOTOS FOR LYRIC. 403 00:16:10,383 --> 00:16:11,522 IT'S NO BIG DEAL. 404 00:16:11,556 --> 00:16:13,075 - [gasps] 405 00:16:13,110 --> 00:16:15,250 OH, MY GOD! 406 00:16:15,284 --> 00:16:19,323 LYRIC BALLENTINE! 407 00:16:19,357 --> 00:16:21,463 - YOU SHOULDN'T BE SENDING HER TO BOARDING SCHOOL. 408 00:16:21,497 --> 00:16:25,570 YOU SHOULD BE SENDING HER TO WATER-BOARDING SCHOOL! 409 00:16:25,605 --> 00:16:28,642 - YOU REALLY DON'T LIKE CHILDREN, DO YOU? 410 00:16:28,677 --> 00:16:30,575 - LYRIC BALLENTINE! 411 00:16:30,610 --> 00:16:33,199 - LOLLI, I THOUGHT YOU SAID YOU WERE GONNA DO THE MOM THING. 412 00:16:33,233 --> 00:16:34,855 - BOYCE, I PROMISE YOU, TEN MINUTES AGO 413 00:16:34,890 --> 00:16:36,478 SHE COULD HAVE WORN THIS TO CHURCH. 414 00:16:36,512 --> 00:16:38,480 - OH, NO, I JUST TWEAKED IT. 415 00:16:38,514 --> 00:16:41,103 SO I COULD TWERK IT. 416 00:16:41,138 --> 00:16:43,485 HI, GRANDPA! - HI, SWEETHEART. 417 00:16:43,519 --> 00:16:45,038 - OH... 418 00:16:45,073 --> 00:16:47,937 - YOU COMING BY LATER TO PLAY MONOPOLY? 419 00:16:47,972 --> 00:16:51,113 - YOU KNOW IT. [both laughing] 420 00:16:51,148 --> 00:16:53,460 - THAT'S MY GRANDBABY. 421 00:16:53,495 --> 00:16:55,807 CRUSH THIS! 422 00:16:57,050 --> 00:16:58,914 - FIRE UP THAT CAMERA, BRUH. 423 00:16:58,948 --> 00:17:00,226 - HEY, NO, OH, HEY, NO! 424 00:17:00,260 --> 00:17:01,675 NO, YOU AIN'T FIRING UP NOTHING, BRUH! 425 00:17:01,710 --> 00:17:02,987 - DADDY! - NOBODY'S TAKING NO PICTURE 426 00:17:03,022 --> 00:17:06,197 OF NOTHING. YOU GET THAT--KEITH? 427 00:17:06,232 --> 00:17:09,131 GET OUTTA HERE, MAN! WHAT IS WRONG WITH YOU? 428 00:17:09,166 --> 00:17:10,753 - MOM, STOP! 429 00:17:10,788 --> 00:17:12,479 YOU'RE STILL TREATING ME LIKE A CHILD! 430 00:17:12,514 --> 00:17:13,687 - BECAUSE YOU ARE A CHILD, 431 00:17:13,722 --> 00:17:15,517 AND YOU'RE SHOWING WAY TOO MUCH BOOB. 432 00:17:15,551 --> 00:17:16,863 - THAT IS NOT BOOB. 433 00:17:16,897 --> 00:17:18,451 THAT IS SIDE BOOB. 434 00:17:18,485 --> 00:17:20,453 - OKAY, THERE SHOULD BE NO BOOB ON VIEW-- 435 00:17:20,487 --> 00:17:22,041 SIDE OR OTHERWISE! 436 00:17:22,075 --> 00:17:24,905 - I'M JUST SHOWING OFF MY BLESSINGS. 437 00:17:24,940 --> 00:17:27,598 - WHO DOES THAT SOUND LIKE? 438 00:17:29,531 --> 00:17:32,534 LOOK, LYRIC, NOW, I KNOW YOU HAVE TALENT, 439 00:17:32,568 --> 00:17:34,984 AND I KNOW THAT YOU HAVE SOMETHING TO SAY. 440 00:17:35,019 --> 00:17:36,676 AND AS YOUR MANAGER, I WANT YOU TO SAY 441 00:17:36,710 --> 00:17:38,574 WHAT YOU WANNA SAY, THE WAY YOU WANNA SAY IT. 442 00:17:38,609 --> 00:17:40,197 - IT'S ABOUT TIME, DADDY. 443 00:17:40,231 --> 00:17:42,095 - NO, NO, NO, THAT WAS YOUR MANAGER TALKING. 444 00:17:42,130 --> 00:17:45,064 NOW, AS YOUR DADDY, I CAN'T HAVE YOU PRANCING AROUND HERE 445 00:17:45,098 --> 00:17:49,930 HALF-NAKED, CUSSING LIKE PAULA DEEN AT THE APOLLO! 446 00:17:49,965 --> 00:17:52,692 - BUT THAT'S WHAT'S GONNA LIGHT ME ON FIRE. 447 00:17:52,726 --> 00:17:54,935 - IF WE DON'T DO IT FIRST. 448 00:17:54,970 --> 00:17:56,730 - SO YOU SEE WHAT MY PROBLEM IS NOW. 449 00:17:56,765 --> 00:17:59,043 - NO. I SEE WHAT MY PROBLEM IS NOW. 450 00:17:59,078 --> 00:18:02,150 IF MY DAD AND MY MANAGER DON'T START GETTING ALONG, 451 00:18:02,184 --> 00:18:04,013 ONE OF THEM IS GONNA GET FIRED. 452 00:18:04,048 --> 00:18:06,499 - WELL, YOU CAN'T FIRE YOUR DADDY, 453 00:18:06,533 --> 00:18:09,226 AND YOUR MANAGER QUITS-- SO PROBLEM SOLVED! 454 00:18:09,260 --> 00:18:11,193 - PROBLEM ALMOST SOLVED. 455 00:18:11,228 --> 00:18:12,746 NOW GET YOUR BEHIND IN THERE, 456 00:18:12,781 --> 00:18:14,645 TAKE OFF ALL THIS STRIPPER GLITTER, 457 00:18:14,679 --> 00:18:16,129 AND PUT SOME CLOTHES ON! 458 00:18:16,164 --> 00:18:18,614 - AND GET YOUR BUTT BACK UP TO BOARDING SCHOOL 459 00:18:18,649 --> 00:18:21,100 AND TAKE YOUR LITTLE TRUST FUND THUGS WITH YOU! 460 00:18:21,134 --> 00:18:24,310 - I'M FINISHING SCHOOL, DAD. I'M NOT AN IDIOT. 461 00:18:24,344 --> 00:18:26,381 BUT YOU CAN'T MAKE ME GIVE UP MY MUSIC. 462 00:18:26,415 --> 00:18:28,279 YOU'RE NOT THE MAYOR OF SHOW BUSINESS. 463 00:18:28,314 --> 00:18:30,833 - OH, REALLY? WELL, I DO KNOW HIM. 464 00:18:30,868 --> 00:18:34,147 I HAVE DR. COSBY ON SPEED-DIAL. 465 00:18:34,182 --> 00:18:36,770 - THAT'S AN HONORARY DEGREE. 466 00:18:39,394 --> 00:18:40,774 - BOYCE... 467 00:18:40,809 --> 00:18:43,432 I THINK WE GOT TO THE POINT WHERE WE DONE ALL WE CAN. 468 00:18:43,467 --> 00:18:45,883 THE ONLY THING WE CAN DO FOR LYRIC 469 00:18:45,917 --> 00:18:47,747 IS TO TURN HER OVER TO GOD. 470 00:18:47,781 --> 00:18:49,680 - YOU RIGHT, BABY. COME ON. 471 00:18:49,714 --> 00:18:51,854 LET'S JUST PRAY FOR HER RIGHT NOW. 472 00:18:51,889 --> 00:18:52,855 COME ON. - MM. 473 00:18:52,890 --> 00:18:54,271 - [sighs] 474 00:18:54,305 --> 00:18:55,996 DEAR LORD... 475 00:18:56,031 --> 00:18:59,379 I PRAY THAT MY DADDY STILL GOT SOME HOT WHEEL TRACKS 476 00:18:59,414 --> 00:19:01,278 UP IN THE ATTIC. 477 00:19:01,312 --> 00:19:03,314 AMEN. 478 00:19:08,906 --> 00:19:12,012 - WELL, IN OUR SHORT TIME AS LYRIC'S MANAGER, 479 00:19:12,047 --> 00:19:14,014 SHE PUT OUT A SINGLE SO DIRTY, 480 00:19:14,049 --> 00:19:16,638 IT'S GOT A PARENTAL ADVISORY ON IT. 481 00:19:16,672 --> 00:19:18,157 AND SHE'S THE FIRST THING THAT COMES UP 482 00:19:18,191 --> 00:19:21,643 WHEN YOU GOOGLE "BALLENTINE, SEMI-NUDE." 483 00:19:21,677 --> 00:19:23,334 - WELL, AT LEAST IT COMES UP 484 00:19:23,369 --> 00:19:25,785 BEFORE THAT PICTURE OF YOU SITTING IN A LIBRARY 485 00:19:25,819 --> 00:19:27,269 WITH YOUR SHIRT OFF. 486 00:19:27,304 --> 00:19:29,789 - IT WAS A BET. 487 00:19:29,823 --> 00:19:31,963 I WASN'T GONNA LOSE $30. 488 00:19:33,482 --> 00:19:35,519 AT LEAST SOME GOOD CAME OUT OF THIS WHOLE THING. 489 00:19:35,553 --> 00:19:36,796 - YEAH? LIKE WHAT. 490 00:19:36,830 --> 00:19:39,074 - I GOT A CALL FROM MY OLD RECORD LABEL TODAY. 491 00:19:39,108 --> 00:19:41,939 APPARENTLY, THIS WHOLE THING HAS SPARKED SOME INTEREST 492 00:19:41,973 --> 00:19:45,494 IN THE "ORIGINAL FORMULA"-- BOYCE BALLENTINE. 493 00:19:45,529 --> 00:19:46,737 - WHAT? - YEAH, THEY WANT ME 494 00:19:46,771 --> 00:19:48,980 TO RECORD A NEW SINGLE. - OH, HONEY! 495 00:19:49,015 --> 00:19:53,088 MY BABY AND MY BABY DADDY ON THE CHARTS AT THE SAME TIME! 496 00:19:53,122 --> 00:19:55,711 - YEAH. YOU KNOW, WE'LL BE LIKE BILLY RAY CYRUS 497 00:19:55,746 --> 00:19:58,404 AND THAT NASTY LITTLE GIRL OF HIS. 498 00:20:02,615 --> 00:20:05,583 [soul music] 499 00:20:05,618 --> 00:20:13,626 ♪ 500 00:20:24,671 --> 00:20:27,881 - ♪ THE SOUL MAN 36339

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