All language subtitles for The.Soul.Man.S02E07.Save.The.Last.Dance.For.Me.1080p.AMZN.WEB-DL.DDP5.1.H.264-BurCyg_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,416 --> 00:00:03,382 - THE SOUL MAN IS RECORDED 2 00:00:03,417 --> 00:00:05,315 IN FRONT OF A LIVE STUDIO AUDIENCE. 3 00:00:05,350 --> 00:00:08,284 [R&B music playing] 4 00:00:08,318 --> 00:00:11,632 ♪ 5 00:00:11,666 --> 00:00:15,084 - YEAH. HEY, BOYS, HIT 'EM WITH IT. 6 00:00:15,118 --> 00:00:16,982 UGH. 7 00:00:17,017 --> 00:00:20,365 HELLO, YOUNG LADY. [laughs] 8 00:00:20,399 --> 00:00:23,989 YEAH. UH. 9 00:00:24,024 --> 00:00:27,165 - [laughs] OH, LOOK AT YOU! 10 00:00:27,199 --> 00:00:28,718 - [laughs] YOUR MAN STILL GOT IT. 11 00:00:28,752 --> 00:00:30,306 [turns off music] 12 00:00:30,340 --> 00:00:32,377 NOW, YOU SURE YOU WANT TO GO HANG OUT WITH YOUR GIRLS 13 00:00:32,411 --> 00:00:34,310 ALL WEEKEND WHEN YOU CAN GO DOWN TO BIRD'S 14 00:00:34,344 --> 00:00:35,759 AND DANCE WITH ME TOMORROW? 15 00:00:35,794 --> 00:00:37,209 - LET ME THINK ABOUT THIS. 16 00:00:37,244 --> 00:00:39,867 HOT STONE MASSAGES AND HERBAL WRAPS, 17 00:00:39,901 --> 00:00:41,282 OR GOING TO A PLACE 18 00:00:41,317 --> 00:00:43,733 WHERE THE BARBECUE SAUCE TAKES OFF MY NAIL POLISH. 19 00:00:43,767 --> 00:00:44,906 - [chuckles] 20 00:00:44,941 --> 00:00:47,254 ALL RIGHT, HAVE A GOOD TIME. - THANK YOU. 21 00:00:47,288 --> 00:00:49,187 - ALL RIGHT, BYE-BYE. SEE YOU, BABE. 22 00:00:49,221 --> 00:00:52,052 ALL RIGHT. OKAY, BYE, NOW. 23 00:00:55,193 --> 00:00:56,194 [sighs] 24 00:00:56,228 --> 00:00:58,748 - BOYCE, I TOLD YOU OVER A MONTH AGO 25 00:00:58,782 --> 00:01:00,439 TO GET THE DOOR FIXED. 26 00:01:00,474 --> 00:01:01,854 - I KNOW, BABE. IT'S NOT THAT HARD. 27 00:01:01,889 --> 00:01:04,995 COME ON, YOU JUST GOTTA PUT A LITTLE MUSCLE ON IT, YOU KNOW. 28 00:01:05,030 --> 00:01:07,481 PUT YOUR BACK INTO IT A LITTLE BIT. 29 00:01:07,515 --> 00:01:09,034 [chuckles] 30 00:01:09,069 --> 00:01:12,486 I ALWAYS FIND IT BETTER THEN YOU GRUNT LIKE SERENA AT WIMBLEDON. 31 00:01:12,520 --> 00:01:15,903 AH! AH! 32 00:01:15,937 --> 00:01:18,319 - BOYCE, I DON'T WANT TO SWEAT OUT MY WEAVE 33 00:01:18,354 --> 00:01:21,046 EVERY TIME I WANT TO GET OUT THE FRONT DOOR. 34 00:01:21,081 --> 00:01:24,153 - HEY, BEFORE YOU GO, JUST ONE LITTLE SPIN 35 00:01:24,187 --> 00:01:25,430 ON THE FLOOR WITH YOUR MAN. 36 00:01:25,464 --> 00:01:26,776 [R&B music playing] 37 00:01:26,810 --> 00:01:28,053 YEAH. 38 00:01:28,088 --> 00:01:31,539 WORK, WORK, WORK WITH ME. YEAH, OH. 39 00:01:31,574 --> 00:01:33,645 - [laughs] - UH! 40 00:01:33,679 --> 00:01:34,680 CAN YOU GO? - OH. 41 00:01:34,715 --> 00:01:37,959 - HO, HO, OH. - OH, OH. 42 00:01:37,994 --> 00:01:39,444 [giggles] 43 00:01:39,478 --> 00:01:43,517 WATCH IT NOW. UH, UH, UH, UH. 44 00:01:43,551 --> 00:01:44,483 OOH. - UH-OH. 45 00:01:44,518 --> 00:01:45,484 - AH! 46 00:01:45,519 --> 00:01:47,659 FIX THE DOOR. 47 00:01:50,040 --> 00:01:53,009 [upbeat R&B music] 48 00:01:53,043 --> 00:01:58,256 ♪ 49 00:01:58,290 --> 00:02:01,259 [upbeat gospel music] 50 00:02:01,293 --> 00:02:02,329 ♪ 51 00:02:02,363 --> 00:02:05,953 - ♪ THE SOUL MAN 52 00:02:06,988 --> 00:02:09,543 - BIRD. - BOYCE, THANK GOD YOU HERE. 53 00:02:09,577 --> 00:02:11,338 - WHAT'S GOING ON, MAN? I GOT YOUR MESSAGE. 54 00:02:11,372 --> 00:02:13,133 I HAVEN'T HEARD YOU THIS UPSET SINCE YOU FOUND OUT 55 00:02:13,167 --> 00:02:15,756 YOUR FIRST WIFE WAS DATING YOUR SECOND WIFE. 56 00:02:15,790 --> 00:02:17,551 - MY FAULT FOR TRYING TO SET UP A THREESOME. 57 00:02:17,585 --> 00:02:18,862 IT'S LIKE WE WERE PLAYING MUSICAL CHAIRS 58 00:02:18,897 --> 00:02:21,279 AND SUDDENLY, I DIDN'T HAVE A SEAT. 59 00:02:21,313 --> 00:02:23,695 - HEY, MAN, SO WHAT'D YOU CALL ME DOWN HERE FOR? 60 00:02:23,729 --> 00:02:24,937 - YOUR DADDY. 61 00:02:24,972 --> 00:02:26,663 HE'S BEEN COMING HERE EVERY AFTERNOON 62 00:02:26,698 --> 00:02:28,389 TAKING ALL MY TOP SHELF WHISKEY. 63 00:02:28,424 --> 00:02:29,666 - MY DADDY DOESN'T DRINK. 64 00:02:29,701 --> 00:02:31,737 - NO, HE DOESN'T. HE JUST ORDERS A $20 SHOT 65 00:02:31,772 --> 00:02:34,119 AND THEN STARES AT IT LIKE HE'S WAITING FOR SEA MONKEYS TO GROW. 66 00:02:34,154 --> 00:02:36,880 PROBLEM IS, HE'S CHARGING IT ALL TO YOUR TAB. 67 00:02:36,915 --> 00:02:38,848 - BIRD, I'M CO-OWNER. I DON'T HAVE A TAB. 68 00:02:38,882 --> 00:02:41,506 - NOW YOU SEE MY PROBLEM. 69 00:02:41,540 --> 00:02:42,817 AND IT'S SAD. 70 00:02:42,852 --> 00:02:44,819 HE JUST SITS THERE ALL BY HIMSELF. 71 00:02:44,854 --> 00:02:46,821 IT'S A SHAME, 'CAUSE I GOT LOVE FOR MR. B. 72 00:02:46,856 --> 00:02:50,584 HE'S LIKE THE FATHER I NEVER HAD...THAT I NEVER HAD. 73 00:02:50,618 --> 00:02:53,380 - BIRD, I JUST THINK HE'S UPSET 74 00:02:53,414 --> 00:02:55,520 BECAUSE HE AND MOM BROKE UP AGAIN, 75 00:02:55,554 --> 00:02:58,143 AND HE JUST HASN'T BEEN HIMSELF LATELY. 76 00:02:58,178 --> 00:03:00,249 DO YOU KNOW IT WAS TWO KIDS STANDING ON HIS YARD 77 00:03:00,283 --> 00:03:01,560 THE OTHER DAY, AND THEY STILL ALIVE. 78 00:03:01,595 --> 00:03:03,804 - MM. 79 00:03:03,838 --> 00:03:07,980 - DADDY, HEY, MAN, YOU WANT TO TALK? 80 00:03:08,015 --> 00:03:11,087 - YOU HEAR YOUR PHONE RINGING? - NO. 81 00:03:11,121 --> 00:03:13,158 - THEN THERE'S YOUR ANSWER. 82 00:03:13,193 --> 00:03:16,334 - LOOK, DADDY, I KNOW YOU'RE UPSET ABOUT YOU AND MOM, 83 00:03:16,368 --> 00:03:18,784 BUT SITTING IN A BAR STARING AT YOUR DRINK, 84 00:03:18,819 --> 00:03:20,303 THAT DOESN'T SOLVE ANYTHING. 85 00:03:20,338 --> 00:03:23,099 - I'VE ACCEPTED IT'S OVER BETWEEN ME AND YOUR MOTHER. 86 00:03:23,133 --> 00:03:25,343 JUST LIKE I'VE ACCEPTED WHITE GUYS RAPPING 87 00:03:25,377 --> 00:03:27,793 AND BLACK GUYS PLAYING HOCKEY. 88 00:03:27,828 --> 00:03:32,246 - LOOK, SON, SOMETIMES A MAN HAS TO TAKE CARE 89 00:03:32,281 --> 00:03:35,732 OF HIS OWN PROBLEMS HIS OWN WAY, SO LET ME TAKE CARE OF MINE. 90 00:03:35,767 --> 00:03:36,906 THANK YOU. 91 00:03:36,940 --> 00:03:38,287 - CAN I GET YOU GUYS ANYTHING? 92 00:03:38,321 --> 00:03:41,911 - I'LL HAVE ANOTHER ONE OF THESE AND ONE LESS OF THESE. 93 00:03:41,945 --> 00:03:43,119 - [laughs] 94 00:03:43,153 --> 00:03:44,741 NOW, SEE, THAT'S WHY I LOVE YOUR DADDY. 95 00:03:44,776 --> 00:03:47,365 HE ALWAYS BRINGS IN A LITTLE RAY OF SUNSHINE. 96 00:03:47,399 --> 00:03:49,470 - OH, YEAH, THEN HE JUST TAKES OUT A MAGNIFYING GLASS 97 00:03:49,505 --> 00:03:52,749 AND STARTS KILLING ANTS WITH IT. 98 00:03:52,784 --> 00:03:54,924 - I SEE WHAT YOU MEAN ABOUT HIM. 99 00:03:54,958 --> 00:03:56,512 MM, HE SURE IS. [both laughing] 100 00:03:56,546 --> 00:03:57,789 - I AM WHAT? 101 00:03:57,823 --> 00:03:59,308 - TRUST ME, YOU ARE. 102 00:03:59,342 --> 00:04:01,586 [both laughing] 103 00:04:01,620 --> 00:04:04,796 - SO ARE YOU GONNA COME TO STEPPERS NIGHT TOMORROW? 104 00:04:04,830 --> 00:04:07,247 BIRD'S GONNA BE RUNNING A SPECIAL ON DIRTY MARTINIS. 105 00:04:07,281 --> 00:04:09,145 I BET YOU NEVER SPENT A NIGHT STARING INTO ONE OF THOSE. 106 00:04:09,179 --> 00:04:10,836 [both laughing] 107 00:04:10,871 --> 00:04:13,218 - YOU GOT JOKES. - EH. 108 00:04:13,253 --> 00:04:17,118 - BUT NO, I DON'T THINK I'M GOING. 109 00:04:17,153 --> 00:04:18,844 - YEAH, I'M PROBABLY NOT GONNA GO EITHER. 110 00:04:18,879 --> 00:04:21,744 I'LL GET YOU ANOTHER DRINK. EXCUSE ME. 111 00:04:21,778 --> 00:04:24,022 - WHAT WAS THAT? - WHAT WAS WHAT? 112 00:04:24,056 --> 00:04:25,195 - THAT WOMAN WAS TRYING 113 00:04:25,230 --> 00:04:27,025 TO TALK YOU INTO COMING TO STEPPERS NIGHT. 114 00:04:27,059 --> 00:04:30,028 - SHE ASKED ME IFI WAS COMING TO STEPPERS NIGHT, 115 00:04:30,062 --> 00:04:32,824 AND I SAID NO. NOW, PAY YOUR TAB. 116 00:04:32,858 --> 00:04:34,826 I'M TIRED OF HEARING BIRD WHINE ABOUT IT. 117 00:04:34,860 --> 00:04:38,864 - WHICH REMINDS ME, THESE THINGS ARE $20 A SHOT. 118 00:04:38,899 --> 00:04:43,524 AH! GAH! [coughs] 119 00:04:43,559 --> 00:04:46,527 - THAT'S WHY I JUST STARE AT 'EM. 120 00:04:48,011 --> 00:04:50,980 - HEY, SO I CALLED DAD AND I LET IT SLIP 121 00:04:51,014 --> 00:04:53,120 THAT YOU AND I WERE GONNA TRY TO HANG THIS DOOR. 122 00:04:53,154 --> 00:04:54,915 HE SHOULD BE HERE ANY MINUTE. 123 00:04:54,949 --> 00:04:57,952 - I FORGET HOW YOUR PLAN IS SUPPOSED TO 124 00:04:57,987 --> 00:05:00,230 PUT HIM IN A BETTER MOOD. - WELL, IT WON'T, 125 00:05:00,265 --> 00:05:02,025 BUT YOU KNOW HIM. HE CAN'T PASS UP A CHANCE 126 00:05:02,060 --> 00:05:05,028 TO CALL US KNUCKLEHEADS OR TELL US HOW WE DOING IT WRONG. 127 00:05:05,063 --> 00:05:07,893 - MAN DOES LOVE CRUSHING OUR SELF-ESTEEM. 128 00:05:07,928 --> 00:05:10,240 - LOOK, SO WHILE HE'S HANGING THE DOOR, 129 00:05:10,275 --> 00:05:13,347 I'LL BRING UP THE IDEA ABOUT HIM GOING TO STEPPERS NIGHT. 130 00:05:13,382 --> 00:05:16,143 OKAY, SPREAD SOME OF THESE WRONG TOOLS AROUND, 131 00:05:16,177 --> 00:05:18,110 MAKE IT LOOK LIKE WE DON'T KNOW WHAT WE'RE DOING. 132 00:05:18,145 --> 00:05:20,147 - WE DON'T KNOW WHAT WE'RE DOING. 133 00:05:20,181 --> 00:05:24,289 HEY, DO YOU NEED ONE OF THESE TO HANG A DOOR? 134 00:05:24,324 --> 00:05:28,776 - I DON'T KNOW WHAT THIS IS, BUT STICK IT IN THE KNOB HOLE. 135 00:05:28,811 --> 00:05:30,537 - NICE. 136 00:05:30,571 --> 00:05:33,574 - YEAH, BUCKLE UP, BARTON BALLENTINE. 137 00:05:33,609 --> 00:05:36,025 WE 'BOUT TO SNAP YOU OUT YO' FUNK. 138 00:05:36,059 --> 00:05:39,028 WHICH IS ALSO A GOOD DAMN TITLE FOR A SONG. 139 00:05:39,062 --> 00:05:40,995 ♪ SNAP YOU OUT YO' FUNK 140 00:05:41,030 --> 00:05:43,135 - ♪ UGH both: ♪ SNAP YOU OUT YO' FUNK 141 00:05:43,170 --> 00:05:44,482 - ♪ GONNA... both: ♪ SNAP YOU 142 00:05:44,516 --> 00:05:46,000 ♪ AND SNAP YOU OUT YO' FUNK 143 00:05:46,035 --> 00:05:47,450 ♪ TWO TIMES AH, AH ♪ 144 00:05:47,485 --> 00:05:50,453 [both singing] 145 00:05:50,488 --> 00:05:54,630 - JUST WHAT I THOUGHT. both: HEY, DADDY. 146 00:05:54,664 --> 00:05:57,391 - YOU KNUCKLEHEADS TOOK THE DOOR OFF AND COULDN'T PUT IT BACK, 147 00:05:57,426 --> 00:05:58,599 SO NOW YOU'RE CELEBRATING 148 00:05:58,634 --> 00:06:01,430 WITH SOME KIND OF FESTIVAL OF FAILURE. 149 00:06:03,432 --> 00:06:06,642 WHY IS THERE A GARLIC PRESS IN YOUR KNOB HOLE? 150 00:06:08,229 --> 00:06:10,370 WHERE'S THE HAMMER? - I'LL GET THE HAMMER, POP. 151 00:06:10,404 --> 00:06:13,649 - HEY, SO DAD, YOU KNOW WHAT WE WERE THINKING? 152 00:06:13,683 --> 00:06:15,444 WE DON'T HANG OUT THE WAY WE USED TO. 153 00:06:15,478 --> 00:06:16,928 - WE NEVER HUNG OUT. 154 00:06:16,962 --> 00:06:18,757 - WE SHOULD CHANGE THAT. 155 00:06:18,792 --> 00:06:21,450 - WHY FIX WHAT AIN'T BROKEN? 156 00:06:21,484 --> 00:06:24,142 - POP, LOLLI'S OUT OF TOWN THIS WEEKEND. 157 00:06:24,176 --> 00:06:26,731 WHAT DO YOU SAY THE THREE OF US HIT THE TOWN? 158 00:06:26,765 --> 00:06:28,491 YOU KNOW, GET OUT THERE INTO THE STREETS, 159 00:06:28,526 --> 00:06:30,390 DO SOME LIGHT SINNING. - YEAH. 160 00:06:30,424 --> 00:06:32,840 - ALL THE BALLENTINE MEN TOGETHER TURNING IT OUT. 161 00:06:32,875 --> 00:06:35,671 - YOU TWO TURN IT OUT, I'M TURNING IT DOWN. 162 00:06:35,705 --> 00:06:38,052 - I GOT THIS. LOOK, POP, 163 00:06:38,087 --> 00:06:40,330 I REALLY THINK YOU SHOULD GO ON DOWN TO BIRD'S 164 00:06:40,365 --> 00:06:42,712 AND DANCE WITH THAT SHORTY YOU GOT YOUR EYE ON. 165 00:06:42,747 --> 00:06:45,335 YEAH, MAN, I BET SHE'LL SNAP YOU OUT YOUR FUNK. 166 00:06:45,370 --> 00:06:47,476 ♪ SNAP YOU OUT YO' FUNK 167 00:06:47,510 --> 00:06:49,616 ♪ SNAP YOU OUT YO' FUNK YEAH, YEAH ♪ 168 00:06:49,650 --> 00:06:51,583 ♪ SNAP YOU OUT YO' FUNK HA HA ♪ 169 00:06:51,618 --> 00:06:53,205 WATCH THE SPIN. 170 00:06:55,035 --> 00:06:57,037 - WHAT DID YOU JUST SAY? 171 00:06:57,071 --> 00:07:00,281 - SORRY, BRO. - NO. NO, THAT'S MY FAULT. 172 00:07:00,316 --> 00:07:02,836 YOU SAID, "I GOT THIS," AND I LET YOU KEEP TALKING. 173 00:07:02,870 --> 00:07:05,390 THAT'S ON ME. 174 00:07:05,425 --> 00:07:08,289 - FIRST OF ALL, THAT LADY HAS A NAME, IT'S ERIKA. 175 00:07:08,324 --> 00:07:12,259 I DO NOT HAVE MY EYE ON HER, AND I AM NOT DANCING WITH HER. 176 00:07:12,293 --> 00:07:13,536 - WHY NOT? 177 00:07:13,571 --> 00:07:15,400 - YOU SEEM TO LIKE HER, SHE ASKED YOU TO COME, 178 00:07:15,435 --> 00:07:18,748 YOU LOVE TO DANCE. GIVE ME ONE REASON. 179 00:07:18,783 --> 00:07:20,025 - BECAUSE. 180 00:07:20,060 --> 00:07:22,131 - "BECAUSE" IS NOT A REASON, DADDY. 181 00:07:22,165 --> 00:07:23,891 - BECAUSE HER HUSBAND DIED. 182 00:07:23,926 --> 00:07:26,549 - THAT'S A REASON, DADDY. 183 00:07:26,584 --> 00:07:29,034 - HE WAS A BUDDY OF MINE. WOULDN'T LOOK RIGHT 184 00:07:29,069 --> 00:07:32,624 FOR A PASTOR TO DANCE WITH A DEAD FRIEND'S WIFE. 185 00:07:32,659 --> 00:07:35,972 WHERE ARE YOU MORALS? YOU AND YOUR LIGHT SIN. 186 00:07:36,007 --> 00:07:39,355 YOU TWO STAY OUT OF MY DAMN BUSINESS. 187 00:07:39,389 --> 00:07:42,979 AND PUT A DOOR ON THIS HOUSE SO I CAN SLAM IT ON THE WAY OUT! 188 00:07:46,120 --> 00:07:48,882 - I KNOW HE DIDN'T SLAM IT, BUT I FELT SOMETHING. 189 00:07:52,679 --> 00:07:54,163 - HELLO? - HEY, BABE. 190 00:07:54,197 --> 00:07:57,960 - HI, BOYCE. YOU'RE NOT GONNA BELIEVE WHAT I'M DOING. 191 00:07:57,994 --> 00:07:59,617 [giggles] 192 00:07:59,651 --> 00:08:01,515 - IF YOU'RE DOING WHAT YOU WAS DOING 193 00:08:01,550 --> 00:08:04,863 LAST TIME YOU SOUNDED LIKE THAT, I'M MAD. 194 00:08:04,898 --> 00:08:07,314 - I'M GETTING THIS WEIRD PEDICURE. 195 00:08:07,348 --> 00:08:10,835 I'VE GOT LITTLE FISHIES NIBBLING ON MY FEET, SEE? 196 00:08:10,869 --> 00:08:13,423 - OH, THOSE LITTLE DUDES LOOK LIKE THEY LIKE 197 00:08:13,458 --> 00:08:17,807 KISSING ON THOSE POPSICLE TOES AS MUCH AS I DO. 198 00:08:17,842 --> 00:08:19,844 - THIS SPA IS AMAZING. 199 00:08:19,878 --> 00:08:22,398 I HAD A APRICOT FACIAL, A BEER BATH, 200 00:08:22,432 --> 00:08:24,642 AND SOME SORT OF RUBDOWN WITH SOUR CREAM. 201 00:08:24,676 --> 00:08:28,818 OH, WAIT, I THINK I'M GETTING THAT CONFUSED WITH LUNCH. 202 00:08:28,853 --> 00:08:31,545 - HEY, HONEY, I GOTTA ASK YOU SOMETHING. 203 00:08:31,580 --> 00:08:34,583 YOU KNOW THE WAITRESS WHO WORKS DOWN AT BIRD'S NAMED ERIKA? 204 00:08:34,617 --> 00:08:36,826 - YEAH, I KNOW ERIKA. I DO HER HAIR. 205 00:08:36,861 --> 00:08:38,863 - HOW LONG HAS IT BEEN SINCE HER HUSBAND DIED? 206 00:08:38,897 --> 00:08:41,866 - ERIKA DOESN'T HAVE A HUSBAND, DEAD OR ALIVE. 207 00:08:41,900 --> 00:08:43,902 - WHAT? YOU SURE ABOUT THAT? 208 00:08:43,937 --> 00:08:46,422 - BOYCE, YOU GIVE A WOMAN A SIX-HOUR WEAVE, 209 00:08:46,456 --> 00:08:49,908 YOU KNOW WHETHER OR NOT SHE'S GOT A DEAD HUSBAND. 210 00:08:49,943 --> 00:08:53,049 OH, I GOTTA GO. THERE'S A VERY LARGE SAMOAN MAN 211 00:08:53,084 --> 00:08:54,741 WAITING TO BEAT ME WITH BANANA LEAVES. 212 00:08:54,775 --> 00:08:56,052 I LOVE YOU. 213 00:08:56,087 --> 00:08:58,883 - HOLD UP, LET ME SEE HIM. PUT HIM ON. 214 00:08:58,917 --> 00:09:01,126 [scoffs] SAMOAN MAN BEATING MY WIFE DOWN. 215 00:09:01,161 --> 00:09:03,232 I'M NOT PAYING FOR THAT. 216 00:09:03,266 --> 00:09:06,131 STAMPS, LOLLI JUST TOLD ME 217 00:09:06,166 --> 00:09:08,271 THAT THAT ERIKA WOMAN HAS NEVER BEEN MARRIED. 218 00:09:08,306 --> 00:09:10,964 DAD JUST MADE IT ALL UP. WHY WOULD HE DO THAT? 219 00:09:10,998 --> 00:09:13,691 - I DON'T KNOW. I MEAN, MAYBE HE'S HIDING SOMETHING. 220 00:09:13,725 --> 00:09:15,485 [snaps fingers] I HAVE A THEORY. 221 00:09:15,520 --> 00:09:18,247 DAD BEFRIENDED ERIKA'S HUSBAND, THEN HE KILLED HIM, 222 00:09:18,281 --> 00:09:21,491 AND NOW, HE FEELS TOO GUILTY TO DANCE WITH HER. 223 00:09:21,526 --> 00:09:23,321 - OKAY, YOU KNOW WHAT, THIS IS MY FAULT. 224 00:09:23,355 --> 00:09:25,012 AS SOON AS I HEARD, "I HAVE A THEORY," 225 00:09:25,047 --> 00:09:28,878 I SHOULD'VE JUST HIT YOU IN THE THROAT. 226 00:09:28,913 --> 00:09:30,500 LOOK, STAMPS, IT'S NOT TRUE. 227 00:09:30,535 --> 00:09:33,089 DAD MADE THIS UP BECAUSE HE DOESN'T WANT TO HAVE FUN. 228 00:09:33,124 --> 00:09:34,781 IT'S LIKE HE WANTS TO BE MISERABLE. 229 00:09:34,815 --> 00:09:36,541 YOU KNOW WHAT, AND I'M NOT GONNA STAND FOR IT. 230 00:09:36,576 --> 00:09:38,612 - WHERE YOU GOING? 231 00:09:38,647 --> 00:09:41,270 - DAD IS GOING TO BIRD'S TONIGHT, AND I'M GONNA MAKE SURE 232 00:09:41,304 --> 00:09:42,651 THAT ERIKA'S THERE TO DANCE WITH HIM. 233 00:09:42,685 --> 00:09:43,997 - ALL RIGHT, WELL, HOLD UP, I'MA GO WITH YOU 234 00:09:44,031 --> 00:09:45,515 SINCE THE DOOR'S DONE. 235 00:09:45,550 --> 00:09:48,795 NOW, IT OPENS AND CLOSES LIKE A DREAM. 236 00:09:48,829 --> 00:09:50,348 - STAMPS. - DON'T FORGET-- 237 00:09:50,382 --> 00:09:53,593 DON'T FORGET, I STILL HAVE TO PUT THE WEATHER STRIPPING ON. 238 00:09:53,627 --> 00:09:55,111 - [sighs] REALLY? 239 00:09:55,146 --> 00:09:56,526 YOU DON'T SEE NOTHING WRONG WITH THAT? 240 00:09:56,561 --> 00:09:57,527 - NO. [cat screeches] 241 00:09:57,562 --> 00:09:59,081 - WHOA! - OOH! 242 00:10:00,392 --> 00:10:02,809 I DO NOW. 243 00:10:05,812 --> 00:10:07,227 - HEY, ERIKA. - HI, BOSS. 244 00:10:07,261 --> 00:10:08,849 WHAT CAN I DO FOR YOU? 245 00:10:08,884 --> 00:10:11,162 - YOU KNOW, I HOPE YOU DON'T THINK THIS ISN'T TOO FORWARD, 246 00:10:11,196 --> 00:10:13,440 BUT I WANTED TO TALK TO YOU ABOUT MY DAD. 247 00:10:13,474 --> 00:10:15,097 - OH. - YOU KNOW, I SAW YOU GUYS, 248 00:10:15,131 --> 00:10:17,168 AND YOU GOT A GOOD, FUN REPARTEE GOING ON. 249 00:10:17,202 --> 00:10:19,204 - [laughs] - I MEAN, LAUGHING AND JOKING 250 00:10:19,239 --> 00:10:20,309 AND EVERYTHING. - MM-HMM. 251 00:10:20,343 --> 00:10:21,931 - I MEAN, YOU KIND OF LIKE THE GUY, RIGHT? 252 00:10:21,966 --> 00:10:24,140 - WHAT'S NOT TO LIKE? HE'S JUST SO CUTE. 253 00:10:24,175 --> 00:10:27,247 THAT LITTLE ROUND FACE AND BALD HEAD AND THEM FRECKLES. 254 00:10:27,281 --> 00:10:29,387 YOU KNOW, HE KINDA LOOKS LIKE A BLACK CHARLIE BROWN. 255 00:10:29,421 --> 00:10:30,630 [both laughing] 256 00:10:30,664 --> 00:10:32,735 - I NEVER THOUGHT OF IT THAT WAY. 257 00:10:32,770 --> 00:10:35,911 NOW THAT I HAVE, I CAN'T GET IT OUT OF MY HEAD. 258 00:10:35,945 --> 00:10:40,087 YOU KNOW, HE IS A REALLY GOOD DANCER. 259 00:10:40,122 --> 00:10:43,125 SO YOU SURE YOU'RE NOT PLANNING ON COMING TO STEPPERS TONIGHT? 260 00:10:43,159 --> 00:10:45,334 - TELL YOU THE TRUTH, I REALLY HATE TO MISS IT. 261 00:10:45,368 --> 00:10:46,853 I LOVE STEPPING, 262 00:10:46,887 --> 00:10:49,096 BUT IT'S NOT THE KIND OF THING YOU CAN DO ALONE. 263 00:10:49,131 --> 00:10:51,374 - WELL, HYPOTHETICALLY, 264 00:10:51,409 --> 00:10:53,860 IF MY DAD HAPPENED TO COME TO THE DANCE, 265 00:10:53,894 --> 00:10:56,379 AND YOU HAPPENED TO BE AT THE DANCE, 266 00:10:56,414 --> 00:10:59,486 AND THEN HE HAPPENED TO, SAY, ASK YOU TO DANCE, 267 00:10:59,520 --> 00:11:01,246 WHAT WOULD YOU SAY? - WELL, 268 00:11:01,281 --> 00:11:04,318 IF ALL THOSE "HYPOTHETICALS" CAME TOGETHER, 269 00:11:04,353 --> 00:11:06,493 I SAY WE'D BE DOING SOME STEPPING TONIGHT. 270 00:11:06,527 --> 00:11:07,839 - GREAT. - [laughs] 271 00:11:07,874 --> 00:11:09,910 - I'LL MENTION IT TO HIM. I MEAN, IF I SEE HIM. 272 00:11:09,945 --> 00:11:11,256 - OKAY, THEN IT'S A DATE. 273 00:11:11,291 --> 00:11:12,844 - D-D-D-DANCE DATE. 274 00:11:12,879 --> 00:11:14,501 YOU KNOW, THERE'S NO REASON TO PUT LABELS ON IT, YOU KNOW. 275 00:11:14,535 --> 00:11:15,985 - OKAY. - MY DAD IS THE KIND OF PERSON-- 276 00:11:16,020 --> 00:11:17,228 - WAIT--BOSS, I THINK THEY'RE TRYING 277 00:11:17,262 --> 00:11:18,608 TO SKIP OUT ON THEIR BILL! 278 00:11:18,643 --> 00:11:20,334 WHERE ARE YOU GOING? BUT TELL YOUR DADDY 279 00:11:20,369 --> 00:11:22,958 I CANNOT WAIT FOR OUR DATE. WE GOT A RUNNER, BOSS! 280 00:11:22,992 --> 00:11:26,271 COME BACK HERE! - I GOT YOU, GIRL. 281 00:11:28,998 --> 00:11:32,622 - SO JUST COME OVER AS SOON AS YOU GET THIS MESSAGE. 282 00:11:32,657 --> 00:11:34,107 I LEFT THREE MESSAGES. 283 00:11:34,141 --> 00:11:37,627 ONE MORE, AND I'LL OFFICIALLY BE STALKING MY DAD. 284 00:11:37,662 --> 00:11:39,112 - ACTUALLY, ACCORDING TO THE LAW, 285 00:11:39,146 --> 00:11:43,461 IT'S FIVE CALLS AND TWO DRIVES BY HER HOUSE. 286 00:11:43,495 --> 00:11:45,428 YOU KNOW, I'M STARTING TO QUESTION YOUR PLAN, BRO. 287 00:11:45,463 --> 00:11:46,602 - MYPLAN? 288 00:11:46,636 --> 00:11:48,121 STAMPS, ARE WE IN THIS THING TOGETHER OR NOT? 289 00:11:48,155 --> 00:11:50,088 - HEY, I'MA HAVE TO SEE HOW THINGS PLAY OUT 290 00:11:50,123 --> 00:11:51,745 BEFORE I START FORMING ALLIANCES. 291 00:11:51,780 --> 00:11:53,298 - FIND THE CAT. 292 00:11:53,333 --> 00:11:55,059 HERE, KITTY, KITTY, KITTY, KITTY. 293 00:11:55,093 --> 00:11:56,681 HERE, KITTY, KITTY, KITTY. [cat screeches] 294 00:11:56,716 --> 00:11:58,994 both: WHOA! 295 00:11:59,028 --> 00:12:00,650 - FOUND THE KITTY. 296 00:12:00,685 --> 00:12:02,652 - BOYCE! - UP HERE, DADDY. 297 00:12:02,687 --> 00:12:04,551 - YOU GOT NO BOTTOM ON YOUR DOOR. 298 00:12:04,585 --> 00:12:05,725 YOU'RE GONNA GET CATS. 299 00:12:05,759 --> 00:12:07,761 [cat screeches] 300 00:12:07,796 --> 00:12:10,246 I TOLD YOU. 301 00:12:10,281 --> 00:12:13,456 WHAT'S THE BIG EMERGENCY? - HEY, UH, HEY, YOU KNOW, DAD, 302 00:12:13,491 --> 00:12:15,355 ME AND STAMPS WAS UP HERE PLAYING AROUND, 303 00:12:15,389 --> 00:12:18,289 AND WE COULDN'T REMEMBER THAT MIDNIGHT TRAINPIPS MOVE 304 00:12:18,323 --> 00:12:19,462 YOU TAUGHT US AS A KID. - YEAH, 305 00:12:19,497 --> 00:12:20,740 WE JUST COULDN'T REMEMBER HOW IT WENT. 306 00:12:20,774 --> 00:12:22,224 I WAS TELLING BOYCE IT WAS SOMETHING LIKE THIS, 307 00:12:22,258 --> 00:12:23,639 YOU KNOW WHAT I MEAN? - YEAH, YEAH, AND I WAS HERE. 308 00:12:23,673 --> 00:12:24,916 I WAS GOING RIGHT HERE WITH IT. 309 00:12:24,951 --> 00:12:27,125 - NO, NO, NO, NO, NO, NO, NO, YOU'RE WRONG. 310 00:12:27,160 --> 00:12:29,818 YOU GOTTA SNAP FIRST, THEN STEP. 311 00:12:29,852 --> 00:12:31,198 - OKAY. - OH, YEAH. 312 00:12:31,233 --> 00:12:32,752 - OH, I REMEMBER THAT, YEAH. - [laughs] 313 00:12:32,786 --> 00:12:34,892 all: YEAH. 314 00:12:34,926 --> 00:12:37,480 WHOO WHOO! - HA HA! 315 00:12:37,515 --> 00:12:39,517 BAM! 316 00:12:41,174 --> 00:12:42,865 - WHAT'S THAT? - THIS IS FOR YOU. 317 00:12:42,900 --> 00:12:44,453 I PICKED IT OUT MYSELF. 318 00:12:44,487 --> 00:12:46,489 WE'RE GOING DOWN TO BIRD'S TONIGHT AND GO STEPPIN'. 319 00:12:46,524 --> 00:12:49,354 GO GIVE ME A POUND. 320 00:12:49,389 --> 00:12:51,701 OKAY. - WE STILL TALKING ABOUT THIS? 321 00:12:51,736 --> 00:12:53,738 I'M NOT GOING NOWHERE. 322 00:12:53,773 --> 00:12:56,810 TAKE THAT PIMP SKIN BACK TO THE VAN YOU BOUGHT IT OUT OF. 323 00:12:56,845 --> 00:12:58,985 - LOOK, DADDY, NO, NO. 324 00:12:59,019 --> 00:13:01,332 YOU ARE NOT GONNA KEEP FEELING SORRY FOR YOURSELF. 325 00:13:01,366 --> 00:13:03,852 - YOU'RE GONNA PUT THIS SUIT ON, AND YOU GOING DOWN TO BIRD'S. 326 00:13:03,886 --> 00:13:05,715 ERIKA ALREADY AGREED TO MEET YOU. 327 00:13:05,750 --> 00:13:08,822 - AGREED TO MEET ME? YOU MEAN YOU TALKED TO ERIKA? 328 00:13:08,857 --> 00:13:10,790 - MM-HMM, THAT'S RIGHT, POPS. 329 00:13:10,824 --> 00:13:12,861 HE GOT YOU A DATE AND EVERYTHING. 330 00:13:12,895 --> 00:13:14,276 - STAMPS, WHAT THE HELL ARE YOU DOING? 331 00:13:14,310 --> 00:13:17,244 - I WAS SENSING A POWER SHIFT, SO I CHOSE A SIDE. 332 00:13:18,936 --> 00:13:21,628 - I CANNOT BELIEVE YOU WENT DOWN TO THE ONE PLACE 333 00:13:21,662 --> 00:13:23,664 WHERE I CAN SIT WITH MY THOUGHTS 334 00:13:23,699 --> 00:13:26,288 AND HAVE A NICE LADY BRING ME A DRINK TO LOOK AT. 335 00:13:26,322 --> 00:13:28,877 AND NOW SHE'S GONNA THINK I'M AFTER HER. 336 00:13:28,911 --> 00:13:31,431 HOW CAN I SHOW MY FACE DOWN THERE AGAIN? 337 00:13:31,465 --> 00:13:34,089 YOU RUINED IT FOR ME, SON. THANKS A LOT. 338 00:13:34,123 --> 00:13:35,884 - NO, DADDY, UH-UH. THIS IS RIDICULOUS. 339 00:13:35,918 --> 00:13:37,886 WHAT ARE YOU DOING? COME OUT OF THERE. 340 00:13:37,920 --> 00:13:39,991 DADDY, YOU GONNA TALK TO ME LIKE A MAN. 341 00:13:40,026 --> 00:13:41,855 - YOU SURE THAT'S WHAT YOU WANT? 342 00:13:41,890 --> 00:13:45,445 - UH, NO, IT'S UP TO YOU. YOU KNOW, I WAS JUST-- 343 00:13:45,479 --> 00:13:47,102 THAT WAS JUST A SUGGESTION, YOU KNOW, 344 00:13:47,136 --> 00:13:49,173 AND FORGIVE ME FOR MY EARLIER TONE. 345 00:13:49,207 --> 00:13:52,210 HE MAD. 346 00:13:55,351 --> 00:13:57,733 - DADDY, COME ON OUT OF THERE. WHAT IS LOCKING YOURSELF 347 00:13:57,767 --> 00:13:59,321 IN THE BATHROOM GONNA ACCOMPLISH? 348 00:13:59,355 --> 00:14:03,118 - WELL, I THOUGHT IT WOULD ALLOW ME TO RELIEVE MYSELF IN PEACE. 349 00:14:03,152 --> 00:14:05,396 [toilet flushing] 350 00:14:05,430 --> 00:14:08,537 APPARENTLY, YOU CAN'T KEEP YOUR NOSE OUT OF THAT EITHER. 351 00:14:08,571 --> 00:14:10,573 - DADDY, COME ON, WAIT UP. DADDY. 352 00:14:10,608 --> 00:14:13,956 - DADDY, YOU WASH YOUR HANDS? 353 00:14:13,991 --> 00:14:18,719 - YOU BOYS DO NOTHING BUT UPSET MY STOMACH. 354 00:14:18,754 --> 00:14:20,342 WHERE IN THE HELL DO YOU KEEP YOUR BUTTERMILK? 355 00:14:20,376 --> 00:14:22,516 - IN THE 1950s. 356 00:14:24,760 --> 00:14:26,727 - DAD, LOOK, I KNOW YOU LIED 357 00:14:26,762 --> 00:14:28,626 ABOUT ERIKA HAVING A DEAD HUSBAND. 358 00:14:28,660 --> 00:14:31,422 WHAT I DON'T KNOW IS WHY YOU'RE AFRAID TO DANCE WITH HER. 359 00:14:31,456 --> 00:14:34,632 - I'M NOT AFRAID OF ANYTHING. I'M JUST NOT GOING. 360 00:14:34,666 --> 00:14:36,599 - WHY? THE WOMAN SAID SHE LIKED YOU. 361 00:14:36,634 --> 00:14:38,429 - WHAT? - I KNOW! 362 00:14:38,463 --> 00:14:41,121 I'M JUST AS SHOCKED AS YOU ARE. 363 00:14:41,156 --> 00:14:43,917 - I'M NOT TALKING ABOUT THIS. - DADDY. 364 00:14:43,952 --> 00:14:45,470 - POP. 365 00:14:45,505 --> 00:14:46,851 YOU GOTTA LIFT AND PULL. 366 00:14:46,886 --> 00:14:48,197 - JIGGLE IT. 367 00:14:48,232 --> 00:14:50,130 both: AT THE SAME TIME. 368 00:14:50,165 --> 00:14:54,272 - IS THERE NOT A DOOR IN THIS HOUSE THAT WORKS? 369 00:14:54,307 --> 00:14:57,966 FINE, YOU WANT TO KNOW WHAT'S GOING ON? 370 00:14:58,000 --> 00:15:00,761 YOUR MOTHER LEFT ME TWICE. FIRST, BECAUSE I WAS A PREACHER. 371 00:15:00,796 --> 00:15:04,524 I PAID TOO MUCH ATTENTION TO MY FLOCK AND NOT ENOUGH TO HER. 372 00:15:04,558 --> 00:15:06,733 BUT THIS TIME I TRIED, I REALLY TRIED, 373 00:15:06,767 --> 00:15:09,184 AND SHE LEFT ME AGAIN. ONLY THIS TIME, 374 00:15:09,218 --> 00:15:13,878 SHE DIDN'T LEAVE PASTOR BALLENTINE, SHE LEFT ME. 375 00:15:13,913 --> 00:15:15,776 SO THAT'S WHY I LIED. 376 00:15:15,811 --> 00:15:21,541 I JUST CAN'T SET MYSELF UP FOR ANOTHER REJECTION. 377 00:15:21,575 --> 00:15:25,062 - AH, DAD. LOOK, I KNOW YOU'RE HURTING. 378 00:15:25,096 --> 00:15:27,581 BUT YOU JUST CAN'T GIVE UP LIKE THIS. 379 00:15:27,616 --> 00:15:29,376 AND I'M SORRY I PUSHED THIS, 380 00:15:29,411 --> 00:15:32,000 BUT I WAS JUST TRYING TO GIVE YOU A KICK IN THE PANTS, 381 00:15:32,034 --> 00:15:33,277 LIKE YOU ALWAYS DID US. 382 00:15:33,311 --> 00:15:34,864 - WHAT ARE YOU TALKING ABOUT? 383 00:15:34,899 --> 00:15:36,280 - REMEMBER WHEN I WAS A KID 384 00:15:36,314 --> 00:15:37,729 AND DIDN'T WANT TO LEARN HOW TO SWIM? 385 00:15:37,764 --> 00:15:40,974 YOU THREW ME IN THE MISSISSIPPI RIVER. 386 00:15:41,009 --> 00:15:43,804 - YEAH, REMEMBER I DIDN'T WANNA LEARN ALGEBRA? 387 00:15:43,839 --> 00:15:45,668 YOU THREW ME IN THE RIVER TOO. 388 00:15:45,703 --> 00:15:48,395 YOU DIDN'T HAVE A LOT OF TRICKS, POPS. 389 00:15:48,430 --> 00:15:52,020 - GREAT, SO NOT ONLY AM I A FAILURE AS A HUSBAND, 390 00:15:52,054 --> 00:15:53,538 I'M A LOUSY FATHER TO BOOT. 391 00:15:53,573 --> 00:15:55,161 - OH, NO, NO. - OH. 392 00:15:55,195 --> 00:15:56,956 - NO, I LEARNED HOW TO SWIM. 393 00:15:56,990 --> 00:16:00,683 I'M JUST STILL NOT SURE WHY YOU PUT THOSE ROCKS IN MY POCKETS. 394 00:16:00,718 --> 00:16:03,824 - YEAH, AND EVEN THOUGH IT DIDN'T HELP ME LEARN MATH, 395 00:16:03,859 --> 00:16:05,619 AT LEAST I GOT A CHANCE TO RING THAT BELL 396 00:16:05,654 --> 00:16:08,036 ON THE COAST GUARD BOAT. 397 00:16:08,070 --> 00:16:10,970 - LOOK, THE POINT IS IS THAT YOU TAUGHT US 398 00:16:11,004 --> 00:16:12,626 NOT TO BE RULED BY OUR FEARS. 399 00:16:12,661 --> 00:16:14,559 NOW THAT'S WHAT YOU'RE DOING. 400 00:16:14,594 --> 00:16:18,632 SO I'M THROWING YOU IN. YOU NEED TO START SWIMMING. 401 00:16:20,738 --> 00:16:24,466 - THAT WAS A GOOD SPEECH, SON. YOU'RE A GOOD MAN. 402 00:16:24,500 --> 00:16:26,882 - DAD, ERIKA'S DOWN THERE WAITING ON YOU. 403 00:16:26,916 --> 00:16:30,092 SO ARE YOU GONNA GO DOWN THERE AND MEET HER? 404 00:16:30,127 --> 00:16:32,267 - NO, I'M NOT. 405 00:16:32,301 --> 00:16:35,201 - ALL RIGHT, WELL, FINE. YOU DO WHAT YOU WANT, 406 00:16:35,235 --> 00:16:36,788 BUT ONE THING YOU DID TEACH US 407 00:16:36,823 --> 00:16:39,032 IS THAT A BALLENTINE IS ALWAYS A GENTLEMAN, 408 00:16:39,067 --> 00:16:43,140 SO THAT'S WHAT I'M GOING TO BE. 409 00:16:43,174 --> 00:16:45,038 - YOU KNOW WHAT, YOU'RE RIGHT, POPS. 410 00:16:45,073 --> 00:16:46,867 IF YOU WANT TO BE ALONE AND MISERABLE, 411 00:16:46,902 --> 00:16:48,110 YOU SHOULD BE ABLE TO, 412 00:16:48,145 --> 00:16:50,181 FOR HOWEVER MANY YEARS YOU HAVE LEFT. 413 00:16:50,216 --> 00:16:53,184 CHEER UP. I'M ON YOUR SIDE. 414 00:16:55,324 --> 00:16:58,258 [slow soul music playing] 415 00:16:58,293 --> 00:17:03,470 ♪ 416 00:17:03,505 --> 00:17:05,783 - [sighs] HI, ERIKA. 417 00:17:05,817 --> 00:17:07,233 I'M SO SORRY. 418 00:17:07,267 --> 00:17:09,614 - [chuckles] NO, THIS IS A FIRST FOR ME. 419 00:17:09,649 --> 00:17:13,791 I'VE NEVER BEEN SET UP BY A SON TO BE STOOD UP BY HIS FATHER. 420 00:17:13,825 --> 00:17:15,068 - WELL, IF YOU'LL FORGIVE ME, 421 00:17:15,103 --> 00:17:18,658 I WOULD LOVE TO ESCORT YOU TO THE DANCE FLOOR. 422 00:17:18,692 --> 00:17:20,660 AND WE'RE HERE... - [laughs] 423 00:17:20,694 --> 00:17:23,214 - ON THE DANCE FLOOR. 424 00:17:23,249 --> 00:17:24,836 - OKAY. - ALL RIGHT, COME ON. 425 00:17:24,871 --> 00:17:26,804 - YEAH. - UH. 426 00:17:26,838 --> 00:17:30,808 OH, YOU'RE KINDA SMOOTH THERE, BOSS. 427 00:17:30,842 --> 00:17:32,154 - UH. - AH. 428 00:17:32,189 --> 00:17:34,708 - HUH, HUH, HUH. - HEY, WHAT? 429 00:17:34,743 --> 00:17:37,435 [laughs] UH, UH. 430 00:17:37,470 --> 00:17:39,368 [humming] 431 00:17:39,403 --> 00:17:40,783 - MAY I CUT IN? 432 00:17:40,818 --> 00:17:44,304 - AH, ANOTHER GENTLEMAN BALLENTINE. 433 00:17:44,339 --> 00:17:46,996 - YOU KNOW, AS CRAZY AS IT SOUNDS, 434 00:17:47,031 --> 00:17:50,310 SOMETIMES, YOU AND YOUR BONE-HEAD BROTHER MAKE SENSE. 435 00:17:50,345 --> 00:17:53,002 THANK YOU. - ALL RIGHT. 436 00:17:53,037 --> 00:17:55,626 ENJOY YOUR SWIM. 437 00:17:55,660 --> 00:17:56,903 - I'M SORRY I'M LATE. 438 00:17:56,937 --> 00:17:58,387 I'VE BEEN GOING THROUGH SOME THINGS, AND-- 439 00:17:58,422 --> 00:18:02,046 - BARTON, BARTON, TONIGHT, LET'S JUST DANCE. 440 00:18:02,081 --> 00:18:05,014 - WELL, LET'S SHOW THESE KIDS HOW IT'S DONE. 441 00:18:05,049 --> 00:18:06,326 - WELL, ALL RIGHT. [laughs] 442 00:18:06,361 --> 00:18:09,985 ♪ 443 00:18:10,019 --> 00:18:13,092 - LOOK AT THAT OLD MAN CUT A RUG IN HIS CHURCH SHOES. 444 00:18:14,610 --> 00:18:16,025 I CAN'T BELIEVE YOU GOT HIM DOWN HERE. 445 00:18:16,060 --> 00:18:18,614 - WELL, I DO WHAT I DO, BIRD. I DO WHAT I DO. 446 00:18:18,649 --> 00:18:19,650 [both laughing] 447 00:18:19,684 --> 00:18:21,824 - GIMME SOME. - [laughs] 448 00:18:21,859 --> 00:18:24,413 - WHAT'S THIS? - YOUR TAB, GIMME SOME. 449 00:18:24,448 --> 00:18:26,381 HEY, GIRL. 450 00:18:26,415 --> 00:18:32,421 ♪ 451 00:18:38,013 --> 00:18:40,429 - SPRAY A LITTLE LUBRICATION, AND THAT'S HOW YOU HANG A DOOR. 452 00:18:40,464 --> 00:18:42,017 - HEY, DADDY, YOU MIND 453 00:18:42,051 --> 00:18:43,915 IF I TAKE CREDIT FOR THIS WHEN LOLLI GETS HOME? 454 00:18:43,950 --> 00:18:45,917 - SURE, AFTER THE KICK IN THE PANTS 455 00:18:45,952 --> 00:18:48,575 YOU AND STAMPS GAVE ME, THE DOOR IS YOURS. 456 00:18:48,610 --> 00:18:51,026 - WELL, THAT CAT IS NOT UPSTAIRS, 457 00:18:51,060 --> 00:18:53,546 BUT I DID FIND $50 IN YOUR SOCK DRAWER. 458 00:18:53,580 --> 00:18:55,134 - THERE'S NO MONEY IN MY SOCK DRAWER. 459 00:18:55,168 --> 00:18:56,411 - WELL, TECHNICALLY, IT WAS IN YOUR WALLET 460 00:18:56,445 --> 00:18:58,792 IN YOUR SOCK DRAWER. - BOY, GIVE ME THAT. 461 00:18:58,827 --> 00:19:00,794 - COME ON, STAMPS. HELP ME FIX THE BACK DOOR. 462 00:19:00,829 --> 00:19:02,279 - AH, I DON'T WANT TO. 463 00:19:02,313 --> 00:19:04,143 - YOU WANT TO GO BACK IN THAT RIVER? 464 00:19:04,177 --> 00:19:06,766 - I'LL GET THE TOOLS. 465 00:19:06,800 --> 00:19:08,630 - LOLLIPOP! - HEY, EVERYBODY. 466 00:19:08,664 --> 00:19:09,872 - WHAT'S UP, BABY? 467 00:19:09,907 --> 00:19:12,979 - OH, YOU FIXED THE DOOR. 468 00:19:13,013 --> 00:19:15,050 - YEAH, BABY, YOU-- 469 00:19:15,084 --> 00:19:16,948 YOU KNOW, I DID MY THING, YOU KNOW WHAT I MEAN? 470 00:19:16,983 --> 00:19:19,192 JUST A LITTLE DRILLING, THEN I LEVELED IT OFF, 471 00:19:19,227 --> 00:19:22,195 AND THEN I PUT THIS ON. YEAH, YOUR MAN TOOK CARE OF IT. 472 00:19:22,230 --> 00:19:24,301 - AW, LOOK AT YOU... 473 00:19:24,335 --> 00:19:27,200 THINKING I'M AN IDIOT. THANK YOU, BARTON. 474 00:19:27,235 --> 00:19:28,201 - YOU'RE WELCOME. 475 00:19:28,236 --> 00:19:29,409 - REALLY, DADDY? 476 00:19:29,444 --> 00:19:32,171 YOU'RE JUST GONNA SELL ME OUT LIKE THAT? 477 00:19:32,205 --> 00:19:34,759 - OH, BOYCE, I'M SO RELAXED. 478 00:19:34,794 --> 00:19:37,452 I'VE BEEN RUBBED AND SCRUBBED AND NIBBLED BY FISH. 479 00:19:37,486 --> 00:19:39,730 I JUST FEEL SO PEACEFUL RIGHT NOW. 480 00:19:39,764 --> 00:19:43,112 [cat screeches] OH! 481 00:19:43,147 --> 00:19:45,149 BOYCE, WAS THAT A CAT? 482 00:19:45,184 --> 00:19:46,771 - SHH. YOU DON'T EVEN WANT TO KNOW. 483 00:19:46,806 --> 00:19:48,704 COME ON. - WHAT, WHERE WE GOING? 484 00:19:48,739 --> 00:19:51,051 - WE ARE GOING BACK TO THAT SPA. 485 00:19:51,086 --> 00:19:54,020 I MEAN, ALL THIS DOOR AND CAT BUSINESS, 486 00:19:54,054 --> 00:19:57,126 PLUS, I NEED TO MEET THAT SAMOAN BANANA MAN. 487 00:20:02,477 --> 00:20:05,445 [upbeat R&B music] 488 00:20:05,480 --> 00:20:13,453 ♪ 489 00:20:24,464 --> 00:20:27,433 - ♪ THE SOUL MAN 36646

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