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[music]
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Hello.
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Hello.
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[music]
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I don't I don't think I don't think so.
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I don't I'm not sure.
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>> It's fine. So, I have a few hours to
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figure it out.
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As soon as you can I can check cuz it's
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roughly the same hallway shape.
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So, it might it might actually be
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>> I know. We can check.
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10 minutes since I've seen an electrical
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look over there.
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Any lights or switches or signs?
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Anything back there?
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>> No, not what I'm seeing.
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That's just across the way.
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It's more of the same.
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Whoa. Huh?
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>> Huh?
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>> What? What's up?
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>> Uh, come back, guys. Go ahead. Come and
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take a look at this.
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>> It's not that purple table again, is it?
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I hate that table.
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>> That was a desk, not a table.
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>> Yeah. Well,
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>> it's not a table. Look at this. Look at
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this.
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>> Wa.
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>> What the
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>> is it? It's signs. It's uh it's got
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writing. It's got what is it? Everything
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must go. Uh is it entire store on sale?
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This is new. Right. This is this is a
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new structure, right?
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This is looking at
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the [clears throat]
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W. This is brilliant. Look at Look at
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how it's intersecting.
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Oh This is brilliant.
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Oh, this is
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I looked over everything from the day
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and obviously the the signs were really
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treated as the highlight. Um and Dr.
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McCarthy in particular was was eager to
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see them in person. He uh would of
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course end up accompanying us in the
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place of Dr. Ring. The following
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morning, uh, June 19th at around 11:00,
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we assembled our mobile toolkit and
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entered the complex. It was a slow start
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as it was our intention to make it to
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the new outpost following our return to
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the sign room. And uh, Narin had had to
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gather some startup prerequisite
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materials for a few of the machines,
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which which he carried with him
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throughout the duration of our
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exploration.
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So upon arrival, no meaningful change in
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the room uh or the science was apparent.
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And our our general overall focus was
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really on the instancing question or or
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rather I I'd say the question of whether
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or not a meaningful relationship existed
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between the [music] three structures.
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All right.
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Quarter short test walk through. Just
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stay out of my way if you can. Sure.
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No, that's right.
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You see it kind of goes straight through
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the material
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there and there. No one's going into the
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frame.
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This is obviously intersecting with the
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carpet
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which is supported by
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cement or concrete or
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it's pretty stuck in there. You yank on
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it doesn't do much.
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It'll crease or or probably tear easily.
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But um it's the same same with this one.
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The smaller they are, the thinner they
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are. So, we're being careful not to
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disturb the material.
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At at a glance, there's what appears to
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be a a clear sequence taking place
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across the room where where scale and
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height are are both decreasing as they
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near the back wall. So, firstly, we did
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what we could to measure all three signs
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corner to corner.
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Sign one came in at 1.44. 44 by 1.44 m.
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Uh hanging clear of the floor. Uh lowest
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corner about.3 m up. Sign 2 was uh 1.13
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uh by 1.13 proportional. Uh those are
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above uh those are the above floor
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dimensions. Uh the 1.13 vertical figure
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was measured along the the sign's upper
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edge on the side that remains clear of
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the floor. That number may or may not
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reflect the sign's true uh full height.
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uh we are unable to gauge how much if
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anything continued below the surface.
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Sign 3 had a width of 66 m. Uh we have
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no reliable height figure as as just
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under half the structure was submerged
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and we had no way to determine the true
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vertical extent without uh destructive
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investigation we weren't prepared to
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perform at that stage. The spacing
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between signs 1 and 2 was 3.47 m between
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2 and 3 uh 3.26 26 m. Width was uh the
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only dimension we could take reliably
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across all three. So that's what we
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worked with. Uh the consecutive ratios
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were 785 and.584.
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So no constant multiplicative
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relationship. The arithmetic differences
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were were.31 and47 m also not equal and
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increasing rather than decreasing. So no
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constant difference either. Uh the
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spacing ratio was 3.26 over 3.47. So 94
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was close enough to suggest some
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regularity, but but we couldn't say
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whether it's related to the scale
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progression or coincidental at that
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sample size. Uh Ronald spent some time
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with the data while Naron and I moved on
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to the Matcom survey. We took a sample
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from each sign corugated polyropylene uh
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substrate throughout. So, uh, the
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surface ink appeared to be screen
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printed. All pretty consistent from what
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I understand with standard retail
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production. Uh, the the hanging wire was
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steel. Uh, so so across the board really
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uh nothing abnormal to note, at least
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nothing we found with the equipment that
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we had on hand. We then made a
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horizontal cut along the floor plane at
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the base of sign 2, uh, freeing the
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upper portion. What remained in the
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floor was a flush silhouette of the
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science continuing material visible at
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the surface level with with the the the
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the ground material, the carpet and the
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concrete. Probing it, the m the material
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becomes indistinguishable from the
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concrete itself within uh about a
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centimeter of the surface. Whatever
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whatever the transition looks like below
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that point, we we couldn't determine
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with what we had. Uh the question we
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were ultimately working through at that
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point was whether the three signs were
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instances of the same structure or or
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independent objects that that happened
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to share a manufactured design. Uh a
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shared design would would mean the print
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the the text layout the the color all
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reproducible from a template and not
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particularly novel. um what we were
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looking for and and found quite quickly
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were features a template couldn't
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account for. Every physical object is
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going to accumulate microscale
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imperfections, [music] minor surface
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scratches, tooling marks, small
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inconsistencies in the substrate where
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the extrusion process wasn't uniform.
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So, we found that the same micro
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imperfections appeared across all three
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signs at proportional positions,
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indicating that they weren't printed
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from the same template, but were
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instances of the same physical object.
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We had just about packed everything up
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[music] in time to move along. When Dr.
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McCarthy. Uh well, he went and retrieved
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a power saw from our cart, seeking to
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dissect a portion of the back wall. He
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reasoned that given the visible trend
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line and an average spacing between
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signs, it wasn't out of the question
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that a fourth sign may sit just inside
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or beyond the wall.
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>> I don't have a good grip on it. Do you
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got it?
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>> There we go. It's about There we go. All
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right. Grab that top.
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So, slowly dropping much.
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>> Great. Great.
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>> Not really anything, is it?
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>> Yes. Right there. Right there.
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>> What? What? Really?
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>> No way. [laughter]
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No way.
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>> I told you.
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>> That's great.
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>> I told you. There it is. Okay. It's the
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elevator then cuz cuz this is down below
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the So, just be barely above the carpet.
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>> All right. Well, let me get the uh get
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out of the way. Move. Get the camera in
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there. All right. Wow. Would you get out
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of the way? Get out of the light.
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>> Sure.
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>> Okay. Okay.
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>> All right. Wow.
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Okay. Oh, this one's quite a bit smaller
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than the other ones.
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Behind schedule. Let's just come back
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and take a sample on the next trip. Just
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let me have this. Give it 5 minutes. I'm
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not going to take a sample now anyway.
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I'm just just want to see is the width.
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Yeah, it is. Yeah, look at that.
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>> What the is that?
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>> Wait, what? What? What? What's
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>> there? Right there. What the is
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that?
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>> What?
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>> Get the Get the Okay, just get the
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>> What is it? What is I I can't see
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anything. What is it? What are you
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seeing?
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>> Uh
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oh.
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>> What is it?
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>> Nope. Nope. Nope. No. No. No. That's a
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hand. That's That's a hand.
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>> Okay. All right. So, uh we're late. So,
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let's go. Let's go. Let's go to the
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outpost. We can circle back uh with the
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others and then
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hold on. We're trying to look at this.
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Okay.
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>> We're like 20 minutes behind. Okay. We
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have to keep moving.
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We can circle back with the others. Just
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drop off our stuff and then we can come
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back with like 5, 10, 20 people.
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This is stupid. You know this is stupid,
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right? Ninja's not going to care how
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late we are. This is This is worth
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doing.
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Okay,
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>> we just didn't lock this. This isn't on
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the box.
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>> You're locking it now. Look, you're
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recording.
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>> Oh, yeah. I guess I'm vlogging it now,
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but
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I can't see
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What the was that? Is that son or
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Jesus?
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>> What was that?
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>> Okay. Oh my god. All right. Well, that's
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uh All right. Yeah. Okay. That's a It's
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a mannequin.
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>> So, it's it's a mannequin. It's like a
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It's like a mannequin and a a steering
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wheel. Like what? Like a ship steering
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wheel, though.
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It feels more like um
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feels different here. Um
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>> Yeah, I know what you mean. Did you get
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the signs show?
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>> Yeah, more signs.
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It looks like pretty much the same
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scale.
275
00:12:43,200 --> 00:12:43,760
Actually, might be [clears throat]
276
00:12:43,760 --> 00:12:47,160
slightly smaller.
277
00:12:47,680 --> 00:12:50,000
or is it like
278
00:12:50,000 --> 00:12:53,800
the sequence back to
279
00:12:54,320 --> 00:12:56,240
there's a few more signs over here the
280
00:12:56,240 --> 00:12:58,320
same
281
00:12:58,320 --> 00:13:00,880
wants to go where it's going to go
282
00:13:00,880 --> 00:13:04,160
what's I'm really wondering
283
00:13:04,160 --> 00:13:06,240
obviously
284
00:13:06,240 --> 00:13:09,360
>> and we see these uh previously coat
285
00:13:09,360 --> 00:13:13,399
hangers um
286
00:13:14,480 --> 00:13:20,040
>> look like boxes or Um,
287
00:13:20,320 --> 00:13:23,440
it's clothing or fabric. I can't tell.
288
00:13:23,440 --> 00:13:26,440
Um,
289
00:13:29,120 --> 00:13:31,200
you guys done over in that area. There's
290
00:13:31,200 --> 00:13:32,480
nothing. There's nothing more back
291
00:13:32,480 --> 00:13:33,600
there.
292
00:13:33,600 --> 00:13:36,839
>> Yeah, it's
293
00:13:37,440 --> 00:13:41,160
>> Maybe we can use those.
294
00:13:42,160 --> 00:13:42,320
Is
295
00:13:42,320 --> 00:13:43,760
>> that lawn furniture? Yeah,
296
00:13:43,760 --> 00:13:44,959
>> that's like
297
00:13:44,959 --> 00:13:49,279
>> there's like some lawn furniture and um
298
00:13:49,279 --> 00:13:51,040
>> Yeah,
299
00:13:51,040 --> 00:13:53,040
there's like a
300
00:13:53,040 --> 00:13:54,800
>> whole bunch of new rooms over there,
301
00:13:54,800 --> 00:13:55,920
guys.
302
00:13:55,920 --> 00:13:57,040
>> Yeah, right.
303
00:13:57,040 --> 00:13:59,040
>> I don't I feel like we should be going
304
00:13:59,040 --> 00:14:01,519
back now, right?
305
00:14:01,519 --> 00:14:05,040
>> This is like This is like This is easy.
306
00:14:05,040 --> 00:14:06,000
>> Yeah, I'm just trying to keep an
307
00:14:06,000 --> 00:14:10,320
inventory. There's like more to
308
00:14:10,320 --> 00:14:13,040
>> What the is that sound?
309
00:14:13,040 --> 00:14:14,000
Do you hear that?
310
00:14:14,000 --> 00:14:17,680
>> Yeah. Yeah, I heard that.
311
00:14:17,680 --> 00:14:18,800
>> Let's go check it out.
312
00:14:18,800 --> 00:14:20,639
>> Ron, I don't really want to check it out
313
00:14:20,639 --> 00:14:22,160
if I'm being honest.
314
00:14:22,160 --> 00:14:23,760
>> But look look, you can see there's a
315
00:14:23,760 --> 00:14:25,199
light up there. You see that? What is
316
00:14:25,199 --> 00:14:25,920
that?
317
00:14:25,920 --> 00:14:28,079
>> Yeah, but it's it's obviously a light,
318
00:14:28,079 --> 00:14:28,959
man. I don't know.
319
00:14:28,959 --> 00:14:30,320
>> But if this isn't conflated at all, we
320
00:14:30,320 --> 00:14:31,120
can go right back.
321
00:14:31,120 --> 00:14:33,040
>> I know, Ron. [music] I know. I just I
322
00:14:33,040 --> 00:14:33,360
don't think
323
00:14:33,360 --> 00:14:36,639
>> there's another one.
324
00:14:36,639 --> 00:14:38,079
You should check the scale.
325
00:14:38,079 --> 00:14:39,040
is that?
326
00:14:39,040 --> 00:14:40,480
>> The scale will be different with the
327
00:14:40,480 --> 00:14:41,440
science.
328
00:14:41,440 --> 00:14:42,880
>> Yeah. Well, that Well, that we can do
329
00:14:42,880 --> 00:14:45,625
next time. [clears throat]
330
00:14:48,160 --> 00:14:51,279
>> Mom, can you stay with us, please?
331
00:14:51,279 --> 00:14:53,199
>> Cuz it's dark and
332
00:14:53,199 --> 00:14:58,240
>> Yeah. Sorry. It's just a It's a
333
00:14:58,240 --> 00:15:01,880
TV.
334
00:15:03,199 --> 00:15:06,000
Oh my god.
335
00:15:06,000 --> 00:15:07,279
This just keeps getting better and
336
00:15:07,279 --> 00:15:10,515
better. [music]
337
00:15:34,160 --> 00:15:37,279
What was that sound?
338
00:15:37,279 --> 00:15:41,160
What was that sound?
339
00:15:42,000 --> 00:15:45,040
Guys, we have to go. Let's just go.
340
00:15:45,040 --> 00:15:46,959
I don't know.
341
00:15:46,959 --> 00:15:52,000
It's coming from above. Careful. Is it
342
00:15:52,000 --> 00:15:53,360
coming from above? Just be quiet.
343
00:15:53,360 --> 00:15:56,720
>> I don't really care, man. Jesus. What
344
00:15:56,720 --> 00:15:59,641
the [music]22376
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