All language subtitles for DirtyDancing30thAnniversaryEdition19871080pBluRayHEVCx2655.1BONE

♪ (The Ronettes' "Be My Baby"
playing throughout) ♪

Dirty Dancing

(Radio announcer) Hi, everybody.
This is your Cousin Brucie.

Whoa! Our summer romances
are in full bloom,

and everybody but everybody
is in love,

so here's a great song
from The Four Seasons.

♪ ("Big Girls Don't Cry" playing) ♪

(Baby) That was the summer of 1963,

when everybody called me Baby,

and it didn’t occur
to me to mind.

That was before
President Kennedy was shot,

before The Beatles came,

when I couldn't wait
to join the Peace Corps,

and I thought I'd never find
a guy as great as my Dad.

♪ ("Big Girls Don't Cry"
continues playing) ♪

That was the summer
we went to Kellerman's.

(Stan on bullhorn) Ping-Pong in the
west arcade, softball on the east diamond.

All you Sandy Koufaxes,
get out there!

Complimentary dance lessons
in the gazebo.

Oh, my God. Look at that!

Mom, I should've brought the coral shoes.
You said I was taking too much.

Well, sweetheart,
you brought ten pairs.

But the coral shoes
matched that dress.

This is not a tragedy.

A tragedy is three men
trapped in a mine

or police dogs used
in Birmingham.

Monks burning themselves
in protest.

Butt out, Baby.

Okay, we got horseshoes
on the south lawn in 15 minutes!

We've got "Splish-Splash,"
the water class, down by the lake.

We have the still life art class,
we got volleyball and croquet.

And for you older folks,
we got sacks!

(Laughs) Gotcha.

Doc!

Max!

Well, Doc, after all these years
I finally got you up on my mountain.

(Chuckles)
So how's the blood pressure, Max?

I want you girls to know
if it were not for this man,

I'd be standing here dead.

- Billy, get the bags.
- Right away, Doc. Right away.

I kept the best cabin
for you and your beautiful girls.

Hey, thanks a lot.

You want a job here?

There's a merengue class in
the gazebo in the next few minutes,

the greatest teacher.
Used to be a Rockette.

It's his first real vacation
in six years, Max. Take it easy.

Three weeks here,
it'll feel like a year.

One, two, three, four!

One, two, three, four!

One, two, three, four!

Stomp those grapes
and stomp some more!

One, two, three, four!
Listen to the music!

- One, two, three...
- Sorry.

Move your caboose
and shake it loose!

One, two, three, four!
Stomp those grapes!

Whoo!

♪ (Merengue music playing) ♪

Now come on, men!
Follow me into a round robin!

Ladies, the inner circle!

(Woman laughing)

Oh, come on, ladies!

God wouldn't have given you maracas

if he didn't want you
to shake them!

Okay now, ladies,
when I say "stop,"

you're gonna find the man
of your dreams.

Stop!

Now remember, he's the boss
on the dance floor, if nowhere else.

(Laughter)

(Crickets chirping)

Mom, Dad, I'm going up
to the main house to look around.

(Max) There are
two kinds of help here.

You waiters are all college guys,

and I went to Harvard
and Yale to hire you.

And why did I do that? Why?

I shouldn't have to remind you.
This is a family place.

That means you keep your fingers
out of the water,

your hair out of the soup, and show
the goddamn daughters a good time.

All the daughters.

Even the dogs.

Schlepp 'em out to the terrace,
Show 'em the stars.

- Romance 'em any way you want.
- Got that, guys?

The thing to do--
Hey, hold it! Hold it.

Well, if it isn't
the entertainment staff.

Listen, wise ass,
you got your own rules.

Dance with the daughters.

Teach 'em the mambo, the cha-cha,
anything they pay for.

But that's it. That's where it ends.

No funny business, no conversations,
and keep your hands off!

It's the same at all these places.

Some ass in the woods,
maybe, but no conversation.

- (Waiters laugh)
- Watch it, Rodriguez.

You think you can keep that
straight, Johnny?

What you can and
can't lay your hands on?

- (Light laugh)
- (Sighs)

You just put your pickle
on everybody's plate, college boy,

and leave the hard stuff to me.

(Guys) Whoa.

Sit down, sit down and I'll
get you some wine.

Thank you, Max.

Ah...

This is Dr. and Mrs. Houseman.

Baby, Lisa, this is your waiter,
Robbie Gould.

- Yale medical school.
- Uh-huh.

Robbie, these people are my special
guests. Get them anything they want.

- Enjoy.
- Thanks, Max.

Oh, look at all
this leftover food.

Are there still
starving children in Europe?

- Try Southeast Asia, Ma.
- Oh, right.

Robbie, Baby wants to send
her leftover pot roast to Southeast Asia,

so anything we don't finish,
you wrap up.

Max, our Baby's gonna
change the world.

- And what are you gonna do, missy?
- Lisa's gonna decorate it.

She already does.

Doc, I want you to meet someone.
My grandson Neil.

Goes to the Cornell School
of Hotel Management.

Baby's starting Mount Holyoke
in the fall.

Oh, great.

Are you going to major
in English?

No. Economics of
underdeveloped countries.

- I’m going into the Peace Corps.
- After the final show,

I'm going to Mississippi with
a couple of busboys, freedom ride.

(Shoes clicking)

(Max) This is
our own Tito Suarez.

(Applause)

(Applause)

(New song begins)

Mambo! Yeah! Come on!

Who's that?

Oh, them.
They're the dance people.

They're here to keep
the guests happy.

They shouldn't be showing off
with each other.

That's not gonna sell lessons.

- (Woman) Wow!
- (People murmuring)

(Mouthing) Cut!

- Hi, kids. Having fun?
- Yeah.

Actually, I've gotta excuse myself.

I'm in charge of the games tonight.

Say, would you like to help me
get things started?

(Jake) Sure she would.

(Laughing)

(Sawing)

This'll only hurt for a minute.
You've got Blue Cross, right?

(Laughter continues)

(Drumroll)

(Fanfare plays)

- (Applause)
- Was that good for you?

And for being such a good sport,
here you go!

- (People laughing)
- ♪ (Music playing) ♪

You know, I finally met a girl
exactly like my mother.

Dresses like her, acts like her.
So I brought her home.

My father doesn't like her!
(Laughing)

Go figure.

(Distant laughter and applause)

♪ ("Where Are You Tonight"
by Mark Scola playing distantly) ♪

(Music volume increases)

- Hi.
- How'd you get here?

- I was taking a walk.
- Go back.

- Let me help you.
- No.

- What's up there?
- No guests allowed. House rules.

Why don't you go back
to the playhouse?

I saw you dancing
with the little boss man.

(Hums mockingly)

Can you keep a secret?

Your parents would kill you.

Max would kill me.

♪ ("Do You Love Me" by The Contours
playing throughout) ♪

Where'd they learn to do that?

Where?

I don't know. Kids are doing it
in their basements back home.

Wanna try it?

Come on, Baby.

♪ ("Do You Love Me"
continues playing) ♪

Can you imagine dancing like this
on the main floor,

home of the family fox-trot?

Max would close the place down first.

(All cheering)

That's my cousin, Johnny Castle.

He got me the job here.

("Do You Love Me" continues)

- They look great together.
- Yeah.

You'd think they were
a couple, wouldn't you?

- Aren't they?
- No, not since we were kids.

- (Man) Do you love me?
- (All cheering)

♪ ("Love Man" by Otis Redding
starts playing) ♪

Yo, cuz, what's she doing here?

She came with me.
She's with me.

I carried a watermelon.

"I carried a watermelon"?

♪ ("Love Man" continues playing) ♪

Bend your knees. Down.

Watch. Watch my eyes.

Good.

That's better.

Good. Now roll this way.

Now watch.

Look.

(All, singing along)
♪ Love man! ♪

(Cheering and whooping)

(Stan on bullhorn) Ladies,
join our hair-raising wig show.

Try your Sandra Dee, Jackie Kennedy,
or Elizabeth Taylor Cleopatra wig.

- I’ll knock with three.
- Look at that cute fella.

Look at these hands.
They're golden hands.

(Chattering indistinct)

My God, it's Cleopatra!
I feel like such an "asp...

You look ten years younger.

(Stan) At 10:15, by the pool,
we have calisthenics.

Then on the west porch, we have
a symposium by Rabbi Maurice Sherman

on the psychology of insult comedians.

(Wheezy laughter)

So I say, "Ask not what
your waiter can do for you,

but what you can do
for your waiter."

You know, if tips keep up, I'll have
enough for my Alfa Romeo.

That's my favorite car.

Ladies, you look very lovely.

Baby, would you cover
for me tonight?

Tell Mommy and Daddy
I went to lie down.

- Where are you going?
- To the golf course.

There's a pretty view
from the first tee.

Good. Thanks.

So you were really a Rockette?

I think you're a wonderful dancer.

Yeah? Well, my mother
kicked me out when I was 16.

I've been dancing ever since.

It's the only thing
I ever wanted to do anyway.

I envy you.

- (Scoffs)
- (Latches click)

(Distant music playing)

- Aren't you dancing, Doc?
- We're waiting for a waltz.

Ah.

Hi, Max. Aren't my dance lessons
starting to pay off?

You look great, Vivian!
Terrific!

That's Vivian Pressman,
one of the bungalow bunnies.

That's what we call the women
who stay here all week long.

The husbands only come up
on weekends.

Moe Pressman's a big card player.
He'll join our game.

- Moe coming up on Friday?
- Friday.

He's away a lot. I know.

It's a hardship.

Uh...

Where's Penny?
Everybody's been asking for her.

What do you mean, where's Penny?
She's taking a break.

She needs a break.

As long as it's not
an all-night break.

Come on, doll.
Let's take a walk.

I love to watch your hair
blowing in the breeze.

Maybe my parents
are looking for me.

Baby, don't worry.

If they think you're with me, they'll be
the happiest parents at Kellerman's.

I have to say it.

- I’m known as the catch of the county.
- I'm sure you are.

Last week I took a girl away
from Jamie, the lifeguard.

And he said to her right in front of me,
"What does he have that I don't have?"

And she said, "Two hotels."

(Light chuckles)

Robbie.

I don't hear an apology.

Go back to Mommy and Daddy
and keep listening, Lisa.

Maybe you'll hear one
in your dreams.

I'm sorry you had
to see that, Baby.

Sometimes in this world you see
things you don't wanna see.

- You hungry?
- Eh...

Come on.

So, Baby, what do you want?
You can have anything you want.

A brownie, some milk...

leftover rice pudding, beets...

leftover cabbage roll...

(Sobbing, shuddering)

...fruit salad, sweet gherkins?

Oh, Neil, look, I'm sorry.
I better go check on Lisa.

- Yeah?
- Yeah.

Why's she here?

I brought her in case
Neil comes back.

Penny just doesn't think.

She wouldn't do anything
stupid, would she?

So, what's wrong?
What's the matter with her?

- She's knocked up, Baby.
- Billy!

- What's he gonna do about it?
- "What's he gonna do about it?"

(Scoffs) Oh, it's mine, right?

- Right away you think it's mine.
- But I thought...

(Crying)

It's okay.
It's okay, Johnny's here.

Johnny's here, it's okay.
It's okay...

I'm never gonna let anything
happen to you.

(Sobbing)

(Johnny) We got to go.

Just hold on. Just hold on.

Good girl. Good girl.

What do you think you're doing?
You're in trouble, you talk to me.

I'll take care of it.

You should've come to me
in the first place.

Forget it, Johnny. I'm not taking
what's left of your salary.

- Penny, that's my business.
- Besides, it wouldn't be enough.

(Crying)

Oh, God, it's hopeless!

Don't say that.

There's gotta be a way
to work it out.

Baby? Is that your name?

Well, you know what, Baby?

You don't know shit
about my problems.

- I told her.
- Jesus, Billy!

Now she's gonna run and tell
her little management boyfriend

and then we'll all get fired.

Why not skywrite it?

"Penny got knocked up
by Robbie, the creep".

Robbie?!

- Look--
- No, Baby. Baby...

One of the counselors
knows a doctor, a real M.D.,

just traveling through New Paltz
for one day next week.

We can get an appointment,
but it costs $250.

But if it's Robbie, there's no problem.
I know he has the money.

- I'm sure if you tell him--
- He knows.

(Sad chuckle)

Go back to your playpen...
Baby.

Just where do you get off
telling me what's right?

Well, you can't just leave her.

I didn't blow a summer
hauling toasted bagels

just to bail out some little chick who
probably balled every guy in the place.

A little precision, please, Baby.

Some people count...
and some people don't.

Read it.

I think it's a book you'll enjoy,

but make sure you return it.
I have notes in the margin.

You make me sick.

Stay away from me, stay away
from my sister or I'll have you fired.

(Birds chirping)

What am I doing wrong?

You're lining it up
a little wrong, Marge.

- Daddy.
- If your mother ever leaves me,

it'll be for Arnold Palmer.

- Daddy, someone's in trouble.
- Besides your mother?

You're overcorrecting, Marge.

And you always told me if someone
was in trouble, I should try to help.

Could you lend me $250?

Are you all right, Baby?
Are you in some kind trouble?

No, no, it's not me.
Could you lend it to me?

That's a lot of money, Baby.
What's it for?

Baby, stand up straight.

I can't tell you.

It's hard for me to say that
to you, but I can't.

You always said you could
tell me anything.

I can't tell you this.

It's not illegal, is it?

No, Daddy.

That was a stupid thing to ask.
Forgive me.

I'll have it for you before dinner.

- Is everything all right?
- Fine.

Thanks, Daddy.

♪ ("Stay" by Maurice Williams
and The Zodiacs playing) ♪

Here's the money.

You mean Robbie?

No. You were right about him.

- Then where'd you get it?
- You said you needed it.

Is this kid for real?

Yeah, it takes a real saint
to ask Daddy.

Thanks, Baby, but I can't use it.

What? What's the matter with you?
You should take the money.

I can only get her
an appointment for Thursday.

They do their act at the Sheldrake
on Thursday night.

If they cancel, they lose this
season's salary and next year's gig.

What's the Sheldrake?

It's another hotel where
they do their mambo act.

Can't someone else fill in?

No, Miss Fixit.
Somebody else can't.

Maria has to work all day.
She can't learn the routines.

And Janet has to fill in for Penny.
Everybody works here.

What, you wanna do it? Wanna
take time out from "Simon Says"?

It's not a bad idea.

It was a joke, Billy.

She can move.

No, it's the dumbest idea
I ever heard of.

- I can't even do the merengue.
- See?

Johnny, you're a strong partner.
You can lead anybody.

But you heard her!
She can't even do the merengue.

She can't do it.
She cannot do it.

- No!
- Oh, sorry.

- Oh!
- Sorry.

You don't step on the one.

You gotta start on the two.
Find the two. You understand?

Told you I never did
any of these dances before.

Now it's one, two, three, four.
One, two, three, four.

Now, the music starts, you don't
dance until the two.

- Got it?
- Yes.

- (Music playing)
- Relax, relax.

Breathe.

Frame.

Nope.

♪ ("De todo un poco"
by Melon playing) ♪

Again.

- Ow.
- (New song begins)

Two, three, four.
Two, three, four.

Don't lean back. Lifting up.

Two, three, four.
Shoulders down.

Two, three, four.
Two, three, four.

Two, three, four. Two, three, four.

- Two, three, four.
- (Sighs)

Again. Now concentrate. And...

♪ ("Wipe Out"
by The Surfaris playing) ♪

Don't put your heel down.

- Don't put your heel down.
- I didn't--

Stay on the toe.
Just listen to me.

The steps aren't enough.

Feel the music.

♪ ("Wipeout" continues) ♪

It's not on the one.
It's not the mambo.

It's a feeling, a heartbeat.

(Imitates heartbeat sound)

Don't try so hard.

(Imitates heartbeat sound)

Close your eyes.

♪ ("Hungry Eyes"
by Eric Carmen begins) ♪

Two, three, four.

Two, three, four.
Two, three, four.

Two, three, four. Two, three, four.

Breathe. Two, three, four.

Two, three, four.

Head up. Lock your frame.

Lock it. Lock it.
Look, spaghetti arms.

This is my dance space.
This is your dance space.

I don't go into yours.
You don't go into mine.

You gotta hold the frame. Again.

Frame.

♪ ("Hungry Eyes" continues) ♪

♪ I look at you and I fantasize ♪

♪ You're mine tonight ♪

♪ Now I've got you in my sights ♪

♪ With these hungry eyes ♪

♪ One look at you, and I can't disguise ♪

♪ I’ve got hungry eyes ♪

♪ I feel the magic between you and I ♪

♪ I want to hold you, so hear me out ♪

♪ I want to show you
what love's all about ♪

♪ Darlin', tonight ♪

♪ Now I've got you in my sights ♪

♪ With these hungry eyes ♪

♪ One look at you,
and I can't disguise ♪

♪ I’ve got hungry eyes ♪

♪ I feel the magic
between you and I, yeah ♪

♪ Hungry eyes ♪

♪ Now I've got you in the sights ♪

♪ With these hungry eyes ♪

♪ Now did I take you by surprise? ♪

♪ I need you to see ♪

♪ That you were meant for me ♪

♪ I need you ♪

♪ Hungry eyes ♪

♪ Now I've got you in the sights ♪

♪ Of my hungry eyes ♪

♪ I’ve got you
in the sights ♪

♪ Hungry eyes ♪

♪ Hungry eyes ♪

♪ Hungry eyes ♪

♪ Hungry eyes. ♪

Back. Easy.

And turn, turn. Down.
And lift. You'll learn that later.

And come on.

Down. Twist.

And the bow.

- Sorry. Sorry.
- You trying to kill me?

You gotta concentrate!
Is that your idea of fun?

Yes, as a matter of fact it is.

We're supposed to do the show
in two days,

you won't show me lifts,
I'm not sure of turns.

I'm doing all this
to save your ass.

What I really want to do
is drop you on it!

Let's get out of here.

♪ ("Overload" by Zappacosta playing) ♪

Shit!

I locked the keys in the car!

You're getting wet, right?

- You're wild.
- What?

You're wild!

(Laughing)

♪ ("Overload" continues playing) ♪

Now, the most important thing
to remember in lifts is balance.

- Whoa! Whoa!
- (Baby giggles)

- I got it now.
- (Laughs)

So where'd you learn
to be a dancer?

Well, this guy came into
this luncheonette one day,

and we were all sitting around
doing nothing.

And he said that Arthur Murray
was giving a test for instructors.

So, if you passed...

they teach you all these
different kinds of dances,

show you how to break them down,
how to teach them, you know.

What?

No.

Good.

No, no, don't look down.
Right here.

Good.

And...

Whoo... (Laughs)

♪ ("Hey Baby" by
Bruce Channel playing) ♪

Now, bend your knees
and go up. Go, go.

Good try.

Now, you'll hurt me if you
don't trust me, all right?

Now, go, go. Go.

Good. Now, I'm gonna
go up, all right?

(Baby screams, laughs)

(Johnny) You know, the best place
to practice lifts is in the water.

Just bend your knees.
And... go.

Good.

Good. Good.

Now hold the position. Hold it.

Good. Don't break! Don't break!

(Baby screams)

(Both laughing)

(Softly) Okay.

- All right, let's do it again.
- Okay.

- Okay. All right. One, two, three.
- Okay.

Oh, sorry.

- Good. Keep-- No, don't.
- (Yelps)

(Laughing)

It's not too bad.

- One more time.
- Okay. Over my head. Go.

I can't believe it's tonight.

The Sheldrake's 20 minutes away.
We'll change in the car.

(Gasps)

Mrs. Schumacher!

Hey, Mrs. Schumacher.
Hey, wait, we'll help you.

(Mrs. Schumacher)
Such junk. Such junk.

(Laughs)

Benny Bernstein's Dancing School,
Avenue B.

That's where I went.

George Burns was a teacher.

Oh...

- Thank you.
- You're welcome.

So I'll just keep
my shoulders down, my head up,

my frame locked, stay on my toes...

What if I forget the steps?

Pull up, watch your frame.
And remember, let him lead you.

I'm afraid I'm gonna forget to spike,
get dizzy and fall on my face.

No. Don't look at my feet,
keep my head up, my eyes open,

tension in my arms,
my frame locked, seat pulled up...

Thanks, Baby.

Look, I just want you to know
that I don't sleep around...

whatever Robbie might have told you.

And I thought that he loved me.

I thought it was something special.

Anyway, I just wanted you
to know that.

So, how does it look?

(Sad chuckle)

(Giggling)

I'm scared.

I'm so scared, Baby.

Don't worry.

You'll be fine. You'll be fine.

(Stan) Bingo! Bingo! Bingo!

That's right, it's Thursday night
at Kellerman's. That's bingo night.

- Hey, how about a dance later?
- Could be. Who knows?

Lisa, you just gotta
do something for me.

I don't just gonna do anything.

Just tell Mommy and Daddy
I have a terrible headache

and I'm in bed and check
on me once, okay?

Bye.

(Emcee) The Sheldrake Hotel
is proud to present

Johnny Castle and partner

in "Mambo Magic."

♪ ("De todo un poco" begins) ♪

Relax.

Cross-body lead.

Wrong way!

Over here.

Ready for the lift?

Come on.

Keep going. Keep going.

(Applause)

(Applause continues)

(DJ on radio)
...because wherever you are now,

I want you to IBook at the sky.
Look at those stars.

What a show.
Here are The Drifters.

You did good.
You worked hard.

I saw that old couple from Kellerman's
and I thought that was it.

Oh! Me too. Me too.

You know, but by the second turn
you really had it.

- But I didn't do the lift.
- You did real good.

♪ ("Some Kind of Wonderful"
by The Drifters playing) ♪

(Groans)

(Crickets chirping)

(Whistles)

Thanks.

Johnny!

Come on. It's Penny.

- She wouldn't go until you got back.
- You didn't call an ambulance?

She said the hospital would call
the police. She made me promise.

- (Whimpering)
- He didn't use no ether, nothing.

I thought you said
he was a real M.D.?

The guy had a dirty knife
and a folding table.

I could hear her screaming
in the hallway.

And I swear to God, Johnny,
I tried to get in. I tried!

- (Shuddering)
- It's all right.

Johnny's here.

What? What is it, Baby?

- Is it Lisa?
- No.

Excuse me. Excuse me!
Everybody clear out, please.

- (Groaning)
- Okay.

(Shuddering, sobbing)

Oh... (Sobs)

Yes, I know that hurts.
We're gonna take care of that.

(Sighs)

- Who's responsible for this girl?
- I am.

Please, is she--

(Crickets chirping)

Doc, thanks a lot.

Dr. Houseman, I don't know
how to thank you, to tell you, to--

Was that what my money paid for?

Daddy, I'm sorry.
I never meant to lie.

You're not the person I thought you were,
Baby. I'm not sure who you are.

But I don't want you to have anything
to do with those people again.

- Can I just explain--
- Nothing!

You're to have nothing to do
with any of them ever again!

I won't tell your mother about this.
Right now I'm going to bed.

And take that stuff off your face
before your mother sees you!

(Owl hooting)

(Marge) Is everything
all right, Jake?

It's all right, Marge.
Go back to sleep.

♪ ("These Arms of Mine"
by Otis Redding playing) ♪

(Knock on door)

Can I come in?

I got a-- I guess it's not a great room.
You probably got a great room.

No. It's a great room!

No, leave it on.

I'm sorry about the way
my father treated you.

No. Your father was great.

He was great.
The way he took care of Penny--

Yes, but I mean the way
he was with you.

It's really me it has to do with.

Johnny, I came here because my father--

No. The way he saved her--

I mean, I could never do
anything like that.

That was something.

I mean, the reason people treat me
like I'm nothing is because I'm nothing.

That's not true! You--
You're everything!

You don't understand the way it is
for somebody like me.

Last month I'm eating jujubes
to keep alive.

This month, women are stuffing
diamonds in my pockets.

I'm balancing on shit and as quick
as that I can be down there again.

No, it's not the way it is!
It doesn't have to be that way!

I've never known anybody like you.

You look at the world and you think
you can make it better.

Somebody's lost, you find them.
Somebody's bleeding--

And I go get my daddy.
That's really brave, like you said.

That took a lot of guts
to go to him!

I mean...
You are not scared of anything.

Me? I'm scared of everything!
I'm scared of what I saw.

I'm scared of what I did,
of who I am.

And most of all, I'm scared
of walking out of this room

and never feeling the rest of my whole life
the way I feel when I'm with you!

(Record player clicks)

♪ ("Cry to me"
by Solomon Burke begins) ♪

Dance with me.

- What, here?
- Here.

♪ ("Cry to Me"
continues playing) ♪

(Birds chirping)

(Stan) Singers, dancers, actors,
this is your lucky day!

The auditions for the annual Kellerman
end-of-the-season talent show

beginning in the playhouse.

- So everyone gonna be in the show?
- No, we're leaving tomorrow.

Miss the weekend traffic.

But Jake, we're paid up 'til Sunday.

- Daddy! And miss the show?
- I said we're leaving tomorrow.

But Daddy, I was going
to sing in the show.

(Neil) It's the big event.

People bring their own arrangements.

You don't want to miss it.
Oh, Baby, I need you for props.

Jake, why would you want
to leave early?

It was just an idea.
We can stay if you want to.

So, Lisa, what were you
planning to sing?

"I Feel Pretty."

Or "What Do the Simple Folk Do?"

Or "I Feel Pretty."
What do you think, Daddy?

(Radio playing indistinct)

- (Penny) Hi.
- Hi.

You look much better.

You just missed your father.
He's such a wonderful man.

I'm sorry. I didn't realize--

No, you couldn't have. It's okay.

(Knock on door)

- Hey!
- Johnny.

- So, how you doin'?
- I'm okay.

Yeah?

Dr. Houseman says
I'm going to be fine.

I can still have children.

Oh, Penny, that's great,
that's really great.

So? How did it go last night?

Good.

Fine. I didn't do the lifts,
but it was good.

Well, I guess I--
I guess I'm gonna go.

Bye.

See ya.

So, he says you're
going to be fine?

- Johnny, what are you doing?
- Don't worry about Max.

I'll tell him your grandmother
died or something.

How many times have you told me
never get mixed-up with them?

I know what I'm doing, Penny.

You listen to me.
You've got to stop it now.

Look, um, I gotta run.

I got a lesson with the Kramers
in three minutes,

and they'll kill each other
if I'm not there.

Well, sure. You've gotta go.

I'll see ya.

Johnny!

(Thunder rolling)

(Stan) It's rainy day game time.
Pin the tail on the guest.

Win ten boxes of Kleenex
or a billy goat!

God, I am so sick of this rain.

Remind me not to take my honeymoon
at Niagara Falls.

So, you go to Acapulco.
It'll be fine.

Where is my beige iridescent lipstick?

I know I put it in this drawer.

Baby, where are you going
in this weather?

Uh, they're having charades
in the west lobby.

Quite the little joiner,
aren't we?

♪ ("Will You Love Me Tomorrow?"
by The Shirelles playing) ♪

- Have you had many women?
- What?

Have you had many women?

Baby, come on.

- Tell me. I want to know.
- No! No!

(Scoffs)

(Thunder rolls)

Look, you gotta understand
what it's like, Baby.

You come from the streets
and suddenly you're up here,

and these women, they are throwing
themselves at you,

and they smell so good.

And they really take care
of themselves.

I mean, I never knew women
could be like that, you know?

And they're so rich,
so goddamn rich

that you think they must know
about everything.

And they're slippin' their room keys
in my hand two or three times a day--

Different women-- and so here I think
I'm scorin' big, right?

For a while, you think, "Hey!

They wouldn't be doing this
if they didn't care about me, right?"

That's all right. I understand.
You were just using them, that's all.

No! No, that's not it.

That's the thing, Baby.
See, it wasn't like that.

They were using me.

♪ ("Will You Still Love Me Tomorrow"
continues playing) ♪

What's your real name, Baby?

Frances, for the first woman
in the Cabinet.

(Laughs)

Frances. That's a real grownup name.

(Crickets chirping)

I've decided to go
all the way with Robbie.

Oh, Lisa, no!
Not with someone like him.

Do you think if we came back here for
a 10th anniversary, it would be free?

It's just wrong this way.
It should be with someone--

It should be with someone that--
that you sort of love.

Oh, come on.
You don't care about me.

You wouldn't care if I humped
the entire army

as long as they were on the right side
of the Ho Chi Minh Trail.

What you care about is that
you're not Daddy's girl anymore.

He listens when I talk now.

You hate that.

(Whistle blowing)

(Baby) Two, three, cha-cha-cha.

Hey, my frame!
Where's my pleasing arc?

Spaghetti arms! Would you
give me some tension, please?

You're invading my dance space.
This is my dance space.

That's yours. Let's cha-cha.

Don't look down.
Look right here.

(Lip-syncing) - Sylvia?
- Yes, Mickey?

How you call your lover boy?

Come here, lover boy.

- And if he doesn’t answer?
- Oh, lover boy.

And if he still doesn’t answer?

I simply say...

♪ Baby ♪

♪ O-Oh, baby ♪

♪ My sweet baby ♪

♪ You're the one ♪

- Johnny!
- Yeah?

(Song volume lowers)

Baby, uh, you takin' dance lessons?

I could teach ya, kid.

(Needle scratches record)

Uh... Johnny, my grandfather
put me in charge of the final show.

I want to talk to you
about the last dance.

I'd like to, uh,
shake things up a bit.

- You know, move with the times.
- Yeah?

- Yeah.
- I've got a lot of ideas.

I've been working
with the staff kids

on this, like, cross between
this Cuban rhythm and soul dancing.

- It goes...
- Whoa, whoa, whoa, boy.

Way over your head here.

Now, I thought you always do
the mambo, huh?

Why not dance
this year's final dance...

to the pachanga?

Right.

Well, you're free to do the same
tired number as last year if you want,

but next year we'll find
another dance person

- who'll only be too happy--
- Sure, Neil. No problem.

We'll end the season
with the pachanga.

Great idea.

Sometimes he's hard to talk to,
but the ladies seem to like him.

See that he gives you the full half-hour
you're paying him for, kid.

(Footsteps depart)

That little wimp! He wouldn't know a new
idea if it hit him in the pachanga.

He wants some new ideas?
I could have told him some new ideas.

Well, why did you let him
talk to you that way?

What do you mean,
fight the boss man?

You tell him your ideas. He's a person,
like everyone else.

Look, I know these people, Baby.

They are rich and they're mean.
They won't listen to me.

Well, then why not fight harder?
Make them listen.

Because I need this goddamned job
lined up for next summer.

My dad calls me today,
he says, "Good news"' you know?

He says, "Uncle Paul can finally
get you in the union."

What union?

The House Painters and Plasterers,
Local Number 179, at your service.

- (Door opens)
- (Gasps)

I've been thinking a lot
about the domino theory.

Now, when Vietnam falls,
is China Next?

I don't think they saw us.

Fight harder, huh?

I don't see you fightin'
so hard, Baby.

I don't see you running up to Daddy
and tellin' him I'm your guy.

I will. With my father,
it's complicated.

- I will tell him.
- I don't believe you, Baby.

I don't think...

that you ever had
any intention of telling him.

Ever.

(Cousin Brucie) Well, cousins, it's almost over.
Labor Day weekend is here,

and soon it's back to the old books
and back to work.

Oh, what a terrible thought!

(Indistinct chatter)

Hi, have you seen Johnny?

(Music playing on radio,
indistinct)

I'm sorry.

Hey, well, it looks like I picked
the wrong sister.

That's okay, Baby.
I went slummin' too.

Oh, Johnny!

- (Groans)
- (Girls exclaim)

(Grunting and groaning)

Hit me. Hit me.

- (Grunting)
- (Guys cheer)

Get out of here.
You're not worth it.

You're not worth it.

- (Robbie coughs)
- (Johnny breathing hard)

♪ Who's this Hula Hanna
of Kamana Wanna Hula Bay ♪

♪ She will hula when you
have a lovely gift she wants ♪

♪ You'll hear her say ♪

♪ Bring me a pineapple
that doesn’t sting ♪

♪ A bird that swims,
a fish that sings ♪

♪ I want 'em, I really want 'me ♪

♪ Bring me a volcano that
blows up all the molten jam-a ♪

-♪ And a blue banana. ♪
- Hi, Vivian.

Win big, Moe. As always.

♪... A fish that sings,
I want 'em, I really want 'me ♪

♪ Bring me a volcano that
blows up all the molten jam-a ♪

♪ And a blue banana, I can, I canna ♪

♪ And you can wacka all you wanna ♪

♪ While I hula all the day away ♪

This is our last night together, lover.

I've got something worked out for us.

(Lisa) ♪ All the day away ♪

♪ All the boys
of Okakokanoka Island ♪

♪ Gathered all the gifts
that Hula Hanna asked ♪

♪ They have combed their island
home fulfilling each whim ♪

♪ And it's worth it when they
watch her shake her grass ♪

Four, five.♪ Bring me
a gentle breeze. ♪

Excuse me, sir.
The pirate number's next.

Oh, yeah, thanks.

Hey, kid. Listen, you know,
I play cards all weekend

and I've got an all-night game tonight.

Why don't you give my wife
some extra dance lessons?

(Lisa) ♪ ...doesn’t sting ♪

♪ A bird that swims,
a fish that sings ♪

♪ I want 'em, I really want 'em ♪

Um...

I'm sorry, Mr. Pressman,

but I'm booked up the whole weekend here,
with the show and everything.

So I won't have time
for anything else.

I don't think it'd be fair
to take the money.

(Lisa) ♪ ...you can wacka
while I walk away ♪

♪ And you can wacka all you wanna ♪

♪ You can wacka while I walk away ♪

♪ Away ♪

(Higher pitch) ♪ Away ♪

(Highest pitch) ♪ Away ♪

(Song ends)

I've decided tonight's
the night with Robbie.

He doesn't even know yet.

Oh, hey, Lisa!

♪ ("Yes" by Merry Clayton
playing throughout) ♪

Robbie. It's me.

(Robbie) Holy shit!

("Yes" stops)

♪ ("In The Still of the Night"
by The Five Satins playing) ♪

You wanna hear somethin' crazy?

Last night I...

I dreamt we were walking along
and... we met your father,

and he said, "Come on"
and he put his arm around me.

Just like he did with Robbie.

♪ ("In The Still of the Night"
continues playing) ♪

(Indistinct chatter)

You know how you feel when you see
a patient and you think he's all right,

then you look at the X-rays
and it's nothing like you thought?

What happened, Max?

It's exactly what it's like when you
find out one of your staff's a thief.

Moe Pressman's wallet was stolen when
he was playing pinochle last night.

It was in his jacket hanging
on the back of his chair.

He had it at 1:30,

and when he checked again
at quarter of 4:00...

it was missing.

Vivian thinks she remembers
this dance kid, Johnny, walking by.

So we ask him, "You have
an alibi for last night?"

He says he was alone
in his room reading.

(Chuckles)

There are no books
in Johnny's room!

There's been a mistake.
I know Johnny didn't do it.

There's been similar thefts
at the Sheldrake.

It's happened here before.
Three other wallets.

- Well, I know he didn't do it.
- Stay out of it, Baby.

- (Table dragging across floor)
- (Max) Wait.

Don't put those tables together.
Come on.

Daddy, I need your help.

I know Johnny didn't take
Moe's wallet. I know.

- Oh? How do you know?
- I can't tell you.

- Just please trust me, Daddy.
- I'm sorry, Baby. I can't.

This Danish is pure protein.

Mr. Kellerman, look.

Uh...

Maybe Johnny didn't do it.
Anyone could've taken it.

Maybe it was, uh--

You know, it could've been that
little old couple, the Schumachers.

- I saw her with a couple of wallets.
- Sylvia and Sidney?

Baby, you don't go around
accusing innocent people.

Yeah, but I saw them!
I even saw them at the Sheldrake.

Didn't you say something
was stolen at the Sheldrake?

I got an eyewitness
and the kid has no alibi.

Come on, Neil.

You'll learn what it's like
to fire an employee.

No, Mr. Kellerman, wait a minute.

I know Johnny didn't take the wallet.

I know he didn't take it because
he was in his room all night.

And the reason I know...

is because I was with him.

(Birds chirping)

I told you I was telling
the truth, Daddy.

I'm sorry I lied to you.

But you lied too.

You told me everyone was alike
and deserved a fair break.

But you meant everyone
who is like you.

You told me you wanted me to change
the world, to make it better.

But you meant by becoming
a lawyer or an economist,

and marrying someone from Harvard.

I'm not proud of myself,
but I'm in this family too,

and you can't keep giving me
the silent treatment.

There are a lot of things about me
that aren't what you thought.

But if you love me, you have to love
all the things about me.

(Voice breaking) And I love you.

(Crying) I'm sorry I let you down.
I'm so sorry, Daddy.

But you let me down too.

(Bird cawing)

(Door opens)

I have been lookin'
for you all over.

They found the Schumachers.

They fingerprinted their water glasses,

they found out they were wanted
in Arizona and Florida,

and they made a fortune
here this summer.

So then it's all right.

I knew it would work out.

- I knew they'd have to apologize.
- I'm out, Baby.

They fired you anyway
because of me.

And if I leave quietly,
I'll get my summer bonus.

So I did it for nothing.

I hurt my family,
you lost your job anyway--

- I did it for nothing!
- No, no, not for nothing, Baby.

Nobody has ever done anything
like that for me before.

You were right, Johnny.

You can't win no matter
what you do.

You listen to me.

I don't want to hear that
from you. You can!

I used to think so.

(Indistinct chatter)

Dr. Houseman, can I, uh--

Look, I'm going anyway and I know
what you must be thinking.

You don't know anything
about me. Anything at all.

I know you want Baby
to be like you.

You know, the kind of person
that does things

that make other people
look up to them.

Well, Dr. Houseman, Baby is like that.
I mean, if you could just see--

Don't you tell me what to see.

I see someone in front of me
who got his partner in trouble

and sent her off to some butcher,

while he moved on to an innocent,
young girl like my daughter.

Yeah, I guess that's
what you would see.

♪ ("She's Like The Wind"
by Patrick Swayze begins) ♪

- Well...
- (Baby sighs)

I can't imagine being here
without you even one day.

Just think, you have more time
for horseshoes and croquet.

(Chuckles)

♪ She's like the wind ♪

Maybe they'll saw you
in seven pieces now.

♪ Through my tree ♪

- I guess we surprised everybody.
- (Laughing)

- I guess we did.
- (Baby laughs)

♪ She leads me through moonlight ♪

♪ Only to burn me with the sun ♪

(Sighs) I'll never be sorry.

♪ She's taken my heart ♪

Neither will I.

♪ She doesn’t know
what she’s done ♪

♪ Feel her breath on my face ♪

- I'll see ya.
-♪ Her body close to me ♪

♪ Can't look in her eyes ♪

♪ She's out of my league ♪

♪ Just a fool to believe
I have anything she needs ♪

♪ She's like the wind ♪

♪ I look in the mirror ♪

♪ And all I see ♪

♪ Is a young old man ♪

♪ With only a dream ♪

♪ Am I just fooling myself ♪

- Baby?
-♪ That she'll stop the pain? ♪

I'll do your hair.

♪ Living without her ♪

It could look pretty if--

♪ I'd go insane ♪

- No.
- ♪ I feel her breath in my face ♪

You're prettier your way. Looser.

♪ Can't look in her eyes ♪

♪ She's out of my league ♪

♪ Just a fool to believe
I have anything she needs ♪

♪ She's like the wind ♪

(Song ends)

♪ Kellermans, we come together ♪

♪ Singing all as one ♪

♪ We have shared another season's ♪

♪ Talent, play and fun ♪

♪ Summer days will soon be over ♪

♪ Soon the autumn starts ♪

♪ And tonight the memories whisper ♪

♪ Softly in our hearts ♪

♪ Join hands and hearts and Voices ♪

♪ Voices, hearts and hands ♪

♪ At Kellerman's the friendships last ♪

♪ Long as the mountain stands ♪

♪ Daytime, nighttime, any hour ♪

♪ Weather rain or shine ♪

♪ Games and lectures ♪

♪ Jokes and music ♪

♪ Happily combine ♪

♪ Join hands and hearts and Voices ♪

♪ Voices, hearts and hands ♪

♪ At Kellerman's. ♪

Robbie!

♪ Long as the mountain stands ♪

Good luck in medical school, son.

And I wanted to thank you for your help
with the Penny situation.

I guess we've all gotten
into messes like these.

What?

I thought Baby told you.
Look, I'm not sure.

I mean, Penny said so,
but you know with girls like that.

They're liable to pin it
on any guy around.

♪ Join hands and hearts and Voices ♪

♪ Voices, hearts and hands ♪

Hello, landsman!

(Both speaking Yiddish)

You and me, Tito.
We've seen it all, eh?

Bubbah and Zeda serving the first
pasteurized milk to the boarders.

Through the war years,
when we didn't have any meat.

Through the Depression,
when we didn't have anything.

Lots of changes, though, Max.
Lots of changes.

It's not the changes
so much this time, Tito.

It's-- it's that it all seems
to be ending.

You think kids want to come with their
parents and take fox-trot lessons?

Trips to Europe,
that's what the kids want!

Twenty-two countries in three days.

It feels like it's all slipping away.

♪ But the heart needs a vacation ♪

♪ Where no cares are seen ♪

♪ So let's join in
just one last chorus ♪

♪ Visitors, staff and guests ♪

♪ What we've shared won't be forgotten ♪

♪ Old friends are the best. ♪

♪ Join hands and hearts and Voices ♪

♪ Voices, hearts and hands ♪

♪ At Kellerman's the friendships last ♪

♪ Long as the mountain stands ♪

- (Excited chatter)
- Hey, Johnny.

♪ Voices, hearts and hands ♪

♪ At Kellerman's the friendships last ♪

♪ Long as the mountain stands ♪

Nobody puts Baby in the corner.

Come on.

(Song continues)

(Audience chattering)

Sorry about the disruption, folks,

but I always do the last dance
of the season.

But this year somebody
told me not to.

So I'm gonna do my kind of dancin'
with a great partner...

who's not only a terrific dancer...

but somebody who's taught me

that there are people willing
to stand up for other people,

no matter what it costs them.

Somebody who's taught me...

about the kind of person
I want to be.

Miss Frances Houseman.

Sit down, Jake.

(People murmuring)

♪ ("I've Had) The Time of My Life" begins) ♪

♪ Now I've ♪

♪ Had the time of my life ♪

♪ No, I never felt like this before ♪

♪ Yes, I swear it's the truth ♪

♪ And I owe it all to you ♪

♪'Cause I’ve ♪

♪ Had the time of my life ♪

♪ And I owe it all to you ♪

(People cheering)

♪ I’ve been waiting for so long ♪

- ♪ Now I finally found someone ♪
- (Rhythmic clapping)

♪ To stand by me ♪

♪ We saw the writing on the wall ♪

♪ As we felt this magical fantasy ♪

♪ Now with passion in our eyes ♪

♪ There's no way we could
disguise it secretly ♪

♪ So we take each other's hand ♪

♪'Cause we seem to understand
the urgency ♪

I think she gets this from me.

♪ Just remember ♪

♪ You're the one thing ♪

♪ I can't get enough of ♪

♪ So I’ll tell you something ♪

♪ This could be love ♪

♪ Because ♪

♪ I’ve had the time of my life ♪

♪ No, I never felt this way before ♪

♪ Yes, I swear it's the truth ♪

♪ And I owe it all to you ♪

♪'Cause I’ve ♪

♪ Had the time of my life ♪

♪ And I've searched through
every open door ♪

♪ Till I’ve found the truth ♪

♪ And I owe it all to you ♪

Whoo!

♪ Hey, baby ♪

Yeaaaah!

♪ Oh, yeah yeah yeah ♪

♪ With my body and soul ♪

♪ I want you more than you'll ever know ♪

♪ So we'll just let it go ♪

♪ Don't be afraid to lose control ♪

♪ Yes, I know what's on your mind ♪

♪ When you say, "stay with me tonight" ♪

♪ Stay with me ♪

♪ And remember ♪

♪ You're the one thing ♪

♪ I can't get enough of ♪

♪ So I’ll tell you something ♪

♪ This could be love ♪

♪ Because ♪

♪ I’ve had the time of my life ♪

♪ No, I never felt this way before ♪

♪ Yes, I swear it's the truth ♪

♪ And I owe it all to you ♪

♪'Cause I’ve ♪

♪ Had the time of my life ♪

♪ And I've searched
through every open door ♪

♪ Never felt this way ♪

♪ Till I found the truth ♪

♪ And I owe it all to you ♪

♪ Yeaaah ♪

♪ Whoa ho ho ho ♪

Do you have sheet music
on this stuff?

I know you weren't the one
who got Penny in trouble.

Yeah.

When I'm wrong, I say I'm wrong.

You looked wonderful out there.

♪ ("I've Had) The Time of my Life"
continues playing) ♪

♪ Now I've ♪

♪ Had the time of my life ♪

♪ No, I never felt this way before ♪

♪ Never felt this way ♪

♪ Yes, I swear it's the truth ♪

♪ And I owe it all to you ♪

♪ I’ve had the time of my life ♪

♪ And I've searched
through every open door ♪

♪ Till I found the truth ♪

♪ And I owe it all to you ♪

♪ I had the time of my life, baby! ♪

♪ I’ve had the time of my life ♪

♪ No, I never felt this way before ♪

♪ Never felt this way ♪

♪ Yes, I swear it's the truth ♪

♪ And I owe it all to you ♪

♪'Cause I ♪

♪ Had the time of my life ♪

♪ And I've searched
through every open door ♪

♪ ("Yes" by Merry Clayton playing) ♪

(Cousin Brucie) Wow, what a groovy,
boss summer this has been, cousins.

'63 will go down in history
as the best summer for me.

Hope for you, too.
And girls, please remember

that you promised
to respect him in the morning.

(Laughs)

♪ ("Yes" continues) ♪