Original subtitles

- Okay.

Okay, okay.

It's a dream.

Okay, it's a dream, it's a dream.

Wake up.

Come on, wake up!

Fuck!

What the fuck is happening to me?

What the fuck is happening to me?

What the fuck is happening to me?

Wake up!

Dallas?

Shit.

What the fuck is going on?

What is going on with me?

What is going on with me?

- Blair?

Blair, are you there?

- Blair?

- Hello?

- Blair?

- Go to Mockingbird Station

- Blair?

and don't talk to anyone, especially no police.

- Blair?

Stay away from anyone in a suit.

- Blair?

Okay?

- Blair?

- Wait, what do you mean?

- Blair?

- You've got to leave right now.

- Blair?

- Who is this?

- Blair?

- Blair, go!

- Blair?

Blair, run!

- Blair?

- Who is this?

- Blair?

- Run!

- Blair?

- Shit.

Fuck!

- Front desk.

- Hi,

- Front desk.

I need to know how to get to,

- Front desk.

the train to Mocking, Mockingbird Station.

- Front desk.

- Mockingbird Station?

- Front desk.

- Can you tell me?

- Front desk.

- Yes, please hold for one second.

- Front desk.

- Front desk.

- Blair?

Blair?

Fuck.

Hello?

Shit.

Fuck.

Okay, okay.

Okay.

Okay.

Okay.

Okay, okay.

Mockingbird Station.

Okay, okay.

Okay.

Okay.

Okay.

- Yeah.

What did he say other than that?

- Yeah.

No.

- Yeah.

Okay.

Okay.

- Where's she going?

- Um.

Fuck.

All right.

- Blair!

- Where the fuck is Mockingbird?

- Blair!

This is the red line.

Down to Union Station.

- Did she get on the train?

- I don't know.

I don't see her.

- I don't know.

- Did you see her get on the train?

- I don't know.

Okay, well that was unexpected.

Find out where that train stops.

Okay, well that was unexpected.

Find out where it ends up.

Okay, well that was unexpected.

I'm gonna call this in.

Okay, well that was unexpected.

- Yeah.

Let me see if I can catch him.

- Yeah.

Yeah, just a second.

Hold on.

Director!

Director Loyd!

Director!

Director!

Director!

Just a second.

Director!

Director!

Director!

Director L...

Director!

Director!

Sir, sir.

Director!

Sorry, sorry.

It's Mari and Tell.

I know you need to go, but you need to take this.

- Mari?

- We've had a, uh, development.

She wasn't in the room.

- Clarify with information that is useful.

She wasn't in the room.

I'm not concerned with where she wasn't.

- No, what I mean is that she left the hotel.

She got on a train.

We're finding out where it goes,

and we're gonna go get her.

- Proceed.

But, remember, if we don't get to her,

the results, the ramifications, could be catastrophic.

So move quickly, move with caution, but move with purpose.

Time is as much of an enemy to us as it is to her.

- Yes, sir.

Yes, sir.

- Sir?

Sir, do--

- Sir?

- You're on your own.

- Sir?

- Okay, I'll, I'll stay here tonight,

and uh, I'll keep, I'll keep you posted.

Thank you.

- Where could she possibly be going?

- We need to call a team to scrub the room.

I want to know if there was anything up there.

- We need to call a team to scrub the room.

- Okay.

- There's got to be a reason it's different this time.

She was supposed to be there.

- Did you see her?

Did you see her face?

- Yeah, I saw her face.

- She's gone.

- Where's that train going?

- She's gone.

- She's gone.

This line.

It's going to Mockingbird Station.

This line.

Red line.

- But wait, what, what the hell is over there?

Red line.

What's over there?

- I don't know.

That's what we get paid to find out, so let's find out.

- Now arriving, Mockingbird Station.

Doors will open to the left.

Mockingbird Station.

- Come with me.

Blair, Blair.

- Who the fuck?

- I'm your sister, Victoria.

- What?

- Okay, we have to get you out of here.

Let me look at you.

Are you okay?

Do you feel okay?

- I--

- Are you hurt?

- I don't, I--

- I don't know!

I don't know, I don't know.

- It's okay.

Okay, calm down.

Look, I'm the only person you can trust right now, okay?

- I know you, don't know.

I don't know what's going on.

- You just have to come with me.

- I don't know what's going on!

- Blair.

- Okay, we have to get you out of here.

Please don't make a scene.

I don't know where they are, okay?

I'm the only person you can trust right now.

Let's go.

- Okay, okay, okay.

You're my sister?

- I'm your sister.

My name is Victoria.

Do you remember anything?

- I don't remember anything.

I just, I,

I woke up in, I woke up in a hotel and,

wait, are you, are you really my sister?

- I'm really your sister.

- How do I know?

- I will explain more when we get to the car.

We've got to get out of here.

We can't do this now.

I'm the only person you can trust, Blair.

I'm the only person you can trust, okay?

I'm the only person you can trust.

You've got to trust me.

- How do I know?

- Just trust me.

- What--

- There's our car.

- What happened to me?

- I'm not sure.

I don't know.

- You don't know?

- No.

Get in and I'll explain everything.

- How did you know where I was?

- I, I work for the people that did this to you.

They wiped your memory, Blair.

- What do you mean they wiped my memory?

- That's what they do.

They're the people I work for.

- And I work for them?

- Yes.

- What...

I, what do I do?

- I'm gonna get you some help.

- What do I do?

- Well, we rehabilitate soldiers,

artificial limbs, robotic body parts.

- Where are you taking me?

- I've got to find someone,

the only person I know that can help you.

Okay, I have to find him.

We're gonna see a few people

so I can get, so I can get in contact with him.

I don't know how.

- You don't know how?

- I haven't seen him in a long time.

Look, I know this, this is crazy.

I understand.

You don't understand what's going on.

Do you remember anything?

- I don't even remember you.

- Do you remember anything?

- I don't remember--

- Okay, let's start back at one.

Where were you when you woke up?

- I, I was in, I was sitting in a chair and--

- Where at?

At the Omni, right?

- Yeah, I was at, I was at the Omni,

but I didn't know, I was sitting in a chair, and I,

- Where at?

I was looking out a window, and I,

I just felt like something was wrong,

but I didn't know what,

and then, I--

- What did you see?

- There was,

there was a dead guy in there.

- Fuck.

- I don't, what, what does that mean?

What does that mean?

I don't know what that means.

I don't know what happened.

I don't, I don't know,

I don't remember my fucking name.

- It wasn't you.

It's not you, Blair.

What they, what they're doing, it's not you.

It's not your fault.

- What do you mean what they're doing?

What are they doing?

- Listen, they are wiping out anyone

involved in the project.

That's why we need to find help.

- How did you know I was going to be there?

- Because I logged into the database

and found out what you were doing,

what they were doing, okay?

- And what are they doing?

- They've been using you in our project

from the start.

That's why I have to get you to this place, okay?

A safe place.

- You say bad things, like what bad things?

- I don't know.

Obviously, what you saw in there was them,

It wasn't you, so I don't--

- What do you mean, like, I don't know.

But you think--

- You're a doctor, okay?

You're a really good doctor and your really smart,

and you can do a lot of things, but this is not you.

- I don't,

- They've been using you in our project

I don't remember anything.

I don't even remember what I fucking look like.

- I'm sorry.

- When?

- I'll try to get your memory back.

I'll try to find somebody that can help you.

- Do you love me?

Really, I don't, I don't even recognize you.

I don't even know if I can trust you.

I don't know what's going on.

I don't know.

- I'm your sister.

Look at me.

Look at you.

Look at the mirror.

Look at your face.

- I don't--

- Look at your eyes.

Look at your nose.

Look at your face.

Now look at me.

We look alike?

- We do.

- I was there for you when you got off the train.

- You were.

- I will be there for you to the end,

and I will make sure we get you to a safe place, okay?

- Thank you.

- It's okay, shhh.

- I'm so scared.

- I know you're scared.

I know you're scared, but you've got to trust me.

You've got to trust me, Blair.

You've got to be strong, okay?

Okay?

You can promise me you can be strong

and no matter what happens,

I don't care what you have to do,

you do not let them get you again, okay?

- Okay.

- Okay.

Now just let me protect you, okay?

- Now we're one step behind.

We've got to get one step ahead.

All right, so she's going where?

Mockingbird Station.

That's where she's headed.

Find out where that train station is.

See if you can pull up an arrival time.

We have to find out where she's going after that.

What do we know about who she knows here?

I'll be damned.

- What?

- A sister.

- Where?

- Four and a half blocks from Mockingbird Station.

- Well, I know where we're going now.

What's her sister's name?

What's her name?

Ready?

Go.

- Clear.

- Clear over here.

- Anything worth noting?

- No.

She's clearly not here.

- Let's go talk to the boyfriend.

- I, somebody called me, was that you?

- It was me.

- That was you?

- That was me.

I didn't have enough time.

You didn't have any time.

So, okay, okay, so who?

Who?

- I just, I,

you told me to stay away from men in suits and I--

- Did you see any?

- I saw two.

- Did they follow you?

- I got on the train

and they didn't get on with me,

but they tried to get on with me.

- Are you sure?

- Yes, I'm positive.

Where are we, where are we going?

- We're at a bar.

I'm the person that,

there's somebody that works here

that can get me contact info for the person

we need to talk to.

- What should I do?

- You can come in with me.

I'm not letting you out of my sight,

so don't go with anybody.

Don't, don't, don't leave my sight whatever you do, okay?

- Okay.

- Okay, you're going to be fine.

- Okay.

- Okay, be strong.

- Okay.

- Okay, remember, stay close to me.

Don't leave my sight.

I've got to talk to somebody at the bar.

- Okay.

- Stay right here, okay?

Right here.

I'll be, I'll be right here.

Just keep your eye on me.

- Are you okay?

- Yeah, I'm fine.

- Okay.

- You need any help?

- No, I'm okay.

Thank you.

- Hey, hey are you okay?

- Yeah.

- I'm Jacob.

- Jacob?

- Yes.

- Hi.

- It's nice to meet you.

And you are?

- I'm, uh, Blair.

- Blair?

- Can I get you something to drink?

Some water?

- I'm okay, yeah.

- Are you sure?

- Yeah, I'm fine.

Thank you.

I'm, I'm--

- Have you been running a marathon?

You look excited.

- Yeah, it's been a long day,

and I'm just, I'm, I'm here with my sister.

I'm just waiting on her, so--

- Hey, listen, I don't drink

and I don't normally do this,

but you are one of the most stunning people

I've seen in a long, long time, and--

- Thanks.

- This place is closing here in a few minutes,

and I know this amazing cafe down the street.

It's 24 hours.

Really great DJ.

- You know, I'm with my sister right now,

so I'm just going to--

- She can come.

Your sister can come.

- Um, thank you, but--

- I know what it seems like,

but honestly I've not been in the game for so long--

- Hey. - Hi.

- Hey, are you the sister?

- I'm the sister.

- Awesome.

- What kind of car do you drive?

- Actually, I Uber.

I don't drive at all

- Ubering?

Okay.

I was going to do this the nice way,

but I guess I'm going to have to do this the not nice way.

Get the fuck away from my sister.

We're leaving.

- Awe.

You don't want to be that girl.

- Yeah, I do.

We're going to someone that can help us.

We're going to get you, seatbelt.

- Who?

Who can help us?

How can they help us?

- They can help me get you out of here

to somewhere safe.

This is it, this is it.

Yeah.

Okay.

All right.

Okay.

I'm gonna go talk to him.

Just stay here, okay?

Just stay in the car.

I'll let you know when it's time to go.

- Okay.

Are you sure?

- Yeah.

Okay.

I'll be right back.

It'll be fine.

We're going around back, okay?

So nobody sees the car.

- He didn't seem very happy.

- Okay, go in with me.

- I don't think so.

- Blair.

- This is Frank.

- Hi.

- Hey.

- How are you?

You okay?

You hurt?

- No, I'm, I'm okay.

You hurt?

- She hasn't changed a bit.

- I know.

- What do you--

- Come sit down, come sit down.

Have a seat.

- Okay.

- We're in trouble, Frank.

- Yeah, I heard you.

- What do you mean I haven't, I haven't changed?

- He hasn't seen you in a while.

- How long has it been?

- It's been a while.

- Look, we have to get her across the border.

- Ha!

- We're in trouble, Frank.

Are you crazy?

- No.

You can help us.

I know you can help us do that.

- Listen, they're going to be coming for her.

You know that.

- Who's they?

- The best thing we could do is turn her in.

- Are you kidding me?

Are you crazy?

You said we could trust him.

- We can trust him.

We're not turning her in.

You know better than that,

and as soon as they find her,

they find us, and we're dead anyway.

- Just bringing her here puts all of us at risk.

- Someone needs to start telling me what's going on.

- Can I speak to you upstairs?

I told you he's just an ass.

Just let me talk to him.

I told you he's just an ass.

I don't know where else to go.

- I can not believe, I told you not to come here.

- Who else am I going to go to?

You're the only person I can trust, especially right now.

We still have a chance.

She has a chance at least.

Please.

I'm sorry.

Please.

I didn't want to drag you into this,

but I don't know what else to do.

- Okay.

Okay.

We need to get her some place safe.

- Shit!

- Shit, they're here!

We've got to go, now!

- Shit, they're here!

- Blair!

Blair, let's go!

- Blair!

- Let's go!

We've got to go now.

Out the back.

- Come on!

- Come on.

- What happened?

- They're coming.

Go.

- What?

- They're here.

- How did they find us?

- I don't know.

- They went around the back.

Well goddamn.

- Someone better start giving me some answers

or I'm getting out of the fucking car.

- Just tell her.

- Frank, please just--

- We have to get to a safe place.

Your memory loss isn't permanent.

It can be reversed.

You're the key.

- How am I the key?

- Blair, your head contains

all the information they need to build the perfect soldier.

- Blair, your head contains

- If they catch us, it's going to be very bad for all of us.

We need to get across the border.

I know someone who can help.

- Mother fucker.

So what do we do now?

- We run the playbook.

Put out an APB on the car.

See if we get any hits.

Waffles?

- Fuck yeah, waffles.

Waffles?

- What exactly was the program?

You guys keep talking about the program,

but I don't fully understand what we were doing.

- Well,

We develop neuroprosthetics.

We put prosthetic devices on amputees,

soldiers coming back from war with missing arms,

legs, hands.

is it's not just a you know, a fake arm.

The thing about neuroprosthetics

We actually can wire it to the nervous system

and to the brain so a patient can gain use

of that hand and arm again.

It's not just a, you know, cosmetic.

It can think and make the limb move, respond.

It's kind of cutting edge stuff.

It's very complicated,

but we have the ability to help so many people.

Victoria and I develop the prosthetics,

the computer system, all the testing,

and she brought you in because of your skills as a surgeon

to help with how to implement them,

developing new ways to make the process faster and easier.

It's a very complicated process,

and we worked for a few years.

We helped a lot of people.

- We've got this technology, right?

I don't understand why they can't just build

another one that doesn't have all of the...

- It's very simple.

When we were out in the field,

you knew how to track a man.

- Yeah.

- He had to sleep.

He had to eat.

Maybe not all the time,

but at some point he's going to break,

at some point he's gonna grow weak.

Her only weakness right now is the fact

she doesn't know what she is,

and when she figures that part out,

this is gonna be a lot harder job.

- What was I like?

I mean,

I don't know, what did we do together?

What did I like?

- You just, you just wanted to take

sick babies and make them well,

and, you know,

veterans come home missing limbs,

and you wanted to heal them.

You wanted to make them whole again.

You always had a big heart.

and you wanted to heal them.

That's what I loved about you.

I remember, I remember one time,

we went to Mexico,

and, uh,

you loved the ocean and anything around the water,

but you were afraid of the things in the water.

So one time, we,

we were snorkling and we were just floating

around in the water, looking at all the rocks

and shells and stuff, and I saw something.

So I got your attention

and I was like you know, "Come with me, come with me."

So I got your attention

So you said, "Okay".

So we dove down, and right on the bottom of the ocean floor

was this massive stingray,

I mean we're talking like six feet wing span

and like nine feet from the nose to the tail

and, and it was just amazing, just laying down there.

And I'm swimming around him,

looking and I'm pointing and you know

and I come back to the surface and I,

I said, "That was so cool.

"Blair did you see that?

"Did you see that?"

and I'm turning and I'm turning and I'm like "Blair?

"Blair?"

And you were halfway to the, halfway to the beach, swimming.

"You're crazy, you're crazy!

"It's a sea monster!

and, and it was just amazing, just laying down there.

You're fearless until there's a sea monster.

Maybe it'll come back.

I hope it comes back.

- What's her sister going to do with her?

- We've got some time to figure it out.

We better get it done.

Yeah.

- Mari, it's Foster.

We've located the vehicle.

We have a police officer following them right now.

They're going to peel off

when one of our company cars pulls them over.

- Where?

- They're about 20 miles from your location.

Yes, they'll hold them at the scene.

I'll send you the coordinates right now.

- Do not let them leave.

We are on our way.

- Who's that?

- The magic man.

- Almost there.

Shit.

- Should we stop?

I mean maybe we should keep going.

- They're going to go.

Everybody just stay calm.

Stay calm.

- This is a bad dream.

- It'll be alright.

- Don't look at them, Blair.

- Morning

- Hi, Officer.

How are you?

- Pretty good.

You've got your driver's license and insurance I see.

- I do.

- You folks lost this morning or--

- No.

- No?

- No.

- You're sure?

- Yeah.

- Okay, all right be with you in a second.

- Okay.

- Why did they pull us over?

They didn't even ask any questions.

They didn't say anything.

- Shhh.

I don't know.

- This is...

- There's no speed limit posted,

so obviously I don't even know how,

what the speed limit is right here.

- They didn't even say anything though about that.

This doesn't feel right.

- It's fine.

Let's just stay calm.

It'll be fine.

I don't even know where they came from.

- Here they come.

- Partner, is this vehicle registered,

does this vehicle belong to you?

- It's Victoria's car.

She's, I'm just driving.

She's right in the back seat, yeah.

- Victoria?

This car's registered to you?

- Yes.

- Yeah, it's your vehicle?

What's your name?

What's your last name?

- Victoria.

- And?

- Victoria Peters.

- Okay.

All right, we'll be back with you here in a second.

- Sure.

- What are they doing?

- I don't know.

- I'm telling you, this doesn't feel right, guys.

God.

- Yes, Director Lloyd?

I wanted to update you on the situation.

Yes.

They found her.

They pulled her over and they're holding her at the scene.

- Excellent.

I'll make the call now.

Mari, get to her.

Keep her still.

Do not let her cross the border.

If you let her go,

we will not be able to locate nor retrieve her.

- We were just...

What are they doing?

- I don't know who they're talking with.

Okay, maybe they're...

Okay, maybe they're writing a ticket or something.

- All right, here's your insurance card.

Would you mind, would you step

to the back of the car with me?

- Yeah.

Do you, do you have the ID too or--

- I've got it.

I've still got it here.

- Okay.

- Don't get out of the car.

- What am I supposed to do?

There's two of them.

Sorry, I just had to unbuckle there.

- Nah, that's all right.

- Shit.

- Frank?

- Where, where are you guys heading?

- Just to, just to meet some friends.

- The reason I stopped you, meet some friends?

Okay.

The reason I stopped you is,

this is kind of a dead area out here,

so one of a couple of things,

either somebody's very lost,

somebody's out here looking to get drunk or high,

- Where, where are you guys heading?

or they're drunk and high and getting lost.

- No, no, not at all.

None of that.

- You know, the only people out here are farmers,

so when it comes to vehicles,

we're not used to seeing this kind of car,

so that's why I stopped you.

- Right, yeah.

Our friend lives on a farm out here,

so we're just coming to get away

from the city a little bit, you know?

- All right.

Okay.

And is this, this ol' gal's car here?

- Yeah.

- Okay.

I'm just waiting for something to come back.

The computer is running a little bit slow

and the trucks not uh, not

Ma'am you don't have to--

- Victoria?

- I don't need you to step out.

You can get back in the vehicle.

- Are we, is everything okay?

- Yeah, everything's fine.

Yeah, please get back in the car.

Back in the car.

- You got control over there?

- Everything's fine.

Okay?

We're just going to visit a friend, okay?

- All right, you know what?

- What is going on here, guys?

- We're fine.

- Just put your hands on the car.

- What, what, what?

Seriously?

We're just--

Get off me!

Hey, hey, hey!

- What?

- Stop!

- He's got my gun, he's got my gun!

He's got my gun!

- What's happening?

- Put the gun down now!

- What's happening?

- What happened?

- I don't know, but Frank's still, it's okay.

- Did they shoot him?

- No, the officer is,

he's still moving.

There's someone back there.

- We've got to go, Victoria, we've gotta go.

This isn't right.

Where's he at?

- He's coming, he's coming.

- He's there on the side.

Come on Frank!

Let's go!

Go!

Passenger side!

- What happened?

- I heard him talking to somebody.

- He said, " I have the girl".

- Which way are we going, Frank?

- Keep going straight.

- Who were those guys?

- They're with them.

- Straight?

Where am I going?

- I think you need to turn right there.

- Whose?

Whose blood is that?

- It's not mine.

- What happened?

What did he say to you?

- He was on the phone.

He said, "I've got the girl."

And, and then, he grabbed my arm and started...

- We don't have long.

- I'm fine, I'm fine.

Gloria can help us.

- Okay.

Gloria can help us.

- I'm fine, I'm fine.

- Did anyone follow you?

- No, but--

- These cops pulled us over.

But, they aren't alive anymore, I don't think.

- We need to get out of here quick.

- Okay.

Um, there's a bathroom through there,

sink right there, there's towels too.

- They're both gone.

- This is the only road in three or four miles,

either direction.

They're heading south.

- Yeah, they're heading south.

They're trying to get out of the country.

The border is about two miles from here,

and I'll bet you they've got someone

helping them get across.

Let's go.

Let's go, let's go.

- Frank, are you sure that we can trust her?

- I've known her for a lot of years.

We can trust her.

- Where's the border from here?

- Just beyond that tree line.

- What?

Where?

- That's the border.

- It's that close?

- It is.

- We're almost there.

- Maybe we should just go.

- We can't wait.

- We've got to wait for Gloria.

She knows the way.

It's not that simple.

- Clean your face.

- We've got to go.

- What's wrong?

There's some men that have been spotted

coming this way and we gotta get you out of here.

- What?

- Come on now.

Now!

Be careful.

You have no idea how important you are.

Go!

John will show you the way.

Go!

- Holy shit.

- Get to the tree line.

No matter what happens, don't turn back.

- Get to the tree line.

- Shit.

- Okay, okay.

Move, move.

Move away.

Move back.

- No, no!

- Blair, run.

- Blair?

- No, I'm not leaving you.

Just leave them alone.

Leave them alone!

- Blair, listen to me.

Blair!

Listen to me.

You need to come with us.

You need to leave with us or nobody leaves.

Do you understand me?

- I'm begging you to stop.

No, I'm not leaving you!

- Blair, listen to me.

Blair!

You either leave with us or nobody leaves at all.

Do you understand me?

- I'm not going to leave you.

No, no, no!

- Get on your knees, get on your knees!

- No, don't do it!

- I will put a bullet in her here.

- You, get over here!

Get on your knees!

Get over here.

- All right, all right, all right!

- Stay down!

I'm getting on my knees, I'm getting on my knees.

- Stay down.

- You listen to me.

I know you think this is family, but this isn't family.

We're your family.

- Shut up.

- You are company property, and we own you.

- You are not my fucking family.

- She doesn't know.

- Shut up!

- She doesn't know she's not a real girl.

- What do you mean?

- Don't listen to him.

- Don't listen to them, Blair.

- Wait, what do you mean I--

- Run!

Don't listen to them.

Run! - I'm company prop--

- Now I swear to God, you're going to leave with us

or she stays behind.

- Just run.

They wont hurt you.

Just run.

- What do you mean I'm company property?

- If you want her to have a beginning

instead of an end--

- Don't listen to him, Blair.

Just run.

- Don't listen to him, Blair.

- What are they talking about?

- Please, just run.

- I can't do it.

- You have to do it, or I will.

- Victoria, what're they talking about?

- Tell her.

Tell her who she really is.

- I had a sister named Elizabeth.

She was in a car accident,

and the doctor was just supposed

to do a simple operation, and he was tired.

And he made a simple human mistake and she died.

Frank and I, we were working on building AIs.

And we wanted, we wanted to

honor Elizabeth,

by creating an AI that didn't sleep, didn't get tired.

It would never make a human mistake.

That's you.

That's you, Blair.

I'm so sorry.

But you can love, you can feel, you,

you do all the things that humans do, and I love you.

I'm just,

I'm so sorry.

But run.

- Let's put an end to this.

- You are more important than this, Blair.

Run.

- Come with me.

- He can't kill me.

- Let's go home, all of us.

- If you kill me, you can't control her,

because you can't shut her down, and you know that.

- If you go with us, it'll be okay.

- If she goes with you, you're fucked man.

- If she goes with us, she'll be okay.

- If I, if I go with you,

will you let her go?

- We always take care of our own.

Go ahead.

I'm tired of standing out here.

- Were you my sister?

- I was.

- I love you.

- I love you, Blair.

- Let's go.

- I'll go, but you cannot hurt her.

- No.

Don't do this.

- She's the only thing I care about.

- I understand.

We'll take care of her.

- It's going to be okay.

Just go.

- Please don't do this.

just run.

Blair, you're more important than this.

- But you're what's important to me.

I'm sorry.

I can't.

- Come on.

I can't.

- No, no, no, no!

- I'll get your car.

- Senator Craig Cole was found dead

this morning by a hotel maintenance man.

Investigators are still trying to put the pieces together

to determine how he died.

They say that there is foul play involved.

His death is now under investigation as a possible homicide.

Republican Senator Cole was working to shut down the use

of artificial intelligence robots in civilian life.

We have reached out to the senator's office

for a statement regarding the senator's death,

and will keep you up to date as soon

as we receive more information.

This is Kaime Stroot--

- I had this idea in January of 2016.

- And he called me and he said, "I got it!"

We're gonna shoot a movie, you're the lead,

but you can't know anything.

- I want to do something where

you have to become the character.

Where, once we start rolling, we don't talk to you.

Only the characters talk to you.

I was like, "what, what, what do you mean,

"I can't know anything?

"What's the story."

"No, can't tell you.

"Can't tell you.

"You just got to, do you want to do it?

"Are you interested?"

"Yeah.

"I mean, it sounds interesting,

"but I don't know how this is going to be."

And, it kind of, you know, birthed from there.

- When Bobby first approached me with this concept,

we were actually at a film festival,

and he had mentioned this idea of yeah,

just have it not be scripted,

having it be total improv,

and then having it be in addition to that

something where like the lead actress, Shannon,

wouldn't know anything,

and she would have to learn what's going on

over the course of the movie,

just as the audience is.

- I got really excited to make this movie,

because we were doing something

that had never been done in film before.

So, we had several challenges going in

that we were going to shoot the movie in less than 24 hours,

that we were gonna shoot it consecutively,

that it was going to have an improvisational performance

in the movie.

- We're gonna set aside some rules

before we go through this.

You four people are the only people allowed

to talk to Shannon when we're shooting.

Once we pull the bag over her head,

and she wakes up from her sleep,

none of the crew, producers,

nobody is allowed to talk to her unless it's you guys,

the ancillary characters,

or somebody who's not involved with the film at all.

- It was more of an experiment than a movie.

And so, throughout the entire bit of it,

I felt more of like a more of like,

more of like a scientist than a filmmaker.

A social scientist, kind of,

figuring out what would cause people

to make the decisions that they make.

- The process of the film,

improvising everything just kept you on edge

the entire time, from the moment we started,

to the moment it was over.

Just, kind of holding on to the back of a speeding vehicle,

and you don't know how the other person's going to react.

And you have to be prepared for that moment,

and you have to live up to that moment and keep it going.

- But when we're in it, you can't be the actor

I mean you really can't,

because you're responding.

It's not a, "Hey I have this line planned out."

No, you have to respond to whatever's happening.

In doing the response,

I was responding to Blair being a real person.

because you don't know what's going to happen,

- Prepping for this thing was kind of interesting

because we didn't have a script.

We didn't know exactly where it was gonna go,

so it was a full circle kind of preparation.

- So we spent some time walking through the steps

of, you know, where we needed to help lead Blair.

You know, ultimately we wanted to get her

to this final, this final stop,

where she can make a decision,

and it was up to us to lead her along that path,

and you know, and get her there,

make sure she trusted us, make sure she,

you know, she followed us and we got her to that final,

that final step.

She's going to be right, right there

- She's going to be at the corner of the table top.

- We're going to be in the corner over here.

- Okay, so this is a quiet conversation.

- And just got to see how they would react

in a situation where they didn't know what was happening.

There was no second takes.

There was no rehearsals for her.

It was just a really cool idea.

And add the fact that we shot it all in one night,

was really succinct and efficient.

- I was going to ask Bobby about this.

I was thinking that when they drive,

they should drive down that street and either you,

or you run out into the middle of the street,

and we just catch them leaving.

- Again, everything that ended up in the film,

is the first time Shannon's doing it

and the last time she did it.

- And I'll never forget that moment,

watching her walk outside,

realizing she has no idea what's happening.

She doesn't even know where she is.

And then we started following her,

and at some moment,

I don't know how long we had been walking after her,

she looked back at us, and the look on her face was fear.

Real fear.

And she took off running,

and I took off running after her

and it was like man, it is on.

- Yeah, so this film really was a total experiment,

not only in the way that it was captured,

but in the process and what we were trying to achieve,

because really the central focus of this is,

everyone, myself and all the other characters,

the secondary characters, trying to achieve their goals.

- He is incorporating and putting the ball

completely into Shannon's hands

and she has to take that

and drive the story forward,

because of the nature of the concept.

She'd been blindfolded and dropped into a scene

and told to go and carry this thing until the end.

So she's got to make all these different scenes

and drive the plot forward in a 90-minute movie.

So she's got to use all of her skills

as an actress and use all of her talents as an actress

to make this thing happen.

But she's got to have a 100% belief in Bobby that,

you know, what she's doing is working.

- So the process of the actual shoot was terrifying,

in an amazing way.

I didn't want to know anything.

I literally did not want to know anything,

so I asked to be blindfolded while I was getting dressed

in my costume and for my hair and makeup

and of course you're not blindfolded

when they're doing your makeup,

but there were no mirrors,

so I couldn't tell what colors,

what they were doing to my face or hair.

I really don't know much of anything about the project

I, the one thing I do know

is that my character has retrograde amnesia.

- We take her to the location in sunglasses

with her eyes closed and we walk her in to the room

that we're gonna start shooting in

and I sit her down in a chair, and I ask her,

"Do you trust me?"

and she laughs for a second, and I guess she's thinking,

"I guess we're really gonna do this"

and she says, "Yes," and I said, "Okay.

"Let's begin."

And we started.

Do you trust me?

- Yes.

- Okay.

You ready?

- Yes.

- Begin.