All language subtitles for All American s02e13_English

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,230 --> 00:00:06,690 FLIP: HEY, LISTEN. 2 00:00:06,690 --> 00:00:09,190 FOR ALL YOU CARNIVORES, WE GOT BEEF AND WE GOT SWINE, 3 00:00:09,190 --> 00:00:11,650 BUT FOR THE REST OF US WHO ACTUALLY CARE 4 00:00:11,650 --> 00:00:14,530 ABOUT OUR CHOLESTEROL AND WANT SOMETHING RICH IN NUTRIENTS, 5 00:00:14,530 --> 00:00:16,610 WE GOT THOSE PLANT-BASED BURGERS, HUH? 6 00:00:16,610 --> 00:00:18,490 YEAH. HA HA HA! 7 00:00:18,490 --> 00:00:20,910 TYRONE: WHAT ABOUT FISH? 8 00:00:24,040 --> 00:00:25,410 WHAT IT DO, FLIP? 9 00:00:25,410 --> 00:00:27,410 HEARD YOU WAS LOOKING FOR ME. 10 00:00:27,410 --> 00:00:30,710 BOY, ON GOD, YOU GONNA GET DEALT WITH 11 00:00:30,710 --> 00:00:32,630 FOR THE LAST TIME, BUT NOW 12 00:00:32,630 --> 00:00:34,420 AIN'T THAT TIME, NOT HERE. 13 00:00:34,420 --> 00:00:36,630 CAN SEE YOU GOT YOUR FAMILY WITH YOU. 14 00:00:36,630 --> 00:00:39,260 I BROUGHT SOME FAMILY, TOO. 15 00:00:52,310 --> 00:00:54,980 [HIP-HOP MUSIC PLAYING] 16 00:01:11,500 --> 00:01:13,090 ♪ I DIDN'T SEE ANY AT ALL ♪ 17 00:01:13,090 --> 00:01:14,880 ♪ I HAD MY BACK ALL UP AGAINST THE WALL ♪ 18 00:01:14,880 --> 00:01:16,880 ♪ AND MY DAWG TOOK A FEW TO THE CHEST ♪ 19 00:01:16,880 --> 00:01:18,920 ♪ I CRIED SEEIN' HIS MAMA LAY HIM TO REST ♪ 20 00:01:18,920 --> 00:01:20,550 BILLY: ALL RIGHT, ALL RIGHT. TWO-MINUTE OFFENSE. 21 00:01:20,550 --> 00:01:22,600 LET'S GET IT, Y'ALL. LET'S GET IT. 22 00:01:22,600 --> 00:01:24,720 JORDAN: WATCH! WIDE 39! 23 00:01:24,720 --> 00:01:26,520 [MUSIC CONTINUES] 24 00:01:26,520 --> 00:01:28,560 PLAYER: ALL RIGHT. WHOO! 25 00:01:28,560 --> 00:01:30,480 AGAIN, AGAIN! LET'S GO! 26 00:01:30,480 --> 00:01:31,770 COME ON, COME ON! 27 00:01:31,770 --> 00:01:34,650 CARUSO! GO! GO! GO! 28 00:01:36,400 --> 00:01:38,530 JORDAN: WIDE 21! 29 00:01:39,860 --> 00:01:41,660 WHOO! 30 00:01:41,660 --> 00:01:43,530 [SHOUTING CONTINUES] 31 00:01:43,530 --> 00:01:45,490 BILLY: 99 SHIFT. WILDCAT. 32 00:01:48,120 --> 00:01:50,210 WHOO! YEAH, BABY! 33 00:01:50,210 --> 00:01:51,460 WHOO HOO HOO! 34 00:01:51,460 --> 00:01:53,830 GOOD JOB, BABY! 35 00:01:53,830 --> 00:01:55,880 [GRUNTS] 36 00:02:00,130 --> 00:02:01,760 [MUSIC STOPS] 37 00:02:01,760 --> 00:02:03,760 WOW. THAT'S AMAZING. 38 00:02:03,760 --> 00:02:05,890 YEAH. I THINK ALL THAT'S MISSING IS A HOOK. 39 00:02:05,890 --> 00:02:07,470 "I'M STILL HERE." 40 00:02:07,470 --> 00:02:09,980 I KNOW, THAT'S WHY I'M TELLING YOU. 41 00:02:09,980 --> 00:02:11,890 NO, THAT'S YOUR HOOK. 42 00:02:11,890 --> 00:02:13,520 WHETHER IT'S SHAWN BEING KILLED 43 00:02:13,520 --> 00:02:15,310 OR SPENCER BEING SHOT, 44 00:02:15,310 --> 00:02:17,320 YOUR BREAKUP WITH PATIENCE, YOU'RE STILL HERE, 45 00:02:17,320 --> 00:02:19,490 STILL WALKING TALL IN YOUR TRUTH. 46 00:02:19,490 --> 00:02:20,740 HMM. 47 00:02:20,740 --> 00:02:22,280 PLAY IT BACK? 48 00:02:22,280 --> 00:02:23,570 YEAH. 49 00:02:23,570 --> 00:02:25,620 - WAY TO GO, ASH. - UH! 50 00:02:26,950 --> 00:02:28,830 UH! OH, IT'S STUCK! 51 00:02:28,830 --> 00:02:31,000 SOMEBODY HELP HIM. GET IT, GET IT. 52 00:02:31,000 --> 00:02:33,370 [ASH GRUNTS] 53 00:02:33,370 --> 00:02:34,790 [WHISTLE BLOWS] 54 00:02:34,790 --> 00:02:36,590 UH! 55 00:02:36,590 --> 00:02:38,340 GET UP. 56 00:02:38,340 --> 00:02:42,220 IT WAS A VERY IMPRESSIVE CELEBRATION, ASH. 57 00:02:42,220 --> 00:02:43,880 IT WAS CUTE-- 58 00:02:43,880 --> 00:02:45,590 REALLY, REALLY, 59 00:02:45,590 --> 00:02:48,560 REALLY CUTE... 60 00:02:50,600 --> 00:02:53,230 BUT I WOULD'VE DONE THIS. 61 00:02:53,230 --> 00:02:55,150 ♪ OH, UH UH ♪ 62 00:02:55,150 --> 00:02:56,520 [LAUGHTER] 63 00:02:56,520 --> 00:02:58,860 AND A LITTLE BIT OF THAT. 64 00:02:58,860 --> 00:03:00,480 [ALL CHEER] 65 00:03:00,480 --> 00:03:02,110 ASH: OK, COACH. I SEE YOU. 66 00:03:02,110 --> 00:03:04,320 JORDAN: COME ON. [ALL CHEERING] 67 00:03:06,820 --> 00:03:08,620 BILLY: HA HA! 68 00:03:10,290 --> 00:03:12,710 REAL QUICK, REAL QUICK, THIS PAST MONTH, 69 00:03:12,710 --> 00:03:15,120 Y'ALL HAVE BEEN FIRING ON ALL CYLINDERS, 70 00:03:15,120 --> 00:03:18,420 AND I'M FEELING THAT, FOR REAL, OFFENSE AND DEFENSE. 71 00:03:18,420 --> 00:03:20,420 JORDAN, ASH, J.J., Y'ALL HAVE DONE 72 00:03:20,420 --> 00:03:22,420 AN AMAZING JOB AT BEING LEADERS. 73 00:03:22,420 --> 00:03:24,090 ASH, ESPECIALLY YOU; THE STRIDES 74 00:03:24,090 --> 00:03:26,090 THAT YOU HAVE MADE DURING THE OFF-SEASON, 75 00:03:26,090 --> 00:03:27,550 IT'S ON ANOTHER LEVEL. 76 00:03:27,550 --> 00:03:29,390 I APPRECIATE THAT, COACH. 77 00:03:29,390 --> 00:03:31,680 YEAH. I'M EXPECTING BIG THINGS FOR YOU THIS YEAR. 78 00:03:31,680 --> 00:03:33,310 HELL, IF WE KEEP THIS UP, 79 00:03:33,310 --> 00:03:35,230 WE'RE ALL GONNA BE DOING BIG THINGS, YA HEARD? 80 00:03:35,230 --> 00:03:37,230 PLAYERS: YEAH! BILLY: ALL RIGHT. 81 00:03:37,230 --> 00:03:38,690 WE STILL GOT THIS SCRIMMAGE WITH CHATSWORTH 82 00:03:38,690 --> 00:03:40,320 IN A COUPLE OF DAYS. 83 00:03:40,320 --> 00:03:42,780 I NEED YOU ALL TO BE FOCUSED, BUT IN AN EFFORT 84 00:03:42,780 --> 00:03:44,400 TO KEEP YOU ALL LOOSE, I HAVE A CHALLENGE. JORDAN... 85 00:03:44,400 --> 00:03:45,990 JORDAN: HMM? BILLY: IF YOU CAN THROW 86 00:03:45,990 --> 00:03:47,490 THAT FOOTBALL 87 00:03:47,490 --> 00:03:49,580 INTO THAT TRASHCAN, 88 00:03:49,580 --> 00:03:52,200 IF YOU DO THAT, PRACTICE IS OVER. 89 00:03:52,200 --> 00:03:54,370 OK, AND IF I DON'T? 90 00:03:54,370 --> 00:03:56,870 THEN ALL Y'ALL ARE RUNNIN' TILL THE LIGHTS COME ON. 91 00:03:56,870 --> 00:03:58,420 OH... 92 00:03:58,420 --> 00:03:59,710 NO PRESSURE. 93 00:03:59,710 --> 00:04:01,300 SEND US HOME, MAN. 94 00:04:02,840 --> 00:04:05,340 LET'S GO HOME. 95 00:04:08,010 --> 00:04:10,100 [ALL CHEERING] 96 00:04:24,070 --> 00:04:27,070 COOP: ♪ ...SHOOT, SHOOT, STILL MAKE A LANE DISAPPEAR ♪ 97 00:04:27,070 --> 00:04:28,780 ♪ STILL DON'T KNOW WHO WOULD DIRECT, DIRECT ♪ 98 00:04:28,780 --> 00:04:30,410 ♪ STILL RUN AROUND WITH A STACK, YEAH ♪ 99 00:04:30,410 --> 00:04:32,370 ♪ YOU CAN GO SAY WHAT YOU WANT ♪ 100 00:04:32,370 --> 00:04:36,040 ♪ JUST KNOW ALL THAT TALK GETS YOU WACK, WACK, WACK ♪ 101 00:04:36,040 --> 00:04:37,500 YO, THAT IS FIRE. 102 00:04:37,500 --> 00:04:38,960 LAYLA: RIGHT? SPENCER: MM-HMM. 103 00:04:38,960 --> 00:04:41,040 IT'S FUN, IT'S GRITTY, IT'S HONEST. 104 00:04:41,040 --> 00:04:43,300 REMINDS ME OF MY DAD'S MUSIC FROM BACK IN THE DAY. 105 00:04:43,300 --> 00:04:45,880 I WANT TO SUBMIT IT TO 99.8's "FEELIN' IT 106 00:04:45,880 --> 00:04:47,510 OR KILLIN' IT," SO THE STATION WILL PLAY 107 00:04:47,510 --> 00:04:50,220 AN UNSIGNED ARTIST'S SONG, AND THE LISTENERS VOTE. 108 00:04:50,220 --> 00:04:53,430 IF THEY LIKE IT, 99.8 PLAYS THAT SONG FOR 24 HOURS STRAIGHT. 109 00:04:53,430 --> 00:04:55,520 IT'S AN AWESOME WAY TO GET YOUR NAME OUT THERE. 110 00:04:55,520 --> 00:04:57,680 HIP-HOP IYANLA OVER HERE IS ABOUT TO FIX YOUR LIFE. 111 00:04:57,680 --> 00:04:59,520 COOP: MAN, SHUT UP. SPENCER: HEH HEH! 112 00:04:59,520 --> 00:05:01,770 DO YOUR THING, LAY LAY, BUT SPEAKING 113 00:05:01,770 --> 00:05:04,020 OF FIXING, HOW IS YOUR SHOULDER, BRO? 114 00:05:04,020 --> 00:05:06,940 IT'S GOOD. IT'S THE BEST IT'S FELT IN A MINUTE, ACTUALLY. 115 00:05:06,940 --> 00:05:09,360 SUPPOSED TO FIND OUT TOMORROW IF I'M BEING CLEARED OR NOT. 116 00:05:09,360 --> 00:05:11,570 HOPEFULLY, I'M GOOD TO GO 'CAUSE IT'S TIME TO GET BACK 117 00:05:11,570 --> 00:05:14,450 ON THAT FIELD, BUT UNTIL I KNOW FOR SURE... 118 00:05:14,450 --> 00:05:17,580 ♪ I'M STILL HERE, STILL JUMPIN' IN, OUT OF MY LEAR ♪ 119 00:05:17,580 --> 00:05:19,540 ♪ STILL GOT MY BEST FRIEND, HER NAME IS COOP ♪ 120 00:05:19,540 --> 00:05:21,210 ♪ AND I'MA PLAY THE FLUTE... ♪ 121 00:05:21,210 --> 00:05:22,840 BRO, NO. NO. 122 00:05:22,840 --> 00:05:24,670 YOU'RE NOT EVEN CLOSE TO HAVING THE LYRICS RIGHT. 123 00:05:24,670 --> 00:05:26,590 -WELL, I'M JUST TRYING TO-- -NO, THAT WAS JUST LAZY. 124 00:05:26,590 --> 00:05:28,220 -I'M JUST TRYING TO SHARE YOUR DREAM, MAN. -WHATEVER. 125 00:05:28,220 --> 00:05:29,590 LET ME GET SOMETHING TO EAT. Y'ALL WANT SOMETHING? 126 00:05:29,590 --> 00:05:31,220 -NO. I'M GOOD. -NO, THANK YOU. 127 00:05:31,220 --> 00:05:32,890 -WHAT? -[SCOFFS] 128 00:05:32,890 --> 00:05:34,930 I THOUGHT THAT WAS DOPE. 129 00:05:38,060 --> 00:05:39,690 KWON: YO, COOP. 130 00:05:39,690 --> 00:05:41,100 KWON, WHAT'S UP, BOY? 131 00:05:41,100 --> 00:05:43,110 PREACH NEEDS TO SEE YOU IN PERSON. 132 00:05:43,110 --> 00:05:44,520 HE SAYS IT'S URGENT. 133 00:05:44,520 --> 00:05:46,860 THERE SOMETHING I NEED TO KNOW? 134 00:05:46,860 --> 00:05:49,530 THAT'S BETWEEN YOU AND HIM. 135 00:05:52,160 --> 00:05:54,410 MAN, ON TV: THIS JUST IN. WE HAVE AN UPDATE. 136 00:05:54,410 --> 00:05:56,410 WE ARE TWO DAYS OUT, AND PAUL KENDALL IS 137 00:05:56,410 --> 00:05:58,580 STILL LEADING LAURA BAKER IN THE POLLS... 138 00:05:58,580 --> 00:06:00,750 THERE'S SOMETHING YOU NEED TO SEE, 139 00:06:00,750 --> 00:06:02,670 COURTESY OF YOUR OPPONENT. 140 00:06:02,670 --> 00:06:04,290 [SIGHS] 141 00:06:04,290 --> 00:06:06,500 CLASSY, EVEN INCLUDED A SCREEN SHOT 142 00:06:06,500 --> 00:06:08,460 OF MINE AND BILLY'S SEPARATION AGREEMENT. 143 00:06:08,460 --> 00:06:10,470 AS YOUR CAMPAIGN MANAGER, IT IS MY JOB TO GET AHEAD 144 00:06:10,470 --> 00:06:12,300 OF THESE THINGS, BUT I CAN'T IF I'M NOT MADE AWARE. 145 00:06:12,300 --> 00:06:14,720 WELL, I DECIDED TO KEEP MY PERSONAL LIFE 146 00:06:14,720 --> 00:06:16,100 AND POLITICS SEPARATE. 147 00:06:16,100 --> 00:06:17,760 YOU LOST THAT LUXURY THE SECOND 148 00:06:17,760 --> 00:06:19,100 YOU ANNOUNCED YOUR RUN AGAINST PAUL KENDALL. 149 00:06:19,100 --> 00:06:20,600 NOW WE HAVE TO RESPOND 150 00:06:20,600 --> 00:06:22,350 BEFORE TOO MANY NARRATIVES FABRICATE. 151 00:06:22,350 --> 00:06:24,270 LOOK, I'M THE REASON FOR THE SEPARATION, NOT LAURA, 152 00:06:24,270 --> 00:06:26,270 SO MAYBE I CAN DO AN INTERVIEW OWNING UP 153 00:06:26,270 --> 00:06:27,900 TO EVERYTHING AND-- SHELBY: ACTUALLY, YES. 154 00:06:27,900 --> 00:06:29,900 WE CAN SPIN IT THAT YOU GUYS HIT A ROCK, 155 00:06:29,900 --> 00:06:30,940 MANAGED TO CLIMB IT-- 156 00:06:30,940 --> 00:06:32,200 YEAH, I DON'T THINK 157 00:06:32,200 --> 00:06:33,700 THAT'S A GOOD IDEA. 158 00:06:33,700 --> 00:06:35,160 IT'S NO ONE'S BUSINESS. 159 00:06:35,160 --> 00:06:36,780 PAUL KENDALL IS TWICE-DIVORCED 160 00:06:36,780 --> 00:06:38,990 AND RECENTLY INTO HIS THIRD MARRIAGE, 161 00:06:38,990 --> 00:06:41,620 YET I'M THE ONE WITH THE MESSY HOME LIFE? 162 00:06:41,620 --> 00:06:43,000 NO. 163 00:06:43,000 --> 00:06:44,920 NO. LISTEN UP, EVERYBODY. 164 00:06:44,920 --> 00:06:47,290 IGNORE ANY AND ALL HITS 165 00:06:47,290 --> 00:06:49,800 BELOW THE BELT FROM THE KENDALL CAMPAIGN. 166 00:06:49,800 --> 00:06:51,800 STICK TO TALKING POINTS ON MY RECORD, 167 00:06:51,800 --> 00:06:53,970 MY PLATFORM, AND BEING TOUGH ON CRIME, 168 00:06:53,970 --> 00:06:56,010 OK? 169 00:06:57,720 --> 00:07:00,390 MAN: 5 MINUTES. 170 00:07:02,310 --> 00:07:04,310 [SIGHS] 171 00:07:04,310 --> 00:07:07,060 [GROANS SOFTLY] 172 00:07:09,320 --> 00:07:11,320 YO, WHAT THE HELL HAPPENED TO YOU? 173 00:07:11,320 --> 00:07:12,570 TYRONE. 174 00:07:12,570 --> 00:07:14,570 HE'S BACK IN TOWN. 175 00:07:14,570 --> 00:07:16,570 HIS BOYS TRIED TO PACK ME OUT 176 00:07:16,570 --> 00:07:18,240 ON THE YARD, BUT I FOUGHT MY WAY UP OUT OF IT. 177 00:07:18,240 --> 00:07:20,240 YO, IS YOU SERIOUS? YO, I GOT THIS. 178 00:07:20,240 --> 00:07:21,870 ME AND FLIP BEEN WAITIN' ON TYRONE 179 00:07:21,870 --> 00:07:23,830 TO SNEAK HIS ASS BACK IN TOWN. 180 00:07:23,830 --> 00:07:25,790 MAN, SIT YOUR ASS DOWN. 181 00:07:28,960 --> 00:07:31,460 FLIP IS MISSIN'... 182 00:07:31,460 --> 00:07:32,800 WHAT? 183 00:07:32,800 --> 00:07:34,260 AND IT AIN'T LOOKIN' GOOD. 184 00:07:34,260 --> 00:07:37,970 HE GOT AT ME. HE GOT AT FLIP. 185 00:07:37,970 --> 00:07:40,180 YOU'RE NEXT. 186 00:07:40,180 --> 00:07:44,140 I NEED YOU TO LAY LOW, TAKE EVERY PRECAUTION, COOP. 187 00:07:44,140 --> 00:07:45,770 YOU HEAR ME? 188 00:07:45,770 --> 00:07:48,940 [SIGHS] YEAH. 189 00:08:00,200 --> 00:08:02,240 [DOOR LOCK BEEPS] 190 00:08:08,420 --> 00:08:10,670 WHAT ARE WE CELEBRATING? [DOOR CLOSES] 191 00:08:10,670 --> 00:08:12,300 PEACE AND QUIET. 192 00:08:12,300 --> 00:08:13,920 AND BETWEEN YOUR HOUSE AND MINE, WE CAN 193 00:08:13,920 --> 00:08:15,510 BARELY GET AN HOUR ALONE TOGETHER, 194 00:08:15,510 --> 00:08:17,680 AND IT'S SAFE TO SAY THAT WE WERE NOT 195 00:08:17,680 --> 00:08:19,260 THE BEST VERSIONS OF OURSELVES 196 00:08:19,260 --> 00:08:20,850 THE FIRST TIME WE SLEPT TOGETHER, 197 00:08:20,850 --> 00:08:23,720 SO CONSIDER THIS A PROPER RESET. 198 00:08:23,720 --> 00:08:26,270 ["SOFTLY" PLAYING] 199 00:08:26,270 --> 00:08:28,230 BABY, THIS IS SO SWEET, 200 00:08:28,230 --> 00:08:31,150 BUT I DON'T NEED ANY OF THIS. 201 00:08:32,770 --> 00:08:35,230 I JUST NEED YOU. 202 00:08:35,230 --> 00:08:37,610 CLAIRO: ♪ ...TO FEEL THIS WAY ♪ 203 00:08:37,610 --> 00:08:40,660 ♪ SO EARLY? ♪ 204 00:08:42,330 --> 00:08:45,240 ♪ AND IN MY BLOOD ♪ 205 00:08:45,240 --> 00:08:48,000 ♪ ALL THE SWEET NOTHINGS ♪ 206 00:08:48,000 --> 00:08:53,000 ♪ FALLIN' IN LOVE OVER NIGHT ♪ 207 00:08:53,000 --> 00:08:55,380 ♪ DIDN'T MEAN TO GET... ♪ 208 00:08:55,380 --> 00:08:58,050 OLIVIA: UM, SORRY. 209 00:08:58,050 --> 00:09:00,680 MY BAD. IS THIS-- IS THIS TOO MUCH, OR-- 210 00:09:00,680 --> 00:09:04,390 NO. NO, THIS IS, UH... 211 00:09:04,390 --> 00:09:08,270 SERIOUSLY, LIKE, THE SWEETEST THING ANYONE HAS EVER DONE FOR ME. 212 00:09:11,480 --> 00:09:13,480 WE PROMISED TO BE HONEST 213 00:09:13,480 --> 00:09:15,480 WITH EACH OTHER, RIGHT? 214 00:09:16,940 --> 00:09:19,860 SO YOU'D TELL ME IF THERE WAS SOMETHING GOING ON? 215 00:09:19,860 --> 00:09:21,860 YEAH, OF COURSE. WHAT ARE YOU-- 216 00:09:21,860 --> 00:09:24,080 WHAT ARE YOU ASKING ME, LIV? 217 00:09:25,870 --> 00:09:28,160 ARE YOU USING STEROIDS? 218 00:09:31,670 --> 00:09:34,210 TH-THIS OFFSEASON NEEDED TO BE MY COMEBACK. 219 00:09:34,210 --> 00:09:37,460 I CAN'T BE AROUND SOMEBODY WHO USES DRUGS. 220 00:09:37,460 --> 00:09:39,470 NO, IT'S NOT--IT'S NOT THE SAME THING. 221 00:09:39,470 --> 00:09:42,090 MM-MMM. I MEAN, IF YOU DON'T THINK 222 00:09:42,090 --> 00:09:44,640 THAT YOU CAN PERFORM WITHOUT IT, 223 00:09:44,640 --> 00:09:46,260 THAT'S AN ADDICTION IN MY BOOK, 224 00:09:46,260 --> 00:09:48,890 SO, YEAH, IT'S THE SAME THING. 225 00:09:48,890 --> 00:09:50,940 OK. 226 00:09:53,600 --> 00:09:55,650 OK. I'M DONE. I PROMISE. 227 00:09:57,610 --> 00:10:00,400 SO YOU'RE GONNA STOP, 228 00:10:00,400 --> 00:10:02,410 JUST LIKE THAT? 229 00:10:02,410 --> 00:10:05,950 I CAN'T AFFORD TO LOSE YOU. 230 00:10:07,120 --> 00:10:08,700 OK. 231 00:10:10,790 --> 00:10:13,210 DR. FISKELL: YOU REMIND ME OF A LION, SPENCER. 232 00:10:13,210 --> 00:10:15,330 JUST SO YOU KNOW, YOUR LEFT ARM IS 233 00:10:15,330 --> 00:10:17,630 ABOUT 20% STRONGER THAN YOUR RIGHT. 234 00:10:17,630 --> 00:10:19,090 THAT'S LIKELY A DIRECT RESULT 235 00:10:19,090 --> 00:10:20,590 OF MUSCLE TISSUE STILL HEALING. 236 00:10:20,590 --> 00:10:23,180 SO HE'S NOT READY TO RETURN TO FOOTBALL. 237 00:10:23,180 --> 00:10:24,890 ON THE CONTRARY. 238 00:10:24,890 --> 00:10:26,890 YOUR SON'S 80% 239 00:10:26,890 --> 00:10:29,010 IS BETTER THAN MOST PEOPLE'S 100%. 240 00:10:29,010 --> 00:10:31,430 THE REASON LIONS HAVE SUCH HIGH RECOVERY RATES 241 00:10:31,430 --> 00:10:33,890 IS BECAUSE THEY'RE SOCIAL CREATURES WHO PICK UP THE SLACK 242 00:10:33,890 --> 00:10:35,520 WHEN MEMBERS OF THEIR PACK ARE DOWN. 243 00:10:35,520 --> 00:10:38,070 IT'S TIME SPENCER RETURNS TO HIS TEAM, 244 00:10:38,070 --> 00:10:40,070 RECOUP HIS FULL STRENGTH WITH THEIR SUPPORT. 245 00:10:40,070 --> 00:10:42,490 SO YOU'RE GONNA TELL COACH BAKER I'M CLEAR TO GET BACK? 246 00:10:42,490 --> 00:10:44,320 I'LL GIVE HIM A CALL. 247 00:10:44,320 --> 00:10:46,160 HE CAN EASE YOU BACK IN. 248 00:10:46,160 --> 00:10:48,530 THANK YOU. THANK YOU. 249 00:10:48,530 --> 00:10:50,580 GRACE: THANK YOU. SPENCER: AHEM. 250 00:10:51,790 --> 00:10:53,120 MA! 251 00:10:53,120 --> 00:10:55,080 BOY--THANK YOU. 252 00:10:55,080 --> 00:10:56,920 DOCTOR: THANK YOU. GRACE: OK. 253 00:10:58,290 --> 00:11:00,340 COACH. 254 00:11:00,340 --> 00:11:02,420 BILLY: HEY. SPENCER: WELL, 255 00:11:02,420 --> 00:11:03,720 YOU TALK TO DR. FISKELL? 256 00:11:03,720 --> 00:11:05,840 DIDN'T YOU JUST SEE HER? 257 00:11:05,840 --> 00:11:07,220 I MEAN, YEAH, BUT A PHONE CALL 258 00:11:07,220 --> 00:11:08,220 IS, LIKE, TWO SECONDS, RIGHT? 259 00:11:08,220 --> 00:11:10,100 YEAH, MAN, SHE CALLED. 260 00:11:10,100 --> 00:11:12,890 SO AM I GOOD TO GO FOR OUR GAME AGAINST CHATSWORTH TOMORROW? 261 00:11:12,890 --> 00:11:14,770 UH, THAT WOULD BE A NO. 262 00:11:14,770 --> 00:11:17,350 THE DOC AND I AGREED THAT YOU'D BE GOOD TO GO FOR PRACTICE. 263 00:11:17,350 --> 00:11:19,360 BUT YOU SAID MY POSITION WOULD BE WAITING FOR ME ONCE I'M CLEARED. 264 00:11:19,360 --> 00:11:21,150 GRACE: SPENCER, BABY-- SPENCER: ALL, RIGHT, LOOK, 265 00:11:21,150 --> 00:11:22,940 I HEARD A RECRUITER FROM COASTAL CALIFORNIA 266 00:11:22,940 --> 00:11:24,240 IS GONNA BE AT THAT GAME. 267 00:11:24,240 --> 00:11:25,860 THAT WAS BARRY LEMMING, ALL RIGHT? 268 00:11:25,860 --> 00:11:27,490 HIS SON BO PLAYS FOR CHATSWORTH. 269 00:11:27,490 --> 00:11:29,490 HE'S THERE AS A DAD, NOT AS A RECRUITER. 270 00:11:29,490 --> 00:11:31,080 THEY'RE ALWAYS RECRUITING, COACH-- 271 00:11:31,080 --> 00:11:32,790 YOU KNOW THAT--AND WITH UCLA PULLING 272 00:11:32,790 --> 00:11:34,250 THEIR OFFER, I NEED A CHANCE TO GET BACK 273 00:11:34,250 --> 00:11:36,460 ON COLLEGE RADARS. COME ON. 274 00:11:36,460 --> 00:11:38,790 OK, HOW ABOUT THIS? [SIGHS] 275 00:11:38,790 --> 00:11:40,790 WHY DON'T WE RUN YOU THROUGH SOME FOOTBALL TESTS, 276 00:11:40,790 --> 00:11:42,670 GAUGE THE STRENGTH OF YOUR SHOULDER? 277 00:11:42,670 --> 00:11:44,420 YOU CAN GET UP TO SPEED WITH THE NEW PLAYBOOK, 278 00:11:44,420 --> 00:11:46,590 THEN YOU CAN PLAY, BUT IF NOT, 279 00:11:46,590 --> 00:11:48,590 YOU'RE ON THE SIDELINES WITH ME. 280 00:11:48,590 --> 00:11:49,850 -ALL RIGHT. BET. -OK? 281 00:11:49,850 --> 00:11:51,060 -YES, SIR. -ALL RIGHT. 282 00:11:51,060 --> 00:11:52,680 MA. 283 00:11:53,890 --> 00:11:55,730 LAYLA. 284 00:11:55,730 --> 00:11:58,940 COOP, WHAT ARE YOU-- WAIT, DO WE HAVE A SESSION TODAY? 285 00:11:58,940 --> 00:12:00,560 NO, BUT TYRONE IS BACK IN TOWN 286 00:12:00,560 --> 00:12:02,730 AND I'M PRETTY DAMN SURE HE'S COMING FOR ME, 287 00:12:02,730 --> 00:12:05,320 AND I KNOW YOUR DAD HAS A SECURITY DETAIL, RIGHT? 288 00:12:05,320 --> 00:12:06,950 'CAUSE I JUST NEED A SAFE PLACE TO HIDE 289 00:12:06,950 --> 00:12:08,410 FOR A FEW DAYS UNTIL MY PARENTS GET BACK IN TOWN. 290 00:12:08,410 --> 00:12:10,410 YEAH, OF COURSE. I'LL CALL MY DAD. 291 00:12:10,410 --> 00:12:11,950 YOU CAN STAY AS LONG AS YOU WANT. 292 00:12:11,950 --> 00:12:14,160 OK. 293 00:12:30,180 --> 00:12:33,140 [DARNELL AND DILLON LAUGH] 294 00:12:33,140 --> 00:12:35,930 [GRUNTS] WHAT Y'ALL DOING HERE? 295 00:12:35,930 --> 00:12:37,480 CANCELED PRACTICE TODAY. 296 00:12:37,480 --> 00:12:38,850 I GUESS SOMETHING WAS UP WITH THE FIELD. 297 00:12:38,850 --> 00:12:40,190 SO Y'ALL TOOK 3 BUSES TO BEVERLY HILLS 298 00:12:40,190 --> 00:12:41,560 INSTEAD OF GOING DOWN TO THE BEACH? 299 00:12:41,560 --> 00:12:43,360 THAT'S THE SAME THING I SAID. 300 00:12:43,360 --> 00:12:44,940 HEH! THE BEACH WILL BE THERE, BRO. 301 00:12:44,940 --> 00:12:46,860 YOU GETTING A CHANCE TO PASS YOUR TEST TODAY, 302 00:12:46,860 --> 00:12:48,110 THAT'S A DIFFERENT BEAST. 303 00:12:48,110 --> 00:12:49,860 I'M FINE, MAN. 304 00:12:49,860 --> 00:12:52,160 MY SHOULDER'S A-1. LOT OF PEOPLE COMPARE ME TO SIMBA. 305 00:12:52,160 --> 00:12:53,830 YOU DO KNOW SIMBA AIN'T REAL, RIGHT? 306 00:12:53,830 --> 00:12:55,290 DID YOU NOT SEE THE REMAKE? 307 00:12:55,290 --> 00:12:56,540 -[SCOFFS] -ALL RIGHT. 308 00:12:56,540 --> 00:12:58,040 ALL RIGHT, ALL RIGHT. 309 00:12:58,040 --> 00:12:59,540 SINCE YOUR SHOULDER'S HEALED, THEN, 310 00:12:59,540 --> 00:13:00,620 ALL WE NEED TO FOCUS ON IS THE PLAYBOOK. 311 00:13:00,620 --> 00:13:02,290 "WE"? 312 00:13:02,290 --> 00:13:04,090 YEAH. WE GOT YOU. 313 00:13:04,090 --> 00:13:05,920 WHAT YOU KNOW ABOUT FOOTBALL? 314 00:13:05,920 --> 00:13:08,130 I KNOW I'M ALMOST AS GOOD AS YOU, 315 00:13:08,130 --> 00:13:10,010 ESPECIALLY WITH THAT BUSTED SHOULDER. 316 00:13:10,010 --> 00:13:11,720 NO, YOU DIDN'T. OOH, THAT HURT. 317 00:13:11,720 --> 00:13:13,510 -HA HA! -OH, COME HERE. AH! 318 00:13:13,510 --> 00:13:16,140 DILLON: HA HA HA! 319 00:13:16,140 --> 00:13:18,140 SPENCER: I GOT YOU. I GOT YOU. 320 00:13:18,140 --> 00:13:21,230 DILLON: OK, OK. OK! YOU'RE--YOU'RE BETTER! 321 00:13:23,860 --> 00:13:25,860 [SIGHS] 322 00:13:25,860 --> 00:13:28,030 ALL RIGHT, DARNELL KNOWS WHAT'S UP. 323 00:13:28,030 --> 00:13:29,400 HE'S KEEPING SPENCER AND DILLON 324 00:13:29,400 --> 00:13:31,740 IN BEVERLY HILLS. -OK, GOOD. 325 00:13:31,740 --> 00:13:34,370 [CELL PHONE RINGING] 326 00:13:34,370 --> 00:13:37,160 OH, COOP, IT'S THE DJ FROM 99.8. 327 00:13:37,160 --> 00:13:39,120 HE MIGHT BE CALLING ABOUT THE TIME SLOT. 328 00:13:39,120 --> 00:13:40,750 OH, SHOOT. 329 00:13:40,750 --> 00:13:42,000 OK, I'LL BE RIGHT BACK. 330 00:13:42,000 --> 00:13:44,000 HELLO? HELLO? 331 00:13:44,000 --> 00:13:46,630 [DOOR OPENS] 332 00:13:48,880 --> 00:13:50,510 [DOOR CLOSES] 333 00:13:50,510 --> 00:13:52,930 -MR. KEATING, WHAT'S UP? -HEY, COOP. 334 00:13:52,930 --> 00:13:54,550 THANK YOU AGAIN FOR LETTING ME STAY. 335 00:13:54,550 --> 00:13:56,390 OH, NO DOUBT, NO DOUBT, NO DOUBT. 336 00:13:56,390 --> 00:13:58,390 I KNOW FIRSTHAND HOW THINGS CAN GET, 337 00:13:58,390 --> 00:14:00,390 SO DON'T YOU WORRY, OK? WE GOT YOU. 338 00:14:00,390 --> 00:14:02,480 -I APPRECIATE IT. -HEY, LISTEN, UM, 339 00:14:02,480 --> 00:14:04,100 I'VE BEEN HEARING SOME REALLY GOOD THINGS ABOUT THIS SONG 340 00:14:04,100 --> 00:14:05,400 YOU AND LAYLA ARE COOKIN' UP. 341 00:14:05,400 --> 00:14:07,070 YEAH, I THINK IT'S MISSIN' 342 00:14:07,070 --> 00:14:09,150 A LITTLE SOMETHIN', BUT IT DEFINITELY HAS POTENTIAL. 343 00:14:09,150 --> 00:14:10,530 YEAH? YOU GOT IT ON YOU? 344 00:14:10,530 --> 00:14:13,160 -YEAH. -LET ME TAKE A LISTEN. 345 00:14:13,160 --> 00:14:15,870 COOP: ♪ YOU TOOK A SHOT AT MY MAN ♪ 346 00:14:15,870 --> 00:14:17,620 ♪ NOW WAIT, YOU KNOW, YOUR GUN IN MY HAND ♪ 347 00:14:17,620 --> 00:14:19,620 ♪ I WON'T TESTIFY, AIN'T TAKIN' NO STAND ♪ 348 00:14:19,620 --> 00:14:22,410 ♪ ALL I SEE IS ME, ME, ME, ME KILLIN' A MAN ♪ 349 00:14:22,410 --> 00:14:24,420 ♪ AND YOU CAN'T RUN FROM IT... ♪ -HA HA HA HA! 350 00:14:24,420 --> 00:14:27,920 OK, OK, I'M DIGGIN' THIS. 351 00:14:27,920 --> 00:14:30,670 THE BEAT IS CATCHY. THE FLOW IS CRAZY. 352 00:14:30,670 --> 00:14:32,470 I WOULDN'T CHANGE A DAMN THING. 353 00:14:32,470 --> 00:14:33,970 REALLY? 354 00:14:33,970 --> 00:14:35,590 PSHH. NO DOUBT, ESPECIALLY 355 00:14:35,590 --> 00:14:37,220 THOSE BARS ABOUT ALMOST LOSING SPENCER? 356 00:14:37,220 --> 00:14:38,470 -MM-HMM. -OOH! 357 00:14:38,470 --> 00:14:40,100 [MUSIC STOPS] 358 00:14:40,100 --> 00:14:42,100 YOU KNOW WHY YOU'RE STILL HERE, COOP? 359 00:14:42,100 --> 00:14:43,270 GOD. 360 00:14:43,270 --> 00:14:44,900 OH, NO DOUBT. 361 00:14:44,900 --> 00:14:47,770 THE OTHER REASON, THOUGH, IS YOUR WILL. 362 00:14:47,770 --> 00:14:49,980 YEAH, SEE, NO MATTER HOW SCARY THINGS GET 363 00:14:49,980 --> 00:14:51,740 IN YOUR LIFE, YOU NEVER FOLD. 364 00:14:51,740 --> 00:14:53,950 IF THERE'S ONE THING I LEARNED ABOUT YOU, 365 00:14:53,950 --> 00:14:55,950 YOU'RE NOT ONE TO BACK DOWN 366 00:14:55,950 --> 00:14:59,330 FROM ANYTHING OR ANYONE, EVER. 367 00:15:00,660 --> 00:15:02,370 I RESPECT THAT. 368 00:15:02,370 --> 00:15:04,290 -THANK YOU. -HEY, 369 00:15:04,290 --> 00:15:05,920 I'M REALLY PROUD OF YOU, ALL RIGHT? 370 00:15:05,920 --> 00:15:07,750 -THANK YOU. -KEEP UP THE GOOD WORK. 371 00:15:07,750 --> 00:15:10,800 -WILL DO. -GO WORK ON SOME TRACKS NOW. 372 00:15:20,430 --> 00:15:24,060 SIMONE: HA HA HA! YO, I'M DEAD. 373 00:15:24,060 --> 00:15:26,060 SO THIS CHICK WENT TO "PEOPLE'S COURT" 374 00:15:26,060 --> 00:15:27,860 TO FIGHT FOR HER MARRIAGE, BUT THEN ADMITTED 375 00:15:27,860 --> 00:15:29,820 TO SLEEPING WITH HER SIDE PIECE THAT MORNING? 376 00:15:29,820 --> 00:15:31,570 FROM THIS POINT ON, ANYTIME YOU HEAR ANYBODY 377 00:15:31,570 --> 00:15:33,320 SAYING SOMETHING WILD, YOU HAVE TO REPLY WITH... 378 00:15:33,320 --> 00:15:34,650 BOTH: MISS JACKSON. 379 00:15:34,650 --> 00:15:36,820 SIMONE: HA HA HA! [PHONE PINGS] 380 00:15:38,030 --> 00:15:39,950 HEY, YOU OK? 381 00:15:39,950 --> 00:15:42,330 YEAH. IT'S MY MOM. 382 00:15:42,330 --> 00:15:44,750 SHE'S LITERALLY BEEN BUGGING ME 383 00:15:44,750 --> 00:15:47,330 ABOUT GOING SHOPPING, AND I'M RUNNING OUT OF EXCUSES. 384 00:15:47,330 --> 00:15:50,960 IT'S THE SPRING, SIMONE. BALENCIAGAS AND TRACK SUITS ARE STILL THE WAVE. 385 00:15:50,960 --> 00:15:52,800 JORDAN, I'M SERIOUS. 386 00:15:52,800 --> 00:15:54,760 OK, WELL, WHY NOT JUST COME CLEAN? 387 00:15:54,760 --> 00:15:56,970 BECAUSE MY PARENTS ARE THE TYPE OF PEOPLE 388 00:15:56,970 --> 00:15:59,180 THAT MADE ME DO A RESEARCH REPORT ON FRANK OCEAN 389 00:15:59,180 --> 00:16:01,390 TO PROVE WHY IT'D BE SAFE TO GO TO HIS CONCERT. 390 00:16:01,390 --> 00:16:03,640 SO JUST IMAGINE HOW, "OH, HEY, 391 00:16:03,640 --> 00:16:05,730 I'M PREGGO" IS GONNA GO. 392 00:16:05,730 --> 00:16:07,600 WHAT IF I WAS THERE WHENEVER YOU TELL THEM? 393 00:16:07,600 --> 00:16:09,650 STRICTLY AS A FRIEND. 394 00:16:09,650 --> 00:16:11,570 -ABSOLUTELY NOT. -WHY NOT? 395 00:16:11,570 --> 00:16:12,860 MAYBE THEY'LL TAKE IT EASIER ON YOU 396 00:16:12,860 --> 00:16:14,650 WITH SOMEBODY ELSE THERE. 397 00:16:14,650 --> 00:16:16,950 HONESTLY, I DON'T KNOW IF THAT WOULD BE BETTER OR WORSE. 398 00:16:16,950 --> 00:16:19,570 AT LEAST IT'LL BE OVER WITH AND YOU CAN MOVE ON. 399 00:16:20,990 --> 00:16:22,990 GUESS WHAT. THE STATION WANTS TO RUN 400 00:16:22,990 --> 00:16:26,000 YOUR TRACK EARLY, LIKE TOMORROW. 401 00:16:26,000 --> 00:16:30,250 COOP? 402 00:16:34,380 --> 00:16:35,420 COOP? 403 00:16:39,760 --> 00:16:42,430 [KNOCKING ON DOOR] 404 00:16:43,850 --> 00:16:45,470 HEY. 405 00:16:45,470 --> 00:16:47,100 DID ANYBODY STOP BY? 406 00:16:47,100 --> 00:16:49,480 [CHUCKLES] OK. HI TO YOU, TOO. 407 00:16:49,480 --> 00:16:51,600 YES OR NO? 408 00:16:51,600 --> 00:16:54,360 YOU'RE THE ONE WHO SAID YOU DIDN'T WANT TO BE FRIENDS YET. 409 00:16:54,360 --> 00:16:57,070 SO YOU WANT TO TELL ME WHAT'S GOING ON? 410 00:16:57,070 --> 00:16:59,110 [SIGHS] 411 00:17:01,200 --> 00:17:03,530 TYRONE IS BACK IN TOWN, 412 00:17:03,530 --> 00:17:06,660 AND HE'S EITHER COMING FOR ME OR SOMEBODY I LOVE. 413 00:17:06,660 --> 00:17:08,660 JUST TO BE SAFE, 414 00:17:08,660 --> 00:17:10,620 I THINK IT'S BEST IF WE DIP UP OUT OF HERE. 415 00:17:10,620 --> 00:17:12,540 YOU GOT A UNCLE IN RIVERSIDE, RIGHT? 416 00:17:12,540 --> 00:17:14,750 -YEAH. -YOU THINK HE'D LET US STAY FOR A FEW DAYS? 417 00:17:14,750 --> 00:17:18,130 I DON'T KNOW. I CAN SEE, LIKE-- 418 00:17:18,130 --> 00:17:20,420 ALL RIGHT, CALL HIM. I'M GONNA USE YOUR BATHROOM REAL QUICK. 419 00:17:20,420 --> 00:17:22,470 OK. 420 00:17:39,190 --> 00:17:42,200 [KNOCK ON DOOR] 421 00:17:42,200 --> 00:17:44,240 OH, GO AHEAD. 422 00:17:45,990 --> 00:17:47,990 [SIGHS] 423 00:17:47,990 --> 00:17:50,830 PATIENCE: HEY. SPENCER: LAYLA CALLED ME. 424 00:17:50,830 --> 00:17:53,250 I CANNOT BELIEVE YOU AIN'T TELL ME TYRONE WAS BACK. 425 00:17:53,250 --> 00:17:55,130 -NO, I WAS GONNA HIT YOU LATER. -YOU OUT YOUR DAMN MIND? 426 00:17:55,130 --> 00:17:56,840 IF I CAN FIND YOU THIS EASY, WHAT MAKES YOU 427 00:17:56,840 --> 00:17:58,340 THINK TYRONE CAN'T? LOOK, Y'ALL NEED 428 00:17:58,340 --> 00:18:00,130 TO BOUNCE, LIKE RIGHT NOW. 429 00:18:00,130 --> 00:18:01,760 WE ARE, AS SOON AS PATIENCE IS DONE PACKING HER BAGS. 430 00:18:01,760 --> 00:18:03,380 WE'RE GOING TO HER UNCLE'S HOUSE IN RIVERSIDE. 431 00:18:03,380 --> 00:18:05,390 YOU NEED TO GET BACK TO BEVERLY HILLS 432 00:18:05,390 --> 00:18:07,140 NOT JUST BECAUSE IT'S SAFER, BUT DON'T YOU GOT 433 00:18:07,140 --> 00:18:08,970 A FOOTBALL TEST WITH COACH BAKER? 434 00:18:08,970 --> 00:18:11,180 -THE TEST CAN WAIT, A'IGHT? -NO, IF YOU DON'T PASS, 435 00:18:11,180 --> 00:18:14,400 YOU DON'T PLAY TOMORROW, AND IF YOU DON'T PLAY, YOU MISS OUT ON RECRUITERS. 436 00:18:14,400 --> 00:18:16,520 WE'LL BE FINE, BRO. TRUST. 437 00:18:16,520 --> 00:18:19,570 I WILL TEXT YOU THE MINUTE WE GET THERE. 438 00:18:22,570 --> 00:18:24,570 YOU BETTER. 439 00:18:24,570 --> 00:18:27,070 PATIENCE: BYE. 440 00:18:30,910 --> 00:18:32,580 [KISS] 441 00:18:34,500 --> 00:18:36,500 [DOOR OPENS] 442 00:18:36,500 --> 00:18:38,540 [DOOR CLOSES] 443 00:18:38,540 --> 00:18:41,300 ALL RIGHT, YOU SHOULD GET GOING NOW. I'LL MEET YOU AT YOUR UNCLE'S. 444 00:18:41,300 --> 00:18:43,720 WHAT? NO. YOU JUST TOLD SPENCER WE'RE GOING TOGETHER. 445 00:18:43,720 --> 00:18:45,590 I'LL BE RIGHT BEHIND YOU, I PROMISE. 446 00:18:45,590 --> 00:18:47,680 -MY GOD. -LOOK, DON'T. COME ON. 447 00:18:49,100 --> 00:18:50,640 I'LL BE THERE. 448 00:18:50,640 --> 00:18:52,890 ALL RIGHT. 449 00:18:55,850 --> 00:18:58,480 OLIVIA: OK, COOP IS PROBABLY ALREADY HALFWAY TO RIVERSIDE BY NOW. 450 00:18:58,480 --> 00:19:00,400 YEAH, BUT IT'S JUST THE TIMING OF IT ALL. 451 00:19:00,400 --> 00:19:02,030 LIKE, SHE HAS A SONG ABOUT TO DROP ON THE RADIO. 452 00:19:02,030 --> 00:19:03,530 SHE SHOULD BE HERE TO ENJOY IT. 453 00:19:03,530 --> 00:19:05,530 I MEAN, THAT SONG IS AMAZING, BUT IT'S GONNA 454 00:19:05,530 --> 00:19:07,660 BE AROUND FOR A WHILE, OK, SAME AS COOP. 455 00:19:07,660 --> 00:19:09,700 YEAH. YOU'RE RIGHT. 456 00:19:12,450 --> 00:19:14,500 EVERYTHING OK? 457 00:19:16,960 --> 00:19:19,960 WOULD YOU KEEP A SECRET FOR SOMEONE YOU CARED ABOUT 458 00:19:19,960 --> 00:19:22,170 IF YOU KNEW IT WASN'T FOR THE BEST? 459 00:19:22,170 --> 00:19:24,920 YOU'VE GOT GOOD INSTINCTS. YOU SHOULD TRUST YOUR GUT. 460 00:19:26,510 --> 00:19:28,510 SHOULD I BE WORRIED? -NOPE. 461 00:19:28,510 --> 00:19:30,510 NOPE, ALL GOOD. PROMISE. 462 00:19:30,510 --> 00:19:32,560 PAUL, ON TV: AS A LITIGATOR, LAURA BAKER 463 00:19:32,560 --> 00:19:34,560 IS DECENT AT HER JOB, 464 00:19:34,560 --> 00:19:36,190 BUT COME ON. 465 00:19:36,190 --> 00:19:38,190 THAT COLD, INACCESSIBLE PERSONA? 466 00:19:38,190 --> 00:19:40,520 IT'S NO SURPRISE THAT HER MARRIAGE IS ON THE ROCKS. 467 00:19:40,520 --> 00:19:42,730 SHE'S ABOUT TO BE A SINGLE MOTHER 468 00:19:42,730 --> 00:19:45,950 FOR TWO TEENAGERS WHO REALLY NEED HER HELP, SO YOU... 469 00:19:45,950 --> 00:19:47,950 MOM, I'M HAPPY TO GO ON MY PODCAST 470 00:19:47,950 --> 00:19:49,870 AND WAGE WAR WITH THIS DOUCHE. 471 00:19:49,870 --> 00:19:51,620 I APPRECIATE THAT, SWEETIE, BUT THE 472 00:19:51,620 --> 00:19:53,910 LAST THING YOU NEED TO WORRY ABOUT IS ME. 473 00:19:53,910 --> 00:19:56,540 PAUL, ON TV: I'VE ALWAYS WANTED SOMEONE IN OFFICE... LAURA: OH, MY GOD. 474 00:19:56,540 --> 00:19:59,540 WOW, AND THAT SEXIST B.S. RIGHT THERE IS PRECISELY 475 00:19:59,540 --> 00:20:02,960 THE REASON WHY I COULD NEVER GO INTO POLITICS. 476 00:20:02,960 --> 00:20:04,840 [REFRIGERATOR DOOR OPENS] 477 00:20:04,840 --> 00:20:06,380 [BOTTLE CLINKS] 478 00:20:06,380 --> 00:20:08,300 [FOOTSTEPS RETREAT] 479 00:20:08,300 --> 00:20:10,800 [MUSIC PLAYING] 480 00:20:14,220 --> 00:20:16,230 ROBERT: AHEM. 481 00:20:16,230 --> 00:20:18,640 WELL, IT'S GOOD TO SEE SIMONE DATING SOMEONE 482 00:20:18,640 --> 00:20:20,230 WITHOUT TATTOOS. 483 00:20:20,230 --> 00:20:23,440 -MOM. -IT'S AN HONEST OBSERVATION. 484 00:20:23,440 --> 00:20:26,280 ISN'T THAT WHY YOU INVITED US 485 00:20:26,280 --> 00:20:28,700 TO THIS SPORTS BAR? 486 00:20:28,700 --> 00:20:30,700 UM... 487 00:20:30,700 --> 00:20:33,580 SIMONE, YOU WANT TO... 488 00:20:35,160 --> 00:20:37,790 SO, I'M... 489 00:20:37,790 --> 00:20:41,460 ACTUALLY HERE BECAUSE... 490 00:20:46,130 --> 00:20:48,170 WELL, I'M PREGNANT. 491 00:20:53,930 --> 00:20:55,930 CAN YOU SAY SOMETHING? 492 00:20:55,930 --> 00:20:58,480 YOU'RE PRACTICALLY A SHOO-IN AT STANFORD, 493 00:20:58,480 --> 00:21:00,060 AND YOU'RE GONNA THROW YOUR WHOLE FUTURE-- 494 00:21:00,060 --> 00:21:01,560 LET'S NOT JUMP TO CONCLUSIONS. 495 00:21:01,560 --> 00:21:02,940 I'M SURE THIS WAS MEANT TO BE A DISCUSSION. 496 00:21:02,940 --> 00:21:04,690 JORDAN: YES. BASICALLY, 497 00:21:04,690 --> 00:21:06,690 SIMONE HAS JUST REALLY BEEN STR-- TINA: DID YOU NOT 498 00:21:06,690 --> 00:21:09,610 CARE ENOUGH TO USE PROTECTION? 499 00:21:09,610 --> 00:21:11,610 -BEG YOUR PARDON? -ISN'T THERE ENOUGH DRAMA 500 00:21:11,610 --> 00:21:13,700 IN YOUR FAMILY ALREADY? ROBERT: TINA, LET'S NOT 501 00:21:13,700 --> 00:21:16,200 BRING HIS PARENTS' MARRIAGE TROUBLES INTO ALL OF THIS. 502 00:21:16,200 --> 00:21:18,120 TINA: OH, ROBERT, IT'S ALL OVER THE NEWS, 503 00:21:18,120 --> 00:21:20,330 AND I'M SURE THE LAST THING THEY WANT IS SOME NEW CHILD 504 00:21:20,330 --> 00:21:23,040 COMING INTO THEIR BROKEN FAMILY. 505 00:21:23,040 --> 00:21:25,750 JORDAN IS HERE AS MY FRIEND. 506 00:21:25,750 --> 00:21:28,340 HE'S NOT THE BABY'S FATHER. 507 00:21:28,340 --> 00:21:31,760 WELL, IF THIS YOUNG MAN ISN'T THE FATHER, THEN WHO-- 508 00:21:33,260 --> 00:21:36,470 YOU KNOW WHAT? IT DOESN'T MATTER. 509 00:21:36,470 --> 00:21:39,100 HMM! DOESN'T MATTER, SWEETHEART, 510 00:21:39,100 --> 00:21:41,100 'CAUSE YOU'RE NOT KEEPING IT. 511 00:21:41,100 --> 00:21:42,650 WELL, THAT'S NOT YOUR DECISION. 512 00:21:42,650 --> 00:21:44,520 YOU WANT TO LIVE IN OUR HOUSE, 513 00:21:44,520 --> 00:21:47,070 YOU'RE GETTING RID OF THAT BABY. 514 00:21:50,570 --> 00:21:52,570 [EXHALES SHARPLY] 515 00:21:52,570 --> 00:21:54,570 [GRUNTS] WHAT'S UP, BRO? 516 00:21:54,570 --> 00:21:56,580 WHAT'S UP, MAN? 517 00:21:56,580 --> 00:21:59,040 HEY, DON'T YOU HAVE YOUR SHOULDER TEST RIGHT NOW? 518 00:21:59,040 --> 00:22:00,700 WHY YOU THINK I'M RUSHING IT? 519 00:22:00,700 --> 00:22:02,160 AH, CHILL, MAN. YOU'RE ALL GOOD. 520 00:22:02,160 --> 00:22:03,580 HEY, YOU GOT THIS, SPENCE. 521 00:22:03,580 --> 00:22:05,130 EVEN IF YOU GOT TO SIT OUT ONE MORE GAME, 522 00:22:05,130 --> 00:22:06,790 IT'S NO BIG DEAL, MAN. 523 00:22:06,790 --> 00:22:08,300 THE HELL IT AIN'T. 524 00:22:08,300 --> 00:22:09,670 BARRY LEMMING FROM COASTAL CALIFORNIA 525 00:22:09,670 --> 00:22:10,880 IS GONNA BE AT THAT GAME, BRO. 526 00:22:10,880 --> 00:22:12,880 -WAIT. FOR REAL? -YUP. 527 00:22:12,880 --> 00:22:15,640 COASTAL'S BEEN ONE OF MY TOP PICKS SINCE I WAS A KID. 528 00:22:15,640 --> 00:22:17,680 THEN YOU BETTER BALL OUT TOMORROW. 529 00:22:22,520 --> 00:22:24,730 THE SEIGE: ♪ FALLIN' ♪ 530 00:22:24,730 --> 00:22:26,730 ♪ WAIST, DON'T, WHERE TO ♪ 531 00:22:26,730 --> 00:22:30,150 ♪ CAN'T EVER WAKE ME, STAY NEVER ♪ 532 00:22:30,150 --> 00:22:32,150 HEY, I'M LOVING THESE NEW PLAYS, COACH. 533 00:22:32,150 --> 00:22:34,160 LINE UP FOR THE JUGS MACHINE. 534 00:22:34,160 --> 00:22:36,200 ♪ BAIL OUT, BOUNCE BACK, TRY AND BEAT IT ♪ 535 00:22:36,200 --> 00:22:37,870 -JUGS. -♪ IT JUST MIGHT WORK ♪ 536 00:22:37,870 --> 00:22:39,290 ♪ WHAT YOU GONNA DO WHEN YOU GO DOWN? ♪ 537 00:22:39,290 --> 00:22:40,700 - READY. - ♪ HIT 'EM IN THE FACE ♪ 538 00:22:40,700 --> 00:22:42,120 ♪ WHEN YOU SLOW DOWN... ♪ 539 00:22:42,120 --> 00:22:43,660 [RAPPING CONTINUES INDISTINCTLY] 540 00:22:43,660 --> 00:22:45,670 -COME ON. LET'S GO! - ALL RIGHT. 541 00:22:45,670 --> 00:22:47,840 A LITTLE FASTER, TILT IT UP TO THE LEFT. 542 00:22:47,840 --> 00:22:50,210 ♪ STAY DOWN, NOW TO RISE UP OR YOU LAY DOWN ♪ 543 00:22:50,210 --> 00:22:52,300 ♪ POP SAID YOU BETTER STAY SMART AND STICK ROUND ♪ 544 00:22:52,300 --> 00:22:54,470 ♪ IF I TAKE A SHOT, I'M STAYIN' WITH IT ALL THE WAY DOWN ♪ 545 00:22:54,470 --> 00:22:57,090 ♪ PAY ATTENTION, GO BACK, I'MA GO HEADIN' ON BACK ♪ 546 00:22:57,090 --> 00:22:58,600 BILLY: YOU ALL RIGHT, SPENCE? 547 00:22:58,600 --> 00:23:00,600 [PANTING] 548 00:23:00,600 --> 00:23:02,310 YEAH. YEAH, YEAH, YEAH. 549 00:23:02,310 --> 00:23:04,310 NEVER BETTER, COACH. 550 00:23:04,310 --> 00:23:05,560 I'M GOOD. I'M GOOD. 551 00:23:05,560 --> 00:23:07,690 OK. YOU DID IT. 552 00:23:07,690 --> 00:23:09,150 YOU PASSED. 553 00:23:09,150 --> 00:23:11,280 -TOLD YOU. -THE ONLY THING IS, 554 00:23:11,280 --> 00:23:13,280 ONLY YOU CAN KNOW HOW GOOD 555 00:23:13,280 --> 00:23:15,150 YOUR SHOULDER TRULY FEELS, 556 00:23:15,150 --> 00:23:18,910 SO I NEED YOU TO BE HONEST WITH ME, SPENCE. 557 00:23:18,910 --> 00:23:21,040 IS YOUR SHOULDER 100%? 558 00:23:21,040 --> 00:23:23,660 -100%-- -SPENCER... 559 00:23:23,660 --> 00:23:26,420 100%. 560 00:23:28,670 --> 00:23:30,540 ALL RIGHT. 561 00:23:30,540 --> 00:23:32,460 GOOD TO GO. 562 00:23:50,150 --> 00:23:52,150 [WHISTLE BLOWS] 563 00:23:52,150 --> 00:23:54,150 ♪ OH ♪ 564 00:23:54,150 --> 00:23:55,780 [CROWD CHEERING] 565 00:23:55,780 --> 00:23:57,610 ♪ OH ♪ 566 00:23:57,610 --> 00:23:59,610 ♪ APPRECIATE IT ♪ 567 00:23:59,610 --> 00:24:01,620 ♪ HEY, YO ♪ 568 00:24:01,620 --> 00:24:04,620 ♪ A WISE MAN ONCE SAID ♪ 569 00:24:04,620 --> 00:24:07,620 ♪ TOUGH TIMES DON'T LAST ♪ 570 00:24:07,620 --> 00:24:10,000 ♪ BUT TOUGH PEOPLE DO ♪ 571 00:24:10,000 --> 00:24:11,830 ♪ OH ♪ 572 00:24:11,830 --> 00:24:14,210 DARNELL HAYES? 573 00:24:14,210 --> 00:24:16,260 -YEAH. -BARRY LEMMING, 574 00:24:16,260 --> 00:24:18,880 LEAD RECRUITER, COASTAL CALIFORNIA. 575 00:24:18,880 --> 00:24:21,260 BEEN FOLLOWING YOU SINCE YOUR SOPHOMORE SEASON AT FORT NEVADA. 576 00:24:21,260 --> 00:24:23,300 LOOKING FORWARD TO WHAT YOU DO AT SOUTH CRENSHAW. 577 00:24:23,300 --> 00:24:25,930 -THANK YOU, SIR. -SO YOU HERE FOR MY BROTHER? 578 00:24:25,930 --> 00:24:27,430 ACTUALLY, I'M HERE TO SEE MY SON, 579 00:24:27,430 --> 00:24:29,560 BUT I'M ALWAYS TAKING NOTES. 580 00:24:29,560 --> 00:24:31,980 [WHISTLE BLOWS] BILLY: ALL RIGHT, Y'ALL. BRING IT IN. BRING IT IN. 581 00:24:31,980 --> 00:24:35,150 HUSTLE. COME ON. GET THE LEAD OUT, J.J. 582 00:24:35,150 --> 00:24:38,530 ALL RIGHT, Y'ALL. WE'RE GONNA PUT IN SOME WORK, SO LET'S GET IT DONE. 583 00:24:38,530 --> 00:24:40,740 LET'S HAVE SOME FUN. BRING IT IN. 584 00:24:40,740 --> 00:24:43,160 ASHER: HEY! "BEVERLY" ON ME. "BEVERLY" ON 3. 585 00:24:43,160 --> 00:24:44,950 1, 2, 3! 586 00:24:44,950 --> 00:24:46,830 -BEVERLY! -LET'S EAT, BOYS! 587 00:24:46,830 --> 00:24:49,660 OFFENSE, YOU ARE UP. OFFENSE, YOU--WHERE YOU GOIN', HOMIE? 588 00:24:49,660 --> 00:24:52,040 I TOLD YOU, WE GOT TO EASE YOU INTO THIS. 589 00:24:52,040 --> 00:24:54,250 BUT I'M PLAYING AT SOME POINT, RIGHT? 590 00:24:54,250 --> 00:24:55,880 YEAH, WHEN I SAY. 591 00:24:55,880 --> 00:24:57,920 TAKE IT EASY. 592 00:24:59,550 --> 00:25:01,720 [WHISTLE BLOWS] 593 00:25:03,510 --> 00:25:05,720 BILLY: ALL RIGHT, WATCH THIS. 594 00:25:05,720 --> 00:25:07,720 MAN, ON RADIO: WELCOME BACK, Y'ALL. THANKS FOR TUNING IN. 595 00:25:07,720 --> 00:25:10,730 YOU IN THE SPOT WITH ME, YOURS TRULY, 596 00:25:10,730 --> 00:25:13,350 AND YOU'RE LISTENING TO 99.8, WHERE IT'S TIME 597 00:25:13,350 --> 00:25:15,770 FOR "FEELIN' IT OR KILLIN' IT," WHERE WE PLAY 598 00:25:15,770 --> 00:25:18,030 AN UNSIGNED ARTIST'S SONG WITH THE HOPE 599 00:25:18,030 --> 00:25:21,240 OF SHOWING THEM SOME LOVE. THIS NEXT ONE IS FIRE! 600 00:25:21,240 --> 00:25:23,700 COOP: ♪ YO, YO, SOME DUDES TALK TOUGH ♪ 601 00:25:23,700 --> 00:25:26,700 ♪ OTHER, REAL DUDES PULL UP, I DONE SEEN IT ALL ♪ 602 00:25:26,700 --> 00:25:28,750 ♪ I HAD MY BACK ALL UP AGAINST THE WALL ♪ 603 00:25:28,750 --> 00:25:30,750 ♪ AND MY DAWG TOOK A FEW TO THE CHEST ♪ 604 00:25:30,750 --> 00:25:32,750 ♪ I CRIED SEEING HIS MAMA LAY HIM TO REST ♪ 605 00:25:32,750 --> 00:25:34,750 ♪ ALL HE WANTED WAS TO MAKE IT OUT OF HERE ♪ 606 00:25:34,750 --> 00:25:37,500 ♪ AND GIVE HIS DAUGHTER THE BEST, MY HOOD NEED LOVE ♪ 607 00:25:37,500 --> 00:25:39,300 ♪ THERE'S A LOT OF BROKE HEARTS ROUND HERE ♪ 608 00:25:39,300 --> 00:25:41,880 ♪ YEAH, AIN'T NOBODY SAVIN' NO SOULS ♪ 609 00:25:41,880 --> 00:25:44,340 ♪ AND AIN'T NOBODY SHOWIN' UP, SO YOU DISAPPEAR ♪ 610 00:25:44,340 --> 00:25:46,430 ♪ YOU GET IT HOW YOU LIVE IT, I'MA AIMIN' AT THE TARGET ♪ 611 00:25:46,430 --> 00:25:48,310 ♪ AND I'MA HIT IT, START COMIN' OUT YOUR WIG ♪ 612 00:25:48,310 --> 00:25:50,140 ♪ YOU KNOW I'MA SPLIT IT AND THIS HOW THEY MADE ME ♪ 613 00:25:50,140 --> 00:25:52,100 ♪ THAT'S HOW I LIVE IT, BUT SOMETIMES ♪ 614 00:25:52,100 --> 00:25:54,400 ♪ I THINK TO MYSELF, I THANK GOD FOR SAVING MYSELF ♪ 615 00:25:54,400 --> 00:25:56,480 ♪ I COULD BE THE ONE IN THE CASKET, THAT'S WHY I LOOK BACK ♪ 616 00:25:56,480 --> 00:25:58,110 ♪ I'M LIKE, "WHAT IF IT HAPPENED?" 617 00:25:58,110 --> 00:26:00,110 ♪ I'M STILL HERE ♪ 618 00:26:00,110 --> 00:26:02,490 LOOKS LIKE Y'ALL DON'T NEED ME. 619 00:26:02,490 --> 00:26:04,490 MAN, DON'T SAY THAT. 620 00:26:04,490 --> 00:26:07,490 YOU ARE A VITAL PART OF THIS TEAM. 621 00:26:07,490 --> 00:26:10,120 DON'T BE SAYING THAT. 622 00:26:10,120 --> 00:26:13,160 THEN HOW COME I AIN'T IN YET? 623 00:26:15,500 --> 00:26:17,500 GO ON, THEN. 624 00:26:17,500 --> 00:26:19,130 FOR REAL? 625 00:26:19,130 --> 00:26:21,170 -GO ON, THEN. -YES, SIR. 626 00:26:22,340 --> 00:26:25,300 ♪ WE GO DOWNTOWN, EVERYBODY'S WATCHING ♪ 627 00:26:25,300 --> 00:26:27,350 [ALL CHEERING] 628 00:26:27,350 --> 00:26:28,890 BO: HEY, HEY. HEH HEH! 629 00:26:28,890 --> 00:26:30,520 ABOUT TIME YOU GOT OUT HERE, BOY. 630 00:26:30,520 --> 00:26:31,770 FOR A MINUTE THERE, I THOUGHT ASHER WAS 631 00:26:31,770 --> 00:26:33,520 THE ONLY RECEIVER Y'ALL HAD. 632 00:26:33,520 --> 00:26:36,060 JORDAN: 550, READY. 633 00:26:36,060 --> 00:26:38,690 BO: KNOW YOU HEARD THAT, SPENCER. 634 00:26:38,690 --> 00:26:41,440 BILLY: ATTABOY. ATTABOY. 635 00:26:41,440 --> 00:26:43,900 WHOO! THAT'S LIGHT WORK, HOMIE. 636 00:26:43,900 --> 00:26:45,910 YOU BETTER STOP EMBARRASSING YOUR POPS 637 00:26:45,910 --> 00:26:47,820 AND ACTUALLY MAKE ME WORK FOR THESE CATCHES. 638 00:26:47,820 --> 00:26:48,990 MAN ONLY THREW YOU THE BALL 'CAUSE ASH 639 00:26:48,990 --> 00:26:50,370 WAS ON THE SIDELINE. COME ON. 640 00:26:50,370 --> 00:26:51,870 YEAH. ALL RIGHT. 641 00:26:51,870 --> 00:26:53,660 ♪ WHOO! ♪ 642 00:26:54,830 --> 00:26:56,830 NOW THAT YOU GOT THE DROP ON HIM, 643 00:26:56,830 --> 00:26:58,840 YOU KNOW WHAT YOU NEED TO DO, 644 00:26:58,840 --> 00:27:00,840 NO MARGIN FOR ERROR. 645 00:27:00,840 --> 00:27:02,840 GET IN. GET OUT. 646 00:27:16,980 --> 00:27:19,110 JORDAN: STACK! 647 00:27:25,740 --> 00:27:27,160 DAMN! 648 00:27:27,160 --> 00:27:28,660 [WHISTLE BLOWS] 649 00:27:30,030 --> 00:27:31,990 [DISTANT DOG BARKING] 650 00:27:37,210 --> 00:27:39,830 JORDAN: ALL RIGHT. HUDDLE UP. HUDDLE UP. HUDDLE UP. 651 00:27:39,830 --> 00:27:41,840 ALL RIGHT. TIE BALL GAME, BOYS. 652 00:27:41,840 --> 00:27:43,670 NOTHING WE HAVEN'T SEEN BEFORE, RIGHT? 653 00:27:43,670 --> 00:27:45,380 WE GOT 4 PLAYS TO GET THIS WIN. 654 00:27:45,380 --> 00:27:47,010 IF YOU GET IT TO ME, I CAN END THIS WITH ONE PLAY. 655 00:27:47,010 --> 00:27:48,340 I'VE BEEN OPEN ALL DAY, MAN. 656 00:27:48,340 --> 00:27:49,720 YOU SURE YOU'RE READY? 657 00:27:49,720 --> 00:27:51,470 LOOK, I'M HERE, AIN'T I? 658 00:27:51,470 --> 00:27:53,930 ALL RIGHT. SCAT DIG CURLY, 659 00:27:53,930 --> 00:27:56,480 KICK AND ROLL 372 CHAIR. ON ONE, ON ONE. READY? 660 00:27:56,480 --> 00:27:58,480 GET OPEN. SPENCER: WATCH ME. 661 00:27:58,480 --> 00:28:02,150 JORDAN: DOWN, SET. KRISPY KREME. RED LIGHT. 662 00:28:02,150 --> 00:28:04,780 GREEN, GREEN, GREEN. RED LIGHT. SET! 663 00:28:10,030 --> 00:28:12,070 UHH! 664 00:28:18,960 --> 00:28:20,920 BILLY: TRAINER! TRAINER! ALL RIGHT. DON'T MOVE. 665 00:28:20,920 --> 00:28:22,790 DON'T MOVE. DON'T MOVE. DON'T MOVE. 666 00:28:22,790 --> 00:28:23,840 ALL RIGHT, WHAT HAPPENED? 667 00:28:23,840 --> 00:28:25,050 IT'S MY ARM. 668 00:28:25,050 --> 00:28:26,840 IT WON'T MOVE. 669 00:28:26,840 --> 00:28:28,050 IS THAT THE FIRST TIME IT'S HAPPENED 670 00:28:28,050 --> 00:28:30,010 IN THE PAST 48 HOURS? 671 00:28:31,590 --> 00:28:33,430 NO. 672 00:28:35,720 --> 00:28:37,560 -CAN YOU FEEL THAT? -YEAH. 673 00:28:37,560 --> 00:28:38,640 YEAH, YEAH, YEAH. IT'S COMING BACK. 674 00:28:38,640 --> 00:28:40,190 THANK GOD. 675 00:28:40,190 --> 00:28:41,600 ALL RIGHT. THANKS. 676 00:28:41,600 --> 00:28:42,810 SPENCER: WAIT, WAIT, WAIT, COACH. 677 00:28:42,810 --> 00:28:44,270 COACH. 678 00:28:44,270 --> 00:28:46,280 [DISTANT DOG BARKING] 679 00:28:46,280 --> 00:28:48,950 [DISTANT WOMAN SINGING IN SPANISH] 680 00:29:10,590 --> 00:29:12,640 [GUNSHOT] 681 00:29:14,100 --> 00:29:16,510 [TWO GUNSHOTS] 682 00:29:33,570 --> 00:29:35,120 WHAT HAPPENED TO NOT RESPONDING? 683 00:29:35,120 --> 00:29:36,280 CALL IT A CHANGE OF HEART. 684 00:29:36,280 --> 00:29:37,660 VOTING IS ALREADY UNDERWAY. 685 00:29:37,660 --> 00:29:39,160 STAGING A BIG PRESS INTERVIEW 686 00:29:39,160 --> 00:29:40,830 WHILE PEOPLE ARE ALREADY HEADING TO THE POLLS 687 00:29:40,830 --> 00:29:42,500 COULD OPEN A WHOLE CAN OF WORMS THAT WE WON'T 688 00:29:42,500 --> 00:29:44,420 HAVE TIME TO ADDRESS BEFORE THE POLLS CLOSE. 689 00:29:44,420 --> 00:29:45,830 I UNDERSTAND, BUT I NEED 690 00:29:45,830 --> 00:29:47,840 TO SHOW MY CONSTITUENTS 691 00:29:47,840 --> 00:29:49,710 AND MY DAUGHTER THAT THIS SORT 692 00:29:49,710 --> 00:29:51,590 OF FEMALE BULLYING IS NOT OK. 693 00:29:51,590 --> 00:29:53,220 BUT WHAT IF VOTERS DON'T LIKE WHAT YOU HAVE 694 00:29:53,220 --> 00:29:55,140 TO SAY, AND IT COSTS YOU THE ELECTION? 695 00:29:55,140 --> 00:29:58,680 WELL, THEN AT LEAST I CAN BOW OUT WITH DIGNITY. 696 00:29:59,890 --> 00:30:01,890 AND 3, 2, 1. 697 00:30:01,890 --> 00:30:03,940 [CLEARS THROAT] 698 00:30:05,900 --> 00:30:09,820 I'D LIKE TO TAKE THIS TIME TO ADDRESS MY SILENCE. 699 00:30:09,820 --> 00:30:12,030 OFTEN, AS WOMEN, 700 00:30:12,030 --> 00:30:14,360 OUR SILENCE IS MISCONSTRUED 701 00:30:14,360 --> 00:30:16,360 AS WEAKNESS. 702 00:30:16,360 --> 00:30:18,370 THE TRUTH IS, IS WE WERE 703 00:30:18,370 --> 00:30:20,490 OFTEN MAKING THE STRONGER CHOICE 704 00:30:20,490 --> 00:30:23,120 TO JUST NOT ENGAGE. 705 00:30:24,290 --> 00:30:26,920 I WAS REMINDED THAT, AS A PUBLIC FIGURE, 706 00:30:26,920 --> 00:30:29,250 THAT THIS ISN'T JUST ABOUT ME. 707 00:30:29,250 --> 00:30:31,250 THIS IS ABOUT THE LEGACY 708 00:30:31,250 --> 00:30:33,720 OF WOMEN IN THIS COUNTRY. 709 00:30:33,720 --> 00:30:35,930 THIS IS ABOUT LITTLE GIRLS WHO DREAMED OF GOING 710 00:30:35,930 --> 00:30:38,720 INTO POLITICS ONE DAY WHO ARE NOW RETHINKING IT 711 00:30:38,720 --> 00:30:41,720 BECAUSE OF BULLIES LIKE PAUL KENDALL, 712 00:30:41,720 --> 00:30:45,730 SO I AM BREAKING MY SILENCE. 713 00:30:45,730 --> 00:30:48,730 WHILE IT'S TRUE THAT MY HUSBAND AND I 714 00:30:48,730 --> 00:30:50,940 HAVE FILED FOR SEPARATION, 715 00:30:50,940 --> 00:30:54,820 IT IS ALSO TRUE THAT IT IS NONE OF ANYONE'S BUSINESS. 716 00:30:54,820 --> 00:30:56,820 IT HAS NOTHING TO DO WITH MY ABILITY TO RUN 717 00:30:56,820 --> 00:30:58,820 AS DISTRICT ATTORNEY, AND IF I WERE A MAN, 718 00:30:58,820 --> 00:31:01,200 THAT IS WHAT YOU WOULD BE VOTING ON. 719 00:31:01,200 --> 00:31:04,040 I REFUSE TO BE HELD TO A DOUBLE STANDARD 720 00:31:04,040 --> 00:31:06,040 BECAUSE I'M A WOMAN, 721 00:31:06,040 --> 00:31:10,630 SO, ELECT ME OR DON'T, 722 00:31:10,630 --> 00:31:13,590 BUT MAKE YOUR DECISION BASED ON MY PLATFORM 723 00:31:13,590 --> 00:31:16,420 AND TRACK RECORD, NOT MY OPPONENT 724 00:31:16,420 --> 00:31:18,430 THROWING MY LIFE INTO THE MEDIA 725 00:31:18,430 --> 00:31:21,050 AS A WAY TO UNDERCUT ME. 726 00:31:21,050 --> 00:31:23,770 SO LET'S TALK ABOUT THAT TRACK RECORD. 727 00:31:25,180 --> 00:31:27,770 [PLAYERS HOOTING] 728 00:31:34,440 --> 00:31:36,610 [LOCKERS OPENING] 729 00:31:38,530 --> 00:31:40,530 -COACH, LISTEN. -UH-UH. 730 00:31:40,530 --> 00:31:42,530 WHATEVER YOU WANT TO SAY TO ME, 731 00:31:42,530 --> 00:31:45,790 YOU CAN SAY TO THE REST OF YOUR TEAMMATES. 732 00:31:45,790 --> 00:31:47,790 -COACH, COME ON. -GO ON. 733 00:31:47,790 --> 00:31:49,830 [OVERLAPPING CHATTER] 734 00:31:59,470 --> 00:32:01,140 YO. 735 00:32:03,300 --> 00:32:05,720 TODAY WAS ON ME. NOT ONLY DID I ALMOST 736 00:32:05,720 --> 00:32:09,140 COST US THE GAME, BUT I SHOULD HAVE NEVER BEEN ON THAT FIELD. 737 00:32:09,140 --> 00:32:11,690 HEY, IT WAS A FREAK ACCIDENT, BRO. 738 00:32:11,690 --> 00:32:14,270 J.J.: DON'T BEAT YOURSELF UP. WE STILL WON. 739 00:32:14,270 --> 00:32:16,280 IT WASN'T A FREAK ACCIDENT, MAN. 740 00:32:16,280 --> 00:32:18,900 THE TRUTH IS, MY SHOULDER AIN'T 100%, AND 741 00:32:18,900 --> 00:32:21,910 THERE'S A GOOD CHANCE IT NEVER WILL BE. 742 00:32:24,080 --> 00:32:26,450 AND I'M SCARED, MAN. 743 00:32:26,450 --> 00:32:28,460 SPENCE, WE ALL UNDERSTAND 744 00:32:28,460 --> 00:32:30,460 THAT FEELING, ALL RIGHT? 745 00:32:30,460 --> 00:32:32,210 YOU SHOULD'VE JUST TRUSTED US 746 00:32:32,210 --> 00:32:33,960 ENOUGH TO TELL US BEFORE THE GAME. 747 00:32:33,960 --> 00:32:36,250 YEAH, 'CAUSE WE'RE FAMILY, BUT WE CAN'T 748 00:32:36,250 --> 00:32:38,920 PROTECT YOU ON THE FIELD WHEN YOU'RE VULNERABLE IF WE DON'T KNOW. 749 00:32:38,920 --> 00:32:40,840 BUT NOW WE DO, 750 00:32:40,840 --> 00:32:42,760 AND, LOOK, WE GOT YOU. 751 00:32:42,760 --> 00:32:44,550 J.J.: YEAH, ON AND OFF THE FIELD-- 752 00:32:44,550 --> 00:32:47,520 REHAB, WORKOUTS, FILM STUDY. 753 00:32:47,520 --> 00:32:48,810 LOOK, MAN, WE'RE GONNA HELP YOU GET BACK 754 00:32:48,810 --> 00:32:50,100 ON THAT FIELD AGAIN AND DOMINATE, 755 00:32:50,100 --> 00:32:51,100 ALL RIGHT, JUST LIKE OLD TIMES, 756 00:32:51,100 --> 00:32:52,560 RIGHT, FELLAS? 757 00:32:52,560 --> 00:32:54,230 -YEAH. -YEAH, FELLAS. 758 00:32:59,280 --> 00:33:02,160 I GUESS A LION IS ONLY AS GOOD AS HIS PACK. 759 00:33:02,160 --> 00:33:04,410 -YEAH. -WHOO! 760 00:33:04,410 --> 00:33:06,410 J.J.: GOT YOU, BROTHER. 761 00:33:06,410 --> 00:33:08,450 [ALL CHUCKLE] 762 00:33:11,040 --> 00:33:13,670 [LAUGHING AND CLAMORING] 763 00:33:13,670 --> 00:33:15,710 I APPRECIATE YOU COMING OUT. 764 00:33:15,710 --> 00:33:17,920 I ADMIT, I ONLY CAME TO SEE MY SON PLAY 765 00:33:17,920 --> 00:33:20,340 AND MAYBE SPENCER JAMES, BUT YOU-- 766 00:33:20,340 --> 00:33:22,010 ABSOLUTE BEAST. 767 00:33:22,010 --> 00:33:25,260 THANK YOU, SIR. THAT MEANS A LOT. 768 00:33:25,260 --> 00:33:27,010 HEY, WE'D LOVE TO HAVE YOU COME IN FOR A VISIT. 769 00:33:28,430 --> 00:33:30,430 YES, SIR. 770 00:33:30,430 --> 00:33:32,850 THANK YOU. 771 00:33:36,020 --> 00:33:38,020 HEY! 772 00:33:38,020 --> 00:33:40,400 SORRY I MISSED THE GAME. ASHER: HEY. 773 00:33:42,360 --> 00:33:45,450 UM, I HEARD YOU CRUSHED IT, THOUGH. 774 00:33:45,450 --> 00:33:47,450 [SIGHS] HEY, IT'S ALL GOOD. 775 00:33:47,450 --> 00:33:49,290 I KNOW IT'S YOUR MOM'S BIG DAY. 776 00:33:49,290 --> 00:33:52,830 [VOICE ECHOING] SPEAKING OF THAT, I GOT YOU SOMETHING. 777 00:33:52,830 --> 00:33:55,460 CONTAIN YOUR EXCITEMENT. 778 00:33:55,460 --> 00:33:57,500 [BOTH CHUCKLING] 779 00:33:59,460 --> 00:34:01,510 [EXHALES] 780 00:34:09,390 --> 00:34:12,350 ASH, YOU OK? 781 00:34:12,350 --> 00:34:14,980 [NORMAL VOICE] ASH, YOU OK? 782 00:34:14,980 --> 00:34:16,980 YEAH. 783 00:34:16,980 --> 00:34:18,980 YEAH, I JUST, UH... 784 00:34:18,980 --> 00:34:21,280 I JUST GOT SOMETHING IN MY EYE. 785 00:34:21,280 --> 00:34:23,700 THAT GUY THAT JUST LEFT, 786 00:34:23,700 --> 00:34:26,160 HE'S THE LEAD RECRUITER FOR COASTAL CALIFORNIA. 787 00:34:26,160 --> 00:34:29,160 HE INVITED ME OUT FOR A VISIT. HOW AWESOME IS THAT? 788 00:34:29,160 --> 00:34:32,370 THAT'S, UM, REALLY, 789 00:34:32,370 --> 00:34:35,120 UH, REALLY GREAT, BABE. 790 00:34:35,120 --> 00:34:38,130 DO YOU WANT TO GO GET SOMETHING TO EAT? 791 00:34:38,130 --> 00:34:41,130 ACTUALLY, I SHOULD PROBABLY GET HOME. 792 00:34:41,130 --> 00:34:44,050 THOSE POLLS ARE CLOSING SOON, SO 793 00:34:44,050 --> 00:34:45,550 I'LL TALK TO YOU LATER, OK? 794 00:34:45,550 --> 00:34:47,590 YEAH. 795 00:34:50,680 --> 00:34:53,220 [MUSIC PLAYING] 796 00:34:58,860 --> 00:35:02,150 HEY. 797 00:35:02,150 --> 00:35:04,150 HAVE YOU GIVEN YOUR, UM, 798 00:35:04,150 --> 00:35:06,150 YOUR PARENTS' OFFER ANY MORE THOUGHT? 799 00:35:06,150 --> 00:35:08,910 CALL ME CRAZY, BUT... 800 00:35:08,910 --> 00:35:11,530 MY DECISION STANDS. 801 00:35:11,530 --> 00:35:13,910 NO. YOU'RE NOT CRAZY. 802 00:35:13,910 --> 00:35:16,920 [CHUCKLES] I MEAN, KIND OF. 803 00:35:16,920 --> 00:35:19,040 THE ONLY OTHER OPTION I HAVE TO LIVE IS 804 00:35:19,040 --> 00:35:21,630 WITH A SECOND COUSIN IN KENTUCKY. 805 00:35:21,630 --> 00:35:23,760 -MISS JACKSON. -HA HA HA! 806 00:35:23,760 --> 00:35:26,550 HA HA HA! 807 00:35:26,550 --> 00:35:29,180 YOU KNOW, I WAS RECENTLY REMINDED 808 00:35:29,180 --> 00:35:32,180 THAT BEING THERE FOR SOMEONE MEANS 809 00:35:32,180 --> 00:35:35,140 STANDING BY THEIR SIDE EVERY STEP OF THE WAY. 810 00:35:35,140 --> 00:35:37,440 WHAT ARE YOU TRYING TO SAY? 811 00:35:37,440 --> 00:35:41,650 I'M SAYING YOU DON'T HAVE TO MOVE TO KENTUCKY. 812 00:35:43,230 --> 00:35:44,860 BILLY: I SHOULD'VE LISTENED TO MY GUT 813 00:35:44,860 --> 00:35:46,490 AND NOT LET YOU PLAY TODAY. 814 00:35:46,490 --> 00:35:48,110 MY BAD, COACH. 815 00:35:48,110 --> 00:35:49,780 THE LAST THING I WANTED TO DO WAS WATCH YOU MAKE 816 00:35:49,780 --> 00:35:51,280 THE SAME MISTAKE I MADE WHEN I TRIED 817 00:35:51,280 --> 00:35:53,700 TO COME BACK TOO EARLY AFTER MY KNEE INJURY. 818 00:35:53,700 --> 00:35:55,700 YO, MY REHAB'S GONNA BE DIFFERENT. 819 00:35:55,700 --> 00:35:57,870 -OH, YOU DON'T KNOW THAT. -YEAH, I DO. 820 00:35:57,870 --> 00:35:59,460 I HAVE MY MOMS, 821 00:35:59,460 --> 00:36:01,460 I HAVE MY FAMILY, 822 00:36:01,460 --> 00:36:04,840 I HAVE MY TEAMMATES... 823 00:36:04,840 --> 00:36:07,050 AND, MOST IMPORTANTLY, 824 00:36:07,050 --> 00:36:09,680 I HAVE YOU. 825 00:36:09,680 --> 00:36:13,550 LOOK, I WANT TO FIX MY SHOULDER THE RIGHT WAY, 826 00:36:13,550 --> 00:36:16,560 SO WHATEVER YOU NEED ME TO DO, I'M DOWN TO DOING. 827 00:36:16,560 --> 00:36:18,640 YOU SURE ABOUT THAT? 828 00:36:18,640 --> 00:36:21,270 'CAUSE IF YOU WANT TO PLAY IN THIS JAMBOREE NEXT MONTH, 829 00:36:21,270 --> 00:36:23,440 I'M GONNA NEED YOUR TOTAL COMMITMENT. 830 00:36:23,440 --> 00:36:24,940 -NOT A PROBLEM. -AIN'T GONNA BE EASY. 831 00:36:24,940 --> 00:36:26,480 YOU'RE GONNA HAVE TO MAKE SOME SACRIFICES... 832 00:36:26,480 --> 00:36:28,490 ALL RIGHT. BET. 833 00:36:28,490 --> 00:36:31,610 LIKE POSSIBLY SWITCHING POSITIONS. 834 00:36:33,200 --> 00:36:35,240 YEAH. 835 00:36:40,790 --> 00:36:42,460 OK. 836 00:36:45,500 --> 00:36:47,710 LIKE I SAID, 837 00:36:47,710 --> 00:36:49,760 WHATEVER IT TAKES. 838 00:37:02,230 --> 00:37:03,810 WOMAN, ON TV: AND, FROM WHAT WE UNDERSTAND, 839 00:37:03,810 --> 00:37:06,770 WE HAVE NUMBERS ROLLING IN SLOWLY... 840 00:37:06,770 --> 00:37:08,230 LAURA, YOU'RE BLOWING UP ON TWITTER. 841 00:37:08,230 --> 00:37:09,230 LAURA: YEAH, THE INTERNS MENTIONED 842 00:37:09,230 --> 00:37:10,320 PEOPLE WERE TALKING. 843 00:37:10,320 --> 00:37:11,650 NO, AS IN YOU'RE ONE OF 844 00:37:11,650 --> 00:37:14,610 THE TOP 10 THREADS RIGHT NOW. 845 00:37:14,610 --> 00:37:15,530 LAURA: OH, MY GOD. SPENCER: YEAH, 846 00:37:15,530 --> 00:37:16,580 YOU EVEN GOT YOUR OWN CUSTOM 847 00:37:16,580 --> 00:37:17,950 HASH TAG, MRS. BAKER-- 848 00:37:17,950 --> 00:37:19,790 #LAURABAKERDONTPLAY. 849 00:37:19,790 --> 00:37:22,000 OLIVIA: MOM, DESPITE WHATEVER HAPPENS, 850 00:37:22,000 --> 00:37:23,620 I JUST WANT YOU TO KNOW THAT WE'RE 851 00:37:23,620 --> 00:37:25,790 ALL REALLY PROUD OF YOU. 852 00:37:25,790 --> 00:37:27,130 [KISS] 853 00:37:27,130 --> 00:37:28,670 SHELBY: OH, GUYS, IT'S TIME. 854 00:37:28,670 --> 00:37:29,880 WOMAN, ON TV: AND NOW WE GO LIVE 855 00:37:29,880 --> 00:37:30,880 TO SAMANTHA, WHO'S STANDING BY 856 00:37:30,880 --> 00:37:31,880 AT POLLING HEADQUARTERS. 857 00:37:31,880 --> 00:37:33,880 AFTER MUCH ANTICIPATION, 858 00:37:33,880 --> 00:37:35,890 I'M HERE TO REPORT THE NEXT DISTRICT ATTORNEY 859 00:37:35,890 --> 00:37:39,770 OF LOS ANGELES COUNTY IS... 860 00:37:39,770 --> 00:37:41,060 LAURA BAKER. 861 00:37:41,060 --> 00:37:43,190 [ALL CHEERING] MAN: NICE! 862 00:37:43,190 --> 00:37:44,850 -OHH! -OH, MY GOD! 863 00:37:44,850 --> 00:37:47,360 [CLAMORING AND APPLAUDING] 864 00:37:47,360 --> 00:37:50,570 YEAH! HA HA! 865 00:37:50,570 --> 00:37:52,440 -WE DID IT! -IT'S INCREDIBLE! 866 00:37:52,440 --> 00:37:54,570 YOU GUYS, THANK YOU SO MUCH. 867 00:37:54,570 --> 00:37:57,070 [CORKS POP] 868 00:37:57,070 --> 00:37:59,530 -CONGRATULATIONS. -THANK YOU. THANK YOU. 869 00:37:59,530 --> 00:38:00,790 I'M PROUD OF YOU, AND YOU DESERVE 870 00:38:00,790 --> 00:38:02,910 EVERY BIT OF IT. -THANK YOU. 871 00:38:02,910 --> 00:38:04,920 -VERY PROUD OF YOU. -[SIGHS] 872 00:38:04,920 --> 00:38:07,540 [CELL PHONE VIBRATING] 873 00:38:07,540 --> 00:38:10,170 UH, GUYS, I'LL BE BACK. 874 00:38:10,170 --> 00:38:13,090 GIVE ME ONE SECOND. 875 00:38:13,090 --> 00:38:15,340 ANY MORE SKELETONS IN THE CLOSET? 876 00:38:15,340 --> 00:38:17,720 -NO, ALL GOOD HERE. -OH. OK. 877 00:38:17,720 --> 00:38:19,760 [BILLY CHUCKLES] 878 00:38:19,760 --> 00:38:22,020 SIMONE: HEY. JORDAN: HEY, GUYS. 879 00:38:22,020 --> 00:38:23,770 WHAT'S GOING ON? WHAT'D I MISS? 880 00:38:27,980 --> 00:38:29,980 PATIENCE: I'VE BEEN CALLING YOU ALL DAY. 881 00:38:29,980 --> 00:38:32,190 LOOK, I KNOW HOW IT LOOKS, 882 00:38:32,190 --> 00:38:33,610 BUT IT'S NOT WHAT YOU'RE THINKING, OK? 883 00:38:33,610 --> 00:38:35,200 NO, YOU KNOW WHAT I THINK? 884 00:38:35,200 --> 00:38:37,070 THAT YOU CAME TO MY HOUSE FOR ONE REASON 885 00:38:37,070 --> 00:38:38,240 AND ONE REASON ONLY. 886 00:38:38,240 --> 00:38:40,080 -WHAT? -TO GET THAT GUN. 887 00:38:40,080 --> 00:38:42,160 YEAH, YOU REALLY THINK I WOULDN'T CHECK? 888 00:38:43,950 --> 00:38:46,960 I'M GONNA ASK YOU POINT-BLANK, 889 00:38:46,960 --> 00:38:49,750 AND I'M GONNA NEED YOU TO BE REAL HONEST WITH ME, TAMIA. 890 00:38:49,750 --> 00:38:51,250 OK. 891 00:38:51,250 --> 00:38:53,130 DID YOU KILL TYRONE? 892 00:38:53,130 --> 00:38:54,300 NO. 893 00:38:54,300 --> 00:38:55,920 STOP LYING. 894 00:38:55,920 --> 00:38:57,430 I'M NOT LYING. 895 00:38:58,680 --> 00:39:01,350 FLIP. WHOA, WHERE YOU BEEN? 896 00:39:01,350 --> 00:39:02,930 I HAD TO GET MY FAMILY OUT OF TOWN 897 00:39:02,930 --> 00:39:06,020 SO I COULD GET TYRONE THE WAR HE WANTED. 898 00:39:09,860 --> 00:39:11,150 MAN: TAMIA COOPER? 899 00:39:11,150 --> 00:39:12,520 -YES? -LAPD. 900 00:39:12,520 --> 00:39:13,980 WE HAVE SOME QUESTIONS ABOUT THE MURDER 901 00:39:13,980 --> 00:39:15,320 OF TYRONE MOORE. 902 00:39:15,320 --> 00:39:16,990 WE'RE GONNA NEED YOU TO COME WITH US. 903 00:39:16,990 --> 00:39:18,660 ♪ ...DON'T MEAN ... WITHOUT YOU ♪ 904 00:39:18,660 --> 00:39:19,820 ♪ I DON'T EVEN KNOW WHAT I'MA DO WITHOUT YOU ♪ 905 00:39:19,820 --> 00:39:21,620 OK. 906 00:39:21,620 --> 00:39:23,990 ♪ I REALLY ... UP AND I WISH IT WASN'T TRUE ♪ 907 00:39:23,990 --> 00:39:26,410 ♪ I REALLY WISH I DIDN'T STILL THINK ABOUT YOU ♪ 908 00:39:26,410 --> 00:39:28,670 ♪ I STILL THINK ABOUT YOU ♪ 909 00:39:28,670 --> 00:39:31,500 ♪ I HATE THINKIN' 'BOUT YOU ♪ 910 00:39:31,500 --> 00:39:34,000 ♪ HOW DID THIS HAPPEN? ♪ 911 00:39:34,000 --> 00:39:36,050 ♪ IT SUCKS THAT IT HAPPENED ♪ 912 00:39:36,050 --> 00:39:37,510 ♪ I WONDER IF YOU MISS ME ♪ 913 00:39:37,510 --> 00:39:39,340 HEY, LIV, WHAT ARE YOU DOING HERE? 914 00:39:39,340 --> 00:39:41,140 WE'RE--WE'RE OUT HERE CELEBRATING YOUR MOTHER. 915 00:39:41,140 --> 00:39:42,800 YEAH. I'LL BE BACK IN A LITTLE BIT. 916 00:39:42,800 --> 00:39:44,430 OK. 917 00:39:44,430 --> 00:39:46,520 -DAD? -YEAH? 918 00:39:46,520 --> 00:39:48,520 WHAT'S UP? 919 00:39:48,520 --> 00:39:51,520 ASH IS PROBABLY NEVER GONNA FORGIVE ME FOR THIS, 920 00:39:51,520 --> 00:39:53,520 BUT, UM... 921 00:39:53,520 --> 00:39:56,150 I DON'T KNOW WHAT ELSE TO DO, 922 00:39:56,150 --> 00:39:58,110 AND I'M REALLY SCARED FOR HIM. 923 00:39:58,110 --> 00:40:00,820 LIV, WHAT IS IT? IT'S OK. YOU CAN TRUST ME. 924 00:40:00,820 --> 00:40:03,450 UM... 925 00:40:03,450 --> 00:40:06,290 ASHER IS USING STEROIDS. 926 00:40:06,290 --> 00:40:07,910 I TRIED TO GET HIM TO STOP, 927 00:40:07,910 --> 00:40:09,750 AND I'M PRETTY SURE THAT HE USED AGAIN 928 00:40:09,750 --> 00:40:12,330 BEFORE TODAY'S GAME, AND I JUST--I DON'T KNOW-- 929 00:40:12,330 --> 00:40:13,590 HEY, IT'S OK. COME HERE. IT'S OK. 930 00:40:13,590 --> 00:40:15,050 I DON'T KNOW HOW TO HELP HIM. 931 00:40:15,050 --> 00:40:18,050 IT'S OK. THANK YOU FOR TRUSTING ME. 932 00:40:18,050 --> 00:40:20,720 [SIGHS] 933 00:40:20,720 --> 00:40:23,760 I'LL HANDLE THIS QUIETLY, OK? 934 00:40:23,760 --> 00:40:26,770 UH, I'M GONNA GET BACK TO--THANK YOU. 935 00:40:26,770 --> 00:40:28,520 OK. 936 00:40:28,520 --> 00:40:31,560 [KNOCK ON DOOR] 937 00:40:38,490 --> 00:40:40,200 CHRIS. 938 00:40:40,200 --> 00:40:42,820 HI. UM, 939 00:40:42,820 --> 00:40:46,160 WHEN DID--WHEN DID YOU GET BACK? 940 00:40:46,160 --> 00:40:48,160 TODAY. 941 00:40:48,160 --> 00:40:50,040 YEAH. UM-- 942 00:40:50,040 --> 00:40:52,040 OH, SORRY. COME IN. UM-- 943 00:40:52,040 --> 00:40:53,790 HEY, CHRIS. 944 00:40:53,790 --> 00:40:55,840 GOOD TO SEE YOU ON YOUR FEET, YOUNG MAN. 945 00:40:55,840 --> 00:40:57,090 -THANKS, COACH BAKER. -YEAH. 946 00:40:57,090 --> 00:40:59,210 FOR REAL, MAN. 947 00:40:59,210 --> 00:41:01,840 LOOK, GUYS, I'M SORRY, BUT I ACTUALLY CAME BY TO SEE SPENCE. 948 00:41:01,840 --> 00:41:03,840 I'VE BEEN CALLING HIM, BUT HE AIN'T BEEN ANSWERING, SO-- 949 00:41:03,840 --> 00:41:05,640 SPENCE. 950 00:41:05,640 --> 00:41:08,220 SPENCER: MY BOY IS BACK. 951 00:41:08,220 --> 00:41:09,640 SPENCE, HOLD UP. HOLD UP. HOLD UP. 952 00:41:09,640 --> 00:41:10,770 HOLD UP. HOLD UP, ALL RIGHT? 953 00:41:10,770 --> 00:41:12,270 -WHAT? -I'M SORRY, MAN. 954 00:41:12,270 --> 00:41:13,690 I WISH I CAME WITH SOME BETTER NEWS, 955 00:41:13,690 --> 00:41:16,820 BUT COOP JUST GOT ARRESTED, MAN. 956 00:41:16,820 --> 00:41:19,150 WHAT? 957 00:41:25,490 --> 00:41:27,530 [UNZIPS BAG] 958 00:41:29,490 --> 00:41:33,500 TAMARA BUBBLE: ♪ GOOD-BYE ♪ 959 00:41:33,500 --> 00:41:37,130 ♪ GOOD-BYE ♪ 960 00:41:38,300 --> 00:41:42,880 ♪ SAY HELLO TO THE DEVIL ON THE OTHER SIDE ♪ 961 00:41:44,050 --> 00:41:49,060 ♪ GOOD-BYE ♪ 962 00:41:49,060 --> 00:41:54,730 ♪ SAY HELLO TO THE DEVIL ON THE OTHER SIDE ♪ 963 00:42:18,710 --> 00:42:20,210 MAN: GREG, MOVE YOUR HEAD. 68215

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.