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We simply must be brave, mustn't we?
Heaven knows it'll be hard. It'll be
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00:00:15,661 --> 00:00:19,877
beastly. But we're strong people, Tony.
You and.
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00:00:19,901 --> 00:00:27,636
I. And what we feel for each other,
it'll endure. It will endure.
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00:00:27,660 --> 00:00:32,677
So I shall stay in my shop,
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00:00:32,701 --> 00:00:37,397
you amin yours.
And all I ask is that you don't grow to
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hate me. How could I hate you, Madeline?
You mean
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everything to me.
What the hell was that?
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Billy, what was that?
Just a car backfiring, I think, miss Dare.
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00:00:52,742 --> 00:00:56,478
That sounded like a pistol.
It didn't sound like a ruddy pistol.
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00:00:56,502 --> 00:01:00,518
You alright my bet. Yeah, I'm fine.
I think I'm just a bit tired.
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Of course, darling. You must be.
Tell you what, how about a proper dinner
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after this like we
used to before the war?
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Oh, yeah. That would be wonderful.
None of this canteen muck. No offence.
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Sandra, are you okay? Yes.
Yes, Jesse. I'm fine. Don't fuss.
15
00:01:17,182 --> 00:01:21,940
How was my pout at the end? Was it?
I could do with a dab, actually.
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00:01:22,141 --> 00:01:27,157
M only wears victory red. Besame, please.
Can we just stop faffing and get
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on with it? Mary, thank you.
Yes, we do. Right.
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00:01:30,381 --> 00:01:35,876
Right. 'Ad astra per aspera',
we must have bodies.
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Stu, stop it.
I've got to concentrate. Have quiet.
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Lovelorn in London.
Scene 28. Take three.
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Action. We simply must be
brave, mustn't we?
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Heaven knows it'll be hard.
It'll be beastly.
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I must be strong for my future.
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Oh my.
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And this is on his bedroom wall.
Rose red and rolled gold. I said to him,
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Stewart, Stu, I said, you are just like this paper.
You're so strong and modern.
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He handled this very roll.
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Can I touch it? Uh,
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I shouldn't really, but um Well,
since your extras in my cake shop,
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this is the last thing he sees when he gets into bed.
Yes. And the first thing
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he sees when he gets up in the morning
and his hair's all disarranged.
32
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It's 14 shillings.
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00:03:00,861 --> 00:03:05,396
Tell you what,
it's a bit irregular, but um
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I could let you have a sample for well six
pence, say, and then you could keep
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00:03:10,780 --> 00:03:15,218
a little reminder of
him wherever you go.
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00:03:15,242 --> 00:03:17,381
Oh, yes.
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Keep the change. Thank you,
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Mr. Book. Didn't expect a welcoming committee.
I thought I'd better prepare
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00:03:41,142 --> 00:03:45,438
you for what? There have been some
changes since you went away on your long
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errand, Jack. Oh, by the way,
Lord Belborough's first folio. What did they say?
41
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Is it genuine? As his teeth.
42
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Oh dear.
43
00:03:58,461 --> 00:04:01,396
What the hell? Close.
44
00:04:01,420 --> 00:04:07,316
Hollywood. Or rather, the nearest
England can get to it. Yes, Jack. We're
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00:04:07,340 --> 00:04:11,797
going to be in pictures. All right, then.
Let's hear it whenever
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00:04:11,821 --> 00:04:17,556
you're ready. Life and death.
The whole world is here
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00:04:17,580 --> 00:04:24,740
in this little patch of London town.
You going to do it like that?
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00:04:25,661 --> 00:04:29,558
Life and death.
The whole world here in this little.
49
00:04:29,582 --> 00:04:35,077
No, I think we'll just lose the line.
I'm already worried about the moustache.
50
00:04:35,101 --> 00:04:38,478
You'll be smashing in
the background there.
51
00:04:38,502 --> 00:04:42,436
Let's take 10.
10 minutes all 10 minutes. Billy.
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00:04:42,460 --> 00:04:45,797
Nerina. Rather jumpy this
morning, isn't she?
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00:04:45,821 --> 00:04:49,237
Our dear Sandra.
We worked on hours in the picture
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00:04:49,261 --> 00:04:52,878
business. Nerina. Oh, don't I know it.
And it must be so
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00:04:52,902 --> 00:04:56,837
hard to keep that from telling
on the faces of your stars.
56
00:04:56,861 --> 00:05:01,716
If you'll excuse me.
Just the exteriors are being done here.
57
00:05:01,740 --> 00:05:06,637
You understand? The rest is at LadyHurst.
That's the studios. You see, I
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00:05:06,661 --> 00:05:11,238
know all the jargon. Who's in it?
Morning, Mr. B. Good morning.
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00:05:11,262 --> 00:05:14,118
Stewart Howard. Yes, ma'am.
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00:05:14,142 --> 00:05:19,198
I like him. He’s passed me by entirely, I'm afraid.
He plays the hero. The
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00:05:19,222 --> 00:05:23,398
idealistic young bookshop owner in love
with the girl next door. Did you never
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00:05:23,422 --> 00:05:27,798
see him in that submarine picture?
He went mad and tried to throttle everyone. I
63
00:05:27,822 --> 00:05:30,398
mean, it was proper sweaty.
A lash.
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00:05:30,422 --> 00:05:34,678
Well, who else? Patience.
You've literally arrived halfway through this
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00:05:34,702 --> 00:05:41,398
picture, and you've yet to set eyes on
our leading lady, who's also Stuart's
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fiancée. His real life fiancée.
Sandra Dare.
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00:05:44,182 --> 00:05:49,798
She's using my room. Decantered
my things so she can do her mascara, sip
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00:05:49,822 --> 00:05:55,318
her, Vichy water, whatever it is these people do.
I had a cigarette card of her
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00:05:55,342 --> 00:05:58,117
before the war, of course.
Ah,
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00:05:58,141 --> 00:06:01,797
Mr. Book. Ah,
Not getting too much in your way, I
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00:06:01,821 --> 00:06:04,757
trust. Not at all.
Certainly an education.
72
00:06:04,781 --> 00:06:09,957
Larry Olivier calls film an anaemic
little medium and such a crashing snob.
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00:06:09,981 --> 00:06:14,996
For he today would shed his blood with
me shall be my brother. Be he e'er so vile.
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00:06:15,020 --> 00:06:18,998
Churlish when they gave him the Oscar.
Jack, this is Mr. Mckendrick.
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00:06:19,022 --> 00:06:21,958
Delighted. Oh, and here's Nora.
The gang's all
76
00:06:21,982 --> 00:06:24,037
here. So, you're the director
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00:06:24,061 --> 00:06:27,518
and the writer.
I thought you'd be older with a monocle
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00:06:27,542 --> 00:06:31,398
and a riding crop.
Must believe everything you read in the
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00:06:31,422 --> 00:06:34,758
film magazines, young lady.
I've seen you before.
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00:06:34,782 --> 00:06:37,918
Mr. Mckendrick had a lot of
green penguins from us last summer.
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00:06:37,942 --> 00:06:40,836
Oh yeah, you look different.
It's the shorts.
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00:06:40,860 --> 00:06:44,798
I'm not wearing shorts.
That's why you look different. Yes, you
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00:06:44,822 --> 00:06:47,878
a very busy bee. As I recall,
you're always running about the place, weren't
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00:06:47,902 --> 00:06:50,996
you, Mr. McKendrick?
Jesse. Jesse.
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00:06:51,020 --> 00:06:55,317
Ah, hello, Nerina.
In search of material for your next article.
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00:06:55,341 --> 00:07:00,020
Always.
Well, the bin's around the back.
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00:07:00,221 --> 00:07:03,877
Aren't you going to introduce me?
This is Mr. Book from...
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00:07:03,901 --> 00:07:08,517
Oh, the apostrophe man.
They subbed your sign.
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00:07:08,541 --> 00:07:13,557
I'm trying not to look. Would you by
any chance be a member of His Majesty's.
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00:07:13,581 --> 00:07:16,677
Press? Nerina Bean, Picturegoer.
If you have
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00:07:16,701 --> 00:07:23,140
juicy titbits, my door is open.
I'll bear that in mind.
92
00:07:28,061 --> 00:07:33,821
Ice fingers, but they're not real.
Don't break a tooth.
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00:07:42,781 --> 00:07:47,077
It's lovely. And he has this
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00:07:47,101 --> 00:07:54,676
from his ceiling all the way
down to his skirting boards.
95
00:07:54,700 --> 00:07:58,436
Does he talk
about her, fiancée?
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00:07:58,460 --> 00:08:02,598
Does he say, "I don't like her anymore.
She's too old for me."
97
00:08:02,622 --> 00:08:05,878
No. Does he say she's
so old it's like
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00:08:05,902 --> 00:08:09,957
kissing a leg of mutton? No.
She's only 45. Thank you very much.
99
00:08:09,981 --> 00:08:14,838
He says he was very excited about Lovelorn in London from the moment he saw
100
00:08:14,862 --> 00:08:20,197
the script. And he's very excited about married life.
Though he also adds, "One"
101
00:08:20,221 --> 00:08:26,518
"must keep an open mind because who
knows what fate may throw your way." Hear
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00:08:26,542 --> 00:08:34,020
that, Barbara?
Heavens go it back. Barbara
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00:08:34,701 --> 00:08:40,581
home is the hunter.
Oh my god.
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00:10:01,981 --> 00:10:04,981
Inspector,
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00:10:05,021 --> 00:10:10,758
is this a sad one, Morris?
Well, cuz I've been up all night with the razor
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00:10:10,782 --> 00:10:14,277
blade case. So, all right, let's have it.
Film struck
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00:10:14,301 --> 00:10:19,237
girl, extra, dead on the counter.
It's suspicious. I've shut down filming for
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00:10:19,261 --> 00:10:22,918
the time being.
Have the parents been informed?
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00:10:22,942 --> 00:10:28,197
Yes, sir. Uh, she and her family didn't get on.
Her friend said that's why she
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00:10:28,221 --> 00:10:31,220
spent so much time
at the, uh, pictures.
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00:10:32,701 --> 00:10:36,997
Inspector book.
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00:10:37,021 --> 00:10:41,780
We are at home to
death, it seems.
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00:10:41,981 --> 00:10:46,021
Oh, they're upstairs.
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00:10:55,261 --> 00:11:00,196
Royal appointment.
What are they keeping from us, Stuart?
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00:11:00,220 --> 00:11:07,557
All this waiting is making me tired.
Perhaps one should have a mask made.
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00:11:07,581 --> 00:11:14,117
A mask?
The permanent rictus smile.
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00:11:14,141 --> 00:11:22,141
They can do wonders with makeup.
Now have Boris Carlo's number if you'd like.
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00:11:24,541 --> 00:11:32,541
Dearest Miss Dare, you don't know me,
but I'm your most devoted admirer.
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00:11:33,900 --> 00:11:37,876
I wonder what they'll think.
Lovelorn in London.
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00:11:37,900 --> 00:11:39,797
Who? Them.
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00:11:39,821 --> 00:11:43,636
They'll buy it.
They love us, don't they? Both of us.
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00:11:43,660 --> 00:11:48,021
They'll throw bottles
at the screen.
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00:11:52,780 --> 00:11:56,997
Do you know what they shouted
at the test of Brief Encounter?
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00:11:57,021 --> 00:12:02,517
Why doesn't she just kiss him?
Only they didn't say kiss.
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00:12:02,641 --> 00:12:07,736
Relax, darling. There'll be another
smash by the nation's most blissfully
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00:12:07,760 --> 00:12:15,337
engaged couple. Remember?
And what a long engagement it's been.
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00:12:15,361 --> 00:12:19,977
Oh god, I can't wait to be back at the studio.
Haven't you enjoyed a little
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00:12:20,001 --> 00:12:23,218
field trip?
If we're back at Lady House, it gets
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00:12:23,242 --> 00:12:27,578
that dreadful Nerina Bean out of my hair.
The studio has gates.
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00:12:27,602 --> 00:12:33,178
The Fire breather of Picturegoer.
You know when you lift a stone or a
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00:12:33,202 --> 00:12:38,938
branch and suddenly all these ghastly,
filthy, damp little monstrosities are
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00:12:38,962 --> 00:12:44,297
exposed to the daylight, scrabbling back
into the shadows. Well, beneath them are
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00:12:44,321 --> 00:12:49,658
even worse filthy,
damp little monstrosities.
134
00:12:49,682 --> 00:12:54,137
And under there is Nerina Bean
she's been rather sweet to me.
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00:12:54,161 --> 00:12:57,097
Mhm. Well,
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00:12:57,121 --> 00:13:00,377
we got good news for her, don't we?
Do we?
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00:13:00,401 --> 00:13:02,658
Deliveries. Oh,
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00:13:02,682 --> 00:13:07,078
our new three picture deal.
Picturegoer exclusive.
139
00:13:07,102 --> 00:13:08,601
Well,
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00:13:09,041 --> 00:13:16,361
what do you want? Barley sugar boy.
I'm afraid there's been an accident.
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00:13:25,921 --> 00:13:31,176
The contents of a handbag.
Melancholy, isn't it? Evidence of a
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00:13:31,200 --> 00:13:36,200
little life spilled
on the floor.
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00:13:38,401 --> 00:13:44,457
Oh, what's this?
You kiss your excess lipstick onto your
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00:13:44,481 --> 00:13:47,976
favorite star.
It takes all sorts.
145
00:13:48,000 --> 00:13:52,296
This interests me.
May I? Mhm.
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00:13:52,320 --> 00:13:58,777
Very carefully rammed.
Tenderly, I'd say.
147
00:13:58,801 --> 00:14:03,736
Well, they are still on the ration.
They look expensive. There are only
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00:14:03,760 --> 00:14:05,976
coppers in this purse.
Trottie. Yes.
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00:14:06,000 --> 00:14:12,377
Did they have money, these girls?
Very little. So they didn't buy them.
150
00:14:12,401 --> 00:14:17,096
I didn't notice the production
reviving fancy confectionery.
151
00:14:17,120 --> 00:14:22,217
No, the fans bring them.
Letters and presents. Sad little things
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00:14:22,241 --> 00:14:27,897
they've knitted. They're left through there.
Billy brings them up to them.
153
00:14:27,921 --> 00:14:33,481
Actually, he had a box of
chocolates with him just now.
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00:14:34,481 --> 00:14:39,176
Puncture mark. Barbara was breathless.
Trottie. Yes?
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00:14:39,200 --> 00:14:42,841
Yes. And twitchy
156
00:14:43,440 --> 00:14:49,560
Strychnine. Oh, hell's bells.
157
00:14:57,281 --> 00:15:01,257
Poor girl.
Someone's been at these.
158
00:15:01,281 --> 00:15:06,138
Oh, darling. You shouldn't, You
You don't know where they've been.
159
00:15:06,162 --> 00:15:08,698
Drop it. It's poison.
Don't be absurd. They're by royal
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00:15:08,722 --> 00:15:12,138
appointment. I'm afraid it's true, sir.
You You You didn't have any, did you,
161
00:15:12,162 --> 00:15:14,178
mister? Oh, uh, no. No.
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00:15:14,202 --> 00:15:18,857
What about you, Mr. Howard? No. Not good.
Have you ever received chocolates
163
00:15:18,881 --> 00:15:22,038
like this before, mister? Uh, yes.
All the time. My fans know
164
00:15:22,062 --> 00:15:25,077
they're my favourite,
but I never eat them.
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00:15:25,101 --> 00:15:29,838
It seems reasonable to assume then
that you were the intended victim.
166
00:15:29,862 --> 00:15:33,918
Intended victim?
What does he mean, intended victim?
167
00:15:33,942 --> 00:15:38,838
We're investigating the death of Barbara Malcolm.
Yes, that unfortunate young
168
00:15:38,862 --> 00:15:40,436
woman. Yes.
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00:15:40,460 --> 00:15:46,196
Oh my god. I have been sent some strange
things in my time, but why would anyone
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00:15:46,220 --> 00:15:50,478
want to kill me?
Billy, who gave you these chocolates?
171
00:15:50,502 --> 00:15:55,798
Nobody. They were just with the usual mail.
I always have to deal with it.
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00:15:55,822 --> 00:15:59,358
Well, anyone could have got to them.
And Barbara and her friend presumably did.
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00:15:59,382 --> 00:16:02,518
Jesus Christ. We could have both died.
What were you thinking about bringing
174
00:16:02,542 --> 00:16:04,918
that muck up here?
Sorry, Mr. Howard, but you told me to
175
00:16:04,942 --> 00:16:07,636
Don't answer me back.
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00:16:07,660 --> 00:16:12,020
Going need to find
myself a new assistant.
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00:16:13,261 --> 00:16:18,277
You all right, my love?
It's a brutal question, Miss Dare, but I'm
178
00:16:18,301 --> 00:16:22,597
afraid it must be asked.
Do you have any idea who might want to
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00:16:22,621 --> 00:16:25,957
kill you? Can't this wait?
180
00:16:25,981 --> 00:16:31,797
Yes, of course. Excuse us. Sir, out.
I need to remind you that this
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00:16:31,821 --> 00:16:38,421
is an official murder investigation.
Don't talk to the press.
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00:16:56,301 --> 00:17:02,517
There once was an actress called Dare
whose allure was exceedingly rare. Her
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00:17:02,541 --> 00:17:08,037
chocolates were spiked with strychnine, not nice.
But 'twas Barbara that ate
184
00:17:08,061 --> 00:17:13,797
them. Not fair.
I hope we did the right thing letting
185
00:17:13,821 --> 00:17:16,756
those people into the lane.
Why did you?
186
00:17:16,780 --> 00:17:21,636
I'm afraid it was money. Yes, my love.
Those little pieces of
187
00:17:21,660 --> 00:17:25,318
paper that keep us out of
the small claims courts.
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00:17:25,342 --> 00:17:27,557
How much? 20 guineas
189
00:17:27,581 --> 00:17:29,797
per week per diem
190
00:17:29,821 --> 00:17:33,781
for 10 diems.
191
00:17:35,500 --> 00:17:40,758
The devil's going on out there?
Bobby's swimming about like the cup final.
192
00:17:40,782 --> 00:17:43,958
Ah, Mrs. Goodwin. Yes.
I'm afraid there's been an
193
00:17:43,982 --> 00:17:47,637
accident. Oh.
Oh, nothing to do with Sandra Dare.
194
00:17:47,661 --> 00:17:51,558
I hope. I heard she was in the neighbourhood.
Oh, so that's why we're
195
00:17:51,582 --> 00:17:53,678
here. Always been a fan.
196
00:17:53,702 --> 00:17:57,357
They don't want to hear about
your juvenile antics, woman.
197
00:17:57,381 --> 00:18:00,718
Miss Dare is perfectly sound, I'm happy to say.
The Scarlet Pimpernel you had
198
00:18:00,742 --> 00:18:03,717
from us last time, wasn't it?
I trust you enjoy it.
199
00:18:03,741 --> 00:18:07,477
Oh, very much.
I promised you the sequel.
200
00:18:07,501 --> 00:18:10,518
I'm teeing off at quarter 2.
Sorry.
201
00:18:10,542 --> 00:18:12,438
Thinking I will repay.
202
00:18:12,462 --> 00:18:15,278
What? That's the
sequel to The Scarlet.
203
00:18:15,302 --> 00:18:17,637
Pimpernel. Jack. Oh. Um,
204
00:18:17,661 --> 00:18:22,357
underneath Hardy Perennials,
the biography of Danton and the stack of
205
00:18:22,381 --> 00:18:26,358
unpaid bills.
Got anything on, uh, how to cook?
206
00:18:26,382 --> 00:18:31,476
I beg your pardon. That's what she needs.
Can hardly boil a ruddy egg.
207
00:18:31,500 --> 00:18:34,437
How are your feet?
Oh, how much better.
208
00:18:34,461 --> 00:18:38,740
Oh, I'll wait in the car.
209
00:18:39,021 --> 00:18:44,517
Ah, that's just a bob.
Oh, and I put this to one side, too. Uh, on the house.
210
00:18:44,541 --> 00:18:49,476
What is it? Oh, just a little play.
Ibsen, A Doll's House. It's about a
211
00:18:49,500 --> 00:18:55,221
woman who realises she's rather
trapped, unfulfilled.
212
00:18:55,261 --> 00:18:59,476
Thought you might find it enlightening.
Thank you,
213
00:18:59,500 --> 00:19:02,500
Cheerio.
214
00:19:04,541 --> 00:19:07,877
How's business been? Booming.
215
00:19:07,901 --> 00:19:12,117
Goodbye to Berlin.
All the Stewart Howard fans are mad for it.
216
00:19:12,141 --> 00:19:18,261
Is he in the film version?
That's what I'm telling them.
217
00:19:18,541 --> 00:19:23,317
I, uh, better unpack.
Oh, Jack, be a darling and fetch my bag
218
00:19:23,341 --> 00:19:29,716
from my room, would you?
It's the green one with the amber clasp.
219
00:19:29,740 --> 00:19:32,740
Right.
220
00:21:10,781 --> 00:21:14,278
You really think someone
tried to kill me?
221
00:21:14,302 --> 00:21:18,917
It really looks that way. Good God.
At least we'll be back at Lady.
222
00:21:18,941 --> 00:21:22,958
Hurst tonight.
You sure you're okay to shoot?
223
00:21:22,982 --> 00:21:27,956
Have to be, won't I? Deirdre, silly me.
My memory. Sandra, are you
224
00:21:27,980 --> 00:21:35,237
ready? Ready? My exclusive.
Oh, excuse me. Um, I promised an
225
00:21:35,261 --> 00:21:41,397
interview, Harold.
Um, Nerina, I can give you two minutes.
226
00:21:41,421 --> 00:21:48,181
Necessary evil.
I suppose one must feed the machine. Mr.
227
00:21:48,461 --> 00:21:53,541
Ah, finally.
228
00:21:54,960 --> 00:21:59,337
If you'd be so kind, you know my motto.
If you've nothing nice to
229
00:21:59,361 --> 00:22:06,456
say, come and sit by me.
And here you are, sitting by me.
230
00:22:06,480 --> 00:22:10,217
Ah, yes, but I do have
something nice to say. Nerina.
231
00:22:10,241 --> 00:22:17,737
Oh, Lovelorn in London is the
first of a new three picture deal.
232
00:22:17,761 --> 00:22:22,297
A deal Stewart and I have signed on for.
Isn't that marvelous?
233
00:22:22,321 --> 00:22:26,137
Marvelous. And you're
shooting interiors at Lady.
234
00:22:26,161 --> 00:22:31,497
House, aren't you?
Not exactly MGM, is it? Ped. Oh, it'll
235
00:22:31,521 --> 00:22:35,497
do nicely. You know the place
though, don't you?
236
00:22:35,521 --> 00:22:41,218
Made plenty of pictures there in the past.
Like the one where you played the
237
00:22:41,242 --> 00:22:43,577
simple crofter's daughter
who married a duke.
238
00:22:43,601 --> 00:22:47,258
Yes. And the one where
you played a simple
239
00:22:47,282 --> 00:22:51,577
fisherman's daughter who
married a jute magnet.
240
00:22:51,601 --> 00:22:56,858
Yes. I always forget what dude is.
It's a kind of fibre. People make bags with
241
00:22:56,882 --> 00:23:00,978
it. What's the first
film you made there,
242
00:23:01,002 --> 00:23:08,456
Sandra? At LadyHurst.
H um I don't know. Uh
243
00:23:08,480 --> 00:23:13,178
Springtime for Mary, I think.
Oh, about a simple blacksmith's daughter
244
00:23:13,202 --> 00:23:16,361
who married. All right.
245
00:23:16,480 --> 00:23:21,497
I think it was quite a bit before that.
Do you know our readers would be
246
00:23:21,521 --> 00:23:27,337
fascinated to learn that not all Sandra
Dare's pictures were talking pictures?
247
00:23:27,461 --> 00:23:33,757
I love those old inter titles.
Came the dawn and all that.
248
00:23:33,781 --> 00:23:39,597
Or I can check the date later.
Deirdre, that is your real name, isn't it? The
249
00:23:39,621 --> 00:23:45,997
one you used to go by.
Dear Piddock, perhaps you should
250
00:23:46,021 --> 00:23:50,717
concentrate on the present Nerina.
Where?
251
00:23:50,741 --> 00:23:55,180
Someone is trying to kill me.
252
00:24:05,060 --> 00:24:10,358
Jesse and I are taking Sandra for supper.
Try to take her mind off things.
253
00:24:10,382 --> 00:24:14,157
If that's not inappropriate
under the circumstances.
254
00:24:14,181 --> 00:24:18,398
Well, one must eat.
Where are you going? Wheelers?
255
00:24:18,422 --> 00:24:21,738
No, Camille's on the Strand.
Good choice.
256
00:24:21,762 --> 00:24:23,501
Don't have the oysters.
257
00:24:23,781 --> 00:24:28,077
I saw them taking that girl away.
I assumed it was an accident.
258
00:24:28,101 --> 00:24:31,197
Poison chocolates. Really?
259
00:24:31,221 --> 00:24:37,276
And they were intended for me.
And that poor sad girl intercepted them. Oh god,
260
00:24:37,300 --> 00:24:43,276
how's that for an exclusive?
Tragic. And what an angle.
261
00:24:43,300 --> 00:24:48,397
Oh, sorry. That was crass of me.
But still,
262
00:24:48,421 --> 00:24:52,637
what an angle.
Well, there's your story, Nerina.
263
00:24:52,661 --> 00:24:56,958
Are you ready, darling?
Oh, yeah. I was just leaving.
264
00:24:56,982 --> 00:25:00,796
Congratulations on the new
contract, Stewart.
265
00:25:00,820 --> 00:25:04,060
Thank you.
266
00:25:04,341 --> 00:25:11,261
Much to chew on.
Always lovely to see you.
267
00:25:12,421 --> 00:25:17,357
Bus to LadyHurst leaves in 5 minutes.
5 minutes everyone.
268
00:25:17,381 --> 00:25:21,580
What are you waiting for?
The last post.
269
00:25:21,621 --> 00:25:25,997
Mr. Masterson son,
what a pleasure to see you again.
270
00:25:26,021 --> 00:25:33,421
Nerina Bean, looking lovely as ever.
What can I do for you?
271
00:25:37,621 --> 00:25:42,060
Here we go. Ta.
272
00:25:46,521 --> 00:25:51,297
We met through um Picturegoer.
Me and Barbara, I mean there's lots of
273
00:25:51,321 --> 00:25:55,538
correspondents. You see,
like minded folk finding each other.
274
00:25:55,562 --> 00:25:59,857
Some aren't to their fans.
Some and the other big names, too.
275
00:25:59,881 --> 00:26:05,258
There's a hairdresser I know
who's potty on James Mason.
276
00:26:05,282 --> 00:26:11,418
But you know, Stuart was our favorite.
That's why we Why we chose to get jobs
277
00:26:11,442 --> 00:26:16,016
as extras to get close?
You're doing very well, my dear.
278
00:26:16,040 --> 00:26:20,321
You admit to taking
the chocolates?
279
00:26:21,400 --> 00:26:24,896
Yeah. I'm awfully sorry.
We just couldn't
280
00:26:24,920 --> 00:26:30,337
resist them. We saw them there on the
table in the bookshop. And I mean,
281
00:26:30,361 --> 00:26:35,457
chocs, come on. It's been years.
They were through there.
282
00:26:35,481 --> 00:26:41,841
Yeah, just through there.
What did you do with the note?
283
00:26:42,841 --> 00:26:46,256
Note? Well,
there was obviously an enclosure
284
00:26:46,280 --> 00:26:50,817
of some kind. It's not there now.
What did you do with it?
285
00:26:50,841 --> 00:26:56,481
I, I, I, I didn't see any note.
286
00:26:59,001 --> 00:27:03,361
It was over there.
Look on the table.
287
00:27:03,561 --> 00:27:07,217
It's funny how easy it
is to get close to them.
288
00:27:07,241 --> 00:27:12,781
Sally Gray once brushed past me in
the powder room at the Walsingham.
289
00:27:12,806 --> 00:27:19,737
You opened the box. Maybe the card fell out.
Do you have back issues?
290
00:27:21,561 --> 00:27:23,857
Picturegoer.
I mean, of course.
291
00:27:23,881 --> 00:27:30,641
January 35 onwards. Would you be so
good as to let us have them? Of course.
292
00:27:35,241 --> 00:27:39,121
I know that look.
293
00:27:43,081 --> 00:27:48,081
Oh, dog. You are a naughty boy.
294
00:27:48,280 --> 00:27:51,857
This succession.
295
00:27:51,881 --> 00:27:57,617
Well, I wouldn't say session, sir.
He gives you full pay for that.
296
00:27:57,641 --> 00:28:04,417
He does. He really can't.
You're sure he knows about that? Yeah,
297
00:28:04,441 --> 00:28:08,978
he does know where we are.
Thank you, Miss Bruce. You've been most
298
00:28:09,002 --> 00:28:12,977
helpful., uh, uh, Constable.
299
00:28:13,001 --> 00:28:16,241
Thank you.
300
00:28:22,361 --> 00:28:25,361
Well?
301
00:28:25,800 --> 00:28:31,297
oh Stewart, oh Stewart, my love,
there's so much I want to say to you. From that
302
00:28:31,321 --> 00:28:37,057
moment on the submarine, I knew your
look of concentration, your strength, we
303
00:28:37,081 --> 00:28:43,457
were destined to love each other.
Ship of Shame. Good picture, that one.
304
00:28:43,481 --> 00:28:47,361
They were meant for him.
305
00:28:47,561 --> 00:28:53,776
We imagine we control our passions,
but they direct us to the stars. We strive
306
00:28:53,800 --> 00:28:58,817
despite adversity. They drive ordinary
people to extraordinary actions like…
307
00:28:58,841 --> 00:29:03,697
like injecting strychnine
into strawberry creams.
308
00:29:03,721 --> 00:29:09,537
So Stuart, my own best darling,
I implore you not to try. Follow your
309
00:29:09,561 --> 00:29:15,617
heart. Break off your engagement and we
can be together, you and I, my sweetest
310
00:29:15,641 --> 00:29:23,641
boy, in life or in the cold, cold tomb of death.
And if one proves impossible,
311
00:29:23,800 --> 00:29:28,737
I'll take the other joyously.
Well, that seems pretty clear. If the
312
00:29:28,761 --> 00:29:33,298
writer can't have him, nobody can.
So, we're looking for a film fanatic.
313
00:29:33,322 --> 00:29:38,058
Fanatic being the word.
That would be the obvious explanation.
314
00:29:38,082 --> 00:29:43,280
All right, then. Bring me up to speed.
What do we know about this film mob?
315
00:29:43,481 --> 00:29:47,376
Stewart Howard,
proof that smouldering Latin looks
316
00:29:47,400 --> 00:29:50,817
sometimes occur
spontaneously in Bermondsey.
317
00:29:50,841 --> 00:29:55,697
He and Sandra have bound their careers
together, the nation's sweethearts.
318
00:29:55,721 --> 00:30:01,778
But hope can know the truth of it.
He's an actor and he's young and ruthless and
319
00:30:01,802 --> 00:30:06,978
rather over rewarded and appears to be
hopelessly in love with someone else.
320
00:30:07,002 --> 00:30:08,737
Who? Himself.
321
00:30:08,761 --> 00:30:13,418
Then there's the Honourable Jesse Mckendrick.
He lived in rooms on the
322
00:30:13,442 --> 00:30:17,098
lane last year just for a few weeks.
Rich boy slumbing it for the summer.
323
00:30:17,122 --> 00:30:20,057
Ran up and down like a billy goat.
He was always pounding the streets in his
324
00:30:20,281 --> 00:30:23,738
plimsolls. Left when it got
cold, ran straight back
325
00:30:23,762 --> 00:30:27,818
to daddy's place in Wiltshire, I think.
I'm sure I looked it up.
326
00:30:27,842 --> 00:30:32,497
And then we must presume wrote his
script on the private lives of the
327
00:30:32,521 --> 00:30:34,618
proletariat.
Thank you so much for joining.
328
00:30:34,642 --> 00:30:38,218
Good neighbour, was he?
Didn't pay much attention to be honest.
329
00:30:38,242 --> 00:30:41,938
I find that hard to believe.
Well, he was obviously taking notes on
330
00:30:41,962 --> 00:30:45,218
how to run a bookshop.
And Miss Dare, she had a rich husband
331
00:30:45,242 --> 00:30:49,018
who died, didn't she? Italian national.
Is that why they went to the States?
332
00:30:49,042 --> 00:30:52,858
Well, if they'd stayed, he'd have been
interned as an enemy alien, so I suppose
333
00:30:52,882 --> 00:30:56,738
they preferred the California sunshine.
That's made me think rather better of
334
00:30:56,762 --> 00:31:00,258
her. I thought she was just
running away from the bombs.
335
00:31:00,282 --> 00:31:02,318
What about Billy?
Clapper boy.
336
00:31:02,342 --> 00:31:06,958
Positions, please.
And from the look of it, Stewart Howard's
337
00:31:06,982 --> 00:31:12,238
now ex-whipping boy. Doesn't seem to be
much love lost there. They pose a lot,
338
00:31:12,262 --> 00:31:17,676
don't they, these film stars?
Why is he marrying her? Do you think to
339
00:31:17,700 --> 00:31:21,341
shows she's still here?
340
00:31:24,420 --> 00:31:28,077
Thank you. Uh to show she
knows what the audience
341
00:31:28,101 --> 00:31:33,276
wants. Stewart Howard's just arrived at the
top, ain't he? Sergeant's been there
342
00:31:33,300 --> 00:31:37,036
for years, but she can only
stay there for so long.
343
00:31:37,060 --> 00:31:41,261
Very perceptive of you, Jack.
344
00:31:41,381 --> 00:31:47,036
What a brutal business this is.
It captures people in time, then they
345
00:31:47,060 --> 00:31:50,060
change,
346
00:31:50,180 --> 00:31:55,518
and it mocks them for it. Right.
I'm going to get on to the film
347
00:31:55,542 --> 00:32:00,398
security people. See if anyone saw who
dropped the chocolates off. What will
348
00:32:00,422 --> 00:32:04,317
you do now?
Jack and I are taking this note to
349
00:32:04,341 --> 00:32:07,341
dinner.
350
00:32:38,180 --> 00:32:43,501
Jesus Christ. Me? You.
351
00:32:43,781 --> 00:32:47,676
You have no idea how draining it
is, Mr. Book.
352
00:32:47,700 --> 00:32:51,837
Glad handing. Scribbling one's autograph.
Failing to
353
00:32:51,861 --> 00:32:56,878
recognise someone whom you apparently
met at a village fete 10 years ago. And
354
00:32:56,902 --> 00:33:01,518
the smiling. Great god. The smiling.
This is simply the next step. They can
355
00:33:01,542 --> 00:33:06,060
only love one so much.
And there's only one way to go from there.
356
00:33:12,680 --> 00:33:17,418
How can I bloody well eat after that?
Well, a crazed fan is only the most
357
00:33:17,442 --> 00:33:21,658
obvious theory, but we don't
like to be obvious, do we, Jack?
358
00:33:21,682 --> 00:33:25,978
What? Oh, uh, no. No, we don't.
So, if I might repurpose the inspector's
359
00:33:26,002 --> 00:33:29,617
earlier question, can you think of
anyone who might want to kill you, Mr.
360
00:33:29,641 --> 00:33:31,857
Howard? Take your ruddy pick.
361
00:33:31,881 --> 00:33:37,698
There's quite a lot of angry ladies out
there, not to mention their husbands.
362
00:33:37,722 --> 00:33:42,618
Saville Row tailors, producers,
directors, writers, my ex-agent, my
363
00:33:42,642 --> 00:33:46,977
ex-ex-agent, uncle Tom Conway and all.
What about prison?
364
00:33:47,001 --> 00:33:50,658
What? You started to eat
your dinner with your
365
00:33:50,682 --> 00:33:53,937
spoon. Ah, old habits.
366
00:33:53,961 --> 00:33:59,776
Dead giveaway.
Takes one to no one.
367
00:33:59,800 --> 00:34:06,258
I was younger than you. Nothing too terrible.
But I shouldn't like it to get
368
00:34:06,282 --> 00:34:11,760
into the popular press, Mr. Book.
I should think not.
369
00:34:12,441 --> 00:34:15,777
What'd they get you for?
I went for a drive.
370
00:34:15,801 --> 00:34:19,456
Where? Through a furrier's
window in Mayfair. You
371
00:34:19,480 --> 00:34:25,358
went to the bank to make a withdrawal.
With a stocking over your face?
372
00:34:25,382 --> 00:34:27,200
Yeah. My mother's.
373
00:34:27,240 --> 00:34:31,537
I'm a Bermondsey boy, Jack.
Rough as a sailor's arse
374
00:34:31,561 --> 00:34:35,601
despite all of this.
375
00:34:36,040 --> 00:34:40,977
Do you think it could have something
to do with that? The prison?
376
00:34:41,001 --> 00:34:45,058
Well, as you've indicated, it's a wide field.
Tell you what, why not take on
377
00:34:45,082 --> 00:34:47,338
young Jack here as your new factotum?
Huh?
378
00:34:47,362 --> 00:34:50,338
No harm in having a strapping young
fellow like him hanging around. And you
379
00:34:50,362 --> 00:34:54,098
are looking for a new assistant.
Yeah, I can't. I've already got a job at
380
00:34:54,122 --> 00:34:56,937
the bookshop. I'm sure I can
spare you for a few days.
381
00:34:56,961 --> 00:34:59,217
And you know how Nora
loves to help out. Well,
382
00:34:59,241 --> 00:35:02,498
splendid. Yes, it's a good idea.
You know, Mr.
383
00:35:02,522 --> 00:35:07,858
Book, you should all come to Ladyhurst.
Help us get the details right and uh
384
00:35:07,882 --> 00:35:12,598
keep an eye on things. We'll be delighted.
Thank you for these.
385
00:35:12,622 --> 00:35:14,401
I'm a film star.
386
00:35:15,881 --> 00:35:19,777
You all right? Yeah.
387
00:35:19,801 --> 00:35:24,097
Why wouldn't I be?
I'll leave you to it then. Let me know
388
00:35:24,121 --> 00:35:28,977
if anything interesting turns up.
Oh, and be careful. There is a killer on the
389
00:35:29,001 --> 00:35:32,657
loose. Good night.
390
00:35:32,681 --> 00:35:39,121
Good night. Yes, sir.
What's your poison?
391
00:35:51,240 --> 00:35:55,681
Varsity sporting review.
392
00:35:56,841 --> 00:36:00,321
There you are.
393
00:36:29,161 --> 00:36:33,857
What's this? Come on.
It's usually around now that
394
00:36:33,881 --> 00:36:37,521
you deign to share.
395
00:36:38,521 --> 00:36:43,537
Three things then. Who would benefit
from Lovelorn in London collapsing? What
396
00:36:43,561 --> 00:36:47,618
was missing from that box of chocolates
was lying there with all the other fan
397
00:36:47,642 --> 00:36:49,498
mail. But no envelope.
398
00:36:49,522 --> 00:36:54,817
Top of the class, Mrs. Book.
So unless the envelope was disposed of,
399
00:36:54,841 --> 00:36:58,258
the chocolates didn't arrive by post.
So anyone on the film set could have put
400
00:36:58,282 --> 00:37:01,778
it there. Precisely.
And finally, the chocolate
401
00:37:01,802 --> 00:37:05,937
method, haphazard though it was,
has been tried and failed, which means
402
00:37:05,961 --> 00:37:09,697
whoever's behind this is going
to try again. What are you
403
00:37:09,721 --> 00:37:12,738
going to do?
We're invited to the film studios
404
00:37:12,762 --> 00:37:17,216
tomorrow. And Jack has a new job.
The Stewart Howard stand in.
405
00:37:17,240 --> 00:37:21,200
When are we going
to tell him?
406
00:37:21,240 --> 00:37:26,337
Not yet. Shall I read?
407
00:37:26,361 --> 00:37:30,417
Well, I know how you enjoy
it, so I'll humour you.
408
00:37:30,441 --> 00:37:33,841
But then.
409
00:37:36,601 --> 00:37:42,417
Oh, there it is.
Been fretting about that since we moved my
410
00:37:42,441 --> 00:37:48,657
stuff to accommodate the stars.
Then fret not, dear. And recall our
411
00:37:48,681 --> 00:37:52,161
solemn pact
412
00:37:57,161 --> 00:38:03,777
The Cave of Fancy. I've seen some dives in my
time, but this
413
00:38:03,801 --> 00:38:08,176
so dirty, so shady.
414
00:38:08,200 --> 00:38:14,641
The pansies in my
garden abhor the shade.
415
00:38:15,001 --> 00:38:22,176
Right, sir. It is sir. Is it?
Let's find you on my
416
00:38:22,200 --> 00:38:28,977
list. Name, occupation,
marital status.
417
00:38:29,001 --> 00:38:33,057
Engaged. Who are you?
418
00:38:33,081 --> 00:38:38,978
Medical officer Strottford Perry.
Trottie to my friends. Late of the Garibaldi.
419
00:38:39,002 --> 00:38:43,218
Brigade. And I don't mean the biscuits.
I can pull out shrapnel. I can strip a
420
00:38:43,242 --> 00:38:46,338
toshanker in under two seconds.
And I once to pull it south of the erbo, which
421
00:38:46,362 --> 00:38:51,217
I wouldn't recommend even to you, Sergeant.
And I never ever leave a man
422
00:38:51,241 --> 00:38:54,178
behind. He's sitting there.
And I'm getting
423
00:38:54,202 --> 00:38:59,618
married to him next Saturday.
And the chief constable's daughter is one of our
424
00:38:59,642 --> 00:39:04,158
bridesmaids. So if I were you,
I'd just admit the error right away and cross him
425
00:39:04,182 --> 00:39:06,480
off your list. What say you?
426
00:39:11,801 --> 00:39:15,777
Saturday all right for you?
Forecast is good.
427
00:39:15,801 --> 00:39:19,441
Quite alright. Trottie
428
00:39:22,601 --> 00:39:25,601
Kiss me.
429
00:39:26,041 --> 00:39:29,041
Uh-oh.
430
00:39:29,081 --> 00:39:34,737
Where would I be without you?
I think we both know the answer to that,
431
00:39:34,761 --> 00:39:38,001
my love.
432
00:39:40,200 --> 00:39:44,977
Anyway,
you were going to read.
433
00:39:45,001 --> 00:39:48,240
Of course.
434
00:40:12,041 --> 00:40:17,936
She's noticed you.
Yeah, they always notice me. Girls
435
00:40:17,960 --> 00:40:21,858
doesn't mean anything.
It's like when kids point a dogs in the
436
00:40:21,882 --> 00:40:23,818
street and say, "Dog?" Yeah.
437
00:40:23,842 --> 00:40:27,457
Well, you’ll be getting married soon, sir.
They've seen it in a column by Lerina.
438
00:40:27,481 --> 00:40:30,418
Bean. But let me tell you
something, Jack.
439
00:40:30,442 --> 00:40:32,618
I've never gone down
at one knee to anyone.
440
00:40:32,642 --> 00:40:35,618
Sandra popped the question then, did she?
I can imagine that.
441
00:40:35,642 --> 00:40:39,938
Most of the questions are
from a business manager.
442
00:40:39,962 --> 00:40:44,337
Oh, so you've got
an arrangement then.
443
00:40:44,361 --> 00:40:49,738
Shouldn't drink so much, should I?
Yes, an arrangement. But we all have those,
444
00:40:49,762 --> 00:40:53,858
don't we? You have one with Book.
Book has one with Mrs. Book if we're talking
445
00:40:53,882 --> 00:40:58,001
about unusual marriages.
Why' you say Book's marriage is unusual?
446
00:40:58,121 --> 00:41:01,377
You're like him, Book. How?
447
00:41:01,401 --> 00:41:06,801
Cuz you read.
Just go on, read me.
448
00:41:08,041 --> 00:41:12,081
Well, um,
449
00:41:12,361 --> 00:41:17,538
you keep coming here cuz you think this
is the sort of place that film stars go,
450
00:41:17,562 --> 00:41:23,018
but here's the thing. You don't like it here.
You hate it. And you hate that
451
00:41:23,042 --> 00:41:26,737
drink, too.
It's like a pudding from the war.
452
00:41:26,761 --> 00:41:32,258
So, you're thinking, "How can I be the
chap I was?" You know, before I knew
453
00:41:32,282 --> 00:41:36,018
that the camera loved me,
which is a terrible thing to know. It's not all it’s cracked
454
00:41:36,042 --> 00:41:39,218
up to be. Can you believe that?
Yeah, I wouldn't mind a bit of it.
455
00:41:39,242 --> 00:41:43,358
Careful what you wish for, son.
Got someone sending me poison in the post.
456
00:41:43,382 --> 00:41:44,881
Remember,
457
00:41:44,921 --> 00:41:51,297
I was a bit stuck when I met Sandra.
Typecast, not officer material. They
458
00:41:51,321 --> 00:41:56,257
said it was a problem, Kid.
Sandra changed that. She pulled strings,
459
00:41:56,281 --> 00:42:01,216
whispered in ears. Producers started
casting us as lovers. We were lovers by
460
00:42:01,240 --> 00:42:05,057
then, of course.
Do you love her now?
461
00:42:05,081 --> 00:42:09,121
Well, I don't hate her.
462
00:42:10,281 --> 00:42:12,337
You want to be your own man?
463
00:42:12,361 --> 00:42:17,098
Of course I do. But it's impossible, isn't it?
We're a pair like Hope and
464
00:42:17,122 --> 00:42:20,138
Crosby, Fred and Ginger,
Garbo and Gilbert.
465
00:42:20,162 --> 00:42:25,818
Except he left, didn't he? What?
John Gilbert didn't survive when the talkies
466
00:42:25,842 --> 00:42:30,737
came. Yeah. So it's all an act then.
You and her?
467
00:42:30,761 --> 00:42:34,817
golden couple.
All an act as much an artifice as Stewart
468
00:42:34,841 --> 00:42:38,321
Howard himself.
469
00:42:38,440 --> 00:42:44,017
Film is for dreamers. You see Jack, when
you sit there in the dark has to be
470
00:42:44,041 --> 00:42:50,817
space for you up there in that kiss.
No scenes in the moonlight standing by
471
00:42:50,841 --> 00:42:56,098
the rail of a ship. You just read in
the fan mags that the screen lovers have
472
00:42:56,122 --> 00:43:00,337
broken off the engagement.
Can't stand to be in a room together
473
00:43:00,361 --> 00:43:04,720
and there's no
space to dream.
474
00:44:45,641 --> 00:44:51,617
Scene 49, take eight and
475
00:44:51,641 --> 00:44:55,377
action. It was then I
knew we had fallen in love
476
00:44:55,401 --> 00:45:00,817
from the pages of a book. But was that
love strong enough to thrive out in the
477
00:45:00,841 --> 00:45:05,857
teeming world? Uh, can we, um, try it
again without him reading it? I can do
478
00:45:05,881 --> 00:45:11,841
it in time.
Yes, of course. Reset.
479
00:45:13,001 --> 00:45:17,137
Rolling. Sandra and
480
00:45:17,161 --> 00:45:20,161
action.
481
00:45:28,681 --> 00:45:34,817
I'm so sorry, Jesse. Uh, can I beg
10 minutes? A ciggie will sort me out.
482
00:45:34,841 --> 00:45:39,057
Cut it there.
Cutting it there.
483
00:45:39,081 --> 00:45:44,001
10 minutes hold. Back at five.
484
00:45:44,681 --> 00:45:49,681
Is that coffee, sir?
No. Thank you.
485
00:46:25,960 --> 00:46:29,041
Come along.
486
00:47:26,200 --> 00:47:32,720
Eric Percival Banks.
She's she's been married before.
487
00:47:51,081 --> 00:47:56,337
Good morning.
You're up early. Oh,
488
00:47:56,361 --> 00:48:00,161
I thought you
might want a tea.
489
00:48:20,281 --> 00:48:25,361
Hey kid,
you want to be in pictures?
490
00:48:27,561 --> 00:48:30,337
Your name's not on the list.
Who are you?
491
00:48:30,361 --> 00:48:33,898
We're antiquarian book sellers.
Isn't it obvious?
492
00:48:33,922 --> 00:48:38,656
And I know we're being extra vigilant,
Jerry Love, but bear with me.
493
00:48:38,680 --> 00:48:41,841
All right.
494
00:49:07,881 --> 00:49:11,738
What's this?
The address of Barbara Markham's
495
00:49:11,762 --> 00:49:14,176
parents. I'll go visit them.
496
00:49:14,200 --> 00:49:19,216
No, no. There's the inquest first.
Just write them a kind letter.
497
00:49:19,240 --> 00:49:23,377
I will. Thanks, Book.
498
00:49:23,401 --> 00:49:28,881
You boys are in for the biggest
surprise of your lives.
499
00:49:29,401 --> 00:49:36,497
Keep going. Better this way.
More dramatic.
500
00:49:36,521 --> 00:49:42,401
Geordie, can I get some lights
on, please? Yes.
501
00:49:47,321 --> 00:49:51,936
Amazing. It's absurd.
502
00:49:51,960 --> 00:49:57,216
Ridiculous,
A bizarre exaggeration of reality.
503
00:49:57,240 --> 00:50:02,017
It is wonderful.
What a thrillingly peculiar life you
504
00:50:02,041 --> 00:50:06,017
lead, Mr. Howard.
It's an imitation of life.
505
00:50:06,041 --> 00:50:10,257
Dog's blanket, but no dog.
506
00:50:10,281 --> 00:50:15,777
Is dog cast yet? Yeah. But she’s not much cop.
No screen presence.
507
00:50:15,801 --> 00:50:22,761
Think of a good replacement.
Yeah, I can.
508
00:50:25,081 --> 00:50:30,577
Cans of cash. Your Tony's a
better book seller than I am.
509
00:50:30,601 --> 00:50:36,817
He's fake. Like everything in here.
Well, I'm glad you had a chance to look
510
00:50:36,841 --> 00:50:40,898
before the hordes arrived.
Let's get some breakfast. Canteen's in the next
511
00:50:40,922 --> 00:50:44,321
block. Lead on, McDuff.
512
00:50:49,881 --> 00:50:52,737
It's just past the
dressing rooms.
513
00:50:52,761 --> 00:50:57,778
Do you know what you're doing next?
Or another Robin Hood remake? I mean, I've
514
00:50:57,802 --> 00:51:01,601
got the pins, right?
Oh my god. What?
515
00:51:06,601 --> 00:51:10,240
It's one of the extras.
516
00:51:18,921 --> 00:51:24,960
No, I think not.
517
00:51:25,641 --> 00:51:29,440
It's Nerina Bean.
518
00:51:37,881 --> 00:51:42,240
The girl with the poison pen.
519
00:51:45,240 --> 00:51:49,240
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