All language subtitles for [English (auto-generated)] Wire in the blood (S01E01E02) The Mermaids Singing (Robson Green) 720p (g

[music]

[snorts]

[music]

[music]

>> Are you angry, Tony? Yes, I am.

Do you want to tell me about it?

>> think you're listening. But I am.

I'm always here for you. No, you just

think I'm another stupid tosser you can

wind up.

>> That's unfair, Tony. I've been patient

with you. You haven't helped me.

>> I'm trying.

You won't let me in. I want to know why

they're still hidden.

Why won't they come out? I keep digging

and digging. Tony. Tony.

Come.

Come closer.

>> [music]

>> It's all right.

It's all right. I'll tell you.

I will.

Dr. Hill.

Hi. The faculty told me you'd be here.

>> Yes, every Tuesday.

Dan. He's in the door. Hm?

Yes. I must have

Yes.

Uh I need to talk to you.

Sorry?

I need to talk to you. You're a

policewoman. I'm Caroline Jordan

Bradfield CID.

You found another body? Yeah.

But asked whether it's him or not, I

need your advice. I, not we.

Coming to me was your idea.

Not sanctioned from on high by the big

boss, the great band gender? No, it was

my idea.

Politics, something I'm not good at, in

fact really bad at, so I'm possibly not

your best

>> Listen, will you either get out of the

car or let me get in it? Yes, of course.

Sorry.

>> [laughter]

>> That's not funny.

So anyway

You got kids? No, it's for me.

The body, the victim, white male, early

30s, fit, good job, respectable, which

is ridiculous if a good job makes anyone

respectable.

>> is this a serial killer?

Technically, no. Webster's definition is

one of a four. You have two, possibly

three victims, so not a serial killer.

Not yet.

But one in the making.

Trouble is most of my senior colleagues

have dismissed the idea. I'm a

psychologist, not a profiler.

>> I know. I know you work. I know about

your practice here. Couldn't you just

have a look? The body's at the morgue.

I'll have a look. That's all.

Wait. What?

My car?

Oh.

Evening, Daniel. Evening, Guv.

Gareth Finnegan.

Cause of death, cut throat. He'd been

slashed in the face with a glass or

bottle.

There were cuts to the genitals and

pierce marks to the hands and feet. Any

dislocations? Yeah, both shoulders.

Crucifixion? Yeah.

Were the wounds to the genitals

postmortem? No.

Same as the other victim. Different

degrees of savagery though. This one was

virtually castrated. Can I see the crime

scene?

Anything else you want to see here?

Good lord, no.

DCI Connor told me you were here, Guv.

Don.

Uh this is Dr. Tony Hill, uh Detective

Sergeant Don Merrick. He's a bit late

for a doctor now. He's a doctor of

psychology.

>> He's a bit late for a psychologist if

you ask me, which you can see you're

not.

>> I've asked Dr. Hill to have a look at

the case, Don. He can give us a

different perspective.

>> What, like inside the killer's head?

Close, but not too close. See no evil.

You're all right, aren't you, Peter?

Aren't you?

Dr. Hill. Peter Sutcliffe.

Women get in this car for years, they

get in this car. Same car. Nobody sees.

Blind.

Blind, blind, blind. Hello, Dr. Hill.

Sorry.

And please, it's Tony. We're going to

work together.

Where was the body?

Face down? Yeah.

Uh

So at first it looked okay, body

arranged in the wasteland, beautiful.

I'm sorry. Then you turn him over and

it's Nightmare on Elm Street.

DI Jordan.

Miss Burgess.

What are you doing here? I could ask you

the same. I saw your car.

I'm doing a piece on the gay community

under siege.

Speaking of which, any new leads?

Nothing of significance, no. It's the

same killer, isn't it? We're not ruling

out any possibilities at this stage.

Come on, Caroline. What happened to

sisterhood?

Heard there were stab marks to the

genitals on this one, too.

>> That information hasn't been released.

>> They're all naked, aren't they? What?

The bodies. You haven't found a scrap of

clothing, have you?

>> Look, now's not the time. Penny Burgess,

Bradfield Post. How do you do, Mr.

>> Good night, Penny.

See what you mean about being crap at

politics.

>> Sorry.

That woman is a pain in our collective

rear. Plus, she's getting information

from somewhere.

Look, I really appreciate you coming

down. Thank you.

Caroline Jordan. It's Tom Cross, and I

am.

What are you doing showing a shrink

around our morgue?

I wanted another opinion, sir. Hm. The

opinions of your colleagues aren't worth

a damn, then.

Where are you now?

Temple Fields.

He's with you, isn't he?

Get him out of there. Go home, get a

good night's sleep, and be in my office

at 9:00 tomorrow.

You got into trouble. Yep.

All the bodies were clean, weren't they?

Well, A, he's careful, washing removes

all forensic traces, but B,

it's almost like it's an act of

tenderness.

Like he forgives them. Forgives them?

What?

Listen, I'm going to get carpeted

tomorrow, and I would very much like to

know if you want to carpet with me.

I wouldn't mind either.

Yeah, well, don't get your hopes up.

>> [music]

[music]

>> Forgives them

what?

Exactly.

And my car's just over there.

Who's Jordan working with now?

Us, you and us.

She had a bloke with her at the crime

scene, not the cop.

Oh god, Danny, not now.

Who is he, Kevin?

I don't know.

And did he see any cars driving around,

you know, hanging about?

Hello, Mr. Nelson.

I'm sorry.

I met a nice young man tonight, I did.

Oh, no.

The doctor knows, Nelson wouldn't

approve.

Thinking he's a Nazi, he's a freak, eh?

Michael, I thought you were out. I

called before I left work.

I'm for a drive.

Still trying to get to know the town.

So, who's this doctor then, big sis?

>> [clears throat]

>> You're not just creeping up on me, were

you? You're eavesdropping as well.

You're the one talking to yourself.

Yeah, well.

His name's Tony Hill, clinical

psychologist. I asked him to have a look

at the latest.

Bit nice? Yeah.

Warm, funny

in every sense.

Good-looking? Not much my type.

What is your type?

>> Don't know. It's so long, I've

forgotten.

>> [music]

[music]

>> Morning, Carl.

Who's this?

This is Dr. Hill, sir. Really?

Why's he here? No offense, Dr. Hill.

None taken. I believe Dr. Hill can be

useful to us, sir. Bring some new ideas.

Why don't you sit down, Dr. Hill?

And you, Carl.

>> [clears throat]

>> You know, if I thought this was the same

killer, I'd have asked one of you

gentlemen in months ago. But I'd admit

there are similarities, but there are

also uh

significant differences.

>> They aren't differences, they're

escalations.

I made some calls about you, Dr. Hill.

Uh

Apparently, it's

something like this.

I can see why you're so keen to get

involved.

Boost your profile again?

It was the It wasn't my idea.

It was a mistake. It was.

But the point is, Dr. Hill,

you may have your fans in the media and

an impressive vocabulary,

but we've got three dead men

and we're trying to trace their killers

without turning this investigation into

a circus run by a college professor.

Sir, I really think

>> So, much as I'd love to be a chapter in

your next book, I'm just going to have

to forego that pleasure. I'm sorry, Dr.

Hill. Dr. [snorts] Hill has relevant

experience. Dr. Hill?

John Brandon, Assistant Chief Constable.

Morning, Tom.

This is an excellent idea.

Sir. Contacting Dr. Hill. Excellent. How

much time can you spare us? Whatever it

takes. Is it Thursday? Excellent. Well,

I'll contact your faculty head and get

it cleared up top. You up to speed with

these killings? Not yet, sir. But from

what you know, is it the same killer?

Until I've seen the files, I don't

>> How long for a profile? One week enough?

That assumes it's the same killer, sir.

Why else did you get Dr. Hill in, Tom?

DI Jordan here can act as his liaison

and keep us fully informed as to what he

uncovers. Sir.

That's settled, then.

Well, clever old me bringing Dr. Hill

in.

One,

Adam Scott, civil servant. His throat

had been cut. His ankles, knees, hips,

shoulders, elbows all dislocated.

Pathologist Dr. Vernon said he must have

been racked.

Two, Paul Gibbs, teacher. Here, throat

had been cut after extensive dislocation

to the limbs, but Vernon's opinion was

that the forces were completely

different.

The rack, the cross, he's copying

medieval tortures. Why medieval

tortures? Why?

Because he's a nutcase. I haven't got a

clue.

Right.

This one you know, Gareth Finnegan,

commodities trader.

He took them from their homes? We

believe so.

>> Any sign of forced entry?

>> None. He cleaned before he left? He

hoovered, mopped, whatever. He

understands forensics, hair, fiber

evidence.

Anyway, no sign of forced entry, so we

worked on the principle that the killer

knew his target. It gave us nothing.

After the second murder, we

cross-referenced Adam's circle of

acquaintance with Paul's. Again,

nothing.

Third murder, we've just started the

process. Yes, Kevin.

We've uh just finished going through the

CCTV tapes at Temple Fields School. Lots

of motoring offenses, but no one dumping

a body. Okay, thanks. Kevin, this is Dr.

Hill. Tony, this is DS Kevin Jeffries.

You got us a profile on our killer, Dr.

Hill? Give him a minute, Kevin. He's

targeting gay men, isn't he?

Is he?

Well, all three men were single, lived

alone. Their bodies were dumped in the

gay area of town.

Then there's the injuries to the

genitals, the naked bodies.

Is there evidence that any of them had

homosexual affairs? No boyfriends coming

forward, partners? Well, no, that's

exactly the point, isn't it?

He's outing them. The queer killer.

Well, that's just my theory, anyway. See

you, Guv. Dr. Hill.

I better go home and put this stuff on

computer. Anything else you need from

me? How about a curry?

Yeah. Mhm.

>> [music]

>> So, what's going on here?

Here, here. No, I mean the case.

What's it about? Desire.

Something in every victim sparks desire.

Usually, it's a desire to possess,

dominate, destroy. Usually, it's a

weakness that attracts, but not here.

Adam, Paul, and Gareth,

relatively speaking, cream of the crop.

Attractive, successful, centered.

A man kidnaps them,

does his liking. He tortures them, he

kills them, and he returns them.

Returns? Yes, he doesn't bother to

conceal.

Desire.

You mean sex. Yes.

I look at you, I desire you. Your body

it burns in my brain. I must have you.

>> [music]

>> And that's paraphilia, meaning beyond

love, beyond loving.

It's irresistible, satiable, [music]

intoxicating desire.

Failing that, curry?

Mhm.

>> [bell]

>> All right.

I'm sorry, Tom. bother you, but my car

just died on me.

Could I use your phone? Oh, yeah. Yeah,

sure. Come in.

I've got some jump leads somewhere, I

think. Anyway.

You married? No.

Not even close.

I was seeing a doctor in London. We were

close.

I thought.

>> [snorts]

>> Then I got promoted up here.

Tried the weekend commute thing for a

few months. Then he said

that sex with me was great, but it

wasn't worth a 3-hour drive.

No.

Mhm.

What about you?

Sex with me is definitely not worth a

3-hour drive.

Maybe a 5-minute walk, if it's not

raining.

Really?

>> [snorts]

>> So, he's doing the 5-minute walk at the

moment, then? Nobody. Not at the moment.

Well, you are a bit of a weirdo. Maybe

you frighten them.

I don't think so.

People I work with, they frighten me.

Like Maggie Thomas.

Whom you visit every Thursday.

I have to ask, how can you spend time

with a woman who you know has murdered

at least five girls, probably more?

I talk to Maggie.

I let her play her mind games. If Maggie

had stopped my face, I do anything.

So I can find out where the bodies are,

so I can bring them home. Why does she

stroke your face? So she can feel my

bones.

Every Thursday.

For 3 years.

People like Maggie have found they can

do wrong with impunity. She was caught,

but the punishment doesn't hurt her.

>> [music]

>> And she tries to draw others in.

Open up their minds. To what?

The possibilities. Of what?

Of evil. That's a relative [music] term.

Only to psychopaths.

She fascinates you. Yes.

Isn't that dangerous? [music]

Yes.

Oh, Nelson. I'm sorry.

I fed you, I know I did.

Maybe I didn't. Michael?

Dirty stop out.

>> [music]

>> Um, you all know Dr. Hill.

He's going to give us the benefit of his

insights into the murder cases we are

currently investigating.

Good morning.

A psychological profile can only be

speculative, but I base that speculation

on facts.

The first speculation in this case

should have been done 2 months ago.

We have a serial killer who has hit the

ground running and will continue

killing.

The second speculation comes from the

late acknowledgement of this fact by the

police.

The killer desires recognition. His

actions have been denied.

He will commit another murder to put you

right, to show you up.

His next choice of victim, therefore,

could well have more profile. A

journalist, perhaps, or someone

connected to the police

or emergency services.

>> [music]

[music]

[music]

>> There's been another body.

Madam.

This one's called Damian O'Connell.

PC Damian O'Connell.

One of ours.

>> [music]

[bell]

>> Now, uh

about this uh serial killer theory.

Has this happened before?

See, Tony, this is my problem with you

and your media pals.

You make it a competition in horror.

Every sick bastard comes running like

flies to [ __ ]

I can do better. I can top that.

You think this is a copycat, sir? No,

not a copycat, DI Jordan, because it's

worse.

I can top that.

Yeah.

Look what he did.

Damian was practical.

He was practical.

>> [music]

>> What are you doing?

It's the same killer. Do you want to

punch him in the head?

Tom.

I'm sorry.

Has his family been informed?

They've been contacted.

>> [snorts]

>> Dr. Hill, what have we got?

>> Excuse me, sir. I'll tell you what we've

got. We've got another murder.

Same killer?

Why? Choice of victim, arrangement of

body, method of death, fact that the

body's been washed, injuries to

genitals, torture.

>> Did he know he had a policeman? Yes,

he's punishing What for? For not paying

him the respect he deserves.

Tom!

Is he a serial killer? Is he a serial

killer? The body of a man in his 20s has

been found. The body of a man in his 20s

has been found. What was Max doing

there? He was murdered. But was he a

serial killer? There are indications

that this killing could be linked to

three previous homicides in Bradford.

So, you're treating the murders as the

work of one killer? We are examining

that possibility. Haven't you left it a

bit late?

Hasn't the murderer got a head start

because he wouldn't admit that he was a

serial killer? We don't theorize ahead

of evidence. We will do everything in

our power to bring this killer to

justice.

Point

zero

five and

point seven six.

Where am I?

>> [music]

>> What do you want?

Let me go.

>> [sighs]

>> Cause of death, cut throat, carotid

severed.

Whatever blood was left was drained

pretty quick by the excision of his

penis.

Said penis was then

>> Yeah.

Done after death.

Yes. I forgot, for God's sake.

Ask the psychologist.

The other injuries, which are, I admit,

barbaric beyond belief, were caused by

some sort of

conical object with sharp edges,

possibly barbed or razor wire. What

about the burn marks on the torso? They

must have taken some time. There are

hundreds of them. Before or after death?

Before.

I'm sorry.

Guv, his mom and dad are here. The

O'Connells.

I'm so sorry, Mr. and Mrs. O'Connell.

>> [snorts]

>> Listen, I'm really sorry, but do you

mind if I ask you a few questions?

Is there anyone you'd like us to contact

to let them know?

No.

Was Damian seeing anyone?

No, he wasn't.

Yes, he was.

He was seeing Alex.

Had he been seeing her long?

Him.

Damian was gay. What of it?

>> [gasps]

>> I want to see him.

Can I see him? [laughter] Yes, of

course.

Of course.

A gay man. Talk to Hill.

How does the queer killer sound now?

Stupid.

Offensive and irrelevant.

You think?

He doesn't prey on gay men. He preys on

all men.

Told you. Burn marks on the body. He's

sending a message. How do you know?

>> Choice of victim is a message in itself,

but he won't want to be clever than

that. He'll want to reach out and taunt

us. We have to decipher the burns. We

don't even know what made them.

>> Well, that'll come. First, what do they

say? Statistical pattern analysis.

What the hell's that? There's computer

programs which can analyze apparently

random groupings, collections of

material, and if there's a pattern to be

found We'll definitely follow up on

that, Tony, but I think we've just had

our lucky break.

>> A scrap of leather caught on a fence on

the building site. Forensics are working

it out now.

He doesn't leave forensic traces.

But you just said he's left a message.

That's different.

>> Why? Why is it different?

>> And he did leave the scrap of leather.

Well, then.

But he left it so you can waste manpower

and time tracking down something that I

bet will have some obscure provenance

like Vladivostok or Timbuktu, so you can

waste even more time tracking down

which, why, who, whatever. It's not even

a red herring. It's a white bloody

elephant. It means it doesn't fit with

your theory. Exactly. So, we should

ignore any evidence that doesn't fit

your theory.

>> Planted evidence, yes. Oh, you can prove

he's planted this. Well, you've got a

hunch.

>> All right, Don.

I hear what you're saying, Tony, and

we'll be cautious, but it's a lead. We

can't ignore it. One more thing, uh

given what Damien's parents told us,

we're going to refocus on Temple Field.

Apparently, Damien used to go there.

We're running an undercover operation

tonight concentrating on the S&M scene.

Right.

Listen.

That statistical pattern analysis thing,

my brother's in computers, software

development. We could ask him.

Do you think he'll help? We could show

him how sophisticated our psychopaths

are.

Tony thinks there might be some kind of

message here that we might be able to

separate Separate the random from the

intended.

>> Yeah.

It's hardly rocket science.

You've got three basic shapes here,

variations on a star. Shouldn't be too

difficult once you digitize the image.

>> And you know someone who can?

You trust them? Not selling your pickies

to the sun.

Possibly.

What about your patients, Dr. Hill?

Do they mind you deserting them?

Probably relieved to see the back of me.

You do weights. I keep in shape.

I used to.

Do you sleep?

Maybe not.

You new around here?

Just checking out the scene. Don's

pulled.

My name's Ian.

If you want a scene

look no further.

Not just yet. Thanks.

What are you?

Top or bottom?

Check the leather gloves. Deer skin

cured by salt water the old-fashioned

way. Which isn't done in the West

anymore cuz it doesn't meet quality

standards. Who's it from? Russia, near

St. Petersburg. Well, at least it's not

Vladivostok.

You're not worried that there's a killer

about?

Get off while you want. I'll get off.

That's what I say.

You do want to get off, don't you, Don?

No, thanks.

Bit of a teaser, eh? No, just

I've been watching you.

Oh, really?

I'm Stevie.

Don.

What are you doing here?

It's got to sleep.

>> How the hell did you know we were here?

You've got undercover surveillance

written in big letters on the side of

your van.

I saw you get rid of that little

Neanderthal, Ian Thompson.

Do you know him? Not to speak to.

I don't like just anyone tying me up.

Especially with a killer about.

Some other people in here actually want

to meet him.

The killer.

They want to go [music] the distance.

Why? To see if they can.

Pleasure and pain, two sides of the same

coin.

Channel five, Guv. Don's got something.

What about the ones that did meet him?

Is that what they thought?

Why are you asking me?

Do you think I'm the killer?

Who are you, Stevie?

If that turns you on, Don.

I did know Adam Scott.

Paul Gibbs, too.

Oh, really? They come to my [music] gym.

Well, used to.

I can see you're a strong man, Don.

Do you want to go somewhere?

I hardly know you.

Back exit.

Two minutes.

When he comes out, Kim.

Look some quiet.

This is Merrick. I'm at the bar.

>> [music]

>> I think we've got something.

Don.

[ __ ]

Don Merrick. Man down, Southwood sticks.

It moved.

Don.

Don.

>> [music]

[music]

>> I came out. Don was on the floor.

Someone was running away.

>> None of our officers saw anyone.

You told the S Merrick that you knew

Adam Scott and Paul Gibbs.

I told them they come to my gym. Is that

a crime? We also found out that Damien

O'Connell had a trial membership.

I never met him. Quite a coincidence

there, Stevie. Three of the four

murdered men belong to your gym. We're

checking Gareth Finnegan. Useful, owning

a gym.

I want my lawyer.

Interview suspended, 1:35 a.m.

>> [music]

>> We've just received this from the post

room addressed to Bradfield, CID.

Hi.

I'm

Police [music] Constable Damien

O'Connell.

I joined the police force

because I like helping people

and making the world a better place.

Also,

>> [music]

>> I like my colleagues in the Bradfield

police.

But they're never going to catch you

because

you're too clever

and they're too [laughter] thick.

>> [music]

[screaming]

>> The tape? Could have been bought from

any supermarket.

Ditto the envelope. Was there a message

in what Damien was saying? I don't know.

You don't know?

It's a start. [music] It's an

escalation, but it

I don't know.

I heard

that's one sick bastard.

One sick bastard.

All right. Why?

How's Don Merrick?

Hospital, but he's okay.

I'm a tear.

Got his lawyer.

What do you call ten of lawyers at the

bottom of the sea?

A good start. Yeah.

Sorry I hit you.

Do you buy McTear?

I don't know. Do you?

90%.

He's bright, got form.

Time in Glasgow, rape.

On the block.

>> [snorts]

>> Would you know if you saw his sticks?

Would you know?

90%.

>> [bell]

>> Good enough for me.

Is this strictly legal? Yeah, section

18.

I thought you'd prefer to look at the

players without a dozen plants breathing

down your neck.

You're too clever.

Don.

What are you doing here? What does it

look like?

You checked yourself out.

You're going home, Don. No, I'm not.

>> [screaming]

>> Not till I've been IN THERE AND BEATEN

THE [ __ ] OUT OF HIM.

WELL, THEN you'll have to beat the [ __ ]

out of his lawyer as well, won't you,

which won't do anyone any good. I'm

calling you a cab. You're going home.

Big Z.

Cab for DS Merrick.

Have you seen Dr. Hill? Yeah, he left a

couple of hours ago. He was with

Superintendent Cross in his car.

>> together? Well, they weren't holding

hands.

>> [bell]

[music]

[music]

[music]

[music]

>> Dr. Hill?

>> [music]

>> It's O'Connell's.

That's his number.

You sure? He was one of my lads.

We've got him.

A bedroom full of S&M gear and

O'Connell's handcuffs.

>> You couldn't wait for forensics. I know

how to do a search, DI Jordan.

It's the break we needed. Where did you

find the handcuffs? In his wardrobe with

his other sex [ __ ]

>> Well, Dr. Hill saw you find them.

We found Damien O'Connell's handcuffs at

McTear's flat.

We've got him.

You coming, Dr. Hill?

He suggests we have a look.

It's his fault. Yeah. He made you do it.

>> Yeah.

He threatened to take me down the rugby

club and sing all 64 verses of Eskimo

Nell. Not funny. You'll take a walk

because of this.

I mean, think about the gaps, Carol. You

know, the regularity of them. Just the

first three deaths. Damien's is an

anomaly. You know, all that teaches a

lesson stuff. What?

>> The videotape.

All those graphics. I mean, that's

state-of-the-art stuff.

>> Michael could probably tell us. Tell us

what, Tony? It was really well made,

which implies Well, it implies all

sorts, but the most obvious is he's

recording the death, the torture. He's

recording and then he's manipulating his

images. Might be adding himself to them,

playing a part.

I don't understand. He can make his

little snuff film, then re-edit and

re-edit. Lots of stories, always the

same ending.

The software to do that digital

manipulation is expensive.

Right, I have to decide whether to

report Tom Cross for planting evidence.

If I do, it could end his career, so I'm

going home.

Carol! Carol, I haven't got a car.

There are some questions about the

search of McTear's flat, Tom. It was

above board, sir.

>> The search maybe, but some evidence was

found. Yes, sir.

Good enough to nail the bastard, in my

humble opinion. Unfortunately not.

And you know as well as I do, those

handcuffs, they won't stand up in court.

Yes, they will, sir.

Dr. Hill was there.

Yes, he was. So, we have a very senior

police officer and a clinical

psychologist alone in a suspect's flat

at 2:30 in the morning.

The point is, sir,

we got him. No.

You poisoned the well.

Forget about the evidence being

dismissed. We could be looking at a

possible mistrial. Steven McTear will be

released on police bail. I want you to

take a break.

What? A holiday. Go to the seaside or

the lakes, maybe.

Have a break. I'm not bloody leaving.

You are, Tom.

I'm there. Hurry up. I've got a lunch

meeting.

You'll never guess what happened. Tell.

No. Yes. No. Tell.

All right.

Nice bell.

I hear you've been kicked off, Tom.

I hear Carol Jordan's taking over. Then

you know all you need. Thing is, Tom,

the press will be all over this and

you'll be crucified.

So, I'm giving you a chance to put your

side. It's competition, is it?

You bet.

Do you want to win?

All right, then.

Elaine Scarry? Writer?

Wrote The Body in Pain? I've got it here

somewhere.

She talks about torture

and the relationship between the

torturer and his prisoner.

That is the furthest that can ever

separate two human beings.

Is she right?

Do you think she's right?

Yes.

And no.

>> [music]

>> Right. Pain can be intimate.

Sadomasochistic sex can be intimate.

[music]

Pleasure and pain is how you want.

Someone to go all the way.

No one can.

>> [music]

>> But you want them to.

They're too weak.

They let you down.

Of course they do.

Maybe your standards [music] are too

high.

Maybe they are.

But you keep looking.

The right man's out [music] there

somewhere.

Well, well, well.

What's your friend got a good publicist?

>> [music]

>> Hello. Is that Is that Mrs. Estrada?

Hello, [music] Mrs. Yes, I'm on official

business. I'm sorry. I'm done with Tony

Martin.

Yes,

yes, that's right. [music] No, no, it's

all right.

>> [music]

>> Hello. Can you tell me

where did you first meet

How many times

I look at my mouth.

Hello.

Out of breath, Tony? Who is this?

I like that, Tony. I'd like to take your

breath away.

Maggie?

Oh, Tony.

The call today at 09:47

hours, the caller withheld their number.

>> [snorts]

[music]

[music]

>> Look at it.

The simmering strife in Bradfield CID

finally exploded over possible, quote,

irregularities, end quote, in the

handling of evidence.

Who knew about this? You, me,

Superintendent Cross, sir. And your

squad, and Dr. Hill, who happened to be

with Tom Cross when these possible

irregularities were taking place.

>> Tony wouldn't

>> And Tom Cross swears blind he would

never divulge operational details.

>> He spoke to Penny Burgess. And for that,

he's a bloody idiot.

But he would never prejudice a case.

Except by planting evidence.

It's slippery at the top, DI Jordan. Be

very careful. Yes, sir.

Okay, you've all seen this. You know how

it makes us look.

There are young men dying in agony out

there and having someone telling stories

to the press is only helping the killer,

not us.

There's information in here that can

only have come from inside this room and

I want the person responsible. A full

confession's your only hope. Gough.

We've been working our asses off for 18

hours a day.

We haven't had time to go tattling to

the press. Oh, [ __ ]

Person responsible, come see me. Don't

make me find you.

In the meantime, continue surveillance

on McTear. Don, have you spoken to

Glasgow yet?

I put in two calls. Then put in 20. Get

the copper arrested McTear up there and

grill him.

You come to confess? No.

Guv, I've got to say

I just don't think McTear's the one

we're after.

He's got form. He knew three of the four

victims. He's into S&M. And all

O'Connell's handcuffs were found in his

flat. With or without the handcuffs,

he's still our main suspect. He's a

quiet, clever, solitary man. Get on the

phone to Glasgow. Find what you can. I

know who did it. Sorry? I've got your

profile. The relationship, that was what

was getting me. Usually, it's simple.

Killer killed a person, victim. But this

man doesn't objectify like most serial

killers. The Dahmer, Sutcliffe, Nilsen,

West, they saw objects, not people.

Fred West, when he was talking about a

girl he killed, he'd call her it. But if

it was a job he was talking about,

something he'd made, it'd be him. Make

him nice and smooth, level him off. They

can only relate to people when they're

dead. Then they dismember, dispose, chop

up this one.

This one doesn't lose sight of the

human.

Trying to make him sound reasonable.

Reason, not reasonable. Get his logic

and get him. He seeks out single men. He

stalks them with care. He films them,

fueling his fantasy what they could be,

what they should be. Then he prepares a

machine on which they test their body,

their spirit. Why torture?

Why? To get the truth.

To get proof through pain. He takes his

victims, he transports them to his lair,

then he starts the test. He says, "All

right, prove you're good enough for me.

So please with your life, your big

little life, but can you join me on the

edge?"

Can you?

And he's got them.

Adam on the rack, [music] Paul rope and

pulley, Gareth on the cross, Damian the

Judas chair.

They wake up, dizzy, sick [music] from

the chloroform, and standing in front of

them is a man with a camera. And it's a

camera that terrifies because to record,

to have this level of proof must mean he

knows he's not going to be caught. Then

he asks them questions they don't have

answers.

They fail. McTear must have known. Yes.

Like the world's failed him. So he's

sadistic, not No, he's a psychopath.

[music] His brain functions just fine,

better than most.

Because he's not bothered with things

like remorse or conscience.

He lives to gratify his desires.

Life's simple if you look at it like

that, the gratification of the desire.

Anyway, when he's done, he kills them.

He cleans them.

The only postmortem interference was

with Damian O'Connell, the policeman.

Then he returns them to us.

The end. Disposal, dismemberment of the

bodies, the chainsaw, the sledgehammer,

the acid bath, that's too banal.

He makes his films.

And he remakes them

over and over.

So who is he?

He is his victims.

White male, 25 to 35, right-handed, at

least 6 ft, considerable upper body

strength, skilled with hands. He

probably lives and works here in

Bradfield. His job is well-paid,

white-collar, like most of his victims,

flexible hours. Could be something to do

with computers or related technology.

More likely to live in a house than a

flat. He has access to a basement or

garage or some soundproof isolated

place. Might be outside the city. He has

his own car, which will have good boot

space. Could be a 4x4.

Is socially withdrawn, but he might be

living with someone. Male or female?

Exactly. Well, which? Neither. He lives

alone. He's confused about his

sexuality. So am I.

About his, I mean No, he didn't target

his victims because he thought they were

gay. Damian O'Connell was an accident.

But he does get off on violating and

dominating men.

So he's attracted to them and he resents

it.

On balance, I'd say he lives alone.

Criminal record? Juvenile stuff, theft,

stalking, assault. These crimes are his

greatest work. He doesn't want to be

caught, but he does want us to be aware

of him, to react to him with horror and

fear.

He's working on his next victim now, and

this one will be really special.

Bloody hell.

Any pointers to catching him? Two. No,

three. First, books, internet sites of

instruments of torture. Two, software,

state-of-the-art digital image

manipulation. It's expensive, hard to

get hold of. And three, how does he send

cameras victims? Is it the same for all

four?

You need in-depth background checks.

What do you think we've been doing? Keep

doing.

Our lives, our modern lives, we cast out

this vast net of lines, of contacts.

Eighty percent of them are recorded

electronically.

But somewhere

four lines intersect.

There's your killer.

I could lose my job over this, Penny.

She'll find out. How?

I protect my sources. I'm risking

everything for you. I like you angry.

I'd do it here.

Go on.

Do me here. Enough.

No, he could get off because of what

you've done. You should never have

printed it.

You should never tell me.

The suspect you had to release,

his name's Steven McTear, isn't it?

Thanks, Kev.

Forgive me if I don't seem prepared.

This isn't our regular time. Sorry.

How can I help you, Tony? Did you

contact me?

I reached out to you, Tony. That's

nothing new, is it? Did you phone me,

Maggie?

You keep talking about trust.

And then I see this.

A policewoman.

Let me guess.

Married to her work, not to any man.

Her conversation, her ambition, her

whole life defined by her grubby job.

No wonder you came [music] to see me.

I want to know why you phoned me,

Maggie. I didn't have to.

I knew you'd come.

What are you doing here? What are you

doing here?

My job.

Do you have a job? What you done with

us, are you?

Given you the profile. Well, that's it.

No follow-up, no consultation. Well, of

course. Um

Sorry?

Is that why you came to tell me off?

I came because my brother's finally come

through with that digital manipulation

stuff. He says fine. He'll even give us

a demonstration. You know what I think?

Fish and chips, that would really hit

the spot. I have to take the football.

Fish and chips, football. Yes.

She's jealous of you, Maggie.

Interesting. Might be able to use it.

Maybe.

Tony, don't get me wrong. I think this

stuff you've done is brilliant, but we

need brilliant.

Yeah. Oh, not too awful. But listen, we

keep talking about him, the he.

What if it's not?

What if it's not one? Not a him.

Hmm.

But explain how he, she gets into their

homes. Woman's not threat. I know, I

thought about it, but there was one

thing in the way, one

big thing. All four victims were strong

men. He used them like puppets. You can

only do so much with drugs, chloroform,

whatever. You still have to lift the

body.

Just seems too easy though, doesn't it?

Too easy? Mm.

Right, I'll prove it.

Once I know.

Come on.

You are

joking. I'm a weed.

You look fit.

Strong.

I'll still win. All right.

>> [snorts]

[sighs]

[music]

[music]

>> What?

I don't know.

The women in your life.

Maggie Thomas.

Lara Croft.

No women in my life.

Hey, stop. Now here. What's wrong?

If you have a ticket, I'll find you.

Well, I don't have a ticket. My name is

Tony Hill, H I L L. Thank you. I can't

spell Hill.

When did you leave your jacket?

It was, it must have been

Yeah, Wimbledon. Yeah, it was July.

July? July's eight month ago.

Jacket still exists. Doesn't have a

sell-by date, does it? It don't exist in

this shop.

Any clothes left more than six month go

to the Salvation Army. Oh, the Salvation

Army. Had no idea.

No, I won't stop it. This is serious.

I'm tell It's a jacket.

You haven't needed it for eight months.

You don't need it now.

They're doing in if you want.

You have two messages.

Tony, Peter. Look, I can't cover for you

on the 5th. I'm sorry. I'd really like

to know how long this Silence of the

Lambs nonsense is going to go on. Give

me a call, eh? We're really messing up

your life, aren't we?

Hello, lover boy.

I so hoped you'd be in.

I want more of you. Last time was so

short.

Well, looks like Laura and Maggie have

got competition. Carol, I have no idea

who None of my business.

Uh listen, I'll call when I've seen

Michael do that digital stuff, yeah?

Carol, I'm telling you.

Whatever.

Stevie's business isn't doing too good.

Word must be out in the bum bandit

community.

Unless of course someone's been chatting

to the press. Well, as long as we can

keep pressure on the little [ __ ] who

cares? You're right there.

Hello. He's locking up.

Early closing.

How's the head done? It's fine, sir.

Night, then.

Uh-oh.

I thought you were supposed to be taking

a holiday.

Bloody idiots.

I mean, turn that handsome visage into

this.

I took the liberty of downloading some

footage so you can see the effect.

>> What does all this cost? Out of reach of

most, I'd say, considering it retails at

over 10 grand. There.

There's Tony.

And there's Tony again.

>> [music]

>> Good, Michael.

You get the idea.

Careful.

Ah,

sorry. You wanted a demonstration. 10

grand. There are cheaper ones, but the

quality's only so-so. Okay, thanks.

You're welcome.

Bloody pattern analysis, any news?

I'm working on it.

I do have a job, you know.

I know.

He asked you to handcuff him?

Yes.

I cut him.

He asked me to make a hop.

With a razor blade.

Pleasure and pain are two sides of the

same coin.

She raped him.

It's what he wanted.

McTeer picked up a guy in a bar, took

him home, things got out of hand.

Still think he's a nice bloke, Don?

That pleasure and pain crap, he said

that to me in the bar. Oh, come on. It's

obvious. This was his dry run. His dry

run? It's a lot of the serial killers.

There's an initial attack that fails or

doesn't get followed through, after

which they're quiet for a while,

sometimes years, before returning to

what they like best.

McTeer does his time, he cleans up his

act. You heard his accent back then, it

was pure jock. Starts planning for the

real thing. Tony. Mhm.

He's right.

Should we put him in again? No, he's not

right about McTeer.

It's not McTeer.

The doctor has spoken.

>> Give McTeer a hammer and nails, I'll

prove he's not the killer in 2 minutes.

>> [music]

>> Just didn't click the time it should

have. What? There was a drawer in his

flat where he kept all his naughties, a

wooden drawer, the handle was broken, it

just stuck back on with masking tape.

Masking tape, that's something I would

>> What the hell are you talking about? The

killer's building, copying medieval

torture machines, [music] complicated

pieces of machinery that must withstand

intense strain. He's a skilled

carpenter.

>> [music]

>> McTeer couldn't saw his way out of a

paper bag.

It's not him.

Maintain surveillance.

>> [music]

>> Here's a list of all the firms that made

that computer software, and all the mail

order and high street outlets that

supply

if you're not too busy. Thanks. Uh

Sergeant Jeffries, that dry run stuff

was good. Really? Really.

Listen, if I want to look someone up on

this police computer, how do you do it?

You're breaking the rules, Doc.

Just curious, that's all.

Enter last name, first name, initial.

Hill

Anthony

Valentine.

Valentine, really?

So, Hill, Anthony, V.

Doctor

return.

How disappointing is that?

Thanks.

>> [music]

[music]

>> Don't know if I should tell you this,

Gough. But you're going to, aren't you?

Oi.

Listen.

You want to find out about my brother,

you ask me. I know what you thought. He

acts like a prick, you think he's a

serial killer, is that it?

>> That was just

>> You were just spying on him. Well, he

fits the profile. Everybody fits the

profile. Computer literate white male

between 25 and 35, that's brilliant.

Fantastic. We might as well arrest every

single cop in this station.

Listen, that message on my answering

machine

>> What? You've got to understand whoever

that woman is

>> I don't care. Sleep with who you want

to. Why should I care?

I just think it's better to

>> I don't care.

Okay, my mistake, and I'm sorry for

trying to check out your brother.

Hey, listen, there's something else.

Don't know how good it is, but pathology

have finally come through with what made

the burn marks on Damien O'Connell's

body.

The attachments to a cake icing kit.

Little metal heads, different shapes,

used for decorating cakes. Make any

sense? No, none.

What about the pattern analysis? Well,

for that, we're waiting on the kindness

of the man you were looking up on the

police computer.

Yes. Gough.

Don. McTeer has just been arrested at

Grimsby trying to get a ride on a

Russian freighter.

Superintendent Cross has been arrested,

too.

Come again? He tried to make a citizen's

arrest which apparently included

knocking McTeer's head off.

>> [sighs]

>> Where the hell is Cross?

>> He brought back here, sir.

>> Right. Well, at least that gives you

something to charge McTeer with,

attempting to evade bail.

>> We don't think it's McTeer.

You don't think?

>> Well, we've been putting him under a lot

of pressure recently, maybe that was a

factor in him running. Maybe we should

just ease off.

>> Tell me, do you know it's not him, or do

you think it's not him? We think. Then

he's still a suspect in the attempted to

evade bail.

Sorry, sir.

Got a bit carried away out there. You

did, Tom. But McTeer's gone and dropped

himself in it now, hasn't he? DI Jordan

doesn't think it is him. Doesn't she?

Well,

20 years of murder tells me it is. The

fact that he tried to escape the country

tells me it is.

Sir,

did you plant O'Connell's handcuffs in

McTeer's flat?

Yeah, I did.

Why?

Because he killed O'Connell.

Because he tortured O'Connell.

Because I wanted to get a killer off the

streets. Because I happen to think

that's our job, DI Jordan.

And I'm not afraid to do my job. You

better come with me, Tom.

He's with me, Daddy.

Carol.

>> Steve, any comment for THE PRESS, STEVE?

SPECTER, CHARGE HIM WHILE THE CHARGES

WHAT WAS HE ARRESTED FOR?

Hey Kev,

you've got your killer.

>> [music]

>> You've been avoiding me, Kev.

It's over, Penny.

Oh, do you?

When are you going to charge McTear? No

more. I've done enough damage already.

Go on.

Crow time's sake.

You were the best I ever had, Kev.

But we've already charged him.

I know.

Assault and evading bail.

What about the juicy stuff?

He's a killer, isn't he? However you

say. That's the message you're sending.

Well, if that's the message you want to

read.

>> McTear will be inside with everyone

thinking he's a sex killer.

What happened to him?

Well, he shouldn't have done a runner,

should he? So, it's just a tactic.

>> [sighs]

>> You sad sack of shite.

>> [music]

[music]

>> Don.

This is him.

The leak.

Get the [ __ ] out of here quickly.

Lift him higher. Lift him higher.

All right. All right.

It's 4:00 in the morning. Sorry.

We should have let him go, you know. We

really should.

What are you talking about?

Steven McTear committed suicide in his

cell.

So?

Do you want a friend or a shrink? Which

will you

Come on.

Don, close this railing [music] and it

becomes like a circus.

You get a killer like this and

everything goes out the window. Normal

police work, rules, everything. I mean,

look what's happened to us after 30

years in the force. Cross has lost his

reputation, [music]

his pension, he gets sacked.

And I've just had to kick Kevin Jeffries

off the team.

He was the leak.

Screwing Penny Burgess.

But would Penny screw someone to find

out about a burglar or a rapist? I doubt

it.

But you [music] get a serial killer and

we all just stop.

I know how I feel in the morning. I feel

alive and I am on fire to catch him.

He's a [music] bad man. It's a good

impulse. Makes you forget everything

else, doesn't it? Like I forgot Steven

McTear. I should have thought.

You did. I didn't. I should have. You

did think.

Yeah, I did.

I did.

I thought he'd be a smoke [music]

screen.

I knew the killer was watching us,

reading the press. He might think we

were on the wrong track. He might slip

up. So,

I let McTear go.

And now he's dead and he did nothing.

Tony, what should I do? Treat McTear as

another of the killer's victims.

And hunt him harder.

Right.

It's late.

Early.

Hey, by the way,

Michael came through.

Okay, he took the photos of the affected

area, connected them up, and then

flattened them into two dimensions. And

then gave each separate shape a

different color. Once he'd done that, it

was easy to remove each layer. They were

just screens. Two layers of screens.

And underneath, initials. Adam Scott,

Paul Gibbs,

Gareth Finnegan,

Damien O'Connell.

He's got his record on Damien's body.

They did a count.

There were over 400 separate burns.

It's not a message. It's doodling. Who

says? I was wrong. Um

I was wrong. This is just torture. This

is just poor Damien O'Connell tortured

with all the names of the victims, with

his own name.

He was enjoying himself. He realized

what he'd done.

He covered it up. A mistake.

>> He doesn't make mistakes. It was an

indulgence, but not one that would hurt

him.

I'm so sorry, Carol. Will you thank

Michael for me

for his efforts? Mhm.

I'm going to go home and have a shower.

Shower here.

You making a pass at me?

Unfortunately, I now seem to be your

shrink, so I can't.

>> [snorts]

>> Oh, well.

See you later.

No, Michael. Cake, I say. For God's

sake.

Sorry, but the cream and the thingy and

then you squeeze it onto the cake.

And you make shapes. You draw pictures

and you write names.

Why?

Hello.

Tony, darling. Out of breath again.

What a busy boy you are.

Who are you? I'm waiting for you.

[music]

I'm naked.

I'm wet for you, Tony.

What's your name?

Tony.

I'm just calling from um

>> [snorts]

[music]

>> Are you writing names, initials? What

names? What's your name?

Tony. Tony's my name.

Hello, Tony.

And is it your mistake? No, an

indulgence.

Personal. You build up trust machines

and you ice cakes. You ice cakes. Cake,

I say. You squeeze it out.

It's personal. You're angry, aren't you?

You're angry.

Yep.

>> Gough.

Don, what is it? We got the court orders

for the software places, Gough.

Brilliant. Listen, get everyone working

the phones. We want names, addresses,

phone numbers, ages, and occupations.

Just the men, yeah?

Yeah.

Um I'll be in in 30 minutes. ACC Crime

wants to see you when you get in. Just

to prepare notes before the McTear press

conference. Oh, that's great. I'll see

you later, Don.

Is that [music] it?

Simple as that?

You're a boy. You're supposed to be a

boy. Get out of that, you big [ __ ] You

big girl.

She didn't let you lick the bowl.

God, your mother didn't let you lick the

bowl. Didn't let you bake a cake.

Wouldn't let you dress up. And if you

did

You had discounted McTear as a suspect

in your serial killer investigation. Why

wasn't this made clear?

>> He was never charged with any offense

related to that inquiry.

>> He was arrested in an undercover

operation connected to the case. It was

known he was a suspect.

>> Known by whom? As told to whom?

>> Oh, come on.

It was generally known that What does

that mean? That it was floating in the

air like some sort of universal truth?

No.

But it was assumed that Mr. McTear

>> Assumed? We can't be held responsible

for your reckless assumptions. We deal

in facts, judicially provable facts.

When we have facts, we pass them on. We

will be scrutinized.

And if we are faulted, we will accept

it. But as to who put that rope around

Steven McTear's neck, you, you in this

room, scrutinize yourselves. How you opt

for news ahead of fact, how you

anticipate and speculate, how you tell

your stories.

Inspector Jordan,

how do you feel?

Feel?

How do I feel? [music]

Yes.

I could have requested solitary

confinement for Stephen McTeer of

Barley. I didn't.

I must live with that.

Hi, there's nobody here. Leave a message

for Carol or Michael after the tone.

Carol, I rang your office but they said

you were at home. I come in the office

but my car's Oh, hell.

Okay, listen. You were right. Well, you

were wrong and right. He is a woman.

He wasn't always, but he is now.

Transgender, not transvestite. That's

important. He's gone the whole hog, had

the operation. And the torture machine's

there's some sort of connection there.

He straps him down so he can reveal

himself.

At her cell.

He is a woman, but he still has a man's

strength. So, my point still holds

there. You're not completely It's the

cake icing. The attachments, they're the

key. I wasn't wrong. There was a message

there, but not one she wanted to send.

She used them on Damon when [music] she

felt angry,

felt insulted by us, by life, whatever.

The torture machines, they're all

classics out of a history book, but

the cake icing stuff, it's personal,

Carol. It's deeply personal.

It's all about some weird child and

screw-up. It isn't always, but this

one's really It's

gender identity, sexual identity. It's a

minefield.

Yeah, just hold your horses.

Anyway, the transgender thing. Do you

know what an operation costs? Thousands.

Thousands. [music] Best go to Europe,

apparently. Holland.

But how do you get that sort of money?

Well, my guess is prostitution, which

means male prostitution, which means

rent boys, all that sort of stuff.

Well, suddenly came for the man I hate.

Excuse me.

>> Just one sec.

Anyway, I hope this helps you narrow the

list down. And the other thing, what I

said about having a shower,

that was really well,

you know what.

Sorry.

Okay.

I'm sorry to barge in. I know you're

like this, but my car's just died.

I wonder if I could use your phone.

Of course.

I'm sorry. I can't handle knowing this

is going on and not being a part of it.

Tough. You need me. Just let me stay

till it's done, then.

Whatever. Phone the phones as soon as

he's caught. Donald, divide up the list.

Two names, we'll start phoning. You know

what we're looking for. We want their

jobs, their social habits, any form of

[music] connection, however tangential

to any aspect of these four lives.

Where the [ __ ] is Tony Hill? I don't

know.

>> [music]

[music]

[music]

>> Tony, Carol, where are you? We need you

here. I need you here. So, will you

either call or come in?

Tony, please.

Carol, I rang your office but they said

you were at home.

Okay, listen. You were right. Well, you

were wrong and right. He is a woman.

He wasn't always, but he is now.

Yes, it hurts.

But what you can't anticipate

how difficult it is to breathe.

Next, you release the rope.

So, the bricks.

The brick

The bricks drop.

You know the Germans added a refinement.

An iron spike behind the back.

So, that when you drop, the spike

the spike tears you

>> Yes, I tried.

Couldn't make it work. The angles didn't

make sense.

Clever Germans.

No wonder they make SUCH GOOD CARS.

I SAID I WAS WAITING FOR YOU, TONY.

Here I am.

Do you like what you see?

You take my breath away. Talking won't

save you, Dr. Hill.

Who says I want [snorts] to be saved? DI

Jordan, call your brother. Tell him I'll

call back.

>> He says it's important.

Line four.

Michael, look, I have not got time for

this.

>> Shut up. You've got to listen to this.

Michael. It's Tony. Listen.

Carol, I rang your office but they said

you were at home. Well, you were wrong

and right. He is a woman.

Have you worked me out yet, doctor?

I've scratched the surface a little.

You scratch my surface,

I'll scratch yours.

Funny.

The icing on the cake. Oh.

You got that.

What a clever doctor. I've got a lot.

What you've made of yourself,

the journey you had to go, but the

reason.

What is the reason, Tony? The reason.

Mommy wouldn't let you ice cakes,

wouldn't let [music] you lick the bowl.

Little girl in a boy's body, CRAP. YOU

GET OFF ON INFLICTING PAIN. YOU LOVE IT.

Admit it, you silly [ __ ]

Well, suddenly came for the man I hate.

Excuse me. My car One sec.

Anyway, I hope this helps you narrow the

list down. And the other thing,

what I said about having a shower,

that was really

It's a woman.

We haven't got women on the list. Gov.

What the hell's crack? A woman couldn't

have

>> Gov, a [clears throat] transgender

could.

>> Gov. What, Annie? We did get the women.

Firms just printed off customer lists.

We've got women. Only switch, no phones.

We doorstep them. Get the addresses.

>> It's how she gets into the house. You

see a woman on your doorstep and Oh, my

car's broken down.

There was someone at his door.

Get a car over there now. KEVIN, YOU GO

NOW.

Is that all you've got? And you call

yourself a psychologist?

You don't need psychology.

>> [panting and sighs]

>> You've gone places we all want to go.

Do you know where I go? Anthony, I want

to be you.

You haven't got what it takes. I can't

talk to you like this. I can't breathe.

That's part of THE PLAN. LET ME DOWN.

NO. LET ME DOWN. I WANT TO BE PART OF

IT.

ALL RIGHT, NEXT. Angelica Bain, Waitley.

Yes.

>> We're at Dr. Hill's place, Gov. No

answer. Then break the BLOODY DOOR DOWN.

UPSTAIRS, MOVE IT.

YEP.

GOV, THERE'S NOTHING HERE. I'm sorry.

Right, move on to the next name.

>> [snorts]

>> Thank you.

You need some muscle on you.

Oh, I don't know.

A few more weeks [music] of this, I'll

be in pieces.

Don't think you're ever getting out of

here.

You're mine, all right. You're mine.

Mine.

Mine.

What have we got on her? Got her name

and address.

>> Hey, do you know the woman who lives

here? No. What's she look like? Back end

of a bus. Nice tits, though. What does

she do? I don't know. She got a

boyfriend? No. What she's at all hours

with a little camera. A little camera?

Yeah, a little digital thing. It's like

she's into some kind of weird films, I

can tell you. Done.

>> I don't think so, Guv.

Market research.

She calls, she asks questions.

Adam Scott,

Gareth Finnegan, Paul Gibbs, Damien

O'Connell, A H.

Anthony Hill.

This could be gathered somewhere. Deeds

to another place. Something got to be.

>> Guv, this is illegal. Screw you. We've

got Tony. Listen, get on the phone to

the council. Council tax registry, land

registry. Get on to Annie now, Guv.

The films aren't as good.

They're fine.

They're good.

I'm very good in them.

>> I'm sure you are.

But your partners, what are they like?

Who cares about them? You do. You choose

them.

They let you down. Of course. This is

getting old.

They're pathetic pieces of [ __ ] I'm not

scared.

Why not?

This is exciting.

You're excited.

Your body doesn't think so. Untie my

[music] hands.

Keep the shackles on.

No. Let me show you.

Show me How?

I want it.

The forbidden.

I want it for real.

You can give it to me.

Guv!

Come on, Guv!

>> [screaming]

[screaming]

>> TONY!

>> [screaming]

>> READY.

TONY,

YOU COULD HAVE KILLED ME.

>> [music]

[music]

[music]

[music]

[music]

[music]