All language subtitles for Prison Train (1938)

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Heat. Heat.

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>> [music]

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>> Heat. Heat.

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>> [music]

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>> Heat. Heat.

>> [music]

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>> Heat. Heat.

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>> Gee, bull, I got a stomach full of paper

slips.

>> What numbers you have?

>> Uh, up to 54.

>> That's all right. 54 don't win today

anyway.

[music]

>> Pay off for that fool.

>> Okay, Mr. Terrence.

[music]

>> [music]

>> Dad, I think you're sticking your neck

out. What guarantee have you got that

you're not next?

>> I know what I'm doing.

>> You'd be much smarter if you'd string

along with Terrace instead of the DA.

>> This town ain't big enough for me and

Terrace. And I don't want you mixing up

in my business. That ain't what I sent

you to law school for.

>> But Dad, I was only trying.

>> I don't want you to argue about it. Now

go on down to that office of yours and

dictate some letters to the girl. All

right. If you won't listen to me

>> and I'll see you later tonight.

>> All right.

Now that's the size of it. Robins, if

you'll play ball with me, I can pin a

wrap on Frankie Terrace that will stick.

>> What information do you want from me?

I want the exact dope on how the numbers

racket is operated and a guarantee that

you will appear in court to testify

after I indict Terrace. And

>> if I do, you put him out of business

>> for keeps

and I'll play ball.

>> Oh, what a strange looking car. That is

the government's deluxe special for the

prize suckers. Levvenworth and Points

West.

>> I don't understand.

>> It's a prison car, honey. For little

boys who are bad. They get a free ride.

>> Dreadful.

>> Well, it's not exactly a Streamliner,

but I guess they don't get many

complaints.

>> No.

>> Louise, you're going to have a great

time at Lake George.

>> Well, I won't enjoy it unless you visit

me. I want the girls to meet my brother.

>> Bye-bye.

>> Bye.

>> Have a nice time.

>> Thank you. Bye-bye.

>> Oh, extra extra tariff power behind the

poly rocket. Accus of

>> Give me one of those paper.

>> Hey, kid.

>> Give me

your picture in the paper. Boss,

>> you're not a bad likeness

>> pro.

The district attorney today made a bold

statement in which he assated that

Frankie Terrace is behind the policy

racket. A powerful system has been built

up he of which terrace is ahead with

hundreds of underlings who operate the

rackets.

>> Who's been talking?

>> I don't know. But just for luck, you and

I are making a call on Manny Robbins.

>> Hello, Terrace.

>> Just dropped in to say hello.

>> I've been reading your publicity.

>> You uh wouldn't happen to know where the

DA's been getting his information, would

you? Why has anybody been talking?

>> Let me give him the ws. Boss,

>> take it easy, bull. Got anything to say?

>> All I know is what I read in the

newspapers.

>> Okay,

but don't make any mistakes, Manny. If

you're trying to frame me, you may meet

with an accident. I wouldn't want that

to occur.

>> I got nothing to do with it.

>> Of course not. You're too smart to want

to ruin your health.

Well, I got to be going now. Come on, B.

Inclusion.

[music]

>> [music]

>> Is Mr. Terrace here? No, honey. I

haven't seen him. Looking for a job in

the lawn?

>> I beg your pardon,

>> Skippy. You should be here soon. Why

don't you sit down over there and wait

for Thank you. I will.

>> What are you going to do about it, boss?

>> No, for the new DA. I can get out of

this in just one way.

>> Yeah.

>> I'll chase up town and contact the boys.

Tell them to pull in their lines for a

couple of days until I figure this thing

out.

>> You mean we don't make no collections?

>> Not a dime. That's orders.

>> Okay, boss. But it's got me all

confused.

No collections.

Next time I catch you one of those

broken down routines, you'll be out of

here.

>> Louise,

what are you doing here?

>> I got off the train as soon as I read

the papers, took a cab downtown.

>> Maxine, a little privacy, please.

>> Okay,

>> now let me get this straight. I put you

on the train for Lake George, and the

next thing I know, I walk into the club

and find you here. Now, what's the big

idea?

>> Don't pretend, Frankie. You're in

trouble. I couldn't go away.

>> That's nothing to worry about. Just a

lot of newspaper noise.

>> Frankie, you're not telling me the

truth.

>> Sure I am. It's just an investigation.

There's a new DA and he's making a

grandstand play for publicity. He's got

nothing on me.

>> Please be honest. I suppose I should

have known this all alley. I didn't.

You've been operating a numbers racket.

>> Means going to jail.

>> You don't have to worry. I'm washing it

up.

>> Do you mean that?

>> On the level. I can afford to now. And

you and I are going to get in a boat and

go to Europe and stay there till it all

blows over. And in the meantime, I'm

passing the racket on to somebody who

wants it awfully bad.

>> I'll do anything you say, Frankie.

>> That's a swell little sister. Now, we'll

be out of here in 48 hours. Of course, I

want to check you into the hotel, and

I've got a few things to do myself. And

after that, we're going to go out and

have a swell dinner.

>> Oh, thanks.

>> And after dinner, we're going to drop

into the swing club. I've got some

business to discuss with a friend of

mine down there.

[music]

>> Hi, Manny. How's the old-timer? Am I

going to make you a bankroll?

>> You here with that phony stock again?

>> Now, just a second, Manny. Now, I'll

admit that this stock is phony and this

stock is phony. But this stock

>> Sure. That's phony, too.

>> How'd you guess?

>> Take a walk.

>> How's that, Manny?

>> Get out.

>> Well, before I go, let's take a couple

of bucks for a cup of coffee, would you?

>> Scram.

>> Okay, Manny, I can take a hint. So long,

kid. Murder can't score. You're doing

all right.

>> Hia, honey.

Get out.

>> Great time, isn't it?

You want to wait inside?

>> Hello, Frankie. I wasn't expecting you

here again. It's my kid's sister. I'm

showing you the town. Louise, this is

Manny Robbins.

>> How do you do?

>> Fine, thanks. Suppose we step into my

office for a little refreshments. What

do you say?

>> Thank you.

>> Well, um, all right. I wanted to have a

little talk with you anyway, Manny.

>> Oh, yeah.

>> That's great.

>> Say, Terrace, you're just a guy I've

been wanting to see. Have I got a

proposition for you?

>> Suppose you tell it to bull.

>> Okay. Anything you say, partner. Well,

my friend.

>> Yeah.

>> Well, this is my son. Joe, meet Mr.

Terry.

>> How do you do, Mr. Terrace?

>> Uh, my sister Louise.

>> How do you do?

>> How do you do?

>> I didn't know you had a son, Manny.

>> Sure. He's just as smart as his old man,

too.

>> That's uh quite a recommendation.

>> Would you care to dance, Miss Harris?

>> Oh, I'm sorry. She's a little tired

tonight. Not at all, Frankie. I'd love

to.

>> It'll give you and Dad a chance to talk

things over.

>> Yeah, we can talk while they're dancing.

>> See you again sometime here till we get

back.

>> That's um quite a fresh kid you got

there, Manny.

>> I like him.

>> Just a second, Bo. Is that a chocolate

soda you're drinking?

>> Yeah. Why?

I thought so.

>> They haven't improved upon a chocolate

soda in 20 years.

>> Yeah.

Never forget the first chocolate soda I

ever tasted. I was 5 years old. What

happened?

>> Nothing. I was too young.

But that's besides the point. See, how

many of these chocolate sodas do you get

away with in a day?

>> Oh,

15 or 20.

15 or 20? Eh, just an amateur.

>> What do you mean amateur?

>> Now, just a minute, Bull. You're a

fellow that's got plenty of

intelligence.

>> See it written all over your face. Now,

listen. I got something here that's

going to interest you. See those snacks?

Manny over there wants to give me six

bucks a share for all this stock I can

get.

>> Yeah. Yeah. You say, "What would happen

if I give you eight bucks a share?"

>> Eight bucks?

>> Yeah.

>> I'd stick your picture on it.

>> Little too much chocolate.

>> Say, "You dance beautifully, Louise."

>> Thank you, Kir.

>> I've got an idea. There'll probably be

quite a while in there. Why don't we go

someplace where there's a real

orchestra? Have you ever been to the

Peacock Room?

>> No, but I've heard of it.

>> Would you like to go there?

>> I'll tell my brother.

>> Well,

While you and Mr. Robbins are talking,

Joe and I are going to the peacock room.

>> What for?

>> Why to dance, silly?

>> Forget it.

>> No, you don't.

>> But I'll take good care of her.

>> You haven't finished your talk with Mr.

Robbins, have you?

>> No, but

>> Well, then I see no reason why we can't

go.

>> All right, but phone me the minute you

get back to your apartment. Understand?

>> I'll be home.

>> Of course. Good night, Mr. Robbins.

>> Good night.

Manny, you've been trying to chisel in a

My policy racket for a long time. I

don't like chislers.

You know what I'm going to do?

>> What?

>> I'm giving you the whole blooming

racket. You could have it.

>> Who are you trying to kid?

>> On the level, I'm getting out for good.

>> There's a catch in this someplace. Mm-

[clears throat] It's a present from me

to you.

[music]

>> It's terribly late. I should have called

my brother hours ago.

>> Why worry about him? You're not a baby

anymore. You can take care of yourself.

>> Oh, please don't.

>> Oh, come on. Be a good sport.

>> No, stop it, Joe. I mean it.

>> I'm sorry.

>> Now, good night, Joe.

>> You don't mean you want me to go home?

>> Yes. Oh, that's no way to say good night

to a fella.

>> No, please.

>> Now, let me handle this. You invite me

in for a little while and we'll sit down

and talk things over. See?

>> No, don't.

>> Beat it.

>> Okay.

Come in, Louise.

I don't like that kind of talk, Louise.

>> Oh, forget about it, Frankie.

>> You'd better get some sleep. I'll talk

to you about it in the morning.

>> Good night.

>> Good night.

Frankie

>> [music]

[music]

>> Hey, you.

>> What do you want?

>> I want to talk to you.

>> What about

>> What's the idea of getting fresh with

you? I didn't do anything. And what's

more, I don't want to argue with you.

>> I suppose I ought to slap you around

just to teach you a lesson.

>> I'm not a bit scared of you, mister.

>> Oh, tough guy, huh?

>> [music]

[music]

>> Hey kid. kid.

You guys leave me alone.

Get out of here.

Get out.

He didn't do nothing

and he killed him.

Joe didn't do nothing.

Joe was going to be a big lawyer someday

and now he's dead.

I'm going to square this for you, Joe.

Me.

I'm going to square this.

Nobody else.

Nobody else.

>> [music]

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>> I might just

do my thing.

Oh, I'm so worried.

I think the boss has gone off his nut

about all of this. Look at him.

I need a jury.

We don't need a jury.

We don't need a jury.

I got to fix him myself.

He fixed my boy.

He fixed my jaw.

We don't need a jury.

>> Ladies and gentlemen of the jury, have

you reached a verdict?

We have, your honor, guilty of murder in

the second degree.

That's

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>> [music]

>> Well, I've been looking forward to a

trip to San Francisco. They tell me

they're going to have a wonderful

World's Fair out there. I'm afraid you

won't make it, Ren.

>> No,

>> there's about 10 years waiting for you

in Fris for pedal at Phon oil stock.

>> Well, I'd sure be there if I had the

cash.

>> Well, if you're a little short, I could

let you in on a guilt edge proposition.

All you have to do is get in touch with

Nick Roberts down on Fourth Street. He's

got some great a stock that you can pick

up mighty cheap.

>> No kidding.

>> Yeah, of course. You'll have a little

trouble passing this stock as our

engraver put a mustache on Lincoln.

HI. HI, EMILY. HI, ANICK.

>> HI, RED.

>> Why Alcatraz? Why are they sticking me

on the rock? What's the matter with

Atlanta? They're plenty tough.

>> Jed simply figures you won't be able to

do business from the rock.

>> Oh, I get it. And I could have told him

I was washing it up.

Well, my friend Manny's in with me at

some consolation.

>> He's getting out on bond. Getty, when?

>> They're springing him tomorrow morning.

>> Listen, Al, get a hold of the boys. Tell

them not to let my sister out of their

sight for a minute. Understand?

>> All right, Frankie.

>> I don't want anything to happen to her.

>> Okay.

>> Hey, Nick. Red. Yes, Manny.

>> I'll be out of here in an hour. Remember

what I told you.

>> Sure, Robins. We'll remember.

>> Frankie.

>> Hello. How are you?

>> I'm all right, dear. How are you?

>> Well, let me look at you. Do you look

fine,

>> Frankie? I'm going to do everything I

can for you. Maybe the appeal will

>> Not a chance, honey. It was denied this

morning.

>> Oh,

>> Louise, I've been thinking. Remember

that trip to Europe we were planning?

>> Yes.

>> Well, why don't you take it now?

>> Oh, no, Frankie. I couldn't.

>> Well, it' be the best thing in the world

for you. You need arrest.

>> You wouldn't be just trying to get me

out of town, would you?

>> What would I want to get you out of town

for?

>> Well, I thought perhaps with Manny

Robbins out of jail, you might be afraid

something might happen to me.

>> No, nothing like that could happen. Then

that wouldn't be why Bull and the rest

of them were keeping such a close watch

on me, would it?

>> Well, I know. They're just around in

case you want anything. That's all.

>> I see.

>> Then you will take that trip.

>> I will if you want me to, Frankie.

>> Oh,

>> now look, don't start crying until I get

out of here, will you? Honey, please.

>> I won't cry.

>> That's a good kid.

>> Bye, Frankie.

>> So long, Louise.

Hia Peewee. What are you doing? Some

rubbernecking today. Okay, kid.

>> Shut up.

>> Are you addressing me?

>> Shut up.

>> Now, JUST A SECOND. BEFORE WE GO ANY

FURTHER, I WANT YOU TO UNDERSTAND THAT

I'M NOT AN ORDINARY PRISONER, BUT I'M A

GOVERNMENT PRISONER AND I WANT TO BE

TREATED AS SUCH. WHAT ARE YOU DOING?

GETTING HOSTILE? OKAY, if that's the way

you're going to

spanky.

Frankie.

>> Well, there's nothing wrong with a train

crew. They're all old employees. I'd

trust them anywhere.

>> Looks like you're going to have a pretty

soft trip to the coast. Thanks for your

trouble, Steven.

>> Anytime, Mr. Wilson. Anytime at all.

Keep your eyes open, Adams. Robins may

actually try to fulfill his threat. The

terrace won't reach the rock alive.

>> I don't see how anything can happen,

Chief. These prison cars are no setup.

>> Yes, I know. But this has been an

important case for me. I'm putting you

on that train because I don't want

anything to go wrong.

>> Keep me posted.

>> Yes, sir.

>> Don't let it get you, Miss Louise. Hey,

>> what do you want?

>> Manny's going around talking big. He

says Frank, you'll never get to the

rock.

>> Shut up, you dummy.

>> Hey, where you going, Mr. Louise?

>> Oh, boy.

Conductor,

I've been looking for you.

>> Yes, ma'am.

>> This is very important. I must get a

message into the prison car.

>> That's absolutely impossible, Miss.

>> Couldn't you possibly?

>> We have no connection with the prison

car. None. Whatever.

So at last the great Frankie Terrace is

going to the rock. Yes sir. Going to

Alcatraz just like ordinary folks.

Ladies and gentlemen,

>> sit down,

>> Quiet, low life. I now give you the

great Frankie Terrace, better known in

our intimate circles as Frankie the Rat

Terrace.

>> Gentlemen, my popularity is

overwhelming. Thank you.

If you don't keep quiet, I'll knock your

brains out.

>> You can't knock my brains out.

>> Is that the way you feel about it?

>> Sure. If I had brains, do you think I'd

be riding in here with these baboons?

>> Quiet.

>> Yes. Quiet, fellas. And we're not

kidding. I'm with you, partner, 100%.

>> You shut up.

>> All right. All right. You'll be a guard

all your life.

Take it, please.

Right through to the coast, sir. Right

you are.

>> Ticket, please.

>> Oh, well, I'm afraid I'll have to buy

one. You see, I just decided to get on

at the last minute.

>> How far you going?

>> To San Francisco.

>> Yeah. Let's see. That will be uh

$1766

including an upper bullet.

>> I'd prefer a lower.

>> Sorry, I haven't a single one left until

Kansas City.

>> Oh, but I can't.

>> Oh, the young lady can have mine,

conductor.

>> Thank you, but I

>> Oh, I don't mind an upper. Really? Here

you are, conductor. Just switch them.

>> Well, that means I'll have to give you a

refund. You can take care of that later.

>> Thank you. You're very kind.

>> That's perfectly all right.

If I were you, Mugs, I'd take a peek at

the scenery. You won't be seeing it for

a long time. Shut up.

>> You know, the last time I took a trip to

the coast, I didn't see a bit of the

scenery.

>> Why not?

>> I was riding inside of a box car.

>> Clear fellow.

>> I see neighbor. And may I

>> shut up? Will you give me a

>> Shut up.

>> I want a glass of water.

>> You'll get bread and water to the coast

if you don't stop annoying me.

>> Yeah. What will that be? White or right?

Move over, Slim. I'm going to take a

flopper.

>> Lay off that phony snowy.

>> Still the big shot. Eh, Terrace.

>> Big shot. There ain't no big shots where

he's going. Yeah, those tough guys on

the rock don't like big shots from what

I hear.

>> Yeah, Terrace, you're living on borrowed

time and somebody might foreclose on

you.

>> No kidding. That's right. I heard you're

never even going to reach the rock. A

certain party is going to see to that.

I thought you knew.

Everybody knows you ain't going to get

away with what you done. It just ain't

in the cards.

You're going to get yours, stool pigeon.

>> WHY YOU

QUIET?

>> GET BACK IN YOUR SEATS THERE. EVERYBODY

QUIET.

>> I said quiet.

>> Yes, quiet.

>> Who started that?

>> It's him that started it. The big shot.

That's who started it.

>> Big shot. He isn't even a cap pistol

now. We don't want any more trouble with

you, Terrace.

You'll get yours, Terrace.

Who's got

school

mind

if I mur.

Don't remember seeing you on this on

before. What's your name?

>> Just plain Sam. Now don't ask me Sam who

or Sam what. Just Sam.

>> Well, you is new, ain't you?

>> That's right. Signed yesterday, working

today.

>> Yeah.

>> Yeah. I use my political connections. I

know how to push the right button.

[laughter]

H. Look who's coming.

Prisoner.

>> Gentlemans, we is waiting on prisoners

this trip.

>> That's interesting.

>> Get on that train and wait for orders.

We're flying to Kansas City. You'll hear

from me there. Lay low.

>> Okay, boss.

Heat. Heat.

That's

a pretty

Sorry, miss, but you'll have to move

along.

Oh, what?

They tell me the government is going to

put a swimming pool in on the rock.

>> Yeah.

>> Yeah. But why shouldn't they? They're

catering to a better class of people.

Now take cheerful over there.

>> Boo. You're a guy after my own heart.

Got plenty of nerve. That's what I like

about you, Red. Come on. Step along,

boys. Hi, neighbors.

>> What are you down in the dumps for?

>> You'll be down in the dumps, too, if you

got 90 years.

>> 90 years? That ain't much.

>> No.

>> No. And I'll tell you why. Now, there's

365 days in a year. There's 52 Sundays

you don't work. You take time off for

shaving, five national holidays, 8 hours

sleep every night, and three months off

for good behavior.

Yeah, but all the time I'm still in

prison.

>> I never thought of that.

>> I don't know why they give me 90 years.

I'll never do it all.

>> Well, do all you can.

Coffee and toast

>> if you please.

>> Madam, may I point out the advantages of

our combination breakfast at number two?

>> Thank you. But all I want is coffee and

toast.

>> Ah, but consider, madam, for practically

the same price. Our combination

breakfast number two, of which we are

very proud, consists not only of coffee

and toast, but a large glass of chili

orange juice, some strips of bacon, and

last but not least, a nle serving of

marmonade.

>> Very well, then. Bring me number two, by

all means.

>> Thank you, madam. Thank you.

Good morning. Good morning.

This number two breakfast looks mighty

fine.

>> Splendid, sir.

>> But on second thought, I think I'll have

the number five, which I see includes

ham and eggs.

>> Well, just as you please, sir.

You know, I'm not one to talk. In fact,

I'd rather have my tongue cut off than

spill anything a pal has given me in

confidence.

>> But, uh, something's really going to

happen on this raffler before we get to

Frisco.

>> Hack down, my dumpy friend. You're

dreaming.

>> No, sir. You know what? I'll tell you

some friends of mine are going to take

care of Frankie Terrace.

>> I say old fellow, could I trouble you

for the menu?

>> You won't get nothing.

>> Better go through and see if the food is

ready. I'm hungry myself.

>> Okay.

Not morning.

>> Have they gave me breakfast into the

prison car yet?

>> No, ma'am. That isn't as I know.

>> Do you think you could get a message in

to one of the prisoners for me?

>> I could try. In fact, I could make it a

special delivery.

Now, don't fail me.

>> No, ma'am.

I haven't seen one of these since the

fall of 1929.

Hey, waiter. Shh.

>> I am not a waiter. I am the stewart.

>> Well, no hard feelings, I hope.

>> I harbor no gorgeous, sir.

>> Is the chair ready for the prison card?

The oatmeal for the criminals

isn't real.

I'll need some help.

>> I'll let you have someone.

>> Thank you.

>> Take George with you and go with this

gentleman.

>> Yes.

permit me.

>> Oh, thank you.

I don't know what I would have done on

this trip without you.

>> Oh, don't mention it. It's my daily good

deed.

>> Won't you sit down?

>> Thank you.

>> My name's Bill Adams.

>> I'm Luis Terrace.

>> I'm very glad to meet you, Miss Terrace.

>> Morning, Captain. Morning.

Still taking your morning exercise

there.

All right, boys.

Wait a second. I wouldn't eat that if I

were you. They may have put something in

it.

>> Oh, certainly. You're doing 90 years,

aren't you?

>> Yeah.

>> Don't get hit by yourself. Maybe trying

to bump you up or something. Wait a

second.

It's not rat poison.

It's not aspirin.

What is it?

>> It's oatmeal.

>> Glutton. I'll eat my own.

Hey, would you mind taking this away? I

can't eat it.

>> Oh, a softy, huh?

>> Have some coffee, please.

>> Does it get it, Captain?

>> Okay, let him have it.

>> Let him have it.

If I'd have been you, I'd have eaten

that oatmeal.

Maybe there won't be any oatmeal where

you're going.

You really ought to meet my ad. She's a

card.

>> Oh, you mustn't forget to thank her for

me. She came to the rescue just like the

Marines always do.

>> Is everything all right?

>> Fine. Just fine.

>> Thank you.

Heat. Heat.

We were going to pull a mail job a

couple of years ago. Here's the layout

right here.

>> Yeah.

>> Junction City. The train pulls up for

orders.

>> I'll put you guys on there. You see, the

highway parallels a track for about 75

miles.

>> 75 miles.

>> You're away from everybody after the

train pulls out of Junction City.

Understand?

>> Yeah.

It won't be long now.

What's up?

>> Here's the layout.

Frankie. Frankie.

You'll have to move along.

What?

Just two more days to the rock, Frankie.

That's all. But don't worry, you ain't

never going to get there anyway.

>> You lay off me or else on that. You

ain't doing nothing anymore. Your

numbers up.

>> Sir, you two guys better cut that out or

that guard down there'll come out here

and pull you both apart. Cut it out.

Shine.

>> Say, when's the break coming off?

>> Soon. Now, keep your socks on.

Now get this straight. At the junction

dock and Mike hop the locomotive. We'll

follow. About 50 mi down. There's a

switch over. That's where we go to work.

>> You're worried about something, aren't

you?

What makes you think that?

>> Just a hunch. It's about someone in the

prison car. Isn't that right? Oh, don't

go yet, Miss Terrace.

>> What are you after?

>> Nothing at all. I happen to know that

your brother's in that car. That's

worrying you, isn't it?

>> How do you know that?

>> Oh, you don't have to be afraid of me,

Miss Terrace. My job is to protect your

brother.

>> I don't understand.

>> It's very simple. The government intends

to get your brother to Alcatraz alive

and to keep him there. You see, I'm to

help if necessary.

>> Well, I see.

>> You know what gets me is how a sweet

girl like you happens to have Frankie

Terrace for a brother.

>> I don't care to talk about that.

>> Oh, I know. I've got no right to sound

off this way, but I can't help saying

it. You're much too good for him. He

isn't worth it, Miss Terrace.

>> You've got no right to say that about

him. You don't know my brother at all.

I'll do anything in the world for him.

You ain't doing nothing anymore. Your

numbers up.

You fixed my boy.

>> Get ready. She'll stop about there.

Mike, grab that engine. We'll go ahead

to the switch tower.

>> Okay, Mike.

COME ON. PULL HER OUT OF HERE. GET

GOING, LUG.

Good night.

>> Try and get some sleep, won't you? It'll

make you feel better.

>> Thank you.

>> Have a good night.

Heat. Heat.

Say, take a gander out there.

>> What is it?

>> It's a car and he's keeping up with us.

>> This is it. All right.

>> Oh, boy. Look at him go.

>> It won't be long now.

>> GUARD. GUARD. GUARD. GOD. COME HERE.

LOOK. WHAT'S GOING ON HERE? TO SAVE ME.

THEY'RE TRYING TO GET ME.

THERE'S A CAR OUTSIDE. LOOK. LOOK

OUTSIDE. RIGHT OUTSIDE THERE. SEE IT?

The car. There ain't nothing out there.

You're seeing things. Sit down.

Boston's prison guards want some coffee.

>> For years I have studied the culinary

arts. I have worked and slaved to become

a master. Well, now what happens? I ask

you the ignominy of it all. Catering to

a car full of criminals and they

keepers.

>> Just the keepers want coffee.

>> They'll let them have it. But you are

going to make it. And while you're at

it, WHY DON'T YOU BAKE THEM A CAKE?

They didn't ask for cake.

>> GO ON, GET OUT.

>> [laughter]

>> Everything seems to be all right,

doesn't it?

>> Yes, sir. Everything is okay.

>> Well, good night.

>> Good night, Mr. Adams. Good night.

>> We're way ahead of them. We have plenty

of time.

Hey, why don't you look where you're

going?

>> Sorry.

What's this?

>> I just thought you gentlemen might like

to have some hot coffee.

>> No, it'll keep me awake.

>> Oh, this is that good coffee to carry me

in the stewards.

>> Come on, Scotty. Let's have some. Well,

as long as he's brought it. Okay. Give

me a cup. Yes, sir.

>> I've got a hunch that that Jabber will

never keep those guards awake.

>> Well, I'll just stick around, wait for

the cops. You know, it sort of saves me

a a trick, huh?

>> Sure, that's all right.

>> I think those guards are going into the

land of Morpheus.

Do you get me?

>> No.

>> That's what I thought. Thanks,

together.

We know

about that coffee. I'll hear no more

about that coffee now. I suppose they

don't like it. Well, I didn't make it.

In fact, I hope they choke on it.

>> Who is it for? by those keepers. Who

made that coffee?

By that new man that Sam fellow.

>> Just a minute, sir. There's something

peculiar going on. That young lady you

were with, Miss uh Terrace.

>> What about her?

>> Well, she seems to have disappeared.

>> Wait, isn't she in the dressing room?

>> No, that's just it. The maid was fixing

her hair and stepped out to get some

curlers. When she came back, Miss

Terrace was gone.

>> Well, have you looked in the other cars?

Yes, but we can't find it. Now, I

thought perhaps

>> I see your passenger list.

>> Yes. Yes. Here it is.

>> Get out your keys and come on.

>> Yes,

I have definitely made up my mind to

accept that position at the health

resort.

Stand back. Keep him covered.

Come on, let's get out of here.

Wait a minute.

Come on in.

I looked over Jordan

and what did I see?

>> I built a 100 aces.

>> Well, you sure is holding the luck.

>> Headache. Must be the moon.

>> No, this Jones is done playing.

>> 40 peuckle.

Now, here's the dope. We stay here with

Terrace until the boss gets in here.

Then we take it on the lamb.

I look

sweet.

>> Hey, Scotty.

What are you going to sleep for? Well, I

guess a little train sick.

>> I'm not feeling so good myself.

coming to carry me over.

Sing

tender

coming for the

sea.

They're putting her on a sidetrack.

>> Things are going to start popping real

soon.

>> Yeah.

Don't move.

That'll never happen [music] to me.

I'm too smart.

>> Stand back, Austin.

Don't move anybody.

Stand back. Heat. [music]

HEAT.

A

>> COME ON, FOLKS. LET'S TAKE A BREAK.

>> STAND BACK OR I'LL GIVE YOU THE WORK.

HEY, WHAT ARE YOU DOING?

WHAT ARE YOU?

[laughter]

Who threw that on you?

Get going. All right.

It had to end that way.

I think Frankie knew it all along.

>> You've got [music] to start thinking

about yourself now, Louise.

>> Yes.

Got to make up for for all the things

that Frankie did. I'd like to help if

you'd let me.

>> I'll need help.

>> You can count on me. [music]