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1
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Previously on The Next Pro... Jenna
Johnson!
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This week's theme is chemistry.
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00:00:08,000 --> 00:00:11,740
Girls, pick a guy who you have the most
chemistry with.
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00:00:11,980 --> 00:00:14,800
I didn't think I would be somebody that
wouldn't get picked.
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If I had a choice with the girls, he
would have been my first pick.
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00:00:19,660 --> 00:00:20,660
Oh.
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That was a choice!
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That could be.
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I'm dancing with the stars tomorrow. Who
are you?
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I'm him.
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00:00:31,370 --> 00:00:35,930
Alan and Nina, you didn't show me enough
skills for Argentine tango.
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00:00:36,210 --> 00:00:42,850
AJ, you've really got to dig deep. This
will be the last dance for Kristen
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and Stephanie.
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00:00:57,810 --> 00:00:58,990
What's up, guys?
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G'day.
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Welcome back to the next pro. Now let's
once again welcome our judges, Shirley
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and Mark Ballard.
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Welcome.
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Dancers, we started out with 12 of you
and now just six remain.
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You've made it to the halfway point.
Well done. Now that it's top six, if you
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make the wrong decision, you could be
going home. And I have to think smart
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because I want to make it till...
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I'm top one.
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From here, we are going to keep putting
the pressure on. It's going to get
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harder and harder because you all know
what is on the line here.
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Absolutely, Robert. There's very little
separating these dancers.
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So I'm looking for unshakable
confidence.
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That's the hallmark of a brilliant
professional.
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Well, Mark, you have competed in the
dancing finals a record 11 times.
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You have felt that pressure.
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Any advice for the dancers at this
halfway point?
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Yes. Learn to embrace it.
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Pressure creates diamonds.
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I've been in the bottom multiple times.
It comes with a lot of pressure. I have
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to really own that and grow from it.
That's the only way you can keep moving
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forward. Guest judge time. Are we
excited?
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Yes. She is the 2021 champion of Dancing
with the Stars.
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She's an Emmy-nominated choreographer.
It's the Ferrari herself.
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Please welcome Daniela Carragher.
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Let's go, Danny.
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Let's go, Danny.
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Let's go, Danny.
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Welcome to your life
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There's no
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turning back
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Acting on your best behavior and your
back on mother
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nature Everybody wants to
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rule the world
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Wow, wow, wow.
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How on earth do you approach creating a
dance like that?
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I came from the world of competitive
ballroom, but I quickly learned a
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routine has to be packed with wow
moments.
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It's about doing something no one's ever
seen before.
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Wow moments go viral on social media,
and that means lots of votes. We must
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always think about the votes. I want to
challenge you all to create your own wow
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moment. That opening number you just saw
included three moves from Dancing with
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the Stars that went viral and were
copied by millions of people around the
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world. Those moves include Val's iconic
knee walks, Whitney's leg lift, and my
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air walk.
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For your challenge, you need to create a
dance that includes one of these three
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moves and also includes at least one of
your own unique wow moves.
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All while dancing a contemporary style.
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It's my first time doing contemporary,
so obviously I'm nervous.
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Like, oh my God, how am I going to do
it?
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This is not traditional ballroom. Ask
yourself, what can I create that the
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audience has never seen before?
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At the end of this challenge, there will
be another elimination.
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You've got to make these guys say wow.
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And to give you a little bit of
inspiration, I want to take you to a
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place that makes me say wow every single
day.
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Let's go.
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Back where I belong.
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I'm coming.
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Oh, my God.
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Oh, my God. A rhino.
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There's a rhino. Guys, the gold wind
back. Look at this.
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Welcome to Australia Zoo.
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I'm so happy that you guys are here.
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I hope today I can give you all some
inspiration for this week's challenge.
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This is all about wow moments, and
there's nothing more wow than our
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beautiful wildlife.
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So, let's meet some animals.
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Yeah, let's go.
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It's crazy.
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It doesn't feel like a zoo. It feels
like a nature reserve.
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I'll see you later.
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Okay.
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The animals are just walking around. I
know we're in Australia, but there's a
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lot of animals out and about.
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So this big boy is DJ.
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He's over two tons in weight. He's
massive.
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Wow. You can see that undeniable power.
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He could be explosive, but he chooses
not to be. You want to come meet him?
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I'm a very nervous person when it comes
down to animals. Being someone who is
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such a control freak, it's a lot.
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Isn't he just beautiful? So this big
boy, he is, believe it or not, in a wow
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moment. It's easy to just... Go crazy.
But you've still got to have that real
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control and that presence. DJ, make DJ
feel small.
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Come over and meet Bondi, the koala.
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These are one of the most soft and
affectionate creatures you'll ever meet.
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And it just reminds you that that is
what touches people's hearts. So even
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though you want to go big, you want to
create that wow, don't forget about the
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connection, about the softness of the
dance. Hi.
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Hi.
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You're beautiful.
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Being here at the Australia Zoo, seeing
all of these animals, it's very much re
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-centering me. Through this competition,
I've been called out many times, not
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just by the judges, but by people in the
house.
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Today I'm feeling really inspired.
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I can't wait to bring that out on the
dance floor.
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See you soon, guys. Thanks for coming
by.
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Danielle is an amazing pro on Dancing
with the Stars. We both have a Latin
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background, but she creates incredible,
wow, viral moments. I feel so excited
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because I always have things to learn.
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You guys should be so proud of
yourselves.
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We are officially in the halfway point
of this competition.
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How are you feeling about this whole
process?
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Nervous. I know, I'm stressed.
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Because it's like everything that we've
always dreamt of for...
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our entire lives for sure it's such a
special and unique opportunity okay you
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guys this challenge is about creating a
routine full of wow moments that will
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make you stand out so much that you
forever will be embedded in someone's
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memory after 34 seasons the audience
wants to see something new the more you
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wow the audience the longer you and your
partner stay in the competition halfway
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through the competition
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This could either make you or break you.
I cannot wait to see what you come up
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00:09:05,690 --> 00:09:10,890
with. I finally am in my wheelhouse of
contemporary, and I kind of have that
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one up on everybody else.
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Now for this challenge, you dance as
couples.
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Last time, the girls got to pick their
partners, so this time it's only fair
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the guys get to choose.
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If more than one guy chooses the same
girl, then the girl gets to decide who
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she wants to partner up with.
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Girls, please line up over here.
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Guys, you have to really think who would
be a great partner for these wow
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moments. Sweat and burning calories.
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Okay, guys.
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This is what Selena's wheelhouse is. So
she has the best ideas to actually
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produce the best routine with the
biggest wow moments.
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Please head over to the girl you would
like to partner up with.
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None of the boys came to me. Not even my
best friend, Alan.
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It's almost like being in elementary
school and being picked last.
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It stinks.
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Not picking Nina. I do feel guilty about
that. I do.
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But back in week two, Adele and I had a
fantastic connection dancing together.
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And I just picture a beautiful
contemporary routine with her.
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Selena.
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This is your time to choose who you
would like to partner up with.
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You got Eric or AJ.
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Okay.
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I'm so happy I'm with her.
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I danced with both of you guys and it
was great.
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It sucks, but this is a competition.
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It's getting down to the wire and I have
to be strategic.
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I have to do what's going to be best for
me.
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I'm going to go with Eric.
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I'm so sorry.
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I feel so bad.
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You have to make a decision. That's
fine.
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Me and Eric have this wonderful back and
forth in rehearsal.
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And when I dance with AJ, he's more of
the idea person and I'm just the
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follower. So it's hard.
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I thought that we had a good connection,
but the decision's been made for me.
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I know I'm a great dancer, but Nina's
never done contemporary before, and
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contemporary is out of my comfort zone
in so many ways.
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I don't know how we're going to get
there.
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Good luck, and your rehearsals start
now.
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I'm stressed at this point.
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This could be the dance that sends me
home.
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I have a really cool idea in the very
beginning.
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Professor, no.
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So you dance barefoot?
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Yeah, come on, you gotta be hardcore to
do contemporary.
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I know I didn't pick you for that, so...
It's okay. I think it kind of all comes
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full circle, and I want to do this with
you, and I think it's going to be really
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powerful. AJ and I share the floor
together for the team dance.
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I chose him to be a part of my team
because he's a fantastic leader, so I'm
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excited to be in his lead again. Let's
freaking do it.
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You know, I was thinking of that wow
moment. Your feet are here, actually in
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front like this. And I'm going to kind
of use.
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Do you want to trade the legs? Because
we look like we're cavemen. That's the
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point. Okay.
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Last week was not a good week for me.
Being in the bottom two, purely for a
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stupid decision I made.
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We're looking for the next pro. I need
to understand that you understand the
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brief. I let people down. I let myself
down.
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That's not going to happen again.
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We should add Daniela's thing. The main
strategy this week is follow the brief,
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follow the rules.
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You hold me and then it's just, yeah.
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Yeah. Really, here we go. We have to wow
everyone.
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This is going to be something that has
to go viral.
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That can be viral. That's cool. I have
done contemporary.
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I can do tricks, and that's what we're
going to go for. Alan, it looks ugly.
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I am a competitive Latin and ballroom
dancer. I have no relation whatsoever
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with contemporary.
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Just trust me.
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Don't be afraid.
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Alan, I'm scared.
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I'm scared.
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Close, close, close, close.
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Usually in my competitive career, you
don't do tricks and lifts.
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So it's a little bit difficult.
204
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Isn't that a wow moment?
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Yeah, especially if I fall and break my
head. You're not going to fall, I swear.
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I'm just trying to push through to
impress the judges.
207
00:13:53,730 --> 00:13:54,730
Are you excited?
208
00:13:54,810 --> 00:13:56,230
I'm so excited to do contemporary.
209
00:13:57,510 --> 00:13:58,510
Grab? Yep.
210
00:13:58,690 --> 00:13:59,890
Can I lift you? Yeah.
211
00:14:00,170 --> 00:14:03,450
I am so excited to break out of ballroom
this week.
212
00:14:04,480 --> 00:14:05,540
It is a lot of pressure.
213
00:14:05,760 --> 00:14:08,040
Can I actually grab your arm?
214
00:14:08,280 --> 00:14:13,860
Yeah. I just know that I need to deliver
this wow moment because the judges know
215
00:14:13,860 --> 00:14:17,860
contemporary is what I do. Just go like
this and go like that, and I basically
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do most of it. Just the lifts? Yep. I
feel like I am a wow moment dancer, so I
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am going to try to do a couple of lifts
and tricks and make it jaw-dropping.
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That's cool, actually.
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00:14:30,140 --> 00:14:32,400
Yeah. I've never done contemporary.
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00:14:33,700 --> 00:14:39,320
Sorry. No, no, no, that's fine. It's
very scary not relying on my ballroom
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and Latin background.
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00:14:40,660 --> 00:14:43,780
After we lift, you grab my hips, and
then remember I fall into your arms
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here. Last week, what we created let me
go out of my comfort zone and do things
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that I haven't done before.
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00:14:50,340 --> 00:14:53,120
We may have found a new frontrunner
here. He's the dark horse.
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With Selena, I know our level of
creativity is on the same wavelength.
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As soon as I finished that performance,
I was thinking, I want to do another
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one.
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Closer. What animalistic movements can
we get to impress the judges?
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Imagine people at parties just like
running at each other. And when you run
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and jump on me, you are full on koala
bear.
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We took a lot of inspiration from the
zoo. This is my kangaroo jump into
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koala. And you're strong like a rhino.
I'm strong like a rhino. I love this.
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00:15:23,820 --> 00:15:28,100
AJ and I are underestimated because
we're both competitive ballroom dancers.
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To make contemporary look like
contemporary, that's our main focus.
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Thailand. Thailand.
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00:15:34,040 --> 00:15:36,040
Thailand. Thailand and Thailand.
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00:15:36,500 --> 00:15:39,360
But little does everybody know, I do
have musical theater experience.
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You kind of just ghost me.
240
00:15:41,200 --> 00:15:43,240
And then I get kind of, let's say,
upset.
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They definitely have some similarities.
242
00:15:45,680 --> 00:15:47,560
Creating a story. Three, two, one.
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And I'm not afraid of tricks.
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Yep, you're taking my oxygen away.
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00:15:54,410 --> 00:15:57,650
I went a little Python, Griff. You went
full-on Python. There was no little
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Python there. Each week, I feel like I'm
getting great comments, but there's
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always the but.
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00:16:03,990 --> 00:16:08,850
AJ, I think international Latin dancers
were a bit staged. Point on two, wink on
249
00:16:08,850 --> 00:16:11,150
one. You've really got to dig deep.
250
00:16:11,390 --> 00:16:16,610
I need to show AJ 2.0, hear the bot, get
outside the bot.
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That's stressful.
252
00:16:18,070 --> 00:16:19,150
That would come down to the week.
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Right, jaw. Yep, uh-huh. And then all
the way down to the poor cartbill leg.
254
00:16:22,920 --> 00:16:25,800
The only way that I can produce
something that I've never produced
255
00:16:25,800 --> 00:16:29,780
before is to actually put myself in a
position where I don't feel comfortable.
256
00:16:30,040 --> 00:16:33,700
It's my competition to lose. So this is
a tipping point for me.
257
00:16:33,920 --> 00:16:39,300
The challenge is showing our wow
moments. I don't want to be the person
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who just highlights AJ doing knee warps.
259
00:16:45,840 --> 00:16:48,360
Are you going swimming?
260
00:16:52,730 --> 00:16:57,270
I'm going to go take a bubble bath, add
some salt.
261
00:16:57,490 --> 00:16:59,670
Right now, I think everybody's
exhausted.
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00:16:59,990 --> 00:17:04,430
This competition, as it's getting closer
and closer to the finish line, the
263
00:17:04,430 --> 00:17:08,170
emotions are running really high. You
can see our group getting smaller and
264
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smaller, our families leaving the house
little by little. I think we're all
265
00:17:12,290 --> 00:17:13,290
feeling the pressure.
266
00:17:13,819 --> 00:17:16,079
It's a lot to live up to for
contemporary.
267
00:17:16,500 --> 00:17:20,160
I don't feel any pressure. I have no
expectations. I've been doing it for my
268
00:17:20,160 --> 00:17:22,020
whole life. I feel the pressure.
269
00:17:22,740 --> 00:17:23,740
I'm exhausted.
270
00:17:24,339 --> 00:17:28,460
I know. The pressure has really got to
me too, but we just got to keep
271
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fighting. I think everybody's mentally
drained.
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Everybody's physically drained.
273
00:17:32,920 --> 00:17:36,980
This is just something that I've been
dreaming about since I'm a little girl.
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00:17:37,560 --> 00:17:39,160
Just sacrificing a lot.
275
00:17:39,400 --> 00:17:42,440
So, you know, being here is still
something that feels...
276
00:17:42,730 --> 00:17:43,649
So surreal.
277
00:17:43,650 --> 00:17:44,650
Yeah.
278
00:17:47,030 --> 00:17:52,270
Since I was like a kid, I was always
imagining I would be on Dancing with the
279
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Stars. But now I'm doubting myself.
280
00:17:55,290 --> 00:17:56,950
I didn't have a regular childhood.
281
00:17:57,350 --> 00:18:01,010
Everybody went going to the party. I did
not. I went to the dance studio and I
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00:18:01,010 --> 00:18:02,010
practiced.
283
00:18:02,550 --> 00:18:05,470
You're phenomenal in so many ways.
284
00:18:07,150 --> 00:18:10,330
You know that, right? You have to
believe that.
285
00:18:10,710 --> 00:18:12,170
You have to know your worth.
286
00:18:13,679 --> 00:18:16,800
Because you're born for this. Never
forget that.
287
00:18:40,210 --> 00:18:44,050
This week is all about wow moments. We
have some cool moves that we created,
288
00:18:44,130 --> 00:18:48,830
and we also named them already. I love
that. A wow moment isn't necessarily a
289
00:18:48,830 --> 00:18:50,090
trick or a lift.
290
00:18:50,290 --> 00:18:53,770
We're excited to see what happens. Do
you guys mind if I see it? No. It's
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00:18:53,770 --> 00:18:57,590
about taking something and doing it in a
way where no one has seen it done
292
00:18:57,590 --> 00:19:01,070
before. I need them to really be
creative, unique.
293
00:19:01,370 --> 00:19:02,370
Yay!
294
00:19:02,810 --> 00:19:04,410
I just want to be blown away.
295
00:19:04,840 --> 00:19:07,180
The caveman walks were pretty freaking
cool.
296
00:19:07,640 --> 00:19:12,300
I love the rawness of it. The thing is,
I would actually keep going in that
297
00:19:12,300 --> 00:19:14,420
direction, make it more of a wow.
298
00:19:14,760 --> 00:19:20,700
Seeing Alan and Adele work together was
really nice, but if they jam-pack too
299
00:19:20,700 --> 00:19:24,660
many lifts and tricks, it can turn a
little bit into a circus. I feel like
300
00:19:24,660 --> 00:19:28,580
they just have to refine it a little bit
more in order for it to have that wow
301
00:19:28,580 --> 00:19:29,960
effect. Beautiful.
302
00:19:31,100 --> 00:19:32,100
Yes!
303
00:19:33,210 --> 00:19:38,650
This move where you jump on him and you
koala him. Yes!
304
00:19:38,930 --> 00:19:40,470
For me, that's a wow moment.
305
00:19:40,710 --> 00:19:44,510
My only note is just give yourself to
him. And you don't think about
306
00:19:44,510 --> 00:19:50,430
perfection in that moment. The biggest
struggle for AJ and Nina is to get out
307
00:19:50,430 --> 00:19:55,510
of perfection. I am so excited to watch
them just break out of their shell.
308
00:20:00,810 --> 00:20:04,310
The knee walk, the way you guys
incorporated the knee walk, genius. Love
309
00:20:04,310 --> 00:20:07,250
it. What is a moment for you that you
created that's another wow moment?
310
00:20:08,510 --> 00:20:13,070
That's where I'm having a little bit of
trouble. It could be just illness.
311
00:20:14,010 --> 00:20:19,490
I love the way Selena and Eric use valid
knee walks, but because the challenge is
312
00:20:19,490 --> 00:20:23,770
to do one that I've done in my routine
and create your own, it makes me a
313
00:20:23,770 --> 00:20:27,230
little nervous they don't have their wow
moment yet. I'll see you guys later.
314
00:20:27,510 --> 00:20:28,950
Hopefully they'll find it.
315
00:20:29,800 --> 00:20:33,600
I just want something bigger. It looked
good, and it's simple.
316
00:20:33,800 --> 00:20:34,860
I don't want simple.
317
00:20:35,060 --> 00:20:38,620
This week's wow moment is supposed to be
wow. It's still wow.
318
00:20:38,920 --> 00:20:41,200
I'm feeling mentally exhausted right
now.
319
00:20:41,420 --> 00:20:46,000
There's a piece of me that feels like I
need to show off this week, but me and
320
00:20:46,000 --> 00:20:49,120
Eric are kind of clashing a little bit
on what we want.
321
00:20:49,400 --> 00:20:51,560
Hold it uncomfortably long.
322
00:20:51,780 --> 00:20:55,260
I want to make it better and make it
bigger. We have to make it exciting and
323
00:20:55,260 --> 00:20:57,780
make it fun because that's what wow is
all about.
324
00:20:58,160 --> 00:21:01,540
I just want to show the depth of
contemporary because contemporary is so
325
00:21:01,540 --> 00:21:05,140
much more than just like, oh, we're
moving slow. Let's try it. Let's see how
326
00:21:05,140 --> 00:21:09,420
it looks. Okay. If you can make someone
feel your routine and your dance just by
327
00:21:09,420 --> 00:21:13,660
committing to stillness and silence, I
would say that that's the wow moment.
328
00:21:14,040 --> 00:21:19,060
Not, can I do a back flip while spinning
someone on my finger? Being within
329
00:21:19,060 --> 00:21:23,060
silence is scary, but I feel it.
330
00:21:24,320 --> 00:21:25,540
Let's just finish it.
331
00:21:27,050 --> 00:21:31,110
If the wow moments feel like boring
Latin, we change and we remove them.
332
00:21:31,630 --> 00:21:35,670
I feel like in each week that I've had a
partner, I've been the person doing the
333
00:21:35,670 --> 00:21:40,390
teaching. If there's parts that I don't
look good, please tell me so that I look
334
00:21:40,390 --> 00:21:44,430
stronger. Nina's got a great ear and
dives deep into their moments.
335
00:21:44,710 --> 00:21:48,510
So me giving my trust to her and working
together, for me, it felt new.
336
00:21:48,710 --> 00:21:51,830
Being vulnerable is such a very humbling
experience.
337
00:21:52,270 --> 00:21:56,190
It almost feels too correct for me, like
it's trying to hit.
338
00:21:56,650 --> 00:22:00,650
Exactly. AJ is an amazing choreographer.
He's an amazing dancer.
339
00:22:00,870 --> 00:22:07,310
I just need to lock it in. But he needs
to open up to his emotions and really
340
00:22:07,310 --> 00:22:08,310
just let go.
341
00:22:08,410 --> 00:22:13,510
You want this to be building up. Yeah.
But I'm saying from down to come up. I
342
00:22:13,510 --> 00:22:17,530
know, but if we're going lyric wise,
it's you build me up.
343
00:22:17,850 --> 00:22:19,950
I want to be the next prime dancer in
the stars.
344
00:22:20,250 --> 00:22:21,470
Does that make sense? No.
345
00:22:21,730 --> 00:22:24,670
I've knocked on this door for the past
10 years.
346
00:22:25,760 --> 00:22:26,760
I've given everything.
347
00:22:26,920 --> 00:22:29,660
I just need to lock it in. I just want
it to be right.
348
00:22:29,940 --> 00:22:34,400
But at the end of the day, if I can't
deal with this challenge... It's good.
349
00:22:34,740 --> 00:22:35,740
Don't overthink it.
350
00:22:35,860 --> 00:22:38,960
I don't deserve to be a pro on Dancing
With The Stars.
351
00:22:39,820 --> 00:22:40,820
You OK?
352
00:22:49,900 --> 00:22:52,580
I just got the worst blister in the
world.
353
00:22:52,820 --> 00:22:56,480
I am a Latin dancer and I'm without my
dance shoes. No, I've never danced
354
00:22:56,480 --> 00:22:57,480
barefoot before.
355
00:22:57,640 --> 00:23:00,960
There's a lot of blisters going on, a
lot of pain.
356
00:23:01,520 --> 00:23:02,520
Oh, wow.
357
00:23:03,140 --> 00:23:04,660
Turning on this floor is impossible.
358
00:23:05,260 --> 00:23:07,900
The high pressure and the expectations
and everything.
359
00:23:08,260 --> 00:23:12,660
My brain is starting to question if I'm
doing a great job in the contemporary,
360
00:23:12,860 --> 00:23:13,860
if I can do it.
361
00:23:14,600 --> 00:23:15,820
Tired? Yeah.
362
00:23:16,360 --> 00:23:19,860
But all of us are tired, so... All
right, let's just go from the top again.
363
00:23:19,920 --> 00:23:21,160
Mark it. Roll Troy.
364
00:23:21,520 --> 00:23:22,520
We fight.
365
00:23:26,960 --> 00:23:28,020
It's getting serious.
366
00:23:28,220 --> 00:23:31,880
Everybody wants to set the bar higher
and higher every week. When you're
367
00:23:31,880 --> 00:23:35,680
tired, when your body's going through so
much, and you're mentally going through
368
00:23:35,680 --> 00:23:40,680
so much, doubt and fear, they kick in
harder. There's one person that's going
369
00:23:40,680 --> 00:23:42,480
to go home, and it can be anyone.
370
00:23:46,520 --> 00:23:47,520
What's up?
371
00:23:47,900 --> 00:23:48,900
Are you okay?
372
00:23:52,480 --> 00:23:57,300
Just, like, a lot of stress and
exhaustion, especially when you do
373
00:23:57,300 --> 00:24:02,600
routine and, like, you just want it to,
like, be perfect. Yeah.
374
00:24:03,400 --> 00:24:05,920
Like, years and years of, like, wanting
this.
375
00:24:06,860 --> 00:24:08,240
You don't want to go home.
376
00:24:09,160 --> 00:24:11,080
Hey, it's not going to happen.
377
00:24:11,360 --> 00:24:12,339
Stop it.
378
00:24:12,340 --> 00:24:14,380
Don't even think like that. It's not
going to happen.
379
00:24:15,480 --> 00:24:20,300
I put myself under maybe too much
pressure, but it's because I want to
380
00:24:20,300 --> 00:24:21,940
show how much this means to me.
381
00:24:22,160 --> 00:24:27,520
I've sacrificed so much to be here and
do this. I've had to move my wedding.
382
00:24:28,120 --> 00:24:34,140
Like, it's overwhelming when I actually
do think about the lengths I've gone to.
383
00:24:34,460 --> 00:24:38,960
To not achieve what I've given up
everything for would just be so
384
00:24:38,960 --> 00:24:39,960
disappointing.
385
00:24:40,320 --> 00:24:41,320
Breathe.
386
00:24:42,640 --> 00:24:44,260
You put up a great front.
387
00:24:44,650 --> 00:24:45,650
But I see you.
388
00:24:46,190 --> 00:24:47,390
You're an amazing man.
389
00:24:49,190 --> 00:24:50,190
Honestly.
390
00:24:50,790 --> 00:24:55,550
I feel like this is the first time that
AJ's allowed me to be there for him.
391
00:24:55,930 --> 00:24:57,170
Something I would never expect.
392
00:24:57,790 --> 00:25:04,090
It feels really amazing to have AJ let
me in and be vulnerable.
393
00:25:04,870 --> 00:25:07,890
This is the first week where, like,
actually working with somebody and,
394
00:25:07,910 --> 00:25:11,230
like, learning something from... You're
going to be great.
395
00:25:11,430 --> 00:25:12,430
You know what I mean?
396
00:25:13,290 --> 00:25:19,590
She let me yeah, I feel like I learned
so much like
397
00:25:19,590 --> 00:25:24,790
Thank
398
00:25:24,790 --> 00:25:29,610
you for saying
399
00:25:29,610 --> 00:25:32,150
Now
400
00:25:32,150 --> 00:25:40,310
I'm
401
00:25:40,310 --> 00:25:44,230
getting my pants Tighten up a little bit
because I don't want to split the ball.
402
00:25:44,530 --> 00:25:46,290
Welcome to Wow Me.
403
00:25:52,570 --> 00:25:54,650
Dancers, welcome back to the dance
floor.
404
00:25:55,690 --> 00:26:00,250
Your challenge was to devise a
contemporary routine that features your
405
00:26:00,250 --> 00:26:04,810
own unique wow move and a wow move from
Daniela's routine.
406
00:26:05,270 --> 00:26:09,790
Shirley, is there any advice that you
can give our dancers before it's time to
407
00:26:09,790 --> 00:26:10,619
hit the floor?
408
00:26:10,620 --> 00:26:15,520
I want to jump up out of my seat for
something I've never seen before or
409
00:26:15,520 --> 00:26:17,800
something that's executed fabulously.
410
00:26:18,180 --> 00:26:22,900
Dancers, remember, you'll be dancing in
couples, but tonight you will be judged
411
00:26:22,900 --> 00:26:26,480
individually. One dancer will be going
home.
412
00:26:27,080 --> 00:26:32,000
All right, it is now time for our first
couple, AJ and Nina.
413
00:26:35,040 --> 00:26:39,120
They look a little nervous from behind.
I want them to make sure they breathe.
414
00:26:41,000 --> 00:26:42,360
There's a lot at stake in this one.
415
00:26:42,700 --> 00:26:43,720
We're getting into it now.
416
00:26:44,100 --> 00:26:46,840
It feels weird to only have four of us
in here. Yeah, I hate it.
417
00:27:33,919 --> 00:27:35,320
That's
418
00:28:17,710 --> 00:28:23,910
was amazing you definitely both
understood the assignment how
419
00:28:23,910 --> 00:28:29,910
did you choose your wow moment from
mistakes and and being messy and stupid
420
00:28:29,910 --> 00:28:35,010
in the studio and listening feeling our
bodies that's where koala cuddle felt
421
00:28:35,010 --> 00:28:40,230
like it hit the koala move it is so fun
like i have not seen that done rotating
422
00:28:40,230 --> 00:28:45,070
before and that's a huge part of dancing
with the stars that was awesome thank
423
00:28:45,070 --> 00:28:48,000
you thank you all right That was great.
424
00:28:48,320 --> 00:28:49,880
How was rehearsal together?
425
00:28:50,320 --> 00:28:53,220
I didn't know where this was going to
go. This was the dance style,
426
00:28:53,300 --> 00:28:57,200
contemporary, that really, for me,
hearing the comments about ripping the
427
00:28:57,200 --> 00:29:01,480
rule book up and actually just being so
emotional and open, like, I've never
428
00:29:01,480 --> 00:29:02,980
done a dance like this before.
429
00:29:03,520 --> 00:29:08,540
Having him let me in, he's really made
me feel valued.
430
00:29:09,040 --> 00:29:10,200
I love hearing that.
431
00:29:10,680 --> 00:29:14,600
But for me, the wow moment was there's a
simple moment where Nina, you just fell
432
00:29:14,600 --> 00:29:17,220
backwards, completely trusting AJ.
433
00:29:17,420 --> 00:29:18,780
There was no hesitation.
434
00:29:19,160 --> 00:29:21,180
It was total trust.
435
00:29:21,460 --> 00:29:24,580
So that tells me like whatever went on
this week in rehearsal, there's a new
436
00:29:24,580 --> 00:29:26,680
vibe and bond and partnership going on
here.
437
00:29:27,240 --> 00:29:30,820
Actually, I kind of agree with you in
some of those things. Oh, wow. Wow.
438
00:29:31,440 --> 00:29:33,960
We're having a wow moment, darling.
439
00:29:35,080 --> 00:29:38,920
And you didn't just have one wow moment.
You actually had a few there.
440
00:29:39,370 --> 00:29:41,950
Your knee walks are absolutely
fantastic.
441
00:29:42,210 --> 00:29:46,830
I loved the koala move. I might actually
try that myself with my son later.
442
00:29:47,370 --> 00:29:49,470
I'm certainly the fan of a koala. I like
that.
443
00:29:49,670 --> 00:29:54,110
With you, AJ, I think you came out of
your comfort zone today. You took off
444
00:29:54,110 --> 00:29:57,290
your shirt. Your partnering skills were
great. You really did well together.
445
00:29:57,900 --> 00:30:02,420
Nina, let me congratulate you on your
musicality. Some lovely timings and some
446
00:30:02,420 --> 00:30:04,840
lovely senses of freedom. So you
excelled yourself.
447
00:30:05,060 --> 00:30:08,500
So congratulations to both of you. Thank
you so much. Honestly, thank you so
448
00:30:08,500 --> 00:30:09,500
much. Thank you.
449
00:30:09,720 --> 00:30:15,240
For me, when she fell back, it was good,
man. Like when you do those moves on the
450
00:30:15,240 --> 00:30:16,280
show, they're dangerous.
451
00:30:16,700 --> 00:30:20,620
And it's like... Yeah, I don't know why
I do that. Yeah, but when you pull them
452
00:30:20,620 --> 00:30:21,620
off, that's what's wow.
453
00:30:22,040 --> 00:30:24,540
Next on stage, it's Alan and Adele.
454
00:30:24,890 --> 00:30:29,990
It is a new dance for me. It's a new
style. So I am feeling extremely
455
00:30:29,990 --> 00:30:33,970
nervous. It takes a minute to get used
to dancing barefoot. When I started
456
00:30:33,970 --> 00:30:37,850
learning, I would wear foot undies
because we had no calluses.
457
00:30:38,110 --> 00:30:39,850
So it hurts. It's really painful.
458
00:30:40,110 --> 00:30:41,110
I love you.
459
00:30:43,070 --> 00:30:44,470
I love the power of outfit.
460
00:30:45,450 --> 00:30:46,470
Giving contemporary.
461
00:30:55,379 --> 00:30:58,480
Learning how to live when there's no one
around.
462
00:30:59,580 --> 00:31:00,580
Right.
463
00:31:06,400 --> 00:31:09,840
You could be my God because I'm wearing
on pride.
464
00:31:11,780 --> 00:31:15,320
Even with my broken parts, I feel better
now.
465
00:31:16,380 --> 00:31:17,560
Look at those feet.
466
00:31:17,780 --> 00:31:22,340
If I could crawl in the mud and give any
advice to my younger self.
467
00:31:23,260 --> 00:31:28,620
Find something you can hold on to. Find
someone who'll be there for you.
468
00:31:29,980 --> 00:31:33,980
Cause the glory matters in the end.
469
00:31:34,400 --> 00:31:39,300
Find somewhere you can come home to.
Find someone that'll die for you.
470
00:32:13,620 --> 00:32:14,620
Beautiful. Hey!
471
00:32:15,220 --> 00:32:16,240
Wow. Woo!
472
00:32:17,220 --> 00:32:18,220
Yes!
473
00:32:18,520 --> 00:32:20,980
Wow. You two dance so well together.
474
00:32:21,300 --> 00:32:24,520
Thank you. Thank you so much. Can you
tell us, what's your wow move?
475
00:32:24,780 --> 00:32:28,660
There's kind of like a caveman walk that
we do, and one is called the Alan
476
00:32:28,660 --> 00:32:31,820
Copter. Alan, you didn't hit the brief
last week.
477
00:32:32,120 --> 00:32:34,240
You hit it today, though. You hit it
hard today.
478
00:32:34,650 --> 00:32:35,850
I love the Alan copter.
479
00:32:36,090 --> 00:32:37,090
That was scary.
480
00:32:37,390 --> 00:32:38,650
It was really fast.
481
00:32:39,030 --> 00:32:42,450
And then for that split second where you
were totally hands-free, she looked like
482
00:32:42,450 --> 00:32:45,490
a hula hoop around your neck. Yeah. And
then just caught her and it stopped on a
483
00:32:45,490 --> 00:32:46,810
dime. That's a wow moment.
484
00:32:47,490 --> 00:32:51,610
Adele, if this is your first time doing
contemporary ever, wow.
485
00:32:52,210 --> 00:32:57,230
Earlier I said that sometimes when the
pressure is really high and that
486
00:32:57,230 --> 00:33:00,130
pressure creates diamonds, you are a
diamond.
487
00:33:01,030 --> 00:33:02,170
Thank you so much.
488
00:33:02,910 --> 00:33:07,130
You're beyond a diamond for me. I think
that you are probably one of the best
489
00:33:07,130 --> 00:33:12,670
female dancers I've ever seen in 66
countries of Dancing with the Stars or
490
00:33:12,670 --> 00:33:16,810
Strictly Come Dancing. And you know I'm
not a very praiseworthy person, really.
491
00:33:17,170 --> 00:33:21,930
But you, darling, are the real deal.
Thank you so much.
492
00:33:22,250 --> 00:33:26,230
Alan, I appreciated what you did as a
partner.
493
00:33:26,560 --> 00:33:30,500
I can see that you are wonderful to
dance with because this girl has got a
494
00:33:30,500 --> 00:33:34,860
tremendous sense of freedom when she
dances. And I couldn't have done it
495
00:33:34,860 --> 00:33:36,680
without him. So thank you so much.
496
00:33:37,280 --> 00:33:40,660
I am so proud of how this came out.
497
00:33:41,120 --> 00:33:45,540
The fact that you started with your
caveman walk was brilliant. And you feel
498
00:33:45,540 --> 00:33:48,680
like you've been dancing together for
ages. I love you two together.
499
00:33:48,960 --> 00:33:51,920
Thank you. Thank you so much. Well done,
both of you. Yeah.
500
00:33:53,130 --> 00:33:55,790
This one's going to be hard, man.
There's two for two.
501
00:34:00,710 --> 00:34:05,670
Welcome back to The Next Pro. We've got
one dance left for our judges before
502
00:34:05,670 --> 00:34:07,450
they decide who goes home.
503
00:34:07,810 --> 00:34:09,530
Next up, it's Eric and Selena.
504
00:34:11,170 --> 00:34:17,389
Trusting Eric on this one wasn't an easy
decision because this is something I've
505
00:34:17,389 --> 00:34:20,630
been doing my whole life, and if it's
not good...
506
00:34:21,320 --> 00:34:23,300
I think I'll feel like I failed.
507
00:34:24,679 --> 00:34:29,300
Delina specializes in contemporary, so
I'm expecting something spectacular
508
00:34:29,300 --> 00:34:33,100
here. That's what I'm hoping. Well,
let's see.
509
00:34:52,520 --> 00:34:57,360
So the show, cat is spinning, ovation.
510
00:34:59,080 --> 00:35:05,720
High life control from the stage, from
your patient.
511
00:35:05,800 --> 00:35:12,320
You left cold my lunch and green and
all. You made me hate
512
00:35:12,320 --> 00:35:13,320
myself.
513
00:35:15,040 --> 00:35:21,420
You stole it all, so I'll wait just to
say.
514
00:36:10,570 --> 00:36:12,350
Okay. I'm conflicted.
515
00:36:13,670 --> 00:36:16,070
Tell me, what was your wow move?
516
00:36:16,530 --> 00:36:19,190
Um, sometimes the wow is in the silence.
517
00:36:19,890 --> 00:36:24,130
Yeah, that's our wow moment, and I feel
like we kind of built a dance of wow.
518
00:36:24,330 --> 00:36:28,250
But in my experience, a silent moment
doesn't mean to just stand still.
519
00:36:28,530 --> 00:36:30,330
But it's also open to interpretation.
520
00:36:30,690 --> 00:36:32,790
Well, can I finish my notes, please?
Sure.
521
00:36:33,050 --> 00:36:34,270
Thank you, Mark.
522
00:36:35,610 --> 00:36:38,350
We're not at home now. We're in a
professional arena.
523
00:36:39,240 --> 00:36:40,240
Let me continue.
524
00:36:40,640 --> 00:36:46,780
So, Eric, I would have liked you to have
let yourself go even more than you did.
525
00:36:46,900 --> 00:36:52,540
It was really nice, but is nice good
enough to come across to 25 million on a
526
00:36:52,540 --> 00:36:53,980
TV? I'm not quite sure.
527
00:36:54,320 --> 00:36:59,160
For you, young lady, I had said to Mark,
I think she might give Danny a run for
528
00:36:59,160 --> 00:36:59,899
her money.
529
00:36:59,900 --> 00:37:01,820
And that didn't quite happen for me,
unfortunately.
530
00:37:02,260 --> 00:37:06,920
That doesn't mean it's not great
dancing. I appreciate the quality, but
531
00:37:06,920 --> 00:37:10,760
as a contemporary dancer, I expected a
little bit more from you.
532
00:37:11,380 --> 00:37:15,840
For me personally, I love that you both
did the knee walks and pass.
533
00:37:16,200 --> 00:37:17,640
That was in the brief for the wow.
534
00:37:17,880 --> 00:37:22,620
And everything else that I just picked
up on was quality. But the brief was
535
00:37:22,620 --> 00:37:27,870
create a wow moment, right? There wasn't
this like... presage, high lift, that's
536
00:37:27,870 --> 00:37:32,150
fun, that's crazy. And Eric, for you,
like, you're kind of a dark horse here,
537
00:37:32,250 --> 00:37:37,030
and I'm intrigued, but I need a little
bit more, right?
538
00:37:37,930 --> 00:37:41,950
You guys look like two pros who've been
dancing contemporary, and your chemistry
539
00:37:41,950 --> 00:37:45,670
is so special, but the challenge was to
have a wow moment.
540
00:37:46,850 --> 00:37:48,170
Well done. Good job. Thank you.
541
00:37:48,670 --> 00:37:51,350
There's choices in contemporary, you
know. Contemporary is subjective.
542
00:37:51,750 --> 00:37:52,750
Wow is subjective.
543
00:37:53,210 --> 00:37:54,810
I need a cup of coffee and a brandy.
544
00:37:55,360 --> 00:37:56,760
I've got to consider my notes.
545
00:38:10,400 --> 00:38:15,460
So far we've seen some incredible
dancers that have certainly wowed me.
546
00:38:15,820 --> 00:38:19,800
Well, one dancer is about to leave the
show forever.
547
00:38:20,700 --> 00:38:24,160
The judges have been in deep discussion.
548
00:38:24,620 --> 00:38:25,820
How's the deliberation gone?
549
00:38:26,180 --> 00:38:29,420
I want to start by saying that you all
did a fantastic job tonight. It's
550
00:38:29,420 --> 00:38:30,820
getting harder as we get smaller.
551
00:38:31,220 --> 00:38:35,060
We've had the hardest deliberation this
season.
552
00:38:36,640 --> 00:38:40,800
Eric and Selena, we loved your dance. We
loved it.
553
00:38:41,100 --> 00:38:43,840
But we do have a fundamental problem.
554
00:38:45,060 --> 00:38:51,040
The brief was to deliver wow moments,
right? Both of the other couples did
555
00:38:51,040 --> 00:38:52,340
deliver on the challenge.
556
00:38:53,000 --> 00:38:54,000
So...
557
00:38:54,380 --> 00:38:56,580
We are in a bit of a situation here.
558
00:38:58,080 --> 00:39:02,900
You were aware of the brief. I pulled
Alan up for the brief last week. So I
559
00:39:02,900 --> 00:39:05,260
would like to ask a question to you
both.
560
00:39:05,520 --> 00:39:10,620
Whose idea was it not to go for a
larger-than-life wow moment?
561
00:39:11,540 --> 00:39:14,300
I think I take joint responsibility.
562
00:39:16,280 --> 00:39:19,280
I don't think either of us was leading
the choreography.
563
00:39:21,000 --> 00:39:22,260
And how did you feel?
564
00:39:25,550 --> 00:39:26,550
I don't know.
565
00:39:26,930 --> 00:39:29,730
Yeah, I feel like we made an executive
decision.
566
00:39:31,690 --> 00:39:32,810
You're absolutely sure?
567
00:39:33,750 --> 00:39:34,750
Yeah.
568
00:39:35,510 --> 00:39:38,290
Then I'm afraid we're going to have to
put both of you in the bottom two.
569
00:39:45,870 --> 00:39:48,370
I see a lot of you guys really upset
here.
570
00:39:49,110 --> 00:39:50,110
This is tough.
571
00:39:50,270 --> 00:39:54,070
If you have a challenge, you have to
deliver it.
572
00:39:54,380 --> 00:39:56,080
You have to make that the priority.
573
00:39:57,600 --> 00:40:03,620
Shirley, it has come down to Eric and
Selena. Which dancer must sadly
574
00:40:03,620 --> 00:40:05,220
leave the show?
575
00:40:07,140 --> 00:40:11,040
It's with a very, very, very heavy heart
that I say this.
576
00:40:11,960 --> 00:40:18,260
This will be the last dance for... Eric.
577
00:40:22,460 --> 00:40:23,540
I'm so sorry.
578
00:40:24,430 --> 00:40:25,750
You're a beautiful dancer.
579
00:40:27,470 --> 00:40:29,430
You had exactly what you said.
580
00:40:29,730 --> 00:40:31,970
Silent, still moment.
581
00:40:32,410 --> 00:40:37,510
Selena, I felt that your choreography
was more difficult and I feel you were
582
00:40:37,510 --> 00:40:39,550
very, very strong in your execution.
583
00:40:41,930 --> 00:40:44,990
I knew that I was taking a risk.
584
00:40:45,590 --> 00:40:50,930
I enjoyed and I loved every moment of
that routine and I'm proud of it.
585
00:40:51,270 --> 00:40:53,070
And I don't regret a single moment.
586
00:40:54,340 --> 00:40:58,600
Eric, yeah, watching your journey has
been an absolute highlight.
587
00:40:58,980 --> 00:41:02,720
I'm happy that I got to take this
opportunity and really grow as a dancer
588
00:41:02,720 --> 00:41:06,740
and a person. I've allowed myself to try
to speak through my dancing and I
589
00:41:06,740 --> 00:41:10,460
couldn't do it without Selena, without
you, without anybody here and all the
590
00:41:10,460 --> 00:41:15,480
judges who I look up to and I understand
the decisions that are made and I
591
00:41:15,480 --> 00:41:18,960
respect it. And this just came down to
technicality, but please keep going.
592
00:41:19,120 --> 00:41:20,120
Really proud of you.
593
00:41:20,980 --> 00:41:22,780
For now, it is goodbye.
594
00:41:23,220 --> 00:41:26,260
So... Go and join your fellow dancers
one last time.
595
00:41:29,600 --> 00:41:34,960
I absolutely feel beat down right now. I
sent him home doing the thing that I've
596
00:41:34,960 --> 00:41:35,960
been doing my whole life.
597
00:41:36,480 --> 00:41:37,820
I know it's hard for you.
598
00:41:38,160 --> 00:41:43,900
Suddenly, the ballroom feels a lot more
empty. Just five dancers remain as we
599
00:41:43,900 --> 00:41:50,160
find out who will be the next pro. A big
thank you to our fabulous judges, Mark,
600
00:41:50,340 --> 00:41:52,900
Shirley, and of course, our guest judge.
601
00:41:53,260 --> 00:41:54,260
Daniela Karagach.
602
00:41:54,620 --> 00:41:55,620
I'm Robert Irwin.
603
00:41:55,900 --> 00:41:56,900
Good night.
604
00:42:00,240 --> 00:42:02,080
Next time. It's Whitney Carson.
605
00:42:02,640 --> 00:42:07,340
It's time for you to tackle the most
fundamental skill, teaching an amateur.
606
00:42:07,620 --> 00:42:11,180
Each of you will be dancing with fans of
Dancing with the Stars.
607
00:42:11,540 --> 00:42:14,240
What did I tell you about your left
foot? Adele is a drag.
608
00:42:14,440 --> 00:42:15,440
One more time. Okay.
609
00:42:15,660 --> 00:42:19,160
Selena could have been a military
instructor. We're going to keep drilling
610
00:42:19,160 --> 00:42:20,160
this again.
611
00:42:20,300 --> 00:42:24,620
Who has the knowledge to teach under the
pressure? Quick, quick. We should have
612
00:42:24,620 --> 00:42:25,620
maybe slowed down.
613
00:42:26,740 --> 00:42:30,080
If you cannot teach an amateur, you
should not be on the show.
51169
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