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Please be aware that this programme
also contains
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themes of sexual violence.
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I was born on Hope Hill Plantation
1733.
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I am 292 years old.
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Matthew!
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Matthew...
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I am set to return to Bristol.
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And I would counsel you to do
the same. As my wife.
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Matthew.
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You will be escorted
to county jail
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where you will face
the appropriate punishment.
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I am no Obeah-man.
Do not affront me!
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(SWARM BUZZING)
(OMINOUS MUSIC)
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(SCREAMS)
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We're here to talk about Alfred's
will and Oliver's inheritance.
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You're not getting it back.
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Did you lock it?
No.
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It's stuck.
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Is that Cudjoe?
I think he wants to hurt me.
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(GROANS)
Wait!
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(CRIES OUT)
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(DOORS SLAMMING)
(OMINOUS WHISPERS)
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(GHOSTLY CRY)
(GROANING)
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(CRUNCH)
(LOW, OMINOUS MUSIC)
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(PANICKED BREATHING)
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(SOFT DRAMATIC MUSIC)
(INSECTS BUZZING)
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(CARRIAGE APPROACHING)
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(HORSE NEIGHS)
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(FOOTSTEPS)
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The coach pull up out back.
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Good luck in England.
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♪ When I think of
look at I'm coming from
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♪ Looking back at
where the journey begun
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♪ I really haffi say that
I'm strong, I'm strong
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♪ All praises to the most high one
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♪ When I tell you
where I'm coming from
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♪ Looking back at
where the journey begun
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♪ I really haffi say
that I'm strong, I'm strong
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♪ All praises
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(VOCALISING)
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♪ To the most high
To the most high
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♪ To the most high
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♪ To the most high
To the most high
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♪ To the most high ♪
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(LOW, OMINOUS STING)
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(GASPS, PANTS)
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(CRUNCHING)
Oliver? Oliver!
48
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(COUGHING)
Can you hear me?
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Shit.
50
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OK.
51
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(VOMITS, RETCHES)
52
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(SINISTER MUSIC)
(SQUELCHING)
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Drink something.
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What- what happened?
55
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I- I don't-
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Was I attacked?
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He's coming.
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What are you doing?
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I'm fucking defending myself.
60
00:03:35,960 --> 00:03:37,879
How could he attack you
from out there?
61
00:03:37,880 --> 00:03:39,200
He's a Obeah-man.
62
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This is punishment
for what my ancestors did to his.
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Get a knife out of the drawer.
No! Oliver! For fucks sake!
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00:03:48,120 --> 00:03:49,919
I don't know what's going on here,
65
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but if you're going to kill
each other, it's gone too far, OK?
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00:03:53,200 --> 00:03:55,559
Drop the appeal and leave.
67
00:03:55,560 --> 00:03:57,839
(LOW, TENSE MUSIC)
68
00:03:57,840 --> 00:03:59,400
That's your solution?
69
00:04:00,160 --> 00:04:01,920
Just let it go.
70
00:04:09,440 --> 00:04:11,000
Oh, God!
(GASPS)
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00:04:15,840 --> 00:04:19,360
(GRUNTS)
(LOW, OMINOUS MUSIC)
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00:04:23,360 --> 00:04:26,960
(TENSE, DRAMATIC MUSIC)
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(PANTING)
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(CRUNCH)
(BAR CLATTERS)
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(GROANS)
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00:04:56,880 --> 00:04:58,880
(DOOR JUDDERS)
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00:05:03,520 --> 00:05:06,040
(SINISTER STING)
(CRIES OUT)
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00:05:12,520 --> 00:05:15,040
(LOW, TENSE MUSIC)
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00:05:18,880 --> 00:05:22,040
(ENGINE NOT TURNING OVER)
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Come on!
81
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(SINISTER STING)
(CRIES OUT)
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Bomboclaat!
Cudjoe?
83
00:05:32,600 --> 00:05:33,879
(TENSE, DRAMATIC MUSIC)
84
00:05:33,880 --> 00:05:35,320
Come! Come!
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(ENGINE REVS)
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Go! Go! Go!
87
00:06:03,280 --> 00:06:04,759
(MUSIC ENDS)
Hold that boy!
88
00:06:04,760 --> 00:06:07,159
(GROUP SPEAKING PATOIS)
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00:06:07,160 --> 00:06:09,080
(CAR HONKING)
Move!
90
00:06:09,560 --> 00:06:11,200
(ALL CRY OUT)
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00:06:12,560 --> 00:06:15,360
Woah, woah, woah, woah!
Oh my God.
92
00:06:20,920 --> 00:06:23,440
(GROUP YELLING)
93
00:06:26,960 --> 00:06:28,960
(MUSIC ENDS)
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00:06:41,800 --> 00:06:43,920
(TYRES GRIND)
95
00:06:48,760 --> 00:06:51,560
(SOFT MYSTERIOUS STEEL DRUM MUSIC)
96
00:06:52,400 --> 00:06:54,399
(CRUNCH)
(GASPING)
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(SCREAMS)
98
00:06:56,000 --> 00:06:57,839
(MUFFLED) Hey? Hey?
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00:06:57,840 --> 00:06:59,200
(NORMAL) You OK?
100
00:07:03,480 --> 00:07:05,599
Show me your scalp.
What?
101
00:07:05,600 --> 00:07:07,040
Show me your scalp!
102
00:07:08,160 --> 00:07:10,199
(IN PATOIS)
I'm not gonna ask you again!
103
00:07:10,200 --> 00:07:11,720
Part your hair!
OK! OK!
104
00:07:13,200 --> 00:07:14,759
Let me see your hand dem.
105
00:07:14,760 --> 00:07:16,480
Your hand dem, your finger dem.
106
00:07:17,960 --> 00:07:19,439
What- what are you looking for?
107
00:07:19,440 --> 00:07:22,239
A mark. A scar. Open your mouth.
108
00:07:22,240 --> 00:07:23,560
(SIGHS)
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00:07:26,920 --> 00:07:28,640
Oliver had a mark.
110
00:07:29,760 --> 00:07:31,520
There's a scar on his finger.
111
00:07:32,560 --> 00:07:34,680
It got caught in the door.
(SOFT GROAN)
112
00:07:37,920 --> 00:07:39,920
Is it Obeah?
No...
113
00:07:42,600 --> 00:07:44,160
This is not Obeah.
114
00:07:45,400 --> 00:07:47,319
This is something different.
115
00:07:47,320 --> 00:07:49,200
(SOFT MYSTERIOUS MUSIC)
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00:07:50,080 --> 00:07:51,440
He's possessed.
117
00:07:53,160 --> 00:07:54,800
Possessed by what?
118
00:07:58,160 --> 00:07:59,480
My sister.
119
00:08:08,440 --> 00:08:11,880
(CLOCK CHIMING)
120
00:08:17,480 --> 00:08:19,000
(SIGHS)
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00:08:20,600 --> 00:08:23,080
(SOFT CHATTER AND MUSIC)
122
00:08:23,920 --> 00:08:25,320
(DOOR OPENS)
123
00:08:28,440 --> 00:08:30,799
I am looking for my husband?
124
00:08:30,800 --> 00:08:33,920
Charlotte? Oh.
125
00:08:36,800 --> 00:08:38,359
(CHUCKLES)
126
00:08:38,360 --> 00:08:40,479
Absorbed by the darkness,
127
00:08:40,480 --> 00:08:42,920
he could not see his own hand
in front of his face.
128
00:08:43,720 --> 00:08:47,840
And as the haze cleared, he noticed
a figure in the candlelight...
129
00:08:48,800 --> 00:08:52,879
...and then he heard the voice
of the conductor once more,
130
00:08:52,880 --> 00:08:54,320
whispering...
131
00:08:56,520 --> 00:08:58,479
Ah!
(CRIES OUT)
132
00:08:58,480 --> 00:08:59,960
(LAUGHTER)
133
00:09:01,920 --> 00:09:04,320
Oh, Mrs Connaught.
134
00:09:06,080 --> 00:09:07,919
Are you, are you feeling better?
135
00:09:07,920 --> 00:09:09,160
I'm sorry?
136
00:09:11,320 --> 00:09:13,240
Weren't- Weren't you sick?
137
00:09:16,480 --> 00:09:17,600
No?
138
00:09:26,040 --> 00:09:27,360
Rum.
139
00:09:29,120 --> 00:09:32,480
(GENTLE MUSIC AND CONVERSATION)
140
00:09:34,840 --> 00:09:38,399
Mrs Connaught,
might I introduce you to Mr Waite.
141
00:09:38,400 --> 00:09:42,080
He sits with my husband on the board
of the new British Museum.
142
00:09:46,560 --> 00:09:49,600
Can we have another ghost story,
Mr Connaught?
143
00:09:50,720 --> 00:09:52,199
Mr Waite?
144
00:09:52,200 --> 00:09:53,440
Oh no.
145
00:09:54,520 --> 00:09:56,079
What about you?
146
00:09:56,080 --> 00:10:00,640
Did you ever happen upon one of
those old Coromantee witch doctors?
147
00:10:04,520 --> 00:10:06,480
I knew an Obeah-man.
(SOFT SQUEAL)
148
00:10:07,360 --> 00:10:08,960
Tell us more.
149
00:10:10,240 --> 00:10:12,319
He poisoned my father's mind.
150
00:10:12,320 --> 00:10:13,759
To what end?
151
00:10:13,760 --> 00:10:15,159
To win his favour.
152
00:10:15,160 --> 00:10:18,439
Perhaps your good father was just
fond of the poor chap.
153
00:10:18,440 --> 00:10:19,680
(LAUGHTER)
154
00:10:20,560 --> 00:10:23,759
He took the slave
for his own kin, sir.
155
00:10:23,760 --> 00:10:25,600
That is more than fondness.
156
00:10:26,880 --> 00:10:29,199
I have seen a tongue cut
at the vein,
157
00:10:29,200 --> 00:10:31,879
treated with no more severity
than a toothache.
158
00:10:31,880 --> 00:10:33,479
(LOW, OMINOUS MUSIC)
159
00:10:33,480 --> 00:10:36,639
I have seen a woman transform
into a swarm of mosquitoes,
160
00:10:36,640 --> 00:10:38,799
attack all those with white skin,
161
00:10:38,800 --> 00:10:40,999
leaving a throng
of negroes unaffected.
162
00:10:41,000 --> 00:10:43,240
(SWARM BUZZING)
(CRYING OUT)
163
00:10:46,080 --> 00:10:47,760
Obeah is very real.
164
00:10:49,000 --> 00:10:50,960
We all have reason to fear it.
165
00:11:00,320 --> 00:11:02,880
Mrs Connaught. I apologise.
166
00:11:03,680 --> 00:11:05,040
I embarrassed you.
167
00:11:07,640 --> 00:11:08,920
(CLEARS THROAT)
168
00:11:09,680 --> 00:11:13,120
I'm eager to hear more
about this Obeah-man.
169
00:11:14,200 --> 00:11:15,880
(MUSIC FADES, ENDS)
170
00:11:22,760 --> 00:11:24,080
(DOOR OPENS)
171
00:11:53,160 --> 00:11:55,360
(LOW, TENSE MUSIC)
172
00:12:05,360 --> 00:12:06,560
(DOOR CLOSES)
173
00:12:13,800 --> 00:12:15,919
(MUFFLED CHATTER)
174
00:12:15,920 --> 00:12:19,319
If you're going to be such a naughty
boy I shall tell your Papa,
175
00:12:19,320 --> 00:12:21,240
and there will be no supper for you!
176
00:12:23,480 --> 00:12:24,880
(CHUCKLES)
177
00:12:36,960 --> 00:12:39,560
(SOFT DRAMATIC MUSIC)
Madam.
178
00:12:57,680 --> 00:12:59,600
Your Latin has improved.
179
00:13:01,000 --> 00:13:02,399
What did you think?
180
00:13:02,400 --> 00:13:04,640
Ovid. Metamorphosis.
181
00:13:05,440 --> 00:13:06,760
It is a fiction.
182
00:13:07,880 --> 00:13:10,239
I am grateful for your tutelage,
Mr Waite,
183
00:13:10,240 --> 00:13:12,039
but it has been four months.
184
00:13:12,040 --> 00:13:15,199
You told me negroes were not
the only purveyors of sorcery.
185
00:13:15,200 --> 00:13:18,199
And the purpose of these meetings
was the study of a ritual magic.
186
00:13:18,200 --> 00:13:20,000
Not school boy Latin.
187
00:13:43,120 --> 00:13:44,360
(SIGHS)
188
00:13:48,840 --> 00:13:50,720
(SOFT MYSTERIOUS MUSIC)
189
00:14:03,640 --> 00:14:05,480
Mostly Latin. German.
190
00:14:06,440 --> 00:14:07,999
A little Greek.
191
00:14:08,000 --> 00:14:11,440
I thought you should be able
to understand it before you read it.
192
00:14:12,880 --> 00:14:14,359
What is it?
193
00:14:14,360 --> 00:14:17,600
A grimoire.
Early European ritual magic.
194
00:14:18,280 --> 00:14:22,039
It is believed to be incredibly
potent in my circles,
195
00:14:22,040 --> 00:14:25,480
though I have not yet met a man able
to harness its power.
196
00:14:29,440 --> 00:14:31,200
Has a woman ever read it?
197
00:14:33,400 --> 00:14:37,560
(SOFT DRAMATIC MUSIC)
198
00:14:56,320 --> 00:14:57,800
(SOFT MOANING)
199
00:14:59,720 --> 00:15:00,880
(SPITS)
200
00:15:03,200 --> 00:15:04,240
(GRUNTS)
201
00:15:11,120 --> 00:15:12,240
(SIGHS)
202
00:15:16,160 --> 00:15:18,400
(SEXUAL GRUNTS)
203
00:15:20,120 --> 00:15:23,480
(BOTH MOANING)
204
00:15:29,000 --> 00:15:30,440
(MAN VOMITS)
205
00:15:33,040 --> 00:15:34,520
(DOOR CLOSES)
206
00:16:18,360 --> 00:16:19,600
(KISS)
207
00:16:22,320 --> 00:16:23,640
(KISS)
208
00:16:26,400 --> 00:16:28,040
(SNAP, CRUNCH)
209
00:16:33,240 --> 00:16:35,200
(GROANS)
210
00:16:40,600 --> 00:16:42,360
Will you not even touch me?
211
00:16:43,760 --> 00:16:45,800
Stop. Stop.
212
00:16:50,520 --> 00:16:53,479
This was a contract.
You well know that.
213
00:16:53,480 --> 00:16:54,999
You have your stations.
214
00:16:55,000 --> 00:16:56,799
We both have seen
benefits from this union-
215
00:16:56,800 --> 00:16:57,960
What benefit?!
216
00:16:59,400 --> 00:17:01,639
I have seen the ledgers.
We are in debt.
217
00:17:01,640 --> 00:17:04,279
You are a drunk and a gambler and-
218
00:17:04,280 --> 00:17:06,360
What do you want, Charlotte?
219
00:17:09,120 --> 00:17:13,800
Affection I do not have to beg for
or compete for.
220
00:17:15,120 --> 00:17:16,680
To be paid attention to.
221
00:17:17,520 --> 00:17:19,000
To have someone...
222
00:17:20,440 --> 00:17:23,160
...who- who exists for me.
223
00:17:32,960 --> 00:17:35,440
My father never had
a kind word for me.
224
00:17:36,400 --> 00:17:39,799
I know what it is to not be wanted.
225
00:17:39,800 --> 00:17:42,759
I cannot make you feel for me
what you do not.
226
00:17:42,760 --> 00:17:46,039
I well understand that.
I'm not as stupid as you suppose.
227
00:17:46,040 --> 00:17:49,199
Then why do you insist on hanging
off me like a dog on heat!
228
00:17:49,200 --> 00:17:52,000
Because there is no other way
for me to have a child.
229
00:17:54,160 --> 00:17:55,760
You owe me that.
230
00:17:56,960 --> 00:17:59,160
You have taken everything from me.
231
00:18:00,760 --> 00:18:02,520
At least give me that.
232
00:18:08,720 --> 00:18:11,560
(LOW, TENSE MUSIC)
233
00:18:16,640 --> 00:18:18,120
(DISGRUNTLES GROWL)
234
00:18:22,200 --> 00:18:23,560
(DOOR OPENS)
235
00:18:24,240 --> 00:18:25,719
(DOOR CLOSES)
236
00:18:25,720 --> 00:18:28,360
(SOFT MYSTERIOUS PIANO MUSIC)
237
00:18:29,480 --> 00:18:30,960
(ANGRY GRUNT)
238
00:18:41,720 --> 00:18:43,160
(GRUNTS)
239
00:18:47,480 --> 00:18:50,720
(MUSIC GROWS TENSE)
240
00:19:00,000 --> 00:19:02,840
(MYSTERIOUS WHISPERS)
241
00:19:14,400 --> 00:19:17,320
(LOW, OMINOUS MUSIC)
242
00:19:25,000 --> 00:19:28,240
(MYSTERIOUS WHISPERS CONTINUE)
243
00:19:53,160 --> 00:19:55,920
(OMINOUS MUSIC BUILDS)
244
00:19:57,000 --> 00:19:58,240
(GRUNTS)
245
00:20:15,680 --> 00:20:16,440
(MUSIC ENDS)
246
00:20:18,486 --> 00:20:19,560
(MUSIC ENDS)
247
00:20:28,840 --> 00:20:31,880
(LOW, TENSE MUSIC)
248
00:20:56,600 --> 00:20:57,880
(CLANG)
249
00:21:00,400 --> 00:21:04,519
♪ What a difference a day makes
250
00:21:04,520 --> 00:21:05,800
(CRUNCH)
(GRUNTS)
251
00:21:08,200 --> 00:21:11,560
♪ 24 little hours
252
00:21:13,240 --> 00:21:16,559
(THUDDING)
253
00:21:16,560 --> 00:21:19,959
♪ Brought the sun and the flowers
254
00:21:19,960 --> 00:21:21,480
(MUSIC ENDS)
255
00:21:27,640 --> 00:21:28,960
Did I do that?
256
00:21:29,920 --> 00:21:31,480
Don't worry about it, man.
257
00:21:32,440 --> 00:21:34,119
So he's possessed?
258
00:21:34,120 --> 00:21:36,359
Zombie.
He spoke to me.
259
00:21:36,360 --> 00:21:39,159
We had the same conversation
we were having ten minutes before.
260
00:21:39,160 --> 00:21:42,119
You say he was dashed up against
the ceiling,
261
00:21:42,120 --> 00:21:45,199
and he attacked you and
if I hadn't come in, wudda kill yuh.
262
00:21:45,200 --> 00:21:46,639
I don't know how it works y'know.
263
00:21:46,640 --> 00:21:49,680
But if you said the man changed
and he carries that scar...
264
00:21:51,160 --> 00:21:52,440
...then it's her.
265
00:21:53,480 --> 00:21:54,720
It's Charlotte.
266
00:21:55,520 --> 00:21:57,200
Angelo had that scar.
267
00:21:59,360 --> 00:22:02,960
We are all at risk as long as
she can tear something from us.
268
00:22:03,840 --> 00:22:06,360
Hair, nails, skin.
269
00:22:06,960 --> 00:22:09,280
She was put away. Contained.
270
00:22:10,360 --> 00:22:13,639
I don't know, me an Angelo were
the only people who knew
271
00:22:13,640 --> 00:22:14,839
about that trunk.
272
00:22:14,840 --> 00:22:17,239
She was in the trunk?
In the bedroom?
273
00:22:17,240 --> 00:22:20,400
You saw it?
Just when I got there I...
274
00:22:22,200 --> 00:22:23,679
You opened it?
275
00:22:23,680 --> 00:22:26,919
Why? It was wrapped up.
276
00:22:26,920 --> 00:22:28,120
Tight!
277
00:22:29,440 --> 00:22:31,600
Hidden away.
It was a box.
278
00:22:32,200 --> 00:22:34,120
An empty box!
You let her out.
279
00:22:34,880 --> 00:22:36,759
And she took a hold of him
and she kill him.
280
00:22:36,760 --> 00:22:39,959
The reason your friend is dead
is because he killed himself.
281
00:22:39,960 --> 00:22:42,839
He did not want to be alive.
That is not my fault!
282
00:22:42,840 --> 00:22:45,520
She make him kill himself!
283
00:22:47,640 --> 00:22:49,040
Angelo was a good man.
284
00:22:49,720 --> 00:22:52,000
He cared about people.
285
00:22:53,720 --> 00:22:54,879
What about you?
286
00:22:54,880 --> 00:22:57,839
You never came here because
it was the right thing to do.
287
00:22:57,840 --> 00:23:00,959
You, you saw an opportunity.
288
00:23:00,960 --> 00:23:03,439
And you came here to satisfy
your own greed.
289
00:23:03,440 --> 00:23:06,160
So yes. It is your fault.
290
00:23:07,040 --> 00:23:08,359
(KISSES TEETH)
291
00:23:08,360 --> 00:23:10,400
Go on! Go on back to him!
292
00:23:15,360 --> 00:23:17,120
And see what happen to you!
293
00:23:20,280 --> 00:23:21,519
(SLAM)
294
00:23:21,520 --> 00:23:22,840
Woman! Move!
295
00:23:24,880 --> 00:23:26,360
(HORN BLARES)
296
00:23:31,320 --> 00:23:33,720
Get in.
(SOFT DRAMATIC MUSIC)
297
00:23:39,600 --> 00:23:40,920
Don't slam me door.
298
00:23:49,840 --> 00:23:52,480
(LOW, OMINOUS MUSIC)
299
00:24:14,160 --> 00:24:17,560
Mr Connaught, er come round.
Come through.
300
00:24:18,640 --> 00:24:19,840
(GATE BUZZES)
301
00:24:35,880 --> 00:24:38,559
Pack your tings.
I'll take you to the airport.
302
00:24:38,560 --> 00:24:40,520
What's gonna happen to Oliver?
303
00:24:42,040 --> 00:24:46,439
Me's not an Obeah-man, y'know.
I do not know.
304
00:24:46,440 --> 00:24:49,320
Look-
(CRUNCH, GROANS)
305
00:24:52,680 --> 00:24:54,000
Oh my God.
306
00:24:59,000 --> 00:25:00,439
(SIGHS)
307
00:25:00,440 --> 00:25:02,439
Me alright, man.
Are you sure?
308
00:25:02,440 --> 00:25:04,080
Me alright. Go on, go pack.
309
00:25:08,960 --> 00:25:10,640
Would you come up with me?
310
00:25:18,000 --> 00:25:20,360
(LOW, OMINOUS MUSIC)
311
00:25:30,040 --> 00:25:31,360
You can come.
312
00:25:41,960 --> 00:25:44,200
You said Oliver was a zombie.
313
00:25:46,880 --> 00:25:48,880
When I said zombie...
314
00:25:51,200 --> 00:25:54,400
...I'm not talking about
something in a horror film, y'know?
315
00:25:58,120 --> 00:25:59,480
It's like...
316
00:26:01,000 --> 00:26:04,800
...taking away your sense of self.
317
00:26:05,560 --> 00:26:09,159
You think the worst thing
is to be owned.
318
00:26:09,160 --> 00:26:10,639
(SOMBRE MUSIC)
319
00:26:10,640 --> 00:26:12,879
Then you outlive everybody
you care for.
320
00:26:12,880 --> 00:26:14,519
(SOFT LAUGHTER)
321
00:26:14,520 --> 00:26:16,120
B, very good, Abby.
322
00:26:18,000 --> 00:26:20,120
That sends you crazy.
323
00:26:22,160 --> 00:26:24,519
But you outlive crazy.
324
00:26:24,520 --> 00:26:25,680
Sarah!
325
00:26:26,440 --> 00:26:27,679
Matthew.
326
00:26:27,680 --> 00:26:29,440
You outlive sad.
327
00:26:30,480 --> 00:26:31,840
Stupid.
328
00:26:34,480 --> 00:26:37,200
Starving and suicidal.
329
00:26:39,480 --> 00:26:41,800
(SOMBRE MUSIC CONTINUES)
330
00:26:45,560 --> 00:26:49,720
I don't... want life.
331
00:26:52,320 --> 00:26:53,800
I hate it.
332
00:26:56,080 --> 00:26:57,880
But I wrestle with it.
333
00:26:59,560 --> 00:27:01,960
Better to be unhappy and free.
334
00:27:03,000 --> 00:27:05,000
Than an eternal slave.
335
00:27:06,760 --> 00:27:10,560
(DOOR CREAKS)
(LOW, OMINOUS MUSIC)
336
00:27:24,560 --> 00:27:27,000
(OMINOUS WHISPERS)
337
00:27:45,640 --> 00:27:46,920
Lie.
338
00:28:12,960 --> 00:28:15,800
(MUSIC CONTINUES)
339
00:28:43,720 --> 00:28:45,800
(SOFT GRUNT)
340
00:28:56,840 --> 00:28:59,440
(LOW, OMINOUS MUSIC CONTINUES)
341
00:29:34,720 --> 00:29:36,200
(PAINED GRUNT)
342
00:29:38,320 --> 00:29:39,680
(HEAVY BREATH)
343
00:29:52,320 --> 00:29:55,000
(HEAVY BREATHING)
344
00:30:06,000 --> 00:30:08,760
(LOW, OMINOUS MUSIC CONTINUES)
345
00:30:09,720 --> 00:30:11,120
(KISSES)
346
00:30:31,680 --> 00:30:33,240
(GRUNTED YELL)
347
00:30:39,920 --> 00:30:41,400
(GRUNTED YELL)
348
00:30:43,800 --> 00:30:47,000
(GRUNTING)
349
00:30:49,040 --> 00:30:51,600
(TENSE, DRAMATIC MUSIC)
350
00:30:53,000 --> 00:30:56,720
(SENSUAL MOANING)
351
00:30:58,640 --> 00:31:00,360
(YELLS)
352
00:31:03,520 --> 00:31:05,480
(MUSIC INTENSIFIES)
353
00:31:06,520 --> 00:31:07,959
(MUSIC ENDS)
354
00:31:07,960 --> 00:31:11,159
(WOMAN SINGING, PLAYING DRUMS)
355
00:31:11,160 --> 00:31:13,320
(GROUP SINGS)
356
00:31:14,840 --> 00:31:16,440
(BABY FUSSES)
357
00:31:20,480 --> 00:31:24,000
(SINGING CONTINUES)
358
00:31:26,600 --> 00:31:28,439
Take time!
359
00:31:28,440 --> 00:31:30,320
(LOW, OMINOUS MUSIC)
360
00:31:36,600 --> 00:31:38,239
(BABY FUSSES)
361
00:31:38,240 --> 00:31:39,720
Oh my love...
362
00:31:41,360 --> 00:31:43,840
It's alright. It's alright.
363
00:31:47,560 --> 00:31:50,560
(LOW, OMINOUS MUSIC CONTINUES)
364
00:31:52,800 --> 00:31:55,680
(WET GURGLING)
365
00:31:56,400 --> 00:31:59,160
(MUSIC ENDS)
(BABY CRYING)
366
00:32:05,000 --> 00:32:06,800
When will his father arrive?
367
00:32:08,920 --> 00:32:10,240
Bring some rum.
368
00:32:15,760 --> 00:32:16,880
(SIGHS)
369
00:32:17,640 --> 00:32:21,080
I see no reason to be any less than
frank with you, Mr O'Connell.
370
00:32:21,760 --> 00:32:25,240
My husband is a gambler.
I have to pay my creditors.
371
00:32:25,880 --> 00:32:27,599
That is why I've come back.
372
00:32:27,600 --> 00:32:32,560
To oversee our expansion and,
well to improve both our prospects.
373
00:32:35,600 --> 00:32:38,079
Heretofore I have
'em out six days a week.
374
00:32:38,080 --> 00:32:39,919
Well there are seven days in a week.
375
00:32:39,920 --> 00:32:42,920
(SCOFFS)
They cannot work without rest.
376
00:32:44,120 --> 00:32:45,400
Aye?
377
00:32:49,720 --> 00:32:52,800
Are you a god fearing man,
Mr O'Connell?
378
00:32:55,280 --> 00:32:56,520
Well.
379
00:32:58,280 --> 00:33:01,919
You and I, we've seen tricks
more powerful
380
00:33:01,920 --> 00:33:03,760
than any I heard from a pulpit.
381
00:33:07,600 --> 00:33:10,200
Sarah! Come!
382
00:33:11,200 --> 00:33:13,600
(LOW, OMINOUS MUSIC)
383
00:33:20,720 --> 00:33:22,400
Take off your head dress.
384
00:33:28,280 --> 00:33:29,480
(LAUGHS)
385
00:33:30,640 --> 00:33:32,360
You fraidy fraidy?
386
00:33:33,840 --> 00:33:36,000
(BABY CRYING)
387
00:33:47,680 --> 00:33:50,600
Oh, my darling.
388
00:33:51,880 --> 00:33:53,760
My darling boy.
389
00:33:58,480 --> 00:34:01,320
(LOW, OMINOUS MUSIC CONTINUES)
390
00:34:07,880 --> 00:34:10,640
(SINISTER MUSIC BUILDS)
391
00:34:13,160 --> 00:34:14,399
(MUSIC FADES, ENDS)
392
00:34:14,400 --> 00:34:16,879
Ready?
You know we have to leave now.
393
00:34:16,880 --> 00:34:21,839
Look, you understand
why I'm struggling with this.
394
00:34:21,840 --> 00:34:22,919
Don't you?
395
00:34:22,920 --> 00:34:24,719
I'm not lying.
396
00:34:24,720 --> 00:34:26,999
You said you were
three hundred years old.
397
00:34:27,000 --> 00:34:29,040
Charlotte cursed me.
398
00:34:30,720 --> 00:34:31,920
Right.
399
00:34:33,560 --> 00:34:34,800
Be quick.
400
00:34:35,840 --> 00:34:37,160
I'll wait in the car.
401
00:34:39,560 --> 00:34:41,880
(LOW, TENSE MUSIC)
402
00:34:45,680 --> 00:34:46,840
Hello?
Dad?
403
00:34:50,520 --> 00:34:51,800
(KISSES TEETH)
404
00:34:55,880 --> 00:34:58,079
What the hell is going on?
Your office called me!
405
00:34:58,080 --> 00:35:00,639
They said there'd been a serious
incident and you'd gone AWOL!
406
00:35:00,640 --> 00:35:02,040
(KNOCKING)
Police!
407
00:35:03,680 --> 00:35:06,320
Listen. I'm coming home, OK.
408
00:35:07,120 --> 00:35:09,119
But if you don't hear from me
in 24 hours,
409
00:35:09,120 --> 00:35:10,519
call the embassy in Jamaica.
410
00:35:10,520 --> 00:35:12,199
What?!
(KNOCKING)
411
00:35:12,200 --> 00:35:13,599
Open the door!
Claudia?!
412
00:35:13,600 --> 00:35:15,079
Police! Open the door!
413
00:35:15,080 --> 00:35:16,399
Claudia?!
Police.
414
00:35:16,400 --> 00:35:18,759
Open the door and come out
with your hands up. Now!
415
00:35:18,760 --> 00:35:20,559
OK, I'm coming!
(WOOD SPLINTERS)
416
00:35:20,560 --> 00:35:23,199
Don't move! Hands on your head!
417
00:35:23,200 --> 00:35:25,079
Turn around!
Interlock your fingers!
418
00:35:25,080 --> 00:35:26,320
Room clear!
419
00:35:27,840 --> 00:35:30,599
(SOFT CLAMOUR)
(OMINOUS MUSIC BUILDS)
420
00:35:30,600 --> 00:35:32,159
Ma'am,
we have to leave the building.
421
00:35:32,160 --> 00:35:34,080
Wait, hold on.
I wanna know what's happening.
422
00:35:39,480 --> 00:35:40,720
Don't resist.
423
00:35:46,600 --> 00:35:48,039
Claudia McKenzie,
424
00:35:48,040 --> 00:35:51,679
I'm arresting you on suspicion of
aiding and abetting a criminal
425
00:35:51,680 --> 00:35:54,119
and grievous bodily harm.
What?!
426
00:35:54,120 --> 00:35:55,760
Nice to see you again, too.
427
00:35:57,040 --> 00:35:58,760
Let's go. Let's go.
428
00:36:01,160 --> 00:36:03,400
DAD: Claudia?! Claudia!
429
00:36:05,240 --> 00:36:08,080
(OTHER PRISONERS CALLING OUT)
430
00:36:17,160 --> 00:36:20,080
(LOW, TENSE MUSIC CONTINUES)
431
00:36:23,240 --> 00:36:25,320
Hey girl, what ya looking at?!
432
00:36:31,448 --> 00:36:33,080
(MUSIC ENDS)
433
00:36:35,920 --> 00:36:38,040
WOMAN'S VOICE: (WHISPERED) It burns.
434
00:36:39,760 --> 00:36:41,040
Burns.
435
00:36:49,960 --> 00:36:53,200
(TENSE OMINOUS MUSIC)
436
00:37:01,720 --> 00:37:04,200
(DOOR CREAKS)
437
00:37:12,080 --> 00:37:13,959
It burns.
(SCREAM)
438
00:37:13,960 --> 00:37:16,760
(INDISTINCT MUTTERING)
439
00:37:22,640 --> 00:37:26,439
"I contacted my solicitor,
Claudia McKenzie, yesterday evening
440
00:37:26,440 --> 00:37:29,480
with a routine query,
but we got cut off.
441
00:37:32,400 --> 00:37:35,959
Shortly after the call, she turned
up unannounced at Hope Hill
442
00:37:35,960 --> 00:37:38,040
and insisted we leave immediately.
443
00:37:39,320 --> 00:37:42,679
Within minutes of her arrival,
there was a power outage
444
00:37:42,680 --> 00:37:44,719
and we found the exits sealed.
445
00:37:44,720 --> 00:37:47,679
It was at this point I noticed
someone in the annexe,
446
00:37:47,680 --> 00:37:49,639
who I believed to be Cudjoe East,
447
00:37:49,640 --> 00:37:52,880
the man with whom I'm currently
engaged in a legal dispute.
448
00:37:54,000 --> 00:37:58,319
Ms McKenzie suggested he was trying
to intimidate us
449
00:37:58,320 --> 00:38:01,480
and advised withdrawing
our appeal to placate him.
450
00:38:02,520 --> 00:38:03,959
I disagreed.
451
00:38:03,960 --> 00:38:07,279
She seemed stressed and upset
with my decision,
452
00:38:07,280 --> 00:38:10,119
at which point,
her demeanour became threatening.
453
00:38:10,120 --> 00:38:11,359
(SIGHS)
454
00:38:11,360 --> 00:38:13,879
She hit me with a tin can
and I hit my head.
455
00:38:13,880 --> 00:38:17,800
Then Cudjoe East entered the house
and began to beat me with a poker.
456
00:38:18,560 --> 00:38:20,880
I don't remember anything
after this."
457
00:38:22,200 --> 00:38:23,560
May I see that?
458
00:38:25,800 --> 00:38:27,760
Were you 'stressed and upset'?
459
00:38:30,680 --> 00:38:31,839
No comment.
460
00:38:31,840 --> 00:38:34,399
Were you acting under duress?
461
00:38:34,400 --> 00:38:35,800
No comment.
462
00:38:38,920 --> 00:38:44,240
We take the abduction and kidnap
of foreign nationals very seriously.
463
00:38:46,000 --> 00:38:49,720
So if there's anything you need
to tell me, now's the time.
464
00:38:51,000 --> 00:38:52,480
No comment.
465
00:38:55,000 --> 00:38:59,920
Would you say your interest in
Mr East is singularly professional?
466
00:39:01,120 --> 00:39:02,480
No comment.
467
00:39:04,520 --> 00:39:07,239
He waited outside your hotel,
while you packed.
468
00:39:07,240 --> 00:39:08,999
Were you planning
on leaving together?
469
00:39:09,000 --> 00:39:10,640
That's a reach, detective.
470
00:39:12,000 --> 00:39:13,520
Where is he, Claudia?
471
00:39:17,600 --> 00:39:19,080
Control from SWAT.
472
00:39:22,560 --> 00:39:24,319
WOMAN: Attention all units.
473
00:39:24,320 --> 00:39:26,799
Cudjoe East's vehicle has
been located.
474
00:39:26,800 --> 00:39:29,799
The suspect should be considered
armed and dangerous.
475
00:39:29,800 --> 00:39:32,040
(DISTANT SIRENS)
476
00:39:41,400 --> 00:39:44,040
Handsome,
buy something from me, now.
477
00:39:46,200 --> 00:39:48,920
(LOW, TENSE MUSIC)
478
00:39:59,680 --> 00:40:01,559
Stop right there! Stop! Stop!
479
00:40:01,560 --> 00:40:03,120
Stop! Stop!
480
00:40:04,280 --> 00:40:06,480
In the meat market!
(OFFICERS CLAMOUR)
481
00:40:13,440 --> 00:40:15,240
(MUSIC FADES, ENDS)
482
00:40:17,000 --> 00:40:19,200
Mr Connaught wants to talk to you.
483
00:40:19,880 --> 00:40:21,200
Absolutely not. No way.
484
00:40:23,240 --> 00:40:27,079
Look, engage with them.
Show some willingness to co-operate.
485
00:40:27,080 --> 00:40:29,120
Why do I have to talk to him.
486
00:40:33,080 --> 00:40:34,640
I think he wants to help you.
487
00:40:35,360 --> 00:40:37,759
The police want to press charges.
488
00:40:37,760 --> 00:40:39,839
Maybe he wants to protect you
from that.
489
00:40:39,840 --> 00:40:42,920
That man does not want
to protect me.
490
00:40:45,640 --> 00:40:47,559
Miss McKenzie,
491
00:40:47,560 --> 00:40:52,319
I'm sure that whatever you have been
through, it was deeply unpleasant.
492
00:40:52,320 --> 00:40:55,560
However, my focus,
is to ensure your release.
493
00:40:56,400 --> 00:40:59,400
And I do believe you are going
to have to talk to him.
494
00:41:02,920 --> 00:41:05,640
(LOW, TENSE STING)
495
00:41:12,960 --> 00:41:14,280
Hi.
496
00:41:16,280 --> 00:41:19,439
I think Mr Connaught has shown
a lot of class showing up here
497
00:41:19,440 --> 00:41:21,039
today and trying to help you.
498
00:41:21,040 --> 00:41:22,479
You hit me with a poker.
499
00:41:22,480 --> 00:41:25,879
What? Why would I do that?
500
00:41:25,880 --> 00:41:28,439
You're my solicitor.
We're on the same side.
501
00:41:28,440 --> 00:41:31,919
I just I- I'd never dream
of hurting you.
502
00:41:31,920 --> 00:41:33,520
Then how do you explain this?
503
00:41:34,200 --> 00:41:36,120
Well how do you explain this?
504
00:41:37,560 --> 00:41:40,479
Fuck. Maybe it is me.
505
00:41:40,480 --> 00:41:44,199
May- maybe I've got it wrong?
My head's not a hundred percent.
506
00:41:44,200 --> 00:41:47,279
And um, it's been
a rough couple of weeks.
507
00:41:47,280 --> 00:41:48,640
My dad. And...
508
00:41:50,520 --> 00:41:51,880
I miss my son.
509
00:41:54,880 --> 00:41:58,399
But if I- if I- if I did anything-
if I said anything
510
00:41:58,400 --> 00:42:01,720
to upset you, I- I'm- I'm sorry, OK?
511
00:42:03,000 --> 00:42:05,480
I just-
I just don't remember doing it.
512
00:42:07,520 --> 00:42:09,639
But if that's what you
say happened then-
513
00:42:09,640 --> 00:42:12,040
then- then maybe
there's some truth to it.
514
00:42:13,240 --> 00:42:16,160
Look I- I- I trust you
and I- I trust your judgement.
515
00:42:17,520 --> 00:42:19,040
But I don't trust him.
516
00:42:20,720 --> 00:42:23,559
I mean, forget this fixation
he has with being,
517
00:42:23,560 --> 00:42:26,000
what- what was he saying,
three hundred years old?
518
00:42:26,960 --> 00:42:28,840
He just doesn't like me.
519
00:42:30,120 --> 00:42:31,519
And why would he.
520
00:42:31,520 --> 00:42:34,480
I'm the only thing standing between
him and fifty million pounds.
521
00:42:35,560 --> 00:42:38,160
The first time he met me he tried
to kick the shit out of me.
522
00:42:38,880 --> 00:42:40,520
I mean that's
who we're dealing with.
523
00:42:41,640 --> 00:42:45,679
Matthew, he's just-
He's a manipulative, calculating man
524
00:42:45,680 --> 00:42:47,880
and he only cares about
getting what he wants.
525
00:42:51,160 --> 00:42:52,440
Matthew?
526
00:42:53,480 --> 00:42:55,880
(SOFT MYSTERIOUS MUSIC)
527
00:43:00,040 --> 00:43:01,440
Who's Matthew?
528
00:43:04,960 --> 00:43:07,039
(SINISTER STING)
(CRIES OUT)
529
00:43:07,040 --> 00:43:09,680
Alright, stop! This stops now!
530
00:43:11,200 --> 00:43:12,320
Sorry.
531
00:43:20,520 --> 00:43:23,360
(TENSE OMINOUS MUSIC)
532
00:43:26,800 --> 00:43:28,480
Hello? Hi?
533
00:43:29,200 --> 00:43:30,559
What?
534
00:43:30,560 --> 00:43:31,999
What was that?
535
00:43:32,000 --> 00:43:34,639
You're not making any progress.
You can't find him.
536
00:43:34,640 --> 00:43:35,879
We have his vehicle.
537
00:43:35,880 --> 00:43:38,560
We're waiting for a forensics team
to sweep the interior.
538
00:43:41,280 --> 00:43:42,760
Feeling better then?
539
00:43:45,680 --> 00:43:46,960
Hmm.
540
00:43:48,840 --> 00:43:51,400
(MUSIC CONTINUES)
541
00:43:57,720 --> 00:44:00,280
(GENTLE MUSIC)
542
00:44:22,600 --> 00:44:24,880
(DEEP BREATH)
543
00:44:50,760 --> 00:44:54,040
(GENTLE MUSIC CONTINUES)
544
00:45:19,400 --> 00:45:21,440
(LOW, OMINOUS MUSIC)
545
00:45:36,440 --> 00:45:39,960
(CLATTERING)
546
00:45:53,800 --> 00:45:56,560
(MUSIC FADES, ENDS)
547
00:46:01,280 --> 00:46:04,120
(SINISTER MUSIC)
548
00:46:08,040 --> 00:46:10,320
(SQUELCHING)
549
00:46:20,000 --> 00:46:22,399
(MUSIC ENDS)
550
00:46:22,400 --> 00:46:25,840
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