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These are the user uploaded subtitles that are being translated: 1 00:00:02,236 --> 00:00:04,180 WEATHER TODAY IN THE GREATER CINCINNATI AREA... 2 00:00:04,204 --> 00:00:07,338 ♪ I LOVE YOU SO BADLY I COULD... ♪ 3 00:00:07,407 --> 00:00:10,208 THEY'RE SOLID PLASTIC, SO DON'T SETTLE FOR IMITATION... 4 00:00:13,280 --> 00:00:15,825 BUT THE SENATOR, WHILE INSISTING HE WAS NOT INTOXICATED, 5 00:00:15,849 --> 00:00:17,516 COULD NOT EXPLAIN HIS NUDITY. 6 00:00:17,585 --> 00:00:19,784 ♪♪ 7 00:00:19,853 --> 00:00:21,787 ♪♪ 8 00:00:21,855 --> 00:00:25,890 ♪ BABY IF YOU'VE EVER WONDERED ♪ 9 00:00:25,959 --> 00:00:30,295 ♪ WONDERED WHATEVER BECAME OF ME ♪ 10 00:00:30,364 --> 00:00:33,331 ♪ I'M LIVING ON THE AIR IN CINCINNATI ♪ 11 00:00:34,768 --> 00:00:38,970 ♪ CINCINNATI, WKRP ♪ 12 00:00:39,039 --> 00:00:42,641 ♪ GOT KIND OF TIRED OF PACKING AND UNPACKING ♪ 13 00:00:42,709 --> 00:00:46,144 ♪ TOWN TO TOWN UP AND DOWN THE DIAL ♪ 14 00:00:48,048 --> 00:00:51,149 ♪ MAYBE YOU AND ME WERE NEVER MEANT TO BE ♪ 15 00:00:51,218 --> 00:00:55,320 ♪ JUST MAYBE THINK OF ME ONCE IN A WHILE ♪ 16 00:00:55,388 --> 00:00:58,056 ♪ I'M AT WKRP ♪ 17 00:00:58,125 --> 00:01:01,859 ♪ IN CINCINNATI ♪♪ 18 00:01:04,631 --> 00:01:06,843 - GOOD MORNING, JENNIFER. - OH, HI, ANDY. HOW'S IT GOING? 19 00:01:06,867 --> 00:01:08,800 FINE. GREAT DAY. MESSAGES? MM-HMM. 20 00:01:08,869 --> 00:01:11,370 ANDY, I TRIED TO CATCH YOU AT THE ELEVATOR DOWNSTAIRS. 21 00:01:11,438 --> 00:01:13,372 I'M SORRY, LES. I DIDN'T SEE YOU. 22 00:01:13,440 --> 00:01:16,674 YOU DIDN'T HEAR THAT THUMP JUST AFTER THE DOORS CLOSED? 23 00:01:16,743 --> 00:01:19,311 - YEAH, I DID HEAR THAT. - WELL, THAT WAS ME. 24 00:01:19,380 --> 00:01:21,012 OH. WHAT CAN I DO FOR YOU? 25 00:01:21,081 --> 00:01:23,693 - WERE YOU LISTENING TO JOHNNY AS YOU DROVE IN THIS MORNING? - SURE. 26 00:01:23,717 --> 00:01:27,719 WELL, HE'S DOING BOGUS NEWS REPORTS, ANDY. THAT'S VERY DANGEROUS, YOU KNOW. 27 00:01:27,787 --> 00:01:29,721 WELL, LIKE WHAT? 28 00:01:29,790 --> 00:01:33,124 WELL, HE'S TELLING LISTENERS THERE'S THIS THING CALLED A CINCINNATI TRIANGLE. 29 00:01:34,728 --> 00:01:37,848 IT'S JUST LIKE THE BERMUDA TRIANGLE, EXCEPT IT RUNS FROM CINCINNATI, 30 00:01:37,898 --> 00:01:40,598 UP TO DAYTON, OVER TO COLUMBUS AND BACK. 31 00:01:40,667 --> 00:01:44,302 HE'S REPORTING THAT THINGS HAVE BEGUN TO DISAPPEAR FROM THE CINCINNATI TRIANGLE. 32 00:01:44,371 --> 00:01:46,904 - WHAT KIND OF THINGS? - WELL, SO FAR, 33 00:01:46,973 --> 00:01:51,476 TWO RECREATIONAL VEHICLES AND WOODY HAYES. 34 00:01:51,545 --> 00:01:54,713 LES, I DON'T THINK ANYONE IN THEIR RIGHT MIND WOULD BELIEVE THAT ONE. 35 00:01:54,782 --> 00:01:58,584 - THAT'S, UH... THAT'S A JOKE. - OH. 36 00:01:58,652 --> 00:02:00,919 IS IT FUNNY? 37 00:02:00,988 --> 00:02:03,855 - WELL, I THINK IT'S FUNNY. JENNIFER? - OH, YEAH. SO DO I. 38 00:02:03,923 --> 00:02:06,792 OH, I SEE. 39 00:02:06,860 --> 00:02:09,995 THAT DARN JOHNNY. 40 00:02:11,065 --> 00:02:13,331 WHAT A CARD. 41 00:02:13,400 --> 00:02:15,367 OH, TRAVIS. JUST THE MAN I NEED TO SEE. 42 00:02:15,435 --> 00:02:16,706 WOULD YOU GET IN HERE, PLEASE? 43 00:02:16,730 --> 00:02:18,875 SURE THING, MR. CARLSON. LET ME PUT MY THINGS AWAY. 44 00:02:20,106 --> 00:02:24,342 HI. HEAR THE NEWS? WOODY HAYES IS MISSING. 45 00:02:24,411 --> 00:02:27,846 WHO IS WOODY HAYES? WHO'S WOODY HAYES? 46 00:02:27,915 --> 00:02:32,083 ONLY THE FAMOUS OHIO STATE FOOTBALL COACH. BOY, WHERE HAVE YOU BEEN? 47 00:02:32,152 --> 00:02:35,854 OUT WITH OTHER MEN, HERB, LETTING THEM HAVE THEIR WAY WITH ME. 48 00:02:38,225 --> 00:02:40,359 DON'T SAY THAT, JENNIFER. IT'S TRUE, HERB. 49 00:02:40,427 --> 00:02:42,661 YOU WANNA KNOW WHAT ELSE? NO, I DON'T WANNA HEAR IT. 50 00:02:45,232 --> 00:02:48,700 ANDY'S DONE A LOT OF NICE... ANDY. MEET STEVE PIEVY. 51 00:02:48,769 --> 00:02:50,747 HELLO, MR. PIEVY. HELLO, YOUNG MAN. 52 00:02:50,771 --> 00:02:53,749 STEVE HERE IS ONE OF MY OLDEST AND DEAREST FRIENDS. OH, THAT'S NICE. 53 00:02:53,773 --> 00:02:57,242 - GUESS WHAT ELSE. HE'S A CONCERT PROMOTER. - OH, YEAH? 54 00:02:57,311 --> 00:02:59,644 THAT'S RIGHT. I HAVEN'T BEEN TOO ACTIVE LATELY, 55 00:02:59,713 --> 00:03:03,781 BUT SHOWBIZ IS IN MY BLOOD AND I CAN'T SEEM TO GET IT OUT. 56 00:03:03,850 --> 00:03:07,219 ANDY, THIS MAN CAN TELL YOU SOME WILD STORIES. 57 00:03:07,287 --> 00:03:09,220 I COULD TELL YOU SOME WILD STORIES. 58 00:03:09,289 --> 00:03:11,256 TELL ONE. NAH. 59 00:03:11,325 --> 00:03:14,693 OH, COME ON. NAH. 60 00:03:14,762 --> 00:03:17,173 MR. CARLSON, DID YOU WANT TO SEE ME FOR ANY PARTICULAR REASON? 61 00:03:17,197 --> 00:03:20,232 OF COURSE I DID. I ALWAYS WANT TO SEE YOU FOR A REASON, TRAVIS. 62 00:03:20,300 --> 00:03:24,001 THERE WAS THIS ONE TIME JERRY VALE SWALLOWED A BUG AT THE STARLIGHT THEATER. 63 00:03:24,070 --> 00:03:26,537 - NOT NOW, STEVE. - FLEW RIGHT DOWN THIS THROAT. 64 00:03:26,607 --> 00:03:29,281 STEVE. LOOK, TRAVIS, YOU'VE... ALWAYS TALKIN' 65 00:03:29,305 --> 00:03:31,643 ABOUT HOW WE NEED TO PROMOTE A CONCERT? 66 00:03:31,711 --> 00:03:34,111 - UH, YEAH. I'M WORKIN' ON THAT. - WELL, I'M GONNA HELP YOU, 67 00:03:34,147 --> 00:03:35,847 BECAUSE THIS MAN HAS BOOKED SOME OF THE 68 00:03:35,871 --> 00:03:37,815 BIGGEST ACTS IN SHOW BUSINESS IN CINCINNATI. 69 00:03:37,884 --> 00:03:40,452 THAT'S RIGHT. AND THEY'RE ALWAYS IN THE BEST OF TASTE. 70 00:03:40,520 --> 00:03:44,322 WELL, I'M SURE HE HAS, MR. CARLSON, BUT WE NEED A BAND THAT PLAYS ROCK AND ROLL. 71 00:03:44,391 --> 00:03:47,058 JUST A SECOND. STEVIE PIEVY HERE BOOKS ALL KINDS OF ACTS. 72 00:03:47,127 --> 00:03:51,129 THAT'S RIGHT. THEY DON'T CALL ME MR. ENTERTAINMENT FOR NOTHING. 73 00:03:52,165 --> 00:03:55,400 OH, DEAR. MY PIE HAS BEEN SQUISHED. 74 00:03:56,636 --> 00:04:00,272 JUST TELL US WHAT YOU GOT. HOW ABOUT A BEAR ACT? 75 00:04:00,340 --> 00:04:02,540 I DON'T THINK SO. THEY WEAR TUTUS. 76 00:04:02,609 --> 00:04:06,311 LOOK, IF YOU GOT ANY MUSICAL ACTS... WELL, LET ME SEE. 77 00:04:06,380 --> 00:04:10,849 I STILL BOOK CHUCK PARKER AND HIS MOUNTED VIRGINIANS. 78 00:04:10,918 --> 00:04:12,896 HEY, LISTEN, TRAVIS. THERE'S A WINNER FOR YA. 79 00:04:12,920 --> 00:04:16,388 - I-IT'S A DIXIELAND BAND THAT PLAYS ON HORSEBACK. - OH, HORSEBACK. 80 00:04:16,457 --> 00:04:19,624 NO, WE NEED A BAND THAT'S GONNA GO ALONG WITH OUR ROCK-AND-ROLL FORMAT. 81 00:04:19,693 --> 00:04:21,737 YECH. I DO HAVE ONE ACT. 82 00:04:21,761 --> 00:04:25,663 THEY MUST BE A ROCK-AND-ROLL BAND. THEIR NAME'S SCUM OF THE EARTH. 83 00:04:27,935 --> 00:04:30,635 YOU BOOK SCUM? NOT AS A RULE. 84 00:04:31,905 --> 00:04:33,983 THAT SOUNDS TERRIBLE. WHAT ELSE HAVE YOU GOT? 85 00:04:34,007 --> 00:04:36,307 WAIT A MINUTE. THIS IS A HOT NEW GROUP IN ENGLAND. 86 00:04:36,376 --> 00:04:38,309 AND THEY'RE STARTING AN AMERICAN TOUR. 87 00:04:38,378 --> 00:04:40,678 I COULD GET THEM FOR YOU. THEIR PRICE CERTAINLY IS RIGHT. 88 00:04:40,747 --> 00:04:43,787 - IS THIS WHAT YOU CALL YOUR JUNK ROCK? - UH, "PUNK." PUNK ROCK. 89 00:04:45,452 --> 00:04:48,787 PUNK, JUNK... IT'S ALL THE SAME. LOOK, I'D LIKE TO HEAR MORE ABOUT THE BEARS. 90 00:04:48,855 --> 00:04:51,456 MR. PIEVY, WHY DON'T YOU AND I DISCUSS THE DETAILS IN MY OFFICE? 91 00:04:51,525 --> 00:04:53,458 OH, WE'LL HAVE TO MOVE FAST ON THIS, ANDREW. 92 00:04:53,527 --> 00:04:56,640 WELL, LET'S GET RIGHT ON IT. OH, GOOD. I LIKE IT WHEN IT GETS EXCITING. 93 00:04:56,664 --> 00:04:59,731 HEY, WAIT A MINUTE, GUYS. LOOK, IS THIS GONNA BE TASTEFUL? 94 00:04:59,800 --> 00:05:02,960 IT'S GONNA BE JUST THE THING THAT WE'VE BEEN LOOKIN' FOR. 95 00:05:03,003 --> 00:05:06,170 I'LL BE DIPPED IN SHELLAC. 96 00:05:08,742 --> 00:05:12,009 NO, NO, NO, NO. LISTEN. NO. PARKING IS NOT OUR RESPONSIBILITY. 97 00:05:12,078 --> 00:05:14,379 THAT COMES UNDER "AUDITORIUM SECURITY." 98 00:05:14,448 --> 00:05:17,048 WELL, THEN YOU'LL HAVE TO TALK TO MR. PIEVY ABOUT THAT. 99 00:05:17,116 --> 00:05:19,751 OKAY. YEAH, THANKS A LOT. 100 00:05:19,820 --> 00:05:22,531 UH, HI THERE, TRAVIS. WELL, GOOD MORNING, MR. CARLSON. 101 00:05:22,555 --> 00:05:25,924 OH, BY THE WAY, I SOLD ALL THE PROGRAM ADS. OH, HI, BIG GUY. 102 00:05:27,727 --> 00:05:31,262 HI. UH, LISTEN, TRAVIS. 103 00:05:31,331 --> 00:05:35,033 WORD'S OUT THAT... THIS BAND DOES SOME CRAZY THINGS. 104 00:05:35,101 --> 00:05:38,670 NOW, I-I KNOW THAT I'M NOT, UH... I'M NOT KNOWN AS A HIP GUY. 105 00:05:38,739 --> 00:05:42,540 - HEY, ANDY. HOW'S THIS FOR THE SHOW? - THAT IS PERFECT. 106 00:05:42,609 --> 00:05:45,543 GOOD. I BEEN WANTIN' TO WEAR THIS DOG. WHAT'S HAPPENIN', MAN? 107 00:05:48,181 --> 00:05:50,782 UH, VENUS IS EMCEEING THE SHOW. 108 00:05:50,851 --> 00:05:54,720 OH, YEAH. REAL GOOD. UH... 109 00:05:54,788 --> 00:05:58,890 Y-YOU KNOW, ANDY, THERE ARE TWO REASONS THAT I-I DON'T WANNA DO THIS THING. 110 00:05:58,959 --> 00:06:02,427 NUMBER ONE... THERE'S MONEY IN HERE. 111 00:06:02,496 --> 00:06:04,830 SURE. LOT OF IT. SEVEN BUCKS A TICKET. 112 00:06:07,100 --> 00:06:10,180 I'M SORRY, MR. CARLSON. WHAT WAS IT YOU WANTED TO, UH, TALK TO ME ABOUT? 113 00:06:10,204 --> 00:06:12,504 OH, NOTHING. N-NOTHING AT ALL. UH... 114 00:06:14,341 --> 00:06:18,275 EXCEPT JUST DON'T YOU FORGET WHOSE IDEA THIS WAS IN THE FIRST PLACE, OKAY? 115 00:06:21,815 --> 00:06:25,050 THERE. HOW DOES THAT LOOK? 116 00:06:25,118 --> 00:06:27,252 IT'S POETRY. 117 00:06:28,421 --> 00:06:31,789 GOOD GRIEF. 118 00:06:31,858 --> 00:06:33,887 ISN'T SOMETHING LIKE THAT AN INVITATION FOR 119 00:06:33,911 --> 00:06:36,060 ALL THE WORST SORT OF PEOPLE TO COME IN HERE? 120 00:06:37,865 --> 00:06:39,798 LES, THAT'S THE NAME OF AN ORCHESTRA. 121 00:06:39,867 --> 00:06:42,345 HAVEN'T YOU HEARD THE ON-THE-AIR PROMOTION SPOTS WE'VE BEEN RUNNING? 122 00:06:42,369 --> 00:06:44,409 YES, BUT I THOUGHT THAT WAS ALL JUST A JOKE. 123 00:06:44,471 --> 00:06:48,039 - IT IS, LES. - I THOUGHT SO. 124 00:06:48,108 --> 00:06:54,012 - IT'S DARN FUNNY TOO. - IT'S DARN FUNNY. 125 00:06:54,080 --> 00:06:56,448 ISN'T THIS EXCITING, MR. CARLSON? 126 00:06:56,516 --> 00:06:59,650 YEAH, IT CERTAINLY IS. YEAH, OUR FIRST CONCERT. 127 00:06:59,719 --> 00:07:02,631 I MEAN, THE FIRST CONCERT WE'VE HAD SINCE WE'VE GONE ROCK. 128 00:07:02,655 --> 00:07:04,889 AND WE SOLD OUT TOO. 129 00:07:04,958 --> 00:07:09,494 COURSE, IT'S NOT A VERY BIG AUDITORIUM. BUT STILL, I THINK IT'S VERY EXCITING. 130 00:07:11,498 --> 00:07:13,431 WHO'S SHE? 131 00:07:13,500 --> 00:07:16,001 BAILEY QUARTERS. SHE WORK HERE? 132 00:07:16,069 --> 00:07:18,002 UH-HUH. I LIKE HER. 133 00:07:18,071 --> 00:07:20,405 I KNOW. YOU SAY THAT EVERY TIME YOU MEET HER. 134 00:07:20,473 --> 00:07:22,907 I DO? HEY, BIG GUY. 135 00:07:22,976 --> 00:07:24,954 HAVE YOU EVER HEARD A SCUM RECORD? 136 00:07:24,978 --> 00:07:27,512 THIS MAY AMAZE YOU, HERB, BUT, UH, NO. 137 00:07:27,580 --> 00:07:30,815 WELL, I WROTE DOWN THE LYRICS TO ONE CALLED "LOVE IS MURDER." YOU WANNA HEAR IT? 138 00:07:30,883 --> 00:07:32,963 WHAT CHOICES DO I HAVE? YEAH. 139 00:07:34,154 --> 00:07:37,288 "LOVE IS MURDER, MURDER IS LOVE. 140 00:07:37,357 --> 00:07:40,492 "I'M A ROCK-AND-ROLL HOODLUM WITH A BLACK LEATHER GLOVE. 141 00:07:41,828 --> 00:07:44,996 KNOCK ME DOWN, BABY. STEP ON MY FACE." OH. 142 00:07:45,064 --> 00:07:49,134 "I'M A... ""I'M A FOOL FOR YOU, BABY. LET'S BLOW UP THIS PLACE." 143 00:07:50,570 --> 00:07:52,504 KINDA CATCHY, HUH? 144 00:07:52,572 --> 00:07:55,273 I'VE NEVER LET PAYOLA INFLUENCE MY RECORD SELECTION. 145 00:07:55,342 --> 00:07:59,144 ANDY, MR. PIEVY FINALLY CALLED FROM THE AIRPORT. SCUM IS ON ITS WAY. 146 00:07:59,213 --> 00:08:01,146 WELL, THAT'S TERRIFIC. TERRIFIC? 147 00:08:01,215 --> 00:08:03,314 THOSE PEOPLE WRITE MUSIC ABOUT EXPLOSIONS. 148 00:08:03,383 --> 00:08:06,628 MR. CARLSON, I'VE BEEN TRYIN' TO TELL YOU THIS. THEY'RE MUSICIANS. 149 00:08:06,652 --> 00:08:10,688 ALL THAT'S JUST A GIMMICK. YOU GOT NOTHIN' TO WORRY ABOUT. I GOTTA GO CHECK ON VENUS. 150 00:08:10,757 --> 00:08:12,735 JOHNNY, IS THAT TRUE? WHAT? 151 00:08:12,759 --> 00:08:16,094 THAT I'VE GOT NOTHIN' TO WORRY ABOUT. NO, IT'S NOT. 152 00:08:19,132 --> 00:08:21,932 HELLO. WE'RE THE SCUM OF THE EARTH. 153 00:08:23,370 --> 00:08:25,503 - NO. - YES. 154 00:08:25,572 --> 00:08:27,505 HUH? MMM. 155 00:08:27,574 --> 00:08:30,241 HUH. LISTEN, DR. FEVER. THIS IS MARVEL... THESE GUYS ARE WONDERFUL. 156 00:08:30,310 --> 00:08:33,211 COATS, TIES, THE WHOLE... WELCOME ABOARD, FELLAS. 157 00:08:33,280 --> 00:08:36,447 - THANK YOU VERY MUCH, SIR. - ARE YOU SURE YOU'RE SCUM? 158 00:08:36,516 --> 00:08:38,016 POSITIVE. 159 00:08:38,084 --> 00:08:41,185 WELL, OF COURSE THEY ARE. WHERE IS MR. PIEVY? 160 00:08:41,254 --> 00:08:44,155 HE GOT OUT OF THE CAR. THAT'S THE LAST WE SAW OF HIM, I THINK. 161 00:08:44,224 --> 00:08:46,624 WAS THE CAR MOVING WHEN HE GOT OUT? 162 00:08:46,693 --> 00:08:49,894 YES, I... I BELIEVE IT WAS. 163 00:08:51,765 --> 00:08:53,731 WH-WHY WOULD HE DO A THING LIKE THAT? 164 00:08:53,800 --> 00:08:58,469 WE DON'T KNOW, BUT THAT'S OUR STORY AND WE'RE STICKING TO IT. 165 00:09:00,473 --> 00:09:02,907 YEAH, THESE ARE THE GUYS. 166 00:09:05,045 --> 00:09:08,079 STRAY CAT ♪ 167 00:09:08,147 --> 00:09:10,081 ♪♪ 168 00:09:10,149 --> 00:09:12,227 COME RIGHT ON IN HERE, GUYS. THANK YOU VERY MUCH. 169 00:09:12,251 --> 00:09:14,185 ABSOLUTELY. THANK YOU. 170 00:09:14,253 --> 00:09:17,099 NOW THIS IS VENUS FLYTRAP. HE'S GONNA BE DOING THE INTERVIEWING. 171 00:09:17,123 --> 00:09:18,233 WHAT'S HAPPENING? HELLO. 172 00:09:18,257 --> 00:09:20,069 MR. FLYTRAP. HOW ARE YOU? I'M FINE. 173 00:09:20,093 --> 00:09:21,192 HEY. HOW DO YOU DO? 174 00:09:21,261 --> 00:09:23,005 ANYTHING PARTICULAR YOU GUYS WANNA RAP ABOUT? 175 00:09:23,029 --> 00:09:25,107 NO, NO, NO. YOU CAN ASK US ANYTHING YOU LIKE. 176 00:09:25,131 --> 00:09:27,197 WE'RE JUST DELIGHTED TO BE HERE. 177 00:09:27,266 --> 00:09:29,199 WELL, HOW ABOUT SOMETHING TO DRINK? 178 00:09:29,268 --> 00:09:31,468 TEA WOULD BE LOVELY. YES. 179 00:09:31,537 --> 00:09:33,437 YOU GOT IT. 180 00:09:33,506 --> 00:09:35,439 OKAY, FELLAS. HERE WE GO. 181 00:09:35,508 --> 00:09:38,943 OH, ANYTIME. THIS IS SO EXCITING. 182 00:09:39,012 --> 00:09:40,945 ♪♪ 183 00:09:41,014 --> 00:09:43,414 THAT WAS SCUM OF THE EARTH'S NEW HIT, 184 00:09:43,483 --> 00:09:46,695 AND NOW LET'S RAP TO THESE HEAVY DUDES HERE, LIVE IN PERSON. 185 00:09:46,719 --> 00:09:48,652 THIS IS VENUS FLYTRAP, 186 00:09:48,721 --> 00:09:51,055 ONE-ON-ONE WITH SCUM. 187 00:09:51,123 --> 00:09:54,325 - WELCOME TO CINCINNATI, GUYS. - WE HATE CINCINNATI. 188 00:09:54,394 --> 00:09:57,795 - HUH? - WE DON'T LIKE THIS STUDIO MUCH EITHER. 189 00:09:57,864 --> 00:10:00,998 LOOK, WHY DON'T YOU INTRODUCE YOURSELVES? 190 00:10:01,067 --> 00:10:04,168 VERY WELL. I'M BLOOD, THIS IS NIGEL, 191 00:10:04,236 --> 00:10:06,804 AND THIS IS SIR CHARLES WEATHERBEE. 192 00:10:06,873 --> 00:10:09,273 HE ANSWERS TO "DOG." 193 00:10:11,077 --> 00:10:13,544 OKAY. LET'S START WITH DOG. 194 00:10:13,612 --> 00:10:16,280 UM, WHERE DID YOU THREE FIRST MEET? 195 00:10:16,349 --> 00:10:20,351 WHERE DID WE MEET? HOW BORING. SAME OLD QUESTIONS WHEREVER WE GO. 196 00:10:20,419 --> 00:10:23,154 YES, BUT THIS IS PARTICULARLY BORING. 197 00:10:23,223 --> 00:10:25,234 NO ONE SHOULD HAVE TO HEAR THIS NONSENSE. 198 00:10:25,258 --> 00:10:30,661 I WOULD SUGGEST THAT EVERYONE LISTENING TURN TO ANOTHER RADIO STATION IMMEDIATELY. 199 00:10:35,568 --> 00:10:37,501 YEAH. 200 00:10:40,673 --> 00:10:43,118 YOU DUDES LIKE TO... LIKE TO KID AROUND A LOT, DON'T YOU? 201 00:10:43,142 --> 00:10:45,409 HEEL! 202 00:10:47,447 --> 00:10:50,859 MAY I SAY HELLO TO MY MOTHER? YOUR MAMA LIVE IN CINCINNATI? 203 00:10:50,883 --> 00:10:53,203 WELL, THERE'S ALWAYS A CHANCE, ISN'T THERE? 204 00:10:55,288 --> 00:11:00,324 HELLO, MUMMY. YOU NAUGHTY GIRL. 205 00:11:00,393 --> 00:11:03,961 DON'T COME HOME IF YOU KNOW WHAT'S GOOD FOR YOU. 206 00:11:06,432 --> 00:11:08,351 LOOK, TURKEYS. YOU WANNA SHAPE 207 00:11:08,375 --> 00:11:10,234 UP, OR YOU WANT ME TO PUT ON ANOTHER RECORD? 208 00:11:10,303 --> 00:11:12,937 WE'RE SO SORRY. PLEASE. YES. WE APOLOGIZE. 209 00:11:13,006 --> 00:11:15,873 WHY DON'T YOU ASK DOG ABOUT HIS MUSICAL TRAINING? 210 00:11:17,143 --> 00:11:19,077 OKAY. 211 00:11:20,246 --> 00:11:23,381 SORRY, GANG. WE HAD A SLIGHT TECHNICAL PROBLEM. 212 00:11:23,450 --> 00:11:25,461 WE'RE NOW BACK LIVE WITH SCUM. 213 00:11:25,485 --> 00:11:28,786 OKAY, DOG, UH, TELL US ABOUT YOUR FORMAL MUSICAL TRAINING. 214 00:11:28,855 --> 00:11:30,788 I HAVE NONE. 215 00:11:32,191 --> 00:11:34,124 CAN'T READ A BLOODY NOTE. 216 00:11:34,193 --> 00:11:37,561 - BUT I GOT A DEGREE IN CELLO AT THE ROYAL ACADEMY. - OH, YEAH? 217 00:11:37,630 --> 00:11:42,700 I DON'T PLAY TOO MUCH ANYMORE. YOU CAN'T GET THOUSANDS OF SCREAMING TEENAGE GIRLS... 218 00:11:42,769 --> 00:11:45,737 TO COME TO A CELLO RECITAL, NOW, CAN YOU? 219 00:11:45,805 --> 00:11:48,239 AND WE RATHER LIKE TEENAGE GIRLS. 220 00:11:48,308 --> 00:11:52,510 NOW I THINK I KNOW HOW PUNK ROCK GOT ITS NAME. 221 00:11:52,579 --> 00:11:56,314 ACTUALLY, WE'RE NOT A PUNK ROCK GROUP. 222 00:11:56,383 --> 00:12:01,151 NO, PUNK ROCK IS PASSÉ. WE PLAY HOODLUM ROCK. 223 00:12:01,220 --> 00:12:05,623 - IT'S SEVERAL CUTS BELOW PUNK ROCK. - WHAT'S THE DIFFERENCE? 224 00:12:05,692 --> 00:12:09,326 WELL, FIRST OF ALL, PUNK ROCK GROUPS DRESS DEPLORABLY. 225 00:12:09,395 --> 00:12:12,563 AND SECONDLY, THEY DON'T USUALLY PHYSICALLY ATTACK THEIR AUDIENCES. 226 00:12:16,636 --> 00:12:20,904 - AND YOU DUDES DO? - COME TO THE SHOW AND FIND OUT. 227 00:12:20,973 --> 00:12:23,708 WE DON'T LIKE AUDIENCES. 228 00:12:27,814 --> 00:12:31,115 - HEY, AREN'T THEY NICE? - NICE? LOOK WHAT THEY DID TO STEVE. 229 00:12:31,184 --> 00:12:33,117 - WHAT HAPPENED? - I'LL TELL YOU WHAT HAPPENED. 230 00:12:33,185 --> 00:12:36,365 THEY THREW HIM LOCK, STOCK AND... BRIEFCASE RIGHT OUT OF THE LIMOUSINE. 231 00:12:36,389 --> 00:12:39,957 ONE OF 'EM ASKED ME WHAT TIME IT WAS, AND WHEN I SAID I DIDN'T KNOW, 232 00:12:40,026 --> 00:12:42,726 THIS OTHER ONE SAID, "WELL, THAT'S IT FOR HIM." 233 00:12:45,832 --> 00:12:48,232 THOSE PEOPLE ARE THE SCUM OF THE EARTH. 234 00:12:48,301 --> 00:12:52,303 ACTUALLY, THEY'RE VERY POLITE BOYS. BUT EXTREMELY VICIOUS. 235 00:12:52,371 --> 00:12:55,105 OH, NOW, MR. PIEVY, YOU JUST CALM DOWN. 236 00:12:55,174 --> 00:12:57,285 I'M GOING TO GO CALL YOUR WIFE. THANK YOU. 237 00:12:57,309 --> 00:13:00,511 TRAVIS, WHAT THE HELL'S GOIN' ON? I DON'T KNOW. 238 00:13:00,580 --> 00:13:02,379 HEY, ANDY. WHAT THE HELL'S GOIN' ON? 239 00:13:02,448 --> 00:13:05,483 I DON'T KNOW. MAN, THOSE DUDES ARE JUST NUTS. 240 00:13:05,551 --> 00:13:09,031 LET'S CANCEL THE CONCERT. THEY SEEMED LIKE NICE ENOUGH GUYS WHEN I FIRST MET 'EM. 241 00:13:09,088 --> 00:13:10,421 BELIEVE ME, MAN. THOSE DUDES ARE VICIOUS, 242 00:13:10,445 --> 00:13:11,967 THEY'RE DANGEROUS, AND THEY'RE OUT OF CONTROL. 243 00:13:11,991 --> 00:13:14,369 WHERE ARE THEY NOW? HAVIN' TEA IN THE CONTROL ROOM. 244 00:13:14,393 --> 00:13:17,561 WELL, THAT'S IT. LET'S CANCEL THAT CONCERT. 245 00:13:17,630 --> 00:13:19,708 WAIT A MINUTE NOW. WE CAN'T DO THAT. 246 00:13:19,732 --> 00:13:21,999 - NOW CAN WE, MR. PIEVY? - IF YOU DON'T, YOU'RE NUTS. 247 00:13:22,068 --> 00:13:24,501 I, FOR ONE, AM GETTING OUT OF HERE. 248 00:13:24,571 --> 00:13:27,471 LOOK, WAIT. THE CONCERT IS TONIGHT. THE CONCERT IS TONIGHT! 249 00:13:27,540 --> 00:13:30,641 I DON'T CARE. THAT'S YOUR PROBLEM. YOU TAKE IT FROM HERE. 250 00:13:30,709 --> 00:13:33,377 I'VE GOT A WIFE TO THINK ABOUT, KIDS, ROOTS! 251 00:13:35,048 --> 00:13:36,981 WELL, TRAVIS, NOW WHAT ARE WE GONNA DO? 252 00:13:37,049 --> 00:13:40,885 WELL, WE'RE GONNA GO AHEAD AS PLANNED. I'LL TAKE OVER FOR PIEVY. 253 00:13:40,953 --> 00:13:42,798 WHO'S GONNA WATCH THE BAND? JOHNNY. 254 00:13:42,822 --> 00:13:47,124 JOHNNY? HA! INSTEAD OF THREE NUTS, NOW I GOT A FOURSOME. 255 00:13:47,193 --> 00:13:50,105 HE CAN DO IT. THESE GUYS JUST GOTTA BE HANDLED IN THE RIGHT WAY. 256 00:13:53,232 --> 00:13:55,866 OKAY. LET 'EM IN. 257 00:14:00,372 --> 00:14:03,841 EXCUSE ME. UH, I WAS IN MY OFFICE WORKING AND I SMELLED SOME SMOKE, 258 00:14:03,910 --> 00:14:05,888 SO I LOOKED IN THE BROADCAST BOOTH. 259 00:14:05,912 --> 00:14:07,990 THERE ARE THREE VERY WELL-DRESSED YOUNG MEN IN THERE. 260 00:14:08,014 --> 00:14:10,848 THEY SEEM TO BE COOKING SOMETHING. 261 00:14:10,917 --> 00:14:13,662 I SWEAR, MAN. THEY WERE DRINKIN' TEA WHEN I LEFT. 262 00:14:13,686 --> 00:14:16,954 THIS IS ANOTHER JOKE, RIGHT? YEAH, LES. IT'S... IT'S A JOKE. 263 00:14:17,022 --> 00:14:20,457 IT'S DARN FUNNY. 264 00:14:20,526 --> 00:14:22,693 YOU KNOW, IF IT WASN'T FOR MY SENSE OF HUMOR, 265 00:14:22,762 --> 00:14:25,529 I WOULD SWEAR I WAS LOSING MY MIND. 266 00:14:30,603 --> 00:14:33,170 BOY, IT'S TOUGH AT THE TOP. 267 00:14:41,313 --> 00:14:43,681 THEY SEND YOU OVER HERE TO LOOK AFTER US? 268 00:14:43,749 --> 00:14:47,084 YEAH. WHO'S WATCHING YOU THEN? 269 00:14:47,153 --> 00:14:49,820 NOBODY. I'M A RESPONSIBLE ADULT. 270 00:14:51,424 --> 00:14:54,592 - YOU DON'T LOOK RESPONSIBLE. - WELL, YOU'LL JUST HAVE TO TRUST ME. 271 00:14:54,660 --> 00:14:59,096 WE'RE NOT RESPONSIBLE. WE'RE IRRESPONSIBLE. 272 00:14:59,165 --> 00:15:02,966 - I THINK YOU'RE BORING. - BORING. 273 00:15:03,035 --> 00:15:06,904 WE'RE NEVER BORING. WATCH THIS. 274 00:15:08,941 --> 00:15:11,441 I TAKE IT BACK. YOU'RE FASCINATING. 275 00:15:12,545 --> 00:15:14,478 HOW 'BOUT THIS THEN? 276 00:15:15,648 --> 00:15:19,016 MUCH BETTER. CAN YOU TOP IT? 277 00:15:24,857 --> 00:15:27,892 NOW, HE'S REALLY GETTING INTO SOMETHING. 278 00:15:27,960 --> 00:15:30,061 I SEE WHAT YOU MEAN. 279 00:15:31,264 --> 00:15:33,965 ♪♪ 280 00:15:34,033 --> 00:15:35,966 HELLO? 281 00:15:36,034 --> 00:15:38,702 ANDY, YEAH. NO, WE'RE HAVING LUNCH. NO COFFEE FOR ME. 282 00:15:38,771 --> 00:15:40,749 YEAH. YEAH. 283 00:15:40,773 --> 00:15:45,643 NO, NO. THEY'RE A SWELL BUNCH OF KIDS. REALLY. YEAH. 284 00:15:45,711 --> 00:15:49,313 UH, IF YOU'RE NOT THROUGH WITH LUNCH, I COULD COME BACK. 285 00:15:49,381 --> 00:15:52,783 THAT'S IT FOR HIM THEN! OUT THE WINDOW! 286 00:15:52,851 --> 00:15:55,897 I DON'T KNOW. GEE, THEY'RE JUST ANOTHER BUNCH OF ROCK AND ROLLERS. 287 00:15:55,921 --> 00:15:59,623 YOU KNOW, I CAN HANDLE IT. EXCUSE ME. WHAT FLOOR ARE WE ON? 288 00:15:59,692 --> 00:16:01,725 - UH, GROUND FLOOR. - PITY. 289 00:16:01,794 --> 00:16:06,163 I TELL YOU THE TRUTH, ANDY. I DON'T SEE WHAT THE FUSS IS ALL ABOUT. 290 00:16:06,232 --> 00:16:11,902 REALLY. YEAH. IT'S, UH... CUTE. 291 00:16:19,945 --> 00:16:23,781 - STANDING ROOM ONLY. THERE'S NOT AN EMPTY SEAT IN THE HOUSE. - YEAH, BUT WHERE'S THE BAND? 292 00:16:23,849 --> 00:16:25,927 THEY'RE ON THEIR WAY, MAN. IT'S GOIN' OFF LIKE CLOCKWORK. 293 00:16:25,951 --> 00:16:27,518 WE'RE GONNA DO IT. ALL RIGHT. 294 00:16:27,587 --> 00:16:29,297 HEY, BABIES. THEY HERE? 295 00:16:29,321 --> 00:16:32,456 - THEY'RE HERE, YEAH. - LET'S GO. LET'S GO. GET 'EM ON STAGE. 296 00:16:32,525 --> 00:16:36,127 WELL, THERE'S A PROBLEM. THEY'RE NOT GONNA PERFORM. 297 00:16:36,195 --> 00:16:38,862 WHAT? 298 00:16:38,931 --> 00:16:42,899 YEAH, THEY, UH... THEY FEEL THEY HAVEN'T BEEN TREATED WELL HERE. 299 00:16:42,968 --> 00:16:45,836 WHERE'S A STICK? I NEED A STICK. 300 00:16:45,904 --> 00:16:47,838 THOSE JERKS HAVE GOT A CONTRACT. 301 00:16:47,906 --> 00:16:51,041 YEAH, THEY ATE THAT ON THE WAY OVER. 302 00:16:51,110 --> 00:16:53,088 I'LL GET 'EM. NO, WAIT A MINUTE, MAN. 303 00:16:53,112 --> 00:16:55,357 IT'S NO GOOD TALKIN' TO 'EM. I TRIED IT. 304 00:16:55,381 --> 00:16:57,359 COME ON, MAN. JUST CALM DOWN. YEAH. 305 00:16:57,383 --> 00:16:59,649 YOU GOTTA BE COOL ABOUT THIS. JUST TAKE IT EASY. 306 00:16:59,718 --> 00:17:01,930 WHERE'S A STICK? SOMETHIN' HEAVY. I'LL KILL THOSE GUYS. 307 00:17:01,954 --> 00:17:05,022 DON'T RUSH INTO ANYTHING, BABY. IT'S JUST A ROCK CONCERT, RIGHT? 308 00:17:05,090 --> 00:17:07,124 I MEAN, THIS STUFF HAPPENS EVERY DAY. 309 00:17:07,193 --> 00:17:09,220 YEAH. BUT I'M THE ONE THAT'S GOTTA GO OUT 310 00:17:09,244 --> 00:17:11,495 THERE AND TELL 4,000 MANIACS THERE'S NO SHOW. 311 00:17:11,564 --> 00:17:15,265 I'LL TELL YOU SOMETHIN'. BY NOW, I DON'T THINK THE MANIACS'LL NOTICE THE DIFFERENCE. 312 00:17:15,334 --> 00:17:17,180 YEAH, BUT CARLSON WILL, AND I WOULDN'T 313 00:17:17,204 --> 00:17:19,370 BLAME HIM IF HE FIRED THE WHOLE BUNCH OF US. 314 00:17:25,344 --> 00:17:28,257 I SUPPOSE YOU'VE HEARD THAT THE THREE OF US HAVE DECIDED... 315 00:17:28,281 --> 00:17:30,361 THAT WE'RE NOT GOING ON THIS EVENING. 316 00:17:32,418 --> 00:17:34,885 WELL, THE THREE OF US HAVE DECIDED... 317 00:17:34,954 --> 00:17:39,056 THAT THE THREE OF YOU ARE GOING ON THIS EVENING. 318 00:17:46,232 --> 00:17:49,400 ROCK AND ROLL. 319 00:17:59,478 --> 00:18:01,545 ALL RIGHT, CINCINNATI! 320 00:18:01,614 --> 00:18:06,717 THE MIGHTY WKRP IS PROUD TO PRESENT FOR THE FIRST TIME IN THE COLONIES... 321 00:18:06,786 --> 00:18:10,354 ♪♪ SCUM OF THE EARTH! 322 00:18:10,422 --> 00:18:13,257 GOOD EVENING, ALL YOU STUPID IDIOTS. 323 00:18:15,327 --> 00:18:17,893 HELLO, YOU SCREAMIN' TWITS WHO WERE DUMB 324 00:18:17,917 --> 00:18:20,765 ENOUGH TO PAY MONEY FOR THIS. HOW YOU DOIN'? 325 00:18:20,833 --> 00:18:25,502 WE HATE YOUR LOUSY GUTS. WHAT HAVE YOU GOT TO SAY ABOUT THAT? YEAH! 326 00:18:27,273 --> 00:18:29,206 ♪ OH ♪ 327 00:18:38,918 --> 00:18:41,251 ♪ IT WAS A HAPPY ENDING ♪ 328 00:18:41,320 --> 00:18:44,120 ♪ THE BEGINNING, IT WAS ROUGH ♪ 329 00:18:44,189 --> 00:18:49,827 ♪ YOU DIDN'T WANT TO BELIEVE THAT MY LOVE WAS ENOUGH ♪ 330 00:18:49,895 --> 00:18:54,832 ♪♪ 331 00:18:54,901 --> 00:18:57,334 ♪ YOU ALWAYS SEEM TO DISAPPEAR ♪ 332 00:18:57,403 --> 00:18:59,648 ♪ WHEN THE MUSIC GOT YOU SO ♪ 333 00:18:59,672 --> 00:19:03,741 ♪ I GOT ENOUGH LOVE FOR THE TWO OF US ♪ 334 00:19:04,977 --> 00:19:07,845 ♪ I GOT ENOUGH LOVE ♪ 335 00:19:07,913 --> 00:19:09,847 ♪ FOR THE TWO OF US ♪ 336 00:19:09,915 --> 00:19:12,950 ♪ I GOT ENOUGH LOVE ♪ 337 00:19:13,019 --> 00:19:15,919 ♪ FOR THE TWO OF US ♪ 338 00:19:15,988 --> 00:19:18,222 ♪ I GOT ENOUGH LOVE ♪ 339 00:19:18,290 --> 00:19:21,558 ♪ FOR THE TWO OF US, BABY ♪ 340 00:19:27,199 --> 00:19:30,167 ♪ WELL, OH, YEAH ♪ 341 00:19:30,236 --> 00:19:33,470 ♪♪ 342 00:19:41,914 --> 00:19:45,182 TRAVIS? OH. YEAH, HI, MR. CARLSON. 343 00:19:45,251 --> 00:19:48,952 HOW YOU DOIN'? THE QUESTION IS, HOW ARE YOU DOIN'? 344 00:19:49,021 --> 00:19:52,423 - WHO, ME? OH, I'M... I'M FINE. - REALLY? 345 00:19:52,492 --> 00:19:54,925 SURE. WHOLE THING WENT OFF JUST LIKE I SAID IT WOULD. 346 00:19:54,994 --> 00:19:57,661 JUST... SMOOTH GLASS. 347 00:19:57,730 --> 00:20:02,433 IS THAT A FACT? WELL, MAYBE WE SHOULD DO THIS SORT OF THING MORE OFTEN. 348 00:20:02,501 --> 00:20:04,668 OH, I DON'T KNOW. 349 00:20:04,737 --> 00:20:07,471 I'M NOT AS, UH, YOUNG AS I USED TO BE. 350 00:20:08,541 --> 00:20:11,275 OH, YEAH? OH, YEAH. 351 00:20:11,344 --> 00:20:15,446 WHATEVER HAPPENED TO THE DAYS OF CROSBY, STILLS AND NASH, CHICAGO... 352 00:20:15,514 --> 00:20:18,081 YOU KNOW, GROUPS LIKE THAT. THEY'D JUST COME OUT AND THEY'D PLAY. 353 00:20:18,150 --> 00:20:20,918 IT WAS... GREAT. YEAH. 354 00:20:20,986 --> 00:20:23,186 HOW 'BOUT BENNY GOODMAN, HUH? 355 00:20:25,257 --> 00:20:27,758 YEAH. MAN, THERE WAS A BAND FOR YA, LAD. 356 00:20:27,827 --> 00:20:31,761 WELL, I NEVER GOT A CHANCE TO SEE HIM, BUT I SURE DO LIKE THE RECORDS. 357 00:20:31,830 --> 00:20:34,290 WELL, I WOULDN'T WANT THIS TO GET AROUND, 358 00:20:34,314 --> 00:20:37,100 BUT, UH, I KINDA LIKE CROSBY, STILLS AND NASH. 359 00:20:37,169 --> 00:20:39,148 HEY, YOU OUGHTA COME OUT AND SEE THIS. 360 00:20:39,172 --> 00:20:42,138 THEY'RE SPRAYING THE AUDIENCE WITH A FIRE EXTINGUISHER. 361 00:20:42,207 --> 00:20:44,575 - OH, NO. - YEAH. 362 00:20:44,643 --> 00:20:47,622 BUT THE KIDS LOVE IT. THE CONCERT'S A BIG SUCCESS, BABY. 363 00:20:47,646 --> 00:20:50,647 - YOU OUGHTA COME TAKE A LOOK. - ALL RIGHT. WE'LL BE RIGHT THERE. 364 00:20:55,087 --> 00:20:58,054 WHAT IS WITH THE KIDS TODAY, MR. CARLSON? 365 00:20:59,691 --> 00:21:02,891 WISH I COULD TELL YA, ANDY. I REALLY WISH I COULD TELL YA. 366 00:21:05,297 --> 00:21:07,731 READY TO GO? 367 00:21:07,799 --> 00:21:10,634 WHAT? HUH? 368 00:21:10,702 --> 00:21:12,636 YOU READY TO GO? OH, YEAH. 369 00:21:15,608 --> 00:21:18,742 ♪♪ 370 00:21:20,446 --> 00:21:24,314 ♪ WELL, YOU GOTTA BE TIRED OF SITTIN' LOW ♪ 371 00:21:24,383 --> 00:21:28,285 ♪ SOMETIMES YOU'RE JUST WISHIN' SOMEBODY WOULD TAKE YOU HOME ♪ 372 00:21:30,022 --> 00:21:33,523 ♪ WELL, HAVING SOME FUN FINDING A BOY ♪ 373 00:21:33,592 --> 00:21:36,826 ♪ REALLY DOESN'T TAKE MUCH ♪♪ ♪♪ 374 00:21:36,896 --> 00:21:38,728 ♪♪ 375 00:21:43,302 --> 00:21:46,236 ♪♪ 376 00:21:54,079 --> 00:21:56,680 ♪♪ 377 00:22:11,763 --> 00:22:13,463 ♪♪ 31264

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