All language subtitles for Hot in Cleveland (2010) - S06E04 - Naked and Afraid (1080p AMZN WEB-DL x265 Silence)_Subtítulos01.ENG

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,477 --> 00:00:10,911 - HOT IN CLEVELAND IS RECORDED IN FRONT OF 2 00:00:10,911 --> 00:00:12,713 A LIVE STUDIO AUDIENCE. 3 00:00:12,713 --> 00:00:13,881 - OH, MY GOD. 4 00:00:13,881 --> 00:00:15,416 OH, MY GOD, OH, MY GOD, OH, MY GOD! 5 00:00:15,416 --> 00:00:16,984 - WHAT? WHAT HAPPENED? 6 00:00:16,984 --> 00:00:19,920 - I THINK OUR CUTE NEW NEIGHBOR, JACK, JUST SAW ME NAKED. 7 00:00:19,920 --> 00:00:22,123 - OH, NO. HOW? 8 00:00:22,123 --> 00:00:23,457 - WELL, I HAD JUST GOTTEN OUT OF THE SHOWER 9 00:00:23,457 --> 00:00:25,193 AND I WAS AIR DRYING, AND WHAT COMES ON THE RADIO? 10 00:00:25,193 --> 00:00:26,527 DANCING QUEEN. 11 00:00:26,527 --> 00:00:28,329 YOU KNOW I CAN'T RESIST DANCING TO DANCING QUEEN, 12 00:00:28,329 --> 00:00:30,030 NO ONE CAN! 13 00:00:30,030 --> 00:00:32,100 - WELL, ARE YOU SURE HE SAW YOU? 14 00:00:32,100 --> 00:00:33,567 - OH, I DON'T KNOW. 15 00:00:33,567 --> 00:00:35,869 I'M NOT QUITE SURE HE CAN ACTUALLY SEE INTO OUR HOUSE. 16 00:00:35,869 --> 00:00:37,538 - WELL, I KNOW I CAN SEE INTO HIS. 17 00:00:37,538 --> 00:00:39,540 - HEY, WAIT, WHAT ARE YOU LOOKING AT JACK FOR? 18 00:00:39,540 --> 00:00:41,375 NO, NO, NO, I CALLED DIBS. 19 00:00:41,375 --> 00:00:43,844 I'VE BEEN PRAYING FOR A CUTE GUY TO MOVE IN ACROSS THE STREET, 20 00:00:43,844 --> 00:00:45,413 AND A CUTE GUY DID MOVE IN ACROSS THE STREET, 21 00:00:45,413 --> 00:00:46,847 SO GOD GAVE HIM TO ME. 22 00:00:46,847 --> 00:00:48,816 - OH, DON'T WORRY, I'M NOT POACHING. 23 00:00:48,816 --> 00:00:51,752 I JUST NOTICED HIS HOT, SHIRTLESS CONTRACTOR. 24 00:00:51,752 --> 00:00:53,921 - OH! SO YOU'RE LOOKING AT MEN AGAIN. 25 00:00:53,921 --> 00:00:55,556 THIS IS A GOOD SIGN. 26 00:00:55,556 --> 00:00:59,059 - WELL, I'M NOT READY TO GET BACK TO ANYTHING SERIOUS, 27 00:00:59,059 --> 00:01:02,130 BUT MAYBE A LITTLE FLING TO GET ME STARTED. 28 00:01:02,130 --> 00:01:03,731 - YEAH, YEAH, I GET IT. LIKE THE FIRST WAFFLE. 29 00:01:06,234 --> 00:01:08,869 - WAFFLE? - YEAH, WHEN YOU MAKE WAFFLES, 30 00:01:08,869 --> 00:01:12,840 THE FIRST ONE'S NEVER A KEEPER SO YOU THROW IT OUT, AND-- 31 00:01:12,840 --> 00:01:15,343 EVERY ONE AFTER THAT JUST SEEMS BETTER. 32 00:01:15,343 --> 00:01:16,810 - OH. 33 00:01:16,810 --> 00:01:20,914 I THINK I MIGHT HAVE BEEN THAT WAFFLE TO A FEW MEN. 34 00:01:20,914 --> 00:01:23,517 - OH, HEY, VICTORIA, HOW'D THE FIRST DAY ON YOUR NEW SHOW GO? 35 00:01:23,517 --> 00:01:25,153 - IT WAS TERRIFYING. 36 00:01:25,153 --> 00:01:26,854 I STILL DON'T KNOW WHAT THIS SHOW IS ABOUT 37 00:01:26,854 --> 00:01:28,889 OR HOW TO PLAY MY CHARACTER. 38 00:01:28,889 --> 00:01:31,024 I MEAN, YEAH, IT'S A ZED SIMMS SCRIPT SO, OF COURSE, 39 00:01:31,024 --> 00:01:33,694 IT MUST BE BRILLIANT. I MEAN, YOU GUYS READ IT. 40 00:01:33,694 --> 00:01:35,396 - OH, YEAH, YEAH. IT'S GENIUS. 41 00:01:35,396 --> 00:01:36,630 - SO CEREBRAL. 42 00:01:36,630 --> 00:01:38,632 - MMM, COMPLEX. - SO MANY LAYERS. 43 00:01:38,632 --> 00:01:41,068 - OH, MY GOD, YOU DON'T UNDERSTAND IT EITHER. 44 00:01:43,337 --> 00:01:45,038 AND TOMORROW IS MY BIG SCENE, YOU KNOW, 45 00:01:45,038 --> 00:01:46,507 THE ONE WHERE I TALK TO THE GHOST. 46 00:01:46,507 --> 00:01:48,842 - I THOUGHT YOU WERE THE GHOST. - WAIT, THERE'S A GHOST? 47 00:01:48,842 --> 00:01:51,179 - OH, YOU SEE! 48 00:01:51,179 --> 00:01:54,215 I JUST WON AN OSCAR! 49 00:01:54,215 --> 00:01:56,184 BUT IF I AM NOT GOOD AT THIS, 50 00:01:56,184 --> 00:01:58,686 THEN EVERYONE WILL SAY THAT IT WAS A FLUKE. 51 00:01:58,686 --> 00:02:03,324 GOD, IT WAS SO MUCH EASIER DOING LIFETIME ORIGINAL MOVIES. 52 00:02:03,324 --> 00:02:05,459 EVERYTHING I NEEDED TO KNOW ABOUT MY CHARACTER 53 00:02:05,459 --> 00:02:07,795 WAS IN THE TITLE. 54 00:02:11,098 --> 00:02:13,267 SOCCER MOM PROSTITUTE. 55 00:02:13,267 --> 00:02:15,869 FORTY AND FLIRTY. 56 00:02:15,869 --> 00:02:19,039 TAMMY LEE BOUDREAU: THE PMS STRANGLER. 57 00:02:20,441 --> 00:02:23,244 "IT'S THAT TIME OF THE MONTH... TO DIE!" 58 00:02:25,779 --> 00:02:28,216 - WHAT HAS SIX LEGS, FOUR BREASTS, 59 00:02:28,216 --> 00:02:31,219 AND IS HOSTING A COCKTAIL PARTY TONIGHT? 60 00:02:31,219 --> 00:02:33,387 - OH, OH, WAIT, WAIT, LET ME DO THIS, I LOVE RIDDLES. 61 00:02:33,387 --> 00:02:36,624 - SHE'S TALKING ABOUT US. 62 00:02:36,624 --> 00:02:38,792 - AND WHY ARE WE THROWING YOU A PARTY? 63 00:02:38,792 --> 00:02:42,062 - BECAUSE I WANT TO BE PRESIDENT OF CITY COUNCIL. 64 00:02:42,062 --> 00:02:43,864 I NEED TO GET MY AGENDA THROUGH. 65 00:02:43,864 --> 00:02:45,366 - WHAT IS YOUR AGENDA? 66 00:02:45,366 --> 00:02:47,535 - ZOO FUNDING AND ROAD REPAIR. 67 00:02:47,535 --> 00:02:50,338 - DOESN'T THE PRESIDENT ALSO GET TO RIDE WITH LEBRON 68 00:02:50,338 --> 00:02:52,606 IN THE CHRISTMAS PARADE? 69 00:02:52,606 --> 00:02:54,107 - DOES SHE? 70 00:02:56,510 --> 00:02:59,447 - ELKA JUST NEEDS TO SWAY COUNCILMAN STOKE'S VOTE. 71 00:02:59,447 --> 00:03:02,115 HE'S UNDECIDED, SO I'M GUESSING HE'S THE REASON 72 00:03:02,115 --> 00:03:03,651 WE'RE HAVING A PARTY TONIGHT? 73 00:03:03,651 --> 00:03:05,753 - WE'RE DOING IT THE OLD-FASHIONED WAY-- 74 00:03:05,753 --> 00:03:07,988 STRONG LIQUOR AND LOOSE WOMEN. 75 00:03:09,890 --> 00:03:12,293 YOU'RE NOT THE STRONG LIQUOR. 76 00:03:17,731 --> 00:03:20,334 - ACTUALLY, A PARTY IS NOT A BAD IDEA. 77 00:03:20,334 --> 00:03:22,270 I CAN INVITE ZED, 78 00:03:22,270 --> 00:03:24,638 AND IN A CASUAL, ALCOHOL-FUELED ENVIRONMENT, 79 00:03:24,638 --> 00:03:27,741 FIND OUT WHAT THE HELL THE SHOW IS ABOUT. 80 00:03:27,741 --> 00:03:29,743 - AND WE CAN INVITE JACK, 81 00:03:29,743 --> 00:03:31,679 AND IN A CASUAL, ALCOHOL-FUELED ENVIRONMENT, 82 00:03:31,679 --> 00:03:34,648 YOU CAN FIND OUT IF HE SAW ME NAKED. 83 00:03:34,648 --> 00:03:36,284 - I'LL GO AND INVITE HIM NOW. 84 00:03:36,284 --> 00:03:39,420 WHILE I'M THERE I MIGHT RUN INTO THE CUTE CONTRACTOR. 85 00:03:39,420 --> 00:03:41,289 HEY, CAN YOU SEE THROUGH MY BLOUSE? 86 00:03:41,289 --> 00:03:42,556 - MM, NOPE. 87 00:03:42,556 --> 00:03:45,326 - OH, SHOOT, I'LL JUST HAVE TO MAKE IT WORK. 88 00:03:50,298 --> 00:03:52,466 - * BA-BA, BA-BA 89 00:03:52,466 --> 00:03:55,636 * BA-BA, BA-BA 90 00:03:55,636 --> 00:03:56,704 * HEY! 91 00:03:56,704 --> 00:03:59,172 - WOW, THAT WAS HOT. 92 00:03:59,172 --> 00:04:01,141 SO, MY BAND'S PLAYING TONIGHT. 93 00:04:01,141 --> 00:04:03,311 I PLAY TENOR AND ALTO SAX. 94 00:04:03,311 --> 00:04:06,680 I LIKE TO SAY I'M BI-SAXUAL. 95 00:04:06,680 --> 00:04:08,382 - I GET IT. 96 00:04:08,382 --> 00:04:09,550 - SO ARE YOU GONNA COME? 97 00:04:09,550 --> 00:04:12,486 - DYLAN, WHAT WE HAD WAS FUN, 98 00:04:12,486 --> 00:04:15,222 BUT WHILE WE WERE TALKING I REALIZED 99 00:04:15,222 --> 00:04:18,826 IT WAS ONLY SUPPOSED TO LAST RIGHT UP UNTIL NOW. 100 00:04:18,826 --> 00:04:20,461 - SO THIS WAS JUST SEX? 101 00:04:20,461 --> 00:04:21,962 - EXACTLY. 102 00:04:21,962 --> 00:04:24,398 - BUT WHAT ABOUT THE SKYLIGHT YOU WANTED ME TO PUT IN? 103 00:04:24,398 --> 00:04:27,368 - OH, DYLAN, SWEET DYLAN. 104 00:04:27,368 --> 00:04:29,903 THERE WAS NEVER ACTUALLY GOING TO BE A SKYLIGHT. 105 00:04:36,577 --> 00:04:39,380 - DON'T YOU JUST LOVE THAT FEELING RIGHT BEFORE A PARTY 106 00:04:39,380 --> 00:04:41,148 WHERE ANYTHING IS POSSIBLE? 107 00:04:41,148 --> 00:04:43,250 - SOON JACK WILL BE HERE AND JOY WILL FIND OUT 108 00:04:43,250 --> 00:04:44,652 IF HE'S SEEN ME NAKED. 109 00:04:44,652 --> 00:04:47,821 AND HE MIGHT REPLY, "WHY, YES, AND SHE'S BEAUTIFUL. 110 00:04:47,821 --> 00:04:50,223 AND I WILL NOT REST UNTIL I MAKE HER MINE." 111 00:04:52,693 --> 00:04:54,762 - HAVE YOU STARTED DRINKING ALREADY? 112 00:04:57,164 --> 00:04:58,899 - JUST A LITTLE BIT. 113 00:04:58,899 --> 00:05:01,669 BUT YOU KNOW I GET NERVOUS BEFORE A PARTY, BECAUSE-- 114 00:05:01,669 --> 00:05:03,371 ANYTHING'S POSSIBLE! 115 00:05:04,605 --> 00:05:08,642 - CAN WE CONCENTRATE ON WHAT'S IMPORTANT? 116 00:05:08,642 --> 00:05:11,044 - LIKE YOU IN A PARADE WITH LEBRON? 117 00:05:11,044 --> 00:05:13,747 - I DON'T WANT TO BE STUCK ON SOME NERD FLOAT 118 00:05:13,747 --> 00:05:16,984 CALLED "SALUTE TO READING." 119 00:05:19,520 --> 00:05:21,555 - WOW, ANOTHER ONE. 120 00:05:21,555 --> 00:05:23,824 - WHY ARE YOU GETTING SO MANY TEXTS? 121 00:05:23,824 --> 00:05:26,894 - I JOINED SINDER, THE HOOKUP APP. 122 00:05:26,894 --> 00:05:28,929 - WHY ARE YOU ON SINDER? 123 00:05:28,929 --> 00:05:33,233 - BECAUSE I REALIZED I LIKE THROWING OUT WAFFLES. 124 00:05:35,769 --> 00:05:39,407 I AM DONE HOLDING OUT FOR ROMANCE AND HAPPILY EVER AFTER. 125 00:05:39,407 --> 00:05:41,442 THAT JUST LEADS TO HEARTBREAK. 126 00:05:41,442 --> 00:05:45,413 ON SINDER, I CAN ORDER MY MEN THE WAY I ORDER MY SHOES. 127 00:05:45,413 --> 00:05:47,415 - SIX AT A TIME? 128 00:05:57,925 --> 00:05:58,992 - HEY, JACK, HOLD UP! 129 00:05:58,992 --> 00:06:00,594 - OH, HELLO, DYLAN. 130 00:06:00,594 --> 00:06:03,230 IS IT TOO BOLD TO BRING ZINFANDEL TO A PARTY? 131 00:06:03,230 --> 00:06:05,265 JUST TO SAY, "FRIENDLY NEW NEIGHBOR." 132 00:06:05,265 --> 00:06:07,868 OR "UNCHAINED PARTY ANIMAL." 133 00:06:07,868 --> 00:06:10,671 - DUDE, YOU SHOULD'VE JUST BROUGHT A BOTTLE OF WINE. 134 00:06:10,671 --> 00:06:12,773 HEY, WOULD YOU GIVE THIS TO JOY FOR ME? 135 00:06:12,773 --> 00:06:14,775 IT'S THE ADDRESS OF THE CLUB I'M PLAYING TONIGHT. 136 00:06:14,775 --> 00:06:16,176 I'D GIVE IT TO HER MYSELF BUT 137 00:06:16,176 --> 00:06:17,811 THINGS ARE A LITTLE AWKWARD BETWEEN US. 138 00:06:17,811 --> 00:06:19,079 - OH, I'M SORRY TO HEAR THAT. 139 00:06:19,079 --> 00:06:21,482 - YEAH, WE HAD A GOOD THING GOING THERE FOR A WHILE, 140 00:06:21,482 --> 00:06:22,716 IF YOU KNOW WHAT I MEAN. 141 00:06:22,716 --> 00:06:24,117 - I KNOW EXACTLY WHAT YOU MEAN. 142 00:06:24,117 --> 00:06:26,954 I ACTUALLY SAW THE TWO OF YOU THROUGH JOY'S WINDOW. 143 00:06:26,954 --> 00:06:28,288 - REALLY? 144 00:06:28,288 --> 00:06:30,558 - SORRY TO SAY, YES. 145 00:06:30,558 --> 00:06:33,360 FIRST TIME I'VE SEEN NAKED WOMEN COPULATING THROUGH A WINDOW. 146 00:06:33,360 --> 00:06:37,164 AND I HAVE TO SAY, I WAS NOT A FAN. 147 00:06:37,164 --> 00:06:39,132 - GUESS YOU HAD TO BE THERE. 148 00:06:44,204 --> 00:06:46,474 - WOW, VICTORIA CHASE! 149 00:06:46,474 --> 00:06:48,341 I'VE NEVER MET A CELEBRITY BEFORE. 150 00:06:48,341 --> 00:06:51,344 FEELS GOOD! 151 00:06:51,344 --> 00:06:53,346 HOW DOES IT FEEL TO MEET ME? 152 00:06:54,882 --> 00:06:56,049 - AND YOU ARE? 153 00:06:56,049 --> 00:06:57,685 - OH, SORRY, I'M JACK. 154 00:06:57,685 --> 00:06:58,752 NEW NEIGHBOR. 155 00:07:00,320 --> 00:07:03,924 OH, BY THE WAY, CONGRATULATIONS ON THE NEW HBO SHOW. 156 00:07:03,924 --> 00:07:05,058 - OH, THANK YOU. 157 00:07:05,058 --> 00:07:08,862 - WHAT'S IT ABOUT? 158 00:07:08,862 --> 00:07:11,398 - I-I CAN'T SAY. 159 00:07:11,398 --> 00:07:12,966 I HONESTLY CAN'T SAY. 160 00:07:14,267 --> 00:07:17,004 - OH, LOOK HOW CUTE HE IS. 161 00:07:17,004 --> 00:07:19,272 "SHE SEARCHED THE WORLD FOR ROMANCE, 162 00:07:19,272 --> 00:07:21,809 ONLY TO FIND HE WAS RIGHT ACROSS THE STREET." 163 00:07:21,809 --> 00:07:25,846 - WOULD YOU STOP NARRATING YOUR LIFE LIKE YOU'RE IN A ROM-COM? 164 00:07:25,846 --> 00:07:28,381 - "AND WITH THE HELP OF HER QUIRKY, BRITISH ROOMMATE," 165 00:07:28,381 --> 00:07:29,416 - MELANIE. 166 00:07:29,416 --> 00:07:30,417 - KATE BECKINSALE. 167 00:07:30,417 --> 00:07:32,520 - GO ON. 168 00:07:32,520 --> 00:07:34,788 - "SHE FOUND THE INFORMATION SHE NEEDED TO PUT LOVE 169 00:07:34,788 --> 00:07:35,856 ON ITS TRUE COURSE." 170 00:07:35,856 --> 00:07:37,324 NOW, WE ARE DESTINED FOR EACH OTHER 171 00:07:37,324 --> 00:07:38,992 SO GO FIND OUT IF HE SAW ME NAKED. 172 00:07:41,929 --> 00:07:45,232 - HEY, ELKA, HAS COUNCILMAN STOKES COME BY YET? 173 00:07:45,232 --> 00:07:47,535 - I GUESS HE'S RUNNING LATE. 174 00:07:47,535 --> 00:07:48,902 - SO WHAT DOES HE LOOK LIKE? 175 00:07:48,902 --> 00:07:54,341 - BLAND, BEIGE-- KIND OF BLENDS IN WITH THE FURNITURE. 176 00:07:54,341 --> 00:07:55,609 - HELLO, ELKA. 177 00:07:55,609 --> 00:07:59,246 - COUNCILMAN STOKES. 178 00:07:59,246 --> 00:08:01,982 MY GOD, YOU LIGHT UP A ROOM. 179 00:08:03,851 --> 00:08:06,253 - OH, ZED, I'M GLAD YOU COULD MAKE IT. 180 00:08:06,253 --> 00:08:07,755 - WOW. 181 00:08:07,755 --> 00:08:10,390 A CLEVELAND PARTY. 182 00:08:10,390 --> 00:08:13,994 TAKE IT IN, ZED. TAKE IT IN. 183 00:08:13,994 --> 00:08:15,563 SO, VICTORIA, 184 00:08:15,563 --> 00:08:17,665 YOU MENTIONED THAT YOU WANTED TO TALK TO ME ABOUT SOMETHING. 185 00:08:17,665 --> 00:08:19,266 - OH, WELL FIRST OF ALL I JUST WANT TO SAY 186 00:08:19,266 --> 00:08:21,735 HOW MUCH I LOVE YOUR SHOW AND MY CHARACTER. 187 00:08:21,735 --> 00:08:23,637 - GOOD. I'M EXCITED TO SEE WHAT YOU'RE GOING TO DO WITH HER 188 00:08:23,637 --> 00:08:26,173 TOMORROW. SUCH AN IMPORTANT SCENE. 189 00:08:26,173 --> 00:08:29,242 - YEAH, UH, ABOUT THAT-- 190 00:08:29,242 --> 00:08:31,579 - ONE SECOND. 191 00:08:31,579 --> 00:08:33,614 HELLO? 192 00:08:33,614 --> 00:08:35,583 YES, YES, I'M SURE. 193 00:08:35,583 --> 00:08:38,185 OK. GOODBYE. 194 00:08:38,185 --> 00:08:39,486 I JUST FIRED BEN KINGSLEY. 195 00:08:39,486 --> 00:08:41,188 - WHAT? BUT WHY? 196 00:08:41,188 --> 00:08:43,691 HE WAS MY LOVE INTEREST. 197 00:08:43,691 --> 00:08:45,859 RIGHT? 198 00:08:45,859 --> 00:08:48,195 - WE'LL GET ANOTHER ONE. HE ASKS TOO MANY QUESTIONS. 199 00:08:48,195 --> 00:08:50,230 THERE'S NOTHING MORE TIRESOME THAN EXPLAINING PLOT 200 00:08:50,230 --> 00:08:53,734 AND CHARACTER TO A BRAINLESS ACTOR. 201 00:08:53,734 --> 00:08:56,036 SO WHAT WERE YOU SAYING? 202 00:08:56,036 --> 00:08:57,838 - NOTHING. 203 00:08:57,838 --> 00:08:59,807 UH, IT'S JUST MY FRIEND, MELANIE. 204 00:08:59,807 --> 00:09:03,811 YOU KNOW, I'VE BEEN EXPLAINING THE SHOW TO HER REPEATEDLY 205 00:09:03,811 --> 00:09:06,847 AND KNOWLEDGABLY, BUT SHE JUST DOESN'T GET IT. 206 00:09:06,847 --> 00:09:10,083 - SO YOU INVITED ME TO THIS PARTY TO EXPLAIN MY SHOW 207 00:09:10,083 --> 00:09:12,720 TO YOUR DUMB FRIEND? 208 00:09:12,720 --> 00:09:17,190 - WHAT IF I TOLD YOU THAT SHE THINKS YOU'RE REALLY HOT? 209 00:09:17,190 --> 00:09:19,627 - I'M LISTENING. 210 00:09:19,627 --> 00:09:20,961 - I DO LOVE OUR STREET. 211 00:09:20,961 --> 00:09:23,196 BUT I HAVE NOTICED, FROM SOME ROOMS, 212 00:09:23,196 --> 00:09:25,899 WE HAVE AN UNOBSTRUCTED VIEW INTO YOUR HOUSE. 213 00:09:25,899 --> 00:09:28,001 I SUPPOSE IT FOLLOWS THAT YOU ALSO-- 214 00:09:28,001 --> 00:09:29,870 - I THINK I KNOW WHERE YOU'RE GOING WITH THIS. 215 00:09:29,870 --> 00:09:31,639 YES, I SAW THROUGH THE WINDOW. 216 00:09:31,639 --> 00:09:32,973 I DIDN'T MEAN TO, BUT I DID. 217 00:09:32,973 --> 00:09:35,976 - OH, OK. NOT A PROBLEM. 218 00:09:35,976 --> 00:09:38,646 CAN I ASK EXACTLY HOW MUCH YOU SAW? 219 00:09:38,646 --> 00:09:41,081 - EVERYTHING. 220 00:09:41,081 --> 00:09:42,549 - I SEE. 221 00:09:42,549 --> 00:09:46,453 WELL, IT'S NO BIG DEAL, IT'S JUST FLESH. 222 00:09:46,453 --> 00:09:50,557 IS THERE ANY CHANCE YOU LIKED WHAT YOU SAW? 223 00:09:50,557 --> 00:09:52,760 - WHAT? 224 00:09:52,760 --> 00:09:54,327 NO, I DIDN'T LIKE IT. 225 00:09:54,327 --> 00:09:56,329 IT WAS WEIRD. 226 00:09:56,329 --> 00:09:57,364 - WEIRD? 227 00:09:57,364 --> 00:09:59,900 WELL, WHAT DOES THAT MEAN? 228 00:09:59,900 --> 00:10:02,636 - DO YOU HAVE ANYTHING UNUSUAL GOING ON UNDER YOUR CLOTHES? 229 00:10:02,636 --> 00:10:05,405 - NO. I LOOK GOOD UNDER MY CLOTHES. 230 00:10:05,405 --> 00:10:08,175 - MAYBE HE SAW YOUR MOLE MASS. 231 00:10:08,175 --> 00:10:11,278 - IT'S NOT A MOLE MASS! IT'S THREE MOLES. 232 00:10:11,278 --> 00:10:13,213 MY MOM SAID THEY WERE ANGEL KISSES. 233 00:10:13,213 --> 00:10:16,684 - THOSE ANGELS HAD SOME BIG ASS LIPS. 234 00:10:23,290 --> 00:10:24,825 - ALRIGHT, MELANIE. I NEED YOU TO TALK TO ZED ABOUT THE SHOW. 235 00:10:24,825 --> 00:10:26,760 NOW, I CAN'T DO IT, HE'LL FIRE ME. 236 00:10:26,760 --> 00:10:30,097 HE JUST FIRED BEN KINGSLEY FOR ASKING TOO MANY QUESTIONS. 237 00:10:30,097 --> 00:10:31,198 - I CAN'T TALK TO ZED UNTIL 238 00:10:31,198 --> 00:10:34,234 I FIND OUT WHAT JACK MEANT BY "WEIRD." 239 00:10:35,602 --> 00:10:38,605 - LOOK, I GOT ANOTHER SINDER MATCH. 240 00:10:38,605 --> 00:10:41,775 OF ALL THE GUYS WITH FACE TATTOOS, HE SEEMS THE NICEST. 241 00:10:46,113 --> 00:10:47,580 - JACK? - HEY. 242 00:10:47,580 --> 00:10:52,485 - SO, UM, JOY TELLS ME THAT YOU MAY HAVE SEEN SOMETHING WEIRD 243 00:10:52,485 --> 00:10:54,855 THROUGH OUR WINDOW THIS MORNING. 244 00:10:54,855 --> 00:10:56,489 - YES, UNFORTUNATELY I DID. 245 00:10:56,489 --> 00:10:58,091 - WAS IT REALLY THAT BAD? 246 00:10:58,091 --> 00:11:01,829 - TRULY UNSETTLING. 247 00:11:01,829 --> 00:11:04,364 NO GOOD PLACE TO LOOK, YOU KNOW? 248 00:11:04,364 --> 00:11:06,099 - NO GOOD PLACE? 249 00:11:06,099 --> 00:11:07,634 - IN A WORD, "UGH!" 250 00:11:09,536 --> 00:11:11,171 - "ICK?" - MM. 251 00:11:14,541 --> 00:11:16,910 - HAVE YOU SEEN COUNCILMAN STOKES? 252 00:11:16,910 --> 00:11:19,780 - HELLO, ELKA. 253 00:11:19,780 --> 00:11:22,049 - OH, COUNCILMAN STOKES. 254 00:11:22,049 --> 00:11:24,617 LIFE OF THE PARTY. 255 00:11:24,617 --> 00:11:26,754 - HELLO, I'M VICTORIA CHASE. 256 00:11:26,754 --> 00:11:29,222 - I KNOW I SAW YOU IN CLEVELAND RHAPSODY. 257 00:11:29,222 --> 00:11:31,491 IT WAS THE NIGHT MY FIANCEE AND I BROKE UP. 258 00:11:31,491 --> 00:11:35,863 I'M SORRY BUT SEEING YOU IS BRINGING BACK VERY BAD MEMORIES. 259 00:11:35,863 --> 00:11:40,233 - TRY SEEING HER EVERY DAY. 260 00:11:40,233 --> 00:11:42,002 GET LOST, VICTORIA. 261 00:11:43,370 --> 00:11:45,172 - MAYBE I SHOULD GO TOO. 262 00:11:45,172 --> 00:11:47,775 - WITH ALL THE SINGLE WOMEN AT THIS PARTY? 263 00:11:47,775 --> 00:11:49,209 HERE COMES ONE NOW. 264 00:11:49,209 --> 00:11:51,812 - CAN YOU BELIEVE HE SAW MY NAKED BODY 265 00:11:51,812 --> 00:11:53,981 AND ALL HE COULD SAY WAS "ICK?" 266 00:11:53,981 --> 00:11:56,449 IT MUST HAVE BEEN MY MOLE MASS. 267 00:11:58,485 --> 00:12:00,788 - WHO ELSE YOU GOT? 268 00:12:02,055 --> 00:12:04,925 - SO, ZED, I LIKE YOUR TOP. 269 00:12:04,925 --> 00:12:09,262 UM, TUNIC. MAN-SHIRT. I LIKE YOUR MAN-SHIRT. 270 00:12:09,262 --> 00:12:11,932 - SO, I UNDERSTAND YOU HAVE SOME QUESTIONS ABOUT MY SHOW. 271 00:12:11,932 --> 00:12:15,803 - YES. I DO. BUT, BEFORE WE GET TO THAT, UM, 272 00:12:15,803 --> 00:12:19,272 IF YOU WERE DIRECTING A SCENE WHERE A MAN SEES A NAKED WOMAN 273 00:12:19,272 --> 00:12:23,811 THROUGH A WINDOW, AND THAT WOMAN JUST HAPPENED TO LOOK LIKE ME, 274 00:12:23,811 --> 00:12:27,114 WOULD THAT MAN'S REACTION EVER BE "ICK?" 275 00:12:27,114 --> 00:12:28,916 - NO WAY. THAT WOULDN'T HAPPEN. 276 00:12:28,916 --> 00:12:30,450 YOU'RE TOO BEAUTIFUL. 277 00:12:30,450 --> 00:12:32,853 - OH, ZED, THANK YOU. 278 00:12:32,853 --> 00:12:35,655 BUT, IF IT DID HAPPEN. 279 00:12:35,655 --> 00:12:37,357 - WELL, THEN THE LIGHTING WAS WRONG. 280 00:12:37,357 --> 00:12:40,560 IMPROPER LIGHTING CAN ABSOLUTELY DEMOLISH BEAUTY. 281 00:12:40,560 --> 00:12:41,661 - REALLY? 282 00:12:41,661 --> 00:12:42,896 WELL, CAN YOU COME INTO MY BEDROOM 283 00:12:42,896 --> 00:12:46,699 AND LOOK AT ME AT EVERY ANGLE? 284 00:12:46,699 --> 00:12:49,937 WE CAN TEST OUT DIFFERENT POSITIONS. 285 00:12:49,937 --> 00:12:51,872 I MIGHT EVEN DANCE A LITTLE. 286 00:12:55,976 --> 00:12:59,512 - YEAH, YEAH, OKAY, I'M GAME. 287 00:12:59,512 --> 00:13:02,582 I'LL GO GET US SOME DRINKS. 288 00:13:05,618 --> 00:13:08,989 - I GUESS WHAT I'M LOOKING FOR IS A GIRL WHO'S SMART, 289 00:13:08,989 --> 00:13:12,860 AND SWEET, MAYBE A LITTLE SHY. 290 00:13:12,860 --> 00:13:14,862 - I SEE WHERE YOU'RE GOING BUT-- 291 00:13:14,862 --> 00:13:19,166 I DON'T DATE COWORKERS. 292 00:13:19,166 --> 00:13:21,168 WHAT I'M LOOKING FOR DOESN'T EXIST ANYMORE. 293 00:13:21,168 --> 00:13:24,137 AND OLD FASHIONED GIRL WITH OLD FASHIONED VALUES. 294 00:13:25,772 --> 00:13:28,175 - I KNOW JUST THE GIRL. 295 00:13:28,175 --> 00:13:31,244 - YOU SAID I WAS A DEMURE ENGLISH ROSE? 296 00:13:31,244 --> 00:13:33,113 - AND VIRGIN. 297 00:13:33,113 --> 00:13:35,448 NOW GO SELL IT. 298 00:13:35,448 --> 00:13:37,951 - I AM TIRED OF YOU PIMPING ME OUT. 299 00:13:37,951 --> 00:13:39,586 - IT'S NOT PIMPING. 300 00:13:39,586 --> 00:13:42,189 I'M ASKING YOU NOT TO SLEEP WITH HIM. 301 00:13:42,189 --> 00:13:45,292 FOR CLEVELAND. 302 00:13:45,292 --> 00:13:48,962 - WELL, I GUESS YOU DID SAVE THE DOG PARKS AND 303 00:13:48,962 --> 00:13:51,298 BRING A LOT OF JOBS TO THE CITY. 304 00:13:51,298 --> 00:13:52,900 AND YOU'VE DONE A LOT FOR THE ZOO. 305 00:13:52,900 --> 00:13:56,403 - I NAMED THAT OLD BABOON AFTER YOU. 306 00:13:56,403 --> 00:13:58,538 - YOU SAID IT WAS A BABY SNOW LEOPARD. 307 00:13:58,538 --> 00:14:00,040 - OH, THAT'S RIGHT. 308 00:14:04,978 --> 00:14:06,980 - AND WHEN I SAW 40 YEAR OLD VIRGIN I THOUGHT, 309 00:14:06,980 --> 00:14:10,918 "FINALLY, SOMEONE'S TELLING MY STORY." 310 00:14:13,120 --> 00:14:16,789 - ELKA WAS RIGHT, YOU REALLY ARE A DEMURE ENGLISH ROSE. 311 00:14:16,789 --> 00:14:21,028 - OH, COUNCILMAN. YOU MAKE ME BLUSH. 312 00:14:21,028 --> 00:14:23,563 MAYBE IT MAKES ME OLD FASHIONED 313 00:14:23,563 --> 00:14:26,699 BUT I GUESS I'M JUST A GIRL LOOKING FOR LOVE. 314 00:14:26,699 --> 00:14:30,503 SOMEONE TO LIVE HAPPILY EVER AFTER WITH. 315 00:14:30,503 --> 00:14:35,475 WHITE PICKET FENCE. KIDS AND DOGS PLAYING IN THE YARD. 316 00:14:35,475 --> 00:14:37,710 - THAT SOUNDS REALLY NICE. 317 00:14:37,710 --> 00:14:39,947 - IT DOES, DOESN'T IT? 318 00:14:39,947 --> 00:14:42,482 - THE PROBLEM IN THE REAL WORLD IS PEOPLE JUST WANT TO 319 00:14:42,482 --> 00:14:44,417 HOOKUP ON TINDER. 320 00:14:44,417 --> 00:14:46,753 OR WORSE, SINDER. 321 00:14:46,753 --> 00:14:48,821 THANK GOD YOU'RE NOTHING LIKE THAT. 322 00:14:48,821 --> 00:14:51,758 SEX WITHOUT LOVE, HA, IT'S JUST SAD! 323 00:14:56,296 --> 00:14:57,697 - OH, DEAR GOD. 324 00:14:57,697 --> 00:15:00,433 - WHY IS THERE A MAN IN YOUR DRIVEWAY PLAYING SAXOPHONE? 325 00:15:00,433 --> 00:15:01,969 - LET'S GO INSIDE. 326 00:15:03,803 --> 00:15:04,837 - WHO WAS THAT? 327 00:15:04,837 --> 00:15:06,539 - I HAVE NO IDEA. 328 00:15:06,539 --> 00:15:08,275 LET ME SHOW YOU THE BACK GARDEN. 329 00:15:08,275 --> 00:15:09,642 - JOY! 330 00:15:09,642 --> 00:15:12,345 I KNOW THIS MORNING YOU SAID YOU WERE JUST USING ME FOR SEX 331 00:15:12,345 --> 00:15:14,814 BUT I HAVE FEELINGS. 332 00:15:14,814 --> 00:15:16,383 I'M NOT A PIECE OF MEAT. 333 00:15:18,251 --> 00:15:19,987 - I THOUGHT HE WAS A WAFFLE. 334 00:15:24,992 --> 00:15:27,427 - YOU SLEPT WITH THIS MAN THIS MORNING? 335 00:15:27,427 --> 00:15:31,231 - I'LL SAY. WITH THE CURTAINS WIDE OPEN. 336 00:15:31,231 --> 00:15:32,599 - WHAT? 337 00:15:32,599 --> 00:15:35,002 - LIKE I WAS TELLING YOU, I SAW JOY AND MY CONTRACTOR 338 00:15:35,002 --> 00:15:37,404 THROUGH THE WINDOW. ICK! 339 00:15:37,404 --> 00:15:39,872 - OH, SO SHE'S THE ICK? NOT ME? 340 00:15:39,872 --> 00:15:42,909 OH, JOY, DID YOU HEAR THAT? I'M NOT THE ICK, YOU ARE! 341 00:15:44,777 --> 00:15:46,413 - YES, I HEARD. 342 00:15:46,413 --> 00:15:49,416 I'M AWASH IN WONDERFUL NEWS HERE. 343 00:15:49,416 --> 00:15:52,385 - MELANIE, YOU COULD NEVER BE THE ICK. YOU'RE BEAUTIFUL. 344 00:15:52,385 --> 00:15:55,022 IN FACT, I WAS WORKING UP THE COURAGE TO ASK YOU OUT 345 00:15:55,022 --> 00:15:56,256 FOR A COFFEE. 346 00:15:56,256 --> 00:15:57,490 - OH, I'D LOVE THAT. 347 00:15:57,490 --> 00:16:01,428 - WHOA, WHOA, WHOA, WHOA, WHOA, HEY, UH-- 348 00:16:01,428 --> 00:16:04,197 WHAT'S GOING ON? YOU JUST INVITED ME UP TO YOUR BEDROOM. 349 00:16:04,197 --> 00:16:06,233 - WELL, YES, BUT JUST SO YOU COULD LIGHT ME. 350 00:16:06,233 --> 00:16:08,401 - BUT YOU TALKED ABOUT HOW YOU LOOKED NAKED! 351 00:16:08,401 --> 00:16:11,738 AND THAT YOU WANTED TO TEST OUT DIFFERENT POSITIONS! 352 00:16:11,738 --> 00:16:13,740 THOSE THINGS MEAN SOMETHING TO A MAN! 353 00:16:15,908 --> 00:16:18,411 I GUESS YOU ARE AS DUMB AS VICTORIA SAID. 354 00:16:18,411 --> 00:16:20,213 - HEY, HOLD ON, ZED. 355 00:16:20,213 --> 00:16:22,482 NOW I CAN CALL MELANIE DUMB, BUT YOU CAN'T. 356 00:16:22,482 --> 00:16:25,218 - YEAH, I'D RATHER NOBODY CALLED ME DUMB. 357 00:16:25,218 --> 00:16:27,854 - MELANIE'S NOT DUMB, SHE'S WONDERFUL. 358 00:16:27,854 --> 00:16:30,590 YOU KNOW WHAT'S DUMB? YOU AND YOUR SHOWS. 359 00:16:30,590 --> 00:16:33,793 THEY WIN AWARDS BUT THEY DON'T MAKE A LICK OF SENSE. 360 00:16:33,793 --> 00:16:36,463 - THAT'S HIM TALKING, NOT ME. BUT GO ON. 361 00:16:36,463 --> 00:16:39,066 - WHAT ARE YOU TALKING ABOUT? MY SHOWS MAKE PERFECT SENSE. 362 00:16:39,066 --> 00:16:40,267 TELL THEM, VICTORIA. 363 00:16:40,267 --> 00:16:45,738 - UH, THERE ARE BIG SCENES, AND LITTLE ONES-- 364 00:16:45,738 --> 00:16:46,939 OH, SCREW IT! 365 00:16:46,939 --> 00:16:49,342 I HAVE NO IDEA WHAT YOUR SCRIPT IS ABOUT 366 00:16:49,342 --> 00:16:51,644 OR HOW THE HELL I'M SUPPOSED TO BE PLAYING IT. 367 00:16:51,644 --> 00:16:53,446 - BUT, YOU SAID YOU LOVED IT. 368 00:16:53,446 --> 00:16:55,682 - BECAUSE I DIDN'T WANT TO SEEM STUPID. 369 00:16:55,682 --> 00:17:00,253 BUT I AM STUPID, AND YOUR SCRIPT MADE ME THAT WAY. 370 00:17:00,253 --> 00:17:02,789 NOW, JUST TELL ME YES OR NO, 371 00:17:02,789 --> 00:17:06,159 AM I A GHOST DETECTIVE TRYING TO GO BACK IN TIME 372 00:17:06,159 --> 00:17:08,828 TO SOLVE MY OWN MURDER? 373 00:17:08,828 --> 00:17:10,730 - NOT EVEN CLOSE. 374 00:17:12,099 --> 00:17:15,102 - TOO BAD, I'D WATCH THAT. - YEAH, ME TOO. 375 00:17:20,107 --> 00:17:22,109 - ULTIMATELY, THIS IS A STORY IN WHICH THE ACTION 376 00:17:22,109 --> 00:17:25,578 TRIES TO FIND MEANING IN INACTION! 377 00:17:27,580 --> 00:17:30,450 WAIT, EARLIER YOU MENTIONED THAT YOU'RE A GHOST 378 00:17:30,450 --> 00:17:33,486 TRYING TO SOLVE YOUR OWN MURDER? 379 00:17:33,486 --> 00:17:35,555 I LIKE THAT, WHY DON'T WE JUST DO THAT? 380 00:17:37,124 --> 00:17:38,991 - OKAY. 381 00:17:38,991 --> 00:17:40,327 OH, I AM SO RELIEVED. 382 00:17:40,327 --> 00:17:42,629 I THOUGHT YOU WERE GOING TO FIRE ME FOR ASKING QUESTIONS 383 00:17:42,629 --> 00:17:44,131 THE WAY YOU DID WITH BEN KINGSLEY. 384 00:17:44,131 --> 00:17:45,832 - NO, THAT WAS JUST THE TIPPING POINT. 385 00:17:45,832 --> 00:17:48,935 THE REAL ISSUE WAS THAT EVERY MORNING ON SET, 386 00:17:48,935 --> 00:17:51,571 HE WOULD TAKE THE LAST EVERYTHING BAGEL. 387 00:17:53,706 --> 00:17:55,342 - WELL, I DON'T EAT BAGELS. 388 00:17:55,342 --> 00:17:56,876 AND I CERTAINLY DON'T EAT ANYTHING 389 00:17:56,876 --> 00:17:58,845 THAT HAS THE WORD "EVERYTHING" IN IT. 390 00:18:00,147 --> 00:18:01,781 - EXCELLENT. 391 00:18:01,781 --> 00:18:03,850 AND VICTORIA? 392 00:18:03,850 --> 00:18:06,153 DON'T EVER FEEL STUPID AGAIN. 393 00:18:06,153 --> 00:18:10,423 WHAT YOU SHOULD BE IS OUTWARDLY VAIN, BUT INWARDLY WARM. 394 00:18:10,423 --> 00:18:13,160 FEARFUL BUT WISE. 395 00:18:13,160 --> 00:18:15,728 DRIVEN BUT GENEROUS. 396 00:18:15,728 --> 00:18:17,497 - WHO COULD BE ALL THOSE THINGS? 397 00:18:17,497 --> 00:18:19,566 SHE SOUNDS LIKE A COMPLETE MESS. 398 00:18:19,566 --> 00:18:22,569 - I WAS DESCRIBING YOU. 399 00:18:22,569 --> 00:18:24,471 I MEANT YOU SHOULD JUST BE YOURSELF. 400 00:18:24,471 --> 00:18:27,407 THIS CHARACTER IS YOU. 401 00:18:27,407 --> 00:18:30,177 - OH, MY GOD, 402 00:18:30,177 --> 00:18:34,013 I AM SO COMPLEX I-I BARELY UNDERSTAND MYSELF. 403 00:18:36,015 --> 00:18:37,184 - YEAH, JUST BE LIKE THAT. 404 00:18:41,188 --> 00:18:44,324 - LOOK, I KNOW ELKA INVITED ME HERE TO GET MY VOTE 405 00:18:44,324 --> 00:18:46,893 AND ASKED YOU TO PRETEND TO BE SOMEONE YOU'RE OBVIOUSLY NOT. 406 00:18:46,893 --> 00:18:49,562 - YOU'RE RIGHT, BUT, THE TRUTH IS 407 00:18:49,562 --> 00:18:52,064 WHEN I WAS SAYING I BELIEVED IN HAPPILY EVER AFTER 408 00:18:52,064 --> 00:18:54,033 I REALIZED, I MEANT IT. 409 00:18:54,033 --> 00:18:56,436 I MEAN, DEEP DOWN, THAT'S WHO I AM. 410 00:18:56,436 --> 00:18:58,805 I'VE BEEN DOING THIS STUPID STUFF BECAUSE 411 00:18:58,805 --> 00:19:00,473 I RECENTLY HAD MY HEART BROKEN 412 00:19:00,473 --> 00:19:02,875 AND I'M SCARED OF IT HAPPENING AGAIN. 413 00:19:02,875 --> 00:19:04,344 - I UNDERSTAND. 414 00:19:04,344 --> 00:19:07,514 YOU GET TO AN AGE WHERE YOU JUST SORT OF GIVE UP AND SAY 415 00:19:07,514 --> 00:19:08,648 "WHAT'S THE POINT?" 416 00:19:08,648 --> 00:19:10,450 - WELL, YOU COULD BE LIKE ELKA. 417 00:19:10,450 --> 00:19:13,386 SHE'S 92 AND NEVER USES HER AGE 418 00:19:13,386 --> 00:19:15,655 AS AN EXCUSE NOT TO DO SOMETHING. 419 00:19:15,655 --> 00:19:18,291 RUN FOR OFFICE, LOOK FOR LOVE, 420 00:19:18,291 --> 00:19:20,493 MANIPULATE HER FRIENDS. 421 00:19:20,493 --> 00:19:22,795 SHE KNOWS HOW TO WORK IT. 422 00:19:22,795 --> 00:19:27,534 AND YOU DO NEED THAT IN ORDER TO GET THINGS DONE FOR A CITY. 423 00:19:27,534 --> 00:19:30,002 - SO, DOES SHE GET YOUR VOTE? 424 00:19:30,002 --> 00:19:31,238 - I GUESS SHE DOES. 425 00:19:31,238 --> 00:19:35,007 - FINALLY. 426 00:19:35,007 --> 00:19:38,845 I MEAN, IS THERE ANYTHING WE SHOULD BE CELEBRATING? 427 00:19:40,947 --> 00:19:43,483 - WOW, WHAT A MIX-UP. - YEAH. 428 00:19:43,483 --> 00:19:46,253 - THIS WOULD BE A STORY WE'RE TELLING THE KIDS. 429 00:19:46,253 --> 00:19:47,654 - KIDS? 430 00:19:47,654 --> 00:19:48,755 - NOT OURS. 431 00:19:48,755 --> 00:19:53,260 JUST YOUNG PEOPLE WHO-- 432 00:19:53,260 --> 00:19:55,795 LIKE CHARMING STORIES ABOUT COUPLES MEETING. 433 00:19:57,730 --> 00:20:01,501 - WELL I SHOULD GET GOING. 434 00:20:01,501 --> 00:20:05,238 YOU KNOW, IN NEW ZEALAND WE HAVE A TRADITION. 435 00:20:05,238 --> 00:20:07,807 WHEN YOU SAY GOODNIGHT TO SOMEONE AND YOU LIKE THAT PERSON 436 00:20:07,807 --> 00:20:09,008 GIVE THEM A KISS. 437 00:20:09,008 --> 00:20:11,511 - OH, WE HAVE A SIMILAR TRADITION IN AMERICA. 438 00:20:11,511 --> 00:20:13,513 - OH, YOU DO? GOOD. 439 00:20:13,513 --> 00:20:16,883 WELL, PREPARE YOURSELF FOR A RESPECTFUL, YET SENSUAL, 440 00:20:16,883 --> 00:20:18,117 KISS ON THE CHEEK. 441 00:20:19,852 --> 00:20:21,921 - OKAY, GO FOR IT. 442 00:20:25,958 --> 00:20:27,494 - SEE YOU TOMORROW. - OKAY. 443 00:20:30,297 --> 00:20:31,431 - GOODNIGHT, MELANIE. 444 00:20:31,431 --> 00:20:33,232 GOODNIGHT, JACK! 445 00:20:36,603 --> 00:20:38,405 - IT'S A BIT WEIRD. 446 00:20:46,379 --> 00:20:48,781 - * BA-BA, BA-BA 447 00:20:48,781 --> 00:20:51,083 * BA-BA, BA-BA 448 00:20:56,022 --> 00:20:58,325 * BA-BA, BA-BA 449 00:20:58,325 --> 00:21:00,693 * BA-BA, BA-BA 450 00:21:08,801 --> 00:21:09,736 * HEY! 32838

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