All language subtitles for The.92nd.Annual.Academy.Awards.2020.Oscars.480p.HDTV.x264

Created by Ramnia(IR.021)

>> WELL HELLO!

IT'S A BEAUTIFUL DAY
IN THIS NEIGHBORHOOD

A BEAUTIFUL DAY
FOR A NEIGHBOR

WOULD YOU BE MINE?
COULD YOU BE MINE?

IT'S A NEIGHBORLY DAY
IN THIS BEAUTY WOOD

A NEIGHBORLY DAY
FOR A BEAUTY

WOULD YOU BE MINE?
COULD YOU BE MINE?

I HAVE ALWAYS WANTED TO
HAVE A NEIGHBOR

JUST LIKE YOU
I'VE ALWAYS WANTED TO

LIVE IN A NEIGHBORHOOD
WITH YOU SO

LET'S MAKE THE
MOST OF THIS

BEAUTIFUL DAY
AND WE'RE HERE

AT THE OSCARS
SO WE MIGHT

AS WELL STAY
WOULD YOU BE MINE?

COULD YOU BE MINE?
WON'T YOU BE MY NEIGHBOR

WON'T YOU PLEASE?
WON'T YOU PLEASE?

PLEASE WON'T YOU
BE MY NEIGHBOR?

HELLO NEIGHBORS!
TONIGHT, WE CELEBRATE THE ART OF

STORYTELLING.
OH, THE MISFITS, THE OUTCASTS,

THE MISUNDERSTOOD.
THOSE VOICES WHO ARE LONG

DEPRIVED.
BE LOUD, BE SEEN, BE LIT, BE

HEARD.
BECAUSE TONIGHT, WE COME ALIVE.

WELCOME TO THE BIGGEST
NIGHT OF YOUR LIVES

YOU'RE ALL DRESSED UP
IN YOUR SUIT AND YOUR TIE

TRYING TO GET RID OF
ALL THOSE BUTTERFLIES

SO IT'S TIME
TO COME ALIVE

AT THE OSCARS SUNDAY NIGHT
IT'S TIME TO COME ALIVE

NOW LET'S GO WILD
COME ON.

LET'S GO!
THE LOVERS ON THE RUN

AND THE QUEENS
AND THE SLIMS

THE HUSTLERS WITH
THEIR GUNS

AND THE LITTLE WOMEN
THE DOLEMITES

THE PARASITES
IT'S TIME TO SHINE

AND IT'S TIME TO
COME ALIVE

WE'RE AT THE OSCARS
SUNDAY NIGHT

IT'S TIME TO
COME ALIVE

NOW LET'S GO WILD
I'M STILL STANDING

BETTER THAN I EVER DID
LOOKIN' LIKE A

TRUE SURVIVOR
FEELIN' LIKE A LITTLE KID

OH, I'M STILL STANDING
AFTER ALL THIS TIME

PICKING UP THE PIECES
OF MY LIFE

WITHOUT YOU ON MY MIND
YOU'RE LOOKING

AT YOUR NEIGHBOR
WITH SWEAT ON YOUR PALMS

THE CAMERA TURNS TO YOU
AND YOU TRY TO STAY CALM

BETTA KEEP YOUR SMILE ON
JUST IN CASE YOU WON

IT'S TIME TO COME ALIVE
COME ALIVE

COME ALIVE
WOO

>> NOW, Y'ALL KNOW THIS IS MY
HOUSE.

SO, THAT MEANS YOU MUST DO AS I
SAY.

SNAP YOUR FINGERS JUST LIKE
THIS.

SNAP THEM.
AND REPEAT AFTER ME.

>> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA.

>> TONIGHT, WE CELEBRATE ALL THE
AMAZING TALENT IN THIS ROOM.

WE CELEBRATE ALL THE WOMEN WHO
DIRECTED PHENOMENAL FILMS AND

I'M SO PROUD TO STAND HERE AS A
BLACK, QUEER ARTIST, TELLING

STORIES.
HAPPY BLACK HISTORY MONTH.

WE'RE GOING TO GET LOW.
WE'RE GOING TO TAKE IT TO THE

UNDERGROUND.
>> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA.
>> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA.
>> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA.
>> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA.
LA, LA, LA, LA, LA, LA, LA, LA,

LA, LA.
LA, LA, LA, LA, LA, LA, LA, LA,

LA, LA.
EVERYBODY COME ALIVE

IT'S TIME TO COME ALIVE
EVERYBODY COME ALIVE

YOU'VE GOT TO COME ALIVE
ALIVE, ALIVE, ALIVE, ALIVE

WOO
COME ALIVE YEAH

COME ALIVE, YEAH
COME ALIVE

OH

OH
WOO

EVERYBODY --
JUST COME ALIVE

ALIVE
OH OH OH

WELCOME TO THE 2020 OSCARS!

>> Announcer: PLEASE WELCOME

STEVE MARTIN AND CHRIS ROCK.
>> THANK YOU.

>> WOW.
JANELLE MONAE.

INCREDIBLE.
THAT WAS INCREDIBLE.

THAT WAS INCREDIBLE.
WHILE WE WERE BACKSTAGE WATCHING

IT, STEVE SAYS TO ME, J. LO'S
KILLING IT TWO WEEKS IN A ROW!

>> YOU KNOW, I WAS THINKING
TODAY, CHRIS, THAT WE BOTH HAVE

HOSTED THE OSCARS BEFORE AND
THIS IS SUCH AN INCREDIBLE

DEMOTION.
THEY DON'T REALLY HAVE HOSTS

ANYMORE.
WHY IS THAT?

>> TWITTER.
EVERYBODY'S GOT AN EMBARRASSING

TWEET SOMEWHERE.
I KNOW I DO.

>> A COUPLE OF YEARS AGO, THERE
WAS A BIG DISASTER WHERE THEY

ACCIDENTALLY READ OUT THE WRONG
NAME, BUT THEY HAVE GUARANTEED

THIS WILL NOT HAPPEN THIS YEAR,
BECAUSE THE ACADEMY HAS SWITCHED

TO THE NEW IOWA CAUCUS APP.
BUT WHAT A NIGHT!

>> I DON'T KNOW, STEVE.
I'M A LITTLE CONFLICTED, YOU

KNOW?
I WAS DRIVING HERE TONIGHT AND

SEEING THE TERRIBLE HOMELESS
PROBLEM IN L.A. --

>> THANK YOU, CHRIS.
SO MANY STARS!

OH, MY GOD, THERE'S BRAD PITT.
IT'S LIKE LOOKING IN A MIRROR.

>> MAHERSHALA ALI IS HERE
TONIGHT.

HE HAS TWO OSCARS.
YOU KNOW WHAT THAT MEANS WHEN

THE COPS PULL HIM OVER?
NOTHING.

JEFF BEZOS IS HERE.
>> OH, WOW, GREAT ACTOR.

>> HE'S GOT CASH, WHEN HE WRITES
THE CASH, THE BANK BOUNCES.

JEFF IS SO RICH, HE GOT DIVORCED
AND HE'S STILL THE RICHEST MAN

IN THE WORLD.
HE SAW "MARRIAGE STORY" AND

THOUGHT IT WAS A COMEDY.
STEVE, DO YOU HAVE ANYTHING YOU

WANT TO ADD ABOUT MR. BEZOS?
>> NO, I LIKE GETTING MY

PACKAGES ON TIME.
AND MARTY SCORSESE IS HERE,

WHERE IS HE?
GENIUS, WOW.

>> MARTY SCORSESE.
MARTY, I GOT TO TELL YOU, I

LOVED THE FIRST SEASON OF "THE
IRISHMAN."

>> OH, "THE IRISHMAN."
THAT'S THAT NEW RAY ROMANO

MOVIE.
SUCH A GREAT SUPPORTING CAST.

>> STEVE, DID YOU SEE "THE
JOKER?"

>> I CAN'T WAIT TO SEE IT.
IT SOUNDS SO FUNNY.

I'M LAUGHING ALREADY.
JOKER.

>> THERE'S SO MANY -- SO MANY
GREAT DIRECTORS NOMINATED THIS

YEAR.
>> I DON'T KNOW, CHRIS, I

THOUGHT THERE WAS SOMETHING
MISSING FROM THE LIST THIS YEAR.

>> VAGINAS?
>> YES, YES.

>> THERE YOU GO.
>> HEY, THERE YOU GO.

"FORD V FERRARI" IS NOMINATED.
I GOT TO TELL YOU, I GOT A FORD,

I GOT A FERRARI, IT AIN'T EVEN
CLOSE.

IT'S LIKE HALLE BERRY VERSUS GUM
DISEASE.

>> CYNTHIA ERIVO IS HERE
TONIGHT.

>> YES, CYNTHIA IS HERE TONIGHT.
CYNTHIA DID SUCH A GREAT JOB IN

"HARRIET" HIDING BLACK PEOPLE
THAT THE ACADEMY GOT HER TO HIDE

ALL THE BLACK NOMINEES.
CYNTHIA, IS EDDIE MURPHY UNDER

THIS STAGE?
>> EDDIE, I LOVED YOU IN

"DOLEMITE."
>> WELL, YOU KNOW, CHRIS, THINK

HOW MUCH THE OSCARS HAVE CHANGED
IN THE PAST 92 YEARS.

>> YEAH, THEY CHANGED A LOT,
STEVE.

>> YEAH, THEY HAVE.
IN 1929, THERE WAS NO BLACK

ACTING NOMINEES.
>> NOW, IN 2020, WE GOT ONE.

>> YEAH.
AMAZING GROWTH!

WELL, WE'VE HAD A GREAT TIME NOT
HOSTING TONIGHT.

>> YES.
WE HAD AN AMAZING TIME.

NOW, HERE TO PRESENT THE FIRST
AWARD OF THE NIGHT, PLEASE

WELCOME ACADEMY AWARD-WINNER AND
15-TIME SOUL TRAIN AWARD WINNER,

REGINA KING.

>> HOW DO WE MEASURE THE
IMPACT OF A FILM?

SOME MEASURE IT BY ITS BOX
OFFICE.

BUT FOR ME, THE TRUE IMPACT OF A
FILM CAN BE AS SIMPLE AS A

MEMORABLE LINE, OR A SEARING
PERFORMANCE.

OVER THE DECADES, SO MANY ACTORS
IN SUPPORTING ROLES GAVE US

MOMENTS WE WILL NEVER FORGET.
I AM IN AWE OF LOUIS GOSSETT JR.

AS SERGEANT FOLEY IN "AN OFFICER
AND A GENTLEMEN," JOEL GREY'S

PLAYFULLY MENACING WILKOMMEN IN
"CABARET," DENZEL'S

HEARTBREAKING PERFORMANCE IN
"GLORY."

THE FIVE MEN NOMINATED THIS YEAR
AS BEST SUPPORTING ACTOR HAVE

ALL MADE A SIGNIFICANT IMPACT,
WITH VIVID MOMENTS THAT WILL

LINGER FOR MANY YEARS TO COME.
>> HELLO, NEIGHBOR.

SO GOOD TO SEE YOU AGAIN TODAY.
>> DON'T YOU UNDERSTAND, YOU

WERE ALMOST ELECTED POPE.
IF YOU RESIGN, IT WILL LOOK LIKE

A CRITICISM.
>> BIG BUSINESS AND THE

GOVERNMENT ARE TRYING TO SEW THE
SEEDS OF DISSENT AMONG OUR

RANKS, AT A TIME WHEN WE NEED
UNITY.

WE NEED SOLIDARITY.
>> I ASKED SOMEBODY TO TAKE CARE

OF SOMETHING FOR ME, I EXPECT
THEM TO TAKE CARE OF IT

THEMSELVES.
I DON'T NEED TWO ROADS COMING

BACK TO ME.
>> YOU KNOW, THAT'S NOT MY CAR.

THAT'S MY BOSS'S CAR.
AND IF SOMETHING WERE TO HAPPEN

TO MY BOSS'S CAR, WELL, I'D GET
IN TROUBLE.

>> YOU SAY YOU NO LONGER WISH TO
BE CARDINAL AND ARCHBISHOP.

ARE YOU SURE YOU STILL WISH TO
BE A PRIEST?

>> I HAD TO PUT YOU INTO THIS
THING, OR YOU WOULD THEY EVER

LET IT HAPPEN.
BUT IT'S GOING TO HAPPEN.

>> HEY!
>> YOU DON'T CONSIDER YOURSELF

FAMOUS?
>> FAME IS A FOUR-LETTER WORD

BUT ULTIMATELY WHAT MATTERS IS
WHAT WE DO WITH IT.

>> WHOA, WHOA.
>> YOU MIGHT BE DEMONSTRATING A

FAILURE TO SHOW APPRECIATION.
>> I'M NOT SHOWING APPRECIATION?

I WENT TO SCHOOL FOR FIVE YEARS.
I DIDN'T NAME ONE NAME.

>> YOU DID THE RIGHT THING.
>> I ASKED HIM TO PRAY FOR ME.

I FIGURED, ANYONE WHO IS GOING
THROUGH WHAT HE IS GOING THROUGH

MUST BE AWFULLY CLOSE TO GOD.
>> I'M NOT GOING TO DIE.

IT'S NOT MY TIME YET, MAN.
>> YOU'RE NOT GOD.

YOU'RE ONLY HUMAN.
>> HERE ARE THE NOMINEES FOR

PERFORMANCE BY AN ACTOR IN A
SUPPORTING ROLE.

TOM HANKS.
"A BEAUTIFUL DAY IN THE

NEIGHBORHOOD."
ANTHONY HOPKINS.

"THE TWO POPES."
AL PACINO.

"THE IRISHMAN."
JOE PESCI.

"THE IRISHMAN."
BRAD PITT.

"ONCE UPON A TIME IN HOLLYWOOD."
AND THE OSCAR GOES TO --

BRAD PITT.
"ONCE UPON A TIME IN HOLLYWOOD."

>> Announcer: THIS IS THE SECOND
OSCAR FOR BRAD PITT.

HIS FIRST FOR ACTING.

>> WOW.
THANK YOU.

THIS IS INCREDIBLE.
REALLY INCREDIBLE.

THANK YOU TO THE ACADEMY FOR
THIS HONOR OF HONORS.

THEY TOLD ME I ONLY HAVE 45
SECONDS UP HERE, WHICH IS 45

SECONDS MORE THAN THE SENATE
GAVE JOHN BOLTON THIS WEEK.

I'M THINKING MAYBE QUENTIN DOES
A MOVIE ABOUT IT, IN THE END,

THE ADULTS DO THE RIGHT THING.
THIS REALLY IS ABOUT QUENTIN'S

ROOM.
TARANTINO, YOU ARE ORIGINAL, YOU

ARE ONE OF A KIND -- THE FILM
INDUSTRY WOULD BE A MUCH DRIER

PLACE WITHOUT YOU AND I LOVE THE
ETHOS YOU GAVE CLIFF BOOTH, LOOK

FOR THE BEST IN PEOPLE, EXPECT
THE WORST, BUT LOOK FOR THE

BEST.
LEO -- I'LL RIDE ON YOUR COAT

TAILS ANY DAY, MAN.
THE VIEW'S FANTASTIC.

AND TO THE REST OF THE CAST AND
CREW, BIG BAD BOB RICHARDSON,

ROBERT GARCIA, RICHIE, MY MAN
MIKE MOW, I ALSO WANT TO SAY,

YOU KNOW, WHILE WE'RE DOING ALL
THIS, I THINK IT'S TIME WE GIVE

A LITTLE LOVE TO OUR STUNT
COORDINATORS AND OUR STUNT

CREWS.
LISTEN.

I'M A BIT GOBSMACKED.
I'M NOT ONE TO LOOK BACK, BUT

THIS HAS MADE ME DO SO.
I THINK ABOUT LOADING UP MY CAR

AND MOVING OUT HERE, GINA AND
RIDLEY GIVING ME MY FIRST SHOT,

ALL THE WONDERFUL PEOPLE I'VE
MET ALONG THE WAY, TO STAND HERE

NOW -- "ONCE UPON A TIME IN
HOLLYWOOD," AIN'T THAT THE

TRUTH.
THIS IS FOR MY KIDS WHO COLOR

EVERYTHING I DO.
I ADORE YOU.

THANK YOU.
>> Announcer: COMING UP,

MINDY KALING, KEANU REEVES AND
DIANE KEATON.

PLUS, A ONCE IN A LIFETIME
GLOBAL PERFORMANCE FROM "FROZEN

2" BY IDINA MENZEL.

>>> WELCOME BACK TO THE OSCARS.
I'M BEANIE FELDSTEIN.

REGARDLESS OF WHERE THEY'RE
FROM, WHEN THEY WERE FILMED OR

THEIR STYLE, ALL TYPES OF MOVIES
HAVE AN EFFECT ON US.

HERE TO HONOR THE ANIMATED ONES
IS MY QUEEN, MINDY KALING.

>> AS A SHY LITTLE GIRL, A
DAUGHTER OF IMMIGRANT PARENTS,

ANIMATED FILM INTRODUCED ME TO
WORDS BEYOND MY HOME AND MY

CLASSROOM.
THEN, AS I GOT OLDER, I BEGAN TO

REALIZE THAT THOSE FILMS CONTAIN
SOME OF THE MOST SOPHISTICATED

STORYTELLING IN ALL OF CINEMA.
AIR

THEIR IMPACT IS EXTRAORDINARY,
AND I CAN'T WAIT TO INTRODUCE MY

DAUGHTER TO THIS WORLD, KNOWING
IT WILL TAKE HER IMAGINATION IN

DIRECTIONS THAT NO ONE'S EVEN
DREAMED UP YET.

LET'S LOOK AT THE NOMINEES FOR
BEST ANIMATED FEATURE FILM.

>> "HOW TO TRAIN YOUR DRAGON:
THE

HIDDEN WORLD."
DEAN DEBLOIS, BRADFORD LEWIS,

AND BONNIE ARNOLD.
"I LOST MY BODY."

JEREMY CLAPIN AND
MARC DU PONTAVICE.

"KLAUS."
SERGIO PABLOS, JINKO GOTOH, AND

MARISA ROMAN.
"MISSING LINK."

CHRIS BUTLER, ARIANNE SUTNER,
AND TRAVIS KNIGHT.

"TOY STORY 4."
JOSH COOLEY, MARK NIELSEN AND

JONAS RIVERA.
AND THE OSCAR GOES TO --

"TOY STORY 4."
JOSH COOLEY, MARK NIELSEN AND

JONAS RIVERA.
>> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR MARK
NIELSEN, THE FIRST OSCAR AND

SECOND NOMINATION FOR JOSH
COOLEY, THE SECOND OSCAR AND

THIRD NOMINATION FOR JONAS
RIVERA.

>> WE ARE -- WE ARE SO, SO
GRATEFUL FOR THIS HONOR.

WE JUST WANT ON BEHALF OF OUR
INCREDIBLE CAST AND OUR CREW UP

AT PIXAR ANIMATION STUDIOS, WE
JUST WANT TO THANK THE ACADEMY

FOR HONORING OUR FILM ALONGSIDE
SO MANY BEAUTIFUL ANIMATED FILMS

THIS YEAR.
WE'RE JUST PROUD TO BE AMONG

THEM.
>> LISTEN, WE TAKE GREAT PRIDE

IN THE FACT THAT WE GET TO MAKE
FAMILY FILMS AND "TOY STORY 4"

IS A LOVE LETTER TO OUR
FAMILIES.

THIS IS FOR OUR PARENTS, OUR
WIVES, OUR KIDS.

WE LOVE YOU.
>> WE WANT TO THANK THE

MOVIE-GOING AUDIENCE SO MUCH,
ESPECIALLY THOSE THAT GREW UP

WITH "TOY STORY."
WE HOPE THAT YOUR ADVENTURES

WITH WOODY AND BUZZ MADE GROWING
UP A LITTLE BIT EASIER.

MY WIFE, I LOVE YOU SO MUCH.
>> THANK YOU.

>> THANK YOU.

>> AND NOW, HERE ARE THE
NOMINEES FOR BEST ANIMATED SHORT

FILM.
"DCERA."

DARIA KASHCHEEVA.
"HAIR LOVE."

MATTHEW A. CHERRY AND
KAREN RUPERT TOLIVER.

"KITBULL."
ROSANA SULLIVAN AND

KATHRYN HENDRICKSON.
"MEMORABLE."

BRUNO COLLET AND
JEAN-FRANCOIS LE CORRE.

"SISTER."
SIQI SONG.

AND THE OSCAR GOES TO --
"HAIR LOVE."

MATTHEW A. CHERRY AND KAREN
RUPERT TOLIVER.

>> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR MATTHEW

A. CHERRY AND KAREN RUPERT
TOLIVER.

>> THANK YOU SO MUCH TO THE
ACADEMY AND EVERYBODY OUT THERE

THAT SUPPORTED THIS FILM.
THERE WERE LOTS OF YOU.

WE SHARE THIS AWARD WITH YOU.
THERE WERE SO MANY FILMMAKERS

THAT WORKED SO HARD ON THIS AND
IT WAS A LABOR OF LOVE AND IT

WAS BECAUSE WE HAVE A FIRM
BELIEF THAT REPRESENTATION

MATTERS DEEPLY.
ESPECIALLY IN CARTOONS.

BECAUSE IN CARTOONS, THAT'S WHEN
WE FIRST SEE OUR MOVIES AND HOW

WE SHAPE OUR LIVES.
SO, THANK YOU TO SONY PICTURES

ANIMATION, THE PROGRESSIVE
PEOPLE THAT BELIEVED IN US FROM

THE BEGINNING.
THANK YOU SO LION FORGE

ANIMATION, TO SIX-POINT HARNESS
AND TO MATTHEW CHERRY, THANK YOU

TO MY BEAUTIFUL HUSBAND, MY SON
CHASE AND MILES FOR BELIEVES IN

ME.
THANK YOU SO MUCH.

>> SO, WE HAVE A BIG TEAM THAT
WE HAVE TO THANK BUT TIME IS

RUNNING SHORT, SO, I JUST WANT
TO SAY THAT "HAIR LOVE" WAS DONE

BECAUSE WE WANTED TO SEE MORE
REPRESENTATION IN ANIMATION.

THERE'S A VERY IMPORTANT ISSUE
THAT'S OUT THERE, THE CROWN ACT

AND IF WE CAN HELP TO GET THIS
PASSED IN ALL 50 STATES, IT WILL

HELP STORY LIKE DEANDRE ARNOLD'S
WHO IS OUR GUEST TONIGHT, STOP

HAPPENING.
THIS AWARD IS DEDICATED TO KOBE

BRYANT.
MAY WE ALL HAVE A SECOND ACT AS

GREAT AS HIS WAS.
THANK YOU.

>> Announcer: PLEASE WELCOME
JOSH GAD.

>> AS MINDY NOTED, ANIMATED
MOVIES ARE LOVED EVERYWHERE.

IN FACT, "FROZEN 2," OR AS
CLIMATE CHANGE DENIERS CALL IT,

NOT "FROZEN 2," HAS BEEN DUBBED
IN 45 DIFFERENT LANGUAGES, WHICH

MEANS I NOW HAVE 44 BLOOD RIVALS
AROUND THE WORLD.

THESE DUBBED VERSIONS PROVIDE
KIDS AND ADULTS EVERYWHERE THEIR

OWN SPECIAL CONNECTION TO THE
STORY AND ITS CHARACTERS.

WHICH MEANS THERE ARE SO MANY
GREAT VERSIONS OF ELSA.

FOR INSTANCE, CANADIAN EL ISA I
BASICALLY THE SAME, BUT WITH

HEALTH CARE.
BUT AS DAD TO TWO GIRLS AND THE

VOICE OF THE AMERICAN OLAF,
IDINA MENZEL, PRONOUNCED EXACTLY

HOW IT IS SPELLED, IS OUR ELSA.
AND SHE'S HERE TONIGHT, JOINED

BY AURORA AND ELSAS FROM AROUND
THE WORLD WITH A SPECIAL GLOBAL

PERFORMANCE.
COMPOSED BY ACADEMY AWARD

WINNERS KRISTEN ANDERSON-LOPEZ
AND ROBERT LOPEZ.

HERE IS "INTO THE UNKNOWN."

AH-AH

OH, OH
AH, AH

OH, OH
AH, AH

OH, OH, OH
I CAN HEAR YOU

BUT I WON'T
SOME LOOK FOR TROUBLE

WHILE OTHERS DON'T
THERE'S A THOUSAND REASONS

I SHOULD GO ABOUT MY DAY
AND IGNORE YOUR WHISPERS

WHICH I WISH WOULD
GO AWAY

OH
AH, AH

OH, OH
WHOA

AH, AH
OH, OH

YOU'RE NOT A VOICE
YOU'RE JUST A RINGING

IN MY EAR
AND IF I HEARD YOU

WHICH I DON'T
I'M SPOKEN FOR I FEAR

EVERYONE I'VE EVER LOVED
IS HERE WITHIN THESE WALLS

I'M SORRY, SECRET SIREN
BUT I'M BLOCKING OUT

YOUR CALLS
I'VE HAD MY ADVENTURE

I DON'T NEED SOMETHING NEW
I'M AFRAID OF WHAT

I'M RISKING
IF I FOLLOW YOU

INTO THE UNKNOWN
INTO THE UNKNOWN

INTO THE UNKNOWN
INTO THE UNKNOWN

AH, AH
OH, OH

AH, AH
OH, OH

ARE YOU OUT THERE?

DO YOU KNOW ME?
CAN YOU FEEL ME?

CAN YOU SHOW ME?
OH, OH

OH, OH
OH, OH

OH, OH
OH, OH

OH, OH
OH, OH

OH, OH
WHERE ARE YOU GOING?

DON'T LEAVE ME ALONE
HOW DO I FOLLOW YOU?

OH, OH
INTO THE UNKNOWN

OH, OH

>> Announcer: KELLY MARIE TRAN
IS NEXT.

PLUS, KEANU REEVES JOINS
DIANE KEATON, AND

NATALIE PORTMAN TEAMS UP WITH
TIMOTHEE CHALAMET.

THEN LATER, PERFORMANCES FROM
BILLIE EILISH, CHRISSY METZ AND

ELTON JOHN.

ZB

>>> AND WE'RE BACK AT THE
OSCARS.

I'M KELLY MARIE TRAN.
WITH ME IS QUESTLOVE, FREAKING

QUESTLOVE, THIS IS CRAZY.
ALL RIGHT, I NEED TO CALM DOWN

BECAUSE IT'S TIME FOR ANOTHER
AWARD.

HERE ARE OSCAR-WINNING
ACTRESS DIANE KEATON AND A MAN

WHOSE MATRIX WE'D ALL LIKE TO
RELOAD, KEANU REEVES.

>> THANK YOU SO MUCH.

OKAY.
>> HELLO, DIANE.

>> HELLO.
HELLO THERE, KEANU.

WELL -- ANYWAY, AH, YOU KNOW,
IT'S BEEN A LONG TIME SINCE WE

MADE THAT MOVIE, "SOMETHING'S
GOT TO GIVE."

YOU REMEMBER ME IN IT?
>> YOU WERE AMAZING.

>> YOU WERE AMAZING.
>> I'LL NEVER FORGET READING

THAT NANCY MEYERS SCREENPLAY FOR
THE FIRST TIME.

>> YEAH, I KNOW, YEAH.
NO, NO, I MEAN, OBVIOUSLY ME,

NEITHER, I MEAN, THAT WAS A LOT
OF CRYING IN THERE, KEANU, LOTS

OF LAUGHING AND CRYING AND WE
HAD SOME REALLY, WELL, LET'S BE

FRANK.
>> IT WAS A GOOD TIME.

>> YOU AND JACK.
>> I WOULDN'T GO THAT FAR.

BUT ANYWAY.
>> SO POWERFUL.

SO MTHAT WAS SURPRISING,
EXCITING.

>> RIGHT.
>> IT WAS.

IT'S TRUE.
I MEAN, THAT'S REALLY THE POWER

OF A GOOD SCRIPT, AM I RIGHT
ABOUT THAT?

>> ABSOLUTELY RIGHT.
>> I AM, OKAY.

SO --
>> HERE ARE THE NOMINEES FOR

BEST ORIGINAL SCREENPLAY.
>> I'M GOING TO OPEN THIS FOR

YOU --
>> NOT YET.

NOT YET, THAT'S WHAT I MEAN.
NOT YET.

>> "KNIVES OUT" WRITTEN BY
RIAN JOHNSON.

>> ALL EYES TURN TO BLANK.
>> DETECTIVE BLANC.

YOU SAID THAT THE INVESTIGATION
IS ONGOING.

YOU MADE A POINT OF THAT.
DO YOU SUSPECT FOUL PLAY?

>> MR. BLANC.
>> "MARRIAGE STORY" WRITTEN BY

NOAH BAUMBACH.
>> DO NOT COMPARE ME TO MY

FATHER.
>> I DIDN'T COMPARE YOU TO HIM.

I SAID YOU WERE ACTING LIKE HIM.
>> YOU'RE EXACTLY LIKE YOUR

MOTHER!
EVERYTHING YOU'RE COMPLAINING

ABOUT HER, YOU'RE DOING.
YOU'RE SUFFOCATING HENRY.

>> FIRST OF ALL, I LOVE MY
MOTHER, SHE WAS A WONDERFUL

MOTHER!
>> I'M JUST REPEATING WHAT

YOU TOLD ME.
>> SECONDLY, HOW DARE YOU

COMPARE MY MOTHERING TO MY
MOTHER?

>> "1917," WRITTEN BY SAM MENDES
AND KRYSTY WILSON-CAIRNS.

>> WE SEE THE BURNING TOWN
RECEDING BEHIND HIM.

BULLETS CRACK OFF THE COBBLES
JUST IN FRONT OF HIM.

HE DROPS 40 FEET AND SMASHES
INTO THE WATER.

>> "ONCE UPON A TIME IN
HOLLYWOOD," WRITTEN BY

QUENTIN TARANTINO.
>> I DON'T REMEMBER YOUR NAME

BUT I REMEMBER THAT HAIR.
AND YOU, I REMEMBER YOUR WHITE

LITTLE FACE.
AND YOU WERE ON A HORSEY.

>> "PARASITE."
SCREENPLAY BY BONG JOON-HO AND

T
HAN JIN WON.

STORY BY BONG JOON HO.
KI-TEK DIVES AFTER THE PHONE

WHILE MUN-KWANG TRIES TO
RETRIEVE IT.

THEN KI-WOO LUNGES TOWARD
MUN-KWANG.

THEN KUN-SAE AFTER HIM.
AND OF COURSE KI-JUNG HAS TO

JUMP AFTER KUN-SAE.
>> WHOA!

WHOA!
OKAY.

AND SO, THE -- THE OSCAR, IT
GOES TO -- OH, MY GOD.

WHY DON'T YOU READ THIS?
>> ALL RIGHT.

BONG JOON-HO AND HAN JIN WON.
"PARASITE."

>> Announcer: THIS IS THE FIRST
OSCAR AND THE THIRD NOMINATION

THIS YEAR FOR BONG JOON-HO.
THE FIRST OSCAR AND NOMINATION

FOR HAN JIN WON.

>> AH -- THANK YOU, GREAT HONOR.
YEAH.

THANK YOU.

>> Translator: WRITING A SCRIPT
IS ALWAYS SUCH A LONELY PROCESS.

WE NEVER WRITE TO REPRESENT OUR
COUNTRIES.

>> BUT THIS IS VERY PERSONAL TO
SOUTH KOREA.

THANK YOU.

>> Translator: I THANK MY WIFE
FOR ALWAYS BEING AN INSPIRATION

TO ME.
I THANK ALL THE ACTORS WHO ARE

HERE WITH ME TODAY FOR BRINGING
THIS FILM TO LIFE.

THANK YOU.
>> THANK YOU, DIRECTOR BOON AND

THANK YOU MY MOM AND THANK
ALL --

>> Translator: AS THERE'S
HOLLYWOOD IN THE U.S., IN KOREA,

WE HAVE -- I'D LIKE TO SHARE
THIS HONOR WITH ALL THE

STORYTELLERS AND FILMMAKERS
THERE.

>> THANK YOU, ACADEMY.
>> THANK YOU.

>> Announcer: PLEASE WELCOME

ACADEMY AWARD-NOMINEE TIMOTHY
C

CHALAMET AND ACADEMY
AWARD-WINNING ACTRESS NATALIE

PORTMAN.
>> "EVERYBODY COMES TO RICKS."

>> "SHOELESS JOE."
>> "Q&A."

>> "DIVERSION."
>> BUT YOU MAY KNOW THEM BETTER

AS THE FILMS THEY BECAME,
"CASABLANCA," "FIELD OF DREAMS,"

"SLUMDOG MILLIONAIRE" AND "FATAL
ATTRACTION."

>> LIKE THE WRITERS OF THOSE
CLASSIC FILMS, THIS YEAR'S

NOMINATED WRITERS HAVE MANAGED
TO CAPTURE THE ESSENCE OF THEIR

SOURCE MATERIAL IN A WAY THAT IS
ENTIRELY UNIQUE AND ORIGINAL.

HERE ARE THIS YEAR'S NOMINEES
FOR BEST ADAPTED SCREENPLAY.

>> "THE IRISHMAN" SCREENPLAY BY
STEVEN ZAILLIAN.

BASED ON THE BOOK "I HEARD YOU
PAINT HOUSES" BY CHARLES BRANDT.

>> YOU KNOW WHO OWNS THE
CADILLAC LINEN SERVICE?

>> SOME JEWS IN THE LAUNDRY
BUSINESS.

THAT'S WHAT THEY TOLD ME.
>> THEY OWN A PART OF IT.

SOMEBODY ELSE GOT AN INTEREST IN
THAT.

YOU KNOW WHO?
>> NO.

>> I DO.
>> WHO?

>> NO.
I DO.

I OWN THE OTHER PART.
NOT I KNOW SOMEBODY WHO OWNS THE

OTHER PART.
>> "LITTLE WOMEN" WRITTEN FOR

THE
SCREEN BY GRETA GERWIG, BASED ON

THE NOVEL BY LOUISA MAY ALCOTT.
>> WHO WILL BE INTERESTED IN A

STORY OF DOMESTIC STRUGGLES AND
JOYS?

IT DOESN'T HAVE ANY REAL
IMPORTANCE, DOES IT?

>> MAYBE IT DOESN'T SEEM
IMPORTANT, BECAUSE PEOPLE DON'T

WRITE ABOUT THEM.
>> NO, WRITING DOESN'T CONFER

IMPORTANCE, IT REFLECTS IT.
>> I DON'T THINK SO.

WRITING THEM WILL MAKE THEM MORE
IMPORTANT.

>> "JOKER" WRITTEN BY TODD
PHILLIPS AND SCOTT SILVER.

BASED ON CHARACTERS CREATED BY
BOB KANE, BILL FINGER AND

JERRY ROBINSON.
AS THE DOOR CLOSES ON HIS NEW

FACE, ARTHUR, NOW "JOKER"
DANCING HIS WAY DOWN THE LONG

STAIRCASE, DOING HIS OWN BILL
"BOJANGLES" ROBINSON STAIR DANCE

SKIPPING AND TWIRLING DOWN
STEPS, DANCING AND SINGING ALONG

TO THE MUSIC IN HIS HEAD.
>> "JOJO RABBIT" SCREENPLAY BY

TAIKA WAITITI, BASED ON THE BOOK
"CAGING SKIES" BY CHRISTINE

LEUNENS.
>> EXCUSE ME?

LITTLE GIRL?
UM, JEW GIRL IN THE WALL?

YOOHOO, JEW?
>> ADOLF ENCOURAGES JOJO TO

CONTINUE.
>> "THE TWO POPES" WRITTEN BY

ANTHONY McCARTEN BASED ON HIS
PLAY "THE POPE."

>> YOU'RE MISTAKEN.
YOU'RE MISTAKEN.

>> I CANNOT FEEL THE PRESENCE OF
GOD!

I DO NOT HEAR HIS VOICE, DO YOU
UNDERSTAND ME?

>> NO, YOU ARE MISTAKEN, YOU
ARE --

>> I BELIEVE IN GOD!
I PRAY TO GOD.

SILENCE!
>> AND THE OSCAR GOES TO --

DAY KAWHI DAY KAWHI TEE TEE,
"JOJO RABBIT."

>> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR DTAIKA

WAITITI.
>> THANK YOU.

AMAZING.
THANK YOU.

AH, THIS THIS IS REALLY LIGHT.
THIS ONE'S LIGHT.

SUPPOSED TO BE HEAVY.
I'D LIKE TO THANK MY MOTHER, I

DON'T KNOW WHERE YOU ARE, MOM, I
LOST YOU, HOURS AGO.

OH, THERE.
THANK YOU FOR -- FOR BEING MY

MOTHER AND FOR, I MEAN, MANY
OTHER REASONS, BUT FOR GIVING ME

THE BOOK THAT I ADAPTED AND THIS
FILM WOULDN'T HAVE EXISTED

WITHOUT YOU DOING THAT.
CHRISTINE FOR WRITING THE BOOK,

THANK YOU.
FOR THE PRODUCERS OF THE FILM,

KATHY AND CHELSEA, WHO WERE
THERE RIGHT FROM THE BEGINNING,

THANK YOU GUYS.
MANY OTHER PEOPLE THAT I WANT TO

THANK, BUT I WON'T, BECAUSE I
CAN'T REMEMBER THEM.

THAT'S IT.
THIS IS REALLY GREAT.

I DEDICATE THIS TO ALL THE
INDIGENOUS KIDS IN THE WORLD WHO

WANT TO DO ART AND DANCE AND
WRITE STORIES, WE ARE THE

ORIGINAL STORYTELLERS AND WE CAN
MAKE IT HERE, AS WELL.

THANK YOU.

>> Announcer: PLEASE WELCOME

SHIA LABEOUF AND ZACK GOTTSAGEN.

>> SHORT FILMS ALLOW NEW VOICES
TO BE SEEN AND HEARD WITHOUT THE

CONSTRAINTS OF BUDGET OR
PERMISSION.

I'VE SEEN THESE FILMS, AND THEY
ARE BEAUTIFUL.

>> AND IF YOU HAVEN'T SEEN IT,
COME SEE IT.

>> BANG.
HERE ARE THE NOMINEES FOR

BEST LIVE ACTION SHORT FILM.
>> "BROTHERHOOD," MERYAM JOOBEUR

AND MARIA GRACIA TURGEON.
"NEFTA FOOTBALL CLUB," YVES PIAT

AND DAMIEN MEGHERBI.
"THE NEIGHBORS' WINDOW,"

MARSHALL CURRY.
"SARIA," BRYAN BUCKLEY AND MATT

LEFEBVRE.
"A SISTER," DELPHINE GIRARD.

>> THE OSCAR GOES TO --
>> "THE NEIGHBORS' WINDOW."

>> Announcer: THIS IS THE FIRST
OSCAR AND FOURTH NOMINATION FOR

MARSHALL CURRY.

>> WOW.
I'M SO GRATEFUL TO ALL THE

PEOPLE WHO MADE THIS FILM WITH
ME.

INCLUDING MARIA DISEA, JULIA,
JOHN, WOLFGANG, ELIZABETH, MY

WIFE AND PRODUCING PARTNER, OUR
KIDS.

JANE AND RIVERS.
I WANT TO DEDICATE THIS TO MY

MOM WHO GREW UP ON A PEACH FARM
IN CHESTERFIELD, SOUTH CAROLINA,

WAS THE BEST STORYTELLER I EVER
KNEW.

SHE -- SHE ALWAYS HAD A STORY
ABOUT SOME CRAZY THING THAT

HAPPENED, YOU KNOW, WITH HER
SIBLINGS WHEN SHE WAS GROWING UP

OR SOME WEIRD DOG THAT SHE HAD
SEEN OR -- OR SOMETHING THAT THE

TAXI DRIVER HAD TOLD HER ABOUT
HIS LIFE THAT WOULD BREAK YOU

HEART.
AND I LEARNED FROM WATCHING HER

THAT A WELL-TOLD STORY IS --
IT'S A POWERFUL THING.

AND IT CAN -- IT CAN CHANGE THE
WAY WE SEE THE WORLD AND IT CAN

HELP US TO NOTICE OTHER PEOPLE
AND CARE ABOUT THOSE OTHER

PEOPLE AND MAYBE LOVE EACH OTHER
A LITTLE BIT MORE, SO THIS IS

FOR HER AND FOR ALL THE
STORYTELLERS.

THANK YOU.

>> Announcer: COMING UP, MAYA
RUDOLPH AND KRISTEN WIIG.

PLUS, MAHERSHALA ALI PRESENTS
>> ANNOUNCER GETS THE LAST WORD.

"THE CONNERS LIVE" TUESDAY ON
ABC.

>> Announcer: PLEASE WELCOME
MAYA RUDOLPH AND ACADEMY AWARD

NOMINEE, KRISTEN WIIG.

>> HI.
>> HI, HOW ARE YOU?

>> TONIGHT, WE WILL BE HONORING
THE WORK -- YOU KNOW WHAT?

I CAN'T DO IT.
>> NO.

>> BECAUSE WE'RE UPSET.
>> OH, ARE WE UPSET.

>> YOU KNOW WHAT, YOU GUYS DON'T
WANT TO KNOW.

>> WE'RE P.O..ED.
FRANKLY, I'M SEEING RED.

>> I'M TICKED OFF, YOU KNOW?
YOU GUYS DON'T WANT TO KNOW

WHAT'S GOING ON.
>> NO.

I'M T-ED OFF.
I'M STEAMED.

>> I -- YOU KNOW WHAT?
I CAN'T DO THIS.

>> WE'RE SORRY, WE'RE TOO UPSET.
WE'RE TOO UPSET TO DO THIS.

SORRY.
>> GUYS?

>> GUYS.
>> WE'RE NOT MAD.

>> NUH-HUH.
>> THAT WAS AN ACT.

>> YEAH.
WE WERE ACTING.

>> YEAH.
>> WE JUST KNOW THERE ARE A LOT

OF DIRECTORS HERE TONIGHT AND --
>> WE JUST WANTED THEM TO KNOW

WE DO MORE THAN COMEDY.
>> OH, THAT WAS MY LINE.

>> WELL, I GUESS IT'S MINE NOW,
SON.

>> HOW WOULD YOU KNOW, YOU WERE
ALWAYS GONE WHEN I WAS A KID.

SEE?
ACTING.

>> SOMETHING OTHER THAN ACTING
THAT WE'RE PASSIONATE ABOUT

IS --
>> PRODUCTION DESIGN.

>> THE LOOK AND FEEL OF A F
FILM -- I'M SORRY, I CAN'T DO

THIS.
>> SEE?

>> WE CRY, TOO.
>> CRYING.

>> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN PRODUCTION

DESIGN.
>> "THE IRISHMAN" PRODUCTION

DESIGN BY BOB SHAW.
SET DECORATION BY REGINA GRAVES.

"JOJO RABBIT" PRODUCTION DESIGN
BY RA VINCENT.

SET DECORATION BY NORA SOPKOVA.
"1917" PRODUCTION DESIGN BY

DENNIS GASSNER.
SET DECORATION BY LEE SANDALES.

"ONCE UPON A TIME IN HOLLYWOOD"
PRODUCTION DESIGN BY

BARBARA LING.
SET DECORATION BY NANCY HAIGH.

"PARASITE" PRODUCTION DESIGN BY
LEE HA JUN.

SET DECORATION BY CHO WON WOO.
>> AND THE OSCAR GOES TO --

OH, BOY.
"ONCE UPON A TIME IN HOLLYWOOD."

BARBARA LING, NANCY HAIGH.
>> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR BARBARA
LING.

THE SECOND OSCAR AND EIGHTH
NOMINATION FOR NANCY HAIGH.

>> THANK YOU TO THE ACADEMY AND
THANK YOU AND WE SHARE THIS WITH

OUR INCREDIBLE ART DEPARTMENT
AND MY PARTNER IN CRIME,

DECORATOR NANCY HAIGH AND MOSTLY
TO QUENTIN TARANTINO, FOR

WRITING AN EPIC MASTERPIECE.
AND LETTING US TAKE THIS WILD

RIDE WITH HIM.
THANK YOU.

>> A HUGE SHOUTOUT TO ALL THE
PEOPLE THAT HELPED PUT US HERE

TONIGHT.
THE CRAFTSMEN, THE CONSTRUCTION

GUYS, THE PAINTERS, OUR PROP
MASTER, CHRIS CALL, AND OF

COURSE, MY GANG, MARK AND SARAH
AND JONESY AND ADAM AND

EVERYBODY.
I APPRECIATE IT SO MUCH.

THANK YOU.
>> OH, OKAY.

I GUESS WE'RE DOING ANOTHER ONE.
>> WELL, I HAVE A DOCTOR'S

APPOINTMENT.
OH WELL.

>> OKAY.
THE NOMINEES FOR BEST COSTUME

DESIGN ARE --
>> WAIT, THAT'S IT?

WE CAN'T JUST SKIP RIGHT TO THE
AWARD.

>> YOU'RE RIGHT.
SO MUCH GOES INTO COSTUME

DESIGN.
WHAT ELSE SHOULD WE SAY?

>> WELL -- MAYBE WE DON'T SAY
IT.

MAYBE WE SING IT.
THESE BOOTS ARE MADE FOR

WALKING
AND THAT'S JUST WHAT THEY'LL

DO
AND ONE OF THESE DAYS THESE

BOOTS ARE GONNA WALK ALL OVER
YOU'VE GOT THE LOOK

OH DEVIL WITH A BLUE DRESS
DEVIL WITH A BLUE DRESS ON

BLUEBERRY HILL
VOGUE VOGUE VOGUE VOGUE

LADY IN RED
IS DANCING WITH ME

CHEEK TO CHEEK
IN A THONG THONG THONG THONG

YOU CAN LEAVE YOUR HAT ON
>> HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN COSTUME DESIGN.
>> "THE IRISHMAN" COSTUME DESIGN

BY SANDY POWELL AND
CHRISTOPHER PETERSON.

"JOJO RABBIT" COSTUME DESIGN BY
MAYES C. RUBEO.

"JOKER" COSTUME DESIGN BY
MARK BRIDGES.

"LITTLE WOMEN" COSTUME DESIGN BY
JACQUELINE DURRAN.

"ONCE UPON A TIME IN HOLLYWOOD"
COSTUME DESIGN BY

ARIANNE PHILLIPS.
>> AND THE OSCAR GOES TO --

JACQUELINE DURRAN, "LITTLE
WOMEN."

>> Announcer: THIS IS THE SECOND
OSCAR AND SEVENTH NOMINATION FOR

JACQUELINE DURRAN.

>> THANK YOU.
THANK SO THE ACADEMY.

I'M IN DEALTED TO A LOT OF
PEOPLE, TO A WONDERFUL TEAM, TO

AN AMAZING CAST, TO PRODUCER AY
PASCAL, TO MY FAMILY, WHO ENABLE

ME TO BE A WORKING MOTHER AND
FIRST AND LAST, TO GRETA GERWIG.

SHE WAS AN INSPIRATION TO ALL OF
US WITH HER COURAGE AND HER

BRILLIANCE.
THANK YOU.

WHEN YOU'RE HURTING
I WANT YOU TO KNOW

THAT YOU'LL NEVER
HAVE TO HURT ALONE

WHEN YOUR FAITH IS
FAITH IS RUNNING LOW

I'LL NEVER LOSE
FAITH IN YOU

WHEN THE NIGHT
SURROUNDS YOU

AND YOU THINK THAT
NO ONE CARES ABOUT YOU

I WILL GO AND THROW
MY ARMS AROUND YOU

I'LL BE THERE
THROUGH WHATEVER

YOU GO THROUGH
I'M STANDING WITH YOU

AND WHEREVER YOU GO TO
I'LL STAND BESIDE YOU

AND WHEN YOU THINK THAT
ALL THE ODDS ARE

ALL AGAINST YOU
AND YOU JUST FEEL LIKE

GIVING UP WELL
I WON'T LET YOU

THROUGH WHATEVER
YOU GO THROUGH

I'M STANDING WITH YOU
I'M STANDING WITH YOU

NOTHING YOU CAN DO
CAN MOVE ME

YOU CAN TRY
BUT YOU CAN'T LOSE ME

YOU CAN'T LOSE ME
THROUGH WHATEVER

YOU GO THROUGH
I'M STANDING WITH YOU

AND WHEREVER YOU GO TO
I'LL STAND BESIDE YOU

AND WHEN YOU THINK THAT
ALL THE ODDS ARE

ALL AGAINST YOU
AND YOU JUST FEEL LIKE

GIVING UP WELL
I WON'T LET YOU

THROUGH WHATEVER
YOU GO THROUGH

I'M STANDING WITH YOU
I'M STANDING WITH YOU

I'M STANDING WITH YOU
I'M STANDING WITH YOU

I'M STANDING WITH YOU
I LOVE YOU, MOM.

>> Announcer: MARK RUFFALO IS

NEXT AND WE'LL FIND OUT WHO WINS
FOR SUPPORTING ACTRESS.

THEN LATER, TOM HANKS,
WILL FERRELL JOINS

JOHN PERFORMS HIS NOMINATED SONG

>>> THE THING THAT'S MADE ME

OPEN W
HAPPENING WITH THE ENVIRONMENT

AND THE CLIMATE WAS FILMS AND
DOCUMENTARIES, SO, THANK YOU FOR

THAT.
THAT WAS WHAT MADE ME DECIDE TO

DO SOMETHING ABOUT IT.
>> DOCUMENTARIES AND THE FILM T

ALWAYS HAD AN EXTRAORDINA
>> FROM MY COLD, DEAD HANDS.

>> IT HAS THE POWER TO PLANT
QUESTIONS IN PEOPLE'S MINDS.

>> WHY IS IT ALWAYS THE POOR
THAT HAVE TO SUFFER THE MISERY?

>> IT'S SO CONFUSING FOR PEOPLE
TO KNOW WHAT IS AND ISN'T

TRUTHFUL IN THE END.
>> THERE'S THE TRUTH OF WHAT

ACTUALLY HAPPENED.
>> IT IS POWERFUL TO COME OUT

AND BE, LIKE, LOOK, I'M NOT
AFRAID.

>> PEOPLE NEED A HUMAN BEING
THAT CAN LEAD THEM.

>> ONE CHILD CAN CHANGE THE
WORLD.

>> DOCUMENTARY FILMS CAPTURE TH
GENERATIONS AND BRING US CLOSER

TOGETHER.
>> Announcer: PLEASE WELCOME

ACADEMY AWARD NOMINATED ACTOR
MARK RUFFALO.

>> THIS YEAR'S NOMINATED
DOCUMENTARIES TOOK US OUT OF OUR

EVERYDAY LIVES AND GAVE US THE
CHANCE TO WALK IN SOMEONE ELSE'S

SHOES.
IT WASN'T ALWAYS A COMFORTABLE

WALK, BUT IT'S A JOURNEY WE
WOULD HAVE OTHERWISE NEVER

TRAVELED.
AS A RESULT, THESE FILMS, FOUR

OF WHICH ARE DIRECTED OR
CO-DIRECTED BY WOMEN -- HAVE AN

IMPACT NOT JUST FOR TODAY, BUT
WILL RESONATE WITH US FOR YEARS

TO COME.
HERE ARE THE NOMINEES FOR BEST

DOCUMENTARY FEATURE.
"AMERICAN FACTORY."

STEVEN BOGNAR, JULIA REICHERT
AND JEFF REICHERT.

>> WHAT WE'RE DOING IS WE'RE
MELDING TWO CULTURES TOGETHER.

THE CHINESE CULTURE AND THE U.S.
CULTURE.

>> "THE CAVE."
FERAS FAYYAD,

KIRSTINE BARFOD AND
SIGRID DYEKJER.

"THE EDGE OF DEMOCRACY"
PETRA COSTA, JOANNA NATASEGARA,

SHANE BORIS AND TIAGO PAVAN.
>> I FEAR DEMOCRACY WAS NOTHING

BUT A SHORT-LIVED DREAM.
>> "FOR SAMA."

WAAD AL KATEAB
AND EDWARD WATTS.

"HONEYLAND" LJUBO STEFANOV,
TAMARA KOTEVSKA AND

ATANAS GEORGIEV.
AND THE OSCAR GOES TO --

"AMERICAN FACTORY."
>> Announcer: THIS IS THE FIRST

OSCAR AND SECOND NOMINATION FOR
STEPHEN BOGNAR, THE FIRST WIN

AND NOMINATION FOR JULIA AND
JEFF REICHERT.

>> WOW.
THANK YOU.

WELL, EVEN BEFORE THAT ENVELOPE
GOT OPENED, JUST BEING IN THE

PRESENCE, IN THE COMPANY OF OUR
SISTER AND BROTHER

DOCUMENTARIANS, WHO -- WHO
RISKED THEIR LIVES MAKING

STORIES, BRINGING STORIES TO US
ABOUT HOSPITALS BEING BOMBED IN

SYRIA, ABOUT BRAZIL, ABOUT
MACEDONIA, WE WERE SO PROUD, WE

ARE INSPIRED BY YOU GUYS.
OUR FILM IS FROM OHIO AND CHINA.

GO BUCKEYES.
AND -- SORRY.

AND -- BUT IT REALLY COULD BE
FROM ANYWHERE THAT PEOPLE PUT ON

A UNIFORM, PUNCH A CLOCK, TRYING
TO MAKE THEIR FAMILIES HAVE A

BETTER LIFE.
WORKING PEOPLE HAVE IT HARDER

AND HARDER THESE DAYS AND WE
BELIEVE THAT THINGS WILL GET

BETTER WHEN WORKERS OF THE WORLD
UNITE.

>> THANK YOU, ACADEMY, THANK YOU
TO EVERYONE WHO TRUSTED US TO

TELL YOUR STORY.
THANK YOU TO OUR UNSTOPPABLE

CREW, OUR BELOVED FRIENDS AND
FAMILY, OUR UNSTOPPABLE EDITOR,

AND TO THOSE BIG-HEARTED PEOPLE
AT NETFLIX, PARTICIPANT MEDIA,

HIGHER GROUND PRODUCTIONS AND
THE TOUGH PEOPLE OF DAYTON,

OHIO.

>> AND NOW, HERE ARE THE
NOMINEES FOR BEST DOCUMENTARY

SHORT SUBJECT.
"IN THE ABSENCE" YI SEUNG-JUN

AND GARY BYUNG-SEOK KAM.
"LEARNING TO SKATEBOARD IN A

WARZONE (IF YOU'RE A GIRL)"
CAROL DYSINGER AND

ELENA ANDREICHEVA.
"LIFE OVERTAKES ME" JOHN HAPTAS

AND KRISTINE SAMUELSON.
"ST. LOUIS SUPERMAN" SMRITI

MUNDHRA AND SAMI KHAN.
"WALK RUN CHA-CHA" LAURA NIX AND

COLETTE SANDSTEDT.
AND THE WINNER IS -- "LEARNING

TO SKATEBOARD IN A WAR ZONE IF
YOU'RE A GIRL."

>> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR CAROL

DYSINGER AND ELENA ANDREICHEVA.
>> OH, MY GOD.

>> OH, MY GOSH.
>> I KNOW.

>> ARE YOU GOING TO SAY
SOMETHING?

>> I AM.
RANK CAPRA, YOU REMEMBER FRANK

CAPRA HANDED ME A STUDENT
ACADEMY AWARD IN 1977, AND I

THOUGHT I'D SKIPPED THE HARD
PART.

I SHOULD I WOULD THEN GO ON TO
MAKE MOVIES.

AND IF I HADN'T HAD THAT
ENCOURAGEMENT AT MY BACK BACK

THEN, I WOULDN'T HAVE BEEN ABLE
TO WITHSTAND THE LAST FOUR

DECADES IN THIS BUSINESS.
I WANT TO THANK MOLLY THOMPSON,

GRAIN MEDIA, TO ADAM, THE MAN
BEHIND THE WOMEN.

THE BRILLIANCE MY
CINEMATOGRAPHER AND EDITOR.

TO ZAMA AND TAM, OUR NUMBER ONE
GIRL CREW.

I'VE BEEN WORKING IN AFGHANISTAN
SINCE 2005 AND THIS MOVIE IS MY

LOVE LETTER TO THE BRAVE GIRLS
OF THAT COUNTRY.

TO GET TO CAPRA FROM HERE TOOK A
WHOLE LOT OF NOT QUITTING AND

TEACHERS, THE KIND I STRIVE TO
BE AT NYU FILM SCHOOL AND THE

KIND OF TEACHERS AT THE SCHOOL
AT THE HEART OF THE FILM, THEY

TEACH GIRLS COURAGE, TO RAISE
YOUR HAND, TO SAY, "I AM HERE, I

HAVE SOMETHING TO SAY AND I'M
GOING TO TAKE THAT RAMP, DON'T

TRY TO STOP ME."
THANK YOU VERY MUCH.

>> THANK YOU.
KEEP SKATERS ROLLING.

>> Announcer: PLEASE WELCOME
TWO-TIME ACADEMY AWARD-WINK NIN

ACTOR, MAHERSHALA ALI.

>> MOST EVERY ACTRESS AND ACTOR
I KNOW WANTS TO BUILD A LASTING

BODY OF WORK, CHOOSING ROLES
THAT DO MORE THAN JUST SPEAK TO

THEM PERSONALLY, BUT WITH THE
HOPE THAT THEIR PERFORMANCE WILL

RESONATE WITH OTHERS.
THE FIVE WOMEN NOMINATED AS BEST

SUPPORTING ACTRESS HAVE DONE
JUST THAT.

>> THE IDEA OF A GOOD FATHER WAS
ONLY INVENTED LIKE 30 YEARS AGO.

WE LOVE THEM FOR THEIR
FALLIBILITIES BUT PEOPLE

ABSOLUTELY DON'T ACCEPT THOSE
SAME FEELINGS IN MOTHERS.

>> YOU WANT YOUR DADDY?
>> YEAH, I DO.

>> YEAH?
>> YEAH.

>> YEAH?
>> YEAH.

>> DON'T YOU EVER TALK TO YOUR
MOTHER LIKE THAT.

>> RICHARD IS NOT A MURDERER.
HE SAVED PEOPLE'S LIVES.

MR. PRESIDENT, PLEASE CLEAR MY
SON'S NAME.

>> AS A WOMAN, THERE'S NO WAY
FOR ME TO MAKE MY OWN MONEY.

NOT ENOUGH TO EARN A LIVING OR
TO SUPPORT MY FAMILY AND IF WE

HAD CHILDREN, THEY WOULD BE HIS,
NOT MINE.

SO, DON'T SIT THERE AND TELL ME
THAT MARRIAGE ISN'T AN ECONOMIC

PROPOSITION, BECAUSE IT IS.
>> I -- I CAN'T CALL ANYONE ELSE

AND I JUST -- I NEED SOMEONE
RIGHT NOW TO TELL ME THAT THAT'S

WHAT I SHOULD DO.
>> WHY DO YOU KEEP DEFENDING

THESE PEOPLE?
>> I'M NOT DEFENDING, I'M JUST

EXPLAINING.
>> WELL, STOP IT.

>> I FEEL SORRY FOR YOU, I
REALLY DO.

>> YOU DON'T HAVE TO FEEL SORRY
FOR ME, AMY, YOU'LL FEEL THE

SAME WAY ONE DAY.
>> NO, I'D BE RESPECTED IF I

WASN'T LOVED.
>> YOU LOOK A TIGER IN THE EYE

AND TRUST WITHOUT FEAR, THAT IS
WHAT IT'S LIKE TO BE A WOMAN.

>> IT WOULD HAVE BEEN NICE IF
SOMEBODY TOLD US THAT HE'S AFTER

MORE THAN LEGS.
>> IT'S NOBODY'S JOB TO PROTECT

YOU, KAYLA.
>> THAT'S ALL OF OUR JOB.

>> HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTRESS IN A

SUPPORTING ROLE. BEATES, "RICHA"
LAURA DERN, "MARRIAGE STORY."

SCARLETT JOHANSSON, "JOJO
RABBIT."

FLORENCE PUGH, "LITTLE WOMEN."
MARGOT ROBBIE, "BOMBSHELL."

AND THE OSCAR GOES TO -- LAURA
DERN, "MARRIAGE STORY."

>> Announcer: THIS IS THE FIRST
OSCAR AND THIRD NOMINATION FOR

LAURA DERN.

>> THANK YOU TO THE ACADEMY FOR
THIS HONOR.

JUST TO BE IN THIS ROOM WITH
SUCH REMARKABLE ARTISTS,

INCLUDING MY FELLOW NOMINEES, MY
SISTERS AND COLLEAGUES.

THANK YOU NETFLIX, MY FRIEND TED
SCOTT, EVERYONE FOR THEIR

SUPPORT AND LOVE.
TO NOAH, HIS VISION, HIS MAGIC,

THANK YOU, NOAH, FOR YOUR WORDS
AND FOR YOUR FRIENDSHIP IN ART

AND LIFE WITH YOU AND GRETA.
THANK YOU TO THIS CAST, THE

MAJESTIC ADAM, SCARLETT, ALLEN,
RAY, OUR AMAZING CREW, DAVID,

NOAH WROTE A MOVIE ABOUT LOVE
AND ABOUT BRIEFING DIVISIONS IN

THE NAME AND IN THE HONOR OF
FAMILY AND HOME AND HOPEFULLY

FOR ALL OF US, IN THE NAME OF
OUR PLANET, AND I WOULD LIKE TO

SAY A SPECIAL THANK YOU TO THE
GIFTS OF THE LOVE STORIES IN MY

LIFE, MY STEP-CHILDREN, C.J. AND
HARRIS, MY HEART AND

INSPIRATION, ELLERY AND GIA, AND
YOU KNOW, SOME SAY NEVER MEET

YOUR HEROES, BUT I SAY, IF YOU
ARE REALLY BLESSED, YOU GET THEM

AS YOUR PARENTS.
I SHARE THIS WITH MY ACTING

HEROES, MY LEGENDS, DIANE LADD
AND BRUCE DERN.

YOU GOT GAME.
I LOVE YOU.

THANK YOU ALL FOR THIS GIFT.
THIS IS THE BEST BIRTHDAY

PRESENT EVER.
I LOVE YOU.

I LOVE MY FRIENDS.
YOU LIFT ME UP EVERY DAY.

THANK YOU.
>> Announcer: COMING UP,

LIN-MANUEL MIRANDA, JAMES CORDEN
AND REBEL WILSON.

THEN, LATER, OSCAR WINNERS SPIKE
LEE, RAMI

>>> HELLO, EVERYONE.

I'M ANTHONY RAMOS AND -- OH,
THANKS.

WOW.
THANKS.

AND THIS IS MY FIRST TIME AT THE
OSCARS.

YEAH.
SO THAT'S PRETTY DOPE.

AND CONGRATULATIONS TO LAURA
DERN ON HER WIN FOR SUPPORTING

ACTRESS, I MEAN, COME ON.
YEAH.

MY JOURNEY HERE TONIGHT TRULY
FEELS LIKE A DREAM COME TRUE.

THIS BUSINESS IS ABOUT TAKING
RISKS AND CHANCES, AND THE MAN

THAT IS ABOUT TO COME TO THE
STAGE TOOK A CHANCE ON ME.

HE GAVE ME THE INCREDIBLE
OPPORTUNITY TO BE IN THE SMASH

HIT "HAMILTON" -- THANK YOU.
SO, LET'S GO AND GIVE IT UP FOR

ONE OF MY PERSONAL HEROES, OSCAR
NOMINATED SONGWRITER LIN-MANUEL

MIRANDA.

>> THAT YOUNG MAN'S A MOVIE
STAR.

IN A SHOW CELEBRATING THE IMPACT
OF STORYTELLING, WE'D BE CRAZY

TO MISS OUT ON HIGHLIGHTING
THOSE SONGS THAT HAVE BEEN

ATTACHED TO MOVIES AND THAT HAVE
FOREVER IMPACTED OUR COLLECTIVE

MEMORY.
IT ONLY TAKES HEARING A FEW

NOTES OF THESE SONGS AND I'M
IMMEDIATELY TRANSPORTED TO THE

VISUALS OF THE MOVIES ETCHED
INTO MY MIND.

AS JOHN HUGHES ONCE SAID ABOUT
SIMPLE MINDS, "DON'T YOU FORGET

ABOUT ME," YOU COULDN'T TAKE THE
SONG OUT OF THE MOVIE AND YOU

COULDN'T TAKE THE MOVIE OUT OF
THE SONG.

LET'S HAVE A LOOK AND LISTEN AT
JUST A FEW EXAMPLES OF WHERE A

SONG HAS TRANSFORMED A FILM AND
THE FILM HAS TRANSFORMED THE

SONG.

YOU KNOW IT'S HARD OUT HERE

FOR A PIMP
HEY HEY HEY HEY

OH
IN YOUR EYES

THE LIGHT THE HEAT
YOUR EYES

I AM COMPLETE
YOUR EYES

PURPLE RAIN
PURPLE RAIN

AND I KNOW THAT MY HEART WILL
GO ON

AND I
WILL ALWAYS LOVE YOU

WHOA MY LOVE
LA BAMBA

LA BAMBA
HOLD ME CLOSER TINY DANCER

CUT LOOSE SHOES

AND HERE'S TO YOU
MRS. ROBINSON LADY MARMALAD

FIGHT THE POWER
FIGHT THE POWER ER

OF LOVE
FEEL THE POWER OF LOVE

I DON'T KNOW WHY I CAME HERE
TONIGHT

I GOT THE FEELING THAT
SOMETHING AIN'T RIGHT

>> SOMETIMES YOU HAVE TO LOSE

YOURSELF BEFORE YOU CAN FIND
ANYTHING.

>> ONE SHOT.
ONE OPPORTUNITY.

PALMS ARE SWEATY
KNEES WEAK

ARMS ARE HEAVY
THERE'S VOMIT ON HIS SWEATER

ALREADY
MOM'S SPAGHETTI

HE'S NERVOUS
BUT ON THE SURFACE HE LOOKS

CALM AND READY
TO DROP BOMB

BUT HE KEEPS ON FORGETTING
WHAT HE WROTE DOWN

THE WHOLE CROWD GOES SO LOUD
HE OPENS HIS MOUTH

BUT THE WORDS WON'T COME OUT
HE'S CHOKING HOW

EVERYBODY'S JOKING NOW
THE CLOCKS RUN OUT

TIME'S UP OVER
SNAP BACK TO REALITY

OH THERE GOES GRAVITY
OH THERE GOES RABBIT

HE CHOKED
HE'S SO MAD

BUT HE WON'T GIVE UP THAT EASY
NO

HE WON'T HAVE IT
HE KNOWS HIS WHOLE BACK'S TO

THESE ROPES
IT DON'T MATTER, HE'S HOPE

HE KNOWS THAT BUT HE'S BROKE
HE'S SO STAGNANT

HE KNOWS WHEN HE GOES BACK TO
THIS MOBILE HOME

THAT'S WHEN IT'S BACK TO THE
LAB AGAIN

THIS WHOLE RHAPSODY
BETTER GO CAPTURE THIS

MOMENT
AND HOPE IT DON'T PASS HIM

YOU BETTER LOSE YOURSELF IN
THE MUSIC

THE MOMENT
YOU OWN IT

YOU BETTER NEVER LET IT GO
YOU ONLY GET ONE SHOT

DO NOT MISS YOUR CHANCE TO
BLOW

THIS OPPORTUNITY COMES ONE IN
A LIFETIME

YOU BETTER LOSE YOURSELF IN
THE MUSIC

THE MOMENT
YOU OWN IT

YOU BETTER NEVER LET IT GO
YOU ONLY GET ONE SHOT

DO NOT MISS YOUR CHANCE TO
BLOW

THIS OPPORTUNITY COMES ONE IN
A LIFETIME

YOU BETTER
HIS SOUL'S ESCAPING THROUGH

THIS WHOLE THAT IS GAPING
THERE'S NO MOVIE

THIS IS MY LIFE
AND THESE TIMES ARE SO HARD

AND IT'S GETTING EVE HARDER
TRY TO

CAUGHT UP BETWEEN BEING A
FATHER AND A

STAND IN ONE SPOT
I'M LIKE A SNAIL I'VE GOT TO

FORM LATE A PLOT
OR END UP IN JAIL OR SHOT

SUCCESS IS MY ONLY OPTION
MOM I LOVE YOU

BUT THIS TRAIL'S GOT TO GO
HERE'S MY GO IT'S MY SHOT

FEET FAIL ME NOT
THIS MAY BE THE ONLY

OPPORTUNITY THAT I GOT
YOU BETTER LOSE YOURSELF IN

THE MUSIC
THE MOMENT

YOU OWN IT
YOU BETTER NEVER LET IT GO

YOU ONLY GET ONE SHOT
DO NOT MISS YOUR CHANCE TO

BLOW
THIS OPPORTUNITY COMES IN ONCE

IN A LIFETIME
YOU BETTER LOSE YOURSELF IN

THE MUSIC THE MOMENT
YOU ONLY GET ONE SHOT

DO NOT MISS YOUR CHANCE TO
BLOW

THIS OPPORTUNITY COMES ONCE IN
IN A LIFETIME

YOU BETTER LOSE YOURSELF

>> THANK YOU.

>> Announcer: PLEASE WELCOME

OSCAR ISAAC AND ACADEMY AWARD
NOMINEE SALMA HAYEK-PINAULT.

>> I CAN NOW OFFICIALLY SAY THAT
I'VE HELD AN OSCAR ON THIS

STAGE.
>> CONGRATULATIONS.

OSCARS NOT TO WHITE NOW.
>> I WIN.

>> THE SEEMINGLY IMPOSSIBLE TASK
OF SOUND EDITORS IS TO IMMERSE

THE VIEWER IN A WORLD WE, AND
THEY, HAVE LIKELY NEVER HEARD

FIRSTHAND.
>> THIS YEAR'S NOMINEES HAVE

VIVIDLY BROUGHT TO LIFE FIRST
WORLD WAR TRENCHES.

>> THE MANSON RANCH AND THE CITY
OF GOTHAM.

>> THE LEMANS RACETRACK.
>> AND EVEN A GALAXY FAR, FAR

AWAY.
>> AND YET SO CLOSE.

>> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN SOUND EDITING.

"FORD V FERRARI" DONALD
SYLVESTER.

"1917" OLIVER TARNEY AND RACHAEL
TATE.

"ONCE UPON A TIME IN HOLLYWOOD"
WYLIE STATEMAN.

"STAR WARS: THE RISE OF
SKYWALKER" MATTHEW WOOD AND

DAVID ACORD.

>> AND THE OSCAR GOES TO --
"FORD V FERRARI," DONALD

SYLVESTER.
>> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR DONALD
SYLVESTER.

>> "FORD V FERRARI" IS A
MARRIAGE OF SOUND AND PICTURE,

SO, WHILE I WANT TO THANK THE
FANTASTIC SOUND TEAM, I WANT TO

INCLUDE THE PICTURE TEAM AND THE
MIXERS.

IN FACT, "FORD V FERRARI" IS
PROBABLY THE LAST FILM EVER MADE

BY 20th CENTURY FOX, SO, I WANT
TO THANK -- I WANT TO THANK

AARON DOWNING AND TED GALIANO
AND EMMA WATTS, BUT THE REAL

SUPPORT COMES FROM HOME, SO, I
WANT TO THANK MY WONDERFUL WIFE

OF 34 YEARS, WHO GAVE UP HER
EDITING CAREER FOR ME TO PURSUE

MY CAREER.
BUT SHE RAISED OUR KIDS AND SHE

DID A GREAT JOB BECAUSE EITHER
ONE OF THEM ARE POLITICIANS.

BUT THE REAL REASON I'M STANDING
HERE IS JAMES MANGOLD.

HE IS THE REASON I'M HERE.
HE SHOULD HAVE BEEN NOMINATED

FOR BEST DIRECTOR, SO, IF I
COULD, I'D BREAK THIS STATUE

OFF, GIVE HIM THE HEAD SO YOU
CAN PUT IT IN A JAR, JIM.

THANK YOU, ACADEMY.
>> AND NOW, HERE ARE THE

NOMINEES FOR ACHIEVEMENT IN
SOUND MIXING.

"AD ASTRA" GARY RYDSTROM,
TOM JOHNSON, AND MARK ULANO.

"FORD V FERRARI" PAUL MASSEY,
DAVID GIAMMARCO, AND

"JOKER" TOM OZANICH,
DEAN ZUPANCIC, AND TOD MAITLAND.

"1917" MARK TAYLOR AND STUART
WILSON.

"ONCE UPON A TIME IN HOLLYWOOD"
MICHAEL MINKLER, CHRISTIAN P.

MINKLER AND MARK ULANO.
>> AND THE OSCAR GOES TO --

"1917," MARK TAYLOR AND STUART
WILSON.

>> Announcer: THIS IS THE FIRST
OSCAR AND THIRD NOMINATION FOR

MARK TAYLOR.
THIS IS THE FIRST OSCAR WIN AND

SIXTH NOMINATION FOR STUART
WILSON.

>> I'D LIKE TO ACCEPT THIS AWARD
ON BEHALF OF THE ENTIRE "1917"

EACH ONE OF WHOM DID OUTSTANDING
WORK ON THIS FILM, FROM MY GUYS

IN THE TRENCHES TO MARK'S TEAM
IN THE STUDIO, FOR THEIR

INCREDIBLE SUPPORT.
THANKS TO OUR FAMILIES,

VICTORIA, AVA AND TO OUR
PRODUCERS, CALLUM, JANE ANN AND

PIPPA.
SAM MENDES, NONE OF US WOULD BE

HERE WITHOUT YOU.
THANK YOU.

>> I'D LIKE TO THANK THE GREAT
TEAM, RACHEL, MIKE FENTON, LEE

SMITH, OUR EDITOR, ALL THE GUYS
WHO GAVE US SUCH A GREAT SCORE

TO WORK WITH.
ROBBIE AND THE GUYS AT GOLD

CREST.
ROB CARLSON AND BITTY BEE.

THANK YOU SO MUCH.

I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

THROW YOURSELF AWAY
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

THROW YOURSELF AWAY
THROW YOURSELF AWAY

DON'T YOU WANNA
SEE THE SUN

COME UP EACH MORNING
DON'T YOU WANNA

SEE THE SUN
GO DOWN EACH DAY

DON'T YOU WANNA
SEE THAT LITTLE GIRL

WHO LOVES YOU SO
HER HEART WOULD BREAK

IF YOU SHOULD GO
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

THROW YOURSELF AWAY
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

THROW YOURSELF AWAY
SON, IT SEEMS TO ME

LIKE YOU'RE NEVER
GON' BEHAVE YOURSELF

SINCE I'M NOT GONNA DO THIS
EVERYDAY

COME TOMORROW
YOU'RE GONNA HAVE TO

SAVE YOURSELF
GOT NOTHIN' MORE TO SAY

YOU'RE NOT
LISTENING ANYWAY

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
THROW YOURSELF AWAY

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
THROW YOURSELF AWAY

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
THROW YOURSELF AWAY

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
I CAN'T LET YOU

I CAN'T LET YOU
THROW YOURSELF AWAY

>> Announcer: WILL FERRELL AND
JULIA LOUIS-DREYFUS ARE NEXT.

AND CYNTHIA ERIVO PERFORMS THE
NOMINATED SONG "STAND UP" FROM

THE FILM "HARRIET."
IT'S ALL COMING UP AT THE DOLBY

THEATRE.

>>> THIS IS INCREDIBLE.

I DO NOT BELONG HERE.
WELCOME BACK TO THE OSCARS.

QUESTLOVE, HIT IT.
ALL RIGHT.

WE'RE GOING TO DO SOMETHING FUN.
WE'RE GOING TO BREAK DOWN WHAT'S

HAPPENED IN THE SHOW SO FAR.
HERE WE GO.

YOU DON'T KNOW ME.
MOVIES I'VE BEEN IN A FEW

YOU STILL MIGHT CONSIDER ME
NEW

I'M HERE TO RECAP THE SHOW AND
MC

FOR A BUNCH OF NOMINEES THAT
DON'T LOOK LIKE ME

FIRST UP, WHO WE BEEN
COASTING

CHRIS ROCK DROPPING BECAUSE HE
AIN'T HOSTING

MR. PITT
CONGRATS ON WINNING THE

TROPHY
MINDY HERE

SHE REPPING FOR SOUTH ASIANS
HAIR LOVE WON FOR BEST

ANIMATION
HER NAME IS IDINA MENZEL

MR. TRAVOLTA
WON FOR SCREENPLAY

BRIDESMAID CREW
STANDING WITH YOU

AND WAS THAT YOU
LIGHTS UP ON ANTHONY AND MIGHT

TWIN LIN
NEXT YEAR IN THE HEIGHTS IS

GUARANTEED TO WIN
WHAT YOU SEEING RIGHT IN FRONT

OF YOU
IS A SIGN OF THE TIMES

QUESTLOVE ON THE BEAT
AND THAT'S HOW YOU RECAP THE

SHOW IN A RHYME
KEEP AN OPEN MIND

I'M SURE WE'LL FIND
THERE'S PLENTY OF LIGHT HERE

FOR US ALL TO SHINE
US ALL TO SHINE

THANK YOU GUYS VERY MUCH.
NOW, PLEASE WELCOME TO THE SHAJ,

WILL FERRELL AND JULIA
LOUIS-DREYFUS.

>> BECAUSE JULIA LOUIS-DREYFUS
AND I HAVE MADE MULTIPLE FILMS

AND HAVE AN ENORMOUS AMOUNT OF
EXPERIENCE ON FILM SETS, WE

CERTAINLY UNDERSTAND THE
IMPORTANCE, INDEED THE PRIMACY

OF THE ROLE OF THE
CINEMATOGRAPHER TO FILM.

>> NOT ONLY DOES THE
CINEMATOGRAPHER PREPARE THE

MEALS FOR THE CREW AND CAST, IT
IS ALSO THE CINEMATOGRAPHER WHO

KNOCKS ON YOUR TRAILER DOOR TO
LET YOU KNOW THAT IT IS TIME TO

GET TO THE SET TO CREATE MAGIC.
>> AND IT IS THE

CINEMATOGRAPHER, AND ONLY THE
CINEMATOGRAPHER, WHO IS WAITING

PATIENTLY FOR YOU IN THAT GOLF
CART TO "TRAVEL" YOU TO SET.

>> OH, HOW SPLENDID, THEN, TO
HONOR THESE UNSUNG CINEMATIC

HEROES.
>> WAIT, I'M BEING TOLD THAT

THAT --
>> WHAT?

>> THAT IS NOT THE ROLE OF THE
CINEMATOGRAPHER.

>> OH.
>> AND IT HAS SOMETHING TO DO

WITH CAMERA.
>> AH.

WHO THE TALKING TO YOU?
>> I HAVE NO IDEA.

>> OH.
>> THEY JUST GAVE ME AN EERS

PIECE BACKSTAGE.
DO YOU NOT HAVE AN EAR PIECE?

>> UM -- HELLO?
HELLO?

NO, I -- I DON'T THINK ANYTHING
IS IN THERE.

>> OH.
OKAY.

>> OKAY.
HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN CINEMATOGRAPHY.
"THE IRISHMAN" RODRIGO PRIETO.

"JOKER" LAWRENCE SHER.
"THE LIGHTHOUSE" JARIN BLASCHKE.

"1917" ROGER DEAKINS.
"ONCE UPON A TIME IN HOLLYWOOD"

ROBERT RICHARDSON.
>> AND THE OSCAR GOES TO --

ROGER DEAKINS, "1917."
>> Announcer: THIS IS THE SECOND

OSCAR AND 15th NOMINATION FOR
ROGER DEAKINS.

>> THANK YOU, WOW.
I WANT TO THANK MY FELLOW -- I

WANT TO THANK MY FELLOW NOMINEES
FOR THEIR WONDERFULLY INSPIRING

WORK, BUT MORE THAN THAT, I WANT
TO THANK THEM FOR THEIR

FRIENDSHIP, TOO.
I'M PRETTY GOOD COOK, ACTUALLY,

BUT -- THIS BELONGS TO A LOT OF
PEOPLE THAT WORKED ON THIS

MOVIE.
MY WIFE WHO WORKED ON IT WITH

ME.
IT BELONGS TO MY ASSISTANT, ANDY

HARRIS, WHO IS SOMEWHERE UP
THERE.

WHO IS THE PINBALL WIZARD OF
FOCUS PULLING, AND YOU'LL NEVER

KNOW WHAT HE DOES, BECAUSE HE --
HE ONLY NOTICES IT IF HE MAKES A

MISTAKE, AND HE NEVER DOES.
IT'S TO PETER AND CHARLIE, TWO

FANTASTIC OPERATORS.
IT'S TO GARY, GRIP CREW AND

JOHN, WHO HAS BEEN MY FRIEND FOR
ABOUT 30-ODD YEARS, WHO IS A

GAFFER.
SO, IT'S TO THEM AND ALL THEIR

WONDERFUL TEAM AND I THINK THEY
WOULD ALL WANT ME TO SAY THANK

YOU, SAM MENDES, FOR MOST
WONDERFUL EXPERIENCE.

THANK YOU.
WE'LL NEVER FORGET IT.

>> OKAY, SO THAT WAS
CINEMATOGRAPHER.

>> YES.
>> YES.

OUR NEXT CATEGORY IS FILM
EDITING.

>> OH, WE KNOW ALL ABOUT FILM
EDITORS.

THEY'RE THE ONES WHO LIKE TO CUT
OUT A LOT OF MY LINES.

>> OH, YEAH.
>> YEAH.

>> THEY DID A REAL NUMBER ON ME
THIS YEAR.

DID YOU KNOW I WAS ORIGINALLY IN
"1917"?

>> NO.
>> YEAH.

YEAH.
AND "PARASITE"?

>> OH, MY GOD.
YOU HAD A WONDERFUL YEAR.

>> I KNOW.
>> WELL, LISTEN TO THIS.

IT WAS ORIGINALLY "FORD V
FERRARI V FERRELL."

>> WHAT?
>> YES.

AND I'M STILL IN A LOT OF THE
KEY ART.

>> UNBELIEVABLE.
>> I'M JUST GOING TO SAY IT.

I HATE THIS AWARD.
>> IT'S AWFUL.

>> IT'S AN AWFUL AWARD.
OH, HELLO?

HELLO?
OH, YES, I'M HERE.

YEAH, NO, NO --
>> SO, YOU DO HAVE ONE?

>> OH, NO, HE IS, HE'S ABOUT TO
SAY THE NOMINEES.

HE'S SAYING IT.
JUST SAY IT.

>> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN FILM EDITING.

>> HE JUST DID IT.
>> "FORD V FERRARI" MICHAEL

McCUSKER AND ANDREW BUCKLAND.
"THE IRISHMAN"

THELMA SCHOONMAKER.
"JOJO RABBIT" TOM EAGLES.

"JOKER" JEFF GROTH.
"PARASITE" YANG JINMO.

>> AND THE OSCAR GOES TO --
MICHAEL McCUSTER AND ANDREW

BUCKLAND.
>> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR ANDREW
BUCKLAND.

THIS IS ALSO THE FIRST WIN AND
SECOND NOMINATION FOR MICHAEL

McCUSKER.

>> WOW.
HELLO.

LIKE TO THANK THE ACADEMY AND TO
THE FELLOW NOMINEES.

INCREDIBLE WORK.
WE WOULDN'T BE HERE WITHOUT OUR

STELLAR PICTURE CREW AND OUR
OUTSTANDING SOUND TEAM, AS WELL.

TO MY AMAZING AND BEAUTIFUL
WIFE, MARIA AND OUR SON, LUCAS,

I LOVE YOU SO MUCH.
AND TO MY SISTER CLAIRE AND JOE

AND TO OUR ARMANDO, TO MY MOM
AND DAD WHO SUPPORTED ME FROM

THE VERY BEGINNING, I LOVE YOU
SO MUCH.

AND MY FAMILY IN ARGENTINA --
>> JAMES MANGOLD.

JAMES MANGOLD, I JUST -- IT'S MY
GREAT, GREAT PLEASURE TO HAVE

SAT AND WATCHED YOU BECOME ONE
OF THE BEST DIRECTORS IN THIS

BUSINESS IN THE LAST 15 YEARS.
THANK YOU SO MUCH.

TO OUR GREAT CAST LED BY MATT
AND CHRISTIAN, OUR DP, OUR

PRODUCERS, TO EVERYONE AT 20th
CENTURY.

THE TIRELESS AARON DOWNING, TED
GALIANO, STEVE AND EMMA WATTS.

AND FINALLY, TO MY DAUGHTER, I
LOVE YOU SO MUCH.

I LOVE YOU, BABA.
THANK YOU SO MUCH FOR THIS.

THANK YOU.

>> Announcer: PLEASE WELCOME
CASTING DIRECTOR AND ACADEMY

PRESIDENT, DAVID RUBIN.
>> THOUGH THIS EVENT IS THE

HIGHLIGHT OF THE ACADEMY'S YEAR,
THERE'S ANOTHER MILESTONE COMING

UP IN THE VERY NEAR FUTURE.
AND HERE'S SOME HISTORY FOR YOU.

IN 1929, THE ACADEMY'S LEADERS
DECIDED TO OPEN UP A MUSEUM.

THAT WAS UNDER THE LEADERSHIP OF
MY PRESIDENTIAL PREDECESSOR,

DOUGLAS FAIRBANKS.
AS YOU CAN IMAGINE, ONLY ONE OF

A MILLION WAYS I'VE BEEN LINKED
TO DOUGLAS FAIRBANKS.

WELL, NOW AFTER A MERE NINE
DECADES, WE'RE ABOUT TO DO MR.

FAIRBANKS PROUD WITH A SPECIAL
ANNOUNCEMENT.

SO MANY WONDERFUL PEOPLE HAVE
PUT IN THEIR TIME AND EFFORT TO

MAKE A REALITY OF THIS STATE OF
THE ART SHOWCASE OF

MOVIE-MAKING.
AND HERE'S ONE OF THE MUSEUM'S

GREATEST CHAMPIONS, TWO-TIME
OSCAR WINNER TOM HANKS.

>> THANK YOU.
THANK YOU.

THANK YOU.
THANK YOU, DAVID.

OR AS WE REFER TO HIM AROUND THE
OFFICE AS MR. EXCITEMENT.

THERE IS PLENTY OF CULTURE TO BE
FOUND HERE IN THE CITY OF

ANGELS.
THERE ARE MUSEUMS DEDICATED TO

ART AND MUSIC AND HISTORY AND
SCIENCE AND WE EVEN HAVE A

MUSEUM DEDICATED TO SELFIES.
I'M NOT SURE WHY.

BUT THERE IT IS.
LOOK IT UP AND ENJOY, I GUESS.

BUT THERE'S NEVER BEEN A MUSEUM
DEDICATED TO THE ART AND

SCIENCES OF MOTION PICTURES.
BUT IT IS BEING BORN, THIS LABOR

OF LOVE.
WE WERE OVER THERE JUST THIS

MORNING.
I WAS PUTTING UP SOME DRYWALL.

SCARLETT JOHANSSON HAD BROUGHT
HER ORBITAL SANDER.

BRAD PITT WAS ON THE ROOF
WORKING WITH HIS SHIRT OFF.

AS WAS COLIN JOST.
AND DUDE, THAT WAS NO CONTEST.

WE'RE ALL VERY PROUD OF WHAT HAS
BEEN ACCOMPLISHED SO FAR IN THE

LANDMARK THAT IS TAKING SHAPE AT
FAIRFAX AND WILESHIRE, THAT IS

FAIRFAX AND WILLSHIRE AND IT IS
MY PLEASURE TO ANNOUNCE THAT THE

ACADEMY MUSEUM OF MOTION
PICTURES WILL OPEN ITS DOORS ON

DECEMBER 14th, 2020.
IT'S GOING TO BE A VERY BIG

DEAL.
WE'LL SEE YOU THERE.

AND I AM SPARTACUS.

>>> HELLO, EVERYBODY.

WE ARE AT THE OSCARS.
I'M ZAZIE BEETZ AND DOWN IN

FRONT OF ME IN THE ORCHESTRA PIT
IS RICKEY MINOR, OUR MUSIC

DIRECTOR.
I'M VERY NERVOUS.

I'M SORRY.
HOW ARE YOU DOING TONIGHT?

>> I HAVE THAT EFFECT ON PEOPLE.
DON'T FEEL BAD ABOUT IT.

>> THANK YOU, I NKNOW.
I THINK YOU ACTUALLY KNOW OUR

NEXT PERFORMER, CYNTHIA ERIVO.
>> OKAY, CYNTHIA IS JUST AMAZING

ACTRESS, SINGER AND A GREAT
PERFORMER.

BUT SHE'S MY DEAREST FRIEND, AS
WELL, AND I LOVE HER.

>> I LOVE THAT.
WELL, HERE TO PERFORM "STAND

UP," A NOMINATED ORIGINAL SONG
FROM THE MOVIE "HARRIET" IS

CYNTHIA ERIVO.

I BEEN WALKIN'

WITH MY FACE TURNED TO
THE SUN

WEIGHT ON MY SHOULDERS
A BULLET IN MY GUN

OH, I GOT EYES
IN THE BACK OF MY HEAD

JUST IN CASE
I HAVE

TO RUN
I DO WHAT I CAN

WHEN I CAN
WHILE I CAN

FOR MY PEOPLE
WHILE THE CLOUDS ROLL BACK

AND THE STARS FILL THE NIGHT
THAT'S WHEN I'M

GONNA STAND UP
TAKE MY PEOPLE WITH ME

TOGETHER WE ARE GOING
TO A BRAND NEW HOME

FAR ACROSS THE RIVER
CAN YOU HEAR FREEDOM CALLING

CALLING ME TO ANSWER
GONNA KEEP ON KEEPIN' ON

I CAN FEEL IT IN MY BONES
EARLY IN THE MORNIN

BEFORE THE SUN
BEGINS TO SHINE

WE'RE GONNA START MOVIN'
TOWARDS THAT

SEPARATING LINE
I'M WADIN'

THROUGH MUDDY WATERS
YOU KNOW I GOT

A MADE UP MIND
I MADE UP MY MIND

AND I DON'T MIND
IF I LOSE ANY BLOOD

ON THE WAY TO SALVATION
AND I'LL FIGHT

WITH THE STRENGTH
THAT I GOT UNTIL I DIE

SO I'M GONNA STAND UP
TAKE MY PEOPLE WITH ME

TOGETHER WE ARE GOING
TO A BRAND NEW HOME

FAR ACROSS THE RIVER
CAN YOU HEAR FREEDOM CALLING

CALLING ME TO ANSWER
GONNA KEEP ON KEEPIN' ON

AND I KNOW
WHAT'S AROUND THE BEND

MIGHT BE HARD
TO FACE 'CAUSE I'M ALONE

AND I JUST MIGHT FAIL
BUT LORD KNOWS I TRIED

SURE AS STARS
FILL UP THE SKY

STAND UP
TAKE MY PEOPLE WITH ME

TOGETHER WE ARE GOING
TO A BRAND NEW HOME

FAR ACROSS THE RIVER
I HEAR FREEDOM CALLING

CALLING ME TO ANSWER
GONNA KEEP ON KEEPIN' ON

I CAN FEEL IT IN MY BONES
I GO

TO PREPARE A PLACE FOR YOU
I GO

TO PREPARE A PLACE FOR YOU

>> Announcer: JAMES CORDEN AND
REBEL WILSON ARE NEXT.

THEN LATER, THE OSCAR FOR BEST
ACTOR.

KEEP WATCHING.

>> Announcer: PLEASE WELCOME
REBEL WILSON AND JAMES CORDEN.

>> AS CAST MEMBERS OF THE MOTION
PICTURE "CATS" --

>> NOBODY MORE THAN US
UNDERSTANDS THE IMPORTANCE OF --

>> GOOD VISUAL EFFECTS.
>> HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN VISUAL EFFECTS.
>> "AVENGERS: ENDGAME" DAN

DELEEUW, RUSSELL EARL, MATT
AITKEN AND DAN SUDICK.

"THE IRISHMAN" PABLO HELMAN,
LEANDRO ESTEBECORENA, NELSON

SEPULVEDA-FAUSER AND STEPHANE
GRABLI.

"THE LION KING" ROBERT LEGATO,
ADAM VALDEZ, ANDREW R. JONES AND

ELLIOT NEWMAN.
"1917" GUILLAUME ROCHERON, GREG

BUTLER AND DOMINIC TUOHY.
"STAR WARS: THE RISE OF

SKYWALKER" ROGER GUYETT, NEAL
SCANLAN, PATRICK TUBACH

AND DOMINIC TUOHY.
AND THE --

>> AND THE OSCAR GOES TO --

>> "1917."
>> Announcer: THIS IS THE SECOND

OSCAR AND SECOND NOMINATION FOR
GUILLAUME ROCHERON AND FIRST WIN

AND SECOND NOMINATION FOR GREG
BUTLER AND THE FIRST WIN AND

THIRD NOMINATION FOR DOMINICK
T

TUOHY.

>> WOW.
THANK YOU FOR THE ACADEMY FOR

THIS TREMENDOUS HONOR.
"1917" IS WHAT YOU CALL A DREAM

PROJECT.
A CHANCE TO COLLABORATE WITH

SOME TRULY FANTASTIC PEOPLE.
THANK YOU TO SAM MENDES FOR

BEING SO INSPIRATIONAL AND
LEADING US THROUGH, YOU KNOW,

THIS EPIC JOURNEY.
I WANT TO THANK OUR PRODUCERS,

EVERYBODY AT UNIVERSAL FOR YOUR
COLLABORATION AND SUPPORT.

THANK YOU TO MY BEAUTIFUL WIFE
KATE, FOR STANDING RIGHT BY ME

IN EVERY STEP OF THE WAY AND I
WANT TO THANK THE TEAM OF 600

ARTISTS AT MPC AND OUR FANTASTIC
SPECIAL EFFECTS TEAM , WE SHARE

THIS AWARD, THANK YOU.
>> THANK YOU, KIDS AT HOME,

THANK YOU TO THE TEAM, THANK
YOU.

>> THANK YOU.
>> Announcer: PLEASE WELCOME RAY

ROMANO AND SANDRA OH.

>> GOOD EVENING.

WE'RE HERE TO PRESENT THE AWARD
FOR MAKEUP AND HAIRSTYLING.

IT'S IMPOSSIBLE TO OVERSTATE THE
ROLE THAT AIR AND MAKEUP PLAY IN

THE CRAFT OF FILMMAKING.
CASE IN POINT, I'M 87 YEARS OLD.

>> AND I'M CHARLIZE THERON.
>> AS ACTORS, OUR TRANSFORMATION

STARTS IN THE MAKEUP AND HAIR
TRAILER.

>> LISTEN, ALL JOKING ASIDE, I
SAW FIRST-HAND HOW TALENTED HAIR

AND MAKEUP PEOPLE ARE.
IN "THE IRISHMAN," THEY WOULD

TRANSFORM US EVERY DAY.
I WOULD JUST SIT THERE AND BE

AMAZED.
AND PESCI WOULD COME IN AND

SAY --
>> I THINK -- THEY'RE GOING TO

BLEEP THAT.
NOT EVERYTHING IS NETFLIX, RAY.

>> SORRY.
I GOT CARRIED AWAY.

>> EVERYONE WOKE UP THERE.
>> HERE ARE THE WONDERFULLY

TALENTED ARTISTS NOMINATED THIS
YEAR FOR ACHIEVEMENT IN MAKEUP

AND HAIRSTYLING.
"BOMBSHELL" KAZU HIRO, ANNE

MORGAN AND VIVIAN BAKER.
"JOKER" NICKI LEDERMANN AND KAY

GEORGIOU.
"JUDY" JEREMY WOODHEAD.

"MALEFICENT: MISTRESS OF EVIL"
PAUL GOOCH, ARJEN TUITEN AND

DAVID WHITE.
"1917" NAOMI DONNE, TRISTAN

VERSLUIS AND REBECCA COLE.
>> AND THE OSCAR GOES TO --

"BOMBSHELL."
KAZU HIRO, ANNE MORGAN AND

VIVIAN BAKER.
>> Announcer: THIS IS THE SECOND

OSCAR AND FOURTH NOMINATION FOR
KAZU HIRO.

THE FIRST OSCAR AND NOMINATION
FOR ANNE MORGAN AND VIVIAN

BAKER.
>> THANK YOU VERY MUCH.

IT IS A GREAT HONOR AND WE WOULD
LIKE TO THANK MEMBERS OF THE

ACADEMY AND DIRECTOR JAY ROACH
AND CHARLES, BOB GRAF, DAVE

JOHNSON AND THE ENTIRE TEAM AT
THE STUDIO AND LIONSGATE.

AND THE CAST AND CREW AND
FRIENDS AND FAMILY FOR THEIR

AMAZING SUPPORT AND MY MENTORS,
RICK BAKER AND DICK SMITH.

AND WE WOULD LIKE TO GIVE OUR
HEARTFELT THANKS TO CHARLIZE

THERON.
YOU ARE AMAZING.

YOU ARE AMAZING ACTOR AND
PRODUCER AND YOUR COMPASSION AND

LOVE AND CARE MADE THIS FILM
POSSIBLE.

AND BECAUSE OF YOUR BRAVERY AND
PASSION, WE ARE ABLE TO SET THE

NEW BAR IN MAKEUP INDUSTRY AND
CREATE A NEW WAY TO TELL

STORIES.
THANK YOU VERY MUCH AND -- WE

WOULDN'T BE GETTING THIS AWARD
WITHOUT YOU.

>> Announcer: COMING UP,
PENELOPE CRUZ AND ELTON JOHN

PERFORMS "ROCKETMAN'S" "(I'M
GONNA) LOVE ME AGAIN."

THEN LATER, THE OSCARS FOR
DIRECTING, BEST ACTOR AND

>>> GROWING UP, I WAS REALLY

INFLUENCED BY THE WORK OF
PEDRO ALMODOVAR.

EVEN AS A TEENAGER, I FELT A
VERY DEEP CONNECTION WITH HIS

VISION.
HIS FILMS ARE THE REASON WHY I

WANTED TO BE AN ACTRESS.
EVERY NATION, EVERY CULTURE, HAS

ITS OWN ICONIC FILMS.
AND OVER TIME, I BEGAN TO FALL

IN LOV
DIFFERENT DIRECTORS FROM AROUND

THE WORLD.
NAMES LIKE FELLINI, CHABROL, RH.

LIFE HAS SO MUCH MORE TO SHOW US
THAN WHAT WE SEE EVERY DAY.

FILMS FROM AROUND THE WORLD NOT
ONLY PROVIDE A VIVID WINDOW INTO

PLACES AND CULTURES UNLIKE OUR
OWN.

THEY OPEN A DOORWAY INTO OUR
MINDS AND HEARTS.

THE MORE WE WATCH, THE MORE WE
KNOW.

THE MORE WE KNOW, THE MORE WE
CARE.

NO MATTER WHERE WE ARE FROM, WE
ALL ASK OURSELVES THE

QUESTIONS, AND SOMETIMES THE
ANSWER COULD BE HIDDEN IN A FILM

THAT REPRESENTS OUR GLOBAL
LANGUAGE OF CINEMA.

>> Announcer: PLEASE WELCOME
ACADEMY AWARD-WINNING ACTRESS

PENELOPE CRUZ.
>> GOOD EVENING.

AND HERE ARE THE NOMINEES FOR
BEST INTERNATIONAL FEE DHATURE .

FROM POLAND, "
DIRECTED BY LJUBO STEFANOV AND

TAMARA KOTEVSKA.
FROM FRANCE, "LES MISRABLES"

DIRECTED BY LADJ LY.
FROM SPAIN, "PAIN AND GLORY."

DIRECTED BY PEDRO ALMODVAR.
FROM SOUTH KOREA, "PARASITE."

DIRECTED BY BONG JOON HO.
AND THE OSCAR GOES TO --

"PARASITE."
>> Announcer: THIS IS THE FIRST

MOVIE FROM SOUTH KOREA TO BE
NOMINATED AND TO WIN THE OSCAR.

>> THANK YOU.
GREAT HONOR.

>> Translator: THE CATEGORY HAS
A NEW NAME NOW, FROM BEST

FOREIGN LANGUAGE TO BEST
INTERNATIONAL FEATURE FILM.

I'M SO HAPPY TO BE ITS FIRST
RECIPIENT UNDER THE NEW NAME.

I APPLAUD AND SUPPORT THE NEW
DIRECTION THAT THIS CHANGE

SYMBOLIZES.
ALL OUR LOVING CREW MEMBERS AND

CAST MEMBERS ARE HERE WITH US
TODAY.

PLEASE SEND A ROUND OF APPLAUSE
TO THE ACTORS AND CREW MEMBERS

OF "PARASITE."
>> AND OUR GREAT PRODUCTION

DESIGNER AND WONDERFUL --
>> Translator: I CONGRATULATE

ALL THE GREAT ARTISTS HERE
TONIGHT.

I ALSO THANK EVERYONE WHO
ALLOWED ME TO ACTUALIZE MY

VISION.
THANK YOU AND -- YEAH.

I'M READY TO DRINK TONIGHT.
UNTIL NEXT MORNING.

THANK YOU.

OH THE JOKE

WAS NEVER HARD TO TELL
THREW MY SPARE CHANGE

IN THE WISHING WELL
THE DREAM ALONE

IS ALWAYS IN YOUR HANDS
IF THAT DON'T FILL THE BOY

AND BUILD THE MAN
A HEART HAS MANY SECRETS

SO I'M TOLD
THROUGH THE YEARS A THEORY

CAN GROW COLD
I'M UP TO BE THE KING

IT'S GOTTEN CLEAR
THE VOICE INSIDE MY HEAD

IS THE ONE I HEAR
SINGING I'M GONNA

LOVE ME AGAIN
CHECK IN ON MY

VERY BEST FRIEND
FIND THE WIND TO

FILL MY SAILS
RISE ABOVE THE

BROKEN RAILS
UNBOUNDANY TIES

THAT BREAK OR BEND
I'M FREE

AND DON'T YOU KNOW
NO CLOWN TO CLAIM

HE USED TO KNOW ME THEN
I'M FREE

AND DON'T YOU KNOW
AND OH OH OH

I'M GONNA LOVE ME AGAIN
THE GOLDEN AGE WAS

SOMEHOW BITTERSWEET
BUT NOW THE PAST LIES

SLEEPING IN THE DEEP
THE PEACEFUL DAYS THAT

FOLLOWED HOLLOW NIGHTS
A KISS OR TOUCH COULD

FEEL LIKE KRYPTONITE
PRAISE THE SAINTS THAT

HUNG UP ON MY WALL
FOR TRUST IS LEFT IN

LOVERS AFTER ALL
A WHISPERED WORD

EMERGING FROM A TALE
MY WAKE-UP CALL

TO CLAIM THE CURSED SPELL
AND I'M GONNA

LOVE ME AGAIN
CHECK IN ON MY

VERY BEST FRIEND
FIND THE WIND TO

FILL MY SAILS
RISE ABOVE THE

BROKEN RAILS
UNBOUND BY ANY TIES

THAT BREAK OR BEND
I'M FREE

AND DON'T YOU KNOW
NO CLOWN TO CLAIM

HE USED TO KNOW ME THEN
I'M FREE

AND DON'T YOU KNOW
AND OH OH OH

I'M GONNA LOVE ME AGAIN

SING I'M GONNA

LOVE ME AGAIN
CHECK IN ON MY

VERY BEST FRIEND
FIND THE WIND TO

FILL MY SAILS
RISE ABOVE THE

BROKEN RAILS
UNBOUND BY ANY TIES

THAT BREAK OR BEND
I'M FREE

AND DON'T YOU KNOW
NO CLOWN TO CLAIM

HE USED TO KNOW ME THEN
I'M FREE

AND DON'T YOU KNOW
AND OH OH OH

OH OH OH
OH OH OH

I'M GONNA LOVE ME AGAIN

>> Announcer: TAIKA WAITITI,
SIGOURNEY WEAVER, GAL GADOT AND

BRIE LARSON ARE NEXT.
PLUS RAMI MALEK, SPIKE LEE,

OLIVIA COLMAN AND THE OSCAR FOR
BEST PICTURE.

IT'S ALL HERE LIVE
AT THE DOLBY THEATRE AT

HOLLYWOOD AND HI

>> Announcer: PLEASE WELCOME

ACADEMY AWARD-WINNING WRITER,
TAIKA WAITITI.

>> THE ACADEMY OF MOTION PICTURE
ARTS AND SCIENCES WOULD LIKE TO

ACKNOWLEDGE THAT TONIGHT WE HAVE
GATHERED ON THE ANCESTRAL LANDS

OF THE TONGVA, THE TATAVIAM AND
THE CHUMASH.

WE ACKNOWLEDGE THEM AS THE FIRST
PEOPLES OF THIS LAND ON WHICH

OUR MOTION PICTURE COMMUNITY
LIVES AND WORKS.

AND NOW, IT IS MY HONOR TO
RECOGNIZE THIS PAST YEAR'S

RECIPIENTS AT THE GOVERNORS
AWARDS.

AND THAT CEREMONY, HONORARY
OSCARS WERE PRESENTED TO ACTOR

WES STUDI AND DIRECTORS
DAVID LYNCH AND LINA WERTMULLER.

THE JEAN HERSHOLT HUMANITARIAN
AWARD WENT TO ACTRESS

GEENA DAVIS.
WITH US TONIGHT ARE WES STUDI

AND GEENA DAVIS.
RIGHT THERE.

AND NOW, PLEASE WELCOME
GAL GADOT, ACADEMY AWARD

NOMINATED ACTRESS
SIGOURNEY WEAVER AND ACADEMY

AWARD-WINNER BRIE LARSON.

>> IT IS AN ABSOLUTE HONOR TO
STAND BESIDE MY FELLOW SUPER

HERO GAL AND THE WOMAN WHO PAVED
THE WAY FOR US, SIGOURNEY

WEAVER.
YES, YES.

WE ARE SO GRATEFUL.
>> WE ARE SO GRATEFUL FOR YOU

AND IT IS SUCH AN HONOR TO BE
STANDING HERE WITH YOU.

>> OH, GUYS.
GOSH.

YEAH, THE THREE OF US MAKE A
POWERFUL COMBINATION, AND IN

FACT, JUST NOW BACKSTAGE, WE
DECIDED THAT AFTER THE SHOW,

WE'RE GOING TO START A FIGHT
CLUB.

AND IF ANYONE WANTS IN --
>> MEN ARE ALL INVITED, BUT NO

SHIRTS ALLOWED.
>> YEAH.

I'M SORRY, IT'S HOLLYWOOD, GUYS.
>> THE WINNER WILL GET A

LIFETIME SUPPLY OF DEODORANT,
SUSHI AND TEQUILA.

>> YEAH.
AND THE LOSER GETS TO ANSWER

QUESTIONS FROM JOURNALISTS ABOUT
HOW IT FEELS TO BE A WOMAN IN

HOLLYWOOD.
YES.

>> YOU DON'T WANT TO LOSE.
KIDDING ASIDE, WE WANT TO STAND

HERE TOGETHER AND SAY THAT ALL
WOMEN ARE SUPER HEROES.

>> TRUE.
>> YES.

>> AND TONIGHT, ESPECIALLY, WE
WANT TO CELEBRATE THAT FOR THE

FIRST TIME IN THE 92-YEAR
HISTORY OF THE ACADEMY AWARDS, A

FEMALE CONDUCTOR WILL BE LEADING
THE ORCHESTRA FOR THIS

PERFORMANCE.
>> FINALLY.

>> SO HERE IS MAESTRO EIMEAR
NOONE TO CONDUCT THIS YEAR'S

NOMINATED BEST ORIGINAL SCORES.

>> AND THE -- AND THE OSCAR GOES
TO -- HILDUR GUONADOTTIR FOR

"JOKER."
>> Announcer: IN IS THE FIRST

OSCAR AND NOMINATION FOR HILDUR

GUONADOTTIR.

>> WOW.
WOW.

THIS IS SO TOUCHING.
THANK YOU, THE ACADEMY FOR

WELCOMING ME SO WARMLY.
IT'S JUST -- I DON'T KNOW WHAT

TO SAY.
MY FELLOW NOMINEES, MASTERS OF

THE CRAFT, IT'S BEEN SUCH AN
HONOR TO GET TO KNOW YOU ALL.

IT'S SO SPECIAL.
A FILM COMPOSER IS ONLY AS

CREATIVE AS THE DIALOGUE WITH
THE DIRECTOR.

TODD PHILLIPS, YOU WERE SO
GENEROUS TO INVITE ME ON THIS

JOURNEY AND LISTEN TO ME THE
WHOLE WAY.

SO ATTENTIVE.
I THANK YOU FOR THAT SO DEEPLY.

AND BRADLEY, AS WELL.
THANK YOU, BRADLEY, AS WELL.

MY FAMILY, MY BEAUTIFUL FAMILY,
WHO ARE HERE WITH ME TONIGHT.

MY INCREDIBLE HUSBAND, SAM, MY
LOVE, MY BEST FRIEND, MY OTHER

SET OF EARS, I'D BE LOST WITHOUT
YOU.

MY MOTHER, MY SON, I CAN'T SEE
YOU BUT I LOVE YOU SO MUCH.

I LOVE YOU.
TO THE GIRLS, TO THE WOMEN, TO

THE MOTHERS, TO THE DAUGHTERS,
WHO HEAR THE MUSIC BUBBLING

WITHIN, PLEASE SPEAK UP.
WE NEED TO HEAR YOUR VOICES.

>> OH, MAN, THAT'S COOL.
OVER THE COURSE OF THE EVENING,

YOU'VE SEEN PERFORMANCES OF THE
YEAR'S FIVE BEST ORIGINAL SONGS.

ONCE AGAIN, HERE ARE THE
NOMINEES.

"I CAN'T LET YOU THROW YOURSELF
AWAY" FROM "TOY STORY 4," MUSIC

AND LYRICS BY RANDY NEWMAN.
"I'M GOING TO LOVE ME AGAIN"

FROM "ROCKETMAN," MUSIC BY ELTON
JOHN, LYRICS BY BERNIE TAUPIN.

"I'M STANDING WITH YOU" FROM
"BREAKTHROUGH."

MUSIC AND LYRICS BY DIANE
WARREN.

"INTO THE UNKNOWN" FROM FROZEN
2, MUSIC AND LYRICS BY KRISTEN

ANDERSON-LOPEZ AND ROBERT LOPEZ.
STAND UP FROM "HART RIET," MUSI

AND LYRICS BY JOSHUAH BRIAN
CAMPBELL AND CYNTHIA ERIVO.

>> AND THE OSCAR GOES TO -- SIR
ELTON JOHN AND BERNIE TAUPIN FOR

"I'M GONNA LOVE ME AGAIN" FROM
"RO

"ROCKETMAN."
>> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR BERNIE
TAUPIN.

THIS IS THE SECOND OSCAR AND
FOURTH NOMINATION FOR ELTON

JOHN.

>> WOW, THIS DOESN'T SUCK.
I'LL BE BRIEF.

OKAY, THANK YOU, ACADEMY, FELLOW
NOMINEES.

BLESS YOU ALL.
CONGRATULATIONS.

PARAMOUNT PICTURES, JIM, YOU
GUYS HAVE BEEN FIRST CLASS ALL

THE WAY THROUGH THIS.
THIS, NEEDLESS TO SAY, MOST OF

THIS GOES TO THE PEOPLE THAT
WERE INVOLVED IN "ROCKETMAN."

A LITTLE BIT OF THIS IS IN EVERY
ONE OF THEIR HEARTS.

DAVID, YOUR TENACITY AND
DEDICATION HAS DRIVEN THIS TRAIN

ALL THE WAY HERE.
HEATHER, YOU HAVE MY BACK 24

HOURS ADDAE, YOUR BEAUTY, GRACE,
GOOD HUMOR, JUST, I LOVE YOU,

ALL RIGHT?
AND BEING HERE WITH THIS GUY --

I DON'T EVEN KNOW -- I DON'T
HAVE WORDS FOR IT, I MEAN, THIS

IS -- THIS IS JUST --
JUSTIFICATION FOR 53 YEARS OF

JUST HAMMERING IT OUT AND DOING
WHAT WE DO AND -- SO, THANK YOU

ALL.
CHARLIE, GEORGIE, I LOVE YOU.

>> I HAVE TO BE VERY QUICK,
WE'RE GOING OVER TIME.

THANK YOU TO BERNIE WHO HAS BEEN
THE CONSTANT THING IN MY LIFE

WHEN I WAS SCREWED UP, WHEN I
WAS NORMAL.

HE'S ALWAYS BEEN THERE FOR ME.
DAVID, I LOVE YOU SO MUCH.

MATTHEW VAUGHN, TARON, WHAT A
PERFORMANCE.

GILES MARTIN, FOR THE MUSIC.
MATT STILL, GREG, EVERYBODY

INVOLVED IN "ROCKETMAN."
PARAMOUNT PICTURES, JIM, I MEAN,

JUST AMAZING.
I'M GOING TO LEAVE SOMEBODY OUT,

WHO HAVE I LEFT OUT?
ANYWAY, I'M TAKING TOO MUCH TIME

THIS IS A DREAM FOR US.
WE'VE NEVER BEEN NOMINATED

BEFORE FOR ANYTHING LIKE THIS.
THANK YOU TO THE ACADEMY.

THANK YOU TO MY FELLOW NOMINEES
FOR ALL THE GREAT WORK YOU DO,

THERE'S SOME AMAZING TALENT IN
THIS ROOM TONIGHT AND -- WOW.

AND TO MY BEAUTIFUL BOYS WHO ARE
WATCHING THIS IN SYDNEY, ZACHARY

AND ELIJAH, HOW MUCH DO I LOVE
YOU?

LOVE YOU.
DADDY LOVE YOU.

BYE.

>> Announcer COMING UP,
SPIKE LEE AND OLIVIA COLMAN.

RAMI MALEK REVEALS WHO BRINGS
HOME THE AWARD FOR BEST ACTRESS.

KEEP WATCHING.

>>> WHEN WE RETURN, THE AWARD
FOR BEST DIRECTOR.

BUT FIRST, A SPECIAL LOOK AT THE
TIMELESS ART OF FILMMAKING.

.

>> Announcer: WE'RE BACK AT
THE OSCARS.

AND NOW, PLEASE WELCOME ACADEMY
AWARD WINNER SPIKE LEE.

>> LAST TIME I WAS ON THIS
STAGE, I HAD THE HONOR OF

JUMPING INTO SAMUEL L. JACKSON'S
ARMS.

AND THANK GOD HE DIDN'T DROP ME.
SAME HONOR HERE TONIGHT, HERE

ARE THE NOMINEES FOR ACHIEVEMENT
IN DIRECTING.

MARTIN SCORSESE "THE IRISHMAN"
TODD PHILLIPS "JOKER"

SAM MENDES "1917"
QUENTIN TARANTINO "ONCE UPON A

TIME IN HOLLYWOOD"
BONG JOON HO "PARASITE"

BONG JOON-HO.
>> Announcer: THIS IS THE SECOND

OSCAR TONIGHT AND THE THIRD
NOMINATION FOR BONG JOON-HO.

>> THANK YOU.
>> Translator: AFTER WINNING

BEST INTERNATIONAL FEATURE, I
THOUGHT I WAS DONE FOR THE DAY

AND WAS READY TO RELAX.

THANK YOU SO MUCH.
WHEN I WAS YOUNG AND STUDYING

CINEMA, THERE WAS A SAYING THAT
I CARVED DEEP INTO MY HEART,

WHICH IS, THE MOST PERSONAL IS
THE MOST CREATIVE.

>> THAT QUOTE IS FROM OUR GREAT
MARTIN SCORSESE, SO --

>> Translator: WHEN I WAS IN
SCHOOL, I STUDIED MARTIN

SCORSESE'S FILMS.
JUST TO BE NOMINATED WAS A HUGE

HONOR.
I NEVER THOUGHT I WOULD WIN.

WHEN PEOPLE IN THE U.S. WERE NOT
FAMILIAR WITH MY FILM, QUENTIN

ALWAYS PUT MY FILMS ON HIS LIST.
HE'S HERE, THANK YOU SO MUCH.

>> QUENTIN, I LOVE YOU.

>> Translator: AND TODD AND SAM,
GREAT DIRECTORS THAT I ADMIRE.

IF THE ACADEMY ALLOWS, I WOULD
LIKE TO GET A TEXAS CHAINSAW,

SPLIT THE OSCAR TROPHY INTO FIVE
AND SHARE IT WITH ALL OF YOU.

>> THANK YOU.
I WILL DRINK UNTIL NEXT MORNING.

THANK YOU.
>> Announcer: PLEASE WELCOME

THREE-TIME ACADEMY AWARD WINNER
AND RECIPIENT OF THE ACADEMY'S

THALBERG AWARD,
STEVEN SPIELBERG.

>> THIS EVENING, AS WE CELEBRATE
THE ARTISTIC HIGHLIGHTS OF THE

PAST YEAR, WE ALSO PAUSE T
REMEMBER THOSE FROM OUR

COMMUNITY WHO WE LOST.
LEGENDS AND ICONS, OUR FRIENDS

AND FELLOW ARTISTS, ALL WHO
INSPIRED AND TOUCHED US.

THEY HAVE LEFT AN INDELIBLE
IMPACT ON OUR INDUSTRY, OUR

IMAGINATIONS, AND OUR
UNDERSTANDING OF THE WORLD.

AND NOW, AS BILLIE EILISH AND
FINNEAS PERFORM IN THEIR HONOR,

LET US REMEMBER THEIR LIVES AND
THEIR LEGACY.

YESTERDAY

ALL MY TROUBLES
SEEMED SO FAR AWAY

NOW IT LOOKS AS THOUGH
THEY'RE HERE TO STAY

OH, I BELIEVE
IN YESTERDAY

SUDDENLY
I'M NOT HALF THE MAN

I USED TO BE
THERE'S A SHADOW

HANGING OVER ME
OH, YESTERDAY

CAME SUDDENLY
WHY SHE HAD TO GO

I DON'T KNOW
SHE WOULDN'T SAY

I SAID SOMETHING WRONG
NOW I LONG

FOR YESTERDAY
YESTERDAY

LOVE WAS SUCH
AN EASY GAME TO PLAY

NOW I NEED A PLACE
TO HIDE AWAY

OH, I BELIEVE
IN YESTERDAY

MMM

MMM
MMM

WHY SHE HAD TO GO
I DON'T KNOW

SHE WOULDN'T SAY
I SAID SOMETHING WRONG

NOW I LONG
FOR YESTERDAY

YESTERDAY
LOVE WAS SUCH

AN EASY GAME TO PLAY
NOW I NEED A PLACE

TO HIDE AWAY
OH, I BELIEVE

IN YESTERDAY
OH, I BELIEVE

IN YESTERDAY
MMM

MMM

>>> WELCOME BACK.

I'M GEORGE MACKAY.
AND I'M HANGING UP HERE IN THE

BALCONY.
IS EVERYONE HAVING A GOOD TIME?

WELL, WE'RE COMING TO THE FINAL
THREE AWARDS OF THE EVENING, AND

TIME IS OF THE ESSENCE, WHICH IS
WHY I'M HERE TO INTRODUCE MYSELF

BEFORE INTRODUCING SOMEONE ELSE
WHO WILL IN TURN INTRODUCE

SOMEONE ELSE.
SO, PLEASE WELCOME ACTING

ROY
ROYALTY.

THE TRULY BRILLIANT AND
WONDERFUL, ACADEMY AWARD WINNER

OLIVIA COLEMAN.

>> WINNING AN OSCAR AGES YOU.

HELLO THERE.
THANK YOU FOR HAVING ME BACK.

IT'S SUCH A PLEASURE TO BE HERE.
LAST YEAR WAS THE BEST NIGHT OF

MY HUSBAND'S LIFE.
HE ACTUALLY SAYS THAT.

AND I'VE GIVEN BIRTH THREE
TIMES.

SO, I HOPE YOU'RE ALL HAVING AS
GOOD A TIME AS HE DID.

AND AS I DID.
I DON'T WANT TO KEEP YOU FROM

THE BAR MUCH LONGER.
I KNOW I'M SUPPOSED TO TALK

ABOUT ACTING AND FIND SOME
CLEVER THREAD CONNECTING THESE

PERFORMANCES, BUT THEIR BEAUTY
AND BRILLIANCE SURELY LIES IN

THE FACT THAT THERE ISN'T ONE
AND I'M SORRY, BUT ALL THESE MEN

CAN'T WIN.
>> YOU DON'T LISTEN, DO YOU?

YOU JUST ASK THE SAME QUESTIONS
EVERY WEEK.

HOW'S YOUR JOB?
ARE YOU HAVING ANY NEGATIVE

THOUGHTS?
DO I HAVE NEGATIVE THOUGHTS?

>> THERE ARE NO OTHER FRONTS.
THIS IS THE THING.

HE NEEDS TO KNOW THAT I FOUGHT
FOR HIM.

>> LOOK, FACE-TO-FACE WITH THE
FAILURE THAT IS YOUR CAREER

AIN'T WORTH CRYINN'KNOW WHAT IS.
>> DID JESUS BUILD WALLS?

THIS PLACE IS A PLACE OF MERCY.
MERCY IS THE DYNAMITE THAT BLOWS

DOWN WALLS.
>> WHAT'S HAPPENING TO EASY

BREEZY NOW.
>> HE'S COMING TO TERMS TO WHAT

IT'S LIKE TO BE MORE USELESS.
>> I DON'T KNOW WHY EVERYONE IS

SO RUDE.
I DON'T KNOW WHY YOU ARE.

I DON'T WANT ANYTHING FROM YOU.
MAYBE A LITTLE BIT OF WARMTH,

MAYBE A HUG, DAD.
WHAT IS IT WITH YOU PEOPLE?

>> EVERY DAY I WAKE UP AND I
HOPE YOU'RE DEAD.

IF I COULD GUARANTEE HENRY WOULD
BE OKAY, I'D HOPE YOU'LL GET AN

ILLNESS, GET HIT BY A CAR AND
DIE.

>> I REMIND YOU THE TRUTH MAY BE
VITAL, BUT WITHOUT LOVE, IT IS

UNBEARABLE.

>> HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTOR IN A

IS LEADING ROLE.
ANTONIO BANDERAS, "PAIN AND

GLORY."
LEONARDO DICAPRIO, "ONCE UPON A

TIME IN HOLLYWOOD"
ADAM DRIVER, "MARRIAGE STORY"

JOAQUIN PHOENIX, "JOKER"
JONATHAN PRYCE, "THE TWO POPES"

AND THE OSCAR GOES TO -- JOAQUIN
PHOENIX, "JOKER."

>> Announcer: THIS IS THE FIRST
OSCAR AND FOURTH NOMINATION FOR

JOAQUIN PHOENIX.
>> HI.

WHAT'S UP?
HI.

GOD, I'M FULL OF SO MUCH
GRATITUDE RIGHT NOW AND I DO NOT

FEEL ELEVATED ABOVE ANY OF MY
FELLOW NOMINEES OR ANYONE IN

THIS ROOM, BECAUSE WE SHARE THE
SAME LOVE, THE LOVE OF FILM AND

THIS FORM OF EXPRESSION HAS
GIVEN ME THE MOST EXTRAORDINARY

LIFE.
I DON'T KNOW WHAT I'D BE WITHOUT

IT.
BUT I THINK THE GREATEST GIFT

THAT IT HAS GIVEN ME, AND MANY
OF US IN THIS ROOM, IS THE

OPPORTUNITY TO USE OUR VOICE FOR
THE VOICELESS.

I'VE BEEN THINKING A LOT ABOUT
SOME OF THE DISTRESSING ISSUES

THAT WE ARE FACING COLLECTIVELY
AND I THINK AT TIMES WE FEEL OR

ARE MADE TO FEEL THAT WE
CHAMPION DIFFERENT CAUSES.

BUT FOR ME, I SEE COMMONALITY.
I THINK WHETHER WE'RE TALKING

ABOUT GENDER INEQUALITY OR
RACISM OR QUEER RIGHTS OR

INDIGENOUS RIGHTS OR ANIMAL
RIGHTS, WE'RE TALKING ABOUT THE

FIGHT AGAINST THE BELIEF, ONE
NATION, ONE RACE, ONE GENDER OR

ONE SPECIES HAS THE RIGHT TO
DOMINATE, CONTROL AND USE AND

EXPLOIT ANOTHER WITH IMPIMPUNIT.
I THINK THAT WE'VE BECOME VERY

DISCONNECTED FROM THE NATURAL
WORLD AND MANY OF US, WHAT WE'RE

GUILTY OF IS AN EGO CENTRIC
WORLD VIEW, THE BELIEF THAT

WE'RE THE CENTER OF THE
UNIVERSE.

WE GO INTO THE NATURAL WORLD AND
WE PLUNDER IT FOR ITS RESOURCES.

WE FEEL ENTITLED TO ARTIFICIALLY
INSEMINATE A COW AND WHEN SHE

GIVES BIRTH, WE STEAL HER BABY.
EVEN THOUGH HER CRIES OF ANGUISH

ARE UNMISTAKABLE.
AND THEN WE TAKE HER MILK THAT'S

INTENDED FOR HER CALF AND WE PUT
IT IN OUR COFFEE AND OUR CEREAL.

AND I THINK WE FEAR THE IDEA OF
PERSONAL CHANGE BECAUSE WE THINK

THAT WE HAVE TO SACRIFICE
SOMETHING TO GIVE SOMETHING UP

BUT HUMAN BEINGS, AT OUR BEST,
ARE SO INVENTIVE AND CREATIVE

AND INGENIOUS AND I THINK THAT
WHEN WE USE LOVE AND COMPASSION

AS OUR GUIDING PRINCIPLES, WE
CAN CREATE, DEVELOP AND

IMPLEMENT SYSTEMS OF CHANGE THAT
ARE BENEFICIAL TO ALL SENT YENT

BEINGS AND TO THE ENVIRONMENT.
NOW, I HAVE BEEN -- I'VE BEEN A

SCOUNDREL IN MY LIFE.
I'VE BEEN SELFISH, I'VE BEEN

CRUEL AT TIMES, HARD TO WORK
WITH AND I'M GRATEFUL, BUT SO

MANY OF YOU IN THIS ROOM HAVE
GIVEN ME A SECOND CHANCE AND I

THINK THAT'S WHEN WE'RE AT OUR
BEST, WHEN WE SUPPORT EACH

OTHER, NOT WHEN WE CANCEL EACH
OTHER OUT FOR PAST MISTAKES, BUT

WHEN WE HELP EACH OTHER TO GROW,
WHEN WE EDUCATE EACH OTHER, WHEN

WE GUIDE EACH OTHER TOWARD
REDEMPTION.

THAT IS THE BEST OF HUMANITY.
I JUST -- I WANT TO -- WHEN

YOU -- WHEN HE WAS 17, MY
BROTHER WROTE THIS LYRIC, HE

SAID, "RUN TO THE RESCUE WITH
LOVE AND PEACE WILL FOLLOW."

THANK YOU.
>> Announcer: LADIES AND

GENTLEMEN, PLEASE WELCOME
ACADEMY AWARD WINNING ACTOR

RAMI MALEK.

>> IT IS TRULY AN HONOR AND
PRIVILEGE TO BE HERE CELEBRATING

THE TRANSFORMATIVE PERFORMANCES
AS DISPLAYED BY THESE FIVE

NOMINEES.
INDELIBLY ETCHED IN OUR HISTORY

AND IN OUR HEARTS.
>> I'M LIVE FREE OR DIE.

>> IT'S LIKE WE'RE TELLING
WOMEN, GO ON, SPEAK UP FOR

YOURSELF, JUST KNOW THE ENTIRE
NETWORK IS WITH ROGER.

>> I DON'T BELIEVE I WILL EVER
MARRY.

I'M HAPPY AS I AM AND I LOVE MY
LIBERTY TOO WELL TO BE IN ANY

HURRY TO GIVE IT UP.
>> THIS IS WHO I AM AND THIS IS

WHAT I'M WORTH AND MAYBE IT'S
STUPID, BUT AT LEAST IT'S MINE.

>> YOU'RE JUST LIKE ALL THE
OTHER ONES.

YOU SIT ON THE SIDELINES AND YOU
WATCH THE SHOW.

WHAT HAVE YOU EVER DONE THAT
WOULD MAKE ANYBODY WANT TO

LISTEN TO YOU?
>> I NEED YOU TO UNDERSTAND, I

HAVE TO BE ABOVE THIS, RIGHT?
I HAVE TO BE AN ANCHOR FIRST,

THEN A WOMAN.
>> HE TRULY DIDN'T SEE ME.

HE DIDN'T SEE ME
SEPARATE FROM HIMSELF.

>> I MADE THIS FOR ALL MY OWN.
GOD WAS WATCHING BUT MY FEET WAS

MY OWN, RUNNING, BLEEDING,
NEARLY DROWNED.

NOTHING TO EAT FOR DAYS AND
DAYS.

I MADE IT.
SO DON'T YOU TELL ME WHAT I

CAN'T DO.
>> AND YOU WILL ALWAYS BE A

CRITIC AND NEVER AN AUTHOR AND
THE WORLD WILL FORGET THAT YOU

EVER EVEN LIVED.
NO ONE WILL FORGET JO MARCH.

>> YOU WON'T FORGET ME, WILL
YOU?

>> HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTRESS IN A

LEADING ROLE.
CYNTHIA ERIVO, "HARRIET"

SCARLETT JOHANSSON, "MARRIAGE
STORY"

SAOIRSE RONAN, "LITTLE WOMEN"
CHARLIZE THERON, "BOMBSHELL"

RENEE ZELLWEGER, "JUDY"
AND THE OSCAR GOES TO -- RENEE

ZELLWEGER.
>> Announcer: THIS IS THE SECOND

OSCAR AND FOURTH NOMINATION FOR
RENEE ZELLWEGER.

>> THANK YOU TO THE ACADEMY.
THANK YOU FOR INVITING ME HERE

ALONGSIDE ONE OF THE MOST
SPECIAL COLLABORATIONS AND

MEANINGFUL EXPERIENCES OF MY
LIFE.

I'VE SAID IT BEFORE AND I'M
GOING TO SAY IT AGAIN, CYNTHIA,

SCARLETT, CHARLIZE, SAOIRSE, IT
IS AN HONOR TO BE CONSIDERED IN

YOUR COMPANY.
DAVID LIVINGSTONE, CAMERON

McCRACKEN, DIRECTOR RUPERT
GOULD, BOY, IT WAS A PRIVILEGE

TO WORK WITH YOU AND I AM -- I
FEEL SO PROUD TO BE IN YOUR

BEAUTIFUL MOVIE.
I GOT TO THANK MY STAGE MOM,

MATT AND JEFF AND ERIC VITRO,
PAUL, GARY, JESSE BUCKLEY,

RUFUS, ALL THE CAST AND THE CREW
WHO WORKED SO HARD ON THIS FILM

TO CELEBRATE JUDY GARLAND.
MY EXTENDED FAMILY AT CAA,

PETER, BRIAN, KEVIN.
IMPRINT.

NICOLE AND DOM.
NANCY RYDER.

THANK YOU FOR THE 25 YEARS.
JOHN CARRABINO, MY HANDSOME DATE

OF 25 YEARS.
THANK YOU FOR ALWAYS DREAMING

BIGGER THAN I WOULD DARE.
AND FOR BRINGING IT BACK TO THE

WORK AND JOY AND GRATITUDE.
MY IMMIGRANT FOLKS WHO CAME HERE

WITH NOTHING BUT EACH OTHER AND
A BELIEF IN THE AMERICAN DREAM,

HOW ABOUT THIS?
THANK YOU TO YOU, BIG BROTHER

DREW, RANDY, JUDY, STONE AND AVA
FOR ALL THE LOVE.

ALL THE LOVE AND SUPPORT
POSSIBLE THAT MAKES YOU BELIEVE

ANYTHING IS POSSIBLE.
AND I HAVE TO SAY THAT THIS PAST

YEAR OF CONVERSATIONS
CELEBRATING JUDY GARLAND ACROSS

GENDERS AND -- I'M SORRY, ACROSS
GENERATIONS AND ACROSS CULTURES

HAS BEEN A REALLY COOL REMINDER
THAT IT'S -- THAT OUR HEROES

UNITE US.
THE BEST AMONG US, WHO INSPIRE

US TO FIND THE BEST IN OUR
OURSELVES, YOU KNOW, WHEN THEY

UNITE US, WHEN WE LOOK TO OUR
HEROES, WE AGREE, YOU KNOW?

AND THAT MATTERS.
NEIL ARMSTRONG, SALLY RIDE.

VENUS AND SERENA AND SELENA, BOB
DYLAN, SCORSESE, FRED ROGERS.

HARRIET TUBMAN.
WE AGREE ON OUR TEACHERS.

AND WE AGREE ON OUR COURAGEOUS
MEN AND WOMEN IN UNIFORM WHO

SERVE, WE AGREE ON OUR FIRST
RESPONDERS AND FIREFIGHTERS.

WHEN WE CELEBRATE OUR HEROES,
WE -- YOU KNOW, WE'RE REMINDED

OF WHO WE ARE AS ONE PEOPLE,
UNITED.

AND NO, JUDY GARLAND DID NOT
RECEIVE THIS HONOR IN HER TIME.

I AM CERTAIN THAT THIS MOMENT IS
AN EXTENSION OF THE CELEBRATION

OF HER LEGACY THAT BEGAN ON OUR
FILM SET AND IS ALSO

REPRESENTATIVE OF THE FACT THAT
HER LEGACY OF UNIQUE

EXCEPTIONALISM AND INCLUSIVITY
AND GENEROSITY OF SPIRIT, IT

TRAN
TRANSCENDS ANY ONE ARTISTIC

ACHIEVEMENT.
MS. GARLAND, YOU ARE CERTAINLY

AMONG THE HEROES WHO UNITE AND
DEFINE US AND THIS IS CERTAINLY

FOR YOU.
I AM SO GRATEFUL.

THANK YOU SO MUCH, EVERYBODY.
GOOD NIGHT.

THANK YOU.
>> Announcer: COMING UP NEXT,

THE FINAL AWARD OF THE EVENING,
THE ACADEMY AWARD FOR BEST

PICTURE.
>> Announcer: PLEASE WELCOME

TWO-TIME ACADEMY AWARD-WINK
ACTRESS JANE FONDA.

>> THANK YOU VERY MUCH.
NOTHING IS MORE IMPORTANT THAN

RAISING AWARENESS, RIGHT?
TONIGHT, WE'VE HOPEFULLY BROUGHT

TO LIGHT THE IMPACT THAT FILMS
HAVE MADE AND CAN MAKE ON OUR

LIVES AS INDIVIDUALS AND ON
SOCIETY AS A WHOLE.

FOR THE ACADEMY, HERE ARE THE
FILMS THAT MADE THE GREATEST

IMPACT THIS YEAR.
>> YOU READY?

>> HIT IT.
ATTA BOY.

>> THERE ARE A FEW PEOPLE WHO
FIND SOMETHING THEY HAVE TO DO.

SOMETHING THEY CAN'T DO IT, IT'S
GOING TO DRIVE THEM CLEAN OUT OF

THEIR MIND.
>> YOU CAN'T MAKE EVERY LAP

PERFECT.
>> BUT I CAN TRY.

>> "FORD V FERRARI," PETER
CHERNIN, JENNO TOPPING AND JAMES

MANGOLD, PRODUCERS.
>> THINGS HAVE GOTTEN OUT OF

HAND WITH OUR FRIEND.RIS
PROBLEMS WITH HIM.

>> WE'RE GOING AT WAR WITH THESE
PEOPLE.

WAR.
>> TRYING TO HELP YOU, JIM.

>> I KNOW YOU ARE.
BUT NOBODY THREATENS HOFFA.

>> "THE IRISHMAN."
MARTIN SCORSESE, ROBERT DE NIRO,

JANE ROSENTHAL AND EMMA
TILLINGER KOSKOFF, PRODUCERS.

>> YOU'RE NOT A NAZI.
>> DO NOT LET YOUR --

>> I WON'T LET HER BUST MY
GERMAN BRAIN AROUND.

>> TRY NOT TO.
>> DEFINITELY NOT A GOOD TIME TO

BE A NAZI.
>> "JOJO RABBIT," CARTHEW NEAL,

DAY
TAIKA WAITITI, PRODUCERS.

>> CALL THE POLICE.
>> I'LL TELL YOU WHAT YOU GET.

YOU GET WHAT YOU DESERVE.
>> "JOKER."

TODD PHILLIPS, BRADLEY COOPER
AND EMMA TILLINGER KOS FOF,

PROP
PRODUCERS.

>> WOMEN, THEY HAVE MINDS AND
THEY HAVE SOULS, AS WELL AS JUST

HEARTS AND THEY'VE GOT AMBITION
AND TALENT, AS WELL AS JUST

BEAUTY AND I'M SO SICK OF PEOPLE
SAYING THAT LOVE IS JUST ALL A

WOMAN IS FIT FOR.
I'M SO SICK OF IT.

>> "LITTLE WOMEN."
AMY PASCAL, PRODUCER.

>> YOU DON'T WANT TO BE MARRIED.
>> BUT I DON'T WANT THIS.

I'LL NEVER GET TO REALLY BE HIS
PARENT AGAIN.

>> IT WILL BE DIFFERENT.
>> IT WON'T EXIST.

>> YOU DIDN'T LOVE ME AS MUCH AS
I LOVE YOU.

>> WHAT DOES THAT HAVE TO DO
WITH L.A.?

>> YOU'RE SO MERGED WITH YOUR
OWN SELFISHNESS, YOU DON'T EVEN

IDENTIFY IT'S SELFISHNESS
ANYMORE.

>> "MARRIAGE STORY."
NOAH BAUMBACH AND DAVID HEYMAN,

PRODUCERS.
>> NO.

NO, NO, NO, NO!
>> "1917."

SAM MENDES, PIPPA HARRIS,
JAYNE-ANN TENGGREN AND CALLUM

McDOUGAL, PRODUCERS.
>> THIS WHOLE EUROPEAN JOURNEY

IS OVER.
I THINK WE'VE REACHED THE END OF

THE TRAIL, CLIFF.
>> YOU ARE --

>> I'M THE DEVIL AND I'M HERE TO
DO THE DEVIL'S BUSINESS.

>> NO, IT'S DUMBER THAN THAT.
>> "ONCE UPON A TIME IN

HOLLYWOOD."
DAVID HEYMAN,NTIN TARANTINO,

PRODUCERS.

>> "PARASITE."
KWAK SIN AE AND BONG JOON-HO,

PRODUCERS.
AND THE OSCAR GOES TO --

"PARASITE."
>> Announcer: "PARASITE" HAS SIX

ACADEMY AWARD NOMINATIONS AND IS
THE FIRST FILM NOT IN THE

ENGLISH LANGUAGE TO WIN BEST
PICTURE.

WINK
WINNING FOUR OSCARS TONIGHT.

>> Translator: I'M SPEECHLESS.

WE NEVER IMAGINED THIS TO EVER
HAPPEN.

WE ARE SO HAPPY.

I FEEL LIKE A VERY OPPORTUNE
MOMENT IN HISTORY IS HAPPENING

RIGHT NOW.
I EXPRESS MY DEEPEST GRATITUDE

AND RESPECT FOR ALL THE MEMBERS
OF THE ACADEMY FOR MAKING THIS

DECISION.
>> THANK YOU.

>> HI, EVERYBODY.
I REALLY LIKE TO THANK DIRECTOR

BONG.
I LIKE EVERYTHING ABOUT HIM.

HIS SMILE, HIS CRAZY HAIR.
THE WAY HE TALKS.

THE WAY HE WALKS.
AND ESPECIALLY THE WAY HE

DIRECTS.
AND WHAT I REALLY LIKE ABOUT HIM

IS HIS SENSE OF HUMOR AND HE CAN
BE REALLY MAKING FUN OF HIMSELF

AND HE NEVER TAKES HIMSELF
SERIOUSLY.

THANK YOU.
THANK YOU VERY MUCH.

AND I'D LIKE TO THANK EVERYBODY
WHO HAS BEEN SUPPORTING

"PARASITE" AND WHO HAS BEEN
WORKING WITH "PARASITE" AND WHO

HAS BEEN LOVING "PARASITE."
AND I'D LIKE TO THANK MY

BROTHER, WHO HAS BEEN ALWAYS
SUPPORTING OUR BUILDING OUR

DREAMS, EVEN WHEN IT LOOKED
IMPOSSIBLE DREAM.

THANK YOU, JAY.
I WANT TO THANK MY BROTHER, JAY.

AND ESPECIALLY I REALLY, REALLY,
REALLY WANT TO THANK OUR KOREAN

FILM AUDIENCE, OUR MOVIE-GOERS,
WHO HAS BEEN REALLY SUPPORTING

ALL OUR MOVIES AND NEVER
HESITATED TO GIVE US

STRAIGHT-FORWARD OPINION ON WHAT
THEY FEEL LIKE THEIR MOVIES.

AND THAT MADE US REALLY NEVER BE
ABLE TO BE COMPLACENT AND KEEP

PUSHING THE DIRECTORS, THE
CREATORS, KEEP PUSHING THE

ENVELOPES AND WITHOUT YOU, OUR
KOREAN FILM AUDIENCE, WE ARE NOT

HERE.
THANK YOU VERY MUCH.

THANK YOU.

>> AND THAT WRAPS UP THE 92nd
ACADEMY AWARDS.

CONGRATULATIONS TO ALL THE
NOMINEES AND WINNERS.

GOOD NIGHT AND THANK YOU FOR
WATCHING.

>> Announcer: HOTEL
ACCOMMODATIONS PROVIDED BY

MAR
MARRIOTT BONVOY.

AIR TRANSPORTATION FOR THE
ACADEMY AWARDS PROVIDED BY DELTA

AIRLINES.
LED AND PROJECTION SERVICES

PROVIDED IN PART BY SENOVVA.