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These are the user uploaded subtitles that are being translated: 1 00:01:30,050 --> 00:01:33,150 NARRATOR: A LONG TIME AGO IN A SMALL PRINCIPALITY 2 00:01:33,180 --> 00:01:35,130 SOMEWHERE IN THE MIDDLE OF A HAPPY EUROPE, 3 00:01:35,170 --> 00:01:39,350 THERE WAS A RICH OLD DUKE WHO LIVED HAPPILY IN A FINE PALACE, 4 00:01:39,380 --> 00:01:42,510 AND A NUMBER OF LADIES AND GENTLEMEN WHO LIVED HAPPILY 5 00:01:42,540 --> 00:01:45,640 ON THE FASHIONABLE HILL AND EVERYBODY ELSE WHO LIVED 6 00:01:45,670 --> 00:01:47,130 HAPPILY IN THE VILLAGE. 7 00:01:47,830 --> 00:01:50,230 NOW IT CAME TO PASS THAT IN THE SPRING, 8 00:01:50,270 --> 00:01:52,630 THREE DAYS OF FESTIVAL WERE DECLARED. 9 00:01:52,660 --> 00:01:55,980 THEY WERE CELEBRATING THE RETURN OF PRINCE CHARLES, 10 00:01:56,010 --> 00:01:59,320 THE ONLY SON OF THE REIGNING DUKE. 11 00:02:04,220 --> 00:02:07,410 MOST OF THE TOWNSPEOPLE HAD NEVER SEEN PRINCE CHARLES. 12 00:02:07,890 --> 00:02:11,070 HE HAD BEEN AWAY FOR MANY YEARS, GETTING HIS EDUCATION 13 00:02:11,100 --> 00:02:16,030 IN THE FINEST UNIVERSITIES, CAFES, AND BOUDOIRS OF PARIS, 14 00:02:16,070 --> 00:02:18,530 LONDON, AND VIENNA. 15 00:02:32,950 --> 00:02:34,800 WOMAN: NO, NOT THAT WAY! 16 00:02:34,840 --> 00:02:38,280 [LAUGHTER] 17 00:02:40,790 --> 00:02:43,180 WOMAN: OH, LOOK! NOW IT'S BEAUTIFUL. 18 00:02:43,210 --> 00:02:45,380 SECOND WOMAN: YES, LIKE THAT. BUT A LITTLE HIGHER, WILLIE. 19 00:02:45,410 --> 00:02:47,080 HIGHER? I'LL BREAK MY NECK! 20 00:02:47,110 --> 00:02:48,830 WELL, THAT'S WHAT WE'RE WAITING FOR! 21 00:02:48,860 --> 00:02:51,950 [LAUGHTER] 22 00:02:52,350 --> 00:02:53,350 WILLIE: WELL, WHERE'S THE HAMMER? 23 00:02:53,390 --> 00:02:56,670 SECOND WOMAN: OH, IT'S, UH... OH, OVER THERE! 24 00:02:56,700 --> 00:02:59,260 EDWINA, HOLD THIS, PLEASE. 25 00:02:59,290 --> 00:03:01,820 TIE IT TO THE OTHER ONE. 26 00:03:09,770 --> 00:03:10,770 LOOK WHO'S HERE. 27 00:03:11,260 --> 00:03:12,390 WELL, WHAT DO YOU WANT? 28 00:03:13,160 --> 00:03:16,660 I WANT TO--TO HELP. I CLEAN UP, EH? 29 00:03:16,900 --> 00:03:18,210 I'LL PICK UP THE ONES THAT DROP, 30 00:03:18,240 --> 00:03:19,920 SO THAT EVERYTHING BE NICE AND CLEAN. 31 00:03:19,990 --> 00:03:22,530 SHE'S GOING TO MAKE EVERYTHING NICE AND CLEAN. 32 00:03:22,560 --> 00:03:25,070 I'LL SWEEP THE TORN LEAVES AND THE LITTLE STRINGS. 33 00:03:25,100 --> 00:03:25,820 SEE? 34 00:03:25,860 --> 00:03:27,680 STAY AWAY FROM ME, YOU DIRTY THING! 35 00:03:27,710 --> 00:03:30,740 OH, I'M NOT DIRTY! 36 00:03:30,780 --> 00:03:33,770 JUST CINDERS. LOOK! 37 00:03:36,160 --> 00:03:37,740 PLEASE, LOOK! 38 00:03:38,310 --> 00:03:40,260 OH, MAKE HER GO AWAY, WILLIE. 39 00:03:40,300 --> 00:03:42,830 MY MOTHER SAYS I MUSTN'T SPEAK TO HER. 40 00:03:42,870 --> 00:03:44,320 GO AWAY, CINDERS. 41 00:03:44,360 --> 00:03:46,370 MY NAME IS ELLA, AND I'M NOT DIRTY. 42 00:03:46,400 --> 00:03:48,380 I'VE JUST BEEN CARRYING OUT THE ASHES. 43 00:03:49,820 --> 00:03:51,040 JUST CINDERS AND ASHES. 44 00:03:53,560 --> 00:03:54,760 MAYBE A LITTLE SOOT, BUT I-- 45 00:03:54,800 --> 00:03:56,010 ELLA CINDER! 46 00:03:56,040 --> 00:03:57,080 DIRTY CINDER! 47 00:03:57,120 --> 00:03:58,090 ELLA CINDER! 48 00:03:58,120 --> 00:03:59,480 WILLIE: GOOD-BYE, CINDERELLA. 49 00:03:59,740 --> 00:04:00,760 CINDERELLA! 50 00:04:00,790 --> 00:04:01,650 CINDERELLA! 51 00:04:01,680 --> 00:04:02,510 STOP IT! 52 00:04:04,200 --> 00:04:06,110 NOW LOOK WHAT YOU'VE DONE, YOU UGLY THING! 53 00:04:06,140 --> 00:04:07,470 I AM NOT UGLY! 54 00:04:08,250 --> 00:04:10,050 YOU ARE UGLY! YOU SMELL OF BUTTER! 55 00:04:10,090 --> 00:04:12,280 YOU HAVE A BIG FAT BOPU. 56 00:04:12,320 --> 00:04:14,540 AND YOU HAVE A VOICE LIKE A PIG! 57 00:04:14,570 --> 00:04:17,150 AND YOU--YOU-- 58 00:04:17,180 --> 00:04:18,360 YOU-- 59 00:04:20,340 --> 00:04:21,820 NARRATOR: SO, YOU SEE HOW IT WAS. 60 00:04:22,490 --> 00:04:24,860 OH, WELL, THEY CAN SCARCELY BE BLAMED, 61 00:04:24,890 --> 00:04:27,710 FOR SHE WAS NOT PRECISELY AN AMIABLE CHILD. 62 00:05:19,300 --> 00:05:22,190 THE GROWN-UPS OF THE TOWN AGREED WITH THEIR SONS AND DAUGHTERS. 63 00:05:22,230 --> 00:05:25,710 THEY'RE SAYING, "TSK, TSK. DREADFUL, DREADFUL. 64 00:05:25,740 --> 00:05:26,920 "THE GIRL'S A DISGRACE. 65 00:05:26,960 --> 00:05:29,380 "SHE GROWS WORSE EVERY DAY. LOOK AT HER HAIR." 66 00:05:34,120 --> 00:05:36,760 IT WAS THE OLD STORY OF THE REJECTED BECOMING 67 00:05:36,800 --> 00:05:39,400 ALL THE MORE REJECTED BECAUSE THEY BEHAVED BADLY 68 00:05:39,440 --> 00:05:42,680 BECAUSE THEY'D BEEN REJECTED-- ONE OF THOSE, UH, CIRCLES. 69 00:05:43,300 --> 00:05:46,640 AND THERE IT WAS AGAIN, THE HEAT OF TEARS BURNING 70 00:05:46,670 --> 00:05:51,640 BEHIND THE EYES. AND SO SHE CAME HOME. 71 00:05:58,250 --> 00:06:01,340 THIS PRIMPING IS IN PREPARATION FOR THE ARRIVAL OF THE PRINCE, 72 00:06:01,380 --> 00:06:04,610 FOR HE MAY GLANCE THEIR WAY WHEN HE RIDES DOWN THE STREET. 73 00:06:04,850 --> 00:06:07,760 THESE ARE ELLA'S STEPSISTERS. THIS IS BIRDENA-- 74 00:06:07,800 --> 00:06:11,930 VIVACIOUS, DAZZLING, BEAUTIFUL AS A ROSE, 75 00:06:11,970 --> 00:06:14,980 AND POISONOUS AS A TOADSTOOL. 76 00:06:16,700 --> 00:06:22,090 AND THIS IS SERAFINA--LANGUID, SEDUCTIVE, EFFORTLESSLY ALLURING, 77 00:06:22,130 --> 00:06:24,970 AND COLD AS A COBRA. 78 00:06:27,640 --> 00:06:29,850 AND THIS IS ELLA'S STEPMOTHER, THE WIDOW SONDER. 79 00:06:29,890 --> 00:06:30,720 "STRAIGHTEN UP, ELLA. 80 00:06:30,760 --> 00:06:31,280 "DO THIS, ELLA. 81 00:06:31,310 --> 00:06:31,760 "DO THAT, ELLA. 82 00:06:31,790 --> 00:06:33,710 "PICK UP THE THINGS YOUR SISTERS DROPPED, ELLA. 83 00:06:33,740 --> 00:06:35,620 "THESE ARE THE PREROGATIVES OF BEAUTY, ELLA. 84 00:06:35,660 --> 00:06:36,550 "COME, BIRDENA. 85 00:06:36,590 --> 00:06:37,410 "COME, SERAFINA. 86 00:06:37,450 --> 00:06:41,050 "I AM THE MOTHER OF THE PRETTIEST GIRLS IN THE VILLAGE. 87 00:06:41,740 --> 00:06:42,510 "NOT YOU, ELLA! 88 00:06:42,540 --> 00:06:43,730 "STAY BACK HERE, ELLA. 89 00:06:43,770 --> 00:06:44,890 "DON'T STAND WITH US. 90 00:06:44,930 --> 00:06:46,910 "THE PRINCE MAY THINK WE KNOW YOU." 91 00:06:47,510 --> 00:06:53,890 [FANFARE] 92 00:07:05,710 --> 00:07:07,310 CROWD: LONG LIVE THE PRINCE! 93 00:07:51,180 --> 00:07:53,160 MAN: LONG LIVE PRINCE CHARLES! 94 00:07:57,840 --> 00:07:59,610 DID YOU SEE HIM LOOK RIGHT THIS WAY? 95 00:07:59,650 --> 00:08:01,210 HE DID, INDEED, LOOK THIS WAY. 96 00:08:01,240 --> 00:08:02,530 HE LOOKED RIGHT AT ME. 97 00:08:02,560 --> 00:08:03,330 AT YOU? 98 00:08:03,370 --> 00:08:04,920 HE DISTINCTLY LOOKED RIGHT AT ME. 99 00:08:04,960 --> 00:08:05,790 NO, HE DIDN'T! 100 00:08:05,820 --> 00:08:06,580 I SAW HIM. 101 00:08:06,610 --> 00:08:09,180 OH, YOU DID NOT SEE HIM. YOU WERE WAY BACK HERE. 102 00:08:09,210 --> 00:08:10,560 I DID, TOO. I SAW HIM. 103 00:08:10,590 --> 00:08:11,810 NO, YOU DIDN'T. 104 00:08:11,840 --> 00:08:12,740 I DID! 105 00:08:12,780 --> 00:08:15,140 VERY WELL. WHAT DID HE LOOK LIKE? 106 00:08:15,170 --> 00:08:17,850 HE... WELL, HE LOOKED-- 107 00:08:17,890 --> 00:08:19,550 HE LOOKED LIKE A HANDSOME PRINCE 108 00:08:19,580 --> 00:08:20,930 ON A BEAUTIFUL WHITE HORSE. 109 00:08:20,960 --> 00:08:22,350 YOU SEE? 110 00:08:22,380 --> 00:08:23,560 THE HORSE WAS BLACK, 111 00:08:23,600 --> 00:08:24,530 BLACK AS NIGHT. 112 00:08:24,930 --> 00:08:26,400 SHE DIDN'T SEE HIM AT ALL. 113 00:08:26,440 --> 00:08:27,330 I DID! 114 00:08:27,360 --> 00:08:29,370 WHAT COLOR WAS HIS HAIR? 115 00:08:29,410 --> 00:08:31,250 IT WAS BLACK, BLACK AS NIGHT. 116 00:08:31,280 --> 00:08:32,770 WELL, YOU SEE? 117 00:08:32,810 --> 00:08:34,260 WHAT A FIB. 118 00:08:35,930 --> 00:08:38,770 WHO--WHO CARES ABOUT AN OLD PRINCE, ANYWAY? 119 00:08:38,800 --> 00:08:41,920 I HATE HIM! I DON'T CARE. I HATE HIM! 120 00:08:41,960 --> 00:08:43,990 WHAT AN UNPLEASANT GIRL YOU ARE. 121 00:08:44,020 --> 00:08:45,280 I DON'T CARE! 122 00:08:50,620 --> 00:08:52,610 NARRATOR: THE LITTLE SPIRIT IS STILL DEFIANT 123 00:08:52,640 --> 00:08:55,200 AND DEFENSIVE, STILL UNBROKEN. 124 00:08:55,920 --> 00:08:58,280 BUT GIVE THEM TIME. THEY'LL BREAK IT. 125 00:08:58,560 --> 00:09:01,380 A FEW MORE YEARS, AND SHE WILL STOP FIGHTING BACK 126 00:09:01,410 --> 00:09:03,540 AND WILL NO LONGER FEEL ANY PAIN. 127 00:09:04,270 --> 00:09:06,730 THE OTHERS WILL THEN HAVE THE CONVENIENCE 128 00:09:06,770 --> 00:09:09,190 OF AN UNPAID SPINSTER SLAVEY IN THE HOUSE-- 129 00:09:09,220 --> 00:09:12,660 WILLING, DOCILE, GRATEFUL FOR CRUMBS. 130 00:09:13,620 --> 00:09:17,500 A FEW MORE YEARS, AND ALL WILL BE PEACEFUL. 131 00:09:19,930 --> 00:09:24,850 HERE WAS HER OWN PLACE, A PLACE ALL BY ITSELF. 132 00:09:25,430 --> 00:09:28,890 THE SWEET BROOK GLITTERED, THE FOREST WAS COOL, 133 00:09:28,930 --> 00:09:32,360 AND A MEADOWLARK WAS CONFIDING ITS HEARTBREAK 134 00:09:32,390 --> 00:09:33,960 TO THE QUIET AIR. 135 00:10:33,230 --> 00:10:37,030 [ELLA CRYING] 136 00:10:45,030 --> 00:10:46,260 WHY ARE YOU CRYING? 137 00:10:48,000 --> 00:10:50,000 WHAT'S THE MATTER, YOU SWEET, PRETTY CREATURE? 138 00:10:50,880 --> 00:10:52,680 YOU'RE MAKING FUN OF ME. 139 00:10:52,720 --> 00:10:54,490 I'M NOT SWEET AND PRETTY. 140 00:10:55,530 --> 00:10:57,560 BUT IT'S ONLY ASHES. 141 00:10:57,870 --> 00:11:00,340 WHAT'S WRONG WITH ASHES? VERY GOOD FOR THE CHICKENS. 142 00:11:00,800 --> 00:11:01,880 WHAT'S YOUR NAME? 143 00:11:06,340 --> 00:11:07,360 ELLA. 144 00:11:08,930 --> 00:11:11,430 BUT THEY WON'T EVEN CALL ME BY MY NAME. 145 00:11:11,760 --> 00:11:12,640 THEY CALL ME-- 146 00:11:12,670 --> 00:11:15,100 EDWARD AND WILLIE AND ALL THE OTHERS-- 147 00:11:15,510 --> 00:11:19,260 BECAUSE OF THE ASHES, THEY CALL ME CINDERELLA. 148 00:11:19,290 --> 00:11:20,700 CINDERELLA? 149 00:11:21,230 --> 00:11:23,650 CINDER ELLA, WHAT A BEAUTIFUL WORD. 150 00:11:23,690 --> 00:11:24,690 I LIKE IT VERY MUCH. 151 00:11:24,720 --> 00:11:26,860 THERE ARE OTHER WORDS I LIKE VERY MUCH, 152 00:11:26,890 --> 00:11:29,430 LIKE WINDOWSILL... AND ELBOW. 153 00:11:29,680 --> 00:11:31,650 ELBOW. 154 00:11:31,860 --> 00:11:33,890 AND I LIKE APPLE DUMPLING, TOO. 155 00:11:33,920 --> 00:11:35,350 IT'S A COMICAL WORD. 156 00:11:35,390 --> 00:11:37,000 APPLE DUMPLING. 157 00:11:37,580 --> 00:11:38,730 PICKLE RELISH. 158 00:11:38,770 --> 00:11:40,570 THAT HAS A NICE SNAP TO IT. 159 00:11:40,610 --> 00:11:41,790 WHAT'S THE MATTER WITH YOUR HAIR? 160 00:11:44,000 --> 00:11:45,130 I CUT IT OFF. 161 00:11:46,660 --> 00:11:49,220 I--I GOT ANGRY AT IT. 162 00:11:49,910 --> 00:11:52,340 ONE DAY, I HATED MYSELF SO, I WANTED TO BE DEAD. 163 00:11:53,320 --> 00:11:55,240 BUT I CUT MY HAIR OFF INSTEAD. 164 00:11:56,150 --> 00:11:59,440 AND I FELT MUCH BETTER AFTER. 165 00:12:02,010 --> 00:12:03,300 IT'S GROWING NOW. 166 00:12:03,330 --> 00:12:04,500 SPLENDID. 167 00:12:05,970 --> 00:12:07,820 NO USE COMBING IT OR ANYTHING. 168 00:12:07,850 --> 00:12:09,660 IT DOES PRESENT A PROBLEM. 169 00:12:13,250 --> 00:12:14,360 WHAT'S YOUR NAME? 170 00:12:15,570 --> 00:12:16,890 MRS. TOQUET. 171 00:12:16,970 --> 00:12:18,650 OH, YOU'RE THE CRAZY LA-- 172 00:12:19,050 --> 00:12:23,620 I MEAN...YOU'RE THE ONE WHO LIVES ALL BY YOURSELF? 173 00:12:24,530 --> 00:12:27,980 THEY SAY YOU NEVER COME INTO THE VILLAGE DURING DAYTIME. 174 00:12:28,020 --> 00:12:29,100 THAT'S RIGHT. 175 00:12:29,130 --> 00:12:30,730 WHY? 176 00:12:31,210 --> 00:12:33,220 BECAUSE I ALWAYS GO THERE AT NIGHT. 177 00:12:35,520 --> 00:12:37,770 YOU--YOUR SHOES ARE GETTING WET. 178 00:12:37,810 --> 00:12:39,430 YES. IT'S THE WATER. 179 00:12:39,460 --> 00:12:41,020 OH. 180 00:12:41,050 --> 00:12:41,980 DO YOU LIVE IN THE VILLAGE? 181 00:12:42,720 --> 00:12:43,980 YES. 182 00:12:44,010 --> 00:12:47,160 WITH BIRDENA, SERAFINA, AND MY STEPMOTHER. 183 00:12:47,200 --> 00:12:48,730 OH. HOW ARE THEY? 184 00:12:48,770 --> 00:12:50,230 OH, YOU KNOW THEM? 185 00:12:50,270 --> 00:12:52,100 NO. IF I KNEW THEM, I WOULDN'T HAVE TO ASK. 186 00:12:53,010 --> 00:12:53,620 OH. 187 00:12:54,180 --> 00:12:56,590 WELL, THEY'RE VERY WELL, THANK YOU. 188 00:12:56,620 --> 00:12:58,230 THEY'RE VERY BUSY NOW. 189 00:12:58,260 --> 00:13:00,300 THEY'RE GETTING READY TO GO TO THE BALL-- 190 00:13:00,340 --> 00:13:01,750 DAY AFTER TOMORROW AT THE PALACE. 191 00:13:01,780 --> 00:13:03,270 THEY ARE GOING TO MEET THE PRINCE. 192 00:13:03,300 --> 00:13:05,390 YOU SEE, BIRDENA AND SERAFINA 193 00:13:05,430 --> 00:13:07,710 ARE THE MOST BEAUTIFUL GIRLS IN THE WHOLE VILLAGE. 194 00:13:07,750 --> 00:13:09,410 THEY CAN SEW VERY WELL, 195 00:13:09,440 --> 00:13:12,850 AND THEY HAVE FINE MANNERS AND BEAUTIFUL CLOTHES. 196 00:13:12,880 --> 00:13:16,260 THEY ARE JUST EVERYTHING THAT GIRLS SHOULD BE. 197 00:13:16,290 --> 00:13:18,430 AND YOU? WHERE ARE YOUR PRETTY CLOTHES? 198 00:13:18,900 --> 00:13:20,770 OH, I DON'T CARE WHAT I LOOK LIKE. 199 00:13:20,810 --> 00:13:22,940 THAT'S NO REASON FOR FRIGHTENING PEOPLE. 200 00:13:23,780 --> 00:13:25,860 IT DOESN'T MATTER. NOBODY LIKES ME ANYWAY. 201 00:13:25,900 --> 00:13:26,890 I LIKE YOU. 202 00:13:28,800 --> 00:13:29,630 YOU DON'T. 203 00:13:31,310 --> 00:13:33,230 I DON'T NEED ANYBODY TO LIKE ME. 204 00:13:34,430 --> 00:13:36,730 I DON'T CARE. I DON'T CARE ONE BIT, 205 00:13:36,760 --> 00:13:39,820 BECAUSE, ONE DAY, I'M GOING TO LIVE IN THE PALACE. 206 00:13:39,860 --> 00:13:40,790 OH? 207 00:13:40,820 --> 00:13:42,310 IN THE DUCAL PALACE? 208 00:13:42,340 --> 00:13:43,010 THAT'S RIGHT. 209 00:13:43,040 --> 00:13:45,480 A VERY PLEASANT PLAN. WHO ARRANGED IT? 210 00:13:45,520 --> 00:13:46,820 WELL... 211 00:13:48,150 --> 00:13:51,100 ONE DAY, THERE'S AN OLD LADY WHO CAME TO SEE MY MOTHER. 212 00:13:51,130 --> 00:13:53,940 SHE WAS A TELLER OF FORTUNES, THEY SAY. 213 00:13:53,970 --> 00:13:56,160 AND SHE TOLD MY MOTHER THAT SOME DAY 214 00:13:56,200 --> 00:13:58,310 HER CHILD WOULD LIVE IN THE PALACE. 215 00:13:58,340 --> 00:14:00,420 AND I WAS BORN THREE HOURS LATER. 216 00:14:00,890 --> 00:14:03,210 MY MOTHER USED TO TELL ME THIS STORY VERY OFTEN 217 00:14:03,240 --> 00:14:04,700 WHEN I WAS A LITTLE GIRL. 218 00:14:05,360 --> 00:14:07,460 SHE DIED WHEN I WAS FIVE YEARS OLD. 219 00:14:07,490 --> 00:14:09,560 WHAT DO YOU EXPECT TO DO IN THE PALACE? 220 00:14:11,340 --> 00:14:14,560 OH. WELL, LOTS OF THINGS. 221 00:14:15,350 --> 00:14:16,570 YOU KNOW. 222 00:14:16,600 --> 00:14:18,010 SOUNDS VERY PRACTICAL. 223 00:14:20,190 --> 00:14:22,130 AND I'LL PUNISH EVERYBODY I HATE. 224 00:14:22,170 --> 00:14:23,050 NO, YOU WON'T. 225 00:14:23,770 --> 00:14:25,150 OH, YES, I WILL. 226 00:14:26,670 --> 00:14:27,840 I WILL. 227 00:14:27,880 --> 00:14:29,010 HERE. 228 00:14:31,520 --> 00:14:32,760 WHERE'D YOU GET THIS? 229 00:14:32,790 --> 00:14:34,000 OH, HERE AND THERE. 230 00:14:35,730 --> 00:14:38,200 OH, YES, I HEARD ABOUT THAT. 231 00:14:39,140 --> 00:14:40,770 HERE, YOU'D BETTER TAKE IT BACK. 232 00:14:40,800 --> 00:14:42,400 OH, THANK YOU, THANK YOU VERY MUCH. 233 00:14:42,780 --> 00:14:43,760 NEVERTHELESS. 234 00:14:45,090 --> 00:14:46,260 NEVERTHELESS WHAT? 235 00:14:46,300 --> 00:14:48,000 NEVERTHELESS IS A NICE WORD. 236 00:14:48,450 --> 00:14:51,400 ISN'T IT PLEASANT TO SIT AND EXCHANGE WORDS WITH A FRIEND? 237 00:14:53,620 --> 00:14:58,920 I NEVER DID IT BEFORE, I MEAN, JUST SAT WITH A FRIEND AND TALKED. 238 00:14:58,960 --> 00:14:59,900 WELL, WHAT'S THE MATTER WITH YOUR FRIENDS? 239 00:14:59,930 --> 00:15:01,420 DON'T THEY HAVE A SITTING PLACE? 240 00:15:02,370 --> 00:15:05,280 WELL, IT'S BECAUSE I... 241 00:15:05,590 --> 00:15:07,410 I DON'T THINK I HAVE ANY FRIENDS. 242 00:15:07,450 --> 00:15:09,130 I MEAN, I DON'T THINK I DO. 243 00:15:09,170 --> 00:15:11,010 BECAUSE WHEN THEY'RE YOUR FRIENDS, 244 00:15:11,050 --> 00:15:13,410 DOES THAT MEAN THAT YOU CAN TELL THEM 245 00:15:13,450 --> 00:15:15,680 EVERYTHING YOU LIKE AND WHAT YOU DO 246 00:15:15,710 --> 00:15:17,880 AND WHAT YOU FEEL AND ALL THAT? 247 00:15:17,910 --> 00:15:20,040 AND THAT THEY'LL ALWAYS BE ON YOUR SIDE? 248 00:15:20,080 --> 00:15:21,000 DOESN'T IT? 249 00:15:21,030 --> 00:15:21,920 THAT'S RIGHT. 250 00:15:22,900 --> 00:15:24,760 WELL, I DON'T HAVE ANYBODY LIKE THAT. 251 00:15:25,560 --> 00:15:27,670 YOU HAVE ME. I'M ON YOUR SIDE. 252 00:15:27,710 --> 00:15:31,350 AND I'M VERY DEEPLY INTERESTED IN WHAT YOU FEEL AND THINK. 253 00:15:31,390 --> 00:15:33,020 TELL ME. TELL ME NOW. 254 00:15:35,060 --> 00:15:41,900 WELL...I CAN'T. IT--IT'S...IT'S ALL MIXED UP. 255 00:15:41,940 --> 00:15:44,350 IT'S JUST A FEELING. 256 00:15:45,250 --> 00:15:48,670 IT'S LIKE WHEN IT'S BEGINNING TO GET DARK. 257 00:15:48,980 --> 00:15:49,430 YOU KNOW? 258 00:15:49,460 --> 00:15:53,660 AND--AND EVERYTHING BREATHES VERY SOFTLY 259 00:15:53,980 --> 00:15:57,250 AND THE SKY GETS VERY, VERY BLUE 260 00:15:57,560 --> 00:15:59,540 AND THEN VERY, VERY PINK. 261 00:16:00,240 --> 00:16:05,940 AND HERE YOU FEEL, OH, SOMETHING... 262 00:16:05,980 --> 00:16:11,640 HMM. IT--IT'S... IT'S HARD TO EXPLAIN. 263 00:16:11,680 --> 00:16:13,890 IT'S QUITE CLEAR. 264 00:16:13,930 --> 00:16:14,940 IS IT? 265 00:16:15,560 --> 00:16:16,320 I MUST GO NOW. 266 00:16:16,350 --> 00:16:17,910 I HAVE SOME THINGS TO PICK UP. 267 00:16:18,380 --> 00:16:20,380 WELL, YOU DROP IN AGAIN SOMETIME. 268 00:16:21,600 --> 00:16:22,390 OH, WHEN? 269 00:16:22,430 --> 00:16:24,310 TOMORROW PERHAPS AT NOON. 270 00:16:24,730 --> 00:16:26,290 RIGHT HERE, THEN, HUH? 271 00:16:26,320 --> 00:16:28,610 WE'LL TALK AND TELL EACH OTHER THINGS... 272 00:16:28,650 --> 00:16:30,920 AND BE FRIENDS, HUH? 273 00:16:30,950 --> 00:16:31,830 EXCELLENT. 274 00:16:31,860 --> 00:16:32,780 VERY PRACTICAL. 275 00:16:32,810 --> 00:16:33,650 GOOD-BYE. 276 00:16:35,720 --> 00:16:37,600 WINDOWSILL. 277 00:16:37,840 --> 00:16:38,790 PICKLE RELISH. 278 00:16:39,740 --> 00:16:41,350 APPLE DUMPLING. 279 00:16:42,300 --> 00:16:43,980 CINDERELLA. 280 00:16:44,500 --> 00:16:46,170 GOOD-BYE, CINDERELLA. 281 00:17:04,100 --> 00:17:05,540 THESE HOOPS ARE TOO WIDE. 282 00:17:05,570 --> 00:17:07,320 I'M GOING TO WEAR THE NARROW ONES. 283 00:17:07,390 --> 00:17:09,190 THE WIDER HOOPS ARE PRETTIER. 284 00:17:09,320 --> 00:17:11,280 BUT THEY'RE NOT THE FASHION. 285 00:17:11,340 --> 00:17:13,440 COUSIN LOULOU'S WEARING ENORMOUS ONES. 286 00:17:13,480 --> 00:17:14,270 WHAT DO YOU KNOW? 287 00:17:14,380 --> 00:17:15,950 I HEARD ALL ABOUT COUSIN LOULOU'S GOWN 288 00:17:15,980 --> 00:17:17,510 THIS AFTERNOON WHEN I WENT UP TO THE HILL 289 00:17:17,550 --> 00:17:18,460 FOR THE INVITATIONS. 290 00:17:18,500 --> 00:17:20,550 OH! THE INVITATIONS. 291 00:17:21,320 --> 00:17:22,390 WHERE DID YOU PUT THEM? 292 00:17:22,990 --> 00:17:23,820 I GAVE THEM TO YOU. 293 00:17:23,850 --> 00:17:25,800 OH. OH, DEAR. 294 00:17:25,840 --> 00:17:27,210 OH, MAMA. 295 00:17:27,250 --> 00:17:28,740 I PUT THEM DOWN. 296 00:17:28,920 --> 00:17:31,030 AFTER ALL THE TROUBLE WE HAD GETTING THEM. 297 00:17:31,460 --> 00:17:33,870 OH, I HATE ASKING COUSIN LOULOU FAVORS. 298 00:17:33,900 --> 00:17:35,430 OH, GO AWAY, ELLA. 299 00:17:35,470 --> 00:17:36,330 DON'T TOUCH THINGS, ELLA. 300 00:17:36,360 --> 00:17:37,190 YOU'RE IN THE WAY, ELLA. 301 00:17:38,050 --> 00:17:39,160 ELLA, GET OFF OF THAT. 302 00:17:39,200 --> 00:17:40,370 YOU'RE GETTING IT ALL DIRTY. 303 00:17:40,410 --> 00:17:41,870 OH! HERE THEY ARE. 304 00:17:43,260 --> 00:17:45,390 YOU MUST REMEMBER TO THANK COUSIN LOULOU. 305 00:17:46,070 --> 00:17:48,050 MOTHER, TOMORROW NIGHT AT THE BALL, 306 00:17:48,650 --> 00:17:50,490 PLEASE DON'T SPEAK OF WHERE WE LIVE. 307 00:17:51,210 --> 00:17:53,910 I'M GOING TO SAY THAT WE LIVE ON THE HILL WITH COUSIN LOULOU. 308 00:17:53,950 --> 00:17:55,850 AND WHAT WILL COUSIN LOULOU SAY TO THAT? 309 00:17:55,890 --> 00:17:57,340 COUSIN LOULOU WON'T HEAR IT. 310 00:17:57,380 --> 00:17:59,600 BESIDES, NO ONE EVER PAYS ANY ATTENTION 311 00:17:59,630 --> 00:18:00,950 TO THAT OLD CREATURE ANYWAY. 312 00:18:00,990 --> 00:18:02,070 [SCOLDING] BIRDENA. 313 00:18:02,100 --> 00:18:04,540 DON'T YOU DARE SPEAK OF COUSIN LOULOU THAT WAY. 314 00:18:04,570 --> 00:18:06,380 SHE'S VERY RICH. 315 00:18:07,500 --> 00:18:09,000 WHAT'S HER DRESS LIKE? 316 00:18:10,410 --> 00:18:14,350 OH, IT'S BEAUTIFUL. IT'S ALL PINK AND WHITE 317 00:18:14,390 --> 00:18:18,260 WITH ROSEBUDS AND RIBBONS ALL OVER THE SKIRT. 318 00:18:18,290 --> 00:18:22,140 AND THOUSANDS OF CRYSTALS, EACH ONE SEWN WITH SILK THREAD. 319 00:18:22,180 --> 00:18:24,670 ROSEBUDS. HA HA! 320 00:18:24,710 --> 00:18:26,220 AT HER AGE. 321 00:18:26,260 --> 00:18:27,740 [BOTH LAUGHING] 322 00:18:30,450 --> 00:18:31,850 STEPMOTHER: YOU MAY TAKE IT OFF NOW, BIRDENA. 323 00:18:33,220 --> 00:18:34,520 NOW YOU, SERAFINA. 324 00:18:35,070 --> 00:18:36,650 WHO IS MRS. TOQUET? 325 00:18:36,680 --> 00:18:37,410 WHO? 326 00:18:37,440 --> 00:18:39,850 MRS. TOQUET. 327 00:18:39,890 --> 00:18:42,680 ISN'T SHE THE CRAZY OLD WOMAN WHO LIVES IN THE WOODS? 328 00:18:42,720 --> 00:18:44,600 SHE'S HARMLESS, BUT SHE STEALS. 329 00:18:45,010 --> 00:18:46,930 HAS SHE ALWAYS BEEN LIKE THAT? 330 00:18:47,520 --> 00:18:49,960 I MEAN, HAS SHE ALWAYS... 331 00:18:49,990 --> 00:18:53,500 THEY SAY SHE WAS ONCE A GRAND LADY AND LIVED ON THE HILL. 332 00:18:53,530 --> 00:18:57,070 BUT SHE TOOK TO READING BOOKS AND WENT FROM BAD TO WORSE. 333 00:18:57,110 --> 00:19:00,610 STUFFED HER HEAD FULL OF IDEAS, AND NOW SHE'S A BIT ADDLED. 334 00:19:00,650 --> 00:19:01,510 A BIT ADDLED? 335 00:19:01,540 --> 00:19:03,850 OH, MOTHER, SHE'S CRAZY AS A COCKROACH. 336 00:19:03,880 --> 00:19:06,110 NO, SHE ISN'T. SHE'S JUST DIFFERENT. 337 00:19:06,150 --> 00:19:09,930 SHE'S FULL OF GOOD IDEAS AND...AND WISDOM. 338 00:19:09,960 --> 00:19:11,510 FULL OF WHAT? 339 00:19:11,540 --> 00:19:13,520 AND EVERYBODY KNOWS SHE STEALS. 340 00:19:13,550 --> 00:19:15,900 SHE STOLE THE COVER OFF A GARBAGE BUCKET 341 00:19:15,930 --> 00:19:17,010 FROM MRS. BOWER'S HOUSE. 342 00:19:17,030 --> 00:19:18,690 AND THE NEXT NIGHT, SHE PUT IT BACK. 343 00:19:18,730 --> 00:19:22,990 SHE ALWAYS PUTS THINGS BACK AFTER SHE TAKES THEM. 344 00:19:23,020 --> 00:19:24,900 THAT'S WHY NOBODY BOTHERS. 345 00:19:25,100 --> 00:19:26,630 SHE SHOULD BE LOCKED AWAY. 346 00:19:26,670 --> 00:19:27,420 SHE'S MAD. 347 00:19:27,670 --> 00:19:30,210 SHE SEEMED VERY SENSIBLE TO ME. 348 00:19:30,240 --> 00:19:32,750 OH! SHE SEEMED SENSIBLE TO ELLA. 349 00:19:33,020 --> 00:19:35,440 AND WHY NOT? THEY'RE TWO OF A KIND. 350 00:19:35,480 --> 00:19:36,790 YOU'RE TWO OF A KIND. 351 00:19:36,830 --> 00:19:39,020 AND DID YOU TELL HER THAT YOU WERE GOING TO LIVE 352 00:19:39,050 --> 00:19:41,200 - IN THE PALACE SOMEDAY? - AND WHAT IF I DID? 353 00:19:41,240 --> 00:19:43,490 HA HA! TWO CRAZY COCKROACHES. 354 00:19:43,530 --> 00:19:45,570 [EVERYONE LAUGHS] ELLA, STOP IT! 355 00:19:45,600 --> 00:19:47,610 YOU'RE RUINING MY BEAUTIFUL DRESS! 356 00:19:47,650 --> 00:19:49,050 GET HER OUT OF HERE! 357 00:19:49,080 --> 00:19:52,540 [SLAP] YOU GO RIGHT OUT AND FINISH DIGGING THE POTATOES. 358 00:20:08,120 --> 00:20:11,160 Ella: I don't care. i don't care one bit, 359 00:20:11,190 --> 00:20:14,760 because, one day, I'm going to live in the palace. 360 00:20:15,640 --> 00:20:17,150 Ms. Toquet: What will you do in the palace? 361 00:20:17,890 --> 00:20:19,350 I don't know.... 362 00:20:19,840 --> 00:20:22,250 but, one day, I'm going to live in the palace. 363 00:20:23,970 --> 00:20:26,810 One day, I'm going to live in the palace. 364 00:20:28,770 --> 00:20:31,650 One day, I'm going to live in the palace. 365 00:20:34,180 --> 00:20:38,380 [GRAND MUSIC BEGINS] 366 00:21:45,870 --> 00:21:51,590 [GRAND MUSIC CONTINUES] 367 00:22:22,340 --> 00:22:26,390 [MUSIC BECOMES LIGHTER] 368 00:22:57,290 --> 00:23:02,800 [MUSIC BECOMES LIGHT-HEARTED] 369 00:23:33,600 --> 00:23:34,910 STEPMOTHER: ELLA! 370 00:23:34,940 --> 00:23:36,880 ELLA! WHAT ARE YOU DOING? 371 00:23:37,170 --> 00:23:39,250 ELLA, BRING IN THE POTATOES! 372 00:23:57,810 --> 00:23:59,050 CHARLES? 373 00:24:03,250 --> 00:24:03,990 OH. 374 00:24:05,360 --> 00:24:06,410 CHARLES. 375 00:24:08,370 --> 00:24:09,240 WHERE IS HE? 376 00:24:09,300 --> 00:24:10,210 MORNING, KOVIN. 377 00:24:10,470 --> 00:24:11,820 WELL, GOOD MORNING, YOUR HIGHNESS. 378 00:24:11,860 --> 00:24:12,770 IS HE UP YET? 379 00:24:12,800 --> 00:24:14,100 I BELIEVE HE'S STILL DRESSING, SIR. 380 00:24:14,140 --> 00:24:15,180 CHARLES? 381 00:24:15,480 --> 00:24:18,550 CHARLES, I WANT TO SEE YOU. 382 00:24:19,320 --> 00:24:20,970 AND WHERE THEY'VE QUARTERED YOU, KOVIN? 383 00:24:21,000 --> 00:24:21,780 UH, YES, SIR. 384 00:24:22,490 --> 00:24:23,150 IT'S COMFORTABLE? 385 00:24:23,180 --> 00:24:24,610 MOST COMFORTABLE. THANK YOU, SIR. 386 00:24:24,650 --> 00:24:26,300 GOOD. GOOD, GOOD. 387 00:24:28,190 --> 00:24:29,040 POETRY? 388 00:24:29,350 --> 00:24:30,730 USED TO READ IT MYSELF. 389 00:24:30,770 --> 00:24:31,660 TAUGHT ME A LOT. 390 00:24:32,430 --> 00:24:34,060 CAN'T READ IT NOWADAYS. 391 00:24:34,610 --> 00:24:36,210 WHAT DO YOU THINK OF OUR COUNTRYSIDE? 392 00:24:36,240 --> 00:24:37,560 OH, VERY BEAUTIFUL, WHAT I'VE SEEN OF IT, SIR. 393 00:24:37,600 --> 00:24:38,430 EXCELLENT-- 394 00:24:38,460 --> 00:24:40,300 EXCELLENT HUNTING. 395 00:24:40,330 --> 00:24:41,330 DO YOU HUNT? 396 00:24:41,370 --> 00:24:42,330 SOME THINGS. 397 00:24:42,850 --> 00:24:44,240 YOU'LL FIND PLENTY OF THAT, TOO. 398 00:24:46,830 --> 00:24:47,730 GOOD MORNING, FATHER. 399 00:24:49,280 --> 00:24:50,720 WHAT ARE YOU GOT UP AS? 400 00:24:51,260 --> 00:24:52,220 I'M GOING FOR A WALK. 401 00:24:52,620 --> 00:24:54,880 THERE'S A PROBLEM OF ENTERTAINMENT AT THE BALL. 402 00:24:55,880 --> 00:24:56,550 WHAT BALL? 403 00:24:56,590 --> 00:24:58,960 I TOLD YOU-- THREE DAYS OF FESTIVAL 404 00:24:58,990 --> 00:25:01,160 TOPPED OFF BY A BIG BALL ON THE LAST NIGHT. 405 00:25:01,570 --> 00:25:02,450 THAT'S TOMORROW NIGHT. 406 00:25:02,490 --> 00:25:03,300 OH, NO. 407 00:25:03,340 --> 00:25:05,480 NOW STOP MAKING NOISES LIKE A SCHOOLBOY. 408 00:25:05,730 --> 00:25:07,300 YOU HAVE OBLIGATIONS. 409 00:25:07,350 --> 00:25:09,320 THAT'S THE PRICE YOU PAY FOR WHAT YOU ARE. 410 00:25:09,350 --> 00:25:10,400 AND I DON'T MEAN YOUR TITLE. 411 00:25:10,430 --> 00:25:12,950 I MEAN THE FACT THAT YOU'RE A GROWN MAN 412 00:25:12,980 --> 00:25:14,710 OF SOME DECENCY AND INTELLIGENCE. 413 00:25:15,720 --> 00:25:17,680 IT'S TIME HE TOOK SOME RESPONSIBILITY, 414 00:25:17,710 --> 00:25:19,640 BECAUSE I'M BORED, UTTERLY BORED WITH IT. 415 00:25:19,670 --> 00:25:20,730 HE'S OF AGE NOW. 416 00:25:20,770 --> 00:25:22,020 IT'S HIS TURN. 417 00:25:22,060 --> 00:25:23,220 I LOVE HIM, KOVIN. 418 00:25:23,260 --> 00:25:24,350 ISN'T HE A CHARMER? 419 00:25:24,390 --> 00:25:26,060 I NEVER KNEW ANYBODY LIKE HIM. 420 00:25:26,100 --> 00:25:27,700 NOW, THEN, YOU CONDESCENDING, 421 00:25:27,740 --> 00:25:30,910 DISRESPECTFUL, BLASE, IMPERTINENT YOUNG RAKE. 422 00:25:30,940 --> 00:25:32,380 WE ARE DEPENDENT UPON THE GOOD WILL 423 00:25:32,410 --> 00:25:33,810 AND THE COOPERATION OF THE PEOPLE 424 00:25:33,840 --> 00:25:35,320 OF THIS PRINCIPALITY. 425 00:25:35,360 --> 00:25:37,640 BUT THEY DON'T KNOW HIM, AND HE DOESN'T KNOW THEM. 426 00:25:37,670 --> 00:25:38,580 WELL, YOU'RE GOING TO MEET THEM 427 00:25:38,620 --> 00:25:39,460 TOMORROW NIGHT AT THE BALL, 428 00:25:39,500 --> 00:25:40,800 AND THEY'RE GOING TO TAKE A LOOK AT YOU. 429 00:25:41,310 --> 00:25:42,560 MAKE FRIENDS. 430 00:25:42,600 --> 00:25:44,640 I'LL DO MY BEST, FATHER, AND NOT ONLY BECAUSE 431 00:25:44,670 --> 00:25:45,600 YOU'RE SO RIGHT. 432 00:25:53,330 --> 00:25:54,840 I REMEMBER THIS PLACE, TOO. 433 00:25:56,730 --> 00:25:58,820 WHEN I WAS EIGHT, I RAN AWAY FROM HOME ONE DAY. 434 00:25:59,820 --> 00:26:02,410 I WAS GONE FOR SEVEN HOURS, THE BEST SEVEN HOURS I EVER HAD. 435 00:26:04,420 --> 00:26:05,960 I DISCOVERED THE COUNTRYSIDE THAT DAY-- 436 00:26:06,000 --> 00:26:07,780 ONE PLACE IN PARTICULAR. I'LL TAKE YOU THERE. 437 00:26:11,400 --> 00:26:14,730 STRANGE HOW MANY MEMORIES ARE CROWDING BACK ON ME, 438 00:26:14,990 --> 00:26:16,930 THINGS I HAVEN'T THOUGHT ABOUT FOR YEARS. 439 00:26:19,770 --> 00:26:21,900 YESTERDAY AFTERNOON, WHEN WE WERE RIDING THROUGH THE TOWN, 440 00:26:21,930 --> 00:26:24,650 I KEPT REMEMBERING SOMETHING THAT HAPPENED YEARS AGO. 441 00:26:26,050 --> 00:26:27,180 I'D BEEN HOME FOR THE HOLIDAYS 442 00:26:27,220 --> 00:26:28,790 AND WAS LEAVING TO RETURN TO SCHOOL. 443 00:26:29,710 --> 00:26:31,570 MY CARRIAGE WAS HELD UP IN THE MIDDLE OF THE TOWN 444 00:26:31,610 --> 00:26:33,440 BECAUSE SOMETHING WAS GOING ON IN THE STREET AHEAD, 445 00:26:33,470 --> 00:26:34,720 BLOCKING OUR PATH. 446 00:26:35,460 --> 00:26:36,980 IT INVOLVED A CHILD... 447 00:26:39,280 --> 00:26:42,110 A LITTLE GIRL OF ABOUT FIVE. 448 00:26:43,580 --> 00:26:47,870 SHE WAS CRYING IN A SORT OF TRAGIC FRENZY. 449 00:26:49,200 --> 00:26:51,280 SHE'D RUN OUT OF HER HOUSE IN THE PATH OF THE CARRIAGE, 450 00:26:51,310 --> 00:26:53,650 AND SOME TOWNSPEOPLE WERE TRYING TO HOLD HER BACK. 451 00:26:56,210 --> 00:26:57,640 I DON'T KNOW WHAT IT WAS ALL ABOUT. 452 00:26:58,960 --> 00:27:00,670 BUT ONE THING I'VE REMEMBERED EVER SINCE 453 00:27:00,700 --> 00:27:02,340 IN THE MOST MINUTE DETAIL... 454 00:27:04,490 --> 00:27:08,160 SHE HAD GREAT, AGONIZED, REBELLIOUS EYES... 455 00:27:09,140 --> 00:27:12,580 FRINGED WITH DARK LASHES, AND HER CHEEKS WERE WET WITH TEARS. 456 00:27:14,980 --> 00:27:16,810 IT WAS THE MOST TRAGIC FACE I EVER SAW. 457 00:27:17,180 --> 00:27:18,770 NOT JUST SAD. 458 00:27:20,560 --> 00:27:22,290 IT HAD THE AGONY OF A GREEK TRAGEDY, 459 00:27:23,060 --> 00:27:24,390 BEYOND HOPE OF COMFORTING. 460 00:27:29,640 --> 00:27:30,940 I'VE NEVER KNOWN SORROW, 461 00:27:31,100 --> 00:27:31,920 NOT REALLY. 462 00:27:32,450 --> 00:27:34,790 BUT EVER SINCE THAT DAY, I'VE FELT... 463 00:27:35,180 --> 00:27:37,120 I'VE HAD SOME KNOWLEDGE OF WHAT IT'S LIKE, 464 00:27:38,420 --> 00:27:39,890 OF ALL THE HUMAN SOUL CAN 465 00:27:40,310 --> 00:27:40,970 STAND OF 466 00:27:41,340 --> 00:27:42,620 PAIN AND MISERY. 467 00:27:46,310 --> 00:27:48,350 AND EVER SINCE THAT DAY, I FIND IT ALMOST IMPOSSIBLE 468 00:27:48,380 --> 00:27:49,940 TO RESIST A WEEPING WOMAN. 469 00:27:50,710 --> 00:27:52,640 AND IF SHE HAPPENS TO HAVE EYES LIKE THAT, 470 00:27:52,670 --> 00:27:54,080 I'M LOST. 471 00:28:01,420 --> 00:28:03,110 THIS IS THE PLACE I WAS TELLING YOU ABOUT. 472 00:28:06,950 --> 00:28:07,940 NOTHING HAS CHANGED. 473 00:28:12,160 --> 00:28:13,430 THAT DAY I RAN AWAY FROM HOME, 474 00:28:13,470 --> 00:28:16,750 I STRIPPED TO THE BUFF AND BATHED IN THIS POOL. 475 00:28:17,530 --> 00:28:18,530 HOW COLD IS THE WATER? 476 00:28:18,560 --> 00:28:19,550 VERY COLD. 477 00:28:19,900 --> 00:28:21,280 IT'S FED BY MOUNTAIN STREAMS. 478 00:28:21,810 --> 00:28:25,100 MM. I AM NO LONGER EIGHT YEARS OLD. 479 00:28:25,530 --> 00:28:27,450 YOU MAY FREEZE ALONE. 480 00:28:55,810 --> 00:28:57,260 [RELAXED GRUNT] 481 00:29:30,180 --> 00:29:31,420 HELLO. 482 00:29:39,880 --> 00:29:40,870 WHAT IS IT? 483 00:29:41,530 --> 00:29:42,110 A NIGHTMARE. 484 00:29:42,150 --> 00:29:43,880 THIS IS MY PLACE. 485 00:29:44,420 --> 00:29:45,080 THAT'S STRANGE. 486 00:29:45,120 --> 00:29:46,740 IT USED TO BE PART OF THE DUKE'S ESTATE. 487 00:29:48,030 --> 00:29:49,780 NOBODY EVER COMES HERE. 488 00:29:49,820 --> 00:29:51,370 WELL, THEY'RE FOOLS IF THEY DON'T. 489 00:29:53,290 --> 00:29:54,730 YOU DON'T BELONG HERE. 490 00:29:55,940 --> 00:29:56,600 WHERE DO YOU LIVE? 491 00:29:56,640 --> 00:29:57,830 OVER THERE. OVER THERE. 492 00:30:01,820 --> 00:30:04,450 THERE IS NOTHING OVER THERE BUT THE PALACE. 493 00:30:04,770 --> 00:30:05,950 I COULD'VE TOLD YOU THAT. 494 00:30:06,490 --> 00:30:07,230 WHAT OF IT? 495 00:30:07,430 --> 00:30:08,180 WHAT OF IT? 496 00:30:09,250 --> 00:30:11,140 YOU CAN'T LIVE IN THE DUKE'S PALACE. 497 00:30:11,170 --> 00:30:12,620 WHY NOT? 498 00:30:13,030 --> 00:30:14,070 WE WORK THERE. 499 00:30:15,570 --> 00:30:15,900 OH? 500 00:30:15,940 --> 00:30:18,050 YES. I'M THE NEW RIDING MASTER, 501 00:30:18,080 --> 00:30:20,160 AND HE'S THE SON OF THE COOK. 502 00:30:21,020 --> 00:30:22,210 SON OF THE COOK? 503 00:30:23,250 --> 00:30:25,450 THE SON OF THE COOK AT THE PALACE OF THE DUKE. 504 00:30:26,890 --> 00:30:28,510 HAVE YOU SEEN PRINCE CHARLES? 505 00:30:28,540 --> 00:30:30,130 OF COURSE WE HAVE, OFTEN. 506 00:30:31,110 --> 00:30:32,100 WHAT COLOR IS HE? 507 00:30:32,140 --> 00:30:35,510 MMM...I'D SAY WHITE, WOULDN'T YOU? 508 00:30:35,540 --> 00:30:36,310 MM-MM. 509 00:30:36,350 --> 00:30:37,690 I MEAN HIS HAIR. 510 00:30:37,720 --> 00:30:39,030 OH. OH, BLACK. 511 00:30:39,870 --> 00:30:40,720 BLACK. 512 00:30:41,420 --> 00:30:43,170 BLACK AS NIGHT. YOU SEE? 513 00:30:44,390 --> 00:30:45,110 NO. 514 00:30:47,360 --> 00:30:48,720 NO, I DON'T QUITE SEE. 515 00:30:49,360 --> 00:30:51,130 I TOLD THEM IT WAS BLACK. 516 00:30:52,660 --> 00:30:53,690 HOW DID YOU KNOW? 517 00:30:54,650 --> 00:30:56,010 MM, I JUST KNEW. 518 00:30:57,840 --> 00:30:59,010 YOU'RE CLAIRVOYANT. 519 00:30:59,530 --> 00:31:00,530 NO, I'M NOT. 520 00:31:01,780 --> 00:31:03,330 IT'S JUST ASHES, AND I DON'T CARE. 521 00:31:04,150 --> 00:31:06,130 YOU CAN CALL ME CINDERELLA, AND I DON'T CARE. 522 00:31:06,370 --> 00:31:07,070 KOVIN. 523 00:31:08,050 --> 00:31:10,100 KOVIN, THE EYES... 524 00:31:11,110 --> 00:31:12,530 THE SAD, REBELLIOUS EYES. 525 00:31:12,570 --> 00:31:13,960 STOP MAKING FUN OF ME! 526 00:31:13,990 --> 00:31:15,940 OH! 527 00:31:22,220 --> 00:31:25,560 [BOTH LAUGHING] 528 00:31:27,340 --> 00:31:28,520 NARRATOR: THE PRINCE WAS CURIOUS, 529 00:31:28,560 --> 00:31:30,730 SO HE SENT HIS VALET AND HIS GOOD FRIEND KOVIN 530 00:31:30,770 --> 00:31:32,840 INTO THE VILLAGE TO LEARN WHAT THEY COULD LEARN 531 00:31:32,870 --> 00:31:34,910 ABOUT THE RAGAMUFFIN HE HAD MET THAT MORNING. 532 00:31:35,570 --> 00:31:37,690 HE LEARNED THAT SHE WAS AN UNRULY GIRL, 533 00:31:37,720 --> 00:31:39,350 ILL-MANNERED AND IMPUDENT, 534 00:31:39,390 --> 00:31:41,710 FRIENDLESS,AND EVEN AN OBJECT OF RIDICULE, 535 00:31:41,740 --> 00:31:43,830 FOR SHE WAS IN THE HABIT OF BOASTING 536 00:31:43,870 --> 00:31:45,650 THAT SHE WOULD LIVE IN THE PALACE SOME DAY. 537 00:31:45,680 --> 00:31:47,630 HE LEARNED THAT SHE WAS A GREAT TRIAL 538 00:31:47,670 --> 00:31:50,910 TO HER STEPMOTHER THE GOOD, KIND WIDOW SONDER. 539 00:31:52,510 --> 00:31:55,020 ON THAT VERY AFTERNOON, THE WIDOW AND HER DAUGHTERS 540 00:31:55,050 --> 00:31:56,540 WERE ENTERTAINING COUSIN LOULOU 541 00:31:56,580 --> 00:31:58,040 WHO LIVED ON THE FASHIONABLE HILL. 542 00:31:58,240 --> 00:32:00,690 THE BEST ATTIRE AND THE MOST ELEGANT MANNERS 543 00:32:00,720 --> 00:32:03,100 HAD COME OUT OF STORAGE AND WERE ON DISPLAY. 544 00:32:03,140 --> 00:32:05,950 EVEN ELLA HAD BEEN ORDERED TO PUT ON HER OTHER DRESS. 545 00:32:06,100 --> 00:32:07,770 COUSIN LOULOU HAD STARTED LIFE 546 00:32:07,810 --> 00:32:10,230 AS A VERY PRETTY HOUSEMAID IN THE PALACE OF THE DUKE. 547 00:32:10,260 --> 00:32:12,410 AND BY A NATURAL SEQUENCE OF EVENTS, 548 00:32:12,450 --> 00:32:14,860 PLUS A SMALL TRACE OF THREATENED BLACKMAIL, 549 00:32:14,900 --> 00:32:17,790 SHE HAD ACQUIRED JEWELS, A HOUSE ON THE FASHIONABLE HILL, 550 00:32:17,820 --> 00:32:19,930 AND A MEASURE OF FINANCIAL SECURITY. 551 00:32:21,300 --> 00:32:23,760 AS YOU CAN SEE, ELLA WAS NOT PRECISELY 552 00:32:23,800 --> 00:32:25,830 A SERVANT IN THE HOUSE, BUT SHE WAS ALSO 553 00:32:25,870 --> 00:32:27,870 NOT PRECISELY A MEMBER OF THE FAMILY. 554 00:32:28,250 --> 00:32:31,120 COUSIN LOULOU WAS RECEIVING THE BEST THEY HAD TO GIVE 555 00:32:31,160 --> 00:32:34,680 IN THE WAY OF ADULATION, AGREEMENT, FLATTERY, AND BLANDISHMENT. 556 00:32:34,690 --> 00:32:37,690 SHE WAS BEING OILED AND CODDLED, SOAPED AND SALVED. 557 00:32:37,850 --> 00:32:39,070 "YES, COUSIN LOULOU. 558 00:32:39,110 --> 00:32:41,040 "YOU'RE SO RIGHT, COUSIN LOULOU. 559 00:32:41,080 --> 00:32:43,340 "WHAT A BEAUTIFUL GOWN, COUSIN LOULOU. 560 00:32:43,370 --> 00:32:45,560 "HOW WE WISH WE, TOO, HAD AN OPPORTUNITY 561 00:32:45,600 --> 00:32:48,470 "TO BE SO PROFITABLY RUINED WHILE WE ARE STILL YOUNG. 562 00:32:48,510 --> 00:32:51,730 "HOW WE WISH YOU WOULD DROP DEAD "AND LEAVE US YOUR MONEY. 563 00:32:53,280 --> 00:32:54,390 SOMETHING'S WRONG. 564 00:32:54,640 --> 00:32:56,850 SOMETHING IS NOT QUITE RIGHT. 565 00:33:02,340 --> 00:33:03,930 DOESN'T THE GIRL EVER WEAR SHOES? 566 00:33:03,970 --> 00:33:06,530 MUST SHE ALWAYS GO BAREFOOT LIKE A PEASANT? 567 00:33:06,560 --> 00:33:07,500 ELLA! 568 00:33:08,130 --> 00:33:09,720 WHERE ARE YOUR SHOES? 569 00:33:09,750 --> 00:33:11,270 I--I CAN GET THEM. 570 00:33:11,310 --> 00:33:14,590 I FORGOT THEM. I LEFT THEM IN THE DELL. 571 00:33:14,620 --> 00:33:16,360 I'LL GET THEM MAYBE, HUH? 572 00:33:35,650 --> 00:33:36,800 ARE THESE WHAT YOU'RE LOOKING FOR? 573 00:33:40,230 --> 00:33:41,570 ALLOW ME. SIT DOWN. 574 00:33:53,600 --> 00:33:57,160 UH, I'M SORRY I PUSHED YOU INTO THE WATER. 575 00:33:57,760 --> 00:33:58,790 I DIDN'T MEAN TO. 576 00:34:00,240 --> 00:34:01,970 I DIDN'T MEAN TO HURT YOUR FEELINGS EITHER. 577 00:34:03,210 --> 00:34:04,470 MAY I SIT DOWN AND TALK TO YOU? 578 00:34:12,120 --> 00:34:14,840 I HEAR YOU'RE GOING TO LIVE IN THE PALACE SOMEDAY. 579 00:34:15,170 --> 00:34:16,270 HOW DO YOU KNOW THAT? 580 00:34:17,050 --> 00:34:18,730 YOU'VE BEEN TELLING EVERYBODY ABOUT IT FOR YEARS. 581 00:34:21,000 --> 00:34:21,790 I KNOW. 582 00:34:22,870 --> 00:34:25,430 I SAY IT MOSTLY WHEN THEY LAUGH AT ME. 583 00:34:25,750 --> 00:34:26,710 OH, ISN'T IT TRUE? 584 00:34:26,830 --> 00:34:28,490 OH, YES, IT'S QUITE TRUE. 585 00:34:29,780 --> 00:34:31,790 AND IT'S WONDERFUL TO THINK ABOUT. 586 00:34:32,950 --> 00:34:34,040 YES, I KNOW WHAT YOU MEAN. 587 00:34:34,730 --> 00:34:36,660 IT'S NICE TO HAVE SOMETHING TO HOPE FOR. 588 00:34:38,660 --> 00:34:39,880 THAT'S IT. 589 00:34:40,780 --> 00:34:42,290 THAT'S JUST IT. 590 00:34:43,540 --> 00:34:47,820 LIFE CAN BE PRETTY UNBEARABLE IF YOU DON'T HAVE ANYTHING TO HOPE FOR. 591 00:34:50,780 --> 00:34:52,860 DO YOU HAVE SOMETHING TO HOPE FOR? 592 00:34:55,200 --> 00:34:56,690 I THINK I'M BEGINNING TO HAVE. 593 00:34:58,840 --> 00:35:00,390 YOU HOPE TO BE A VERY GOOD COOK? 594 00:35:01,370 --> 00:35:02,120 A WHAT? 595 00:35:03,250 --> 00:35:04,140 LIKE YOUR FATHER. 596 00:35:05,470 --> 00:35:06,880 OH, YES. YES. 597 00:35:10,410 --> 00:35:13,910 YOU KNOW, IT'S FUNNY. 598 00:35:14,730 --> 00:35:16,810 I USED TO THINK IT WOULD BE WONDERFUL 599 00:35:16,840 --> 00:35:18,910 TO HAVE SOMEONE TO SIT WITH 600 00:35:18,940 --> 00:35:20,340 AND TALK TO AND-- 601 00:35:20,380 --> 00:35:21,560 AND TELL THEM WHAT I THINK 602 00:35:21,600 --> 00:35:26,470 AND WHAT I FEEL... WHAT I LIKE AND ALL THAT. 603 00:35:28,120 --> 00:35:31,770 BUT WITH YOU, I-- I DON'T HAVE TO. 604 00:35:33,040 --> 00:35:36,120 I HAVE THE FEELING THAT IF YOU WANTED TO, 605 00:35:36,150 --> 00:35:38,210 YOU COULD TELL ME WHAT I THINK 606 00:35:38,250 --> 00:35:40,280 AND WHAT I FEEL AND ALL THAT. 607 00:35:43,620 --> 00:35:47,280 AND YOU KNOW ALL THE WORST OF ME, TOO, 608 00:35:47,310 --> 00:35:48,100 EH? 609 00:35:53,130 --> 00:35:55,120 TELL ME WHAT YOU THINK ABOUT SO THAT 610 00:35:55,160 --> 00:35:58,370 WHEN I DON'T HAVE ANY THOUGHTS OF MY OWN, 611 00:35:59,090 --> 00:36:00,620 I--I CAN THINK OF YOURS. 612 00:36:09,580 --> 00:36:11,200 [CHIRPING] 613 00:36:11,470 --> 00:36:12,610 LOOK WHAT I CAN DO! 614 00:36:17,970 --> 00:36:19,030 THAT'S VERY INTERESTING. 615 00:36:19,060 --> 00:36:20,270 HA HA HA. 616 00:36:20,380 --> 00:36:21,640 OHH! OOH! 617 00:36:21,670 --> 00:36:23,080 OOH. 618 00:36:26,630 --> 00:36:27,000 OH, I FORGOT. 619 00:36:27,890 --> 00:36:28,920 I BROUGHT YOU SOMETHING. 620 00:36:29,030 --> 00:36:30,140 OH? 621 00:36:30,260 --> 00:36:32,110 IT'S AN INVITATION TO THE BALL TOMORROW NIGHT. 622 00:36:33,570 --> 00:36:35,580 AN INVITATION TO THE BALL? 623 00:36:36,150 --> 00:36:39,040 OH, WELL, I CAN'T GO TO THE BALL. 624 00:36:39,070 --> 00:36:40,020 WELL, WHY NOT? 625 00:36:41,900 --> 00:36:45,030 WHAT WOULD I BE DOING AT THE BALL? 626 00:36:47,030 --> 00:36:48,170 WHERE DID YOU GET IT? 627 00:36:48,210 --> 00:36:51,350 I JUST--OH. OH, FROM PRINCE CHARLES. 628 00:36:51,370 --> 00:36:52,960 I COOKED A DELICIOUS POT ROAST FOR HIM, 629 00:36:52,990 --> 00:36:54,290 AND HE REWARDED ME WITH THIS. 630 00:36:54,320 --> 00:36:55,330 OH. 631 00:36:56,160 --> 00:36:59,150 IT--IT'LL BE NICE TO KEEP IT, JUST TO LOOK AT IT. 632 00:37:00,870 --> 00:37:02,680 OH, I'D LIKE TO SEE YOU AT THE BALL. 633 00:37:03,610 --> 00:37:06,190 BUT YOU'D BE TOO BUSY TO TALK TO ME 634 00:37:06,220 --> 00:37:08,770 WITH ALL THOSE PEOPLE TO COOK FOR. 635 00:37:08,800 --> 00:37:10,290 OH, YES. I FORGOT THAT. 636 00:37:10,620 --> 00:37:12,260 WELL, THE BALL WOULD BE A BORE ANYWAY. 637 00:37:12,290 --> 00:37:13,200 YOU WOULDN'T LIKE IT. 638 00:37:14,370 --> 00:37:15,830 BESIDES I CAN'T DANCE. 639 00:37:16,240 --> 00:37:19,070 OH, EVERY GIRL SHOULD KNOW HOW TO DANCE. 640 00:37:19,740 --> 00:37:20,950 PARTICULARLY A GIRL WHO'S GOING TO LIVE 641 00:37:20,980 --> 00:37:22,060 IN THE PALACE SOMEDAY. 642 00:37:22,530 --> 00:37:24,420 LET ME SEE. THERE'S A MINUET AND A POLONAISE. 643 00:37:24,850 --> 00:37:25,610 I'LL SHOW YOU. COME HERE. 644 00:37:29,610 --> 00:37:30,790 UH, MINUET. 645 00:37:31,780 --> 00:37:32,690 RIGHT FOOT FORWARD. 646 00:37:36,890 --> 00:37:41,000 TOUCH, TOUCH, STEP... BACK, RIGHT, AND LEFT. 647 00:37:41,030 --> 00:37:42,000 PUT THE LEFT FOOT FORWARD. 648 00:37:42,890 --> 00:37:45,910 TOUCH, TOUCH, STEP BACK, 649 00:37:45,940 --> 00:37:47,000 LEFT AND-- 650 00:37:47,960 --> 00:37:48,640 HERE. 651 00:37:50,500 --> 00:37:51,770 MOVE BACK. 652 00:37:53,230 --> 00:37:53,990 THERE. 653 00:37:54,690 --> 00:37:56,430 [HUMMING] TOUCH, TOUCH, 654 00:37:56,470 --> 00:37:59,000 [HUMMING] RIGHT, LEFT, RIGHT. 655 00:37:59,030 --> 00:38:00,110 [HUMMING] LEFT. 656 00:38:00,370 --> 00:38:02,510 [HUMMING] TOUCH, TOUCH, 657 00:38:02,550 --> 00:38:04,970 [HUMMING] LEFT, RIGHT, LEFT. 658 00:38:05,000 --> 00:38:06,130 RIGHT HAND... 659 00:38:06,230 --> 00:38:08,470 [HUMMING] FRONT, BACK, 660 00:38:08,840 --> 00:38:10,600 BOTH: 1, 2, 3. 661 00:38:10,640 --> 00:38:11,800 AND OTHER HAND. OH. 662 00:38:12,530 --> 00:38:14,360 [HUMMING] 1, 2, 663 00:38:14,400 --> 00:38:17,090 [HUMMING] 5, 6, AND 7, 8. 664 00:38:17,120 --> 00:38:18,020 GOOD! 665 00:38:18,490 --> 00:38:19,170 NOW, UH, 666 00:38:19,210 --> 00:38:19,940 NOW THE POLONAISE. 667 00:38:21,780 --> 00:38:27,180 HOP, STEP, STEP, HOP, STEP, STEP, HOP, STEP, STEP, CHANGE! 668 00:38:27,290 --> 00:38:32,420 HOP, STEP, STEP, HOP, STEP, STEP, HOP, STEP, STEP, CHANGE! 669 00:38:32,450 --> 00:38:35,400 [HUMMING] HOP, STEP, STEP, HOP, STEP, STEP, 670 00:38:35,430 --> 00:38:37,130 [HUMMING] HOP, STEP, STEP, TURN! 671 00:38:38,010 --> 00:38:40,890 [HUMMING] HOP, STEP, STEP, HOP, STEP, STEP, 672 00:38:40,920 --> 00:38:42,220 [HUMMING] HOP, STEP, STEP, 673 00:38:42,420 --> 00:38:43,740 TWO. 674 00:38:43,780 --> 00:38:48,480 [HUMMING] 675 00:38:48,510 --> 00:38:48,980 AAH! 676 00:38:49,010 --> 00:38:49,990 WHOA! 677 00:38:50,030 --> 00:38:50,980 HA HA HA! 678 00:38:51,270 --> 00:39:02,280 [HUMMING] 679 00:39:57,090 --> 00:40:01,490 [PLAYING TUNE 680 00:40:01,530 --> 00:40:04,790 HE HAD BEEN HUMMING] 681 00:40:18,810 --> 00:40:23,970 CLIMBING ROSE ON THE WALL 682 00:40:24,010 --> 00:40:29,070 PLUCK IT NOW BEFORE THE PETALS FALL 683 00:40:29,640 --> 00:40:34,600 APPLE RIPE ON THE BOUGH 684 00:40:35,090 --> 00:40:40,910 TAKE IT, FOR THE TIME TO TAKE IS NOW 685 00:40:41,390 --> 00:40:46,480 HAPPY DAY SUN OR RAIN 686 00:40:47,330 --> 00:40:51,870 LIVE IT FOR IT NEVER COMES AGAIN 687 00:40:52,480 --> 00:40:58,120 LADS HAVE DIED, YOUNG AND GAY 688 00:40:59,150 --> 00:41:04,080 PRETTY MAIDS CAN FADE AWAY 689 00:41:04,880 --> 00:41:14,350 NOTHING IS FOREVER ALWAYS IS A LIE 690 00:41:15,020 --> 00:41:27,170 I CAN ONLY LOVE YOU TILL THE DAY I DIE 691 00:41:27,200 --> 00:41:33,410 SO, MY LOVE OH, MY LOVE 692 00:41:33,450 --> 00:41:38,770 DREAM NO MORE, MY LOVE, AWAKE, MY LOVE 693 00:41:40,090 --> 00:41:45,200 OH, MY LOVE, AWAKE, MY LOVE 694 00:41:45,470 --> 00:42:00,050 TURN TO ME AND TAKE MY LOVE 695 00:42:18,390 --> 00:42:19,820 YOU'RE NOT WELL, CHARLES. 696 00:42:19,850 --> 00:42:21,500 YOU'RE NOT YOURSELF. 697 00:42:31,110 --> 00:42:32,570 YOU KNOW WHAT AILS YOU. 698 00:42:35,300 --> 00:42:36,860 CAREFUL, CHARLES. 699 00:42:37,320 --> 00:42:40,030 REMEMBER YOUR SPECIAL WEAKNESS. 700 00:42:41,770 --> 00:42:45,290 SHE'S FRIGHTENED, SAD, AND HURT. 701 00:42:46,410 --> 00:42:48,970 AFRAID TO HOPE, EXPECTING RIDICULE. 702 00:42:50,460 --> 00:42:53,420 A TENDER HEART HALF AFRAID TO LOVE. 703 00:42:54,730 --> 00:42:56,350 OH, CAREFUL, CHARLES. 704 00:42:56,380 --> 00:42:57,720 WHY BE CAREFUL?! 705 00:42:57,760 --> 00:43:00,660 EVERY MAN HAS HIS OWN SPECIAL VULNERABILITY. 706 00:43:01,730 --> 00:43:02,860 I ONCE KNEW A MAN WHO COULDN'T RESIST 707 00:43:02,890 --> 00:43:04,970 FAT WOMEN, WOMEN WITH ROLLS. 708 00:43:05,460 --> 00:43:06,670 ANOTHER WHO FELL MADLY IN LOVE 709 00:43:06,710 --> 00:43:08,260 EVERY TIME A WOMAN SLAPPED HIS FACE. 710 00:43:09,240 --> 00:43:10,570 WELL, THIS IS MINE. 711 00:43:14,350 --> 00:43:16,280 WHY GO AGAINST NATURE? 712 00:43:16,450 --> 00:43:21,770 [PLAYING] 713 00:43:35,890 --> 00:43:41,210 [THINKING] 714 00:43:55,340 --> 00:43:59,110 THE SON OF THE COOK OF THE PALACE OF THE DUKE. 715 00:44:00,070 --> 00:44:03,620 THE SON OF THE COOK OF THE PALACE OF THE DUKE. 716 00:44:04,140 --> 00:44:07,950 THE SON OF THE COOK OF THE PALACE OF THE DUKE. 717 00:44:08,440 --> 00:44:11,560 THE SON OF THE COOK OF THE PALACE OF THE DUKE. 718 00:44:12,190 --> 00:44:15,290 THE SON OF THE COOK OF THE PALACE OF THE DUKE. 719 00:45:57,120 --> 00:46:01,340 [TRUMPETS PLAY FANFARE] 720 00:46:49,820 --> 00:46:52,520 [SNAPS FINGERS] 721 00:54:05,520 --> 00:54:13,790 [LAUGHING] 722 00:54:22,230 --> 00:54:26,360 [HUMMING] 723 00:54:28,100 --> 00:54:29,660 WHY, MRS. TOQUET! 724 00:54:29,690 --> 00:54:31,180 WHY NOT MRS. TOQUET? 725 00:54:31,210 --> 00:54:33,030 WELL, I'M GLAD TO SEE YOU. 726 00:54:33,070 --> 00:54:34,260 [SOFTENS VOICE] WE MUST BE VERY QUIET. 727 00:54:34,300 --> 00:54:35,420 THEY'RE SLEEPING LATE THIS MORNING. 728 00:54:35,460 --> 00:54:37,760 THEY WANT TO LOOK THEIR BEST AT THE BALL TONIGHT. 729 00:54:39,050 --> 00:54:40,680 THAT'S ONLY A BROKEN SAUCER. 730 00:54:40,720 --> 00:54:42,220 YES, POOR THING. 731 00:54:42,260 --> 00:54:44,440 LOOK. I'VE GOT SOMETHING TO SHOW YOU. 732 00:54:45,960 --> 00:54:46,750 LOOK. 733 00:54:46,790 --> 00:54:50,100 IT'S AN INVITATION TO GO TO THE BALL. 734 00:54:50,170 --> 00:54:51,900 THE SON OF THE COOK GAVE IT TO ME. 735 00:54:51,940 --> 00:54:53,240 THE SON OF THE PALACE COOK. 736 00:54:53,370 --> 00:54:56,680 I MET HIM IN THE DELL, AND HE TAUGHT ME HOW TO DANCE. 737 00:54:57,380 --> 00:54:59,140 HE'S VERY BUSY NOW, YOU KNOW, 738 00:54:59,170 --> 00:55:00,750 MAKING PINK PASTRY AND EVERYTHING 739 00:55:00,790 --> 00:55:02,330 WITH HIS FATHER FOR THE BALL. 740 00:55:03,290 --> 00:55:07,740 OH, MRS. TOQUET, IF YOU COULD ONLY SEE HIM 741 00:55:07,770 --> 00:55:11,350 AND--AND HEAR HIM. HE'S SO BEAUTIFUL. 742 00:55:13,160 --> 00:55:15,100 I'VE GOT SOMETHING TO HOPE FOR NOW. 743 00:55:15,140 --> 00:55:16,400 WHAT WOULD THAT BE? 744 00:55:18,260 --> 00:55:20,130 TO BE ABLE TO SEE HIM AGAIN. 745 00:55:20,160 --> 00:55:21,800 AHH, YES! WELL, WHEN YOU SEE HIM, 746 00:55:21,830 --> 00:55:24,250 YOU GIVE HIM MY RECIPE FOR TURNIP FRITTERS. 747 00:55:24,290 --> 00:55:26,670 TELL HIM TO TRY IT WITHOUT THE TURNIPS. 748 00:55:26,710 --> 00:55:27,800 IT'S BETTER THAT WAY. 749 00:55:27,830 --> 00:55:29,170 SO YOU'RE GOING TO THE BALL? 750 00:55:29,630 --> 00:55:31,750 ME? OH, NO. 751 00:55:32,230 --> 00:55:33,740 YOU COULD GO TO THE BALL. 752 00:55:33,780 --> 00:55:35,770 GET PAST THE GATEKEEPER WITH THAT, 753 00:55:35,800 --> 00:55:37,350 THEN SLIP AWAY TO THE KITCHEN 754 00:55:37,380 --> 00:55:38,890 AND SEE THE SON OF THE COOK. 755 00:55:39,040 --> 00:55:40,720 THAT'S STRATEGY. 756 00:55:40,760 --> 00:55:43,160 BUT HE'D BE TOO BUSY TO TALK TO ME. 757 00:55:43,200 --> 00:55:45,570 THEN YOU DO THE TALKING. HE'LL LISTEN. 758 00:55:47,110 --> 00:55:49,560 I--I REALLY DON'T WANT TO GO. 759 00:55:50,280 --> 00:55:54,220 YOU COULD BORROW A DRESS FROM ONE OF THE SLEEPING BEAUTIES. 760 00:55:54,630 --> 00:55:55,670 I MUST BE GOING. 761 00:55:55,700 --> 00:55:56,670 IT'S VERY BUSY OUT. 762 00:55:56,710 --> 00:55:58,450 I HAVE A FEW THINGS TO PICK UP. 763 00:55:58,480 --> 00:55:59,500 GOOD-BYE, CINDERELLA. 764 00:56:02,580 --> 00:56:05,210 MRS. TOQUET: DON'T BE AFRAID TO LOVE HIM. 765 00:56:10,170 --> 00:56:12,310 NARRATOR: AT TWO O'CLOCK THE STEPSISTERS AWOKE, 766 00:56:12,350 --> 00:56:16,520 AND PREPARATIONS FOR THE GREAT BALL BEGAN. 767 00:56:18,800 --> 00:56:21,960 RUB, RUB, RUB, AND RUB, 768 00:56:21,990 --> 00:56:25,120 20 MINUTES OF RUB AND RUB 769 00:56:25,500 --> 00:56:28,520 WITH OIL OF ROSES, BUTTER AND CREAM. 770 00:56:28,550 --> 00:56:31,500 TWO TENDER PORTIONS OF DEAD WHITE MEAT 771 00:56:31,540 --> 00:56:34,000 WERE BEING CAREFULLY PREPARED FOR THE DELECTATION 772 00:56:34,040 --> 00:56:36,760 OF HIGH SOCIETY AND THE VERY ELIGIBLE 773 00:56:36,790 --> 00:56:38,210 YOUNG PRINCE CHARLES. 774 00:56:40,940 --> 00:56:42,690 AND SO THEY WERE OFF TO THE BALL 775 00:56:42,720 --> 00:56:45,360 TO DANCE, TO HEAR MUSIC, TO BE ADMIRED, 776 00:56:45,390 --> 00:56:48,100 TO BE BEAUTIFUL GIRLS LIKE OTHER BEAUTIFUL GIRLS 777 00:56:48,130 --> 00:56:51,570 WHO DANCE, HEAR MUSIC AND ARE ADMIRED. 778 00:57:30,110 --> 00:57:32,010 [SNIFFLES] 779 00:57:54,020 --> 00:57:54,810 [SNAP] 780 00:58:56,470 --> 00:58:57,790 [DOOR OPENS] 781 00:58:57,830 --> 00:58:59,110 WHO'S THERE? 782 00:59:00,010 --> 00:59:00,930 IT'S ONLY ME. 783 00:59:01,900 --> 00:59:04,160 OH, MRS. TOQUET! 784 00:59:04,310 --> 00:59:05,980 WELL, I'M SO GLAD TO SEE YOU. 785 00:59:06,020 --> 00:59:08,920 I WAS ALL ALONE AND-- COME IN. SIT DOWN. 786 00:59:08,930 --> 00:59:10,970 NO TIME FOR THAT. YOU'LL BE LATE FOR THE BALL. 787 00:59:11,000 --> 00:59:13,330 OH, BUT I'M NOT GOING TO THE BALL. 788 00:59:13,370 --> 00:59:15,210 THEY'VE GONE TO THE BALL. 789 00:59:15,340 --> 00:59:18,050 I, THEY, YOU, AMO, AMAS, AMAT, 790 00:59:18,080 --> 00:59:20,500 AMAMUS, AMATUS, AMANT. IT'S ALWAYS THAT WAY. 791 00:59:20,540 --> 00:59:21,590 EVERYBODY'S BEEN THROUGH IT. 792 00:59:21,620 --> 00:59:23,840 YOU DON'T WANT TO GO, YET WHEN EVERYBODY ELSE GOES 793 00:59:23,880 --> 00:59:26,060 AND LEAVES YOU HOME ALONE, YOU CAN HARDLY BEAR IT. 794 00:59:26,800 --> 00:59:28,870 OH, BUT I DON'T MIND BEING ALONE. 795 00:59:29,250 --> 00:59:30,180 I LIKE IT. 796 00:59:30,320 --> 00:59:32,880 YOU LIKE IT, BUT NOT WHEN EVERYBODY ELSE IS AT THE BALL. 797 00:59:34,940 --> 00:59:38,270 WELL, THAT'S TRUE. YOU'RE RIGHT. 798 00:59:38,750 --> 00:59:41,140 I USUALLY AM, 99 TIMES OUT OF 10. 799 00:59:41,490 --> 00:59:42,330 [SNAP] 800 00:59:42,370 --> 00:59:44,100 OH, IT'S ANOTHER MOUSE. 801 00:59:44,140 --> 00:59:45,610 WE HAVE A GOOD MANY, YOU KNOW, 802 00:59:45,650 --> 00:59:47,800 BECAUSE I FEED THEM. THEN I LET THEM GO. 803 00:59:47,830 --> 00:59:50,190 AH. LET'S LOOK IN THE BACK GARDEN. 804 00:59:50,220 --> 00:59:50,980 FOR WHAT? 805 00:59:51,020 --> 00:59:52,350 I LEFT IT THERE. 806 01:00:10,000 --> 01:00:12,610 A CORSET IS A FINE THING. 807 01:00:12,650 --> 01:00:15,170 INVENTED BY THE DEVIL, BUT A FINE THING. 808 01:00:17,260 --> 01:00:18,440 NOW FOR SOME SLIPPERS. 809 01:00:18,930 --> 01:00:25,440 NOW, I JUST HAPPEN TO HAVE A PAIR THAT I THINK-- 810 01:00:25,760 --> 01:00:27,060 PUT IT ON. 811 01:00:27,100 --> 01:00:31,920 OH! ISN'T THAT BEAUTIFUL? 812 01:00:32,750 --> 01:00:33,790 IT'S GLASS! 813 01:00:33,830 --> 01:00:35,040 IT'S VENETIAN GLASS. 814 01:00:35,080 --> 01:00:37,420 MADE BY A GENIUS IN VENICE, 815 01:00:37,450 --> 01:00:39,310 WHO SOLD THEM FOR A GOOD PRICE 816 01:00:39,350 --> 01:00:41,140 TO A BAZAAR KEEPER WHO SOLD THEM 817 01:00:41,180 --> 01:00:43,070 AT A GREAT PROFIT TO A MERCHANT FROM ROME 818 01:00:43,100 --> 01:00:45,400 WHO SOLD THEM AT A GREAT PROFIT 819 01:00:45,430 --> 01:00:46,540 TO A SHOPKEEPER IN PARIS, 820 01:00:46,580 --> 01:00:47,900 WHO SOLD THEM AT A GREAT PROFIT. 821 01:00:47,940 --> 01:00:51,310 EVERYBODY MADE MONEY. EVERYBODY WAS HAPPY! 822 01:00:51,340 --> 01:00:53,020 THAT'S ECONOMICS. 823 01:00:54,600 --> 01:00:56,820 BUT IT DOES FEEL STRANGE, YOU KNOW? 824 01:00:56,860 --> 01:00:59,050 DON'T THINK ABOUT IT. KEEP WALKING. 825 01:00:59,080 --> 01:01:00,030 PRACTICE HELPS. 826 01:01:00,070 --> 01:01:04,080 VINCIT QUI PATITUR. HE CONQUERS WHO ENDURES. 827 01:01:04,230 --> 01:01:06,720 ALL WOMEN MUST ENDURE THESE DISCOMFORTS. 828 01:01:06,750 --> 01:01:08,010 WHY? 829 01:01:08,050 --> 01:01:09,260 FOR FASHION. 830 01:01:09,530 --> 01:01:10,930 IT FASCINATES MEN. 831 01:01:11,140 --> 01:01:13,090 MAKES THEM MARVEL AT WOMEN. 832 01:01:13,120 --> 01:01:14,460 FILLS THEM WITH AWE. 833 01:01:14,500 --> 01:01:16,850 BECAUSE THEY KNOW THEY COULDN'T STAND IT. 834 01:01:16,880 --> 01:01:18,320 HOW ARE THEY NOW? 835 01:01:20,290 --> 01:01:21,280 THEY'RE MUCH BETTER. 836 01:01:21,320 --> 01:01:22,950 I'M GETTING USED TO THEM. 837 01:01:22,980 --> 01:01:24,580 HEAD UP, BACK STRAIGHT. 838 01:01:29,610 --> 01:01:30,890 THIS LOOKS FAMILIAR. 839 01:01:32,550 --> 01:01:34,020 PINK AND WHITE... 840 01:01:35,140 --> 01:01:37,630 ROSEBUDS AND CRYSTALS... 841 01:01:38,970 --> 01:01:43,120 OH, DEAR MRS. TOQUET, WHERE DID YOU GET IT? 842 01:01:43,150 --> 01:01:44,410 I FOUND IT. 843 01:01:44,450 --> 01:01:45,990 NOW, A HEADDRESS. 844 01:01:46,500 --> 01:01:48,180 A LITTLE CROWN OF SOME SORT. 845 01:01:48,410 --> 01:01:49,450 A DIADEM! 846 01:01:49,490 --> 01:01:51,000 BUT IF THEY SEE ME WEARING IT-- 847 01:01:51,040 --> 01:01:54,290 OH, BUT...THEY WON'T. YOU'LL BE IN THE KITCHEN. 848 01:01:54,320 --> 01:01:57,380 YES. YES, I'LL GO STRAIGHT TO THE KITCHEN. 849 01:01:57,420 --> 01:02:00,450 NOW, THE HAIR AND THE ROUGE AND THE PERFUME. 850 01:02:01,450 --> 01:02:05,170 OH. THIS PRESENTS SOMETHING OF A PROBLEM. 851 01:02:09,100 --> 01:02:10,990 HEAD UP, BACK STRAIGHT, 852 01:02:11,030 --> 01:02:14,910 AND VERY, VERY, VERY SLOWLY. 853 01:02:24,680 --> 01:02:26,780 [LAUGHING] 854 01:02:35,170 --> 01:02:37,240 HERE'S YOUR COACH. 855 01:02:37,270 --> 01:02:39,270 OHH, MY COACH. 856 01:02:39,310 --> 01:02:41,550 I MADE A LITTLE ARRANGEMENT WITH THE COACHMEN. 857 01:02:42,030 --> 01:02:45,820 OH, MRS. TOQUET, NOBODY IN MY WHOLE LIFE 858 01:02:45,850 --> 01:02:49,040 HAS EV--THANK YOU. 859 01:02:49,080 --> 01:02:51,200 YOU'VE ALREADY SAID THAT A DOZEN TIMES. 860 01:02:52,200 --> 01:02:53,320 I LOVE YOU. 861 01:02:53,360 --> 01:02:54,400 THAT'S VERY GOOD. 862 01:02:54,490 --> 01:02:56,120 WHEN YOU LEARN TO LOVE ONE PERSON, 863 01:02:56,150 --> 01:02:57,750 IT'S THAT MUCH EASIER TO LOVE OTHERS. 864 01:02:57,780 --> 01:02:58,840 NOW, IN YOU GO. 865 01:03:00,020 --> 01:03:01,790 DOES SHE KNOW ABOUT LEAVING AT MIDNIGHT? 866 01:03:01,820 --> 01:03:03,070 AHH, YES. 867 01:03:03,110 --> 01:03:05,310 YOU SEE, HE MUST TAKE YOU HOME AT MIDNIGHT 868 01:03:05,350 --> 01:03:07,520 SO THAT HE CAN GO BACK TO THE PALACE IN TIME 869 01:03:07,550 --> 01:03:08,480 TO PICK UP HIS PEOPLE. 870 01:03:08,520 --> 01:03:10,300 THEY'RE LEAVING AT ONE O'CLOCK. 871 01:03:10,340 --> 01:03:12,510 SO IF YOU LEAVE PROMPTLY AT MIDNIGHT, 872 01:03:12,550 --> 01:03:15,350 NOBODY WILL BE THE WISER AND NOBODY WILL BE ANNOYED 873 01:03:15,380 --> 01:03:16,740 AND EVERYBODY WILL BE HAPPY. 874 01:03:16,770 --> 01:03:18,110 THAT'S DIPLOMACY. 875 01:03:18,150 --> 01:03:20,080 I'LL REMEMBER, MIDNIGHT. 876 01:04:07,050 --> 01:04:08,130 THANK YOU. 877 01:04:08,160 --> 01:04:09,210 MIDNIGHT. 878 01:05:55,190 --> 01:06:00,750 [APPLAUSE] 879 01:06:03,510 --> 01:06:06,960 [ALL TALKING] 880 01:06:07,270 --> 01:06:09,260 MAY I HAVE THE HONOR OF BEING YOUR PARTNER TONIGHT? 881 01:06:43,980 --> 01:06:45,700 I'VE BEEN WATCHING YOU ALL EVENING. 882 01:06:50,400 --> 01:06:53,210 AND I FIND YOU THE MOST CHARMING YOUNG LADY HERE. 883 01:06:55,020 --> 01:06:58,360 WOULD YOU CARE TO HAVE SOME REFRESHMENTS? 884 01:07:05,230 --> 01:07:06,590 WHAT PART OF THE COUNTRY ARE YOU FROM? 885 01:07:07,890 --> 01:07:10,250 I DON'T BELIEVE SEEN YOU BEFORE. 886 01:07:58,710 --> 01:08:00,910 OH, CHARLES WENT RIGHT UP OVER THIS HILL 887 01:08:00,940 --> 01:08:03,110 AND AS FAR OUT ON THE ROAD AS YOU CAN SEE. 888 01:08:03,370 --> 01:08:05,300 AND THEN THE MOST AMAZING THING-- 889 01:08:26,510 --> 01:08:28,300 UH, PLEASE FORGIVE ME. 890 01:08:28,330 --> 01:08:29,280 I WILL BE BACK. 891 01:08:29,320 --> 01:08:30,150 I BEG YOUR PARDON. 892 01:08:30,180 --> 01:08:30,930 SORRY, PARDON ME. 893 01:08:30,960 --> 01:08:31,680 PARDON. PARDON. 894 01:08:32,610 --> 01:08:34,390 OHH! GOOD EVENING, YOUR HIGHNESS. 895 01:08:34,420 --> 01:08:35,080 GOOD EVENING. 896 01:08:35,120 --> 01:08:38,550 I'M YOUR FATHER'S OLD FRIEND LOULOU ALTSTERSTRAU. 897 01:08:38,580 --> 01:08:42,490 OH, YES, LOULOU. YES! 898 01:08:42,530 --> 01:08:43,630 SO GOOD OF YOU TO REMEMBER. 899 01:08:43,660 --> 01:08:44,970 IT WAS YEARS AGO. 900 01:08:45,010 --> 01:08:45,810 I WAS EIGHT YEARS OLD. 901 01:08:45,850 --> 01:08:47,310 HE SENT ME AWAY TO SCHOOL. 902 01:08:47,350 --> 01:08:48,740 IS IT AS LONG AGO AS THAT? 903 01:08:48,780 --> 01:08:51,020 WELL, WE'RE ALL GOOD FRIENDS NOW. 904 01:08:51,390 --> 01:08:52,690 THE PALACE HASN'T CHANGED. 905 01:08:52,730 --> 01:08:53,770 NOR HAVE YOU, MADAM ALTSTERSTRAU. 906 01:08:53,800 --> 01:08:54,740 AS BEAUTIFUL AS EVER. 907 01:08:54,770 --> 01:08:56,090 OHH, THANK YOU. 908 01:08:56,130 --> 01:08:57,420 [SNAPPING FINGERS] 909 01:08:57,620 --> 01:09:00,020 OH, I SHOULD LIKE TO PRESENT MY COUSIN MRS. SONDER. 910 01:09:03,230 --> 01:09:06,480 AND HER TWO DAUGHTERS BIRDENA AND SERAFINA. 911 01:09:06,720 --> 01:09:07,710 CHARLES. 912 01:09:07,740 --> 01:09:10,070 OH, I BEG YOUR PARDON. 913 01:09:10,100 --> 01:09:11,860 IT'S A GREAT PRIVILEGE, YOUR HIGHNESS. 914 01:09:11,890 --> 01:09:13,780 I'M LOOKING FORWARD TO HEARING ABOUT YOUR TRAVELS. 915 01:09:13,820 --> 01:09:15,870 OH, YES. WE'RE VERY FOND OF PARIS. 916 01:09:15,900 --> 01:09:16,790 OH, YOU KNOW PARIS? 917 01:09:16,830 --> 01:09:18,210 OH, WE DON'T PRECISELY KNOW PARIS, 918 01:09:18,240 --> 01:09:19,600 BUT WE'RE VERY DEVOTED TO IT, 919 01:09:19,640 --> 01:09:20,700 AREN'T WE COUSIN LOULOU? 920 01:09:20,740 --> 01:09:22,090 IT'S SO FRENCH. 921 01:09:22,130 --> 01:09:23,850 YES. WE MUST DISCUSS IT AT LENGTH SOMETIME. 922 01:09:24,150 --> 01:09:25,270 DON'T GO AWAY, PLEASE. 923 01:09:25,310 --> 01:09:26,180 [ALL TALKING] 924 01:09:26,220 --> 01:09:27,470 MY CHANCE WHEN YOU GET BACK. 925 01:09:27,500 --> 01:09:28,270 DON'T BE LONG. 926 01:09:32,380 --> 01:09:33,980 THERE, DANCING WITH YOUR FATHER. 927 01:09:48,340 --> 01:09:50,140 WE HAVEN'T MET BEFORE, MY DEAR? 928 01:09:52,340 --> 01:09:55,910 YOU, UH, YOU DON'T LIVE IN THIS REGION? 929 01:09:58,500 --> 01:10:00,280 I THINK YOU AND I SHOULD MEET. 930 01:10:01,280 --> 01:10:03,090 I'M YOUR HOST. 931 01:10:05,220 --> 01:10:06,680 WHAT'S YOUR NAME? 932 01:10:07,230 --> 01:10:08,680 WHERE IS THE KITCHEN? 933 01:10:08,710 --> 01:10:10,120 THE KITCHEN, M'LADY? 934 01:10:11,030 --> 01:10:12,550 WELL, DO YOU SEE THAT ONE? 935 01:10:13,620 --> 01:10:14,450 OH. WHO IS SHE? 936 01:10:14,480 --> 01:10:15,230 I DON'T KNOW. 937 01:10:15,270 --> 01:10:16,840 COULDN'T GET HER TO SAY A WORD. 938 01:10:19,780 --> 01:10:21,150 OH. EXCUSE ME. 939 01:10:24,350 --> 01:10:25,810 I'VE A FEELING WE'VE MET BEFORE. 940 01:10:27,820 --> 01:10:29,470 THAT WE'VE DANCED TOGETHER BEFORE, TOO. 941 01:10:31,680 --> 01:10:32,500 CINDERELLA. 942 01:10:34,520 --> 01:10:35,690 GOOD EVENING, CINDERELLA. 943 01:10:38,310 --> 01:10:40,040 YES. THERE'S DEFINITELY A BIT OF EXPLANATION. 944 01:10:40,690 --> 01:10:42,250 I'M AFRAID I TOOK THE EASY WAY, 945 01:10:42,290 --> 01:10:43,870 WHICH IS UNHAPPILY THE PATH OF DECEPTION. 946 01:10:44,110 --> 01:10:46,040 I'M JUST VERY GLAD THAT YOU COULD COME. 947 01:10:46,370 --> 01:10:48,490 I WAS WORRIED YOU WOULDN'T BE HERE. 948 01:10:48,520 --> 01:10:50,610 NOW THAT YOU ARE HERE, LET ME EXPLAIN. 949 01:11:10,000 --> 01:11:14,670 [CHATTERING] 950 01:11:26,480 --> 01:11:27,510 CHARMING. 951 01:11:28,180 --> 01:11:30,120 WHO IS THAT WALKING WITH THE PRINCE? 952 01:11:30,730 --> 01:11:32,380 SHE'S SOMEONE I KNEW IN PARIS. 953 01:11:32,420 --> 01:11:33,490 OH, I DIDN'T SEE. 954 01:11:33,520 --> 01:11:34,880 DID YOU SEE HER, COUSIN LOULOU? 955 01:11:34,910 --> 01:11:36,430 NO, BUT THAT DRESS-- 956 01:11:37,190 --> 01:11:38,670 THERE'S SOMETHING ABOUT THAT DRESS. 957 01:11:38,710 --> 01:11:39,780 DIDN'T SEE HER. 958 01:11:39,820 --> 01:11:41,710 I DANCED WITH HER AND COULDN'T GET HER TO SAY A WORD. 959 01:11:42,150 --> 01:11:44,000 SHE DOESN'T SPEAK THE LANGUAGE, THEY SAY. 960 01:11:44,040 --> 01:11:45,420 A FOREIGNER. 961 01:11:45,460 --> 01:11:48,680 THEY SAY HE CARRIED ON WITH AN EGYPTIAN PRINCESS IN PARIS. 962 01:11:48,710 --> 01:11:49,790 EGYPTIAN. 963 01:11:49,820 --> 01:11:50,970 DIDN'T YOU SEE THE HAIR? 964 01:11:51,000 --> 01:11:52,080 EGYPTIAN, OF COURSE. 965 01:11:52,120 --> 01:11:53,880 I'M GOING TO TAKE A LOOK AT THAT DRESS. 966 01:12:15,870 --> 01:12:17,310 WHAT'S THE MATTER? WHAT ARE YOU AFRAID OF? 967 01:12:17,340 --> 01:12:19,850 COUSIN LOULOU, BIRDENA, AND SERAFINA. 968 01:12:20,510 --> 01:12:21,550 BUT YOU DON'T MAKE SENSE. 969 01:12:21,590 --> 01:12:24,380 OH, YES, I AM. THEY-- THEY MUSTN'T SEE ME. 970 01:12:24,410 --> 01:12:26,860 THIS DRESS, I--I HAVE DONE A DREADFUL THING. YOU KNOW, I... 971 01:12:28,300 --> 01:12:31,860 [DANCERS APPLAUDING] OOH! OOH! 972 01:12:48,330 --> 01:12:50,080 SPEAK OF THE DEVIL, THERE SHE GOES NOW. 973 01:12:50,120 --> 01:12:51,270 WHO IS SHE? 974 01:12:51,300 --> 01:12:53,180 I'LL WAGER YOU'LL KNOW. 975 01:12:53,210 --> 01:12:54,560 ME? OH. 976 01:12:54,590 --> 01:12:56,810 EVERYBODY GUESSING AND NOBODY KNOWS. 977 01:12:57,320 --> 01:12:58,840 DID YOU DANCE WITH HER? 978 01:12:58,880 --> 01:13:00,480 YES, YOUR HIGHNESS, BUT SHE WOULDN'T SPEAK. 979 01:13:00,520 --> 01:13:00,950 AH! 980 01:13:00,990 --> 01:13:02,180 NEVER OPENED HER MOUTH. 981 01:13:02,220 --> 01:13:03,130 HA HA! 982 01:13:03,160 --> 01:13:06,110 CLEVER GIRL. KNOWS WHEN TO HOLD HER TONGUE. 983 01:13:06,140 --> 01:13:08,640 HA HA HA! HA HA HA! 984 01:13:08,670 --> 01:13:10,400 WE'VE BEEN TOLD SHE DOESN'T SPEAK THE LANGUAGE. 985 01:13:10,440 --> 01:13:12,220 THE RUMOR IS SHE'S EGYPTIAN. 986 01:13:12,250 --> 01:13:15,410 AHH, WELL? 987 01:13:17,820 --> 01:13:19,460 I SEE YOU--AH! 988 01:13:19,490 --> 01:13:22,620 THERE YOU ARE. PLEASE TELL ME WHO THAT GIRL-- 989 01:13:33,950 --> 01:13:36,850 [BELL CHIMING] 990 01:13:38,550 --> 01:13:40,220 [BONG] 991 01:13:43,030 --> 01:13:46,300 [BONG] 992 01:13:48,520 --> 01:13:52,100 [CHIMING CONTINUES] 993 01:13:55,100 --> 01:13:59,240 [BELL CHIMES MIDNIGHT] 994 01:14:51,490 --> 01:14:53,780 NO, YOU DIDN'T DREAM IT. 995 01:14:53,900 --> 01:14:55,720 THE COACHMEN AND I BROUGHT YOU HOME. 996 01:14:57,210 --> 01:14:59,050 AND THE DRESS, IS IT ALL RIGHT? 997 01:14:59,080 --> 01:15:00,210 DID I TEAR IT OR ANYTHING? 998 01:15:00,250 --> 01:15:03,150 IT'S AS GOOD AS NEW AND BACK WHERE IT CAME FROM. 999 01:15:06,380 --> 01:15:10,320 YOU KNOW, I--I HAVE A SECRET TO TELL YOU. 1000 01:15:11,280 --> 01:15:13,210 YOU REMEMBER THE SON OF THE COOK, EH? 1001 01:15:13,240 --> 01:15:14,100 MM-HMM. 1002 01:15:14,140 --> 01:15:15,890 HE'S NOT THE SON OF THE COOK. 1003 01:15:15,930 --> 01:15:17,650 HE'S THE SON OF THE DOOK! 1004 01:15:17,680 --> 01:15:18,590 I MEAN, THE DUKE. 1005 01:15:18,630 --> 01:15:20,750 HE'S--HE'S PRINCE CHARLES. 1006 01:15:20,790 --> 01:15:21,560 CAN HE COOK? 1007 01:15:22,360 --> 01:15:24,100 WELL, I DON'T KNOW. 1008 01:15:24,140 --> 01:15:25,850 I DON'T THINK SO. 1009 01:15:25,880 --> 01:15:26,790 TOO BAD. 1010 01:15:26,830 --> 01:15:28,330 MEN MAKE THE BEST COOKS. 1011 01:15:28,360 --> 01:15:30,220 BETTER THAN WOMEN, THEY SAY. 1012 01:15:30,260 --> 01:15:32,720 DON'T WORRY, PERHAPS HE CAN DO OTHER THINGS. 1013 01:15:32,760 --> 01:15:33,730 NOW, GO TO SLEEP. 1014 01:15:34,440 --> 01:15:35,990 TOMORROW WILL BE INTERESTING. 1015 01:15:49,570 --> 01:15:51,000 GOOD NIGHT, CINDERELLA. 1016 01:15:54,070 --> 01:15:55,170 [DOOR CLOSES] 1017 01:16:01,870 --> 01:16:02,830 WELL, THAT'S OVER. 1018 01:16:03,890 --> 01:16:05,550 COST ME A PRETTY PENNY. 1019 01:16:10,230 --> 01:16:12,810 OH, AND THAT EGYPTIAN ONE, 1020 01:16:12,850 --> 01:16:13,660 WHO WAS SHE? 1021 01:16:13,690 --> 01:16:15,510 THEY'RE SAYING THAT YOU MET HER IN PARIS. 1022 01:16:15,550 --> 01:16:17,240 A VERY NOBLE LADY, YOUR HIGHNESS. 1023 01:16:17,270 --> 01:16:18,930 SHE IS THE DAUGHTER OF A FEZ-- 1024 01:16:18,970 --> 01:16:20,170 UH, OF A MOSQUE-- 1025 01:16:20,200 --> 01:16:21,360 OF A SCARAB--UH-- 1026 01:16:21,400 --> 01:16:22,770 A PASHA. 1027 01:16:22,810 --> 01:16:24,220 THANK YOU, YOUR HIGHNESS. 1028 01:16:24,250 --> 01:16:26,820 SHE IS THE DAUGHTER OF THE PASHA OF GIZA ON THE NILE. 1029 01:16:26,850 --> 01:16:28,760 AH! OLD GIZER. 1030 01:16:28,800 --> 01:16:30,080 OH, I KNOW HIM WE-- 1031 01:16:30,110 --> 01:16:31,430 I DIDN'T KNOW HE HAD A DAUGHTER. 1032 01:16:31,460 --> 01:16:32,700 HE HAS THREE, YOUR HIGHNESS. 1033 01:16:32,740 --> 01:16:34,940 BUT THIS ONE IS THE PRINCESS TEHARA. 1034 01:16:34,970 --> 01:16:37,040 TEHARA, VERY BEAUTIFUL. 1035 01:16:37,080 --> 01:16:39,110 OH, A LADY OF GREAT VIRTUE. 1036 01:16:39,140 --> 01:16:40,700 SPLENDID BLOODLINE! 1037 01:16:40,740 --> 01:16:42,290 SHE IS ONE OF EIGHT CHILDREN. 1038 01:16:42,330 --> 01:16:44,080 HER MOTHER WAS ONE OF 14 CHILDREN. 1039 01:16:44,120 --> 01:16:45,200 ALL MALES. 1040 01:16:45,240 --> 01:16:47,420 VERY PROLIFIC FAMILY. 1041 01:16:47,460 --> 01:16:49,610 EXCELLENT, EXCELLENT. 1042 01:16:49,650 --> 01:16:50,390 GOOD STOCK. 1043 01:16:51,330 --> 01:16:52,850 GOOD TEETH, TOO, I NOTICED. 1044 01:16:53,300 --> 01:16:55,600 FINE HOCKS AND SPLENDID WITHERS. 1045 01:16:56,040 --> 01:16:58,500 HERSCHEL, BRING ME MY DRESSING GOWN, IF YOU PLEASE. 1046 01:16:59,460 --> 01:17:02,020 OH! I'LL NEVER FORGET MY FIRST BALL. 1047 01:17:02,050 --> 01:17:03,260 I DIDN'T KNOW HOW TO BEHAVE. 1048 01:17:03,290 --> 01:17:04,430 I DIDN'T EVEN KNOW HOW TO DANCE. 1049 01:17:04,460 --> 01:17:07,640 IT'S TRUE. MY FATHER WAS SOMETHING OF A RECLUSE. 1050 01:17:07,670 --> 01:17:08,770 HE TAUGHT ME NOTHING. 1051 01:17:08,800 --> 01:17:11,860 I MADE A NUMBER OF EMBARRASSING MISTAKES. 1052 01:17:11,900 --> 01:17:15,160 UH, NOTHING SERIOUS, I TRUST. 1053 01:17:15,200 --> 01:17:18,680 FORTUNATELY I MARRIED THE DAUGHTER OF THE DUKE OF BOMBURG. 1054 01:17:18,720 --> 01:17:21,320 MMM. THE ONLY SENSIBLE THING I EVER DID. 1055 01:17:21,350 --> 01:17:24,330 FINE WOMAN. OLD FAMILY. 1056 01:17:24,370 --> 01:17:26,810 BOMBURG TITLE GOES BACK TO CHARLEMAGNE. 1057 01:17:28,010 --> 01:17:29,870 PERFECT BLOODLINES. 1058 01:17:29,900 --> 01:17:31,140 YES. 1059 01:17:31,860 --> 01:17:35,970 FATHER, WHAT IF I WERE TO MARRY A COMMONER? 1060 01:17:37,800 --> 01:17:39,820 PRINCES DO NOT MARRY COMMONERS. 1061 01:17:39,850 --> 01:17:41,840 THAT IS A WELL-ESTABLISHED FACT. 1062 01:17:42,600 --> 01:17:43,980 WITH NOTHING TO SUPPORT IT EXCEPT THE WILLINGNESS 1063 01:17:44,010 --> 01:17:44,820 OF PEOPLE TO BELIEVE IT, 1064 01:17:44,850 --> 01:17:46,870 LIKE SOME OTHER WELL-ESTABLISHED FACTS. 1065 01:17:53,270 --> 01:17:54,400 FOR THE SAKE OF DISCUSSION, 1066 01:17:55,390 --> 01:17:57,310 WHAT IF I WERE TO FALL IN LOVE WITH A COMMONER? 1067 01:17:57,340 --> 01:17:58,920 DISCUSSION, MY FOOT! 1068 01:17:58,960 --> 01:18:00,470 EGYPTIAN PRINCESS. 1069 01:18:00,500 --> 01:18:02,010 YOU KNOW VERY WELL SHE'S A COMMONER! 1070 01:18:02,700 --> 01:18:05,160 AND THEY LOVE HER ALL THE MORE FOR IT. 1071 01:18:05,770 --> 01:18:09,280 [LAUGHTER] 1072 01:18:09,320 --> 01:18:10,840 ISN'T HE A CHARMER? 1073 01:18:10,880 --> 01:18:13,100 LIKE HIS MOTHER, THE CHARMER. 1074 01:18:13,140 --> 01:18:15,370 EVERYBODY'S CHARMING. LET'S DRINK TO THAT. 1075 01:18:15,400 --> 01:18:16,360 PRINCESS TEHARA! 1076 01:18:16,480 --> 01:18:17,870 [GLASSES CLINK] 1077 01:18:18,240 --> 01:18:19,830 WEDDING BELLS! 1078 01:18:19,860 --> 01:18:20,790 [LAUGHING] 1079 01:18:20,820 --> 01:18:22,320 THE NEXT MORNING, THE BUTLER 1080 01:18:22,350 --> 01:18:24,080 TOLD THE HOUSEMAID WHAT HE HAD HEARD. 1081 01:18:24,120 --> 01:18:25,940 THE PRINCE WAS GOING TO BE MARRIED. 1082 01:18:25,980 --> 01:18:27,740 THE HOUSEMAID TOLD HER MISTRESS. 1083 01:18:27,770 --> 01:18:30,490 THE RUMOR WENT FLYING THROUGH THE PRINCIPALITY. 1084 01:18:30,530 --> 01:18:32,450 BEFORE THE DAY WAS HALF OVER, 1085 01:18:32,490 --> 01:18:35,240 THE LADIES AND GENTLEMEN OF THE FASHIONABLE HILL 1086 01:18:35,270 --> 01:18:38,090 WERE SELECTING NEW CLOTHES TO WEAR AT A WEDDING. 1087 01:18:38,130 --> 01:18:40,270 EGYPTIAN, THEY SAY. TEHARA. 1088 01:18:40,300 --> 01:18:41,630 IT'S AN EGYPTIAN NAME. 1089 01:18:41,670 --> 01:18:43,950 OH, I KNOW. I SPOKE TO HER. 1090 01:18:43,980 --> 01:18:44,800 NO! 1091 01:18:44,840 --> 01:18:45,960 WHAT WAS SHE LIKE? 1092 01:18:46,000 --> 01:18:47,420 OH, VERY PLEASANT. 1093 01:18:47,450 --> 01:18:48,810 ROYALTY ALWAYS IS. 1094 01:18:48,840 --> 01:18:50,570 SHE WAS MOST CORDIAL WITH US. 1095 01:18:50,610 --> 01:18:52,840 YES. VERY GRACIOUS. 1096 01:18:52,870 --> 01:18:55,970 SHE ADMIRED BIRDENA AND SERAFINA VERY MUCH. 1097 01:18:56,010 --> 01:18:57,160 OH...HA HA. 1098 01:18:57,320 --> 01:18:59,310 SHE SPOKE VERY HIGHLY OF THEM TO THE PRINCE. 1099 01:18:59,340 --> 01:19:00,600 HE TOLD ME SO. 1100 01:19:00,640 --> 01:19:02,480 YOU SPOKE TO THE PRINCE? 1101 01:19:02,520 --> 01:19:03,240 OF COURSE. 1102 01:19:03,340 --> 01:19:05,530 WE HAD A DELIGHTFUL HALF HOUR. 1103 01:19:06,260 --> 01:19:07,300 IS SHE BEAUTIFUL-- 1104 01:19:07,330 --> 01:19:08,630 THE PRINCESS? 1105 01:19:08,750 --> 01:19:09,490 OF COURSE. 1106 01:19:09,530 --> 01:19:10,670 UH, PASS THE BUTTER. 1107 01:19:12,230 --> 01:19:13,960 IS SHE KIND... 1108 01:19:14,220 --> 01:19:15,380 AND GOOD? 1109 01:19:15,420 --> 01:19:16,970 WHAT DIFFERENCE TO YOU? 1110 01:19:18,400 --> 01:19:19,780 FOR THE PRINCE. 1111 01:19:21,010 --> 01:19:23,450 IT'LL BE HAPPIER FOR HIM IF SHE IS-- 1112 01:19:23,450 --> 01:19:24,290 THE BUTTER. 1113 01:19:24,990 --> 01:19:27,120 WILL HE BE GOING TO EGYPT TO LIVE? 1114 01:19:27,160 --> 01:19:28,860 EGYPT IS A WILDERNESS. 1115 01:19:28,900 --> 01:19:31,420 THE PEOPLE ALL RUN ABOUT NAKED! 1116 01:19:31,460 --> 01:19:33,700 [ALL LAUGH] 1117 01:19:35,220 --> 01:19:37,590 THE RICH ONES WEAR CLOTHES. 1118 01:19:37,630 --> 01:19:40,050 [LAUGHTER CONTINUES] 1119 01:19:43,650 --> 01:19:47,120 [THINKING] 1120 01:20:38,280 --> 01:20:39,510 HE'S GOING TO BE MARRIED... 1121 01:20:40,990 --> 01:20:42,530 TO A PRINCESS. 1122 01:20:44,770 --> 01:20:46,780 HE'S GOING TO BE MARRIED. 1123 01:20:47,960 --> 01:20:49,250 HE'S GOING TO BE MARRIED! 1124 01:20:52,470 --> 01:20:55,080 HE'S GOING TO BE MARRIED TO A PRINCESS! 1125 01:20:56,270 --> 01:20:57,680 I WISH I WERE DEAD. 1126 01:21:03,280 --> 01:21:04,740 HE'S GOING TO BE MARRIED! 1127 01:21:08,780 --> 01:21:10,510 I WISH I WERE DEAD. 1128 01:29:27,360 --> 01:29:28,470 DID YOU BRING YOUR LUNCH? 1129 01:29:30,040 --> 01:29:30,790 I... 1130 01:29:31,970 --> 01:29:32,610 I CAME-- 1131 01:29:32,640 --> 01:29:34,100 I CAME TO SAY GOOD-BYE. 1132 01:29:35,510 --> 01:29:36,790 GOOD-BYE? 1133 01:29:37,820 --> 01:29:39,330 NO, I DON'T CARE FOR IT MUCH. 1134 01:29:40,010 --> 01:29:41,230 I LIKE WINDOWSILL BETTER. 1135 01:29:41,270 --> 01:29:42,990 BUT IF YOU LIKE GOOD-BYE, YOU SAY GOOD-BYE, 1136 01:29:43,020 --> 01:29:44,860 AND I'LL SAY WINDOWSILL, 1137 01:29:45,310 --> 01:29:46,450 ELBOW, 1138 01:29:46,480 --> 01:29:47,300 APPLE DUMPLING, 1139 01:29:47,330 --> 01:29:48,110 PICKLE RELISH. 1140 01:29:48,600 --> 01:29:50,920 I'M--I'M RUNNING AWAY FROM HOME. 1141 01:29:50,960 --> 01:29:52,170 FROM HOME TO WHERE? 1142 01:29:53,470 --> 01:29:54,670 I DON'T KNOW. 1143 01:29:54,700 --> 01:29:56,890 WELL, YOU'RE GOING TO LIVE IN THE PALACE SOMEDAY, 1144 01:29:56,920 --> 01:29:58,210 SO WHY DON'T YOU RUN THAT WAY? 1145 01:29:59,080 --> 01:30:01,120 NO! THAT IS WHY I'M RUNNING AWAY. 1146 01:30:02,080 --> 01:30:04,270 I CAN'T BEAR TO LIVE HERE... 1147 01:30:04,310 --> 01:30:06,470 AND--AND SEE THE PALACE... 1148 01:30:06,470 --> 01:30:07,480 AND KNOW THAT HE... 1149 01:30:09,090 --> 01:30:11,230 HE'S GOING TO GET MARRIED 1150 01:30:11,260 --> 01:30:13,530 TO A--TO AN EGYPTIAN PRINCESS. 1151 01:30:13,560 --> 01:30:15,790 PRINCES ALWAYS MARRY PRINCESSES. 1152 01:30:16,770 --> 01:30:18,200 I KNOW. 1153 01:30:19,700 --> 01:30:21,140 IT'S NOT HIS FAULT. 1154 01:30:22,650 --> 01:30:24,170 I WISH I WERE DEAD. 1155 01:30:24,890 --> 01:30:25,960 YOU'RE SAD. 1156 01:30:25,990 --> 01:30:28,230 YOU NEED TO HEAR A LITTLE PHILOSOPHY. 1157 01:30:28,260 --> 01:30:28,990 LET ME SEE, NOW. 1158 01:30:29,020 --> 01:30:30,180 I MUST GIVE YOU SOME HOMELY WISDOM. 1159 01:30:33,130 --> 01:30:33,950 TRY THIS. 1160 01:30:34,820 --> 01:30:36,470 LIFE IS LIKE YOUR PIPE. 1161 01:30:36,500 --> 01:30:37,960 YOU NEVER KNOW WHERE YOU PUT IT. 1162 01:30:38,000 --> 01:30:39,420 DOES THAT MAKE YOU FEEL BETTER? 1163 01:30:39,450 --> 01:30:40,290 NO. 1164 01:30:41,260 --> 01:30:43,520 NOT YET, THAT IS. 1165 01:30:43,560 --> 01:30:44,840 MAYBE LATER. 1166 01:30:44,870 --> 01:30:46,120 TRY ANOTHER. 1167 01:30:47,180 --> 01:30:52,250 THE CLOUDS PASS, THE BLUE REMAINS CONSTANT. 1168 01:30:55,340 --> 01:30:56,480 I--I GUESS IT DOES. 1169 01:30:56,930 --> 01:30:57,950 [SIGHS] 1170 01:30:57,990 --> 01:30:58,940 HMM. 1171 01:30:58,980 --> 01:30:59,840 TRY THIS ONE. 1172 01:31:01,360 --> 01:31:02,490 LIFE IS MYSTERIOUS, 1173 01:31:03,030 --> 01:31:04,480 AND SEARCH FOR CAUSES 1174 01:31:04,520 --> 01:31:07,260 OCCASIONALLY BRING ABOUT STRANGE RESULTS, 1175 01:31:07,300 --> 01:31:10,530 JUST AS POTATOES OCCASIONALLY RESEMBLE EMINENT STATESMEN. 1176 01:31:12,100 --> 01:31:13,050 THANK YOU. 1177 01:31:13,080 --> 01:31:14,970 WELL, I'M GLAD YOU FEEL BETTER. 1178 01:31:15,420 --> 01:31:16,500 [CHEERILY] GOOD-BYE. 1179 01:31:17,420 --> 01:31:22,590 [SOBBING] 1180 01:31:40,220 --> 01:31:41,120 CINDERELLA. 1181 01:31:42,510 --> 01:31:43,730 LOOK UP, CINDERELLA. 1182 01:31:46,000 --> 01:31:47,200 PERHAPS YOU CAN HELP US. 1183 01:31:48,810 --> 01:31:52,450 THE PRINCESS TEHARA... WE CAN'T FIND HER. 1184 01:31:52,450 --> 01:31:53,560 WE HAVE ONE CLUE. 1185 01:31:54,720 --> 01:31:56,530 SHE LOST HER SLIPPER AT THE BALL. 1186 01:31:56,710 --> 01:31:58,510 IT WILL FIT ONLY PRINCESS TEHARA. 1187 01:31:59,960 --> 01:32:00,850 ALLOW ME. 1188 01:32:01,590 --> 01:32:02,120 BUT-- 1189 01:32:02,120 --> 01:32:03,500 I MUST ASK YOU TO TRY ON THIS SLIPPER. 1190 01:32:03,500 --> 01:32:05,370 BUT IT'S MINE. I LOST IT. 1191 01:32:05,370 --> 01:32:07,640 I--I HAVE THE OTHER ONE RIGHT HERE. SEE? 1192 01:32:07,640 --> 01:32:08,430 THAT'S WHAT I THOUGHT. 1193 01:32:08,430 --> 01:32:09,610 I WORE THEM AT THE BALL. 1194 01:32:09,610 --> 01:32:10,910 I SUSPECTED IT WAS YOU. 1195 01:32:19,230 --> 01:32:22,910 YOU... YOU'RE MAKING FUN OF ME. 1196 01:32:54,470 --> 01:32:56,350 [CHEERING] 1197 01:32:57,390 --> 01:32:59,860 AND SO THE PROPHECY CAME TRUE, 1198 01:32:59,860 --> 01:33:02,650 AND ELLA WENT TO LIVE IN THE PALACE. 1199 01:33:03,320 --> 01:33:05,250 AS FOR THE FAIRY GODMOTHER, 1200 01:33:05,490 --> 01:33:08,080 AND SHE WAS THE FAIRY GODMOTHER... 1201 01:33:10,180 --> 01:33:12,940 SHE WENT BACK WHERE SHE CAME FROM. 1202 01:33:16,130 --> 01:33:25,200 AND EVERYBODY LIVED HAPPILY EVER AFTER. 82582

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