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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:52,070 --> 00:01:54,400 [SNORING] 2 00:02:22,140 --> 00:02:24,260 I WAS JUST GOING TO WAKE YOU. 3 00:02:24,430 --> 00:02:27,770 BROUGHT SOME COFFEE UP FROM DOWNSTAIRS. NICE AND HOT. 4 00:02:27,930 --> 00:02:30,690 AFRAID I MIGHT WEAKEN IF I WENT ACROSS THE STREET TO THE HOTEL? 5 00:02:30,850 --> 00:02:32,310 OF COURSE NOT. 6 00:02:32,480 --> 00:02:36,440 YOU SURE? THAT MRS. INGALLS MAKES THE BEST HOT BISCUITS. 7 00:02:36,610 --> 00:02:39,740 IF YOU WANT BISCUITS, GO THERE AND EAT THEM. 8 00:02:39,900 --> 00:02:42,450 I WAS ONLY FOOLING. 9 00:02:42,620 --> 00:02:43,910 I KNOW. I'M SORRY. 10 00:02:44,080 --> 00:02:45,910 DRINK YOUR COFFEE WHILE IT'S HOT. 11 00:02:46,080 --> 00:02:47,200 WHERE'S AMELIA? 12 00:02:47,370 --> 00:02:49,250 SHE'S STARTING THAT LIVERY SCHOOL TODAY. 13 00:02:49,410 --> 00:02:51,420 THAT'S WHY I GOT UP SO EARLY. 14 00:02:51,580 --> 00:02:53,960 I KNOW, BUT IT DOESN'T START TILL 8:00. 15 00:02:54,130 --> 00:02:57,090 I WAS GOING TO WALK WITH HER ON MY WAY TO WORK. 16 00:02:57,260 --> 00:02:58,960 SHE'S JUST ANXIOUS, I GUESS-- 17 00:02:59,130 --> 00:03:00,380 HER FIRST CHANCE TO MEET SOME CHILDREN 18 00:03:00,550 --> 00:03:01,930 SINCE SHE'S BEEN IN THE CITY. 19 00:03:02,090 --> 00:03:03,890 THE CITY'S FILLED WITH CHILDREN. 20 00:03:04,050 --> 00:03:06,600 THEY PLAY IN THE STREETS ALL THE TIME. 21 00:03:06,760 --> 00:03:08,890 SHE SHOULD HAVE INVITED THEM OVER. 22 00:03:09,060 --> 00:03:10,810 YEAH, I SUPPOSE, BUT... 23 00:03:10,980 --> 00:03:11,980 SHE'S SHY. 24 00:03:12,150 --> 00:03:13,560 IT'S NOT EASY FOR HER-- 25 00:03:13,730 --> 00:03:17,400 ONLY TWO WEEKS HERE AND SO MANY PEOPLE. 26 00:03:17,570 --> 00:03:22,450 SHE WASN'T TOO SHY TO GO TO SCHOOL BY HERSELF, WAS SHE? 27 00:03:28,290 --> 00:03:31,000 WELL, THE COFFEE WAS GOOD, 28 00:03:31,160 --> 00:03:34,880 BUT I'M SO FULL, I COULDN'T SWALLOW ANOTHER DROP. 29 00:03:48,140 --> 00:03:51,520 LOOK. TWO WEEKS AGO, THESE WERE TIGHT. 30 00:03:51,680 --> 00:03:52,890 A LITTLE BETTER. 31 00:03:53,060 --> 00:03:54,390 A LOT BETTER. 32 00:03:54,560 --> 00:03:56,100 BUT, YOU KNOW, YOU CAN'T EXPECT IT JUST TO HAPPEN-- 33 00:03:56,270 --> 00:03:59,690 I KNOW. YOU CAN'T EXPECT A MIRACLE. 34 00:03:59,860 --> 00:04:01,820 TWO WEEKS WITHOUT ENOUGH FOOD TO KEEP A BIRD ALIVE, 35 00:04:01,990 --> 00:04:04,740 AND I LOSE WHAT, A POUND? 36 00:04:06,620 --> 00:04:09,120 WHAT HAPPENS TO A PERSON? 37 00:04:09,290 --> 00:04:10,540 I DON'T KNOW. 38 00:04:10,700 --> 00:04:13,540 THE DOCTOR DOESN'T KNOW, BUT IT HAPPENED, 39 00:04:13,710 --> 00:04:15,040 SO YOU JUST-- 40 00:04:15,210 --> 00:04:18,210 SO YOU JUST MAKE THE BEST OF IT, RIGHT? 41 00:04:18,380 --> 00:04:20,750 RIGHT. 42 00:04:23,880 --> 00:04:25,630 WELL. 43 00:04:25,800 --> 00:04:27,640 I MIGHT AS WELL GO TO WORK EARLY. 44 00:04:27,800 --> 00:04:30,720 I GOT A LOT TO DO TODAY. 45 00:04:30,890 --> 00:04:33,350 I GOT MY LUNCH, AND... 46 00:04:33,520 --> 00:04:36,350 IF THERE'S A WORM IN IT, I PROMISE NOT TO EAT HIM. 47 00:04:38,690 --> 00:04:41,530 I LOVE YOU, JOHN BEVINS. 48 00:04:41,690 --> 00:04:43,780 I LOVE YOU, BESS. 49 00:05:00,920 --> 00:05:02,250 [MEN LAUGHING] 50 00:05:02,420 --> 00:05:06,090 HEY, HEY, HEY! HEY, BEVINS! 51 00:05:06,260 --> 00:05:07,470 GOOD MORNING, SMITTY. 52 00:05:07,640 --> 00:05:09,050 I GOT A GOOD ONE FOR YOU. 53 00:05:09,220 --> 00:05:10,550 THERE'S THIS CABMAN IN LONDON, 54 00:05:10,720 --> 00:05:12,850 AND HE'S GOT A REAL FAT LADY IN THE CAB, 55 00:05:13,020 --> 00:05:15,270 AND JUST AS SHE'S GETTING OUT, 56 00:05:15,440 --> 00:05:17,560 HE SAYS TO HER, "WOULD YOU MIND 57 00:05:17,730 --> 00:05:20,150 "WALKING THE OTHER WAY AND NOT PASSING IN FRONT 58 00:05:20,320 --> 00:05:21,440 OF THE HORSE?" 59 00:05:21,610 --> 00:05:23,780 AND SHE SAYS, "WHY, MAY I ASK?" 60 00:05:23,940 --> 00:05:25,360 "BECAUSE," HE SAYS, 61 00:05:25,530 --> 00:05:27,650 "IF HE SEES WHAT HE'S BEEN CARRYING 62 00:05:27,820 --> 00:05:30,620 FOR HALF A SHILLING, HE'LL HAVE A FIT!" 63 00:05:30,780 --> 00:05:33,370 HA HA HA! 64 00:05:33,540 --> 00:05:35,620 A GOOD ONE, HUH? AIN'T THAT A GOOD ONE? 65 00:05:35,790 --> 00:05:37,410 I GOT TO REMEMBER THAT ONE. 66 00:05:37,580 --> 00:05:38,540 HA HA HA! 67 00:05:38,710 --> 00:05:40,330 I GOT TO GET TO WORK, SMITTY. 68 00:05:40,500 --> 00:05:43,840 HA HA HA! OH, OH, HEY, BEVINS, 69 00:05:44,010 --> 00:05:45,630 WHEN YOU GET TO THAT BLIND SCHOOL, 70 00:05:45,800 --> 00:05:47,720 BE SURE AND WALK THROUGH THAT DOOR SIDEWAYS! 71 00:05:47,880 --> 00:05:50,800 I DON'T HAVE ANY SIDEWAYS! IT'S A GOOD ONE. 72 00:05:50,970 --> 00:05:52,800 ISN'T THAT A GOOD ONE? 73 00:05:54,020 --> 00:05:55,470 THOMAS, YOU CAN DO A LOT BETTER WORK THAN THIS. 74 00:05:55,640 --> 00:05:57,230 YOU'RE NOT CONCENTRATING. 75 00:05:57,390 --> 00:05:58,190 YES'M. 76 00:05:58,350 --> 00:05:59,230 NOW DO IT AGAIN. 77 00:05:59,400 --> 00:06:00,650 YES'M. 78 00:06:00,810 --> 00:06:02,310 MISS INGALLS? 79 00:06:02,480 --> 00:06:04,440 GOOD MORNING, MR. BEVINS. 80 00:06:04,610 --> 00:06:06,440 I DIDN'T WANT TO BOTHER YOU DURING CLASS. 81 00:06:06,610 --> 00:06:09,070 I JUST WONDERED IF THE LOOMS WERE ALL RIGHT. 82 00:06:09,240 --> 00:06:10,990 OH, THE LOOMS ARE WONDERFUL. 83 00:06:11,160 --> 00:06:12,620 WE HAD TO DRAW LOTS 84 00:06:12,780 --> 00:06:14,280 TO SEE WHO WOULD USE THEM FIRST. 85 00:06:14,450 --> 00:06:16,500 Girl: COME, SEE WHAT I'M MAKING, MR. BEVINS. 86 00:06:19,670 --> 00:06:23,340 WELL, THAT'S VERY GOOD WORK. 87 00:06:23,500 --> 00:06:25,800 BET YOU CAN'T GUESS WHAT IT'S GOING TO BE. 88 00:06:25,960 --> 00:06:28,260 SUE, IT WAS SUPPOSED TO BE A SURPRISE, REMEMBER? 89 00:06:28,420 --> 00:06:32,180 OH, MISS INGALLS, CAN'T I TELL? PLEASE? 90 00:06:32,350 --> 00:06:33,260 ALL RIGHT. 91 00:06:33,430 --> 00:06:36,470 IT'S A MUFFLER FOR YOU, MR. BEVINS. 92 00:06:36,640 --> 00:06:38,640 FOR ME? 93 00:06:38,810 --> 00:06:43,650 YES. BECAUSE YOU'RE SO KIND AND GOOD TO US. 94 00:06:45,530 --> 00:06:47,360 WELL... 95 00:06:47,530 --> 00:06:50,110 THAT'S VERY KIND OF YOU. 96 00:06:51,530 --> 00:06:53,910 I REALLY NEED A MUFFLER, TOO. 97 00:06:56,910 --> 00:06:59,540 WELL, I'D BEST GET TO PATCHING 98 00:06:59,710 --> 00:07:02,210 THAT HALL CEILING, MISS INGALLS. 99 00:07:02,380 --> 00:07:05,210 I'LL MAKE YOU A COUPLE MORE LOOMS AS SOON AS I GET THE TIME. 100 00:07:05,380 --> 00:07:07,920 OH, MR. BEVINS, YOU'VE DONE TOO MUCH FOR US ALREADY. 101 00:07:08,090 --> 00:07:09,590 IT'S NO TROUBLE. 102 00:07:09,760 --> 00:07:13,090 I LIKE TO. I REALLY DO. 103 00:07:13,260 --> 00:07:15,510 HAVE A NICE DAY. 104 00:07:15,680 --> 00:07:17,310 SAME TO YOU. 105 00:07:17,470 --> 00:07:19,640 ALL RIGHT, THOSE OF YOU WORKING ON ARITHMETIC, 106 00:07:19,810 --> 00:07:21,270 YOU HAVE 5 MINUTES LEFT. 107 00:07:21,440 --> 00:07:23,770 [CHILDREN GROAN] 108 00:07:38,740 --> 00:07:41,750 CLASS, TAKE YOUR SEATS, PLEASE. 109 00:07:45,670 --> 00:07:49,000 CHILDREN, WE HAVE A NEW STUDENT JOINING US TODAY-- 110 00:07:49,170 --> 00:07:50,420 AMELIA BEVINS. 111 00:07:50,590 --> 00:07:51,630 CAN WE ALL SAY WELCOME? 112 00:07:51,800 --> 00:07:54,470 Children: WELCOME, AMELIA BEVINS. 113 00:07:54,640 --> 00:07:57,050 AMELIA, AS YOU CAN SEE, WE DON'T HAVE REGULAR DESKS, 114 00:07:57,220 --> 00:08:00,140 BUT YOU CAN TAKE A SEAT ON THAT CRATE NEXT TO LAURA INGALLS. 115 00:08:00,310 --> 00:08:02,180 THANK YOU, MA'AM. 116 00:08:05,610 --> 00:08:06,900 HI. HI. 117 00:08:07,060 --> 00:08:09,190 Teacher: ANDREW, YOU CAN BEGIN THE READING THIS MORNING 118 00:08:09,360 --> 00:08:10,900 WITH LESSON 55. 119 00:08:11,070 --> 00:08:12,610 YES, MA'AM. 120 00:08:14,740 --> 00:08:18,120 "COME HERE, ROSE. LOOK DOWN INTO THE BUSH." 121 00:08:18,280 --> 00:08:19,870 YOU JUST MOVED TO WINOKA? 122 00:08:20,040 --> 00:08:21,120 YES. 123 00:08:21,290 --> 00:08:22,620 THAT'S ALBERT. HE'S A FRIEND OF MINE. 124 00:08:22,790 --> 00:08:24,160 HELLO, ALBERT. 125 00:08:24,330 --> 00:08:26,210 HI. 126 00:08:26,380 --> 00:08:28,250 DO YOU HAVE ANY BROTHERS OR SISTERS? 127 00:08:28,420 --> 00:08:29,500 NO. JUST ME. 128 00:08:29,670 --> 00:08:32,050 I HAVE 3 SISTERS. I LIVE AT THE WINOKA HOTEL. 129 00:08:32,220 --> 00:08:33,420 MY FOLKS RUN IT. WHERE DO YOU LIVE? 130 00:08:33,590 --> 00:08:35,090 Teacher: WOULD YOU CONTINUE, LAURA? 131 00:08:35,260 --> 00:08:36,300 JUST IN THE ROOMING HOUSE. 132 00:08:36,470 --> 00:08:38,300 WHAT DOES YOUR PA DO? 133 00:08:38,470 --> 00:08:39,260 LAURA. 134 00:08:39,430 --> 00:08:40,680 YES, MA'AM? 135 00:08:40,850 --> 00:08:42,970 WOULD YOU CONTINUE? 136 00:08:43,140 --> 00:08:45,100 YES, MA'AM. 137 00:08:46,520 --> 00:08:48,980 "COME HERE, ROSE. LOOK DOWN INTO THE BUSH." 138 00:08:49,150 --> 00:08:50,900 WE'VE ALREADY READ THAT, LAURA. 139 00:08:51,070 --> 00:08:52,980 BOTTOM OF PAGE 79. 140 00:08:58,320 --> 00:09:01,660 "HOW DOES A BIRD MAKE THE NEST SO STRONG, WILLIE?" 141 00:09:01,830 --> 00:09:05,330 "THE MOTHER BIRD HAS HER BILL AND CLAWS TO WORK WITH." 142 00:09:06,500 --> 00:09:08,290 Laura: WHAT ARE YOU GOING TO WRITE ABOUT? 143 00:09:08,460 --> 00:09:09,630 Amelia: I DON'T KNOW. 144 00:09:09,790 --> 00:09:11,210 I'M GOING TO WRITE ABOUT SOMETHING I HATE. 145 00:09:11,380 --> 00:09:12,250 WHAT? 146 00:09:12,420 --> 00:09:13,340 WRITING ESSAYS! 147 00:09:13,510 --> 00:09:14,630 HA HA HA! 148 00:09:14,800 --> 00:09:16,380 HEY, THERE HE IS! 149 00:09:19,680 --> 00:09:20,640 HA HA HA! 150 00:09:20,810 --> 00:09:22,720 DID YOU EVER SEE ANYTHING SO FAT? 151 00:09:22,890 --> 00:09:24,180 I GOT AN IDEA. 152 00:09:24,350 --> 00:09:25,980 I'M GOING TO WRITE MY ESSAY ON "MOBY DICK"! 153 00:09:26,140 --> 00:09:27,350 YEAH! 154 00:09:27,520 --> 00:09:28,770 THAR SHE BLOWS! 155 00:09:28,940 --> 00:09:31,610 Laura: COME ON. WE CAN WRITE OUR ESSAYS TOGETHER. 156 00:09:31,770 --> 00:09:34,780 I, UM...I CAN'T. I HAVE TO GO. 157 00:09:36,240 --> 00:09:37,990 WHAT'S THE MATTER WITH HER? 158 00:09:38,160 --> 00:09:41,370 I DON'T KNOW. COME ON, CARRIE. LET'S GO VISIT MARY. 159 00:09:41,530 --> 00:09:42,370 SEE YOU LATER. 160 00:09:42,540 --> 00:09:43,700 SEE YOU. 161 00:09:43,870 --> 00:09:46,330 "MOBY DICK." THAT'S GOOD! 162 00:09:50,210 --> 00:09:51,380 Laura: HI, ADAM. 163 00:09:51,540 --> 00:09:52,710 HELLO, LAURA. 164 00:09:52,880 --> 00:09:54,000 WHERE ARE YOU GOING? 165 00:09:54,170 --> 00:09:55,300 I HAVE TO PICK UP SOME THINGS AT THE STORE. 166 00:09:55,460 --> 00:09:56,970 WE'LL WALK WITH YOU. 167 00:09:57,130 --> 00:09:58,470 FINE. 168 00:10:01,550 --> 00:10:02,720 MR. KENDALL? 169 00:10:02,890 --> 00:10:04,140 YES, JOHN. 170 00:10:04,310 --> 00:10:06,270 I'M PATCHING THAT WALL, BUT THE PROBLEM'S THE ROOF. 171 00:10:06,430 --> 00:10:09,310 RAIN KEEPS LEAKING THROUGH, MAKING THE WALL SWELL. 172 00:10:09,480 --> 00:10:11,860 OH, WELL. THERE'S ALWAYS SOMETHING. 173 00:10:12,020 --> 00:10:15,400 OH, LAURA, CARRIE, I WANT YOU MEET MR. BEVINS. 174 00:10:15,570 --> 00:10:17,610 THEY'RE MARY'S SISTERS. 175 00:10:17,780 --> 00:10:19,860 WELL, IT'S NICE TO MEET YOU GIRLS. 176 00:10:20,030 --> 00:10:22,200 MR. BEVINS. 177 00:10:22,370 --> 00:10:25,120 I CAN FIX THAT ROOF. 178 00:10:25,290 --> 00:10:27,040 I CAN FIX IT WITHOUT IT COSTING MUCH, 179 00:10:27,200 --> 00:10:28,960 BUT IT'LL JUST BE TEMPORARY. 180 00:10:29,120 --> 00:10:30,420 I WANT YOU TO KNOW THAT. 181 00:10:30,580 --> 00:10:32,790 ANY REAL RAINS COME, IT'S GOING TO HAPPEN AGAIN. 182 00:10:32,960 --> 00:10:36,170 WE CAN'T AFFORD A NEW ROOF, SO JUST DO YOUR BEST. 183 00:10:36,340 --> 00:10:37,670 I WILL. 184 00:10:39,380 --> 00:10:41,300 IT'S NICE TO MEET YOU BOTH. 185 00:10:42,890 --> 00:10:45,430 WELL, YOUNG LADIES, SHALL WE GO? 186 00:10:45,600 --> 00:10:46,930 NO. I CAN'T. 187 00:10:47,100 --> 00:10:50,100 I JUST REMEMBERED I HAVE SOME HOMEWORK TO DO. 188 00:10:50,270 --> 00:10:53,270 ALL RIGHT. I'LL SEE YOU AT SUPPER. 189 00:10:53,440 --> 00:10:54,860 SEE YOU. COME ON, CARRIE. 190 00:10:55,020 --> 00:10:57,650 AND WARN YOUR MOTHER, I'M STARVING! 191 00:11:01,240 --> 00:11:04,570 LAURA, I WANT YOU TO CHANGE BEFORE YOU HELP. 192 00:11:04,740 --> 00:11:06,160 I WILL, MA. 193 00:11:08,120 --> 00:11:11,500 I JUST WANTED TO TALK TO YOU ABOUT... 194 00:11:11,670 --> 00:11:13,330 ABOUT WHAT? 195 00:11:15,630 --> 00:11:16,840 OH, MA! 196 00:11:17,000 --> 00:11:19,420 OH, THERE, THERE. 197 00:11:19,590 --> 00:11:23,130 OH, WHAT HAPPENED? 198 00:11:23,300 --> 00:11:27,720 COME ON, NOW. NOTHING CAN BE THAT BAD. 199 00:11:29,640 --> 00:11:31,230 WHAT IS IT? 200 00:11:31,390 --> 00:11:33,560 HMM? WHAT IS IT? 201 00:11:33,730 --> 00:11:36,480 A NEW GIRL CAME TO SCHOOL TODAY. 202 00:11:36,650 --> 00:11:39,070 HER NAME IS AMELIA. 203 00:11:39,240 --> 00:11:40,900 AFTER SCHOOL, WE WERE WALKING, 204 00:11:41,070 --> 00:11:44,660 AND WE SAW THE MAN THAT WORKS AT THE BLIND SCHOOL. 205 00:11:44,820 --> 00:11:46,740 WE MADE JOKES 206 00:11:46,910 --> 00:11:49,910 ABOUT HIM BEING FAT AND ALL... 207 00:11:50,080 --> 00:11:52,960 AND HE'S AMELIA'S FATHER. 208 00:11:53,120 --> 00:11:54,250 OH... 209 00:11:54,420 --> 00:11:55,960 OH, MA, WE DIDN'T KNOW. 210 00:11:57,670 --> 00:12:00,000 ALL RIGHT, NOW. 211 00:12:00,170 --> 00:12:01,880 ALL RIGHT. THAT'S ENOUGH. 212 00:12:02,050 --> 00:12:03,470 WE JUST DIDN'T KNOW 213 00:12:03,630 --> 00:12:05,720 THAT HE WAS HER FATHER. 214 00:12:05,890 --> 00:12:10,100 THE POINT ISN'T WHETHER YOU KNEW OR NOT, IS IT? 215 00:12:10,270 --> 00:12:11,770 THE POINT IS THAT WE SHOULD NEVER 216 00:12:11,930 --> 00:12:14,480 MAKE UNKIND REMARKS ABOUT ANYONE. 217 00:12:14,650 --> 00:12:16,310 IT WASN'T JUST ME. 218 00:12:16,480 --> 00:12:19,900 OH, YOU KNOW BETTER THAN TO USE AN EXCUSE LIKE THAT. 219 00:12:20,070 --> 00:12:22,860 YES, MA'AM. I KNOW. 220 00:12:23,030 --> 00:12:26,660 I'M SURE WHEN YOU SEE AMELIA TOMORROW, YOU'LL APOLOGIZE. 221 00:12:26,820 --> 00:12:28,830 WHAT SHOULD I SAY? 222 00:12:30,200 --> 00:12:31,870 YOU THOUGHT OF THE JOKES. 223 00:12:32,040 --> 00:12:34,620 YOU CAN THINK OF AN APOLOGY. 224 00:12:35,670 --> 00:12:36,710 YES, MA'AM. 225 00:12:36,880 --> 00:12:37,880 COME ON, NOW. 226 00:12:38,040 --> 00:12:40,250 YOU GO GET CHANGED. 227 00:12:40,420 --> 00:12:43,340 I REALLY AM SORRY, MA. 228 00:12:43,510 --> 00:12:47,220 THE WAY TO SHOW THAT IS TO TRY TO NEVER DO IT AGAIN. 229 00:12:48,510 --> 00:12:50,100 YES, MA'AM. 230 00:13:05,990 --> 00:13:08,490 Bess: AMELIA, PLEASE STOP CRYING. 231 00:13:08,660 --> 00:13:11,280 Amelia: IF YOU COULD HAVE HEARD THEM! 232 00:13:11,450 --> 00:13:12,790 THEY DIDN'T KNOW. 233 00:13:12,950 --> 00:13:16,000 NOW, YOU HAVE TO EXPECT THAT SOMETIMES FROM PEOPLE. 234 00:13:16,170 --> 00:13:19,170 WHY DID WE HAVE TO MOVE HERE? I HATE IT HERE! 235 00:13:19,340 --> 00:13:22,250 YOUR FATHER HAD TO FIND WORK. YOU KNOW THAT. 236 00:13:22,420 --> 00:13:25,010 ON THE FARM, WE WERE AWAY. 237 00:13:25,170 --> 00:13:27,760 THE CHILDREN DIDN'T SEE HIM. 238 00:13:27,930 --> 00:13:30,300 NOW, AMELIA, I'LL NOT HAVE YOU TALKING LIKE THAT. 239 00:13:30,470 --> 00:13:33,640 YOUR FATHER LOVES YOU. HE TRIES HIS BEST. 240 00:13:33,810 --> 00:13:38,600 IT'S HARD SOMETIMES, IN THE BEGINNING, WHEN PEOPLE FIRST MEET, 241 00:13:38,770 --> 00:13:41,610 BUT AFTER A WHILE, THEY'LL GET USED TO IT, 242 00:13:41,770 --> 00:13:44,530 AND THEY WON'T SAY THINGS ANYMORE. 243 00:13:44,690 --> 00:13:47,400 I DON'T WANT HIM TO MEET MY FRIENDS, 244 00:13:47,570 --> 00:13:50,530 I DON'T WANT THEM TO SEE HIM, 245 00:13:50,700 --> 00:13:54,080 AND I DON'T WANT THEM TO KNOW HE'S MY FATHER! 246 00:14:20,650 --> 00:14:22,810 NOW, I WANT YOU TO STOP CRYING. 247 00:14:22,980 --> 00:14:24,980 John, cheerfully: I'M HOME! 248 00:14:25,150 --> 00:14:26,530 BE RIGHT OUT, JOHN. 249 00:14:26,690 --> 00:14:27,900 HERE. DRY YOUR EYES. 250 00:14:28,070 --> 00:14:29,780 IS AMELIA HERE? I HAVE A SURPRISE FOR HER. 251 00:14:29,950 --> 00:14:31,950 YES, SHE'S HERE. 252 00:14:32,120 --> 00:14:34,280 NOW, REMEMBER WHAT I SAID. 253 00:14:40,420 --> 00:14:42,290 HERE. 254 00:14:42,460 --> 00:14:45,880 TO CELEBRATE YOUR FIRST DAY AT SCHOOL. 255 00:14:46,050 --> 00:14:47,710 THANK YOU, PAPA. 256 00:14:49,470 --> 00:14:53,850 NOW, I'VE GOT SOMETHING TO TELL THE BOTH OF YOU. 257 00:14:54,010 --> 00:14:56,720 I'VE BEEN THINKING IT OVER, AND I KNOW IT'S FOR THE BEST. 258 00:14:56,890 --> 00:14:57,890 WHAT IS IT? 259 00:14:58,060 --> 00:15:01,100 WELL, WITH MY SALARY, AND HAVING TO SPEND 260 00:15:01,270 --> 00:15:03,270 FOR TWO ROOMS HERE AT THE HOTEL, 261 00:15:03,440 --> 00:15:06,480 IT'S JUST IMPOSSIBLE TO HAVE ANY MONEY LEFT OVER. 262 00:15:06,650 --> 00:15:08,070 WELL, WE'RE MANAGING. 263 00:15:08,240 --> 00:15:09,740 I KNOW. 264 00:15:11,030 --> 00:15:12,700 BUT IF WE COULD GET BY ON ONE ROOM, 265 00:15:12,870 --> 00:15:15,160 WE COULD PUT SOME MONEY AWAY. 266 00:15:15,330 --> 00:15:17,120 WE COULD HAVE SOME SAVINGS. 267 00:15:18,250 --> 00:15:20,410 WE--WE COULD ALL LIVE IN ONE ROOM, BUT-- 268 00:15:20,580 --> 00:15:22,370 I HAVE THE CHANCE TO WORK FOR THE RAILROAD. 269 00:15:22,540 --> 00:15:25,590 IT'S MORE MONEY THAN I GET NOW. 270 00:15:25,750 --> 00:15:27,750 WE COULD SAVE. 271 00:15:28,920 --> 00:15:30,300 YOU'D NOT BE WITH US? 272 00:15:30,470 --> 00:15:33,130 IT'S ONLY FOR A WHILE, BESS. 273 00:15:33,300 --> 00:15:35,890 THE RENT'S PAID UP FOR A MONTH. 274 00:15:36,060 --> 00:15:38,640 YOU TWO COULD SHARE A ROOM. 275 00:15:38,810 --> 00:15:41,770 WHEN WOULD YOU GO? 276 00:15:41,940 --> 00:15:43,900 THEY WANT ME TO LEAVE RIGHT AWAY. 277 00:15:45,560 --> 00:15:47,320 TONIGHT. 278 00:15:48,570 --> 00:15:50,400 I'D GO TONIGHT. 279 00:15:50,570 --> 00:15:54,280 JOHN, I DON'T WANT YOU TO GO. 280 00:15:54,450 --> 00:15:55,950 I'LL FIND WORK SOON. 281 00:15:56,120 --> 00:16:00,540 BESS, PLEASE, LET ME DO THIS. 282 00:16:00,700 --> 00:16:02,120 PLEASE? 283 00:16:05,210 --> 00:16:06,710 I'LL MISS YOU. 284 00:16:11,300 --> 00:16:15,260 IT'S FOR THE BEST. YOU WAIT AND SEE. 285 00:16:31,320 --> 00:16:34,280 I WISH YOU'D WAIT AND TAKE THE STAGE IN THE MORNING. 286 00:16:34,450 --> 00:16:36,610 IT'S A WASTE OF MONEY. 287 00:16:36,780 --> 00:16:38,410 I'LL WALK OVER TO THE DEPOT 288 00:16:38,580 --> 00:16:39,780 AND HITCH A RIDE ON THE FREIGHT. 289 00:16:39,950 --> 00:16:42,080 BUT IT'S SUCH A LONG WAY. 290 00:16:42,250 --> 00:16:46,460 BESS? I'M GOING. 291 00:16:51,170 --> 00:16:52,840 YOU LOOK THE SAME, 292 00:16:53,010 --> 00:16:55,970 JUST THE SAME A THE DAY WE MET. 293 00:16:56,140 --> 00:16:57,760 DO YOU REMEMBER? 294 00:16:57,930 --> 00:17:00,100 YEAH, I REMEMBER, 295 00:17:00,260 --> 00:17:02,810 AND I DON'T LOOK THE SAME. 296 00:17:02,980 --> 00:17:05,140 YOU HAVEN'T CHANGED. 297 00:17:05,310 --> 00:17:08,690 I WISH I WAS THE SAME AS THEN. 298 00:17:08,860 --> 00:17:11,860 JUST YOU STOP. 299 00:17:12,030 --> 00:17:16,860 YOU'VE TRIED. NOBODY COULD HAVE TRIED HARDER. 300 00:17:17,030 --> 00:17:19,280 I MEAN, WHO CARES? 301 00:17:19,450 --> 00:17:23,450 WHETHER YOU LIKE TO THINK SO OR NOT, JOHN BEVINS, 302 00:17:23,620 --> 00:17:26,870 IT WAS NOT LOVE AT FIRST SIGHT WITH ME. 303 00:17:27,040 --> 00:17:30,170 I FELL IN LOVE WITH THE MAN INSIDE, 304 00:17:30,340 --> 00:17:33,210 NOT THE MAN ON THE OUTSIDE. 305 00:17:33,380 --> 00:17:36,470 NOW YOU ALWAYS REMEMBER THAT. 306 00:17:36,630 --> 00:17:39,510 I WILL. 307 00:17:39,680 --> 00:17:42,310 I'LL ALWAYS REMEMBER THAT. 308 00:18:11,540 --> 00:18:14,340 BYE, BESS. 309 00:19:10,440 --> 00:19:11,980 JOHN? 310 00:19:13,440 --> 00:19:16,270 MR. AMES. 311 00:19:16,440 --> 00:19:18,860 I DIDN'T EXPECT ANYBODY WOULD BE UP. 312 00:19:19,030 --> 00:19:20,530 PAPERWORK. I'M ALWAYS PUTTING IT OFF 313 00:19:20,700 --> 00:19:21,820 TO THE LAST MINUTE. 314 00:19:21,990 --> 00:19:23,320 WHAT ARE YOU DOING HERE THIS TIME OF NIGHT? 315 00:19:23,490 --> 00:19:25,870 OH. WELL, UH... 316 00:19:26,030 --> 00:19:29,410 I WAS GOING TO SPEAK TO YOU ABOUT IT TOMORROW, BUT, UH... 317 00:19:30,660 --> 00:19:32,080 I WONDERED IF I COULD USE 318 00:19:32,250 --> 00:19:35,130 MY SUPPLY ROOM UPSTAIRS AS A SLEEPING PLACE. 319 00:19:35,290 --> 00:19:36,840 DON'T YOU HAVE A PLACE? 320 00:19:37,000 --> 00:19:39,260 I DID, BUT... 321 00:19:39,420 --> 00:19:42,130 THE ONLY FAMILY I HAVE IS BACK EAST, 322 00:19:42,300 --> 00:19:44,760 AND I FELT I COULD SEND MORE MONEY BACK TO THEM 323 00:19:44,930 --> 00:19:47,930 IF I DIDN'T HAVE TO GO ON PAYING FOR A ROOM. 324 00:19:48,100 --> 00:19:49,970 WELL, NOT MUCH OF A ROOM UP THERE, 325 00:19:50,140 --> 00:19:51,310 FILLED WITH PAINT CANS AND-- 326 00:19:51,480 --> 00:19:55,190 NO, NO. IT'S... IT'S FINE. 327 00:19:55,360 --> 00:19:57,900 I LIKE IT HERE. 328 00:19:58,070 --> 00:20:00,440 IT'S QUIET HERE, AND, UH... 329 00:20:02,070 --> 00:20:04,610 AND I FEEL AT HOME HERE. 330 00:20:04,780 --> 00:20:06,120 PLEASE? 331 00:20:06,280 --> 00:20:08,830 WELL, CERTAINLY, JOHN, IF THAT'S WHAT YOU WANT. 332 00:20:08,990 --> 00:20:10,620 THANK YOU, SIR. 333 00:20:10,790 --> 00:20:12,120 GOOD NIGHT. 334 00:20:12,290 --> 00:20:14,460 GOOD NIGHT, JOHN. 335 00:21:07,680 --> 00:21:10,850 Laura: AMELIA! 336 00:21:11,010 --> 00:21:12,520 OH, HI, LAURA. 337 00:21:13,730 --> 00:21:15,060 I JUST WANTED TO APOLOGIZE. 338 00:21:15,230 --> 00:21:16,640 FOR WHAT? 339 00:21:16,810 --> 00:21:20,310 YOU KNOW, THOSE THINGS WE SAID ABOUT YOUR FATHER YESTERDAY. 340 00:21:20,480 --> 00:21:21,820 I'M SORRY. 341 00:21:21,980 --> 00:21:23,610 I--I DON'T KNOW WHAT YOU MEAN. 342 00:21:23,780 --> 00:21:27,150 WELL, YOU REMEMBER-- WHEN WE SAW YOUR PA YESTERDAY. 343 00:21:27,320 --> 00:21:29,910 MY FATHER WORKS FOR THE RAILROAD. 344 00:21:30,080 --> 00:21:33,120 YOU MEAN HE DOESN'T WORK FOR THE BLIND SCHOOL? 345 00:21:33,290 --> 00:21:37,080 OH, NO. YOU THOUGHT THAT WAS MY FATHER? 346 00:21:37,250 --> 00:21:39,960 WELL, HIS NAME IS BEVINS, AND WHEN YOU RAN OFF, 347 00:21:40,130 --> 00:21:41,790 WELL, THEN, I JUST FIGURED THAT-- 348 00:21:41,960 --> 00:21:43,130 NO. IT WAS JUST A COINCIDENCE. 349 00:21:43,300 --> 00:21:44,760 MY FATHER DOESN'T EVEN LIVE HERE. 350 00:21:44,920 --> 00:21:47,260 COME ON. WE'LL BE LATE. 351 00:21:47,430 --> 00:21:49,390 Amelia: HEY, YOU WANT TO COME OVER TO MY PLACE AFTER SCHOOL? 352 00:21:49,550 --> 00:21:51,510 WE CAN WORK ON OUR ESSAYS. 353 00:21:51,680 --> 00:21:53,720 SURE. ALBERT HAS TO HELP MY MOM WITH COOKING. 354 00:21:53,890 --> 00:21:56,730 BOY, AM I GLAD THAT WASN'T YOUR PA YESTERDAY. 355 00:21:56,890 --> 00:21:58,270 I FELT AWFUL. 356 00:22:05,900 --> 00:22:07,780 Mary: I GAVE YOU AN EXTRA 15 MINUTES FOR LUNCH, 357 00:22:07,950 --> 00:22:09,820 SO I EXPECT YOU TO GET RIGHT TO WORK. 358 00:22:09,990 --> 00:22:11,780 MISS INGALLS? 359 00:22:11,950 --> 00:22:13,120 YES, JOHN? 360 00:22:13,290 --> 00:22:16,910 I MADE SOMETHING. I WANTED YOU TO HAVE IT. 361 00:22:19,670 --> 00:22:24,130 OH, JOHN. A...A NECKLACE. 362 00:22:24,300 --> 00:22:25,920 I CARVED ALL THE BEADS MYSELF. 363 00:22:26,090 --> 00:22:27,880 I PAINTED THEM, TOO. 364 00:22:28,050 --> 00:22:31,800 THANK YOU, JOHN, BUT YOU SHOULDN'T HAVE. 365 00:22:31,970 --> 00:22:33,430 I WANTED TO. 366 00:22:37,480 --> 00:22:39,190 IT LOOKS PRETTY ON YOU. 367 00:22:41,270 --> 00:22:43,860 I, UM... 368 00:22:44,020 --> 00:22:45,520 I MADE ONE FOR SUE, TOO. 369 00:22:45,690 --> 00:22:47,280 IF YOU'D GIVE IT TO HER FOR ME... 370 00:22:47,440 --> 00:22:50,280 OH, WHY DON'T YOU DO IT? 371 00:22:50,450 --> 00:22:52,160 NO. 372 00:22:53,990 --> 00:22:55,490 NO. YOU GIVE IT TO HER. 373 00:22:55,660 --> 00:22:59,120 SHE'S SUCH A SWEET GIRL. 374 00:22:59,290 --> 00:23:01,000 SHE THINKS THE WORLD OF YOU. 375 00:23:01,170 --> 00:23:03,170 I BETTER GIVE IT TO HER AFTER CLASS. 376 00:23:03,340 --> 00:23:06,000 SHE'LL BE TOO EXCITED TO DO HER WORK. 377 00:23:06,170 --> 00:23:07,840 AND THANK YOU, JOHN. 378 00:23:10,220 --> 00:23:11,970 IT'S MY PLEASURE. 379 00:23:13,010 --> 00:23:14,890 Mary: ALL RIGHT, OUR TUMMIES ARE FULL. 380 00:23:15,060 --> 00:23:16,390 LET'S SEE IF OUR HEADS ARE. 381 00:23:16,560 --> 00:23:17,810 [CHILDREN LAUGH] 382 00:23:17,970 --> 00:23:20,350 THE LIVERY SCHOOL IS WORKING ON ESSAYS RIGHT NOW, 383 00:23:20,520 --> 00:23:25,770 AND I DON'T SEE ANY REASON WHY WE CAN'T DO ANYTHING THEY DO. 384 00:23:25,940 --> 00:23:28,780 [CHILDREN GROAN] 385 00:23:28,940 --> 00:23:31,490 ALL RIGHT. YOU MAY WRITE YOUR ESSAYS 386 00:23:31,660 --> 00:23:33,950 ON ANYTHING OR ANYONE YOU WISH. 387 00:23:34,120 --> 00:23:36,490 THE YOUNGER STUDENTS CAN WRITE AS LITTLE OR AS MUCH AS THEY WISH, 388 00:23:36,660 --> 00:23:38,370 BUT THE OLDER STUDENTS... 389 00:23:38,540 --> 00:23:40,370 THE OLDER STUDENTS SHOULD HAVE ESSAYS OF AT LEAST 200 WORDS. 390 00:23:40,540 --> 00:23:42,040 Thomas: MISS INGALLS? 391 00:23:42,210 --> 00:23:43,330 YES, THOMAS? 392 00:23:43,500 --> 00:23:44,920 AM I AN OLDER STUDENT? 393 00:23:45,090 --> 00:23:47,000 YES. I'M AFRAID SO. 394 00:23:47,170 --> 00:23:48,920 I'M AWFUL SHORT. 395 00:23:49,090 --> 00:23:50,920 SO IS GENERAL TOM THUMB, 396 00:23:51,090 --> 00:23:52,550 BUT HE'S 42 YEARS OLD. 397 00:23:52,720 --> 00:23:53,880 HA HA HA! 398 00:23:54,050 --> 00:23:55,890 ALL RIGHT. EVERYONE TO WORK. 399 00:24:03,900 --> 00:24:06,610 [GIRLS LAUGHING] 400 00:24:06,770 --> 00:24:09,780 MAMA? 401 00:24:09,940 --> 00:24:11,990 SHE'S NOT HERE. SHE'LL BE BACK SOON. WANT A COOKIE? 402 00:24:12,150 --> 00:24:15,610 SURE. WHAT ARE YOU GOING TO WRITE ABOUT? 403 00:24:15,780 --> 00:24:17,740 I DON'T KNOW YET. 404 00:24:17,910 --> 00:24:19,330 I KIND OF MISS BEING BACK AT OUR FARM. 405 00:24:19,490 --> 00:24:20,830 I THINK I'LL WRITE ABOUT THAT. 406 00:24:21,000 --> 00:24:21,830 HERE. 407 00:24:22,000 --> 00:24:23,870 THANKS. 408 00:24:24,040 --> 00:24:28,340 MM! THIS IS WONDERFUL! WHERE'D YOU GET IT? 409 00:24:28,500 --> 00:24:30,550 MA BUYS THEM AT YOUR HOTEL. 410 00:24:30,710 --> 00:24:32,210 NO WONDER THEY'RE SO GOOD. 411 00:24:32,380 --> 00:24:33,920 I HELP MAKE THEM! 412 00:24:34,090 --> 00:24:35,430 HA HA HA! 413 00:24:35,590 --> 00:24:37,720 HELP ME THINK OF SOMETHING TO WRITE ABOUT. 414 00:24:37,890 --> 00:24:40,930 WELL, YOU'RE NEW IN THE CITY. 415 00:24:41,100 --> 00:24:42,600 YOU COULD WRITE ABOUT THAT-- 416 00:24:42,770 --> 00:24:44,440 YOU KNOW, HOW DIFFERENT IT IS. 417 00:24:44,600 --> 00:24:48,940 I SUPPOSE. I DON'T KNOW. 418 00:24:49,110 --> 00:24:51,570 HOW LONG HAS YOUR PA BEEN GONE? 419 00:24:53,570 --> 00:24:56,950 A LONG TIME. MONTHS. 420 00:24:57,120 --> 00:24:59,160 WELL, YOU COULD WRITE ABOUT THAT, 421 00:24:59,330 --> 00:25:00,780 HOW MUCH YOU MISS HIM AND ALL. 422 00:25:00,950 --> 00:25:02,790 MY PA WENT AWAY A COUPLE OF TIMES, 423 00:25:02,950 --> 00:25:05,250 AND I MISSED HIM SOMETHING FIERCE. 424 00:25:06,290 --> 00:25:08,920 I THINK I'LL WRITE ABOUT THE CITY. 425 00:25:09,090 --> 00:25:09,960 [CRACK] 426 00:25:10,130 --> 00:25:12,590 DADBURNIT. I ALWAYS PUSH TOO HARD. 427 00:25:12,760 --> 00:25:15,130 THERE'S A SHARPENER ON THE TABLE. 428 00:25:19,640 --> 00:25:22,260 OH, THIS IS PRETTY. 429 00:25:22,430 --> 00:25:23,810 WHAT? 430 00:25:23,980 --> 00:25:26,140 THIS NECKLACE. WHERE'D YOU GET IT? 431 00:25:26,310 --> 00:25:29,860 MY PA MADE IT FOR ME A LONG TIME AGO. 432 00:25:30,020 --> 00:25:33,570 WELL, THIS ISN'T GOING TO GET MY ESSAY WRITTEN. 433 00:25:47,330 --> 00:25:49,580 YOU'RE GOING TO GET IT! 434 00:25:49,750 --> 00:25:51,170 HI, MARY! HI, MA! 435 00:25:51,340 --> 00:25:52,920 WOULD YOU MIND TELLING ME WHERE YOU'VE BEEN? 436 00:25:53,090 --> 00:25:54,670 I THOUGHT IT WAS ALBERT'S TURN TO WORK TODAY. 437 00:25:54,840 --> 00:25:57,220 THAT DOESN'T MEAN YOU JUST RUN OFF WITHOUT ASKING ME. 438 00:25:57,380 --> 00:25:58,760 WELL, I'VE BEEN WITH AMELIA. 439 00:25:58,930 --> 00:26:00,260 WE'VE BEEN DOING OUR HOMEWORK TOGETHER. 440 00:26:00,430 --> 00:26:01,550 OH, THEN YOU APOLOGIZED. 441 00:26:01,720 --> 00:26:03,010 YES, MA'AM, BUT IT WAS ALL A BIG MISTAKE. 442 00:26:03,180 --> 00:26:04,520 MR. BEVINS ISN'T HER PA. 443 00:26:04,680 --> 00:26:05,930 Mary: MR. BEVINS? 444 00:26:06,100 --> 00:26:08,020 YES. LAURA SAID A FEW THINGS SHE SHOULDN'T HAVE. 445 00:26:08,190 --> 00:26:10,770 BUT I LEARNED MY LESSON, HONEST. 446 00:26:10,940 --> 00:26:12,770 Mary: I DON'T KNOW WHAT THE SCHOOL WOULD DO WITHOUT HIM. 447 00:26:12,940 --> 00:26:14,820 HE'S THE KINDEST MAN TO EVERYBODY. 448 00:26:14,990 --> 00:26:17,070 LOOK WHAT HE GAVE ME TODAY. 449 00:26:17,240 --> 00:26:18,860 IT'S ALL HAND-CARVED. 450 00:26:19,030 --> 00:26:20,530 Caroline: BEAUTIFUL, ISN'T IT? 451 00:26:20,700 --> 00:26:21,870 ASIDE FROM ALL HIS OTHER WORK, 452 00:26:22,030 --> 00:26:24,580 HE MAKES LOOMS AND TOYS-- ALL KINDS OF THINGS. 453 00:26:24,740 --> 00:26:26,500 HE DOESN'T EVEN LIKE IT WHEN YOU THANK HIM. 454 00:26:26,660 --> 00:26:28,710 IT'S A RARE PERSON TO FIND IN THIS CITY. 455 00:26:28,870 --> 00:26:31,460 LAURA, YOU WANT TO HELP ME WITH THIS CINNAMON BREAD? 456 00:26:31,630 --> 00:26:35,920 I CAN'T. I STILL HAVE SOME HOMEWORK TO DO. 457 00:26:41,050 --> 00:26:43,760 MARY, DOES MR. BEVINS HAVE A FAMILY? 458 00:26:43,930 --> 00:26:46,520 HE HAS SOME RELATIVES IN THE EAST. 459 00:26:46,680 --> 00:26:48,310 HE EVEN HELPS THEM. 460 00:26:48,480 --> 00:26:50,480 WE CAN'T PAY HIM MUCH, SO HE STARTED SLEEPING IN HIS SUPPLY ROOM 461 00:26:50,650 --> 00:26:52,560 SO HE COULD SEND MORE MONEY BACK TO THEM. 462 00:26:52,730 --> 00:26:54,730 JUST WONDERING. 463 00:26:56,740 --> 00:26:59,070 [PIANO PLAYING, INDISTINCT CONVERSATIONS] 464 00:27:02,570 --> 00:27:04,330 [HORSE NEIGHING] 465 00:27:13,380 --> 00:27:14,920 [NOISE FROM SALOON CONTINUES 466 00:27:27,970 --> 00:27:29,520 [PLAYS VIOLIN LOUDLY] 467 00:27:31,600 --> 00:27:33,350 HOW DO YOU LIKE THAT?! 468 00:27:41,450 --> 00:27:42,610 FEEL BETTER? 469 00:27:42,780 --> 00:27:44,280 MUCH BETTER, THANK YOU. 470 00:27:44,450 --> 00:27:45,990 HA HA HA! 471 00:27:46,160 --> 00:27:48,620 OH, HI, BANDIT. HOW YOU DOING? 472 00:27:48,790 --> 00:27:50,290 I KNOW HOW YOU FEEL. YEAH. 473 00:27:50,460 --> 00:27:51,790 I LOVE YOU. 474 00:27:51,960 --> 00:27:54,040 OH, IT'S ONLY THE NIGHT AIR AND THE ROMANTIC MUSIC 475 00:27:54,210 --> 00:27:55,630 THAT MAKES YOU SAY THAT. 476 00:27:55,790 --> 00:27:57,460 HA HA HA! 477 00:27:57,630 --> 00:27:58,590 MA? 478 00:27:58,760 --> 00:28:00,380 IS IT TOO NOISY FOR YOU TO SLEEP, TOO? 479 00:28:00,550 --> 00:28:01,920 NO. IT'S NOT THAT. 480 00:28:02,090 --> 00:28:04,510 DON'T TELL ME THE WATER CLOSET IS BROKEN AGAIN. 481 00:28:04,680 --> 00:28:06,180 NO, PA. 482 00:28:06,350 --> 00:28:07,810 IT'S ABOUT MR. BEVINS. 483 00:28:07,970 --> 00:28:10,930 LAURA, THAT'S OVER. I KNOW YOU'RE SORRY. 484 00:28:11,100 --> 00:28:13,310 I KNOW HE'S AMELIA'S FATHER. 485 00:28:13,480 --> 00:28:15,400 Ma: THAT CAN'T BE, LAURA. 486 00:28:15,560 --> 00:28:17,730 AMELIA SAID HER PA WORKS FOR THE RAILROAD, 487 00:28:17,900 --> 00:28:20,820 AND MARY SAID MR. BEVINS' FAMILY IS BACK EAST. 488 00:28:20,990 --> 00:28:23,490 IT'S NOT TRUE. I KNOW IT'S NOT. 489 00:28:23,660 --> 00:28:24,990 COME ON. HOW DO YOU KNOW THAT? 490 00:28:25,160 --> 00:28:27,160 WELL, THAT NECKLACE THAT MARY HAS. 491 00:28:27,330 --> 00:28:28,830 AMELIA HAS ONE JUST LIKE IT. 492 00:28:28,990 --> 00:28:30,330 SHE SAID HER PA MADE IT FOR HER. 493 00:28:30,500 --> 00:28:32,080 BUT THOSE TWO NECKLACES COULD JUST LOOK THE SAME. 494 00:28:32,250 --> 00:28:34,330 NO. I KNOW HE MADE THEM. 495 00:28:34,500 --> 00:28:36,170 MARY ALSO SAID THAT MR. BEVINS 496 00:28:36,330 --> 00:28:37,880 JUST MOVED INTO THE BLIND SCHOOL. 497 00:28:38,040 --> 00:28:40,670 I DON'T UNDERSTAND. 498 00:28:40,840 --> 00:28:43,970 I'M NOT SO SURE I DO EITHER, BUT... 499 00:28:44,130 --> 00:28:45,880 IT COULD BE SOME KIND OF A FAMILY PROBLEM, 500 00:28:46,050 --> 00:28:47,680 AND THE BEVINSES JUST DON'T WANT PEOPLE TALKING. 501 00:28:47,850 --> 00:28:49,010 YOU MEAN A DIVORCE? 502 00:28:49,180 --> 00:28:51,770 YOUR PA MEANS HE DOESN'T KNOW, 503 00:28:51,930 --> 00:28:55,810 AND WHATEVER IT IS, IT'S NONE OF OUR BUSINESS. 504 00:28:55,980 --> 00:28:57,400 YES, MA'AM. 505 00:28:57,560 --> 00:28:59,110 ALL RIGHT, NOW. COME ON. UP TO BED. 506 00:28:59,270 --> 00:29:00,520 GET SOME SLEEP. 507 00:29:00,690 --> 00:29:01,820 GOOD NIGHT, MA. 508 00:29:01,990 --> 00:29:03,110 GOOD NIGHT. 509 00:29:03,280 --> 00:29:04,110 GOOD NIGHT, PA. 510 00:29:04,280 --> 00:29:05,820 GOOD NIGHT, HONEY. 511 00:29:07,780 --> 00:29:09,320 IT DOES SEEM KIND OF STRANGE, DOESN'T IT? 512 00:29:09,490 --> 00:29:11,790 [GUN FIRING] 513 00:29:11,950 --> 00:29:13,040 [SIGH] 514 00:29:13,200 --> 00:29:15,460 NOTHING'S STRANGE IN THIS TOWN. 515 00:29:34,100 --> 00:29:36,440 ADAM, I THOUGHT YOU AND MARY HAD PLANS FOR THE DAY. 516 00:29:36,600 --> 00:29:39,520 OH, WE DO, SIR. I JUST HAD SOME PAPERS TO GRADE. 517 00:29:39,690 --> 00:29:41,230 ALWAYS WORKING. 518 00:29:41,400 --> 00:29:43,110 IT'S SATURDAY, SON, AND THE SUN IS SHINING. 519 00:29:43,280 --> 00:29:46,200 YOU KNOW, YOU'RE A FINE ONE TO TALK, MR. AMES, 520 00:29:46,360 --> 00:29:48,200 WORKING IN YOUR OFFICE ALL MORNING. 521 00:29:48,360 --> 00:29:51,120 THE SUN SHINES FOR SIGHTED PEOPLE, TOO. 522 00:29:51,280 --> 00:29:52,620 VERY TRUE. AS SOON AS I GET 523 00:29:52,790 --> 00:29:54,240 THESE LETTERS ONTO THE NOON MAIL 524 00:29:54,410 --> 00:29:55,830 AND FINISH UP A FEW-- 525 00:29:56,000 --> 00:29:57,250 FINISH UP A FEW MORE REPORTS, 526 00:29:57,420 --> 00:29:59,170 GO OVER THE BOOKS AGAIN. 527 00:29:59,330 --> 00:30:01,630 I'M GOING TO HAVE TO TALK TO YOUR WIFE ABOUT YOU. 528 00:30:01,800 --> 00:30:03,750 HA! SHE KNOWS I'M HOPELESS. 529 00:30:03,920 --> 00:30:05,630 I'M GOING OUT NOW. I'LL DROP OFF THE LETTERS. 530 00:30:05,800 --> 00:30:08,260 THANK YOU. HAVE A GOOD TIME. 531 00:30:08,430 --> 00:30:09,930 I WILL, SIR. 532 00:30:13,720 --> 00:30:14,970 MR. KENDALL? 533 00:30:15,140 --> 00:30:16,600 YES, JOHN? 534 00:30:16,770 --> 00:30:18,980 I OVERHEARD YOU WERE GOING TO THE POST OFFICE. 535 00:30:19,150 --> 00:30:20,650 I WONDERED IF YOU COULD MAIL A LETTER FOR ME. 536 00:30:20,810 --> 00:30:22,230 SURE. 537 00:30:24,570 --> 00:30:26,400 THANK YOU. 538 00:30:26,570 --> 00:30:28,240 JOHN, WOULD YOU LIKE TO JOIN US TODAY? 539 00:30:28,400 --> 00:30:30,200 MARY AND I WERE GOING ON A PICNIC. 540 00:30:30,370 --> 00:30:31,620 WE'D APPRECIATE THE COMPANY. 541 00:30:31,780 --> 00:30:33,700 OH! 542 00:30:33,870 --> 00:30:35,790 OH, NO, THANK YOU. I... 543 00:30:35,950 --> 00:30:39,120 I'VE GOT SOME THINGS TO DO AROUND HERE. 544 00:30:39,290 --> 00:30:41,710 ARE YOU FEELING OK, JOHN? 545 00:30:41,880 --> 00:30:43,790 JUST FINE. 546 00:30:43,960 --> 00:30:46,130 WELL, YOU HAVEN'T LEFT THE SCHOOL IN TWO WEEKS 547 00:30:46,300 --> 00:30:47,460 EXCEPT TO WORK ON THE ROOF, 548 00:30:47,630 --> 00:30:49,630 AND YOU'VE BEEN DOING THAT AT NIGHT. 549 00:30:49,800 --> 00:30:51,760 WELL, IT'S... IT'S A LOT EASIER AT NIGHT. 550 00:30:51,930 --> 00:30:53,300 IT'S COOLER. 551 00:30:53,470 --> 00:30:56,180 A LITTLE FRESH AIR WOULDN'T HURT YOU. 552 00:30:56,350 --> 00:30:59,180 I'VE JUST BEEN BUSY IS ALL. 553 00:30:59,350 --> 00:31:00,600 I'LL GET OUT. 554 00:31:00,770 --> 00:31:02,940 YOU SURE YOU WON'T JOIN US? 555 00:31:03,110 --> 00:31:05,730 ANOTHER TIME, BUT THANK YOU. 556 00:31:05,900 --> 00:31:09,780 ALL RIGHT, BUT I'M GOING TO HOLD YOU TO THAT. 557 00:31:09,950 --> 00:31:11,450 HAVE A NICE DAY. 558 00:31:11,610 --> 00:31:12,950 THANK YOU. 559 00:31:23,080 --> 00:31:25,500 ADAM! ADAM! 560 00:31:25,670 --> 00:31:27,130 YOU BETTER GET DOWN TO THE HOTEL. 561 00:31:27,300 --> 00:31:28,670 MARY'S MADDER THAN A WET HEN. 562 00:31:28,840 --> 00:31:30,300 NOT HAVING BEEN RAISED ON A FARM, 563 00:31:30,470 --> 00:31:32,220 I'M NOT QUITE SURE HOW MAD THAT IS. 564 00:31:32,390 --> 00:31:33,890 BELIEVE ME, IT'S MAD. 565 00:31:34,050 --> 00:31:35,930 SHE'S BEEN READY FOR AN HOUR. 566 00:31:36,100 --> 00:31:37,470 I DIDN'T KNOW IT WAS THAT LATE. 567 00:31:37,640 --> 00:31:39,770 I HAVE TO GO TO THE POST OFFICE. 568 00:31:39,930 --> 00:31:41,440 YOU TELL HER I'LL BE RIGHT THERE. 569 00:31:41,600 --> 00:31:43,400 I'LL TAKE CARE OF THAT. YOU'D BETTER GET DOWN THERE. 570 00:31:43,560 --> 00:31:46,190 I GREW UP WITH MARY. I KNOW WHAT SHE'S LIKE WHEN SHE'S MAD. 571 00:31:46,360 --> 00:31:47,860 THE SOONER YOU GET THERE, THE BETTER. 572 00:31:48,030 --> 00:31:50,900 OK. I'M MUCH OBLIGED. I'M ON MY WAY. 573 00:31:53,240 --> 00:31:55,370 10 STAMPS. THERE YOU ARE. 574 00:31:55,530 --> 00:31:57,030 20 CENTS. 575 00:31:57,200 --> 00:31:58,450 THAT'LL DO HER. 576 00:31:58,620 --> 00:31:59,700 THANK YOU. BYE-BYE. 577 00:31:59,870 --> 00:32:01,200 BYE. 578 00:32:01,370 --> 00:32:02,660 ALL STAMPED AND READY TO GO. 579 00:32:02,830 --> 00:32:04,710 ALL RIGHT. LET ME CHECK THEM HERE. 580 00:32:09,210 --> 00:32:11,170 WELL, YOU'RE KIND OF WASTING A GOOD STAMP ON THIS ONE. 581 00:32:11,340 --> 00:32:12,550 WHAT'S WRONG WITH IT? 582 00:32:12,720 --> 00:32:13,930 LOOK AT IT. 583 00:32:14,090 --> 00:32:16,090 IT'S GOING TO THE ROOMING HOUSE ACROSS THE STREET. 584 00:32:16,260 --> 00:32:19,720 YOU WALK 20 STEPS, YOU COULD SAVE 2 CENTS. 585 00:32:21,140 --> 00:32:22,980 YOU BETTER MAIL IT THE WAY IT IS. 586 00:32:23,140 --> 00:32:26,060 FINE WITH ME. 587 00:32:26,230 --> 00:32:29,480 SOME FOLKS DON'T CARE HOW THEY SPEND THEIR MONEY. 588 00:32:29,650 --> 00:32:31,190 ARE YOU SURE? 589 00:32:31,360 --> 00:32:33,240 OF COURSE I'M SURE. I ALREADY TOLD YOU THAT. 590 00:32:33,400 --> 00:32:34,910 IT'LL JUST GO TO WASTE. 591 00:32:35,070 --> 00:32:37,490 MARY, I CAN'T. IF EVERYBODY IN WINOKA 592 00:32:37,660 --> 00:32:39,950 ATE AS MUCH FRIED CHICKEN AS I DID TODAY, 593 00:32:40,120 --> 00:32:42,750 THE POOR LITTLE BIRDS WOULD BE EXTINCT. 594 00:32:42,910 --> 00:32:44,290 ALL RIGHT, ADAM. 595 00:32:44,460 --> 00:32:45,710 IF YOU DON'T LIKE MY MOTHER'S FRIED CHICKEN-- 596 00:32:45,880 --> 00:32:48,130 I LOVE YOUR MOTHER'S CHICKEN. 597 00:32:48,290 --> 00:32:50,630 [SHOUTING] I LOVE MRS. INGALLS' FRIED CHICKEN! 598 00:32:50,800 --> 00:32:52,590 SHH! ADAM, SHH! 599 00:32:52,760 --> 00:32:54,800 YOU'LL WAKE EVERYBODY. 600 00:32:54,970 --> 00:32:58,260 I LOVE YOUR MOTHER'S CHICKEN. 601 00:32:58,430 --> 00:33:00,850 AND I LOVE YOUR MOTHER'S DAUGHTER. 602 00:33:01,020 --> 00:33:02,680 WHICH ONE? 603 00:33:04,390 --> 00:33:05,940 THIS ONE. 604 00:33:17,120 --> 00:33:19,870 YOU KNOW WHAT I LIKE ABOUT THIS SCHOOL? 605 00:33:20,030 --> 00:33:21,120 WHAT? 606 00:33:21,290 --> 00:33:23,580 I CAN KISS YOU IN FRONT OF THE WHOLE CLASS, 607 00:33:23,750 --> 00:33:25,210 AND THEY WON'T KNOW A THING. 608 00:33:25,370 --> 00:33:26,920 ADAM, YOU'RE TERRIBLE. 609 00:33:27,080 --> 00:33:28,880 TRUE. 610 00:33:29,040 --> 00:33:30,380 [DISTANT HAMMERING] 611 00:33:30,550 --> 00:33:32,960 HE'S UP THERE AGAIN TONIGHT. 612 00:33:34,760 --> 00:33:36,680 I WISH HE'D COME WITH US TODAY. 613 00:33:36,840 --> 00:33:38,890 WELL, I TRIED. 614 00:33:39,050 --> 00:33:42,350 I KNOW, AND... IT WAS SWEET OF YOU. 615 00:33:42,520 --> 00:33:44,890 I'M A SWEET PERSON. 616 00:33:45,060 --> 00:33:47,850 IF YOU WERE, YOU'D EAT ANOTHER PIECE OF CHICKEN. 617 00:33:48,020 --> 00:33:50,190 GO TO BED, MARY INGALLS. 618 00:33:50,360 --> 00:33:52,110 THAT IS YOUR SUPERIOR TALKING. 619 00:33:52,280 --> 00:33:53,860 YES, SIR. 620 00:33:57,490 --> 00:34:00,240 GOOD NIGHT. 621 00:34:44,950 --> 00:34:46,450 UHH! 622 00:34:50,540 --> 00:34:51,790 GOD, WHAT WAS THAT? 623 00:34:51,960 --> 00:34:53,340 I DON'T KNOW. 624 00:34:53,500 --> 00:34:54,960 I'LL SEE TO IT. 625 00:35:02,050 --> 00:35:03,510 EASY, JOHN! 626 00:35:03,680 --> 00:35:05,390 DON'T TRY TO MOVE. 627 00:35:06,970 --> 00:35:08,980 I'LL GET THE DOCTOR. 628 00:35:18,900 --> 00:35:20,280 Charles: HOW IS HE? 629 00:35:20,450 --> 00:35:24,870 PHYSICALLY, HE HAS A CHANCE, BUT HE WON'T TAKE IT. 630 00:35:25,030 --> 00:35:26,620 SPLEEN IS SEEPING. 631 00:35:26,790 --> 00:35:28,160 IT'S ONLY A MATTER OF TIME TILL IT GOES. 632 00:35:28,330 --> 00:35:31,750 IT HAS TO BE REMOVED, AND HE WON'T ALLOW IT. 633 00:35:31,920 --> 00:35:33,170 WHY? 634 00:35:33,330 --> 00:35:36,340 HE DOESN'T WANT TO LIVE. 635 00:35:36,500 --> 00:35:38,460 EVEN IF HE LET ME OPERATE, 636 00:35:38,630 --> 00:35:40,630 WITH THAT ATTITUDE, HE'D NEVER MAKE IT. 637 00:35:40,800 --> 00:35:45,100 A MAN THAT SIZE, WITHOUT THE WILL TO LIVE, 638 00:35:45,260 --> 00:35:47,430 HE WOULDN'T HAVE A CHANCE. 639 00:35:47,600 --> 00:35:49,930 DID HE SAY ANYTHING ABOUT HIS FAMILY? 640 00:35:50,100 --> 00:35:52,940 NO. NO. NOT TO ME. 641 00:35:53,100 --> 00:35:56,270 HE IMPLIED HE WAS ALL ALONE. 642 00:35:57,780 --> 00:36:00,150 LOOK, DOC, CAN YOU STAY WITH HIM FOR A WHILE? 643 00:36:00,320 --> 00:36:01,950 I'LL BE RIGHT BACK. 644 00:36:02,110 --> 00:36:03,910 CERTAINLY. THANK YOU. 645 00:36:12,170 --> 00:36:16,420 Bess: AMELIA, YOU'VE BEEN BRUSHING YOUR HAIR FOR AN HOUR. 646 00:36:16,590 --> 00:36:19,000 YOU'RE GOING TO BE LATE FOR SCHOOL. 647 00:36:19,170 --> 00:36:20,460 BUT I HAVE TO READ MY ESSAY TODAY. 648 00:36:20,630 --> 00:36:22,720 I WANT TO LOOK NICE IN FRONT OF THE CLASS. 649 00:36:22,880 --> 00:36:24,590 [KNOCK ON DOOR] 650 00:36:24,760 --> 00:36:27,430 YOU LOOK LOVELY. NOW, ON YOUR WAY. 651 00:36:27,600 --> 00:36:28,970 YES'M. 652 00:36:31,810 --> 00:36:32,640 MRS. BEVINS. 653 00:36:32,810 --> 00:36:33,980 MR. INGALLS. 654 00:36:34,150 --> 00:36:35,560 I WANT TO TALK TO YOU. 655 00:36:35,730 --> 00:36:36,980 IT'S ABOUT YOUR HUSBAND. 656 00:36:37,150 --> 00:36:38,980 CERTAINLY. PLEASE COME IN. 657 00:36:40,780 --> 00:36:41,860 WHAT IS IT? 658 00:36:42,030 --> 00:36:43,650 THERE WAS AN ACCIDENT AT THE SCHOOL LAST NIGHT. 659 00:36:43,820 --> 00:36:45,530 HE FELL. 660 00:36:46,740 --> 00:36:49,160 MR. INGALLS, I THINK THERE MUST BE SOME MISTAKE. 661 00:36:49,330 --> 00:36:50,990 JOHN DOESN'T WORK THERE ANYMORE. 662 00:36:51,160 --> 00:36:53,540 HE'S BEEN WORKING FOR THE RAILROAD FOR NEARLY TWO WEEKS NOW. 663 00:36:53,710 --> 00:36:54,960 MRS. BEVINS, I DON'T KNOW WHAT THE PROBLEMS ARE 664 00:36:55,120 --> 00:36:56,540 YOU'RE HAVING WITH YOUR HUSBAND, 665 00:36:56,710 --> 00:36:58,000 BUT I WISH YOU'D PUT THEM ASIDE FOR NOW. 666 00:36:58,170 --> 00:36:59,340 HE'S VERY ILL. 667 00:36:59,500 --> 00:37:02,170 WE...WE DON'T HAVE ANY PROBLEMS. 668 00:37:02,340 --> 00:37:04,380 I THINK THERE'S BEEN SOME MISTAKE. 669 00:37:04,550 --> 00:37:05,930 LOOK. 670 00:37:07,760 --> 00:37:10,180 I GOT THIS LETTER FROM HIM LATE SATURDAY. 671 00:37:10,350 --> 00:37:12,560 HE'S ALMOST 200 MILES FROM HERE. 672 00:37:12,730 --> 00:37:14,060 HE SENT ME HIS FIRST WEEK'S WAGES. 673 00:37:14,230 --> 00:37:15,980 MAY I SEE THAT? 674 00:37:17,650 --> 00:37:19,520 LOOK AT THE POSTMARK. 675 00:37:20,860 --> 00:37:22,690 WINOKA. 676 00:37:22,860 --> 00:37:25,400 I NEVER LOOKED. I... 677 00:37:25,570 --> 00:37:26,820 I DON'T UNDERSTAND. 678 00:37:26,990 --> 00:37:28,320 NEITHER DO I. ALL I KNOW IS, 679 00:37:28,490 --> 00:37:29,780 YOUR HUSBAND NEEDS AN OPERATION AND THE WILL TO LIVE, 680 00:37:29,950 --> 00:37:31,950 AND HE'S DENYING HIMSELF BOTH. 681 00:37:33,290 --> 00:37:35,410 DEAR GOD. 682 00:37:35,580 --> 00:37:37,080 TAKE ME TO HIM. 683 00:37:39,290 --> 00:37:40,710 MRS. BEVINS IS HERE. 684 00:37:40,880 --> 00:37:43,420 MRS. BEVINS. 685 00:37:43,590 --> 00:37:44,970 WOULD YOU LEAVE US ALONE, PLEASE? 686 00:37:45,130 --> 00:37:46,550 CERTAINLY. 687 00:38:00,440 --> 00:38:04,730 JOHN. 688 00:38:04,900 --> 00:38:07,400 JOHN, IT'S ME--BESS. 689 00:38:10,070 --> 00:38:12,660 I'M NOT GOING TO ASK YOU WHY YOU'VE DONE THIS. 690 00:38:12,830 --> 00:38:14,830 I ONLY ASK THAT YOU HAVE THE OPERATION. 691 00:38:15,000 --> 00:38:18,250 BESS, PLEASE. 692 00:38:18,420 --> 00:38:21,960 OH... OH, PLEASE, LET... 693 00:38:22,130 --> 00:38:23,630 LET ME DIE. 694 00:38:23,800 --> 00:38:26,340 JOHN, WHATEVER I'VE DONE, WHATEVER IT IS, 695 00:38:26,510 --> 00:38:29,880 WE CAN WORK IT OUT. 696 00:38:30,050 --> 00:38:32,470 WHATEVER YOU'VE DONE? 697 00:38:32,640 --> 00:38:33,810 OH... 698 00:38:33,970 --> 00:38:36,810 OH, MY BESS. 699 00:38:36,980 --> 00:38:40,230 YOU AND AMELIA... 700 00:38:42,060 --> 00:38:44,980 YOU CAN HAVE A LIFE. 701 00:38:45,150 --> 00:38:49,450 YOU'RE JUST THE SAME AS THE DAY WE MET. 702 00:38:49,610 --> 00:38:50,820 NO, I'M NOT. 703 00:38:50,990 --> 00:38:53,740 I'M NOT. I DIDN'T LOVE YOU THEN. 704 00:38:53,910 --> 00:38:55,870 BESS, I... 705 00:38:56,040 --> 00:38:57,120 I'M A FREAK. 706 00:38:57,290 --> 00:39:02,040 I'M A FAT, UGLY FREAK. 707 00:39:03,420 --> 00:39:06,380 YOU HAVE YOUR WHOLE LIFE AHEAD. 708 00:39:06,550 --> 00:39:09,970 NOT WITHOUT YOU. 709 00:39:10,130 --> 00:39:12,050 OH...GO. 710 00:39:13,970 --> 00:39:16,310 GO, PLEASE... 711 00:39:16,470 --> 00:39:22,770 IF NOT FOR YOURSELF, THEN FOR AMELIA. 712 00:39:22,940 --> 00:39:24,770 OH, DON'T LET ME RUIN 713 00:39:24,940 --> 00:39:27,280 HER LIFE ANYMORE. 714 00:39:28,690 --> 00:39:34,950 DON'T LET ME RUIN HER LIFE... 715 00:39:35,120 --> 00:39:35,990 LIFE... 716 00:39:36,160 --> 00:39:37,240 JOHN. 717 00:39:37,410 --> 00:39:38,950 JOHN! 718 00:39:39,120 --> 00:39:40,750 DOCTOR! 719 00:39:48,130 --> 00:39:50,420 OPERATE. 720 00:40:15,700 --> 00:40:17,950 WE KNOW THAT MR. BEVINS IS VERY ILL, 721 00:40:18,120 --> 00:40:20,830 AND ALL OUR PRAYERS ARE WITH HIM. 722 00:40:21,000 --> 00:40:24,170 I WAS GOING TO CANCEL ALL CLASSES FOR TODAY 723 00:40:24,330 --> 00:40:27,630 UNTIL I READ AN ESSAY BY SUE FARLEY. 724 00:40:27,800 --> 00:40:30,130 I'VE ASKED SUE TO READ IT FOR US. 725 00:40:30,300 --> 00:40:32,170 SUE? 726 00:40:32,340 --> 00:40:36,390 MY ESSAY IS CALLED "THE LOVE I SEE." 727 00:40:38,060 --> 00:40:40,430 "I'VE ALWAYS LIVED IN A DARK WORLD 728 00:40:40,600 --> 00:40:43,230 "ALONG WITH ALL OF YOU. 729 00:40:43,390 --> 00:40:48,610 "WE HAVE HAPPY TIMES AND SAD ONES, TOO. 730 00:40:48,770 --> 00:40:52,490 "BUT WE'RE TOGETHER AND TRY TO HELP EACH OTHER 731 00:40:52,650 --> 00:40:55,240 "AS BEST WE CAN. 732 00:40:55,410 --> 00:40:59,490 "IT'S A RARE THING WHEN A SIGHTED PERSON COMES INTO OUR MIDST 733 00:40:59,660 --> 00:41:01,910 "AND SEEMS TO UNDERSTAND. 734 00:41:02,080 --> 00:41:05,540 "MR. BEVINS IS SUCH A MAN. 735 00:41:05,710 --> 00:41:10,000 "HIS VOICE MAKES YOU HAPPY WHEN HE SAYS HELLO, 736 00:41:10,170 --> 00:41:14,260 "AND WHEN YOU TOUCH HIS HAND, YOU FEEL KINDNESS. 737 00:41:14,430 --> 00:41:18,850 "HE MAKES US SO MANY THINGS TO BRIGHTEN OUR LIVES. 738 00:41:19,010 --> 00:41:22,850 "IF THE WORLD WERE FULL OF PEOPLE LIKE MR. BEVINS, 739 00:41:23,020 --> 00:41:25,770 "THERE WOULD BE NO DARKNESS-- 740 00:41:25,940 --> 00:41:29,730 "JUST A BRIGHT GLOW OF LOVE. 741 00:41:29,900 --> 00:41:32,230 "THE LOVE I SEE. 742 00:41:32,400 --> 00:41:35,820 GOD BLESS YOU, MR. BEVINS." 743 00:42:06,520 --> 00:42:08,480 SOME SANDWICHES. 744 00:42:10,440 --> 00:42:12,480 CAROLINE THOUGHT YOU MIGHT BE HUNGRY. 745 00:42:14,990 --> 00:42:16,490 [DOOR CLOSES] 746 00:42:20,240 --> 00:42:21,490 [BESS CLEARS THROAT] 747 00:42:21,660 --> 00:42:24,290 HE'S STILL UNCONSCIOUS. 748 00:42:31,250 --> 00:42:33,670 WHY DON'T YOU GET SOME REST, SIT AWHILE? 749 00:42:36,550 --> 00:42:38,300 Bess: I AM TIRED. 750 00:42:43,180 --> 00:42:46,640 [SOBBING] 751 00:42:46,810 --> 00:42:48,100 SHH... 752 00:43:18,800 --> 00:43:20,340 PAPA? 753 00:43:22,800 --> 00:43:24,720 YOU HAVE TO BE ALL RIGHT. 754 00:43:31,560 --> 00:43:35,360 YOU HAVE TO KNOW I LOVE YOU. 755 00:43:43,620 --> 00:43:45,620 I... 756 00:43:45,780 --> 00:43:47,950 I KNOW I HURT YOU. 757 00:43:51,290 --> 00:43:54,750 AND I DON'T EXPECT YOU TO LOVE ME, BUT... 758 00:43:57,460 --> 00:43:59,590 BUT, OH, PAPA... 759 00:44:02,590 --> 00:44:04,970 SO MANY PEOPLE LOVE YOU. 760 00:44:09,220 --> 00:44:11,850 MAMA AND... 761 00:44:12,020 --> 00:44:14,690 AND THE BLIND GIRL SUE. 762 00:44:17,150 --> 00:44:19,980 SHE LOVES YOU SO MUCH. 763 00:44:26,330 --> 00:44:29,200 SO PLEASE LIVE FOR THEM. 764 00:44:33,250 --> 00:44:35,420 PLEASE. 765 00:44:48,890 --> 00:44:50,600 [AMELIA CRYING] 766 00:45:13,790 --> 00:45:16,460 SHH. 767 00:45:18,290 --> 00:45:20,090 DON'T CRY. 768 00:45:22,630 --> 00:45:25,550 DON'T CRY, AMELIA. 769 00:45:27,850 --> 00:45:30,560 YOUR PAPA'S HERE. 770 00:45:34,020 --> 00:45:36,020 SHH. 771 00:45:36,190 --> 00:45:39,610 DON'T CRY. 772 00:45:39,770 --> 00:45:43,280 OH, LOOK, DON'T CRY, AMELIA. 773 00:45:52,120 --> 00:45:57,040 DON'T LOOK SO SURPRISED THAT I'M ALIVE, DOC. 774 00:45:57,210 --> 00:46:00,420 THAT'S WHAT YOU GET PAID FOR. 775 00:46:07,260 --> 00:46:09,340 I'LL GET YOUR WIFE. 776 00:46:14,850 --> 00:46:17,020 MRS. BEVINS. 777 00:46:18,810 --> 00:46:22,020 YOUR HUSBAND WOULD LIKE TO SEE YOU NOW. 778 00:46:30,070 --> 00:46:33,620 Charles: I DON'T KNOW ABOUT THE REST OF YOU, BUT I'D LIKE A SANDWICH! 779 00:46:48,220 --> 00:46:50,550 HEY! HEY, BEVINS! HEY! 780 00:46:50,720 --> 00:46:51,760 HEY, BEVINS! HEY! HEY! HEY! 781 00:46:51,930 --> 00:46:55,310 HEY, BEVINS! HEY! 782 00:46:55,470 --> 00:46:56,430 GOOD MORNING, SMITTY. 783 00:46:56,600 --> 00:46:58,020 HEY, I GOT A REAL GOOD ONE FOR YOU. 784 00:46:58,190 --> 00:47:00,100 SEE, THERE WAS THIS REAL FAT GUY, YOU KNOW? 785 00:47:00,270 --> 00:47:01,770 I GOT NO TIME. 786 00:47:01,940 --> 00:47:05,270 I'M WALKING MY DAUGHTER TO SCHOOL, 787 00:47:05,440 --> 00:47:07,280 AND I DON'T WANT HER TO BE LATE. 788 00:47:07,440 --> 00:47:09,450 WELL, IT'LL ONLY TAKE A MINUTE, 789 00:47:09,610 --> 00:47:11,200 AND IT'S A REAL GOOD ONE! 790 00:47:11,370 --> 00:47:12,780 HA HA! 791 00:47:12,950 --> 00:47:16,870 SMITTY, TAKE MY WORD FOR IT. 792 00:47:17,870 --> 00:47:20,080 I'VE HEARD THEM ALL. 53978

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