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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:01,180 --> 00:01:03,520 [BELL RINGING] 2 00:01:33,130 --> 00:01:35,630 [BELLS ON DOOR RING] 3 00:01:40,050 --> 00:01:41,680 NELS? 4 00:01:41,850 --> 00:01:42,760 CHARLES! 5 00:01:42,930 --> 00:01:44,470 I THOUGHT YOU HAD ALREADY LEFT. 6 00:01:44,640 --> 00:01:47,390 NO. WE WANTED TO STOP BY, SAY GOOD-BYE TO EVERYBODY. 7 00:01:47,560 --> 00:01:50,060 NOBODY LEFT IN TOWN TO SAY GOOD-BYE TO. 8 00:01:50,230 --> 00:01:51,440 SO I SEE. 9 00:01:51,610 --> 00:01:54,440 YEAH. I GOT RID OF THE LAST STUFF TODAY. 10 00:01:54,610 --> 00:01:56,070 [SMACKS LIPS] 11 00:01:56,240 --> 00:01:58,240 HAPPENED SO FAST. 12 00:01:58,400 --> 00:02:00,280 ONE DAY, WE WERE A TOWN AND... 13 00:02:02,530 --> 00:02:06,080 IT'S LIKE HANSON SAID-- I GUESS WE CAN'T FIGHT THE RAILROAD. 14 00:02:06,250 --> 00:02:08,040 YEAH. 15 00:02:08,210 --> 00:02:09,920 WELL, WHERE ARE MY MANNERS? 16 00:02:10,080 --> 00:02:13,420 THE MISSIS IS MAKING SOME TEA. WOULD YOU LIKE SOME? 17 00:02:13,590 --> 00:02:16,380 WE REALLY SHOULD BE GETTING BACK, 18 00:02:16,550 --> 00:02:19,590 BUT I WOULD LIKE TO SAY GOOD-BYE TO HER. 19 00:02:19,760 --> 00:02:22,890 SURE ENOUGH. SHE'S FEELING KIND OF LOW. 20 00:02:23,050 --> 00:02:26,720 I HAD TO SELL EVERYTHING, YOU UNDERSTAND. 21 00:02:28,060 --> 00:02:29,690 SHE'S IN THE BACK. 22 00:02:59,920 --> 00:03:01,470 MRS. OLESON? 23 00:03:01,630 --> 00:03:05,350 WHY, CAROLINE, WHAT A SURPRISE. 24 00:03:06,930 --> 00:03:08,470 WELL, WE'RE LEAVING TOMORROW, 25 00:03:08,640 --> 00:03:11,980 AND I WANTED TO SAY GOOD-BYE. 26 00:03:12,150 --> 00:03:14,270 OH. YES. 27 00:03:16,150 --> 00:03:21,990 WELL, I'D ASK YOU TO SIT DOWN, BUT WE'RE... 28 00:03:24,160 --> 00:03:26,870 WE'RE REDECORATING. I FINALLY SAID TO NELS, 29 00:03:27,040 --> 00:03:29,490 "THIS OLD FURNITURE IS JUST DRIVING ME CRAZY. 30 00:03:29,660 --> 00:03:32,830 NOW, LET'S JUST GET RID OF IT AND BUY ALL NEW." 31 00:03:33,000 --> 00:03:34,580 LORD KNOWS HOW LONG IT'S GOING TO TAKE 32 00:03:34,750 --> 00:03:36,790 FOR ALL THE NEW FURNITURE TO GET HERE. 33 00:03:36,960 --> 00:03:38,170 I DO WISH THAT YOU WERE GOING TO BE HERE 34 00:03:38,340 --> 00:03:41,300 SO YOU COULD SEE IT WHEN IT'S ALL DONE. 35 00:03:44,050 --> 00:03:48,010 UH, COULD I POUR YOU SOME TEA? 36 00:03:48,180 --> 00:03:49,850 HUH? 37 00:03:50,020 --> 00:03:53,850 OH, I DO WISH THAT I HAD OTHER CUPS. 38 00:03:54,020 --> 00:03:56,400 THESE ARE NOT THE PROPER CUPS FOR COMPANY! 39 00:03:56,560 --> 00:03:57,940 [SOBBING SOFTLY] 40 00:04:02,950 --> 00:04:05,530 OH, CAROLINE... 41 00:04:11,580 --> 00:04:12,910 I'LL MISS YOU. 42 00:04:13,080 --> 00:04:15,620 OH, WHAT A FUNNY THING TO SAY. 43 00:04:15,790 --> 00:04:18,710 I DON'T KNOW WHO'S EVER GOING TO MISS ME. 44 00:04:18,880 --> 00:04:20,960 WELL, I AM, AND I DON'T KNOW WHY. 45 00:04:22,720 --> 00:04:24,550 WELL, I'LL TELL YOU SOMETHING. 46 00:04:24,720 --> 00:04:26,050 I'M GOING TO MISS YOU, TOO, 47 00:04:26,220 --> 00:04:27,430 AND I DON'T KNOW WHY, EITHER. 48 00:04:39,150 --> 00:04:43,070 WELL, YOU HAVE A GOOD TRIP. 49 00:04:43,240 --> 00:04:44,740 YOU TAKE CARE OF CHARLES 50 00:04:44,900 --> 00:04:47,200 AND TELL THE CHILDREN GOOD-BYE. 51 00:04:49,410 --> 00:04:50,870 I'M A MESS. 52 00:05:13,390 --> 00:05:16,770 WELL, THAT OUGHT TO HOLD IT. 53 00:05:16,940 --> 00:05:18,650 THANK YOU FOR GIVING ME A HAND. 54 00:05:18,810 --> 00:05:22,190 THAT'S ALL RIGHT. I AIN'T GOT NOTHING TO DO, ANYWAY. 55 00:05:22,360 --> 00:05:24,320 WHEN ARE YOU GOING TO BE PULLING OUT? 56 00:05:24,490 --> 00:05:27,450 COUPLE OF DAYS. I BEEN PUTTING IT OFF. 57 00:05:27,610 --> 00:05:29,950 HOPING FOR A MIRACLE, I GUESS. 58 00:05:30,120 --> 00:05:32,120 AFRAID THE RAILROAD DOESN'T BELIEVE IN MIRACLES. 59 00:05:34,330 --> 00:05:36,040 I'M REALLY GOING TO MISS THIS PLACE. 60 00:05:38,330 --> 00:05:41,920 I DON'T THINK YOU REALIZE HOW MUCH A PLACE MEANS TILL YOU HAVE TO LEAVE IT, I GUESS. 61 00:05:43,300 --> 00:05:45,050 I KNOW WHAT YOU MEAN. 62 00:05:45,210 --> 00:05:47,720 BEEN AWFUL HARD ON ALICE. 63 00:05:47,880 --> 00:05:51,140 SHE DON'T SAY NOTHING. THAT'S HOW I KNOW. 64 00:05:51,300 --> 00:05:55,680 JUST PACKED UP ALL OUR STUFF, DIDN'T SAY A WORD. 65 00:05:57,390 --> 00:05:58,850 GOT NO CHOICE. 66 00:06:01,150 --> 00:06:03,730 YOU'RE RIGHT. WELL, I WON'T HOLD YOU. 67 00:06:03,900 --> 00:06:06,400 I KNOW YOU'LL BE GETTING AN EARLY START TOMORROW. 68 00:06:08,150 --> 00:06:10,320 WELL, GOOD LUCK WHEREVER YOU SETTLE. 69 00:06:10,490 --> 00:06:12,200 GOOD LUCK IN WINOKA. 70 00:06:13,620 --> 00:06:15,410 I'M GOING TO MISS YOU, FRIEND. 71 00:06:40,520 --> 00:06:42,690 I WANT YOU TO GET IN THE BACK OF THE WAGON WITH YOUR SISTERS. 72 00:07:09,920 --> 00:07:11,590 IT'S TIME TO GO. 73 00:07:13,050 --> 00:07:14,760 YOU ALL READY? 74 00:07:14,930 --> 00:07:16,510 YEAH. WE'RE ALL SET. 75 00:07:21,140 --> 00:07:24,270 I WISH WE DIDN'T HAVE TO LEAVE SO MANY THINGS BEHIND. 76 00:07:31,240 --> 00:07:33,240 REMEMBER THE DAY YOU PUT THIS PUMP IN? 77 00:07:34,990 --> 00:07:37,330 YOU WERE SO PROUD. 78 00:07:37,490 --> 00:07:38,950 YOU SAID TO ME, 79 00:07:39,120 --> 00:07:42,540 "I PROMISED YOU WATER IN THE KITCHEN, AND WATER YOU'VE GOT." 80 00:07:44,420 --> 00:07:46,170 YOU WERE SO PROUD. 81 00:07:47,710 --> 00:07:49,340 [SOBBING] 82 00:08:00,480 --> 00:08:01,850 REMEMBER WHAT MR. NASH SAID TO ME 83 00:08:02,020 --> 00:08:04,730 WHEN I HAD TO SAY GOOD-BYE TO MARY AT THE BURTON SCHOOL? 84 00:08:07,980 --> 00:08:09,770 HE SAID, "MAKE IT BRIEF. 85 00:08:11,530 --> 00:08:13,740 LONG GOOD-BYES ARE ONLY PAINFUL." 86 00:08:15,780 --> 00:08:17,200 NOW... 87 00:08:21,410 --> 00:08:23,120 ONLY GOOD TIMES HERE. 88 00:08:23,290 --> 00:08:24,540 RIGHT? 89 00:08:41,430 --> 00:08:42,970 MA LOOKS SO SAD. 90 00:08:47,480 --> 00:08:48,770 I KNOW. 91 00:09:05,120 --> 00:09:09,210 WE CAN DO ANYTHING... LONG AS WE'RE TOGETHER. 92 00:10:25,490 --> 00:10:28,080 [THUNDER] 93 00:10:59,200 --> 00:11:00,900 [HORSE NICKERS] 94 00:11:12,420 --> 00:11:14,330 Man: YA-HOO! 95 00:11:20,170 --> 00:11:23,130 [LAUGHTER AND WHOOPING] 96 00:11:34,440 --> 00:11:37,150 HAVE YOU EVER SEEN SO MANY PEOPLE BEFORE IN YOUR LIFE? 97 00:11:37,320 --> 00:11:38,730 I'M HAPPY TO SAY I HAVEN'T. 98 00:11:38,900 --> 00:11:40,650 CHARLES, YOU SAID YOU WOULDN'T MIND THE CITY. 99 00:11:40,820 --> 00:11:44,360 I KNOW. I KNOW WHAT I SAID. GIVE ME 5 MINUTES TO GET USED TO IT, WOMAN. 100 00:11:44,530 --> 00:11:46,200 I GOT TO GO TELL MARY ABOUT IT. 101 00:11:46,370 --> 00:11:48,540 [HONKY-TONK PIANO PLAYING] 102 00:11:50,790 --> 00:11:53,670 LORDY, MARY, YOU'D NEVER BELIEVE HOW BIG IT IS. 103 00:11:53,830 --> 00:11:55,000 IT SOUNDS BIG. 104 00:11:55,170 --> 00:11:56,790 WHAT'S ALL THE MUSIC? 105 00:11:56,960 --> 00:11:58,340 IT'S COMING FROM THE SALOON, 106 00:11:58,500 --> 00:12:01,170 JUST LIKE THE ONE WE SAW ONCE IN GOLD COUNTRY. 107 00:12:01,340 --> 00:12:03,050 PA'S NOT GOING TO LIKE IT. 108 00:12:04,340 --> 00:12:06,720 WHOA. WELL, THIS MUST BE IT. 109 00:12:06,890 --> 00:12:08,300 ADAM SAID IT WAS RIGHT NEXT DOOR TO THE CHURCH. 110 00:12:08,470 --> 00:12:10,270 [GUNSHOT] 111 00:12:10,430 --> 00:12:11,560 WHOA. EASY, EASY. 112 00:12:11,730 --> 00:12:13,020 SOMEONE'S IDEA OF A JOKE. 113 00:12:13,190 --> 00:12:14,640 I'D BETTER HOLD THE TEAM. 114 00:12:14,810 --> 00:12:16,980 ALL RIGHT. I'LL TELL ADAM WE'LL VISIT WITH HIM LATER. 115 00:12:18,650 --> 00:12:21,650 Adam: AND THE NEXT SOUND IS A VERY EASY ONE. 116 00:12:21,820 --> 00:12:24,360 LET'S SEE WHO CAN SHOUT OUT THE ANSWER FIRST. 117 00:12:26,990 --> 00:12:28,320 Children: YOU'RE RIPPING PAPER. 118 00:12:28,490 --> 00:12:29,740 RIGHT. RIGHT. 119 00:12:29,910 --> 00:12:34,660 NOW, THE NEXT SOUND IS ONE THAT SOME OF YOU CAN DO, 120 00:12:34,830 --> 00:12:36,290 AND SOME OF YOU CAN'T. 121 00:12:36,460 --> 00:12:38,210 NOW, LISTEN CLOSE. 122 00:12:41,130 --> 00:12:42,340 Mary: YOU'RE SNAPPING YOUR FINGERS. 123 00:12:42,510 --> 00:12:43,800 RIGHT. 124 00:12:46,930 --> 00:12:48,260 MARY. 125 00:12:50,430 --> 00:12:52,270 MARY, YOU'RE HERE. 126 00:12:54,730 --> 00:12:56,730 [MARY LAUGHS] 127 00:12:56,900 --> 00:12:59,060 OH, HAVE I MISSED YOU. 128 00:12:59,230 --> 00:13:00,230 WHEN YOU DIDN'T ANSWER MY LETTER, 129 00:13:00,400 --> 00:13:01,650 I WAS AFRAID YOU WEREN'T COMING. 130 00:13:01,820 --> 00:13:03,490 I NEVER GOT YOUR LETTER. DIDN'T YOU GET MINE? 131 00:13:03,650 --> 00:13:06,530 NO. IT DOESN'T MATTER. 132 00:13:08,120 --> 00:13:09,450 YOU'RE HERE. 133 00:13:12,370 --> 00:13:14,120 THAT SOUNDS LIKE KISSING. 134 00:13:16,500 --> 00:13:19,750 I'D LIKE YOU ALL TO SAY HELLO TO MARY INGALLS. 135 00:13:19,920 --> 00:13:22,460 Children: HELLO, MARY INGALLS. 136 00:13:22,630 --> 00:13:24,050 Mary: HELLO, CHILDREN. 137 00:13:24,220 --> 00:13:26,670 WHERE'S YOUR FAMILY? I'VE GOT TO TALK TO YOUR FATHER. 138 00:13:26,840 --> 00:13:27,970 ADAM, I'M RIGHT HERE. 139 00:13:28,140 --> 00:13:30,260 OH. UH, SIR, I'M SORRY-- 140 00:13:30,430 --> 00:13:32,350 THAT'S PERFECTLY ALL RIGHT. I UNDERSTAND. 141 00:13:32,520 --> 00:13:33,930 GOOD TO SEE YOU AGAIN. 142 00:13:34,100 --> 00:13:36,890 EVERYONE WORK ON YOUR BRAILLE ALPHABET. I'LL BE RIGHT BACK. 143 00:13:37,060 --> 00:13:38,690 Children: AW... 144 00:13:38,850 --> 00:13:40,810 ADAM, IS THIS YOUR MARY? 145 00:13:40,980 --> 00:13:42,940 YES, SIR, MR. AMES. MARY INGALLS. 146 00:13:43,110 --> 00:13:43,980 A PLEASURE. 147 00:13:44,150 --> 00:13:45,280 -AND HER FATHER. -MR. INGALLS. 148 00:13:45,440 --> 00:13:47,110 A PLEASURE TO MEET YOU, SIR. 149 00:13:47,280 --> 00:13:48,700 MARY, I HAVE TO POST A FEW LETTERS. 150 00:13:48,860 --> 00:13:49,990 I'LL BE RIGHT BACK, 151 00:13:50,160 --> 00:13:51,570 AND WE'LL GET YOU SETTLED IN YOUR ROOM. 152 00:13:51,740 --> 00:13:52,780 THANK YOU, SIR. 153 00:13:52,950 --> 00:13:54,290 IT'S GOOD TO HAVE YOU IN OUR CITY. 154 00:13:54,450 --> 00:13:56,750 THANK YOU VERY MUCH. GOOD TO BE HERE. 155 00:13:56,910 --> 00:13:59,670 MR. INGALLS, I KNOW YOU HAVEN'T HAD A CHANCE TO CATCH YOUR BREATH YET, 156 00:13:59,830 --> 00:14:02,540 BUT ONE OF THE THINGS I WROTE ABOUT IN THAT LETTER MARY NEVER GOT 157 00:14:02,710 --> 00:14:04,460 WAS A JOB AT THE HOTEL. 158 00:14:04,630 --> 00:14:06,260 WELL, IS IT STILL AVAILABLE? 159 00:14:06,420 --> 00:14:07,670 YES AND NO. 160 00:14:07,840 --> 00:14:09,630 IT'S BEEN FILLED 3 TIMES SINCE I'VE BEEN HERE, 161 00:14:09,800 --> 00:14:11,640 BUT MR. THOMS-- HE'S THE OWNER-- 162 00:14:11,800 --> 00:14:12,970 HE STILL ISN'T SATISFIED. 163 00:14:13,140 --> 00:14:14,350 WHAT KIND OF A JOB IS IT? 164 00:14:14,520 --> 00:14:17,730 MANAGER. KEEPING THE BOOKS AND REPAIRS AND SO FORTH 165 00:14:17,890 --> 00:14:19,890 AND RUNNING THE HOTEL DINING ROOM. 166 00:14:20,060 --> 00:14:21,900 I DIDN'T MENTION IT'S FOR A COUPLE. 167 00:14:22,060 --> 00:14:24,770 MRS. INGALLS WOULD HAVE TO DO THE COOKING. 168 00:14:24,940 --> 00:14:26,150 BUT SOMEBODY HAS THE JOB NOW? 169 00:14:26,320 --> 00:14:28,150 YEAH, BUT I TOOK THE LIBERTY 170 00:14:28,320 --> 00:14:29,860 OF TELLING MR. THOMS ABOUT YOU. 171 00:14:30,030 --> 00:14:31,320 AND IF ALL MARY TELLS ME 172 00:14:31,490 --> 00:14:32,820 ABOUT MRS. INGALLS' COOKING IS TRUE, 173 00:14:32,990 --> 00:14:34,280 I THINK YOU'VE GOT A GOOD CHANCE. 174 00:14:34,450 --> 00:14:35,910 IT'S WORTH A TRY. WHERE'S THE HOTEL? 175 00:14:36,080 --> 00:14:37,250 IT'S THE DAKOTA. 176 00:14:37,410 --> 00:14:41,880 OUT THE DOOR, YOU TURN RIGHT AND THEN DOWN 3 STEPS-- 177 00:14:42,040 --> 00:14:44,000 I'M SORRY. I'M USED TO TALKING TO STUDENTS. 178 00:14:44,170 --> 00:14:45,840 IT'S KITTY-CORNER ACROSS THE STREET, 179 00:14:46,010 --> 00:14:47,340 NEXT DOOR TO THE BIG SALOON. 180 00:14:47,510 --> 00:14:48,880 GOOD ENOUGH. I'M ON MY WAY. 181 00:14:49,050 --> 00:14:50,590 MARY, I'M GOING TO LEAVE YOUR BAG OVER HERE BY THE STAIRS. 182 00:14:50,760 --> 00:14:52,300 WE'LL VISIT WITH YOU LATER. WHAT'S A GOOD TIME? 183 00:14:52,470 --> 00:14:53,470 WHENEVER. 184 00:14:53,640 --> 00:14:55,310 ALL RIGHT. GOOD ENOUGH. WE'LL SEE YOU. 185 00:14:59,520 --> 00:15:01,390 PA, CAN'T WE GET OUT YET? 186 00:15:01,560 --> 00:15:04,270 PRETTY SOON. NOT YET. 187 00:15:04,440 --> 00:15:05,270 WELL, EVERYTHING ALL RIGHT? 188 00:15:05,440 --> 00:15:06,400 YEAH. ADAM PUT ME ON TO A JOB. 189 00:15:06,570 --> 00:15:07,690 OH! CHARLES, A JOB? 190 00:15:07,860 --> 00:15:10,070 JUST TAKE IT EASY. WE HAVEN'T GOT IT YET. 191 00:15:28,920 --> 00:15:30,300 Charles: THIS MUST BE IT. 192 00:15:30,470 --> 00:15:32,800 LAURA, YOU HOLD THE HORSES WHILE YOUR MA AND I ARE INSIDE. 193 00:15:32,970 --> 00:15:34,220 MAYBE I BETTER HOLD THEM, CHARLES. 194 00:15:34,390 --> 00:15:35,970 CAN'T. THE JOB'S FOR BOTH OF US, HE SAID. 195 00:15:36,140 --> 00:15:37,760 FOR BOTH OF US? WELL, WHAT IS IT? 196 00:15:37,930 --> 00:15:39,680 WELL, I'LL TELL YOU WHEN WE GET INSIDE. 197 00:15:40,890 --> 00:15:42,640 YOU KEEP AN EYE ON YOUR SISTERS, TOO, ALL RIGHT? 198 00:15:42,810 --> 00:15:44,730 I WILL. GOOD LUCK. 199 00:15:44,900 --> 00:15:45,940 THANK YOU. 200 00:15:46,110 --> 00:15:48,020 [CHARLES AND CAROLINE TALKING INDISTINCTLY] 201 00:15:54,780 --> 00:15:57,330 LAURA? 202 00:15:57,490 --> 00:15:58,790 I HAVE TO GO. 203 00:15:58,950 --> 00:16:01,080 WELL, YOU'RE GOING TO HAVE TO WAIT. 204 00:16:01,250 --> 00:16:02,870 ALL RIGHT. 205 00:16:15,590 --> 00:16:18,510 -SHINE, MISTER? -NO. 206 00:16:18,680 --> 00:16:19,930 YOU COULD USE IT. 207 00:16:20,100 --> 00:16:21,810 LEAVE ME ALONE, KID. 208 00:16:21,980 --> 00:16:24,270 IT'D MAKE YOUR BOOTS LOOK REAL NICE. 209 00:16:24,440 --> 00:16:26,020 I STILL DON'T WANT ONE. 210 00:16:28,770 --> 00:16:31,280 ALL RIGHT, LET YOUR BOOTS LOOK FUNNY! 211 00:17:00,560 --> 00:17:02,140 SHINE, MISTER? 212 00:17:02,310 --> 00:17:05,020 DON'T MIND IF I DO. YOU DO A GOOD JOB, BOY? 213 00:17:05,190 --> 00:17:06,350 YES, SIR, THE BEST. 214 00:17:06,520 --> 00:17:07,850 WELL, LET'S GET RIGHT WITH IT. 215 00:17:48,440 --> 00:17:50,350 Man: WHOA! 216 00:17:50,520 --> 00:17:52,230 Second man: WA-HOO! 217 00:17:52,400 --> 00:17:53,780 Third man: LET'S GO! 218 00:17:56,360 --> 00:17:59,320 SAYING YOU CAN COOK IS ONE THING, MRS. INGALLS. PROVING IT'S ANOTHER. 219 00:17:59,490 --> 00:18:00,700 Man: HEY, SILAS? 220 00:18:00,870 --> 00:18:02,700 I KNOW, HARRY. YOU CAN'T EAT IT. SEND IT BACK. 221 00:18:02,870 --> 00:18:04,200 I HAVE. 3 TIMES. 222 00:18:04,370 --> 00:18:05,500 SEE WHAT I MEAN? 223 00:18:06,580 --> 00:18:09,040 OOH, WILL YOU LOOK AT HER? 224 00:18:09,210 --> 00:18:14,710 MRS. SCHILLER, THE CUSTOMER OUT THERE CAN'T EAT HIS FOOD. 225 00:18:14,880 --> 00:18:16,590 OH, BUT HE'S NEVER SATISFIED. 226 00:18:16,760 --> 00:18:17,840 I THINK IT'S GOOD. 227 00:18:18,010 --> 00:18:20,050 WHAT'S THAT PROVE? YOU EAT EVERYTHING. 228 00:18:20,220 --> 00:18:23,140 YOU'D EAT ANYTHING. NOW, WHAT DID HE ORDER? 229 00:18:23,310 --> 00:18:25,890 EGGS AND BISCUITS. 230 00:18:26,060 --> 00:18:27,350 LOOK! GOOD BISCUITS. 231 00:18:27,520 --> 00:18:28,730 OHH... 232 00:18:28,890 --> 00:18:31,690 I WAS WOUNDED IN THE WAR BY A CANNONBALL 233 00:18:31,860 --> 00:18:33,730 THAT WAS SOFTER THAN THIS. 234 00:18:33,900 --> 00:18:36,860 MRS. INGALLS, WILL YOU MAKE UP SOME BISCUITS? 235 00:18:37,030 --> 00:18:38,110 CERTAINLY. 236 00:18:39,450 --> 00:18:40,780 WHY IS SHE IN MY KITCHEN? 237 00:18:40,950 --> 00:18:43,740 YOU DON'T NEED A KITCHEN TO MAKE BISCUITS LIKE THESE. 238 00:18:43,910 --> 00:18:45,580 YOU NEED A BLACKSMITH'S SHOP! 239 00:18:45,740 --> 00:18:46,870 I QUIT! 240 00:18:47,040 --> 00:18:49,910 THAT'S THE NICEST THING YOU EVER SAID TO ME. 241 00:18:54,420 --> 00:18:56,380 THERE WILL BE NO MORE FOOD. I JUST QUIT! 242 00:18:56,550 --> 00:18:57,460 Man: HALLELUJAH! 243 00:18:57,630 --> 00:18:59,090 [CLAPPING AND CHEERING] 244 00:18:59,260 --> 00:19:01,680 MRS. INGALLS, GET THEM BISCUITS READY. 245 00:19:01,840 --> 00:19:04,260 FOLLOW ME. I'LL TELL YOU ABOUT THE REST OF YOUR DUTIES. 246 00:19:04,430 --> 00:19:05,760 Charles: GOOD LUCK. 247 00:19:11,310 --> 00:19:13,690 ALL THE FRONT WINDOWS GET WASHED EVERY DAY, 248 00:19:13,860 --> 00:19:15,520 -BACK WINDOWS ONCE A WEEK. -YES, SIR. 249 00:19:15,690 --> 00:19:17,570 YOU SWEEP THE WALK IN THE MORNING, 250 00:19:17,730 --> 00:19:20,400 FOR ALL THE GOOD IT DOES. NOW, FOLLOW ME. 251 00:19:20,570 --> 00:19:22,450 Laura: PA! DID YOU GET IT? 252 00:19:22,610 --> 00:19:23,610 I DON'T KNOW YET. 253 00:19:23,780 --> 00:19:24,740 Man: INGALLS! 254 00:19:24,910 --> 00:19:26,780 KEEP YOUR FINGERS CROSSED! 255 00:19:26,950 --> 00:19:31,290 WE'LL START ON THE UPSTAIRS, TOP FLOOR FIRST, AND WORK OUR WAY DOWN. 256 00:19:31,460 --> 00:19:32,790 YES, SIR. 257 00:19:37,710 --> 00:19:40,800 LAURA, I CAN'T WAIT MUCH LONGER. 258 00:19:40,970 --> 00:19:42,260 WELL, IT WON'T TAKE LONG. 259 00:19:42,430 --> 00:19:44,840 JUST GO SIT DOWN AND TRY AND THINK OF SOMETHING ELSE. 260 00:19:45,010 --> 00:19:46,300 ALL RIGHT. 261 00:19:52,940 --> 00:19:55,310 THINK ABOUT SOMETHING ELSE. 262 00:20:00,240 --> 00:20:03,320 I CAN'T THINK OF SOMETHING ELSE. 263 00:20:04,280 --> 00:20:05,160 HOW'S THAT LOOK, MISTER? 264 00:20:05,320 --> 00:20:06,450 YOU'RE RIGHT, BOY. 265 00:20:06,620 --> 00:20:08,910 THAT'S THE BEST SHINE I'VE EVER HAD. 266 00:20:09,080 --> 00:20:10,490 HERE'S A DIME FOR YOU. 267 00:20:10,660 --> 00:20:12,120 A DIME! HEY, THANKS, MISTER! 268 00:20:12,290 --> 00:20:13,920 AH, YOU'RE WELCOME, SON. 269 00:20:24,510 --> 00:20:26,760 [MEN HOOTING AND HOLLERING] 270 00:20:26,930 --> 00:20:28,850 [GLASS BREAKS] 271 00:20:30,970 --> 00:20:32,350 Man: NOW, YOU CAN'T DO THAT, SIR. 272 00:20:32,520 --> 00:20:35,390 I'VE GOT MONEY ON THE TABLE. 273 00:20:35,560 --> 00:20:37,650 I GOT A DIME! 274 00:20:39,520 --> 00:20:40,780 Boy: HEY, MISTER, I JUST DROPPED MY DIME! 275 00:20:40,940 --> 00:20:43,530 I WORKED HARD FOR THAT DIME! 276 00:20:49,030 --> 00:20:51,700 Boy: LET GO. HEY, MISTER, YOU'RE ON MY DIME! 277 00:20:51,870 --> 00:20:53,790 Man: YOU HEARD WHAT I SAID. 278 00:20:53,960 --> 00:20:55,210 Boy: WATCH OUT! 279 00:20:57,380 --> 00:20:59,500 DO YOURSELF A FAVOR AND GET OUT OF HERE! 280 00:21:04,220 --> 00:21:07,550 MISTER, HE KNOCKED MY DIME THROUGH THE HOLE! 281 00:21:09,010 --> 00:21:10,300 MISTER! 282 00:21:36,540 --> 00:21:39,040 LAURA, PLEASE. I'M NOT FOOLING. 283 00:21:39,210 --> 00:21:40,630 I HAVE TO GO BAD. 284 00:21:40,790 --> 00:21:41,750 CARRIE... 285 00:21:41,920 --> 00:21:44,960 I KNOW. THINK ABOUT SOMETHING ELSE. 286 00:21:50,350 --> 00:21:52,600 THEY KNOCKED MY DIME DOWN THE HOLE. 287 00:21:52,760 --> 00:21:56,770 HEY, YOU CAN SEE IT PLAIN AS DAY. 288 00:21:56,940 --> 00:22:00,560 I KNOW THAT. JUST CAN'T GET IT. 289 00:22:01,770 --> 00:22:03,770 THAT FELLA GAVE ME 10 CENTS. 290 00:22:03,940 --> 00:22:07,030 NOBODY EVER GIVE ME 10 CENTS BEFORE. 291 00:22:08,110 --> 00:22:10,490 HEY, I GOT A PIECE OF CHEWING GUM. 292 00:22:10,660 --> 00:22:12,120 MAYBE WE COULD HOOK IT TO SOMETHING AND LOWER IT. 293 00:22:12,280 --> 00:22:14,790 YOU MIGHT BE ABLE TO GET YOUR DIME BACK. 294 00:22:14,950 --> 00:22:17,000 HEY, YEAH. THAT MIGHT WORK. 295 00:22:17,160 --> 00:22:19,080 WE COULD HOOK IT TO MY SHOELACE. 296 00:22:21,630 --> 00:22:25,670 AW, SHUCKS. THAT DARN DIME! 297 00:22:25,840 --> 00:22:27,090 WENT RIGHT IN THE HOLE. 298 00:22:29,840 --> 00:22:30,930 HERE. 299 00:22:53,740 --> 00:22:54,490 I GOT IT. 300 00:22:54,660 --> 00:22:57,160 BRING IT UP REAL SLOWLY. 301 00:22:57,330 --> 00:22:58,450 I WILL. 302 00:23:00,250 --> 00:23:03,130 DADBURN IT. DIME FELL OFF. 303 00:23:03,290 --> 00:23:04,710 HERE. LET ME TRY. 304 00:23:05,880 --> 00:23:08,170 EVEN IF YOU GET IT, IT'S STILL MY DIME. 305 00:23:08,340 --> 00:23:11,050 I DON'T WANT YOUR DUMB OLD DIME. 306 00:23:11,220 --> 00:23:13,010 WHAT ARE YOU DOING ALL THIS FOR? 307 00:23:13,180 --> 00:23:14,890 I'M JUST TRYING TO HELP, IS ALL. 308 00:23:15,060 --> 00:23:16,640 ANYTHING WRONG WITH THAT? 309 00:23:18,350 --> 00:23:19,930 NO. 310 00:23:20,100 --> 00:23:21,850 HERE. GO AHEAD. 311 00:23:45,040 --> 00:23:50,630 WELL, I HATE TO SAY IT, BUT MMM. 312 00:23:50,800 --> 00:23:54,890 THAT'S BETTER THAN MY OWN MOTHER USED TO MAKE. 313 00:23:55,050 --> 00:23:57,510 THE JOB'S YOURS. PAY IS $50 A MONTH 314 00:23:57,680 --> 00:23:59,560 PLUS FREE BOARD AND A ROOM UPSTAIRS. 315 00:23:59,720 --> 00:24:03,310 THERE'S JUST ONE THING. WE'LL NEED TWO ROOMS. WE HAVE SOME CHILDREN. 316 00:24:03,480 --> 00:24:05,270 OH, NOW, WAIT A MINUTE. CHILDREN? 317 00:24:05,440 --> 00:24:07,520 THEY ARE SO POLITE AND QUIET. 318 00:24:07,690 --> 00:24:09,070 WELL, THEY'D BE NO TROUBLE. 319 00:24:09,230 --> 00:24:11,360 OH, I NEVER HEARD OF CHILDREN LIKE THAT. 320 00:24:11,530 --> 00:24:12,900 WELL, IF IT DOESN'T WORK OUT, 321 00:24:13,070 --> 00:24:15,780 YOU CAN JUST SEND US ON OUR WAY. 322 00:24:15,950 --> 00:24:19,990 ALL RIGHT, BUT I TAKE OFF $5.00 A MONTH FOR THE EXTRA ROOM. 323 00:24:20,160 --> 00:24:21,620 IT'S A DEAL. 324 00:24:21,790 --> 00:24:23,910 I'LL GET YOU A SET OF KEYS, AND YOU CAN GET MOVED IN. 325 00:24:24,080 --> 00:24:25,830 THANK YOU VERY MUCH, MR. THOMS. 326 00:24:26,000 --> 00:24:28,250 THANK YOU. 327 00:24:28,420 --> 00:24:29,210 I GOT A JOB! 328 00:24:29,380 --> 00:24:32,090 CHARLES, WE GOT A JOB. 329 00:24:32,260 --> 00:24:33,590 WE GOT A JOB! 330 00:24:33,760 --> 00:24:35,340 -OH! -OH! 331 00:24:45,770 --> 00:24:47,900 THINK I'VE GOT IT... 332 00:24:48,060 --> 00:24:51,070 THAT'S WHAT YOU BEEN SAYING EVERY TIME. 333 00:24:51,230 --> 00:24:53,820 JUST GIVE ME MY SHOELACE BACK SO I CAN GO. 334 00:24:53,990 --> 00:24:55,320 WAIT A MINUTE. 335 00:24:56,660 --> 00:24:59,160 ALMOST. 336 00:24:59,330 --> 00:25:00,950 THERE. WHAT DID I TELL YOU? 337 00:25:02,500 --> 00:25:04,120 WELL, AREN'T YOU GOING TO THANK ME? 338 00:25:04,290 --> 00:25:06,620 YOU DIDN'T GIVE ME MY DIME BACK. 339 00:25:06,790 --> 00:25:07,960 YOU'RE STILL HOLDING IT. 340 00:25:08,130 --> 00:25:09,540 WHAT'S THE MATTER WITH YOU? 341 00:25:09,710 --> 00:25:11,460 I TOLD YOU I DIDN'T WANT YOUR DUMB DIME. 342 00:25:11,630 --> 00:25:13,050 Charles: LAURA? 343 00:25:13,220 --> 00:25:15,800 I THOUGHT YOU WERE SUPPOSED TO BE HOLDING THE TEAM. 344 00:25:15,970 --> 00:25:17,050 UH-OH. 345 00:25:20,810 --> 00:25:22,140 -I'M SORRY, PA. -IT'S ALL RIGHT. 346 00:25:22,310 --> 00:25:24,020 COME ON, CARRIE. GOT TO GET THE WAGON UNLOADED. 347 00:25:24,180 --> 00:25:25,810 -YOU GOT IT? -WE GOT IT. 348 00:25:25,980 --> 00:25:27,980 Carrie: MA, I GOT TO GO SO BAD. 349 00:25:28,150 --> 00:25:29,560 Caroline: ALL RIGHT. LAURA WILL TAKE YOU. 350 00:25:29,730 --> 00:25:31,570 THERE'S A WATER CLOSET AT THE END OF THE HALL UPSTAIRS. 351 00:25:31,730 --> 00:25:33,400 -THEY GO INSIDE? -THAT'S RIGHT. 352 00:25:33,570 --> 00:25:35,900 Laura: BOY, THIS REALLY IS THE CITY! 353 00:25:36,070 --> 00:25:37,660 LOOKS LIKE SHE'S IN A HURRY. [CAROLINE LAUGHS] 354 00:25:37,820 --> 00:25:43,410 Boy: HEY! COME HERE! COME ON! 355 00:25:43,580 --> 00:25:45,000 I'LL BE RIGHT BACK, CARRIE. 356 00:25:45,160 --> 00:25:46,620 BUT MA SAID-- 357 00:25:49,210 --> 00:25:50,000 HERE. 358 00:25:50,170 --> 00:25:52,340 WHAT'S THAT? 359 00:25:52,500 --> 00:25:55,670 WHAT'S IT LOOK LIKE? IT'S A NICKEL. 360 00:25:55,840 --> 00:25:57,720 I FIGURE YOU DESERVE HALF. 361 00:25:57,880 --> 00:26:00,680 I DON'T WANT IT. I WAS JUST BEING A FRIEND, IS ALL. 362 00:26:00,850 --> 00:26:02,680 YOU WANT IT ALL? 363 00:26:02,850 --> 00:26:04,890 NO. I DON'T WANT ANY OF IT. 364 00:26:05,060 --> 00:26:06,350 OH, WHAT'S THE USE? 365 00:26:06,520 --> 00:26:11,310 HEY, UH...THANKS. 366 00:26:11,480 --> 00:26:12,690 YOU'RE WELCOME. 367 00:26:12,860 --> 00:26:15,150 Charles: LAURA? 368 00:26:15,320 --> 00:26:16,280 COMING! 369 00:26:16,440 --> 00:26:18,860 IS THAT YOUR NAME--LAURA? 370 00:26:19,030 --> 00:26:20,860 LAURA INGALLS. WHAT'S YOURS? 371 00:26:21,030 --> 00:26:21,870 ALBERT. 372 00:26:22,030 --> 00:26:22,950 ALBERT WHAT? 373 00:26:23,120 --> 00:26:24,120 THAT'S RIGHT. 374 00:26:24,290 --> 00:26:25,370 WHAT'S RIGHT? 375 00:26:25,540 --> 00:26:26,830 I GOT TO GO. 376 00:26:30,380 --> 00:26:33,460 COME ON, CARRIE. LET'S GO. 377 00:26:33,630 --> 00:26:34,750 WELL, WHAT ARE YOU WAITING FOR? 378 00:26:34,920 --> 00:26:36,960 YOU'RE THE ONE THAT SAID YOU HAD TO GO. 379 00:26:37,130 --> 00:26:39,090 I ALREADY DID. 380 00:26:57,240 --> 00:26:58,740 THAT'S THE LAST OF IT. WHERE DOES THIS GO? 381 00:26:58,900 --> 00:27:00,490 SMALL ONE IN THERE, BIG ONE IN HERE. 382 00:27:00,660 --> 00:27:02,570 ALL RIGHT. HOW'S IT COMING? 383 00:27:02,740 --> 00:27:03,820 SLOW BUT SURE. 384 00:27:03,990 --> 00:27:06,870 I GET TO SLEEP WITH LAURA JUST LIKE MARY USED TO. 385 00:27:07,040 --> 00:27:08,910 THAT SOUNDS LIKE FUN. BET YOU CAN'T WAIT. 386 00:27:09,080 --> 00:27:09,870 Laura: I CAN. 387 00:27:10,040 --> 00:27:11,120 LAURA... [CHARLES LAUGHS] 388 00:27:11,290 --> 00:27:12,290 SORRY, MA. 389 00:27:12,460 --> 00:27:13,920 I WANT TO TAKE THE TEAM DOWN TO THE LIVERY, 390 00:27:14,090 --> 00:27:16,380 SEE IF I CAN MAKE A DEAL WITH THEM TO RENT IT OUT. 391 00:27:16,550 --> 00:27:19,300 PAY FOR THEIR FEED, MIGHT GIVE US A LITTLE BIT LEFT OVER. 392 00:27:19,470 --> 00:27:20,880 HOW MUCH LONGER YOU GOING TO BE? 393 00:27:21,050 --> 00:27:22,220 Caroline: I DON'T KNOW. 394 00:27:22,390 --> 00:27:23,550 WELL, IT'S GOING ON 3:00. 395 00:27:23,720 --> 00:27:24,760 OH, LAND'S SAKES. 396 00:27:24,930 --> 00:27:27,060 I GOT TO GET TO THE KITCHEN PRETTY QUICK. 397 00:27:27,220 --> 00:27:29,770 I'LL GIVE YOU A HAND AS SOON AS I GET BACK. 398 00:27:29,930 --> 00:27:30,930 -LAURA? -YES, MA? 399 00:27:31,100 --> 00:27:32,980 WILL YOU UNPACK YOUR LAST BAG FOR ME? 400 00:27:33,150 --> 00:27:34,020 SURE. 401 00:27:34,190 --> 00:27:37,610 OH, LAND'S SAKES. I LOOK A MESS. 402 00:27:37,780 --> 00:27:39,320 [GRACE CRYING] 403 00:27:39,490 --> 00:27:40,490 LAURA? 404 00:27:40,650 --> 00:27:41,650 YES? 405 00:27:41,820 --> 00:27:43,990 WILL YOU TEND TO GRACE FOR ME, PLEASE? 406 00:27:44,160 --> 00:27:44,950 OK. 407 00:27:45,120 --> 00:27:46,450 THANK YOU. 408 00:27:46,620 --> 00:27:48,240 [GRACE CRYING LOUDLY] 409 00:27:50,250 --> 00:27:53,000 OH, HUSH. DON'T CRY. 410 00:27:53,170 --> 00:27:54,960 SHH. 411 00:27:55,130 --> 00:27:56,340 [GRACE CRYING] 412 00:27:56,500 --> 00:27:59,630 OH, YOU SURE DO MESS YOUR PANTIES A LOT. 413 00:27:59,800 --> 00:28:01,800 [HEAVY THUD] 414 00:28:01,970 --> 00:28:03,510 Carrie: LAURA, HELP! 415 00:28:03,680 --> 00:28:04,930 CARRIE! 416 00:28:05,100 --> 00:28:07,390 GET ME OUT OF HERE! 417 00:28:13,560 --> 00:28:15,230 Laura: CRAWL OUT. HURRY! 418 00:28:23,410 --> 00:28:24,360 HOW DID IT HAPPEN? 419 00:28:24,530 --> 00:28:25,780 I WANTED TO HELP YOU, 420 00:28:25,950 --> 00:28:28,490 AND I CLIMBED UP TO HANG UP YOUR DRESS. 421 00:28:28,660 --> 00:28:31,160 WELL, FROM NOW ON, YOU JUST PUT THE CLOTHES AWAY IN THE DRAWER 422 00:28:31,330 --> 00:28:32,790 AND LEAVE THE HANGING UP TO ME, ALL RIGHT? 423 00:28:32,960 --> 00:28:34,330 ALL RIGHT. 424 00:28:34,500 --> 00:28:37,460 [GRACE CRYING] 425 00:28:37,630 --> 00:28:39,800 WHAT A DAY, LORD. 426 00:28:54,480 --> 00:28:56,020 FELLOW OUTSIDE SAID HE ORDERED TWO EGGS WITH THE HAM. 427 00:28:56,190 --> 00:28:57,190 OH, MY GOSH. 428 00:28:57,360 --> 00:28:58,520 THAT'S ALL RIGHT. I'LL PUT THEM ON. 429 00:28:58,690 --> 00:28:59,980 THANK YOU. 430 00:29:03,860 --> 00:29:06,110 HERE YOU ARE, SIR. SORRY IT TOOK SO LONG. 431 00:29:06,280 --> 00:29:07,200 ARE YOU FINISHED WITH THIS? 432 00:29:07,370 --> 00:29:08,070 YES, I AM. 433 00:29:08,240 --> 00:29:09,200 WILL THERE BE ANYTHING ELSE? 434 00:29:09,370 --> 00:29:10,200 COFFEE LATER. 435 00:29:10,370 --> 00:29:12,330 CERTAINLY. 436 00:29:12,500 --> 00:29:14,000 Man: HEY, MISS? 437 00:29:16,290 --> 00:29:17,960 Caroline: HERE YOU ARE. 438 00:29:20,000 --> 00:29:21,130 YOUR ORDERS, PLEASE? 439 00:29:21,300 --> 00:29:22,710 YOU'RE THE NEW ONE, HUH? 440 00:29:22,880 --> 00:29:24,800 YES. 441 00:29:24,970 --> 00:29:26,720 BIG IMPROVEMENT OVER OLD LADY SCHILLER, 442 00:29:26,890 --> 00:29:28,760 AIN'T SHE, GLOVER? 443 00:29:28,930 --> 00:29:31,600 BIG IMPROVEMENT. 444 00:29:31,770 --> 00:29:33,020 COULD I HAVE YOUR ORDER, PLEASE? 445 00:29:33,180 --> 00:29:35,180 I'VE GOT THINGS ON THE FIRE IN THE KITCHEN. 446 00:29:35,350 --> 00:29:37,100 DON'T BE IN SUCH A HURRY. 447 00:29:37,270 --> 00:29:38,480 YOU DON'T ACT A LITTLE SOCIABLE, 448 00:29:38,650 --> 00:29:40,020 YOU WON'T GET MANY TIPS. 449 00:29:40,190 --> 00:29:41,480 THE WORD "TIPS" MEANS TO INSURE PROPER SERVICE, 450 00:29:41,650 --> 00:29:42,980 NOT TO SOCIALIZE. 451 00:29:43,150 --> 00:29:45,690 THE STEAKS ARE ABOUT READY. I'LL TAKE THIS ORDER. 452 00:29:47,450 --> 00:29:49,160 SEE YOU LATER, MA'AM. 453 00:29:52,580 --> 00:29:53,450 ALL RIGHT, WHAT DO YOU WANT? 454 00:29:53,620 --> 00:29:56,790 STEAK, TWO EGGS, AND COFFEE. 455 00:29:58,500 --> 00:30:00,750 WHAT ABOUT YOU? 456 00:30:00,920 --> 00:30:02,040 I'LL HAVE TWO STEAKS 457 00:30:02,210 --> 00:30:03,960 AND A BOWL OF STEW AND A ORDER OF BISCUITS. 458 00:30:04,130 --> 00:30:05,170 YOU GOT HONEY? 459 00:30:05,340 --> 00:30:06,590 YEAH, WE GOT HONEY. 460 00:30:06,760 --> 00:30:08,590 ALL RIGHT. GIVE ME SOME HONEY WITH THEM BISCUITS, AND-- 461 00:30:08,760 --> 00:30:11,470 AIN'T YOU GOING TO WRITE ANY OF THIS DOWN? 462 00:30:11,640 --> 00:30:13,810 WHY? YOU GOING TO FORGET IT? 463 00:30:18,060 --> 00:30:19,730 WHAT ABOUT COFFEE? 464 00:30:22,770 --> 00:30:24,780 YEAH. COFFEE. 465 00:30:32,370 --> 00:30:35,080 [HONKY-TONK PIANO PLAYING] 466 00:31:08,990 --> 00:31:10,490 I'LL HELP YOU DRY. 467 00:31:13,120 --> 00:31:15,530 CAROLINE, IT'S NOT GOING TO WORK. YOU CAN'T DO ALL THIS. 468 00:31:15,700 --> 00:31:17,540 NONSENSE. 469 00:31:17,700 --> 00:31:19,080 I JUST HAVE TO GET USED TO IT. 470 00:31:19,250 --> 00:31:20,580 USED TO WHAT? 471 00:31:20,750 --> 00:31:22,330 COOKING BREAKFAST, LUNCH, AND DINNER FOR ALL THESE PEOPLE? 472 00:31:22,500 --> 00:31:27,130 CHARLES! I JUST HAVE TO GET ORGANIZED, AND THEN I CAN DO IT. 473 00:31:28,670 --> 00:31:30,840 LET'S JUST GET THE DISHES DRIED, ALL RIGHT? 474 00:31:32,970 --> 00:31:36,100 WHY DON'T WE JUST LET THE DISHES DRY BY THEMSELVES? HOW'S THAT? 475 00:31:36,260 --> 00:31:38,560 I PROMISED ADAM WE'D GO OVER AND SEE THEM. 476 00:31:39,640 --> 00:31:40,980 ALL RIGHT. 477 00:31:45,480 --> 00:31:47,650 I'LL JUST CHECK ON THE GIRLS AND TIDY UP. 478 00:31:47,820 --> 00:31:49,030 OK. 479 00:31:54,700 --> 00:31:56,530 Adam: IT'S NOT GOING TO BE EASY. 480 00:31:56,700 --> 00:31:58,540 HALF THE KIDS COME FROM FOSTER HOMES. 481 00:31:58,700 --> 00:32:01,080 MOST OF THE OTHERS CAN'T PAY THE FULL AMOUNT. 482 00:32:01,250 --> 00:32:03,210 IF IT WASN'T FOR THE CHURCH NEXT DOOR LETTING US HAVE 483 00:32:03,370 --> 00:32:05,830 THIS OLD BUILDING RENT-FREE, WE'D BE IN BIG TROUBLE. 484 00:32:06,000 --> 00:32:07,380 Charles: WHAT ABOUT THE PEOPLE OF THE CITY? 485 00:32:07,550 --> 00:32:08,920 HAVE YOU LOOKED FOR CONTRIBUTIONS? 486 00:32:09,090 --> 00:32:12,720 I ASKED AROUND, BUT PEOPLE JUST AREN'T INTERESTED. 487 00:32:12,880 --> 00:32:14,720 I GUESS THEY FIGURE BLIND PEOPLE ARE USELESS. 488 00:32:14,890 --> 00:32:16,890 WHY SPEND GOOD MONEY ON THEM? 489 00:32:17,060 --> 00:32:19,220 THEY SPEND PLENTY OF GOOD MONEY IN THE SALOONS AROUND HERE. 490 00:32:19,390 --> 00:32:20,890 YEAH, TO GET BLIND DRUNK. 491 00:32:21,060 --> 00:32:22,430 Mary: ADAM... 492 00:32:22,600 --> 00:32:24,650 YOU KNOW, I NEVER DID THANK YOU FOR HELPING US GET THAT JOB. 493 00:32:24,810 --> 00:32:26,900 I'M GLAD I COULD DO IT. HOW'S IT GOING? 494 00:32:27,070 --> 00:32:29,440 YOU'LL HAVE TO ASK CAROLINE. 495 00:32:29,610 --> 00:32:30,940 WELL, MA, HOW IS IT? 496 00:32:31,110 --> 00:32:33,900 SHE'S ASLEEP. THAT WILL GIVE YOU AN IDEA HOW IT IS. 497 00:32:34,070 --> 00:32:35,910 I'D BETTER GET HER HOME. 498 00:32:36,070 --> 00:32:37,120 CAROLINE, HONEY? 499 00:32:37,280 --> 00:32:38,330 OH, I'M SORRY. 500 00:32:38,490 --> 00:32:39,790 IT'S ALL RIGHT. 501 00:32:39,950 --> 00:32:41,620 I'M GOING TO GET YOU BACK TO THE HOTEL AND INTO BED. 502 00:32:41,790 --> 00:32:43,370 OH, NO. I SO WANTED TO VISIT. 503 00:32:43,540 --> 00:32:45,830 OH, MA, WE'LL HAVE LOTS OF TIME TO VISIT. 504 00:32:46,000 --> 00:32:48,460 LOOK, WE'VE ALL HAD A BIG DAY. 505 00:32:48,630 --> 00:32:50,210 I'M TIRED MYSELF. 506 00:32:50,380 --> 00:32:53,760 SHE'S RIGHT. COME ON. LET'S GET YOU BACK AND GET YOU TO BED. 507 00:32:55,050 --> 00:32:57,590 YOU COOKED A LOT OF MEALS TODAY. 508 00:33:03,430 --> 00:33:04,430 WE'LL TALK TO YOU TOMORROW. 509 00:33:04,600 --> 00:33:06,270 Adam and Mary: GOOD NIGHT. 510 00:33:11,360 --> 00:33:15,360 ALL THAT DOOR LOCKING. SOUNDS LIKE WE LIVE IN A BANK. 511 00:33:15,530 --> 00:33:18,240 YOU'RE NOT IN THE COUNTRY ANYMORE, MARY INGALLS. 512 00:33:18,410 --> 00:33:20,910 THIS IS THE CITY, AND IT'S NOT THE SAME. 513 00:33:21,080 --> 00:33:23,950 [HONKY-TONK PIANO MUSIC AND INDISTINCT CHATTER] 514 00:33:52,860 --> 00:33:54,570 [GUNSHOTS AND GLASS BREAKING] 515 00:33:54,740 --> 00:33:56,490 ALL RIGHT. THAT-- 516 00:33:56,650 --> 00:33:57,950 Caroline: CHARLES, WHERE ARE YOU GOING? 517 00:33:58,110 --> 00:34:00,120 GOING ACROSS THERE TO TELL THOSE IDIOTS TO BE QUIET. 518 00:34:00,280 --> 00:34:01,990 CHARLES, IT WON'T DO ANY GOOD. 519 00:34:02,160 --> 00:34:04,700 CAROLINE, WE RENT ROOMS IN THIS HOTEL SO PEOPLE CAN GET SOME SLEEP. 520 00:34:04,870 --> 00:34:07,500 NOW, WE OWE IT TO MR. THOMS TO SEE THAT THEY DO. IT'S OUR JOB. 521 00:34:07,670 --> 00:34:09,250 CHARLES, PLEASE DON'T GO OVER THERE. 522 00:34:09,420 --> 00:34:10,330 Carrie: MAMA? 523 00:34:10,500 --> 00:34:13,800 MAMA, SOMEONE'S TRYING TO KILL ME. 524 00:34:13,960 --> 00:34:17,130 OH...NO. 525 00:34:17,300 --> 00:34:21,340 NO, DARLING. NO. IT'S ALL RIGHT. 526 00:34:21,510 --> 00:34:23,060 JUST SOME PEOPLE BEING SILLY. 527 00:34:23,220 --> 00:34:24,100 [DOOR OPENS] 528 00:34:24,270 --> 00:34:25,060 CHARLES! 529 00:34:25,220 --> 00:34:26,350 [DOOR CLOSES] 530 00:34:51,790 --> 00:34:54,420 [INDISTINCT CHATTER] 531 00:34:54,590 --> 00:34:56,760 Woman: GIVE ME 3 MORE BEERS. 532 00:34:56,920 --> 00:34:58,510 YOU LOOKING FOR SOMEBODY, HONEY? 533 00:34:58,670 --> 00:35:00,050 YEAH. I'M LOOKING FOR THE OWNER. 534 00:35:00,220 --> 00:35:02,550 THAT WOULD BE MR. STANDISH. LOOK, I DON'T SEE HIM. 535 00:35:02,720 --> 00:35:04,640 HE'S PROBABLY UPSTAIRS IN THE OFFICE-- ROOM NUMBER 6. 536 00:35:04,810 --> 00:35:05,720 THANK YOU. 537 00:35:05,890 --> 00:35:07,140 YOU'RE WELCOME. 538 00:35:12,230 --> 00:35:13,400 WHERE YOU GOING? 539 00:35:13,560 --> 00:35:14,730 WHAT BUSINESS IS IT OF YOURS? 540 00:35:14,900 --> 00:35:17,730 I WORK HERE. I KEEP EVERYBODY FRIENDLY. 541 00:35:17,900 --> 00:35:19,280 I WANT TO TALK TO MR. STANDISH. 542 00:35:19,450 --> 00:35:20,900 HE CAN'T BE DISTURBED NOW. 543 00:35:21,070 --> 00:35:22,740 WHY? HE'S NOT SLEEPING, THAT'S FOR SURE. 544 00:35:22,910 --> 00:35:24,070 WHY DON'T YOU JUST GO OVER TO THE BAR 545 00:35:24,240 --> 00:35:25,410 AND GET YOURSELF A DRINK? 546 00:35:25,580 --> 00:35:26,950 I DON'T WANT A DRINK. I WANT SOME SLEEP. 547 00:35:27,120 --> 00:35:29,000 I DON'T WANT ANY TROUBLE. 548 00:35:29,160 --> 00:35:31,250 WELL, YOU GET YOUR HAND OFF ME. 549 00:35:31,420 --> 00:35:33,710 Man: WHAT'S WRONG, HARLAN? 550 00:35:33,880 --> 00:35:37,090 I'M TRYING TO TELL THIS FARMER YOU WAS BUSY. 551 00:35:37,260 --> 00:35:38,710 WHAT IS IT? 552 00:35:38,880 --> 00:35:41,720 MY NAME IS INGALLS. I MANAGE THE HOTEL NEXT DOOR. 553 00:35:41,880 --> 00:35:44,430 NOW, YOU'RE MAKING SO MUCH RACKET IN HERE, NOBODY CAN GET ANY SLEEP. 554 00:35:44,600 --> 00:35:47,930 HMM. WELL. 555 00:35:48,100 --> 00:35:49,390 WHY, IT'S ONLY 10:00. 556 00:35:49,560 --> 00:35:52,440 FOLKS OUGHTN'T TO BE IN BED BY THIS TIME. 557 00:35:52,600 --> 00:35:53,770 BESIDES, THERE'S NOTHING I CAN DO. 558 00:35:53,940 --> 00:35:55,770 WELL, MAYBE THE CITY SHERIFF CAN, HUH? 559 00:35:55,940 --> 00:36:00,030 WHY DON'T YOU ASK HIM? THERE HE IS OVER THERE. 560 00:36:00,190 --> 00:36:02,490 MAN WITH THE WHITE HAT AT THE BAR. 561 00:36:18,170 --> 00:36:20,210 THEY WERE SHOOTING GUNS OFF THROUGH THE WINDOWS UPSTAIRS. 562 00:36:20,380 --> 00:36:22,630 NOW, YOU CAN'T STOP FOLKS FROM HAVING A GOOD TIME, 563 00:36:22,800 --> 00:36:24,180 MISTER--WHAT WAS THAT NAME AGAIN? 564 00:36:24,340 --> 00:36:25,470 THE NAME WAS INGALLS. 565 00:36:25,640 --> 00:36:26,890 THE OWNER OF THE HOTEL ISN'T GOING TO LIKE IT 566 00:36:27,050 --> 00:36:28,260 WHEN I TELL HIM WHAT'S GOING ON IN HERE. 567 00:36:28,430 --> 00:36:29,810 -THE OWNER? -THAT'S RIGHT. MR. THOMS. 568 00:36:29,970 --> 00:36:31,020 NOW, HE'S GOING TO LOSE BUSINESS 569 00:36:31,180 --> 00:36:32,520 BECAUSE OF THE NOISE IN THIS PLACE. 570 00:36:32,690 --> 00:36:36,150 MR. THOMS ISN'T THE OWNER. NO. HE WORKS FOR THE OWNER. 571 00:36:36,310 --> 00:36:38,270 STANDISH THERE OWNS THE HOTEL. 572 00:36:38,440 --> 00:36:40,400 HE OWNS MOST OF THE WHOLE BLOCK, FOR THAT MATTER. 573 00:36:40,570 --> 00:36:44,860 YOU WANT QUIET, YOU BETTER TAKE IT UP WITH HIM. HA HA! 574 00:37:02,170 --> 00:37:04,800 [GUNSHOTS] 575 00:37:10,770 --> 00:37:12,140 -WHAT ARE YOU DOING? -YOU GET ON OUT... 576 00:37:12,310 --> 00:37:14,180 -GET OUT OF THE WAY! -HEY, FELLAS... 577 00:37:14,350 --> 00:37:15,190 GET OUT OF HERE! 578 00:37:15,350 --> 00:37:17,480 [HORSE NEIGHS] 579 00:37:33,370 --> 00:37:35,540 [DONKEY BRAYING] 580 00:37:41,710 --> 00:37:44,380 ALICE, THERE'S CHARLES OVER THERE. 581 00:37:44,550 --> 00:37:45,470 Alice: WHERE? 582 00:37:45,630 --> 00:37:48,050 RIGHT OVER THERE, WASHING THOSE WINDOWS. 583 00:37:48,220 --> 00:37:49,720 -CHARLES! HEY! -CHARLES! 584 00:37:49,890 --> 00:37:53,600 HEY, WE'RE HERE! HEY, CHARLES! HEY! 585 00:37:53,770 --> 00:37:56,060 HEY! 586 00:37:56,230 --> 00:37:57,480 Jonathan: WHOA. 587 00:37:57,650 --> 00:38:00,480 JONATHAN! ALICE! WHAT THE HECK ARE YOU DOING HERE? 588 00:38:00,650 --> 00:38:03,070 WELL, WE FIGURED IF WE'RE GOING TO START OVER, 589 00:38:03,230 --> 00:38:05,400 WE MIGHT AS WELL DO IT WHERE WE HAD SOME FRIENDS. 590 00:38:05,570 --> 00:38:07,490 OH, IT'S GOOD TO SEE YOU. 591 00:38:07,660 --> 00:38:09,200 HEY, LOOK, COME ON. TIE UP THE TEAM. COME ON INSIDE. 592 00:38:09,370 --> 00:38:10,570 CAROLINE AND I ARE MANAGING THE HOTEL. 593 00:38:10,740 --> 00:38:12,740 HOTEL MANAGER? THAT SOUNDS PRETTY FANCY TO ME. 594 00:38:12,910 --> 00:38:15,580 IT SOUNDS LIKE IT, BUT IT'S NOT, BELIEVE ME. 595 00:38:15,750 --> 00:38:18,580 OH, GOSH. CAROLINE IS GOING TO BE SO HAPPY TO SEE YOU. 596 00:38:18,750 --> 00:38:19,830 HI, MR. INGALLS! 597 00:38:20,000 --> 00:38:21,540 HEY, ANDREW. HOW ARE YOU, SON? 598 00:38:21,710 --> 00:38:22,920 FINE, SIR. IS LAURA INSIDE? 599 00:38:23,090 --> 00:38:24,000 YEAH, YOU BET SHE IS. 600 00:38:24,170 --> 00:38:25,300 HOW DOES CAROLINE LIKE HER JOB? 601 00:38:25,460 --> 00:38:27,550 I THINK YOU'D BETTER ASK HER THAT. 602 00:38:27,720 --> 00:38:31,430 IT'S GOOD TO SEE YOU. COME ON. HURRY UP! 603 00:38:44,440 --> 00:38:45,400 Charles: CAROLINE? 604 00:38:45,570 --> 00:38:48,070 IN THE KITCHEN. WHERE ELSE WOULD I BE? 605 00:38:48,240 --> 00:38:50,610 GOT CUSTOMERS OUT HERE. 606 00:38:50,780 --> 00:38:51,820 IF THEY THINK I'M GOING TO SERVE 607 00:38:51,990 --> 00:38:53,410 MORE THAN 3 MEALS A DAY, 608 00:38:53,580 --> 00:38:54,990 THEY'VE GOT ANOTHER THINK COMING. 609 00:38:55,160 --> 00:38:56,790 Alice: TABLE FOR 3, PLEASE, MISS. 610 00:38:56,950 --> 00:38:59,620 [LAUGHTER] 611 00:38:59,790 --> 00:39:01,500 ALICE... 612 00:39:02,750 --> 00:39:05,750 OH, WHAT ON EARTH-- WHEN DID YOU GET HERE? 613 00:39:05,920 --> 00:39:07,090 JUST THIS MINUTE. 614 00:39:07,260 --> 00:39:09,970 WE FOUND THE NEW MANAGER WASHING THE WINDOWS. 615 00:39:10,130 --> 00:39:11,630 OH, LET'S SIT DOWN. YOU WANT SOME COFFEE? 616 00:39:11,800 --> 00:39:13,180 LOVE IT. 617 00:39:13,350 --> 00:39:15,260 I'LL GET THE COFFEE. YOU'VE DONE ENOUGH SERVING FOR TODAY. 618 00:39:15,430 --> 00:39:16,470 I'LL HELP YOU. 619 00:39:16,640 --> 00:39:17,970 COME ON. 620 00:39:18,140 --> 00:39:19,310 OH... 621 00:39:19,480 --> 00:39:21,060 OH! 622 00:39:21,230 --> 00:39:22,520 Andrew: WHERE'S LAURA? 623 00:39:22,690 --> 00:39:24,110 UP THE STAIRS, TURN TO YOUR RIGHT, 624 00:39:24,270 --> 00:39:25,480 LAST DOOR--NUMBER 8. 625 00:39:25,650 --> 00:39:27,230 THANKS! 626 00:39:27,400 --> 00:39:29,240 OH, CAROLINE, 627 00:39:29,400 --> 00:39:31,990 IT'S SO GOOD TO SEE YOU. 628 00:39:32,160 --> 00:39:34,660 OH, IT'S SO GOOD TO SEE A FRIEND. 629 00:39:39,960 --> 00:39:40,960 [KNOCK ON DOOR] 630 00:39:41,120 --> 00:39:43,210 Laura: DOOR'S OPEN. 631 00:39:43,380 --> 00:39:45,420 HEY, IS THERE A LAURA INGALLS IN HERE? 632 00:39:45,590 --> 00:39:46,750 ANDY! 633 00:39:46,920 --> 00:39:48,670 I'M GLAD YOU DIDN'T FORGET MY NAME. 634 00:39:48,840 --> 00:39:50,590 OH, ANDY! [GRACE CRYING] 635 00:39:50,760 --> 00:39:51,930 ARE YOU GOING TO BE MOVING HERE? 636 00:39:52,090 --> 00:39:52,970 YEP. 637 00:39:53,140 --> 00:39:54,470 ARE YOU GOING TO STAY IN THE HOTEL? 638 00:39:54,640 --> 00:39:56,220 I DON'T KNOW. MY PA'S GOT TO GET A JOB FIRST. 639 00:39:56,390 --> 00:39:57,720 OH, I HOPE SO. 640 00:39:57,890 --> 00:39:59,140 SO HOW IS IT HERE? 641 00:39:59,310 --> 00:40:01,640 I DON'T KNOW. I'VE HARDLY BEEN OUT OF THE HOTEL. 642 00:40:01,810 --> 00:40:03,690 AS SOON AS I FINISH FEEDING THE BABY, 643 00:40:03,850 --> 00:40:05,190 MAYBE WE CAN GO OUT AND LOOK AROUND. 644 00:40:05,360 --> 00:40:07,650 YEAH. I'LL TELL YOU ONE THING-- 645 00:40:07,820 --> 00:40:09,980 SURE IS A LOT BIGGER THAN WALNUT GROVE. 646 00:40:10,150 --> 00:40:11,650 THE ONLY GOOD THING ABOUT IT SO FAR IS 647 00:40:11,820 --> 00:40:13,660 I DON'T HAVE TO SEE NELLIE OLESON. 648 00:40:16,530 --> 00:40:18,580 ANDREW GARVEY! 649 00:40:18,740 --> 00:40:21,080 PULL DOWN THAT SHADE. 650 00:40:29,550 --> 00:40:31,670 ALL THE WAY DOWN. 651 00:40:46,110 --> 00:40:48,110 [EXCITED CHATTER] 652 00:40:55,410 --> 00:40:57,320 Jonathan: AH, THAT'S GOOD. 653 00:40:57,490 --> 00:40:58,490 Caroline: MORE PIE, JONATHAN? 654 00:40:58,660 --> 00:40:59,950 I REALLY SHOULDN'T. 655 00:41:00,120 --> 00:41:01,370 Charles: WELL, THEN DON'T. I'LL EAT THE REST OF IT. 656 00:41:01,540 --> 00:41:02,620 Jonathan: YOU TALKED ME INTO IT. 657 00:41:02,790 --> 00:41:04,080 Charles: I THOUGHT SO. 658 00:41:04,250 --> 00:41:05,330 OH, DAMN. 659 00:41:05,500 --> 00:41:07,960 DON'T EVER LET ME HEAR YOU TALK LIKE THAT. 660 00:41:08,130 --> 00:41:10,880 I'M SORRY. 661 00:41:11,050 --> 00:41:12,840 Laura: SHE DOESN'T KNOW IT'S WRONG, MA. 662 00:41:13,010 --> 00:41:15,630 WE HEAR STUFF LIKE THAT ALL NIGHT FROM THE SALOON. 663 00:41:15,800 --> 00:41:17,260 THAT SALOON... 664 00:41:17,430 --> 00:41:20,100 WELL, IT'S THERE, AND THERE'S NOTHING WE CAN DO ABOUT IT. 665 00:41:20,260 --> 00:41:22,100 NOW, CARRIE, THE NEXT TIME YOU HEAR A WORD 666 00:41:22,270 --> 00:41:23,930 AND YOU DON'T KNOW WHETHER IT'S A GOOD WORD OR A BAD WORD, 667 00:41:24,100 --> 00:41:25,560 YOU COME AND ASK ME, ALL RIGHT? 668 00:41:27,230 --> 00:41:28,350 YES, SIR. 669 00:41:29,650 --> 00:41:31,940 SHE COULD ASK ME, PA. 670 00:41:33,110 --> 00:41:36,200 WHY? DO YOU KNOW ALL THE BAD WORDS? 671 00:41:36,360 --> 00:41:37,450 NO, SIR. 672 00:41:37,620 --> 00:41:40,990 WELL, IT'S A GOOD THING FOR YOU YOU DON'T. 673 00:41:41,160 --> 00:41:42,620 IT'S ALL RIGHT, HONEY. 674 00:41:42,790 --> 00:41:44,410 GO AHEAD. DRINK YOUR MILK. 675 00:41:47,750 --> 00:41:50,340 Alice: I'D LIKE TO MAKE A TOAST... 676 00:41:50,500 --> 00:41:52,670 IF YOU CAN STOP EATING THAT PIE LONG ENOUGH. 677 00:41:52,840 --> 00:41:55,050 Jonathan: HA HA! YES, DEAR. 678 00:41:58,720 --> 00:42:02,350 IT WAS AWFULLY SCARING COMING HERE TO THE CITY, 679 00:42:02,520 --> 00:42:05,310 NOT KNOWING WHAT TO EXPECT. 680 00:42:05,480 --> 00:42:10,190 BUT NO MATTER WHAT, I KNOW IT'LL WORK OUT... 681 00:42:11,480 --> 00:42:13,070 AND I'M NOT AFRAID ANYMORE... 682 00:42:15,360 --> 00:42:18,070 BECAUSE WE GOT SOMETHING HERE... 683 00:42:18,240 --> 00:42:21,320 THAT'S JUST ABOUT THE MOST IMPORTANT THING IN THE WORLD... 684 00:42:23,870 --> 00:42:25,500 TRUE FRIENDS. 685 00:42:30,170 --> 00:42:31,130 TO FRIENDSHIP. 686 00:42:31,290 --> 00:42:33,170 All: TO FRIENDSHIP. 687 00:42:41,680 --> 00:42:44,010 Woman: OOH! 688 00:42:47,850 --> 00:42:49,520 [COUGHS, CLEARS THROAT] 689 00:42:49,690 --> 00:42:51,100 Harriet: OH! 690 00:42:52,940 --> 00:42:54,770 HEAVENS! 691 00:42:54,940 --> 00:42:58,070 THAT'S THE WORST TRIP I'VE EVER HAD IN MY LIFE. 692 00:42:58,240 --> 00:42:59,150 WELL, IT'S OVER NOW. 693 00:42:59,320 --> 00:43:00,320 WELL... 694 00:43:00,490 --> 00:43:01,450 WATCH IT. 695 00:43:01,620 --> 00:43:02,450 PICK UP MY SKIRTS! 696 00:43:02,620 --> 00:43:04,240 I'M TRYING TO. 697 00:43:08,040 --> 00:43:09,960 THERE WE GO, NELLIE. CAREFUL. 698 00:43:10,120 --> 00:43:11,920 DRIVER, THE BAGS! 699 00:43:13,750 --> 00:43:14,630 HEAVENS! 700 00:43:14,800 --> 00:43:16,710 FAST ENOUGH FOR YOU, DEAR? 701 00:43:16,880 --> 00:43:20,090 OH, SHUT UP. LET GO OF ME! 702 00:43:21,300 --> 00:43:24,890 HEY, CAN YOU TELL ME WHERE THERE'S A HOTEL? 703 00:43:25,060 --> 00:43:26,600 Driver: CHEAP OR EXPENSIVE? 704 00:43:26,770 --> 00:43:28,350 -CHEAP. -EXPENSIVE! 705 00:43:28,520 --> 00:43:31,560 HOTEL NEXT TO THE SALOON, ONE BLOCK DOWN. 706 00:43:31,730 --> 00:43:32,980 THANK YOU VERY MUCH. 707 00:43:33,150 --> 00:43:33,980 YOU'RE WELCOME. 708 00:43:34,150 --> 00:43:35,360 COME ON ALONG. 709 00:43:35,520 --> 00:43:36,820 COME ON, CHILDREN. 710 00:43:41,910 --> 00:43:43,780 I DON'T LIKE THIS HOTEL. 711 00:43:43,950 --> 00:43:45,740 Nels: YOU HAVEN'T EVEN HAD A CHANCE TO LOOK AT IT YET. 712 00:43:45,910 --> 00:43:47,580 Harriet: WELL, NOW, NELLIE CAN TELL. 713 00:43:47,750 --> 00:43:49,540 SHE DOES HAVE BREEDING, YOU KNOW. 714 00:43:49,710 --> 00:43:51,210 Willie: I DON'T THINK IT'S SO BAD. 715 00:43:51,370 --> 00:43:52,420 THANK YOU, WILLIE. 716 00:43:52,580 --> 00:43:55,040 THANK HEAVENS NELLIE DOESN'T TAKE AFTER 717 00:43:55,210 --> 00:43:56,710 YOUR SIDE OF THE FAMILY, TOO. 718 00:43:56,880 --> 00:43:57,880 YOUR BROTHER, UNFORTUNATELY, 719 00:43:58,050 --> 00:44:00,090 IS JUST LIKE HIS FATHER. 720 00:44:00,260 --> 00:44:01,090 REALLY? 721 00:44:01,260 --> 00:44:02,760 YES, REALLY. 722 00:44:02,930 --> 00:44:05,600 WELL, WILLIE, YOU WON'T HAVE TO WORRY ABOUT GETTING FAT, ANYWAY. 723 00:44:05,760 --> 00:44:07,100 [BELL RINGS] 724 00:44:07,260 --> 00:44:08,390 HOW DARE YOU? 725 00:44:08,560 --> 00:44:10,390 Caroline: MRS. OLESON! 726 00:44:10,560 --> 00:44:12,440 MRS. OLESON? 727 00:44:12,600 --> 00:44:14,350 MRS. OLESON! 728 00:44:14,520 --> 00:44:15,770 Nels: FOR GOODNESS' SAKE! 729 00:44:15,940 --> 00:44:17,150 CAROLINE! 730 00:44:17,320 --> 00:44:18,440 CHARLES! 731 00:44:18,610 --> 00:44:19,980 MR. OLESON! 732 00:44:20,150 --> 00:44:22,200 Nels: IT'S NICE TO SEE YOU, CAROLINE. 733 00:44:22,360 --> 00:44:25,160 YOU KNOW, THE GARVEYS ARRIVED YESTERDAY. 734 00:44:25,320 --> 00:44:26,490 THE WHOLE TOWN OF WALNUT GROVE 735 00:44:26,660 --> 00:44:28,740 IS GOING TO BE HERE BEFORE WE KNOW IT. 736 00:44:28,910 --> 00:44:30,870 -CHARLES! -NELS, HOW YOU DOING? 737 00:44:31,040 --> 00:44:32,250 -HOW ARE YOU? -GOOD TO SEE YOU. FINE. 738 00:44:32,410 --> 00:44:33,580 ARE YOU RUNNING THIS PLACE? 739 00:44:33,750 --> 00:44:35,170 THAT'S RIGHT. YEAH. WE MANAGE IT. 740 00:44:35,330 --> 00:44:37,670 SAY, I UNDERSTAND THAT THE ROOMS AREN'T TOO EXPENSIVE. 741 00:44:37,840 --> 00:44:40,300 THEY'RE NOT EXPENSIVE, BUT I JUST RENTED THE LAST ONE TO THE GARVEYS. 742 00:44:40,460 --> 00:44:41,670 THEY'RE HERE, TOO, YOU KNOW. 743 00:44:41,840 --> 00:44:43,300 Harriet: WELL, THAT'S PERFECTLY ALL RIGHT. 744 00:44:43,470 --> 00:44:45,720 WE REALLY DIDN'T WANT TO STAY IN THIS HOTEL ANYWAY. 745 00:44:45,890 --> 00:44:47,430 WE JUST THOUGHT THAT WE WOULD 746 00:44:47,600 --> 00:44:49,310 BRING YOU A LITTLE BUSINESS. 747 00:44:49,470 --> 00:44:52,560 WE SORT OF FELT WE OWED IT TO YOU, YOU KNOW. 748 00:44:52,730 --> 00:44:54,270 WELL, COME ON. LET'S-- 749 00:44:54,440 --> 00:44:56,810 OH. CAN'T YOU STAY AND VISIT FOR A LITTLE WHILE? 750 00:44:56,980 --> 00:44:59,480 I THINK WE OUGHT TO GET SETTLED FIRST. 751 00:44:59,650 --> 00:45:01,650 CAN YOU RECOMMEND ANY PLACE? 752 00:45:01,820 --> 00:45:03,950 I DON'T KNOW. THE MASON HOTEL'S AWFULLY EXPENSIVE. 753 00:45:04,110 --> 00:45:05,070 EVERYTHING IS IN THE CITY-- 754 00:45:05,240 --> 00:45:06,610 YOU'RE GOING TO FIND THAT OUT. 755 00:45:06,780 --> 00:45:08,700 THERE'S SOME ROOMING HOUSES THAT AREN'T TOO BAD. 756 00:45:08,870 --> 00:45:10,910 THERE'S ROOMS OVER THE SALOONS, BUT I WOULDN'T RECOMMEND THOSE. 757 00:45:11,080 --> 00:45:14,160 WE'RE NOT ACCOMPLISHING ANYTHING STANDING AROUND HERE. 758 00:45:14,330 --> 00:45:16,790 WE MUST FIND A LITTLE MORE EXPENSIVE HOTEL. 759 00:45:16,960 --> 00:45:18,670 GET THE BAGS, NELS. COME ON, CHILDREN. 760 00:45:18,840 --> 00:45:20,670 Nellie: BE SURE TO TELL LAURA I SAID HELLO. 761 00:45:20,840 --> 00:45:21,960 Harriet: NELS! 762 00:45:22,130 --> 00:45:23,840 MOTHER WANTS YOU. 763 00:45:48,320 --> 00:45:49,200 HARRIET! 764 00:45:49,370 --> 00:45:50,200 WHAT?! 765 00:45:50,370 --> 00:45:51,740 COME HERE! 766 00:45:51,910 --> 00:45:53,410 WHAT? 767 00:45:53,580 --> 00:45:54,700 LOOK. 768 00:45:56,290 --> 00:45:59,380 I DON'T WANT YOU WORKING IN A PLACE LIKE THAT. 769 00:45:59,540 --> 00:46:02,340 WHAT WE WANT HAS NOTHING TO DO WITH IT. 770 00:46:02,500 --> 00:46:03,590 WAIT HERE. 771 00:46:03,760 --> 00:46:04,760 OH, NELS OLESON-- 772 00:46:04,920 --> 00:46:07,010 JUST WAIT HERE. 773 00:46:13,060 --> 00:46:15,430 OK, I GOT MONEY. I GO LAST. 774 00:46:15,600 --> 00:46:17,230 YOU ALWAYS GO LAST. 775 00:46:17,390 --> 00:46:19,650 SHUT UP AND JUST PITCH YOUR DIME. 776 00:46:27,240 --> 00:46:29,360 ALL RIGHT. LET'S SEE YOU BEAT THAT. 777 00:46:29,530 --> 00:46:30,820 DO MY BEST. 778 00:46:35,330 --> 00:46:37,620 STANDISH, HOW COME YOU ALWAYS WIN? 779 00:46:37,790 --> 00:46:40,370 NEVER GAMBLE WITH THE SON OF A GAMBLER. 780 00:46:40,540 --> 00:46:42,630 Albert: FIRE! FIRE! 781 00:46:42,800 --> 00:46:45,250 THE WINOKA SCHOOL IS BURNING DOWN! 782 00:46:46,630 --> 00:46:48,010 HEY, COME ON. LET'S WATCH IT! 783 00:46:48,180 --> 00:46:50,590 I HOPE THAT'S THE ONLY SCHOOL. 784 00:46:50,760 --> 00:46:52,300 OH, WILLIE. 785 00:47:09,660 --> 00:47:12,450 YOUNG MAN, WHAT ARE YOU DOING? 786 00:47:12,620 --> 00:47:15,790 UH, I'M WORKING FOR THE CHURCH, MA'AM. 787 00:47:15,950 --> 00:47:17,870 GAMBLING'S A SIN. 788 00:47:18,040 --> 00:47:20,120 OH. YES, OF COURSE. 789 00:47:20,290 --> 00:47:21,790 Man: HEY. WHERE DID THAT KID GO? 790 00:47:21,960 --> 00:47:24,340 [INDISTINCT CHATTER] 55157

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