Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:58,180 --> 00:00:59,890
MRS. SIMMS GAVE ME SOME
BOOKS TO READ.
2
00:01:00,060 --> 00:01:01,350
SHE WANTS ME TO TAKE
THE TEACHERS EXAMINATION
3
00:01:01,520 --> 00:01:02,390
AFTER I GRADUATE
IN THE SPRING.
4
00:01:02,560 --> 00:01:04,060
MM!
I DON'T WANT TO FAIL.
5
00:01:04,230 --> 00:01:06,190
I'M SURE YOU'LL PASS
WITH FLYING COLORS.
6
00:01:06,350 --> 00:01:08,310
HOW ABOUT YOU HALF-PINT?
ANY SPECIAL PROJECT?
7
00:01:08,480 --> 00:01:09,860
NOT ANYMORE.
8
00:01:10,020 --> 00:01:11,150
MARY,
ARE YOU ALL RIGHT?
9
00:01:11,320 --> 00:01:14,450
OH, YEAH. MY--MY EYES
ARE JUST A LITTLE TIRED.
10
00:01:14,610 --> 00:01:16,530
YOU'RE ABOUT DUE FOR
AN EYE EXAMINATION.
11
00:01:16,700 --> 00:01:18,070
OH, NO NEED FOR THAT.
12
00:01:18,240 --> 00:01:20,030
I THINK IT'S JUST
ALL THE STUDYING
I'VE BEEN DOING.
13
00:01:20,200 --> 00:01:21,620
YOU'RE PROBABLY RIGHT.
14
00:01:21,790 --> 00:01:23,250
BUT YOU SHOULD
GET YOUR EYES EXAMINED
AT LEAST ONCE A YEAR.
15
00:01:23,410 --> 00:01:25,370
YOU'RE OUT OF SCHOOL.
IT'S AS GOOD A TIME AS ANY.
16
00:01:25,540 --> 00:01:27,290
I DIDN'T KNOW
YOUR DAUGHTER
17
00:01:27,460 --> 00:01:30,130
HAD SCARLET FEVER,
MR. INGALLS.
18
00:01:32,210 --> 00:01:35,300
YEAH, SHE--
SHE'S HAD SCARLET FEVER.
19
00:01:35,470 --> 00:01:37,640
OH, HOW BAD WAS IT?
20
00:01:40,600 --> 00:01:43,770
IT WAS BAD.
IT WAS SCARLET FEVER.
WH-WHAT IS IT?
21
00:01:43,930 --> 00:01:46,690
MR. INGALLS...
22
00:01:49,110 --> 00:01:51,190
MARY IS GOING BLIND.
23
00:01:51,360 --> 00:01:56,570
GOD MUST HAVE CHOSEN MARY
FOR SOME VERY SPECIAL PURPOSE.
24
00:02:02,160 --> 00:02:05,580
WHY DO I HAVE TO TELL
MY DAUGHTER THAT
SHE'S GOING BLIND?
25
00:02:12,590 --> 00:02:16,510
WHAT SHOULD I TELL HER
IS THAT SPECIAL PURPOSE?
26
00:02:16,670 --> 00:02:17,550
Mary: HELP ME!
27
00:02:17,720 --> 00:02:18,510
MARY?
28
00:02:18,680 --> 00:02:19,930
MARY.
HELP ME!
29
00:02:20,090 --> 00:02:23,390
PA, I CAN'T SEE!
30
00:02:23,560 --> 00:02:25,350
I CAN'T SEE!
31
00:02:25,520 --> 00:02:28,650
YOUR PA AND I HAVE BEEN
TO SEE DR. BAKER.
32
00:02:29,940 --> 00:02:32,360
HE, UH...
33
00:02:32,520 --> 00:02:35,280
HE KNOWS ABOUT A SCHOOL.
34
00:02:35,440 --> 00:02:38,950
HE THINKS MAYBE
IT WOULD BE A GOOD IDEA
IF YOU WENT THERE,
35
00:02:39,110 --> 00:02:40,030
JUST FOR A WHILE.
36
00:02:40,200 --> 00:02:41,570
SCHOOL?
37
00:02:41,740 --> 00:02:43,580
IT'S A SCHOOL
FOR THE BLIND.
38
00:02:43,740 --> 00:02:45,790
THEY CAN TEACH YOU
A LOT OF THINGS.
39
00:02:45,950 --> 00:02:48,830
I'VE NEVER HEARD OF
ONE OF THOSE SCHOOLS
AROUND HERE.
40
00:02:49,000 --> 00:02:52,460
IT'S NOT AROUND HERE.
41
00:02:52,630 --> 00:02:54,590
IT'S IN IOWA.
42
00:03:35,300 --> 00:03:37,460
Charles: I'VE GOT TO
GET BACK TO THE STATION
THIS AFTERNOON.
43
00:03:37,630 --> 00:03:39,130
MY TRAIN LEAVES AT 4:00.
44
00:03:39,300 --> 00:03:40,130
I'LL BE HERE.
45
00:03:40,300 --> 00:03:41,630
ALL RIGHT. THANK YOU.
46
00:03:59,650 --> 00:04:02,860
MARY? YOUR FATHER AND I
HAVE SOME PAPERS TO SIGN,
47
00:04:03,030 --> 00:04:06,240
SO, UH, YOU JUST RELAX
FOR A FEW MINUTES.
48
00:04:17,670 --> 00:04:20,760
Man: I'M LOOKING FOR
A MARY INGALLS.
49
00:04:20,920 --> 00:04:22,680
YOU GOT ONE IN HERE?
50
00:04:23,680 --> 00:04:25,260
I'M MARY INGALLS.
51
00:04:25,430 --> 00:04:27,350
UH-HUH.
I THOUGHT SO.
52
00:04:27,510 --> 00:04:30,060
ALLOW ME
TO INTRODUCE
MYSELF--
53
00:04:30,220 --> 00:04:32,060
ADAM KENDALL,
YOUR TEACHER,
54
00:04:32,230 --> 00:04:34,190
AND I AM HERE,
MISS INGALLS,
55
00:04:34,350 --> 00:04:36,860
TO ESCORT YOU
TO YOUR ROOM.
56
00:04:37,020 --> 00:04:39,900
THESE LAST FEW WEEKS
HAVE BEEN A NIGHTMARE
FOR US.
57
00:04:41,990 --> 00:04:45,160
I JUST HOPE I'M
DOING THE RIGHT THING.
58
00:04:45,320 --> 00:04:47,990
MR. INGALLS...
59
00:04:48,160 --> 00:04:51,040
PLENTY OF FAMILIES
HIDE THEIR BLIND
CHILDREN FROM THE WORLD
60
00:04:51,200 --> 00:04:52,750
AS IF THEY WERE
MENTALLY ILL
61
00:04:52,910 --> 00:04:56,420
INSTEAD OF JUST BEING
UNABLE TO SEE.
62
00:04:56,580 --> 00:04:57,670
AS A MATTER OF FACT,
UNTIL RECENTLY,
63
00:04:57,840 --> 00:05:01,760
SCHOOLS LIKE OURS
WERE KNOWN AS ASYLUMS.
64
00:05:01,920 --> 00:05:04,630
IT TAKES COURAGE
TO LET GO, MR. INGALLS--
65
00:05:04,800 --> 00:05:09,890
COURAGE ON BOTH SIDES,
AND A GREAT DEAL
OF LOVE.
66
00:05:13,640 --> 00:05:15,940
WE COULDN'T LOVE HER
MORE THAN WE DO.
67
00:05:16,100 --> 00:05:18,150
I'M SURE THAT'S TRUE,
68
00:05:18,310 --> 00:05:20,980
BUT THE BLIND CAN
ONLY LEARN BY DOING,
69
00:05:21,150 --> 00:05:23,280
UNDER PROFESSIONAL
GUIDANCE.
70
00:05:23,440 --> 00:05:27,780
WE'VE FOUND THAT
FAMILY IS
TOO CONCERNED,
71
00:05:27,950 --> 00:05:29,240
TOO WILLING TO HELP.
72
00:05:29,410 --> 00:05:30,910
THAT'S ALSO THE REASON
73
00:05:31,080 --> 00:05:34,370
WE DON'T ALLOW LETTERS
OR VISITS FOR THE FIRST
3 MONTHS.
74
00:05:37,460 --> 00:05:39,130
FOR 3 MONTHS?
75
00:05:42,960 --> 00:05:44,380
IT'S HARD ENOUGH
ON MARY.
76
00:05:44,550 --> 00:05:46,800
HARD ON MARY OR...
77
00:05:46,970 --> 00:05:48,470
HARD ON YOU?
78
00:05:51,760 --> 00:05:54,180
YOU SEE, MR. INGALLS,
ONE OF THE FIRST THINGS
79
00:05:54,350 --> 00:05:55,480
WE HAVE TO DEAL
WITH HERE
80
00:05:55,640 --> 00:05:57,810
IS SELF-PITY.
81
00:05:57,980 --> 00:06:00,980
PEOPLE WHO ARE
CLOSE TO YOU, FAMILY,
82
00:06:01,150 --> 00:06:02,780
GENERALLY DON'T HELP
THAT SITUATION.
83
00:06:02,940 --> 00:06:05,490
NOW, THE SCHOOL
WILL SEND YOU REPORTS
84
00:06:05,650 --> 00:06:08,240
AND KEEP YOU INFORMED
OF MARY'S PROGRESS.
85
00:06:09,780 --> 00:06:13,200
BELIEVE ME, WE KNOW
WHAT WE'RE DOING.
86
00:06:15,080 --> 00:06:16,290
HOW ARE YOU, PAUL?
87
00:06:16,460 --> 00:06:18,250
FINE, MR. NASH.
88
00:06:21,420 --> 00:06:26,050
NOW, I'D LIKE YOU
TO MAKE YOUR GOOD-BYE
AS BRIEF AS POSSIBLE.
89
00:06:26,220 --> 00:06:29,090
WELL, I...I THOUGHT
I COULD SPEND
SOME TIME WITH MARY.
90
00:06:29,260 --> 00:06:30,680
MY TRAIN DOESN'T LEAVE
UNTIL 4:00.
91
00:06:30,850 --> 00:06:36,520
NO. THE TIME SPENT
WOULD ONLY BE PAINFUL
FOR BOTH OF YOU.
92
00:06:41,940 --> 00:06:43,650
ADAM, CAN I SEE YOU
A MINUTE?
93
00:06:43,820 --> 00:06:44,900
YES, SIR.
94
00:07:00,460 --> 00:07:01,460
HEY, NICE ROOM.
95
00:07:01,630 --> 00:07:03,590
PA!
96
00:07:04,550 --> 00:07:08,170
PA, I--I DIDN'T KNOW
YOU WERE HERE.
97
00:07:09,880 --> 00:07:11,090
YEAH, WELL, I CAN'T
STAY VERY LONG.
98
00:07:11,260 --> 00:07:12,430
I GOT A CHANCE TO CATCH
AN EARLIER TRAIN.
99
00:07:12,600 --> 00:07:13,760
I THOUGHT I'D
TRY TO MAKE IT.
100
00:07:13,930 --> 00:07:16,850
BUT I THOUGHT WE'D
SPEND THE AFTERNOON.
101
00:07:17,020 --> 00:07:19,230
WELL, I WAS GOING TO,
102
00:07:19,390 --> 00:07:20,690
BUT THEN THIS
EARLIER TRAIN CAME UP.
103
00:07:20,850 --> 00:07:21,940
I TOOK A LOOK AT
THE PLACE.
IT'S A FINE PLACE.
104
00:07:22,110 --> 00:07:23,520
YOU'RE IN GOOD HANDS.
105
00:07:25,270 --> 00:07:28,780
SO, HEY, IF I WANT
TO MAKE THAT TRAIN,
I'D BETTER GO.
106
00:07:28,950 --> 00:07:30,280
GIVE ME A HUG.
107
00:07:30,450 --> 00:07:32,450
PA, DON'T LEAVE ME HERE.
108
00:07:32,620 --> 00:07:34,530
PLEASE DON'T
LEAVE ME HERE.
109
00:07:34,700 --> 00:07:38,250
I LOVE YOU.
I GOT TO GO.
110
00:07:38,410 --> 00:07:40,620
DON'T LEAVE ME HERE.
PLEASE!
111
00:07:42,250 --> 00:07:43,670
[DOOR OPENS]
112
00:07:55,430 --> 00:07:58,600
ADAM...
113
00:07:58,770 --> 00:08:01,390
SCHOOL BEGINS.
114
00:08:01,560 --> 00:08:04,810
[SIGHS] YES, SIR.
115
00:08:04,980 --> 00:08:06,730
[KNOCKS ON DOOR]
116
00:08:08,530 --> 00:08:10,320
YOU MUST BE TIRED.
117
00:08:10,490 --> 00:08:11,950
YOUR BAG'S ON THE BED.
118
00:08:12,110 --> 00:08:14,910
I'LL LEAVE YOU
TO REST AND GET
YOUR CLOTHES UNPACKED.
119
00:08:15,070 --> 00:08:18,410
UNPACK? I CAN'T.
120
00:08:18,580 --> 00:08:19,870
YOU HAVE TO.
121
00:08:20,040 --> 00:08:22,710
YOU'RE HERE TO LEARN.
YOU MAY AS WELL
START NOW.
122
00:08:22,870 --> 00:08:25,250
YOU KNOW THE ROOM
WELL ENOUGH.
123
00:08:26,590 --> 00:08:29,210
SUPPER'S AT 6:00.
I'LL SEE YOU THEN.
124
00:10:44,470 --> 00:10:46,810
[CRYING]
125
00:11:05,040 --> 00:11:06,790
[KNOCKS ON DOOR]
126
00:11:09,830 --> 00:11:12,040
SOUP'S ON.
127
00:11:12,210 --> 00:11:14,050
SORRY I'M LATE.
128
00:11:14,210 --> 00:11:17,010
LITTLE PROBLEM
IN THE KITCHEN.
129
00:11:17,170 --> 00:11:19,300
OUR STUDENTS
DO THE COOKING HERE,
AND ONE OF THE NEW ONES
130
00:11:19,470 --> 00:11:22,970
MISTOOK THE CAYENNE
PEPPER BOTTLE
FOR THE CINNAMON.
131
00:11:23,140 --> 00:11:25,140
NEEDLESS TO SAY,
WE HAD ABOUT TWO DOZEN
132
00:11:25,310 --> 00:11:28,350
OF THE HOTTEST
APPLE PIES
IN THE SCHOOL'S HISTORY.
133
00:11:31,440 --> 00:11:34,400
WELL, ENOUGH CHITCHAT.
134
00:11:34,570 --> 00:11:36,650
LET'S GET TO WORK.
135
00:11:36,820 --> 00:11:39,150
I'M AT THE TABLE.
YOU KNOW WHERE IT IS.
136
00:11:43,370 --> 00:11:45,910
COME ON. I HAVEN'T
HAD MY DINNER YET.
137
00:12:00,130 --> 00:12:03,890
YOUR SUPPER IS PART
OF YOUR HOMEWORK.
138
00:12:04,050 --> 00:12:06,560
I HOPE YOU'RE HUNGRY.
139
00:12:06,720 --> 00:12:08,470
NOT PARTICULARLY.
140
00:12:08,640 --> 00:12:12,400
MMM. ROAST BEEF,
PEAS, AND POTATOES.
141
00:12:15,360 --> 00:12:17,150
HERE'S YOUR NAPKIN.
142
00:12:21,860 --> 00:12:23,990
OK. LET'S BEGIN.
143
00:12:24,990 --> 00:12:26,530
I'D RATHER EAT
BY MYSELF.
144
00:12:26,700 --> 00:12:28,950
WHEN YOU EAT
IN THE SCHOOL
DINING ROOM,
145
00:12:29,120 --> 00:12:30,750
YOU CAN PICK
YOUR OWN COMPANY,
146
00:12:30,910 --> 00:12:32,210
BUT FOR NOW,
THIS IS SCHOOLWORK,
147
00:12:32,370 --> 00:12:34,040
SO YOU'LL
HAVE TO EAT
WITH THE TEACHER.
148
00:12:34,210 --> 00:12:36,500
I DON'T LIKE PEOPLE
LOOKING AT ME!
149
00:12:36,670 --> 00:12:38,960
WHY? BECAUSE YOU EAT
WITH YOUR FINGERS?
150
00:12:39,130 --> 00:12:41,340
NOTHING TO FEEL
BAD ABOUT.
151
00:12:41,510 --> 00:12:43,510
MOST EVERYBODY DOES
TILL THEY LEARN.
152
00:12:43,680 --> 00:12:46,470
LOOK, MY PARENTS
DIDN'T SEND ME HERE
153
00:12:46,640 --> 00:12:48,560
TO HAVE YOU TEACH ME
TABLE MANNERS.
154
00:12:48,720 --> 00:12:51,430
YES, THEY DID.
155
00:12:51,600 --> 00:12:52,560
IT'S ALL
A PART OF LEARNING.
156
00:12:52,730 --> 00:12:54,020
NOW, JUST BECAUSE
YOU'RE BLIND
157
00:12:54,190 --> 00:12:56,900
DOESN'T MEAN
YOU HAVE TO EAT
LIKE AN ANIMAL.
158
00:12:58,820 --> 00:13:00,320
ALL RIGHT.
159
00:13:00,480 --> 00:13:02,450
THE FOOD IS SERVED
ON THE PLATE
CLOCKWISE--
160
00:13:02,610 --> 00:13:04,910
POTATOES AT 2 O'CLOCK,
MEAT AT 5 O'CLOCK,
161
00:13:05,070 --> 00:13:06,490
VEGETABLES
AT 10 O'CLOCK.
162
00:13:06,660 --> 00:13:09,240
YOUR FORK IS
TO THE LEFT
OF THE PLATE.
163
00:13:13,750 --> 00:13:15,540
DON'T USE
YOUR FINGERS.
164
00:13:15,710 --> 00:13:18,750
IF YOU DON'T LIKE
WATCHING A BLIND PERSON EAT,
WHY DON'T YOU JUST GET OUT!
165
00:13:18,920 --> 00:13:21,670
ALL YOU THINK ABOUT
IS BEING BLIND.
166
00:13:21,840 --> 00:13:24,260
YOU HAPPEN TO BE
A PERFECTLY NORMAL
PERSON
167
00:13:24,430 --> 00:13:27,180
WHO JUST HAPPENS
NOT TO BE ABLE TO
SEE WITH HER EYES.
168
00:13:27,340 --> 00:13:30,260
WHEN ARE YOU
GOING TO GET ON
WITH LIVING?
169
00:13:30,430 --> 00:13:31,560
GET OUT.
170
00:13:31,720 --> 00:13:33,430
PITYING YOURSELF
WON'T HELP.
171
00:13:33,600 --> 00:13:37,610
BLIND PEOPLE ARE JUST
AS GOOD OR AS BAD
AS EVERYBODY ELSE.
172
00:13:37,770 --> 00:13:39,190
YOU'RE NOT SPECIAL.
173
00:13:39,360 --> 00:13:41,940
I TOLD YOU
TO GET OUT!
174
00:13:44,780 --> 00:13:47,200
THE ROAST BEEF
WAS GOOD.
175
00:13:48,950 --> 00:13:50,450
YOU'LL FIND
THE TOWELS
176
00:13:50,620 --> 00:13:52,450
ON THE SHELF
IN THE CLOSET.
177
00:13:52,620 --> 00:13:54,960
THIS IS YOUR ROOM
AS LONG AS
YOU'RE HERE.
178
00:13:55,120 --> 00:13:58,750
YOU MAKE A MESS,
YOU CLEAN IT UP.
179
00:14:02,510 --> 00:14:05,470
SEE YOU
IN THE MORNING.
180
00:14:27,570 --> 00:14:28,660
WALK TOWARD ME.
181
00:14:28,820 --> 00:14:30,160
I DON'T WANT TO.
182
00:14:30,320 --> 00:14:32,990
DO IT, MARY.
183
00:14:38,420 --> 00:14:41,750
YOU CAN TELL WHERE I AM
BY THE SOUND OF MY VOICE.
184
00:14:52,300 --> 00:14:54,810
DON'T SHUFFLE!
185
00:14:56,770 --> 00:15:00,810
THINK OF THE PEOPLE
WHO WILL BE WATCHING YOU
186
00:15:00,980 --> 00:15:03,230
AND WALK WITH CONFIDENCE.
187
00:15:03,400 --> 00:15:08,030
SHUFFLING LOOKS HELPLESS
AND SOUNDS AWFUL.
188
00:15:09,110 --> 00:15:11,780
NOW WALK TOWARDS ME.
189
00:15:22,750 --> 00:15:25,630
RIGHT. ALL RIGHT.
190
00:15:25,800 --> 00:15:27,880
YOU SEE,
IT'S NOT SO HARD.
191
00:15:28,050 --> 00:15:29,510
NO.
192
00:15:29,680 --> 00:15:31,680
NO, I DON'T SEE.
193
00:15:31,840 --> 00:15:33,800
THAT'S THE POINT.
194
00:15:33,970 --> 00:15:36,310
WHO CARES
ABOUT ALL THIS?
195
00:15:36,470 --> 00:15:39,060
WHO CARES ABOUT
WALKING ACROSS
THE ROOM WHEN--
196
00:15:39,230 --> 00:15:43,230
WHEN THERE'S
NOTHING TO SEE
WHEN YOU GET THERE?
197
00:15:44,480 --> 00:15:46,280
I CARE...
198
00:15:46,440 --> 00:15:50,030
BECAUSE IT'S MY JOB
TO TEACH YOU.
199
00:15:50,200 --> 00:15:53,780
IF I DON'T TEACH YOU,
I DON'T GET PAID.
200
00:15:53,950 --> 00:15:57,410
SO YOU CAN SULK
IF YOU WANT TO
201
00:15:57,580 --> 00:15:59,250
FOR ABOUT 5 MINUTES.
202
00:15:59,410 --> 00:16:02,080
THEN WE ARE
GOING TO WASH UP
203
00:16:02,250 --> 00:16:06,090
AND SEE IF WE CAN EAT
WITHOUT THROWING IT.
204
00:16:06,250 --> 00:16:09,340
I'LL BE RIGHT BACK.
205
00:16:14,970 --> 00:16:16,390
[DOOR CLOSES]
206
00:16:18,890 --> 00:16:21,390
ADAM, HOW'S IT
GOING WITH MARY?
207
00:16:21,560 --> 00:16:24,270
JUST FINE, SIR.
JUST FINE.
208
00:16:24,440 --> 00:16:25,520
GOOD.
209
00:17:47,020 --> 00:17:49,900
Adam: ALL RIGHT. YOU'VE
DONE WELL THIS WEEK.
210
00:17:50,070 --> 00:17:53,320
NOW IT'S TIME
TO REALLY START WORK.
211
00:17:53,490 --> 00:17:56,070
TODAY, YOU LEARN
TO READ.
212
00:17:57,820 --> 00:17:59,580
WHAT?
213
00:17:59,740 --> 00:18:04,250
MARY INGALLS,
TODAY YOU LEARN
TO READ.
214
00:18:06,540 --> 00:18:10,170
I TOLD YOU BEFORE,
YOU CAN SEE
WITH YOUR HANDS.
215
00:18:10,340 --> 00:18:12,880
THANKS
TO LOUIS BRAILLE,
216
00:18:13,050 --> 00:18:14,970
WE CAN READ
WITH THEM.
217
00:18:15,130 --> 00:18:16,300
MOVE OVER.
218
00:18:23,060 --> 00:18:25,100
TOUCH THE BOOK
IN FRONT OF YOU.
219
00:18:30,150 --> 00:18:31,820
WHAT'S THAT?
220
00:18:31,980 --> 00:18:33,820
GIVE ME YOUR HAND.
221
00:18:36,650 --> 00:18:38,410
"AND THE DARKNESS
222
00:18:38,570 --> 00:18:41,830
"WAS UPON THE FACE
OF THE DEEP,
223
00:18:41,990 --> 00:18:43,740
"AND THE SPIRIT
OF GOD
224
00:18:43,910 --> 00:18:46,960
"MOVED UPON THE FACE
OF THE WATERS,
225
00:18:47,120 --> 00:18:48,580
AND GOD SAID,
226
00:18:48,750 --> 00:18:51,420
LETTHERE
BELIGHT."
227
00:19:11,230 --> 00:19:16,320
THE 6 DOTS
IN THIS SQUARE
ARE YOUR ALPHABET.
228
00:19:16,490 --> 00:19:19,450
EVERY DOT
OR SEQUENCE OF DOTS
229
00:19:19,610 --> 00:19:20,950
REPRESENTS A LETTER,
230
00:19:21,110 --> 00:19:23,950
NUMBER,
OR PUNCTUATION.
231
00:19:24,120 --> 00:19:26,120
REMEMBER THE SQUARE.
232
00:19:28,160 --> 00:19:32,290
THIS...IS AN "A."
233
00:19:34,170 --> 00:19:36,170
THIS IS "B."
234
00:19:36,340 --> 00:19:42,430
NOW, "C," "D."
235
00:19:42,590 --> 00:19:44,850
OK. STOP
FOR A MINUTE.
236
00:19:47,470 --> 00:19:49,270
AND WHAT LETTER
IS THIS?
237
00:19:53,650 --> 00:19:56,070
"C."
238
00:19:56,230 --> 00:19:58,400
RIGHT.
239
00:19:58,570 --> 00:20:00,320
THIS?
240
00:20:07,040 --> 00:20:07,950
"D."
241
00:20:08,120 --> 00:20:10,580
EXCELLENT. YOU'RE
LEARNING FAST.
242
00:20:10,750 --> 00:20:11,960
WERE YOU A GOOD
STUDENT IN SCHOOL?
243
00:20:12,120 --> 00:20:16,000
YES. READING WAS
MY BEST SUBJECT.
244
00:20:16,170 --> 00:20:18,050
IT WILL BE AGAIN.
245
00:20:18,210 --> 00:20:20,260
LET'S GO ON.
246
00:20:20,420 --> 00:20:23,090
HERE'S AN "E,"
247
00:20:23,260 --> 00:20:25,050
AN "F."
248
00:20:25,220 --> 00:20:26,970
CHARLES!
249
00:20:27,140 --> 00:20:30,020
CHARLES, A LETTER
FROM THE SCHOOL!
250
00:20:30,180 --> 00:20:33,400
MARY IS LEARNING
TO READ!
251
00:20:53,370 --> 00:20:54,790
AFTERNOON, JENNY.
252
00:20:54,960 --> 00:20:56,170
HELLO, MR. KENDALL.
253
00:20:56,340 --> 00:20:57,710
GOOD AFTERNOON,
LADY.
254
00:20:57,880 --> 00:21:00,170
NICE LITTLE GIRL.
ONE OF OUR BEST
STUDENTS.
255
00:21:00,340 --> 00:21:02,090
YOU SHOULD HEAR HER
PLAY THE PIANO.
256
00:21:02,260 --> 00:21:04,180
SHE WAS BLIND?
257
00:21:04,340 --> 00:21:06,220
BUT SHE SAID HELLO
TO ME.
258
00:21:06,390 --> 00:21:07,850
HOW DID SHE KNOW
I WAS HERE?
259
00:21:08,010 --> 00:21:09,600
LISTEN TO YOURSELF.
260
00:21:09,770 --> 00:21:12,180
ALL SHE HAD TO HEAR
WAS THE SOUND
OF YOUR FOOTSTEPS
261
00:21:12,350 --> 00:21:14,230
AND THE RUSTLE
OF YOUR DRESS.
262
00:21:15,350 --> 00:21:17,270
I NEVER THOUGHT
OF THAT.
263
00:21:19,360 --> 00:21:21,780
HER WALK
SOUNDED STRANGE.
264
00:21:21,940 --> 00:21:24,950
THAT WAS A CRUTCH.
265
00:21:25,110 --> 00:21:28,370
SHE HAS A BAD LEG.
THERE WAS A WAGON WRECK.
266
00:21:28,530 --> 00:21:30,450
BOTH HER PARENTS
WERE KILLED.
267
00:21:30,620 --> 00:21:33,540
AND I USED TO THINK
NOBODY SUFFERED BUT ME.
268
00:21:35,540 --> 00:21:37,830
I'LL BE SURE AND
RECOGNIZE HER NEXT TIME.
269
00:21:38,000 --> 00:21:39,880
RIGHT. ONLY DO SAY HELLO.
270
00:21:40,050 --> 00:21:42,050
SHE CAN'T HEAR YOU SMILE.
271
00:22:21,210 --> 00:22:23,340
[DOOR CREAKING]
272
00:22:32,970 --> 00:22:34,220
HEY, JONATHAN.
273
00:22:34,390 --> 00:22:35,980
HEY, CHARLES,
I WAS JUST COMING OUT
TO LOOK FOR YOU.
274
00:22:36,140 --> 00:22:37,140
I THINK I GOT US
A PIECE OF GOOD NEWS.
275
00:22:37,310 --> 00:22:39,060
I COULD USE
A WINDFALL.
276
00:22:39,230 --> 00:22:42,230
SAM BALLARD IS LOOKING
FOR SOMEBODY TO CUT
18 CORDS OF WOOD FOR HIM.
277
00:22:42,400 --> 00:22:45,240
I TOLD HIM WE'D DO IT.
HE'S GOING TO PAY US
$1.00 A CORD.
278
00:22:45,400 --> 00:22:47,990
I FIGURE IT'S NOT MUCH,
BUT EVERY LITTLE BIT HELPS.
279
00:22:48,160 --> 00:22:49,030
THAT SOUNDS GOOD TO ME.
280
00:22:49,200 --> 00:22:51,740
CHARLES! LETTER
FROM MARY. LOOK.
281
00:22:52,830 --> 00:22:54,750
TAKE A LOOK AT
THAT WRITING, HUH?
282
00:22:54,910 --> 00:22:57,040
WHY, IT'S STRAIGHT
AS A RULER.
283
00:22:57,210 --> 00:22:58,500
THAT'S THE WAY
SHE DOES IT.
284
00:22:58,670 --> 00:23:00,920
THEY TAUGHT HER
TO DO IT WITH A RULER.
285
00:23:05,550 --> 00:23:06,670
SHE CAN COME HOME.
286
00:23:06,840 --> 00:23:08,090
OH, CHARLES.
287
00:23:08,260 --> 00:23:10,510
OH, SHE'S
COMING HOME!
288
00:23:10,680 --> 00:23:12,970
HEY, JONATHAN,
CAN THE GIRLS STAY
AT YOUR PLACE?
289
00:23:13,140 --> 00:23:14,430
OF COURSE THEY CAN.
290
00:23:14,600 --> 00:23:15,970
ALL RIGHT.
WELL, LET'S GET TO
CUTTING THAT WOOD.
291
00:23:16,140 --> 00:23:18,060
WE'RE GOING TO
NEED THE $9.00
FOR THE TRIP.
292
00:23:18,230 --> 00:23:19,600
OH, CHARLES,
I CAN'T WAIT.
293
00:23:19,770 --> 00:23:22,360
I CAN'T BELIEVE
SHE'S COMING HOME.
294
00:23:22,520 --> 00:23:23,690
OHH!
295
00:23:23,860 --> 00:23:25,190
COME ON.
LET'S GET TO WORK.
296
00:23:25,360 --> 00:23:26,110
OK.
297
00:23:26,280 --> 00:23:27,190
I'LL SEE YOU
AT HOME.
298
00:23:27,360 --> 00:23:28,450
OK.
299
00:23:30,490 --> 00:23:33,030
[PLAYING PIANO]
300
00:23:38,290 --> 00:23:39,710
JENNY, YOU PLAY
SO WELL.
301
00:23:39,870 --> 00:23:41,460
THANK YOU, MARY.
302
00:23:44,130 --> 00:23:47,010
BETTER GO NOW.
I'VE GOT TO HELP
WITH THE BAKING.
303
00:23:47,170 --> 00:23:48,260
ALL RIGHT.
304
00:23:51,260 --> 00:23:53,760
I'VE ALWAYS
LOVED MUSIC.
305
00:23:53,930 --> 00:23:55,510
I COULD SIT
AND LISTEN FOR HOURS
306
00:23:55,680 --> 00:23:57,720
TO MY PA
PLAY THE FIDDLE.
307
00:23:57,890 --> 00:23:59,810
DO YOU PLAY
ANY INSTRUMENTS?
308
00:23:59,980 --> 00:24:02,270
ME? NO.
309
00:24:02,440 --> 00:24:04,020
I NEVER LEARNED.
310
00:24:04,190 --> 00:24:05,730
WOULD YOU LIKE TO?
311
00:24:05,900 --> 00:24:09,900
I'M NOT THE BEST TEACHER,
BUT JENNY'S GOT TO
DO THE BAKING.
312
00:24:10,070 --> 00:24:11,820
I COULD NEVER LEARN.
313
00:24:11,990 --> 00:24:14,120
I WISH YOU'D
FORGET ABOUT THAT.
314
00:24:14,280 --> 00:24:19,700
SOME OF THE GREATEST
WRITERS AND COMPOSERS
IN THE WORLD WERE BLIND.
315
00:24:19,870 --> 00:24:23,040
HAVE YOU EVER HEARD
OF JOHN MILTON?
316
00:24:23,210 --> 00:24:26,170
WELL, OF COURSE.
HE--HE WROTE
PARADISE LOST,
317
00:24:26,340 --> 00:24:27,550
ONE OF MY
FAVORITE BOOKS.
318
00:24:27,710 --> 00:24:29,510
WELL, HE WAS
ALSO BLIND.
319
00:24:31,420 --> 00:24:34,720
NOW, DO YOU WANT
TO PLAY THE PIANO
OR NOT?
320
00:24:36,680 --> 00:24:39,270
THERE WOULDN'T BE
ENOUGH TIME.
321
00:24:39,430 --> 00:24:42,940
YOU KNOW
MY FAMILY'S COMING
TO TAKE ME HOME.
322
00:24:43,100 --> 00:24:45,520
THEY'LL BE HERE
IN A FEW DAYS.
323
00:24:47,440 --> 00:24:50,740
IT'S BEEN A LONG TIME,
HASN'T IT,
324
00:24:50,900 --> 00:24:53,110
SINCE YOU'VE
SEEN YOUR FOLKS?
325
00:24:55,530 --> 00:24:58,540
IT SEEMS LIKE
A LIFETIME.
326
00:25:00,790 --> 00:25:03,580
ADAM, I'M SO SCARED.
327
00:25:03,750 --> 00:25:06,250
I MEAN...
328
00:25:08,340 --> 00:25:11,550
I KNOW I'M READY
TO GO HOME...
329
00:25:12,970 --> 00:25:17,140
BUT HERE,
IT'S...IT'S EASY,
330
00:25:17,300 --> 00:25:20,470
AND I'VE ALWAYS
GOT YOU TO HELP ME.
331
00:25:20,640 --> 00:25:25,270
MARY, YOU CAN'T
DEPEND ON ME FOREVER.
332
00:25:25,440 --> 00:25:29,070
AND I'LL
BE LEAVING, TOO.
333
00:25:29,230 --> 00:25:31,360
WHERE ARE YOU GOING?
334
00:25:31,530 --> 00:25:35,200
TO WINOKA,
IN DAKOTA TERRITORY,
335
00:25:35,360 --> 00:25:37,950
TO START A NEW
BLIND SCHOOL.
336
00:25:39,780 --> 00:25:42,290
WHY DIDN'T YOU
TELL ME?
337
00:25:42,450 --> 00:25:44,330
I DON'T KNOW.
338
00:25:44,500 --> 00:25:47,580
IT JUST NEVER
CAME UP.
339
00:25:49,340 --> 00:25:52,300
THEN I'M GLAD
I'M GOING HOME.
340
00:25:52,460 --> 00:25:55,930
MARY, IT'S NOT
THAT MUCH DIFFERENT
OUT THERE.
341
00:25:56,090 --> 00:25:57,890
NOT REALLY.
342
00:25:58,050 --> 00:25:59,680
YES, IT IS.
343
00:26:01,350 --> 00:26:04,020
I WOULDN'T EXPECT YOU
TO UNDERSTAND.
344
00:26:04,180 --> 00:26:05,940
HOW COULD YOU?
345
00:26:07,810 --> 00:26:09,610
MARY...
346
00:26:10,690 --> 00:26:13,650
THE WORLD
ISN'T LIKE THE...
347
00:26:13,820 --> 00:26:18,200
THE BURTON SCHOOL
FOR THE BLIND. IT...
348
00:26:18,370 --> 00:26:20,740
IT'S A HUGE,
DARK PLACE
349
00:26:20,910 --> 00:26:22,620
FILLED WITH...
350
00:26:22,790 --> 00:26:25,080
HIDDEN OBSTACLES
AND...
351
00:26:25,250 --> 00:26:28,420
STRANGE SOUNDS
AND VOICES
352
00:26:28,580 --> 00:26:30,540
COMING FROM
FACELESS PEOPLE.
353
00:26:32,670 --> 00:26:34,760
EVEN YOU.
354
00:26:37,930 --> 00:26:40,850
I'VE NEVER EVEN
SEEN YOU.
355
00:26:41,010 --> 00:26:43,560
WELL, THEN LOOK AT ME.
356
00:27:18,430 --> 00:27:20,760
WHAT COLOR
ARE YOUR EYES?
357
00:27:20,930 --> 00:27:22,600
BLUE.
358
00:27:24,260 --> 00:27:25,970
YOUR HAIR?
359
00:27:26,140 --> 00:27:27,810
BROWN.
360
00:27:29,890 --> 00:27:32,020
THANK YOU, ADAM.
361
00:27:39,990 --> 00:27:43,030
WHAT DO YOU
LOOK LIKE, MARY?
362
00:27:48,830 --> 00:27:51,790
I'VE NEVER SEEN YOU
EITHER.
363
00:28:49,680 --> 00:28:53,980
[PLAYING PIANO]
364
00:28:55,860 --> 00:28:57,440
MARY.
365
00:28:57,610 --> 00:28:58,440
MA!
366
00:28:58,610 --> 00:28:59,980
MARY! OH.
367
00:29:00,150 --> 00:29:02,200
OH, MA. I LOVE YOU.
368
00:29:02,360 --> 00:29:04,360
I NEVER THOUGHT
YOU'D BE ABLE TO COME.
369
00:29:04,530 --> 00:29:06,870
THE GARVEYS
ARE TAKING CARE
OF THE GIRLS.
370
00:29:07,030 --> 00:29:08,330
OH, HOW WE'VE
MISSED YOU.
371
00:29:08,490 --> 00:29:10,330
OH, I'VE
MISSED YOU.
372
00:29:10,500 --> 00:29:11,580
HEY, WHAT ABOUT ME?
373
00:29:11,750 --> 00:29:13,670
OH, PA!
374
00:29:16,250 --> 00:29:17,420
[LAUGHING]
375
00:29:17,590 --> 00:29:19,710
HIYA, BABY.
376
00:29:22,970 --> 00:29:25,010
ADAM?
377
00:29:25,180 --> 00:29:27,050
MEET MY MA AND PA.
378
00:29:27,220 --> 00:29:28,600
THIS IS ADAM KENDALL,
379
00:29:28,760 --> 00:29:30,470
THE MOST WONDERFUL TEACHER
IN THE WORLD.
380
00:29:30,640 --> 00:29:32,680
GOOD TO MEET YOU,
MR. INGALLS.
381
00:29:32,850 --> 00:29:35,100
PLEASURE
MEETING YOU,
MR. KENDALL.
382
00:29:35,270 --> 00:29:36,230
MRS. INGALLS.
383
00:29:36,400 --> 00:29:37,900
MR. KENDALL, HELLO.
384
00:29:38,060 --> 00:29:39,070
PLEASE, IT'S ADAM.
385
00:29:39,230 --> 00:29:40,610
COME ON. I WANT
TO SHOW YOU MY ROOM.
386
00:29:40,780 --> 00:29:44,240
I'LL LEAD THE WAY.
YOU COULD GET LOST AROUND HERE.
387
00:29:44,400 --> 00:29:45,660
I MADE A BIG LUNCH
FOR LATER.
388
00:29:45,820 --> 00:29:48,530
I HOPE
YOU'RE HUNGRY.
389
00:29:48,700 --> 00:29:51,370
THERE'S NO MORE ICE,
BUT IT STILL FEELS COLD.
390
00:29:51,540 --> 00:29:52,370
HERE YOU GO.
391
00:29:52,540 --> 00:29:53,250
THANK YOU.
392
00:29:53,410 --> 00:29:54,290
ANYBODY READY
FOR DESSERT?
393
00:29:54,460 --> 00:29:55,460
MM-HMM. I AM.
394
00:29:55,620 --> 00:29:57,040
I'D LOVE TO,
BUT I'VE GOT A CLASS.
395
00:29:57,210 --> 00:29:58,630
I'LL SEE YOU FOLKS
BEFORE YOU LEAVE.
396
00:29:58,790 --> 00:29:59,590
GOOD-BYE.
397
00:29:59,750 --> 00:30:00,670
SAVE ME A PIECE.
398
00:30:00,840 --> 00:30:01,840
I WILL.
399
00:30:02,010 --> 00:30:04,760
MA, I KNOW
IT'S LOPSIDED, BUT...
400
00:30:04,920 --> 00:30:06,510
MY CAKES WERE
ALWAYS LOPSIDED.
401
00:30:06,680 --> 00:30:08,090
[LAUGHING]
402
00:30:08,260 --> 00:30:11,600
WELL, YOU'VE BEEN HERE
A WHOLE DAY.
403
00:30:11,760 --> 00:30:13,220
WHAT DO YOU THINK?
404
00:30:13,390 --> 00:30:16,440
IT'S AS IF THIS WHOLE THING
HAD NEVER HAPPENED.
405
00:30:16,600 --> 00:30:18,440
IT'S LIKE
WE'LL BE GOING HOME,
406
00:30:18,610 --> 00:30:21,230
AND NOTHING
WILL HAVE CHANGED.
407
00:30:21,400 --> 00:30:23,320
THINGS DO CHANGE,
THOUGH.
408
00:30:23,490 --> 00:30:25,400
THAT'S WHAT I WANTED
TO TALK TO YOU ABOUT.
409
00:30:25,570 --> 00:30:28,490
SURE, DARLIN'.
WHAT IS IT?
410
00:30:28,660 --> 00:30:31,370
FIRST OF ALL, I...
411
00:30:31,530 --> 00:30:34,120
I WANT TO THANK YOU
FOR SENDING ME HERE.
412
00:30:34,290 --> 00:30:36,460
IF I HADN'T COME
TO THIS SCHOOL, I...
413
00:30:36,620 --> 00:30:39,080
I'D PROBABLY STILL BE
SITTING IN THE DARKNESS
414
00:30:39,250 --> 00:30:41,290
FEELING SORRY
FOR MYSELF,
415
00:30:41,460 --> 00:30:43,510
AND I NEVER
WOULD HAVE MET ADAM.
416
00:30:43,670 --> 00:30:45,470
HE SAVED MY LIFE.
417
00:30:45,630 --> 00:30:47,800
WE ALL OWE HIM
A LOT.
418
00:30:47,970 --> 00:30:51,720
HE HELPED ME,
AND NOW I'M GOING
TO HELP HIM.
419
00:30:51,890 --> 00:30:55,350
ADAM'S GOING TO
WINOKA, DAKOTA,
TO OPEN A BLIND SCHOOL.
420
00:30:55,520 --> 00:30:58,480
HE'S ASKED ME
TO COME THERE AND TEACH.
421
00:30:58,650 --> 00:31:00,860
IT'S WHAT I WANT TO DO.
422
00:31:02,520 --> 00:31:07,280
IT'S A CHANCE
TO DO FOR OTHERS
WHAT ADAM DID FOR ME.
423
00:31:07,450 --> 00:31:11,370
MA...I'LL BE A TEACHER,
424
00:31:11,530 --> 00:31:13,910
JUST AS WE
ALWAYS PLANNED.
425
00:31:15,250 --> 00:31:17,250
HE'LL BE LEAVING
THE FIRST OF THE WEEK.
426
00:31:17,410 --> 00:31:19,830
HE'D LIKE ME TO GET THERE
AS SOON AS I CAN.
427
00:31:20,000 --> 00:31:24,460
I THOUGHT I COULD
GO BACK WITH YOU
AND SEE EVERYBODY
428
00:31:24,630 --> 00:31:25,630
AND GET MY THINGS
TOGETHER.
429
00:31:25,800 --> 00:31:27,630
[CRYING]
430
00:31:27,800 --> 00:31:30,680
HEY.
431
00:31:30,840 --> 00:31:32,550
MA...
432
00:31:33,470 --> 00:31:36,180
[CRYING]
433
00:31:36,350 --> 00:31:38,060
MA, DON'T CRY.
434
00:31:38,230 --> 00:31:40,350
I WAS HOPING
YOU'D UNDERSTAND.
435
00:31:40,520 --> 00:31:43,150
OH, I DO.
436
00:31:43,310 --> 00:31:46,030
IT'S JUST...
437
00:31:46,190 --> 00:31:49,610
A TEACHER...
438
00:31:49,780 --> 00:31:53,030
IT'S A DREAM
I MADE MYSELF FORGET.
439
00:31:53,200 --> 00:31:56,200
NOW IT'S COMING TRUE.
440
00:31:56,370 --> 00:31:57,450
OH, MA.
441
00:32:02,420 --> 00:32:04,880
Caroline:
OH, MY BABY.
442
00:32:06,050 --> 00:32:09,340
HEY, WILL YOU TWO STOP
ALL THAT HUGGING
443
00:32:09,510 --> 00:32:11,970
AND CUT THIS
LOPSIDED CAKE?
444
00:32:12,140 --> 00:32:14,720
[LAUGHING]
445
00:32:21,140 --> 00:32:23,230
WE'LL SEE YOU BOTH
TOMORROW MORNING.
446
00:32:23,400 --> 00:32:25,900
SEE YOU THEN.
447
00:32:29,940 --> 00:32:30,780
OHH.
448
00:32:30,950 --> 00:32:32,450
HEY, COME ON, NOW.
TAKE IT EASY.
449
00:32:32,610 --> 00:32:34,700
OH, I JUST CAN'T HELP IT.
I'M SO HAPPY.
450
00:32:34,870 --> 00:32:36,240
I KNOW.
451
00:32:36,410 --> 00:32:38,790
DRIVER, COLLA HOTEL,
PLEASE.
452
00:32:50,920 --> 00:32:52,970
[THUNDER]
453
00:33:03,600 --> 00:33:06,230
COME ON. MAKE UP
YOUR MIND, INGALLS.
454
00:33:10,490 --> 00:33:13,030
DADBURN IT. WHY NOT?
455
00:33:14,200 --> 00:33:15,030
CAROLINE?
456
00:33:15,200 --> 00:33:15,950
MM-HMM?
457
00:33:16,120 --> 00:33:18,200
HONEY, COME ON.
WAKE UP.
458
00:33:18,370 --> 00:33:19,290
CHARLES,
WHAT'S WRONG?
459
00:33:19,450 --> 00:33:20,910
NOTHING.
WE HAVE TO TALK.
460
00:33:21,080 --> 00:33:22,960
OR I HAVE TO TALK.
NOW LISTEN.
461
00:33:23,120 --> 00:33:25,330
WE...WE KNOW
THE RAILROAD'S GOT US.
462
00:33:25,500 --> 00:33:28,000
I MEAN, THERE ISN'T
A FARMER IN WALNUT GROVE
THAT'S GOING TO MAKE IT
463
00:33:28,170 --> 00:33:30,000
UNTIL THIS THING IS SETTLED
WITH THE GRANGE.
464
00:33:30,170 --> 00:33:32,470
THE MILL'S CLOSED.
THE BANK'S CLOSED.
465
00:33:32,630 --> 00:33:34,800
RUMOR HAS IT THAT
THE MERCANTILE'S
GOING TO CLOSE.
466
00:33:34,970 --> 00:33:38,010
WELL, CHARLES,
WE'VE BEEN THROUGH
HARD TIMES BEFORE.
467
00:33:38,180 --> 00:33:41,470
I KNOW THAT,
BUT I HAVE TO HAVE A JOB.
I HAVE TO WORK.
468
00:33:41,640 --> 00:33:44,640
THERE AREN'T GOING TO BE
ANY JOBS IN WALNUT GROVE.
469
00:33:44,810 --> 00:33:47,610
THERE WILL BE
IN A TOWN LIKE WINOKA.
470
00:33:47,770 --> 00:33:49,480
WHAT?
471
00:33:49,650 --> 00:33:51,820
I KNOW IT ISN'T
GOING TO BE EASY,
472
00:33:51,980 --> 00:33:53,650
BUT WE SAID THAT
WHEN WE LEFT WISCONSIN
AND KANSAS,
473
00:33:53,820 --> 00:33:55,530
BUT WE KNEW
WE HAD TO DO IT
AND WE DID IT,
474
00:33:55,700 --> 00:33:56,610
AND THINGS
TURNED OUT ALL RIGHT.
475
00:33:56,780 --> 00:33:58,990
BUT, CHARLES,
TO SELL THE FARM?
476
00:33:59,160 --> 00:34:01,040
OH, CAROLINE,
I COULDN'T SELL THE FARM,
NOT THE WAY THINGS ARE.
477
00:34:01,200 --> 00:34:03,410
THERE ISN'T A MAN
IN HIS RIGHT MIND
THAT WOULD BUY IT.
478
00:34:03,580 --> 00:34:06,370
BUT THEN WE'LL BE
GOING TO A NEW TOWN
WITH NO MONEY
479
00:34:06,540 --> 00:34:08,580
AND NOT CERTAIN
THAT YOU COULD
GET A JOB.
480
00:34:08,750 --> 00:34:11,090
THERE'S ALWAYS
A JOB FOR A MAN
WHO'S WILLING TO WORK.
481
00:34:11,250 --> 00:34:14,220
AT LEAST WE'D BE TOGETHER.
WE'D BE A FAMILY.
482
00:34:14,380 --> 00:34:15,590
WE'D HAVE A CHANCE.
483
00:34:15,760 --> 00:34:18,010
BUT THE CITY.
YOU HATE THE CITY.
484
00:34:18,180 --> 00:34:20,600
WELL, NO, I WOULDN'T.
I WOULDN'T HATE IT,
NOT IF WE WERE TOGETHER.
485
00:34:20,760 --> 00:34:21,970
I SWEAR TO YOU
I WOULDN'T.
486
00:34:24,140 --> 00:34:25,180
WELL...
487
00:34:25,350 --> 00:34:26,690
WHAT DO YOU SAY?
488
00:34:26,850 --> 00:34:29,110
I SAY IT'S CRAZY.
489
00:34:29,270 --> 00:34:31,480
I SAY TOGETHER
WE DON'T HAVE
ENOUGH BRAINS
490
00:34:31,650 --> 00:34:33,480
TO BLOW OURSELVES
UP WITH,
491
00:34:33,650 --> 00:34:35,570
AND I SAY,
LET'S DO IT.
492
00:34:39,370 --> 00:34:40,410
COME ON.
LET'S TELL MARY.
493
00:34:40,580 --> 00:34:42,030
WELL, OF COURSE
WE'LL TELL MARY.
494
00:34:42,200 --> 00:34:43,370
NO, I MEAN RIGHT NOW.
LET'S TELL HER NOW.
495
00:34:43,540 --> 00:34:44,580
CHARLES,
IT'S THE MIDDLE
OF THE NIGHT.
496
00:34:44,750 --> 00:34:45,580
SO WHAT?
497
00:34:45,750 --> 00:34:47,040
AND IT'S RAINING.
498
00:34:47,210 --> 00:34:48,370
THEN WE'LL GET WET.
COME ON. GET DRESSED.
499
00:34:48,540 --> 00:34:49,580
OK!
500
00:34:53,460 --> 00:34:55,670
[LAUGHING]
501
00:34:58,680 --> 00:35:00,850
DRIVER,
JUST WAIT FOR US.
502
00:35:10,560 --> 00:35:11,900
MR. INGALLS.
IS SOMETHING WRONG?
503
00:35:12,060 --> 00:35:15,150
NO, EVERYTHING
IS JUST FINE.
JUST FINE, MR. NASH.
504
00:35:28,750 --> 00:35:32,130
HEY, WE DIDN'T PICK
TOO GOOD A DAY TO RIDE
IN AN OPEN COACH.
505
00:35:32,290 --> 00:35:33,710
ADAM, WE'LL SEE YOU
IN ABOUT A MONTH.
506
00:35:33,880 --> 00:35:34,800
I'M LOOKING FORWARD
TO IT, SIR.
507
00:35:34,960 --> 00:35:36,550
SAME HERE.
YOU READY, DARLING?
508
00:35:36,710 --> 00:35:37,630
JUST ABOUT.
509
00:35:37,800 --> 00:35:39,300
CHARLES...
OH.
510
00:35:39,470 --> 00:35:41,180
WE'LL WAIT FOR YOU
IN THE COACH.
511
00:35:41,340 --> 00:35:42,430
ALL RIGHT.
512
00:35:47,060 --> 00:35:49,190
I MISS YOU ALREADY.
513
00:35:50,940 --> 00:35:55,650
A MONTH NEVER SEEMED
SO LONG BEFORE.
514
00:35:55,820 --> 00:35:57,940
I KNOW.
515
00:35:58,110 --> 00:36:02,200
I'M REALLY EXCITED
ABOUT THE NEW SCHOOL...
516
00:36:02,370 --> 00:36:04,030
AND YOU.
517
00:36:05,790 --> 00:36:07,620
YOU KNOW, IT'S...
518
00:36:07,790 --> 00:36:11,080
IT'S HARD TO BELIEVE
THE WAY THINGS CHANGE.
519
00:36:12,960 --> 00:36:17,510
I HATED IT
WHEN I CAME HERE.
520
00:36:17,670 --> 00:36:21,760
THEN I NEVER WANTED
TO LEAVE HERE.
521
00:36:21,930 --> 00:36:25,140
NOW IT'S JUST
A WHOLE NEW LIFE.
522
00:36:35,900 --> 00:36:39,570
I WANT TO HOLD YOUR
FACE IN MY HEART,
ADAM KENDALL.
523
00:36:55,290 --> 00:36:58,250
I'LL BE WAVING
AS YOU DRIVE AWAY.
524
00:37:02,510 --> 00:37:04,180
READY, PA.
525
00:37:08,350 --> 00:37:10,180
SEE YOU SOON,
ADAM.
526
00:37:14,190 --> 00:37:16,190
STEP UP.
527
00:37:17,110 --> 00:37:17,940
THAT'S IT.
528
00:37:18,110 --> 00:37:19,570
NEXT ONE'S
A BIG ONE.
529
00:37:22,400 --> 00:37:24,240
THERE.
530
00:37:28,160 --> 00:37:31,200
TAKE CARE
OF YOURSELF, ADAM.
531
00:38:16,790 --> 00:38:17,920
[DOORBELL JINGLES]
532
00:38:18,080 --> 00:38:21,170
CHARLES! MARY!
I HEARD YOU WERE BACK.
533
00:38:21,340 --> 00:38:22,800
YEAH, NOT FOR LONG, NELS.
534
00:38:22,960 --> 00:38:24,880
YEAH, I HEARD
THAT, TOO.
535
00:38:25,050 --> 00:38:26,340
MARY,
HOW ARE YOU FEELING?
536
00:38:26,510 --> 00:38:28,720
JUST FINE,
MR. OLESON.
537
00:38:28,890 --> 00:38:30,220
HOW SOON ARE YOU
LEAVING, CHARLES?
538
00:38:30,390 --> 00:38:31,640
WE'RE GOING TO GO
IN ABOUT A WEEK.
539
00:38:31,810 --> 00:38:33,640
JUST SELLING OFF
A FEW OF THE THINGS
I HAVE LEFT.
540
00:38:33,810 --> 00:38:35,020
THAT'S WHY I CAME
TO SEE YOU.
541
00:38:35,180 --> 00:38:36,730
I'VE GOT A COW
AND A COUPLE OF
GOOD CALVES.
542
00:38:36,890 --> 00:38:40,270
CHARLES, COME HERE.
TAKE A LOOK.
543
00:38:42,150 --> 00:38:43,780
I'M PACKING UP
ALL THIS MERCHANDISE
544
00:38:43,940 --> 00:38:45,650
TO SELL
TO A WHOLESALER.
545
00:38:45,820 --> 00:38:48,490
I'M NOT GONNA GET
HALF WHAT I PAID
FOR IT.
546
00:38:48,660 --> 00:38:49,620
I'M SORRY
TO HEAR THAT.
547
00:38:49,780 --> 00:38:51,740
[DOOR OPENS]
548
00:38:53,540 --> 00:38:55,120
Mrs. Simms: MARY?
549
00:38:58,250 --> 00:38:59,540
MRS. SIMMS.
550
00:39:05,130 --> 00:39:07,720
I, UH...I WAS OUT
AT YOUR HOUSE,
551
00:39:07,880 --> 00:39:10,760
AND YOUR MOTHER
TOLD ME
YOU WERE HERE.
552
00:39:10,930 --> 00:39:12,180
DID MA TELL YOU?
553
00:39:12,350 --> 00:39:13,310
YES!
554
00:39:13,470 --> 00:39:16,640
MY PRIZE PUPIL'S
GOING TO TEACH.
555
00:39:16,810 --> 00:39:19,690
LAURA TOLD US
ABOUT THE SCHOOL
HAVING TO CLOSE.
556
00:39:19,850 --> 00:39:22,940
WELL,
I WANTED TO STAY,
557
00:39:23,110 --> 00:39:26,030
BUT MY HUSBAND
JUST CAN'T MAKE
A LIVING HERE.
558
00:39:26,190 --> 00:39:28,200
I DON'T THINK
ANYBODY CAN.
559
00:39:28,360 --> 00:39:31,780
WELL, WE'RE GOING
TO LEAVE AT SUNUP.
560
00:39:33,830 --> 00:39:38,120
MARY...I WANT YOU
TO HAVE THIS.
561
00:39:42,040 --> 00:39:44,500
IT'S A CAMEO.
562
00:39:44,670 --> 00:39:47,920
IT WAS GIVEN TO ME
BY MY FIRST TEACHER.
563
00:39:50,300 --> 00:39:51,680
AND...
564
00:39:53,180 --> 00:39:56,220
WELL, I'VE WATCHED
YOU GROW UP...
565
00:39:56,390 --> 00:39:59,270
AND I'M GOING TO
MISS YOU.
566
00:40:00,190 --> 00:40:02,730
I'M GOING TO MISS
ALL OF YOU.
567
00:40:02,900 --> 00:40:05,820
WE'LL MISS YOU, TOO.
568
00:40:53,450 --> 00:40:56,740
Charles:
HEY, THAT'S IT.
HOLD THAT FINGER.
569
00:40:56,910 --> 00:40:58,830
SAY, SHE'S REALLY
GETTING A MUSCLE.
570
00:40:58,990 --> 00:41:00,750
[CHUCKLES]
571
00:41:00,910 --> 00:41:02,500
YOU NEED SOME HELP, MARY?
572
00:41:02,670 --> 00:41:03,830
PA...
573
00:41:04,000 --> 00:41:05,670
SORRY.
574
00:41:07,420 --> 00:41:09,130
WHAT YOU GONNA DO?
575
00:41:09,300 --> 00:41:11,090
I'M GOING TO WRITE
A LETTER TO ADAM
576
00:41:11,260 --> 00:41:13,590
SO HE'LL KNOW
WHEN TO EXPECT US.
577
00:41:13,760 --> 00:41:15,390
WITH THAT?
578
00:41:15,550 --> 00:41:17,600
SURE. IT'S
A BRAILLE WRITER.
579
00:41:17,760 --> 00:41:20,640
WHY DON'T YOU JUST
WRITE REGULAR?
IT'S A LOT QUICKER.
580
00:41:20,810 --> 00:41:23,640
BECAUSE THEN SOMEBODY'D
HAVE TO READ IT TO HIM.
581
00:41:23,810 --> 00:41:24,600
SO?
582
00:41:24,770 --> 00:41:25,730
Caroline: LAURA.
583
00:41:25,900 --> 00:41:28,400
MAYBE IT'S
A PRIVATE LETTER.
584
00:41:28,570 --> 00:41:30,190
OH, YEAH.
585
00:41:32,700 --> 00:41:34,700
I SURE FELT SORRY
FOR MRS. SIMMS TODAY.
586
00:41:34,860 --> 00:41:37,950
I KNOW HOW
SHE MUST FEEL,
HAVING TO LEAVE.
587
00:41:38,120 --> 00:41:40,330
THE WHOLE TOWN
FEELS THAT WAY.
588
00:41:40,490 --> 00:41:42,450
WE JUST DON'T HAVE
ANY CHOICE ANYMORE.
589
00:41:42,620 --> 00:41:46,830
PA, ARE WE GOING TO
CHURCH TOMORROW?
590
00:41:48,000 --> 00:41:51,630
I WAS HOPING TO.
DO YOU WANT TO?
591
00:41:51,800 --> 00:41:54,800
WE CAN DO OUR PRAYING
RIGHT HERE
IF YOU'D RATHER.
592
00:41:54,970 --> 00:41:57,890
NO. NO,
I WANT TO GO.
593
00:41:58,050 --> 00:42:00,810
IT'LL BE
OUR LAST CHANCE
TO SAY GOOD-BYE.
594
00:42:00,970 --> 00:42:04,140
ALL RIGHT, THEN WE GO.
595
00:42:14,110 --> 00:42:15,820
[DOOR OPENS]
596
00:42:33,420 --> 00:42:37,340
MANY OF OUR FRIENDS
AREN'T WITH US HERE TODAY.
597
00:42:37,510 --> 00:42:40,470
MANY OTHERS OF YOU
WILL BE LEAVING SOON.
598
00:42:47,140 --> 00:42:51,860
I'VE GROWN TO LOVE
THIS CHURCH...
599
00:42:52,020 --> 00:42:54,280
AND THE PEOPLE
OF THIS TOWN, TOO.
600
00:42:59,070 --> 00:43:01,530
I SPENT LAST NIGHT...
601
00:43:01,700 --> 00:43:05,040
THINKING ABOUT THE SERMON--
602
00:43:05,200 --> 00:43:06,960
WHAT I'D SAY...
603
00:43:09,420 --> 00:43:13,380
AND I FOUND MYSELF ANGRY...
604
00:43:13,550 --> 00:43:16,090
ANGRY AND CONFUSED.
605
00:43:18,220 --> 00:43:20,720
I QUESTIONED THE LORD.
606
00:43:22,300 --> 00:43:23,930
WHY?
607
00:43:24,100 --> 00:43:30,100
WHY WOULD HE ALLOW THIS
TO HAPPEN TO HIS FLOCK?
608
00:43:30,270 --> 00:43:32,230
WHY SHOULD MEN OF GREED
609
00:43:32,400 --> 00:43:33,690
BE ALLOWED TO DO THIS
610
00:43:33,860 --> 00:43:37,280
TO MEN OF GOOD FAITH?
611
00:43:38,320 --> 00:43:40,450
I HAD NO ANSWER.
612
00:43:45,080 --> 00:43:46,950
BUT I REMEMBERED A TALK...
613
00:43:49,120 --> 00:43:52,710
THAT I HAD ONE NIGHT
IN THIS CHURCH WITH ONE OF YOU.
614
00:43:57,130 --> 00:43:59,220
HE HAD NO ANSWERS, EITHER.
615
00:44:02,010 --> 00:44:05,970
THE SIGHT WAS BEING TAKEN AWAY
FROM HIS CHILD
616
00:44:06,140 --> 00:44:08,390
FOR SOME UNEXPLAINED REASON,
617
00:44:08,560 --> 00:44:10,940
AND I TOLD HIM...
618
00:44:13,110 --> 00:44:18,940
THAT HIS DAUGHTER WAS CHOSEN
FOR SOME VERY SPECIAL PURPOSE.
619
00:44:19,110 --> 00:44:21,450
AND I HAD NO IDEA
WHAT IT WAS.
620
00:44:25,700 --> 00:44:28,790
MARY INGALLS IS GOING TO BE
LEAVING US VERY SOON.
621
00:44:32,170 --> 00:44:34,170
SHE'S GOING TO TEACH
622
00:44:34,340 --> 00:44:36,840
IN A SCHOOL FOR THE BLIND...
623
00:44:39,970 --> 00:44:42,470
TO HELP OTHER BLIND CHILDREN.
624
00:44:45,390 --> 00:44:50,600
SO NOW WE KNOW WHAT PURPOSE
GOD HAD IN MIND.
625
00:45:02,820 --> 00:45:05,200
I SPOKE TO MARY
THIS MORNING...
626
00:45:07,490 --> 00:45:12,580
AND SHE ASKED IF SHE COULD
LEAD THE CONGREGATION IN PRAYER
627
00:45:12,750 --> 00:45:15,250
ON HER LAST DAY WITH US.
628
00:45:53,370 --> 00:45:56,960
I'VE SPENT 4 YEARS OF MY LIFE
IN THIS ROOM,
629
00:45:57,130 --> 00:45:59,420
IN SCHOOL AND AT SERVICE.
630
00:46:00,880 --> 00:46:04,220
THEY HAVE BEEN YEARS
OF LAUGHTER AND JOY AND...
631
00:46:04,380 --> 00:46:06,680
AND SOMETIMES SADNESS.
632
00:46:09,300 --> 00:46:11,640
LIKE MANY OF YOU,
633
00:46:11,810 --> 00:46:15,140
I'LL MISS IT
A GREAT DEAL, BUT...
634
00:46:15,310 --> 00:46:17,230
WE'LL ALL BE
TOGETHER AGAIN SOMEDAY
635
00:46:17,400 --> 00:46:20,230
IN GOD'S HOUSE.
636
00:46:20,400 --> 00:46:22,820
I KNOW I'LL SEE YOU THEN.
637
00:46:31,620 --> 00:46:33,910
PSALM15.
638
00:46:34,080 --> 00:46:38,290
"LORD, WHO SHALL ABIDE
IN THY TABERNACLE?
639
00:46:38,460 --> 00:46:40,290
"WHO SHALL DWELL
IN THY HOLY HILL?
640
00:46:40,460 --> 00:46:43,510
"HE THAT WALKETH UPRIGHTEDLY
641
00:46:43,670 --> 00:46:45,760
"AND WORKETH RIGHTEOUSNESS
642
00:46:45,920 --> 00:46:47,800
"AND SPEAKETH THE TRUTH
IN HIS HEART.
643
00:46:47,970 --> 00:46:51,220
"HE THAT BACKBITETH NOT
WITH HIS TONGUE,
644
00:46:51,390 --> 00:46:53,720
"NOR DOETH EVIL
TO HIS NEIGHBOR,
645
00:46:53,890 --> 00:46:57,270
"NOR TAKETH UP REPROACH
AGAINST HIS NEIGHBOR.
646
00:46:57,440 --> 00:47:00,190
"IN WHOSE EYES A VILE PERSON
IS CONDEMNED,
647
00:47:00,360 --> 00:47:04,070
"BUT HE HONORETH THEM
THAT FEAR THE LORD.
648
00:47:04,230 --> 00:47:09,410
"HE THAT SWEARETH
TO HIS OWN HURT
AND CHANGETH NOT,
649
00:47:09,570 --> 00:47:12,450
"HE THAT PUTTETH NOT OUT
HIS MONEY TO USURY,
650
00:47:12,620 --> 00:47:16,000
"NOR TAKETH REWARD
AGAINST THE INNOCENT.
651
00:47:16,160 --> 00:47:20,290
HE THAT DOETH THESE THINGS
SHALL NEVER BE MOVED."
652
00:47:25,340 --> 00:47:28,260
MAY GOD GO WITH YOU ALL.
44795
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Persian
Polish
Portuguese (Brazil)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof