All language subtitles for Color Me Blood Red (1965)

GALLERY
FARNSWORTH

You ... !

Something is wrong .
This is not the color!

But? that
Miserable .

Gigi , I have said before. I do not
bother when I'm working .

If you do not bother probably
will never exchange the middle again.

Big deal . Whenever I can
paint stockings on my feet.

If one day we were married , the first
thing I would do would seek a divorce .

You would like to ...

What are you doing here ?
I'm working .

Well , Picasso, you're working ,
but you have to be ...

in Farnswoth gallery in
an hour.

Your big auction for
one man only , remember?

Oh Mr. Farnswoth says it will not make
more business with you if you do not show .

Critics will be there.

What critics
? Are the Subúrbio Magazine ?

You know, not sell a picture
for a serious collector ...

since my mother stop
to buy .

Better go , or sr . Farnsworth goes ...

So that the \"F \"?

The \" F\" is for ...
Farnsworth.

GALLERY
FARNSWORTH

SIGN EXCLUSIVE
PAINTINGS OF ADAM SORG

MONDAY TO FRIDAY GALLERY

The man who ...

As I was saying , the man who
pinto pinto this and that ...

you are interested in selling
his paintings.

- Not really , no
- . Right?

Yes , sr . Farnsworth, as you write
in my columns , Adam Sorg is ...

- How much does this fabric
- 1500. Is it too much paint , you know ?

Yes , I write that Adam Sorg
is a commercial success .

But an artistic failure,
right?

Well, sr . Sorg ,
I would not go that far.

Let's say a commercial success,
but an artistic impostor.

Your use of the colors , let
generous , is not well implemented.

Mr. Gregorovich , let me
express in words ...

I can not express myself as
through the fabric. You're full of ...

Adam is a critical
! Why have to irritate Gregorovich ?

He said nothing as terrible.

¿ Farnsworth,
you know that is the \"F \"?

- Adam , for the love of God ...
- \"F \" is for ...

Farnsworth.

They say it has a story behind
all the pictures he paints.

It is a fascinating man .

I wish it were a
little quieter.

It is so colorful.

It's a great thing to have the honor
of this painting. This fashionable.

Madame , I would be happier if
said I was a good painter .

But I will not discourage it.

It is so good. I do not understand because
the critics do not like.

It like it .
It's still very young , you know.

Adam !

Adam !

Adam !

Adam
!Adam !

Adam !

Adam !

¿ Adam , for God's sake ,
why do not you answer me?

I know you heard me .

What?

I do not think anyone knows
as evil as you .

Why so much fuss?

Mr. Farnsworth is here. Says you
have a paints for . Are you ready ?

Tell take any
and take her away .

I trust him . It is very serious
to fool someone.

Dear , you should talk to the
. We pay a lot of money .

If we get married ,
I'll have to hire an entrepreneur.

If we get married ,
I'll hire a psychiatrist.

You look like a wet cat .
Take care of this.

Adam !

Adam , you 're wet all
these paintings .

Why not? These fabrics were
made to use watercolors.

Adam , you're impossible .

If I am impossible, perhaps I should
leave.

I told you, here's a present
buyers morons art

Now I take what he wanted
?Outside !

The coffee is cold and you
are a possible host!

Gauguin also say
was crazy.

- What the hell is that
- ? That ?

That is Impressionism .

This may be worth something .

¿ Adam has more red paintings
? You are selling well .

What you find
with red paint ?

Adam , I have to agree
with that critical , Gregorovich .

I think it can improve
the use of colors.

You know one thing ?
I agree with you .

Now, take the rest and leave .
I have to work .

My shoes are wet.

Perfect .

Excuse me for leaving blood on your
fabric. I had a nail sticking out.

Quiet Lord. It's too early
for breakfast.

You mean this is blood?

Well, it is , unless I have
tomato juice in my veins .

What is the problem , maestro?

You can not be nervous again ...
. It's 8 o'clock.

Come over. I want to see.

You mean you actually
you interested? I can not believe it .

Well, I want to see that .
It's a great color.

- Thanks
- .Listen ! It is important.

Want to try something.

Can not listen to me
just for a minute ?

Now you want blood. Okay,
Count Dracula. But only a little.

Well, piggy
. Blood for a great man.

If we get married ,
I'll have to wear gloves.

Adam .

Adam , you must be sick.

I 'm willing to give my
blood. But I 'm not going to give it all .

To cover this fabric , you will
need a superwoman .

- I'm going out
- .I'm not torturing !

Look, if you want blood, you use yours .
Probably black serious.

This crazy !

Damn fool .

There is only one problem
to paint this way.

This table ends with you .

Ink , mate,
no hemoglobin.

Leave this box to Bank
Blood and reworks .

What kind of vampire are you,
painting with blood?

Are you a painter or a butcher ?

You have to talk to Farnsworth
and tell him you have something big.

He has to invite one critic
Gregorovich , to see your new paint.

You have to be ready
for some , if you care .

No where will you find the
blood to finish this.

It is certainly a great painting .

It is not good for you , Adam make a
blood work with paint.

Adam !
Adam , are you listening to me ?

If we got married ...

Your friends are here , April.

Yes, mother .
They are walking .

Where will this afternoon?

Rolf and I are going on a picnic ,
Jack and Sydney.

April , can not I get used
to call a girl Sydney.

I 'm not accustomed
Sydney is a girl.

I guess I'm not used ,
but do not know why .

You know, when I was your age, not
selling the books you read and underscores .

Well, your friends
are going for here.

Which of these is Sydney?

- I'm here in the yard, dear
- . Hello , dear. Hello, mrs . Garver .

¿ April , why did not you come
when touring ?

My daughter does not run
when someone walks .

What are you,
a band of geese ?

Nothing bad for a
lady city, is not it ?

That it is.

Young , I hope we will not have another war .
I'd hate to think of you defending.

I think they are going to have fun, but I will not
spend my day wondering how .

- Where are you going , mother
- The Farnsworth Gallery .

They have some paintings
Adam Sorg , and I want to make some deals .

Well, have a nice day , April, Rolf ,
and you two ... companions.

Also have fun .

Hey , look at that car .
She does not seem so stretched as well .

I think it's modern ,
although not enough .

Come dear, before those
two in the cement harden .

- Where are we going , Rolf
- Towards the beach.

One place for us .
A silent and particular place.

Our girl 1927 !

\" Take me to the game, papa .
They have a very good game tonight. \"

Come on .
It's a long way down the beach .

Mr. Farnsworth ten
minutes more and I'll have to go.

Do not worry , sr . Gregorovich
. Call Adam's house .

Nobody answered . Must be
coming here with paintings.

Here is the .

What?

That is , my dear Adam ,
the better of course .

I need to give my opinion
about their work.

Wave a great talent.

Oh , sr . Farnsworth,
I have to congratulate him. How is it?

To the best
paintings of all ... 15,000.

15.¿000
? You must be joking.

My dear friend , I have to say on behalf
of the lady. This is not a Michelangelo .

Neither have Picazos
prices as well .

I can not accept less for that
paint. It will be a classic.

Art Museums will borrow the
. The books talk about it.

You are a formidable seller
carrieth me .

You may never found another one.

I know Adam Sorg
. His blood is on this.

Not for sale .

What do you mean ,
\" not for sale \"?

If , Adam , you mean ? If not
want to sell , why did you bring ?

To prove that I can paint.

Has a painting in each
of us . Can you paint another ?

Or that's a great idea ,
never happen again?

Can you paint
that one again?

Want another ?

Will paint another .

That is not for sale . You can
hang , look , admire ...

but not for sale .
Not for sale!

Mr. Gregorovich , which finds
you on it ? Does not exciting?

I think I would not be the
psychoanalyst man.

- How about this place
- Can we stay here?

Dear ,
this place is the most exciting .

- What's my kiss , Jack
- Open your eyes , guys.

You better go to the beach. If I
was that guy , I'd privacy.

If you were that guy ,
you'd privacy.

It is clouding , baby .
Better go home .

Before we left, we will give a
look those things that are there.

- Come on. Let
- I'm going .

I'm going over there .

Hey , let
! It seems fun.

Betsy , I will not go me to it .
They must belong to someone .

Come on, Norman .
There we go to break .

Are we going to get there and back , okay? Let
make a career from there to here.

Come on . That's it. Let
. Push me hard .

- Let
- . Come

This is fun .

Come on . Come on .
You'll never catch me.

I'll get there.

What is the problem ?
Come on.

- I'm tired
- . Let's go .

I'm still behind you .
Shut up .

Will the owner of these things ?

It is better to leave.

Norman , he's coming
to us.

Norman !

Ah , sr . Sorg , this time
you can not escape me .

The sr . Farnsworth and I were
talking business .

Adam , you can paint for a year
with her earnings with this sale .

That painting
is not for sale .

- What
-I said no is for sale !

I hope you are satisfied.

I hope so.

My dear Farnsworth, his genius
crazy not diluted this painting.

Did that boy going to dive
with you today , dear ?

You speak of Rolf
? He's already trained , mother .

The bell touch
like a good boy .

And he's a good guy ?

Yes, dear. He is not
as your crazy painter.

April , I determine to
have one of those paintings .

The sr . Farnsworth says Adam Sorg
no business in weeks.

He seems to be hibernating.

Mr. Farnsworth says Sorg has
a house not far from the beach.

And he has not left these days .
Not to buy art supplies.

Vamos a la playa mother. Maybe I convince
mr . Sorg to paint a picture of mine .

Are not you going
to the deserted part , right?

You'll spend half the day
to get there.

We like you, mother. Other
beaches are too crowded .

We found a place we like
and probably go there.

And after dark ,
aremos a picknick .

I think Iran late.

Do not worry, mother. What can
go on a deserted beach?

What were taking
? Come on, idiots.

- All good
- . Where are the blankets ?

Here they are .

Here's the towel.

- Have the rest
- Yes , it's all here .

- Come to the water , fast
. - Rolf , we go swimming ?

All right . Good idea .
Come on!

-Rolf
- What ?

- No suit swimsuit . And you
- Wait 'll look .

Do Not.

Let the house to
move . It seems empty.

And lose the sun? Do not be scrupulous
. We change here .

Let us change here .

Sidney !

- List
- Good.

Voila !

I think I will not do that .
'm Going to change there.

Come on, bring the covers
far, clowns.

All right.

I 'm looking for a model. Did this
interested in the paint ?

You are ...
are you an artist?

Of course not , I'm a biker ,
why I need a model.

- Sorry
- . Wait a minute.

I want to show you something.

Take a look .

- There's nothing there
- . That's it.

This fabric is waiting .
You can spice .

- You want me to pose for you
- Yes .

- Like? What pose
- The way you want.

This painting is ...
you.

- I'm with some friends
- . Let them return to their home.

Return later.

I can not do that .
Sorry .

You're really a painter ?
I mean, you are known ?

- Some people will believe that if
- . What is your name?

Adam Sorg .

Adam Sorg ! My mother tried
to buy one of his paintings .

She can have this
. For nothing . Will my present.

I ... do not know.

Maybe tonight
. No .

If
. Maybe tonight .

Where were you? I thought
you were lost there.

No. I was looking for ...
one thing.

Were you looking for a
thing ? What was it?

Nothing
. I said \"nothing\" .

As will find
something , despite being nothing.

- As I'm not looking for anything ...
- Acabare finding something .

I should take a
a career in submarines.

Here we go , dear .
What is the matter with you ?

Prepared ! Aim! Fire!

These , very quiet tonight .

I 'm trying to decide
if I 'll do something.

Sorry to be
a lousy company.

- Rolf , is that painter ...
- Painter ?

You mean , the guy who makes his living
honestly painting houses ?

Or is the guy who
has a beard and sandals ?

He ... he wants to paint .

\" My cherie \" I am a painter
famous. I would paint it.

I 'm honored.

Ah , that vocabulary .
Can I paint it? \" Oui \"?

You can paint me .

As well . You paint .

As well . You repaint .

That crazy !

Because these nerve
. Dear , calm down .

Already . I have a little something .
A drink to cheer .

Paul , you know I do not drink ...
milk.

What do you think of that painter ?

He is a very famous painter .
He wants me pose for him.

Naked, I guess.

What makes you think that?

Because I'd like
to paint naked .

- You're not a painter
- . If you cared , that does not prevent it me .

Tell me when this Rasputin-
Rembrandt wants poses naked ?

Tonight . And for your information ,
he does not want to paint naked.

Does not want to, ah? Obviously
knows something about you that I do not know.

Well , miss . Carter , Colonel
Rolf is in charge.

Let's go get the car and go to
more phone next post ...

and call your painter
for the wait itself .

Tonight
. We can say that an unexpectedly emerged .

We'll call right now

- In that place is his studio
- This ... this far .

Rolf , if we both go, Jack and Sydney
think that something is wrong .

Give me the keys and I 'll go alone .
You wait for them.

You give me the keys.

No, dear, I wanna go with you .
Do not take a few minutes to arrive .

They are far away. Besides that , they will
back wet and they will spoil your car.

Come on, sweetie . Give me the keys and
when I return , I will be very good love .

What kind of humor?

That kind of humor .
Now give me the keys.

Well, before the end of the night you can
be the owner of that car .

Here are your shoes.

And again soon.

- No I'm doing here
- . Yes, I know.

Do your friends know that
you here?

No, but I can not stay
for long.

I should have called to
warn that it could not pose for you.

Do they know I asked
to pose for me?

They know it was you
or this house. Why?

Well, if we can not delay ,
better start .

Sit over there.

Want to do something?

Not yet.

Me should not pose or
something?

I'm not a photographer,
am a painter .

I paint what I feel ,
not what I see.

You want me to sit here?

Just for a moment .
You know when to be moved .

That painting looks like blood .

They refer to it when
talk that leaves your blood ...

That's not funny !

Excuse me. Sorry .
I'm just mad at me .

- I better go
- .No! No !

I ... I'm almost ready .

Stand there.

- That's ...
-Do not touch ! It is loaded .

- You want me ...
-No!

Levante
it I do not get nervous .

Hey , Jack , I want to undress !

Why do not you take it ?
You make me nervous .

- Do not tell me
- You could lose .

And how would stay
with half a bikini ?

If only you keep this
end up losing everything.

Yo, you 'll lose .
You either which way I go.

Hey, where was your girl ?
I flee ? Disappeared?

She was making a phone call.

- In that house
- No, in the position of the road.

Look, I have a light .
I thought it was a desert.

Uh , I 'm frozen .

Do not tell me . You podés
naked to Fort Knox.

Not that kind of cold .
This kind of cold, stupid.

Why will not find more branches
? April and I joined them.

Now it's your turn .
There's a mountain near the beach .

Here we go , miss . Iceberg,
go find branches.

- Oh , wait a minute
- . Well .

I can not stay longer .
What's the problem?

You seem to not get
to maintain the pose.

I tell you what I'll do . I'll help
you keep your arms as well .

- The memory will paint
- . How to do that ?

Look .

What are you doing ?

Thus , you can relax your
arms and maintain the same position.

Do not tie me!

It's just a moment,
I think something up .

You can wait just a minute.

Wait here? I have to do ,
I can not move .

Jack, come here to give me
a hand , okay ?

Jack!

Jack!

Holy Banana
! Is the leg of a girl.

I have to go. Back another day
so ends .

It's just one minute
! I'm making the draft.

- Look at that horrible madness
- . It is the body of a girl.

Brilliant deduction , expert
! What now ?

I go to that house,
to call the police.

You two stay here .
April should be back any minute.

You're right, but I'll
wait near the fire.

Maybe I 'll call . I hope you
have a phone there.

If no , take
a flashlight and illuminate several times.

Gritare high enough that
the police 4 counties heard.

One more thing .

To perfect neck line
. Turn around for me.

I'm tired .
I loose . This is ridiculous .

Do you say to me, \"ridiculous\" ?

I never heard of anything like this
before . This is not a way of painting .

Put me down !

You will be immortalized in a
fabric Sorg , like it or not .

Turn around !

Do what I ask .
Turn around.

- Count to twenty and open ended
- . What ?

Stay that way .
No! Do not turn !

For the love of ...
Once. Twelve.

I'm not having fun, sr . Sorg .
Tell one to twenty.

Thirteen . Fourteen .

I can use ...
April !

- What the hell 's going on here
- What are you doing with that ax ?

I'm just working
with an idea.

That's her young boyfriend .
Invite them to happen.

I'm already inside .
Where is your phone ?

I have no phone .
You're tough , young man.

You also would be rude if
see her tied girl.

And a man with an ax
in hand and blood in the other.

- And a corpse on the beach
. - A corpse ?

- April , do not you're doing here ...
-Stay away from her!

Quiet ! If arriving
come flying your head.

Well , that ... Girl
the beach ... it was a misunderstanding.

- Nothing about it
- . I do not believe that.

First,
not say it was a girl.

And how would know that is a girl
unless you 've killed ?

Young man,
is making a mistake .

And let ...

If you approach this weapon ,
le delivery head.

And that girl on the beach ...
it was nothing .

He could live or die ,
and it would not matter.

But now , she will live
forever, in my fabric.

She is immortal
. She will live forever.

That beach thing ...
is just an empty shell. Just that.

But life and blood
it is what lives .

That keeps it alive .
She's alive in my painting .

His life, his blood ...
people 's admired forever.

Does her blood ?
You use it as ink?

Now , young man , get away from that
weapon or your girl dies now.

Stay away from that gun and stay
aside. Stay away from that gun !

Hey , man,
is just a crazy game over !

Stop !

Oh , my God !

Oh , no!

I do not buy
a painting for some time.

You must have courage , my friend, to
destroy a painting worth millions .

Mr. Gregorovich , I'm not
burn a painting.

I 'm lighting the pyre
Funeral Adam Sorg .

You could , at least ,
have saved the molding.

Trust me.

Don't give me
no "Joe Carcione" routine here.

This is some of the finest. Acapulco red.

Check it out.

OK, I'll take it.

Hey, pleasure doing business with you.

Tomatoes! Did you see that?
That guy's a smuggler!

We've got to call the police
or the FBI or somebody.

- Over a few tomatoes?
- They're illegal.

If this keeps up
we'll all be up to our necks...

- Valerian root powder.
- What?

Valerian root powder.

War stories. What do you
really know about tomatoes anyway?

How would you feel
if you'd been raised to be eaten?

Wouldn't you rebel
at the first opportunity?

What are you talking about?

Honey, you can't possibly
be defending those monsters.

They nearly destroyed my uncle
and everything else in this country.

No way I'm gonna defend tomatoes.

Cheap talk from a carnivore.

Let go!

Look, I'm sorry I spouted off at you.

I guess Uncle Wilbur
has been getting to me.

You've got to reject
the older generation thinking, Chad.

New ideas for a new generation.

You can't keep fighting the wars
over and over for them.

Welcome to Le Restaurant,
the finest in nouvelle California cuisine.

We offer three specials today
for your dining enjoyment.

First, baby peas
in a piquant white wine sauce.

We also feature a broiled oyster
in a bed of wild oats.

Thirdly, a succulent cut of the finest
organically mountain-grown turnips

with fresh sprigs of parsley,

delicately seasoned
with sea salt and bean sprouts.

Fine. Two turnips.

Don't you have any red meat?
I don't eat vegetables.

How about a chili dog?

- Fine.
- Very good, ma'am.

May I suggest something
from the bar while you're waiting.

I recommend the diet celery juice cooler.

Whatever. Great.

Think about what I said, Chad.

Don't let someone else
tell you what to fear, or what to feel.

Look, there's not a person in here
who would have acted any differently.

Tomatoes are evil. A good tomato
is a squashed tomato.

Period.

Great. Beautiful.

What is with you?

No!

A tomato!

A tomato!

What's going on?

- Fire drill?
- Oh.

Well, come on, let's go.

She was screaming
something about tomatoes.

Yeah?

The red convertible.

The garbage truck.

Mrs Williams, please be calm.
There's nothing to be afraid of.

OK, let's go ahead
and turn on the light there, Jerry.

Ma'am, this will just take a second.
Here we go. Are you ready?

Please bear with us.
In three, two... and one.

Ma'am, just calm down
and tell us what you saw in there?

Well, I was eating dinner.
It was terrible.

Let's save the restaurant review, lady,
just tell us about the tomato.

I was sitting there by myself and this...

Wait, wait a minute. You were alone?

- What? Yes.
- What's the matter?

You couldn't get a date?
What about your husband?

- He... He's dead.
- What was it, suicide maybe?

No, he was killed in the Great Tomato War!

Ma'am, that's ancient history.

You should have found somebody by now.

- I can't see what this had to do with...
- You can't see your feet.

Do the words "fat cow"
mean anything to you?

Get away from me! Get away.

This woman is obviously too distraught
to talk to our television camera.

I will attempt to find someone else.

Hey, you with the big nose.
That's right, you?

How would you like to be on television
with Charles White?

Someday that'll be me.

Have a nice evening.

That's not mine!

Hey, lady, has there been
a chase scene in this movie yet?

No. And it's already 25 minutes old.

Good.

Well, that's the shortest chase
I've ever seen.

Low budget movie.

'It's 7:45 and time
for this morning's farm report,

'brought to you by Kimco.

'Remember, it's Kimco
for all your agricultural needs.

'First, a quick look
at the commodities' board shows...'

What did you want to talk to me about?

Listen, buddy, it's about your girlfriend.

It's cool that she's staying here
and all that, but...

But what?

You see... Give me that! You see that?

That's a 2,000 dollar stereo system.
She won't let me use it.

She hates music.
She hates all kinds of music.

She hates Mozart and Sinatra
and The Grateful Dead.

Now come on, who hates The Grateful Dead?

She loves the farm report.

She tapes the farm report.
She plays it again and again and again.

OK, I'll talk to her.

'...hailstorms being the major culprit.

'Coupled with reports that the Soviet
crop looks unusually good this year...'

635 sexual positions?

That's what she says anyway.

Well, it's definitely
a learning experience.

Last night she brought in...
a lawn chair...

six milk bottles, a tuning fork, and...

FT!

'Dr Heinrich Gerhard
contends that California is ideal

'for all kinds of nuts and fruits.'

FT! FT!

Wait!

Tomato!

Tomato! Kill it!

- Tomato lover!
- Get those tomato lovers!

Stripteasers, topless dancers,
nude beaches, women taking showers.

Good or bad?

We begin a 15-part investigative report

starting next Monday here on Channel 6.

And let me tell you, the store...

What the heck?
Let's get some shots of this.

Hey, wait up! Where are they?

- Who cares.
- I care. What is that?

- FT.
- FT? What's that?

- It's red. It's a gerbil.
- It's not a gerbil.

The eyes! Eyes!

Why can't I get the eyes right?

Every time the ears are perfect.
The mouth perfect.

The eyes are never right!

- Professor Gangreen...
- What?

Sorry to interrupt, sir, but I found Tara.

What? Are you sure it was she?

Yes, sir. Corner of Fifth and Evergreen.
I was there live at the scene.

You know, if I had my own mini-cam,
I could really...

Shut up! Follow her.
Find out where she's living.

We must get her back.
We cannot afford to attract attention.

Be discreet.

So let it be written. So let it be done.

I wonder if I can remember
how to do those brain transplants.

Wait, are you nuts? That's a tomato!

He's not a tomato.
It's just a fuzzy little dog.

Dog? That's no dog!
What dog has red fur and only two legs?

Well, what tomato
has red fur and any legs at all?

Cut it! Cut it! Save the film,
strike the broads, kill the babies!

My friends, I am sorry, but it looks like
we are out of money for this picture.

If we don't raise some bucks fast
this film is history. I'm sorry about that.

I turned down a pilot for this.
Isn't there something we can do?

Don't talk to me, ask the genius producer.

He's probably in Tahiti by now.

Can't we raise money,
cut corners somewhere?

Cut corners? Have you been
watching the last two weeks?

I've got five actors playing ten parts.
Heck, I'm playing three parts myself.

Have you seen these special effects.
Show him the special effects.

Gentlemen, ladies... we've been
avoiding it, but it's the '80s.

I think it's time...
for product placement.

Give me that beer.
This generic stuff, you know, generic?

It's not going to cut it.

I say product placement. It'll work.
I think you should trust me on this.

- Hey, that's a great idea, J.D.
- Brand names.

- Product...
- Product placement.

All right, look,
trust don't pay the Actors Guild.

- I don't have a choice right now.
- Who cares about the Actors Guild?

Folks, we're going to make the movie.
We're going back into it.

We're going to see what we can do.
Product placement.

- Move back behind the camera.
- Hold it! Hold it!

- Who are you?
- I am from the Screen Actors Guild.

And according to Section 7.3,
sub-paragraph 4, line 5,

anybody who speaks on film gets paid.

- He just spoke on film, so 400 dollars.
- He's not in the movie.

- I did not tell him to be in the movie.
- It doesn't matter. He spoke on film.

- I'm speaking on film. I get paid.
- No, no, no.

- No, no, no.
- Anybody else talks, 400 dollars.

Nobody else say a word!

OK.

Roll 'em.

And "Return of the Killer Tomatoes",
Scene 32, dash 1, take 5. Marker.

And, action.

- How are you doing?
- Just fine.

- What can I get for you.
- I'm kind of thirsty.

I wonder
if you got something I could drink.

Tell you what. When I'm thirsty.
I go out and get myself a Pepsi Cola.

- Wow!
- A Pepsi Cola!

It's the choice of a new generation.

Groovy. But I'm a little hungry, too.

Kind of hungry, I'll tell you.
Well, when I get a little hungry,

I go out, I pick myself up
a Nestl�'s Crunch Bar.

Yes, it scrunches when it crunches.

I'd heard that. But I'm also dry.

- You're dry?
- Yeah. Parched?

- You need a beer?
- I could use a beer.

- How about a Moosehead?
- A Moosehead.

- Moosehead.
- From the North.

From the North. Or a Foster's.

- Foster's. From the South.
- Down under. G'day, mate.

- Hey ho, sir.
- Hey, Matt.

Hey, Chad. How about a Crest?

Yeah, I gotta talk to you now.

Here, you need this.

Crest, with tartar control.

Listen, Matt,
I've got a real problem with Tara.

I'd say that's the ugliest
little red dog I've ever seen.

What I mean is, she's acting strange.

Buddy, she likes you.

You're no help at all.

Listen, there's something
she isn't telling me about Gangreen

and what happened up there.
I gotta find out what's going on.

Good afternoon, sir. Have you any falafel?

My God! It's Muammar Gaddafi!

You lunatic!

Where's the fight at?

All right!

All right, that's it! Everybody out!

Ah man! Party pooper.

You son of a...

Uncle Wilbur!

God, knock it off.

It isn't Gaddafi. It's Sam Smith.

Wilbur, it's me, your old buddy, Sam.
From the war.

Sam! Still the master of disguise.
Sure had us fooled, huh, boys?

It's amazing.
You remember him in "Beatlemania"?

That was you? That was great.

What brings you out this way?
I heard you still work for the government.

Sure do. FVI.
Federal Vegetable Investigation.

Federal Vegetable Investigation.

We had a report
of tomato activity in this sector.

You fellas know anything about this?

Tomatoes? No, I've never
seen a tomato in my life.

Officer, tomatoes are illegal.

We wouldn't know about
anything illegal, right, Chad?

Shut up, Matt.

- No, sir.
- You can believe these boys, Sam.

They know what
tomato activity can lead to.

- Tell me what you've got.
- Telephone calls.

This restaurant. This woman
was actually turned into a tomato.

A woman tomato.

- I knew it.
- What?

- See that garbage truck?
- Yeah, what about it?

I know I've seen it before.

I saw it when we found
that thing Tara was chasing.

The driver's following us. Or her.

- I think you're imagining things.
- I don't imagine garbage trucks.

Besides, there's got to be some kind
of reason why Tara left that place.

Maybe this truck
has something to do with it.

Let's follow it.

You follow your own delusions.
I'm staying here. Have a Goobers.

From the front of Finletter's Pizza,

just down the street from H and L Block...

The tax people.

This is Igor speaking to you from
the Amalgamated cellular truck phone.

- Amalgamated, we're number one.
- 'From the other end of your paycheck

this is your boss, you weenie.
What have you found out?

'I have the alleged boy spotted,
but Tara's not with him.'

Good. Follow him home
after the pizza parlour closes tonight.

Right now I need more solution
for the tomato transformation process.

- 'Immediately! '
- Roger. That's a big 1040.

I'll be right back
after this brief interruption.

'Igor! '

- Good, good. Put it down.
- OK.

'Good afternoon and welcome
to the smorgasbord of sports.

'I'm Charlie Jones
with today's live coverage

'of "Full Contact America's Cup".

'Now let's take a look
at some of the taped highlights

'of this morning's competition.

'Today's action pits the United States

'against mighty Holland. Look out!

'There's a broadside
that just missed the mainland.

'The American boat opens up full side.
Score one for the good old USA.

'The Dutch boat is taking water...'

Matt, toxic waste, Gangreen,
tomatoes, music, people!

Slow down there, buddy.
Get a hold of yourself.

I followed that truck.
Some sort of flunky for Gangreen,

using toxic waste on tomatoes.
It was horrible.

We've got to do something. What can...?

Tara! I have to tell Tara!

She should hear this.
No wonder she ran away.

Honey...

'Holland will literally sink
to the bottom of the standings.'

Get out!

I'm sorry, Chad!

'Another broadside for the American boat.

'I'm trying to see
the results through the smoke.

'I got to tell you. This is what
real sports action is all about.

'Just a cup, a sail, and a couple
of sidewinder missiles.'

'Charlie, I couldn't agree with you more.

'Ron Maxwell,
calling the action from dockside.

'Those were highlights...'

I can't believe she's a...

tomato.

Boy, I'll say she's a tomato.
She's got the best set of...

Knock it off, will you?
I mean she's really a tomato.

Ketchup makings. The real thing.

The girl of my dreams is a vegetable.

Buddy, come on, pizza man.

Tomatoes, they're little red round things,
you know. There's a real woman.

Don't you realise
what I've been trying to tell you?

What I saw at Gangreen's lab?

I discovered it. The key
to the whole thing. Don't you see?

The secret is... music!

We've got to find her
before she accidentally changes form.

If she becomes a tomato
and is spotted by a crowd...

- Come on...
- OK.

Tara!

Chad, come here! Come here! Look at this.

I think this could be, look.

No? I took a shot.

All right. Come on.
Where do you think she's gone?

I don't know... There!

There, she's been there before.

Music! She'll change back.

Hey, Tara!

- What are you doing?
- Stop!

Tara? Honey, I know you're here
somewhere. Say something.

Give me a sign.

What are you guys doing?
Get out of my store.

- It's a fraternity initiation. Alpha Beta...
- Out of here, now!

- I think we've got to get out of here.
- Hey!

Now move it or lose it!

Right here, over here.
I got something to show you.

I'll be right back. And when I do,
you guys had better be gone.

Out of here!

Tara, where are you?
I'm sorry, please speak to me.

Buddy, we ought to get out of here.

I'm not leaving without her.
I know she's here somewhere.

All right, look, just for the sake of
argument, let's suppose she's a tomato.

Let's go so far as
to suppose that she's here.

How do you tell one tomato from another?

Are we going to check the stems?

Then I guess we'll just have
to take them all, won't we?

I'll get a cart.

'50 bucks? That's too much.
And this one is deformed.

'It's a hairy.'

FT? Tara?

Oh, come on, baby.
You're safe with me now.

'We'll return to our movie thriller
"Frankenstein's Mummy"...'

I know music is what makes you change.
So why is nothing working?

At least speak to me. Say something.

I'm sorry I reacted that way.
It was a shock.

We can work this out.
I just need some time.

I love you as much as ever, darling.
Please believe me.

'And now, the exciting conclusion
of "Frankenstein's Mummy".'

'At last I have perfected the equipment

'that will allow me to transform
my creation into human form.

'And it's all right here,
in my own secret laboratory. Ha-ha!

'Yes, right here in my secret lab

'I can transform this creature
into a human being!

'I said, transform...

'into human being.

'My secret laboratory.

'La-bo-ra-to-ry

'I mentioned.'

Of course. That's it! The professor's lab.

We can use his equipment
to change her back to human form.

Matt!

'It's about time.'

Matt, buddy, get up.
The professor's lab, come on.

We'll use his equipment.
I've watched him work it.

We can transform her back to human form.

- Are you Rob Lowe?
- You're not Matt.

No, buddy, no. My girl, OK? My girl.

Now, listen, you want to find your girl?
You go to the produce department. OK?

But Matt, I figured it out.
We can bust into his lab.

We'll use his equipment.

Here, hold this. I got one thing
to say to you, the Women of Mensa.

- Hey, I need you.
- Come on, I need her.

Matt, I'm your best friend.
I saved your life.

- One time.
- Twice.

Two times. And it was...

Two, yeah... I'll be right back.

I'll take my quadrunner.

Well, if you take your quadrunner
from Hondo of San Diego,

I'll take my quadrunner.

We will each take a Honda quadrunner
from Honda of San Diego.

They have excellent acceleration
and superb ridability.

And aren't they number one in sales, Matt?

That's right, Chad. Not to mention
great gas mileage and did you know...?

Do we have enough money
to finish this turkey yet?

Yeah, sure, give them hell, guys.

Thank you.

- Stay close.
- This close?

- No, let go of me.
- Hold on.

Help me open the window.

Get in.

Shh, come on, get in here!

Let go of me.

OK, now where?

I don't know. I just looked through
that hole in the wall.

The lab can't be too hard to find.

Green comes downstairs,
there's the Hardy Boys.

What are we supposed to do?
Look for a sign that says laboratory?

I can read.

Hey, Matt, this looks like the place.
Now if you'll just let go of me.

Now we're in business.

Look at this stuff!

Wait, you know what you're doing here?

Yeah, I watched him do it.
It's a piece of cake.

Now, put a glove on.

All right, switch.

You said you knew what you were doing.

They all look alike.

See. Now, you take Tara...

...carefully,

and put her in that container
of green liquid.

OK.

Hurry up.

And Matt, be very careful when
you're putting her in. That's toxic waste.

- Toxic waste.
- You're soaking in it.

That should do it.

Now, put her in that cylinder.

Perfect.

Now, watch this.

Who's that?

Carmen Miranda.

- That's what I thought.
- Something is very wrong.

Hey, Pope.

- I say we stop right here.
- No, it's not her!

And it never will be.

I'm a happy camper.

I don't know what plans you had
for this tomato, but...

...they're over.

No!

Enough of this foolishness.

Since you seem so intent
on visiting my humble abode,

I should make you feel welcome.

Igor, show them to the, er... guest room.

We don't have a guest room, sir.
All we've got is a dungeon.

"Guest room" is a euphemism
for dungeon, chowderhead!

- Must I always be literal?
- Move it, boys.

Go...

Now, go!

Wait, wait, come here!
Come here. See that?

Now how many girls
can you make with that thing?

You know, like twins with big...

Move it, twerp.

Let's go.

Uh-oh.

Oh! Nice digs. Who does your decorating?

- Inside.
- Hey, wait...

- He mushed my girl.
- Yeah.

Great!

All right, this is just great.

Can't you think of anything
but your own comfort?

You saw what that freak did to Tara.

I'm sorry, buddy, I wasn't thinking.

All right, let's find a way
to get out of here.

OK.

- What's that noise?
- Mice?

Big mouse.

No, it's horrible creatures,

it's giant zucchini
and man-eating artichokes!

Shut up! I'll handle this, all right.

Yo! Zucchini...

Tara?

Chad...

Tara...

I thought you never wanted
to see me again.

I thought you were ketchup.

I'm so sorry I deceived you.

- I'm the one who's sorry.
- Look, look... excuse me.

I'm glad you're alive.
I hate to break up a love scene,

but I just thought that I would point out

that instead of two of us
being stuck in here,

it's now three of us stuck in here.

Good point.

Hello... Hello?

FT! FT!

FT! FT, is that you?

It's him.

FT, you have to tell Uncle Wilbur
where we are.

- He can get us out of here.
- It's never going to work.

- He won't understand him.
- Well, we could write a note.

Swell. Where we going
to get paper to write a note?

- Use a page from my script.
- Perfect.

Got a pen? Great.

FT, listen. You have to take
this note to Wilbur Finletter.

You remember Wilbur Finletter? Good.

Hurry, FT.

You have to run as fast
as your little feet will take you.

Hurry! Go! Go!

I hope he makes it out before July.

Tomato!

A bit deformed,
but it's a tomato all right.

Freeze! Don't move!

I got you!

All right, now talk!

What's this?

I don't know how you got this,
but it's Chad's handwriting all right.

"Uncle Wilbur.
Please do not harm this tomato.

"I'm a prisoner of Professor Gangreen."

Prisoner? Where's Matt?

"Matt is here also. This tomato
can show you where we are."

He knows I don't trust tomatoes.

"Now I know you don't trust tomatoes,
but trust this one for once.

"Signed, your nephew, Chad."

All right, you red scum.
This better be for real,

or it's the blender for you.
Can't do it alone. I'll need help.

'This American team is
a fired up bunch of patriots.

'After crushing the Portuguese fleet
yesterday afternoon.'

- Hello.
- 'Sam! Get over here.'

Gonna need your help
fighting the red menace again.

- Communists, huh?
- Worse. Tomatoes.

Tomatoes? I'll be right there!

Come on, Greg. Let's go.

Welcome, men. Glad you could make it.

This is our objective. Gangreen's place.

He won't slip through
some legal loophole this time.

We're behind you all the way.

And this is our insurance.

Grab him, Sam.

World domination, boys. World domination.

I will be satisfied with nothing less.

You'll never get away with this,
you slime. Crime doesn't pay.

Yeah, ditto.

Really boys, save the melodramatics
for your acting classes.

Of course crime pays. This is real life!

This isn't some game!

We're on to you, Gangreen.
We know all about your tomato people.

You're finished.

Don't make me laugh. Your feeble plan
to stop me has failed, Finletter.

You think this is all there is?

No, no, no, my dear boy.
There is much, much more.

As you've seen, my tomatoes
can be made to resemble anyone.

The chief of police. A congressman.

The President himself!

With my scientific genius

and Jim Richardson's political savvy,
we will not fail again!

Come, Igor.

We must get to the prison on time.

If the garbage truck
doesn't make its regular schedule,

it will arouse suspicion.

Now you have placed
the tomatoes on the truck?

We're loaded, ready to roll, Professor.

Good, good, good. So long, boys.

Wait, what about Tara?

You forget. She is my creation.

I made her for my needs
and it is my needs that she serves!

You wouldn't believe what she can do
with six milk bottles and a tuning fork.

You rat!

Calm down, Mr Finletter.

In just ten minutes you'll be a tomato.

Don't worry about it. It's not so bad.

After all, you could have been a rutabaga.

No, no. I'll do the laughing,
if you please.

See you in a salsa.

To the prison, Igor.

Oh, my God.

- Guards! Damn!
- We need a distraction.

- That little fink.
- Oops.

There's our diversion.

What do you know about that?

A regular Tonto.

Let's go.

So, where are they?

This place must have 50 rooms. It's big.

We'll have to spread out.

If you hear anything,

anything at all,

use the secret call.

The secret call. Yeah.

Mummy... Mummy...

Mummy... Mummy...

Mummy... Mummy...

Will you be my friend? Help, help!

Murder, murder. Wait, stop!

Stop. Danger.

He's dead. He's dead...

The secret's out. Hi ho Silver! Away!

Uncle!

The timer!

The timer! The timer!

The timer!

Get up!

Get up!

Time out! Time out!

- Nice move.
- Thank you.

Now hurry up, Uncle Wilbur.
We only have a few seconds left.

That was our last time out.

Let go of me!

Hang on, Wilbur. We're coming.

Ah!

Ghost! Wilbur?

- Get the door!
- Get the door!

You got the door!

Tara! We have to get to the prison
and save Tara. Come on. Let's go!

Let's go! Let's go!

Matt?

- Come on, Matt.
- But the blonde there...

No!

I'm so alone, I'll be back!

Follow me, men. To the prison!

Got to get to the prison!
Come on, everybody!

One, two, one, two...

Get up!

Let's go! Fire 'em up!

FT? Where's FT? Come on, buddy, let's go!

FT!

Hang on, fuzzball.

Here, here!

No!

All right. Right here.

Right here. Hurry! Hurry!

No!

Quickly, go!

Don't lose them.

Open the door!

- Sam, get the gate! Open it up!
- OK.

Hurry, Sam.

OK, FT, you stay here and guard
the bikes. Matt, you come with me.

- I'll guard the bikes.
- FT's guarding the bikes.

- I don't like FT.
- You're coming with me.

- I'll go with you.
- Let's go, let's go.

Come on.
I'll guard the flank, you go ahead.

Ready.

Aim.

No!

Fire!

Tomatoes.

Charge!

Let's get 'em!

Tara!

I will not be mocked any longer.
I was a star in the first film...

You give me two lousy lines
in this picture.

I want my agent. I want my publicist...

Please!

I'm really bad.

- Yeah.
- Let's go, men!

Tara!

Don't move, or she gets it!

It'll take more than that to scare me.

How about this hand grenade?

That'll do it.

Hello? No, I don't know
the secret word for today.

You have ten seconds.

I said I don't know the...

You notice how everything we set up
in the first reel pays off in the last?

- Pretty swift, huh?
- Not everything.

Everything.

A grenade!

Tara!

No, come on, nobody can survive that gas.

Listen to me.

There's nothing you can do.

Sorry, buddy.

Tara!

I don't understand.
How could you have survived?

You forget, I'm not human.

I don't care what you are,
as long as we're together.

Then you'd better get used
to her on your salads.

OK, wait. You're supposed
to be a tomato. What happened?

Zounds! Should have known it.

Once you've been gassed,
you'll never be a real tomato again.

You mean I'm human permanently?

FVI . Take these men away.

No prison on earth can hold me, Tara.
Tomorrow is another day.

Does this mean
we'll be on the news tonight?

Oh, cut that out.

Ding dong, the witch is dead. Yeah.

- Right there, guys.
- Yes!

Where's FT?

That was the bravest thing
I've ever seen a vegetable do.

Yeah.

Maybe tomatoes can be
of some good after all.

FT's all right.

FT's alive!

He's all right! Hey, guys, it's the press!

It's all right.
Hey, all right, I was not alone.

The people I want to thank...
It was mostly me, but...

Wait, come on, look,
I jumped in this window and I was...

- Major Finletter, what happened here?
- How did you stop this terrible plan?

Is it true you wear women's underwear?

Wrong man! Wrong man.

There's your hero.
That's the little fella that saved the day.

Right here. Right there...

Isn't he the cutest thing, Daddy?

Daddy, buy me an FT doll! Please, Daddy!

Why, of course, dear. Who wouldn't
want one of these cute little dolls?

They're the perfect gift
for any boy or girl

and they're on sale
in the lobby of this theatre.

If not, ask at your favourite toy
or department store.

Don't let your child be left out.
Christmas isn't very far away.

I love you, FT.

- I want an FT!
- I want an FT!

FT! FT!

FT! FT!

- A fine couple.
- Yeah.

Have you seen Matt?

He said he was going back to destroy
that transformation equipment.

- Good idea. He's a fine boy, too.
- Yeah.

# Like poetry in motion
Like a perfect wave

# Gonna ride with the winds
Spend the money and save

# 'Cause summer's here
and I got nothing to do

# But get my rocks off

# When those big-breasted tomatoes
go to the beach #

Hold it right there!
Where do you think you're going?

My son and a lot of other people
have worked hard on this movie.

You sit right there
and watch these credits!

# And take their tops off

# Those California girls
that just love the best

# They got an even tan
all over their chests

# I'll be California dreaming
till the sun goes down

# I get around, round,
get around, I get around

# Those southern girls how they hypnotise

# Got the cutest way of talking
And I like their eyes

# But those New York girls
You got to see them drivin'

# With their tops down

# When those big-breasted girls
go to the beach

# And take their tops off

# Those big-breasted girls go to the beach

# And I love to see her swaying

# She got a rhythm of her own

# Someday soon if I keep praying, praying

# She might see how big I've grown

# And won't it be fine

# Now summer's gone but she's on my mind

# After one night's kiss
I had to leave her behind

# So it's back to school
If only I can get me through it #

'Well, what did you think
of that one, Sid?'

'That had to be one
of the worst movies I ever saw.'

'But it's all part of the business,
running turkeys like that.'

'Listen, Bob, when can we show
"big-breasted women

go to the beach
and take their tops off" again?

- I'd like that.
- Let's do that tomorrow.

All right. Who let those carrots in here?

Hey, you carrots, get off the stage!

Hey, wait a minute.
You guys can't come in here.