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Who has feathers, smokes a cigar, and
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carries the fate of the world on his
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shoulders?
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His name is Howard the Duck and he's the
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lead in the new movie produced by Star Wars
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creator George Lucas and directed by
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Willard Pike.
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Howard is a superhero.
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He's a little guy.
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He's a stranger in a strange land.
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He's quackers.
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He's nuts.
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He's nuts.
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I love him.
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What a guy.
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The real Howard was zapped from his home
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planet to Earth.
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He thought his incredible adventure would
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make an exciting film.
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He just wrote us a fan letter and
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asked that essentially we listen to his
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story because he thought it was pretty
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amazing.
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It's the first film that actually we have
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cast with a creature from another world.
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The screen's newest superhero is elusive
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off camera, but his co-stars had plenty to
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say about Howard.
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I just think he's really cool. And
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sometimes his feathers, like,
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go up on his head like that.
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And
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I just get the chills all over when I see that.
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Let's put it this way.
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All the girls love him.
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He's a real sexy duck. It's
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hard to keep Leah off of him.
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Howard is a force to be reckoned with.
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Whether he's fighting evil or making movie
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history, this duck is here to stay.
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Howard is going to
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be a major trendsetter, probably bigger
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than Madonna.
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He's a tough little duck.
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I've never met a tougher duck.
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He's our leader.
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In Universal's new movie, Howard the Duck,
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the main character spends a lot of time up
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in the air.
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But his most daring moments came when he
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had to get behind the wheel of an
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ultralight aircraft.
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This scene involves some very complex stunt
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flight.
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Death from the skies to all duck hunters!
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All the big stars have stunt doubles, you know?
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I almost wound up a dead duck.
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My biggest challenge in playing this role
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was surviving it.
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I'm
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just learning here.
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Howard, in prehistoric times you flew.
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Fly, Howard.
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Find your instincts.
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Trust your birdness.
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Fly!
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I
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would kind of be moving it all the time a
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little bit.
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Helping Howard accomplish all the elaborate
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aerial stunts is veteran pilot Lyle Byron.
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We have 12 difficult stunts in the movie,
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and one of the most difficult is we have to
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simulate a loop around a bridge.
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So we're going to fly the aircraft under a
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bridge, and
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we have a 100-foot hole that we have to hit.
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I'm going to loop the aircraft,
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and the aircraft's going to be upside down.
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Uh-oh.
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Then we're going to simulate come back
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under the bridge
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and go under it.
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Felsy,
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I did
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a loop-de-loop.
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When Howard heard that
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Burt Reynolds, Clint Eastwood, they do
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their own stunts, he said immediately,
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forget it.
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We were trying to find stunt people to do it.
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And he said, if Burt and Clint can do
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stunts, I can do stunts.
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OK, clear, please.
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Clear.
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Every now and then, I'll tease Howard,
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though.
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I'll reach up and I say, OK, Howard, I'm
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letting go.
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It's all yours.
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We have very exciting, difficult stunts in
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the movie.
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And one of the most difficult is we have
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to land on a truck
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The difficulty in the stunts is trying to
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take an aircraft that's moving 40 miles an
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hour and land it on a space that's 8 by 20
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feet that's also moving at 40 miles per hour.
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It's like landing on the world's smallest
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aircraft carrier.
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Touchdown!
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Great landing, Howard! The problem with
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this stunt is
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a big truck like that going 33 miles an
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hour is creating a tremendous amount of
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turbulent air.
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When I go off the front of the truck, the
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logistical problem is the air moving will
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kick my tail up and could nose dive me in
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front of the truck.
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It does look out of control, but this is a movie.
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And that means our job is to give action, and
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that's what we're doing.
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Whoa!
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Big,
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big,
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cho-cho, big
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deal!
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Cameras ready. OK,
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we'll go again right away.
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Here we go.
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Filming the many complex scenes in the new
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Universal film Howard the Duck
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required the highly skilled work of the
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special effects experts at Industrial Light
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and Magic
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near San Francisco. Oh
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no, it's a quake.
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At the start of the movie, the main
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character, Howard, is rudely jettisoned
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from his home on Duck World, curled across
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the galaxy and plunked down on the planet Earth.
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The life-size Howard was shot through
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walls, but a miniature model was used to
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transport him through space.
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When combined with other film elements, it
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created the illusion of Howard falling from
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the sky.
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Joining Howard from outer space is the evil
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dark overlord,
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played by actor Jeffrey Jones.
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When I become the dark overlord, or at
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least in the latter stages of becoming the
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dark overlord, it involves being in makeup
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for five hours.
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It happens
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slowly over a period of time.
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Toward the end, the changes get grosser
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until
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the dark overlord then appears, and that's
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pretty gross.
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Boy, are
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you ugly.
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This character's evil powers include the
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ability to move objects with his mind.
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In one scene, he prevents the hero's escape
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by dramatically blocking the exit.
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The special effects team achieved this
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illusion by building a slanted set and
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letting gravity do the work.
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OK, ready,
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and
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action.
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Actress Leah Thompson had her own view on
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what it was like to act surrounded by
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special effects.
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Well, when we did the final battle, we had
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to imagine that we were disintegrating, Tim
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Robbins and I,
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and we were getting disintegrated by this
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huge monster.
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After a certain point, you know, you feel a
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little foolish, but
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you just got to go for it and just go,
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ay-ay-ay-ay.
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I couldn't do it for more than like five
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seconds without cracking up.
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I mean, you just gotta hope that ILM is
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making some great monster, which they
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assure me they are.
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This creature stands, in reality, close to
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15 inches tall,
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and on screen, he'll be close to 15 feet tall.
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Essentially, this is a computerized rod puppet
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that is being enhanced with manual
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stop-motion animation.
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We call him Alan.
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Howard the Duck is a triumph of special
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effects teamwork.
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The months involved in bringing it all
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together have paid off in an action-packed
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fun-filled adventure that will long be
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remembered.
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The new film, Howard the Duck, is an
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Earthmound adventure with an outer space
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influence.
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Creating a title track for the film
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required a unique imagination.
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Musician Thomas Dolby fit the film.
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The song,
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How the Duck, it's got to have that slight
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unearthly edge to it.
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That was an interesting
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possibility to try and find music that
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wasn't really from here, you know.
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It's like from outer space.
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Dolby experimented with a variety of
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synthesizing techniques to build the
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instrumentals.
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Hickory dickory duck.
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Writing lyrics about a duck posed an
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additional challenge.
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We just sat down and wrote some lyrics, and
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they're pretty out there.
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They're pretty wacky.
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Hickory dickory duck.
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He ain't about to be plucked.
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Too groovy for gravy.
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Too precious for pantay.
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Performing the lyrics is Cherry Bomb, an
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all-girl band created specially for the
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film and supervised by Dolby.
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In order to write songs which could be sung by
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four actresses who are admittedly very good
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singers, but at the same time
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inexperienced,
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I had to be here to
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keep hauling them in and checking that I
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was writing within their limitations.
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Happily, the vocals would turn out really good.
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And a lot of people are going to think that
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we dubbed him professional singers, which
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is not actually the case.
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It was all
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Cherry Bomb themselves that did it.
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Dolby also worked with the girls on
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choreographing the song,
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the goal being to create a completely
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believable band.
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Ain't
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no way from feeling
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The months of rehearsals prepared the group
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for the most anticipated night of
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production.
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Power the dark Power the dark Power the
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dark
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It was for the film's finale.
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The Cherry Bomb performed for a crowd of
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thousands.
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putting the song to the true test.
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Judging from the audience response, Howard
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the Duck is destined to be a major hit.
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The song's creator feels it just may
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inspire a new trend in rock.
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Interplanetary fun.
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