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The driver says he can't wait any longer.
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I distinctly told Slade to meet us here
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at the station.
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Did he get the message?
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I left it right in his desk.
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I could strangle him.
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I knew what he looked like.
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Well, let's go.
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Ah!
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Ah!
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Ah!
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My head felt as though there were a
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trip hammer inside, having a big day for
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itself.
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Someone tricked me for fare.
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Knockout drops.
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Someone who made sure I wouldn't keep my
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appointment to go out on the afternoon stage.
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If there's anything I ate, it's being played
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for a fool.
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Especially by someone I didn't even know.
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As a matter of fact, by anybody.
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I guess wrecking my office was another means
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of delaying my trip from Denver to Deadwood.
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? ?
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I sighed a poor cowboy ? Wrapped up
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in white linen ? Wrapped up in white
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linen ? As cold as the day The
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stage is ahead of schedule.
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It's due in any minute.
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Oh, no.
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Jenny Dupree will throw a fit if there's
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not a crowd around to greet her.
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Say, could you get over to the depot
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and see what you could do?
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Why me?
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Well, she'll...
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She'll appreciate having a woman meet her.
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All right.
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But from what I've heard, she'd prefer a
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man.
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Any man.
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Whoa!
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You clumsy oaf, you're stepping on my skirt.
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I'm sorry, Jenny.
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So where is everybody?
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Or is this the sort of reception one
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gets in Deadwood?
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Your stage arrived ahead of schedule, Mr. Prey.
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There wasn't time to change the plans for
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your welcome.
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I'm Monica Bristol.
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Mr. Kruger asked me to meet you and
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help out in any way I can.
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And who is Mr. Kruger?
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Ward Kruger.
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The owner of the Gay Lady, where you're
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going to sing tonight.
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If I sing tonight, from the looks of
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this town, I may not care to.
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Well, don't just stand there.
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Get my things off to the hotel and
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make sure that my accommodations are acceptable.
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My dear, I would very much like something
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hot to drink, if that isn't expecting too
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much in this barbarous community.
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Of course, Madam Duprey.
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The famous Delmonico himself has opened a branch
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of his New York restaurant here.
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It's called The Bean Bucket.
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After you.
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Your bags have already been put in the
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room, Mr. Prey.
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I hope you won't find the accommodations too
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utterly uncivilized.
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Only the people, my dear.
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You know, everyone in Deadwood is looking forward
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to your performance tonight.
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We have no zoo here.
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Obviously, or you would be running around loose.
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I'll call you if I need you.
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You must understand my desire to be alone.
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Looking at you is giving me such a
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dreadful headache.
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Thank you.
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No, it can't be.
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The last rose.
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I gotta get out of here.
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Let me out.
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Mr. Prey, what happened?
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Let me out.
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Let me out of here.
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Let me out.
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Can you please
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tell me which room is Jenny Duprey staying
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in?
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Who are you?
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Oh, name's Slade, Marshal.
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How long you been at Deadwood?
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Why?
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I ask the questions around here.
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What's your interest in Jenny Duprey?
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I think that's a matter between me and
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Mr. Prey, don't you?
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Oh, is that so?
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Yes, that's so.
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Room 214.
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Thanks, I'll announce myself.
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Mr. Prey is not seeing anyone.
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Would you like to bet?
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Now look here, you give me trouble, I'll
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throw you in jail.
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Just a minute, Marshal.
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Jenny, I mean, Mr. Prey has a great
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many male admirers.
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It's quite possible that Mr. Slade is one
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of them.
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Are you by any chance a...
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A friend of hers know I'm here on
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business.
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And if Mr. Prey has any objections to
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seeing me, I'll let her tell me.
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Hold it.
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Hold it, Marshal.
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Never mess around with a six-gun like
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that, Marshal.
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If you got any cause to make an
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arrest, speak up and say what's on your
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mind.
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If I agree with you, I'll go along
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peaceably.
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Here.
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Just what's eating you anyway?
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Somebody tried to kill Mr. Prey a half
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hour ago.
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She hurt?
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The bullet barely missed her.
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You can't go in there.
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I'll have you jailed for resisting arrest.
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If somebody tried to kill Mr. Prey, why
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aren't you out looking for him?
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Open up, it's Slade.
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Well, Monica.
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Hello, Slade.
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Small world, isn't it?
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Yes, I didn't know you were here in
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Deadwood.
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Of course you didn't.
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Let's see, the last time we saw each
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other was in Cheyenne, wasn't it?
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Or was it Denver?
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You do get around so much.
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Well, this is just great.
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You have no idea how surprised I am.
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I'll just bet you are.
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Come in, won't you?
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Madam Dupre has been simply beside herself waiting
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for you to show up.
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Oh, it's all right, Marshall.
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Uh, Mr. Slade is an old, old acquaintance
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of mine.
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Miss Dupre?
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Mr. Slade, you were supposed to leave with
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me when I left Denver.
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What happened?
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Well, someone went to a lot of trouble
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to make sure I didn't meet you.
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I don't like excuses.
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Well, I'm beginning to feel better already.
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Oh, thank you very much for staying with
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me, my dear, but you can leave now.
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Mr. Slade and I have business matters to
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discuss.
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I'll look you up later, Monica.
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Yes, you do that.
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Isn't it a shame?
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Is what a shame?
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That there aren't better shots in this world.
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You don't look like a private investigator.
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Oh?
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What's one supposed to look like?
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Oh, I don't know.
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I sort of imagined a fierce-looking, scowling
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little man hiding behind bushels of false whiskers.
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They're supposed to ask interminable questions.
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Well, I'm sorry about the whiskers, but I
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do have to ask the question.
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You know, I think it would be a
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lot better if you sat up.
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Well, it began six weeks ago.
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I had an engagement to sing in St.
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Louis.
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When I got to my hotel, there were
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six red roses in a vase in my
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room.
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Go on.
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There was a note.
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It said...
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Oh, how can you possibly believe me?
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It sounds so melodramatic.
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What did the note say?
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It said to Jenny, six roses, six weeks
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to live.
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And it was signed, your ultimate admirer.
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Is that all?
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The next week I was in Chicago briefly
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on a return engagement.
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And this time there were five roses.
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And the note?
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It simply said, five weeks left, Jenny.
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And it was signed the same way.
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The ultimate admirer.
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Whose name is death.
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Well, the week after there were four roses
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and then there were three.
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You telegraphed me from Big Springs, didn't you?
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That was a week ago.
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It was down to two roses then.
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And then when I came here, there was
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that single rose.
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A note with it?
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No note this time.
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But a hand holding a gun at that
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window.
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Somebody tried to kill me.
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Now, I doubt that.
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Much too close range for anyone to miss.
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My guess is you just have a jealous
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lover that's trying to even the score by
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scaring you.
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Have you any idea who?
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Who is it?
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It's me, Jenny.
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It's Eddie Howard, my accompanist.
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You'd better have a talk with him.
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How is she feeling?
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Rocking.
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I suggest if you two want to talk,
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you do it elsewhere.
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Jenny, Cal Breckenridge is in Deadwood.
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Cal?
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Where did you see him?
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Over at the theater.
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I was talking to Mr. Kruger about tonight's
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performance.
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Who is Cal Breckenridge?
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It couldn't be Cal.
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Do you mind letting me in on this?
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Cal Breckenridge was an admirer of mine once.
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And when our relationship changed, he took it
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very hard.
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He's been following Jenny for a long time.
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I think you'd better have a little talk
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with Mr. Breckenridge.
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Be careful, Mr. Slade.
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Cal can be a very dangerous man.
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I don't know what's worse, a dangerous man
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or a dangerous woman.
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Oh, I should like to marry if I
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could ever find a really handsome fellow suited
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to my mind.
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I'd like him to be dashing.
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I'd like him to be gay.
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The leader of the fashion.
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The dandy of his day.
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Oh, I should like to marry if I
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could ever find a really handsome fellow suited
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to my mind.
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You're the detective named Slade, right?
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That's right.
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My name's Kruger.
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I own this place.
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I don't want any trouble.
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Are you expecting Jenny Dupre to sing here
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tonight?
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Well, that's what I'm paying her for.
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You better help me try to find out
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who's trying to kill her.
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Nobody's trying to kill Jenny Dupre, Slade.
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I'm surprised that you think so.
281
00:13:14,570 --> 00:13:16,050
She hired me to think so.
282
00:13:16,350 --> 00:13:17,730
She hired you for publicity.
283
00:13:18,270 --> 00:13:19,170
Smart woman, Jenny.
284
00:13:20,190 --> 00:13:22,270
Staging that little scene at the hotel will
285
00:13:22,270 --> 00:13:23,490
pack this hall tonight.
286
00:13:25,030 --> 00:13:27,190
Don't tell me you could tear yourself away
287
00:13:27,190 --> 00:13:28,290
from Madame Dupre.
288
00:13:28,290 --> 00:13:29,670
I want to talk with you, Monica.
289
00:13:30,910 --> 00:13:31,270
Alone.
290
00:13:35,070 --> 00:13:36,330
How does it feel to be in love
291
00:13:36,330 --> 00:13:37,650
with a big-time singer?
292
00:13:37,830 --> 00:13:39,130
I'm here on business, Monica.
293
00:13:39,210 --> 00:13:40,850
You know perfectly well why Jenny Dupre sent
294
00:13:40,850 --> 00:13:41,330
for me.
295
00:13:41,770 --> 00:13:42,790
How could I miss?
296
00:13:43,170 --> 00:13:45,250
She's written it in lipstick all over the
297
00:13:45,250 --> 00:13:46,030
front of your shirt.
298
00:13:46,050 --> 00:13:47,070
She was upset crying.
299
00:13:47,150 --> 00:13:47,790
I had to comfort her.
300
00:13:48,050 --> 00:13:48,710
Oh, sure.
301
00:13:49,370 --> 00:13:50,530
Well, I have to hand it to you,
302
00:13:50,590 --> 00:13:50,870
Slade.
303
00:13:50,910 --> 00:13:52,750
You certainly give your clients their money's worth.
304
00:13:52,790 --> 00:13:53,350
Now, listen, Monica.
305
00:13:53,950 --> 00:13:55,170
There's been a man seen around here by
306
00:13:55,170 --> 00:13:56,050
the name of Breckenridge.
307
00:13:56,050 --> 00:13:57,330
You know who he is?
308
00:13:57,890 --> 00:13:58,350
Uh-huh.
309
00:13:59,490 --> 00:14:00,590
Well, is he here now?
310
00:14:01,150 --> 00:14:01,670
Yep.
311
00:14:02,450 --> 00:14:03,710
Can you point him out to me?
312
00:14:05,700 --> 00:14:08,600
I can, but the question is, should I?
313
00:14:09,500 --> 00:14:11,480
He's a gambler and a gunman, Slade.
314
00:14:11,500 --> 00:14:12,920
You'd better stay away from him.
315
00:14:14,620 --> 00:14:15,720
He's over there.
316
00:14:19,370 --> 00:14:19,990
Thank you, honey.
317
00:14:26,880 --> 00:14:27,800
Your name Breckenridge?
318
00:14:29,060 --> 00:14:30,160
Who wants to know?
319
00:14:35,450 --> 00:14:35,970
Slade.
320
00:14:35,970 --> 00:14:37,990
Private and confidential investigation.
321
00:14:41,880 --> 00:14:44,560
I have a strong aversion to detectives, Slade.
322
00:14:46,580 --> 00:14:48,520
I suggest you go someplace else.
323
00:14:50,260 --> 00:14:52,080
I want to know why you've been following
324
00:14:52,080 --> 00:14:52,780
Jenny Dupre.
325
00:14:54,380 --> 00:14:55,480
You heard me, mister.
326
00:14:56,380 --> 00:14:56,860
Get out.
327
00:14:59,640 --> 00:15:01,240
Have you ever been dealt a dead man's
328
00:15:01,240 --> 00:15:01,500
hand?
329
00:15:02,460 --> 00:15:02,700
Hmm?
330
00:15:03,960 --> 00:15:05,420
Maybe you'd like to deal me one.
331
00:15:11,690 --> 00:15:12,790
Aces and eights.
332
00:15:18,130 --> 00:15:20,630
I, uh, heard about the attempt on Jenny's
333
00:15:20,630 --> 00:15:20,990
life.
334
00:15:22,430 --> 00:15:23,750
I had nothing to do with it.
335
00:15:24,050 --> 00:15:25,510
How long since she gave you the gate?
336
00:15:26,110 --> 00:15:27,530
And that has nothing to do with it
337
00:15:27,530 --> 00:15:27,730
either.
338
00:15:28,690 --> 00:15:30,390
If I'd wanted to kill Jenny, I'd have
339
00:15:30,390 --> 00:15:32,130
done it a long time ago when I
340
00:15:32,130 --> 00:15:32,690
was still hurting.
341
00:15:33,930 --> 00:15:35,470
Now I feel nothing.
342
00:15:35,890 --> 00:15:37,270
Why have you been following her?
343
00:15:38,270 --> 00:15:40,170
Wherever Jenny goes, you'll find people.
344
00:15:40,930 --> 00:15:42,110
People and money.
345
00:15:44,430 --> 00:15:46,010
Separating the one from the other is my
346
00:15:46,010 --> 00:15:46,370
business.
347
00:15:47,210 --> 00:15:49,130
Jenny Dupre was married once, wasn't she?
348
00:15:49,350 --> 00:15:50,210
A man named Farron.
349
00:15:50,570 --> 00:15:51,290
Frank Farron.
350
00:15:51,930 --> 00:15:53,550
She left him about four years ago.
351
00:15:53,630 --> 00:15:54,690
That's when I came into the picture.
352
00:15:56,210 --> 00:15:56,650
Briefly.
353
00:15:57,050 --> 00:15:58,590
Where would this Frank Farron be now?
354
00:15:59,010 --> 00:15:59,730
I wouldn't know.
355
00:15:59,770 --> 00:16:00,710
You'd have to ask Jenny.
356
00:16:01,290 --> 00:16:01,950
Or Eddie Howard.
357
00:16:02,590 --> 00:16:03,730
I never met the man myself.
358
00:16:04,370 --> 00:16:05,530
Where did Eddie Howard come from?
359
00:16:05,850 --> 00:16:07,490
As far as I know, he's always been
360
00:16:07,490 --> 00:16:07,890
around.
361
00:16:08,110 --> 00:16:10,310
He used to be a famous concert pianist.
362
00:16:12,130 --> 00:16:13,630
She treats him like dirt.
363
00:16:14,430 --> 00:16:15,650
Are you on me for something, Ward?
364
00:16:15,830 --> 00:16:16,110
Shh.
365
00:16:18,970 --> 00:16:21,130
Having that detective around is bad for business.
366
00:16:21,530 --> 00:16:22,270
Get him out of here.
367
00:16:23,590 --> 00:16:24,890
But he isn't doing anything I can arrest
368
00:16:24,890 --> 00:16:25,230
him for.
369
00:16:25,490 --> 00:16:25,970
He will.
370
00:16:26,070 --> 00:16:26,630
Just wait.
371
00:16:27,550 --> 00:16:28,790
I'll pick a fight with him, and that'll
372
00:16:28,790 --> 00:16:30,290
give you an excuse to throw him out.
373
00:16:32,330 --> 00:16:34,170
Don't be surprised if I don't buy all
374
00:16:34,170 --> 00:16:34,710
your story.
375
00:16:35,410 --> 00:16:36,770
I've got a hunch we'll be talking again
376
00:16:36,770 --> 00:16:37,090
soon.
377
00:16:56,650 --> 00:16:57,850
All right, all right.
378
00:16:57,910 --> 00:16:58,510
Break it up here.
379
00:16:58,890 --> 00:17:01,510
Well, where in Sam Hill are you, Marshal?
380
00:17:01,770 --> 00:17:03,349
You're under arrest for disturbing the peace.
381
00:17:03,550 --> 00:17:05,050
Oh, Mr. Kruger started the fight.
382
00:17:05,270 --> 00:17:06,970
Mr. Slade was minding his own business.
383
00:17:07,510 --> 00:17:08,250
That's right, Marshal.
384
00:17:10,900 --> 00:17:11,540
What'll I do?
385
00:17:12,160 --> 00:17:13,839
Why don't you try arresting Mr. Kruger?
386
00:17:14,780 --> 00:17:16,060
I couldn't do that.
387
00:17:16,280 --> 00:17:17,119
Of course not.
388
00:17:17,359 --> 00:17:17,700
He'd come up with a lot of trouble.
389
00:17:17,700 --> 00:17:18,780
You cut off your free beard.
390
00:17:20,119 --> 00:17:21,500
Why did you jump me anyway?
391
00:17:22,839 --> 00:17:23,400
I...
392
00:17:24,420 --> 00:17:25,900
I guess I made a mistake.
393
00:17:26,540 --> 00:17:27,680
Guess maybe you did.
394
00:17:28,120 --> 00:17:29,080
And you're fired.
395
00:17:29,500 --> 00:17:30,520
It's too late.
396
00:17:30,720 --> 00:17:31,780
I just quit.
397
00:17:38,780 --> 00:17:39,340
Jenny.
398
00:17:42,180 --> 00:17:43,960
Now, this is what Deadwood calls a theater.
399
00:17:44,940 --> 00:17:46,700
It's nothing more than a common saloon.
400
00:17:47,360 --> 00:17:48,300
Where's the proprietor?
401
00:17:48,900 --> 00:17:50,780
I must have everyone out of here at
402
00:17:50,780 --> 00:17:52,340
once before I can rehearse.
403
00:17:52,340 --> 00:17:54,280
Eddie, go find Kruger.
404
00:17:54,460 --> 00:17:54,880
What's his name?
405
00:17:55,420 --> 00:17:57,160
Tell him I want everyone to leave immediately
406
00:17:57,160 --> 00:18:00,000
because I am not giving any free performances.
407
00:18:08,540 --> 00:18:09,020
Frank.
408
00:18:11,380 --> 00:18:12,080
Hello, Jenny.
409
00:18:13,460 --> 00:18:14,600
What are you doing here?
410
00:18:14,920 --> 00:18:15,920
I own the gay lady.
411
00:18:17,280 --> 00:18:19,100
I had to see you again, Jenny.
412
00:18:20,940 --> 00:18:21,420
Slade.
413
00:18:22,920 --> 00:18:24,020
Run along, darling.
414
00:18:24,520 --> 00:18:26,600
She might want to be comforted again.
415
00:18:27,880 --> 00:18:29,620
I didn't mean for it to happen like
416
00:18:29,620 --> 00:18:29,900
this.
417
00:18:30,700 --> 00:18:32,300
I was going to wait until after the
418
00:18:32,300 --> 00:18:33,520
performance and then...
419
00:18:33,520 --> 00:18:34,160
And then what?
420
00:18:34,800 --> 00:18:35,780
I still love you, Jenny.
421
00:18:38,740 --> 00:18:40,140
Slade, I want to go back to my
422
00:18:40,140 --> 00:18:40,520
hotel.
423
00:18:41,800 --> 00:18:43,900
Jenny, I didn't know that Walt Kruger was
424
00:18:43,900 --> 00:18:45,320
Frank Farren until I saw him today.
425
00:18:46,300 --> 00:18:47,540
I didn't know how to tell you.
426
00:18:48,740 --> 00:18:50,300
You keep out of my sight.
427
00:18:56,190 --> 00:18:57,770
I should have become suspicious when he offered
428
00:18:57,770 --> 00:18:59,230
me so much money to come to Deadwood.
429
00:18:59,310 --> 00:19:00,530
Twice what I normally get.
430
00:19:01,850 --> 00:19:04,730
Slade, I divorced Frank because I was afraid
431
00:19:04,730 --> 00:19:05,070
of him.
432
00:19:05,790 --> 00:19:07,630
Do you think he's responsible for sending you
433
00:19:07,630 --> 00:19:08,130
those notes?
434
00:19:08,590 --> 00:19:11,070
I accepted the Deadwood engagement six weeks ago.
435
00:19:11,170 --> 00:19:12,710
He knew I was coming here then.
436
00:19:13,430 --> 00:19:14,730
Well, he could have hired someone to send
437
00:19:14,730 --> 00:19:15,330
you those roses.
438
00:19:16,630 --> 00:19:17,730
What about Eddie Howard?
439
00:19:18,790 --> 00:19:19,750
What about him?
440
00:19:20,290 --> 00:19:22,430
I heard he was a famous concert pianist.
441
00:19:23,170 --> 00:19:24,230
Was is right.
442
00:19:24,350 --> 00:19:25,230
Eddie's a has-been.
443
00:19:25,270 --> 00:19:26,430
He's lucky I keep him busy.
444
00:19:28,640 --> 00:19:31,360
Well, young lady, my advice to you is
445
00:19:31,360 --> 00:19:33,120
to get the first stage out of Deadwood
446
00:19:33,120 --> 00:19:33,600
in the morning.
447
00:19:35,180 --> 00:19:37,660
Oh, you are best to meet yourself, Mr.
448
00:19:37,760 --> 00:19:38,160
Slade.
449
00:19:39,300 --> 00:19:41,480
With you around to protect me, I have
450
00:19:41,480 --> 00:19:42,880
no reason to leave now.
451
00:19:43,580 --> 00:19:46,640
Besides, Jenny Dupre has never walked out in
452
00:19:46,640 --> 00:19:47,620
a performance yet.
453
00:19:56,260 --> 00:19:57,260
Who's Monica?
454
00:19:58,420 --> 00:19:59,560
An acquaintance of mine.
455
00:20:00,420 --> 00:20:00,760
Why?
456
00:20:02,300 --> 00:20:04,300
You were thinking of her.
457
00:20:07,900 --> 00:20:09,320
Matter of fact, I was.
458
00:20:22,650 --> 00:20:24,890
Mr. Dupre has just entered the theater and
459
00:20:24,890 --> 00:20:25,830
is in her dressing room.
460
00:20:26,350 --> 00:20:28,590
The performance will start very shortly.
461
00:20:41,670 --> 00:20:42,910
Who is it?
462
00:20:43,530 --> 00:20:43,930
Slade.
463
00:20:47,030 --> 00:20:47,910
Get out.
464
00:20:48,690 --> 00:20:49,410
Get out!
465
00:20:51,490 --> 00:20:52,290
Please, Jenny.
466
00:20:53,090 --> 00:20:54,310
I've got to talk to you.
467
00:20:54,350 --> 00:20:55,410
We have nothing to talk about.
468
00:20:55,410 --> 00:20:56,610
Now, you get out of here.
469
00:20:56,850 --> 00:20:57,310
No, Jenny.
470
00:20:57,710 --> 00:20:58,910
I've waited too long for this.
471
00:20:58,930 --> 00:21:00,150
You get out or I'll scream.
472
00:21:00,290 --> 00:21:01,030
Don't scream.
473
00:21:02,030 --> 00:21:03,450
You've got to give me a chance.
474
00:21:03,890 --> 00:21:04,770
A chance to what?
475
00:21:05,230 --> 00:21:05,990
To kill me?
476
00:21:06,510 --> 00:21:07,330
No, Jenny.
477
00:21:08,930 --> 00:21:10,450
Tell you that I still love you.
478
00:21:14,320 --> 00:21:15,060
I can't do this.
479
00:21:21,040 --> 00:21:21,900
Didn't you read my note?
480
00:21:28,640 --> 00:21:29,280
Run here.
481
00:21:29,580 --> 00:21:31,500
I'll let him...
482
00:22:35,040 --> 00:22:35,400
I can't do this anymore.
483
00:22:37,580 --> 00:22:38,440
I loved her.
484
00:22:39,380 --> 00:22:40,280
And she laughed.
485
00:22:41,700 --> 00:22:43,300
I gave up a career for her and
486
00:22:43,300 --> 00:22:44,840
she treated me like a servant.
487
00:22:46,240 --> 00:22:47,100
Like a dog.
488
00:22:49,660 --> 00:22:51,380
I've dreamed for a long time of killing
489
00:22:51,380 --> 00:22:51,600
her.
490
00:22:54,860 --> 00:22:56,120
I knew who Kruger was.
491
00:22:58,140 --> 00:22:59,420
I wanted to make it look like he'd
492
00:22:59,420 --> 00:22:59,780
killed her.
493
00:23:02,530 --> 00:23:04,030
I put the card in the flowers that
494
00:23:04,030 --> 00:23:04,610
he'd given her.
495
00:23:08,530 --> 00:23:09,690
Then you must be the one who slipped
496
00:23:09,690 --> 00:23:11,130
me that Mickey and messed up my office.
497
00:23:11,610 --> 00:23:12,890
I just wanted to put you off the
498
00:23:12,890 --> 00:23:13,190
track.
499
00:23:18,610 --> 00:23:19,230
Take him, Marshal.
500
00:23:22,230 --> 00:23:22,470
Guard.
501
00:23:36,450 --> 00:23:38,350
I'd better go and tell him now.
502
00:23:38,970 --> 00:23:39,830
There'll be no show tonight.
503
00:23:40,350 --> 00:23:40,630
No.
504
00:23:41,190 --> 00:23:41,950
No, wait.
505
00:23:43,450 --> 00:23:43,970
Monica.
506
00:23:45,450 --> 00:23:46,450
Would you help me?
507
00:23:48,680 --> 00:23:50,800
It's Monica that they want to hear sing
508
00:23:50,800 --> 00:23:51,200
anyway.
509
00:24:03,390 --> 00:24:04,970
There will be a short delay.
510
00:24:05,650 --> 00:24:07,890
Miss Jenny Dupre will still appear here tonight.
511
00:24:07,890 --> 00:24:10,830
But by special request we will first hear
512
00:24:10,830 --> 00:24:13,570
from our own songbird, Monica Bristol.
31280
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