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Faster than a speeding bullet.
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More powerful than a locomotive.
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Able to leap tall buildings at a single
bound.
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Look! Up in the sky!
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It's a bird! It's a plane!
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It's Superman!
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Yes, it's Superman!
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Strange visitor from another planet who
came to Earth with powers and abilities
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far beyond those of mortal men.
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Superman! Who can change the course of
mighty rivers.
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Bend steel in his bare hands.
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And who, disguised as Clark Kent,
mild-mannered reporter for a great
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metropolitan newspaper, fights a
never-ending battle for truth, justice,
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and the American way.
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And now, another exciting episode in The
Adventures of Superman.
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Excuse.
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You are going to the auction, no?
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Why, yes.
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You look like one to be trusted.
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I don't understand.
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I have journeyed all the way from Peru
to attend this auction.
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Really?
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There's a certain piece of tapestry that
I must have.
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But it would be unwise for me to be seen
bidding.
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You will recognize it by its framework
of star.
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Here's a thousand dollars.
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Beat as much of it as you may need.
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But... Please.
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I will be waiting here.
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Let move, Lavera.
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Walk straight ahead and turn into the
alley.
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You are looking for Professor Lavera,
senorita?
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Well, I don't know his name, but... He
is an amigo.
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My friend, as you would say.
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Ah, you have the tapestry.
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I will take it. I'm sorry, you're not
the gentleman who gave me the money.
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But I am his friend, I have told you.
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Well, where did he go? He said he'd wait
out here.
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He could not wait. I will take it. I'm
sorry, I can't give it to you.
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But you say you're his friend?
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Si, senorita.
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Then tell him he can reach me at the
Daily Planet. My name is Lois Lane.
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As you wish, senorita.
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But if you would give me the tapestry
now, it might save you much trouble.
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No trouble, really.
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And imagine he gave me $1,000 to buy
that and then disappeared.
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I wouldn't give you 10 cents for it.
Look, it's even got a hole in it. That's
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a cut-out star.
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It's still a hole.
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It's strange you haven't heard from him.
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I don't like the smell of it. I have a
feeling there's something rotten in
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Denmark. You mean there's something
rotten in Peru.
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You get it?
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Peru. Very funny.
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If he comes in, I'll be in my office.
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Well, so long, Mr. Kent.
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So long, kid.
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Clark Kent speaking.
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Oh, yes, Chief.
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Yes, sir. Right away.
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Hello?
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Lois, I'm at the morgue. Can you get
down here right away?
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The morgue?
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What for, Clark?
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Professor Lavera was found in an alley
behind that auction place.
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Murdered. Well, you better ring the
tapestry with you, too. It might give
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the police a lead.
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00:05:13,720 --> 00:05:14,720
I'll be right over.
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00:05:28,940 --> 00:05:31,480
I have come for the tapestry, Miss Lane,
and I am pressed for time.
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00:05:31,860 --> 00:05:33,640
My plane for Lima leaves very shortly.
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Superman.
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Oh, my head.
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00:06:30,700 --> 00:06:31,800
What happened, Miss Lane?
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Well, I was just leaving the office
and... Oh.
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Take it easy.
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00:06:37,420 --> 00:06:39,080
Well, he came in with a gun. Who?
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The man who wanted me to give him the
tapestry. Not Lavera, the other one.
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00:06:43,060 --> 00:06:44,300
Oh, but you don't know about that.
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00:06:44,580 --> 00:06:47,800
Yes, I do. Kent briefed me. But what
happened? I tried to scream and he
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clamped his hand over my mouth. Then I
guess he hit me on the head with a gun.
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00:06:51,290 --> 00:06:52,890
Did Clark learn anything at the morgue?
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Only that Lavera was a professor at the
University of Lima, Peru.
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00:06:57,150 --> 00:07:00,510
There's a story behind this tapestry,
and I'm going to get it. Why not let
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00:07:00,510 --> 00:07:03,690
Kent handle this? Oh, no. Now that
Professor Lavera's dead, it's my
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tapestry and my story.
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Please, Chief. Nothing doing.
87
00:07:14,250 --> 00:07:17,270
But, Chief, if you'll just let me go to
Peru, I can crack this whole thing wide
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open. Now, see here, young lady. I said
no.
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And I happen to be boss around here.
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00:07:22,800 --> 00:07:26,380
Why, of course you are, Chief. That's
just why I told Pan Am you'd okay my
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reservation. What?
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You've already made your reservation?
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Well, I guess it's worth sending you to
Peru just to get you out of my hair.
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00:07:38,420 --> 00:07:39,820
Take Olsen with you for protection.
95
00:07:40,120 --> 00:07:41,260
But I don't need any protection.
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You heard me.
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Well, okay.
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Are you packed? Not yet.
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00:07:45,860 --> 00:07:47,960
Well, what are you standing around here
for? Want to miss the plane?
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00:08:18,220 --> 00:08:21,340
We're finally settled. But it certainly
took that room clerk long enough to
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understand your brand of Spanish.
102
00:08:22,900 --> 00:08:25,180
Well, that's a crummy hotel, so they
speak crummy Spanish.
103
00:08:27,900 --> 00:08:30,060
Maybe that taxi driver will be more on
the beam.
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00:08:33,900 --> 00:08:35,159
Pardon me, Mr. Senor.
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00:08:38,120 --> 00:08:39,240
Hey, how's he sound?
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That's more like it. See, he
understands.
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You're doing fine.
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Habla espanol?
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Si.
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Ask him if he spoke Spanish.
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Oh, you're marvelous, Jim.
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Could you comunicado me and the senorita
to el capitan of la police?
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Oh, la policia? Si.
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Enter, senorita.
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I find your story most interesting,
Senorita.
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00:09:20,320 --> 00:09:24,160
But this man who killed Professor
Levera, he will be extremely hard to
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locate. Like you say, a needle in a
haystack?
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If he's here in Lima, he arrived within
the last 24 hours.
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00:09:31,260 --> 00:09:35,500
So maybe if you check the list of plane
passengers... An excellent idea,
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00:09:35,740 --> 00:09:39,320
Senorita, but that will take quite some
time. So suppose you come back later.
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00:09:39,640 --> 00:09:43,560
Meanwhile, I suggest that you contact
Dr. Quest, the head of the university.
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I will phone him to expect you.
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Thank you so much, Captain.
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Senorita Lane.
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Dr. Cuesta told me to be looking for you
and to show you in. I am Don Anselmo. I
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was Professor Lavera's assistant.
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How do you do?
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Welcome to Lima, Senorita Lane.
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Thank you, Dr. Cuesta.
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And this is Mr. Olson.
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A pleasure indeed, Senor.
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Gracias.
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I was deeply shocked when I heard about
Professor Lavera.
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Your fellow countryman has told me all
about it.
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00:10:40,160 --> 00:10:42,020
Clark, what are you doing here?
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The chief decided it might take both of
us to crack this story.
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00:10:45,680 --> 00:10:48,340
Oh, he did, did he? But how did you get
her so fast?
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00:10:49,060 --> 00:10:51,220
Jim, when I'm in a hurry to get
someplace...
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I really fly.
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00:10:53,210 --> 00:10:57,810
Senorita, Professor Levera's death will
be mourned by all Peru. He was a man
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with a big heart. That is why he was so
anxious to acquire the Tinka tapestry.
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00:11:02,130 --> 00:11:03,270
But I don't understand.
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The tapestry could have furnished a key
to some very Tinka treasures worth many
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million pesos.
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00:11:08,850 --> 00:11:13,250
Levera's idea was to find his wealth,
then turn it over to the government for
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the poor and needy. And I was to help
him. We spent many happy evenings
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planning the project.
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You will now see what I meant when I
said the tapestry would lead us to the
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treasure.
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00:11:36,000 --> 00:11:41,360
This piece of Inca handiwork is a
replica of ancient Lima and the country
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surrounding it. It looks like a
companion to the one I bought.
152
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You are right, senorita.
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It has the same framework of stars.
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But there's no hole.
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Senor, the hole was the answer we were
looking for.
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Placed over this tapestry, that small
cut-out star would have shown us the
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exact location of the hidden Inca
treasure.
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00:12:09,960 --> 00:12:14,740
Now, you know the secret of the
tapestry, but I have not been of much
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practical help.
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00:12:15,840 --> 00:12:16,840
Oh, but you have.
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A lot of things are much clearer than
they were.
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Thank you, Doctor.
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Well, I wish things were a little
clearer to me.
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But we all can't be so bright, can we,
Jim?
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Me, I'm on a merry-go-round.
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00:12:27,940 --> 00:12:30,620
Well, I do hope we can find some clues,
or we've come a long way for nothing.
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00:12:31,500 --> 00:12:33,300
Senorita. Yes, Senor Anselmo.
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My car and I are at your disposal as
long as you are in Lima.
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00:12:38,780 --> 00:12:40,200
Well, thank you so much.
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Jim and I can make real use of it.
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Be seeing you around, Clark.
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but don't take any wooden pesos.
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These photographs are from our
confidential files.
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They are the only four airplane
passengers with whom our department is
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at all familiar.
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That's the man.
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I get the creeps just looking at him.
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He's sure got a mean puss.
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This is your lucky day, senorita.
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Pedro Mendoza is a dangerous fox,
señorita.
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He has always managed to escape the law,
and he will stop at nothing.
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However, I will convey this information
to our chief of detectives, and we will
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comb every inch of Peru for him.
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You will excuse me? Si?
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00:13:46,410 --> 00:13:48,510
Do you think we ought to tell Mr. Kent?
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When things are already so clear to him?
Why, a little clue like this would mean
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nothing to our Mr. Kent.
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Uh, senorita, tomorrow, perhaps, while
the police are looking for Mendoza, you
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might enjoy a little drive up into the
country, no?
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00:14:04,090 --> 00:14:05,510
Oh, golly, that'd be keen.
191
00:14:05,950 --> 00:14:10,490
Well, I'd love to, really, but, uh,
well, suppose I let you know in the
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morning.
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Mendoza?
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This is Anselmo.
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00:16:00,640 --> 00:16:01,640
Senorita!
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00:16:04,520 --> 00:16:08,580
It is a delightful day, Senorita, and I
am pleased you have decided to spend it
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00:16:08,580 --> 00:16:09,499
with me.
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00:16:09,500 --> 00:16:13,300
We might as well. The police haven't
found any traces of that Mendoza guy.
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00:16:14,320 --> 00:16:15,520
Oh, look who's here.
200
00:16:18,660 --> 00:16:19,660
Morning, Lois.
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00:16:20,000 --> 00:16:22,060
Senor. Hi, Jim. Hi, Miss Kent.
202
00:16:22,260 --> 00:16:23,260
How's it coming, Clark?
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00:16:23,580 --> 00:16:24,600
Well, slow but sure.
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00:16:24,940 --> 00:16:28,640
I spent all yesterday afternoon in the
library, reading up on the Incas. Tell
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00:16:28,640 --> 00:16:29,640
me about it sometime.
206
00:16:30,120 --> 00:16:32,060
I've been thinking about that little
cut-out star.
207
00:16:32,400 --> 00:16:34,720
Who has it? That little old hole could
tell us a lot.
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00:16:36,240 --> 00:16:39,780
The way I remember that tapestry, the
star was in the upper corner somewhere.
209
00:16:40,120 --> 00:16:43,980
That would be northeast of here. So I
looked at a map. And my guess is the
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treasure is located somewhere near a
little town called Madera. It's in the
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00:16:47,240 --> 00:16:52,020
foothills. And all we have to do is dig
through each little hill one by one.
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00:16:55,140 --> 00:16:58,260
Madera is a beautiful country. Perhaps
you would like to see it.
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00:16:58,720 --> 00:16:59,820
Anywhere you say, senor.
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00:17:00,560 --> 00:17:04,460
And thanks for the geography lesson,
Clark. It was very interesting.
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00:17:35,080 --> 00:17:36,680
The water's on the door, senor.
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00:17:36,980 --> 00:17:38,660
Do I like him the ride, senorita?
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00:17:39,200 --> 00:17:40,820
All I know is I'm hot.
218
00:17:41,140 --> 00:17:43,000
Do you not enjoy the beautiful scenery?
219
00:17:43,400 --> 00:17:46,760
Scenery? All I've seen for hours is
barren country and dust.
220
00:17:47,120 --> 00:17:48,240
Have a drink, Miss Lane?
221
00:17:48,520 --> 00:17:49,520
No, thanks, Jimmy.
222
00:17:49,760 --> 00:17:52,280
You will like Madeira better. Soon we
will be there.
223
00:18:20,200 --> 00:18:21,200
Get out.
224
00:18:21,680 --> 00:18:22,940
Is this Madera?
225
00:18:23,160 --> 00:18:27,460
No, it is not Madera. But it is the last
stop for you and your young friend.
226
00:18:27,800 --> 00:18:30,140
Huh? What kind of a joke is this?
227
00:18:30,760 --> 00:18:32,660
It is no joke, senorita.
228
00:18:32,920 --> 00:18:36,940
You are too inquisitive. You know too
much. And in this desolate country,
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00:18:37,180 --> 00:18:38,660
people become silent forever.
230
00:18:39,420 --> 00:18:41,740
Get out. I won't budge from this car.
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00:18:42,060 --> 00:18:43,440
Leave her alone.
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00:19:11,090 --> 00:19:13,010
That dirty rat, did he hurt you, Miss
Lane?
233
00:19:13,310 --> 00:19:16,030
No, I'm all right. How about you, Jim? I
think I'll live.
234
00:19:18,030 --> 00:19:19,670
Well, what do we do now?
235
00:19:19,930 --> 00:19:21,750
Dolly, I don't know. I guess we walk
home.
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00:19:22,670 --> 00:19:24,370
I sure hate to let him get away with it.
237
00:19:24,570 --> 00:19:27,990
Obviously, he's working with Mendoza.
Sure, but what are we going to do? We'll
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00:19:27,990 --> 00:19:29,450
die out here without food and water.
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00:19:30,490 --> 00:19:31,490
Jim.
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00:19:31,970 --> 00:19:32,970
Yes, Miss Lane?
241
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Are you game to follow him with me?
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00:19:34,880 --> 00:19:37,080
Didn't I promise the chief I'd never let
you out of my sight?
243
00:19:37,320 --> 00:19:40,200
We'll just follow the road and keep our
eye on the tire tracks. Come on.
244
00:20:02,190 --> 00:20:03,190
Look, Miss Lane.
245
00:20:04,770 --> 00:20:06,230
Here's where he must have turned off the
road.
246
00:20:20,390 --> 00:20:23,710
If I ever get back to Metropolis, the
Daily Planet owes me a new pair of
247
00:20:23,710 --> 00:20:25,570
shoes. I'll settle just to get back.
248
00:20:37,770 --> 00:20:38,549
Look, Jim.
249
00:20:38,550 --> 00:20:39,550
His car.
250
00:20:54,890 --> 00:21:01,050
He must have gone in here.
251
00:21:01,450 --> 00:21:03,750
Golly, it's darker in there than in the
Tunnel of Love.
252
00:21:04,570 --> 00:21:05,910
Well, we can't stop now.
253
00:21:06,290 --> 00:21:07,290
Don't stop.
254
00:21:29,120 --> 00:21:33,720
What's that? It sounds like digging to
me. Your hearing is excellent, senor.
255
00:21:38,610 --> 00:21:39,610
Anselmo!
256
00:21:43,790 --> 00:21:47,270
So, you could not bear to be without my
company, eh?
257
00:21:51,870 --> 00:21:56,270
Because you Americanos have shown such
an interest in our interrelics, we have
258
00:21:56,270 --> 00:21:57,270
unearthed a few.
259
00:21:57,550 --> 00:21:59,350
These ancient chains, for example.
260
00:21:59,870 --> 00:22:03,090
It was a barbarous custom indeed to
chain people for death.
261
00:22:05,570 --> 00:22:07,290
You take your hands off me!
262
00:22:17,070 --> 00:22:19,170
That wall now separated from the Inca
treasure.
263
00:22:19,550 --> 00:22:20,590
Soon it will be ours.
264
00:22:21,290 --> 00:22:22,690
Partly thanks to you, senorita.
265
00:22:22,890 --> 00:22:24,970
But it was from you I got the tapestry.
266
00:22:25,290 --> 00:22:28,790
There is no use to dig further, Mendoza.
The wall is too hard.
267
00:22:29,090 --> 00:22:32,110
We had better use the dynamite. Si, by
all means, now.
268
00:22:54,060 --> 00:22:56,280
We will be back as soon as the dynamite
has done its work for us.
269
00:22:56,720 --> 00:22:59,200
I regret to have to leave you in such
danger.
270
00:23:07,760 --> 00:23:09,960
I never should have gotten you into this
mess, Jimmy.
271
00:23:10,220 --> 00:23:11,340
It's not your fault, Miss Lane.
272
00:23:12,400 --> 00:23:15,560
Anyway, I followed the chief's orders
and stuck with you right to the end.
273
00:23:27,080 --> 00:23:27,800
Sounds like...
274
00:23:27,800 --> 00:23:39,860
The
275
00:23:39,860 --> 00:23:42,380
explosion trapped those two. I'll get
them later.
276
00:23:46,600 --> 00:23:49,760
You two certainly got yourselves in a
fine mess. If Clark Kent hadn't told me
277
00:23:49,760 --> 00:23:51,900
you were both headed for Madeira, I'd
hate to think what might have happened
278
00:23:51,900 --> 00:23:53,560
to you. Let's not even talk about it.
279
00:23:53,960 --> 00:23:55,760
Jeepers, did you see all of those hidden
jewels?
280
00:23:56,490 --> 00:23:57,490
Yes, Jim.
281
00:23:57,730 --> 00:23:59,830
And Professor Lavera's dream has come
true.
282
00:24:00,750 --> 00:24:01,750
Thanks to you.
283
00:24:10,830 --> 00:24:13,530
Better find a taxi, Jim. We haven't got
much time to catch that plane.
284
00:24:14,010 --> 00:24:16,610
Oh, good heavens. I forgot to leave the
money for Dr. Cuesta.
285
00:24:16,810 --> 00:24:17,850
The $960.
286
00:24:18,650 --> 00:24:20,770
You can send it to him. I'll go get the
taxi.
287
00:24:22,410 --> 00:24:25,210
I'm sorry there are only two
reservations left, Clark, but I'll tell
288
00:24:25,210 --> 00:24:26,210
the chief to expect you.
289
00:24:26,430 --> 00:24:29,570
Don't worry, Lois. There's more than one
way of getting back. Sure, if you had
290
00:24:29,570 --> 00:24:30,570
wings, you could fly.
291
00:24:31,010 --> 00:24:32,830
Come to think of it, that's not a bad
idea.
22079
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