All language subtitles for Death at Love House (Mystery Thriller) ¦ Kate Jackson & Robert Wagner in a Hollywood Secret Full HD (1080p_24fps_H264-128kbit_AAC-inglés).inglés
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Beverly Hills. It was around here that Max Senate
used to hold his Sunday morning wild boar hunts
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on horseback. Most of these homes were built and
paid for during the great silent days of movies
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before taxes were a fact of life when people
could afford to live like kings and queens.
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To your left, ladies and gentlemen, is the
Lorna Love Estate, a 36 room mansion built
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at a cost of over $3 million for the beautiful
and world famous actress whose tragic death in
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1935 saddened her millions of fans across
the globe. The day after Lawler's funeral,
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a shrine was built directly behind the
trees up there. Folks, use your imagination.
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Think of Lorna as beautiful as ever. As you
remember her, her body imbalmed up there in
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her shrine, lying up there forever. Excuse
me. Huh? We'd like to get off here. Sorry.
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It's company rules. No one's allowed to get off
the bus insurance, you know. Well, my wife is
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pregnant. Congratulations, but that don't mean
a thing to me. And I'm feeling a little sick.
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[laughter]
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Oh, George. George. Now, I really don't feel
well. Are you serious? No. Now, that's not fair.
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This is the first time for me. I've never been
I mean, you've never We've never been pregnant.
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Oscar, why'd you come up in that
thing? If it was a tour you wanted,
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I could have arranged something with
the studio. Sure, you could have, Oscar,
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but that's not what we were interested in. We
wanted to look at their faces and look at the
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dreams and see how much of Laura Love is still
alive. And believe me, she is alive and well. What
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do you say I drive you in and kiss you goodbye?
Got to get out of here. I got things to do. Hey,
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the wind's starting to blow. Well, the
radio said it'd be a storm tonight. [music]
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[music]
Oh,
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[music]
[music]
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[music] heat.
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[music]
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Heat. Heat. [music]
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[music]
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[music]
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[music]
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[music]
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[music]
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I'll never understand you writers.
You can write the same thing in a
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nice clean modern office in Beverly Hills as
you can hear. If you ask me, you're all nuts.
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There's supposed to be a housekeeper
of Clara Joseph's. At least that's
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what the studio said. I'm glad they gave me a key.
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Sorry, honey. It must have been
the wind. I don't know where it
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came from. You brought it with you from New York.
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Hello? Anybody home?
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Mrs. Joseph's.
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Mrs. Joseph,
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the housekeeper should be here. I'd
feel a lot better if she'd show up.
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The door is locked.
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Mrs. Joseph, this is Mr. and
Mrs. Gregory. How do you do?
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I didn't expect you this early. [music]
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[music]
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I'd seen photographs of it when I saw some
preliminary sketches my father did. [music]
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I thought I knew what to expect. [music]
But I never thought it would be like this.
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[music] It's magnificent. Your father was a great
artist, Joel, but you're right. There's really
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something special about that painting. Sure, it's
the model. Yeah, the most beautiful model in the
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world. No, it's not it, Oscar. It's not all
of it, anyway. It's something else. It's love.
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There was great love between you.
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[music]
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He was like you. Same face,
the father and the son. [music]
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Did you know him? Were you working here
when they were living together? Your
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rooms are upstairs to the left. I'll
open the rest of the house for you.
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You know, the book you're going to write
should be a love story about a great artist
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and the equally great actress that opened up
the world to him. I mean, she worshiped him.
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and he worshiped her. The romance that the
whole world talked about. Fantastic love story.
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Bigger than Epsile and Zelda. Bigger than that.
Bigger than that. Bigger than life. All right,
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Oscar. You can stop selling. We've
already signed your contracts.
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Wait a minute. Mrs. Joe say right
or left? I think she said left.
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It's locked. Fascinating. It's always
fascinating me what's behind locked
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doors. Come on. You'll find out soon enough. Mrs.
Johnson says she was going to open up the house.
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Oh, wow. Hey, look what's here to meet us.
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Hey, thanks, Oscar. I'll tell you what. I'll
give you a call at the office when we get all
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the research together. Research? What research?
It's a love story. Boy meets girl, boy gets girl,
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boy loses girl. What more is there? Well, there's
a little bit more, Oscar, because in this case,
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the girl's Laura Love and the boy is Joel Gregory
Senior, who just happens to be the father of one
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of the authors. I never really knew him,
Oscar. I hardly ever saw him when I was a
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kid. By the time I was a man, he died, so you can
understand there's a lot I want to find out about
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him. Besides, Oscar, you know the way we work.
We're more journalists than we are novelists,
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so the research is everything. Okay. Okay. Okay.
have it your way. You'll do the research. You'll
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write a great book, but it means nothing if nobody
knows about it. So, talking about publicity,
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what publicity? There's a shot the studio wants
to use of the pair of you. Uh-oh. Can I see you,
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sweetheart? They want to release it. They want
to let the public know about the book. Let them
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start talking about who's going to play
the part in the movie. Scar of you. Look,
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Joe. Yeah. That's really beautiful, isn't it? So,
Oscar, where is the shrine to the goddess of love?
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Can't miss it. Any road you take on this place
leads to the monument of that broad's ego. Jolo,
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come here. There's somebody out here.
[music] Come on. Come on. I just saw
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a lady all in white with a white chiffon
scar. She looked like something out of a
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1930s World magazine. She ran right down that
walk. That's the fry. Yeah. Let's go take a
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look. You go. I got to get off these hills
before the rain hits. They'll be treacherous.
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I'll see you later. Hey, come on, Oscar.
It's not going to rain. I want to see the
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shrine. When you get a few pages
written, give me a call. [music]
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[music]
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[music]
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[music]
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Heat. Heat. [music]
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[music]
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[music]
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[music]
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[music]
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Can you believe that? Incredible. [music]
She's even more beautiful than I imagined.
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She's not as beautiful as your father
painted her to. He gave her a soul.
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Spooky.
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Hey, come on. Let's get out of here.
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[music]
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[music]
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To millions of her fans all over the world,
it seems incredible that Laura Love is dead.
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But the funeral of the beloved star of My Love
Lies Sleeping and The Blue Moth, to name only
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a few of her films, was viewed by thousands
of grieving filmgoers in Hollywood's Grotto
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of Light channel. Miss Love died quietly in her
home Friday night. But to all of us who knew her,
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Luna Love did not leave us. She was and is a
legend, and legends never die. Some of them
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don't even fade away. Colin Carol, the man who
directed Lorna in her first hit, Garden of Desire.
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Denise Christian, Lorna's only rival in Filland,
but no serious contender for the goddess of love.
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[music]
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Who's a character with a cat? You tell me.
[music] Corin Carol. Born's first director.
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Any chance he might still be alive? Yeah.
We'll find out. He was one of the biggies,
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wasn't [music] he? He was up
there with DW Griffith and Deil.
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Now, there's uh Denise Christian. What
about her? Put her on the list. She's
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alive. She probably has some juicy tales
to tell about Laura and dying to tell.
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Well, hello cat. Hello.
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Oh my god. Joel. Joel. This thing is
stuff. What's stuff? This cat. Stop.
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Thought it was the same cat we
found upstairs in the bedroom.
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Look at that.
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It certainly could be one of its ancestors
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nose feratu.
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Mona was certainly a lady of singular taste.
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Malas, Malifacarium, Witch's
Hammer, Q. Life beyond a grave.
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Well, I don't know what we're
going to find out about you,
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Lorna, but I have a feeling you're
not going to be my kind of lady.
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Hey, that cat must have really spooked you as just
someone at the front for Mrs. Joseph. I get it.
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What are we going to bet on,
Mrs. Josephs? Or our nerves?
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Come on,
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Joseph.
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My name is Conan Cow. Carl, sorry
I didn't recognize you. Gregory,
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are you just kid? I'm his son. Come here.
My wife, John. How'd you get? I'm writing
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a book about my father and daughter. That's
why I'm here. I suppose the studios hired
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you because they think you know the story,
but you don't. You know nothing of her love.
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That's why I'm here to tell you I want the world
to know the evil ugly witch that I love really was
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and not to see her again. Um, Mr. Carol, could
I take your coat? You must be self. I created
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her. I mold her out of clay and dirt and made
her what the world thought she was. Write that.
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Tell them that. And then tell the world what she
did to me. how she repaid me. Anna wasn't even a
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shadow on the screen till I took hold of her. I
showed her how to walk, how to smile, how to use
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those hypnotic eyes. They were beautiful eyes.
When she tried to look at a man with passion,
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they were empty because there wasn't anything
inside her. I gave her everything. I made the gods
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in the heavens bow down to her. She believed all
the lies they wrote about her. She was obsessed
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with that father eternal fire. Who's that? A faith
healer of some sort. Could that be the guy in the
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funeral film? That's when she turned on everyone.
She ruined me. She destroyed me. She smashed me.
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The way Joe Gregory smashed all those mirrors of
hers. Mr. Cal, my father. He was the only one that
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had the strength to walk away from her while he
was still a whole human being. You know what he
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told her? She had no soul except the one he gave
her when he did that painting of her because she
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was empty inside, lifeless. Oh, there's more, much
more that nobody knows about Lana. things no one
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else would ever believe. Things no one but I
knew. I can't tell you here. Mr. Carol, it's
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awfully late. Why don't you stay tonight and then
we can talk some more in the morning. I wouldn't
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sleep from her house one night. I'd rather be
dead. Mr. Carol, it is raining pretty heavily
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on set. I think it would be best way to stay. I'll
call you tomorrow. The things you ought to know.
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Mr. Carol, it really isn't safe to drive. You
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sure you don't want to spend the
night? I'll call you tomorrow.
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Down.
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Heat. Heat. Heat. [music]
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Fire
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[music]
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heat.
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[music]
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[music]
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[music]
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According
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to the doctor, it was like a heart attack.
Well, last night I saw him drive away. It's
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the last time I saw it. I didn't think he'd come
back. It's funny. The last thing I would have
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thought he'd come back for would be to see the
shrine. You see, that path leads to the shrine
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I've blown love. That's the only reason he'd be
on it. Excuse me, ma'am. Is there anything you
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might be able to tell me? I went to bed early.
I didn't see him come. I didn't see him go.
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If there's anything else, we'll be
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I'm frightened.
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You're also pregnant. Yeah, you're sh I know
the difference between fear and pregnancy.
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I need a sweater.
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[music]
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[music]
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[music] Don't
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let high
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These are all autographed
pictures from friends of mis love
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to beauty from the beast on the journey.
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[music]
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If jealousy is a cardinal sin,
I'd rather be in hell. Clara Bau,
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[music]
[music]
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marry me and take me to heaven. Come and Carol,
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let my eyes be your mirrors. Joe,
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did he love her as much as they say?
More. Much more. Tell me about them.
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There's too much. I don't know. Too
much. I can only guess it. Well,
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guess for me. Tell me about them.
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Souse will tell you the story. Shoot.
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Learn from the house. Stay here.
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What about the uh doors that are
locked across from our bedroom?
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Why can't I get in there? It was
her room, hers, and your father's.
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How can anybody talk about their love?
Something you feel, not talk about.
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They loved
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then.
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Go on.
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This was your father's studio.
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It's exactly as it was when he left
it. Nothing's been changed. Nothing.
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All of this work
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It's worth a great deal of money
today. Why didn't Lona sell it
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after he left? For what? Money? She loved you.
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Did you like him, Mrs. Joseph? Did you like my
father? I was the housekeeper here. I did my job.
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I liked people who were pleased with my work.
Did he like you? Yes. At least he said he did.
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May I talk to you again?
May I count on you to help?
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What's the matter? Look at this. You know what
that is? No. That's an a thing. It's a ritual
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knife used in witchcraft. See the pentagram? And
that's the divine crystal. Well, yeah. Whatever
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it is, it was used to cut this picture. I found it
in the same bureau drawer. Where's the other half?
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I don't know. Oh, I looked all through the drawer.
I couldn't find it. But honey, don't get so upset.
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I mean, if it's the picture you're worried about,
we can call the studio and get another copy. Joel,
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it's not the picture, and you know it now.
Come on, don't make fun of me. You better not
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tell me I'm overreacting because I'm pregnant
either. All right, sweetheart. Take it easy. I
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know you're upset about Mr. Carol. And And look,
maybe doing the book is getting to you. I Yeah,
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it's not the book. It's this house. This house
has been a scene of too many strong emotions,
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too many tragedies, and too many secrets.
It's like the way the sin of flowers stays
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00:27:31,120 --> 00:27:35,520
in a room long after they're gone. You remember
we wrote that. Only these flowers have been dead
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a long time, and they don't smell so sweet. All
right, honey. Okay. I mean, maybe we started the
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00:27:42,480 --> 00:27:47,040
book at the wrong time. Maybe we're here at
the wrong time, but we're stuck with it. So,
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00:27:47,040 --> 00:27:57,760
let's do our thing. Wrap it up and finish it. All
right. Now, what's on for today? Hey, come on.
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Denise Christian. Denise Christian. How were you
able to find Lorna's only rival in Filmland? I
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00:28:06,720 --> 00:28:12,080
called the actor's guilt. That was before I found
myself cut out of the picture. Literally speaking,
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I might add. Well, I guess that's the best
place to call to find an actor. Where is she?
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This brand of coffee has been around
a long time. It's pleased a lot of
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people because it knows how to please.
Maybe that's why I like it so well,
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because we've got something in common. Why don't
you drop by and share a pot with me sometime?
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And cut. That's nice of you. Right on
the button. Okay, that's a friend. Uh,
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let's get ready for the insert. Excuse me.
Excuse me, Miss Christian. I'm Joel Gregory.
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This is my wife, Donna. How do you do,
Miss Christian? We're writing a book
220
00:29:03,200 --> 00:29:11,280
about my father and about Lorna Love. Can we
talk to you about that? You look like him.
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You've got the same kind of intensity.
I bet they tell you that all the time,
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don't they, Joel Gregory? Yes, they they
have. Oh, why don't you run along and mix
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us a drink? I want to talk to these people
about old times. It'll make me very sad. So,
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you want to know about Lorna Love? Yes. We'd like
to know what you thought about I hated the witch.
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00:29:44,080 --> 00:29:49,120
Why? There were a lot of reasons to hate Lorna
Love. Person didn't have to look too long or too
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far to find them. We started at the same studio
together. I got all of her leftover parts. You
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00:29:54,560 --> 00:30:00,160
know, the one she didn't want. Then one of them
made me almost as big a star as she was. That was
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reason enough to get me thrown off the payroll.
She tried to blackball me with every studio,
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but she couldn't. She couldn't do to me what
she did to poor Conan Carol. God bless his soul.
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Then there was your father. I met him first. I
found him. I didn't know that. How? He was in the
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art department at the studio. He was good. I fell
head over heels in love with him. I showed some of
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his paintings around to help him. And then Lorna
got wind of him. I think at first she did it just
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to tear me apart. She went after him and she got
it. She opened a whole world for him. something I
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00:30:41,600 --> 00:30:49,840
couldn't do. I was very happy for him. But the
happier I was for him, the more I found myself
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hating her. There was something about um a healer,
something of a faith healer. Do you know anything
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00:30:57,440 --> 00:31:03,760
about that? Father, eternal fire. He taught her
all about hypnotic drugs, and she still couldn't
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get a night's sleep. She gave him a fortune
because he promised her she would never grow old,
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that she would never lose her beauty. After
your father smashed all the mirrors and left,
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she lived in a spiritual world, the world of
father eternal fire. Miss Christian, do you know
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why my father would have left Lorna? One morning,
I guess he woke up and found out that he really
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wanted to live. This was impossible with Lorna.
Why? because she destroyed everything she touched.
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Excuse me, Miss Christian. I'm sorry to interrupt,
but uh we need your hands in the insert. Well,
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00:31:46,800 --> 00:31:52,320
can we talk again soon? How long will you
be here? Where are you staying? Love house.
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Thank you very much, Miss Christian. I
enjoy talking to you. Bye. Thanks very
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00:31:56,960 --> 00:32:02,080
much. Wait a minute. You look like a
nice couple. Do yourselves a favor.
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00:32:02,080 --> 00:32:28,310
Get out of love house. There's
nothing but death there. [music]
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[laughter]
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00:32:28,320 --> 00:32:35,200
Okay, that's it. I've had it. Come on,
let's go up. Start with up, will you,
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sweetheart? Give me a few minutes.
I'll be right up. Okay. All right.
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[music]
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[music]
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00:33:19,420 --> 00:33:32,370
[music]
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00:33:32,370 --> 00:33:45,320
[music]
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00:33:45,320 --> 00:33:58,270
[music]
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00:33:58,270 --> 00:34:11,220
[music]
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00:34:11,220 --> 00:34:24,170
[music]
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00:34:24,170 --> 00:34:37,120
[music]
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00:34:37,120 --> 00:34:42,720
kisses while I ly chill as the moon and caresses,
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00:34:42,720 --> 00:35:08,240
shuddering and slow as a riding
serpent uncoiling a tomb. [music]
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00:35:08,240 --> 00:35:11,680
[music]
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00:35:11,680 --> 00:35:15,120
[music]
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00:35:15,120 --> 00:35:18,560
[music]
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00:35:18,560 --> 00:35:22,000
[music]
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00:35:22,000 --> 00:35:25,440
[music]
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00:35:25,440 --> 00:35:31,040
I'm [music] going to
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00:35:40,960 --> 00:35:50,640
Come on.
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Come on.
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00:35:55,840 --> 00:36:16,880
Hallelujah. [music]
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00:36:50,480 --> 00:36:59,920
Heat. Heat.
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00:36:59,920 --> 00:37:18,452
[music]
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00:37:18,452 --> 00:37:18,466
[music]
[music]
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00:37:18,466 --> 00:37:18,480
[music]
[music]
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00:37:18,480 --> 00:37:25,403
Heat. Heat.
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00:37:25,403 --> 00:37:25,413
[music]
Oh,
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00:37:25,413 --> 00:37:25,427
[music]
[music]
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00:37:25,427 --> 00:37:27,440
heat,
[music] heat.
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00:37:31,120 --> 00:37:41,200
Heat. Heat.
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00:37:41,200 --> 00:37:53,040
[music]
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00:37:53,040 --> 00:38:04,880
[music]
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00:38:04,880 --> 00:38:14,880
Good job. [music]
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00:38:14,880 --> 00:38:21,520
[music]
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00:38:21,520 --> 00:38:37,520
God.
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00:38:37,520 --> 00:38:39,760
[music]
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00:38:39,760 --> 00:38:41,800
[music]
285
00:38:41,800 --> 00:39:03,100
Yeah. Yeah. [music]
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00:39:03,100 --> 00:39:06,000
Yeah.
287
00:39:06,000 --> 00:39:26,320
Go. [screaming]
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00:39:26,320 --> 00:39:29,240
Okay. [music]
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00:39:48,640 --> 00:39:55,440
Donna, [music] Donna,
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00:39:55,440 --> 00:40:00,560
Donna. Huh?
291
00:40:00,560 --> 00:40:06,960
I heard screaming. What's wrong?
292
00:40:06,960 --> 00:40:17,640
What's happened? Gas.
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00:40:17,640 --> 00:40:25,040
[laughter]
294
00:40:25,040 --> 00:40:31,920
Fresh air. She needs fresh
air. I'll open the window.
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00:40:31,920 --> 00:40:45,840
All right, [laughter] come in. Breathe.
Breathe. Breathe in. Breathe. Breathe. Okay.
296
00:40:45,840 --> 00:40:50,720
She'll be all right. She'll be just fine
now. The gas heater. It's an old house.
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00:40:50,720 --> 00:40:56,320
An old heater. You must learn to be careful.
I couldn't close the gas. It's all over now.
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00:40:56,320 --> 00:41:02,080
It's all over. I'll make her a nice cup of
hot tea. She'll feel better then. Thanks,
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00:41:02,080 --> 00:41:04,880
Mr. Joseph. [laughter] I don't know what
I would have done without you. I would
300
00:41:04,880 --> 00:41:19,440
never been able to get in there.
I'll get that tea now. Oh, sweet.
301
00:41:23,120 --> 00:41:30,560
It's okay now, honey. Everything is under
control. I couldn't open the door. All you
302
00:41:30,560 --> 00:41:39,440
had to do was turn the lock. I didn't
lock it, Joel. I didn't lock the door.
303
00:41:39,440 --> 00:41:42,480
The light reactions. No, Joel. I didn't lock the
304
00:41:42,480 --> 00:41:48,320
door. I didn't lock it. I didn't lock
it. I didn't lock it. I didn't lock it.
305
00:41:48,320 --> 00:42:02,360
[music]
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00:42:02,360 --> 00:42:16,400
[music]
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00:42:16,400 --> 00:42:17,760
What did you find?
308
00:42:19,840 --> 00:42:22,960
Where did you find that?
What? In Lorna's collection
309
00:42:22,960 --> 00:42:29,120
of roles? What's the matter, sweetheart?
310
00:42:29,120 --> 00:42:36,240
Lorna loved Walts. Yeah,
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00:42:36,240 --> 00:42:44,000
I heard this before last night when you went
upstairs to take a shower. I fell asleep down
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00:42:44,000 --> 00:42:54,080
here and I had a dream. Even in the dream, I
heard that music. I heard that before I heard
313
00:42:54,080 --> 00:43:07,280
you call it that was Lorna and there were mirrors
and it was that music and that very same music.
314
00:43:07,280 --> 00:43:13,120
Now people don't dream about music. Note for note
I mean I just never heard about that before. Well,
315
00:43:13,120 --> 00:43:16,320
sweetheart, it could be the same thing that
happens to you when you go into a place
316
00:43:16,320 --> 00:43:23,440
and you feel like you've been there
before. No, it's nothing like that.
317
00:43:23,440 --> 00:43:28,720
I saw my father in the dream. [music]
318
00:43:28,720 --> 00:43:39,440
I saw my father and I saw I saw him with
her. I saw the way it was with them both.
319
00:43:41,280 --> 00:43:48,720
Tell me about it, Joe. [music] I can't. I mean,
320
00:43:48,720 --> 00:44:00,640
it just isn't words that fit it.
I know it. [music] I can feel it.
321
00:44:00,640 --> 00:44:05,040
Joel, let's get out of this house. No,
I don't want to leave the house. Look,
322
00:44:05,040 --> 00:44:08,720
Oscar was right. We can do our writing in town.
I don't want to go to town of Reich. We need this
323
00:44:08,720 --> 00:44:15,040
place for research. I mean, my father's paintings
are here. Lorna's old movies, her publicity books,
324
00:44:15,040 --> 00:44:19,600
and he's here. Donna, believe me, I know he's
here. I can feel him. I can feel my father like
325
00:44:19,600 --> 00:44:26,400
I've never felt him before. I can't leave.
Well, you can leave if you want to. I mean,
326
00:44:26,400 --> 00:44:36,720
there's no reason for both of us to stay,
but I can't. No. No. We'll stay together.
327
00:44:36,720 --> 00:44:45,600
Are you hungry? Uh, no I'm not. Okay,
then we'll skip breakfast and we'll
328
00:44:45,600 --> 00:44:53,680
get going cuz we got places to go,
people to meet. Look what I found.
329
00:44:53,680 --> 00:44:58,560
Cella Geffenhart, president of the
Lona Love fan club. Right. I called
330
00:44:58,560 --> 00:45:12,107
her. She'll see us anytime we want. How
about now? Huh? Now. Come on. [music]
331
00:45:12,107 --> 00:45:17,973
[music]
332
00:45:17,973 --> 00:45:23,840
[music]
333
00:45:23,840 --> 00:45:31,360
Dorna gave me this house. Did you know that? Oh,
she was wonderful to people. She just gave this
334
00:45:31,360 --> 00:45:38,720
house to me and didn't even ask for a penny. I
have her pictures still. I loved her. The whole
335
00:45:38,720 --> 00:45:46,000
wide world did, but they didn't know her like
me. I knew how wonderful she really was. I can't
336
00:45:46,000 --> 00:45:52,080
wait to see the movie. Who's going to play Lorna's
part? Do you get your pick? We're just writing the
337
00:45:52,080 --> 00:45:57,200
book, Miss Geffenheart. Other people decide that.
There you are. Well, whatever you want to know,
338
00:45:57,200 --> 00:46:05,920
you just ask me. Cuz me and her were close. Very
close. I was like a little sister to her. That's
339
00:46:05,920 --> 00:46:11,760
what she called me, little sister. Marcella,
in the photograph, there's you and Lorna. Who's
340
00:46:11,760 --> 00:46:19,680
the man in the middle in the black robes? Oh,
that's um that's father eternal fire. He was
341
00:46:19,680 --> 00:46:29,680
a very spiritual man. He he believed in certain
things like people should love one another. And
342
00:46:29,680 --> 00:46:38,320
uh do you think You know what that is? More or
less. The one at love house, Laura's a thing,
343
00:46:38,320 --> 00:46:44,080
has a has a pentagram on it. This one seems to
be a little different. No, it isn't. Marcela,
344
00:46:44,080 --> 00:46:48,000
do you visit Laura Shrine very often? I think
we've heard enough for today, sweetheart. I've
345
00:46:48,000 --> 00:46:53,760
got a few more. Come back and see another time.
Oh, yeah. Please come back. Then we'll go now.
346
00:46:53,760 --> 00:46:58,800
You will come back, won't you? Because uh I'd
like to talk about Lauren. Nobody else seems
347
00:46:58,800 --> 00:47:08,320
to want to anymore. They they forget. And I think
it's awful. Well, I don't forget and I never will.
348
00:47:08,320 --> 00:47:23,600
Goodbye. Goodbye. Thank you. Thank
you. You'll hurry back, won't you?
349
00:47:23,600 --> 00:47:26,731
[music]
350
00:47:26,731 --> 00:47:29,862
[music]
351
00:47:29,862 --> 00:47:33,440
[music]
352
00:47:33,440 --> 00:47:38,320
Okay, sweetheart. You want to tell me why you did
that? Said what? Well, you practically threw me
353
00:47:38,320 --> 00:47:45,760
out of the house. You uh were beginning to lean on
her a bit. You were getting a little heavy. Joel,
354
00:47:45,760 --> 00:47:50,480
she's the woman I saw outside the window the first
day we were at Lorna's house. What woman? What do
355
00:47:50,480 --> 00:47:54,880
you mean? You remember I told you the woman in
the white chiffon scarf? I saw her and then she
356
00:47:54,880 --> 00:47:58,560
ran down the walkway. Look, I'm sure it was her.
Well, even if it was her, what difference does
357
00:47:58,560 --> 00:48:03,200
it make? Will you tell me that? Okay. Why was
she running? What was she doing there? Look,
358
00:48:03,200 --> 00:48:07,840
why are you getting so upset? You saw the ethane
and suddenly something has snapped inside of you.
359
00:48:07,840 --> 00:48:12,320
Snapped. Joel, look, there's things going on
in that house that I don't understand. I think
360
00:48:12,320 --> 00:48:18,560
Marcela Geffinhar can tell me about them. She
doesn't have to tell you anything. And maybe,
361
00:48:18,560 --> 00:48:22,880
just maybe, you don't have a right to ask.
It was Laura's house. The way she loved her,
362
00:48:22,880 --> 00:48:25,520
maybe she has more of a right to be
there than you do. You sound like
363
00:48:25,520 --> 00:48:42,640
you're choosing up sides. And you
sound like you're a jealous woman.
364
00:48:42,640 --> 00:48:45,600
[music]
365
00:48:45,600 --> 00:48:48,560
[music]
366
00:48:48,560 --> 00:48:57,440
What's this one called? My love lies sleeping.
A silent film. The last thing Lona did for
367
00:48:57,440 --> 00:49:05,600
Con and Carol. Oh, last thing Lan ever
did for Con and Carol was to ruin him.
368
00:49:05,600 --> 00:49:11,360
It's really pretty good,
isn't she? She's wonderful.
369
00:49:13,280 --> 00:49:18,000
She had magic. Hey, come on. All you've been doing
370
00:49:18,000 --> 00:49:27,600
all evening is watching her old movies.
You think it's enough? Now watch this.
371
00:49:27,600 --> 00:49:37,280
Go ahead. Just don't take a shower tonight.
372
00:50:14,880 --> 00:50:28,146
Jo,
373
00:50:28,146 --> 00:50:28,160
[music]
[music]
374
00:50:28,160 --> 00:50:32,080
I want to be alone with you, Joe.
375
00:50:33,400 --> 00:50:41,280
[music] Just you. I love you, [music]
376
00:50:41,280 --> 00:50:47,760
Joel. I need you. [music]
377
00:50:47,760 --> 00:50:57,280
Where are we headed? Doesn't matter.
378
00:50:57,280 --> 00:51:17,986
out.
379
00:51:17,986 --> 00:51:18,000
[music]
[music]
380
00:51:18,000 --> 00:51:22,480
Heat.
381
00:51:22,480 --> 00:51:28,800
[music]
382
00:51:28,800 --> 00:51:35,120
[music]
383
00:51:35,120 --> 00:51:51,200
I'm not trying to wonder.
384
00:51:51,200 --> 00:51:53,120
[music]
385
00:51:53,120 --> 00:51:55,040
[music]
386
00:51:55,040 --> 00:52:00,800
Joe, darling, you know we're out of champagne.
387
00:52:00,800 --> 00:52:14,400
[music] Oh, there's Conan Carol's replacement.
I can't say I like him any better. So,
388
00:52:14,400 --> 00:52:21,920
at last I have a chance to meet Queen Lorna's new
consort. So, I'd like you to meet Eric Herman,
389
00:52:21,920 --> 00:52:29,920
a director I want to meet. Oh, you damn.
Well, I may ask. Go away, Eric. Before
390
00:52:29,920 --> 00:52:44,640
I tell everybody what a miserable lover you
really were, the lady said to go away, listen.
391
00:52:48,720 --> 00:53:03,520
Joe, I want to go someplace else.
I want to be alone with you.
392
00:53:03,520 --> 00:53:10,560
We'll be together always. I'll never let you go.
393
00:53:10,560 --> 00:53:26,176
[music]
394
00:53:26,176 --> 00:53:41,792
[music]
395
00:53:41,792 --> 00:53:57,408
[music]
396
00:53:57,408 --> 00:54:13,024
[music]
397
00:54:13,024 --> 00:54:28,640
[music]
398
00:54:28,640 --> 00:54:34,840
Heat.
399
00:54:34,840 --> 00:54:41,040
[music]
400
00:54:41,040 --> 00:54:49,680
Heat. [music]
401
00:54:49,680 --> 00:55:10,480
Heat. Heat.
402
00:55:10,480 --> 00:55:11,040
[music]
403
00:55:11,040 --> 00:55:11,600
[music]
404
00:55:11,600 --> 00:55:28,960
Thank [music] you.
405
00:55:28,960 --> 00:55:33,120
[music]
406
00:55:33,120 --> 00:55:37,280
[music]
407
00:55:37,280 --> 00:55:41,440
[music]
408
00:55:41,440 --> 00:55:45,600
[music]
409
00:55:45,600 --> 00:55:52,880
Hallelujah.
410
00:55:52,880 --> 00:55:57,823
[music]
411
00:55:57,823 --> 00:56:02,766
[music]
412
00:56:02,767 --> 00:56:07,710
[music]
413
00:56:07,710 --> 00:56:13,360
[music]
414
00:56:13,360 --> 00:56:35,586
Oh,
415
00:56:35,586 --> 00:56:35,600
[music]
[music]
416
00:56:35,600 --> 00:56:42,640
hey.
417
00:57:00,800 --> 00:57:02,700
[music]
418
00:57:02,700 --> 00:57:05,550
[music]
419
00:57:05,550 --> 00:57:08,400
[music]
420
00:57:08,400 --> 00:57:12,520
Y'all, [music]
421
00:57:12,520 --> 00:57:16,011
y'all [music]
422
00:57:16,011 --> 00:57:18,160
[music]
423
00:57:18,160 --> 00:57:33,680
Joel. Joel. I saw the woman
again. The woman in white.
424
00:57:33,680 --> 00:57:39,860
[music]
425
00:57:39,860 --> 00:57:46,040
[music]
426
00:57:46,040 --> 00:57:52,220
[music]
427
00:57:52,220 --> 00:57:58,400
[music]
428
00:57:58,400 --> 00:58:03,600
And he [music] shall come flinging
wide the portals of the tomb With
429
00:58:03,600 --> 00:58:09,600
living breath to breathe on the
mirrors like tarnished to fan the
430
00:58:09,600 --> 00:58:19,840
flames called ashes and to our
death give eternal resurrection.
431
00:58:19,840 --> 00:58:25,600
There is nothing left in the world but us.
432
00:58:25,600 --> 00:58:29,920
Nothing but us.
433
00:58:29,920 --> 00:58:38,080
Jill, I couldn't go on if you ever went away.
434
00:58:38,080 --> 00:58:47,200
I'll never leave you. [music]
435
00:58:47,200 --> 00:58:51,680
I swear.
436
00:58:51,680 --> 00:58:56,000
[music]
437
00:58:56,000 --> 00:59:02,309
Come
[music]
438
00:59:02,309 --> 00:59:09,520
[music]
439
00:59:09,520 --> 00:59:17,920
on.
440
00:59:17,920 --> 00:59:21,560
[music]
441
00:59:21,560 --> 00:59:25,200
[music]
442
00:59:25,200 --> 00:59:28,560
Jo.
443
00:59:28,560 --> 00:59:37,280
Jo. Joel. Wake up. Lana. Joel. Lana. Joel. Lana.
444
00:59:37,280 --> 00:59:45,200
Where did you get this key? Where
did you find this key? Joel. Joel.
445
00:59:45,200 --> 00:59:59,280
Come on. Sweet. Come on. Let's get out
of here. Come on, let's get out of here.
446
00:59:59,280 --> 01:00:05,173
[music]
447
01:00:05,173 --> 01:00:16,960
[bell] [music]
448
01:00:16,960 --> 01:00:23,600
Joel,
449
01:00:23,600 --> 01:00:28,640
what's happening? What are you doing?
I'm leaving. I want you to come with
450
01:00:28,640 --> 01:00:34,800
me. What are you talking about? We've
got work to do. Can't leave. Joel,
451
01:00:34,800 --> 01:00:46,720
please talk to me. At least talk to me. About
what, honey? About last night, about this house,
452
01:00:46,720 --> 01:00:52,400
about you and me. Look, we haven't got
time for that. I I've got to see footage
453
01:00:52,400 --> 01:00:58,160
on Lorna. I want to go over the scrapbooks
again. Joel, we've got to stop long enough
454
01:00:58,160 --> 01:01:08,480
to talk about what's happening to us. Nothing is
happening to us. Do you call last night nothing?
455
01:01:08,480 --> 01:01:19,680
Do you call finding you on her bed out
of your mind calling her name? Nothing.
456
01:01:19,680 --> 01:01:23,280
Joe,
457
01:01:23,280 --> 01:01:31,280
something's happening that I don't understand.
Something that you don't understand. She's evil.
458
01:01:31,280 --> 01:01:37,760
Stop it. And this house is rotten with her memory.
Stop it. All you've done since we've been here is
459
01:01:37,760 --> 01:01:41,920
make fun of her, ridicule her. You've done nothing
but dirty her memory from the beginning. You keep
460
01:01:41,920 --> 01:01:47,920
attacking her. You are. You attack her. Joel,
please come with me to town. We can finish the
461
01:01:47,920 --> 01:01:52,480
book there. We can work there. It has to be
written here. Written here where it happened.
462
01:01:52,480 --> 01:01:55,920
But you're not writing it. You haven't put
one word on paper since we've been here.
463
01:01:55,920 --> 01:02:00,000
You've gotten so wrapped up in Lorna's legend
and a whole Hollywood pack of lies about her,
464
01:02:00,000 --> 01:02:06,960
you can't even recognize the truth. Oh, and
you know the truth. In a few days research,
465
01:02:06,960 --> 01:02:12,000
you know the truth about Lorna Love. I don't
think so. Now, let me tell you something. Lorna
466
01:02:12,000 --> 01:02:20,000
was no two-dimensional figure of evil. No, Lilith.
She was she was a very special lady. Now I know
467
01:02:20,000 --> 01:02:26,560
why my father was in love with her. He had the
strength to walk away from her. And maybe that's
468
01:02:26,560 --> 01:02:35,520
the only mistake that he ever made in his life.
Joel, can you hear yourself? Just listen to what
469
01:02:35,520 --> 01:02:44,000
you're saying. I know what I'm saying. Go away
from this house. Donna, you don't belong here.
470
01:02:44,720 --> 01:03:04,800
She doesn't want you here
and I don't want you here.
471
01:03:04,800 --> 01:03:08,320
[music]
472
01:03:08,320 --> 01:03:11,840
[music]
473
01:03:11,840 --> 01:03:19,280
I was just a kid in the agency when Lorna was
alive. Oh, she was something. All right. Everyone
474
01:03:19,280 --> 01:03:30,400
jumped when she walked in. A star. A star. Me? I
never even liked her. I mean, she was a weirdo to
475
01:03:30,400 --> 01:03:39,280
begin with. They talked about orgs and all that
up at our place. I don't know. I was never even
476
01:03:39,280 --> 01:03:47,200
invited. Okay, Oscar, just go on, please. I don't
really know that much. Just what I heard. After
477
01:03:47,200 --> 01:03:53,360
Joel's father left, she and this crazy nut in a
black cape. It's Father Eternal Fire. Yeah. Yeah.
478
01:03:53,360 --> 01:04:00,880
Father, whoever he was, he suggested to Lorna some
kind of uh ceremony to bring Joel Senior back.
479
01:04:00,880 --> 01:04:10,080
She paid him a fortune for it. It involved
fire. Crazy. Well, they tried it and something
480
01:04:10,080 --> 01:04:17,840
went wrong and Lorna got badly burnt and
she never left the house after that. But
481
01:04:17,840 --> 01:04:24,240
Oscar Lorna's body doesn't have any burns on it.
Doesn't have any scars. In this town, you don't
482
01:04:24,240 --> 01:04:29,520
have to look far off for skillful cosmetic
people, plastic surgeons, anything you want.
483
01:04:37,360 --> 01:04:43,600
Oscar,
484
01:04:43,600 --> 01:04:49,920
you know what I am? I'm a three-
room apartment in New York or an
485
01:04:49,920 --> 01:04:57,760
unbalanced budget. I'm just a lady
who wants her husband and her baby.
486
01:04:57,760 --> 01:05:09,440
with all the trips to the laundette and
the mortgages that go with it. Really?
487
01:05:09,440 --> 01:05:13,760
But Laura's eternal.
488
01:05:13,760 --> 01:05:29,920
Lorna is eternal. It's like champagne that
never goes flat or moonlight or a walls.
489
01:05:29,920 --> 01:05:35,520
How do I fight that, Oscar?
490
01:05:35,520 --> 01:05:39,920
Please help me get my husband back.
491
01:05:39,920 --> 01:05:46,000
Okay, if you want him back, go get him. If
492
01:05:46,000 --> 01:06:07,200
you have to pull them out of there
kicking and screaming, go get him.
493
01:06:07,200 --> 01:06:11,280
[music]
494
01:06:11,280 --> 01:06:15,360
[music]
495
01:06:15,360 --> 01:06:19,440
[music]
496
01:06:19,440 --> 01:06:23,520
[music]
497
01:06:23,520 --> 01:06:27,600
[music]
498
01:06:27,600 --> 01:06:34,880
bye-bye.
499
01:06:34,880 --> 01:06:59,912
Heat. Heat. [music]
500
01:06:59,912 --> 01:07:03,025
[music]
501
01:07:03,025 --> 01:07:06,138
[music]
502
01:07:06,138 --> 01:07:09,250
[music]
503
01:07:09,250 --> 01:07:12,363
[music]
504
01:07:12,363 --> 01:07:15,920
[gasps]
505
01:07:15,920 --> 01:07:20,160
Marcela, come on. Come on. Come
on. That would hurt. Marcela,
506
01:07:20,160 --> 01:07:25,040
why are you doing any harm? Are you doing
this wrong? Why are you afraid of this?
507
01:07:25,040 --> 01:07:34,720
Why are you afraid of the Lord and eternal fires?
Why did you run from me? They want to be something
508
01:07:34,720 --> 01:07:52,080
[screaming] ever.
509
01:07:52,080 --> 01:07:59,440
[music]
510
01:07:59,440 --> 01:08:06,800
[music]
511
01:08:06,800 --> 01:08:14,160
[music]
512
01:08:14,160 --> 01:08:14,640
Go
513
01:08:14,640 --> 01:08:27,080
[music]
514
01:08:27,080 --> 01:08:39,520
[music]
515
01:08:39,520 --> 01:08:42,400
Is this Joseph's?
516
01:08:45,240 --> 01:08:49,880
[music] Is this still
517
01:08:49,880 --> 01:08:58,160
[music] my god?
518
01:08:58,160 --> 01:09:03,680
This is Joseph. This is Lorna.
519
01:09:03,680 --> 01:09:08,800
She's not [screaming] dead.
520
01:09:12,840 --> 01:09:13,840
[music]
521
01:09:13,840 --> 01:09:30,360
Lord is not dead. She's not dead. [music]
522
01:09:30,360 --> 01:09:36,960
[music]
523
01:09:36,960 --> 01:09:50,880
Joel, Joel, Joel, Joel, Joel, stop. It's
me. Stop. Who are you? What do you want?
524
01:09:50,880 --> 01:09:57,065
[music]
525
01:09:57,065 --> 01:10:03,250
[music]
526
01:10:03,251 --> 01:10:10,320
[music]
527
01:10:10,320 --> 01:10:18,400
Job
528
01:10:18,400 --> 01:10:20,240
loyal honor.
529
01:10:31,320 --> 01:10:32,320
[music]
530
01:10:32,320 --> 01:10:43,600
Joel, we'll be together forever now. Wait.
531
01:10:43,600 --> 01:10:49,520
[music]
532
01:10:49,520 --> 01:11:15,280
Even [music] now forever
533
01:11:15,280 --> 01:11:15,440
[music]
[music]
534
01:11:15,440 --> 01:11:28,946
No,
535
01:11:28,946 --> 01:11:28,960
[music]
[music]
536
01:11:28,960 --> 01:11:39,280
John. Come on. Don't worry.
[music] Come on. Get out.
537
01:11:39,280 --> 01:11:44,240
[music]
538
01:11:44,240 --> 01:11:49,200
[music]
539
01:11:49,200 --> 01:12:12,040
Heat. Heat. [music]
540
01:12:12,040 --> 01:12:23,520
[music]
541
01:12:23,520 --> 01:12:27,360
She was beautiful.
542
01:12:27,360 --> 01:12:33,360
I can understand some of it. after the
fire and what happened to her face. Well,
543
01:12:33,360 --> 01:12:38,800
you said it, Oscar. She didn't want the world
to know. She didn't want to be remembered as
544
01:12:38,800 --> 01:12:49,920
anything but beautiful. I guess it's
a happy ending for Lorna after all.
545
01:12:54,040 --> 01:12:55,040
[music]
546
01:12:55,040 --> 01:13:00,800
All she wanted was to be adored,
to be worshiped forever. Oh,
547
01:13:00,800 --> 01:13:17,973
she'll have that now for sure. [music]
548
01:13:17,973 --> 01:13:21,306
[music]
549
01:13:21,307 --> 01:13:24,640
[music]
550
01:13:24,640 --> 01:13:29,320
Yeah.
551
01:13:29,320 --> 01:13:34,000
[music]
552
01:13:34,000 --> 01:13:39,904
Heat. [music]
49951
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