All language subtitles for Poison Ivy II (1996) - english

(wondrous music)

(mysterious music)

(mysterious music)

(pleasurable moaning)

- Don.

- Catherine.

This just isn't working out, all right?

(WeiSlhty music)

J' Never been a day when
I doubt for a moment J"

J' Maybe once or twice ain't so bad J'

J' Maybe once or twice ain't so bad J'

J' But deep inside always knew J'

J' My time would come my way sure J'

J' Now it's on me to make it last J'

J' Now it's on me to make it last J'

J' There's nothing I won't do J'

J' Nothing I won't try J'

J' Nothing I won't try J'

J' For a to change something new J'

J' Ain't no excuse J'

J' There's nothing J'

J' There's nothing J'

J' I won't do J'

J' Nothing I won't do J'

J' For a change to something new J'

J' What's there to lose J'

J' There's nothing J'

J' There's nothing J'

J' I won't do J'

- Whether it's painting or sculpture

or computer-generated graphics,

it doesn't matter what
style you chose to work in.

it doesn't matter what
style you chose to work in.

Whether it's primitivism
or romantic realism

or postmodern deconstructivism,

the same rules apply.

Everything is governed
by the laws of nature.

Everything is governed
by the laws of nature.

Nowhere are the principles and laws

more perfectly manifested
than in the human form.

- Excuse me.

Um, is this the, uh--

- Life study.

Wait a minute, don't
tell me, let me guess.

Lily Leonetti?

You're two weeks and 30 minutes late.

- Sorry.

Family emergency.

- That's all right, come on in.

Want to get set up over here?

Want to get set up over here?

I don't think Catherine's coming back.

All right, let's try
to stay focused, folks.

I'm talking about learning the
rules before you break them,

I'm talking about learning the
rules before you break them,

specifically perspective and proportion

as it relates to the human body,

which brings us back to Isabel.

which brings us back to Isabel.

So, see if you can
discover the hidden truths,

the shadows in the light.

Translate what you see through
your arms and fingertips

Translate what you see through
your arms and fingertips

onto the page.

- Hi.

- Hi.

("Diamond" by Billy White Trio)

("Diamond" by Billy White Trio)

Is this 508 Alta?

- YGP-

J' She could tell by the way
the light hits your face J'

J' She could tell by the way
the light hits your face J'

- [Gredin] I'm Gredin.

_ l,ilY-

- I know.

- Thank you.

J' It breaks J'

J' Give me a try J'

- Follow me.

- Follow me.

J' For love J'

J' You're on a wrong train J'

- The entrance is in the back.

J' If you're looking for truth J'

_ Bye, Lily.

("God" by Haze)

' Yes?

- I'm Lily, the new roommate.

- Oh, you're here.

- Oh, you're here.

- Yeah.

- I'm Tanya, by the WaY-

- Hi.

Um, anything in this cupboard is mine.

Um, anything in this cupboard is mine.

And the living room is off limits

because that's where I practice, right?

- Bridgette, Lily.

- Bridgette, Lily.

- English major, right?

- No.

Art.

Painting.

- That's funny, I never would've guessed.

- Well, I can see we're
off to a good start.

- Well, I can see we're
off to a good start.

J' I wish you were here J'

J' I wish you were here J'

IGodJ'

IGodJ'

J' God I wish you were here J'

J' I wish you were here J'

J' I wish you were here J'

- [Lily] She always like that?

- [Tanya] Unfortunately, yes.

- [Lily] What about that guy Gredin?

- Oh, Gredin's really cool

- Oh, Gredin's really cool

and an amazing sculptor.

And that's Robert.

Major talent.

(pretty cello music)

(pretty cello music)

Well, here we are.

It's not exactly the Bel Air.

It's not exactly the Bel Air.

In fact, it's not even the Ramada.

- It's nice.

- Where did you say you were from again?

- Michigan.

' [Tanya] Hm.

First time to L.A?

- First time anywhere really.

- Well, the world of bikes is calling.

- Well, the world of bikes is calling.

Gotta run.

(lovely cello music)

(pleasurable moaning)

(suspenseful music)

(suspenseful music)

(phone rings)

- Hello?

- [Lily's Dad] How's L.A, kiddo?

- Hi, dad.

It's good.

It's nice.

- [Lily's Dad] Well this
place feels pretty empty

without you.

without you.

Hold on, your mom wants to talk to you.

_ Qkay.

- [Lily's Mom] Lily.

- Hi, mom.

- [Lily's Mom] Did you find your surprise?

- Hold on a sec.

What is it?

- [Lily's Mom] It's
just a little something

to remind you of us.

You know, I don't know why

You know, I don't know why

you have to go all the way to L.A.

to be an artist.

We could've bought you a
car if you went to State.

Mary Jane, you know Catherine's daughter,

she went to State,

she went to State,

and she's very happy making
all sorts of arts and crafts.

- Mom, do we have to have
this conversation again?

Where's daddy?

Where's daddy?

' [Lily's Mom] Bob?

Oh, he's gone off somewhere.

- Okay, well, um, I gotta go.

" [Lily's Mom] Go?

We just got on.

- Mom, I'm gonna be late for class.

- [Lily's Mom] Okay.

Well will we see you at Thanksgiving?

- I don't know yet, mom.

I haven't looked at my schedule.

I haven't looked at my schedule.

- [Lily's Mom] Lily.

- I'll try, okav-

- [Lily's Mom] Bye,
don't forget to call me.

- Bye.

(perplexed music)

(Lily gasps)
(thudding)

(metallic hammering)

(torch hissing)

(whimsical music)

(whimsical music)

- That's, uh, Peter
the performance artist,

or as he likes to refer
to it, "self as show."

or as he likes to refer
to it, "self as show."

Someday, with any luck,

somebody will put him out of his misery.

(upbeat music)

Look at her, Lily.

What do you see?

- IS€€

a face

and a body.

- What else?

- I see a naked woman.

- Right, a whole naked
woman, not just parts.

- Right, a whole naked
woman, not just parts.

Not just the head.

Clothed breast

and the waist,

the leg and the whole thing,

get it all on the page.

get it all on the page.

That's it, you just keep
going over and over again

and eventually--

- Technique will give way to expression.

- Thank you.

- Thank you.

- Or

expression will give way to expression.

- You have some thoughts
you'd like to share with us?

- You have some thoughts
you'd like to share with us?

' Me?

Thoughts?

Share?

Nah, I couldn't possibly.

I'm here to listen and learn.

I'm here to listen and learn.

Copy and conform.

- I mean, from this masterpiece
you've just created,

it's obvious that you've
transcended all need

for traditional forms.

- No.

This, my fellow students, was created

out of no other tradition

but that of boredom.

but that of boredom.

(students laughing)

This,

this is an A plus.

this is an A plus.

This is a perfect
example of 100% surrender

to the process of tradition.

It's so lifelike

that you can almost fuck it.

(students laughing)

- You through?

Want to get back to work?

(concerned music)

(concerned music)

Jackass.

(afflicted music)

(afflicted music)

' Lily?

You Okay?

- Yeah.

(veiled music)

(knocking on the door)

- [Gredin] Lily?

- Yeah?

- [Gredin] Can I come in?

- No.

I'm not dressed.

- [Gredin] I'm sorry about earlier.

It had nothing to do with you.

(footsteps thudding)

(footsteps thudding)

(questioning music)

- [Ivy Voiceover] January 28th, it's late.

- [Ivy Voiceover] January 28th, it's late.

I'm wide awake.

Burning up, bored.

Feel like dancing.

Having some fun.

Like turning someone on.

Like turning someone on.

Tease,

taunt,

twist him around my little finger.

Take him to places he
never knew he wanted to go.

Take him to places he
never knew he wanted to go.

Bad places.

Dark places.

Great places.

(mystical music)

(mystical music)

February 1st, self-portraits.

To expose it all,

to see myself the way a lover would.

No shame, no fear.

Not a fear in the world.

Nothing hidden.

NO SECFEtS.

(pleasurable music)

- Nothing hidden.

NO SECFEtS.

(footsteps thudding)

(suspenseful music)

"With you I'm so foolish it hurts.

"With you I'm so foolish it hurts.

"My mouth wants to speak,

"but only knows the wrong thing to say.

"Without you there is no flower

"and nothing good grows in
the garden of my heart."

"and nothing good grows in
the garden of my heart."

(phone rings)

Hello?

- [Woman On Phone] Hello.

Uh, Lily Leonetti?

Uh, Lily Leonetti?

- Yeah.

- [Woman On Phone] I
understand you're looking

for a babysitting job.

- Bridgette, shut that shit off!

Bridgette!
(banging)

I'm gonna kill her.

You want to help?

Good.

I was thinking fat pills.

I was thinking fat pills.

She's always saying how if
she gains one more pound,

she's gonna kill herself.

- Suicide, very good.

- Thank you, thank you very much.

- You know what?

- You know what?

- What?

- I got a job.

- Doing what?

- Babysitting.

- Well, how totally sweet. (laughs)

- It is.
- It is!

- It is.
- It is!

- She hates me.

I'm an insensitive male.

- You two know each other?

- We do, but she might
not want to know me now.

Tell her I'm not half bad, Tanya.

- I wish I were half
as good as you, Gredin.

- I wish I were half
as good as you, Gredin.

- Come on, I'll make it up to you.

- Nothing ventured, nothing gained, right?

- Nothing ventured, nothing gained, right?

(relaxed music)

(relaxed music)

- I got carried away with Donald.

I shouldn't have put
you in the middle of it.

- No, uh, I probably overreacted.

I can sometimes be hypersensitive.

- You shouldn't be.

You got it.

- Yeah.

The only person in class whose
hand the teacher has to hold.

The only person in class whose
hand the teacher has to hold.

Literally.

- [Gredin] Well Falk has a weakness

for his female undergrads,

especially when they look like you.

- What is this?

- [Gredin] This is my magical craft.

I'm sorta hoping it'll
win me a Guggenheim.

- You'll get it.

- You psychic?

- No.

You deserve it.

- So where were you the first two weeks?

- Well,

when I applied I never
thought I'd get accepted,

when I applied I never
thought I'd get accepted,

and I was,

and I just freaked.

No big family emergency.

Just my own little private one.

That's all.

- That's enough.

You, uh, see that hill over there?

You, uh, see that hill over there?

- Mm-hm.

- That's Beverly Hills, that's my home.

Might as well be Timbuktu.

My father and I, we don't talk anymore.

(woman giggling)

What are you thinking?

- I'm making a wish.

- I'm making a wish.

- What are you wishing?

- That I could just

open my eyes and be different.

Silly me.

- I'm listening.

(sentimental music)

(sentimental music)

And I like doing that.

You're beautiful.

- No, I'm not.

- Yes, you are.

You're sweet.

You're sweet.

You're beautiful.

And different.

(awestruck music)

- Um...

_ l,ilY-

_ l,ilY-

(doubtful music)

- [Ivy Voiceover] March 1st.

How do you know what you
can do until you do it?

How do you know what you
can do until you do it?

How do you know who you can
have until you have them?

I didn't know him from Adam,

but I knew exactly what he needed.

What he needed was me.

A dark club, loud music,

A dark club, loud music,

a corner to ourselves.

Anonymous.

Shameless.

No past.

No future.

No future.

(strange music)

(pleasurable moaning)

(moves into perplexing music)

(moves into perplexing music)

J' Never seen myself this way before J'

J' What's come over me J'

J' All I know is that I need to explore J'

J' All I know is that I need to explore J'

J' This feeling that's come over me J'

J' I can't control J'

J' I can't control J'

J' This new beginning J'

J' Am I coming up or going into a trance J'

J' Deep inside J'

J' Deep inside J'

J' I feel the heartbeat J'

J' Of the part of me that's
come to life at last J'

J' Never seen myself this way before J'

J' What's come over me J'

J' What's come over me J'

J' All I know is that I must explore J'

J' This feeling that's come J'

J' This feeling that's come J'

J' Over me J'

J' What's come over me J'

- T6858.

- T6858.

Taunt.

Twist him around my little finger.

- [Ivy Voiceover] No shame.

- [Ivy Voiceover] No shame.

No fear.

Not a fear in the world.

(puzzled music)

(Lily laughs)

- Yeah, looking good!

- That guy's a loser.

Besides, I have a lot more to offer

than just my fine young body.

than just my fine young body.

I have it up here.

- That's, uh, too bad,

because all I was really
interested in was your body.

- [Gredin] Same time, same place?

- [Lily] Maybe.

(bright music)

- Hey there.

- Hi.

- Well, what do you think?

- Well, what do you think?

- It's] uh,

intense.

- Either something very
tragic or terribly exciting

is happening in your life.

See, women only change their
hair when it's one of the two.

- Oh. (laughs)

I don't know, I,

I think I was just bored.

- Oh come on, I bet it
was something exciting.

- Oh come on, I bet it
was something exciting.

' [Lily] Like what?

- I confess, I'm not
really a fortune teller.

You have a such a pretty face.

You shouldn't hide it
behind that new hairstyle.

You shouldn't hide it
behind that new hairstyle.

- Donald?

- HEY-

- HEY-

Thought I'd find you here.

- Lily, meet Angela, my wife.

Angela, this is Lily.

- Hi.
- Our new babysitter.

- Hi.
- Our new babysitter.

- Hi, nice to meet you, Lily.

(Daphne giggles)

- 12 Mississippi.

13 Mississippi.

14 Mississippi.

15 Mississippi.

- [Daphne] I'm ready!

- 16 Mississippi.

- [Daphne] Lily, hurry up!

- [Daphne] Lily, hurry up!

- 17,

18,

19,

20!

Daphne?

Daphne?

(mysterious music)

(Daphne giggles)

Boo!
(Daphne screams)

Boo!
(Daphne screams)

Gotcha!

Oh, I must say, Daphne,
you are a great hider.

- [Daphne] Thank you.

- Oh you're welcome.

(serious music)

(serious music)

- Those are pictures of
daddy's old paintings.

He doesn't like to paint anymore.

- Why?

- Mama says it's because
painting makes him crazy.

(Lily laughs)

(Lily laughs)

' [Donald] Daphne?

- I'm gonna hide again.
- Where are you?

- Wait, Daphne.

Hi.

- Hi.

- Hello?

Hello?

Hi.

- Hi, sweetie.

- Hi.

Hi, Lily.
- Hi.

(kissing)

(kissing)

- [Donald] What you been up to?

- [Angela] Uh, I did a portrait.

- Great.

Angela's getting back
into her photography.

She always said she'd
give Daphne four years,

She always said she'd
give Daphne four years,

but lucky Daphne got a full seven.

- Right.

Um, why don't you take Lily home?

Should be getting back.

- [Daphne] Mom, I'm hiding
and no one's come to find me!

- [Daphne] Mom, I'm hiding
and no one's come to find me!

(Lily laughs)

- Bye, Lily.
- Bye.

- [Donald] Come on, I'll give you a lift.

- [Radio DJ] And now
from L.A's best station

for the sound of jazz,

another 30 minutes of uninterrupted...

another 30 minutes of uninterrupted...

- So. (laughs)

- So, why don't you tell me

a little bit about yourself, Lily?

Where was it you said you were from?

Where was it you said you were from?

- (laughs) You'll laugh.

Kalamazoo, Michigan.

(Donald and Lily laughing)

Born and bred.

Born and bred.

And stifled.

- Wow, that's a big move, huh?

All the way out to California by yourself?

- I was really scared at first, you know,

- I was really scared at first, you know,

but I think I made the right decision.

- Definitely.

Can't afford to be afraid
at your stage of the game.

Right up here?

- Yeah, that's it.

- Well, I guess I better let you out.

- Well, I guess I better let you out.

- Thanks a lot.

- [Donald] Your bag.

- Thanks.

- Listen, if you want to, uh,

show me some of your other work sometime,

show me some of your other work sometime,

I'd love to see it.

- Like when, like after class?

- Yeah.

I'm in the studio every afternoon

by the faculty building.

- Okay, yeah.

- Okay, yeah.

Maybe I'll do that.

- All right.

(engine cranks)

(expressive cello music)

- [Ivy Voiceover] June 1st.

Ivy's philosophy, number 21.

Never fall in love.

Never fall in love.

As long as I can break somebody's heart,

that's love enough for me.

(lovely cello music)

(lovely cello music)

How do you know what you
can do until you do it?

(sparks buzzing)

(sparks buzzing)

- Hi.

- Hi.

- Hi.

(hushed cello music)

- How are you?

- Good, and you?

- I'm good.

- Thirsty?

- Sure.

(Lily coughs)

You don't like it?

- No.

No, I think you look incredibly sexy.

- I'm glad you like it.

- Did Donald like it?

I saw him drop you off.

I saw him drop you off.

Seems like you're becoming
a regular teacher's pet.

- No.

Just his babysitter.

Do you still think that I'm different?

Beautiful?

- Yeah.

May I?

- Mm...

Okay.

(kissing)

May I?

(Lily laughs)

IHeyJ'

IHeyJ'

J' Don't go too slow J'

J' Don't go too fast J'

J' Don't go too fast J'

J' Baby J'

J' I've waited so long J'

J' I want it to last J'

J' I want it to last J'

J' Baby J'

J' Trembling inside J'

J' With burning desire J'

J' With burning desire J'

J' About to lose my mind J'

J' If you're so right J'

J' To feed this fire J'

J' To feed this fire J'

J' All through the night J'

J' I can't deny J'

J' Don't want to hide J'

J' Don't want to hide J'

J' Just aching for you J'

J' Deep in my soul J'

J' I need your control J'

J' I need your control J'

J' Aching for you J'

J' Here in your arms J'

J' Here in your arms J'

J' I feel so warm J'

J' Aching for you J'

J' I love your touch J'

J' I love your touch J'

J' It's never too much J'

J' Just aching for you J'

J' Just aching for you J'

(pleasurable moaning)

- [Ivy Voiceover] There I was again,

going out into the unknown,

just because.

just because.

(haunting music)

- Do you remember me?

(mystified music)

(mystified music)

Take me with you.

- I can't.

- You didn't think I'd come, did you?

- I wasn't sure.

Bring it here.

The Great Midwest.

Mm, looks nice.

Mm, looks nice.

- Thanks.

- [Donald] Good student.

- Student?

- Student?

- Well, you're still very cautious.

And careful.

- You know, it's,

it's sort of funny to me the way you can

teach and judge and yet you
yourself no longer paint.

teach and judge and yet you
yourself no longer paint.

- You think that's funny?

- (laughs) No, actually
I think it's bullshit.

- (laughs) No, actually
I think it's bullshit.

- Mm.

What do you propose to do about it?

- I don't know.

_ S83!

to be an artist,

you know, to be a serious artist,

you have to be willing
to sacrifice everything.

You have to confront your demons

You have to confront your demons

and go into battle with them.

- That's what I want.

I'm ready for that.

- Really?

I lost a few battles along the way myself.

That's why I stopped painting.

- Well then,

- Well then,

maybe I can help you face your fears

and you could help me face mine.

- You sure?

Sit down.

Do it.

Do it.

Take off your clothes.

Take off your clothes.

(Lily laughs)

Does that prospect frighten you?

- Yeah, a little.

- Then all the more
reason to do it, right?

_ Qkay.

("Deeper" by Simone Shook)

("Deeper" by Simone Shook)

(expressive cello music)

J' Seeking for pleasure J'

J' In all the wrong places J'

J' In all the wrong places J'

J' Can't take the pressure J'

J' Keep getting wasted J'

J' Keep getting wasted J'

J' Deeper and deeper J'

J' Going down J'

J' Deeper and deeper without a sound J'

J' Deeper and deeper without a sound J'

J' Deeper and deeper J'

J' Going down J'

J' Deeper and deeper J'

J'OhJ'

J'OhJ'

J' Mind gets so tired J'

J' Mind gets so tired J'

J' From too much thinking J'

J' Try to get higher J'

J' Try to get higher J'

J' But you're always sinking J'

J' Deeper and deeper J'

J' Going down J'

J' Deeper and deeper without a sound J'

J' Deeper and deeper without a sound J'

J' Deeper and deeper J'

J' Going down J'

J' Deeper and deeper J'

J' Deeper and deeper J'

J'OhJ'

- See ya.

J'OhJ'

J'OhJ'

- [Donald] Tomorrow?

J'OhJ'

J'OhJ'

J'OhJ'

J'OhJ'

- Hi.

- Hi.

Um, I'm really late for work.

- You know, you're starting
to make me feel like

one of those seduced and abandoned cases.

one of those seduced and abandoned cases.

- This isn't a boy-girl thing, Gredin.

This is a work thing.

- Are you sure?

- Are you sure?

- Don't be so insecure.

J' Deeper J'

J' Deeper J'

J' Deeper J'

J' Deeper J'

J' Deeper J'

J' Deeper J'

J' Deeper J'

J' Deeper J'

J' Deeper J'

J'OhJ'

J' Deeper and deeper J'

J' Going down J'

J' Deeper and deeper without a sound J'

J' Deeper and deeper without a sound J'

J' Deeper and deeper J'

J' Going down J'

J' Deeper and deeper J'

J'OhJ'

J'OhJ'

(phone rings)

(phone rings)

- [Lily On Recording] Hi, this is Lily,

I can't get to the phone,

so leave your message after the beep.

Thanks.

(beeping)

("Deeper" by Simone Shook)

("Deeper" by Simone Shook)

- B00!

Uaughs) Gotcha!

Um, we're having a party tonight.

It's gonna be pretty loud,

so I just thought I'd let you know.

so I just thought I'd let you know.

Bye.

- Fuck her.

- Gredin!

Gredin!

Gredin!

Yo, over here!

Hey, you beautiful man, come on!

Gredin!

Stop what you're doing!

Oh god, I'm so tired.

Oh god, I'm so tired.

Why do you have to have this
sculpture all the way up here?

Here's beer!

Is that lipstick on your face?

You better not be kissing
anybody but me tonight, okay?

You sexy man.

I'm having a party.

I'm having a party.

- Fuck him.

- [Bridgette] (laughs) Oh
it's gonna be so much fun.

- Fuck them all.

J' Maybe I'll never be J'

J' What you want me to be J'

J' What you want me to be J'

J' Maybe I'll fall apart J'

J' There's no space in your heart J'

J' Let's pretend I'm a god J'

J' Let's pretend I'm a god J'

J' What are you waiting on J'

J' Love's the perfect disguise J'

J' I can't be found there J'

J' I can't be found there J'

- Are you out of your mind?

Why would you want to
do something like that?

- Self-expression.

- Self-expression.

- Wait a minute.

First you cut off all your hair,

then you pierce your bellybutton,

now you're smoking?

What the hell is going on with you?

- Tanya, don't you have
some sort of superhighway

that you need to get on?

Why don't you go have some fun?

Why don't you go have some fun?

- I was just leaving.

Guess I won't introduce you to Roxanne.

("Everybody Swing Now" by Up To Par)

- Hi.
- Hi.

- Hm, what should I have?

- How about an icebreaker?

- What exactly is an icebreaker?

- What exactly is an icebreaker?

- Turn around and I'll show you.

Don't move.

("Everybody Swing Now" by Up To Par)

("Everybody Swing Now" by Up To Par)

- Hey, to icebreakers! (laughs)

Thanks.

("Bourbon Street" by Up To Par)

(people cheering)

("Devotional Trip" by Randall Crissman)

("Devotional Trip" by Randall Crissman)

Dance with me!

(dark techno music)

Oh my god.

(strange electronic music)

- No one's safe with you around.

- You got a problem with that?

- You got a problem with that?

("Devotional Trip" by Randall Crissman)

(Bridgette laughs)

("Sacred Song" by Randall Crissman)

("Sacred Song" by Randall Crissman)

(phone rings)

(phone rings)

- [Lily On Recording] Hi, this is Lily,

and I can't get to the phone,

so leave me a message after the beep.

Thanks.

(beeping)

- [Lily's Mom] Lily, it's your mom.

- [Lily's Mom] Lily, it's your mom.

Lily, we're worried about you.

Your dad wants to talk to you.

- [Bob] Hey, kiddo.

How you doing?

Please call home, darling.

Your mom is driving me crazy.

Your mom is driving me crazy.

We'll see you at Thanksgiving, right?

- God.

(beeping)

Is that the time?

I'm late for Donald's class.

I'm late for Donald's class.

- [Gredin] So we're late
for Professor Fuck's class?

What's the big deal?

- I want to go, that's
what the big deal is.

- So go.

- So go.

- What do you think I'm trying to do?

- [Gredin] So what are you
doing for Thanksgiving?

- [Lily] I don't know yet.

- Uh, Bridgette, Tanya, and,
uh, Robert are gonna go home.

It's gonna get rather lonely around here.

It's gonna get rather lonely around here.

' [Lily] What about you?

What are you gonna do?

Gredin?

(WeiSlhty music)

(WeiSlhty music)

(phone rings)

- Hello?

Hello?

(dial tone drones)

(dial tone drones)

- Who was that on the phone?

Gredin?

Who was that on the phone?

- I don't know.

Someone who obviously
didn't want to talk to me.

You know, there seems to be

a whole hell of a lot I don't know.

a whole hell of a lot I don't know.

Don't.

- What's the matter?

What did I d0?

- You tell me.

What are you doing?

I want to know, Lily.

- [Lily] Um, I really can't
have this conversation right now

- [Lily] Um, I really can't
have this conversation right now

because I'm late for class.

- I don't know who you are anymore.

I don't know who I'm
making love to anymore.

If this is some kind of contest, Lily,

If this is some kind of contest, Lily,

I don't want to compete.

(expressive cello music)

(expressive cello music)

- He thought you wrote these.

(door buzzing)

- Hi.

- Oh, what a nice surprise.

- Thought you might be hungry.

- Matter of fact, I am, thanks.

- Matter of fact, I am, thanks.

- [Angela] Since when
do you lock the door?

- Since the last campus shooting.

- Painting again?

- Mm, it's delicious, honey, thanks.

- Mm, it's delicious, honey, thanks.

- Can I have a look?

- No.

You know not to ask.

When I have something to show you,

I'll show it to you.

- [Angela] Donald?

- Yeah?

- You okay?

- You okay?

- Yeah.

I'm fine.

Why?

- So who are you painting?

- No one in particular.

- Okay, fine.

- What do you want me to do,

stand in front of the class
for the rest of my life

and yak about something

that I don't have the guts to do anymore,

like a fucking hypocrite?
- Donald, that's not

like a fucking hypocrite?
- Donald, that's not

what we're talking about here.

- Well what are we talking about?

- I don't want to lose you again,

and especially not to some
20-year-old undergraduate

who looks at you like you're God and,

and poses between fucks.

and poses between fucks.

- You and Daphne are my life,

and I love you very much.

- We've both been fooled
by that before, haven't we?

- We've both been fooled
by that before, haven't we?

Last time nearly killed us, Donald.

- Whatever.

(troubled music)

Well, where were you today?

- What do you mean?

- You weren't in class.

- You weren't in class.

Neither was Gredin.

Any connection between the two?

- You know, I'm gonna
go, because this is--

- Wait wait, just tell me.

- Wait wait, just tell me.

Were you with him?

- YES.

- Wait.

Don't go.

I don't want you to go.

I can't let you go.

I can't stop thinking about you.

I'm painting again for
the first time in years

and it's because of you.

I've never felt this
way before in my life.

I've never felt this
way before in my life.

Help me overcome my fear.

- Big scaredy cat.

- Not anymore.

_ Dgrft.

What are you doing?

- [Donald] Kissing you.

Falling in love with you.

_ Dgrft.

- Why?

- Why?

- Just don't.

(fretful music)

- Come here.

(apprehensive music)

(apprehensive music)

- What?

- Your beauty scares me.

It terrifies me.

It terrifies me.

(sensuous music)

(door buzzes)

(door buzzes)

Wait, wait.

(door buzzes)

Who is it?

Who is it?

- [Diana] It's Diana.

- [Donald] Not right now, okay?

- Oh all right.
- Thanks.

- [Diana] I'll come back.

- Sorry.

Stay.

- I'm really sorry about the
way I've been acting lately.

- I'm really sorry about the
way I've been acting lately.

It's just this is a really
hard transition for me

I] uh!

(serious music)

(serious music)

I've been confused.

But I'm not confused anymore.

(hopeful music)

(hopeful music)

(Lily laughs)

(Lily laughs)

Please don't give up on me.

(gleaming music)

(gleaming music)

(doorbell rings)

- Well don't just stand there, Donald.

Invite them in.

- Angela, hi.
- Hi.

- This is Gredin.

He was kind of homeless, so I invited him.

He was kind of homeless, so I invited him.

I hope you don't mind.

- No, no, not at all.

Hi, Gredin.

- Pleasure.

- Um, do you two know each other?

- Yeah.

He's in my class.

- Oh, well, we've got the posse.

- Oh, well, we've got the posse.

- Wow, it smells great in here.

Can I do anything?

- You can set a place for Gredin.

- You can set a place for Gredin.

_ Qkay.
_ l-li, Lily.

- Hey, little one!

- [Daphne] Can I ask you something?

- [Lily] What?

- [Daphne] Is Gredin your boyfriend?

- [Lily] Gredin's my boyfriend.

- [Gredin] Is that you?

- Yeah.

Yes, it is.

Um, Donald painted that
a long time ago now,

but that's me.

Come in.

Come on.

I'll show you around.

(smooth jazz music)

- Very good.

- Very good.

- Very nice.

- Why didn't you tell me
you were inviting Lily?

- I thought I did.

- [Donald] You didn't.

- All set.

- [Gredin] Need some help?

- Yeah.

Thanks.

Wow.

Did good with this one, Lily.

- [Lily] (laughs) Thanks.

- You bring the cranberries for me?

- Mm-hm.

- [Angela] Lily, grab the
mineral water, would you?

It's in the fridge.

' [Lily] Sure.

- I'm glad you here.

I wanted you here.

Where are you going?

Where are you going?

- Into the other room.

Where do you think I'm going?

- Wait just a second.

_ Dgrft.

- Just let me look at you.

Why did you bring him?

- Because he's my boyfriend.

- So, Gredin, why don't you sit over here,

Lily next to Gredin.

Lily next to Gredin.

Daphne, you're here beside Lily.

Donald, you're over here next to me.

- Do you have a cake for Johnny?

- Of course.

(bells gonging)

- I'm finished, mom.

I'm gonna hide.

- Fine, honey, you go ahead.

- So Lily tells me you're a photographer.

- So Lily tells me you're a photographer.

- Mm, I used to be.

Making a comeback.

And you're a painter?

- I'm a sculptor mostly.

- I'm a sculptor mostly.

- An amazing sculptor.

- With an aversion to life study.

- [Gredin] That's not entirely true.

- Really?

News to me.

- Me and Donald agree on a couple things.

Like your beauty for example.

I've never seen your work before.

I've never seen your work before.

It's good.

- It's amazing what you can
do with the right subject.

- Donald's painting again.

- Donald's painting again.

For the first time in a long while.

He's quite--

- Let me get some more wine.

- Serious about it.

It's a secret.

- So, um, how did you and Donald meet?

- Wow. (laughs)

Uh, I, I wanted to do a life study class.

I, um, heard about this single, brilliant,

good-looking professor,

good-looking professor,

and, um, weaseled my way into his class.

The rest is history.

Bit of a cliche I know, but...

- Some more?

- Yeah, thanks.

- Angela was just telling
us how the two of you met.

- For god's sakes, hon, let's
not bore them with our trivia.

- For god's sakes, hon, let's
not bore them with our trivia.

- I never actually thought
of it as trivia, Donald.

- Where's Daphne?

- Sound asleep.

- [Donald] She should be
in bed, shouldn't she?

- [Angela] Yeah.

- Come on, sweetie.

Let's go.

- Here, I'll take her.

- No, I want daddy and Lily to take me.

- No, I want daddy and Lily to take me.

- Mm, well.

Good night.

(bells ringing)

- Let me give you a hand.

- Let me give you a hand.

- Yeah, thank you.

(Donald grunts)

- There you go.

Sleep tight now, beautiful.

_ Qkay.

_ Qkay.

- [Lily] Good night, little girl.

- Good night, big girl.

- What are you doing?

- What does it feel like I'm doing?

- Are you fucking crazy?

- Are you fucking crazy?

- I'm fucking crazy about you.

(troubled music)

(thudding)

(glass breaking)

- What was that?
- Ah.

- What was that?
- Ah.

_ ow!

I cut myself.

- Here.

- What are you gonna do, huh?

- What are you gonna do, huh?

You're gonna fuck me right here?

- I love you.

- You don't love me, no, no.

- You don't love me, no, no.

- I do.
(Lily sobs)

- No!
- Love me.

- No!
- Love me.

' No!

(tense music)

No!

No!

(Lily grunts)

No!

(Lily sobs)
(dramatic music)

(knocking)

(Lily cries out)

(Lily sobs)

Get off me!

(Crazy music)

- Daphne!

(Lily sobs)
(shocked music)

(dreadful music)

Daphne!

(ominous music)

(ominous music)

(tires squealing)
(driver screams)

(Daphne screams)
(body thuds)

(toy squeaks)
(thuds)

(drawn out music)

(Angela sobs)

Don, don't you touch her!

Don't you dare!

Don't you touch her!

You bastard!

Get outta here!

- That's enough!

- That's enough!

That's enough!

(punching)
(grunting)

(body thudding)

(phone ringing)

- [Dispatcher] 911, state your emergency.

- [Dispatcher] 911, state your emergency.

- Mama.

(somber music)

(sirens wailing)

(devastated music)

(devastated music)

- FLICk yOll/ Ivy'

(bitter music)

Bitch!

(aching music)

(aching music)

(paper ripping)

(Lily sobs)

- Daphne's gonna be fine.

I don't know if you care.

- And you?

- Am I fine or do I care?

- Oh Gredin.

(punching)

(body thudding)

(terror-stricken music)

(terror-stricken music)

(door creaking)

- I can't let you go, Lily.

Not after everything we've been through.

Not after everything we've been through.

- Oh no.

It's over, Donald.

- Don't fight.

(Lily grunts)
(struggling music)

(Lily grunts)
(struggling music)

Don't shut me out!

(Lily grunts)

(Lily grunts)

(Donald grunts)

I can't let you go, LilY!

I love you too much!

(Gredin grunts)
(glass shattering)

(Gredin grunts)
(glass shattering)

(punching)

(body thuds)

(Gredin and Donald grunting)
(tense music)

(Gredin and Donald grunting)
(tense music)

(sharp whooshing)

(sharp whooshing)

(Lily screams)
(stabbing)

(Donald cries out)

(Gredin screams)

(Lily screams)

(glass shattering)

(Gredin grunts)

(Gredin grunts)

(punching)
(grunting)

I'm not gonna hurt you, Lily.

Just let me in.

- [Robert] The police are on their way.

(grunting)
(thudding)

(body thudding)

(body thudding)

(wood cracking)
(clattering)

(frantic music)

(Lily whimpefs)

- I never meant to hurt
you or your family.

- I never meant to hurt
you or your family.

You have to believe me.

What are you doing?

What are you doing?

Donald.

(Donald cries out)
(cracking)

(Lily sobs)
(dramatic music)

(Donald screams)

(body thuds)
(Donald grunts)

(Lily sobs)

No!

No!

No!

No!

No!

(tragic music)
(Lily sobs)

(tragic music)
(Lily sobs)

No!

Get away from me.

No!

No!

Go!

Go!

(Lily sobs)
(devastated music)

(sirens wailing)

(sirens wailing)

("Aufforderung Zum Tanz"
by Carl Maria von Weber)

("Aufforderung Zum Tanz"
by Carl Maria von Weber)

(drill buzzing)

I know it's pointless to
ask you to forgive me.

Okay, well I'm just gonna talk,

and then you won't have
to deal with me anymore.

and then you won't have
to deal with me anymore.

Um:

my whole life

my whole life

I've, I've felt like a freak.

You know, back home in Michigan,

I wasn't accepted because I was different,

I wasn't accepted because I was different,

and then I come here and
I'm not different enough.

So

I decided

to become someone else.

Someone

Someone

tough and infallible.

Beautiful.

And sexy.

Fearless.

And it worked.

For the first time in my life,

For the first time in my life,

I was accepted.

(touching music)

And I became intoxicated
by the freedom of it all.

And I became intoxicated
by the freedom of it all.

Until it was too late.

It's too late, isn't it?

It's too late, isn't it?

(heartbreaking music)

Well.

For what it's worth,

I love you.

- [Gredin] Lily.

I love you.

(breathtaking music)

J' Driving hard J'

J' Stinging rain J'

J' Slapping me in my face J'

J' Slapping me in my face J'

J' Just like you J'

J' Screaming words J'

J' A side of you I never heard J'

J' A side of you I never heard J'

J' I want to go back J'

J' I want to go back now J'

J' I want to go back J'

J' I want to go back J'

J' I want to go back now J'

J' Black as pitch J'

J' Black as pitch J'

J' Vicious fights J'

J' All this pain overnight J'

J' I won't cry J'

J' I won't fight J'

J' I won't fight J'

J' Be the sickened and be right J'

J' I want to go back J'

J' I want to go back now J'

J' I want to go back now J'

J' I want to go back J'

J' I want to go back now J'

J' Soaking wet and torn apart J'

J' Soaking wet and torn apart J'

J' This can only be the start J'

J' Broken down J'

J' Slapped around J'

J' Slapped around J'

J' Silenced a sweeter J'

J' I'm raised again J'

J' I'm raised again J'

J' I'm raised again J'

J' I'm raised again J'

J' I'm raised again J'

J' I'm raised again J'

J' Change of face it's
too late to go back now J'

J' You can never go now J'

J' You can never go now J'

J' Gone our separate ways J'

J' Said it's too late J'

J' Too late J'

J' Too late J'

J' Grown apart it's too
late to go back now J'

J' You can never go back J'

J' Gone our separate
ways and it's too late J'WEBVTT

J' Gone our separate
ways and it's too late J'