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1
00:00:38,109 --> 00:00:45,050
Sometimes, apparently normal situations
are mixed with disorder, in a
2
00:00:45,050 --> 00:00:46,510
continuous succession of emotions.
3
00:00:47,950 --> 00:00:54,130
The desire and the continuous search for
sin sometimes determine the
4
00:00:54,130 --> 00:00:59,070
infringement of those codes and rules
that, although not being satisfied,
5
00:00:59,610 --> 00:01:02,570
should never be violated.
6
00:02:28,040 --> 00:02:33,740
Dio santo, come vorrei stringerti tra le
mie braccia, sentire il sapore delle tue
7
00:02:33,740 --> 00:02:36,060
labbra, sfiorare la tua pelle.
8
00:02:36,960 --> 00:02:38,700
Nessuna ragazza è al tuo pari.
9
00:02:38,940 --> 00:02:42,460
La dolcezza che esprimo nei tuoi occhi
mi incanta.
10
00:02:43,020 --> 00:02:46,520
No, non posso amarti, non mi è concesso.
11
00:02:47,500 --> 00:02:52,320
Eppure, se per averti commettessi un
sacrilegio, sarei disposto a perdere l
12
00:02:52,320 --> 00:02:53,320
'anima.
13
00:03:05,840 --> 00:03:06,840
What's with the fake?
14
00:03:07,280 --> 00:03:08,680
In short, what's wrong?
15
00:03:09,320 --> 00:03:10,320
Do you want to explain?
16
00:03:11,400 --> 00:03:14,320
I just don't share your idea of having
to go to that agency.
17
00:03:15,320 --> 00:03:16,860
Here, we'll talk about it another time.
18
00:03:17,420 --> 00:03:19,840
How many times do I have to tell you
that you don't have to worry?
19
00:03:20,540 --> 00:03:22,800
And then, I know very well how to look
after myself.
20
00:03:24,060 --> 00:03:27,220
So, if it were for you, I would always
be doing the little thing.
21
00:03:27,600 --> 00:03:28,600
You misunderstand me.
22
00:03:29,660 --> 00:03:31,200
I only want the best for you.
23
00:03:31,710 --> 00:03:35,270
I just don't trust those fucking
charlatan managers who promise you a lot
24
00:03:35,270 --> 00:03:37,410
of money and only give you a few bucks.
25
00:03:37,990 --> 00:03:39,910
And then, they never call you.
26
00:03:41,190 --> 00:03:42,630
As if you were a pessimist, though.
27
00:03:43,010 --> 00:03:44,710
And then, they're not all the same.
28
00:03:45,590 --> 00:03:48,650
I believe in myself, and I believe in my
abilities too.
29
00:03:49,690 --> 00:03:51,170
You're just jealous, aren't you?
30
00:03:52,450 --> 00:03:57,650
It'll be as you say, but keep thinking
that those guys are all made of the same
31
00:03:57,650 --> 00:03:58,650
dough.
32
00:03:58,790 --> 00:03:59,790
And then...
33
00:03:59,920 --> 00:04:01,620
I don't want anything bad to happen to
you.
34
00:04:02,200 --> 00:04:04,280
Come on, now you have to wish me good
luck.
35
00:04:06,140 --> 00:04:07,660
Yes, ok, ok.
36
00:04:08,180 --> 00:04:09,180
Good luck.
37
00:04:09,820 --> 00:04:11,240
You're really a little girl, eh?
38
00:04:11,860 --> 00:04:14,000
I wouldn't be your sister otherwise, no?
39
00:04:15,000 --> 00:04:16,360
Silvia? Yes?
40
00:04:17,300 --> 00:04:18,300
Wait.
41
00:05:07,220 --> 00:05:08,680
Silvia, please, sit down.
42
00:05:19,200 --> 00:05:21,500
Mr. Casanova, Silvia has arrived.
43
00:05:21,780 --> 00:05:22,780
Go ahead.
44
00:05:24,780 --> 00:05:25,860
Please, Silvia, sit down.
45
00:05:26,160 --> 00:05:27,160
Thank you.
46
00:05:27,760 --> 00:05:29,280
I saw your book and photograph.
47
00:05:30,380 --> 00:05:32,740
And I must say that it is a truly
remarkable body.
48
00:05:33,680 --> 00:05:35,740
You know that for our work physicality
is very important.
49
00:05:36,900 --> 00:05:41,100
And I must say that you have all the
requisites to be able to go on in this
50
00:05:41,100 --> 00:05:43,240
field. I thank you, Mr.
51
00:05:43,500 --> 00:05:46,800
Casanova. So, you tell me that I can
work for your staff.
52
00:05:47,340 --> 00:05:48,380
What do I have to do?
53
00:05:50,020 --> 00:05:56,380
Photographic services, fairs, television
appearances, and why not, also movies.
54
00:05:57,040 --> 00:05:59,600
Movies? Does that mean that I can also
become an actress?
55
00:06:02,000 --> 00:06:03,000
Sure.
56
00:06:04,300 --> 00:06:08,320
But to get there, I want to see to what
extent you are determined.
57
00:06:09,120 --> 00:06:10,120
Do anything.
58
00:06:10,920 --> 00:06:11,980
Put me to the test.
59
00:06:13,500 --> 00:06:14,780
Get up. Come here.
60
00:07:27,430 --> 00:07:28,690
Buongiorno. Buongiorno.
61
00:07:28,970 --> 00:07:29,970
Lei è Pino?
62
00:07:30,050 --> 00:07:31,710
Rolli. Andrea Rolli.
63
00:07:32,010 --> 00:07:36,110
Avevo un appuntamento con... No, nessun
appuntamento. Sono venuto qui per mia
64
00:07:36,110 --> 00:07:37,110
sorella. Silvia?
65
00:07:37,590 --> 00:07:38,590
Dov'è?
66
00:07:38,790 --> 00:07:41,850
In questo momento sta parlando con il
manager.
67
00:07:42,250 --> 00:07:46,650
Comunque se vuole aspettare... Vi faccio
vedere dov'è. Scusi, dov'è il vato?
68
00:07:47,210 --> 00:07:49,670
Donni indietro! Non si può entrare!
69
00:10:07,080 --> 00:10:08,080
But what do you have?
70
00:10:09,520 --> 00:10:11,340
So you scare me, why are you crying?
71
00:10:12,140 --> 00:10:13,900
And then what do you do with my
utensils?
72
00:10:15,180 --> 00:10:16,180
Locked up?
73
00:10:17,360 --> 00:10:18,360
How could you?
74
00:10:19,700 --> 00:10:20,700
What do you mean?
75
00:10:21,420 --> 00:10:23,040
How could you with that bastard?
76
00:10:25,000 --> 00:10:27,520
Ah, that's how he followed me.
77
00:10:28,340 --> 00:10:29,900
He saw everything, isn't it true?
78
00:10:30,200 --> 00:10:31,200
Well, yes.
79
00:10:32,420 --> 00:10:35,000
I've already seen him in his office.
80
00:10:39,920 --> 00:10:42,240
Mentre... Non mi ci fare pensare, per
Dio.
81
00:10:42,640 --> 00:10:44,320
Dai, ora non piangere più.
82
00:10:45,260 --> 00:10:46,480
Così non posso credere.
83
00:10:50,680 --> 00:10:55,880
Pensare... Quel porco possa averti
toccata. Con quelle luride mani.
84
00:10:57,380 --> 00:10:59,200
Io che ti ho sempre rispettata.
85
00:11:00,360 --> 00:11:02,540
Non ti ho sperata mai nemmeno con un
dito.
86
00:11:03,560 --> 00:11:05,320
Nonostante il mio crescente amore.
87
00:11:06,630 --> 00:11:07,630
I'm going to kill him.
88
00:11:07,890 --> 00:11:08,890
I'm going to kill him!
89
00:11:10,390 --> 00:11:13,870
Andrea, don't cry anymore. I can't stand
to see you like this.
90
00:11:14,990 --> 00:11:15,990
You were right.
91
00:11:16,230 --> 00:11:18,050
I should have listened to you.
92
00:11:21,430 --> 00:11:25,850
I love you.
93
00:11:26,610 --> 00:11:27,610
Do you understand?
94
00:11:28,090 --> 00:11:29,090
I love you.
95
00:11:30,710 --> 00:11:32,470
I don't know if I'm your brother.
96
00:11:34,440 --> 00:11:36,000
I have a deep love for you.
97
00:11:39,240 --> 00:11:41,420
Stupid, but you could have told me,
right?
98
00:11:42,440 --> 00:11:44,420
I love you too, I love you so much.
99
00:11:44,620 --> 00:11:46,520
And I was ashamed to tell you all this.
100
00:11:48,080 --> 00:11:53,100
You don't know how much I wanted you,
touching me, dreaming of your hands on
101
00:11:53,100 --> 00:11:54,100
my body.
102
00:11:55,380 --> 00:12:01,640
Silvia, if this is a dream, please,
don't wake me up.
103
00:12:02,440 --> 00:12:03,700
It's not a dream, my love.
104
00:12:04,020 --> 00:12:05,020
Is that it?
105
00:12:43,280 --> 00:12:44,740
Just looking at that was a good feeling.
106
00:13:16,240 --> 00:13:17,240
How much did you imagine?
107
00:13:17,800 --> 00:13:18,940
I don't know.
108
00:13:19,700 --> 00:13:20,700
I have no idea.
109
00:13:21,000 --> 00:13:22,100
Yes? Yes.
110
00:13:23,580 --> 00:13:25,080
And how many others were there?
111
00:14:18,440 --> 00:14:19,440
It's a gift.
112
00:14:20,180 --> 00:14:21,180
Oh, maybe I should see.
113
00:16:45,190 --> 00:16:47,490
Thank you.
114
00:17:12,839 --> 00:17:13,839
Amen.
115
00:17:44,199 --> 00:17:45,199
No more.
116
00:23:44,460 --> 00:23:45,460
Oh.
117
00:33:45,160 --> 00:33:50,660
in a somewhat disconcerting situation
and from the even more dramatic
118
00:33:50,660 --> 00:33:51,660
epilogue.
119
00:34:46,960 --> 00:34:52,679
But dad... I've changed.
120
00:34:53,860 --> 00:34:55,840
What do you think of this?
121
00:34:56,780 --> 00:34:57,780
Well,
122
00:34:58,780 --> 00:34:59,780
listen.
123
00:35:00,080 --> 00:35:03,020
What's here, I'll give it to you.
124
00:35:04,580 --> 00:35:05,820
You're going to steal it.
125
00:35:07,060 --> 00:35:08,080
The whole thing.
126
00:35:08,320 --> 00:35:10,700
But why do I have to do this? I'm doing
it for you.
127
00:35:12,580 --> 00:35:13,580
Listen.
128
00:35:14,140 --> 00:35:15,140
I don't need it.
129
00:35:15,760 --> 00:35:18,020
What I say, you do it.
130
00:35:20,040 --> 00:35:21,040
Come here.
131
00:35:53,480 --> 00:35:56,160
That's the way I'm trying to film this.
132
00:37:32,830 --> 00:37:34,230
um
133
00:38:18,930 --> 00:38:20,330
Hello.
134
00:38:21,690 --> 00:38:22,690
Hello.
135
00:38:26,970 --> 00:38:28,370
Hello.
136
00:39:00,330 --> 00:39:03,130
Come. Okay.
137
00:39:12,430 --> 00:39:13,430
Grazie.
138
00:39:14,230 --> 00:39:15,230
Me la faccio.
139
00:39:16,290 --> 00:39:17,290
Molto bello.
140
00:39:18,790 --> 00:39:25,690
Lo sai che è proprio una bella
figchettina? Lo
141
00:39:25,690 --> 00:39:30,310
sono accorto. Però a stare attento.
Perché a Praga me le hai fregate tutte.
142
00:39:30,670 --> 00:39:32,350
Qua almeno una me la devi lasciare.
143
00:39:32,670 --> 00:39:35,770
Guardiamo, se lei ci sta magari posso
lasciarla.
144
00:39:36,050 --> 00:39:37,470
Ci sta, ci sta.
145
00:39:37,850 --> 00:39:38,850
Guarderemo stasera.
146
00:39:39,160 --> 00:39:40,118
Don't worry.
147
00:39:40,120 --> 00:39:42,340
I usually do it when you say it like
that.
148
00:39:43,140 --> 00:39:44,038
Don't you think?
149
00:39:44,040 --> 00:39:45,060
Italian is always Italian.
150
00:39:45,340 --> 00:39:45,919
And then me.
151
00:39:45,920 --> 00:39:47,880
You've known me for so many years, so
you know, right?
152
00:39:49,660 --> 00:39:52,140
Look, I'll tell you where I'll put
myself. There.
153
00:39:52,440 --> 00:39:53,440
On this bed.
154
00:39:54,480 --> 00:39:56,320
Just because I know you, poor idiot.
155
00:40:29,320 --> 00:40:36,040
No, no, tranquilo, sono semplicemente...
Grazie, è molto per me.
156
00:40:37,800 --> 00:40:39,340
Puoi tenere un attimo?
157
00:40:41,480 --> 00:40:42,480
Sì.
158
00:40:44,680 --> 00:40:47,960
Ma hai per caso il boyfriend?
159
00:40:48,360 --> 00:40:49,360
You, boyfriend?
160
00:40:49,620 --> 00:40:52,620
Yes, boyfriend, but no speak.
161
00:40:52,860 --> 00:40:53,860
No speak?
162
00:40:55,020 --> 00:40:58,400
Perché è veramente beautiful.
163
00:40:59,080 --> 00:41:00,300
No. Okay.
164
00:41:00,760 --> 00:41:02,560
I think you put A.
165
00:41:03,520 --> 00:41:04,880
Beautiful A.
166
00:41:05,860 --> 00:41:06,860
It's good.
167
00:41:07,000 --> 00:41:08,000
Thank you.
168
00:41:08,300 --> 00:41:14,460
It's possible
169
00:41:14,460 --> 00:41:17,760
you want to kiss.
170
00:41:18,040 --> 00:41:19,520
That you kiss.
171
00:41:19,880 --> 00:41:20,880
No.
172
00:41:21,280 --> 00:41:22,280
No.
173
00:42:43,660 --> 00:42:44,660
Andrea!
174
00:42:45,820 --> 00:42:49,360
Andrea, where are you? Oh, sorry, sorry.
175
00:42:52,560 --> 00:42:53,840
Andrea, come on.
176
00:42:57,000 --> 00:42:59,800
Sit down.
177
00:43:01,160 --> 00:43:02,740
What were you doing up there?
178
00:43:03,100 --> 00:43:04,260
I was making fun of one of the boys.
179
00:43:06,680 --> 00:43:10,620
How many times do I have to tell you
that there is no cheating in this house?
180
00:43:12,880 --> 00:43:13,880
I don't know.
181
00:43:14,320 --> 00:43:17,220
There is only one boy in this house.
182
00:43:17,480 --> 00:43:18,480
And that's me.
183
00:43:19,840 --> 00:43:21,080
Do you understand?
184
00:43:21,640 --> 00:43:22,680
I do, dad.
185
00:43:24,100 --> 00:43:25,100
Go ahead.
186
00:43:47,720 --> 00:43:48,720
So, take everything.
187
00:43:59,140 --> 00:44:03,580
And now, as we did last time, open my
legs.
188
00:44:18,380 --> 00:44:19,780
No.
189
00:44:20,800 --> 00:44:22,200
Oh.
190
00:44:49,770 --> 00:44:50,770
Okay.
191
00:50:39,450 --> 00:50:42,250
Yeah. Yeah.
192
00:50:43,390 --> 00:50:44,790
Yeah.
193
00:51:18,960 --> 00:51:19,960
Thank you.
194
01:01:16,750 --> 01:01:19,150
This house and the man.
195
01:01:20,290 --> 01:01:21,290
Father.
196
01:01:45,930 --> 01:01:50,490
Like all the girls of my age, in
addition to working in the studio, I
197
01:01:50,490 --> 01:01:54,850
dream of a better life, a husband, a
family, and children to raise.
198
01:01:58,010 --> 01:02:02,470
Maybe you'll think I'm stupid, but I
feel the irresistible desire to give
199
01:02:02,470 --> 01:02:03,770
myself completely to a person.
200
01:02:04,290 --> 01:02:08,810
But at the same time, to feel loved and
filled with attention.
201
01:02:10,050 --> 01:02:13,290
Those attentions that I had to miss as a
child.
202
01:02:18,480 --> 01:02:23,000
My mother abandoned me when I was only
six years old, leaving me and my father
203
01:02:23,000 --> 01:02:25,200
to follow a man older than her.
204
01:02:25,720 --> 01:02:28,240
Poor father, since then he has not
recovered.
205
01:02:29,220 --> 01:02:33,660
He goes out of the house rarely, drinks,
smokes, and always has a sad face.
206
01:02:38,180 --> 01:02:41,300
Yet he grew up not making me miss
anything.
207
01:02:42,640 --> 01:02:44,380
I have to do something for him.
208
01:02:45,770 --> 01:02:48,430
I would be willing to do anything to see
him happy.
209
01:02:49,550 --> 01:02:50,550
Maybe.
210
01:02:51,070 --> 01:02:52,070
Yes.
211
01:02:52,310 --> 01:02:53,890
Maybe my love will save him.
212
01:03:58,440 --> 01:03:59,440
Thank you.
213
01:12:01,100 --> 01:12:02,100
There's somebody there.
214
01:14:56,820 --> 01:14:58,220
Yeah.
215
01:15:02,220 --> 01:15:03,620
Yeah.
216
01:15:19,210 --> 01:15:21,890
Yeah. Yeah.
217
01:16:47,210 --> 01:16:48,210
Yeah.
14025
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