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These are the user uploaded subtitles that are being translated: 1 00:00:00,023 --> 00:00:01,695 پلنت اکشن 2 00:00:02,492 --> 00:00:04,742 فیلم ها 3 00:00:04,998 --> 00:00:06,178 موزیک 4 00:00:07,789 --> 00:00:10,109 پشت صحنه ها 5 00:00:10,562 --> 00:00:15,398 سبک زندگی 6 00:00:16,321 --> 00:00:18,437 جلوه های ویژه 7 00:00:19,616 --> 00:00:20,645 پلنت اکشن 8 00:00:22,437 --> 00:00:26,608 Kick your way into the world of action on Planet Action, starting now! 9 00:00:27,054 --> 00:00:27,851 Coming up 10 00:00:27,876 --> 00:00:30,976 we take flight into the magical world of Avatar 11 00:00:31,218 --> 00:00:34,866 actress Zoe Saldana gives us a sneak peek into her life 12 00:00:34,991 --> 00:00:36,882 and we give you a little makeover 13 00:00:36,976 --> 00:00:38,655 using digital botox 14 00:00:38,835 --> 00:00:43,686 But first... let's check out the movies that thrived with a whole lot of CGI 15 00:00:43,905 --> 00:00:46,194 پلنت اکشن 16 00:00:49,234 --> 00:00:53,921 When it comes to making movies, filmmakers can’t do without blue or green screens anymore 17 00:00:53,991 --> 00:00:55,398 Need a breathtaking landscape? 18 00:00:55,423 --> 00:00:58,905 Just shoot against a green background and fill it in during post production 19 00:00:59,343 --> 00:01:02,342 Sometimes the usage of the screens is done better than others though 20 00:01:02,367 --> 00:01:07,257 so here’s our top 3 of motion pictures with a lot of green screens, that are done to perfection 21 00:01:07,452 --> 00:01:10,273 We kick things off with the ‘Avengers’ franchise 22 00:01:10,327 --> 00:01:14,187 With production budgets in the hundreds of millions, the films are massive spectacles 23 00:01:14,429 --> 00:01:19,882 And as they feature an abundance of superheroes, aliens, futuristic technology, stunts and explosions 24 00:01:19,907 --> 00:01:22,311 the installments rely heavily on CGI 25 00:01:22,710 --> 00:01:26,640 Still, it’s done so well, audiences kinda know it’s all computer generated 26 00:01:26,684 --> 00:01:29,387 but forget about it after watching them for 5 minutes 27 00:01:29,661 --> 00:01:32,739 For ‘Infinity War’ even the villain isn’t really there 28 00:01:33,036 --> 00:01:38,129 it’s a motion captured version of actor Josh Brolin being evil against mostly green screen backdrops 29 00:01:38,372 --> 00:01:42,348 Even though Thanos is largely a CG creation 30 00:01:42,700 --> 00:01:47,348 because he's so large. His dimensions are beyond human scale 31 00:01:47,536 --> 00:01:54,059 we were able to work very closely with our visual effects team and use really cutting edge technology 32 00:01:54,084 --> 00:02:00,923 to map the actual performance of Josh Brolin as this big character in a way I think nobody has ever seen done before 33 00:02:00,948 --> 00:02:07,369 And you know, You read everything that is going on a performance level, in his face, in his physicality 34 00:02:07,394 --> 00:02:10,056 in the character of Thanos, is pretty remarkable 35 00:02:10,252 --> 00:02:12,955 For our runner up we chose ‘300’ 36 00:02:13,252 --> 00:02:15,345 Despite the entire picture being set outdoors 37 00:02:15,370 --> 00:02:19,884 almost all of it was shot in a studio, featuring pretty much nothing but blue screens 38 00:02:19,947 --> 00:02:22,111 Not everything looks fully realistic 39 00:02:22,136 --> 00:02:24,690 adding to a very cool comic book like atmosphere 40 00:02:24,715 --> 00:02:28,337 It took some time for lead star Gerard Butler to get used to though 41 00:02:28,485 --> 00:02:31,837 If I'm being positive about it, because trust me, I didn't always think this 42 00:02:32,047 --> 00:02:35,445 but it actually helps you focus on what is going on 43 00:02:35,470 --> 00:02:43,063 Because??? around you, you're not bothered by the kind of further away environment 44 00:02:43,235 --> 00:02:45,696 This is where we hold up 45 00:02:46,368 --> 00:02:48,516 This is where we fight. 46 00:02:50,477 --> 00:02:52,571 This is where they die 47 00:02:53,383 --> 00:02:54,625 And our winner is 48 00:02:54,650 --> 00:02:56,148 the ‘Sin City’ series! 49 00:02:56,173 --> 00:03:00,227 Featuring nothing but green screen, the cast had no idea what they were shooting at all 50 00:03:00,290 --> 00:03:06,899 Instead they had to rely on a handful of props and some pictures from the storybook by directors Robert Rodriguez and Frank Miller 51 00:03:07,133 --> 00:03:10,656 The final result is one hell of a movie, with a decent sequel 52 00:03:10,681 --> 00:03:14,375 Both of them look like comic books come to life without them being animated feats 53 00:03:14,430 --> 00:03:18,711 A highly original idea, for which the cast deserves a lot of praise. 54 00:03:18,736 --> 00:03:21,883 It's not even that it's more complex, it's just not filled in 55 00:03:21,908 --> 00:03:24,750 you know It's so in in post-production that you have an idea 56 00:03:24,775 --> 00:03:27,102 Robert is telling you and Frank is telling you 57 00:03:27,297 --> 00:03:29,024 You can see the book right there 58 00:03:29,049 --> 00:03:32,461 Frank has the book open and Robert is pointing out what shot he is going to do 59 00:03:32,486 --> 00:03:34,196 so you could see where it's originated from 60 00:03:34,360 --> 00:03:40,029 But it's all left to the imagination. So really when you see the movie, you're watching the movie so freshly 61 00:03:40,054 --> 00:03:43,966 you don't.. you're so piecing. I mean I did scenes with Nicke and Nicke wasn't there 62 00:03:44,084 --> 00:03:46,545 Green screens are used in about every movie 63 00:03:46,570 --> 00:03:52,316 Even for those with no fantastical worlds, simple things like urban backgrounds are all CGI these days 64 00:03:52,341 --> 00:03:55,668 So becoming a successful actor requires a strong imagination 65 00:03:56,972 --> 00:03:59,237 پلنت اکشن 66 00:04:03,207 --> 00:04:09,347 This classic movie grossed billions at the box office and once held the title of the most successful picture in the world 67 00:04:09,519 --> 00:04:15,269 It won several awards for it's amazing cinematography and visual effects among others at the Oscars 68 00:04:15,394 --> 00:04:18,558 Let’s go down memory lane with the iconic 'Avatar 69 00:06:52,685 --> 00:06:55,100 پلنت اکشن 70 00:06:59,255 --> 00:07:03,247 Actress Zoe Saldana is one of the most badass females in the action world 71 00:07:03,274 --> 00:07:07,328 and has provided her talents for movies such as 'Avatar', which we just looked at 72 00:07:07,766 --> 00:07:10,453 Saldana has worked on other major franchises 73 00:07:10,478 --> 00:07:15,132 that use green screen and CGI like 'Guardians of the galaxy' and 'Star Trek' 74 00:07:15,188 --> 00:07:17,930 Let’s get to know more about Zoe Saldana 75 00:07:19,016 --> 00:07:21,297 پلنت اکشن 76 00:11:28,404 --> 00:11:33,068 Creating realistic looking environments, monsters, creatures and buildings 77 00:11:33,093 --> 00:11:37,091 is a true art form and a multi-million Dollar industry on its own 78 00:11:37,209 --> 00:11:43,404 We get more insight on how it was done on the World War II movie 'Allied' by visual effects supervisor Kevin Baillie 79 00:11:44,256 --> 00:11:46,474 پلنت اکشن 80 00:11:49,670 --> 00:11:55,302 The World War II movie ‘Allied’ used a surprisingly high amount of CGI when making the film 81 00:11:55,889 --> 00:11:57,763 It was directed by Robert Zemeckis 82 00:11:57,788 --> 00:12:03,748 and stars Marion Cotillard and Brad Pitt as two spies who fight Nazis together and fall in love 83 00:12:04,131 --> 00:12:08,529 Visual effects supervisor Kevin Baillie is the guy who made it all come to life 84 00:12:08,740 --> 00:12:12,287 There’s really two needs for why we have to do a lot of the digital work on this film 85 00:12:12,312 --> 00:12:14,608 One is that it’s set in the nineteen forties 86 00:12:14,633 --> 00:12:18,770 so ‘Casablanca’ looks nothing like what it did back in the nineteen forties 87 00:12:18,795 --> 00:12:22,161 when it was kind of a haven for the playboys and rich people of the day 88 00:12:22,239 --> 00:12:26,199 And also London is way more modern now, 89 00:12:26,224 --> 00:12:29,606 and back then it was being constantly bombed by the Germans as well 90 00:12:29,653 --> 00:12:33,363 So it was really kind of a wartorn grainy gritty place 91 00:12:33,833 --> 00:12:37,332 So we have to recreate that all digitally because it doesn’t exist anymore 92 00:12:37,972 --> 00:12:39,356 The other reason for shooting a lot of stuff digitally 93 00:12:39,381 --> 00:12:44,434 is because Robert Zemeckis loves having control over what he’s shooting 94 00:12:44,512 --> 00:12:46,153 And When you’re shooting outside 95 00:12:46,178 --> 00:12:51,066 you have to really subject yourself to what the lighting is doing, what the weather is doing 96 00:12:51,094 --> 00:12:53,867 It’s always raining when you need it to not be and vice versa 97 00:12:53,992 --> 00:12:57,562 So to be inside on stage allows you to have control over all of that 98 00:12:57,781 --> 00:13:00,531 The downside of shooting on stage is that there’s not a lot of space 99 00:13:00,556 --> 00:13:02,820 So we basically have to build partial sets, 100 00:13:02,845 --> 00:13:04,921 sets for actors to interact with 101 00:13:04,946 --> 00:13:08,672 and surround it with blue screen to create the world around them later 102 00:13:08,768 --> 00:13:13,283 And we get to pick and choose from all the different locations we surveyed and photographed 103 00:13:13,338 --> 00:13:17,807 and create essentially a composite of the perfect rooftop surrounds 104 00:13:17,832 --> 00:13:19,830 The visual effects department is actually 105 00:13:19,855 --> 00:13:23,205 is actually… if you look inside the visual effects process 106 00:13:23,230 --> 00:13:25,612 it’s not just a bunch of computer programmers 107 00:13:25,909 --> 00:13:32,713 it’s actually painters and modellers and sculptures and lighters and every department that exists in a production 108 00:13:32,846 --> 00:13:33,838 real production 109 00:13:33,863 --> 00:13:37,049 exists in the visual effects process they’re just called something different 110 00:13:37,074 --> 00:13:43,627 So in a way we take the torch from all different departments and carry it forward into post production 111 00:13:43,807 --> 00:13:45,948 پلنت اکشن 112 00:13:50,471 --> 00:13:52,260 Coming up on Planet Action 113 00:13:52,285 --> 00:13:55,744 we find out if real sets are better than digital ones 114 00:13:55,846 --> 00:13:58,627 and we hang out with superstar Benedict Cumberbatch 115 00:13:58,652 --> 00:14:03,518 But first... get ready for some CGI botox to get you looking ten years younger 116 00:14:03,543 --> 00:14:05,830 well, on screen at least 117 00:14:06,627 --> 00:14:09,150 پلنت اکشن 118 00:14:11,837 --> 00:14:17,244 What may seem like a dream to many celebrities out there is actually a reality in the world of movies 119 00:14:17,398 --> 00:14:19,710 plastic surgery with the click of a mouse! 120 00:14:19,937 --> 00:14:23,819 Special effects can shave off, or add, years to an actor's face 121 00:14:23,844 --> 00:14:27,170 or even recast a whole role after a movie's been shot 122 00:14:27,616 --> 00:14:30,772 Probably the best and most extreme example of de-ageing in a film 123 00:14:30,797 --> 00:14:33,726 is 2008's 'The Curious Case of Benjamin Button 124 00:14:33,751 --> 00:14:37,042 in which Brad Pitt plays a man who ages backwards 125 00:14:37,067 --> 00:14:48,008 It’s a very complicated hybrid of using video game technology and CG animation technologies and we sort of put it all together 126 00:14:48,033 --> 00:14:52,180 And you know, Because we are such social creatures we’re so used to looking at other human faces 127 00:14:52,205 --> 00:15:00,977 and so I think all those little tiny behavioural indicators are as important as the words coming out of somebody’s mouth 128 00:15:01,063 --> 00:15:10,625 So to be able to take something that’s very specific and a behavioural thumbprint from one actor and apply it to CG, that was the important thing 129 00:15:10,650 --> 00:15:13,344 that was the important thing. Because that’s what made it 130 00:15:13,369 --> 00:15:16,626 that’s not what made it Brad Pitt, but that’s what made it Benjamin 131 00:15:16,836 --> 00:15:20,086 You'll probably remember the tragic death of actor Paul Walker, 132 00:15:20,111 --> 00:15:24,047 right in the middle of making the 7th flick in the 'Fast & Furious' franchise 133 00:15:24,266 --> 00:15:27,078 Paul had only filmed about 65% of his scenes 134 00:15:27,157 --> 00:15:32,602 and the rest was completed by placing a computer generated image of Paul's face on the bodies of his brothers 135 00:15:32,627 --> 00:15:34,071 Cody and Caleb 136 00:15:34,096 --> 00:15:36,547 We had to finish this film, you know 137 00:15:36,572 --> 00:15:39,141 There was no way we were not going to finish this movie 138 00:15:39,166 --> 00:15:40,665 We had to finish this movie for Paul 139 00:15:40,690 --> 00:15:43,559 It was so important for us to finish this film 140 00:15:43,584 --> 00:15:47,747 and to really honour his legacy 141 00:15:47,802 --> 00:15:50,497 To honour the great guy that he is and to 142 00:15:50,529 --> 00:15:54,856 and let this be the last movie that he makes 143 00:15:54,881 --> 00:16:00,466 And so we wanted the fans out there to get the opportunity to say goodbye to him one last time 144 00:16:00,491 --> 00:16:03,372 These examples prove that we've come a long long way 145 00:16:03,997 --> 00:16:07,552 Without our even noticing it, actors are regularly being retouched 146 00:16:07,577 --> 00:16:11,630 bags under their eyes, a zit that needs to be removed, or even cellulitis 147 00:16:11,655 --> 00:16:13,872 it's all cleared up with a click of the mouse 148 00:16:13,982 --> 00:16:19,075 Instead of forcing actor Jack O'Connell to starve himself to death in Angelina Jolie's drama 'Unbroken 149 00:16:19,100 --> 00:16:21,146 he was made to look thinner digitally 150 00:16:21,443 --> 00:16:24,724 When Claire Danes was pregnant during the filming of the hit show 'Homeland 151 00:16:24,966 --> 00:16:27,365 her face was pasted onto a skinny body double 152 00:16:27,747 --> 00:16:30,440 While actors of course still have to be committed to a project 153 00:16:30,465 --> 00:16:33,995 more and more often they don't have to go that extra mile anymore 154 00:16:34,198 --> 00:16:38,346 In 2015's boxing drama 'Southpaw', in that famous slo-mo shot 155 00:16:38,371 --> 00:16:41,401 it's not Jake Gyllenhaal's face that's being knocked to pieces 156 00:16:41,426 --> 00:16:42,776 it's animated skin 157 00:16:44,026 --> 00:16:46,635 پلنت اکشن 158 00:16:50,565 --> 00:16:54,729 This British actor is no stranger to working with the Green screens or CGI 159 00:16:54,754 --> 00:16:56,698 as a couple of the movies he's featured in 160 00:16:56,723 --> 00:17:00,604 like 'Doctor Strange' and 'The Hobbit' have used this technology to the max 161 00:17:00,823 --> 00:17:05,276 His name is Benedict Cumberbatch and his star power is unstoppable 162 00:17:05,440 --> 00:17:07,995 See if his British wit gets the best of you 163 00:17:08,151 --> 00:17:09,151 up next 164 00:17:09,706 --> 00:17:12,174 پلنت اکشن 165 00:17:14,844 --> 00:17:16,092 Benedict Cumberbatch 166 00:17:16,117 --> 00:17:19,281 the British actor with the unusual and very posh sounding name 167 00:17:19,322 --> 00:17:23,008 has managed to become a world-wide star and an unlikely sex symbol 168 00:17:23,173 --> 00:17:25,969 Yeah, very flattered. That's great. 169 00:17:26,329 --> 00:17:28,360 I'm on a bit of a roller coaster 170 00:17:28,438 --> 00:17:31,594 and it's fun to try and own it and have moments of really enjoying it 171 00:17:31,790 --> 00:17:33,211 Both of his parents were actors 172 00:17:33,236 --> 00:17:36,177 and the young Benedict began performing at just twelve years old 173 00:17:36,333 --> 00:17:40,482 The rising star began to come to international attention in 2007's 'Atonement 174 00:17:40,507 --> 00:17:42,474 opposite his good friend Keira Knightley 175 00:17:42,615 --> 00:17:44,388 176 00:17:44,795 --> 00:17:49,638 177 00:17:49,756 --> 00:17:53,318 178 00:17:53,343 --> 00:17:55,560 directed by the one and only Steven Spielberg 179 00:17:55,967 --> 00:18:00,639 He is a master. And so you do stand slightly in awe of his work, and being in his company. 180 00:18:00,664 --> 00:18:05,614 But he makes you feel so much a part of it, truly, artistically a part of what he's trying to create 181 00:18:05,997 --> 00:18:11,731 Benedict, meanwhile, had also landed a part on the small screen that would prove to be the one that kicked his career into high gear 182 00:18:11,756 --> 00:18:13,481 as the world's most famous detective 183 00:18:13,506 --> 00:18:14,809 Mr. Sherlock Holmes 184 00:18:14,836 --> 00:18:19,656 The BBC series became so successful and brought the slim thespian such sudden fame that it became difficult to shoot scenes outside 185 00:18:19,865 --> 00:18:22,115 My role as an actor that day was to play Sherlock Holmes 186 00:18:22,140 --> 00:18:24,529 But there happened to be countless paparazzi 187 00:18:24,554 --> 00:18:30,787 paparazzi that you know, are shooting every motion picture trying to get a shot of me looking stupid 188 00:18:30,812 --> 00:18:33,630 you know, putting a bit of food in my mouth, or joking around with a colleague 189 00:18:33,655 --> 00:18:37,224 or speaking to the legion of fans which have turned up to watch us on the street 190 00:18:37,249 --> 00:18:41,076 which is rather lovely, but it's a rather heightened situation to be in 191 00:18:41,104 --> 00:18:45,237 The year 2013 would prove to be nothing less than huge for Cumberbatch 192 00:18:45,323 --> 00:18:49,096 when he played the misunderstood villain Khan in 'Star Trek Into Darkness 193 00:18:49,121 --> 00:18:51,940 This is a huge film to be in 194 00:18:52,401 --> 00:18:58,955 So it's a great kind of step up, I guess. And a lovely, an amazing sort of shop window, or exposure 195 00:18:58,980 --> 00:19:02,034 Especially since it's such a complex and well-drawn character 196 00:19:02,059 --> 00:19:06,541 That same year also saw the versatile actor in a trio of artistic pictures 197 00:19:06,566 --> 00:19:09,175 including the family drama 'August: Osage County 198 00:19:09,200 --> 00:19:11,245 the racial epic '12 Years a Slave 199 00:19:11,270 --> 00:19:14,268 and the politically charged thriller 'The Fifth Estate 200 00:19:14,393 --> 00:19:16,791 When they're films that are this extraordinary and important 201 00:19:16,816 --> 00:19:19,588 it's naught to do with my schedule 202 00:19:19,613 --> 00:19:22,339 I'm just, I'm an actor in projects that I'm very proud to be a part of 203 00:19:22,386 --> 00:19:28,940 And in 2014 he earned his first real Oscars buzz for his performance as British math genius Alan Turing, 204 00:19:28,965 --> 00:19:33,127 who helped break Nazi codes during World War II, in 'The Imitation Game 205 00:19:33,526 --> 00:19:35,807 If we do anything right with this film 206 00:19:35,832 --> 00:19:38,143 it is to bring Alan to a broader audience 207 00:19:38,168 --> 00:19:41,916 to people who haven't known him in all his complexity and brilliance before 208 00:19:41,971 --> 00:19:44,698 But the star is never one to rest on his laurels 209 00:19:44,723 --> 00:19:48,651 and he has continued joining as wide a variety of projects as possible 210 00:19:48,714 --> 00:19:50,515 from the crime drama ‘Black Mass 211 00:19:50,540 --> 00:19:53,476 to spoofing the fashion world in the comedy ‘Zoolander 2 212 00:19:53,632 --> 00:19:57,679 followed by becoming a big screen superhero with 2016’s ‘Doctor Strange 213 00:19:57,704 --> 00:20:01,374 It’s got a great cast of many nationalities 214 00:20:01,403 --> 00:20:05,910 and it is a story that is, well, embraces a huge body of the world 215 00:20:05,935 --> 00:20:07,519 and also at the same time 216 00:20:07,560 --> 00:20:13,277 it’s about a reality that we all share. There’s a sort of common, universal, human sort of strength to the story 217 00:20:13,302 --> 00:20:16,660 but also to the sort of purpose of this character coming into our lives 218 00:20:17,418 --> 00:20:20,152 so yeah, I think it will resonate with a lot of people. And I just think, you know 219 00:20:20,177 --> 00:20:21,816 people crave something new and different 220 00:20:21,841 --> 00:20:28,762 and I think the visuals and the trip of this film, just the excitement viscerally of what it’s gonna be like watching it is gonna be something for everyone, really 221 00:20:28,871 --> 00:20:32,168 He reprised the role in 2017 for ‘Thor: Ragnarok’ 222 00:20:32,193 --> 00:20:36,355 then in 2018, he joined the rest of the Avengers for their ‘Infinity War 223 00:20:36,380 --> 00:20:41,613 This is such a fan-driven enterprise, and franchise 224 00:20:42,168 --> 00:20:44,802 a fan-chise you could call it. That’s a terrible pun 225 00:20:44,857 --> 00:20:47,443 And that same year he put his distinctive voice to work 226 00:20:47,468 --> 00:20:49,397 And that same year he put his distinctive voice to work 227 00:20:49,422 --> 00:20:55,110 I used to be the class show off at school and try and make people laugh 228 00:20:55,135 --> 00:20:57,675 end of term skits by doing impressions and silly voices 229 00:20:57,700 --> 00:21:00,247 so all of that comes into good use when you’re playing The Grinch 230 00:21:00,364 --> 00:21:04,830 Yes, the hits just keep rolling in for the ever popular Benedict Cumberbatch 231 00:21:04,887 --> 00:21:07,115 پلنت اکشن 232 00:21:10,659 --> 00:21:13,855 While we've mostly been looking at digital set in this episode 233 00:21:14,058 --> 00:21:15,646 they're of course not mandatory 234 00:21:15,796 --> 00:21:18,348 Some filmmaker still prefer the real deal 235 00:21:18,511 --> 00:21:20,842 Let's check out the pros and cons 236 00:21:21,252 --> 00:21:23,322 پلنت اکشن 237 00:21:26,400 --> 00:21:29,643 Making movies is an ever-changing, always evolving art 238 00:21:29,668 --> 00:21:34,516 thanks to the rapidly advancing technologies that make their way into the production processes 239 00:21:34,736 --> 00:21:36,775 Like computer generated imagery 240 00:21:36,800 --> 00:21:38,798 or for short: CGI 241 00:21:39,055 --> 00:21:43,915 When it comes to CGI it’s always tempting to say that there are only 2 types of movie-makers 242 00:21:44,126 --> 00:21:47,477 those who love to work with it and those who do not. 243 00:21:47,650 --> 00:21:49,853 This however is far from the truth 244 00:21:50,017 --> 00:21:55,923 Between those 2 extremes we find that the people in the director’s seat are really not so divided about the subject 245 00:21:56,078 --> 00:22:00,774 Every director has his own reasons when shooting a film to use real sets or not 246 00:22:01,129 --> 00:22:05,449 And surprisingly, for Christopher Nolan, who’s well known for his preference for real sets 247 00:22:05,474 --> 00:22:07,215 the reason is often quite simple 248 00:22:07,387 --> 00:22:09,293 “I didn't want to use green screen because 249 00:22:09,614 --> 00:22:11,629 it is really boring to shoot, honestly 250 00:22:11,654 --> 00:22:14,854 You turn up, it's a depressing day we have shoot green screen 251 00:22:14,879 --> 00:22:21,183 What's really fun is to come to one of these sets we built that felt more like simulator rides than sets 252 00:22:21,208 --> 00:22:24,457 So the actors could actually look out the windows, see the real views 253 00:22:24,528 --> 00:22:28,902 We could just really shoot what we were doing in the whole sequence almost like a documentary 254 00:22:29,051 --> 00:22:34,301 It's far more fun frankly, and I think that hopefully the feeling of reality seeps into what the film is 255 00:22:34,387 --> 00:22:36,723 If you see the director as a storyteller 256 00:22:36,748 --> 00:22:40,878 then his most important job is to evoke a certain emotion from the audience 257 00:22:40,956 --> 00:22:44,042 To make the audience feel that what they see is real 258 00:22:44,097 --> 00:22:48,471 Sometimes they watch Chris's films, with like Batman the stunts in it 259 00:22:48,917 --> 00:22:51,995 they don't understand why they like them better than other stunt films 260 00:22:52,020 --> 00:22:56,112 And the reason is, is that the stunts are real, and the other stunts are CGI 261 00:22:56,292 --> 00:23:00,237 And they don't quite know the difference technically. They just know the feeling 262 00:23:00,495 --> 00:23:02,558 And that's what you get with a Chris Nolan film 263 00:23:02,644 --> 00:23:06,909 Contrary to popular opinion, Christopher Nolan does not hate CGI 264 00:23:06,941 --> 00:23:10,674 He simply believes in using CGI sparingly and with one goal 265 00:23:10,699 --> 00:23:13,932 to enhance visual effects already grounded in reality 266 00:23:14,027 --> 00:23:18,964 When asked what the main reason is why he prefers the use of practical effects over CGI 267 00:23:18,989 --> 00:23:22,635 the key element of Nolan’s answer seems to be, simply, emotion 268 00:23:22,662 --> 00:23:26,279 It's about emotion. It's about really giving the audience a great experience 269 00:23:26,303 --> 00:23:32,931 And we choose the format that could really envelop the audience and make them feel like they've gone on an incredible journey 270 00:23:32,970 --> 00:23:36,853 The emotion of the actors during the shooting of the scenes transfers to the audience 271 00:23:36,878 --> 00:23:43,228 And the more realistic the set, the easier for the actor it is to get immersed in the story and in their part 272 00:23:43,338 --> 00:23:45,173 For Tom Hiddleston, for example 273 00:23:45,198 --> 00:23:50,478 it was an absolute joy to work with Guillermo del Toro on the very real set of Crimson Peak 274 00:24:01,776 --> 00:24:04,697 Green screen is not inferior to real sets 275 00:24:04,722 --> 00:24:06,845 It’s almost a completely different ball-game 276 00:24:06,870 --> 00:24:09,291 And it brings something new to filmmaking 277 00:24:09,830 --> 00:24:13,048 allowing directors to do things that have never been done before 278 00:24:13,127 --> 00:24:15,228 When working on the set of ‘Sin City 279 00:24:15,253 --> 00:24:16,338 A Dame to Kill For 280 00:24:16,363 --> 00:24:19,306 which is one of the most heavily CGI-ed movies ever made 281 00:24:19,331 --> 00:24:21,970 Robert Rodriguez saw only advantages 282 00:24:22,259 --> 00:24:24,689 Well, I mean for me, it's a great playground 283 00:24:24,714 --> 00:24:28,431 To go in and do the kind of movie that I always wanted to do, which is a film noir, 284 00:24:28,501 --> 00:24:31,900 but in a very new way. In a way that people feel like it's brand new 285 00:24:31,925 --> 00:24:34,033 That doesn't feel like something from the fifties 286 00:24:34,173 --> 00:24:38,829 Nowadays it’s practically impossible to tell real moments and green screen scenes apart 287 00:24:38,994 --> 00:24:42,220 It’s clear we’ve reached the coming of the age of CGI 288 00:24:42,290 --> 00:24:44,478 پلنت اکشن 289 00:24:44,503 --> 00:24:46,947 Planet Action has ran out of action for now 290 00:24:46,972 --> 00:24:49,931 but our thirst for massive blockbusters continues! 291 00:24:49,956 --> 00:24:53,626 So check out more big-budget action next time, right here 292 00:24:53,830 --> 00:24:54,947 See you then! 28939

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