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Christian Troy: TELL ME WHAT YOU
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DON'T LIKE ABOUT YOURSELF.
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Joan Rivers: ARE YOU KIDDING?
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EVERYTHING. MY BODY'S DROPPING
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SO FAST MY GYNECOLOGIST NEEDS
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A HARD HAT.
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BUT SERIOUSLY, I WAS SENT TO YOU
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BY BARBARA BUZZBERGER. SHE TOLD
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ME YOU'RE THE BEST SURGEONS IN
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MIAMI. OF COURSE, BARBARA ALSO
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TOLD ME TO BUY A CONDO DOWN HERE
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WITHOUT SAYING IT'S GOD'S
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WAITING ROOM.
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Sean: SO, WHAT EXACTLY, UH...
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Joan: I WANNA LOOK LIKE HER.
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JOAN ALEXANDRA MOLINSKY.
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BORN IN BROOKLYN, RAISED IN
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LARCHMONT, GRADUATED FROM
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BARNARD, PHI BETA KAPPA.
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Sean: THIS IS YOU?
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Joan: THAT'S ME. UNRETOUCHED.
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THE FACE AND THE PHOTOGRAPH.
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I WANT YOU TO MAKE ME LOOK JUST
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LIKE THAT.
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Christian: LIKE A 4-YEAR-OLD
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GIRL.
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Joan: I THINK I WANT YOU TO DO
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THE SURGERY.
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Sean: YOU HAVEN'T SAID WHAT IT
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IS YET.
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Joan: SIGN THIS FIRST, IF YOU
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DON'T MIND.
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Christian: CONFIDENTIALLY
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AGREEMENT? MS. RIVERS, EVERYBODY
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KNOWS THAT YOU'VE HAD A FEW
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PROCEDURES DONE.
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Joan: A FEW? MY FACE HAS BEEN
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TUCKED IN MORE TIMES THAN A
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BEDSHEET AT A HOLIDAY INN.
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WHAT I WANT YOU PEOPLE TO DO,
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I DON'T WANT THE MEDIA TO KNOW
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ABOUT IT UNTIL IT'S FINISHED.
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THAT'S WHY I CAME TO MIAMI
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INSTEAD OF NEW YORK OR L.A.
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ONCE YOU UNVEIL ME, WE'LL HIT
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THE TALK SHOWS. I'LL DO OPRAH
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AND LARRY KING, REGIS AND KELLY,
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AND THE COVER OF PEOPLE
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MAGAZINE. I KNOW IT'LL HAPPEN.
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Sean: AS LONG AS WE'RE CLEAR
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THAT SIGNING THIS IN NO WAY
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OBLIGATES US TO DO THE SURGERY.
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Joan: THERE'S NO OBLIGATION,
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JUST THAT YOU'LL KEEP IT UNDER
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COVER.
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Christian: GREAT.
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Joan: OK. HERE IT IS.
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I'VE ALWAYS WANTED TO HAVE A
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TWIN. BECAUSE I WANTED TO SEE
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WHAT I WOULD LOOK LIKE IF I
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NEVER HAD PLASTIC SURGERY. BUT
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I DON'T HAVE A TWIN. I JUST HAVE
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ME. SO, I WANT YOU TO PUT ME
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BACK THE WAY I WOULD LOOK IF I
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HAD NEVER BEEN JOAN RIVERS.
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Christian: I'M CONFUSED.
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ARE YOU ASKING US TO DO A
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COMPLETE MAKEOVER THAT WOULD
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RESTORE YOUR NATURAL APPEARANCE?
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Joan: YES. YES. IT'LL BE CAREER
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VIAGRA. I MEAN, I COULD BRING
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BACK ALL THOSE JOKES I USED TO
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DO ABOUT MYSELF BEFORE PLASTIC
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SURGERY. I MEAN, I HAVE GREAT
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JOKES. I WAS SO UGLY THAT IF I
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WANTED TO MOON SOMEBODY, I'D
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JUST SHOW THEM MY FACE, OR MY
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BODY IS DROPPING SO FAST I COULD
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HAVE A MAMMOGRAM AND A PEDICURE
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AT THE SAME TIME.
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Sean: MS. RIVERS, WITH ALL THE
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WORK THAT YOU'VE HAD DONE, IT
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SEEMS LIKE A PRETTY EXTREME
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THING TO DO FOR THE SAKE OF YOUR
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CAREER.
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Joan: WELL, IT'S NOT JUST MY
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CAREER. IT'S ALSO MY GRANDSON
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COOPER. WE HAVE THE MOST AMAZING
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RELATIONSHIP. IT'S PROBABLY THE
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MOST HONEST RELATIONSHIP I'VE
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EVER HAD WITH ANYBODY IN MY
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WHOLE LIFE. HE LOVES ME EXACTLY
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THE WAY I AM.
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Sean: SO WHY CHANGE?
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Joan: I'M A GODDAMN LIE.
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LOOK, I KNOW I'M THE ONE THAT
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BROUGHT PLASTIC SURGERY INTO THE
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MAINSTREAM. I KNOW I'M THE ONE
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THAT CONVINCED ALL THOSE
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THOUSANDS OF HOUSEWIVES OUT
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THERE, "IF YOU DON'T LIKE YOUR
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FACE, THEN DO SOMETHING ABOUT
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IT. CHANGE IT." BUT NOW I WANT
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TO SEND OUT A DIFFERENT MESSAGE.
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MY GRANDSON IS...
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HE'S SO PURE. HE'S SO HAPPY
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WITH HIMSELF THE WAY HE IS.
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AND I WANT HIM TO STAY THAT WAY.
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I DON'T WANT HIM TO GROW UP
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HATING THE THOUGHT THAT HE'S
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GONNA GET OLDER. I DON'T WANT
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HIM TO CARE IF HE GETS ACNE AT
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20 OR HIS HAIR STARTS TO RECEDE
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AT 40. I JUST WANT HIM TO KNOW
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THERE'S NOTHING TO BE ASHAMED
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OF. IT'S THE NATURAL ORDER OF
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THINGS.
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AND, BOY, IT'LL GET ME SOME
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MAGAZINE COVER-- PEOPLE.
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OH, MY GOD, BEFORE...AFTER.
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NO ONE'S EVER DONE SOMETHING
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LIKE THAT. IT'S GOLD.
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AND I COULD USE A COVER. I
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HAVEN'T HAD ONE SINCE 1994,
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THOSE SONS OF BITCHES.
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COME ON, WHAT ABOUT IT?
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I AM OFFERING YOU THE MOTHER OF
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ALL PLASTIC SURGERIES.
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WILL YOU DO IT?
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* AHH *
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* MAKE ME BEAUTIFUL *
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* MAKE ME
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A PERFECT SOUL,
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A PERFECT MIND,
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A PERFECT FACE,
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A PERFECT
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LIE *
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Matt: YOU NEVER SMILE ANYMORE.
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TALK TO ME, AVA. TELL ME,
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HOW CAN I MAKE YOU HAPPY?
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Ava: I'LL NEVER BE HAPPY.
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Matt: AREN'T WE HAPPY RIGHT NOW?
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Ava: YOU'RE IN A WARM LITTLE
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COCOON.
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BUT ONCE WE LEAVE THE SAFETY OF
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THIS NEST, THEY'LL ALWAYS BE
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THERE, HARASSING US, JUDGING US.
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TORMENTING US.
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THEY'LL NEVER UNDERSTAND.
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TO THEM, OUR RELATIONSHIP IS
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UNNATURAL.
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Matt: LET'S GO AWAY THEN.
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LET'S GO AWAY AND START A NEW
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LIFE TOGETHER.
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LET'S GO TO PARIS.
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Ava: MY LIFE IS HERE, MATT.
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Matt: WE'LL EAT CROISSANTS ALL
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DAY. WE'LL DRINK WINE.
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WE'LL MAKE LOVE.
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Ava: I CAN'T.
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ADRIAN MIGHT COME BACK.
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Matt: DO YOU HAVE A CELL PHONE?
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Ava: I HAVE MEDICAL ISSUES.
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Matt: WE'LL FIND A DOCTOR IN
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PARIS. I'LL GET 3 MONTHS' OF
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YOUR MEDICATIONS FROM MY DAD'S
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OFFICE.
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Ava: YOUR WHOLE LIFE IS AHEAD OF
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YOU, MATT.
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Matt: THERE ISN'T ONE WITHOUT
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YOU.
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YOU SMILED.
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JUST SAY YES, AVA.
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SAY YES.
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Liz: MY GOD, WHEN IS THIS GONNA
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END? 4 NEW VICTIMS THIS MONTH
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ALONE.
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Sean: THE CUTS ON HER FACE LOOK
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WORSE THAN THE EYES.
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Liz: HE'S GETTING BOLDER.
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PROBABLY FEELS HE'S NOT GETTING
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ENOUGH ATTENTION. YOU'RE THE ONE
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STEALING HIS HEADLINES.
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Sean: NOT BY CHOICE.
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Rosa: THEN WHY ARE YOU FIXING
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HIS WORK AGAIN, SEAN?
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Sean: BECAUSE EVERY OTHER
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PLASTIC SURGEON IN TOWN IS
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AFRAID TO. IT'S MY MORAL
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OBLIGATION. I'D STOP IT IF I
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COULD, BUT I CAN'T. 15 BLADE.
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Escobar: SEAN. HOW'S IT HANGING,
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HOMES?
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Sean: WHAT AM I SUPPOSED TO DO
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WITH THIS?
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Escobar: YOU STARTED A WAR,
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SEAN.
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YOU'RE GONNA NEED MORE THAN A
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SCALPEL TO FINISH IT.
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HEY, SEXY. HOW'S THAT LEG?
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Sean: WHAT ARE YOU TALKING
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ABOUT?
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Escobar: YOU AND THE CARVER,
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BROTHER. REMEMBER WHAT HE SAID?
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FIX HIS WORK AGAIN, HE'S COMING
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BACK FOR YOU.
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YOU ASKED HOW TO STOP IT.
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I'M TELLING YOU.
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CAP HIS ASS.
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Sean: YOU, OF ALL PEOPLE, KNOW I
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CAN'T USE THIS THING. 15 BLADE.
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Escobar: PUSSY.
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[LATIN MUSIC PLAYING]
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YOU KNOW, MAYBE WHAT YOU REALLY
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NEED ARE SOME BALLS, BRO.
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Sean: I'VE GOT BALLS. YOU KNOW
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I DO. YOU'RE IN JAIL BECAUSE OF
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ME.
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Escobar: THAT WAS YOUR FINEST
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HOUR, HUH? TRUTH IS, SEAN, I
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MADE YOU A MAN.
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Sean: YOU DIDN'T DO SHIT.
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Escobar: I GAVE YOU THE GUTS TO
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PULL A GUN. I GAVE YOU THE
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STRENGTH TO RISK KILLING SOMEONE
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TO SAVE YOURSELF, AND YOUR
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FAMILY AND YOUR BUSINESS.
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I GAVE YOU CHARACTER.
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WHERE DID IT GO?
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NOW WHAT'S WITH THIS MUSIC?
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I HATE THIS SHIT.
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[ROCK MUSIC PLAYS]
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NOW THAT'S MORE LIKE IT.
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GOD, DO I LOVE THE EIGHTIES.
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Sean: TURN THAT DOWN.
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I CAN'T OPERATE UNDER THESE
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CONDITIONS.
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Escobar: HEY, YOU THINK FIXING
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HER FACE IS GONNA MAKE
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EVERYTHING BETTER?
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YOU WANNA RESTORE REAL ORDER
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TO THIS MESS, SEAN?
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YOU GOTTA BE READY TO GO ONE ON
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ONE WITH THE CARVER.
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LIKE YOU DID WITH ME.
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OH. I GUESS SHE NEEDS SOME MORE
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GAS.
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Sean: NO. I WON'T DO THAT AGAIN.
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Escobar: YES, YOU WILL.
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BECAUSE YOU'VE GOT A DEATH WISH.
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SO DEPRESSED...OUR LITTLE SEAN.
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YOU GOTTA TAKE THIS GUY OUT.
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RESTORE THE ORDER AND KILL
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THE CARVER.
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Liz: KILL THE CARVER.
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Escobar: DON'T TELL ME THIS GUY
257
00:10:07,007 --> 00:10:08,008
SCARES YOU MORE THAN ME.
258
00:10:08,008 --> 00:10:09,409
I'M GETTING JEALOUS.
259
00:10:09,409 --> 00:10:10,410
Sean: SHUT UP!
260
00:10:10,410 --> 00:10:11,745
Escobar: HA HA HA. MAKE ME.
261
00:10:11,745 --> 00:10:14,414
Sean: GUN.
262
00:10:14,414 --> 00:10:18,318
Escobar: GOOD. READY? AIM...
263
00:10:18,318 --> 00:10:19,720
SHOOT!
264
00:11:07,000 --> 00:11:07,935
Christian: WHAT THE HELL ARE YOU
265
00:11:07,935 --> 00:11:08,936
DOING?
266
00:11:08,936 --> 00:11:12,806
Matt: UM, NOTHING.
267
00:11:12,806 --> 00:11:15,075
I WAS JUST--OH...
268
00:11:18,345 --> 00:11:21,081
Christian: TEMESTA?
269
00:11:21,081 --> 00:11:23,483
YOU STEAL ANTI-ANXIETY PILLS?
270
00:11:23,483 --> 00:11:26,519
Matt: LOOK, I'VE BEEN UPSET, OK?
271
00:11:26,519 --> 00:11:27,487
AND I DIDN'T FEEL LIKE ASKING
272
00:11:27,487 --> 00:11:28,488
FOR 'EM AND GOING THROUGH THE
273
00:11:28,488 --> 00:11:29,489
THIRD DEGREE.
274
00:11:29,489 --> 00:11:33,360
Christian: HELIX? GREAT.
275
00:11:33,360 --> 00:11:34,828
DON'T YOU KNOW IT'S DANGEROUS
276
00:11:34,828 --> 00:11:35,863
TO SELF-PRESCRIBE?
277
00:11:35,863 --> 00:11:36,830
Matt: COME ON, MAN. THEY SELL
278
00:11:36,830 --> 00:11:38,098
THIS SHIT AT SCHOOL TO EVERY--
279
00:11:38,098 --> 00:11:41,802
GET YOUR HANDS OFF ME.
280
00:11:47,240 --> 00:11:48,408
Christian: CLOMIPHENE CITRATE
281
00:11:48,408 --> 00:11:49,843
HAS NOTHING TO DO WITH STRESS,
282
00:11:49,843 --> 00:11:50,944
ASSHOLE.
283
00:11:50,944 --> 00:11:53,313
I'M SICK OF YOUR GODDAMN LIES,
284
00:11:53,313 --> 00:11:56,116
MATT. I DON'T KNOW WHAT'S GOING
285
00:11:56,116 --> 00:11:57,250
ON WITH YOU, BUT CLEARLY THESE
286
00:11:57,250 --> 00:11:58,318
PILLS ARE NOT FOR YOU.
287
00:11:58,318 --> 00:12:00,120
SO YOU TELL ME WHY YOU'RE
288
00:12:00,120 --> 00:12:01,989
STEALING THESE DRUGS, OR I WILL
289
00:12:01,989 --> 00:12:03,390
PERSONALLY BRING YOU TO THE COPS
290
00:12:03,390 --> 00:12:04,858
AND ENCOURAGE THEM TO LOCK YOU
291
00:12:04,858 --> 00:12:05,859
UP AND KEEP YOU THERE UNTIL
292
00:12:05,859 --> 00:12:07,027
YOU'RE TOO OLD TO ENJOY THEM.
293
00:12:07,027 --> 00:12:09,496
Matt: OK. FINE.
294
00:12:16,804 --> 00:12:20,273
THEY'RE FOR AVA. I'M STOCKING
295
00:12:20,273 --> 00:12:21,541
UP.
296
00:12:21,541 --> 00:12:23,543
Christian: WHY?
297
00:12:23,543 --> 00:12:26,346
Matt: 'CAUSE WE'RE GOING AWAY.
298
00:12:26,346 --> 00:12:28,748
FOREVER.
299
00:12:33,520 --> 00:12:34,855
Ava: GO AHEAD, TURN ME IN TO THE
300
00:12:34,855 --> 00:12:36,356
POLICE. I'LL DENY EVERYTHING.
301
00:12:36,356 --> 00:12:38,158
MATT WILL SUPPORT ME ENTIRELY,
302
00:12:38,158 --> 00:12:39,292
AND ALL YOU'LL ACCOMPLISH IS
303
00:12:39,292 --> 00:12:40,360
STARTING A CRIMINAL FILE FOR
304
00:12:40,360 --> 00:12:41,895
YOUR VERY OWN SON.
305
00:12:41,895 --> 00:12:42,896
Christian: MATT WON'T BE
306
00:12:42,896 --> 00:12:43,563
ARRESTED. YOU WILL.
307
00:12:43,563 --> 00:12:44,564
Ava: PHARMACEUTICAL DRUGS THEFT
308
00:12:44,564 --> 00:12:45,899
IS A FELONY. DO YOUR RESEARCH
309
00:12:45,899 --> 00:12:47,868
BEFORE YOU COME INTO MY HOUSE
310
00:12:47,868 --> 00:12:48,902
WITH YOUR PATHETIC CHICKEN
311
00:12:48,902 --> 00:12:50,971
LITTLE ACT.
312
00:12:50,971 --> 00:12:53,573
VODKA ROCKS. IF MEMORY SERVES,
313
00:12:53,573 --> 00:12:54,875
YOU DOWNED IT LAST TIME YOU WERE
314
00:12:54,875 --> 00:12:56,176
HERE BARKING SIMILAR HOLLOW
315
00:12:56,176 --> 00:12:58,178
THREATS. DRINK UP AND THEN GET
316
00:12:58,178 --> 00:12:59,046
OUT.
317
00:13:03,183 --> 00:13:05,585
HOW BARBARIC. DESPITE YOUR
318
00:13:05,585 --> 00:13:07,254
DOCTOR'S DEGREE AND YOUR SLICK
319
00:13:07,254 --> 00:13:09,923
VENEER OF SOPHISTICATION, WHEN
320
00:13:09,923 --> 00:13:10,924
IT COMES TO WOMEN AND HOW TO
321
00:13:10,924 --> 00:13:13,060
TREAT THEM, YOU'VE CRAWLED RIGHT
322
00:13:13,060 --> 00:13:14,194
OUT OF A CAVE.
323
00:13:14,194 --> 00:13:15,929
Christian: I'D WATCH MY MOUTH
324
00:13:15,929 --> 00:13:17,597
IF I WERE YOU.
325
00:13:17,597 --> 00:13:20,033
Ava: OR WHAT? YOU'LL HIT ME?
326
00:13:20,033 --> 00:13:20,934
Christian: IF YOU WERE A MAN,
327
00:13:20,934 --> 00:13:21,935
AFTER THE HELL YOU'VE CAUSED MY
328
00:13:21,935 --> 00:13:26,206
FAMILY, YOU'D BE ON THE FLOOR.
329
00:13:26,206 --> 00:13:27,640
Ava: AND YOU'D BE RIGHT ON TOP
330
00:13:27,640 --> 00:13:29,943
OF ME, WOULDN'T YOU, CHRISTIAN?
331
00:13:29,943 --> 00:13:32,012
'CAUSE YOU WANT ME, DON'T YOU?
332
00:13:32,012 --> 00:13:34,514
Christian: YOU LUBRICATE ACID.
333
00:13:34,514 --> 00:13:36,416
IF I STUCK MY DICK IN YOU,
334
00:13:36,416 --> 00:13:38,051
IT WOULD SIZZLE OFF.
335
00:13:38,051 --> 00:13:39,953
Ava: OH, IT WOULD SIZZLE, ALL
336
00:13:39,953 --> 00:13:43,390
RIGHT. MATT'S NOT HERE.
337
00:13:43,390 --> 00:13:44,391
BUT YOU KNEW THAT BEFORE
338
00:13:44,391 --> 00:13:46,059
YOU WALKED IN HERE CARRYING YOUR
339
00:13:46,059 --> 00:13:47,360
BIG STICK YOU'RE AFRAID TO
340
00:13:47,360 --> 00:13:49,930
SWING. YOU'RE NOT UPSET MATT'S
341
00:13:49,930 --> 00:13:51,631
SEEING ME. YOU'RE UPSET THAT
342
00:13:51,631 --> 00:13:52,632
YOU'RE NOT.
343
00:13:52,632 --> 00:13:53,600
Christian: YOU'RE CRAZY.
344
00:13:53,600 --> 00:13:54,634
AND LET ME MAKE MYSELF CLEAR.
345
00:13:54,634 --> 00:13:56,369
I'M NOT LEAVING THIS HELL HOUSE
346
00:13:56,369 --> 00:13:57,370
UNTIL YOU AGREE TO STOP SEEING
347
00:13:57,370 --> 00:14:01,374
MATT. I WILL KILL YOU BEFORE I
348
00:14:01,374 --> 00:14:02,375
LET YOU TAKE HIM OUT OF THIS
349
00:14:02,375 --> 00:14:03,243
COUNTRY.
350
00:14:03,243 --> 00:14:04,411
Ava: SCREW THE PETTY THREATS.
351
00:14:04,411 --> 00:14:09,116
YOU WANT ME TO STOP SEEING MATT?
352
00:14:09,116 --> 00:14:10,417
THEN MAKE ME.
353
00:14:13,086 --> 00:14:14,221
YOU WANT ME TO STOP?
354
00:14:14,221 --> 00:14:16,256
THEN THERE'S ONLY ONE THING FOR
355
00:14:16,256 --> 00:14:18,525
YOU TO DO, CHRISTIAN.
356
00:14:18,525 --> 00:14:19,993
MAKE ME WANT YOU MORE.
357
00:14:19,993 --> 00:14:21,261
CONQUER ME.
358
00:14:21,261 --> 00:14:25,165
HMPH. YOU DON'T HAVE THE GUTS.
359
00:14:25,165 --> 00:14:27,067
NEITHER DOES SEAN OR JULIA.
360
00:14:27,067 --> 00:14:28,301
I HAVE THE POWER AND I'M
361
00:14:28,301 --> 00:14:29,937
KEEPING IT.
362
00:14:29,937 --> 00:14:31,371
OH, I SEE NOW. YOU'RE JUST LIKE
363
00:14:31,371 --> 00:14:32,405
THE REST OF THEM.
364
00:14:32,405 --> 00:14:34,041
THREATENING, KOWTOWED,
365
00:14:34,041 --> 00:14:35,675
SPINELESS. TERRIFIED OF THE
366
00:14:35,675 --> 00:14:37,144
UNCONDITIONAL.
367
00:14:37,144 --> 00:14:39,679
A WOMAN WITH MENTAL AND SEXUAL
368
00:14:39,679 --> 00:14:42,983
INTELLIGENCE.
369
00:14:42,983 --> 00:14:44,584
YOU DISAPPOINT ME, CHRISTIAN.
370
00:14:44,584 --> 00:14:46,987
IN THE END, YOU'RE ALL BARK AND
371
00:14:46,987 --> 00:14:48,021
NO BITE.
372
00:14:51,391 --> 00:14:53,026
Christian: BITE ME.
373
00:14:53,026 --> 00:14:56,029
Ava: HOW HARD?
374
00:15:11,444 --> 00:15:13,146
Christian: YOU STARTED IT.
375
00:15:13,146 --> 00:15:15,682
YOU CAN FINISH IT.
376
00:15:15,682 --> 00:15:18,518
Ava: NO. NO, NO. NO. NO! NOT
377
00:15:18,518 --> 00:15:19,452
THAT.
378
00:15:19,452 --> 00:15:20,320
Christian: YOU WANNA BE
379
00:15:20,320 --> 00:15:22,222
CONQUERED? CONSIDER IT DONE.
380
00:15:22,222 --> 00:15:25,725
Ava: OH!
381
00:15:25,725 --> 00:15:27,995
AH...
382
00:15:41,474 --> 00:15:42,609
WHAT'S WRONG?
383
00:15:42,609 --> 00:15:44,477
AM I TOO MUCH OF A WOMAN FOR
384
00:15:44,477 --> 00:15:45,678
YOU?
385
00:15:51,251 --> 00:15:52,685
Detective: NO, SEAN. I CAN'T
386
00:15:52,685 --> 00:15:53,553
ALLOW THIS.
387
00:15:53,553 --> 00:15:54,554
Sean: IT'S THE ONLY WAY TO MAKE
388
00:15:54,554 --> 00:15:55,588
HIM STOP.
389
00:15:55,588 --> 00:15:56,689
Detective: WHEN?
390
00:15:56,689 --> 00:15:58,158
Sean: I DON'T KNOW. END OF THE
391
00:15:58,158 --> 00:15:59,292
WEEK? YOU PULL THE SECURITY
392
00:15:59,292 --> 00:16:00,660
DETAIL OFF THE HOUSE, LET HIM
393
00:16:00,660 --> 00:16:01,561
SEE THAT I'M VULNERABLE.
394
00:16:01,561 --> 00:16:02,562
Detective: WE'RE WAITING INSIDE
395
00:16:02,562 --> 00:16:03,296
THE HOUSE.
396
00:16:03,296 --> 00:16:04,297
Sean: NO. HE'S SMART.
397
00:16:04,297 --> 00:16:05,365
HE'LL SENSE THAT. WE DON'T TELL
398
00:16:05,365 --> 00:16:07,300
ANYBODY--MY FAMILY, MY PARTNER,
399
00:16:07,300 --> 00:16:08,301
NO ONE. I'LL BE ALONE WITH HIM.
400
00:16:08,301 --> 00:16:11,071
JUST ME. AND ONCE HE THINKS HE'S
401
00:16:11,071 --> 00:16:12,439
GOT WHAT HE WANTS, THEN YOU COME
402
00:16:12,439 --> 00:16:13,440
IN.
403
00:16:13,440 --> 00:16:15,042
[KNOCK ON DOOR]
404
00:16:15,042 --> 00:16:16,043
Sean: UH, WE'RE SORT OF IN THE
405
00:16:16,043 --> 00:16:17,744
MIDDLE OF SOMETHING HERE.
406
00:16:17,744 --> 00:16:19,112
Christian: IT CAN WAIT.
407
00:16:26,353 --> 00:16:28,588
Sean: THIS HAD BETTER BE
408
00:16:28,588 --> 00:16:29,656
IMPORTANT, CHRISTIAN.
409
00:16:29,656 --> 00:16:33,326
Christian: IT IS.
410
00:16:33,326 --> 00:16:34,727
AVA'S A MAN.
411
00:16:46,206 --> 00:16:47,507
Christian: ANYTHING?
412
00:16:47,507 --> 00:16:48,475
Sean: STILL CHECKING.
413
00:16:48,475 --> 00:16:49,642
Julia: ARE YOU CERTAIN SHE
414
00:16:49,642 --> 00:16:50,843
DIDN'T JUST HAVE A NATURALLY
415
00:16:50,843 --> 00:16:52,612
SHALLOW VAGINAL CANAL?
416
00:16:52,612 --> 00:16:55,148
Christian: BELIEVE ME, THERE WAS
417
00:16:55,148 --> 00:16:57,084
NOTHING NATURAL ABOUT IT.
418
00:16:57,084 --> 00:16:59,786
Julia: YOU'RE PLASTIC SURGEONS.
419
00:16:59,786 --> 00:17:00,753
IF THIS IS TRUE, I DON'T
420
00:17:00,753 --> 00:17:01,754
UNDERSTAND WHY YOU COULDN'T TELL
421
00:17:01,754 --> 00:17:02,755
RIGHT AWAY.
422
00:17:02,755 --> 00:17:03,756
Christian: SHE'S A GODDAMN HOPE
423
00:17:03,756 --> 00:17:05,492
DIAMOND OF TRANSSEXUALS, JULIA.
424
00:17:05,492 --> 00:17:06,393
FLAWLESS IN EVERY WAY.
425
00:17:06,393 --> 00:17:07,494
Sean: I CALLED ABE RUCKMAN AT
426
00:17:07,494 --> 00:17:09,162
THE AVON SEXUAL REASSIGNMENT
427
00:17:09,162 --> 00:17:10,597
CLINICS, STEPHANIE DUNCAN AT THE
428
00:17:10,597 --> 00:17:11,631
GENE IDENTITY CENTER IN
429
00:17:11,631 --> 00:17:12,765
COLORADO. NOBODY'S EVER HEARD OF
430
00:17:12,765 --> 00:17:14,234
HER. AVA MOORE HAS NEVER
431
00:17:14,234 --> 00:17:15,368
EXISTED.
432
00:17:15,368 --> 00:17:17,370
Julia: AS A WOMAN YOU MEAN.
433
00:17:17,370 --> 00:17:19,506
Sean: LOOK, JULIA, I THOUGHT IT
434
00:17:19,506 --> 00:17:20,840
WAS A PREPOSTEROUS CONJECTURE,
435
00:17:20,840 --> 00:17:22,375
TOO. THEN HE GAVE ME THE LIST OF
436
00:17:22,375 --> 00:17:24,177
DRUGS MATT WAS STEALING FOR HER.
437
00:17:26,646 --> 00:17:27,647
Julia: THIS IS GREEK TO ME.
438
00:17:27,647 --> 00:17:28,515
Christian: THE COMPOUNDS
439
00:17:28,515 --> 00:17:29,782
ARE VERY SPECIFIC.
440
00:17:29,782 --> 00:17:31,384
SPIROLACTINE FOR BREAST,
441
00:17:31,384 --> 00:17:32,519
NIPPLE DEVELOPMENT.
442
00:17:32,519 --> 00:17:34,521
PREMARIN FOR VAGINAL DRYNESS,
443
00:17:34,521 --> 00:17:35,788
ALL IN AMOUNTS AND CALIBRATIONS
444
00:17:35,788 --> 00:17:39,326
WE'VE NEVER EVEN SEEN BEFORE.
445
00:17:39,326 --> 00:17:40,660
IT'S QUITE BRILLIANT, REALLY.
446
00:17:40,660 --> 00:17:42,662
Julia: NO PRESCRIPTION TO CHASE?
447
00:17:42,662 --> 00:17:44,831
Sean: NOTHING.
448
00:17:44,831 --> 00:17:45,665
Christian: WE'RE GONNA
449
00:17:45,665 --> 00:17:46,433
HAVE TO TELL MATT.
450
00:17:46,433 --> 00:17:48,568
Julia: NO. IF THIS IS TRUE
451
00:17:48,568 --> 00:17:50,203
AND HE FINDS OUT, HE WILL NEVER
452
00:17:50,203 --> 00:17:51,571
RECOVER FROM IT. HE'LL BE
453
00:17:51,571 --> 00:17:52,772
SEXUALLY RUINED FOR THE REST
454
00:17:52,772 --> 00:17:56,409
OF HIS LIFE.
455
00:17:56,409 --> 00:17:58,278
AND IF HE FINDS OUT YOU SCREWED
456
00:17:58,278 --> 00:17:59,612
HIS GIRLFRIEND, HE WILL NEVER
457
00:17:59,612 --> 00:18:01,448
FORGIVE YOU FOR IT OR TRUST YOU
458
00:18:01,448 --> 00:18:02,515
AGAIN, CHRISTIAN.
459
00:18:06,253 --> 00:18:08,855
Christian: WHAT?! SHE JUMPED ME.
460
00:18:08,855 --> 00:18:10,290
Technician: BEDROOM CAM'S
461
00:18:10,290 --> 00:18:11,291
WORKIN' GREAT, SEAN. SO'S
462
00:18:11,291 --> 00:18:13,226
THAT ONE IN THE DINING ROOM.
463
00:18:15,895 --> 00:18:17,330
Christian: WHAT'S THAT FOR?
464
00:18:21,168 --> 00:18:22,769
Sean: UH, IT'S JUST PART OF THE,
465
00:18:22,769 --> 00:18:23,936
UM, NEW SECURITY SYSTEM I'M
466
00:18:23,936 --> 00:18:25,738
PUTTING IN. THANKS.
467
00:18:25,738 --> 00:18:26,773
WE'LL TALK LATER.
468
00:18:26,773 --> 00:18:27,740
Technician: ALL RIGHT.
469
00:18:35,715 --> 00:18:38,218
[SEAN SIGHS]
470
00:18:38,218 --> 00:18:39,786
Sean: NOT ONE MATCH.
471
00:18:42,289 --> 00:18:43,623
Julia: LET ME SEE.
472
00:18:46,226 --> 00:18:47,527
Sean: WHAT'S CLEAR IS WE CAN'T
473
00:18:47,527 --> 00:18:48,795
JUST KEEP BARGING INTO HER HOUSE
474
00:18:48,795 --> 00:18:49,829
AND CONFRONTING HER WITHOUT
475
00:18:49,829 --> 00:18:51,864
INDISPUTABLE PROOF. WE GET ONE
476
00:18:51,864 --> 00:18:53,200
MORE CHANCE AT THIS BEFORE SHE
477
00:18:53,200 --> 00:18:53,966
LEAVES TOWN AND TAKES HIM
478
00:18:53,966 --> 00:18:56,536
WITH HER.
479
00:18:56,536 --> 00:18:57,737
Julia: WELL, AT LEAST SHE THINKS
480
00:18:57,737 --> 00:18:58,805
LIKE A WOMAN.
481
00:19:02,609 --> 00:19:03,543
Sean: "HERMES"?
482
00:19:03,543 --> 00:19:04,644
Julia: REMEMBER WHEN SUZANNE
483
00:19:04,644 --> 00:19:06,346
HIRED A PRIVATE INVESTIGATOR
484
00:19:06,346 --> 00:19:08,215
TO FOLLOW HER HUSBAND? HE TOLD
485
00:19:08,215 --> 00:19:09,349
HER ABOUT A WEBSITE WHERE YOU
486
00:19:09,349 --> 00:19:10,450
COULD LOOK UP OTHER PEOPLE'S
487
00:19:10,450 --> 00:19:12,385
CREDIT ACCOUNTS. AND AVA MOORE
488
00:19:12,385 --> 00:19:13,753
HAS AN OUTSTANDING BALANCE AT
489
00:19:13,753 --> 00:19:15,522
THE HERMES STORE IN VIENNA,
490
00:19:15,522 --> 00:19:17,757
VIRGINIA.
491
00:19:17,757 --> 00:19:19,592
Sean: HOW CLOSE IS BALTIMORE
492
00:19:19,592 --> 00:19:21,361
TO VIENNA, VIRGINIA?
493
00:19:26,766 --> 00:19:27,900
Christian: HOW OLD'S ADRIAN?
494
00:19:27,900 --> 00:19:30,770
Julia: 17. MATT'S AGE.
495
00:19:30,770 --> 00:19:32,239
Christian: WELL, 17 YEARS AGO,
496
00:19:32,239 --> 00:19:33,240
IF YOU WANTED A STATE-OF-THE-
497
00:19:33,240 --> 00:19:34,574
ART SEX CHANGE, THERE REALLY WAS
498
00:19:34,574 --> 00:19:35,608
ONLY ONE PLACE IN THE WORLD
499
00:19:35,608 --> 00:19:36,609
TO GO.
500
00:19:36,609 --> 00:19:37,510
[JET PLANE ENGINE]
501
00:19:37,510 --> 00:19:38,378
Liz: THE PERSON YOU NEED TO
502
00:19:38,378 --> 00:19:39,879
SEE AT JOHNS HOPKINS IS CAROL,
503
00:19:39,879 --> 00:19:40,813
FORMERLY CARLOS. SHE'S BEEN
504
00:19:40,813 --> 00:19:41,748
WORKIN' THERE FOR 10 YEARS.
505
00:19:41,748 --> 00:19:42,515
Sean: WHY DO YOU THINK
506
00:19:42,515 --> 00:19:43,283
SHOWING UP IN PERSON
507
00:19:43,283 --> 00:19:44,384
IS GONNA DO THE TRICK WHEN
508
00:19:44,384 --> 00:19:45,618
LEAVING HER 5 MESSAGES DIDN'T?
509
00:19:45,618 --> 00:19:46,519
Liz: SOPHIA SAYS THE
510
00:19:46,519 --> 00:19:47,820
TRANSGENDERED COMMUNITY IS
511
00:19:47,820 --> 00:19:48,788
INCREDIBLY PROTECTIVE. THEY'RE
512
00:19:48,788 --> 00:19:49,989
NOT GONNA OPEN UP TO SOMEONE
513
00:19:49,989 --> 00:19:51,258
THEY DON'T KNOW. THEY NEED TO
514
00:19:51,258 --> 00:19:52,024
SEE YOU TO TRUST YOU.
515
00:19:52,024 --> 00:19:52,925
Christian: WILL YOU EXPLAIN TO
516
00:19:52,925 --> 00:19:53,926
ME HOW 2 COMPLETE STRANGERS CAN
517
00:19:53,926 --> 00:19:55,295
BUILD A TRUSTING RELATIONSHIP
518
00:19:55,295 --> 00:19:56,396
IN LESS THAN 5 MINUTES?
519
00:19:56,396 --> 00:19:57,530
Liz: OH, FOR GOD SAKES.
520
00:19:57,530 --> 00:19:58,531
YOU'VE CHARMED HALF OF THE
521
00:19:58,531 --> 00:20:00,400
FEMALE POPULATION OF MIAMI, NOT
522
00:20:00,400 --> 00:20:01,868
TO MENTION A FEW TRANSSEXUALS.
523
00:20:01,868 --> 00:20:03,803
Christian: ONE TRANSSEXUAL. AND
524
00:20:03,803 --> 00:20:04,804
AVA FOOLED EVERYBODY.
525
00:20:04,804 --> 00:20:06,273
Liz: NOT EVERYBODY. I KNEW THERE
526
00:20:06,273 --> 00:20:07,274
WAS A REASON I WASN'T
527
00:20:07,274 --> 00:20:07,940
ATTRACTED TO HER.
528
00:20:07,940 --> 00:20:08,875
Sean: WHAT IF CHARM DOESN'T
529
00:20:08,875 --> 00:20:09,942
WORK? ANY OTHER IDEAS?
530
00:20:09,942 --> 00:20:11,444
Liz: BE EMPATHETIC. CONVINCE
531
00:20:11,444 --> 00:20:12,312
HER THAT YOU'RE THERE
532
00:20:12,312 --> 00:20:13,713
AS PROFESSIONALS TO HELP AVA,
533
00:20:13,713 --> 00:20:14,581
THAT YOU'RE CONCERNED
534
00:20:14,581 --> 00:20:15,315
ABOUT HER WELFARE.
535
00:20:15,315 --> 00:20:15,882
Sean: I'M NOT SURE
536
00:20:15,882 --> 00:20:16,716
I'M THAT GOOD A LIAR.
537
00:20:16,716 --> 00:20:17,717
Christian: I AM. COME ON.
538
00:20:17,717 --> 00:20:18,885
WE'RE LATE.
539
00:20:24,624 --> 00:20:25,958
Salesman: THIS ONE HERE IS A
540
00:20:25,958 --> 00:20:27,694
FILET TOUGH AND BAY WITH A
541
00:20:27,694 --> 00:20:28,895
RUBBER HANDLE. REAL GOOD FOR
542
00:20:28,895 --> 00:20:31,398
SECURIN' THE GRIP. A REAL NICE
543
00:20:31,398 --> 00:20:32,699
CHOICE FOR BARBECUING OR
544
00:20:32,699 --> 00:20:35,968
DRESSING MEATS.
545
00:20:35,968 --> 00:20:38,838
THIS ONE'S MY FAVORITE. A BUCK
546
00:20:38,838 --> 00:20:40,973
NIGHTHAWK. VERY STEALTHY. COMES
547
00:20:40,973 --> 00:20:43,710
WITH A NYLON SHEATH.
548
00:20:43,710 --> 00:20:46,446
IT HAS A 652 STEEL DROP-POINT
549
00:20:46,446 --> 00:20:48,381
BLADE FOR A REAL LONG LIFE...
550
00:20:48,381 --> 00:20:50,249
NO MATTER WHAT THE ELEMENTS.
551
00:20:52,852 --> 00:20:53,853
ANY OTHER QUESTIONS
552
00:20:53,853 --> 00:20:55,855
FOR YOU TODAY?
553
00:20:55,855 --> 00:20:58,458
Adrian: YES. WHICH ONE WOULD
554
00:20:58,458 --> 00:20:59,659
YOU RECOMMEND IF I WANTED
555
00:20:59,659 --> 00:21:01,260
TO GUT SOMETHING?
556
00:21:03,563 --> 00:21:05,064
P.A.: DR. DAVIS, TELEPHONE,
557
00:21:05,064 --> 00:21:07,667
PLEASE. DR. DAVIS, TELEPHONE,
558
00:21:07,667 --> 00:21:08,668
PLEASE.
559
00:21:14,674 --> 00:21:16,075
J.T.: I WENT INTO A MEN'S
560
00:21:16,075 --> 00:21:19,479
REST ROOM YESTERDAY. I'VE NEVER
561
00:21:19,479 --> 00:21:21,648
BEEN SO SCARED.
562
00:21:21,648 --> 00:21:22,649
Carol: YOU'VE BEEN LIVING
563
00:21:22,649 --> 00:21:24,917
AS A MAN NOW FOR 5 YEARS, J.T.
564
00:21:24,917 --> 00:21:26,719
YOU'VE CERTAINLY USED THE MALE
565
00:21:26,719 --> 00:21:28,388
REST ROOM SINCE YOUR SURGERY.
566
00:21:28,388 --> 00:21:31,891
RIGHT? SO WHY THE FEAR?
567
00:21:31,891 --> 00:21:34,827
J.T.: IT WAS A TROUGH URINAL.
568
00:21:34,827 --> 00:21:35,962
Carol: MMM.
569
00:21:35,962 --> 00:21:37,597
J.T.: WHERE ALL THE GUYS PEE
570
00:21:37,597 --> 00:21:40,066
IN THE OPEN. AND WHAT IF THE GUY
571
00:21:40,066 --> 00:21:42,735
NEXT TO ME SEES IT'S A BRAND-NEW
572
00:21:42,735 --> 00:21:44,671
PENIS AND...HE WANTS
573
00:21:44,671 --> 00:21:47,374
TO BEAT ME DOWN?
574
00:21:47,374 --> 00:21:48,641
YOU KNOW?
575
00:21:48,641 --> 00:21:49,776
Carol: SO YOU KNOW WHAT?
576
00:21:49,776 --> 00:21:50,777
YOU JUST NEED TO LEARN HOW
577
00:21:50,777 --> 00:21:52,044
TO PROTECT YOURSELF, J.T.
578
00:21:52,044 --> 00:21:53,045
J.T.: DOES NOTHING MAKE YOU
579
00:21:53,045 --> 00:21:53,913
AFRAID, CAROL?
580
00:21:53,913 --> 00:21:56,949
IS THERE NOTHING YOU FEAR?
581
00:22:01,388 --> 00:22:05,458
Carol: [SIGHS] YEAH.
582
00:22:09,929 --> 00:22:13,933
AIRPORTS.
583
00:22:13,933 --> 00:22:16,636
MAKING IT THROUGH SECURITY
584
00:22:16,636 --> 00:22:20,773
AS A WOMAN.
585
00:22:20,773 --> 00:22:23,009
OH, MAN. SINCE 9/11, IT'S
586
00:22:23,009 --> 00:22:26,045
LIKE...IT'S LIKE THEY SCRUTINIZE
587
00:22:26,045 --> 00:22:29,549
SO CAREFULLY NOW.
588
00:22:29,549 --> 00:22:31,418
I DON'T KNOW. IF YOU CAN MAKE IT
589
00:22:31,418 --> 00:22:33,420
THROUGH THOSE SECURITY LINES
590
00:22:33,420 --> 00:22:36,689
UNDETECTED AND ACCEPTED...IT'S
591
00:22:36,689 --> 00:22:37,990
LIKE YOU'RE REAL.
592
00:22:37,990 --> 00:22:39,426
YOU KNOW?
593
00:22:41,828 --> 00:22:43,162
THIS IS A CLOSED MEETING.
594
00:22:43,162 --> 00:22:44,697
CAN I HELP YOU?
595
00:22:44,697 --> 00:22:45,832
Christian: WE'RE LOOKING FOR
596
00:22:45,832 --> 00:22:47,867
CAROL NELSON IN ROOM 305.
597
00:22:47,867 --> 00:22:48,801
Carol: AND YOU ARE?
598
00:22:48,801 --> 00:22:50,437
Christian: I'M DR. CHRISTIAN
599
00:22:50,437 --> 00:22:51,504
TROY. THIS IS MY PARTNER
600
00:22:51,504 --> 00:22:53,573
SEAN McNAMARA.
601
00:22:53,573 --> 00:22:54,707
WE'VE BEEN TRYING
602
00:22:54,707 --> 00:22:55,808
TO REACH YOU. SOPHIA LOPEZ
603
00:22:55,808 --> 00:22:57,977
GAVE US YOUR NAME.
604
00:22:57,977 --> 00:23:01,180
Carol: [SNICKERS, SIGHS]
605
00:23:01,180 --> 00:23:02,849
OK, LISTEN, UH, WHY DON'T WE
606
00:23:02,849 --> 00:23:03,850
JUST TAKE A QUICK,
607
00:23:03,850 --> 00:23:04,984
LITTLE BREAK. OK?
608
00:23:04,984 --> 00:23:06,118
GO OUTSIDE, HAVE A LITTLE SNACK.
609
00:23:06,118 --> 00:23:07,654
AND I'LL SEE YOU GUYS BACK
610
00:23:07,654 --> 00:23:08,655
IN 10.
611
00:23:12,725 --> 00:23:13,860
J.T.: THANK YOU, CAROL.
612
00:23:17,997 --> 00:23:19,466
Carol: SO, HOW CAN I HELP YOU?
613
00:23:19,466 --> 00:23:20,633
Sean: WE'RE PLASTIC SURGEONS.
614
00:23:20,633 --> 00:23:21,734
WE'VE FLOWN OUT FROM MIAMI
615
00:23:21,734 --> 00:23:22,602
BECAUSE WE NEED MEDICAL
616
00:23:22,602 --> 00:23:23,703
INFORMATION ON A PATIENT.
617
00:23:23,703 --> 00:23:25,738
Carol: MMM. REALLY. WELL, I
618
00:23:25,738 --> 00:23:27,173
GUESS AS SURGEONS AND FRIENDS OF
619
00:23:27,173 --> 00:23:28,741
SOPHIA'S, YOU HAVE TO KNOW THAT
620
00:23:28,741 --> 00:23:30,477
A GENDER REASSIGNMENT FILE IS
621
00:23:30,477 --> 00:23:32,812
AS CLASSIFIED AS A NUCLEAR
622
00:23:32,812 --> 00:23:33,913
WEAPONS PROGRAM.
623
00:23:33,913 --> 00:23:35,247
Sean: WE ARE AWARE OF THAT, MS.
624
00:23:35,247 --> 00:23:36,883
NELSON, AND WE'RE COMPLETELY
625
00:23:36,883 --> 00:23:38,751
SYMPATHETIC.
626
00:23:38,751 --> 00:23:39,752
Carol: OK, SO, WHO'S
627
00:23:39,752 --> 00:23:40,787
THE PATIENT?
628
00:23:40,787 --> 00:23:41,688
Sean: THE NAME SHE GOES BY NOW
629
00:23:41,688 --> 00:23:43,556
IS AVA MOORE.
630
00:23:53,633 --> 00:23:55,034
Christian: MY PARTNER SEAN WAS
631
00:23:55,034 --> 00:23:56,636
THE SURGEON WHO PERFORMED
632
00:23:56,636 --> 00:23:58,771
SOPHIA'S BOTTOM SURGERY. HE ALSO
633
00:23:58,771 --> 00:23:59,906
SAVED HER FROM A BOTCHED
634
00:23:59,906 --> 00:24:01,107
TRACHEAL SHAVE.
635
00:24:01,107 --> 00:24:02,241
Carol: [SIGHS] WELL, THAT'S
636
00:24:02,241 --> 00:24:04,777
TOUCHING. BUT IT DOESN'T CHANGE
637
00:24:04,777 --> 00:24:06,513
A THING, GENTLEMEN. YOU SEE,
638
00:24:06,513 --> 00:24:07,647
THESE PEOPLE HERE, THEY'RE
639
00:24:07,647 --> 00:24:10,883
FRAGILE. SO WHY IS IT THAT I
640
00:24:10,883 --> 00:24:14,854
SHOULD BETRAY THEIR CONFIDENCE?
641
00:24:14,854 --> 00:24:16,789
IF AVA MOORE WANTS HER RECORDS,
642
00:24:16,789 --> 00:24:19,659
WHY HASN'T SHE CONTACTED US?
643
00:24:19,659 --> 00:24:21,293
Sean: BECAUSE AVA IS AFRAID.
644
00:24:21,293 --> 00:24:23,195
17 YEARS AGO, WHEN SHE HAD HER
645
00:24:23,195 --> 00:24:25,097
SURGERY, THERE WAS NO COMMUNITY.
646
00:24:31,804 --> 00:24:33,740
Christian: SHE NEEDS HELP. SHE'S
647
00:24:33,740 --> 00:24:34,574
HAD A WEAKENING OF THE
648
00:24:34,574 --> 00:24:36,075
RECONSTRUCTED VAGINAL WALL, AND
649
00:24:36,075 --> 00:24:39,111
THE BLADDER IS COMING THROUGH.
650
00:24:39,111 --> 00:24:41,681
FOR US TO REPAIR IT, WE NEED TO
651
00:24:41,681 --> 00:24:42,949
SEE HER RECORDS BECAUSE SHE
652
00:24:42,949 --> 00:24:44,183
CLAIMS THAT SHE HAD AN ADVERSE
653
00:24:44,183 --> 00:24:45,918
REACTION TO THE ANESTHESIA
654
00:24:45,918 --> 00:24:47,654
IN HER ORIGINAL SURGERY.
655
00:24:47,654 --> 00:24:49,088
WE'RE HERE TO HELP AVA,
656
00:24:49,088 --> 00:24:51,658
MS. NELSON. WE'RE NOT INTO
657
00:24:51,658 --> 00:24:53,192
TAKING RISKS WITH HER LIFE.
658
00:24:56,963 --> 00:24:58,330
Carol: [SIGHS] WELL, YOU DON'T
659
00:24:58,330 --> 00:25:00,833
WANT TO TALK TO ME. YOU WANT TO
660
00:25:00,833 --> 00:25:02,935
TALK TO HER SURGEON. HE'S
661
00:25:02,935 --> 00:25:04,003
RETIRED, AND HE'S TAKEN
662
00:25:04,003 --> 00:25:05,838
HER RECORDS WITH HIM.
663
00:25:05,838 --> 00:25:07,740
Christian: WHERE IS HE?
664
00:25:30,597 --> 00:25:31,931
Sean: DR. BARETT MOORE?
665
00:25:33,332 --> 00:25:34,266
Barett: I'VE BEEN EXPECTING
666
00:25:34,266 --> 00:25:36,068
YOU, DOCTORS.
667
00:25:40,873 --> 00:25:42,942
I UNDERSTAND YOU'VE MET MY WIFE.
668
00:25:52,752 --> 00:25:53,953
Barett: POLLINATOR?
669
00:26:01,894 --> 00:26:05,264
HYBRIDS. THE FIRST ORCHID
670
00:26:05,264 --> 00:26:07,667
HYBRIDS WERE PRODUCED IN 1858,
671
00:26:07,667 --> 00:26:09,035
AND SINCE THEN, THE PROCESS HAS
672
00:26:09,035 --> 00:26:10,169
ACCELERATED. BUT BECAUSE OF
673
00:26:10,169 --> 00:26:13,239
THEIR...ARTIFICIAL AND UNNATURAL
674
00:26:13,239 --> 00:26:15,207
EVOLUTION, THEY'RE UNABLE TO
675
00:26:15,207 --> 00:26:16,976
ATTRACT A SUITABLE POLLINATOR,
676
00:26:16,976 --> 00:26:20,046
AND HAND POLLINIZATION IS SO
677
00:26:20,046 --> 00:26:25,051
UNRELIABLE AND TIME-CONSUMING.
678
00:26:25,051 --> 00:26:26,653
THERE ARE MYSTERIES TO BE
679
00:26:26,653 --> 00:26:28,320
SOLVED.
680
00:26:28,320 --> 00:26:30,122
Sean: YOU RETIRED FROM MEDICINE
681
00:26:30,122 --> 00:26:31,758
TO BECOME A BOTANIST?
682
00:26:31,758 --> 00:26:32,659
Barett: I'VE RETIRED FROM
683
00:26:32,659 --> 00:26:33,960
MEDICINE BECAUSE MY WORK WAS
684
00:26:33,960 --> 00:26:37,363
DONE. EVERY ORCHID HERE HAS BEEN
685
00:26:37,363 --> 00:26:39,899
ALTERED, EACH ONE EVOLVING RIGHT
686
00:26:39,899 --> 00:26:41,433
BEFORE OUR EYES INTO NEW
687
00:26:41,433 --> 00:26:44,070
SPECIES, CHANGING THEIR VERY
688
00:26:44,070 --> 00:26:46,806
IDENTITIES.
689
00:26:46,806 --> 00:26:47,907
Christian: YOU MASTERED THE
690
00:26:47,907 --> 00:26:50,342
TECHNIQUE ON HUMANS. WHY HAVE
691
00:26:50,342 --> 00:26:53,212
YOU TURNED TO FLOWERS?
692
00:26:53,212 --> 00:26:54,046
Barett: BECAUSE THEY NEVER
693
00:26:54,046 --> 00:26:56,382
LEAVE. AND THEY RARELY
694
00:26:56,382 --> 00:27:00,152
DISAPPOINT. HUMANS AND MEDICINE
695
00:27:00,152 --> 00:27:03,923
ARE SO...FALLIBLE.
696
00:27:03,923 --> 00:27:05,958
Sean: THERE WAS NOTHING FALLIBLE
697
00:27:05,958 --> 00:27:07,326
IN THE TRANSFORMATION
698
00:27:07,326 --> 00:27:09,328
OF AVA MOORE. SHE'S THE WORK OF
699
00:27:09,328 --> 00:27:10,697
A MEDICAL GENIUS AT THE PEAK
700
00:27:10,697 --> 00:27:12,231
OF HIS CAREER.
701
00:27:12,231 --> 00:27:13,265
Christian: WHY STOP AT THE
702
00:27:13,265 --> 00:27:15,634
HEIGHT OF YOUR SUCCESS?
703
00:27:21,841 --> 00:27:23,743
Barett: AVERY TANNER IS
704
00:27:23,743 --> 00:27:25,845
RESPONSIBLE FOR THE SUCCESS
705
00:27:25,845 --> 00:27:26,913
THAT I HAD.
706
00:27:30,249 --> 00:27:32,719
HE WAS A WALKER, WHICH IS TO SAY
707
00:27:32,719 --> 00:27:34,120
THAT HE WAS AN ESCORT TO SOME OF
708
00:27:34,120 --> 00:27:36,488
THE WEALTHIEST SOCIETY WOMEN
709
00:27:36,488 --> 00:27:37,990
LOOKING FOR PHILANTHROPIC
710
00:27:37,990 --> 00:27:40,459
CAUSES. HE WAS A VERY GOOD
711
00:27:40,459 --> 00:27:43,062
LOOKING YOUNG MAN, AND UNUSUALLY
712
00:27:43,062 --> 00:27:44,864
INTERESTED IN THE UNORTHODOX
713
00:27:44,864 --> 00:27:46,733
WORK OF AN INEXPERIENCED NEW
714
00:27:46,733 --> 00:27:49,435
DOCTOR. HE WOULD BRING THEM TO
715
00:27:49,435 --> 00:27:52,939
MY FUND-RAISERS AND CHARM THEM
716
00:27:52,939 --> 00:27:55,341
INTO GIVING LARGE DONATIONS FOR
717
00:27:55,341 --> 00:27:57,009
A FIELD OF MEDICINE THAT THEY
718
00:27:57,009 --> 00:27:59,779
BARELY UNDERSTOOD. AT FIRST,
719
00:27:59,779 --> 00:28:01,347
I THOUGHT AS A GAY MAN HE WAS
720
00:28:01,347 --> 00:28:03,482
DRAWN TO THE TRANSGENDER WORLD
721
00:28:03,482 --> 00:28:05,517
BECAUSE OF THE POSSIBILITIES,
722
00:28:05,517 --> 00:28:08,788
UH, FOR HIMSELF. BUT, UM...
723
00:28:08,788 --> 00:28:16,428
HE WASN'T. HE WAS DRAWN TO ME.
724
00:28:16,428 --> 00:28:18,831
WE BECAME CLOSE, BUT I COULDN'T
725
00:28:18,831 --> 00:28:21,300
BE WITH HIM THE WAY THAT HE
726
00:28:21,300 --> 00:28:23,169
WANTED ME TO.
727
00:28:23,169 --> 00:28:25,137
THAT'S NOT MY NATURE.
728
00:28:27,840 --> 00:28:30,542
ONE NIGHT AVERY CAME TO ME
729
00:28:30,542 --> 00:28:35,815
IN DESPAIR...SUICIDAL...
730
00:28:35,815 --> 00:28:37,183
AND HE ASKED IF I WERE TO
731
00:28:37,183 --> 00:28:38,851
CHANGE HIM INTO A WOMAN,
732
00:28:38,851 --> 00:28:42,188
COULD I LOVE HIM THEN, AND
733
00:28:42,188 --> 00:28:45,457
I BELIEVED THAT I COULD.
734
00:28:45,457 --> 00:28:50,462
THE RESULTING OPERATION WAS
735
00:28:50,462 --> 00:28:53,933
PERFECT. THANK YOU, HARRY,
736
00:28:53,933 --> 00:28:56,869
YOU MAY GO. TO AN OUTSIDER,
737
00:28:56,869 --> 00:28:58,470
WE WERE LIKE ANY OTHER HAPPILY
738
00:28:58,470 --> 00:29:00,072
MARRIED COUPLE, BUT ON THE
739
00:29:00,072 --> 00:29:04,310
INSIDE, SEXUALLY, I...
740
00:29:04,310 --> 00:29:07,413
I COULD NOT FORGET.
741
00:29:15,822 --> 00:29:17,990
SHE THOUGHT THAT A CHILD MIGHT
742
00:29:17,990 --> 00:29:19,892
NORMALIZE WHAT WASN'T, SO WE
743
00:29:19,892 --> 00:29:21,527
AGREED THAT MY ASSISTANT WOULD
744
00:29:21,527 --> 00:29:23,262
BE IMPREGNATED WITH MY SPERM AND
745
00:29:23,262 --> 00:29:25,597
CARRY THE BABY TO TERM FOR US.
746
00:29:25,597 --> 00:29:27,499
AFTER ADRIAN WAS BORN, THINGS
747
00:29:27,499 --> 00:29:30,002
SEEMED TO BE MORE COMFORTABLE,
748
00:29:30,002 --> 00:29:31,170
BUT SOON AFTER THEY
749
00:29:31,170 --> 00:29:34,974
DETERIORATED. I COULDN'T GIVE
750
00:29:34,974 --> 00:29:37,043
HER WHAT SHE WANTED. IT WASN'T
751
00:29:37,043 --> 00:29:41,513
HER FAULT. I WAS THE FAILURE.
752
00:29:41,513 --> 00:29:47,253
I COULDN'T SEE...HER.
753
00:29:47,253 --> 00:29:52,058
I COULD ONLY SEE MY OWN WORK.
754
00:29:52,058 --> 00:29:54,994
Sean: AND SO SHE LEFT?
755
00:29:54,994 --> 00:29:56,896
Barett: I CAME HOME ONE DAY FROM
756
00:29:56,896 --> 00:29:59,331
A CONFERENCE AND THEY WERE GONE.
757
00:30:02,268 --> 00:30:04,003
AND I'VE NEVER HEARD
758
00:30:04,003 --> 00:30:06,072
FROM HER SINCE.
759
00:30:12,244 --> 00:30:14,546
HOW IS SHE?
760
00:30:14,546 --> 00:30:16,382
Sean: SHE'S GIVEN UP
761
00:30:16,382 --> 00:30:17,483
PHILANTHROPY FOR A CAREER
762
00:30:17,483 --> 00:30:19,351
AS A LIFE COACH.
763
00:30:22,154 --> 00:30:24,256
Barett: THE ULTIMATE CREATURE
764
00:30:24,256 --> 00:30:25,324
OF TRANSFORMATION
765
00:30:25,324 --> 00:30:27,659
TRANSFORMING OTHERS. WELL,
766
00:30:27,659 --> 00:30:29,428
THERE IS SOME POETRY IN THAT,
767
00:30:29,428 --> 00:30:31,430
DOCTORS, YOU HAVE TO ADMIT.
768
00:30:31,430 --> 00:30:33,465
Christian: HER BEHAVIOR ISN'T
769
00:30:33,465 --> 00:30:37,036
POETIC, IT'S PREDATORY.
770
00:30:37,036 --> 00:30:38,137
Sean: AVA MOORE IS SLEEPING WITH
771
00:30:38,137 --> 00:30:42,574
MY 17-YEAR-OLD SON...AND YOURS.
772
00:30:47,179 --> 00:30:49,048
Barett: SLEEPING WITH JUVENILE
773
00:30:49,048 --> 00:30:50,582
MALES MAKES SENSE. THEY'RE NOT
774
00:30:50,582 --> 00:30:51,951
EXPERIENCED ENOUGH TO SPOT A
775
00:30:51,951 --> 00:30:55,955
FRAUD. I HAD PLANNED ON ONE LAST
776
00:30:55,955 --> 00:30:59,225
PROCEDURE TO GO IN, RECONSTRUCT
777
00:30:59,225 --> 00:31:01,160
THE VAGINAL FLOOR, MAKE IT
778
00:31:01,160 --> 00:31:03,395
LESS CONSTRICTED. I THOUGHT
779
00:31:03,395 --> 00:31:04,530
MAYBE IT WOULD BRING HER SOME
780
00:31:04,530 --> 00:31:08,167
SENSE OF PEACE, SOME CLOSURE,
781
00:31:08,167 --> 00:31:13,705
BUT...I COULDN'T FIND HER.
782
00:31:13,705 --> 00:31:14,974
Sean: IT WOULD HELP US IF WE
783
00:31:14,974 --> 00:31:17,076
COULD SEE HER FILES.
784
00:31:17,076 --> 00:31:17,944
Barett: YOU KNOW BETTER THAN
785
00:31:17,944 --> 00:31:19,946
TO ASK THAT.
786
00:31:19,946 --> 00:31:21,080
Christian: WE NEED TO CONFRONT
787
00:31:21,080 --> 00:31:24,150
HER WITH MORE THAN JUST A STORY.
788
00:31:24,150 --> 00:31:25,017
Sean: YOU COULDN'T SAVE
789
00:31:25,017 --> 00:31:27,319
YOUR SON FROM HER, DR. MOORE.
790
00:31:27,319 --> 00:31:30,656
AT LEAST HELP ME SAVE MINE.
791
00:31:39,331 --> 00:31:42,001
Sean: HEY, CAN I COME IN?
792
00:31:42,001 --> 00:31:44,003
Julia: PLEASE.
793
00:31:44,003 --> 00:31:45,537
Sean: I, UH, PROBABLY
794
00:31:45,537 --> 00:31:47,439
SHOULD HAVE CALLED FIRST.
795
00:31:47,439 --> 00:31:49,408
IS YOUR FRIEND HERE?
796
00:31:49,408 --> 00:31:51,243
Julia: KEVIN? OH, NO, HE'S
797
00:31:51,243 --> 00:31:55,481
TEACHING. UM, DID YOU GET IT?
798
00:31:55,481 --> 00:31:57,183
Sean: YEAH. AND, UH, I BROUGHT
799
00:31:57,183 --> 00:31:59,218
YOU SOMETHING ELSE JUST IN CASE.
800
00:31:59,218 --> 00:32:01,687
YOU SHOULDN'T NEED IT, BUT FOR
801
00:32:01,687 --> 00:32:03,589
WHEN KEVIN ISN'T HERE.
802
00:32:11,230 --> 00:32:12,264
Julia: YOU'VE GOT TO STOP
803
00:32:12,264 --> 00:32:13,465
DOING THIS.
804
00:32:13,465 --> 00:32:15,201
Sean: DOING WHAT?
805
00:32:15,201 --> 00:32:17,669
Julia: STOPPING BY TO GIVE ME
806
00:32:17,669 --> 00:32:20,539
MACE, ASKING ME TO STAY OVER.
807
00:32:20,539 --> 00:32:22,274
YOU DON'T NEED TO PROTECT ME.
808
00:32:22,274 --> 00:32:23,109
YOU'RE THE ONE THAT
809
00:32:23,109 --> 00:32:24,276
WAS ATTACKED.
810
00:32:24,276 --> 00:32:25,277
Sean: WE MAY BE SEPARATED,
811
00:32:25,277 --> 00:32:26,345
BUT I'M STILL ALLOWED TO WORRY
812
00:32:26,345 --> 00:32:27,613
ABOUT YOU, AREN'T I?
813
00:32:27,613 --> 00:32:28,514
Julia: I'M THE ONE WHO IS
814
00:32:28,514 --> 00:32:30,182
WORRIED ABOUT YOU.
815
00:32:30,182 --> 00:32:34,786
Sean: WHY? I'M FINE.
816
00:32:34,786 --> 00:32:36,522
Julia: DON'T DO ANYTHING SILLY
817
00:32:36,522 --> 00:32:38,624
TO PROVE THAT YOU'RE BRAVE.
818
00:32:38,624 --> 00:32:40,092
YOUR COURAGE HAS ALREADY
819
00:32:40,092 --> 00:32:41,593
BEEN DOCUMENTED.
820
00:32:54,073 --> 00:32:55,974
DID MATT AGREE TO SEE YOU?
821
00:32:58,044 --> 00:32:58,777
Sean: WE'RE MEETING HIM
822
00:32:58,777 --> 00:33:00,079
FOR LUNCH.
823
00:33:00,079 --> 00:33:01,747
Julia: GOOD. NOW, UH, BE DIRECT
824
00:33:01,747 --> 00:33:03,449
BUT GENTLE.
825
00:33:03,449 --> 00:33:04,350
Sean: ARE YOU SURE YOU WANT TO
826
00:33:04,350 --> 00:33:05,584
HANDLE AVA ON YOUR OWN?
827
00:33:05,584 --> 00:33:07,786
Julia: YEAH. I'M THE ONE WHO GOT
828
00:33:07,786 --> 00:33:10,389
HER INTO HIS LIFE, I SHOULD BE
829
00:33:10,389 --> 00:33:12,558
THE ONE TO GET HER OUT.
830
00:33:15,827 --> 00:33:17,296
Sean: IT'S BEEN A LONG TIME
831
00:33:17,296 --> 00:33:18,564
SINCE I'VE SEEN YOU AS JULIA
832
00:33:18,564 --> 00:33:21,433
INSTEAD OF MY WIFE.
833
00:33:21,433 --> 00:33:22,534
I LIKE IT.
834
00:33:47,426 --> 00:33:49,295
Ava: WHO ELSE KNOWS ABOUT THIS?
835
00:33:49,295 --> 00:33:50,796
Julia: THE THREE OF US--SEAN,
836
00:33:50,796 --> 00:33:52,798
CHRISTIAN, AND MYSELF.
837
00:33:52,798 --> 00:33:54,700
Ava: ANGRY VILLAGERS WITH
838
00:33:54,700 --> 00:33:56,602
TORCHES HERE TO DRIVE OUT
839
00:33:56,602 --> 00:33:58,604
THE MONSTER THE DOCTOR MADE.
840
00:33:58,604 --> 00:33:59,605
Julia: I DON'T THINK YOU'RE
841
00:33:59,605 --> 00:34:00,739
A MONSTER, AVA. I THINK YOU'RE
842
00:34:00,739 --> 00:34:02,608
A SAD, LONELY INDIVIDUAL WHO
843
00:34:02,608 --> 00:34:03,809
DOES MONSTROUS SELFISH ACTS
844
00:34:03,809 --> 00:34:05,544
TO COPE WITH CONFLICT.
845
00:34:05,544 --> 00:34:06,678
Ava: BE CAREFUL WITH YOUR CHOICE
846
00:34:06,678 --> 00:34:08,247
OF PRONOUNS, JULIA. HAVE SOME
847
00:34:08,247 --> 00:34:10,716
GODDAMN RESPECT! I AM A WOMAN. I
848
00:34:10,716 --> 00:34:12,451
DON'T CARE WHAT THIS FILE SAYS.
849
00:34:12,451 --> 00:34:13,685
Julia: BREAK UP WITH MY SON AND
850
00:34:13,685 --> 00:34:15,154
GET OUT OF OUR LIVES.
851
00:34:15,154 --> 00:34:16,122
Ava: OR WHAT?
852
00:34:16,122 --> 00:34:16,855
Julia: OR I'LL TELL HIM THE
853
00:34:16,855 --> 00:34:18,157
TRUTH ABOUT YOU, AND THEN YOUR
854
00:34:18,157 --> 00:34:20,392
WELL-KEPT SECRET WILL BE OUT.
855
00:34:20,392 --> 00:34:21,627
AS YOU KNOW, SECRETS HAVE A WAY
856
00:34:21,627 --> 00:34:22,761
OF SPREADING.
857
00:34:25,797 --> 00:34:28,500
DID YOU EVER LOVE HIM?
858
00:34:33,305 --> 00:34:35,607
Ava: I LOVED THAT HE LOVED ME.
859
00:34:38,544 --> 00:34:39,711
Matt: LOOK, I LOVE HER, ALL
860
00:34:39,711 --> 00:34:40,746
RIGHT? AND I WILL ALWAYS LOVE
861
00:34:40,746 --> 00:34:41,847
HER, SO IF THIS IS YET ANOTHER
862
00:34:41,847 --> 00:34:42,914
INTERVENTION WHERE YOU BOTH TRY
863
00:34:42,914 --> 00:34:44,183
TO MAKE ME SEE HER FOR WHAT SHE
864
00:34:44,183 --> 00:34:45,717
IS, YOU'RE WASTING YOUR TIME.
865
00:34:45,717 --> 00:34:47,353
I DO SEE HER, COMPLETELY,
866
00:34:47,353 --> 00:34:48,854
WHICH CLEARLY YOU DON'T.
867
00:34:48,854 --> 00:34:49,755
Sean: WE'RE DONE WITH THE
868
00:34:49,755 --> 00:34:50,722
THREATS, MATT. IT'S NOT WHY
869
00:34:50,722 --> 00:34:51,723
WE'RE HERE.
870
00:34:51,723 --> 00:34:52,591
Christian: WE'RE HERE TO
871
00:34:52,591 --> 00:34:54,193
SUPPORT YOU UNCONDITIONALLY.
872
00:34:54,193 --> 00:34:55,194
Sean: WE'LL RESPECT YOUR CHOICE
873
00:34:55,194 --> 00:34:56,162
WHATEVER THAT MAY BE.
874
00:34:56,162 --> 00:34:57,363
Matt: MY CHOICE IS HER.
875
00:34:57,363 --> 00:34:59,198
WE'RE LEAVING NEXT WEEK.
876
00:34:59,198 --> 00:35:00,299
Julia: YOU HAVE UNTIL THE
877
00:35:00,299 --> 00:35:01,433
BEGINNING OF NEXT WEEK
878
00:35:01,433 --> 00:35:02,868
TO BREAK IT OFF AND LEAVE.
879
00:35:02,868 --> 00:35:04,270
Christian: AND IF YOU NEED
880
00:35:04,270 --> 00:35:05,437
ANYTHING--MONEY, HELP FINDING A
881
00:35:05,437 --> 00:35:07,206
PLACE FOR YOU AND AVA TO LIVE--
882
00:35:07,206 --> 00:35:08,207
WE WANT YOU TO KNOW THAT WE'RE
883
00:35:08,207 --> 00:35:09,175
HERE FOR YOU.
884
00:35:09,175 --> 00:35:10,376
Matt: YOU'RE SERIOUS? I DON'T
885
00:35:10,376 --> 00:35:11,710
BELIEVE YOU. WHY ARE YOU DOING
886
00:35:11,710 --> 00:35:13,279
THIS NOW? WHAT HAPPENED?
887
00:35:13,279 --> 00:35:14,213
Sean: WHAT HAPPENED IS YOU GREW
888
00:35:14,213 --> 00:35:16,282
UP. YOU'RE NOT A BOY NOW, MATT,
889
00:35:16,282 --> 00:35:17,883
YOU'RE A MAN, AND WE'RE
890
00:35:17,883 --> 00:35:19,785
TREATING YOU LIKE ONE.
891
00:35:19,785 --> 00:35:20,619
Christian: IF IT WORKS OUT
892
00:35:20,619 --> 00:35:21,620
WITH AVA AND YOU FIND A COOL
893
00:35:21,620 --> 00:35:22,721
JOB THAT YOU LOVE OVER THERE IN
894
00:35:22,721 --> 00:35:25,524
GAY PAREE, WELL, THAT'S GREAT.
895
00:35:25,524 --> 00:35:27,259
Matt: AND IF IT DOESN'T?
896
00:35:27,259 --> 00:35:28,227
Sean: THEN YOU'LL HURT LIKE
897
00:35:28,227 --> 00:35:29,795
HELL, BUT YOU HAVE SOMEPLACE YOU
898
00:35:29,795 --> 00:35:32,164
CAN COME HOME TO IF YOU WANT.
899
00:35:35,934 --> 00:35:37,736
Ava: I DON'T HAVE ANYWHERE ELSE
900
00:35:37,736 --> 00:35:41,473
TO GO. I DON'T HAVE ADRIAN,
901
00:35:41,473 --> 00:35:42,374
I HAVE NO ONE.
902
00:35:42,374 --> 00:35:44,243
Julia: YOU HAVE YOURSELF.
903
00:35:44,243 --> 00:35:45,677
AND FROM WHAT I'VE WITNESSED,
904
00:35:45,677 --> 00:35:47,746
YOU'RE A SURVIVOR, AVA. AND
905
00:35:47,746 --> 00:35:49,981
SURVIVORS REINVENT THEMSELVES.
906
00:35:49,981 --> 00:35:51,583
THEY RISE FROM THE ASHES OF
907
00:35:51,583 --> 00:35:53,252
THEIR FAILURES LIKE PHOENIXES
908
00:35:53,252 --> 00:35:54,986
AND FLY OFF TO THEIR NEXT
909
00:35:54,986 --> 00:35:56,322
DESTINATION.
910
00:36:03,429 --> 00:36:05,331
Ava: WELL, JULIA, WE'VE COME
911
00:36:05,331 --> 00:36:06,932
FULL CIRCLE, HAVEN'T WE?
912
00:36:06,932 --> 00:36:09,568
YOU'RE COACHING ME NOW.
913
00:36:09,568 --> 00:36:10,669
Julia: THE TRUTH OF THE MATTER
914
00:36:10,669 --> 00:36:12,671
IS, AVA, YOU REALLY WERE A GOOD
915
00:36:12,671 --> 00:36:15,006
LIFE COACH. HONEY, IF IT WASN'T
916
00:36:15,006 --> 00:36:16,508
FOR YOU AND THE TRUTHS THAT YOU
917
00:36:16,508 --> 00:36:19,411
FORCED...I WOULDN'T BE ABLE TO
918
00:36:19,411 --> 00:36:21,680
STAND UP TO YOU NOW.
919
00:36:28,387 --> 00:36:29,521
Ava: I'M NOT LEAVING THAT
920
00:36:29,521 --> 00:36:32,324
EASILY, JULIA. IF YOU WANT ME
921
00:36:32,324 --> 00:36:33,325
GONE, THEN YOU TALK TO YOUR
922
00:36:33,325 --> 00:36:34,826
DOCTORS.
923
00:36:34,826 --> 00:36:35,861
Julia: WHAT DO YOU WANT THEM
924
00:36:35,861 --> 00:36:37,996
TO DO?
925
00:36:37,996 --> 00:36:40,866
Ava: FINISH ME. CORRECT THE ONE
926
00:36:40,866 --> 00:36:43,001
FLAW THAT GAVE ME AWAY SO I'M
927
00:36:43,001 --> 00:36:44,803
NEVER FOUND OUT AGAIN.
928
00:36:47,473 --> 00:36:49,408
[MACHINE BEEPING]
929
00:36:51,443 --> 00:36:52,578
Sean: THIS OPERATION WILL TAKE
930
00:36:52,578 --> 00:36:54,280
UNDER AN HOUR. YOU'LL BE UP AND
931
00:36:54,280 --> 00:36:56,582
ON YOUR FEET TOMORROW.
932
00:36:56,582 --> 00:36:58,384
Ava: THE LAST VAGINOPLASTY HURT
933
00:36:58,384 --> 00:37:01,320
LIKE HELL. WILL THIS ONE?
934
00:37:01,320 --> 00:37:02,321
Christian: THE FINAL EXPANDER
935
00:37:02,321 --> 00:37:04,456
CAUSES MINIMAL DISCOMFORT.
936
00:37:04,456 --> 00:37:05,591
THE DITCH WAS ALREADY DUG
937
00:37:05,591 --> 00:37:07,326
PRETTY DEEP, JUST NOT DEEP
938
00:37:07,326 --> 00:37:11,530
ENOUGH FOR ME.
939
00:37:11,530 --> 00:37:12,598
Ava: YOU THINK THIS IS PRETTY
940
00:37:12,598 --> 00:37:15,867
FUNNY, DON'T YOU?
941
00:37:15,867 --> 00:37:18,604
I'M A DESPICABLE JOKE TO YOU.
942
00:37:18,604 --> 00:37:21,006
Christian: ACTUALLY, AVA,
943
00:37:21,006 --> 00:37:22,007
I THINK YOU'RE ONE OF THE
944
00:37:22,007 --> 00:37:23,475
MOST FASCINATING PEOPLE
945
00:37:23,475 --> 00:37:25,277
I'VE EVER MET.
946
00:37:31,483 --> 00:37:33,051
Ava: HAVE YOU DONE MANY OF THESE
947
00:37:33,051 --> 00:37:35,421
TYPES OF SURGERIES BEFORE?
948
00:37:35,421 --> 00:37:37,523
Sean: NO. IT'S WHY WE BROUGHT IN
949
00:37:37,523 --> 00:37:39,558
AN EXPERT.
950
00:37:58,644 --> 00:38:02,414
Barett: HELLO, AVA.
951
00:38:02,414 --> 00:38:05,016
YOU ARE MORE BEAUTIFUL
952
00:38:05,016 --> 00:38:06,284
THAN EVER.
953
00:38:10,656 --> 00:38:14,393
HOW IS ADRIAN?
954
00:38:14,393 --> 00:38:17,095
Ava: LIKE YOU.
955
00:38:17,095 --> 00:38:23,935
SMART, BEAUTIFUL, CONFLICTED.
956
00:38:23,935 --> 00:38:26,438
Barett: I WOULD LIKE TO SEE HIM?
957
00:38:30,442 --> 00:38:33,745
Ava: I DON'T KNOW WHERE HE IS...
958
00:38:33,745 --> 00:38:35,013
[ROLLING STONES' WILD HORSES
959
00:38:35,013 --> 00:38:36,782
PLAYING]
960
00:38:36,782 --> 00:38:38,650
OR IF HE'LL EVER COME HOME.
961
00:38:44,923 --> 00:38:49,828
>> * CHILDHOOD LIVING
962
00:38:49,828 --> 00:38:52,097
Ava: I NEED TO BE DONE WITH
963
00:38:52,097 --> 00:38:55,000
THIS, BARETT. I CAN'T KEEP
964
00:38:55,000 --> 00:38:58,904
RUNNING ANYMORE.
965
00:38:58,904 --> 00:39:00,706
Barett: DON'T WORRY.
966
00:39:00,706 --> 00:39:05,811
THAT'S WHY I'M HERE. TO...
967
00:39:05,811 --> 00:39:08,013
FINISH WHAT I STARTED.
968
00:39:08,013 --> 00:39:15,921
>> * I BOUGHT THEM FOR YOU,
969
00:39:15,921 --> 00:39:21,727
GRACELESS LADY,
970
00:39:21,727 --> 00:39:27,799
YOU KNOW WHO I AM *
971
00:39:27,799 --> 00:39:30,068
Liz: COUNT BACK FROM 10 FOR ME.
972
00:39:30,068 --> 00:39:32,804
>> * YOU KNOW I CAN'T LET YOU *
973
00:39:32,804 --> 00:39:43,582
Ava: 10, 9, 8, 7...
974
00:39:43,582 --> 00:39:49,988
>> * WILD HORSES
975
00:39:49,988 --> 00:39:57,763
COULDN'T DRAG ME AWAY,
976
00:39:57,763 --> 00:40:02,568
WILD, WILD HORSES *
977
00:40:02,568 --> 00:40:03,902
Matt: AVA, I GOT 'EM.
978
00:40:03,902 --> 00:40:07,038
>> * COULDN'T DRAG ME AWAY *
979
00:40:07,038 --> 00:40:09,775
Matt: HEY, I'VE GOT THEM!
980
00:40:09,775 --> 00:40:11,643
[VACUUM STOPS]
981
00:40:11,643 --> 00:40:13,579
Ava: WHAT?
982
00:40:13,579 --> 00:40:14,179
Matt: I WAS JUST SAYING
983
00:40:14,179 --> 00:40:15,581
I GOT 'EM--2 FIRST-CLASS
984
00:40:15,581 --> 00:40:17,783
TICKETS TO PARIS.
985
00:40:17,783 --> 00:40:20,251
Ava: GREAT. WELL, I'M GUESSING
986
00:40:20,251 --> 00:40:22,053
YOU PUT THE $10,000 CHARGE
987
00:40:22,053 --> 00:40:23,522
ON MY CREDIT CARD.
988
00:40:23,522 --> 00:40:25,591
Matt: THAT'S WHAT YOU SAID TO
989
00:40:25,591 --> 00:40:26,658
DO.
990
00:40:26,658 --> 00:40:27,626
Ava: YEAH, WELL, I THOUGHT,
991
00:40:27,626 --> 00:40:28,927
I DON'T KNOW, YOU MIGHT SURPRISE
992
00:40:28,927 --> 00:40:30,662
ME AND FIND A WAY TO PAY FOR
993
00:40:30,662 --> 00:40:36,034
THEM YOURSELF.
994
00:40:36,034 --> 00:40:37,068
Matt: WHAT THE HELL IS WRONG
995
00:40:37,068 --> 00:40:38,069
WITH YOU?
996
00:40:38,069 --> 00:40:39,905
Ava: YOU! YOU EAT CRAP LIKE A
997
00:40:39,905 --> 00:40:41,072
GRUBBY LITTLE SLOB ON A
998
00:40:41,072 --> 00:40:43,108
$25-A-YARD COUCH AND THEN EXPECT
999
00:40:43,108 --> 00:40:44,610
MOMMY TO CLEAN UP YOUR MESS AND
1000
00:40:44,610 --> 00:40:45,711
I'M SICK OF IT!
1001
00:40:45,711 --> 00:40:46,812
Matt: I'M SORRY. I DIDN'T MEAN
1002
00:40:46,812 --> 00:40:48,547
TO MAKE A MESS.
1003
00:40:48,547 --> 00:40:49,648
Ava: BUT YOU DID, MATT, AND I
1004
00:40:49,648 --> 00:40:51,850
GET IT. BOYS MAKE MESSES. THEY
1005
00:40:51,850 --> 00:40:53,018
LEAVE WATERMARKS ON THE FRENCH
1006
00:40:53,018 --> 00:40:54,285
LACQUER DINING TABLE. THEY DON'T
1007
00:40:54,285 --> 00:40:57,088
DO THEIR OWN LAUNDRY. THEY'RE
1008
00:40:57,088 --> 00:40:58,023
HELPLESS UNTIL THEY GO OFF TO
1009
00:40:58,023 --> 00:40:58,957
COLLEGE AND LEARN HOW TO BE
1010
00:40:58,957 --> 00:41:00,025
SELF-SUFFICIENT.
1011
00:41:00,025 --> 00:41:00,992
Matt: BUT I'M NOT GOING OFF TO
1012
00:41:00,992 --> 00:41:02,861
COLLEGE, I'M GOING OFF WITH YOU.
1013
00:41:02,861 --> 00:41:04,162
Ava: OH, CHRIST!
1014
00:41:04,162 --> 00:41:04,963
Matt: WHAT?!
1015
00:41:04,963 --> 00:41:05,897
Ava: ANOTHER WATERMARK!
1016
00:41:05,897 --> 00:41:06,832
DID YOU DO THIS, MATT?
1017
00:41:06,832 --> 00:41:07,766
Matt: I DON'T KNOW, AVA,
1018
00:41:07,766 --> 00:41:09,768
ARE YOU ON YOUR PERIOD?!
1019
00:41:09,768 --> 00:41:13,872
LOOK, YOU'RE STRESSED AND YOU'RE
1020
00:41:13,872 --> 00:41:17,576
UPSET, OK? I GET IT. YOU JUST
1021
00:41:17,576 --> 00:41:20,679
NEED A VACATION. LOOK, I, UH...
1022
00:41:20,679 --> 00:41:26,017
I GOT US A TRAVEL BACKGAMMON SET
1023
00:41:26,017 --> 00:41:29,120
AND A--A CROSSWORD PUZZLE BOOK.
1024
00:41:29,120 --> 00:41:31,723
HMM?
1025
00:41:31,723 --> 00:41:34,192
Ava: I DON'T LIKE BACKGAMMON,
1026
00:41:34,192 --> 00:41:35,260
AND I'M NOT GOING TO PARIS WITH
1027
00:41:35,260 --> 00:41:37,128
YOU. IT'S SUCH A CLICHE ANYWAY.
1028
00:41:41,900 --> 00:41:44,002
Matt: WHAT HAPPENED BETWEEN THE
1029
00:41:44,002 --> 00:41:45,971
TIME I LEFT AND NOW?
1030
00:41:45,971 --> 00:41:46,972
Ava: THIS JUST DOESN'T WORK FOR
1031
00:41:46,972 --> 00:41:49,274
ME, MATT. I WAS A MOTHER ONCE,
1032
00:41:49,274 --> 00:41:50,275
I DON'T WANT TO HAVE TO DO IT
1033
00:41:50,275 --> 00:41:52,143
ALL OVER AGAIN WITH YOU.
1034
00:41:52,143 --> 00:41:54,613
THE PRETENSE THAT YOU'RE A MAN
1035
00:41:54,613 --> 00:41:56,882
WHEN YOU'RE NOT HAS BECOME
1036
00:41:56,882 --> 00:41:59,751
WEARISOME FOR ME.
1037
00:41:59,751 --> 00:42:03,589
I NEED A GENUINE COMPANION.
1038
00:42:03,589 --> 00:42:05,824
THERE ARE THINGS I'VE BEEN
1039
00:42:05,824 --> 00:42:08,093
DENYING MYSELF, THINGS THAT COME
1040
00:42:08,093 --> 00:42:10,195
WITH AGE, THINGS YOU CAN'T
1041
00:42:10,195 --> 00:42:12,063
POSSIBLY UNDERSTAND.
1042
00:42:14,165 --> 00:42:15,901
Matt: YOU'RE AFRAID OF THE
1043
00:42:15,901 --> 00:42:18,169
UNKNOWN, OK? I GET IT. BUT WE
1044
00:42:18,169 --> 00:42:20,171
HAVE GOT TO BE UNITED, JUST LIKE
1045
00:42:20,171 --> 00:42:21,907
WE ALWAYS HAVE BEEN. WE HAVE GOT
1046
00:42:21,907 --> 00:42:23,775
TO BE STRONG. OK?
1047
00:42:23,775 --> 00:42:27,646
Ava: NO. NO, YOU NEED TO BE
1048
00:42:27,646 --> 00:42:30,181
STRONG, MATT. WE HAD A FLING,
1049
00:42:30,181 --> 00:42:33,118
AND IT WAS CHARMING. WE DON'T
1050
00:42:33,118 --> 00:42:34,786
HAVE THE COMPONENTS TO BUILD
1051
00:42:34,786 --> 00:42:36,788
FROM THAT, TO CREATE
1052
00:42:36,788 --> 00:42:38,056
A RELATIONSHIP OUT OF MERE
1053
00:42:38,056 --> 00:42:43,328
PHYSICAL HEAT. IT WAS
1054
00:42:43,328 --> 00:42:47,933
INEVITABLE. THE NATURAL ORDER.
1055
00:42:47,933 --> 00:42:50,168
ONE DAY YOU'LL SEE THAT.
1056
00:42:54,205 --> 00:42:55,206
DO YOU HAVE ANY CLOTHES LEFT IN
1057
00:42:55,206 --> 00:42:57,142
THE HOUSE?
1058
00:43:02,814 --> 00:43:07,686
Matt: NO. EVERYTHING'S IN HERE.
1059
00:43:07,686 --> 00:43:12,090
Ava: GOOD. BE A GOOD BOY, TURN
1060
00:43:12,090 --> 00:43:15,661
AROUND, AND WALK OUT THE DOOR.
1061
00:43:15,661 --> 00:43:17,095
DID YOU HEAR ME?! LEAVE, MATT,
1062
00:43:17,095 --> 00:43:19,030
IT'S OVER!
1063
00:43:47,793 --> 00:43:49,294
Joan: THIS IS COMPLETELY
1064
00:43:49,294 --> 00:43:50,996
UNNECESSARY. YOU DON'T HAVE TO
1065
00:43:50,996 --> 00:43:52,063
SHOW ME THIS.
1066
00:43:52,063 --> 00:43:52,998
Christian: WE'D FEEL MORE
1067
00:43:52,998 --> 00:43:53,865
COMFORTABLE KNOWING THAT YOU
1068
00:43:53,865 --> 00:43:54,733
WERE ENTERING THIS PROCEDURE
1069
00:43:54,733 --> 00:43:55,834
FULLY INFORMED, THAT'S ALL.
1070
00:43:55,834 --> 00:43:56,868
Joan: YES, BUT I DON'T HAVE TIME
1071
00:43:56,868 --> 00:43:58,003
TO KEEP SCHLEPPING DOWN HERE FOR
1072
00:43:58,003 --> 00:43:59,004
VISUAL AIDS.
1073
00:43:59,004 --> 00:43:59,871
Sean: THERE ARE SEVERAL
1074
00:43:59,871 --> 00:44:00,872
RECONSTRUCTIVE PROCEDURES
1075
00:44:00,872 --> 00:44:02,140
INVOLVED WE JUST WANTED YOU TO
1076
00:44:02,140 --> 00:44:03,742
BE AWARE OF. TAKE A LOOK.
1077
00:44:03,742 --> 00:44:05,877
WE'D START BY INSERTING A
1078
00:44:05,877 --> 00:44:07,746
BALLOON-LIKE DEVICE, A TISSUE
1079
00:44:07,746 --> 00:44:09,280
EXPANDER, IN VARIOUS AREAS WHERE
1080
00:44:09,280 --> 00:44:10,882
THE SKIN HAS BEEN TIGHTENED,
1081
00:44:10,882 --> 00:44:11,783
ALLOWING IT TO STRETCH AND
1082
00:44:11,783 --> 00:44:14,720
ASSUME A MORE NATURAL HANG.
1083
00:44:14,720 --> 00:44:16,321
WE'D ALSO DO A FLAP SURGERY,
1084
00:44:16,321 --> 00:44:18,790
WHERE WE TAKE TISSUE AND FAT
1085
00:44:18,790 --> 00:44:20,291
MUSCLE FROM YOUR BACK AND TUNNEL
1086
00:44:20,291 --> 00:44:21,426
IT TO THE FRONT SO YOUR BREASTS
1087
00:44:21,426 --> 00:44:22,293
COULD REGAIN THEIR
1088
00:44:22,293 --> 00:44:24,395
AGE-APPROPRIATE FULLNESS
1089
00:44:24,395 --> 00:44:25,330
AND SLOPE.
1090
00:44:25,330 --> 00:44:26,331
Joan: IN OTHER WORDS, I'LL HAVE
1091
00:44:26,331 --> 00:44:27,899
SAGGY BAD GIRLS. I GET IT, OK,
1092
00:44:27,899 --> 00:44:29,167
I GET IT.
1093
00:44:29,167 --> 00:44:31,903
Christian: WE'D DO SEVERAL SKIN
1094
00:44:31,903 --> 00:44:33,104
GRAFTS WHICH WOULD ALSO--
1095
00:44:33,104 --> 00:44:34,172
Joan: OH, BLAH, BLAH, BLAH,
1096
00:44:34,172 --> 00:44:35,774
BLAH, BLAH. PLEASE, I'M GONNA BE
1097
00:44:35,774 --> 00:44:37,776
LATE FOR Q.V.C. JUST CUT TO
1098
00:44:37,776 --> 00:44:38,810
THE CHASE.
1099
00:44:38,810 --> 00:44:40,746
Sean: OF COURSE.
1100
00:44:49,420 --> 00:44:52,858
Joan: OOH, WHO'S THAT?
1101
00:44:52,858 --> 00:44:53,792
Christian: THAT'S YOU,
1102
00:44:53,792 --> 00:44:55,060
MISS RIVERS. WHAT YOU WOULD LOOK
1103
00:44:55,060 --> 00:44:56,261
LIKE NOW IF YOU HAD NOTHING
1104
00:44:56,261 --> 00:44:57,062
DONE.
1105
00:44:57,062 --> 00:44:57,929
Joan: YEAH, VERY FUNNY.
1106
00:44:57,929 --> 00:44:59,030
HA, HA, HA. WHO IS THAT?
1107
00:44:59,030 --> 00:45:01,199
Sean: THESE COMPUTER GENERATED
1108
00:45:01,199 --> 00:45:03,301
IMAGES ARE ONLY AN APPROXIMATION
1109
00:45:03,301 --> 00:45:06,004
OF THE NATURAL AGING PROCESS.
1110
00:45:11,442 --> 00:45:16,547
Joan: THAT HAG LOOKS LIKE E.T.
1111
00:45:16,547 --> 00:45:18,817
Christian: IT IS WHAT YOU
1112
00:45:18,817 --> 00:45:19,951
ASKED FOR.
1113
00:45:19,951 --> 00:45:21,486
Joan: NO, NO, IT IS NOT WHAT I
1114
00:45:21,486 --> 00:45:22,788
ASKED FOR. I ASKED FOR SOMEONE
1115
00:45:22,788 --> 00:45:23,554
WHO'D LOOK LIKE A GRANDMOTHER
1116
00:45:23,554 --> 00:45:26,091
FOR COOPER, NOT SOME PIECE OF
1117
00:45:26,091 --> 00:45:28,827
SHIT. WHAT IS YOUR PROBLEM HERE?
1118
00:45:28,827 --> 00:45:29,961
THE KID LOVES ME. I MAKE HIM
1119
00:45:29,961 --> 00:45:31,229
LAUGH. HE RUNS TO ME. IF I LOOK
1120
00:45:31,229 --> 00:45:32,363
LIKE THAT, HE'D RUN THE OTHER
1121
00:45:32,363 --> 00:45:33,231
WAY.
1122
00:45:33,231 --> 00:45:34,232
Sean: WE THOUGHT YOU WANTED TO
1123
00:45:34,232 --> 00:45:35,901
BE NATURAL.
1124
00:45:40,839 --> 00:45:43,875
Joan: YOU KNOW WHAT'S NATURAL?
1125
00:45:43,875 --> 00:45:47,846
EVOLUTION. COOPER DOESN'T LIVE
1126
00:45:47,846 --> 00:45:51,116
IN THE STONE AGE. HE LIVES IN
1127
00:45:51,116 --> 00:45:54,385
THE YEAR 2004. AND WE HAVE
1128
00:45:54,385 --> 00:45:56,855
TWEEZERS, AND WE HAVE
1129
00:45:56,855 --> 00:45:59,858
ALPHA HYDROXY ACIDS, AND WE HAVE
1130
00:45:59,858 --> 00:46:04,529
PLASTIC SURGERY. AND THANK GOD,
1131
00:46:04,529 --> 00:46:06,397
BECAUSE, MY GOD, IF I LOOKED
1132
00:46:06,397 --> 00:46:07,999
LIKE THAT NOW, CAN YOU IMAGINE
1133
00:46:07,999 --> 00:46:10,135
WHAT I'D LOOK LIKE AT 90? HO!
1134
00:46:10,135 --> 00:46:11,269
Christian: I'M GLAD WE CAUGHT
1135
00:46:11,269 --> 00:46:12,303
THIS EARLY.
1136
00:46:12,303 --> 00:46:13,972
Joan: OH, ME, TOO. THANK YOU
1137
00:46:13,972 --> 00:46:15,540
BOTH SO VERY MUCH FOR GIVING ME
1138
00:46:15,540 --> 00:46:17,175
THE HEADS UP. WHOA!
1139
00:46:21,146 --> 00:46:22,547
OH, AND PUT ME DOWN TOMORROW FOR
1140
00:46:22,547 --> 00:46:26,284
ANOTHER LIFT. WHAT THE HELL,
1141
00:46:26,284 --> 00:46:29,287
I'M IN TOWN ANYHOW. IT'LL KILL
1142
00:46:29,287 --> 00:46:30,956
A COUPLE HOURS.
1143
00:46:38,563 --> 00:46:40,298
Sean: SO, WHAT ARE YOU DOING
1144
00:46:40,298 --> 00:46:41,266
TONIGHT?
1145
00:46:41,266 --> 00:46:42,567
Christian: APPARENTLY, PLANNING
1146
00:46:42,567 --> 00:46:43,468
MISS RIVERS' TUCK.
1147
00:46:43,468 --> 00:46:46,037
Sean: JULIA'S COMING BY WITH
1148
00:46:46,037 --> 00:46:48,173
THE KIDS. MATT'S STAYING WITH
1149
00:46:48,173 --> 00:46:50,175
HER. HE'S NOT DOING TOO WELL
1150
00:46:50,175 --> 00:46:52,911
SINCE THE AVA BREAK UP. CAN YOU
1151
00:46:52,911 --> 00:46:54,045
COME BY AND BREAK BREAD WITH THE
1152
00:46:54,045 --> 00:46:55,580
FAMILY?
1153
00:46:55,580 --> 00:46:57,448
Christian: I DIDN'T KNOW JULIA
1154
00:46:57,448 --> 00:46:58,583
WANTED ME BACK IN THE FAMILY
1155
00:46:58,583 --> 00:46:59,450
AFTER EVERYTHING THAT'S
1156
00:46:59,450 --> 00:47:00,318
HAPPENED.
1157
00:47:00,318 --> 00:47:01,452
Sean: LOOK, WE TOLD MATT HE'D
1158
00:47:01,452 --> 00:47:03,454
HAVE A SAFE PLACE TO LAND. NO
1159
00:47:03,454 --> 00:47:05,056
MATTER WHAT ELSE IS GOING ON,
1160
00:47:05,056 --> 00:47:06,191
ALL OF US NEED TO FOLLOW
1161
00:47:06,191 --> 00:47:08,126
THROUGH.
1162
00:47:21,606 --> 00:47:26,477
Adrian: HI, MOM.
1163
00:47:26,477 --> 00:47:29,214
Ava: OH, MY GOD. ADRIAN.
1164
00:47:29,214 --> 00:47:33,218
I WAS SO WORRIED. WHERE HAVE YOU
1165
00:47:33,218 --> 00:47:34,219
BEEN?
1166
00:47:34,219 --> 00:47:35,620
Adrian: SPYING ON EMPTY HOUSE
1167
00:47:35,620 --> 00:47:37,622
BOATS. YOU KNOW, THE WHOLE
1168
00:47:37,622 --> 00:47:40,625
CUNANAN THING. WHAT DO YOU CARE?
1169
00:47:40,625 --> 00:47:45,030
Ava: OH, I DO CARE, DEEPLY.
1170
00:47:45,030 --> 00:47:46,965
Adrian: YOU GOING SOMEWHERE?
1171
00:47:46,965 --> 00:47:50,235
Ava: PARIS. AND YOU'RE COMING
1172
00:47:50,235 --> 00:47:51,302
WITH ME.
1173
00:47:51,302 --> 00:47:52,270
Adrian: YOU, ME AND MATT, HUH?
1174
00:47:52,270 --> 00:47:54,239
WE'D MAKE QUITE A SIGHT,
1175
00:47:54,239 --> 00:47:55,240
WOULDN'T WE?
1176
00:47:55,240 --> 00:47:57,108
Ava: NO, NO. I ENDED IT WITH
1177
00:47:57,108 --> 00:48:01,646
MATT. IT'S OVER.
1178
00:48:01,646 --> 00:48:03,648
Adrian: YOU KNOW WHAT I THINK,
1179
00:48:03,648 --> 00:48:06,317
MOM? I THINK HE DUMPED YOU.
1180
00:48:06,317 --> 00:48:07,986
I THINK HE DUMPED YOU, AND YOU
1181
00:48:07,986 --> 00:48:08,987
COULDN'T TAKE IT BECAUSE YOU
1182
00:48:08,987 --> 00:48:09,988
DON'T KNOW HOW TO HANDLE LOSING
1183
00:48:09,988 --> 00:48:12,657
ANYTHING. SO, NOW YOU KNOW WHAT
1184
00:48:12,657 --> 00:48:13,992
YOU'RE DOING, MOM? YOU'RE
1185
00:48:13,992 --> 00:48:15,126
RUNNING AWAY FROM US ALL, 'CAUSE
1186
00:48:15,126 --> 00:48:16,127
THAT'S THE ONLY THING YOU KNOW
1187
00:48:16,127 --> 00:48:17,128
HOW TO DO.
1188
00:48:17,128 --> 00:48:17,996
Ava: I THOUGHT YOU WERE GONE
1189
00:48:17,996 --> 00:48:20,665
FOREVER, BUT NOW WE CAN MAKE
1190
00:48:20,665 --> 00:48:21,699
A FRESH START TOGETHER.
1191
00:48:21,699 --> 00:48:23,268
Adrian: THERE ARE NO MORE FRESH
1192
00:48:23,268 --> 00:48:28,006
STARTS! EVERYTHING IS ROTTEN TO
1193
00:48:28,006 --> 00:48:29,274
THE CORE.
1194
00:48:29,274 --> 00:48:34,079
Ava: OK. JUST COME WITH ME, OK?
1195
00:48:34,079 --> 00:48:35,413
WE'LL TALK ABOUT IT ALL ON
1196
00:48:35,413 --> 00:48:38,016
THE PLANE. LOOK, I'VE GOT 2
1197
00:48:38,016 --> 00:48:41,152
TICKETS. IT'LL BE--IT'LL BE JUST
1198
00:48:41,152 --> 00:48:42,720
THE TWO OF US, LIKE YOU'VE
1199
00:48:42,720 --> 00:48:45,223
ALWAYS WANTED.
1200
00:48:51,296 --> 00:48:53,564
JUST YOU AND ME, ADRIAN.
1201
00:48:53,564 --> 00:48:56,234
EVERYTHING ELSE GOES AWAY.
1202
00:49:06,644 --> 00:49:08,513
Adrian: I DON'T BELIEVE YOU.
1203
00:49:14,185 --> 00:49:16,587
AND THAT'S WHAT KILLS ME.
1204
00:49:16,587 --> 00:49:19,057
[STABBING]
1205
00:49:37,442 --> 00:49:39,010
Ava: NO.
1206
00:49:43,081 --> 00:49:44,115
Adrian: I LOVE YOU.
1207
00:49:44,115 --> 00:49:46,084
Ava: NO.
1208
00:49:46,084 --> 00:49:47,085
Adrian: I NEEDED TO BE SURE
1209
00:49:47,085 --> 00:49:48,486
YOU'D NEVER LEAVE ME AGAIN.
1210
00:49:48,486 --> 00:49:54,025
Ava: NO. NO. NO. NO.
1211
00:49:57,362 --> 00:50:00,765
NO.
1212
00:50:00,765 --> 00:50:03,634
NO! NO!!
1213
00:50:03,634 --> 00:50:06,371
[SOBBING]
1214
00:50:06,371 --> 00:50:09,374
>> * YOU BRUISE ME,
1215
00:50:09,374 --> 00:50:11,509
WE BOTH BRUISE
1216
00:50:11,509 --> 00:50:14,379
TOO EASILY,
1217
00:50:14,379 --> 00:50:17,248
TOO EASILY
1218
00:50:17,248 --> 00:50:20,785
TO LET IT SHOW,
1219
00:50:20,785 --> 00:50:23,121
I LOVE YOU,
1220
00:50:23,121 --> 00:50:28,593
AND THAT'S ALL I KNOW,
1221
00:50:28,593 --> 00:50:31,562
ALL MY PLANS
1222
00:50:31,562 --> 00:50:33,864
ARE UNSURE,
1223
00:50:33,864 --> 00:50:36,634
ALL MY PLANS
1224
00:50:36,634 --> 00:50:39,537
DEPEND ON YOU,
1225
00:50:39,537 --> 00:50:42,407
DEPEND ON YOU
1226
00:50:42,407 --> 00:50:43,641
TO HELP THEM GROW *
1227
00:50:43,641 --> 00:50:45,443
Sean: I LOVE YOU, YOU KNOW.
1228
00:50:45,443 --> 00:50:50,148
Julia: I LOVE YOU, TOO. ALWAYS.
1229
00:50:50,148 --> 00:50:53,284
>> * AND THAT'S ALL I KNOW,
1230
00:50:53,284 --> 00:50:56,421
WHEN THE SINGER'S GONE,
1231
00:50:56,421 --> 00:51:04,295
LET THE SONG GO ON *
1232
00:51:04,295 --> 00:51:05,296
Christian: I'LL HELP YOU
1233
00:51:05,296 --> 00:51:06,631
CLEAN UP.
1234
00:51:11,436 --> 00:51:12,570
>> * BUT THE ENDING
1235
00:51:12,570 --> 00:51:17,708
ALWAYS COMES AT LAST,
1236
00:51:17,708 --> 00:51:20,311
ENDINGS ALWAYS
1237
00:51:20,311 --> 00:51:22,847
COME TOO FAST *
1238
00:51:22,847 --> 00:51:23,848
Christian: SO, I'LL SEE YOU
1239
00:51:23,848 --> 00:51:24,715
TOMORROW?
1240
00:51:24,715 --> 00:51:25,850
>> * THEY COME TOO FAST,
1241
00:51:25,850 --> 00:51:29,454
BUT THEY PASS TOO SLOW,
1242
00:51:29,454 --> 00:51:31,722
I LOVE YOU,
1243
00:51:31,722 --> 00:51:36,594
AND THAT'S ALL I KNOW *
1244
00:51:36,594 --> 00:51:37,728
Christian: MAKE SURE YOU LOCK
1245
00:51:37,728 --> 00:51:38,663
THIS DOOR.
1246
00:51:38,663 --> 00:51:39,864
>> * WHEN THE SINGER'S GONE,
1247
00:51:39,864 --> 00:51:43,601
LET THE SONG GO ON,
1248
00:51:43,601 --> 00:51:46,337
IT'S A FINE LINE BETWEEN
1249
00:51:46,337 --> 00:51:48,873
THE DARKNESS AND THE DAWN,
1250
00:51:48,873 --> 00:51:52,310
THEY SAY IN THE DARKEST NIGHT,
1251
00:51:52,310 --> 00:51:55,480
THERE'S A LIGHT BEYOND,
1252
00:51:55,480 --> 00:51:58,483
BUT THE ENDING ALWAYS
1253
00:51:58,483 --> 00:52:01,619
COMES AT LAST,
1254
00:52:01,619 --> 00:52:04,489
ENDINGS ALWAYS
1255
00:52:04,489 --> 00:52:06,924
COME TOO FAST,
1256
00:52:06,924 --> 00:52:09,760
THEY COME TOO FAST,
1257
00:52:09,760 --> 00:52:13,498
BUT THEY PASS TOO SLOW,
1258
00:52:13,498 --> 00:52:15,766
I LOVE YOU,
1259
00:52:15,766 --> 00:52:19,237
AND THAT'S ALL
1260
00:52:19,237 --> 00:52:22,907
I KNOW,
1261
00:52:22,907 --> 00:52:29,247
THAT'S ALL I KNOW,
1262
00:52:29,247 --> 00:52:35,420
THAT'S ALL I KNOW,
1263
00:52:35,420 --> 00:52:41,659
OH, OH,
1264
00:52:41,659 --> 00:52:47,498
OH, OH,
1265
00:52:47,498 --> 00:52:49,400
OH *
1266
00:52:49,400 --> 00:52:54,839
Guard: EXCUSE ME, MA'AM?
1267
00:52:54,839 --> 00:52:55,940
COULD YOU TAKE OFF YOUR
1268
00:52:55,940 --> 00:52:58,476
SUNGLASSES, PLEASE?
1269
00:53:02,947 --> 00:53:06,217
CAN I SEE YOUR PASSPORT, PLEASE?
1270
00:53:22,833 --> 00:53:24,969
THANK YOU, MISS MOORE.
1271
00:53:24,969 --> 00:53:26,504
HAVE A NICE FLIGHT.
1272
00:53:26,504 --> 00:53:30,575
Ava: THANK YOU.
1273
00:53:30,575 --> 00:53:33,444
>> * WHEN THE SINGER'S GONE,
1274
00:53:33,444 --> 00:53:37,448
LET THE SONG GO ON,
1275
00:53:37,448 --> 00:53:39,717
IT'S A FINE LINE
1276
00:53:39,717 --> 00:53:41,319
BETWEEN THE DARKNESS
1277
00:53:41,319 --> 00:53:42,720
AND THE DAWN,
1278
00:53:42,720 --> 00:53:46,324
THEY SAY IN THE DARKEST NIGHT,
1279
00:53:46,324 --> 00:53:49,327
THERE'S A LIGHT BEYOND,
1280
00:53:49,327 --> 00:53:52,330
BUT THE ENDING ALWAYS
1281
00:53:52,330 --> 00:53:55,866
COMES AT LAST,
1282
00:53:55,866 --> 00:54:00,871
ENDINGS ALWAYS COME TOO FAST,
1283
00:54:00,871 --> 00:54:03,741
THEY COME TOO FAST,
1284
00:54:03,741 --> 00:54:07,478
BUT THEY PASS TOO SLOW,
1285
00:54:07,478 --> 00:54:09,680
I LOVE YOU,
1286
00:54:09,680 --> 00:54:12,883
AND THAT'S ALL
1287
00:54:12,883 --> 00:54:16,487
I KNOW,
1288
00:54:16,487 --> 00:54:23,027
THAT'S ALL I KNOW,
1289
00:54:23,027 --> 00:54:29,467
THAT'S ALL I KNOW,
1290
00:54:29,467 --> 00:54:35,706
OH, OH, OH,
1291
00:54:35,706 --> 00:54:40,845
OH, OH,
1292
00:54:40,845 --> 00:54:43,581
OH *
1293
00:54:49,654 --> 00:54:50,655
[CAPTIONED BY THE NATIONAL
1294
00:54:50,655 --> 00:54:51,656
CAPTIONING INSTITUTE
1295
00:54:51,656 --> 00:54:53,591
--www.ncicap.org]
83241
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