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Christian: MISS CHARLES...TELL
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ME WHAT YOU DON'T LIKE ABOUT
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YOURSELF.
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Miss Charles: YOU TELL ME.
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Sean: UH, IT'S NOT ABOUT
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WHAT WE THINK. IT'S HOW THE
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PATIENT EXPERIENCES THEIR OWN
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APPEARANCE. WHAT THEY'D LIKE TO
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CHANGE TO IMPROVE THEIR NEGATIVE
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SELF-IMAGE.
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Miss Charles: YOU KNOW THE ONLY
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THING WORSE THAN HAVING A
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NEGATIVE SELF-IMAGE?
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Christian: HAVING NO SELF-IMAGE?
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Miss Charles: I'M IMPRESSED.
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I WOULDN'T EXPECT A LOTHARIO
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LIKE YOU TO GET THAT.
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Sean: WHAT MAKES YOU SO CERTAIN
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THAT HE'S THE LOTHARIO?
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Miss Charles: WELL, ANY
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SUCCESSFUL MAN LIKE YOURSELF,
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WHO WEARS OLD SPICE, GOT IT FOR
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FATHER'S DAY. AND ANY MAN WHO'LL
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SPEND $185 ON A BOTTLE OF CREED
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ISN'T WEARING IT TO PLEASE HIS
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WIFE.
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[BOTH CHUCKLE]
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Sean: WE SHOULD PUT YOU TO WORK
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SOLVING CRIMES.
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Miss Charles: ACTUALLY,
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I'M A DESIGNER. ROCKETS.
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PERFUME.
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[ALL LAUGH]
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TWO OF MY SCENTS BECAME
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BESTSELLERS THIS YEAR,
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SO DECIDED TO DO A LITTLE
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REMODELING...FOR THE DATING
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SEASON.
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Christian: WELL...WHAT'S THE
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NAME OF YOUR SCENT? I'LL HAVE TO
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BUY SOME.
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Miss Charles: WELL, THAT
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WOULDN'T BE FAIR.
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Christian: TO WHOM?
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Miss Charles: WOMEN. YOU'RE HARD
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ENOUGH TO RESIST AS IT IS
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WITHOUT ADDING ANY EXTRA
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PHEROMONES INTO THE MIX.
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Christian: MISS CHARLES,
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ARE YOU FLIRTING WITH ME?
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Miss Charles: THAT DEPENDS.
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AM I PRETTY ENOUGH TO FLIRT
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WITH YOU?
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Christian: NO.
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Miss Charles: GOOD. THEN FIX
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WHATEVER NEEDS FIXING. MAKE ME
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INTO SOMEONE THAT YOU'D WANT.
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MAKE ME A 10.
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Sean: WE'RE NOT COSMETICIANS,
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MISS CHARLES. WE'RE TALKING
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ABOUT PERMANENT CHANGES.
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Christian: BESIDES, EVERYONE'S
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IDEA OF BEAUTY VARIES. IT'S IN
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THE EYE OF THE BEHOLDER. HEH.
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Miss Charles: WRONG. "PRETTY" IS
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IN THE EYE OF THE BEHOLDER.
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BEAUTY IS IN THE SOUL. YOU CAN'T
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SEE IT, BUT YOU KNOW IT WHEN YOU
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FEEL IT. COME ON. YOU GUYS ARE
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THE TOP PLASTIC SURGEONS IN
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FLORIDA. GIVE ME THE SUPERFICIAL
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FACTS. WHAT WOULD YOU CHANGE?
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Sean: YOUR EYES. UH...
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THE PIGMENTATION--
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Christian: SPOOKY.
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Miss Charles: THANK YOU. GO ON.
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Sean: WAS THIS THE RESULT OF
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A TRAUMA OR ILLNESS?
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Miss: NO, I WAS BORN THIS WAY.
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IN THE DARK, SO TO SPEAK. I HAVE
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ABSOLUTELY NO WAY OF KNOWING IF
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MY NOSE IS TOO BIG, IF MY LIPS
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ARE TOO THIN--
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Christian: EXCEPT FOR YOUR EYES,
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YOU'RE A 10. ALTHOUGH
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YOU ALREADY KNOW THAT. HEH.
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Sean: WE CAN RECOMMEND AN
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EXCELLENT OCULARIST. WE'LL WORK
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WITH HIM TOGETHER ON COLOR,
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SIZE, SHAPE.
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Miss Charles: WHAT COLOR WILL
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THEY BE?
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Christian: BLUE, MAYBE.
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WITH A TINY HINT OF GREEN.
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Miss Charles: BLUE. LIKE THE
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OCEAN AND THE SKY. NICE.
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YOU'RE SMILING, AREN'T YOU?
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Christian: ACTUALLY, IT'S MORE
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OF A SMIRK.
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[BOTH CHUCKLE]
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YOU'RE NOT AS GOOD AS YOU THINK.
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HOW ABOUT THURSDAY AFTERNOON?
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I CAN MAKE AN APPOINTMENT
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FOR YOU.
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Miss Charles: I CAN MAKE MY OWN
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APPOINTMENT. I LIKE TO BE
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INDEPENDENT. I ALSO LIKE TO BE
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DRIVEN.
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* AHH *
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* MAKE ME BEAUTIFUL *
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* MAKE ME
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A PERFECT SOUL,
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A PERFECT MIND,
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A PERFECT FACE,
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A PERFECT
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LIFE *
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Julia: LEARNING TO SKATE, OR YOU
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JUST WANT TO CARRY A BIG STICK?
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Sean: TAMPA BAY LIGHTNING.
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SIGNED BY THE ENTIRE TEAM.
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ONLY $350. IT'S WORTH A LOT MORE
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AFTER WINNING THE CUP.
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Julia: IT'S NICE THAT YOU'RE
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HERE. I WASN'T EXPECTING TO SEE
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YOU. YOU USUALLY HATE THESE
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THINGS.
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Sean: IT'S FOR ANNIE'S SCHOOL.
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IT'S THE LEAST I COULD DO.
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Julia: I'M USED TO GOING TO
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THESE THINGS BY MYSELF.
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Sean: AND TONIGHT'S
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NO EXCEPTION.
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[SIGHS]
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Kimber: I WAS JUST AT YOUR
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SIGNUP SHEET, AND THERE'S ALL
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THESE WOMEN THERE, BUT THEY'RE
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TOO EMBARRASSED TO PUT THEIR
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NAMES DOWN. BUT I THINK I GOT
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THE BALL ROLLING. I TOLD 'EM YOU
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DID A GREAT JOB ON THESE.
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OH. HI.
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MAYBE I SHOULD GO...KEEP PUMPIN'
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THE BIDS. YOU'RE TOO GOOD
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TO GIVE IT AWAY FOR FREE.
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Julia: I CAN'T BELIEVE YOU
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BROUGHT THAT...WALKING SLAB OF
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SILICON TO OUR DAUGHTER'S
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SCHOOL.
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Sean: SHE'S THE ONE WHO
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SUGGESTED I DONATE MY SURGICAL
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SKILL TO THE HIGHEST BIDDER.
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Julia: I THOUGHT YOU DIDN'T EVEN
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LIKE BIG TITS.
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Sean: I GUESS I WAS LYING.
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MY BAD.
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Julia: WELL, I'M JUST GLAD
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I DIDN'T BRING ANNIE.
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Sean: YEAH, YOU'D BETTER
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WATCH OUT. SHE'LL END UP RUNNING
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AWAY FROM YOU LIKE MATT.
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Julia: WHAT'S HAPPENED TO YOU?
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Sean: I'M HAVING A GOOD TIME,
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JULIA. A REALLY GOOD TIME. AND
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YOUR HOLIER-THAN-THOU ATTITUDE
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ISN'T GONNA MAKE ME FEEL SHITTY
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FOR BRINGING KIMBER HERE.
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BECAUSE YOU'VE GOT NO RIGHT
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TO BE HOLIER THAN ANYBODY
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EVER AGAIN.
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EVERY GUY IN THIS ROOM IS
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LOOKING AT HER TITS, WISHING
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THEY WERE ME, NOT GOING HOME
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WITH THEIR BITTER, UNHAPPY,
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AND RESENTFUL WIVES.
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Julia: IS THIS HOW IT'S GONNA BE
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FROM NOW ON?
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Sean: FACE IT, JULIA.
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YOU'VE LOST YOUR BOY.
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Ocularist: METHYL METHACRYLATE.
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IT'S LIGHTER AND MORE RESPONSIVE
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TO THE MUSCLES THAT CONTROL
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THE MOVEMENT OF THE EYE,
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AND IT'S VIRTUALLY UNBREAKABLE.
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Miss Charles: UNBREAKABLE?
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YOU MEAN IN CASE THEY POP OUT OF
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MY HEAD?
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Ocularist: NO, BUT, UM, THEY
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MIGHT FALL FROM THE SINK WHEN
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YOU'RE TRYING TO WASH THEM.
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I RECENTLY HAD TO REPLACE
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A PATIENT'S LEFT EYE BECAUSE
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IT HAD BEEN EATEN BY HIS DOG.
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[MISS CHARLES SIGHS]
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MAY I?
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Miss Charles: WHAT ARE YOU
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DOING?
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Ocularist: EYES ARE A REFLECTION
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OF THE SOUL. I NEED TO KNOW
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WHO'S BEHIND THE EYES
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I'M MAKING. THAT'S WHY IT TAKES
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ME A LITTLE LONGER THAN THE
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REST. TO ME, IT'S MORE THAN
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A SCIENCE. IT'S AN ART.
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THERE ARE 12 STEPS TO
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THE PAINTING ALONE. EACH ELEMENT
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WITHIN THE EYE ACQUIRES ITS OWN
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SPECIAL BLEND OF COLOR.
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THE RED VEINS ARE SOMETIMES
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DUPLICATED BY USING THIN STRANDS
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OF FABRIC AND CAREFULLY PLACING
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THEM ON THE PLASTIC.
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THE VERISIMILITUDE IS...
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ASTONISHING.
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Miss Charles: WHEN DO YOU THINK
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I COULD HAVE THEM?
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Ocularist: AS SOON AS YOUR
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DAMAGED EYEBALLS ARE REMOVED
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AND THE IMPLANTS SEWN INTO
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PLACE.
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Christian: I CAN SCHEDULE HER
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NEXT WEEK.
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Ocularist: THEN NEXT WEEK IT IS.
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* I'LL BE SEEING YOU
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IN ALL THE OLD FAMILIAR PLACES
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THAT THIS HEART OF MINE EMBRACES
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ALL DAY THROUGH
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IN THAT SMALL CAFE
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THE PARK ACROSS THE WAY
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THE CHILDREN'S CAROUSEL
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A CHESTNUT TREE... *
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Ocularist: ONCE THE ORBITAL
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IMPLANTS ARE IN PLACE, THEY
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PROVIDE THE NECESSARY ANCHOR FOR
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THE ARTIFICIAL EYE. THAT'S WHEN
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YOU AND I ARE READY TO BEGIN.
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YOU COME IN AND I POSITION THIS
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IMPRESSION TRAY IN YOUR SOCKET.
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DON'T WORRY. IT'LL FEEL ODD,
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BUT NOT PAINFUL. I USE IT
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TO MAKE AN ALGINATE IMPRESSION
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OF THE CAVITY WITHIN YOUR EYE.
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WHEN IT'S DRY AND SMOOTH
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AND A PERFECT FIT, IT SERVES AS
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A MOLD FOR THE ACTUAL PLASTIC
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INSERT THAT WILL BECOME YOUR NEW
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EYE. THEN, THE FITTING. THAT'S
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WHEN THE MIRACLE HAPPENS.
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Miss Charles: MIRACLE?
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Ocularist: ANIMATING WHAT'S
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LIFELESS. A MERE PIECE OF
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PLASTIC, AND WE GIVE THE SOUL
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ITS VOICE.
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Miss Charles: IT ALL SOUNDS
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SO GRUESOME. DO YOU REALLY THINK
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IT'S WORTH IT?
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Ocularist: I'VE NEVER HAD
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A DISAPPOINTED CUSTOMER. I DON'T
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LIKE TO TOOT MY OWN HORN--
259
00:11:17,510 --> 00:11:19,279
WELL, YES, I DO. BECAUSE I'M
260
00:11:19,279 --> 00:11:21,281
THE BEST.
261
00:11:21,281 --> 00:11:22,515
Christian: IF YOU WEREN'T,
262
00:11:22,515 --> 00:11:24,017
WE WOULDN'T BE HERE. HEH.
263
00:11:27,487 --> 00:11:28,856
SO, YOU WANTED TO KNOW WHAT
264
00:11:28,856 --> 00:11:32,292
MY RECOMMENDATION WOULD BE.
265
00:11:32,292 --> 00:11:35,462
THIS IS IT.
266
00:11:35,462 --> 00:11:36,463
Ocularist: WHAT COLOR EYES
267
00:11:36,463 --> 00:11:38,031
WERE YOU THINKING?
268
00:11:40,433 --> 00:11:45,405
* BUT I'LL BE SEEING YOU... *
269
00:11:45,405 --> 00:11:48,175
Miss Charles: BLUE. WITH A HINT
270
00:11:48,175 --> 00:11:49,376
OF GREEN.
271
00:11:49,376 --> 00:11:54,214
Ocularist: MM. MM, GOOD.
272
00:12:00,087 --> 00:12:01,955
Julia: LIFE'S ABOUT CHANGE,
273
00:12:01,955 --> 00:12:05,893
RIGHT? TRANSFORMATION. AND I'D
274
00:12:05,893 --> 00:12:07,360
JUST LIKE TO SEE THIS TIME AS
275
00:12:07,360 --> 00:12:11,231
AN OPPORTUNITY TO EXPLORE OTHER
276
00:12:11,231 --> 00:12:14,067
POSSIBILITIES. WELL, OUTSIDE OF
277
00:12:14,067 --> 00:12:16,436
BEING A WIFE AND MOTHER, I MEAN.
278
00:12:16,436 --> 00:12:17,838
Doctor: DID YOU SAY YOU WERE
279
00:12:17,838 --> 00:12:18,839
DIVORCED?
280
00:12:18,839 --> 00:12:21,975
Julia: UH...SEPARATED.
281
00:12:21,975 --> 00:12:23,576
Doctor: WELL, IF IT MAKES YOU
282
00:12:23,576 --> 00:12:25,412
FEEL ANY BETTER, 70% OF
283
00:12:25,412 --> 00:12:27,247
THE BREAST AUGMENTATIONS I DO
284
00:12:27,247 --> 00:12:29,116
ARE ON WOMEN DIVORCED OR...
285
00:12:29,116 --> 00:12:31,885
IN THE PROCESS. IT CAN BE QUITE
286
00:12:31,885 --> 00:12:33,854
HEALING, A WAY OF AFFIRMING YOUR
287
00:12:33,854 --> 00:12:35,522
DESIRABILITY. SOME OF
288
00:12:35,522 --> 00:12:37,257
MY PATIENTS EVEN HAVE IMPLANTS
289
00:12:37,257 --> 00:12:38,859
AS PART OF THEIR SETTLEMENT.
290
00:12:38,859 --> 00:12:40,193
Julia, laughing: OH, WELL,
291
00:12:40,193 --> 00:12:41,929
THERE'S A THOUGHT. MAYBE
292
00:12:41,929 --> 00:12:43,530
I SHOULD WAIT UNTIL WE FILE.
293
00:12:43,530 --> 00:12:45,866
[BOTH CHUCKLE]
294
00:12:45,866 --> 00:12:47,100
Doctor: WHY DON'T YOU OPEN YOUR
295
00:12:47,100 --> 00:12:48,101
BLOUSE SO WE CAN SEE WHAT
296
00:12:48,101 --> 00:12:50,370
WE HAVE TO WORK WITH HERE?
297
00:13:03,550 --> 00:13:06,019
Julia: HAVE YOU DONE A LOT
298
00:13:06,019 --> 00:13:07,187
OF THESE?
299
00:13:07,187 --> 00:13:08,856
Doctor: OH, LET'S JUST SAY THAT
300
00:13:08,856 --> 00:13:10,557
SINCE I BEGAN THIS PRACTICE,
301
00:13:10,557 --> 00:13:12,159
MICROMASTIA HAS BECOME
302
00:13:12,159 --> 00:13:13,126
AN EPIDEMIC.
303
00:13:13,126 --> 00:13:14,527
Julia: MICROMASTIA?
304
00:13:14,527 --> 00:13:16,196
Doctor: SMALL-BREASTEDNESS.
305
00:13:16,196 --> 00:13:18,131
Julia: OH. I ALWAYS THOUGHT
306
00:13:18,131 --> 00:13:22,169
THEY WERE AVERAGE. MICROMASTIA?
307
00:13:22,169 --> 00:13:23,636
THAT SOUNDS LIKE A DISEASE.
308
00:13:23,636 --> 00:13:25,205
Doctor: OH. IN OUR CULTURE,
309
00:13:25,205 --> 00:13:28,041
IT OFTEN IS. BREASTS ARE
310
00:13:28,041 --> 00:13:29,542
A SYMBOL OF OUR FEMININITY,
311
00:13:29,542 --> 00:13:30,911
THE CLOSEST THING WE HAVE TO
312
00:13:30,911 --> 00:13:32,913
A PHALLIC SYMBOL AND, LIKE IT OR
313
00:13:32,913 --> 00:13:34,581
NOT, WE LIVE IN A WORLD WHERE
314
00:13:34,581 --> 00:13:38,251
SIZE MATTERS...FOR BOTH.
315
00:13:38,251 --> 00:13:40,587
I THINK WE CAN GO UP TO A "C"
316
00:13:40,587 --> 00:13:43,056
OR EVEN "D" AND STILL KEEP YOUR
317
00:13:43,056 --> 00:13:46,960
NATURAL DROP.
318
00:13:46,960 --> 00:13:48,361
Julia: I DON'T WANT THEM TO BE
319
00:13:48,361 --> 00:13:51,965
HUGE. I--I MEAN, JUST, UH,
320
00:13:51,965 --> 00:13:55,969
DIFFERENT. BETTER. A NEW ME,
321
00:13:55,969 --> 00:13:57,337
YOU KNOW?
322
00:13:57,337 --> 00:13:58,338
Doctor: I'M SURE YOU'LL BE
323
00:13:58,338 --> 00:13:59,639
DELIGHTED, BECAUSE YOU'RE
324
00:13:59,639 --> 00:14:01,341
DOING IT FOR THE RIGHT REASON--
325
00:14:01,341 --> 00:14:04,211
YOURSELF. WHAT'S SAD ARE
326
00:14:04,211 --> 00:14:05,245
THE ONES THAT DO IT THINKING
327
00:14:05,245 --> 00:14:06,613
THEY CAN GET THEIR HUSBANDS
328
00:14:06,613 --> 00:14:10,217
BACK. IT'S...HEARTBREAKING.
329
00:14:16,223 --> 00:14:19,559
[MACHINE BEEPING]
330
00:14:19,559 --> 00:14:21,161
Julia: WHAT ARE YOU DOING?
331
00:14:21,161 --> 00:14:22,329
Nurse: I'M JUST MONITORING YOUR
332
00:14:22,329 --> 00:14:24,164
HEART, SWEETIE. STANDARD
333
00:14:24,164 --> 00:14:27,867
PROCEDURE. TRY TO RELAX.
334
00:14:31,638 --> 00:14:33,340
[JULIA SIGHS]
335
00:14:33,340 --> 00:14:34,341
Julia: YOU KNOW, MAYBE
336
00:14:34,341 --> 00:14:35,408
I SHOULDN'T BE DOING THIS.
337
00:14:35,408 --> 00:14:37,444
I--I HAVE 2 KIDS. THE YOUNGEST
338
00:14:37,444 --> 00:14:39,046
ONE IS ONLY 8. SHE'S AT MY
339
00:14:39,046 --> 00:14:40,180
HUSBAND'S. IF ANYTHING HAPPENED
340
00:14:40,180 --> 00:14:41,214
TO ME--
341
00:14:41,214 --> 00:14:42,382
Nurse: OH, DON'T YOU WORRY.
342
00:14:42,382 --> 00:14:44,584
DR. COPLEY'S THE BEST.
343
00:14:44,584 --> 00:14:47,354
SHE HASN'T BOTCHED ONE YET.
344
00:14:50,190 --> 00:14:52,025
YEAH. SHE DID THESE.
345
00:14:52,025 --> 00:14:53,626
HA HA. PRETTY GOOD, HUH?
346
00:14:53,626 --> 00:14:57,597
Julia: YEAH. DID HAVING THEM
347
00:14:57,597 --> 00:15:01,268
DONE REALLY CHANGE ANYTHING
348
00:15:01,268 --> 00:15:04,004
IN YOUR LOVE LIFE?
349
00:15:04,004 --> 00:15:07,074
Nurse: 14 KARAT. AND HE NEVER
350
00:15:07,074 --> 00:15:08,608
GETS BORED.
351
00:15:08,608 --> 00:15:10,077
Dr. Copley: OK, JULIA, WE'RE
352
00:15:10,077 --> 00:15:12,212
GONNA BEGIN.
353
00:15:12,212 --> 00:15:13,746
AS THE ANESTHESIA STARTS TO
354
00:15:13,746 --> 00:15:14,747
WORK, YOU'RE GONNA FEEL AS IF
355
00:15:14,747 --> 00:15:15,648
YOU'RE FLOATING.
356
00:15:15,648 --> 00:15:18,351
[JULIA SIGHS]
357
00:15:18,351 --> 00:15:21,488
Julia: ONE MORE LOOK...
358
00:15:21,488 --> 00:15:23,490
FOR OLD TIMES' SAKE.
359
00:15:34,101 --> 00:15:36,269
Dr. Copley: AND NOW COUNTING
360
00:15:36,269 --> 00:15:40,507
BACK FROM 10 TO 1.
361
00:15:40,507 --> 00:15:44,111
Julia: 10...
362
00:15:44,111 --> 00:15:46,513
9...
363
00:15:46,513 --> 00:15:49,782
8...
364
00:15:49,782 --> 00:15:51,718
Miss Charles: I LOVE OCEANAIA.
365
00:15:51,718 --> 00:15:52,585
I LOVE IT.
366
00:15:52,585 --> 00:15:54,121
THEY MAKE THE BEST CHILEAN SEA
367
00:15:54,121 --> 00:15:57,524
BASS. YOU KNOW WHAT? I'M NOT
368
00:15:57,524 --> 00:15:59,526
SURE, BUT MY DOCTOR JUST WALKED
369
00:15:59,526 --> 00:16:01,161
INTO THE ROOM, SO I'LL ASK HIM.
370
00:16:01,161 --> 00:16:03,496
IS IT TOO SOON FOR ME TO MAKE,
371
00:16:03,496 --> 00:16:04,731
UH, DINNER PLANS FOR SATURDAY
372
00:16:04,731 --> 00:16:07,134
NIGHT?
373
00:16:07,134 --> 00:16:08,268
Christian: YOU'RE AN INDEPENDENT
374
00:16:08,268 --> 00:16:10,570
WOMAN. HOT DATE? [CHUCKLES]
375
00:16:10,570 --> 00:16:11,671
Miss Charles: HOPE SO.
376
00:16:11,671 --> 00:16:12,505
HE ANSWERED MY
377
00:16:12,505 --> 00:16:13,806
PERSONAL AD ON THE INTERNET.
378
00:16:13,806 --> 00:16:16,143
[CHUCKLES]
379
00:16:16,143 --> 00:16:19,546
Christian: OH. WELL.
380
00:16:19,546 --> 00:16:21,281
WHY DON'T YOU, UH, CALL HIM
381
00:16:21,281 --> 00:16:25,552
BACK...AFTER I'VE...FINISHED
382
00:16:25,552 --> 00:16:27,820
CHECKING YOU OUT.
383
00:16:27,820 --> 00:16:29,256
Miss Charles: RON, CAN I GET
384
00:16:29,256 --> 00:16:31,158
BACK TO YOU? MY VERY HUNKY
385
00:16:31,158 --> 00:16:32,325
DOCTOR WANTS TO STARE DEEPLY
386
00:16:32,325 --> 00:16:34,327
INTO MY BEAUTIFUL NEW ACRYLIC
387
00:16:34,327 --> 00:16:37,430
EYES. GREAT. I'LL TALK TO YOU
388
00:16:37,430 --> 00:16:41,134
LATER. [CLEARS THROAT]
389
00:16:48,841 --> 00:16:51,178
MMM...WHAT'S WRONG?
390
00:16:51,178 --> 00:16:53,446
Christian: NOTHING.
391
00:16:53,446 --> 00:16:55,848
I'M JUST CHECKING YOUR TEAR
392
00:16:55,848 --> 00:16:58,185
DUCTS.
393
00:16:58,185 --> 00:17:01,088
Miss Charles: SOMETHING.
394
00:17:01,088 --> 00:17:03,423
[CHRISTIAN SIGHS]
395
00:17:06,426 --> 00:17:07,394
IT'S WRITTEN ALL OVER
396
00:17:07,394 --> 00:17:08,461
YOUR FOREHEAD.
397
00:17:11,864 --> 00:17:13,666
Christian: [SIGHS] NO MAN WHO
398
00:17:13,666 --> 00:17:15,868
ANSWERS AN INTERNET AD IS AFTER
399
00:17:15,868 --> 00:17:17,337
A DEEP, PERSONAL CONNECTION THAT
400
00:17:17,337 --> 00:17:19,239
DOESN'T INVOLVE HIS PENIS.
401
00:17:19,239 --> 00:17:20,173
Miss Julie: YOU KNOW, I--I THINK
402
00:17:20,173 --> 00:17:21,341
I READ THAT IN A FORTUNE COOKIE
403
00:17:21,341 --> 00:17:21,874
ONCE.
404
00:17:21,874 --> 00:17:22,775
Christian: I JUST THOUGHT YOU
405
00:17:22,775 --> 00:17:23,576
WERE SMARTER THAN THAT.
406
00:17:23,576 --> 00:17:24,577
Miss Charles: FUNNY.
407
00:17:24,577 --> 00:17:26,479
MY INCREDIBLY SMART FRIEND JANET
408
00:17:26,479 --> 00:17:27,647
MET HER HUSBAND THAT WAY.
409
00:17:27,647 --> 00:17:29,216
Christian: WAS SHE BLIND?
410
00:17:33,220 --> 00:17:35,488
[MISS CHARLES SIGHS]
411
00:17:35,488 --> 00:17:36,756
Christian: I'M SORRY.
412
00:17:36,756 --> 00:17:37,824
I JUST MEANT THAT...
413
00:17:37,824 --> 00:17:40,327
MEN ARE ASSHOLES, AND
414
00:17:40,327 --> 00:17:42,362
BEING BLIND JUST MAKES YOU AN
415
00:17:42,362 --> 00:17:45,765
EASIER MARK.
416
00:17:45,765 --> 00:17:46,899
Miss Charles: ARE WE THROUGH
417
00:17:46,899 --> 00:17:48,301
HERE?
418
00:17:56,376 --> 00:17:57,277
Christian: LOOK DIRECTLY AT ME
419
00:17:57,277 --> 00:17:59,446
AND...TRY TO MOVE YOUR EYES
420
00:17:59,446 --> 00:18:00,780
FROM SIDE TO SIDE.
421
00:18:09,789 --> 00:18:11,258
THERE'S NOT A LOT OF MOBILITY
422
00:18:11,258 --> 00:18:13,526
YET, BUT THE MUSCLE REATTACHMENT
423
00:18:13,526 --> 00:18:16,396
SEEMS TO BE HOLDING.
424
00:18:16,396 --> 00:18:18,097
Miss Charles: IS THAT IT?
425
00:18:24,271 --> 00:18:26,939
Christian: LOOK, IT'S...MEN.
426
00:18:26,939 --> 00:18:28,541
WE'RE JUST WIRED THAT WAY, EVEN
427
00:18:28,541 --> 00:18:30,343
IF SOME SMALL PART OF OUR BRAINS
428
00:18:30,343 --> 00:18:31,411
ACTUALLY GIVES A DAMN ABOUT YOUR
429
00:18:31,411 --> 00:18:33,446
SOUL. IT'S ALWAYS SHORT-
430
00:18:33,446 --> 00:18:34,547
CIRCUITED BY THE OTHER PART THAT
431
00:18:34,547 --> 00:18:36,416
WANTS TO GET INTO YOUR PANTS.
432
00:18:36,416 --> 00:18:37,750
Miss Charles: I'M A BIG GIRL,
433
00:18:37,750 --> 00:18:39,419
DOCTOR.
434
00:18:39,419 --> 00:18:41,354
I DON'T USE A SEEING EYE DOG,
435
00:18:41,354 --> 00:18:42,822
AND I CERTAINLY DON'T NEED
436
00:18:42,822 --> 00:18:44,757
A SEEING EYE DOCTOR TO RESCUE ME
437
00:18:44,757 --> 00:18:47,460
FROM...ALL THOSE BIG, BAD,
438
00:18:47,460 --> 00:18:49,396
SCARY MEN OUT THERE JUST WAITING
439
00:18:49,396 --> 00:18:51,298
TO PREY ON US BLIND DAMSELS
440
00:18:51,298 --> 00:18:53,733
IN DISTRESS. [SNICKERS]
441
00:18:56,303 --> 00:18:57,370
[MISS CHARLES SIGHS]
442
00:19:01,441 --> 00:19:03,476
Christian: BE CAREFUL.
443
00:19:03,476 --> 00:19:04,477
Miss Charles: [SNICKERS]
444
00:19:04,477 --> 00:19:05,978
YOU KNOW WHAT
445
00:19:05,978 --> 00:19:09,716
THE UP SIDE TO BEING BLIND IS?
446
00:19:09,716 --> 00:19:11,651
THERE IS NO FEAR OF THE UNKNOWN
447
00:19:11,651 --> 00:19:14,587
BECAUSE IT'S ALL UNKNOWN.
448
00:19:14,587 --> 00:19:16,823
EVERYTHING IS CHANCE. MEETING
449
00:19:16,823 --> 00:19:18,691
THIS GUY...CROSSING THE
450
00:19:18,691 --> 00:19:21,261
STREET...PICKING OUTFITS THAT
451
00:19:21,261 --> 00:19:26,433
MATCH, BUYING GROCERIES.
452
00:19:26,433 --> 00:19:30,303
HEY...I'M NOT EXPECTING TO FALL
453
00:19:30,303 --> 00:19:33,440
IN LOVE.
454
00:19:33,440 --> 00:19:34,841
BUT YOU NEVER KNOW.
455
00:19:42,882 --> 00:19:44,951
[SIREN IN THE DISTANCE]
456
00:19:48,755 --> 00:19:49,956
[DOORBELL CHIMES]
457
00:19:53,893 --> 00:19:55,695
Julia: UH, JUST A MINUTE!
458
00:20:01,368 --> 00:20:04,504
OH...GOD...
459
00:20:04,504 --> 00:20:08,375
[WOMAN SHOUTS, INDISTINCT]
460
00:20:08,375 --> 00:20:09,942
[INDISTINCT SHOUTING]
461
00:20:09,942 --> 00:20:11,411
Erica: MATT WASN'T EXAGGERATING,
462
00:20:11,411 --> 00:20:12,912
WAS HE?
463
00:20:12,912 --> 00:20:14,914
YOU REALLY DO LOOK A BIT LIKE
464
00:20:14,914 --> 00:20:18,518
A CRACK WHORE, SWEETHEART.
465
00:20:18,518 --> 00:20:19,452
Julia: I CAN'T BELIEVE
466
00:20:19,452 --> 00:20:20,753
THAT MATT CALLED YOU.
467
00:20:20,753 --> 00:20:21,688
Erica: I CAN'T BELIEVE YOU
468
00:20:21,688 --> 00:20:22,622
DIDN'T.
469
00:20:22,622 --> 00:20:23,856
[JULIA SIGHS]
470
00:20:30,830 --> 00:20:32,064
Julia: DID HE SAY ANYTHING
471
00:20:32,064 --> 00:20:36,068
ELSE...ABOUT WHY I MOVED OUT?
472
00:20:36,068 --> 00:20:37,404
Erica: BECAUSE MATTIE
473
00:20:37,404 --> 00:20:39,739
HAS 2 FATHERS. YOU'RE YOUNG.
474
00:20:39,739 --> 00:20:40,807
YOU MADE A MISTAKE. YOU DON'T
475
00:20:40,807 --> 00:20:41,841
WANT TO SPEND THE REST OF YOUR
476
00:20:41,841 --> 00:20:43,776
LIFE ATONING FOR IT.
477
00:20:43,776 --> 00:20:45,812
Julia: WHY NOT? I RUINED
478
00:20:45,812 --> 00:20:47,079
MY HUSBAND'S LIFE.
479
00:20:47,079 --> 00:20:48,080
Erica: OH, BULLSHIT.
480
00:20:48,080 --> 00:20:49,416
YOU RUINED YOUR OWN BY NOT
481
00:20:49,416 --> 00:20:50,950
LIVING IT. SEAN DOESN'T WANT
482
00:20:50,950 --> 00:20:51,984
ANYTHING MORE TO DO WITH YOU.
483
00:20:51,984 --> 00:20:54,487
YIPPIE! YOU'RE FREE. GET OFF
484
00:20:54,487 --> 00:20:56,356
YOUR ASS...AND STOP DEPENDING
485
00:20:56,356 --> 00:20:57,690
ON OTHER PEOPLE FOR YOUR SENSE
486
00:20:57,690 --> 00:20:58,591
OF SELF-WORTH.
487
00:20:58,591 --> 00:20:59,859
Julia: YOU REALLY
488
00:20:59,859 --> 00:21:04,564
SHOULD HAVE YOUR OWN TALK SHOW.
489
00:21:04,564 --> 00:21:06,566
Erica: NOW...I'M STAYING
490
00:21:06,566 --> 00:21:09,536
AT THE RALEIGH. YOU'RE COMING
491
00:21:09,536 --> 00:21:10,470
WITH ME UNTIL WE CAN FIND
492
00:21:10,470 --> 00:21:11,838
SOMEPLACE MORE SUITABLE
493
00:21:11,838 --> 00:21:13,573
FOR YOU AND ANNIE.
494
00:21:13,573 --> 00:21:15,442
OH, GOD, WHO KNOWS WHAT'S LIVING
495
00:21:15,442 --> 00:21:16,876
UNDER THESE CARPETS.
496
00:21:16,876 --> 00:21:17,710
Julia: PLEASE LEAVE
497
00:21:17,710 --> 00:21:19,379
MY THINGS ALONE, MOTHER. I DON'T
498
00:21:19,379 --> 00:21:20,947
NEED YOU TO SWOOP IN HERE
499
00:21:20,947 --> 00:21:22,114
AND START TELLING ME WHAT I
500
00:21:22,114 --> 00:21:25,918
SHOULD AND SHOULDN'T DO.
501
00:21:25,918 --> 00:21:27,454
Erica: TAKE ENOUGH XANEX,
502
00:21:27,454 --> 00:21:30,990
IT WON'T MATTER WHAT YOU DO.
503
00:21:30,990 --> 00:21:33,593
Julia: IT'S VIACODIN. I NEED
504
00:21:33,593 --> 00:21:34,561
SOMETHING TO HELP ME
505
00:21:34,561 --> 00:21:37,864
WITH THE PAIN.
506
00:21:37,864 --> 00:21:40,066
I HAD MY BREASTS AUGMENTED.
507
00:21:44,504 --> 00:21:48,608
Erica: HA HA HA!
508
00:21:48,608 --> 00:21:53,012
OH, GOD. I'M SORRY. [MUTTERS]
509
00:21:53,012 --> 00:21:54,881
[SIGHS] OH, GOOD FOR YOU,
510
00:21:54,881 --> 00:21:56,015
SWEETHEART. AT LEAST YOU DID
511
00:21:56,015 --> 00:21:57,650
SOMETHING. OF COURSE, WHEN I
512
00:21:57,650 --> 00:21:58,785
SAID YOU SHOULD MAKE THE MOST
513
00:21:58,785 --> 00:21:59,686
OUT OF YOURSELF, I WASN'T
514
00:21:59,686 --> 00:22:01,954
REFERRING TO YOUR BRA SIZE.
515
00:22:01,954 --> 00:22:03,590
Julia: YOU HAD A FACE LIFT,
516
00:22:03,590 --> 00:22:04,824
MOTHER. WHAT'S THE DIFFERENCE?
517
00:22:04,824 --> 00:22:05,625
Erica: I DID IT FOR
518
00:22:05,625 --> 00:22:06,893
PROFESSIONAL REASONS. THE ONLY
519
00:22:06,893 --> 00:22:08,761
PROFESSIONAL REASON FOR THAT IS
520
00:22:08,761 --> 00:22:09,896
TO LOOK BETTER DANCING
521
00:22:09,896 --> 00:22:10,763
ON A POLE.
522
00:22:10,763 --> 00:22:11,698
[JULIA SCOFFS]
523
00:22:16,168 --> 00:22:19,171
YOU'RE A BRILLIANT...GIFTED
524
00:22:19,171 --> 00:22:22,742
GIRL, JULIA. WHY ARE YOUR BRAINS
525
00:22:22,742 --> 00:22:24,143
THE LAST ON YOUR LIST OF THINGS
526
00:22:24,143 --> 00:22:25,412
TO DEVELOP?
527
00:22:25,412 --> 00:22:26,413
Julia: BECAUSE THEY'RE THE LAST
528
00:22:26,413 --> 00:22:28,915
THINGS ON THE LIST THAT MATTER!
529
00:22:28,915 --> 00:22:31,117
JUST BE SMART ENOUGH TO KNOW
530
00:22:31,117 --> 00:22:32,919
THAT WHEN YOUR KIDS COME HOME,
531
00:22:32,919 --> 00:22:35,655
THEY NEED A HUG...A KISS...
532
00:22:35,655 --> 00:22:37,857
SOME GODDAMN TENDERNESS!
533
00:22:37,857 --> 00:22:39,526
AND THEY DON'T WANT TO BE TOLD
534
00:22:39,526 --> 00:22:41,694
HOW THEY SCREWED UP, BECAUSE
535
00:22:41,694 --> 00:22:43,730
10 TO 1, THEY ALREADY KNOW.
536
00:22:47,800 --> 00:22:49,035
Erica: TELL ME WHAT YOU NEED.
537
00:22:49,035 --> 00:22:52,805
[JULIA SIGHS]
538
00:22:52,805 --> 00:22:55,842
Julia: FOR GOD'S SAKE, ERICA!
539
00:22:55,842 --> 00:22:58,478
LOOK AROUND! I'VE BEEN EATING
540
00:22:58,478 --> 00:23:01,548
MICROWAVE MACARONI AND CHEESE.
541
00:23:01,548 --> 00:23:03,483
I HAVEN'T WASHED MY HAIR IN DAYS
542
00:23:03,483 --> 00:23:06,453
BECAUSE I CAN'T LIFT MY ARMS.
543
00:23:06,453 --> 00:23:08,521
AND IF I LEAVE THE GARBAGE OUT
544
00:23:08,521 --> 00:23:10,222
ANY LONGER, I'LL START
545
00:23:10,222 --> 00:23:12,692
ATTRACTING WILDLIFE.
546
00:23:12,692 --> 00:23:14,093
Erica: WHY DIDN'T YOU ARRANGE
547
00:23:14,093 --> 00:23:15,962
FOR A PRACTICAL NURSE BEFORE YOU
548
00:23:15,962 --> 00:23:17,564
LEFT THE HOSPITAL?
549
00:23:17,564 --> 00:23:19,832
Julia: BECAUSE...I CHOSE TO HAVE
550
00:23:19,832 --> 00:23:21,901
IT DONE, AND I DON'T WANT SEAN
551
00:23:21,901 --> 00:23:23,836
PAYING FOR IT.
552
00:23:23,836 --> 00:23:25,037
Erica: I'LL WRITE A CHECK!
553
00:23:25,037 --> 00:23:29,976
Julia: OHHH!
554
00:23:29,976 --> 00:23:32,244
FORGET IT.
555
00:23:32,244 --> 00:23:36,716
THE INTEREST IS WAY TOO HIGH.
556
00:23:36,716 --> 00:23:40,252
BUT THANKS FOR COMING OVER.
557
00:23:40,252 --> 00:23:42,121
AND IF YOU HAPPEN TO BUMP INTO
558
00:23:42,121 --> 00:23:44,591
ANYONE RESEMBLING A MOTHER,
559
00:23:44,591 --> 00:23:46,659
TELL HER I COULD USE ONE.
560
00:23:54,734 --> 00:23:55,802
[ERICA SIGHS]
561
00:24:00,807 --> 00:24:02,775
Erica: TITS.
562
00:24:02,775 --> 00:24:03,576
Christian: WHAT ARE YOU
563
00:24:03,576 --> 00:24:04,043
TALKING ABOUT?
564
00:24:04,043 --> 00:24:05,712
Erica: BAZOOMS.
565
00:24:05,712 --> 00:24:08,180
POWER BOOBIES. APPARENTLY, AN
566
00:24:08,180 --> 00:24:10,850
I.Q. OF 160 ISN'T ENOUGH TO GET
567
00:24:10,850 --> 00:24:12,652
HER THROUGH THIS TRANSITION
568
00:24:12,652 --> 00:24:14,086
WITHOUT ACQUIRING EQUALLY
569
00:24:14,086 --> 00:24:15,822
IMPRESSIVE KNOCKERS.
570
00:24:15,822 --> 00:24:16,656
Christian: JULIA GOT
571
00:24:16,656 --> 00:24:18,658
BREAST IMPLANTS?
572
00:24:18,658 --> 00:24:19,659
I DON'T BELIEVE IT.
573
00:24:19,659 --> 00:24:20,192
Sean: WHAT THE HELL
574
00:24:20,192 --> 00:24:21,060
WAS SHE THINKING?
575
00:24:21,060 --> 00:24:23,129
Erica: SEAN, ACCORDING TO MATT,
576
00:24:23,129 --> 00:24:25,565
YOU'RE DATING PORN STAR BARBIE.
577
00:24:25,565 --> 00:24:26,866
THAT WOULD MAKE ANY WOMAN FEEL
578
00:24:26,866 --> 00:24:28,668
INADEQUATE.
579
00:24:28,668 --> 00:24:29,669
Sean: WHAT DO YOU EXPECT US
580
00:24:29,669 --> 00:24:31,203
TO DO, TAKE THEM OUT AND TELL
581
00:24:31,203 --> 00:24:32,138
HER THEY WERE FINE THE WAY
582
00:24:32,138 --> 00:24:33,573
THEY WERE BEFORE?
583
00:24:33,573 --> 00:24:35,975
Erica: JULIA'S IN CRISIS. HAVE
584
00:24:35,975 --> 00:24:37,944
YOU SEEN WHERE SHE'S LIVING?
585
00:24:37,944 --> 00:24:39,111
WHERE ANNIE'S LIVING WHEN
586
00:24:39,111 --> 00:24:40,079
SHE'S NOT WITH YOU?
587
00:24:40,079 --> 00:24:40,947
Sean: ERICA, YOU'RE NOT
588
00:24:40,947 --> 00:24:41,948
SUGGESTING I TAKE ANNIE
589
00:24:41,948 --> 00:24:42,949
AWAY FROM HER?
590
00:24:42,949 --> 00:24:43,883
Christian: LET'S JUST HEAR
591
00:24:43,883 --> 00:24:45,217
WHAT SHE HAS TO SAY.
592
00:24:45,217 --> 00:24:47,086
Sean: YEAH.
593
00:24:47,086 --> 00:24:48,688
Erica: I WANT US ALL TO COME
594
00:24:48,688 --> 00:24:51,090
TOGETHER IN A CARING...
595
00:24:51,090 --> 00:24:53,192
NONJUDGMENTAL MANNER...AND
596
00:24:53,192 --> 00:24:54,827
PRESENT JULIA WITH OUR
597
00:24:54,827 --> 00:24:57,564
OBSERVATIONS AND CONCERNS.
598
00:24:57,564 --> 00:24:58,130
Christian: YOU WANT US
599
00:24:58,130 --> 00:24:59,231
TO STAGE AN INTERVENTION.
600
00:24:59,231 --> 00:25:00,600
Sean, laughing: OH, GOD.
601
00:25:00,600 --> 00:25:01,934
Erica: YES.
602
00:25:01,934 --> 00:25:03,302
I'VE GOTTEN THE NAME OF THE TOP
603
00:25:03,302 --> 00:25:05,037
PSYCHIATRIST IN THE AREA. I'VE
604
00:25:05,037 --> 00:25:06,238
PULLED STRINGS TO MAKE AN
605
00:25:06,238 --> 00:25:07,574
APPOINTMENT, BUT I CAN'T MAKE
606
00:25:07,574 --> 00:25:09,308
SURE SHE SHOWS UP.
607
00:25:09,308 --> 00:25:10,309
Sean: WHY NOT?
608
00:25:10,309 --> 00:25:11,778
Erica: 'CAUSE I WON'T BE HERE.
609
00:25:11,778 --> 00:25:13,646
Sean: OF COURSE. OH, THIS IS
610
00:25:13,646 --> 00:25:15,848
BEAUTIFUL. BUT YOUR DAUGHTER'S
611
00:25:15,848 --> 00:25:17,950
IN CRISIS, ERICA. WHAT'S MORE
612
00:25:17,950 --> 00:25:18,985
IMPORTANT THAN THAT?
613
00:25:18,985 --> 00:25:20,019
Erica: I HAVE TO BE IN LOS
614
00:25:20,019 --> 00:25:21,654
ANGELES AT THE END OF THE WEEK.
615
00:25:21,654 --> 00:25:23,055
I'M GIVING A LECTURE.
616
00:25:23,055 --> 00:25:24,123
Sean: ON MOTHERING?
617
00:25:24,123 --> 00:25:25,257
Christian: BUT YOU'LL BE BACK?
618
00:25:25,257 --> 00:25:26,325
Sean: YOU CAN'T JUST INTERVENE
619
00:25:26,325 --> 00:25:27,627
AND RUN.
620
00:25:27,627 --> 00:25:28,928
Erica: I'M TRYING TO PUT A
621
00:25:28,928 --> 00:25:30,730
SUPPORT SYSTEM INTO PLACE BEFORE
622
00:25:30,730 --> 00:25:32,031
I GO.
623
00:25:32,031 --> 00:25:35,735
Sean: YOU MEAN DUMP HER ON US.
624
00:25:35,735 --> 00:25:36,703
Erica: SO YOU'RE JUST GOING TO
625
00:25:36,703 --> 00:25:40,372
CUT HER OFF. WHERE'D YOU GET THE
626
00:25:40,372 --> 00:25:43,042
BALLS? SHE'S THE ONLY ONE BEING
627
00:25:43,042 --> 00:25:44,644
PUNISHED. IF SHE'S GOTTA WEAR A
628
00:25:44,644 --> 00:25:46,278
SCARLET LETTER, THEN SO DO YOU.
629
00:25:46,278 --> 00:25:47,146
Sean: HOW ABOUT I STAGE AN
630
00:25:47,146 --> 00:25:48,180
INTERVENTION WITH YOU?
631
00:25:48,180 --> 00:25:49,248
Christian: TAKE IT EASY, SEAN.
632
00:25:49,248 --> 00:25:50,216
Sean: YOU'VE DONE MORE HARM TO
633
00:25:50,216 --> 00:25:51,217
JULIA THAN CHRISTIAN AND I COULD
634
00:25:51,217 --> 00:25:52,885
EVER DO IN A LIFETIME. YOU'RE
635
00:25:52,885 --> 00:25:54,086
THE REAL REASON SHE'S SO SCREWED
636
00:25:54,086 --> 00:25:56,623
UP! YOU NEVER SAW HER EXCEPT AS
637
00:25:56,623 --> 00:25:58,758
A REFLECTION OF YOURSELF. SHIT,
638
00:25:58,758 --> 00:26:00,627
YOU NEVER SAW HER, PERIOD. YOU
639
00:26:00,627 --> 00:26:01,794
WERE ALWAYS BUSY WORKING,
640
00:26:01,794 --> 00:26:03,630
HELPING YOUR PATIENTS WITH THEIR
641
00:26:03,630 --> 00:26:05,397
PROBLEMS. WELL, SHE'S YOUR
642
00:26:05,397 --> 00:26:07,700
PROBLEM NOW, ERICA. YOU BROKE
643
00:26:07,700 --> 00:26:13,706
HER, YOU FIX HER.
644
00:26:13,706 --> 00:26:14,641
BEST THING ABOUT NOT BEING WITH
645
00:26:14,641 --> 00:26:15,742
JULIA IS I DON'T HAVE TO BE NICE
646
00:26:15,742 --> 00:26:17,810
TO HER MOTHER.
647
00:26:17,810 --> 00:26:19,245
[TURNS ON FAUCET]
648
00:26:26,185 --> 00:26:29,388
YOU THINK I'M A DICK?
649
00:26:29,388 --> 00:26:30,256
Christian: I DIDN'T SAY
650
00:26:30,256 --> 00:26:31,991
ANYTHING.
651
00:26:31,991 --> 00:26:32,925
Sean: YOU WANT TO BECOME PART OF
652
00:26:32,925 --> 00:26:35,194
ERICA'S INTERVENTION?
653
00:26:35,194 --> 00:26:40,667
Christian: [SIGHS] I HURT JULIA.
654
00:26:40,667 --> 00:26:44,203
I DO THAT A LOT. HURT AND RUN.
655
00:26:44,203 --> 00:26:45,304
IF THERE'S A CHANCE TO HELP--
656
00:26:45,304 --> 00:26:46,939
Sean: SHE'S HAD ENOUGH HELP.
657
00:26:46,939 --> 00:26:48,841
I'VE SPENT MY LIFE RESCUING HER,
658
00:26:48,841 --> 00:26:50,176
SUPPORTING HERE, PROTECTING HER,
659
00:26:50,176 --> 00:26:52,178
AND SO HAVE YOU. NOW LOOK WHAT'S
660
00:26:52,178 --> 00:26:54,180
HAPPENED. WE'VE ENABLED HER SO
661
00:26:54,180 --> 00:26:58,250
MUCH, SHE'S DISABLED. WANT TO BE
662
00:26:58,250 --> 00:27:01,387
A HERO? GO FIND SOMEONE WHO
663
00:27:01,387 --> 00:27:02,755
REALLY NEEDS ONE.
664
00:27:11,263 --> 00:27:12,832
* YOU TRAVELLED THE WORLD,
665
00:27:12,832 --> 00:27:14,701
BUT YOU CAN'T RUN AWAY
666
00:27:14,701 --> 00:27:16,703
FROM THE PERSON YOU ARE
667
00:27:16,703 --> 00:27:19,071
IN YOUR HEART,
668
00:27:19,071 --> 00:27:20,973
YOU CAN BE WHO YOU WANT TO BE,
669
00:27:20,973 --> 00:27:23,042
MAKE US BELIEVE IN YOU,
670
00:27:23,042 --> 00:27:24,343
KEEP ALL YOUR LIGHT
671
00:27:24,343 --> 00:27:26,278
IN THE DARK,
672
00:27:26,278 --> 00:27:28,147
IF YOU'RE SEARCHING FOR TRUTH,
673
00:27:28,147 --> 00:27:30,382
YOU MUST LOOK IN THE MIRROR
674
00:27:30,382 --> 00:27:31,350
AND MAKE SENSE
675
00:27:31,350 --> 00:27:33,920
OF WHAT YOU CAN SEE,
676
00:27:33,920 --> 00:27:37,857
JUST BE,
677
00:27:37,857 --> 00:27:41,861
JUST BE,
678
00:27:41,861 --> 00:27:43,029
THEY SAY LEARNING
679
00:27:43,029 --> 00:27:44,230
TO LOVE YOURSELF
680
00:27:44,230 --> 00:27:46,866
IS THE FIRST STEP THAT YOU TAKE
681
00:27:46,866 --> 00:27:50,002
WHEN YOU WANT TO BE REAL,
682
00:27:50,002 --> 00:27:51,470
FLYING ON PLANES
683
00:27:51,470 --> 00:27:53,740
TO EXOTIC LOCATIONS
684
00:27:53,740 --> 00:27:54,741
WON'T TEACH YOU
685
00:27:54,741 --> 00:27:57,509
HOW YOU REALLY FEEL,
686
00:27:57,509 --> 00:27:59,078
FACE UP TO THE FACT
687
00:27:59,078 --> 00:28:01,814
THAT YOU ARE WHO YOU ARE,
688
00:28:01,814 --> 00:28:05,017
NOTHING CAN CHANGE THAT BELIEF,
689
00:28:05,017 --> 00:28:08,020
JUST BE... *
690
00:28:08,020 --> 00:28:09,488
Woman: RON, HI.
691
00:28:09,488 --> 00:28:12,358
[MAN SPEAKS INDISTINCTLY]
692
00:28:12,358 --> 00:28:14,126
* ...'CAUSE NOW I KNOW
693
00:28:14,126 --> 00:28:15,962
IT'S NOT SO FAR
694
00:28:15,962 --> 00:28:17,997
TO WHERE I GO,
695
00:28:17,997 --> 00:28:19,932
THE HARDEST PART
696
00:28:19,932 --> 00:28:24,904
IS INSIDE ME,
697
00:28:24,904 --> 00:28:28,440
I NEED TO JUST BE... *
698
00:28:28,440 --> 00:28:32,311
Christian: HA HA HA!
699
00:28:32,311 --> 00:28:34,113
Bartender: WHAT'S SO FUNNY?
700
00:28:34,113 --> 00:28:37,850
Christian: UM...ME. I'M SUCH AN
701
00:28:37,850 --> 00:28:39,151
ASSHOLE.
702
00:28:43,455 --> 00:28:45,424
ONE MORE?
703
00:28:45,424 --> 00:28:51,230
* ...BUT I FEEL
704
00:28:51,230 --> 00:28:58,070
SO MUCH BETTER *
705
00:28:58,070 --> 00:28:59,405
Julia: HONEY, HOLD STILL. IT'S
706
00:28:59,405 --> 00:29:01,007
HARD TO SEE WHEN YOU KEEP MOVING
707
00:29:01,007 --> 00:29:02,074
AROUND.
708
00:29:02,074 --> 00:29:04,210
Annie: BUT IT REALLY ITCHES.
709
00:29:04,210 --> 00:29:05,077
[DOORBELL RINGS]
710
00:29:05,077 --> 00:29:07,246
Julia: OHH. HONEY, CAN YOU GO
711
00:29:07,246 --> 00:29:18,390
GET THAT? IT'S YOUR GRANDMOTHER.
712
00:29:18,390 --> 00:29:21,994
Erica: OH, THERE SHE IS! OH MMM!
713
00:29:21,994 --> 00:29:24,430
HOW ARE YOU SWEETHEART? THERE'S
714
00:29:24,430 --> 00:29:26,365
A CHARMING 2-BEDROOM ON COLLINS.
715
00:29:26,365 --> 00:29:27,366
I'VE MADE AN APPOINTMENT FOR YOU
716
00:29:27,366 --> 00:29:29,168
TO SEE IT TOMORROW AT 11:00.
717
00:29:29,168 --> 00:29:30,369
Julia: I'M NOT LOOKING FOR
718
00:29:30,369 --> 00:29:32,371
ANOTHER APARTMENT, MOTHER. ONCE
719
00:29:32,371 --> 00:29:34,073
I'M BETTER I'LL FIX THIS PLACE
720
00:29:34,073 --> 00:29:35,374
UP. IT'LL BE FINE.
721
00:29:35,374 --> 00:29:36,475
Erica: YOU CAN AT LEAST LOOK AT
722
00:29:36,475 --> 00:29:37,944
IT. IF YOU DON'T LIKE IT, HE'S
723
00:29:37,944 --> 00:29:42,114
GOT OTHERS. AND HERE. I CALLED
724
00:29:42,114 --> 00:29:43,950
THE DEPARTMENT AT COLUMBIA. I
725
00:29:43,950 --> 00:29:45,084
GOT YOU AN APPOINTMENT WITH
726
00:29:45,084 --> 00:29:47,019
THE TOP PSYCHOPHARMACOLOGIST IN
727
00:29:47,019 --> 00:29:48,520
THE STATE. HE ALSO HAPPENS TO
728
00:29:48,520 --> 00:29:50,522
SPECIALIZE IN DEPRESSION.
729
00:29:50,522 --> 00:29:51,623
Julia: I'M NOT DEPRESSED,
730
00:29:51,623 --> 00:29:54,927
MOTHER. I AM SEPARATED. OH, GOD,
731
00:29:54,927 --> 00:29:57,096
THERE'S ONE.
732
00:29:57,096 --> 00:29:58,030
Annie: ARE YOU GOING TO HAVE TO
733
00:29:58,030 --> 00:29:59,165
SHAVE MY HEAD?
734
00:29:59,165 --> 00:30:00,499
Erica: SHAVE YOUR HEAD? WHAT
735
00:30:00,499 --> 00:30:01,367
FOR?
736
00:30:01,367 --> 00:30:02,501
Julia: LICE. THEY'RE GOING
737
00:30:02,501 --> 00:30:04,270
AROUND AT ANNIE'S SCHOOL.
738
00:30:04,270 --> 00:30:05,404
Annie: YOU'RE PULLING!
739
00:30:05,404 --> 00:30:06,405
Julia: OH, MY GOD, THEY'RE
740
00:30:06,405 --> 00:30:07,874
EVERYWHERE!
741
00:30:07,874 --> 00:30:09,141
Erica: WHAT'S NEXT, JULIA,
742
00:30:09,141 --> 00:30:10,542
SCABIES? HOW MUCH FURTHER DOWN
743
00:30:10,542 --> 00:30:11,577
DO YOU HAVE TO GO BEFORE THIS
744
00:30:11,577 --> 00:30:13,545
STOPS? SHITTERS ALLEY?
745
00:30:13,545 --> 00:30:15,014
Julia: YOU DON'T HAVE TO BE A
746
00:30:15,014 --> 00:30:16,548
MEMBER OF A THIRD WORLD COUNTRY
747
00:30:16,548 --> 00:30:18,918
TO GET LICE, MOTHER. THEY'RE NOT
748
00:30:18,918 --> 00:30:20,386
A SIGN OF UNCLEANLINESS.
749
00:30:20,386 --> 00:30:21,387
Erica: THEY'RE NOT WHAT I WOULD
750
00:30:21,387 --> 00:30:23,089
CALL A STATUS SYMBOL. YOU NEVER
751
00:30:23,089 --> 00:30:24,423
HAD THEM.
752
00:30:24,423 --> 00:30:26,258
Julia: HONEY, TAKE YOUR CLOTHES
753
00:30:26,258 --> 00:30:27,293
OFF AND THROW THEM ON THE
754
00:30:27,293 --> 00:30:28,494
BATHROOM FLOOR. I'LL BE IN TO
755
00:30:28,494 --> 00:30:30,897
RUN THE WATER.
756
00:30:37,436 --> 00:30:38,404
DO YOU THINK YOU COULD HELP ME
757
00:30:38,404 --> 00:30:41,073
TO STRIP THE BED?
758
00:30:41,073 --> 00:30:46,378
[ZIPS UP PURSE]
759
00:30:46,378 --> 00:30:49,248
JUST PUT ALL THE PILLOW CASES
760
00:30:49,248 --> 00:30:51,150
AND THE SHEETS IN A PILE. THEY
761
00:30:51,150 --> 00:30:55,254
HAVE TO BE WASHED SEPARATELY.
762
00:30:55,254 --> 00:30:56,322
Erica: WHAT DO YOU SAY WE JUST
763
00:30:56,322 --> 00:30:57,523
TOSS THE WHOLE MESS OUT?
764
00:30:57,523 --> 00:30:59,058
Julia: NO, IT'LL BE FINE. I'LL
765
00:30:59,058 --> 00:31:01,327
JUST WASH IT IN HOT WATER.
766
00:31:01,327 --> 00:31:02,328
Erica: DO YOU REALLY WANT YOUR
767
00:31:02,328 --> 00:31:03,329
DAUGHTER TO RISK
768
00:31:03,329 --> 00:31:04,296
RE-CONTAMINATION?
769
00:31:04,296 --> 00:31:05,597
Julia: LINENS COST MONEY.
770
00:31:05,597 --> 00:31:06,565
Erica: MY TREAT.
771
00:31:06,565 --> 00:31:07,566
Annie: MOMMY!
772
00:31:07,566 --> 00:31:09,401
Julia: JUST PUT THE LAUNDRY IN
773
00:31:09,401 --> 00:31:11,070
A GODDAMN PILE, OK?
774
00:31:11,070 --> 00:31:12,471
Erica: FINE! DO EVERYTHING THE
775
00:31:12,471 --> 00:31:15,074
HARD WAY. IF IT'S NOT ENOUGH TO
776
00:31:15,074 --> 00:31:16,943
SWIM ACROSS THE OCEAN, YOU HAVE
777
00:31:16,943 --> 00:31:18,477
TO DO IT WITH A 20-POUND BOULDER
778
00:31:18,477 --> 00:31:23,449
STRAPPED TO YOUR BACK. OH, GOD.
779
00:31:23,449 --> 00:31:24,450
I THINK I FELT ONE.
780
00:31:24,450 --> 00:31:26,252
Julia: MOTHER, YOU DON'T HAVE
781
00:31:26,252 --> 00:31:27,086
LICE.
782
00:31:27,086 --> 00:31:28,087
Erica: WHERE ANNIE PUT HER HEAD.
783
00:31:28,087 --> 00:31:29,621
Annie: MOMMY!
784
00:31:29,621 --> 00:31:30,556
Erica: SOMETHING IS CRAWLING
785
00:31:30,556 --> 00:31:31,423
THROUGH MY HAIR.
786
00:31:31,423 --> 00:31:33,192
Julia: MOTHER WHY DON'T YOU JUST
787
00:31:33,192 --> 00:31:35,594
GO BACK TO YOUR HOTEL ROOM AND
788
00:31:35,594 --> 00:31:37,196
HAVE A NICE HOT BATH? I'LL SEE
789
00:31:37,196 --> 00:31:39,398
YOU TOMORROW, OK?
790
00:31:39,398 --> 00:31:40,666
Erica: ACTUALLY, THE CONFERENCE
791
00:31:40,666 --> 00:31:42,634
CALLED. MY SCHEDULE'S BEEN
792
00:31:42,634 --> 00:31:44,570
CHANGED. I HAVE TO LEAVE IN THE
793
00:31:44,570 --> 00:31:49,641
MORNING.
794
00:31:49,641 --> 00:31:54,446
Annie: MOMMY, ARE YOU COMING?
795
00:31:54,446 --> 00:32:00,286
Julia: WELL, YOU GO AND TAKE
796
00:32:00,286 --> 00:32:03,589
CARE OF YOURSELF. AT LEAST
797
00:32:03,589 --> 00:32:04,991
THAT'S ONE THING YOU'VE ALWAYS
798
00:32:04,991 --> 00:32:07,626
BEEN GOOD AT.
799
00:32:41,027 --> 00:32:43,629
[DANCE MUSIC PLAYING]
800
00:32:43,629 --> 00:32:46,698
Ron: EXCUSE ME. YOU SEE A BLIND
801
00:32:46,698 --> 00:32:48,267
GIRL SITTING OVER THERE BY
802
00:32:48,267 --> 00:32:53,605
HERSELF?
803
00:32:53,605 --> 00:32:55,041
Christian: I SEE HER. THE ONE
804
00:32:55,041 --> 00:32:56,142
YOU WERE SITTING WITH?
805
00:32:56,142 --> 00:33:00,146
Ron: RIGHT. IS SHE HOT?
806
00:33:05,317 --> 00:33:06,585
Christian: SHE'S ATTRACTIVE,
807
00:33:06,585 --> 00:33:07,686
YEAH.
808
00:33:07,686 --> 00:33:08,687
Ron: WELL, CAN YOU GIVE ME A
809
00:33:08,687 --> 00:33:13,725
NUMBER? IS SHE AN 8, A 9? HOW'S
810
00:33:13,725 --> 00:33:15,361
HER BODY? SHE HAVE A GOOD PAIR
811
00:33:15,361 --> 00:33:16,795
OF TITS?
812
00:33:16,795 --> 00:33:18,430
[CHRISTIAN SNIFFS]
813
00:33:18,430 --> 00:33:21,200
Christian: YOU WANT THE TRUTH?
814
00:33:21,200 --> 00:33:24,570
SHE'S GOTTA BE AT LEAST 10, 15
815
00:33:24,570 --> 00:33:25,704
YEARS OLDER THAN YOU.
816
00:33:25,704 --> 00:33:27,673
Ron: WHAT A LIAR. SHE TOLD ME
817
00:33:27,673 --> 00:33:28,774
SHE WAS 30.
818
00:33:28,774 --> 00:33:29,708
Christian: HEY, ALL WOMEN LIE
819
00:33:29,708 --> 00:33:31,610
ABOUT THEIR AGE. SHE PROBABLY
820
00:33:31,610 --> 00:33:32,744
THOUGHT SHE COULD GET AWAY WITH
821
00:33:32,744 --> 00:33:34,546
IT BECAUSE YOU'RE BLIND.
822
00:33:34,546 --> 00:33:36,715
Ron: WELL, SCREW HER. HEY, DO ME
823
00:33:36,715 --> 00:33:38,750
A FAVOR, WILL YOU? TELL HER MY
824
00:33:38,750 --> 00:33:39,751
MOTHER HAD A STROKE AND I HAD TO
825
00:33:39,751 --> 00:33:40,719
LEAVE.
826
00:33:40,719 --> 00:33:41,687
Christian: THAT'S THE BEST YOU
827
00:33:41,687 --> 00:33:42,621
CAN DO?
828
00:33:42,621 --> 00:33:44,090
Ron: SHE'S THE ONE WHO LIED, NOT
829
00:33:44,090 --> 00:33:46,024
ME.
830
00:33:57,269 --> 00:34:00,206
[SOFT ROMANTIC MUSIC PLAYING]
831
00:34:22,528 --> 00:34:23,395
Christian: WAS I RIGHT ABOUT
832
00:34:23,395 --> 00:34:27,166
THE SALMON?
833
00:34:27,166 --> 00:34:27,833
Natasha: WHAT ARE YOU DOING
834
00:34:27,833 --> 00:34:30,402
HERE?
835
00:34:30,402 --> 00:34:32,404
Christian: SAME AS YOU.
836
00:34:32,404 --> 00:34:35,674
Natasha: REALLY? I'M NOT HERE
837
00:34:35,674 --> 00:34:37,409
SPYING ON PEOPLE. I'M WITH
838
00:34:37,409 --> 00:34:43,182
SOMEONE.
839
00:34:43,182 --> 00:34:46,685
Christian: NOT ANYMORE.
840
00:34:46,685 --> 00:34:51,523
Natasha: OH. THANK GOD. WHAT AN
841
00:34:51,523 --> 00:34:54,293
ASSHOLE. ALL HE TALKED ABOUT WAS
842
00:34:54,293 --> 00:34:55,527
WHAT HIS LAST GIRLFRIEND SAID
843
00:34:55,527 --> 00:35:02,334
ABOUT HIS BODY. [CHUCKLES]
844
00:35:02,334 --> 00:35:03,302
Christian: WHY DIDN'T YOU TELL
845
00:35:03,302 --> 00:35:04,570
ME THAT YOUR BLIND DATE WAS
846
00:35:04,570 --> 00:35:05,637
BLIND?
847
00:35:05,637 --> 00:35:09,241
Natasha: WAS HE? YOU DIDN'T ASK
848
00:35:09,241 --> 00:35:10,442
AND I DON'T CONSIDER BLINDNESS
849
00:35:10,442 --> 00:35:12,678
TO BE A DEFINING CHARACTERISTIC.
850
00:35:12,678 --> 00:35:15,614
WHY ARE YOU HERE?
851
00:35:15,614 --> 00:35:16,548
Christian: PROTECT YOU FROM
852
00:35:16,548 --> 00:35:21,320
BASTARDS. LIKE ME.
853
00:35:21,320 --> 00:35:23,121
Natasha: WELL, YOU CAN GO NOW.
854
00:35:30,629 --> 00:35:33,399
Christian: I DON'T WANT TO.
855
00:35:33,399 --> 00:35:35,667
IT FEELS GOOD YOUR NOT BEING
856
00:35:35,667 --> 00:35:38,737
ABLE TO SEE ME, LIKE I'M A BLANK
857
00:35:38,737 --> 00:35:43,942
SLATE.
858
00:35:43,942 --> 00:35:48,314
Natasha: TABULA RASA.
859
00:35:48,314 --> 00:35:51,417
NO PRECONCEPTIONS.
860
00:35:51,417 --> 00:35:54,686
* ONE STRETCHES OUT A HAND,
861
00:35:54,686 --> 00:35:59,758
SO YOU ARE JUST BESIDE ME *
862
00:35:59,758 --> 00:36:10,502
Natasha: GIVE ME YOUR HAND.
863
00:36:10,502 --> 00:36:11,870
DID YOU KNOW THAT EVERYBODY
864
00:36:11,870 --> 00:36:15,407
HAS THEIR OWN SPECIAL SCENT?
865
00:36:15,407 --> 00:36:19,445
[SNIFFS] AND THAT EACH SCENT HAS
866
00:36:19,445 --> 00:36:22,648
3 DISTINCT PARTS OR, AS WE SAY
867
00:36:22,648 --> 00:36:25,917
IN THE BIZ, NOTES.
868
00:36:25,917 --> 00:36:27,786
Christian: NO KIDDING.
869
00:36:27,786 --> 00:36:30,456
Natasha: NO KIDDING. THERE'S A
870
00:36:30,456 --> 00:36:32,624
TOP NOTE, A MIDDLE NOTE, AND A
871
00:36:32,624 --> 00:36:35,461
BASE NOTE. MOST PEOPLE ARE ONLY
872
00:36:35,461 --> 00:36:37,463
AWARE OF THEIR TOP NOTES. HOW
873
00:36:37,463 --> 00:36:39,598
THEY WANT TO BE PERCEIVED, THEIR
874
00:36:39,598 --> 00:36:42,801
IMAGE. THE MIDDLE LAYER IS A
875
00:36:42,801 --> 00:36:45,537
BUFFER TO KEEP THE EXTERNAL
876
00:36:45,537 --> 00:36:46,938
HIGHS AWAY FROM THE FORBIDDEN
877
00:36:46,938 --> 00:36:53,345
LOWS. [SNIFFS]
878
00:36:53,345 --> 00:36:54,680
Christian: WHY FORBIDDEN?
879
00:36:54,680 --> 00:36:55,614
Natasha: BECAUSE IT'S WHAT
880
00:36:55,614 --> 00:36:57,483
PEOPLE ARE MOST AFRAID OF.
881
00:36:57,483 --> 00:37:00,819
THEIR TRUE SELVES.
882
00:37:00,819 --> 00:37:01,953
Christian: SO WHAT AM I AFRAID
883
00:37:01,953 --> 00:37:04,556
OF? I ALREADY KNOW I'M A
884
00:37:04,556 --> 00:37:06,692
BASTARD.
885
00:37:06,692 --> 00:37:12,698
Natasha: ARE YOU SURE? MAYBE
886
00:37:12,698 --> 00:37:13,932
YOU'RE AFRAID OF FINDING OUT
887
00:37:13,932 --> 00:37:15,467
YOU'RE NOT THE BASTARD YOU THINK
888
00:37:15,467 --> 00:37:31,950
YOU ARE. I SEE...SOMEONE KIND
889
00:37:31,950 --> 00:37:43,795
AND GENTLE...THAT'S SCARED.
890
00:37:43,795 --> 00:37:45,096
I THINK MAYBE YOU'RE THE ONE
891
00:37:45,096 --> 00:37:47,733
WHO NEEDS TO BE RESCUED.
892
00:37:47,733 --> 00:37:53,339
* ALWAYS IN MY HEAD,
893
00:37:53,339 --> 00:37:57,876
OH, ALWAYS IN MY HEAD,
894
00:37:57,876 --> 00:38:01,347
ALWAYS IN MY HEAD,
895
00:38:01,347 --> 00:38:06,652
ALWAYS IN MY HEAD *
896
00:38:19,465 --> 00:38:24,903
Natasha: WHAT ARE YOU DOING?
897
00:38:24,903 --> 00:38:28,139
Christian: JUST LOOKING.
898
00:38:28,139 --> 00:38:31,877
Natasha: CLOSE YOUR EYES. I WANT
899
00:38:31,877 --> 00:38:33,078
YOU TO REALLY SEE ME.
900
00:38:33,078 --> 00:38:34,980
>> * YOU WALK ALONE
901
00:38:34,980 --> 00:38:37,849
IN THE VALLEY OF LIFE,
902
00:38:37,849 --> 00:38:40,151
IN THE SHADOW OF LOVE
903
00:38:40,151 --> 00:38:44,556
UNDER THE TREES OF HAPPINESS,
904
00:38:44,556 --> 00:38:46,392
YOU WALK ALONE
905
00:38:46,392 --> 00:38:49,027
LIKE A BABY UNBORN,
906
00:38:49,027 --> 00:38:51,897
LIKE A FATHER UNKNOWN,
907
00:38:51,897 --> 00:38:55,801
LIKE A POCKET PENNILESS,
908
00:38:55,801 --> 00:38:59,137
I'M HAPPY THAT YOU REALLY CARE,
909
00:38:59,137 --> 00:39:02,541
BUT DO YOU REALLY KNOW
910
00:39:02,541 --> 00:39:06,978
HOW SCARY
911
00:39:06,978 --> 00:39:10,649
THIS IS FOR YOU AND IS FOR ME?
912
00:39:10,649 --> 00:39:13,819
OH, DO YOU REALLY KNOW?
913
00:39:13,819 --> 00:39:18,056
DO YOU REALLY KNOW?
914
00:39:18,056 --> 00:39:20,692
OH,
915
00:39:20,692 --> 00:39:24,963
NATASHA,
916
00:39:24,963 --> 00:39:30,602
OH, NATASHA,
917
00:39:30,602 --> 00:39:34,172
FOR YOU I SIT ALONE
918
00:39:34,172 --> 00:39:37,008
ON THE COZY GROUND FLOOR
919
00:39:37,008 --> 00:39:40,579
ON A BENCH BY THE GARDEN
920
00:39:40,579 --> 00:39:43,782
WAITING ALSO,
921
00:39:43,782 --> 00:39:45,551
WAITING FOR LOVE
922
00:39:45,551 --> 00:39:49,688
AND THINKING OF OUR LOVE... *
923
00:39:49,688 --> 00:39:55,026
Natasha: IT'S SO BEAUTIFUL.
924
00:39:55,026 --> 00:39:56,662
>> * AND AS I'VE OFTEN
925
00:39:56,662 --> 00:39:58,664
ASKED BEFORE,
926
00:39:58,664 --> 00:40:01,800
DOES ANYBODY KNOW,
927
00:40:01,800 --> 00:40:06,004
ANYBODY KNOW?
928
00:40:06,004 --> 00:40:08,740
OH,
929
00:40:08,740 --> 00:40:12,778
NATASHA,
930
00:40:12,778 --> 00:40:18,249
OH, NATASHA,
931
00:40:18,249 --> 00:40:24,022
ALL I CAN DO
932
00:40:24,022 --> 00:40:28,059
IS WRITE A SONG
933
00:40:28,059 --> 00:40:30,261
FOR YOU,
934
00:40:30,261 --> 00:40:35,601
NATASHA *
935
00:41:01,727 --> 00:41:03,662
[FOOTBALL GAME ON TELEVISION]
936
00:41:09,735 --> 00:41:12,103
Julia: HEY.
937
00:41:12,103 --> 00:41:14,573
Sean: HEY.
938
00:41:14,573 --> 00:41:15,674
Julia: ANNIE'S PRETTY POOPED.
939
00:41:15,674 --> 00:41:17,108
SHE WENT STRAIGHT TO HER ROOM TO
940
00:41:17,108 --> 00:41:19,545
LIE DOWN BEFORE DINNER.
941
00:41:19,545 --> 00:41:21,913
Sean: YOU'RE LATER THAN USUAL.
942
00:41:21,913 --> 00:41:23,549
Julia: I HAD TO STOP AND GET A
943
00:41:23,549 --> 00:41:27,185
FEW THINGS. WE HAD A ROUGH...
944
00:41:27,185 --> 00:41:33,525
NIGHT. HERE.
945
00:41:46,805 --> 00:41:49,107
Sean: ANTI-LICE SHAMPOO?
946
00:41:49,107 --> 00:41:50,108
Julia: IT HAS CHEMICAL
947
00:41:50,108 --> 00:41:52,110
INSECTICIDES IN IT, SO USE IT
948
00:41:52,110 --> 00:41:54,079
SPARINGLY.
949
00:41:54,079 --> 00:41:55,681
Sean: ANNIE HAS LICE?
950
00:41:55,681 --> 00:41:58,116
Julia: HAD LICE, HOPEFULLY. YOU
951
00:41:58,116 --> 00:41:59,651
LEAVE IT ON FOR ABOUT 10 MINUTES
952
00:41:59,651 --> 00:42:00,652
AND THEN RINSE.
953
00:42:00,652 --> 00:42:02,153
Sean: HOW'D SHE GET LICE?
954
00:42:02,153 --> 00:42:03,922
Julia: THERE ARE 32 STUDENTS IN
955
00:42:03,922 --> 00:42:07,525
HER CLASS, SEAN. IT HAPPENS.
956
00:42:13,899 --> 00:42:14,900
Julia: AREN'T YOU GOING TO SAY
957
00:42:14,900 --> 00:42:17,235
ANYTHING?
958
00:42:17,235 --> 00:42:19,671
Sean: OUR DAUGHTER HAS LICE.
959
00:42:19,671 --> 00:42:20,672
WHAT ELSE WOULD YOU LIKE ME TO
960
00:42:20,672 --> 00:42:23,274
SAY?
961
00:42:23,274 --> 00:42:26,011
Julia: ABOUT MY BREASTS. I HAD
962
00:42:26,011 --> 00:42:28,847
THEM DONE.
963
00:42:28,847 --> 00:42:33,084
Sean: YOUR MOTHER TOLD ME.
964
00:42:33,084 --> 00:42:34,085
Julia: WOULD YOU LIKE TO SEE
965
00:42:34,085 --> 00:42:36,287
THEM?
966
00:42:36,287 --> 00:42:41,092
Sean: NO.
967
00:42:41,092 --> 00:42:43,294
Julia: I'D LIKE YOU TO.
968
00:42:51,302 --> 00:42:53,171
Julia: I THINK DR. COPLEY DID A
969
00:42:53,171 --> 00:42:58,744
GOOD JOB, BUT...I'D FEEL BETTER
970
00:42:58,744 --> 00:43:01,647
IF YOU LOOKED AT THEM, JUST TO
971
00:43:01,647 --> 00:43:03,715
MAKE SURE.
972
00:43:21,667 --> 00:43:24,135
Sean: THE SYMMETRY'S EXCELLENT,
973
00:43:24,135 --> 00:43:27,673
SLOPING'S NATURAL. PERI-AREOLA
974
00:43:27,673 --> 00:43:31,743
INCISION. THAT WAS SMART. DR.
975
00:43:31,743 --> 00:43:36,414
COPLEY'S A PROFESSIONAL. SHE
976
00:43:36,414 --> 00:43:41,987
KNOWS WHAT SHE'S DOING.
977
00:43:41,987 --> 00:43:44,622
Julia: DO YOU LIKE THEM?
978
00:43:59,971 --> 00:44:00,972
Sean: DOESN'T MATTER WHAT I
979
00:44:00,972 --> 00:44:03,742
THINK. IT'S HOW THE PATIENT
980
00:44:03,742 --> 00:44:05,811
FEELS ABOUT THEMSELVES.
981
00:44:10,882 --> 00:44:11,883
[TELEVISION TURNS ON]
982
00:44:11,883 --> 00:44:17,055
Julia: SCREW YOU, SEAN. I DON'T
983
00:44:17,055 --> 00:44:21,392
CARE WHAT YOU THINK. [CRYING]
984
00:44:21,392 --> 00:44:22,994
[SNIFFLES] I DON'T CARE WHAT
985
00:44:22,994 --> 00:44:25,831
ANYBODY THINKS.
986
00:44:52,057 --> 00:44:57,162
[GLASS SHATTERS]
987
00:44:57,162 --> 00:44:59,097
Julia: OH, GOD.
988
00:45:48,246 --> 00:45:49,247
[CAPTIONED BY THE NATIONAL
989
00:45:49,247 --> 00:45:50,248
CAPTIONING INSTITUTE
990
00:45:50,248 --> 00:45:51,182
--www.ncicap.org--]
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