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LIKE ABOUT YOURSELF,
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MR. CONNORS.
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Christian: BEFORE WE BEGIN, I'D
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JUST LIKE TO SAY...UH, MY
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PARTNER AND I ARE BIG FANS OF
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YOUR COLUMN.
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Sean: WE READ IT OVER
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BREAKFAST IN MY HOUSE.
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Christian: I LOVE THE ONE THAT
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WITH LEAVES.
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THE COLUMN ABOUT HOW YOU LIVED
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FOR A MONTH AS AN 18th-CENTURY
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SETTLER TO PROVE THE
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INCONVENIENCE OF MODERN
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CONVENIENCES.
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Mr. Connors: RIGHT. AND
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INTERESTING YOU REMEMBER MY ASS
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HABITS. I JUST REMEMBER HOW
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FETCHING MY WIFE LOOKED IN HER
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BLOOMERS.
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Mrs. Connors: LIVING IN A
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FISHBOWL IS ALL IN A DAY'S WORK
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AS THIS ONE'S WIFE.
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Christian: SO HOW CAN WE BE OF
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HELP TODAY?
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Mr. Connors: WELL, I'D LIKE SOME
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Sean: YOU MEAN PEC IMPLANTS.
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Mr. Connors: NO, NO. REAL LADY
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BOOBS.
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[MRS. CONNORS GIGGLES]
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Mr. Connors: AMY RECENTLY LOST A
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BREAST TO CANCER. WE WERE BOTH
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A LITTLE SURPRISED AT HOW MUCH
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HER SENSE OF HERSELF, HER SEXUAL
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IDENTITY WAS TIED UP IN HER
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BREASTS. I JUST WANT TO DO
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SOMETHING RADICAL IN SOLIDARITY
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WITH HER, TRY AND HELP
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UNDERSTAND WHAT SHE'S BEEN
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THROUGH, AND TO UNDERSTAND WOMEN
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AND THEIR BREASTS IN GENERAL.
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Amy: AND HE'S GOT A BOOK
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CONTRACT.
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Mr. Connors: WALK A MILE IN MY
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BOOBS.
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AND ALL THE PROCEEDS GO
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TO AMY'S CANCER RECOVERY CENTER.
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Christian: SO, MR. CONNORS, WERE
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YOU THINKING OF THESE AS
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PERMANENT?
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Mr. Connors: NO. A YEAR SOUNDS
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ABOUT RIGHT.
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Sean: AND WHAT SIZE?
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Mr. Connors: LIKE HERS.
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Amy: HIGH "C"s. I FIGURED AFTER
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MY MASTECTOMY, I'D GO UP
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A SIZE.
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Sean: MR. CONNORS, PUTTING THE
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SWELLING, PAIN, AND RISK OF
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INFECTION ASIDE, YOU'LL HAVE
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SOME SAGGING TISSUE AFTER THE
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REMOVAL OF THE IMPLANTS, WHICH
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WOULD REQUIRE ANOTHER SURGERY TO
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ELIMINATE.
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Christian: THERE WILL BE SOME
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SCARRING.
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Mr. Connors: SORRY, FELLAS.
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APPETITE. THERE'S NO STORY IN
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EASY. THAT'S NOT WHAT I'M
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LOOKING FOR. AND BESIDES,
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ANYTHING I GO THROUGH IS GOING
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TO PALE IN COMPARISON TO WHAT
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AMY'S ALREADY BEEN THROUGH.
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THAT'S MY BOOK.
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WHAT DO YOU SAY? WILL YOU DO IT?
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Christian: GO DEEP.
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COP A FEEL OF THE BRAND-NEW
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IMPLANTS, PARTNER. FED EX
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DROPPED OFF 6 MONTHS WORTH OF
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TITS AN HOUR AGO.
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Sean: I LIKE THE NEW PACKAGING.
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LET ME GO TO SECOND BASE WITH
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Christian: HEADS UP!
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Liz: OH! I ASSUME THIS IS SOME
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KIND OF MALE BONDING RITUAL
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WHEREBY YOUR PARTNERSHIP IS
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BEING REAFFIRMED.
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Christian: FESS UP, LIZZIE.
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YOU'RE A TIT MAN.
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Liz: I'M NOT. BUT I AM THRILLED
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THAT WE'RE WORKING ON ONE. IS
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THIS WHAT IKE CONNORS
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Christian: WE'RE PASSING ON THAT
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Sean: TOO MANY RISKS.
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Liz: IT'S FOR HIS WIFE'S CANCER
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CENTER. DON'T YOU GET HOW GREAT
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THAT IS?
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Christian: GREAT FOR CANCER,
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Sean: WE WON'T BE TAKEN
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SERIOUSLY. IT'S AN UNSEEMLY
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PUBLICITY STUNT.
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Liz: LET ME ASK YOU GUYS
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SOMETHING. 70% OF YOUR BUSINESS
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IS SHOVING BREAST IMPLANTS INTO
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WOMEN. IT'S AS EASY FOR YOU AS
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SLICING A BAGEL.
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Christian: IT'S UNNATURAL TO PUT
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THEM IN A MAN.
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Liz: IT'S NO MORE UNNATURAL THAN
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PUTTING IN A BOOB 3 TIMES A
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WOMAN'S SIZE AND DISFIGURING
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HER.
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Sean: WE DON'T DISFIGURE WOMEN.
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Liz: OH, RIGHT. YOU ENHANCE
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THEM. WHY CAN'T THE SAME BE SAID
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FOR IKE CONNORS? PLUS, HERE IS
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A MAN WHO IS GETTING FAKE
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TITTIES NOT TO RAISE HIS LOW
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SELF ESTEEM BUT TO HEIGHTEN
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AWARENESS ABOUT A DISEASE. IF
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IKE CONNORS ISN'T THE PERFECT
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CANDIDATE FOR COSMETIC SURGERY,
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THEN I DON'T KNOW WHO IS.
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* AHH *
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* MAKE ME
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BEAUTIFUL *
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* MAKE ME
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A PERFECT SOUL,
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A PERFECT MIND,
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A PERFECT FACE,
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A PERFECT
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LIFE *
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Sean: ATTA GIRL.
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ALL DONE.
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Annie: I THOUGHT IT WOULD HURT
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MORE.
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Sean: OH, YOU WERE SO BRAVE,
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HONEY.
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[TELEPHONE RINGS]
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Annie: HELLO?
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Julia: HEY.
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Annie: HI, MOMMY. DADDY JUST
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TOOK MY BLOOD TO MAKE SURE I
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DON'T HAVE JUVENILE DIABETES.
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Julia: DIABETES? LET ME SPEAK TO
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DADDY, HONEY.
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Sean: WHAT?
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Julia: SEAN, WHY ARE YOU TAKING
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BLOOD FROM ANNIE?
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Sean: GO GET YOUR SHOES ON,
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SWEETHEART. WE'RE LEAVING IN 5
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MINUTES.
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WHY DO YOU THINK?
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Julia: SEAN, IT'S AN INSANE
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THING TO DO. ANNIE IS YOUR
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DAUGHTER--
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Sean: CAN I HELP YOU WITH
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SOMETHING SPECIFIC?
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Julia: YEAH. UM...
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I'VE TAKEN A PLACE HERE AT
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MARINE GARDENS, AND...THE
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KITCHEN ISN'T FULLY EQUIPPED.
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I'D LIKE TO COME BY AND GET THE
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ESPRESSO MACHINE. YOU NEVER USE
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IT. WILL YOU BE AROUND?
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Sean: THE HOUSE WILL BE EMPTY
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ALL DAY. COME BY ANY TIME BEFORE
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5. ANYTHING ELSE? LET'S GET IT
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ALL WORKED OUT NOW SO YOU DON'T
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CALL ALL DAY LONG.
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Julia: YEAH. UM...I'D LIKE TO
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PICK UP ANNIE AFTER SCHOOL AND
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SHOW HER MY PLACE.
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Sean: NO, I DON'T WANT TO
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Julia: SEAN, WHY IS IS THAT YOU
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CAN FORGIVE CHRISTIAN BUT NOT
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ME?
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Sean: I DON'T KNOW IF I'VE
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DARE YOU ASK ME THAT, AS IF I
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OWE YOU ANY KIND OF EXPLANATION
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AT ALL FOR ANYTHING I FEEL. YOU
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CAN HAVE ANNIE THROUGH THE
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WEEKEND, BUT IT'S THE LAST TIME
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UNTIL WE WORK OUT SOMETHING MORE
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FORMAL WITH THE LAWYERS.
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Christian: CONGRATULATIONS. SO
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YOU'RE OFFICIALLY A WHORE NOW.
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Kimber: WRONG. I'M A BUSINESS
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WOMAN.
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Christian: AND I'M SECRETARY OF
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Sean: MS. HENRY, YOU'VE MADE AN
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APPOINTMENT, SO TELL US WHAT YOU
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DON'T LIKE ABOUT YOURSELF.
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Kimber: HER VAGINA. THIS IS A
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PROTOTYPE OF THE NEW KIMBER
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HENRY DOLL. THE ROLLS ROYCE OF
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R.D.s.
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Sean: R.D.s?
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Kimber: REAL DOLLS. YOU KNOW,
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SEX DOLLS. SHE'S MADE OUT OF
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HIGH GRADE SILICONE THAT FEELS
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TOTALLY LIKE FLESH. ALL OF HER
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JOINTS ARE COMPLETELY FLEXIBLE,
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AND EACH OF HER 3 POINTS OF
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ENTRY FORM A VACUUM UPON
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PENETRATION WHICH CREATES A
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SUCTION EFFECT FOR SUPER-INTENSE
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ORGASMS.
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Christian: REMIND ME...DID I
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EVER SAY ANYTHING DURING THE
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COURSE OF OUR SAD, SORDID AFFAIR
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THAT MIGHT LEAD YOU TO BELIEVE
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I'D BE INTERESTED IN THIS
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FREAK SHOW?
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Kimber: DON'T PRETEND TO BE A
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PRUDE, CHRISTIAN. REAL DOLLS ARE
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SOLD TO DOCTORS, JUDGES,
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HOUSEWIVES, AND MOVIE STARS,
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MOST OF WHOM ARE A LOT LESS
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DEPRAVED THAN YOU.
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Christian: ARE YOU BACK ON COKE?
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Kimber: DO YOU ASK ALL YOUR
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QUESTIONS?
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EXCUSE MY LANGUAGE,
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DR. McNAMARA, BUT YOUR PARTNER
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IS A RUDE ASSHOLE WHO ACTS LIKE
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HE KNOWS IT ALL, BUT IN FACT, HE
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DOESN'T KNOW SHIT.
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Sean: YOU'RE NOT THE FIRST TO
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SUGGEST THAT, MS. HENRY. WHAT IS
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IT YOU WANT FROM US THAT YOUR
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DOLL MAKER CAN'T PROVIDE?
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Kimber: I'M NOT THRILLED WITH
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WHAT THEY'VE DONE TO HER VAGINA.
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IT LOOKS TOO GENERIC TO ME. I'D
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LIKE IT TO BE APPEALING AND
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PRETTY. THE FOLDS ARE TOO
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FLESHY. SEE?
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SO I THOUGHT OF YOU BECAUSE
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YOU'RE FLESH SCULPTORS.
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I HAVE ORIFICE APPROVAL.
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Christian: BACK UP A BIT. THE
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LAST I HEARD, YOU WERE TAKING
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LEARNING ANNEX ACTING CLASSES.
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SO HOW DID YOU GET FROM LADY
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Kimber: I GOT REAL, CHRISTIAN.
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THAT'S WHAT HAPPENED. I REALIZED
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IT WASN'T MY TALENT FOR PLAYING
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A CHARACTER THAT PEOPLE
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RESPONDED TO. IT'S MY RAW,
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SIMMERING SENSUALITY.
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I SIMPLY GOT TIRED OF FIGHTING
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MY NATURE.
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Christian: WHY DON'T YOU
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JUST ADMIT THAT YOU DIDN'T HAVE
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SKILLS AS AN ACTRESS, SO NOW
257
00:08:41,989 --> 00:08:43,056
YOU'RE DOING PORN.
258
00:08:43,056 --> 00:08:44,825
Kimber: YOU ASKED ME WHAT
259
00:08:44,825 --> 00:08:46,894
HAPPENED. DO YOU WANT AN ANSWER?
260
00:08:46,894 --> 00:08:49,863
YES, I MADE A PORNOGRAPHIC
261
00:08:49,863 --> 00:08:52,332
VIDEO. IT WAS AN EROTIC FAIRY
262
00:08:52,332 --> 00:08:55,068
TALE. I HAD ONE SEXUAL PARTNER.
263
00:08:55,068 --> 00:08:56,069
EVERYONE HAD THEIR AIDS AND
264
00:08:56,069 --> 00:08:57,237
S.T.D. TESTS.
265
00:08:57,237 --> 00:08:58,639
Christian: [SIGHS]
266
00:08:58,639 --> 00:09:00,340
Kimber: THEY'VE ALREADY HAD
267
00:09:00,340 --> 00:09:03,310
40,000 ORDERS FOR THE NEXT ONE.
268
00:09:03,310 --> 00:09:06,346
THAT'S UNHEARD OF. MY DEAL WITH
269
00:09:06,346 --> 00:09:08,215
FLAWLESS VIDEO IS TO MAKE 5 MORE
270
00:09:08,215 --> 00:09:09,717
DIGITAL FILMS, AT WHICH POINT I
271
00:09:09,717 --> 00:09:11,985
MOVE BEHIND THE CAMERA. PRODUCE,
272
00:09:11,985 --> 00:09:15,088
MAYBE EVEN DIRECT. THE DOLL IS
273
00:09:15,088 --> 00:09:17,257
KEY. IT WILL MAKE ME AN INSTANT
274
00:09:17,257 --> 00:09:18,726
ICON IN THIS FAST-GROWING
275
00:09:18,726 --> 00:09:20,794
MARKET. MISS KIMBER WILL GO FOR
276
00:09:20,794 --> 00:09:23,263
$10,000. I GET 8 OF THAT.
277
00:09:23,263 --> 00:09:25,699
Sean: NO OFFENSE. I CAN SEE THE
278
00:09:25,699 --> 00:09:27,635
DOLL IS WELL FABRICATED, BUT IN
279
00:09:27,635 --> 00:09:28,869
THE END, SHE'S JUST RUBBER.
280
00:09:28,869 --> 00:09:29,937
SHE'S NOT REAL.
281
00:09:29,937 --> 00:09:31,138
Kimber: SOMETIMES, DOCTOR, REAL
282
00:09:31,138 --> 00:09:32,572
ISN'T WHAT YOU WANT.
283
00:09:35,308 --> 00:09:37,177
Christian: THE GROWN-UPS HAVE TO
284
00:09:37,177 --> 00:09:39,012
SO WHY DON'T YOU PACK UP BOTH OF
285
00:09:39,012 --> 00:09:41,982
YOUR VAGINAS AND GO HOME. SEAN,
286
00:09:41,982 --> 00:09:44,284
I'LL SEE YOU IN SURGERY.
287
00:09:44,284 --> 00:09:46,119
Kimber: BEFORE YOU TURN ME DOWN,
288
00:09:46,119 --> 00:09:48,155
CHRISTIAN, FLAWLESS VIDEO IS
289
00:09:48,155 --> 00:09:51,091
WILLING TO PAY $50,000 FOR THE
290
00:09:51,091 --> 00:09:53,360
PERFECT MISS KIMBER PUSSY MOLD.
291
00:09:54,427 --> 00:10:02,970
Christian: [SIGHS HEAVILY]
292
00:10:03,937 --> 00:10:04,938
[JOHNNY CASH'S A BOY NAMED SUE
293
00:10:04,938 --> 00:10:05,873
PLAYING]
294
00:10:08,008 --> 00:10:09,342
* WELL, MY DADDY LEFT HOME
295
00:10:09,342 --> 00:10:10,744
WHEN I WAS 3,
296
00:10:10,744 --> 00:10:11,712
AND HE DIDN'T LEAVE MUCH
297
00:10:11,712 --> 00:10:12,846
TO MA AND ME,
298
00:10:12,846 --> 00:10:14,247
JUST THIS OLD GUITAR
299
00:10:14,247 --> 00:10:17,818
AND A EMPTY BOTTLE OF BOOZE,
300
00:10:17,818 --> 00:10:18,952
NOW, I DON'T BLAME HIM
301
00:10:18,952 --> 00:10:20,053
'CAUSE HE RUN AND HID,
302
00:10:20,053 --> 00:10:21,154
'CAUSE THE MEANEST THING
303
00:10:21,154 --> 00:10:22,389
THAT HE EVER DID
304
00:10:22,389 --> 00:10:23,791
WAS BEFORE HE LEFT,
305
00:10:23,791 --> 00:10:25,726
HE WENT AND NAMED ME SUE
306
00:10:28,261 --> 00:10:29,362
WELL, HE MUST HAVE THOUGHT
307
00:10:29,362 --> 00:10:30,798
THAT IT WAS QUITE A JOKE,
308
00:10:30,798 --> 00:10:31,932
AND IT GOT A LOT OF LAUGHS
309
00:10:31,932 --> 00:10:33,233
FROM A LOTS OF FOLKS,
310
00:10:33,233 --> 00:10:34,868
IT SEEMS I HAD TO FIGHT
311
00:10:34,868 --> 00:10:37,971
MY WHOLE LIFE THROUGH,
312
00:10:37,971 --> 00:10:39,106
SOME GAL WOULD GIGGLE
313
00:10:39,106 --> 00:10:40,207
AND I'D GET RED,
314
00:10:40,207 --> 00:10:41,341
AND SOME GUY'D LAUGH
315
00:10:41,341 --> 00:10:42,776
AND I'D BUST HIS HEAD,
316
00:10:42,776 --> 00:10:43,443
I TELL YOU,
317
00:10:43,443 --> 00:10:44,344
LIFE AIN'T EASY
318
00:10:44,344 --> 00:10:45,278
FOR A BOY NAMED SUE *
319
00:10:49,416 --> 00:10:50,818
* WELL, I GREW UP QUICK
320
00:10:50,818 --> 00:10:52,085
AND I GREW UP MEAN,
321
00:10:52,085 --> 00:10:53,086
MY FIST GOT HARD
322
00:10:53,086 --> 00:10:54,287
AND MY WITS GOT KEEN,
323
00:10:54,287 --> 00:10:56,123
ROAMED FROM TOWN TO TOWN
324
00:10:56,123 --> 00:10:59,059
TO HIDE MY SHAME,
325
00:10:59,059 --> 00:11:00,260
BUT I MADE ME A VOW
326
00:11:00,260 --> 00:11:01,394
TO THE MOON AND STARS,
327
00:11:01,394 --> 00:11:03,096
I'D SEARCH THE HONKY TONKS
328
00:11:03,096 --> 00:11:03,864
AND BARS,
329
00:11:03,864 --> 00:11:05,032
AND KILL THAT MAN
330
00:11:05,032 --> 00:11:06,700
THAT GIVE ME THAT AWFUL NAME *
331
00:11:11,004 --> 00:11:13,073
Sean: SHE'S OFFERING $50,000,
332
00:11:13,073 --> 00:11:14,307
CHRISTIAN. IT'S A LOT OF MONEY
333
00:11:14,307 --> 00:11:15,342
TO TURN DOWN.
334
00:11:15,342 --> 00:11:17,310
Christian: WAKE UP, SEAN.
335
00:11:17,310 --> 00:11:18,812
THERE'S ONLY ONE REASON KIMBER
336
00:11:18,812 --> 00:11:21,248
HENRY CAME TO US. SHE LOVES ME.
337
00:11:21,248 --> 00:11:22,282
THE UGLY VAG WAS JUST AN EXCUSE
338
00:11:22,282 --> 00:11:23,250
TO GET ME IN A ROOM WITH HER
339
00:11:23,250 --> 00:11:25,786
AGAIN. SHE'S A TRAIN WRECK,
340
00:11:25,786 --> 00:11:28,155
SEAN. SHE CAN'T HELP HERSELF.
341
00:11:28,155 --> 00:11:29,122
I'VE HAD ENOUGH KIMBER HENRY
342
00:11:29,122 --> 00:11:32,192
DRAMA FOR MANY LIFETIMES. WE ARE
343
00:11:32,192 --> 00:11:33,994
PASSING ON THIS JOB.
344
00:11:33,994 --> 00:11:34,995
Sean: I DON'T THINK YOU REALIZE
345
00:11:34,995 --> 00:11:36,529
HOW MUCH REVENUE WE LOST DURING
346
00:11:36,529 --> 00:11:37,530
THOSE WEEKS WE WERE SPLITTING
347
00:11:37,530 --> 00:11:39,432
UP. WE'VE GOT A PAYROLL TO MEET,
348
00:11:39,432 --> 00:11:41,301
QUARTERLY TAXES NEXT WEEK.
349
00:11:41,301 --> 00:11:44,371
Christian: THEN IT'S VERY
350
00:11:44,371 --> 00:11:45,806
Sean: SHE DOESN'T WANT ME,
351
00:11:45,806 --> 00:11:47,474
CHRISTIAN. SHE WANTS YOU. THAT
352
00:11:47,474 --> 00:11:49,009
WAS ABUNDANTLY CLEAR.
353
00:11:49,009 --> 00:11:50,277
Christian: THEN IF SHE REFUSES
354
00:11:50,277 --> 00:11:51,879
YOU, WE'LL KNOW SHE'S LOOKING
355
00:11:51,879 --> 00:11:54,782
FOR TROUBLE, AND IF SHE ACCEPTS,
356
00:11:54,782 --> 00:11:57,384
SHE'S LEGIT, AND WE PUT 50
357
00:11:57,384 --> 00:12:00,053
GRAND IN THE BANK. YOU KNOW I'M
358
00:12:00,053 --> 00:12:01,188
RIGHT ABOUT THIS.
359
00:12:15,568 --> 00:12:17,004
Liz: SMILE.
360
00:12:17,004 --> 00:12:18,138
Sean: WHAT ARE YOU DOING?
361
00:12:18,138 --> 00:12:19,907
Liz: IT'S FOR MY EVER-EXPANDING
362
00:12:19,907 --> 00:12:22,175
HARASSMENT FILE, WHICH WILL BE
363
00:12:22,175 --> 00:12:23,476
ON MY LAWYER'S DESK UNLESS YOU
364
00:12:23,476 --> 00:12:25,012
GET RID OF THAT DEMEANING,
365
00:12:25,012 --> 00:12:27,180
DEHUMANIZING, DEGRADING
366
00:12:27,180 --> 00:12:28,581
NIGHTMARE OF A MALE FANTASY BY
367
00:12:28,581 --> 00:12:30,183
THE START OF BUSINESS TOMORROW.
368
00:12:30,183 --> 00:12:32,820
Christian: IF YOU TRY TO GET TO
369
00:12:32,820 --> 00:12:34,354
FIND SHE RUNS QUITE DEEP.
370
00:12:34,354 --> 00:12:36,023
Liz: BY 9 A.M. TOMORROW MORNING,
371
00:12:36,023 --> 00:12:38,125
GENTLEMEN. GOOD DAY.
372
00:12:41,962 --> 00:12:42,896
Christian: SHE'S RIGHT, SEAN.
373
00:12:42,896 --> 00:12:44,031
YOU'LL HAVE TO TAKE THE DOLL TO
374
00:12:44,031 --> 00:12:45,598
CHEZ McNAMARA.
375
00:12:45,598 --> 00:12:46,599
Sean: I HAVE A DAUGHTER.
376
00:12:46,599 --> 00:12:49,236
Christian: THEN PUT HER IN THE
377
00:12:49,236 --> 00:12:50,904
THE DOLL.
378
00:12:50,904 --> 00:12:52,205
Sean: YOU TAKE HER HOME.
379
00:12:52,205 --> 00:12:53,240
Christian: SO I CAN STARE FOR
380
00:12:53,240 --> 00:12:55,408
HOURS AT THE DERANGED BITCH WHO
381
00:12:55,408 --> 00:12:56,543
TRIED TO CUT MY DICK OFF WITH A
382
00:12:56,543 --> 00:12:58,846
KNIFE? NO WAY. YOU WANT TO TAKE
383
00:12:58,846 --> 00:13:02,482
THIS CASE, YOU CARRY THE BURDEN.
384
00:13:02,482 --> 00:13:04,384
ACTUALLY, IT COULD BE A PLEASANT
385
00:13:04,384 --> 00:13:06,086
EVENING. SHE DOESN'T EAT MUCH,
386
00:13:06,086 --> 00:13:07,354
SHE DOESN'T MIND WATCHING
387
00:13:07,354 --> 00:13:08,421
BOXING.
388
00:13:08,421 --> 00:13:09,957
Sean: MAYBE I'M OLD FASHIONED,
389
00:13:09,957 --> 00:13:11,191
BUT I LIKE WOMEN WITH A FEW
390
00:13:11,191 --> 00:13:12,225
FLAWS AND A BRAIN.
391
00:13:12,225 --> 00:13:17,064
Christian: AND WHERE DID THAT
392
00:13:17,064 --> 00:13:18,598
MMM.
393
00:13:18,598 --> 00:13:20,367
[SIGHS]
394
00:13:44,992 --> 00:13:46,193
Sean: I'M GOING TO APPLY THE
395
00:13:46,193 --> 00:13:49,229
PROSTHETIC ALGINATE CREAM NOW.
396
00:13:49,229 --> 00:13:51,965
OH, GOOD FORESIGHT. YOU SHAVED
397
00:13:51,965 --> 00:13:53,266
THE ENTIRE AREA.
398
00:13:53,266 --> 00:13:57,604
Kimber: I GOT THAT DONE A WEEK
399
00:13:57,604 --> 00:13:58,605
HAVEN'T YOU EVER SEEN ONE
400
00:13:58,605 --> 00:14:00,040
BEFORE?
401
00:14:00,040 --> 00:14:01,508
Sean: NORMALLY MY FEMALE
402
00:14:01,508 --> 00:14:03,243
PATIENTS ARE SHAVED BY NURSE
403
00:14:03,243 --> 00:14:06,579
LINDA, SO I--MY WIFE DOES
404
00:14:06,579 --> 00:14:08,081
SOMETHING CALLED A BIKINI WAX,
405
00:14:08,081 --> 00:14:10,283
WHICH IS NOT THE SAME,
406
00:14:10,283 --> 00:14:14,554
OBVIOUSLY. NO. I'VE NEVER SEEN
407
00:14:14,554 --> 00:14:15,688
ONE.
408
00:14:15,688 --> 00:14:20,961
Kimber: ALL THE GIRLS GET THEM
409
00:14:20,961 --> 00:14:21,628
Sean: LET ME KNOW IF THE
410
00:14:21,628 --> 00:14:23,063
TEMPERATURE OF THE PASTE IS
411
00:14:23,063 --> 00:14:24,164
UNCOMFORTABLE.
412
00:14:24,164 --> 00:14:25,632
Kimber: IT'S PERFECT.
413
00:14:27,600 --> 00:14:29,036
CAN I ASK YOU A QUESTION, SEAN?
414
00:14:29,036 --> 00:14:30,537
CAN I CALL YOU SEAN?
415
00:14:30,537 --> 00:14:32,039
Sean: YEAH, SURE.
416
00:14:32,039 --> 00:14:34,174
Kimber: WHAT IS IT CALLED WHEN A
417
00:14:34,174 --> 00:14:35,708
PERSON LIKES PAIN?
418
00:14:35,708 --> 00:14:38,045
Sean: A MASOCHIST.
419
00:14:38,045 --> 00:14:40,213
Kimber: DO YOU THINK I'M A
420
00:14:40,213 --> 00:14:43,016
MASOCHIST, SEAN?
421
00:14:43,016 --> 00:14:44,051
Sean: I'M NOT SURE WHAT YOU
422
00:14:44,051 --> 00:14:45,252
MEAN.
423
00:14:45,252 --> 00:14:47,254
Kimber: WELL, LIKE TODAY, WHEN
424
00:14:47,254 --> 00:14:49,156
YOU SAID THAT CHRISTIAN
425
00:14:49,156 --> 00:14:51,691
COULDN'T--EXCUSE ME, WOULDN'T
426
00:14:51,691 --> 00:14:56,196
BE HERE...I FELT SO MUCH PAIN,
427
00:14:56,196 --> 00:15:01,601
LIKE I COULDN'T BREATHE. HOW CAN
428
00:15:01,601 --> 00:15:03,403
I LOVE SOMEONE SO MUCH THAT
429
00:15:03,403 --> 00:15:05,138
HURTS ME SO BAD?
430
00:15:09,576 --> 00:15:11,211
Sean: SOMETIMES LOVE AND HATE
431
00:15:11,211 --> 00:15:12,612
SEEM INTERTWINED, DON'T THEY?
432
00:15:19,119 --> 00:15:20,353
NOW WE HAVE WHAT'S CALLED THE
433
00:15:20,353 --> 00:15:22,755
MOTHER MOLD. I'LL MAKE A
434
00:15:22,755 --> 00:15:24,524
POSITIVE PLASTER CAST FROM THIS,
435
00:15:24,524 --> 00:15:25,658
WHICH WILL THEN BE USED TO MAKE
436
00:15:25,658 --> 00:15:27,327
THE FINAL VAGINAL CAST FOR
437
00:15:27,327 --> 00:15:28,561
MISS KIMBER.
438
00:15:28,561 --> 00:15:30,430
Kimber: WELL, THIS DID NOT HURT
439
00:15:30,430 --> 00:15:33,400
A BIT.
440
00:15:33,400 --> 00:15:36,169
Sean: YEAH...SPEAKING OF HURT...
441
00:15:40,307 --> 00:15:41,574
I DON'T THINK YOU'RE A
442
00:15:41,574 --> 00:15:45,345
MASOCHIST, KIMBER. I JUST THINK
443
00:15:45,345 --> 00:15:48,248
YOU'RE A TRUSTING PERSON...MAYBE
444
00:15:48,248 --> 00:15:51,118
TOO TRUSTING. I'M A BIT LIKE
445
00:15:51,118 --> 00:15:54,054
THAT. WE PUT ALL OUR TRUST IN
446
00:15:54,054 --> 00:15:55,088
THE PEOPLE WE LOVE.
447
00:15:58,758 --> 00:15:59,792
Kimber: SO YOU DON'T THINK I'M
448
00:15:59,792 --> 00:16:02,695
SOME PATHETIC OLD WHORE LIKE
449
00:16:02,695 --> 00:16:04,131
CHRISTIAN DOES?
450
00:16:04,131 --> 00:16:06,399
Sean: NO, I DON'T THINK THAT.
451
00:16:06,399 --> 00:16:08,268
I ADMIRE YOUR SPIRIT. YOU'RE A
452
00:16:08,268 --> 00:16:11,204
FIGHTER.
453
00:16:11,204 --> 00:16:14,574
Kimber: REALLY? YOU ADMIRE ME?
454
00:16:14,574 --> 00:16:16,476
Sean: I WISH I HAD THAT MUCH
455
00:16:16,476 --> 00:16:19,412
WORKED OUT.
456
00:16:19,412 --> 00:16:23,816
I WISH MY WIFE DID.
457
00:16:23,816 --> 00:16:27,454
WE, UM...JUST SEPARATED.
458
00:16:27,454 --> 00:16:30,557
Kimber: MMM. I'M SORRY.
459
00:16:30,557 --> 00:16:34,094
[SIGHS]
460
00:16:34,094 --> 00:16:35,562
UH...
461
00:16:35,562 --> 00:16:36,696
Sean: WHAT?
462
00:16:36,696 --> 00:16:39,766
Kimber: UGH. OK. SPEAKING OF
463
00:16:39,766 --> 00:16:41,634
CHANGE...
464
00:16:41,634 --> 00:16:42,835
[SIGHS]
465
00:16:42,835 --> 00:16:43,803
I KNOW THIS IS KIND OF CHEATING.
466
00:16:43,803 --> 00:16:46,706
NO ONE'S GONNA KNOW.
467
00:16:46,706 --> 00:16:49,709
WHEN YOU MAKE THE MOLD, DO YOU
468
00:16:49,709 --> 00:16:52,545
THINK YOU COULD MAKE THE LABIA
469
00:16:52,545 --> 00:16:55,515
JUST A TOUCH MORE DELICATE?
470
00:16:55,515 --> 00:16:59,452
Sean: I DON'T UNDERSTAND.
471
00:16:59,452 --> 00:17:01,454
Kimber: I'D LIKE MY VAGINA TO BE
472
00:17:01,454 --> 00:17:04,291
PRETTIER. I JUST THINK IT COULD
473
00:17:04,291 --> 00:17:06,626
BE BETTER.
474
00:17:06,626 --> 00:17:08,461
Sean: I THINK IT'S PERFECT.
475
00:17:12,865 --> 00:17:14,301
[TEARING BANDAGES]
476
00:17:14,301 --> 00:17:18,305
Ike: [WINCING]
477
00:17:18,305 --> 00:17:20,673
MMM. DID YOU HURT THIS MUCH,
478
00:17:20,673 --> 00:17:21,574
BABE?
479
00:17:21,574 --> 00:17:23,276
Amy: I REMEMBER DISCOMFORT.
480
00:17:23,276 --> 00:17:26,613
Ike: DISCOMFORT. OH, SHIT. YEAH,
481
00:17:26,613 --> 00:17:27,747
THIS IS PAIN. THIS IS THE REAL
482
00:17:27,747 --> 00:17:29,849
DEAL. THIS IS LIKE AN ELEPHANT
483
00:17:29,849 --> 00:17:32,485
STANDING ON MY NADS. CHAPTER
484
00:17:32,485 --> 00:17:34,554
ONE, MEN ARE PUSSIES, WOMEN ARE
485
00:17:34,554 --> 00:17:35,588
LIONS.
486
00:17:37,157 --> 00:17:38,391
[SIGHS]
487
00:17:38,391 --> 00:17:40,827
CHRIST, I'M PAM ANDERSON.
488
00:17:43,696 --> 00:17:44,697
BABE?
489
00:17:44,697 --> 00:17:45,732
Amy: THAT'S BEAUTIFUL WORK,
490
00:17:45,732 --> 00:17:48,635
DR. TROY. HEH.
491
00:17:48,635 --> 00:17:51,238
Christian: I'M GLAD YOU'RE
492
00:17:51,238 --> 00:17:53,506
DOWN OVER THE NEXT FEW WEEKS.
493
00:17:53,506 --> 00:17:56,643
Amy: CAN I TOUCH THEM?
494
00:17:56,643 --> 00:17:59,246
Ike: YEAH, SURE. BE GENTLE.
495
00:18:08,755 --> 00:18:11,491
YOU LIKE 'EM?
496
00:18:11,491 --> 00:18:12,525
I KIND OF LIKE 'EM.
497
00:18:12,525 --> 00:18:13,860
Christian: HEH. GOOD.
498
00:18:16,929 --> 00:18:18,465
Ike: HONEY, WHAT'S WRONG?
499
00:18:18,465 --> 00:18:20,667
Amy: I DON'T KNOW. I'M SORRY,
500
00:18:20,667 --> 00:18:21,734
CAN YOU EXCUSE ME FOR A MINUTE?
501
00:18:27,907 --> 00:18:29,342
Liz: AHEM.
502
00:18:29,342 --> 00:18:30,843
Christian: AHEM.
503
00:18:30,843 --> 00:18:33,280
Ike: OK, YOU'RE A WOMAN. ANY
504
00:18:33,280 --> 00:18:34,347
IDEAS ON WHAT JUST HAPPENED
505
00:18:34,347 --> 00:18:35,382
THERE?
506
00:18:35,382 --> 00:18:36,683
Liz: WELL, SHE'S PROBABLY
507
00:18:36,683 --> 00:18:38,185
RELIVING SOMETHING ABOUT THE
508
00:18:38,185 --> 00:18:39,386
CANCER TRAUMA.
509
00:18:39,386 --> 00:18:40,220
Christian: RIGHT.
510
00:18:40,220 --> 00:18:43,423
Ike: BINGO. YEAH, I SHOULD HAVE
511
00:18:43,423 --> 00:18:45,892
BREAST AS LIGHTNING ROD.
512
00:18:47,494 --> 00:18:50,297
Announcer: STRANGE TO SAY THIS
513
00:18:50,297 --> 00:18:51,564
ONE-SIDED FIGHT SO FAR, BUT
514
00:18:51,564 --> 00:18:53,300
IMMANUEL, IS--IS THIS THE
515
00:18:53,300 --> 00:18:54,334
TOUGHEST TEST IN JERMAINE
516
00:18:54,334 --> 00:18:55,568
TAYLOR'S CAREER SO FAR?
517
00:18:55,568 --> 00:18:57,537
Second Announcer: I'D SAY SO,
518
00:18:57,537 --> 00:18:58,571
GOOD SPEED, GOOD PUNCHING
519
00:18:58,571 --> 00:18:59,839
POWER, AND IT IS ACTUALLY A
520
00:18:59,839 --> 00:19:01,408
CHALLENGE TO HIM, EVEN AFTER THE
521
00:19:01,408 --> 00:19:02,442
BELL RINGS.
522
00:19:02,442 --> 00:19:03,743
Sean: [GROANS]
523
00:19:03,743 --> 00:19:04,677
Second Announcer: EVEN THOUGH
524
00:19:04,677 --> 00:19:05,612
HE'S RUNNING IT, THE GUY IS
525
00:19:05,612 --> 00:19:07,214
CHALLENGING HIM ALL THE WAY.
526
00:19:07,214 --> 00:19:09,682
Announcer: SO ONE OF THE REASONS
527
00:19:09,682 --> 00:19:11,218
THAT JERMAINE LOOKS SO GOOD
528
00:19:11,218 --> 00:19:12,652
TONIGHT IS BECAUSE HE'S IN
529
00:19:12,652 --> 00:19:13,753
AGAINST BETTER OPPOSITION THAN
530
00:19:13,753 --> 00:19:15,322
BEFORE.
531
00:19:15,322 --> 00:19:17,890
[DIALING TELEPHONE]
532
00:19:17,890 --> 00:19:19,659
Man: KID, BEHIND YOU!
533
00:19:19,659 --> 00:19:22,262
Boy: AAH!
534
00:19:22,262 --> 00:19:24,497
Man, Japanese accent: SORRY!
535
00:19:24,497 --> 00:19:25,765
Second Man: [KARATE SOUNDS]
536
00:19:25,765 --> 00:19:33,406
[TELEPHONE RINGING]
537
00:19:33,406 --> 00:19:34,541
Julia: HELLO?
538
00:19:34,541 --> 00:19:35,908
Sean: YOU LEFT 4 MESSAGES. THIS
539
00:19:35,908 --> 00:19:37,344
BETTER BE IMPORTANT.
540
00:19:37,344 --> 00:19:40,012
Julia: UH, I WANT TO PICK UP THE
541
00:19:40,012 --> 00:19:41,348
WAFFLE IRON.
542
00:19:41,348 --> 00:19:43,450
Sean: 4 CALLS FOR A WAFFLE IRON?
543
00:19:43,450 --> 00:19:44,617
Julia: I ALWAYS MAKE WAFFLES ON
544
00:19:44,617 --> 00:19:46,819
THE WEEKEND, AND I WANT TO KEEP
545
00:19:46,819 --> 00:19:48,321
UP SOME DEGREE OF NORMALCY
546
00:19:48,321 --> 00:19:49,922
AMIDST ALL THIS CHAOS.
547
00:19:49,922 --> 00:19:51,624
Sean: EVER HEARD OF WAL-MART,
548
00:19:51,624 --> 00:19:53,593
Julia: YOU'RE BEING SO HATEFUL,
549
00:19:53,593 --> 00:19:54,994
SEAN. I DON'T EVEN KNOW WHO
550
00:19:54,994 --> 00:19:55,795
YOU ARE.
551
00:19:55,795 --> 00:19:58,365
Sean: YEAH, WELL, MAYBE I'M
552
00:19:58,365 --> 00:19:59,499
DIDN'T KEEP YOU FROM BETRAYING
553
00:19:59,499 --> 00:20:00,700
ME. NICE DIDN'T KEEP MY FAMILY
554
00:20:00,700 --> 00:20:01,534
TOGETHER. I WANT TO TRY
555
00:20:01,534 --> 00:20:02,535
SOMETHING NEW.
556
00:20:02,535 --> 00:20:03,870
Julia: DON'T FLATTER YOURSELF.
557
00:20:03,870 --> 00:20:05,037
YOU WERE NEVER NICE. YOU WERE
558
00:20:05,037 --> 00:20:06,873
JUST REPRESSED. YOU WEREN'T
559
00:20:06,873 --> 00:20:07,907
PUSHING DOWN LOVE. YOU WERE
560
00:20:07,907 --> 00:20:09,342
PUSHING DOWN ANGER.
561
00:20:09,342 --> 00:20:10,543
Sean: YOU WANT ANGER? HOW ABOUT
562
00:20:10,543 --> 00:20:11,744
THIS?
563
00:20:13,980 --> 00:20:14,914
[DIAL TONE]
564
00:20:16,916 --> 00:20:18,618
Announcer: NO NEED TO GO CRAZY.
565
00:20:18,618 --> 00:20:19,919
GET ON HIS ASS AND LAND HIM
566
00:20:19,919 --> 00:20:21,554
A SHOT. ONE OF THE BEST THINGS
567
00:20:21,554 --> 00:20:22,522
YOU CAN DO WHEN YOU LAND THAT
568
00:20:22,522 --> 00:20:23,923
SHOT TO THE HEAD? TURN TO THE
569
00:20:23,923 --> 00:20:25,558
BODY. THERE'S NOTHING MORE
570
00:20:25,558 --> 00:20:27,026
DEMEANING. IT JUST TAKES IT--
571
00:20:27,026 --> 00:20:29,529
IT JUST BREAKS IT DOWN, OK?
572
00:20:29,529 --> 00:20:30,797
HERE. YOU KNOW WHAT YOU
573
00:20:30,797 --> 00:20:31,798
GOTTA DO.
574
00:20:31,798 --> 00:20:33,333
Kimber: YOUR WIFE IS SUCH A
575
00:20:33,333 --> 00:20:34,434
BITCH.
576
00:20:37,837 --> 00:20:40,807
Sean: I KNOW.
577
00:20:40,807 --> 00:20:41,941
Kimber: YOU NEED A WOMAN WHO
578
00:20:41,941 --> 00:20:45,878
DOESN'T TALK BACK.
579
00:20:45,878 --> 00:20:48,014
YOU NEED A WOMAN WHO LETS YOU
580
00:20:48,014 --> 00:20:52,652
TAKE OUT ALL THAT ANGER ON HER.
581
00:20:52,652 --> 00:20:54,354
Announcer: THAT'S GOT TO BE A
582
00:20:54,354 --> 00:20:55,455
LITTLE HUMILIATING.
583
00:20:55,455 --> 00:20:56,923
Second Announcer: HE HASN'T BEEN
584
00:20:56,923 --> 00:20:59,058
IT WAS SUCH A ONE-SIDED THING.
585
00:20:59,058 --> 00:21:01,027
[COMMENTARY CONTINUES]
586
00:21:10,370 --> 00:21:11,738
Announcer: IT ISN'T OVER YET.
587
00:21:11,738 --> 00:21:14,841
HE'LL PICK UP THE COUNT.
588
00:21:14,841 --> 00:21:16,042
I THOUGHT HE HAD STOPPED IT.
589
00:21:20,413 --> 00:21:22,382
[COMMENTARY CONTINUES]
590
00:21:41,568 --> 00:21:43,603
[COMMENTARY CONTINUES]
591
00:22:02,088 --> 00:22:03,956
[COMMENTARY CONTINUES]
592
00:22:14,634 --> 00:22:16,969
Sean: OH...
593
00:22:16,969 --> 00:22:18,538
OH...
594
00:22:18,538 --> 00:22:19,972
[PANTING]
595
00:22:31,050 --> 00:22:32,852
[STRAINS]
596
00:22:44,697 --> 00:22:46,466
Julia: SEAN, STOP!
597
00:22:48,200 --> 00:22:50,036
Sean: [GRUNTS]
598
00:22:50,036 --> 00:22:51,671
[PANTING]
599
00:23:07,620 --> 00:23:09,822
Kimber: [MOANING]
600
00:23:09,822 --> 00:23:11,991
OH...
601
00:23:11,991 --> 00:23:13,626
GIVE IT TO ME, BABY.
602
00:23:13,626 --> 00:23:16,996
[BOTH PANTING]
603
00:23:20,199 --> 00:23:22,969
Sean: OHH.
604
00:23:22,969 --> 00:23:24,904
[PANTING]
605
00:23:30,577 --> 00:23:32,779
[PANTING CONTINUES]
606
00:23:38,851 --> 00:23:40,820
[CRYING]
607
00:23:51,230 --> 00:23:52,865
[CRYING CONTINUES]
608
00:24:05,612 --> 00:24:06,813
[DOORBELL RINGS]
609
00:24:11,584 --> 00:24:12,552
[DOORBELL RINGS]
610
00:24:17,256 --> 00:24:18,625
[DOORBELL RINGS]
611
00:24:18,625 --> 00:24:19,892
Sean: HANG ON, GODDAMN IT.
612
00:24:23,696 --> 00:24:25,031
Kimber: I'M SO SORRY, SEAN. MY
613
00:24:25,031 --> 00:24:26,132
DOLL MAKERS NEED THE PROTOTYPE
614
00:24:26,132 --> 00:24:27,767
BACK BY 9 A.M. TOMORROW FOR THE
615
00:24:27,767 --> 00:24:29,902
VEGAS RETAIL SHOW. I CALLED YOUR
616
00:24:29,902 --> 00:24:31,538
OFFICES, AND I WAS TOLD YOU HAD
617
00:24:31,538 --> 00:24:32,839
IT HERE. I CALLED SEVERAL
618
00:24:32,839 --> 00:24:34,173
TIMES, BUT I THOUGHT I'D SWING
619
00:24:34,173 --> 00:24:36,042
BY JUST IN CASE.
620
00:24:36,042 --> 00:24:37,644
ARE YOU OK?
621
00:24:37,644 --> 00:24:38,778
Sean: JUST A LITTLE SURPRISED
622
00:24:38,778 --> 00:24:39,812
IS ALL.
623
00:24:44,250 --> 00:24:45,151
Kimber: DID YOU PUT IN THE NEW
624
00:24:45,151 --> 00:24:46,018
VAGINA?
625
00:24:46,018 --> 00:24:48,054
Sean: UH, NO.
626
00:24:57,063 --> 00:24:58,665
Kimber: THEN WHY DOES SHE LOOK
627
00:24:58,665 --> 00:25:01,868
SO DISHEVELED?
628
00:25:01,868 --> 00:25:03,302
Sean: THIS IS REALLY
629
00:25:03,302 --> 00:25:06,639
EMBARRASSING, KIMBER.
630
00:25:06,639 --> 00:25:08,240
I HAD A LITTLE FUN WITH IT.
631
00:25:11,043 --> 00:25:14,346
Kimber: HOW WAS IT?
632
00:25:14,346 --> 00:25:15,648
Sean: DON'T YOU THINK IT'S
633
00:25:15,648 --> 00:25:16,683
STRANGE THAT I'VE MADE IT WITH A
634
00:25:16,683 --> 00:25:17,784
DOLL?
635
00:25:17,784 --> 00:25:19,218
Kimber: I THINK THERE WOULD BE
636
00:25:19,218 --> 00:25:22,288
DIDN'T. I MEAN, SHE'S HERE, AND
637
00:25:22,288 --> 00:25:25,825
YOU'RE ALONE. WHO WOULDN'T?
638
00:25:30,697 --> 00:25:33,165
SEAN, WHAT'S WRONG?
639
00:25:33,165 --> 00:25:34,801
Sean: I MISS HER.
640
00:25:34,801 --> 00:25:37,236
Kimber: AWW.
641
00:25:37,236 --> 00:25:39,038
Sean: I JUST MISS HER.
642
00:25:39,038 --> 00:25:41,941
Kimber: I KNOW HOW YOU FEEL.
643
00:25:41,941 --> 00:25:43,242
I MISS CHRISTIAN LIKE THAT
644
00:25:43,242 --> 00:25:44,310
SOMETIMES, TOO.
645
00:25:47,914 --> 00:25:50,282
Sean: WHY ARE YOU SO NICE TO ME?
646
00:25:50,282 --> 00:25:53,720
Kimber: 'CAUSE YOU NEED IT, AND
647
00:25:53,720 --> 00:25:55,321
BECAUSE YOU WERE NICE TO ME.
648
00:26:13,072 --> 00:26:14,040
Sean: THAT WAS OUT OF LINE.
649
00:26:14,040 --> 00:26:15,307
I'M SORRY.
650
00:26:15,307 --> 00:26:17,176
Kimber: I'M NOT.
651
00:26:32,091 --> 00:26:34,026
[BOTH MOANING LOUDLY]
652
00:26:36,262 --> 00:26:37,396
Kimber: OH, MY GOD.
653
00:26:37,396 --> 00:26:39,732
[LAUGHS]
654
00:26:39,732 --> 00:26:41,333
[BOTH PANTING]
655
00:26:41,333 --> 00:26:43,736
[BOTH LAUGH]
656
00:26:43,736 --> 00:26:45,938
Kimber: I BET YOUR VENUS IS IN
657
00:26:45,938 --> 00:26:47,073
SCORPIO.
658
00:26:47,073 --> 00:26:48,140
Sean: YOU THINK SO?
659
00:26:48,140 --> 00:26:49,408
Kimber: YEAH, I'D PUT MONEY ON
660
00:26:49,408 --> 00:26:50,076
IT.
661
00:26:54,146 --> 00:26:56,916
Kimber: MMM. OHH...
662
00:26:56,916 --> 00:26:59,285
SO...
663
00:26:59,285 --> 00:27:01,721
WHEN YOU WERE MAKING IT WITH THE
664
00:27:01,721 --> 00:27:02,755
ABOUT?
665
00:27:02,755 --> 00:27:03,956
Sean: HONESTLY?
666
00:27:03,956 --> 00:27:06,058
Kimber: MM-HMM.
667
00:27:06,058 --> 00:27:07,093
Sean: YOU.
668
00:27:09,428 --> 00:27:10,963
Kimber: THAT IS SO HOT.
669
00:27:10,963 --> 00:27:12,064
Sean: MMM.
670
00:27:12,064 --> 00:27:13,900
Kimber: MMM.
671
00:27:20,139 --> 00:27:21,240
Sean: I'LL GO MAKE COFFEE.
672
00:27:21,240 --> 00:27:24,110
Kimber: OH, NO, I'LL DO IT. YOU
673
00:27:24,110 --> 00:27:25,845
GO TAKE YOUR SHOWER.
674
00:27:40,927 --> 00:27:42,228
Sean: [PANTING]
675
00:27:47,266 --> 00:27:49,401
Kimber: WHERE DO YOU KEEP THE
676
00:27:49,401 --> 00:27:51,738
Julia: IN THE FREEZER.
677
00:27:51,738 --> 00:27:54,273
Kimber: OH, HI. I'M KIMBER.
678
00:27:54,273 --> 00:27:58,878
Julia: I'M JULIA, SEAN'S WIFE.
679
00:28:13,492 --> 00:28:14,493
Kimber: I HAVE ALWAYS HEARD SUCH
680
00:28:14,493 --> 00:28:19,331
NICE THINGS ABOUT YOU, JULIA.
681
00:28:19,331 --> 00:28:25,071
I'M REALLY SORRY ABOUT ALL THIS.
682
00:28:25,071 --> 00:28:29,175
UH, SEAN...
683
00:28:29,175 --> 00:28:30,176
Julia: DON'T IGNORE HER ON MY
684
00:28:30,176 --> 00:28:31,377
ACCOUNT, SEAN.
685
00:28:36,182 --> 00:28:38,785
Kimber: WELL, SEAN, I KIND OF
686
00:28:38,785 --> 00:28:40,186
NEED MY DOLL BACK.
687
00:28:40,186 --> 00:28:42,521
Julia: DOLL?
688
00:28:42,521 --> 00:28:44,356
Kimber: MY DOLL.
689
00:28:51,530 --> 00:28:52,899
Sean: GO WAIT IN THE CAR, HONEY.
690
00:28:52,899 --> 00:28:54,266
I'LL BE OUT IN A MINUTE.
691
00:29:23,930 --> 00:29:25,031
Julia: HOW LONG HAVE YOU BEEN
692
00:29:25,031 --> 00:29:28,000
SLEEPING WITH HER?
693
00:29:28,000 --> 00:29:30,569
OH, GOD. I FEEL LIKE I'M GONNA
694
00:29:30,569 --> 00:29:31,904
BE SICK.
695
00:29:31,904 --> 00:29:34,907
Sean: WELCOME TO MY WORLD. IT
696
00:29:34,907 --> 00:29:36,408
DOESN'T FEEL GOOD, DOES IT?
697
00:29:36,408 --> 00:29:38,477
Julia: [SNIFFLES]
698
00:29:38,477 --> 00:29:43,449
I DON'T KNOW WHY I'M SURPRISED.
699
00:29:43,449 --> 00:29:45,017
I SHOULD HAVE LEFT YOU AFTER I
700
00:29:45,017 --> 00:29:46,618
FOUND OUT ABOUT MEGAN O'HARA.
701
00:29:46,618 --> 00:29:49,321
Sean: YOU DIDN'T HAVE THE GUTS
702
00:29:49,321 --> 00:29:50,122
WHY?
703
00:29:50,122 --> 00:29:50,857
Julia: BECAUSE I AM
704
00:29:50,857 --> 00:29:52,925
COMPASSIONATE, A QUALITY YOU
705
00:29:52,925 --> 00:29:53,559
LACK.
706
00:29:53,559 --> 00:29:54,426
Sean: BULL SHIT. YOU DIDN'T
707
00:29:54,426 --> 00:29:56,295
LEAVE SO YOU COULD HAVE SOMEONE
708
00:29:56,295 --> 00:29:58,130
WRONG IN YOUR LIFE. I DID YOU
709
00:29:58,130 --> 00:29:59,999
A FAVOR BY KICKING YOU OUT.
710
00:29:59,999 --> 00:30:03,302
NOW MAYBE YOU'LL DO SOMETHING
711
00:30:03,302 --> 00:30:04,536
BY GETTING LAID.
712
00:30:04,536 --> 00:30:07,206
Julia: WHILE YOU'RE ATTACKING MY
713
00:30:07,206 --> 00:30:08,640
HAVE A LOOK AT YOURS. IF YOU
714
00:30:08,640 --> 00:30:10,242
DON'T WANT TO THINK ABOUT ME AND
715
00:30:10,242 --> 00:30:12,178
ABOUT WHAT WE HAD, THEN FINE.
716
00:30:12,178 --> 00:30:13,545
BUT AT LEAST BE A MAN AND THINK
717
00:30:13,545 --> 00:30:15,547
ABOUT YOUR CHILDREN. THEY DON'T
718
00:30:15,547 --> 00:30:17,249
DESERVE TO HAVE WHORES
719
00:30:17,249 --> 00:30:18,617
WANDERING ABOUT THEIR HOME.
720
00:30:18,617 --> 00:30:19,618
Sean: KIMBER ISN'T A WHORE,
721
00:30:19,618 --> 00:30:22,955
JULIA. AND UNLIKE YOU, KIMBER
722
00:30:22,955 --> 00:30:26,492
KNOWS WHO SHE IS. KIMBER TAKES
723
00:30:26,492 --> 00:30:28,895
AWAY THE PAIN.
724
00:30:58,991 --> 00:31:02,094
Julia: WHOEVER YOU ARE...
725
00:31:02,094 --> 00:31:05,397
TELL SEAN...
726
00:31:05,397 --> 00:31:07,233
THAT I'M TAKING THE WAFFLE IRON,
727
00:31:07,233 --> 00:31:11,170
AND, UH...THAT I'LL DROP ANNIE
728
00:31:11,170 --> 00:31:14,206
AT HOME ON SUNDAY NIGHT.
729
00:31:14,206 --> 00:31:15,541
Sean: CALL TO MAKE SURE I'M
730
00:31:15,541 --> 00:31:18,344
HOME. I'M CHANGING THE LOCKS THE
731
00:31:18,344 --> 00:31:20,212
MINUTE YOU WALK OUT THAT DOOR.
732
00:31:27,253 --> 00:31:29,255
Ike: YEAH, I WANT THEM OUT. JUST
733
00:31:29,255 --> 00:31:30,222
TAKE THEM OUT.
734
00:31:30,222 --> 00:31:31,590
Christian: AS YOUR SURGEON, I'D
735
00:31:31,590 --> 00:31:34,026
LIKE TO KNOW WHY. IS THERE PAIN,
736
00:31:34,026 --> 00:31:35,527
PROBLEMS I'M UNAWARE OF?
737
00:31:35,527 --> 00:31:36,562
Ike: SURE, YEAH, THE PAIN SUCKS.
738
00:31:36,562 --> 00:31:38,297
SO DOES THE PRESSURE, BUT THIS
739
00:31:38,297 --> 00:31:40,499
WHOLE THING WAS JUST MISGUIDED,
740
00:31:40,499 --> 00:31:41,667
AND I'M SORRY I PUT EVERYONE
741
00:31:41,667 --> 00:31:43,269
THROUGH IT, OK? END OF STORY.
742
00:31:48,707 --> 00:31:51,743
Christian: I HOPE YOU HAVEN'T
743
00:31:51,743 --> 00:31:53,379
DO YOU HAVE TO GIVE IT BACK?
744
00:31:53,379 --> 00:31:56,548
Amy: YES, HE DOES. AND THE 5
745
00:31:56,548 --> 00:31:57,716
ELECTRIC ADJUSTABLE BEDS THAT WE
746
00:31:57,716 --> 00:31:58,717
BOUGHT FOR THE HOSPICE ALSO
747
00:31:58,717 --> 00:31:59,551
HAVE TO GO BACK.
748
00:31:59,551 --> 00:32:02,454
Ike: I'VE SAID I'M SORRY.
749
00:32:02,454 --> 00:32:04,090
MY WIFE IS PISSED, AS YOU
750
00:32:04,090 --> 00:32:04,656
CAN SEE.
751
00:32:04,656 --> 00:32:08,094
Amy: YOU COULD HAVE GIVEN IT A
752
00:32:08,094 --> 00:32:09,128
THE PAIN WILL DISSIPATE.
753
00:32:09,128 --> 00:32:10,362
Ike: I'LL WRITE ANOTHER BOOK.
754
00:32:10,362 --> 00:32:11,763
CALL IT MEN DISAPPOINT.
755
00:32:11,763 --> 00:32:13,132
Amy: [SIGHS]
756
00:32:13,132 --> 00:32:15,034
Christian: YOUR HUSBAND HAS A
757
00:32:15,034 --> 00:32:17,469
LEVEL OF TOLERANCE FOR PAIN.
758
00:32:17,469 --> 00:32:19,738
Amy: THAT'S SO HIM...JUMP INTO
759
00:32:19,738 --> 00:32:21,607
THINGS WITHOUT THINKING ABOUT
760
00:32:21,607 --> 00:32:22,541
COURSE TO JUMP OUT OF THEM
761
00:32:22,541 --> 00:32:23,475
WITHOUT THINKING ABOUT THEM.
762
00:32:23,475 --> 00:32:24,776
Ike: IT'S MY CHEST, MY CHOICE.
763
00:32:24,776 --> 00:32:26,112
Amy: I DIDN'T HAVE A CHOICE.
764
00:32:26,112 --> 00:32:27,079
WASN'T THAT THE POINT, TO
765
00:32:27,079 --> 00:32:27,746
UNDERSTAND?
766
00:32:27,746 --> 00:32:29,281
Ike: DON'T GUILT ME, AMY.
767
00:32:33,252 --> 00:32:34,786
I FEEL LIKE A FREAK, OK? YOU'RE
768
00:32:34,786 --> 00:32:35,621
ALWAYS GRABBING AT THEM,
769
00:32:35,621 --> 00:32:37,223
TOUCHING THEM. I HATE IT.
770
00:32:40,692 --> 00:32:42,094
Christian: MAYBE THIS BROUGHT UP
771
00:32:42,094 --> 00:32:43,529
MRS. CONNORS' FEELINGS ABOUT
772
00:32:43,529 --> 00:32:45,297
LOSING HER OWN BREASTS. MAYBE
773
00:32:45,297 --> 00:32:46,365
YOUR WIFE WOULD LIKE YOU TO KNOW
774
00:32:46,365 --> 00:32:47,499
WHAT SHE'S FEELING WHEN YOU
775
00:32:47,499 --> 00:32:50,636
TOUCH HER. I HAVE THE NAME OF A
776
00:32:50,636 --> 00:32:52,538
VERY GOOD COUNSELOR. HE'S HELPED
777
00:32:52,538 --> 00:32:53,772
A LOT OF OUR PATIENTS.
778
00:32:53,772 --> 00:32:55,541
Amy: THAT'S NOT IT.
779
00:32:55,541 --> 00:32:57,676
Ike: WELL, THEN WHAT AMY? WHY DO
780
00:32:57,676 --> 00:32:59,111
YOU LIKE MY TITS SO MUCH? WHAT,
781
00:32:59,111 --> 00:33:00,079
ARE YOU A LESBIAN?
782
00:33:00,079 --> 00:33:00,646
Amy: I'M NOT SURE.
783
00:33:04,616 --> 00:33:09,421
Ike: OK, WHAT DO YOU MEAN,
784
00:33:09,421 --> 00:33:10,756
HAVE YOU BEEN A LESBIAN THIS
785
00:33:10,756 --> 00:33:11,690
WHOLE TIME SINCE THAT THING IN
786
00:33:11,690 --> 00:33:12,458
COLLEGE--
787
00:33:12,458 --> 00:33:13,625
Amy: I TOLD YOU WHEN WE MET,
788
00:33:13,625 --> 00:33:14,626
THAT WAS THE FIRST AND ONLY
789
00:33:14,626 --> 00:33:15,527
TIME.
790
00:33:17,696 --> 00:33:19,331
I DON'T KNOW. I HONESTLY DON'T
791
00:33:19,331 --> 00:33:20,366
KNOW WHAT'S HAPPENING.
792
00:33:22,768 --> 00:33:25,671
THESE FEELINGS--I JUST...
793
00:33:25,671 --> 00:33:29,475
JUST ARE HAPPENING. I'M NOT
794
00:33:29,475 --> 00:33:32,778
ASKING FOR THEM, IKE. I DIDN'T
795
00:33:32,778 --> 00:33:35,714
SEE THEM COMING.
796
00:33:35,714 --> 00:33:39,118
Ike: OH, THAT'S RICH. I GET
797
00:33:39,118 --> 00:33:40,619
THESE BREASTS SO I CAN BE MORE
798
00:33:40,619 --> 00:33:42,154
IN TOUCH WITH MY FEMININE SIDE,
799
00:33:42,154 --> 00:33:43,355
AND WHAT THEY'VE ACCOMPLISHED IS
800
00:33:43,355 --> 00:33:44,656
PUTTING YOU MORE IN TOUCH WITH
801
00:33:44,656 --> 00:33:45,757
YOUR INNER DYKE.
802
00:33:51,697 --> 00:33:54,466
Amy: NICE PROSE, IKE.
803
00:33:54,466 --> 00:33:55,634
YOU WONDER WHY YOU'VE NEVER WON
804
00:33:55,634 --> 00:33:57,103
THE PULITZER.
805
00:33:59,705 --> 00:34:02,508
Christian: NOT TO GET TOO
806
00:34:02,508 --> 00:34:03,842
HAVE KNOWN MEN TO EMBRACE THEIR
807
00:34:03,842 --> 00:34:05,811
WIVES' ATTRACTION TO OTHER
808
00:34:05,811 --> 00:34:09,281
WOMEN. IF THE LINES ARE CLEARLY
809
00:34:09,281 --> 00:34:11,283
DRAWN, THEN IT ENHANCES THEIR
810
00:34:11,283 --> 00:34:12,184
SEX LIVES.
811
00:34:12,184 --> 00:34:14,120
Ike: I DON'T WANT SOME FREAK
812
00:34:14,120 --> 00:34:18,157
DEAL. I WANT AMY, THE OLD AMY.
813
00:34:21,893 --> 00:34:23,362
MY AMY.
814
00:34:27,266 --> 00:34:28,767
LIKE I SAID, JUST TAKE THEM OUT.
815
00:34:32,738 --> 00:34:34,140
[ELECTRONIC DANCE MUSIC BEGINS]
816
00:35:44,510 --> 00:35:45,777
Julia: HELLO.
817
00:35:45,777 --> 00:35:47,779
Man: HI.
818
00:35:47,779 --> 00:35:50,816
HEH. I'M ROGER.
819
00:35:56,955 --> 00:35:57,889
Roger: YOU LIKE APPLE MARTINIS,
820
00:35:57,889 --> 00:35:59,891
I SEE.
821
00:35:59,891 --> 00:36:03,962
Julia: I...I LIKE THE COLOR MORE
822
00:36:03,962 --> 00:36:05,464
THAN THE TASTE.
823
00:36:05,464 --> 00:36:06,398
Roger: HEY, WE'LL TAKE THE MOST
824
00:36:06,398 --> 00:36:07,366
EXPENSIVE DRINK YOU HAVE IN
825
00:36:07,366 --> 00:36:08,700
GREEN, ALL RIGHT?
826
00:36:08,700 --> 00:36:09,435
Julia: HEH.
827
00:36:09,435 --> 00:36:10,469
Roger: HEH.
828
00:36:13,539 --> 00:36:14,973
Julia: THIS IS A REALLY COOL
829
00:36:14,973 --> 00:36:15,974
PLACE.
830
00:36:15,974 --> 00:36:17,676
Roger: YEAH.
831
00:36:17,676 --> 00:36:20,011
Julia: I LIKE THAT RETRO THING.
832
00:36:20,011 --> 00:36:21,713
Roger: YEAH, I LIKE THAT, TOO.
833
00:36:21,713 --> 00:36:22,914
I LIKE STAYING HERE. YOU KNOW,
834
00:36:22,914 --> 00:36:25,451
WHEN I'M IN TOWN ON BUSINESS.
835
00:36:25,451 --> 00:36:29,321
YEAH. THE SERVICE IS, UH...IT'S
836
00:36:29,321 --> 00:36:30,489
REALLY GOOD HERE.
837
00:36:34,326 --> 00:36:35,594
TOLD YOU.
838
00:36:35,594 --> 00:36:37,329
Julia: HEH HEH.
839
00:36:37,329 --> 00:36:37,863
Roger: THANK YOU.
840
00:36:49,040 --> 00:36:51,009
Julia: [LAUGHING]
841
00:36:51,009 --> 00:36:53,412
MMM. OH!
842
00:36:53,412 --> 00:36:54,613
Roger: OH, MY GOD.
843
00:36:54,613 --> 00:36:56,715
Julia: OH! THESE DRINKS ARE SO,
844
00:36:56,715 --> 00:36:58,484
UH...STRONG.
845
00:36:58,484 --> 00:37:00,752
[GIGGLES]
846
00:37:00,752 --> 00:37:02,721
Roger: FEELING NO PAIN, ARE YOU?
847
00:37:02,721 --> 00:37:04,623
Julia: OH, I'M FEELING IT,
848
00:37:04,623 --> 00:37:07,793
BELIEVE ME.
849
00:37:07,793 --> 00:37:09,861
Roger: YOU KNOW...IF YOU LIKE
850
00:37:09,861 --> 00:37:12,864
GREEN DRINKS, YOU REALLY SHOULD
851
00:37:12,864 --> 00:37:14,333
TRY ABSINTHE.
852
00:37:14,333 --> 00:37:16,302
Julia: MMM...WHAT'S THAT?
853
00:37:17,903 --> 00:37:18,970
WHAT?
854
00:37:18,970 --> 00:37:21,440
[GIGGLES]
855
00:37:21,440 --> 00:37:23,542
Roger: WELL, IT'S ILLEGAL, FOR
856
00:37:23,542 --> 00:37:26,011
STARTERS. IT'S LIKE...IT'S LIKE
857
00:37:26,011 --> 00:37:28,914
A LIQUID APHRODISIAC,
858
00:37:28,914 --> 00:37:31,016
ESPECIALLY...IT MAKES YOU HORNY
859
00:37:31,016 --> 00:37:31,917
AS HELL.
860
00:37:37,022 --> 00:37:38,557
Julia: I DON'T NEED ABSINTHE TO
861
00:37:38,557 --> 00:37:39,558
FEEL THAT WAY.
862
00:37:43,595 --> 00:37:46,398
Roger: YOU KNOW, UH...
863
00:37:46,398 --> 00:37:47,599
IF YOU LIKE THE DECOR SO MUCH,
864
00:37:47,599 --> 00:37:48,900
YOU KNOW, MAYBE--MAYBE YOU'D
865
00:37:48,900 --> 00:37:50,602
LIKE TO SEE ONE OF THE ROOMS.
866
00:37:56,642 --> 00:37:58,744
Julia: THE CHECK, PLEASE.
867
00:37:59,778 --> 00:38:01,713
[BOTH MOANING AND PANTING]
868
00:38:06,652 --> 00:38:07,686
Roger: OH, MY GOD.
869
00:38:07,686 --> 00:38:11,523
[PANTING]
870
00:38:11,523 --> 00:38:13,659
LET ME...
871
00:38:13,659 --> 00:38:15,026
LET ME GET MY THING, OK?
872
00:38:15,026 --> 00:38:18,464
Julia: MMM...NOT YET. I LIKE...
873
00:38:18,464 --> 00:38:20,065
I LIKE THIS PART.
874
00:38:20,065 --> 00:38:22,801
Roger: OH, MY GOD. THAT IS SO
875
00:38:22,801 --> 00:38:23,902
COOL THAT YOU JUST SAID THAT.
876
00:38:23,902 --> 00:38:27,373
THAT'S SO HOT. OH, MY GOD.
877
00:38:27,373 --> 00:38:29,341
[BOTH PANTING]
878
00:38:42,821 --> 00:38:44,556
Julia: GO GET YOUR THING.
879
00:38:44,556 --> 00:38:47,426
Roger: HEH HEH.
880
00:38:47,426 --> 00:38:49,395
OH...
881
00:38:49,395 --> 00:38:51,763
OK. ALL RIGHT.
882
00:38:53,064 --> 00:38:55,367
OK. OK.
883
00:39:01,907 --> 00:39:04,543
HEY...
884
00:39:04,543 --> 00:39:05,477
COME HERE.
885
00:39:08,514 --> 00:39:10,616
Julia: WHAT'S THIS?
886
00:39:10,616 --> 00:39:14,019
Roger: THAT'S THE BLACK THUNDER.
887
00:39:14,019 --> 00:39:17,022
Julia: MMM. WHY DO YOU HAVE
888
00:39:17,022 --> 00:39:17,923
THIS?
889
00:39:17,923 --> 00:39:18,890
Roger: IT'S MY FANTASY THAT A
890
00:39:18,890 --> 00:39:21,760
GIRL USE IT ON ME, AND YOU'RE
891
00:39:21,760 --> 00:39:23,995
THAT GIRL. HEH HEH HEH HEH.
892
00:39:23,995 --> 00:39:26,164
Julia: ROGER, I'M REALLY NOT
893
00:39:26,164 --> 00:39:27,633
INTO THIS.
894
00:39:27,633 --> 00:39:29,501
Roger: OH, COME ON, COME ON,
895
00:39:29,501 --> 00:39:30,602
NOT PAYING FOR STRAIGHT SEX,
896
00:39:30,602 --> 00:39:31,637
ALL RIGHT? I CAN GET THAT BACK
897
00:39:31,637 --> 00:39:32,638
HOME IN HOUSTON.
898
00:39:32,638 --> 00:39:34,072
Julia: WHAT ARE YOU TALKING
899
00:39:34,072 --> 00:39:35,140
Roger: COME ON. I'LL GIVE YOU
900
00:39:35,140 --> 00:39:37,208
$500, OK? BUT FOR THAT, I WANT
901
00:39:37,208 --> 00:39:38,877
SOME BANG FOR MY BUCK.
902
00:39:38,877 --> 00:39:41,447
Julia: I'M NOT A HOOKER.
903
00:39:41,447 --> 00:39:43,649
Roger: COME ON, ENOUGH ROLE
904
00:39:43,649 --> 00:39:44,983
IT ON. COME ON!
905
00:39:44,983 --> 00:39:45,851
Julia: LIKE I TOLD YOU--
906
00:39:45,851 --> 00:39:47,519
Roger: NO, NO, HEY! COME ON!
907
00:39:47,519 --> 00:39:48,920
Julia: LET GO OF ME!
908
00:39:48,920 --> 00:39:49,921
Roger: PUT IT ON, YOU LITTLE
909
00:39:49,921 --> 00:39:51,690
TEASE! ALL RIGHT, YOU WANT TO
910
00:39:51,690 --> 00:39:52,824
PLAY ROUGH? FINE. WE'LL PLAY
911
00:39:52,824 --> 00:39:53,859
ROUGH. ALL RIGHT. WHAT DO YOU
912
00:39:53,859 --> 00:39:56,094
WANT, AN EXTRA 250? HUH?
913
00:39:56,094 --> 00:39:57,195
Julia: LET GO OF ME!
914
00:39:57,195 --> 00:39:58,497
Roger: UNH!
915
00:39:58,497 --> 00:40:00,432
Julia: AAH!
916
00:40:02,868 --> 00:40:05,504
Roger: OHH...
917
00:40:07,739 --> 00:40:09,140
OH, COME ON! DON'T CALL
918
00:40:09,140 --> 00:40:11,510
SECURITY, ALL RIGHT? HEY!
919
00:40:11,510 --> 00:40:13,244
[RATTLES DOOR]
920
00:40:13,244 --> 00:40:15,013
[FLEETWOOD MAC'S TUSK PLAYING]
921
00:40:20,151 --> 00:40:22,654
Christian: [GRUNTING]
922
00:40:22,654 --> 00:40:25,156
* WHY DON'T YOU ASK HIM
923
00:40:25,156 --> 00:40:27,025
WHAT'S GOING ON *
924
00:40:27,025 --> 00:40:29,828
Christian: YOU'RE FEELING
925
00:40:29,828 --> 00:40:31,530
YOU IN A GOOD MOOD 'CAUSE IT'S
926
00:40:31,530 --> 00:40:35,100
Sean: ACTUALLY, CHRISTIAN, I GOT
927
00:40:35,100 --> 00:40:38,103
Christian: GOOD FOR YOU.
928
00:40:38,103 --> 00:40:39,571
Sean: I SLEPT WITH KIMBER.
929
00:40:44,109 --> 00:40:45,076
Christian: HOW MUCH DID YOU
930
00:40:45,076 --> 00:40:47,078
PAY HER?
931
00:40:47,078 --> 00:40:48,079
Sean: 15 BLADE.
932
00:40:48,079 --> 00:40:48,980
* JUST TELL ME THAT
933
00:40:48,980 --> 00:40:49,881
YOU WANT ME
934
00:40:49,881 --> 00:40:50,849
AIEE *
935
00:40:56,154 --> 00:40:57,122
* TUSK *
936
00:40:57,122 --> 00:40:58,590
Sean: I WAS AN ANIMAL WITH HER.
937
00:40:58,590 --> 00:41:01,092
I DIDN'T THINK I HAD IT IN ME.
938
00:41:01,092 --> 00:41:03,094
I DIDN'T THINK I WAS THAT GUY.
939
00:41:03,094 --> 00:41:05,797
ANYWAY, I WANTED YOU TO KNOW.
940
00:41:09,300 --> 00:41:10,301
Christian: I CAN NOT BELIEVE
941
00:41:10,301 --> 00:41:11,302
YOU, SEAN.
942
00:41:11,302 --> 00:41:13,104
Sean: YOU DISCARDED HER LIKE A
943
00:41:13,104 --> 00:41:14,105
SERIOUSLY GONNA GET TERRITORIAL
944
00:41:14,105 --> 00:41:14,840
HERE?
945
00:41:14,840 --> 00:41:16,675
Christian: NOT AT ALL,
946
00:41:16,675 --> 00:41:17,843
SECONDS FOR ALL I CARE.
947
00:41:17,843 --> 00:41:18,910
Sean: WHY AM I THE HYPOCRITE?
948
00:41:18,910 --> 00:41:20,278
Christian: OH, FOR CHRIST'S
949
00:41:20,278 --> 00:41:22,180
OUT OF YOUR PUCKERED LITTLE
950
00:41:22,180 --> 00:41:23,181
I BANG PATIENTS.
951
00:41:23,181 --> 00:41:24,115
Sean: AND IF YOU REMEMBER, MY
952
00:41:24,115 --> 00:41:25,584
OUTRAGE WAS DIRECTED AT HOW YOU
953
00:41:25,584 --> 00:41:26,585
TREATED THEM AFTER YOU BANGED
954
00:41:26,585 --> 00:41:27,218
THEM.
955
00:41:27,218 --> 00:41:29,187
Christian: IT'S A PITY YOU
956
00:41:29,187 --> 00:41:30,656
DIDN'T LEARN FROM THE ERROR OF
957
00:41:30,656 --> 00:41:31,557
MY WAYS.
958
00:41:31,557 --> 00:41:33,258
Sean: YOU CAN'T STAND TO SEE
959
00:41:33,258 --> 00:41:35,260
BOTHERING YOU. YOU TREAT WOMEN
960
00:41:35,260 --> 00:41:37,596
LIKE SHIT. THINKING ABOUT HER
961
00:41:37,596 --> 00:41:40,866
WITH ME JUST RUBBED YOUR FACE
962
00:41:40,866 --> 00:41:43,101
Christian: YOU'RE JUST BITTER
963
00:41:43,101 --> 00:41:45,003
AND TRYING TO SETTLE THE SCORE.
964
00:41:48,674 --> 00:41:49,675
Sean: I THINK I ALREADY DID.
965
00:41:52,243 --> 00:41:53,011
Nurse: YOUR WIFE IS ON
966
00:41:53,011 --> 00:41:53,879
THE PHONE.
967
00:41:53,879 --> 00:41:56,882
Sean: I'M IN SURGERY. TAKE A
968
00:41:56,882 --> 00:41:57,916
Nurse: SHE'S CRYING.
969
00:42:00,652 --> 00:42:02,020
[KNOCK ON DOOR]
970
00:42:09,595 --> 00:42:10,328
Sean: WHERE IS MY WIFE?
971
00:42:10,328 --> 00:42:12,764
Roger: YOUR WIFE?
972
00:42:12,764 --> 00:42:14,933
OK, OK, LOOK, I DID NOT KNOW
973
00:42:14,933 --> 00:42:16,602
THIS, ALL RIGHT? I THOUGHT SHE
974
00:42:16,602 --> 00:42:17,302
WAS A HOOKER.
975
00:42:17,302 --> 00:42:18,937
Sean: WHAT ARE YOU TALKING
976
00:42:18,937 --> 00:42:19,938
HERSELF IN YOUR BATHROOM. SHE
977
00:42:19,938 --> 00:42:20,972
SAID YOU WERE VIOLENT.
978
00:42:20,972 --> 00:42:23,675
Roger: LISTEN, CALM DOWN, ALL
979
00:42:23,675 --> 00:42:24,643
WANTED TO GET LAID.
980
00:42:24,643 --> 00:42:25,911
Sean: YOU'RE FULL OF SHIT.
981
00:42:25,911 --> 00:42:27,946
Roger: I THOUGHT SHE WAS A
982
00:42:27,946 --> 00:42:29,047
REASONABLE ASSUMPTION. SHE
983
00:42:29,047 --> 00:42:30,315
PICKED ME UP IN A HOOKER BAR.
984
00:42:30,315 --> 00:42:31,282
AND THEN WE GET UP HERE, AND I
985
00:42:31,282 --> 00:42:32,918
TAKE MY TOY OUT, AND SHE JUST
986
00:42:32,918 --> 00:42:34,686
WHIGS OUT. LISTEN, I'M SORRY.
987
00:42:34,686 --> 00:42:36,655
I'M SORRY IF I WAS INSENSITIVE,
988
00:42:36,655 --> 00:42:38,123
ALL RIGHT? BUT IF YOU DON'T WANT
989
00:42:38,123 --> 00:42:39,157
PEOPLE TO THINK THAT YOU'RE A
990
00:42:39,157 --> 00:42:40,258
HOOKER, YOU SHOULDN'T ACT
991
00:42:40,258 --> 00:42:41,192
LIKE ONE.
992
00:42:41,192 --> 00:42:43,128
Sean: YOU LOOK LIKE THE KIND OF
993
00:42:43,128 --> 00:42:44,162
ARE HOOKERS.
994
00:42:44,162 --> 00:42:47,966
Roger: OK.
995
00:42:47,966 --> 00:42:50,636
I'M GONNA...I'M GOING FOR A
996
00:42:50,636 --> 00:42:53,238
NIGHTCAP. GET YOUR WIFE OUT OF
997
00:42:53,238 --> 00:42:56,675
MY BATHROOM. TAKE HER HOME.
998
00:42:56,675 --> 00:42:58,143
[DOOR OPENS]
999
00:42:58,143 --> 00:42:59,210
[DOOR CLOSES]
1000
00:43:02,213 --> 00:43:06,351
Julia: OH, MY GOD, SEAN. I'M SO
1001
00:43:06,351 --> 00:43:09,988
SORRY. I'M SO SORRY.
1002
00:43:09,988 --> 00:43:13,692
Sean: WHAT...WERE YOU THINKING,
1003
00:43:13,692 --> 00:43:14,726
JULIA?
1004
00:43:14,726 --> 00:43:17,295
Julia: LOOK, JUST GET ME OUT OF
1005
00:43:17,295 --> 00:43:19,665
HERE. I'LL EXPLAIN IN THE CAR.
1006
00:43:19,665 --> 00:43:22,000
Sean: I GET IT. I TOTALLY GET
1007
00:43:22,000 --> 00:43:23,301
IT. IT'S JUST ANOTHER WAFFLE
1008
00:43:23,301 --> 00:43:25,837
IRON. YOU CAN'T HAVE ME. YOU
1009
00:43:25,837 --> 00:43:27,839
CAN'T LET GO. SO YOU'RE GONNA
1010
00:43:27,839 --> 00:43:29,374
KEEP FINDING WAYS TO PREY ON MY
1011
00:43:29,374 --> 00:43:30,776
SYMPATHY, THROW YOURSELF IN
1012
00:43:30,776 --> 00:43:32,277
FRONT OF ME, MAKE ME COME AND
1013
00:43:32,277 --> 00:43:33,745
PICK UP THE PIECES OF YOUR SAD
1014
00:43:33,745 --> 00:43:34,713
LITTLE LIFE.
1015
00:43:34,713 --> 00:43:35,781
Julia: OH, YEAH, RIGHT. LIKE I
1016
00:43:35,781 --> 00:43:38,049
WANTED YOU TO SEE ME LIKE THIS.
1017
00:43:41,853 --> 00:43:44,189
OH, ALL I WANTED WAS JUST A
1018
00:43:44,189 --> 00:43:47,092
GOOD, OLD-FASHIONED, MINDLESS
1019
00:43:47,092 --> 00:43:51,129
SEXUAL ENCOUNTER.
1020
00:43:51,129 --> 00:43:52,363
HOW AM I ANY DIFFERENT FROM YOU,
1021
00:43:52,363 --> 00:43:53,732
SEAN?
1022
00:43:53,732 --> 00:43:56,301
Sean: I DIDN'T CALL YOU SOBBING
1023
00:43:56,301 --> 00:43:58,136
AND BEGGING YOU TO COME GET ME.
1024
00:44:04,409 --> 00:44:08,413
TAKE A TAXI HOME. AND FOR GOD'S
1025
00:44:08,413 --> 00:44:10,281
SAKE, GET YOURSELF CLEANED UP
1026
00:44:10,281 --> 00:44:11,950
BEFORE ANNIE SEES YOU.
1027
00:44:17,288 --> 00:44:18,289
[JAMES TAYLOR'S DON'T LET ME BE
1028
00:44:18,289 --> 00:44:19,490
LONELY TONIGHT BEGINS]
1029
00:44:19,490 --> 00:44:21,927
* DO ME WRONG
1030
00:44:21,927 --> 00:44:25,997
DO ME RIGHT,
1031
00:44:25,997 --> 00:44:27,398
TELL ME LIES
1032
00:44:27,398 --> 00:44:32,203
BUT HOLD ME TIGHT,
1033
00:44:32,203 --> 00:44:33,805
SAVE YOUR GOOD-BYES
1034
00:44:33,805 --> 00:44:37,042
FOR THE MORNING LIGHT,
1035
00:44:37,042 --> 00:44:38,744
BUT DON'T LET ME
1036
00:44:38,744 --> 00:44:40,979
BE LONELY TONIGHT *
1037
00:44:44,049 --> 00:44:45,183
[ANSWERING MACHINE BEEPS]
1038
00:44:45,183 --> 00:44:46,785
Kimber: HEY, SEAN, IT'S ME,
1039
00:44:46,785 --> 00:44:48,820
KIMBER. I HAD TO GO TO ORLANDO
1040
00:44:48,820 --> 00:44:51,056
FOR A CONVENTION, SO I LEFT YOU
1041
00:44:51,056 --> 00:44:54,259
THE NEXT BEST THING. BRAND-NEW,
1042
00:44:54,259 --> 00:44:57,328
IMPROVED MISS KIMBER DOLL.
1043
00:44:57,328 --> 00:44:58,196
ENJOY.
1044
00:44:58,196 --> 00:44:59,164
* DON'T SAY YES
1045
00:44:59,164 --> 00:45:02,801
BUT PLEASE DON'T SAY NO
1046
00:45:02,801 --> 00:45:03,902
I DON'T WANT
1047
00:45:03,902 --> 00:45:07,038
TO BE LONELY TONIGHT *
1048
00:45:17,348 --> 00:45:18,449
* I DON'T WANT
1049
00:45:18,449 --> 00:45:21,887
TO BE LONELY TONIGHT *
1050
00:45:31,129 --> 00:45:32,130
[CAPTIONED BY THE NATIONAL
1051
00:45:32,130 --> 00:45:33,131
CAPTIONING INSTITUTE
1052
00:45:33,131 --> 00:45:34,065
--www.ncicap.org--]
66657
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