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These are the user uploaded subtitles that are being translated: 1 00:00:08,909 --> 00:00:14,813 ♪ 2 00:00:16,183 --> 00:00:19,685 ♪ LOOKING FOR LOVE ♪ 3 00:00:19,754 --> 00:00:22,521 ♪ I'M JUST LOOKING FOR LOVE ♪ 4 00:00:22,590 --> 00:00:25,724 ♪ I DON'T WANT FORTUNE AND I DON'T WANT FAME ♪ 5 00:00:25,793 --> 00:00:28,227 ♪ DON'T WANT EVERYBODY TO KNOW MY NAME ♪ 6 00:00:28,295 --> 00:00:33,465 ♪ YEAH, YEAH, UH-HUH I'M JUST LOOKING FOR LOVE ♪ 7 00:00:33,534 --> 00:00:35,067 ♪ L-O-V-E, LOVE ♪ 8 00:00:35,136 --> 00:00:38,070 ♪ I DON'T WANT DIAMONDS AND I DON'T WANT PEARLS ♪ 9 00:00:38,139 --> 00:00:41,140 ♪ DON'T WANT TO BE THE ENVY OF THE TEENAGE GIRLS ♪ 10 00:00:41,208 --> 00:00:43,142 ♪ YEAH, YEAH, UH-HUH ♪ 11 00:00:43,210 --> 00:00:44,743 ♪ I'M JUST LOOKING FOR LOVE ♪ 12 00:00:44,812 --> 00:00:47,913 ♪ SHE'S JUST LOOKING FOR LOVE ♪ 13 00:00:47,982 --> 00:00:50,916 ♪ DON'T WANT TO DRIVE IN CONVERTIBLE CARS ♪ 14 00:00:50,985 --> 00:00:53,886 ♪ OR GO TO WILD PARTIES WITH THE MOVIE STARS ♪ 15 00:00:53,954 --> 00:00:57,056 ♪ I DON'T WANT TO WEAR FABULOUS FURS ♪ 16 00:00:57,124 --> 00:01:00,626 ♪ I JUST WANT TOWELS MARKED HIS AND HERS ♪ 17 00:01:00,694 --> 00:01:03,562 ♪ I DON'T WANT LOTS OF WEALTH UNTOLD ♪ 18 00:01:03,631 --> 00:01:06,498 ♪ ALL I WANT IS A LITTLE BAND OF GOLD ♪ 19 00:01:06,567 --> 00:01:08,367 ♪ YEAH, YEAH, UH-HUH ♪ 20 00:01:08,436 --> 00:01:10,069 ♪ I'M JUST LOOKING FOR LOVE ♪ 21 00:01:10,137 --> 00:01:13,405 ♪ SHE'S JUST LOOKING FOR LOVE ♪ 22 00:01:13,474 --> 00:01:16,475 ♪ YEAH, YEAH, I'M JUST LOOKING ♪ 23 00:01:16,544 --> 00:01:19,511 ♪ UH-HUH, I'M JUST LOOKING ♪ 24 00:01:19,580 --> 00:01:22,381 ♪ YEAH, YEAH, I'M JUST LOOKING ♪ 25 00:01:22,450 --> 00:01:25,818 ♪ I'M JUST LOOKING FOR LOVE ♪ 26 00:01:25,886 --> 00:01:28,921 ♪ DON'T WANT TO DRIVE IN CONVERTIBLE CARS ♪ 27 00:01:28,989 --> 00:01:31,790 ♪ GO TO WILD PARTIES WITH THE MOVIE STARS ♪ 28 00:01:31,859 --> 00:01:34,993 ♪ I DON'T WANT TO WEAR FABULOUS FURS ♪ 29 00:01:35,062 --> 00:01:38,564 ♪ I JUST WANT TO TOWELS MARKED HIS AND HERS ♪ 30 00:01:38,632 --> 00:01:41,567 ♪ I DON'T WANT LOTS OF WEALTH UNTOLD ♪ 31 00:01:41,635 --> 00:01:44,369 ♪ ALL I WANT IS A LITTLE BAND OF GOLD ♪ 32 00:01:44,438 --> 00:01:46,305 ♪ YEAH, YEAH, UH-HUH ♪ 33 00:01:46,373 --> 00:01:48,107 ♪ I'M JUST LOOKING FOR LOVE ♪ 34 00:01:48,175 --> 00:01:51,310 ♪ SHE'S JUST LOOKING FOR LOVE ♪ 35 00:01:51,378 --> 00:01:54,346 ♪ YEAH, YEAH, I'M JUST LOOKING ♪ 36 00:01:54,415 --> 00:01:57,516 ♪ UH-HUH, I'M JUST LOOKING ♪ 37 00:01:57,585 --> 00:02:00,385 ♪ YEAH, YEAH, I'M JUST LOOKING ♪ 38 00:02:00,454 --> 00:02:02,955 ♪ I'M... ♪ 39 00:02:03,023 --> 00:02:06,091 ♪ JUST LOOKING ♪ 40 00:02:06,160 --> 00:02:12,064 ♪ FOR LOVE ♪♪ 41 00:02:12,133 --> 00:02:16,835 ♪ 42 00:02:16,904 --> 00:02:18,770 FINE, FINE, GREAT! 43 00:02:18,839 --> 00:02:20,339 THAT'S ALL? 44 00:02:20,407 --> 00:02:22,207 THAT'S WHAT ALL THE OTHER AGENTS SAID. 45 00:02:22,276 --> 00:02:24,109 FINE, FINE, GREAT. 46 00:02:24,178 --> 00:02:28,647 BUT THAT'S ALL. OKAY. I GIVE UP. 47 00:02:28,716 --> 00:02:30,415 GIVE UP? WHAT GIVE UP? 48 00:02:30,484 --> 00:02:32,618 DON'T YOU THINK IT'S ABOUT TIME? 49 00:02:32,686 --> 00:02:35,687 MR. SHAY, I HAVE BEEN IN HOLLYWOOD, 50 00:02:35,756 --> 00:02:39,625 TRYING TO GET IN SHOW BUSINESS FOR OVER A MONTH! 51 00:02:39,693 --> 00:02:40,692 A MONTH? 52 00:02:40,761 --> 00:02:42,794 YES, AND THAT'S ONLY AS A PERFORMER. 53 00:02:42,863 --> 00:02:44,897 SUPPOSE I WANTED TO BE A STAR. 54 00:02:44,965 --> 00:02:46,932 THAT'S WHY I SAID TO MYSELF, "LIBBY, 55 00:02:47,001 --> 00:02:50,269 IF MR. SHAY DOESN'T GO COMPLETELY OUT OF THE SKULL 56 00:02:50,337 --> 00:02:53,472 OVER YOU AND YOU BOOK YOU INTO A JOB SINGING IMMEDIATELY, 57 00:02:53,541 --> 00:02:56,542 THEN TAKE HIS ADVICE AND FORGET IT." 58 00:02:56,610 --> 00:02:58,277 WHAT ADVICE? I DIDN'T SAY... 59 00:02:58,345 --> 00:02:59,978 EITHER WAY, IT'S A RELIEF. 60 00:03:00,047 --> 00:03:03,248 NOW I CAN START TO CONCENTRATE ON MY BIG AMBITION IN LIFE. 61 00:03:03,317 --> 00:03:05,350 OH, WHAT'S THAT? 62 00:03:05,419 --> 00:03:07,819 TO GET MARRIED, AND HAVE BABIES. 63 00:03:07,888 --> 00:03:12,324 THAT'S WHERE MY REAL TALENT LIES. 64 00:03:12,393 --> 00:03:13,725 WOW. 65 00:03:13,794 --> 00:03:15,060 WHAT? 66 00:03:15,129 --> 00:03:16,762 I SAID, IF POSSIBLE, 67 00:03:16,830 --> 00:03:19,565 I'D LIKE A JOB WHERE I CAN MEET A LOT OF MEN. 68 00:03:19,633 --> 00:03:21,366 THAT'S WHAT I THOUGHT YOU SAID. 69 00:03:21,435 --> 00:03:22,601 WHY? 70 00:03:22,670 --> 00:03:23,936 WELL, I FIGURE AS LONG AS I'M NOT 71 00:03:24,004 --> 00:03:25,237 GOING TO BE IN SHOW BUSINESS, 72 00:03:25,306 --> 00:03:26,672 THE SOONER I GET MARRIED AND START 73 00:03:26,740 --> 00:03:28,707 HAVING MY BABIES, THE BETTER. 74 00:03:28,776 --> 00:03:31,410 WHAT SORT OF MEN DID YOU HAVE IN MIND? 75 00:03:31,478 --> 00:03:34,446 WELL, MY FIRST CHOICE, MY DREAM MAN, 76 00:03:34,515 --> 00:03:36,648 WOULD BE A DOCTOR. BUT THEY'RE ALL MARRIED 77 00:03:36,717 --> 00:03:38,217 BY THE TIME THEY START PRACTICING. 78 00:03:38,285 --> 00:03:40,586 YOU HAVE TO GO TO COLLEGE AND CATCH THEM WHILE THEY'RE YOUNG. 79 00:03:40,654 --> 00:03:42,421 ANYWAY, THE KIND OF MAN, 80 00:03:42,489 --> 00:03:43,922 THAT'S MY PROBLEM. 81 00:03:43,991 --> 00:03:45,857 YOUR PROBLEM'S GOING TO BE FINDING ME A JOB 82 00:03:45,926 --> 00:03:47,960 WHERE I WON'T GET IN EVERYBODY'S HAIR. 83 00:03:48,028 --> 00:03:51,463 YOU SEE, I'M NOT EQUIPPED TO DO ANYTHING 84 00:03:51,532 --> 00:03:52,664 BUT SING. 85 00:03:52,733 --> 00:03:54,466 I CAN BELIEVE THAT. 86 00:03:54,535 --> 00:03:55,968 WELL, FRANKLY, MS. CARUSO, 87 00:03:56,036 --> 00:03:59,771 UNDER THE CIRCUMSTANCES, I... YES, 88 00:03:59,840 --> 00:04:04,543 I HAVE THE PERFECT PLACE FOR A LITTLE LADY LIKE YOU. 89 00:04:04,612 --> 00:04:06,211 -YOU DO? -YES. 90 00:04:06,280 --> 00:04:08,647 I WANT YOU TO REPORT HERE TOMORROW MORNING, 91 00:04:08,716 --> 00:04:14,553 SEVEN O'CLOCK SHARP. 92 00:04:14,622 --> 00:04:18,090 A BROKERAGE FIRM? 93 00:04:18,158 --> 00:04:19,825 SEVEN O'CLOCK. 94 00:04:19,893 --> 00:04:22,894 THANK YOU. 95 00:04:22,963 --> 00:04:25,864 SELL ME THEIR LOUSY STOCK, WILL THEY? 96 00:04:25,933 --> 00:04:27,799 I STILL DON'T GET IT. 97 00:04:27,868 --> 00:04:31,470 WHY WOULD THEY GIVE YOU A JOB IN A BROKERAGE FIRM? 98 00:04:31,538 --> 00:04:33,138 I DON'T KNOW. 99 00:04:33,207 --> 00:04:37,676 MR. STOWER ACTED LIKE IT WAS THE BEST IDEA HE'S HAD IN AGES. 100 00:04:37,745 --> 00:04:39,645 YOU THINK I'M ALLOWING MYSELF PLENTY OF TIME, 101 00:04:39,713 --> 00:04:41,146 GETTING UP AT SIX? 102 00:04:41,215 --> 00:04:42,781 PLENTY. 103 00:04:42,850 --> 00:04:45,417 YOU SURE THREE ALARMS WILL BE ENOUGH? 104 00:04:45,486 --> 00:04:46,985 I THINK SO. 105 00:04:47,054 --> 00:04:50,522 LUCKY YOU, YOU CAN SLEEP TILL LATE. 106 00:04:50,591 --> 00:04:51,623 NIGHT, JAN. 107 00:04:51,692 --> 00:04:53,325 NIGHT, LIBBY. 108 00:04:53,394 --> 00:04:59,264 ♪ 109 00:05:09,410 --> 00:05:15,280 ♪ 110 00:05:19,553 --> 00:05:21,153 OW! 111 00:05:21,221 --> 00:05:27,125 ♪ 112 00:05:57,091 --> 00:05:58,457 OW! 113 00:05:58,525 --> 00:06:04,596 ♪ 114 00:06:16,176 --> 00:06:17,376 OH! I'M SORRY, JAN. 115 00:06:17,444 --> 00:06:18,944 I TRIED! 116 00:06:19,012 --> 00:06:22,314 I WISH YOU WOULDN'T TRY SO LOUD. 117 00:06:24,985 --> 00:06:28,954 WELCOME TO MCBRIDE, BANKLESS, PRICE, AND BLUITT, MS... 118 00:06:29,022 --> 00:06:30,756 -MS. CARUSO. -MS. CARUSO, YES. 119 00:06:30,824 --> 00:06:32,591 I'M HARVEY MILLER, THE OFFICE MANAGER. 120 00:06:32,659 --> 00:06:33,592 HOW DO YOU DO? 121 00:06:33,660 --> 00:06:34,860 I'LL EXPLAIN YOUR DUTIES TO YOU. 122 00:06:34,928 --> 00:06:36,094 JUST PUT YOUR THINGS OVER THERE. 123 00:06:36,163 --> 00:06:37,662 THANK YOU. 124 00:06:37,731 --> 00:06:39,998 HEY, THAT'S AN IDEA. 125 00:06:40,067 --> 00:06:41,133 WHAT? 126 00:06:41,201 --> 00:06:42,901 IT'S TOO HEAVY TO LUG AROUND AND I MAKE 127 00:06:42,970 --> 00:06:44,903 TOO MUCH NOISE AS IT IS. 128 00:06:44,972 --> 00:06:47,606 YOU SEE, WHAT I NEED IS SOMETHING TO HANG 129 00:06:47,674 --> 00:06:49,174 MY CLOTHES ON OVERNIGHT, 130 00:06:49,243 --> 00:06:52,110 SO THEY DON'T GET SO WRINKLED. DO YOU KNOW WHAT I MEAN? 131 00:06:52,179 --> 00:06:53,545 I BEG YOUR PARDON? 132 00:06:53,614 --> 00:06:56,181 WHAT DO YOU DO ABOUT YOUR CLOTHES? 133 00:06:56,250 --> 00:06:59,284 OH, YOU HAVE THE SAME PROBLEM, DON'T YOU? 134 00:06:59,353 --> 00:07:02,621 IF I THINK OF ANYTHING, I'LL LET YOU KNOW. 135 00:07:02,689 --> 00:07:04,556 ABOUT MY DUTIES? 136 00:07:04,625 --> 00:07:06,992 YES, THIS WAY. 137 00:07:07,060 --> 00:07:08,727 NOW, IN ADDITION TO SORTING AND FILING TO MAIL, 138 00:07:08,796 --> 00:07:12,431 WE'LL EXPECT YOU TO TAKE OVER THE SWITCHBOARD OCCASIONALLY. 139 00:07:12,499 --> 00:07:16,568 YOU DO KNOW HOW TO RUN ONE? 140 00:07:16,637 --> 00:07:20,205 MS. CARUSO. 141 00:07:20,274 --> 00:07:22,808 NICE. 142 00:07:22,876 --> 00:07:25,444 MS. CARUSO. 143 00:07:25,512 --> 00:07:26,878 VERY NICE. 144 00:07:26,947 --> 00:07:31,583 MS. CARUSO, THIS WAY, PLEASE. 145 00:07:31,652 --> 00:07:37,556 VERY NICE INDEED. 146 00:07:37,624 --> 00:07:40,025 VERY NICE. 147 00:07:40,093 --> 00:07:42,461 MS. JACKSON, MS. CARUSO. 148 00:07:42,529 --> 00:07:43,762 HOW DO YOU DO, MS. JACKSON? 149 00:07:43,831 --> 00:07:46,598 MS. JACKSON HAS BEEN WITH US 37 YEARS. 150 00:07:46,667 --> 00:07:48,333 37 YEARS? 151 00:07:48,402 --> 00:07:50,902 38 NEXT SEPTEMBER. 152 00:07:50,971 --> 00:07:54,739 38? AND YOU'RE STILL SINGLE? I MEAN, 153 00:07:54,808 --> 00:07:58,143 I'M VERY HAPPY TO MEET YOU, MS. JACKSON. 154 00:07:58,212 --> 00:07:59,811 NOTICE, YOU PLUG IN... 155 00:07:59,880 --> 00:08:02,380 MCBRIDE BANKLESS, PRICE, AND BLUITT. 156 00:08:02,449 --> 00:08:03,748 GOOD MORNING. 157 00:08:03,817 --> 00:08:05,717 MS. CARUSO. 158 00:08:05,786 --> 00:08:07,385 38 YEARS AND SHE'S STILL SINGLE? 159 00:08:07,454 --> 00:08:10,288 MS. CARUSO! I'M NOT AT ALL SURE THIS IS GOING TO WORK. 160 00:08:10,357 --> 00:08:16,528 NEITHER AM I. BUT I'LL GIVE IT A TRY. 161 00:08:16,597 --> 00:08:18,597 SO I DECIDED TO STAY ON. YOU KNOW, 162 00:08:18,665 --> 00:08:21,700 AT LEAST GIVE THEM A CHANCE. WHERE ARE THE BROOMS? 163 00:08:21,768 --> 00:08:23,201 WHAT DO YOU WANT WITH A BROOM? 164 00:08:23,270 --> 00:08:25,537 I'M GOING TO INVENT SOMETHING TO HANG CLOTHES ON. 165 00:08:25,606 --> 00:08:29,341 SAY, THAT'S AN IDEA. WHY NOT GO WITH A HANGER? 166 00:08:29,409 --> 00:08:35,313 ♪ 167 00:08:36,383 --> 00:08:38,416 WHAT'S THE MATTER? 168 00:08:38,485 --> 00:08:40,619 I JUST HAD THE FUNNIEST FEELING. 169 00:08:40,687 --> 00:08:41,620 WHAT? 170 00:08:41,688 --> 00:08:43,255 YOU'LL PROBABLY THINK I'M A NUT, 171 00:08:43,323 --> 00:08:47,125 BUT LIKE SOMETHING IS GOING TO HAPPEN. 172 00:08:47,194 --> 00:08:51,963 LIKE I'M GOING TO MEET HIM. JAN, HOW DO I LOOK? 173 00:08:52,032 --> 00:08:53,865 YOU'RE RIGHT, I DO THINK YOU'RE A NUT. 174 00:08:53,934 --> 00:08:54,766 GO GET YOUR BROOM. 175 00:08:54,835 --> 00:08:55,800 IT'S NOT MY IMAGINATION. 176 00:08:55,869 --> 00:08:57,536 THE FEELING'S TOO STRONG. 177 00:08:57,604 --> 00:09:02,674 TAKE MY WORD FOR IT. SOMETHING IS GOING TO HAPPEN. 178 00:09:02,743 --> 00:09:06,411 ♪ 179 00:09:06,480 --> 00:09:09,247 WATCH OUT! NO, NO! 180 00:09:09,316 --> 00:09:14,753 ♪ 181 00:09:14,821 --> 00:09:18,790 OH, NO, IT'S HAPPENING! 182 00:09:18,859 --> 00:09:21,626 IT'S A NIGHTMARE! 183 00:09:21,695 --> 00:09:24,262 I REALLY COULDN'T SEE A THING WHEN I WAS COMING AROUND 184 00:09:24,331 --> 00:09:27,699 WITH THOSE BOXES. 185 00:09:27,768 --> 00:09:28,633 ARE YOU ALL RIGHT? 186 00:09:28,702 --> 00:09:29,801 IT'S OKAY. 187 00:09:29,870 --> 00:09:30,902 YOU SURE? 188 00:09:30,971 --> 00:09:33,972 POSITIVE. NO HARM DONE. 189 00:09:37,678 --> 00:09:39,711 GOOD GRIEF. WHAT IN THE WORLD IS... 190 00:09:39,780 --> 00:09:41,146 -STILL GOT IT. -WHAT? 191 00:09:41,214 --> 00:09:44,182 THAT FEELING THAT SOMETHING'S GOING TO HAPPEN. 192 00:09:44,251 --> 00:09:45,317 HELLO, JAN. 193 00:09:45,385 --> 00:09:49,721 OH, HI PAUL. 194 00:09:49,790 --> 00:09:51,022 THAT'S HIM. 195 00:09:51,091 --> 00:09:52,557 THAT'S WHO? PAUL? 196 00:09:52,626 --> 00:09:55,427 I ALWAYS KNEW I'D KNOW HIM THE MINUTE I SAW HIM. 197 00:09:55,495 --> 00:09:58,463 THAT'S PAUL DAVIS. HE WORKS AT THE OFFICE. 198 00:09:58,532 --> 00:09:59,898 HE DOES? WHAT DOES HE DO? 199 00:09:59,967 --> 00:10:02,334 MOSTLY COMPLAIN ABOUT WASTING HIS TALENT. 200 00:10:02,402 --> 00:10:03,435 HE'S IN PROMOTION. 201 00:10:03,503 --> 00:10:04,536 PROMOTION? 202 00:10:04,605 --> 00:10:06,171 OH, BUT DON'T GIVE HIM A SECOND THOUGHT, HONEY. 203 00:10:06,239 --> 00:10:09,541 HE ONLY LIKES GIRLS WHO ARE TALL AND TOP HEAVY. 204 00:10:09,610 --> 00:10:13,411 WELL, I MAY BE SHORT, BUT I'M NOT EXACTLY... 205 00:10:13,480 --> 00:10:19,384 ♪ 206 00:10:31,365 --> 00:10:33,565 PERSONALLY, I CAN'T STAND HIM. 207 00:10:33,634 --> 00:10:35,033 YOU CAN'T, HUH? 208 00:10:35,102 --> 00:10:37,135 YOU MEAN YOU HAVE A THING FOR HIM YOURSELF? 209 00:10:37,204 --> 00:10:40,939 CERTAINLY NOT. OF COURSE NOT. NO! 210 00:10:41,008 --> 00:10:43,642 THANK GOODNESS. NO WONDER I HAD THAT FEELING. 211 00:10:43,710 --> 00:10:44,776 WHAT FEELING? 212 00:10:44,845 --> 00:10:46,211 DESTINY. 213 00:10:46,279 --> 00:10:47,746 DESTINY? 214 00:10:47,814 --> 00:10:49,981 ISN'T IT ALL PERFECTLY CLEAR? 215 00:10:50,050 --> 00:10:52,150 NO, NO, NOT AT ALL. 216 00:10:52,219 --> 00:10:54,886 BOY, DO YOU EVER NEED A TON OF BRICKS TO FALL ON YOUR HEAD, 217 00:10:54,955 --> 00:10:57,922 BEFORE YOU GET THE POINT. 218 00:10:57,991 --> 00:10:59,624 NOT AGAIN! 219 00:11:05,565 --> 00:11:06,531 OH, NO! 220 00:11:06,600 --> 00:11:08,433 NO, IT CAN'T BE! 221 00:11:08,502 --> 00:11:10,568 NO! 222 00:11:34,127 --> 00:11:36,928 ISN'T SHE BEAUTIFUL? 223 00:11:36,997 --> 00:11:38,997 GORGEOUS. WHAT IS IT? 224 00:11:39,066 --> 00:11:41,166 MY LADY VALET. 225 00:11:41,234 --> 00:11:42,934 OH, THAT'S WHAT IT IS. 226 00:11:43,003 --> 00:11:45,437 I'M GOING TO PUT THE CLOTHES THAT I WANT TO WEAR TOMORROW 227 00:11:45,505 --> 00:11:46,805 ON THIS TONIGHT. 228 00:11:46,873 --> 00:11:49,374 THEY'LL HANG BEAUTIFULLY, NO WRINKLES OR ANYTHING, 229 00:11:49,443 --> 00:11:50,709 AND IN THE MORNING, I CAN GET DRESSED 230 00:11:50,777 --> 00:11:51,976 WITHOUT MAKING ANY NOISE. 231 00:11:52,045 --> 00:11:53,912 THAT MEANS AN EXTRA HOUR OF SLEEP FOR YOU. 232 00:11:53,980 --> 00:11:56,014 FOR THAT, I'D DO ANYTHING. 233 00:11:56,083 --> 00:11:59,417 WILL YOU INTRODUCE ME TO PAUL? 234 00:11:59,486 --> 00:12:02,754 WHAT DO YOU WANT WITH HIM? YOU MET A DARLING GUY TODAY. 235 00:12:02,823 --> 00:12:04,522 -WHO? CRUZ. 236 00:12:04,591 --> 00:12:06,291 CUZ? CUZ WHO? 237 00:12:06,359 --> 00:12:09,260 COME ON, GIRL. YOU HAVE TWO HEAD-ON COLLISIONS, 238 00:12:09,329 --> 00:12:11,229 PRACTICALLY PUT A SUPERMARKET OUT OF BUSINESS, 239 00:12:11,298 --> 00:12:13,631 AND YOU HAVE THE NERVE TO ASK ME CUZ WHO? 240 00:12:13,700 --> 00:12:16,401 I GUESS HE DIDN'T MAKE MUCH OF AN IMPRESSION ON ME. 241 00:12:16,470 --> 00:12:17,802 AND PAUL DID? 242 00:12:17,871 --> 00:12:19,838 SURE. LOOK HOW CUTE WE MET. 243 00:12:19,906 --> 00:12:22,841 CUTE? HE NEVER EVEN NOTICED YOU. 244 00:12:22,909 --> 00:12:26,244 THAT'S NOT CUTE? 245 00:12:26,313 --> 00:12:29,047 YOU DO HAVE A THING FOR HIM YOURSELF. 246 00:12:29,116 --> 00:12:31,649 I DO NOT. I DON'T EVEN KNOW HIM. 247 00:12:31,718 --> 00:12:35,820 WHY, THERE ARE 207,000 PEOPLE WORKING AT THAT OFFICE. 248 00:12:35,889 --> 00:12:38,289 207,000 PEOPLE LIKE HIM? 249 00:12:38,358 --> 00:12:42,393 NO. AS HE WOULD BE THE FIRST TO ADMIT, HE IS ONE OF A KIND. 250 00:12:42,462 --> 00:12:43,962 THAT'S FOR SURE. 251 00:12:44,030 --> 00:12:46,097 YOU'RE HOPELESS. 252 00:12:46,166 --> 00:12:47,932 HEY, I KNOW. 253 00:12:48,001 --> 00:12:50,969 WHY DON'T WE INVITE HIM TO THE PARTY? 254 00:12:51,037 --> 00:12:52,470 WHAT PARTY? 255 00:12:52,539 --> 00:12:54,472 WE'RE HAVING A SORT OF OPEN HOUSE TOMORROW NIGHT. 256 00:12:54,541 --> 00:12:57,609 YOU KNOW, EVERYBODY BRING THEIR OWN BEER AND COKES. 257 00:12:57,677 --> 00:12:59,444 COME ANYTIME AFTER 7 OR 8. 258 00:12:59,513 --> 00:13:00,912 WHO'S EVERYBODY? 259 00:13:00,981 --> 00:13:04,149 ALL THE KIDS, THE GANG, ANYBODY WE DECIDE TO INVITE. 260 00:13:04,217 --> 00:13:07,385 CID, KATHY, HERB, LINDA, 261 00:13:07,454 --> 00:13:10,522 RIP, PAUL. 262 00:13:10,590 --> 00:13:12,824 DEBBY, JACK. 263 00:13:12,893 --> 00:13:17,695 ♪ 264 00:13:17,764 --> 00:13:20,431 ♪ COME ON, EVERYBODY ♪ 265 00:13:20,500 --> 00:13:23,735 ♪ LET'S HAVE A PARTY ♪ 266 00:13:23,804 --> 00:13:26,271 ♪ COME ON, EVERYBODY ♪ 267 00:13:26,339 --> 00:13:30,809 ♪ LET'S HAVE A PARTY TONIGHT ♪ 268 00:13:30,877 --> 00:13:33,611 ♪ WE'RE GOING TO HAVE OURSELVES A LOT OF FUN ♪ 269 00:13:33,680 --> 00:13:36,681 ♪ WE'RE GOING TO SWING UNTIL THE PARTY'S DONE ♪ 270 00:13:36,750 --> 00:13:39,684 ♪ COME ON AND DIG IT'S A CRAZY SOUND ♪ 271 00:13:39,753 --> 00:13:42,220 ♪ IT'S THE WILDEST SOUND FOR MILES AROUND ♪ 272 00:13:42,289 --> 00:13:44,756 ♪ LET'S HAVE A PARTY ♪ 273 00:13:44,825 --> 00:13:47,458 ♪ COME ON, EVERYBODY ♪ 274 00:13:47,527 --> 00:13:50,295 ♪ LET'S HAVE A PARTY ♪ 275 00:13:50,363 --> 00:13:54,632 ♪ LET'S HAVE A PARTY TONIGHT ♪ 276 00:13:54,701 --> 00:13:57,669 ♪ THERE'LL BE SOME PIZZA IF YOU WANT A SLICE ♪ 277 00:13:57,737 --> 00:14:00,471 ♪ COME ON BOBBY, JILLY, TRUDY AND JACK ♪ 278 00:14:00,540 --> 00:14:03,308 ♪ WE'RE GOING TO SING THOSE OLD-TIME SONGS ♪ 279 00:14:03,376 --> 00:14:06,010 ♪ WE'RE GOING TO RIP IT UP ALL NIGHT LONG ♪ 280 00:14:06,079 --> 00:14:08,346 ♪ LET'S HAVE A PARTY ♪ 281 00:14:08,415 --> 00:14:11,316 ♪ COME ON, EVERYBODY ♪ 282 00:14:11,384 --> 00:14:14,085 ♪ COME ON, EVERYBODY ♪ 283 00:14:14,154 --> 00:14:17,121 ♪ LET'S HAVE A PARTY TONIGHT ♪ 284 00:14:17,190 --> 00:14:20,058 ♪ LET ME HEAR IT LIKE IT IS NOW! GO ♪ 285 00:14:20,126 --> 00:14:26,197 ♪ 286 00:14:36,309 --> 00:14:39,210 ♪ WE'LL DRINK SOME SODAS AND LEMONADE ♪ 287 00:14:39,279 --> 00:14:42,113 ♪ LATER ON, WE'RE GOING TO PLAY CHARADES ♪ 288 00:14:42,182 --> 00:14:44,816 ♪ AND JUST BEFORE IT'S TIME TO GO ♪ 289 00:14:44,885 --> 00:14:47,318 ♪ WE'RE GOING TO TURN THE LIGHTS WAY DOWN LOW ♪ 290 00:14:47,387 --> 00:14:52,857 ♪ LET'S HAVE A PARTY, COME ON, EVERYBODY ♪ 291 00:14:52,926 --> 00:14:55,393 ♪ COME ON, EVERYBODY ♪ 292 00:14:55,462 --> 00:14:58,396 ♪ LET'S HAVE A PARTY TONIGHT ♪ 293 00:14:58,465 --> 00:15:01,299 ♪ WE'RE GOING TO RAMP IT TONIGHT ♪ 294 00:15:01,368 --> 00:15:04,102 ♪ WE'RE GOING TO SWING ALL NIGHT ♪ 295 00:15:04,170 --> 00:15:06,971 ♪ LET'S HAVE A PARTY TONIGHT ♪♪ 296 00:15:07,040 --> 00:15:08,306 ♪ 297 00:15:13,947 --> 00:15:19,817 ♪ 298 00:15:41,074 --> 00:15:42,707 CAN I GET THROUGH HERE? 299 00:15:46,846 --> 00:15:48,279 HI, ANGEL! 300 00:15:48,348 --> 00:15:51,549 HI YOURSELF. 301 00:15:51,618 --> 00:15:53,952 BOY, YOU SURE GOT A LOT OF ODDBALLS AROUND HERE. 302 00:15:54,020 --> 00:15:57,255 WE MAKE A SELECTION OF THEM, THAT'S WHY WE INVITED YOU. 303 00:15:57,324 --> 00:15:58,623 HEY, LOOK, BEFORE WE GO ANY FURTHER, 304 00:15:58,692 --> 00:16:00,491 I THINK THERE'S SOMETHING YOU OUGHTA KNOW. 305 00:16:00,560 --> 00:16:02,160 IF THERE'S ONE THING I CAN'T STAND, 306 00:16:02,228 --> 00:16:03,895 IT'S A SMART ALECK BROAD, SO... 307 00:16:03,964 --> 00:16:05,263 I'LL TRY TO REMEMBER. 308 00:16:05,332 --> 00:16:08,333 OH, CUZ RICKOVER, PAUL DAVIS. 309 00:16:08,401 --> 00:16:09,667 CRUZ? -PAUL? 310 00:16:09,736 --> 00:16:11,202 -YEAH, HOW ARE YOU? -FINE, HOW ARE YOU? 311 00:16:11,271 --> 00:16:12,837 GOOD TO SEE YOU. NOW, IF I'M NOT BEING TOO NOSEY, 312 00:16:12,906 --> 00:16:14,305 JUST WHY DID YOU INVITE ME? 313 00:16:14,374 --> 00:16:16,541 I DIDN'T. MY ROOMMATE DID. 314 00:16:16,609 --> 00:16:19,043 I'LL SEE IF I CAN FIND HER. 315 00:16:19,112 --> 00:16:20,545 AIN'T IT A SHAME? 316 00:16:20,613 --> 00:16:23,314 THE MINUTE THEY START TO AGE, THEY GET BITTER. 317 00:16:27,954 --> 00:16:29,487 WHAT'S THAT? 318 00:16:29,556 --> 00:16:31,255 DID SOMEBODY LEFT OVER FROM THE LAST PARTY? 319 00:16:31,324 --> 00:16:32,523 -OH, THIS? -YEAH. 320 00:16:32,592 --> 00:16:34,058 THIS IS LITTLE OLD LIBB'S INVENTION. 321 00:16:34,127 --> 00:16:35,059 -LITTLE OLD WHO? -LIBBY. 322 00:16:35,128 --> 00:16:37,095 THAT'S JAN'S ROOMMATE. 323 00:16:37,163 --> 00:16:39,030 OH, YEAH. WHAT IT SUPPOSED TO BE? 324 00:16:39,099 --> 00:16:41,065 SHE CALLS IT THE LADY VALET. 325 00:16:41,134 --> 00:16:42,300 WHAT ELSE WOULD YOU CALL IT? 326 00:16:42,369 --> 00:16:44,135 THE GIRLS SEEM TO THINK IT'S A KEEN IDEA. 327 00:16:44,204 --> 00:16:46,270 YOU SEE, INSTEAD OF PUTTING THEIR CLOTHES OUT AT NIGHT, 328 00:16:46,339 --> 00:16:48,906 OR SOMETHING, PUT IT ON THIS. 329 00:16:48,975 --> 00:16:52,243 SORT OF LIKE HAVING A LONG, THIN, ANEMIC MAID. 330 00:16:52,312 --> 00:16:55,313 IT DOES HAVE POSSIBILITIES. HAS SHE DONE ANYTHING WITH IT? 331 00:16:55,382 --> 00:16:56,481 LIKE WHAT? 332 00:16:56,549 --> 00:16:58,349 LIKE PUT IT ON THE MARKET? 333 00:16:58,418 --> 00:16:59,717 I DON'T KNOW. 334 00:16:59,786 --> 00:17:02,487 NOW, THIS IS SOMETHING I COULD REALLY PROMOTE. 335 00:17:02,555 --> 00:17:04,956 THIS, I THINK I COULD DO SOMETHING WITH. 336 00:17:05,025 --> 00:17:07,992 WHERE'S WHAT'S HER NAME? 337 00:17:08,061 --> 00:17:09,494 -WHO, LIBBY? -YEAH. 338 00:17:12,332 --> 00:17:16,934 RIGHT THERE. 339 00:17:17,003 --> 00:17:20,171 NO, WAIT A MINUTE. 340 00:17:20,240 --> 00:17:25,309 THERE. 341 00:17:26,212 --> 00:17:27,245 DON'T GO AWAY, SLIM. 342 00:17:27,313 --> 00:17:29,280 I'LL BE RIGHT BACK. 343 00:17:35,255 --> 00:17:37,121 I'VE BEEN LOOKING FOR YOU! 344 00:17:37,190 --> 00:17:38,256 -YOU HAVE? -YEAH. 345 00:17:38,324 --> 00:17:40,124 IS THERE SOME PLACE TO TALK? 346 00:17:40,193 --> 00:17:41,759 -OUTSIDE! -HUH? 347 00:17:41,828 --> 00:17:43,127 OUTSIDE! 348 00:17:43,196 --> 00:17:44,796 YEAH, I'LL RUN INTERFERENCE. 349 00:17:44,864 --> 00:17:45,630 COME ON. 350 00:17:45,698 --> 00:17:49,901 EXCUSE ME. PARDON ME. 351 00:17:49,969 --> 00:17:51,569 I SAW YOUR INVENTION. 352 00:17:51,638 --> 00:17:53,337 WHAT? 353 00:17:53,406 --> 00:17:57,275 I SAID, I SAW YOUR INVENTION. 354 00:17:57,343 --> 00:17:59,343 SORRY, I STILL COULDN'T HEAR YOU. 355 00:17:59,412 --> 00:18:01,946 -WHAT DID YOU SAY? -I SAID, ONE LOOK. 356 00:18:02,015 --> 00:18:03,114 THAT'S ALL IT TOOK. 357 00:18:03,183 --> 00:18:05,450 ONE LOOK. IT HIT ME. 358 00:18:05,518 --> 00:18:08,453 IT DID? WHY, THAT'S THE VERY SAME REACTION I HAD. 359 00:18:08,521 --> 00:18:10,988 THAT'S WHY I ASKED JAN TO INVITE YOU. 360 00:18:11,057 --> 00:18:12,723 OH, AND SHE TRIED TO TALK YOU OUT OF IT, 361 00:18:12,792 --> 00:18:14,725 -RIGHT, DOLL? -SHE DOESN'T UNDERSTAND. 362 00:18:14,794 --> 00:18:16,627 YEAH, SHE'S LIKE EVERYBODY ELSE DOWN IN THAT PLACE. 363 00:18:16,696 --> 00:18:18,796 THEY THINK I'M A LOT OF NOISE. 364 00:18:18,865 --> 00:18:21,532 ALL I NEED IS ONE CHANCE TO PROVE MYSELF. 365 00:18:21,601 --> 00:18:24,702 YOU DON'T HAVE TO PROVE ANYTHING TO ME, PAUL. 366 00:18:24,771 --> 00:18:26,637 I DON'T KNOW. NOW, 367 00:18:26,706 --> 00:18:28,539 ARE YOU SURE YOU WOULDN'T PREFER SOMEBODY 368 00:18:28,608 --> 00:18:32,810 WITH A LITTLE MORE EXPERIENCE? 369 00:18:32,879 --> 00:18:37,849 DEFINITELY NOT. I'M OLD-FASHIONED. 370 00:18:37,917 --> 00:18:39,383 THERE'S JUST ONE THING. 371 00:18:39,452 --> 00:18:42,954 I'M NOT EXACTLY CRAZY ABOUT THE SHAPE. 372 00:18:43,022 --> 00:18:44,422 YOU'RE NOT? 373 00:18:44,491 --> 00:18:46,791 I SUPPOSE I COULD DO SOME EXERCISES. 374 00:18:46,860 --> 00:18:49,627 YEAH, WELL DON'T WORRY, DEAR. WITH ME HANDLING YOU, 375 00:18:49,696 --> 00:18:51,295 WE ARE HOME. NOW, WHEN I GET THROUGH, 376 00:18:51,364 --> 00:18:54,432 WE ARE GOING TO HAVE SOMETHING THAT LOOKS LIKE SOMETHING. 377 00:18:54,501 --> 00:18:56,934 -NOW, WHAT'S THE MATTER? -NOTHING. 378 00:18:57,003 --> 00:18:58,936 OKAY, THEN I'LL SEE YOU TOMORROW. OKAY, SWEETIE? 379 00:18:59,005 --> 00:19:00,905 SURE, HONEY. 380 00:19:00,974 --> 00:19:04,108 DON'T YOU WANT TO SEAL IT WITH A KISS? 381 00:19:04,177 --> 00:19:08,479 ♪ 382 00:19:08,548 --> 00:19:12,049 OH, WHAT'S YOUR NAME AGAIN? 383 00:19:12,118 --> 00:19:14,719 LIBBY. LIBBY CARUSO. 384 00:19:14,787 --> 00:19:16,020 LIBBY CARUSO. OKAY. 385 00:19:16,089 --> 00:19:21,592 I'LL TALK TO YOU TOMORROW, OKAY, ANGEL? 386 00:19:21,661 --> 00:19:24,996 JAN, HE LOVES ME. HE REALLY LOVES ME. 387 00:19:25,064 --> 00:19:27,098 WHO? PAUL? 388 00:19:27,167 --> 00:19:28,566 OH, DON'T BE RIDICULOUS. 389 00:19:28,635 --> 00:19:31,002 HE SAID SO. HE TOLD ME. 390 00:19:31,070 --> 00:19:32,036 HE TOLD YOU? 391 00:19:32,105 --> 00:19:35,206 HE CALLED ME DOLL, SWEETIE, ANGEL. 392 00:19:35,275 --> 00:19:37,875 -ANGEL? -THAT'S RIGHT, ANGEL. 393 00:19:37,944 --> 00:19:40,511 AND HE KISSED ME TOO. ONLY NOT ENOUGH FOR BELLS, 394 00:19:40,580 --> 00:19:42,013 ON ACCOUNT OF HE MISSED. 395 00:19:42,081 --> 00:19:43,080 BELLS? 396 00:19:43,149 --> 00:19:46,083 WHEN HE KISSES ME, REALLY KISSES ME, 397 00:19:46,152 --> 00:19:49,053 THEN I'LL HEAR BELLS. 398 00:19:49,122 --> 00:19:50,855 HI! 399 00:19:50,924 --> 00:19:54,525 HI. 400 00:19:54,594 --> 00:19:55,893 DID YOU SEE THAT? 401 00:19:55,962 --> 00:19:58,996 DID YOU SEE THE WAY SHE SMILED AT ME? 402 00:19:59,065 --> 00:20:04,702 YEAH. DID YOU? 403 00:20:04,771 --> 00:20:07,572 HI. HEY, WHERE CAN I FIND WHAT'S HER NAME? 404 00:20:07,640 --> 00:20:09,307 -WHO? -WHAT'S HER NAME, THE HALF-PINT. 405 00:20:09,375 --> 00:20:10,808 LOOK, I'VE BEEN CALLING THE APARTMENT. 406 00:20:10,877 --> 00:20:12,977 THERE'S NO ANSWER, AND THIS IS VERY IMPORTANT. 407 00:20:13,046 --> 00:20:14,579 I GOT TO SET THE DATE. 408 00:20:14,647 --> 00:20:16,681 SET THE DATE? BUT YOU JUST MET HER! 409 00:20:16,749 --> 00:20:18,950 SO WHAT? LOOK, I HAD TO PULL STRINGS 410 00:20:19,018 --> 00:20:20,518 SO WE WOULDN'T HAVE TO WAIT ON THIS. 411 00:20:20,587 --> 00:20:23,754 NOW, JUST A MINUTE. LIBBY IS MY BEST FRIEND, 412 00:20:23,823 --> 00:20:25,356 AND I FEEL RESPONSIBLE FOR HER. 413 00:20:25,425 --> 00:20:27,158 I DON'T KNOW WHAT YOU'VE GOT IN YOUR MIND, 414 00:20:27,227 --> 00:20:31,495 BUT IF IT IS IN YOUR MIND, IT CAN'T BE LEGITIMATE. 415 00:20:31,564 --> 00:20:33,264 WHAT ARE YOU TALKING ABOUT? 416 00:20:33,333 --> 00:20:34,999 WHAT ARE YOU TALKING ABOUT? 417 00:20:35,068 --> 00:20:37,568 I'M TALKING ABOUT THE TONIGHT SHOW. 418 00:20:37,637 --> 00:20:39,770 THEY'RE ONLY GOING TO BE HERE ON THE COAST FOR A WEEK, 419 00:20:39,839 --> 00:20:42,740 AND I'VE GOT HER SET FOR IT THROUGH THIS GUY I KNOW. 420 00:20:42,809 --> 00:20:46,477 THE TONIGHT SHOW? ON TELEVISION? 421 00:20:46,546 --> 00:20:47,511 JOHNNY CARSON? 422 00:20:47,580 --> 00:20:49,046 YEAH, YEAH. 423 00:20:49,115 --> 00:20:51,983 I'M TRYING TO HELP HER GET THIS LADY VALET OF HERS LAUNCHED. 424 00:20:52,051 --> 00:20:53,884 NOW, ANY KIND OF LUCK, SOME MANUFACTURER WILL SEE IT, 425 00:20:53,953 --> 00:20:55,820 AND WE'LL BE OFF TO THE RACES. 426 00:20:55,888 --> 00:20:59,090 NOW, IS THAT LEGITIMATE ENOUGH FOR YOU? 427 00:20:59,158 --> 00:21:03,461 YOU CAN REACH HER AT WORK. 428 00:21:03,529 --> 00:21:05,896 SWELL. 429 00:21:07,834 --> 00:21:11,569 OH, THE FBI EVER NEEDS ANY HELP, 430 00:21:11,638 --> 00:21:15,906 COULD I TELL THEM ABOUT YOU? 431 00:21:15,975 --> 00:21:20,378 OH, REALLY? 432 00:21:20,446 --> 00:21:22,546 SO, THIS FRIEND OF MINE, 433 00:21:22,615 --> 00:21:24,749 HE TALKED TO THIS FRIEND OF HIS THAT HE KNOWS. 434 00:21:24,817 --> 00:21:27,418 AND THIS FRIEND OF HIS, HE KNOWS A FRIEND, 435 00:21:27,487 --> 00:21:29,253 WHO TALKED TO ANOTHER FRIEND, 436 00:21:29,322 --> 00:21:32,089 TO TALK TO SOMEBODY CONNECTED WITH YOU. 437 00:21:32,158 --> 00:21:34,258 I THINK YOUR MOTHER? 438 00:21:34,327 --> 00:21:37,928 AND THE NEXT THING YOU KNOW, HERE I AM ON THE SHOW. 439 00:21:37,997 --> 00:21:41,265 GOOD OLD MOM. 440 00:21:41,334 --> 00:21:43,834 SEE, MR. CARSON, I CAN'T TELL YOU HOW THRILLED I AM. 441 00:21:43,903 --> 00:21:45,536 YOU KNOW, YOUR SHOW IS MY MOST FAVORITE 442 00:21:45,605 --> 00:21:47,471 WHEN I CAN'T GO TO SLEEP. 443 00:21:47,540 --> 00:21:49,073 I'M THRILLED TO HEAR THAT. 444 00:21:49,142 --> 00:21:50,641 HEY, THIS CRAZY THING YOU HAVE HERE, 445 00:21:50,710 --> 00:21:54,745 THAT LOOKS LIKE A BLIND DATE FOR A MARTIAN, 446 00:21:54,814 --> 00:21:56,314 TELL ME ABOUT THIS, WILL YOU? 447 00:21:56,382 --> 00:21:57,648 THERE'S NOTHING MORE TO TELL. 448 00:21:57,717 --> 00:22:00,117 WHAT? NOTHING? KEEP TALKING, ANGEL. 449 00:22:00,186 --> 00:22:03,054 I REALLY ONLY INVENTED IT SO THAT I COULD HAVE ONE MYSELF. 450 00:22:03,122 --> 00:22:04,922 YOU SEE, WHEN I GAVE UP SHOW BUSINESS, 451 00:22:04,991 --> 00:22:06,557 AND GOT MYSELF A NORMAL JOB, 452 00:22:06,626 --> 00:22:09,293 I DISCOVERED HOW HARD IT IS TO GET DRESSED IN THE MORNING. 453 00:22:09,362 --> 00:22:10,895 LADY VALET MAKES IT EASY. 454 00:22:10,963 --> 00:22:12,697 WHAT DO YOU MEAN YOU GAVE UP SHOW BUSINESS? 455 00:22:12,765 --> 00:22:14,999 WELL, I STARTED OUT TO BE A SINGER. 456 00:22:15,068 --> 00:22:17,768 WHAT KIND OF A KICK IS SHE ON? 457 00:22:17,837 --> 00:22:20,604 BUT I WAS GETTING NOWHERE FAST, SO I GAVE IT UP, 458 00:22:20,673 --> 00:22:22,273 AND I GOT THIS JOB WHERE I WORK NOW, 459 00:22:22,342 --> 00:22:27,645 AT THE MCBRIDE, BANKLESS, PRICE, AND BLUITT BROKERAGE COMPANY. 460 00:22:27,714 --> 00:22:30,114 AND ANOTHER THING, ABOUT THE LADY. 461 00:22:30,183 --> 00:22:32,616 WHAT A SECOND. YOU SAID YOU USED TO BE A SINGER? 462 00:22:32,685 --> 00:22:33,884 I TRIED TO BE. 463 00:22:33,953 --> 00:22:35,953 IT DIDN'T WORK OUT, HUH? WHAT HAPPENED? 464 00:22:36,022 --> 00:22:39,056 WELL, ACCORDING TO ALL OF THE AGENTS WHO LISTENED TO ME, 465 00:22:39,125 --> 00:22:41,492 I HAVE A GOOD VOICE, PHRASE WELL, 466 00:22:41,561 --> 00:22:45,029 A NICE PERSONALITY, I'M CUTE, 467 00:22:45,098 --> 00:22:49,266 BUT OUTSIDE OF THAT, NOTHING. 468 00:22:49,335 --> 00:22:51,168 YOU KNOW SOMETHING, I'D KIND OF LIKE TO HEAR 469 00:22:51,237 --> 00:22:52,436 OUTSIDE OF THAT NOTHING. 470 00:22:52,505 --> 00:22:55,639 HOW ABOUT YOU? 471 00:22:55,708 --> 00:22:58,743 I DIDN'T BRING ANY MUSIC. HEY, I KNOW. 472 00:22:58,811 --> 00:22:59,744 MY FRIEND COULD ACCOMPANY ME. 473 00:22:59,812 --> 00:23:01,045 WHERE'S YOUR FRIEND? 474 00:23:01,114 --> 00:23:02,947 WELL, HE'S RIGHT THERE BACKSTAGE. 475 00:23:03,015 --> 00:23:05,282 ALL RIGHT. 476 00:23:05,351 --> 00:23:08,586 COME ON, CUZ. 477 00:23:08,654 --> 00:23:10,855 UH, DON, YOU'VE BEEN REPLACED. 478 00:23:10,923 --> 00:23:14,492 NO, HE HASN'T. HE HAS. 479 00:23:14,560 --> 00:23:16,127 HE PLAYS THE BASS? 480 00:23:16,195 --> 00:23:17,661 ONLY AS A HOBBY. 481 00:23:17,730 --> 00:23:20,498 MR. CARSON, EVERYBODY, THIS IS MY FRIEND, 482 00:23:20,566 --> 00:23:23,167 CUZ RICKOVER. 483 00:23:23,236 --> 00:23:29,140 ♪ 484 00:23:29,208 --> 00:23:32,343 ♪ TICK TOCK ♪ 485 00:23:32,412 --> 00:23:35,446 ♪ TICK TOCK ♪ 486 00:23:35,515 --> 00:23:38,716 ♪ TICK TOCK, WHEN THE CLOCK STRIKES MIDNIGHT ♪ 487 00:23:38,785 --> 00:23:41,919 ♪ I THINK OF YOU ♪ 488 00:23:41,988 --> 00:23:43,187 ♪ TICK TOCK ♪ 489 00:23:43,256 --> 00:23:44,922 ♪ WHEN THE CLOCK STRIKES MIDNIGHT ♪ 490 00:23:44,991 --> 00:23:47,925 ♪ YOU'RE OUT WITH SOMEONE NEW ♪ 491 00:23:47,994 --> 00:23:51,295 ♪ I TOSS AND TURN, I NEVER SLEEP ♪ 492 00:23:51,364 --> 00:23:54,732 ♪ I'M COUNTING TEARS, INSTEAD OF SHEEP ♪ 493 00:23:54,801 --> 00:23:55,866 ♪ TICK TOCK ♪ 494 00:23:55,935 --> 00:23:57,568 ♪ WHEN THE STRIKES MIDNIGHT ♪ 495 00:23:57,637 --> 00:24:01,272 ♪ YOU'VE GOT ME FEELING BLUE ♪ 496 00:24:01,340 --> 00:24:06,811 ♪ I STILL REMEMBER HOW IT USED TO BE ♪ 497 00:24:08,014 --> 00:24:10,014 ♪ WHEN THE CLOCK STRUCK MIDNIGHT ♪ 498 00:24:10,082 --> 00:24:14,452 ♪ YOU WERE KISSING ME ♪ 499 00:24:14,520 --> 00:24:17,922 ♪ TICK TOCK, WHEN THE CLOCK STRIKES MIDNIGHT ♪ 500 00:24:17,990 --> 00:24:21,292 ♪ I THINK OF YOU ♪ 501 00:24:21,360 --> 00:24:22,326 ♪ TICK TOCK ♪ 502 00:24:22,395 --> 00:24:24,295 ♪ WHEN THE CLOCK STRIKES MIDNIGHT ♪ 503 00:24:24,363 --> 00:24:28,032 ♪ I WONDER WHAT TO DO ♪ 504 00:24:28,100 --> 00:24:33,404 ♪ I STILL REMEMBER HOW IT USED TO BE ♪ 505 00:24:34,874 --> 00:24:36,941 ♪ WHEN THE CLOCK STRUCK MIDNIGHT ♪ 506 00:24:37,009 --> 00:24:41,512 ♪ YOU WERE KISSING ME ♪ 507 00:24:41,581 --> 00:24:42,913 ♪ TICK TOCK ♪ 508 00:24:42,982 --> 00:24:44,915 ♪ WHEN THE CLOCK STRIKES MIDNIGHT ♪ 509 00:24:44,984 --> 00:24:48,118 ♪ I THINK OF YOU ♪ 510 00:24:48,187 --> 00:24:51,589 ♪ TICK TOCK, WHEN THE CLOCK STRIKES MIDNIGHT ♪ 511 00:24:51,657 --> 00:24:54,992 ♪ I WONDER WHAT TO DO ♪ 512 00:24:55,061 --> 00:24:58,195 ♪ TOMORROW NIGHT, KNOCK ON MY DOOR ♪ 513 00:24:58,264 --> 00:25:02,967 ♪ AND WE'LL BE HAPPY LIKE BEFORE ♪ 514 00:25:03,035 --> 00:25:04,702 ♪ TICK TOCK, WHEN THE CLOCK STRIKES MIDNIGHT ♪ 515 00:25:04,770 --> 00:25:08,572 ♪ I'LL BE KISSING YOU ♪ 516 00:25:08,641 --> 00:25:11,609 ♪ AND I WON'T BE BLUE ♪ 517 00:25:11,677 --> 00:25:15,346 ♪ I'LL KNOW WHAT TO DO ♪ 518 00:25:15,414 --> 00:25:21,719 ♪ WHEN THE CLOCK STRIKES MIDNIGHT ♪♪ 519 00:25:52,985 --> 00:25:54,118 ACTUALLY, I WAS MUCH MORE IMPRESSED 520 00:25:54,186 --> 00:25:55,586 WITH THIS YOUNG LADY'S SINGING 521 00:25:55,655 --> 00:25:58,622 THAN I WAS WITH THIS GADGET SHE DREAMED UP. 522 00:25:58,691 --> 00:26:01,091 -GADGET? -OH, IT'S A NICE LITTLE GIMMICK. 523 00:26:01,160 --> 00:26:04,261 BUT MY COMPANY ONLY DEVELOPS NEW PRODUCTS, NOT GIMMICKS. 524 00:26:04,330 --> 00:26:06,697 WELL, THEN I DON'T UNDERSTAND SIR, WHY DID YOU SEND FOR ME? 525 00:26:06,766 --> 00:26:08,799 WELL, THERE'S NO REASON WHY WE CAN'T TALK A LITTLE ABOUT IT, 526 00:26:08,868 --> 00:26:10,234 IS IT? 527 00:26:10,303 --> 00:26:13,938 NOW, WE CAN TALK. BUT BEFORE WE DO, ONE THING. 528 00:26:14,006 --> 00:26:15,539 WHAT'S THAT, MY BOY? 529 00:26:15,608 --> 00:26:17,174 SIR, WOULD YOU STOP PRETENDING YOU'RE NOT INTERESTED, 530 00:26:17,243 --> 00:26:19,410 SO I CAN STOP PRETENDING THAT I'M OVERCONFIDENT, 531 00:26:19,478 --> 00:26:23,280 WHICH IS IMPOSSIBLE TO DO IN THIS CHAIR. 532 00:26:23,349 --> 00:26:25,149 -START FROM SCRATCH. -THANK YOU. 533 00:26:25,217 --> 00:26:26,250 ALL RIGHT, YOU LIKE THE INVENTION? 534 00:26:26,319 --> 00:26:27,885 -MM-HMM. -ALL RIGHT, GOOD. 535 00:26:27,954 --> 00:26:30,654 NOW, I HAVE MADE A COUPLE OF DETAILED SKETCHES. 536 00:26:30,723 --> 00:26:33,023 NOW, YOU'LL NOTICE I'VE SMOOTHED IT OUT A LITTLE BIT HERE, 537 00:26:33,092 --> 00:26:35,492 AND SIMPLIFIED IT A LITTLE BIT THERE, BUT THAT'S ALL. 538 00:26:35,561 --> 00:26:39,930 THIS IS STILL BASICALLY WHAT'S HER NAME'S IDEA. 539 00:26:39,999 --> 00:26:43,200 AND I HAVE PLANNED AN ENTIRE PROMOTION CAMPAIGN. 540 00:26:43,269 --> 00:26:45,235 A LOT OF WORK. LOOKS LIKE A LABOR OF LOVE. 541 00:26:45,304 --> 00:26:47,071 THAT'S EXACTLY WHAT IT IS. 542 00:26:47,139 --> 00:26:50,274 THEN HOW COME YOU DON'T KNOW WHAT'S HER NAME'S NAME? 543 00:26:50,343 --> 00:26:53,777 WHO? OH, I KNOW HER NAME. 544 00:26:53,846 --> 00:26:56,480 OH, NO SIR. NO, NOT THAT KIND OF LOVE. 545 00:26:56,549 --> 00:26:57,548 -NOT WITH HER. -NO? 546 00:26:57,617 --> 00:26:59,316 NO, SIR. SHE'S TOO SHORT. 547 00:26:59,385 --> 00:27:01,085 I'M TRYING TO HELP HER, THAT'S ALL. 548 00:27:01,153 --> 00:27:02,453 AND IT AIN'T EASY. 549 00:27:02,521 --> 00:27:03,420 WHY IS THAT? 550 00:27:03,489 --> 00:27:04,955 WELL, SHE'S SUCH A KID. 551 00:27:05,024 --> 00:27:06,690 I DON'T KNOW WHAT'S THE MATTER WITH HER. 552 00:27:06,759 --> 00:27:08,225 HER MIND IS ALWAYS... 553 00:27:08,294 --> 00:27:10,060 WOULD YOU BELIEVE THAT HALF THE TIME SHE LOOKS RIGHT AT ME. 554 00:27:10,129 --> 00:27:11,562 SHE DOESN'T HEAR A WORD I'M SAYING. 555 00:27:11,631 --> 00:27:12,863 REALLY? 556 00:27:12,932 --> 00:27:14,231 CONFIDENTIALLY, SIR, SHE NEEDS SOMEBODY 557 00:27:14,300 --> 00:27:16,200 TO WATCH OUT FOR HER INTERESTS. 558 00:27:16,268 --> 00:27:18,435 AND WHAT IS YOUR CUT FOR ALL THIS PROTECTION? 559 00:27:18,504 --> 00:27:20,537 WHAT'S YOUR PIECE OF THE ACTION? 560 00:27:20,606 --> 00:27:22,640 ABSOLUTELY NOTHING. 561 00:27:22,708 --> 00:27:25,376 SEE, I FIGURE I DO A GOOD JOB SELLING THIS, 562 00:27:25,444 --> 00:27:27,678 AND I GIVE A GUY LIKE YOU THE IDEA THAT YOUR COMPANY 563 00:27:27,747 --> 00:27:29,279 CAN'T GET ALONG WITHOUT ME. 564 00:27:29,348 --> 00:27:30,347 OH, I SEE. 565 00:27:30,416 --> 00:27:31,615 YOU DON'T WANT A PIECE OF HER ACTION, 566 00:27:31,684 --> 00:27:34,351 YOU WANT A PIECE OF MINE. 567 00:27:34,420 --> 00:27:37,121 WELL, I WOULDN'T TURN DOWN AN OFFER 568 00:27:37,189 --> 00:27:38,722 WITHOUT GIVING IT SOME THOUGHT. 569 00:27:38,791 --> 00:27:43,661 AND I WOULDN'T MAKE AN OFFER WITHOUT GIVING IT SOME THOUGHT. 570 00:27:43,729 --> 00:27:45,529 -OKAY. -OKAY WHAT? 571 00:27:45,598 --> 00:27:46,864 I'VE GIVEN IT SOME THOUGHT. 572 00:27:46,932 --> 00:27:48,265 -YEAH? -I'M GONNA GIVE YOU A CHANCE. 573 00:27:48,334 --> 00:27:50,134 I'LL TAKE ON THE INVENTION, AND YOU. 574 00:27:50,202 --> 00:27:52,636 -AH, MR. FRONT, YOU WON'T-- -BUT GET SOMETHING STRAIGHT. 575 00:27:52,705 --> 00:27:54,938 THE FRONT DEVELOPMENT COMPANY HAS SURVIVED 576 00:27:55,007 --> 00:27:56,707 MANY YEARS WITHOUT YOU. 577 00:27:56,776 --> 00:28:02,479 SIR, I KNOW YOU'VE SURVIVED. I WANT YOU TO PROSPER. 578 00:28:02,548 --> 00:28:05,916 MCBRIDE, BANKLESS, PRICE, AND BLUITT, ONE MOMENT PLEASE. 579 00:28:05,985 --> 00:28:08,218 -HELLO? HELLO? -HELLO, WHO'S THIS? 580 00:28:08,287 --> 00:28:11,221 WHAT DO YOU MEAN WHO'S THIS? WHO'S THIS? 581 00:28:11,290 --> 00:28:13,457 OPERATOR, ARE YOU RINGING OPERATOR? 582 00:28:13,526 --> 00:28:16,627 RINGING WHAT? I'M TRYING TO... HELLO? 583 00:28:16,696 --> 00:28:18,462 THAT YOU, ANGEL? LISTEN, HAVE I GOT GREAT NEWS. 584 00:28:18,531 --> 00:28:19,997 OH, PAUL, I'M HERE ALL ALONE, 585 00:28:20,066 --> 00:28:21,598 AND THIS BOARD IS GOING LIKE CRAZY. 586 00:28:21,667 --> 00:28:23,600 HOLD ON A MINUTE. 587 00:28:23,669 --> 00:28:24,935 ONE MOMENT, PLEASE. 588 00:28:25,004 --> 00:28:26,336 THERE'S ALL THE CALLS FOR THE BROKERAGE, 589 00:28:26,405 --> 00:28:28,105 AND THE STRANGEST PEOPLE ARE CALLING ME! 590 00:28:28,174 --> 00:28:30,207 I'M GOING OUT OF MY EVER-LOVING MIND! 591 00:28:30,276 --> 00:28:31,742 WHAT GREAT NEWS, PAUL? 592 00:28:31,811 --> 00:28:33,177 SWEETIE, TRY TO PAY ATTENTION. 593 00:28:33,245 --> 00:28:35,045 LIBBY, HAVEN'T YOU GOT MY CALL YET? 594 00:28:35,114 --> 00:28:37,781 PLEASE, I'M NOT FINISHED WITH MY OWN CALL YET. 595 00:28:37,850 --> 00:28:39,116 GO ON, PAUL. 596 00:28:39,185 --> 00:28:41,118 MR. FRONT, HE WANTS THE INVENTION. 597 00:28:41,187 --> 00:28:42,453 HE'S GOING TO PUT IT ON THE MARKET, 598 00:28:42,521 --> 00:28:44,188 AND ON OUR TERMS, ANGEL, OUR TERMS! 599 00:28:44,256 --> 00:28:47,224 OH, FABULOUS! HOLD ON. 600 00:28:47,293 --> 00:28:49,460 ANGEL MCBRIDE, BANKLESS, AND BLUITT. 601 00:28:49,528 --> 00:28:52,396 OPERATOR, I HAVE A LONG DISTANCE CALL FOR THIS NUMBER. 602 00:28:52,465 --> 00:28:54,732 OH, LOTS OF LUCK. PAUL, WHAT ELSE? 603 00:28:54,800 --> 00:28:57,234 HE'S AGREED TO LET ME HANDLE THE ENTIRE PROMOTION, 604 00:28:57,303 --> 00:28:59,570 AND THE FIRST THING I HAVE TO DO IS TO GET A BIG STAR 605 00:28:59,638 --> 00:29:00,471 TO ENDORSE THE LADY. 606 00:29:00,539 --> 00:29:03,707 OH, HOW WONDERFUL. HOLD ON. 607 00:29:03,776 --> 00:29:05,876 -YEAH? -MS. CARUSO? 608 00:29:05,945 --> 00:29:08,912 -UH-HUH? -LIBBY? TIGER SHAY. 609 00:29:08,981 --> 00:29:10,514 OH, MR. SHAY, TIGER, 610 00:29:10,583 --> 00:29:12,116 THE MOST WONDERFUL THING'S HAPPENED. 611 00:29:12,184 --> 00:29:14,752 WAIT A MINUTE. YES? 612 00:29:14,820 --> 00:29:16,720 OUTSIDE LINE FOR MR. MCBRIDE. 613 00:29:16,789 --> 00:29:18,989 OUTSIDE, OUTSIDE. 614 00:29:19,058 --> 00:29:21,024 -LIBBY. -I'LL BE RIGHT BACK, TIGER. 615 00:29:21,093 --> 00:29:23,827 -PAUL? PAUL? -LINE FOR MR. MCBRIDE. 616 00:29:23,896 --> 00:29:25,395 PAUL. WHERE'D YOU GO, PAUL? 617 00:29:25,464 --> 00:29:27,431 -ARE YOU RINGING... -PAUL? 618 00:29:27,500 --> 00:29:30,467 MCBRIDE, BANKLESS, PRICE, AND BLUITT. 619 00:29:30,536 --> 00:29:33,003 LIBBY, LISTEN, I CAUGHT YOU ON THAT SHOW LAST NIGHT, 620 00:29:33,072 --> 00:29:34,037 AND I WANT TO TALK TO YOU. 621 00:29:34,106 --> 00:29:36,273 WILL YOU WAIT A MINUTE, TIGER? 622 00:29:36,342 --> 00:29:38,742 PAUL? PAUL? 623 00:29:38,811 --> 00:29:40,177 PAUL? 624 00:29:40,246 --> 00:29:41,879 DO YOU KNOW WHO THIS IS? 625 00:29:41,947 --> 00:29:45,182 THIS IS THE OWNER AND PRESIDENT OF THIS OUTFIT, HORACE MCBRIDE. 626 00:29:45,251 --> 00:29:47,851 OH? DO YOU KNOW WHO THIS IS? 627 00:29:47,920 --> 00:29:49,453 -NO. -GOOD. 628 00:29:49,522 --> 00:29:50,420 LIBBY... 629 00:29:50,489 --> 00:29:52,055 JUST ONE MOMENT. WAIT A MINUTE. 630 00:29:52,124 --> 00:29:56,260 WAIT A MINUTE! WAIT A MINUTE! 631 00:29:58,063 --> 00:29:59,596 SO THERE THEY WERE, MR. MCBRIDE, 632 00:29:59,665 --> 00:30:01,298 MR. MILLER, ALL OF THE BROKERS, 633 00:30:01,367 --> 00:30:03,834 EVERYBODY SCREAMING AT ME, AND THE BOARDS BUZZING, 634 00:30:03,903 --> 00:30:05,502 AND THE LIGHTS BLAZING. 635 00:30:05,571 --> 00:30:06,804 WHAT DID YOU DO? 636 00:30:06,872 --> 00:30:08,639 I DID WHAT ANY OTHER NORMAL, SENSIBLE GIRL WOULD DO 637 00:30:08,707 --> 00:30:13,043 UNDER THE CIRCUMSTANCES. I HAD HYSTERICS. 638 00:30:13,112 --> 00:30:15,946 OH, LIBB, IT'S JUST STAGGERING, IT'S SO EXCITING. 639 00:30:16,015 --> 00:30:18,081 ISN'T IT THOUGH? JUST LIKE THAT, 640 00:30:18,150 --> 00:30:19,516 AND YOUR WHOLE LIFE CHANGES? 641 00:30:19,585 --> 00:30:22,319 NO TELLING HOW MUCH MONEY YOU'LL MAKE. 642 00:30:22,388 --> 00:30:25,055 MONEY? I'M TALKING ABOUT PAUL AND ME, 643 00:30:25,124 --> 00:30:26,824 TONIGHT, OUR FIRST DATE. 644 00:30:26,892 --> 00:30:29,193 BUT I THOUGHT YOU WERE GOING TO MR. FRONT'S TO TALK BUSINESS. 645 00:30:29,261 --> 00:30:31,495 WELL, WE ARE. WE'RE GOING TO BE MEETING SOME OF THE PEOPLE 646 00:30:31,564 --> 00:30:33,564 PAUL WILL BE WORKING WITH, AND DISCUSS WHAT STAR 647 00:30:33,632 --> 00:30:35,265 PAUL'S GOING TO GET TO ENDORSE THE LADY, 648 00:30:35,334 --> 00:30:36,767 AND A MILLION OTHER THINGS. 649 00:30:36,836 --> 00:30:41,271 I'LL BE SEEING A LOT OF HIM NOW. HE DOESN'T HAVE A CHANCE. 650 00:30:41,340 --> 00:30:42,673 NEITHER HAVE YOU, IF YOU'RE GOING 651 00:30:42,741 --> 00:30:44,541 TO KEEP THAT THING BUTTONED UP TO THERE. 652 00:30:44,610 --> 00:30:48,011 I AM SELLING MYSELF AS A POTENTIAL WIFE AND MOTHER. 653 00:30:48,080 --> 00:30:50,147 SWELL, JUST AS LONG AS YOU DON'T LET HIM KNOW 654 00:30:50,216 --> 00:30:51,515 THAT'S WHAT HE'S GETTING. 655 00:30:51,584 --> 00:30:53,317 WELL, THAT'S WHAT I INTEND TO BE. 656 00:30:53,385 --> 00:30:57,254 AND THAT'S EXACTLY WHAT I TOLD TIGER. 657 00:30:57,323 --> 00:30:59,756 -WHO? -TIGER SHAY, THE AGENT. 658 00:30:59,825 --> 00:31:01,158 I SAID, "LOOK, TIGER, 659 00:31:01,227 --> 00:31:02,759 I'M NOT INTERESTED IN SHOW BUSINESS ANYMORE," 660 00:31:02,828 --> 00:31:04,094 AND HE WOULDN'T BELIEVE ME. 661 00:31:04,163 --> 00:31:06,530 WAIT A MINUTE. BACK UP. 662 00:31:06,599 --> 00:31:07,364 TIGER? 663 00:31:07,433 --> 00:31:08,765 TIGER SHAY, THE AGENT. 664 00:31:08,834 --> 00:31:10,901 I SAID, "LOOK, TIGER, I'M NOT INTERESTED 665 00:31:10,970 --> 00:31:12,169 IN SHOW BUSINESS ANYMORE." 666 00:31:12,238 --> 00:31:14,137 HOLD IT, HOLD IT. HE CALLED YOU? 667 00:31:14,206 --> 00:31:15,806 -YEAH. -ABOUT YOUR SINGING? 668 00:31:15,875 --> 00:31:17,341 -MM-HMM. -SO? 669 00:31:17,409 --> 00:31:19,176 SO I SAID, "LOOK, TIGER, 670 00:31:19,245 --> 00:31:21,778 I'M NOT INTERESTED IN SHOW BUSINESS ANYMORE." 671 00:31:21,847 --> 00:31:23,580 YOU SAID NO? 672 00:31:23,649 --> 00:31:24,648 YEAH. 673 00:31:24,717 --> 00:31:25,983 YEAH? 674 00:31:26,051 --> 00:31:26,984 YEAH. 675 00:31:27,052 --> 00:31:28,318 ONE QUESTION. 676 00:31:28,387 --> 00:31:30,687 WHAT HAPPENED TO THE KID WHO CRIED HER EYES OUT 677 00:31:30,756 --> 00:31:32,522 BECAUSE SHE HAD TO GIVE UP SINGING? 678 00:31:32,591 --> 00:31:35,659 OH, JAN, WILL YOU USE YOUR HEAD? 679 00:31:35,728 --> 00:31:36,627 ME? 680 00:31:36,695 --> 00:31:38,929 WHAT DO I NEED WITH SHOW BUSINESS NOW? 681 00:31:38,998 --> 00:31:40,397 I FOUND PAUL. 682 00:31:40,466 --> 00:31:43,100 ALL I WANT TO DO IS CONVINCE HIM THAT I'M WHAT HE NEEDS, 683 00:31:43,168 --> 00:31:46,536 AND THAT HE CAN BE AS SURE OF ME AS I AM OF HIM. 684 00:31:46,605 --> 00:31:48,972 WHAT MAKES YOU THINK YOU CAN BE SURE OF HIM? 685 00:31:49,041 --> 00:31:52,509 THAT'S SOMETHING YOU KNOW HERE. AND WHEN YOU KNOW IT HERE, 686 00:31:52,578 --> 00:31:54,444 YOU DON'T HAVE TO WORRY ABOUT ANYTHING 687 00:31:54,513 --> 00:31:57,147 BEING BUTTONED UP TO HERE. 688 00:31:57,216 --> 00:32:02,619 ♪ 689 00:32:02,688 --> 00:32:03,654 OH, YES, 690 00:32:03,722 --> 00:32:05,355 I'VE BEEN HEAD OF THE PUBLICITY DEPARTMENT 691 00:32:05,424 --> 00:32:07,024 FOR THE FRONT DEVELOPMENT COMPANY, 692 00:32:07,092 --> 00:32:08,659 FOR OVER A YEAR NOW. 693 00:32:08,727 --> 00:32:10,560 THAT'S AMAZING. 694 00:32:10,629 --> 00:32:12,195 CIGARETTE? 695 00:32:12,264 --> 00:32:16,166 AND THEY'RE SO... I MEAN, YOU ARE SO YOUNG. 696 00:32:16,235 --> 00:32:17,701 THANK YOU. 697 00:32:17,770 --> 00:32:20,470 I WAS AFRAID YOU MIGHT NOT LIKE WORKING WITH ME, MR. DAVIS. 698 00:32:20,539 --> 00:32:24,141 SOME MEN ARE VERY UNCOMFORTABLE AROUND CAREER WOMEN, YOU KNOW. 699 00:32:24,209 --> 00:32:26,376 OH, NOT ME. 700 00:32:26,445 --> 00:32:29,713 I ADMIRE A WOMAN WITH BRAINS AND TALENT, 701 00:32:29,782 --> 00:32:31,581 ESPECIALLY ONE WHO'S NOT AFRAID TO SHOW IT. 702 00:32:31,650 --> 00:32:34,685 I'M SO GLAD. AND YOU, MS. CARUSO, 703 00:32:34,753 --> 00:32:36,119 WHAT DO YOU THINK? 704 00:32:36,188 --> 00:32:38,388 OH, I THINK HE'S RIGHT. 705 00:32:38,457 --> 00:32:41,925 YOU'RE CERTAINLY NOT AFRAID TO SHOW IT. 706 00:32:41,994 --> 00:32:47,631 ♪ 707 00:32:47,700 --> 00:32:50,600 I PLAN TO DESIGN THREE OUTFITS FOR THE LADY VALET 708 00:32:50,669 --> 00:32:52,736 TO USE FOR PUBLICITY PICTURES. 709 00:32:52,805 --> 00:32:55,272 AN AFTERNOON DRESS, A COCKTAIL DRESS, 710 00:32:55,341 --> 00:32:58,342 AND SOMETHING FOR THE BEDROOM. 711 00:32:58,410 --> 00:33:00,844 ACTUALLY, THE CHOICE IS UP TO YOU. 712 00:33:00,913 --> 00:33:03,046 I PREFER THE BEDROOM. 713 00:33:03,115 --> 00:33:05,582 I LIKE THE BEDROOM TOO, MS. LAROW. 714 00:33:05,651 --> 00:33:08,318 MATTER OF FACT, I LIKE YOUR WHOLE APPROACH. 715 00:33:08,387 --> 00:33:10,988 DON'T YOU, LIBB? 716 00:33:11,056 --> 00:33:15,425 WELL, THERE'S CERTAINLY A LOT TO BE SAID FOR IT. 717 00:33:18,764 --> 00:33:21,264 AS YOU CAN SEE, IT WAS A DECISION I HAD TO MAKE 718 00:33:21,333 --> 00:33:22,866 ALL BY MYSELF. 719 00:33:22,935 --> 00:33:25,936 WAS I GOING TO BE CONTENT TO BE A RICH MAN'S DAUGHTER, 720 00:33:26,005 --> 00:33:29,906 IDLY WAITING FOR A RICH MAN'S SON TO COME ALONG AND MARRY ME? 721 00:33:29,975 --> 00:33:34,077 ANOTHER FEMALE WITH NO AIM? NO PURPOSE IN LIFE, 722 00:33:34,146 --> 00:33:35,679 NO MEANING. 723 00:33:35,748 --> 00:33:38,181 OR WAS I GOING TO HAVE THE COURAGE TO GO OUT IN THE WORLD 724 00:33:38,250 --> 00:33:41,251 AND REALLY DO SOMETHING ON MY OWN? 725 00:33:41,320 --> 00:33:43,387 AND THAT'S HOW YOU BECAME A MODEL? 726 00:33:43,455 --> 00:33:45,756 -THAT'S HOW I BECAME A MODEL. -FASCINATING. 727 00:33:45,824 --> 00:33:48,225 WELL, YOU'RE EXACTLY WHO WE'RE GOING TO APPEAL TO 728 00:33:48,293 --> 00:33:50,193 IN OUR ADVERTISING CAMPAIGN TO PROMOTE 729 00:33:50,262 --> 00:33:51,995 THE LADY VALET, MS. DIVINE. 730 00:33:52,064 --> 00:33:55,499 YOU AND ALL THE WOMEN LIKE YOU. THE AMERICAN CAREER WOMEN. 731 00:33:55,567 --> 00:33:58,568 THE WOMEN MEN ADMIRE. THE WOMEN OF TODAY. 732 00:33:58,637 --> 00:34:00,837 THE WOMEN-- HOLD IT. 733 00:34:00,906 --> 00:34:03,807 THE WOMEN WHO DO THINGS. 734 00:34:03,876 --> 00:34:05,609 -THE WOMEN WHO DO THINGS? -YEAH. 735 00:34:05,677 --> 00:34:08,245 THE WOMEN WHO DO THINGS? OH, I LIKE THAT. 736 00:34:08,313 --> 00:34:09,413 SO DO I. 737 00:34:09,481 --> 00:34:11,581 MY BOY, THAT'S GOT A MESSAGE. 738 00:34:11,650 --> 00:34:13,316 DON'T YOU GET THE MESSAGE? 739 00:34:13,385 --> 00:34:18,255 MR. FRONT, I GOT THE MESSAGE THREE HOURS AGO. 740 00:34:20,759 --> 00:34:25,028 ♪ 741 00:34:32,504 --> 00:34:34,337 WHAT IN THE... WHAT HAPPENED TO YOU? 742 00:34:34,406 --> 00:34:37,674 OKAY, SO MAYBE I'M NOT T AND T. 743 00:34:37,743 --> 00:34:39,076 T AND T? 744 00:34:39,144 --> 00:34:40,477 TALL AND TOP HEAVY. 745 00:34:40,546 --> 00:34:43,113 I CAN STILL BE A WOMAN WHO DOES THINGS. 746 00:34:43,182 --> 00:34:44,514 HELLO, TIGER? 747 00:34:44,583 --> 00:34:46,483 I'VE CHANGED MY MIND. 748 00:34:46,552 --> 00:34:49,486 I AM INTERESTED IN SHOW BUSINESS. 749 00:34:49,555 --> 00:34:52,422 ♪ FEELING GREAT, FEELING FINE ♪ 750 00:34:52,491 --> 00:34:55,325 ♪ FEEL LIKE CHAMPAGNE AND WINE ♪ 751 00:34:55,394 --> 00:34:58,395 ♪ THIS IS MY HAPPIEST MOMENT ♪ 752 00:34:58,464 --> 00:35:01,531 ♪ THIS IS THE MOMENT I SHINE ♪ 753 00:35:01,600 --> 00:35:04,000 ♪ MY HEART SIGHS, MY HEART FAINTS ♪ 754 00:35:04,069 --> 00:35:06,803 I'M TELLING YOU, YOU'RE NOT TELLING ME. 755 00:35:06,872 --> 00:35:07,771 NOW WAIT A MINUTE. 756 00:35:07,840 --> 00:35:11,475 ♪ THIS IS MY HAPPIEST MOMENT ♪ 757 00:35:11,543 --> 00:35:13,376 I GOT FIVE DOLLARS IN HARD, COLD CASH, 758 00:35:13,445 --> 00:35:14,678 THAT SAYS YOU'RE WRONG. 759 00:35:14,746 --> 00:35:16,646 ALL RIGHT. 760 00:35:16,715 --> 00:35:18,014 ♪ MY HAPPIEST MOMENT ♪ 761 00:35:18,083 --> 00:35:21,318 ♪ I'M NEVER DONE, I'M NEVER BLUE ♪ 762 00:35:21,386 --> 00:35:22,686 ♪ THE SKY'S IN VIEW ♪ 763 00:35:22,754 --> 00:35:25,522 ♪ IT'S TOO GOOD TO BE TRUE ♪ 764 00:35:25,591 --> 00:35:28,258 TIGER, YOU DON'T HAVE TO SELL ME ON HER. 765 00:35:28,327 --> 00:35:29,659 I LIKE HER FINE. 766 00:35:29,728 --> 00:35:31,461 YEAH, I KNOW, BUT SHE'S WASTED HERE, HENRY. 767 00:35:31,530 --> 00:35:34,764 WHAT SHE NEEDS IS A BREAK. 768 00:35:34,833 --> 00:35:37,434 I WAS JUST SETTING UP FOR THE DEMONSTRATION, 769 00:35:37,503 --> 00:35:40,504 MS. MIMIO. I SEE THE INTERESTING FEATURE. 770 00:35:40,572 --> 00:35:43,140 WHAT MAKES THE LADY VALET UNIQUE, OF COURSE, 771 00:35:43,208 --> 00:35:44,407 IS THE WAY THAT IT WORKS. 772 00:35:44,476 --> 00:35:46,243 OH, I'M TERRIBLY SORRY. ARE YOU ALL RIGHT? 773 00:35:46,311 --> 00:35:50,313 OH, I DID IT. ARE YOU... 774 00:35:50,382 --> 00:35:51,848 THE DOOR. 775 00:35:51,917 --> 00:35:53,216 THE DOOR? 776 00:35:53,285 --> 00:35:55,952 ♪ FEELING GREAT, FEELING FINE ♪ 777 00:35:56,021 --> 00:35:58,822 ♪ FEEL LIKE CHAMPAGNE AND WINE ♪ 778 00:35:58,891 --> 00:36:01,925 ♪ THIS IS MY HAPPIEST MOMENT ♪ 779 00:36:01,994 --> 00:36:04,895 ♪ THIS IS THE MOMENT I SHINE ♪ 780 00:36:04,963 --> 00:36:07,964 ♪ MY HEART SIGHS, MY HEART SINGS ♪ 781 00:36:08,033 --> 00:36:10,901 ♪ DREAMING SUCH CRAZY THINGS ♪ 782 00:36:10,969 --> 00:36:13,603 ♪ THIS IS MY HAPPIEST MOMENT ♪ 783 00:36:13,672 --> 00:36:16,606 ♪ I COULD FLY TO THE MOON WITHOUT WINGS ♪ 784 00:36:16,675 --> 00:36:18,175 ♪ I'M IN LOVE ♪ 785 00:36:18,243 --> 00:36:19,709 ♪ GOT MY CANDLE ALIGHT ♪ 786 00:36:19,778 --> 00:36:23,146 ♪ I'M THE LUCKIEST ONE UNDER THE SUN ♪ 787 00:36:23,215 --> 00:36:25,882 ♪ I SEE BLUE, SKY'S IN VIEW ♪ 788 00:36:25,951 --> 00:36:28,952 ♪ IT'S TOO GOOD TO BE TRUE ♪ 789 00:36:29,021 --> 00:36:31,488 ♪ THIS IS MY HAPPIEST MOMENT ♪ 790 00:36:31,557 --> 00:36:34,791 ♪ AND I'M HAPPY TO SHARE IT ♪ 791 00:36:34,860 --> 00:36:38,061 SHE'S TOO GOOD FOR THIS JOINT. JUST ONE BREAK. 792 00:36:38,130 --> 00:36:43,466 THAT'S ALL SHE NEEDS. JUST ONE BREAK. 793 00:36:43,535 --> 00:36:45,101 AND ONCE YOU SEE HOW THIS WORKS, MS. PRENTICE, 794 00:36:45,170 --> 00:36:49,306 WE THINK YOU'LL ACTUALLY WANT TO ENDORSE THE INVENTION. 795 00:36:49,374 --> 00:36:50,941 WHAT DO YOU CALL IT? 796 00:36:51,009 --> 00:36:55,579 WHAT DO WE-- WE CALL THIS THE LADY VALET. 797 00:36:55,647 --> 00:36:56,780 NOW, YOU'LL NOTICE AN INTERESTING-- 798 00:36:56,848 --> 00:36:58,415 OH, I'M SORRY MS. PRENTICE. 799 00:36:58,483 --> 00:36:59,950 EXCUSE ME. 800 00:37:00,018 --> 00:37:02,552 SIT DOWN. I THINK I GOT YOU RIGHT IN THE MOUTH, HUH? 801 00:37:02,621 --> 00:37:04,287 -YEAH, I'LL SAY. -YOU ALL RIGHT? 802 00:37:04,356 --> 00:37:05,722 GET OUT OF HERE, WOULD YOU? 803 00:37:05,791 --> 00:37:08,658 ♪ FEELING GREAT, FEELING FINE ♪ 804 00:37:08,727 --> 00:37:11,595 ♪ FEEL LIKE CHAMPAGNE AND WINE ♪ 805 00:37:11,663 --> 00:37:14,631 ♪ THIS IS MY HAPPIEST MOMENT ♪ 806 00:37:14,700 --> 00:37:17,601 ♪ THIS IS THE MOMENT I SHINE ♪ 807 00:37:17,669 --> 00:37:20,670 ♪ MY HEART SIGHS, MY HEART SINGS ♪ 808 00:37:20,739 --> 00:37:23,573 ♪ DREAMING SUCH CRAZY THINGS ♪ 809 00:37:23,642 --> 00:37:26,009 ♪ THIS IS MY HAPPIEST MOMENT ♪ 810 00:37:26,078 --> 00:37:28,545 ♪ I COULD FLY TO THE MOON WITHOUT WINGS ♪ 811 00:37:28,614 --> 00:37:32,182 IF ONLY THE KID COULD GET A REAL BREAK. 812 00:37:32,251 --> 00:37:34,551 OH, MY ANKLE! 813 00:37:34,620 --> 00:37:35,585 MS. SWINGER. 814 00:37:35,654 --> 00:37:36,653 I'M SORRY, MS. SWINGER. 815 00:37:36,722 --> 00:37:37,787 DID IT BREAK? 816 00:37:37,856 --> 00:37:41,691 WHAT A BREAK! WHAT A BREAK. 817 00:37:41,760 --> 00:37:43,660 I STILL DON'T UNDERSTAND HOW IT HAPPENED. 818 00:37:43,729 --> 00:37:46,062 WHO CARES? GAYE SWINGER BREAKS A LEG, 819 00:37:46,131 --> 00:37:49,966 LIBB GETS HER BIG CHANCE AT SHOW BUSINESS, I THINK. 820 00:37:50,035 --> 00:37:53,403 ♪ DA DA DA, DA DA DA DA DA DA ♪ 821 00:37:53,472 --> 00:37:55,105 PLEASE, MS. CARUSO, STAND STILL. 822 00:37:55,173 --> 00:37:59,676 ♪ DA DA DA, DA DA DA DA DA DA ♪ 823 00:37:59,745 --> 00:38:00,810 HOLD IT, HOLD IT. 824 00:38:00,879 --> 00:38:02,779 JUST A MOMENT. I'M SO CONFUSED. 825 00:38:02,848 --> 00:38:04,114 HOW ARE YOU DOING, HUN? 826 00:38:04,182 --> 00:38:05,482 OH, ALL THESE MOVES. 827 00:38:05,550 --> 00:38:06,783 IF I COULD JUST TRY IT ONCE, 828 00:38:06,852 --> 00:38:09,719 ON STAGE WITH THE PROPS, THE DANCERS, THE SET. 829 00:38:09,788 --> 00:38:11,888 LIBB, WE JUST DON'T HAVE THE TIME. 830 00:38:11,957 --> 00:38:14,190 IF THERE'D BEEN THE TIME, WE'D HAVE GOTTEN DIANA SHAWL. 831 00:38:14,259 --> 00:38:17,093 AND I WOULDN'T HAVE TO SHORTEN THIS HEM. 832 00:38:17,162 --> 00:38:18,361 THANKS A LOT. 833 00:38:18,430 --> 00:38:19,829 LIBB, YOU'VE GOT TO DO IT. 834 00:38:19,898 --> 00:38:21,364 I DON'T KNOW HOW ELSE I COULD GET YOU 835 00:38:21,433 --> 00:38:24,167 ON A BIG SPECIAL LIKE THIS, WITH DANNY THOMAS. 836 00:38:24,236 --> 00:38:26,236 PAUL CAN'T MISS SEEING ME, CAN HE? 837 00:38:26,305 --> 00:38:29,673 HE'LL SEE IT IF I HAVE TO GLUE HIM TO THE SET. 838 00:38:29,741 --> 00:38:31,708 THE MOST MISERABLE DAY OF MY LIFE, 839 00:38:31,777 --> 00:38:33,743 AND YOU WANT ME TO WATCH A TELEVISION SHOW. 840 00:38:33,812 --> 00:38:36,012 NOBODY'S INTERESTED IN YOUR MISERY. 841 00:38:36,081 --> 00:38:38,581 WELL, YOU WILL BE. EVERYBODY WILL BE, 842 00:38:38,650 --> 00:38:40,583 UNLESS I CAN MAKE IT UP TO HER SOMEHOW. 843 00:38:40,652 --> 00:38:42,018 MAKE IT UP TO WHO? 844 00:38:42,087 --> 00:38:43,019 DON'T EVEN ASK. 845 00:38:43,088 --> 00:38:44,654 ASK? I COULDN'T CARE LESS. 846 00:38:44,723 --> 00:38:45,889 HEY, JAN, I THOUGHT I TOLD YOU, 847 00:38:45,957 --> 00:38:47,891 I CAN'T STAND A SMART ALECK BROAD. 848 00:38:47,959 --> 00:38:51,161 YOU DID, AND IT WORRIES ME SOMETHING AWFUL. 849 00:38:51,229 --> 00:38:53,930 THE ONLY IMPORTANT THING TONIGHT IS LIBB. 850 00:38:53,999 --> 00:38:56,066 WHO? 851 00:38:56,134 --> 00:38:59,636 WHEN ARE YOU GOING TO START REMEMBERING HER NAME, SAM? 852 00:38:59,705 --> 00:39:03,340 WHOSE NAME, GERTRUDE? 853 00:39:03,408 --> 00:39:07,310 YOU MAKE ME SO MAD. 854 00:39:07,379 --> 00:39:10,280 DID ANYBODY EVER TELL YOU THAT WHEN YOU GET ANGRY, 855 00:39:10,349 --> 00:39:14,117 YOU LOOK PRETTY AWFUL? 856 00:39:14,186 --> 00:39:16,853 SHUT UP AND WATCH LIBB. 857 00:39:16,922 --> 00:39:18,221 THAT'S THE SURPRISE. 858 00:39:18,290 --> 00:39:20,590 SHE'S REPLACING GAYE SWINGER ON THE BIG SHOW 859 00:39:20,659 --> 00:39:23,093 DANNY THOMAS IS DOING TONIGHT. 860 00:39:23,161 --> 00:39:26,696 LIBB... 861 00:39:26,765 --> 00:39:29,766 IS REPLACING... 862 00:39:29,835 --> 00:39:32,435 GAYE SWINGER. YEAH, SHE BROKE HER LEG, 863 00:39:32,504 --> 00:39:36,072 OR SPRAINED HER ANKLE, OR SOMETHING. I DON'T KNOW. 864 00:39:36,141 --> 00:39:37,474 GAYE SWINGER? 865 00:39:37,542 --> 00:39:38,641 YEAH. 866 00:39:38,710 --> 00:39:40,343 OKAY, THANK YOU. THANK YOU VERY MUCH. 867 00:39:40,412 --> 00:39:41,745 YOU'RE A WONDERFUL AUDIENCE, AND I'VE GOT 868 00:39:41,813 --> 00:39:42,979 A LITTLE SURPRISE FOR YOU. 869 00:39:43,048 --> 00:39:44,414 A YOUNG LADY THAT'S REALLY DOING US 870 00:39:44,483 --> 00:39:45,949 A FAVOR TONIGHT AND FILLING IN. 871 00:39:46,017 --> 00:39:48,284 I HADN'T MET HER BEFORE TONIGHT, AND TO BE HONEST WITH YOU, 872 00:39:48,353 --> 00:39:49,586 I HAVE NEVER HEARD HER SING. 873 00:39:49,654 --> 00:39:51,821 BUT MY PAL JOHNNY CARSON TELLS ME SHE'S GREAT, 874 00:39:51,890 --> 00:39:53,556 AND THAT'S CERTAINLY GOOD ENOUGH FOR ME. 875 00:39:53,625 --> 00:39:59,562 HOW ABOUT A NICE, WARM WELCOME FOR YOUNG MS. LIBBY CARUSO. 876 00:39:59,631 --> 00:40:05,702 ♪ 877 00:40:17,649 --> 00:40:23,386 ♪ BE MY LOVE ♪ 878 00:40:23,455 --> 00:40:29,726 ♪ FOR NO ONE ELSE CAN HEAL THIS YEARNING ♪ 879 00:40:33,498 --> 00:40:36,866 ♪ THIS NEED THAT YOU ♪ 880 00:40:36,935 --> 00:40:42,305 ♪ AND YOU ALONE CREATE ♪ 881 00:40:43,742 --> 00:40:47,510 ♪ JUST FILL MY ARMS ♪ 882 00:40:47,579 --> 00:40:52,549 ♪ THE WAY YOU FILL MY DREAMS ♪ 883 00:40:52,617 --> 00:40:58,421 ♪ THE DREAMS THAT YOU INSPIRE ♪ 884 00:40:59,758 --> 00:41:05,829 ♪ WITH EVERY SWEET DESIRE ♪ 885 00:41:07,933 --> 00:41:12,502 ♪ BE MY LOVE ♪ 886 00:41:12,571 --> 00:41:14,737 ♪ AND WITH YOUR KISSES ♪ 887 00:41:14,806 --> 00:41:19,042 ♪ SEND ME BURNING ♪ 888 00:41:19,110 --> 00:41:25,215 ♪ ONE KISS IS ALL I NEED TO SEAL MY FATE ♪ 889 00:41:26,785 --> 00:41:29,352 ♪ AND HAND-IN-HAND ♪ 890 00:41:29,421 --> 00:41:33,389 ♪ WE'LL FIND LOVE'S PROMISED LAND ♪ 891 00:41:33,458 --> 00:41:39,796 ♪ THERE'LL BE NO ONE BUT YOU FOR ME ♪ 892 00:41:41,600 --> 00:41:46,436 ♪ ETERNALLY ♪ 893 00:41:48,006 --> 00:41:54,077 ♪ IF YOU WILL BE MY LOVE ♪ 894 00:41:59,384 --> 00:42:01,184 ♪ BE MY LOVE ♪ 895 00:42:01,253 --> 00:42:04,053 ♪ FOR NO ONE ELSE CAN HEAL THIS YEARNING ♪ 896 00:42:04,122 --> 00:42:06,890 ♪ BURNING WITH A FIRE, LOVELY FIRE ♪ 897 00:42:06,958 --> 00:42:10,727 ♪ ONE SPARK CAN AWAKEN ♪ 898 00:42:10,795 --> 00:42:12,529 ♪ OH, PLEASE TAKE ME ♪ 899 00:42:12,597 --> 00:42:14,297 ♪ TAKE ME, TAKE ME ♪ 900 00:42:14,366 --> 00:42:16,099 ♪ HAND-IN-HAND ♪ 901 00:42:16,167 --> 00:42:19,135 ♪ WE'LL FIND LOVE'S PROMISED LAND ♪ 902 00:42:19,204 --> 00:42:24,841 ♪ THERE'LL BE NO ONE BUT YOU FOR ME ♪ 903 00:42:24,910 --> 00:42:28,645 ♪ ETERNALLY ♪ 904 00:42:28,713 --> 00:42:31,948 ♪ IF YOU WILL BE ♪ 905 00:42:32,017 --> 00:42:36,586 ♪ MY LOVE, LOVE ♪♪ 906 00:42:36,655 --> 00:42:42,358 HELP! SOMEBODY, HELP! 907 00:42:42,427 --> 00:42:44,127 HEY, HEY! NO! 908 00:42:44,195 --> 00:42:48,431 PLEASE! SOMEBODY, LET ME DOWN! 909 00:42:48,500 --> 00:42:50,800 OH! PLEASE! 910 00:42:56,374 --> 00:42:58,975 WAIT A MINUTE! WAIT A MINUTE! 911 00:42:59,044 --> 00:43:02,545 WAIT A MINUTE! I DON'T MIND A FIGHT. 912 00:43:02,614 --> 00:43:04,581 I DON'T MIND A STRUGGLE. 913 00:43:04,649 --> 00:43:08,785 I DON'T EVEN MIND A KNOCKDOWN DRAG-OUT BATTLE, 914 00:43:08,853 --> 00:43:10,920 BUT A WAR? 915 00:43:17,028 --> 00:43:21,297 THAT WAS A VERY NICE THING YOU JUST DID. 916 00:43:21,366 --> 00:43:22,765 OH, BOY. 917 00:43:22,834 --> 00:43:26,002 WELL, SUPPOSE YOU JUST SING NOW, HUH? 918 00:43:26,071 --> 00:43:28,605 MR. THOMAS, YOU MEAN WE'RE STILL ON THE AIR? 919 00:43:28,673 --> 00:43:31,908 HONEY, I THINK WE JUST PICKED UP THE BIGGEST AUDIENCE 920 00:43:31,977 --> 00:43:34,477 IN THE HISTORY OF TELEVISION. 921 00:43:36,881 --> 00:43:38,314 COME OVER HERE, AND SIT DOWN. 922 00:43:38,383 --> 00:43:41,250 SIT DOWN RIGHT HERE, AND SING A SONG FOR EVERYBODY, 923 00:43:41,319 --> 00:43:43,219 BECAUSE I KNOW YOU GOT A REAL NICE VOICE. 924 00:43:43,288 --> 00:43:46,489 NOW, WHAT'S YOUR FAVORITE SONG? 925 00:43:46,558 --> 00:43:50,226 THAT'S A NICE SONG. 926 00:43:50,295 --> 00:43:54,797 IF MY SPONSOR IS WATCHING, THIS IS ONLY A REHEARSAL. 927 00:43:54,866 --> 00:43:56,165 OH, BOY. 928 00:43:56,234 --> 00:43:59,168 WALLY, A LITTLE SOMETHING IN A FLAT, HUH? 929 00:43:59,237 --> 00:44:01,537 ♪ 930 00:44:01,606 --> 00:44:04,207 ♪ YOUR EYES ARE BLUE ♪ 931 00:44:04,275 --> 00:44:07,276 ♪ YOUR KISSES TOO ♪ 932 00:44:07,345 --> 00:44:12,315 ♪ I NEVER KNEW WHAT THEY COULD DO ♪ 933 00:44:12,384 --> 00:44:16,819 ♪ I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH... ♪ 934 00:44:16,888 --> 00:44:18,521 WIPE THE TEARDROP FROM YOUR EYE. 935 00:44:18,590 --> 00:44:21,591 IF YOU HAD A NOSE LIKE MINE, THEN YOU CRY. 936 00:44:21,660 --> 00:44:27,697 ♪ YOU'RE TELLING EVERYONE I KNOW I'M ON YOUR MIND ♪ 937 00:44:27,766 --> 00:44:30,733 ♪ EACH PLACE YOU GO ♪ 938 00:44:30,802 --> 00:44:37,040 ♪ THEY CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME ♪ 939 00:44:37,108 --> 00:44:38,841 YOU KNOW THIS SONG? 940 00:44:38,910 --> 00:44:40,176 COME ON, SING IT WITH ME. 941 00:44:40,245 --> 00:44:44,747 ♪ I HAVE ALWAYS PLACED YOU... ♪ 942 00:44:44,816 --> 00:44:48,685 ♪ FAR ABOVE ME ♪ 943 00:44:48,753 --> 00:44:53,156 ♪ I JUST CAN'T IMAGINE... ♪ 944 00:44:53,224 --> 00:44:58,027 ♪ THAT YOU REALLY LOVE ME ♪ 945 00:44:58,096 --> 00:45:02,565 ♪ AND AFTER ALL IS SAID AND DONE ♪ 946 00:45:02,634 --> 00:45:07,170 ♪ TO THINK THAT I'M THE LUCKY ONE ♪ 947 00:45:07,238 --> 00:45:11,074 ♪ I CAN'T BELIEVE THAT YOU'RE IN LOVE ♪ 948 00:45:11,142 --> 00:45:12,141 ♪ WITH ME ♪ 949 00:45:12,210 --> 00:45:13,910 IF I WAS SINGLE AND FANCY FREE, 950 00:45:13,978 --> 00:45:16,879 YOU'D BE THE ONLY GIRL FOR ME. 951 00:45:16,948 --> 00:45:21,117 ♪ I HAVE ALWAYS PLACED YOU ♪ 952 00:45:21,186 --> 00:45:24,420 ♪ SO VERY FAR ABOVE ME ♪ 953 00:45:24,489 --> 00:45:25,855 HEY, THAT'S GOOD. 954 00:45:25,924 --> 00:45:29,559 ♪ I JUST CAN'T IMAGINE ♪ 955 00:45:29,627 --> 00:45:34,197 ♪ THAT YOU LOVE ME ♪ 956 00:45:34,265 --> 00:45:35,431 CAN YOU SING HARMONY? 957 00:45:35,500 --> 00:45:36,432 I'LL TRY. 958 00:45:36,501 --> 00:45:38,968 COME ON, LET'S GIVE IT A GO! 959 00:45:39,037 --> 00:45:44,107 ♪ SO AFTER ALL IS SAID AND DONE ♪ 960 00:45:44,175 --> 00:45:48,678 ♪ TO THINK THAT I'M THE LUCKY ONE ♪ 961 00:45:48,747 --> 00:45:53,382 ♪ I CAN'T BELIEVE THAT YOU'RE IN LOVE ♪ 962 00:45:53,451 --> 00:45:58,187 ♪ I CAN'T BELIEVE THAT YOU'RE IN LOVE ♪ 963 00:45:58,256 --> 00:46:02,859 ♪ I CAN'T BELIEVE THAT YOU'RE IN LOVE ♪ 964 00:46:02,927 --> 00:46:08,598 ♪ WITH ME ♪♪ 965 00:46:14,038 --> 00:46:20,109 ♪ 966 00:46:24,949 --> 00:46:27,483 MILTON, DOLL FACE, 967 00:46:27,552 --> 00:46:30,119 WHAT DO YOU THINK, YOU'RE THE ONLY ONE THAT WANTS HER? 968 00:46:30,188 --> 00:46:33,356 I'VE GOT MORE OFFERS FOR THE KID NOW THAN I CAN HANDLE. 969 00:46:33,424 --> 00:46:37,660 I'M SORRY, PAL, YOU'RE GOING TO HAVE TO STAND IN LINE. 970 00:46:37,729 --> 00:46:39,395 NOW, THAT'S THE KIND OF THING THAT MAKES 971 00:46:39,464 --> 00:46:41,364 AN AGENT'S LIFE WORTHWHILE. 972 00:46:41,432 --> 00:46:43,166 LISTEN, YOU THINK YOU'VE BEEN BUSY? 973 00:46:43,234 --> 00:46:44,600 YOU THINK YOU'VE BEEN ON A MERRY GO-ROUND 974 00:46:44,669 --> 00:46:46,569 THE LAST COUPLE OF WEEKS? THAT'S NOTHING. 975 00:46:46,638 --> 00:46:48,504 WAIT TILL YOU SEE WHAT I GOT LINED UP. 976 00:46:48,573 --> 00:46:52,208 WELL, THAT'S WHAT I CAME TO SEE YOU ABOUT, TIGER. 977 00:46:52,277 --> 00:46:54,677 PLAYING ALL THE DATES, THE TV SHOWS, THE NIGHTCLUBS, 978 00:46:54,746 --> 00:46:57,580 EVERYTHING. IT'S BEEN WONDERFUL, A DREAM. 979 00:46:57,649 --> 00:47:00,116 BUT IT'S BEGINNING TO GET A LITTLE OUT OF HAND. 980 00:47:00,185 --> 00:47:03,519 I'M GOING TO HAVE TO CALL A HALT. 981 00:47:03,588 --> 00:47:05,321 CALL A HALT? 982 00:47:05,390 --> 00:47:06,989 -WHY? -WHY? 983 00:47:07,058 --> 00:47:09,959 BECAUSE IT'S INTERFERING WITH MY JOB AT THE BROKERAGE, 984 00:47:10,028 --> 00:47:11,294 THAT'S WHY. 985 00:47:11,362 --> 00:47:15,097 OH, THAT EXPLAINS A LOT. 986 00:47:15,166 --> 00:47:16,999 SO I GAVE UP MY JOB AT THE SWITCHBOARD, 987 00:47:17,068 --> 00:47:19,735 BUT I INSISTED ON TWO-WEEKS NOTICE. 988 00:47:19,804 --> 00:47:21,103 YOU MEAN THE BROKERAGE DID? 989 00:47:21,172 --> 00:47:24,574 I DID. THEY DIDN'T WANT ANY NOTICE AT ALL. 990 00:47:24,642 --> 00:47:26,576 I STILL THINK MR. FRONT SHOULD BE GIVING THIS PARTY 991 00:47:26,644 --> 00:47:28,811 IN YOUR HONOR, NOT GAYE SWINGER. 992 00:47:28,880 --> 00:47:30,880 YEAH, YOU'D THINK SHE INVENTED THE LADY VALET. 993 00:47:30,949 --> 00:47:34,350 WELL, SHE'S ENDORSING IT, WHICH IS MUCH MORE IMPORTANT. 994 00:47:34,419 --> 00:47:37,086 DOES THIS STRIKE ANYBODY ELSE AS AN ODD COINCIDENCE? 995 00:47:37,155 --> 00:47:39,222 GAYE SWINGER, OF ALL PEOPLE. 996 00:47:39,290 --> 00:47:40,823 IT CERTAINLY DOES. 997 00:47:40,892 --> 00:47:43,359 DID PAUL EVER EXPLAIN HOW HE CONNECTED WITH HER? 998 00:47:43,428 --> 00:47:44,760 I FIGURED MAYBE SEEING ME ON THE SHOW 999 00:47:44,829 --> 00:47:47,096 REPLACING HER IS WHAT GAVE HIM THE IDEA. 1000 00:47:47,165 --> 00:47:48,598 ANYWAY, I HAVEN'T SEEN HIM TO ASK. 1001 00:47:48,666 --> 00:47:50,366 HE'S BEEN SO BUSY. 1002 00:47:50,435 --> 00:47:52,768 WELL, GIVE THE MAN CREDIT. 1003 00:47:52,837 --> 00:47:55,538 IF ALL I HEAR AND READ ABOUT GAYE SWINGER IS TRUE, 1004 00:47:55,607 --> 00:47:58,307 HE'S CERTAINLY FOUND A WOMAN WHO DOES THINGS. 1005 00:47:58,376 --> 00:48:00,309 OH, THE INVENTION, OF COURSE. 1006 00:48:00,378 --> 00:48:02,111 HOW COULD I FORGET? 1007 00:48:02,180 --> 00:48:04,013 ISN'T THAT WHAT BOUGHT US TOGETHER? 1008 00:48:04,082 --> 00:48:06,282 YEAH, WELL THAT'S WHAT I'VE BEEN TRYING TO EXPLAIN. 1009 00:48:06,351 --> 00:48:10,353 THAT WAS WHAT BOUGHT US TOGETHER, NOW WASN'T IT? 1010 00:48:10,421 --> 00:48:14,423 THAT AND THIS CUTE, FUNNY, LITTLE MISHAP? 1011 00:48:14,492 --> 00:48:15,224 YEAH. 1012 00:48:15,293 --> 00:48:16,759 EXCEPT THERE ARE 1013 00:48:16,828 --> 00:48:17,960 A COUPLE OF THINGS I THINK I OUGHT TO EXPLAIN TO YOU, 1014 00:48:18,029 --> 00:48:19,328 BEFORE WE GET TO THE PARTY. 1015 00:48:19,397 --> 00:48:20,763 NOW, IF YOU'D ONLY LISTEN. 1016 00:48:20,832 --> 00:48:22,031 YOU SEE, I HAVE THIS GIRL... 1017 00:48:22,100 --> 00:48:25,768 WON'T LISTEN? I'M ALL EARS, POOPSY. 1018 00:48:25,837 --> 00:48:26,936 ALL EARS! 1019 00:48:27,005 --> 00:48:32,475 WELL, I HAVE THIS GIRLFRIEND-- 1020 00:48:32,543 --> 00:48:38,447 ♪ LA DA DA DA DA LA DA DA DA DA ♪ 1021 00:48:38,516 --> 00:48:44,620 ♪ LA DA DA DA DA LA DA DA ♪ 1022 00:48:44,689 --> 00:48:45,554 OH, PLEASE, DEAR. 1023 00:48:45,623 --> 00:48:47,456 COME ON, REALLY SING FOR US. 1024 00:48:47,525 --> 00:48:50,626 NO, THIS IS GAYE SWINGER'S NIGHT. 1025 00:48:50,695 --> 00:48:53,663 BOY, THIS KIND OF LIFE IS STARTING TO GET ME, I TELL YOU. 1026 00:48:53,731 --> 00:48:54,463 THANKS. 1027 00:48:54,532 --> 00:48:55,998 TOO MUCH BASS PLAYING. 1028 00:48:56,067 --> 00:48:58,534 A LITTLE TOO MUCH HOP-KNOBBING WITH THE ELITE. 1029 00:48:58,603 --> 00:49:00,403 YOU'RE DOING MUCH BETTER AT PLAYING FOR LIBB 1030 00:49:00,471 --> 00:49:01,537 THAN YOU EVER DID HAULING GROCERIES AROUND, 1031 00:49:01,606 --> 00:49:02,905 -AREN'T YOU? -YEAH. 1032 00:49:02,974 --> 00:49:05,474 LET'S SAY I DON'T LIKE THE HOURS. 1033 00:49:05,543 --> 00:49:07,176 WHAT DIFFERENCE DO THE HOURS MAKE? 1034 00:49:07,245 --> 00:49:08,711 SLEEP DURING THE DAY. 1035 00:49:08,780 --> 00:49:13,182 UNFORTUNATELY, I ALSO SLEEP DURING CLASS. 1036 00:49:13,251 --> 00:49:14,483 CLASS? 1037 00:49:14,552 --> 00:49:15,952 UCLA. 1038 00:49:16,020 --> 00:49:18,988 WHY, CUZ, YOU NEVER SAID ANYTHING ABOUT GOING TO COLLEGE. 1039 00:49:19,057 --> 00:49:21,824 WELL, YOU NEVER ASKED. ANYWAY, I'M VERY DEEP. 1040 00:49:21,893 --> 00:49:23,259 HAVEN'T YOU NOTICED? 1041 00:49:23,328 --> 00:49:25,695 YES, I'VE NOTICED. 1042 00:49:25,763 --> 00:49:27,630 I WISH I COULD SAY THE SAME THING ABOUT YOUR GIRLFRIEND 1043 00:49:27,699 --> 00:49:29,098 OVER THERE. 1044 00:49:29,167 --> 00:49:30,533 PERSONALLY, 1045 00:49:30,601 --> 00:49:34,036 I'D JUMP OVER 18 PAUL DAVISES FOR ONE OF YOU. 1046 00:49:34,105 --> 00:49:35,838 -YOU WOULD? -YEAH, SURE. 1047 00:49:35,907 --> 00:49:37,740 IF I WERE LIBB, I WOULD. 1048 00:49:37,809 --> 00:49:40,343 YOU DON'T DIG PAUL? 1049 00:49:40,411 --> 00:49:42,745 NO. WELL, I'LL ADMIT, HE IS SLIGHTLY ATTRACTIVE, 1050 00:49:42,814 --> 00:49:45,081 IF YOU HAPPEN TO GO FOR THAT TYPE, WHICH I DON'T. 1051 00:49:45,149 --> 00:49:47,717 AND HE DOES HAVE A CERTAIN CHARM, 1052 00:49:47,785 --> 00:49:49,251 IF YOU HAPPEN NOT TO SEE THROUGH IT, 1053 00:49:49,320 --> 00:49:51,454 WHICH I DO. SO HE'S TALL. 1054 00:49:51,522 --> 00:49:55,257 SINCE WHEN DOES A FELLA BEING TALL MEAN... 1055 00:49:55,326 --> 00:49:58,194 WHAT? WHAT? WHAT? WHAT? 1056 00:49:58,262 --> 00:50:00,629 WELCOME TO THE CLUB, SWEETIE. 1057 00:50:00,698 --> 00:50:03,399 AW, NO. YOU'RE WRONG. 1058 00:50:03,468 --> 00:50:07,269 YOU'RE ALL WRONG. OH, YOU'RE WAY OFF BASE. 1059 00:50:07,338 --> 00:50:09,238 NO SIREE, BUD. TAKE IT FROM ME, 1060 00:50:09,307 --> 00:50:12,241 YOU ARE ALL WRONG. 1061 00:50:12,310 --> 00:50:17,213 SORRY. YEAH, MY MISTAKE. 1062 00:50:17,281 --> 00:50:19,548 WELL, WELL, THIS IS WHAT I CONSIDER 1063 00:50:19,617 --> 00:50:21,083 A MOMENT WORTH WAITING FOR. 1064 00:50:21,152 --> 00:50:22,618 COME IN, COME IN. 1065 00:50:22,687 --> 00:50:24,520 MS. SWINGER, I JUST WANT YOU TO KNOW, 1066 00:50:24,589 --> 00:50:27,156 I DEEM IT A GREAT PERSONAL PRIVILEGE TO HAVE YOU HERE. 1067 00:50:27,225 --> 00:50:28,924 OH, THANKS, SWEETIE. YOU'RE SWEET. 1068 00:50:28,993 --> 00:50:31,994 ISN'T HE SWEET? WHO IS HE AND WHERE ARE WE? 1069 00:50:32,063 --> 00:50:34,663 OH, MS. SWINGER, I AM THRILLED. 1070 00:50:34,732 --> 00:50:36,332 WHAT'S THIS, THE CHILDREN'S HOUR? 1071 00:50:36,401 --> 00:50:37,466 NO, THIS IS ONE OF THE LITTLE DETAILS... 1072 00:50:37,535 --> 00:50:39,035 MS. CARUSO IS THE CLEVER YOUNG WOMAN 1073 00:50:39,103 --> 00:50:41,637 WHO INVENTED THE LADY VALET. 1074 00:50:41,706 --> 00:50:43,706 GOODY TWO SHOES FOR YOU. NOW, 1075 00:50:43,775 --> 00:50:45,741 WHO DO YOU HAVE TO KNOW TO GET A BELT AROUND HERE? 1076 00:50:45,810 --> 00:50:46,742 A BELT? 1077 00:50:46,811 --> 00:50:48,210 A BELT. A BOOZE. 1078 00:50:48,279 --> 00:50:49,745 OH, THERE'S A WHOLE GANG OF BOOZE, RIGHT OVER HERE. 1079 00:50:49,814 --> 00:50:50,813 INVENTED WHAT? 1080 00:50:50,882 --> 00:50:52,114 THE LADY VALET. 1081 00:50:52,183 --> 00:50:54,850 OH, THE WHO'S I'M SUPPOSED TO WHAT-YOU-MA-CALL-IT? 1082 00:50:54,919 --> 00:50:56,018 YEAH, YOU SEE... 1083 00:50:56,087 --> 00:50:58,187 HEY, YOU DIDN'T TELL ME A GIRL INVENTED IT. 1084 00:50:58,256 --> 00:51:00,623 WELL, THAT'S ONE OF THE LITTLE DETAILS I WANTED TO... 1085 00:51:00,691 --> 00:51:02,925 WELL, WHAT DID SAY YOUR NAME WAS AGAIN, HUN? 1086 00:51:02,994 --> 00:51:04,627 CARUSO. 1087 00:51:04,695 --> 00:51:07,696 CARUSO. ISN'T THERE A SINGER BY THAT NAME? 1088 00:51:07,765 --> 00:51:10,299 YES, BUT HE'S BEEN DEAD FOR A LONG TIME NOW. 1089 00:51:10,368 --> 00:51:11,934 WHAT WAS HIS FIRST NAME AGAIN? 1090 00:51:12,003 --> 00:51:13,536 ENRICO, ITALIAN FELLA. HAD A BEAUTIFUL VOICE. 1091 00:51:13,604 --> 00:51:15,304 YEAH, NEVER MIND HIS FIRST NAME. 1092 00:51:15,373 --> 00:51:17,039 WHAT WAS YOUR FIRST NAME AGAIN? 1093 00:51:17,108 --> 00:51:19,508 -LIBBY. -LIBBY CARUSO. 1094 00:51:19,577 --> 00:51:21,577 HAVEN'T I SEEN YOU SOMEWHERE BEFORE? 1095 00:51:21,646 --> 00:51:23,579 I DON'T KNOW, BUT I'VE SEEN YOU. 1096 00:51:23,648 --> 00:51:26,449 MS. SWINGER, I HAVE WATCHED YOU ON TELEVISION, 1097 00:51:26,517 --> 00:51:28,651 AND IN THE MOVIES, EVER SINCE I WAS A TINY-- 1098 00:51:28,719 --> 00:51:30,019 -HOLD IT. -BEAUTIFUL. 1099 00:51:30,088 --> 00:51:32,555 I DON'T WANT TO START HITTING ANYBODY YET. 1100 00:51:32,623 --> 00:51:34,824 YOU REPLACED ME ON THE DANNY THOMAS SHOW, TRUE? 1101 00:51:34,892 --> 00:51:36,926 -TRUE, BUT THAT WAS-- -YOU'VE ALSO BEEN A SMASH HIT 1102 00:51:36,994 --> 00:51:39,128 -EVER SINCE. ALSO TRUE? -I WOULDN'T SAY THAT. 1103 00:51:39,197 --> 00:51:41,397 AND YOU INVENTED THIS GIMMICK THAT I'M SUPPOSED 1104 00:51:41,466 --> 00:51:42,698 TO PUT MY NAME ON? 1105 00:51:42,767 --> 00:51:43,799 WELL, YES, BUT THAT WAS-- 1106 00:51:43,868 --> 00:51:46,669 OKAY. ONE LAST QUESTION. 1107 00:51:46,737 --> 00:51:49,038 WHO'S SPREADING THE WORD AROUND THAT I'M STUPID? 1108 00:51:49,107 --> 00:51:50,606 -OH, MS. SWINGER. -YOU'RE BRILLIANT. 1109 00:51:50,675 --> 00:51:52,641 I SHOULDN'T ENDORSE ANYTHING FOR HER, 1110 00:51:52,710 --> 00:51:55,144 WHEN SHE'S PROBABLY GOING TO KNOCK ME OUT OF THE BOX. 1111 00:51:55,213 --> 00:51:58,581 OH, YOU CAN BE FUNNIER THAN THAT, SONNY BOY. 1112 00:51:58,649 --> 00:52:00,082 OH, LOOK, MS. SONNY BOY, 1113 00:52:00,151 --> 00:52:02,218 MS. SWINGER, SHE'S NOT GOING TO KNOCK YOU OUT OF THE BOX. 1114 00:52:02,286 --> 00:52:03,719 SHE'S NOBODY. SHE'S A FLUKE. 1115 00:52:03,788 --> 00:52:06,055 SHE'S A LITTLE KID. THE DANNY THOMAS SHOW 1116 00:52:06,124 --> 00:52:07,990 WAS STRICTLY A ONE-SHOT DEAL, AN ACCIDENT. 1117 00:52:08,059 --> 00:52:12,294 YEAH? WELL GET YOUR ACCIDENT TO ENDORSE HER OWN PRODUCTS, 1118 00:52:12,363 --> 00:52:13,662 BUDDY BOY. 1119 00:52:13,731 --> 00:52:18,134 INCIDENTALLY, JUNIOR, I'M SUING YOU FOR MINE. 1120 00:52:18,202 --> 00:52:19,401 MS. SWINGER, 1121 00:52:19,470 --> 00:52:20,803 I'D BE VERY HAPPY TO TAKE CARE OF ALL 1122 00:52:20,872 --> 00:52:22,404 THE MEDICAL... 1123 00:52:25,409 --> 00:52:27,209 HONEST TO GOD, LIBBY, 1124 00:52:27,278 --> 00:52:29,378 YOU MAKE ME SO... 1125 00:52:33,618 --> 00:52:37,553 WHO'S A FLUKE? 1126 00:52:37,622 --> 00:52:38,754 WHAT'S THE MATTER WITH HER? 1127 00:52:38,823 --> 00:52:43,192 WHO'S A NOBODY? A ONE-SHOT? 1128 00:52:43,261 --> 00:52:44,360 A... 1129 00:52:44,428 --> 00:52:45,928 -A LITTLE KID. -A LITTLE-- 1130 00:52:45,997 --> 00:52:49,031 DID HE CALL ME A LITTLE KID? 1131 00:52:49,100 --> 00:52:53,903 WELL, THAT SHOWS JUST HOW MUCH YOU KNOW, SONNY BOY. 1132 00:52:53,971 --> 00:52:57,606 I AM NOT A LITTLE KID, BUT I'LL TELL YOU WHAT I AM. 1133 00:52:57,675 --> 00:53:00,342 I'M AN IDIOT, THAT'S WHAT I AM. 1134 00:53:00,411 --> 00:53:03,212 A DUM-DUM, A YO-YO. 1135 00:53:03,281 --> 00:53:04,547 AS A MATTER OF FACT, 1136 00:53:04,615 --> 00:53:08,450 I AM UNDOUBTEDLY THE BIGGEST YO-YO OF ALL TIMES. 1137 00:53:08,519 --> 00:53:11,487 STEP ASIDE, JUNIOR. 1138 00:53:13,524 --> 00:53:15,024 WHAT WAS THAT ALL ABOUT? 1139 00:53:15,092 --> 00:53:18,694 SHE'S WRONG. SHE ISN'T THE BIGGEST YO-YO OF ALL TIME. 1140 00:53:18,763 --> 00:53:20,629 YOU ARE. 1141 00:53:23,701 --> 00:53:26,435 CAN I HAVE A FEW THOUSAND WORDS WITH YOU? 1142 00:53:26,504 --> 00:53:32,341 I DON'T THINK WE MEAN THE SAME THING WHEN WE SAY PROSPER. 1143 00:53:32,410 --> 00:53:33,943 GO AHEAD, SWEETIE, CRY YOUR EYES OUT. 1144 00:53:34,011 --> 00:53:36,111 -YOU'RE ENTITLED. -I'M ALL RIGHT. 1145 00:53:36,180 --> 00:53:37,413 POOR KID. 1146 00:53:37,481 --> 00:53:39,481 SOME DAY YOU'LL REALIZE THAT YOU ONLY THOUGHT 1147 00:53:39,550 --> 00:53:40,916 YOU WERE IN LOVE WITH THAT BIG GALLOOT. 1148 00:53:40,985 --> 00:53:42,184 YOU KNOW WHY? 1149 00:53:42,253 --> 00:53:44,353 BECAUSE HE DIDN'T GIVE YOU A TUMBLE, THAT'S WHY. 1150 00:53:44,422 --> 00:53:47,089 THE OLD HARD-TO-GET ROUTINE GETS THEM EVERY TIME. 1151 00:53:47,158 --> 00:53:51,126 NOBODY WANTS ANYTHING UNLESS THEY THINK THEY CAN'T HAVE IT. 1152 00:53:51,195 --> 00:53:52,661 WE'RE ALL THE SAME. 1153 00:53:52,730 --> 00:53:54,363 IF IT ISN'T HARD TO GET, 1154 00:53:54,432 --> 00:53:55,998 AGAINST THE LAW, OR FATTENING, 1155 00:53:56,067 --> 00:53:57,266 WE'RE NOT INTERESTED. 1156 00:53:57,335 --> 00:53:59,702 -JAN? -WHAT? 1157 00:53:59,770 --> 00:54:03,239 YOU'RE ABSOLUTELY TOTALLY RIGHT. 1158 00:54:03,307 --> 00:54:04,673 -I AM? -CERTAINLY. 1159 00:54:04,742 --> 00:54:09,178 ALL ALONG I'VE BEEN USING THE WRONG APPROACH. 1160 00:54:09,247 --> 00:54:10,246 WRONG APPROACH? 1161 00:54:10,314 --> 00:54:11,714 OH MY DEAR CHILD. 1162 00:54:11,782 --> 00:54:13,482 I DON'T KNOW WHAT THIS IS ALL ABOUT, 1163 00:54:13,551 --> 00:54:15,551 BUT WHATEVER IT IS, TAKE MY ADVICE, 1164 00:54:15,620 --> 00:54:16,952 AND STAY OUT OF IT. 1165 00:54:17,021 --> 00:54:18,988 -REALLY? -REALLY. 1166 00:54:19,056 --> 00:54:22,157 WITH AN ANGEL VOICE LIKE HERS, ALL SHE EVER 1167 00:54:22,226 --> 00:54:24,360 HAS TO DO IN LIFE IS SING. 1168 00:54:24,428 --> 00:54:25,661 SING? 1169 00:54:25,730 --> 00:54:29,231 SING WHEN YOU'RE HAPPY. SING WHEN YOU'RE SAD. 1170 00:54:29,300 --> 00:54:32,868 OH MY DEAR, EVERYBODY'S DYING TO HEAR YOU. 1171 00:54:32,937 --> 00:54:35,571 PLEASE, SHE'S UPSET. SHE CAN'T SING. 1172 00:54:35,640 --> 00:54:37,072 WHO CAN'T SING? 1173 00:54:37,141 --> 00:54:40,309 I'VE NEVER FELT MORE LIKE SINGING IN MY LIFE. 1174 00:54:40,378 --> 00:54:46,248 ♪ 1175 00:54:49,754 --> 00:54:52,121 YOU KNOW SOMETHING? SHE'S RIGHT. 1176 00:54:52,189 --> 00:54:56,058 ALL ALONG, WE'VE BOTH BEEN USING THE WRONG APPROACH. 1177 00:54:56,127 --> 00:55:01,664 ♪ 1178 00:55:01,732 --> 00:55:05,768 ♪ I'VE GOT FORTUNE, I'VE GOT FAME ♪ 1179 00:55:05,836 --> 00:55:09,438 ♪ EVERYBODY IN THE WORLD KNOWS MY NAME ♪ 1180 00:55:09,507 --> 00:55:12,074 ♪ YEAH, YEAH, UH-HUH ♪ 1181 00:55:12,143 --> 00:55:17,980 ♪ BUT I'M JUST LOOKING FOR LOVE ♪ 1182 00:55:18,049 --> 00:55:21,917 ♪ I'VE GOT DIAMONDS, I'VE GOT PEARLS ♪ 1183 00:55:21,986 --> 00:55:25,654 ♪ I'M THE ENVY OF THE TEENAGE GIRLS ♪ 1184 00:55:25,723 --> 00:55:28,023 ♪ YEAH, YEAH, UH-HUH ♪ 1185 00:55:28,092 --> 00:55:32,261 ♪ BUT I'M JUST LOOKING FOR LOVE ♪ 1186 00:55:34,899 --> 00:55:38,367 ♪ I DRIVE AROUND IN CONVERTIBLE CARS ♪ 1187 00:55:38,436 --> 00:55:42,438 ♪ GO TO WILD PARTIES WITH THE MOVIE STARS ♪ 1188 00:55:42,506 --> 00:55:46,075 ♪ I GET TO WEAR FABULOUS FURS ♪ 1189 00:55:46,143 --> 00:55:50,579 ♪ BUT I DON'T HAVE TOWELS MARKED HIS AND HERS ♪ 1190 00:55:50,648 --> 00:55:54,450 ♪ I'LL BE LUCKY AS A GIRL CAN BE ♪ 1191 00:55:54,518 --> 00:55:58,420 ♪ WHEN THAT SAID MAN COMES LOOKING FOR ME ♪ 1192 00:55:58,489 --> 00:56:00,589 ♪ YEAH, YEAH, UH-HUH ♪ 1193 00:56:00,658 --> 00:56:03,325 ♪ I'M JUST LOOKING FOR LOVE ♪ 1194 00:56:03,394 --> 00:56:07,196 ♪ OH YEAH, I'M JUST LOOKING FOR LOVE ♪ 1195 00:56:07,264 --> 00:56:10,933 ♪ YEAH, YEAH, I'M JUST LOOKING FOR... ♪ 1196 00:56:11,001 --> 00:56:14,169 ♪ I DRIVE AROUND IN CONVERTIBLE CARS ♪ 1197 00:56:14,238 --> 00:56:17,973 ♪ I GO TO WILD PARTIES WITH THE MOVIE STARS ♪ 1198 00:56:18,042 --> 00:56:21,577 ♪ I GET TO WEAR FABULOUS FURS ♪ 1199 00:56:21,645 --> 00:56:26,081 ♪ BUT I DON'T HAVE TOWELS MARKED HIS AND HERS ♪ 1200 00:56:26,150 --> 00:56:30,018 ♪ WHO NEEDS ALL OF THIS WEALTH UNTOLD ♪ 1201 00:56:30,087 --> 00:56:33,756 ♪ ALL I NEED IS A LITTLE BAND OF GOLD ♪ 1202 00:56:33,824 --> 00:56:38,127 ♪ YEAH, YEAH, UH-HUH ♪ 1203 00:56:38,195 --> 00:56:42,097 ♪ BIG BOY, I'M JUST LOOKING FOR... ♪ 1204 00:56:42,166 --> 00:56:46,201 ♪ BIG BOY, I KNOW WHAT'S COOKING FOR ♪ 1205 00:56:46,270 --> 00:56:49,371 ♪ BIG BOY... ♪ 1206 00:56:49,440 --> 00:56:52,541 NOW, WHAT MAKES HER THINK SHE'S A YO-YO? 1207 00:56:52,610 --> 00:56:56,145 ♪ I'M LOOKING FOR 1208 00:56:56,213 --> 00:57:02,050 LOVE ♪♪ 1209 00:57:13,998 --> 00:57:16,732 WHAT DO YOU MEAN MS. CARUSO ISN'T AVAILABLE? 1210 00:57:16,801 --> 00:57:18,033 WHAT DO YOU THINK OF THIS BIT? 1211 00:57:18,102 --> 00:57:22,871 AND WHO IS THIS ANYWAY? HER ANSWERING SERVICE? 1212 00:57:22,940 --> 00:57:24,540 WHY DON'T I WHAT? 1213 00:57:24,608 --> 00:57:28,811 WHY DON'T I SEND HER A WIRE, OR WRITE HER A LETTER OR SOMETHING? 1214 00:57:28,879 --> 00:57:31,013 SAY, THAT'S AN EXCELLENT SUGGESTION, 1215 00:57:31,081 --> 00:57:33,916 YEAH. NOW I'VE GOT ONE FOR YOU. 1216 00:57:33,984 --> 00:57:37,553 AND I GOT ONE FOR YOU, BOY. WHY DON'T YOU COOL IT? 1217 00:57:37,621 --> 00:57:39,321 ALL RIGHT, SO YOUR GIRL WON'T TALK TO YOU. 1218 00:57:39,390 --> 00:57:40,656 WHAT YOU SHOULD DO... 1219 00:57:40,724 --> 00:57:43,625 I KEEP TELLING YOU, SHE IS NOT MY GIRL. 1220 00:57:43,694 --> 00:57:45,227 IN THE FIRST PLACE, SHE IS TOO SHORT. 1221 00:57:45,296 --> 00:57:46,929 WAY TOO SHORT. AND IN THE SECOND PLACE, 1222 00:57:46,997 --> 00:57:48,597 SHE'S GOT A CASE ON ME, AND I'M JUST TRYING 1223 00:57:48,666 --> 00:57:50,065 TO HELP HER GET OVER IT, THAT'S ALL. 1224 00:57:50,134 --> 00:57:54,069 GET OVER IT? WELL, ACCORDING TO THE GOSSIP COLUMNS-- 1225 00:57:54,138 --> 00:57:59,107 WHAT, YOU BELIEVE THAT? THAT PUBLICITY? 1226 00:57:59,176 --> 00:58:00,709 OH, LOOK, MR. FRONT, 1227 00:58:00,778 --> 00:58:03,779 NO GIRL COULD BE OUT THAT MANY TIMES WITH THAT MANY GUYS. 1228 00:58:03,848 --> 00:58:05,714 AND EVEN IF SHE WERE TALLER, WHICH SHE ISN'T. 1229 00:58:05,783 --> 00:58:07,149 SHE'S TOO SHORT, LIKE I KEEP TELLING YOU. 1230 00:58:07,218 --> 00:58:09,651 AND I KEEP HEARING YOU. WAY TOO SHORT. 1231 00:58:09,720 --> 00:58:11,386 MAYBE SHE'S AT THE PHOTOGRAPHER'S. 1232 00:58:11,455 --> 00:58:13,989 WASN'T SHE GOING TO POSE FOR THE ADS FOR THE LADY VALET TODAY? 1233 00:58:14,058 --> 00:58:16,191 YEAH, EITHER THAT, OR DO HER SCREEN TEST. 1234 00:58:16,260 --> 00:58:18,160 SCREEN TEST? 1235 00:58:18,229 --> 00:58:19,761 YES. 1236 00:58:19,830 --> 00:58:23,098 SHE'S GOING TO BE A MOVIE STAR? 1237 00:58:23,167 --> 00:58:24,533 WHY NOT? 1238 00:58:24,602 --> 00:58:27,269 LOOK, MR. FRONT, 1239 00:58:27,338 --> 00:58:29,404 I THOUGHT WE WERE STRETCHING IT, JUST A BIT, 1240 00:58:29,473 --> 00:58:31,907 WHEN WE LET THE KID ENDORSE HER OWN PRODUCT. 1241 00:58:31,976 --> 00:58:33,408 SO THEN SHE CUTS A RECORD. 1242 00:58:33,477 --> 00:58:35,177 SO THEN SHE DOES A COUPLE OF TELEVISION SHOWS... 1243 00:58:35,246 --> 00:58:36,979 SO THEY WANT THE KID IN LAS VEGAS. 1244 00:58:37,047 --> 00:58:38,914 SO THE KID IS GETTING OFFERS FROM EVERYBODY. 1245 00:58:38,983 --> 00:58:41,750 SO I CAN'T THINK OF ANYBODY BETTER TO ENDORSE 1246 00:58:41,819 --> 00:58:43,352 THE LADY VALET THAN THE KID. 1247 00:58:43,420 --> 00:58:44,820 RIGHT. ALL RIGHT, ALL RIGHT, ALL RIGHT, SIR. 1248 00:58:44,889 --> 00:58:48,657 YES, I WENT ALONG WITH IT, DIDN'T I? 1249 00:58:48,726 --> 00:58:52,961 HELLO, IS MS. CARUSO THERE, PLEASE? 1250 00:58:53,030 --> 00:58:55,864 PAUL DAVIS, WHO'S THIS? 1251 00:58:55,933 --> 00:59:01,570 HER WHAT? HER SECRETARY? 1252 00:59:01,639 --> 00:59:05,574 THERE ARE NO STRAIGHT MEN LEFT. EVERYBODY'S A COMEDIAN. 1253 00:59:05,643 --> 00:59:08,176 HE SAYS EVERYBODY'S A COMEDIAN. 1254 00:59:08,245 --> 00:59:10,946 DID YOU WISH TO MAKE AN APPOINTMENT? 1255 00:59:11,015 --> 00:59:13,348 ALL RIGHT, JAN, QUIT HORSING AROUND. 1256 00:59:13,417 --> 00:59:15,918 OH, I DON'T SEE HOW SHE'LL HAVE THE TIME TO TALK TO YOU TODAY. 1257 00:59:15,986 --> 00:59:19,354 PERHAPS WE COULD SQUEEZE IN YOUR CALL TOMORROW. 1258 00:59:19,423 --> 00:59:21,723 OH YEAH, WELL YOU CAN TELL HER FOR ME... 1259 00:59:21,792 --> 00:59:24,459 YOU WATCH YOUR LANGUAGE, BUSTER. 1260 00:59:24,528 --> 00:59:25,761 WHAT DID HE SAY? 1261 00:59:25,829 --> 00:59:27,763 NOT IN FRONT OF TIGER. 1262 00:59:27,831 --> 00:59:31,099 NOW LOOK KIDS, FUN IS FUN, BUT LET'S STOP KIDDING AROUND. 1263 00:59:31,168 --> 00:59:32,534 WE GOT DEALS TO MAKE. 1264 00:59:32,603 --> 00:59:35,037 AND I CAN'T HOLD EVERYBODY OFF INDEFINITELY. 1265 00:59:35,105 --> 00:59:36,171 WHAT DO YOU WANT TO DO, LIBB? 1266 00:59:36,240 --> 00:59:38,040 I DON'T KNOW, TIGER. 1267 00:59:38,108 --> 00:59:42,244 I CAN'T MAKE UP MY MIND UNTIL I HAVE THINGS SETTLED WITH PAUL. 1268 00:59:42,313 --> 00:59:43,745 WELL, DO YOU WANT ME TO SIGN THE CONTRACTS, 1269 00:59:43,814 --> 00:59:45,147 AND THEN RUN OFF AND GET MARRIED, 1270 00:59:45,215 --> 00:59:46,014 AND QUIT? 1271 00:59:46,083 --> 00:59:47,516 CHIN, SWEETIE, THE CHIN. 1272 00:59:47,585 --> 00:59:50,886 WHAT'S WRONG WITH GETTING MARRIED AND HAVING YOUR CAREER? 1273 00:59:50,955 --> 00:59:52,421 YOU CAN'T HAVE BOTH. 1274 00:59:52,489 --> 00:59:53,488 SURE YOU CAN. 1275 00:59:53,557 --> 00:59:55,924 LONG AS YOU REMEMBER WHICH IS MORE IMPORTANT. 1276 00:59:55,993 --> 00:59:57,292 THAT'S RIGHT. 1277 00:59:57,361 --> 00:59:58,760 AS LONG AS YOU NEVER LET YOUR MARRIAGE 1278 00:59:58,829 --> 01:00:00,028 INTERFERE WITH YOUR CAREER, 1279 01:00:00,097 --> 01:00:03,632 YOU'VE GOT IT MADE. I SAID IT WRONG. 1280 01:00:03,701 --> 01:00:04,933 BLESS YOUR HEART. 1281 01:00:05,002 --> 01:00:07,269 OKAY. I DON'T LIKE TO DO THIS, LIBB, 1282 01:00:07,338 --> 01:00:08,971 BUT I'M GOING TO HAVE TO GET TOUGH. 1283 01:00:09,039 --> 01:00:10,706 NOW, YOU'RE GOING TO HAVE TO MAKE A DECISION 1284 01:00:10,774 --> 01:00:12,007 RIGHT HERE AND NOW. 1285 01:00:12,076 --> 01:00:13,375 ARE YOU GOING TO MAKE THE SCREEN TEST? 1286 01:00:13,444 --> 01:00:16,211 I TOLD YOU, I'D DO THAT WEDNESDAY. 1287 01:00:16,280 --> 01:00:19,748 SCREEN TEST FOR GEORGE HAMILTON, LIBBY CARUSO. 1288 01:00:19,817 --> 01:00:21,483 SPEED. 1289 01:00:21,552 --> 01:00:23,619 ALL RIGHT, ACTION. 1290 01:00:23,687 --> 01:00:25,954 COME IN. 1291 01:00:26,023 --> 01:00:27,789 DOCTOR PARKS? 1292 01:00:27,858 --> 01:00:30,225 COME IN, MS. FRANKLIN. 1293 01:00:30,294 --> 01:00:32,861 I'M LEAVING THE HOSPITAL TODAY. 1294 01:00:32,930 --> 01:00:36,331 YES, I... I KNOW. 1295 01:00:36,400 --> 01:00:38,066 I WISH I KNEW HOW TO THANK YOU, 1296 01:00:38,135 --> 01:00:42,904 BUT I SIMPLY DON'T KNOW HOW TO PUT MY GRATITUDE INTO WORDS. 1297 01:00:42,973 --> 01:00:44,206 WOULD YOU MIND? 1298 01:00:44,274 --> 01:00:48,777 WOULD IT BE ALL RIGHT IF I KISSED YOU GOODBYE? 1299 01:00:48,846 --> 01:00:53,048 OF COURSE. 1300 01:00:53,117 --> 01:00:54,650 ALL RIGHT, CUT. 1301 01:00:54,718 --> 01:00:56,451 THAT'S VERY GOOD. 1302 01:00:56,520 --> 01:00:57,786 THANK YOU. 1303 01:00:57,855 --> 01:01:00,789 THIS TIME, A LITTLE MORE HESITATION 1304 01:01:00,858 --> 01:01:04,192 ON "GRATITUDE," MS. CARUSO. 1305 01:01:04,261 --> 01:01:08,997 I SIMPLY DON'T KNOW HOW TO PUT MY GRATITUDE INTO WORDS. 1306 01:01:09,066 --> 01:01:11,500 THAT'S FINE. NOW THIS TIME, KISS HIM. 1307 01:01:11,568 --> 01:01:13,101 -KISS HIM? -YES. 1308 01:01:13,170 --> 01:01:14,936 -I DID. -YOU KISSED HIM ON THE CHEEK. 1309 01:01:15,005 --> 01:01:16,171 I MEAN REALLY KISS HIM. 1310 01:01:16,240 --> 01:01:17,406 YOU CAN MOVE IN A LITTLE, GEORGE. 1311 01:01:17,474 --> 01:01:19,007 -OKAY. -YOU MEAN KISS HIM FOR REAL? 1312 01:01:19,076 --> 01:01:22,511 -YES. -GEORGE HAMILTON, ON THE LIPS? 1313 01:01:22,579 --> 01:01:24,179 BUT YOU'RE SECRETLY IN LOVE WITH HIM, HONEY. 1314 01:01:24,248 --> 01:01:25,447 YOU MAY NEVER SEE HIM AGAIN. 1315 01:01:25,516 --> 01:01:27,382 BUT ACTUALLY, WE ONLY JUST MET. 1316 01:01:27,451 --> 01:01:29,217 -WHO? -MR. HAMILTON AND I. 1317 01:01:29,286 --> 01:01:30,619 WHAT'S THAT GOT TO DO WITH THIS? 1318 01:01:30,688 --> 01:01:32,154 WELL, YOU JUST DON'T GO AROUND KISSING 1319 01:01:32,222 --> 01:01:33,689 SOMEBODY YOU HARDLY KNOW, 1320 01:01:33,757 --> 01:01:36,458 ESPECIALLY IN FRONT OF A LOT OF STRANGERS. 1321 01:01:36,527 --> 01:01:39,928 I HOPE YOU UNDERSTAND. I MEAN, I'D LOVE TO KISS YOU, 1322 01:01:39,997 --> 01:01:41,296 ANY GIRL WOULD. 1323 01:01:41,365 --> 01:01:43,465 IF SHE COULD GET YOU ALONE. BUT EVEN THEN, 1324 01:01:43,534 --> 01:01:47,402 A KISS ON THE LIPS IS SOMETHING YOU HAVE TO WORK UP TO, 1325 01:01:47,471 --> 01:01:48,437 AT LEAST I DO. 1326 01:01:48,505 --> 01:01:50,906 SINCE MR. HAMILTON HAS BEEN SO KIND 1327 01:01:50,974 --> 01:01:53,341 AS TO TAKE TIME OFF FROM A VERY BUSY SCHEDULE, 1328 01:01:53,410 --> 01:01:55,177 TO HELP YOU WITH THIS TEST, DO YOU THINK YOU MIGHT TRY 1329 01:01:55,245 --> 01:01:57,079 TO WORK UP TO IT? 1330 01:01:57,147 --> 01:01:59,948 WELL, WHEN YOU PUT IT THAT WAY... 1331 01:02:00,017 --> 01:02:03,351 LOOK, I'LL DO WHAT I CAN TO HELP YOU. 1332 01:02:03,420 --> 01:02:04,319 THANK YOU. 1333 01:02:04,388 --> 01:02:09,157 ALL RIGHT, LET'S TRY IT AGAIN. 1334 01:02:09,226 --> 01:02:11,393 WHERE DO THEY GET THESE SCREWY DAMES? 1335 01:02:11,462 --> 01:02:15,697 WHAT'S SCREWY? TO HER, A KISS IS SOMETHING SPECIAL. 1336 01:02:15,766 --> 01:02:17,432 READY, GEORGE? 1337 01:02:17,501 --> 01:02:19,067 AS FAR AS I KNOW. 1338 01:02:19,136 --> 01:02:20,435 READY, MS. CARUSO? 1339 01:02:20,504 --> 01:02:22,137 READY. 1340 01:02:22,206 --> 01:02:24,072 23 ACT, TAKE TWO. 1341 01:02:24,141 --> 01:02:27,509 ROLL THEM. ACTION. 1342 01:02:27,578 --> 01:02:28,710 COME IN. 1343 01:02:28,779 --> 01:02:29,811 DOCTOR PARKS? 1344 01:02:29,880 --> 01:02:34,249 OH, COME IN, MS. FRANKLIN. 1345 01:02:34,318 --> 01:02:36,218 I'M LEAVING THE HOSPITAL TODAY. 1346 01:02:36,286 --> 01:02:39,221 YES, I... I KNOW. 1347 01:02:39,289 --> 01:02:40,422 I WISH I KNEW HOW TO THANK YOU, 1348 01:02:40,491 --> 01:02:46,394 BUT I SIMPLY DON'T KNOW HOW TO PUT MY... 1349 01:02:46,463 --> 01:02:51,233 GRATITUDE INTO WORDS. WOULD IT BE ALL RIGHT? 1350 01:02:51,301 --> 01:02:53,869 WOULD YOU MIND IF I, UM... 1351 01:02:53,937 --> 01:02:56,872 IF KISSED YOU GOODBYE? 1352 01:02:56,940 --> 01:02:58,373 OF COURSE. 1353 01:02:58,442 --> 01:03:04,312 ♪ 1354 01:03:08,952 --> 01:03:12,921 YOU KNOW, SHE'S NOT AS SHORT AS I THOUGHT SHE WAS. 1355 01:03:12,990 --> 01:03:15,690 CUT! CUT! CUT! 1356 01:03:18,629 --> 01:03:20,295 THANK YOU, MR. HAMILTON. 1357 01:03:20,364 --> 01:03:23,031 YOU CERTAINLY GOT OVER YOUR SHYNESS IN A HURRY. 1358 01:03:23,100 --> 01:03:26,468 WELL, THAT WAS BECAUSE OF HIM, 1359 01:03:26,537 --> 01:03:31,273 AND THE FACT THAT MY FIRST CHOICE, MY DREAM MAN, 1360 01:03:31,341 --> 01:03:36,978 HAS ALWAYS BEEN A DOCTOR. 1361 01:03:37,047 --> 01:03:39,714 HEY THERE, LIBB. HEY LIBB! 1362 01:03:39,783 --> 01:03:41,349 EXCUSE ME. I KNOW HER. 1363 01:03:41,418 --> 01:03:42,851 EXCUSE ME. LIBB! 1364 01:03:42,920 --> 01:03:45,954 SAY, LIBB. SAY, LIBBY! 1365 01:03:46,023 --> 01:03:47,122 I KNOW HER. 1366 01:03:47,191 --> 01:03:51,159 OH, PAUL. HOW NICE TO SEE YOU. 1367 01:03:51,228 --> 01:03:53,361 WHERE HAVE YOU BEEN KEEPING YOURSELF? 1368 01:03:53,430 --> 01:03:55,564 ME? I'VE BEEN TRYING TO GET IN TOUCH WITH YOU. 1369 01:03:55,632 --> 01:03:57,432 I JUST SAW YOU DO YOUR SCREEN TEST. 1370 01:03:57,501 --> 01:03:59,935 OH, THAT? THAT WAS ONLY THE LONG SHOT. 1371 01:04:00,003 --> 01:04:03,138 THEY LIKE YOU TO HOLD BACK TILL YOU DO THE CLOSE-UPS. 1372 01:04:03,207 --> 01:04:04,539 HOLD BACK? 1373 01:04:04,608 --> 01:04:10,278 LIBB, CAN WE TOGETHER AND TALK OR SOMETHING? 1374 01:04:10,347 --> 01:04:12,681 WHAT DID YOU HAVE IN MIND? 1375 01:04:12,749 --> 01:04:13,915 WELL, A LOT OF THINGS. 1376 01:04:13,984 --> 01:04:16,251 LIKE ONE DAY YOU'RE MINDING YOUR OWN BUSINESS, 1377 01:04:16,320 --> 01:04:18,720 AND ALL OF A SUDDEN COMES ALONG THIS LITTLE HALF-PINT, 1378 01:04:18,789 --> 01:04:20,922 WHO LOOKS LIKE SHE SHOULD BE PLAYING IN A SANDBOX 1379 01:04:20,991 --> 01:04:22,357 OR SOMETHING, AND THEN... 1380 01:04:22,426 --> 01:04:24,092 -AND THEN... -AND THEN? 1381 01:04:24,161 --> 01:04:25,994 AND THEN YOU TAKE ANOTHER LOOK, 1382 01:04:26,063 --> 01:04:28,063 AND EVERYTHING'S CHANGED. 1383 01:04:28,131 --> 01:04:31,533 AND YOU DON'T KNOW WHAT YOU'VE GOT GOING ON IN YOUR MIND. 1384 01:04:31,602 --> 01:04:36,071 OH, THAT'S AWKWARD. DOES THAT MAKE ANY SENSE TO YOU? 1385 01:04:36,139 --> 01:04:37,472 FINALLY. 1386 01:04:37,541 --> 01:04:39,274 WELL THEN, WHEN CAN I SEE YOU? TONIGHT? 1387 01:04:39,343 --> 01:04:41,476 WELL, I LEAVE FOR LAS VEGAS DAY AFTER TOMORROW, 1388 01:04:41,545 --> 01:04:42,844 SO I GUESS IT'LL HAVE TO BE TONIGHT. 1389 01:04:42,913 --> 01:04:44,346 IS EIGHT O'CLOCK ALL RIGHT? 1390 01:04:44,414 --> 01:04:46,815 OH, DON'T FORGET, PICK ME UP AT THE NEW HOUSE. 1391 01:04:46,884 --> 01:04:48,250 YOU HAVEN'T SEEN THE NEW HOUSE YET, HAVE YOU? 1392 01:04:48,318 --> 01:04:51,853 WHAT? LAS VEGAS? LEAVE? FOR HOW LONG? 1393 01:04:51,922 --> 01:04:54,222 OH, ONLY EIGHT WEEKS. CAN'T BE ANY LONGER, 1394 01:04:54,291 --> 01:04:56,057 BECAUSE THEN I HAVE TO LEAVE ON MY TOUR. 1395 01:04:56,126 --> 01:04:57,392 TOUR? 1396 01:04:57,461 --> 01:04:58,793 I'M GOING TO TIE IN PERSONAL APPEARANCES 1397 01:04:58,862 --> 01:05:02,464 WITH THE LADY VALET. 1398 01:05:02,532 --> 01:05:04,266 I DIDN'T KNOW IT WAS SET YET. 1399 01:05:04,334 --> 01:05:05,667 I SIGN THE CONTRACTS TOMORROW. 1400 01:05:05,736 --> 01:05:08,403 AND I DON'T HAVE TO DECIDE ABOUT EUROPE UNTIL LATER. 1401 01:05:08,472 --> 01:05:09,704 EUROPE? 1402 01:05:09,773 --> 01:05:11,473 IF THEY LIKE MY SCREEN TEST, I'M GOING TO BE MAKING 1403 01:05:11,541 --> 01:05:14,809 A MOVIE IN EUROPE, AND JAN SAYS WE'LL MEET ALL KINDS 1404 01:05:14,878 --> 01:05:16,378 OF INTERESTING PEOPLE. 1405 01:05:16,446 --> 01:05:20,949 YEAH. OH, JAN'S GOING TOO? 1406 01:05:21,018 --> 01:05:22,284 FOR HOW LONG? 1407 01:05:22,352 --> 01:05:27,188 AT LAST COUNT, NOT MORE THAN TWO YEARS. 1408 01:05:27,257 --> 01:05:30,191 EIGHT O'CLOCK THEN? 1409 01:05:30,260 --> 01:05:34,329 EIGHT. TWO YEARS? 1410 01:05:34,398 --> 01:05:36,064 ISN'T THAT A LONG TIME? 1411 01:05:36,133 --> 01:05:37,565 UH-HUH. 1412 01:05:38,669 --> 01:05:42,904 ♪ 1413 01:05:42,973 --> 01:05:44,940 YOU'RE GOING TOO? 1414 01:05:45,008 --> 01:05:50,879 ♪ 1415 01:05:55,919 --> 01:05:57,719 OH, JAN, WHICH ONE? 1416 01:05:57,788 --> 01:06:00,989 THE WRONG DRESS COULD RUIN EVERYTHING. 1417 01:06:01,058 --> 01:06:03,458 MIND IF I ASK A QUESTION? 1418 01:06:03,527 --> 01:06:05,794 HOW COME, IF YOU'RE MEANT FOR EACH OTHER, 1419 01:06:05,862 --> 01:06:08,830 IT TAKES MORE PLANNING, RESEARCH AND MANEUVERING 1420 01:06:08,899 --> 01:06:10,665 THAN IT DOES TO GET A MAN ON THE MOON? 1421 01:06:10,734 --> 01:06:12,000 LACK OF TIME. 1422 01:06:12,069 --> 01:06:13,635 TIGER HAS TO HAVE AN ANSWER FOR EVERYBODY TOMORROW, 1423 01:06:13,704 --> 01:06:16,171 SO I HAVE TO GET PAUL TO PROPOSE TONIGHT. 1424 01:06:16,239 --> 01:06:17,539 -TONIGHT? -RIGHT. 1425 01:06:17,607 --> 01:06:18,807 AND IT'LL BE A NEAT TRICK, ON ACCOUNT OF 1426 01:06:18,875 --> 01:06:20,408 HE HASN'T GOT THE FAINTEST IDEA 1427 01:06:20,477 --> 01:06:22,444 THAT HE WANTS TO GET MARRIED. 1428 01:06:22,512 --> 01:06:26,014 WELL, I'M SURE YOU'LL GET THE IDEA ACROSS. 1429 01:06:26,083 --> 01:06:28,083 YOU AND THE BELLS, ONLY... 1430 01:06:28,151 --> 01:06:29,551 ONLY WHAT? 1431 01:06:29,619 --> 01:06:31,353 WELL, I THINK SOMEBODY SHOULD BE KNOCKING HIS BRAINS OUT 1432 01:06:31,421 --> 01:06:32,721 TO WIN YOU. 1433 01:06:32,789 --> 01:06:34,422 WHAT DIFFERENCE DOES IT MAKE WHO WINS WHO? 1434 01:06:34,491 --> 01:06:37,592 CUZ IS THE ONLY MAN I'LL EVER LOVE. 1435 01:06:37,661 --> 01:06:40,128 CUZ? WHAT'D YOU JUST SAY? 1436 01:06:40,197 --> 01:06:44,132 I SAID 'CAUSE PAUL'S THE ONLY MAN I'LL EVER LOVE. 1437 01:06:44,201 --> 01:06:46,301 WHAT DID YOU THINK I SAID? 1438 01:06:46,370 --> 01:06:47,535 I THOUGHT YOU SAID CUZ. 1439 01:06:47,604 --> 01:06:49,204 'CAUSE. 1440 01:06:49,272 --> 01:06:51,473 BY THE WAY, HAS ANYBODY HEARD FROM HIM? 1441 01:06:51,541 --> 01:06:52,474 WHO? 1442 01:06:52,542 --> 01:06:54,142 CUZ? 1443 01:06:54,211 --> 01:06:55,744 I TALKED WITH HIM TODAY. 1444 01:06:55,812 --> 01:06:59,214 OH? WELL, GIVE HIM MY REGARDS, 1445 01:06:59,282 --> 01:07:01,549 NEXT TIME YOU TALK TO HIM. 1446 01:07:01,618 --> 01:07:03,018 OKAY. 1447 01:07:03,086 --> 01:07:04,919 WHEN DO YOU THINK THAT'LL BE? 1448 01:07:04,988 --> 01:07:07,522 ABOUT HALF AN HOUR. 1449 01:07:07,591 --> 01:07:09,491 YOU MEAN YOUR DATE'S WITH HIM? 1450 01:07:09,559 --> 01:07:11,659 MY DATE'S WITH HIM. 1451 01:07:11,728 --> 01:07:14,729 COME ON, THERE'S PAUL, AND HE'S TWO MINUTES EARLY. 1452 01:07:14,798 --> 01:07:16,531 THAT'S A GOOD SIGN, ISN'T IT? 1453 01:07:16,600 --> 01:07:18,333 YOU'RE NOT EVEN READY. WHAT KIND OF SIGN IS THAT? 1454 01:07:18,402 --> 01:07:21,369 PART OF MY PLAN. I'LL ONLY BE A MINUTE. 1455 01:07:21,438 --> 01:07:24,672 WILL YOU GO TO TALK TO HIM? GO AHEAD. 1456 01:07:24,741 --> 01:07:28,877 ♪ 1457 01:07:29,780 --> 01:07:31,746 HELLO? 1458 01:07:31,815 --> 01:07:32,847 HI. 1459 01:07:32,916 --> 01:07:35,483 -MY, DON'T YOU LOOK NICE. -THANK YOU. 1460 01:07:35,552 --> 01:07:38,486 STILL USING THAT GREASY KID STUFF? 1461 01:07:38,555 --> 01:07:41,056 I'M SUPPOSED TO ENTERTAIN YOU WHILE YOU WAIT. 1462 01:07:41,124 --> 01:07:44,125 WHAT WOULD YOU LIKE? CARD TRICKS? FUNNY SAYINGS? 1463 01:07:44,194 --> 01:07:45,560 OR SHALL I RECITE A POEM? 1464 01:07:45,629 --> 01:07:47,962 NO, YOUR DOUBLE TALK IS ENTERTAINING ENOUGH. 1465 01:07:48,031 --> 01:07:49,230 WHAT DOUBLE TALK? 1466 01:07:49,299 --> 01:07:51,332 LIKE THE WAY YOU SAY HELLO. 1467 01:07:51,401 --> 01:07:54,969 NOW, THAT CAN MEAN ANYTHING FROM "HI, HOW ARE YOU," 1468 01:07:55,038 --> 01:07:59,074 TO "PARDON ME, WHILE I STICK A SHIV IN YOUR BACK." 1469 01:07:59,142 --> 01:08:02,510 OH, I SEE, YOU'RE GOING TO DO THE FUNNY SAYINGS. 1470 01:08:02,579 --> 01:08:05,313 LET ME KNOW WHEN I'M SUPPOSED TO LAUGH. 1471 01:08:05,382 --> 01:08:08,750 SURE YOU KNOW HOW? ALL RIGHT, COME ON, JAN. 1472 01:08:08,819 --> 01:08:10,185 WHAT IS IT WITH YOU? WHAT'S YOUR BEEF WITH ME? 1473 01:08:10,253 --> 01:08:13,755 I BEG YOUR PARDON. 1474 01:08:13,824 --> 01:08:17,459 I BEG YOUR PARDON. I BEG YOUR PARDON. 1475 01:08:17,527 --> 01:08:22,430 GOT IT. THAT MEANS TOUCH MY BODY AND I'LL SCREAM, RIGHT? 1476 01:08:22,499 --> 01:08:23,965 WHY, NO SUCH THING. 1477 01:08:24,034 --> 01:08:27,569 MEANS YOUR TOUCH SENDS SHIVERS DOWN MY SPINE. 1478 01:08:27,637 --> 01:08:30,738 ONE LOOK AND I GROW FAINT. MY KNEES ARE WEAK. 1479 01:08:30,807 --> 01:08:32,040 I KNOW IT'S HOPELESS, BUT.. 1480 01:08:32,109 --> 01:08:33,108 COME ON, CUT THAT OUT! 1481 01:08:33,176 --> 01:08:34,776 WHY PAUL, I'M SURPRISED. 1482 01:08:34,845 --> 01:08:35,944 AT WHAT? 1483 01:08:36,012 --> 01:08:39,447 YOU ARE STILL USING THAT GREASY KID STUFF. 1484 01:08:39,516 --> 01:08:41,182 GREETINGS. 1485 01:08:41,251 --> 01:08:46,621 ♪ 1486 01:08:46,690 --> 01:08:47,889 WOW. 1487 01:08:47,958 --> 01:08:49,757 LIBB, YOU LOOK LOVELY. 1488 01:08:49,826 --> 01:08:50,625 THANK YOU, JAN. 1489 01:08:50,694 --> 01:08:53,695 YEAH. WELL, SHALL WE GO? 1490 01:08:53,763 --> 01:08:54,996 YES. 1491 01:08:55,065 --> 01:08:59,868 ♪ 1492 01:08:59,936 --> 01:09:00,935 NIGHT, JAN. 1493 01:09:01,004 --> 01:09:01,903 GOOD NIGHT. 1494 01:09:01,972 --> 01:09:04,439 OH, HAVE A GOOD TIME WITH CUZ. 1495 01:09:04,508 --> 01:09:05,773 I WILL, THANKS. 1496 01:09:05,842 --> 01:09:10,311 JAN'S GOING OUT WITH CUZ. ISN'T IT NICE? 1497 01:09:10,380 --> 01:09:11,479 DANDY. 1498 01:09:11,548 --> 01:09:13,348 SO GLAD YOU APPROVE. 1499 01:09:13,416 --> 01:09:16,918 I NOT ONLY APPROVE, I GIVE YOU MY BLESSING. 1500 01:09:16,987 --> 01:09:18,319 CAN WE GO, JAN? 1501 01:09:18,388 --> 01:09:19,687 LIBB. 1502 01:09:19,756 --> 01:09:25,026 THAT'S WHAT I SAID, LIBB. 1503 01:09:25,095 --> 01:09:28,530 "I GIVE YOU MY BLESSING." OH, NO YOU DON'T. 1504 01:09:28,598 --> 01:09:31,733 YOU GIVE ME A BIG, FAT, PAIN IN THE... 1505 01:09:33,703 --> 01:09:39,574 ♪ 1506 01:10:08,705 --> 01:10:13,074 ♪ LA DA DA DA, LA DA DA DA DA DA ♪ 1507 01:10:13,143 --> 01:10:19,047 ♪ 1508 01:10:31,228 --> 01:10:34,829 ♪ SOMEDAY ♪ 1509 01:10:34,898 --> 01:10:38,132 ♪ YOU WILL FIND ME ♪ 1510 01:10:38,201 --> 01:10:40,435 ♪ YOU'LL TAKE ME 1511 01:10:40,503 --> 01:10:46,407 AND MAKE ME A PART OF YOU ♪ 1512 01:10:46,476 --> 01:10:50,345 ♪ LOVE OF MY DREAMS, 1513 01:10:50,413 --> 01:10:54,315 WHEREVER YOU ARE ♪ 1514 01:10:54,384 --> 01:10:58,052 ♪ WHEREVER YOU ARE, 1515 01:10:58,121 --> 01:11:02,190 I LOVE YOU ♪ 1516 01:11:02,259 --> 01:11:04,993 ♪ WAITING ♪ 1517 01:11:05,061 --> 01:11:10,632 ♪ I'VE BEEN WAITING TO HOLD YOU ♪ 1518 01:11:10,700 --> 01:11:12,800 ♪ AND GIVE YOU 1519 01:11:12,869 --> 01:11:17,205 A LOVE THAT'S TRUE ♪ 1520 01:11:17,274 --> 01:11:21,576 ♪ OH, LOVE OF MY DREAMS, 1521 01:11:21,645 --> 01:11:25,213 WHEREVER YOU ARE ♪ 1522 01:11:25,282 --> 01:11:28,983 ♪ WHEREVER YOU ARE, 1523 01:11:29,052 --> 01:11:31,786 I LOVE YOU ♪ 1524 01:11:31,855 --> 01:11:35,256 ♪ WHEREVER YOU ARE, 1525 01:11:35,325 --> 01:11:38,192 COME FIND ME ♪ 1526 01:11:38,261 --> 01:11:41,429 ♪ AND TAKE ALL THE LOVE 1527 01:11:41,498 --> 01:11:45,800 I LONG TO GIVE ♪ 1528 01:11:45,869 --> 01:11:49,037 ♪ WHOEVER YOU ARE, 1529 01:11:49,105 --> 01:11:52,073 I LOVE YOU ♪ 1530 01:11:52,142 --> 01:11:58,279 ♪ AND I'LL LOVE YOU AS LONG AS I LIVE ♪ 1531 01:12:02,619 --> 01:12:08,556 ♪ ONE DAY, IF I'M LUCKY ♪ 1532 01:12:08,625 --> 01:12:12,927 ♪ YOU'LL SEE ME AND KNOW ME ♪ 1533 01:12:12,996 --> 01:12:16,898 ♪ AND WANT ME TOO ♪ 1534 01:12:16,966 --> 01:12:21,502 ♪ OH, LOVE OF MY DREAMS, 1535 01:12:21,571 --> 01:12:26,741 WHEREVER YOU ARE ♪ 1536 01:12:26,810 --> 01:12:32,447 ♪ WHOEVER YOU ARE ♪ 1537 01:12:32,515 --> 01:12:38,419 ♪ I LOVE YOU ♪♪ 1538 01:12:38,488 --> 01:12:44,559 ♪ 1539 01:12:48,031 --> 01:12:49,731 NOT HERE. 1540 01:12:49,799 --> 01:12:52,266 OF COURSE NOT. 1541 01:12:52,335 --> 01:12:56,104 OF COURSE NOT HERE. 1542 01:12:56,172 --> 01:12:58,072 WHERE? 1543 01:12:58,141 --> 01:13:01,242 HE'S SHALLOW, VERY SHALLOW. 1544 01:13:01,311 --> 01:13:03,678 THAT'S PROBABLY WHY I DON'T LIKE HIM. 1545 01:13:03,747 --> 01:13:05,079 YOU STILL DON'T LIKE HIM? 1546 01:13:05,148 --> 01:13:06,948 MORE THAN EVER. 1547 01:13:07,016 --> 01:13:08,850 WELL, LIBBY HAS HER DRAWBACKS TOO. 1548 01:13:08,918 --> 01:13:10,818 AND I CERTAINLY DON'T INTEND TO WASTE 1549 01:13:10,887 --> 01:13:15,656 MY VALUABLE TIME HIDING AWAY IN BALTIMORE. 1550 01:13:15,725 --> 01:13:20,828 BALTIMORE. WHAT'S PLAYING IN BALTIMORE? 1551 01:13:20,897 --> 01:13:23,765 JOHN HOPKINS MEDICAL SCHOOL. 1552 01:13:23,833 --> 01:13:26,000 MEDICAL SCHOOL? 1553 01:13:26,069 --> 01:13:30,338 YOU? YOU'RE GOING TO BE A DOCTOR? 1554 01:13:30,407 --> 01:13:33,040 DID IT EVER OCCUR TO YOU THAT LIBB MIGHT HAVE BEEN 1555 01:13:33,109 --> 01:13:36,677 VERY INTERESTED IN A MAN WHO'S GOING TO BE A DOCTOR. 1556 01:13:36,746 --> 01:13:39,113 IT'S TOO LATE. 1557 01:13:39,182 --> 01:13:42,350 ANYHOW, YOU CAN'T FIGHT THE BELLS. 1558 01:13:42,419 --> 01:13:43,751 BELLS? 1559 01:13:43,820 --> 01:13:45,887 WHEN THEY KISS, BELLS ARE GOING TO RING. 1560 01:13:45,955 --> 01:13:47,789 THAT'S HOW THEY'LL KNOW IT'S FOR REAL. 1561 01:13:47,857 --> 01:13:50,158 THEY'RE GOING TO HEAR BELLS. 1562 01:13:50,226 --> 01:13:56,130 ♪ 1563 01:14:04,707 --> 01:14:08,643 OH, PAUL, IT'S BEEN SUCH A WONDERFUL EVENING. 1564 01:14:08,711 --> 01:14:10,711 I WISH IT WEREN'T OVER. 1565 01:14:10,780 --> 01:14:12,947 OVER? LISTEN, LIBB. 1566 01:14:13,016 --> 01:14:14,382 I HATE TO SAY GOOD NIGHT. 1567 01:14:14,451 --> 01:14:16,884 -GOOD NIGHT? LISTEN, LIBB-- -I MEAN, GOODBYE. 1568 01:14:16,953 --> 01:14:18,119 LISTEN, LIBB, ANGEL. 1569 01:14:18,188 --> 01:14:19,921 PAUL, DO YOU THINK WE SHOULD START 1570 01:14:19,989 --> 01:14:21,756 ANYTHING WE CAN'T FINISH? 1571 01:14:21,825 --> 01:14:22,890 I WANT TO FINISH! 1572 01:14:22,959 --> 01:14:25,092 BY ALL MEANS, LET'S FINISH. 1573 01:14:25,161 --> 01:14:26,661 YOU MEAN, YOU WANT TO GET MARRIED? 1574 01:14:26,729 --> 01:14:27,929 -YEAH, YEAH. -OH, PAUL. 1575 01:14:27,997 --> 01:14:29,630 -MARRIED, ANYTHING. -OH, WE'LL BE SO HAPPY. 1576 01:14:29,699 --> 01:14:32,600 YOU KNOW, THE FIRST THING I'LL DO, I'LL GIVE UP MY CAREER. 1577 01:14:32,669 --> 01:14:35,169 -GREAT, WONDERFUL. -OH, PAUL, PLEASE. 1578 01:14:35,238 --> 01:14:36,437 PLEASE, PAUL. 1579 01:14:36,506 --> 01:14:39,707 -PLEASE, PLEASE. -PLEASE WHAT? 1580 01:14:39,776 --> 01:14:42,176 PLEASE KISS ME. 1581 01:14:42,245 --> 01:14:44,045 YEAH! 1582 01:14:44,113 --> 01:14:45,313 ♪ 1583 01:14:54,591 --> 01:14:56,357 DO YOU HEAR ANYTHING? 1584 01:14:56,426 --> 01:14:57,425 NO, NO. 1585 01:14:57,494 --> 01:14:59,794 THAT'S STRANGE. NEITHER DO I. 1586 01:14:59,863 --> 01:15:01,896 DO YOU MIND IF WE TRY IT AGAIN? 1587 01:15:09,439 --> 01:15:13,007 MAYBE YOU'RE NOT HOLDING ME RIGHT. HERE. 1588 01:15:13,076 --> 01:15:16,077 A LITTLE CLOSER, PLEASE. NOW. 1589 01:15:24,020 --> 01:15:27,588 I WONDER IF I'M TRYING TOO HARD. 1590 01:15:27,657 --> 01:15:28,990 LOOK, DON'T WORRY ABOUT IT. 1591 01:15:29,058 --> 01:15:31,893 I'M SURE THERE'S NOTHING AT ALL TO WORRY ABOUT. 1592 01:15:31,961 --> 01:15:33,361 ANYWAY, EVERYTHING ELSE IS SETTLED, 1593 01:15:33,429 --> 01:15:36,130 AND WE CAN WORK OUT THE DETAILS TOMORROW. 1594 01:15:36,199 --> 01:15:36,998 DETAILS? 1595 01:15:37,066 --> 01:15:38,165 ABOUT GETTING MARRIED? 1596 01:15:38,234 --> 01:15:40,668 YEAH. YEAH, YEAH, SURE, SURE. 1597 01:15:40,737 --> 01:15:45,239 JUST DON'T YOU WORRY. 1598 01:15:45,308 --> 01:15:47,308 GOOD NIGHT. 1599 01:15:47,377 --> 01:15:48,576 GOOD NIGHT. 1600 01:15:48,645 --> 01:15:53,314 ♪ 1601 01:15:53,383 --> 01:15:54,982 MARRIED? 1602 01:15:56,586 --> 01:16:02,456 ♪ 1603 01:16:03,226 --> 01:16:04,191 HI. 1604 01:16:04,260 --> 01:16:05,793 HI. 1605 01:16:05,862 --> 01:16:08,863 CONGRATULATIONS IN ORDER? 1606 01:16:08,932 --> 01:16:11,499 IT WORKED? HE BOUGHT THE WHOLE ROUTINE? 1607 01:16:11,568 --> 01:16:13,067 PERFECTLY. 1608 01:16:13,136 --> 01:16:17,171 WELL, THAT'S WONDERFUL, HUN. AS LONG AS THAT'S WHAT YOU WANT. 1609 01:16:17,240 --> 01:16:22,610 EXCEPT FOR ONE LITTLE, MINOR THING. 1610 01:16:22,679 --> 01:16:24,478 NO BELLS. 1611 01:16:24,547 --> 01:16:26,047 NO BELLS? 1612 01:16:26,115 --> 01:16:29,483 THERE'S PROBABLY A THOUSAND REASONS WHY I DIDN'T HEAR THEM. 1613 01:16:29,552 --> 01:16:31,586 I AM OVERTIRED. GOODNESS KNOWS THE PAST FEW WEEKS 1614 01:16:31,654 --> 01:16:32,887 HAVE BEEN MURDER. 1615 01:16:32,956 --> 01:16:35,823 NO BELLS? 1616 01:16:35,892 --> 01:16:38,659 I COULD HAVE BEEN CONCENTRATING TOO HARD. 1617 01:16:38,728 --> 01:16:41,162 OR MAYBE MY EARS ARE STUFFED. DO YOU THINK JAN-- 1618 01:16:41,230 --> 01:16:46,367 LIBBY, YOU KNOW, PEOPLE DON'T REALLY HEAR BELLS. 1619 01:16:46,436 --> 01:16:47,935 SURE, I KNOW. 1620 01:16:48,004 --> 01:16:52,239 BUT AT LEAST I'D LIKE TO THINK I'LL HEAR THEM. 1621 01:16:52,308 --> 01:16:56,210 -OH, JAN, I'M IN BIG TROUBLE. -WHAT DO YOU MEAN? 1622 01:16:56,279 --> 01:16:59,213 WELL, I PROMISED TIGER I'D SET ALL THE DEALS TOMORROW. 1623 01:16:59,282 --> 01:17:02,049 BUT HOW I CAN I SET THEM IF I'M GOING TO GET MARRIED? 1624 01:17:02,118 --> 01:17:03,884 ON THE OTHER HAND, I DON'T WANT TO CANCEL THEM 1625 01:17:03,953 --> 01:17:05,987 IF I'M NOT GOING TO GET MARRIED. 1626 01:17:06,055 --> 01:17:08,089 AND I AM NOT GOING TO GET MARRIED 1627 01:17:08,157 --> 01:17:11,158 UNTIL I HEAR THOSE BELLS. 1628 01:17:11,227 --> 01:17:14,061 JAN, WHAT AM I GOING TO DO? 1629 01:17:14,130 --> 01:17:18,265 WELL, HONEY, WHO KNOWS? TOMORROW, YOU MAY NOT BE TIRED. 1630 01:17:18,334 --> 01:17:20,935 YOUR EARS MAY BE OKAY. YOU KISS PAUL, 1631 01:17:21,004 --> 01:17:23,170 AND BELLS WILL RING ALL OVER THE PLACE. 1632 01:17:23,239 --> 01:17:25,806 SOUNDS FINE, EXCEPT WHERE? 1633 01:17:25,875 --> 01:17:27,308 HOW? WHEN? 1634 01:17:27,377 --> 01:17:30,244 I CAN'T ASK HIM TO COME OVER HERE FOR A KISS TEST. 1635 01:17:30,313 --> 01:17:31,345 A KISS TEST? 1636 01:17:31,414 --> 01:17:34,815 WELL, THAT'S JUST WHAT IT AMOUNTS TO. 1637 01:17:34,884 --> 01:17:38,552 YEAH, IT DOES, DOESN'T IT? 1638 01:17:38,621 --> 01:17:40,087 WHAT ARE YOU THINKING? 1639 01:17:40,156 --> 01:17:44,892 I'M THINKING HOW YOU COULD... WAIT. 1640 01:17:44,961 --> 01:17:46,527 WHY NOT? 1641 01:17:46,596 --> 01:17:48,095 WHY NOT? 1642 01:17:48,164 --> 01:17:50,231 -I'M FOR IT! -YOU SURE? 1643 01:17:50,299 --> 01:17:54,335 IT'S A BRILLIANT IDEA. WHAT IS IT? 1644 01:17:54,404 --> 01:17:57,204 WHERE CAN YOU GO AND KISS TO YOUR HEART'S CONTENT, 1645 01:17:57,273 --> 01:17:58,839 WITH NOBODY PAYING ATTENTION? 1646 01:17:58,908 --> 01:18:01,308 I DON'T KNOW, BUT IT MUST BE HEAVEN. 1647 01:18:01,377 --> 01:18:04,278 A RAILROAD STATION OR AN AIRPORT. 1648 01:18:04,347 --> 01:18:07,648 SO, YOU HAVE TO LEAVE FOR SOMEWHERE UNEXPECTEDLY, 1649 01:18:07,717 --> 01:18:09,183 TOMORROW MORNING. 1650 01:18:09,252 --> 01:18:10,885 I'LL GET UP REAL EARLY, AND I'LL CALL PAUL AND CUZ, 1651 01:18:10,953 --> 01:18:13,954 AND TELL THEM TO MEET US AT THE AIRPORT, IN THE CLIPPER ROOM. 1652 01:18:14,023 --> 01:18:16,524 JAN, THAT'S NOT A BAD IDEA. 1653 01:18:16,592 --> 01:18:19,994 I HEARD YOU THE FIRST TIME. IT'S BRILLIANT. 1654 01:18:20,063 --> 01:18:22,296 PAN AMERICAN AIRWAYS JET CLIPPER. 1655 01:18:22,365 --> 01:18:27,168 FLIGHT 16 FOR GUATEMALA, PANAMA, AND RIO DE JANEIRO, 1656 01:18:27,236 --> 01:18:31,572 IS NOW PREPARING FOR DEPARTURE FROM GATE NUMBER 27. 1657 01:18:34,777 --> 01:18:35,710 WHAT ARE YOU LOOKING FOR? 1658 01:18:35,778 --> 01:18:37,211 SOMETHING TO STAND ON. 1659 01:18:37,280 --> 01:18:39,880 I KNEW I SHOULD HAVE BROUGHT A SUITCASE 1660 01:18:39,949 --> 01:18:41,849 OR A LADDER OR SOMETHING. 1661 01:18:41,918 --> 01:18:44,185 -WHAT? -FOR PAUL! 1662 01:18:44,253 --> 01:18:46,887 WELL, STAND ON YOUR TOES AND LOOK UP. 1663 01:18:46,956 --> 01:18:48,422 I'VE TRIED THAT. 1664 01:18:48,491 --> 01:18:50,658 IT HURTS MY FEET, AND IT GIVES ME A STIFF NECK. 1665 01:18:50,727 --> 01:18:55,196 SOMETIMES I WISH HE WEREN'T SO GOSH DARN TALL. 1666 01:18:55,264 --> 01:18:58,466 WELL, I'LL GO SEE IF I CAN FIND SOMETHING. 1667 01:19:05,908 --> 01:19:06,941 ALL SET? 1668 01:19:07,009 --> 01:19:09,243 BEAUTIFUL. I THINK I OUTDID MYSELF. 1669 01:19:09,312 --> 01:19:11,946 WE GOT BELLS HERE YOU NEVER EVEN HEARD OF. 1670 01:19:12,014 --> 01:19:13,247 NOT NOW, FOR GOODNESS' SAKE. 1671 01:19:13,316 --> 01:19:16,016 YOU WANT TO BLOW THE WHOLE BIT? 1672 01:19:16,085 --> 01:19:19,286 MY ASSISTANTS, SUSIE BELL AND MARY BELL. 1673 01:19:19,355 --> 01:19:21,055 -I'M FLO. -AMY. 1674 01:19:21,124 --> 01:19:24,792 HI. NOW REMEMBER, NOT UNTIL I GIVE THE CUE, 1675 01:19:24,861 --> 01:19:26,927 BUT WHEN I GIVE THE CUE, LET'S HEAR IT. 1676 01:19:26,996 --> 01:19:28,362 RING THEM ALL, RING THEM LIKE CRAZY. 1677 01:19:28,431 --> 01:19:30,164 ALL RIGHT NOW, DRESS REHEARSAL. 1678 01:19:30,233 --> 01:19:32,399 POSITIONS, PLEASE. 1679 01:19:32,468 --> 01:19:37,805 COME ON, LIBB, WE'LL MISS THE PLANE. 1680 01:19:37,874 --> 01:19:39,240 PERFECT. 1681 01:19:39,308 --> 01:19:40,875 NOW, ARE YOU SURE YOU'LL BE ABLE TO HEAR ME ALL RIGHT? 1682 01:19:40,943 --> 01:19:43,611 SURE IS A SURPRISE ALL OF A SUDDEN YOU'RE GOING AWAY, 1683 01:19:43,679 --> 01:19:44,578 TODAY. 1684 01:19:44,647 --> 01:19:47,114 WELL, IT WAS A BIG SURPRISE TO ME TOO. 1685 01:19:47,183 --> 01:19:48,282 ANY QUESTIONS? 1686 01:19:48,351 --> 01:19:50,651 NOT A ONE. NOW, DON'T FORGET, 1687 01:19:50,720 --> 01:19:53,454 COME ON, LIBB, WE'LL MISS THE PLANE. 1688 01:19:53,523 --> 01:19:57,358 COME ON, LIBB, WE'LL MISS THE PLANE. 1689 01:19:57,426 --> 01:19:59,593 PAN AMERICAN AIRWAYS JET CLIPPER, 1690 01:19:59,662 --> 01:20:02,129 FLIGHT ONE, DEPARTING FROM GATE NUMBER 23. 1691 01:20:02,198 --> 01:20:04,165 HI, FELLAS, WELL THAT'S US. 1692 01:20:04,233 --> 01:20:07,034 WE BETTER GET STARTED. SAY GOODBYE, HONEY. 1693 01:20:07,103 --> 01:20:09,069 WELL, THIS IS IT. 1694 01:20:09,138 --> 01:20:10,437 -THIS IS WHAT? -GOOD BYE. 1695 01:20:10,506 --> 01:20:12,206 WOULD YOU PLEASE BEND YOUR KNEES A LITTLE? 1696 01:20:12,275 --> 01:20:13,440 BEND MY WHAT? 1697 01:20:13,509 --> 01:20:15,442 AND SAY GOODBYE. 1698 01:20:15,511 --> 01:20:16,977 OH, OH YEAH. GOODBYE ANGEL. 1699 01:20:17,046 --> 01:20:18,479 I'LL SEE YOU WHEN YOU GET BACK. 1700 01:20:18,548 --> 01:20:21,148 OH, THAT'S FINE. THAT'S A GREAT WAY TO SAY GOODBYE. 1701 01:20:21,217 --> 01:20:22,583 HEY, WOULD YOU BUTT OUT? 1702 01:20:22,652 --> 01:20:25,319 I TOLD YOU, I CAN'T STAND A SMART ALECK BROAD. 1703 01:20:25,388 --> 01:20:28,022 -GOODBYE! -NO, NO, NO, KISS HER. 1704 01:20:28,090 --> 01:20:29,323 WHAT? KISS HER? 1705 01:20:29,392 --> 01:20:31,125 I DON'T KISS PEOPLE IN PUBLIC PLACES. 1706 01:20:31,194 --> 01:20:34,228 SHE'S NOT PEOPLE AND THIS ISN'T THAT PUBLIC. KISS HER. 1707 01:20:34,297 --> 01:20:35,629 WHAT'S YOUR PROBLEM? 1708 01:20:35,698 --> 01:20:38,432 SHE WANTS YOU TO KISS ME, PLEASE, PAUL! 1709 01:20:38,501 --> 01:20:40,100 IS EVERYBODY GOING A LITTLE FRUITCAKE? 1710 01:20:40,169 --> 01:20:41,468 YEAH, IT CERTAINLY LOOKS LIKE IT. 1711 01:20:41,537 --> 01:20:44,004 FOR ONCE IN YOUR LIFE, WILL YOU COOPERATE? 1712 01:20:44,073 --> 01:20:47,208 PAN AMERICAN AIRWAYS, FINAL CALL. 1713 01:20:47,276 --> 01:20:49,677 PAUL, PLEASE. MY NECK'S BEGINNING TO HURT. 1714 01:20:49,745 --> 01:20:51,111 -PLEASE. -OH, I HAVE SEEN 1715 01:20:51,180 --> 01:20:53,280 SOME DING-A-LINGS IN MY DAY, BUT YOU TWO, 1716 01:20:53,349 --> 01:20:55,716 COME ON LIBB, WE'LL MISS THE PLANE. 1717 01:20:55,785 --> 01:20:57,885 COME ON LIBB, WE'LL MISS THE PLANE. 1718 01:20:57,954 --> 01:21:01,322 WHAT THE HELL IS GOING ON? 1719 01:21:01,390 --> 01:21:06,560 ♪ 1720 01:21:06,629 --> 01:21:10,631 OH, CUZ. DID YOU HEAR THOSE BELLS? 1721 01:21:10,700 --> 01:21:13,100 LET'S NOT GET CARRIED AWAY, BUSTER. 1722 01:21:13,169 --> 01:21:16,503 AND HOW TALL ARE YOU? FIVE TEN AND A HALF. 1723 01:21:16,572 --> 01:21:17,504 PERFECT. 1724 01:21:17,573 --> 01:21:19,306 YOU DON'T KNOW HOW PERFECT. 1725 01:21:19,375 --> 01:21:24,078 I'D LIKE YOU TO MEET THE FUTURE DOCTOR CUZ RICKOVER. 1726 01:21:24,146 --> 01:21:28,849 A DOCTOR? JUST WHAT I'VE ALWAYS WANTED! 1727 01:21:28,918 --> 01:21:31,986 ISN'T EVERYBODY ALL MIXED UP? 1728 01:21:32,054 --> 01:21:34,054 THANKS TO ME, AND A FEW BELLS, 1729 01:21:34,123 --> 01:21:36,090 TRUE LOVE REIGNS SUPREME. 1730 01:21:36,158 --> 01:21:37,291 BELLS? 1731 01:21:37,360 --> 01:21:39,426 BELLS. WHEN THEY KISSED, SHE HEARD BELLS. 1732 01:21:39,495 --> 01:21:44,098 THAT'S HOW SHE KNEW CUZ WAS THE ONLY MAN SHE REALLY LOVED. 1733 01:21:44,166 --> 01:21:47,668 WHEN WE KISSED JUST NOW, I HEARD BELLS. 1734 01:21:47,737 --> 01:21:48,802 NATURALLY. 1735 01:21:48,871 --> 01:21:50,204 WHAT NATURALLY? 1736 01:21:50,273 --> 01:21:56,110 COME ON, JUNIOR. I'LL TEACH YOU THE FACTS OF LIFE. 1737 01:21:56,178 --> 01:21:57,311 WHENEVER YOU'RE READY, HONEY. 1738 01:21:57,380 --> 01:21:58,979 -SAY THE WORD. -WE'RE ALL SET. 1739 01:21:59,048 --> 01:22:01,315 YEAH, JUST GIVE US A CUE. 1740 01:22:02,518 --> 01:22:07,922 ♪ 1741 01:22:07,990 --> 01:22:11,358 ♪ IF YOU DON'T WANT FORTUNE AND YOU DON'T WANT FAME ♪ 1742 01:22:11,427 --> 01:22:14,061 ♪ DON'T WANT EVERYBODY TO KNOW YOUR NAME ♪ 1743 01:22:14,130 --> 01:22:15,796 ♪ YEAH, YEAH, UH-HUH ♪ 1744 01:22:15,865 --> 01:22:18,999 ♪ JUST START LOOKING FOR LOVE ♪ 1745 01:22:19,068 --> 01:22:21,435 ♪ L-O-V-E, LOVE ♪ 1746 01:22:21,504 --> 01:22:26,040 HEY, HOW COME I END UP WITH A SMART ALECK BROAD? 1747 01:22:26,108 --> 01:22:27,408 ♪ YEAH, YEAH, UH-HUH ♪ 1748 01:22:27,476 --> 01:22:28,976 ♪ YEAH, YEAH, UH-HUH ♪ 1749 01:22:29,045 --> 01:22:30,344 ♪ YEAH, YEAH, UH-HUH ♪ 1750 01:22:30,413 --> 01:22:32,813 ♪ YEAH, YEAH, UH-HUH ♪ 1751 01:22:32,882 --> 01:22:35,482 ♪ JUST START LOOKING ♪ 1752 01:22:35,551 --> 01:22:38,852 ♪ JUST START LOOKING ♪ 1753 01:22:38,921 --> 01:22:43,457 ♪ JUST START LOOKING ♪ 1754 01:22:43,526 --> 01:22:49,563 ♪ FOR LOVE ♪♪ 140753

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