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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:56,740 --> 00:01:57,740 STAND AND DELIVER. 2 00:01:57,900 --> 00:01:59,150 STAND AND WHAT? 3 00:01:59,320 --> 00:02:01,530 WHAT IN HEAVEN'S NAME ARE YOU DOING, WILLIE? 4 00:02:01,700 --> 00:02:05,740 Boy: HE'S ROBIN HOOD. 5 00:02:05,910 --> 00:02:07,000 ROBIN HOOD? 6 00:02:07,160 --> 00:02:10,500 YEAH, AND NO ONE PASSES THROUGH SHERWOOD FOREST 7 00:02:10,670 --> 00:02:14,380 WITHOUT PAYING TRIBUTE--HALF OF EVERYTHING YOU HAVE. 8 00:02:14,550 --> 00:02:17,630 HALF OF NOTHING IS NOTHING. GET OUT OF THE WAY-- 9 00:02:17,800 --> 00:02:19,300 NO. NOT UNTIL YOU PAY. 10 00:02:19,470 --> 00:02:21,550 Boy: HE ROBS FROM THE RICH AND GIVES TO THE POOR. 11 00:02:21,720 --> 00:02:24,100 HE ALREADY GAVE US A HALF A STICK OF LICORICE. 12 00:02:24,260 --> 00:02:26,350 THOSE ARE MY MERRY MEN, 13 00:02:26,520 --> 00:02:28,100 AND NO ONE CAN BEAT ROBIN HOOD 14 00:02:28,270 --> 00:02:29,600 AND HIS MERRY MEN. 15 00:02:29,770 --> 00:02:32,350 OH, YEAH? WELL, YOU'RE FORGETTING ABOUT LITTLE JOHN, 16 00:02:32,520 --> 00:02:34,270 AND I'M GOING TO BEAT YOU JUST LIKE LITTLE JOHN 17 00:02:34,440 --> 00:02:36,400 UNLESS YOU GET OUT OF MY WAY. 18 00:02:54,460 --> 00:02:56,420 LAURA, WILLIE, STOP IT. 19 00:02:56,590 --> 00:02:58,300 - COME ON, ROBIN HOOD! - COME ON, ROBIN HOOD! 20 00:02:58,460 --> 00:02:59,460 Boy: COME ON! KNOCK HER DOWN! 21 00:02:59,630 --> 00:03:00,800 Boy 2: GET HER, ROBIN HOOD, GET HER! 22 00:03:00,970 --> 00:03:04,800 GO! GO! GO! GO! COME ON, ROBIN HOOD! 23 00:03:04,970 --> 00:03:07,260 GET HER, ROBIN HOOD! GET HER! 24 00:03:07,430 --> 00:03:10,850 [CHILDREN YELLING] 25 00:03:11,020 --> 00:03:13,350 Child: KILL HIM! 26 00:03:25,660 --> 00:03:27,740 WILLIE! 27 00:03:27,910 --> 00:03:30,910 WILLIE! OH, FOR HEAVEN'S-- WILLIE! 28 00:03:33,170 --> 00:03:35,710 STOP IT! STOP IT! I'M ASHAMED OF YOU. 29 00:03:35,880 --> 00:03:37,500 OH, AND I SHOULD SAY YOU SHOULD BE. 30 00:03:37,670 --> 00:03:41,630 LAURA INGALLS! ALWAYS PICKING ON MY WILLIE. 31 00:03:41,800 --> 00:03:43,010 IT WASN'T HER FAULT. 32 00:03:43,180 --> 00:03:44,130 OH, NO. 33 00:03:44,300 --> 00:03:45,760 YEAH. HE SAID HE WAS ROBIN HOOD. 34 00:03:45,930 --> 00:03:47,180 WELL, SO WHAT? 35 00:03:47,350 --> 00:03:48,720 AND HE WOULDN'T LET US THROUGH UNLESS WE PAID HIM. 36 00:03:48,890 --> 00:03:50,100 WELL, IT'S JUST A GAME. 37 00:03:50,270 --> 00:03:52,020 I DON'T THINK THERE'S BEEN MUCH DAMAGE. 38 00:03:52,190 --> 00:03:53,640 [GASPS] 39 00:04:03,530 --> 00:04:06,030 Harriet: WELL, IT MAY NOT SEEM LIKE MUCH TO YOU, 40 00:04:06,200 --> 00:04:09,450 BUT THIS HAPPENS TO HAVE BEEN MY VERY BEST HAT. 41 00:04:09,620 --> 00:04:10,870 WILLIE. 42 00:04:11,040 --> 00:04:13,540 Willie: EVERYONE KNOWS ROBIN HOOD HAS TO HAVE A FEATHER. 43 00:04:13,710 --> 00:04:15,620 OH, WELL, I'LL FEATHER YOU, YOUNG MAN! 44 00:04:15,790 --> 00:04:17,710 WILLIE, YOU COME ALONG WITH ME. 45 00:04:17,880 --> 00:04:20,090 BUT ROBIN HOOD HAS TO HAVE A FEATHER. 46 00:04:20,260 --> 00:04:23,010 Harriet: I DON'T CARE! I WILL FEATHER YOU WHEN I GET YOU HOME. 47 00:04:23,170 --> 00:04:25,680 YOU GET IN THE HOUSE. 48 00:04:25,840 --> 00:04:26,930 GO ON. GET IN THERE. 49 00:04:27,100 --> 00:04:28,800 HURRY UP. HURRY UP. 50 00:04:30,470 --> 00:04:33,310 [CHILDREN ALL TALKING AT ONCE] 51 00:04:45,200 --> 00:04:47,450 Miss Beadle: CHILDREN, SIT DOWN. 52 00:05:06,880 --> 00:05:09,640 THERE IS NO EXCUSE FOR WHAT HAPPENED OUTSIDE JUST NOW. 53 00:05:09,800 --> 00:05:12,260 I WILL NOT TOLERATE FIGHTING AMONG MY STUDENTS. 54 00:05:12,430 --> 00:05:14,600 IT WAS LAURA'S FAULT. SHE WOULDN'T PLAY RIGHT. 55 00:05:14,770 --> 00:05:16,640 WELL, NOBODY LIKES BEING HELD UP. 56 00:05:16,810 --> 00:05:18,940 WELL, ROBIN HOOD CAN'T GIVE ANYTHING AWAY 57 00:05:19,110 --> 00:05:20,150 UNTIL HE GETS SOMETHING. 58 00:05:20,320 --> 00:05:21,400 WELL, YOU'RE NOT ROBIN HOOD! 59 00:05:21,570 --> 00:05:22,770 WELL, YOU'RE POOR, SO THERE! 60 00:05:22,940 --> 00:05:24,110 WELL, YOU'RE DUMB, SO THERE! 61 00:05:24,280 --> 00:05:28,410 WILLIE AND LAURA, GO STAND IN THE CORNER NOW! 62 00:05:32,040 --> 00:05:33,240 IT'S MY CORNER. 63 00:05:33,410 --> 00:05:34,410 [CHILDREN LAUGHING] 64 00:05:34,580 --> 00:05:36,790 LAURA, STAND IN THE OTHER CORNER. 65 00:05:42,300 --> 00:05:43,670 IF THERE ARE ANY FURTHER OUTBURSTS, 66 00:05:43,840 --> 00:05:45,840 I HAVE TWO CORNERS LEFT. 67 00:05:48,130 --> 00:05:49,930 NOW, WHILE I APPRECIATE YOUR ENTHUSIASM 68 00:05:50,090 --> 00:05:52,300 OVER THE BOOKS AND STORIES YOU'VE READ IN CLASS, 69 00:05:52,470 --> 00:05:54,430 YOU MUST UNDERSTAND THAT IT'S NOT SAFE 70 00:05:54,600 --> 00:05:57,270 WHEN YOU LET YOUR PLAYACTING GET OUT OF HAND. 71 00:05:57,440 --> 00:06:01,060 WILLIE, TURN AROUND. 72 00:06:01,230 --> 00:06:02,360 NOW, IT'D BE MUCH BETTER 73 00:06:02,520 --> 00:06:04,690 IF YOU WOULD CHOOSE YOUR PARTS AHEAD OF TIME. 74 00:06:04,860 --> 00:06:07,990 THAT WAY, NO ONE GETS HURT, AND NO ONE GETS ANGRY. 75 00:06:08,150 --> 00:06:09,650 YES, MARY. 76 00:06:09,820 --> 00:06:14,410 COULD WE GET TOGETHER AND DO A PLAY ON SOME OF THE BOOKS WE'VE READ? 77 00:06:14,580 --> 00:06:15,660 WELL, I HADN'T THOUGHT OF IT, 78 00:06:15,830 --> 00:06:18,290 BUT IF THE CLASS WOULD LIKE TO DO IT, 79 00:06:18,460 --> 00:06:22,000 I THINK IT MIGHT BE VERY EDUCATIONAL, AS WELL AS A LOT OF FUN. 80 00:06:22,170 --> 00:06:23,500 WOULD YOU LIKE TO DO THAT? 81 00:06:23,670 --> 00:06:24,840 Children: YES. 82 00:06:25,000 --> 00:06:26,210 WELL, GOOD. 83 00:06:26,380 --> 00:06:28,800 NOW, EACH OF YOU DECIDE THE GROUP YOU WANT TO BE IN, 84 00:06:28,970 --> 00:06:31,390 AND TOGETHER YOU CAN SELECT THE MATERIAL YOU'D LIKE TO DO. 85 00:06:31,550 --> 00:06:32,510 YES. 86 00:06:32,680 --> 00:06:34,430 MAY I INVITE MY MOTHER TO WATCH? 87 00:06:34,600 --> 00:06:36,930 SHE KNOWS EVERYTHING ABOUT ACTING. 88 00:06:37,100 --> 00:06:40,850 YES, NELLIE. I'M SURE SHE DOES. 89 00:06:41,020 --> 00:06:43,480 WHY DON'T WE MAKE THIS A SPECIAL OCCASION? 90 00:06:43,650 --> 00:06:45,770 WE CAN PUT THE PLAYS ON FOR ALL THE PARENTS. 91 00:06:45,940 --> 00:06:47,610 CAN I DO ROBIN HOOD? 92 00:06:47,780 --> 00:06:49,780 WILLIE, FACE THE CORNER. 93 00:06:53,200 --> 00:06:55,240 YOU GUYS ALL READY TO DO ROBIN HOOD? 94 00:06:55,410 --> 00:06:57,790 YOU HEARD MISS BEADLE. WE'D ALL WIND UP IN THE CORNER. 95 00:06:57,950 --> 00:07:00,370 WELL, WE'VE GOT TO FIND SOME KIND OF PLAY TO DO. 96 00:07:00,540 --> 00:07:01,920 YOU GOT ANY MORE LICORICE? 97 00:07:02,080 --> 00:07:04,210 NO. I GAVE IT TO YOU ALL THIS MORNING. 98 00:07:04,380 --> 00:07:07,460 SEE YOU LATER, WILLIE. 99 00:07:15,600 --> 00:07:17,600 NOBODY'LL LET ME BE IN THEIR PLAY. 100 00:07:17,770 --> 00:07:19,600 WELL, YOU CAN'T BE IN MINE. 101 00:07:19,770 --> 00:07:21,730 WHAT'S YOUR STORY ABOUT? 102 00:07:21,890 --> 00:07:25,270 I DON'T KNOW YET, BUT YOU CAN'T BE IN IT. 103 00:07:34,530 --> 00:07:37,240 MAYBE WE COULD DO "SNOW WHITE AND ROSE RED." 104 00:07:37,410 --> 00:07:39,870 WE DON'T HAVE ANYBODY TO PLAY THE PRINCE. 105 00:07:40,040 --> 00:07:41,910 SHE'S RIGHT, LAURA. 106 00:07:42,080 --> 00:07:43,330 GINNY, DO YOU HAVE A FAVORITE? 107 00:07:43,500 --> 00:07:46,000 IT DOESN'T MATTER TO ME. 108 00:07:46,170 --> 00:07:47,340 WELL, WHATEVER IT IS, 109 00:07:47,500 --> 00:07:50,010 IT HAS TO BE SOMETHING WITH ALL GIRLS. 110 00:07:50,170 --> 00:07:52,010 "LITTLE WOMEN" HAS LOTS OF GIRLS. 111 00:07:52,180 --> 00:07:54,590 HEY, THAT'S RIGHT, AND IT'S A GOOD STORY. 112 00:07:54,760 --> 00:07:56,050 "LITTLE WOMEN" IS MY FAVORITE. 113 00:07:56,220 --> 00:07:57,800 I ALREADY KNOW MOST OF IT BY HEART. 114 00:07:57,970 --> 00:08:00,390 THAT'S NICE, NELLIE. NOW ALL WE HAVE TO DO IS PICK OUT A SCENE. 115 00:08:00,560 --> 00:08:03,350 I KNOW JUST THE SCENE. I KNOW JUST THE SCENE WE OUGHT TO DO. 116 00:08:03,520 --> 00:08:05,270 I'LL PLAY MEG. SHE'S THE SMARTEST. 117 00:08:05,440 --> 00:08:06,480 NELLIE. 118 00:08:06,650 --> 00:08:09,020 I DON'T THINK I WANT TO BE IN THIS PLAY. 119 00:08:09,190 --> 00:08:13,200 ALICIA MAY BE RIGHT. "LITTLE WOMEN" MAY NOT BE SUCH A GOOD IDEA AFTER ALL. 120 00:08:13,360 --> 00:08:15,280 IT'S PERFECT. PERFECT! 121 00:08:15,450 --> 00:08:17,370 IT'S JUST PERFECT. WE HAVE JUST THE RIGHT NUMBER 122 00:08:17,530 --> 00:08:20,240 TO PLAY MEG AND BETH AND JO AND MARMEE, 123 00:08:20,410 --> 00:08:22,500 AND MY MOTHER WILL LET US PRACTICE AT MY HOUSE. 124 00:08:22,660 --> 00:08:24,660 OH, COULD WE? 125 00:08:24,830 --> 00:08:25,920 EVERYONE SAYS YOUR PARLOR'S 126 00:08:26,080 --> 00:08:27,790 THE PRETTIEST IN HERO TOWNSHIP. 127 00:08:27,960 --> 00:08:31,300 WELL, YOU'LL HAVE TO WIPE YOUR FEET AND BE CAREFUL NOT TO TOUCH ANYTHING. 128 00:08:31,460 --> 00:08:34,340 I DON'T KNOW, NELLIE... 129 00:08:34,510 --> 00:08:35,970 SAY YES, MARY, PLEASE? 130 00:08:36,140 --> 00:08:38,350 I'D JUST LOVE TO SEE NELLIE'S PARLOR. 131 00:08:38,510 --> 00:08:39,800 I'LL SHOW YOU MY DOLLS, TOO. 132 00:08:39,970 --> 00:08:43,270 I HAVE ONE THAT'S IMPORTED FROM PARIS, FRANCE. 133 00:08:43,430 --> 00:08:46,310 YES, MARY. PLEASE. 134 00:08:49,730 --> 00:08:51,230 ALL RIGHT. 135 00:08:52,570 --> 00:08:54,900 I GUESS "LITTLE WOMEN" IS AS GOOD AS ANYTHING. 136 00:08:55,070 --> 00:08:56,860 GOOD. I'LL HAVE MY MOTHER WRITE IT ALL UP TONIGHT 137 00:08:57,030 --> 00:08:58,990 WITH JUST HOW WE'RE SUPPOSED TO SAY EVERYTHING. 138 00:08:59,160 --> 00:09:01,080 [BELL RINGING] 139 00:09:04,210 --> 00:09:05,910 IF NELLIE'S GOING TO BE IN OUR PLAY, 140 00:09:06,080 --> 00:09:07,210 WE SHOULD HAVE DONE "HANSEL AND GRETEL." 141 00:09:07,380 --> 00:09:08,670 WHY? 142 00:09:08,830 --> 00:09:10,790 THEN SHE COULD BE THE WITCH WHO GETS COOKED IN THE OVEN. 143 00:09:10,960 --> 00:09:12,880 [LAUGHS] 144 00:09:21,350 --> 00:09:22,470 EN GARDE. 145 00:09:22,640 --> 00:09:24,600 COME ON, YOU COWARD, FIGHT. 146 00:09:24,770 --> 00:09:27,190 COME ON. COME ON, YOU COWARD! 147 00:09:27,350 --> 00:09:29,940 EN GARDE, FIGHT! FIGHT, COME ON. 148 00:09:30,110 --> 00:09:32,900 COME ON, YOU COWARD, EN GARDE! 149 00:09:33,070 --> 00:09:35,030 COME ON...COME ON! 150 00:09:35,190 --> 00:09:37,860 [BARKING] 151 00:09:38,030 --> 00:09:40,030 MISS BEADLE, HELP! 152 00:09:40,200 --> 00:09:42,080 MISS BEADLE! 153 00:09:42,240 --> 00:09:44,290 MISS BEADLE, HELP! 154 00:09:47,120 --> 00:09:48,420 [DOG WHIMPERING] 155 00:09:48,580 --> 00:09:51,130 SHOO! SHOO SHOO SHOO! 156 00:09:56,970 --> 00:09:58,720 Ginny: CAN'T WAIT TO TELL MA ABOUT THE PLAY. 157 00:09:58,880 --> 00:10:00,220 DO YOU THINK YOUR FOLKS WILL COME? 158 00:10:00,390 --> 00:10:02,680 - PROBABLY. - I'M SURE THEY WILL. 159 00:10:02,850 --> 00:10:04,180 MA'S GOING TO BE SO EXCITED 160 00:10:04,350 --> 00:10:06,180 WHEN SHE HEARS I'M INVITED TO THE OLESONS'. 161 00:10:06,350 --> 00:10:08,730 IS IT REALLY AS PRETTY AS THEY SAY IT IS? 162 00:10:08,890 --> 00:10:10,230 IT'S ALL RIGHT, I GUESS. 163 00:10:10,400 --> 00:10:11,730 IT IS REALLY PRETTY. 164 00:10:11,900 --> 00:10:13,900 I CAN'T WAIT UNTIL AFTER SCHOOL TOMORROW. 165 00:10:14,070 --> 00:10:15,110 BYE. SEE YOU IN THE MORNING. 166 00:10:15,280 --> 00:10:18,150 - BYE, GINNY. - BYE, GINNY! 167 00:10:22,740 --> 00:10:26,410 Laura: I STILL DON'T SEE WHY YOU HAD TO LET NELLIE IN OUR GROUP. 168 00:10:26,580 --> 00:10:28,460 Mary: YOU SAW THE LOOK ON GINNY'S FACE. 169 00:10:28,620 --> 00:10:29,750 IT MEANT SO MUCH TO HER, 170 00:10:29,920 --> 00:10:31,290 GETTING TO GO TO NELLIE'S AND ALL. 171 00:10:31,460 --> 00:10:33,960 THAT'S LIKE WANTING TO GO TO HELL INSTEAD OF HEAVEN. 172 00:10:34,130 --> 00:10:35,210 LAURA INGALLS! 173 00:10:35,380 --> 00:10:36,380 WELL, LIKE PA SAID, 174 00:10:36,550 --> 00:10:39,380 IT'S GOT TO BE THERE FOR SOMEBODY. 175 00:10:45,680 --> 00:10:47,810 HELLO, MR. MAYFIELD! 176 00:10:58,440 --> 00:10:59,860 HEY, THERE, LITTLE'UN. 177 00:11:00,030 --> 00:11:01,610 HI! 178 00:11:01,780 --> 00:11:04,070 BET YOU CAN'T GUESS WHAT I RUN ONTO TODAY. 179 00:11:04,240 --> 00:11:05,870 - YOU WENT RABBIT HUNTING. - NAH. 180 00:11:06,040 --> 00:11:08,330 NOT RABBIT HUNTING TODAY. 181 00:11:08,500 --> 00:11:10,620 I FOUND ME A REAL HONEY-BEE TREE, 182 00:11:10,790 --> 00:11:12,080 AND I THOUGHT TO MYSELF, 183 00:11:12,250 --> 00:11:13,460 "WHO IS IT THAT LIKES HONEY 184 00:11:13,630 --> 00:11:14,960 BETTER THAN BEARS AND BEES?" 185 00:11:15,130 --> 00:11:16,090 ME! 186 00:11:16,250 --> 00:11:19,050 THAT'S WHAT I THOUGHT TO MYSELF, SO... 187 00:11:21,680 --> 00:11:22,840 HA HA! 188 00:11:23,010 --> 00:11:26,140 I GOT ONE FOR YOU AND ONE FOR YOUR MA TO PUT BACK. 189 00:11:26,310 --> 00:11:31,180 COME ON IN THE HOUSE. MY MA WILL WANT TO THANK YOU. 190 00:11:31,350 --> 00:11:32,560 KIND OF THINK I'LL WAIT OUT HERE. 191 00:11:32,730 --> 00:11:34,560 ALL RIGHT, BUT YOU WAIT, THOUGH, FOR SURE. 192 00:11:34,730 --> 00:11:36,060 FOR SURE. 193 00:11:51,330 --> 00:11:52,330 MAMA, LOOK-- 194 00:11:52,500 --> 00:11:54,080 TELL MR. MAYFIELD WE'RE MOST GRATEFUL, 195 00:11:54,250 --> 00:11:55,670 BUT HE REALLY DIDN'T NEED TO BOTHER. 196 00:11:55,840 --> 00:11:56,880 IT'S HONEY, MAMA. 197 00:11:57,040 --> 00:11:58,290 I KNOW WHAT IT IS. GO TELL HIM. 198 00:11:58,460 --> 00:12:00,340 HE'S WAITING FOR A THANK YOU. 199 00:12:00,510 --> 00:12:03,130 HONEY, HE BROUGHT IT FOR YOU. GO THANK HIM. 200 00:12:03,300 --> 00:12:04,510 BUT HE BROUGHT IT FOR US. 201 00:12:04,680 --> 00:12:06,800 THANK HIM. 202 00:12:09,430 --> 00:12:11,020 ALL RIGHT, MAMA. 203 00:12:14,100 --> 00:12:16,520 MR. MAYFIELD. 204 00:12:18,690 --> 00:12:21,740 MY MA SAYS TO THANK YOU. 205 00:12:21,900 --> 00:12:24,490 YOU TELL HER I SAID YOU'RE WELCOME. 206 00:12:26,740 --> 00:12:29,370 I NOTICE YOUR WOODPILE'S GETTING KIND OF LOW. 207 00:12:29,540 --> 00:12:32,410 YOU TELL YOUR MA I'D BE PROUD TO COME BY AND DO SOME CHOPPING. 208 00:12:32,580 --> 00:12:34,330 Mother: TELL HIM "NO." 209 00:12:40,500 --> 00:12:42,800 BE SEEING YOU. 210 00:12:45,590 --> 00:12:48,550 MR. MAYFIELD. 211 00:12:48,720 --> 00:12:52,520 I UNDERSTAND. 212 00:12:52,680 --> 00:12:54,520 BYE, MR. MAYFIELD. 213 00:12:56,770 --> 00:13:00,730 HYAH! GET UP! 214 00:13:13,700 --> 00:13:19,040 I THINK MR. MAYFIELD'S AWFUL NICE. 215 00:13:19,210 --> 00:13:22,170 WISH I'D REMEMBERED TO TELL HIM I WAS GOING TO BE IN A PLAY. 216 00:13:22,340 --> 00:13:23,420 PLAY? WHAT PLAY IS THAT? 217 00:13:23,590 --> 00:13:25,760 AT SCHOOL. "LITTLE WOMEN." 218 00:13:25,930 --> 00:13:28,430 LAURA AND MARY AND ME AND NELLIE OLESON, 219 00:13:28,590 --> 00:13:29,970 AND WE GET TO PRACTICE AT HER HOUSE. 220 00:13:30,140 --> 00:13:32,600 DOESN'T SOUND LIKE SCHOOL STUDIES TO ME. 221 00:13:32,770 --> 00:13:34,430 IT'S NOT, EXACTLY. 222 00:13:34,600 --> 00:13:36,600 MISS BEADLE CALLS IT AN ENTERTAINMENT. 223 00:13:36,770 --> 00:13:38,650 ALL THE PARENTS ARE INVITED TO COME. 224 00:13:38,810 --> 00:13:42,110 SOUNDS LIKE TAKING PEOPLE'S GOOD TIME AWAY FROM WORK. 225 00:13:42,270 --> 00:13:46,360 MAMA, I WANT YOU TO COME. SAY YES. OH, PLEASE. 226 00:13:46,530 --> 00:13:49,610 OH, GINNY, DON'T PESTER ME. 227 00:13:49,780 --> 00:13:52,660 AW, GINNY, SINCE YOUR PA DIED, 228 00:13:52,830 --> 00:13:53,990 TAKES EVERY MOMENT I GOT 229 00:13:54,160 --> 00:13:55,950 JUST TO KEEP BODY AND SOUL TOGETHER. 230 00:13:56,120 --> 00:13:57,910 BUT, MA, IT'S ONLY ONE MORNING, 231 00:13:58,080 --> 00:13:59,790 AND ALL THE PARENTS WILL BE THERE. 232 00:13:59,960 --> 00:14:02,040 ALL THE MORE REASON FOR ME TO KEEP TO MY HOME. 233 00:14:02,210 --> 00:14:05,130 BESIDES, I DON'T HAVE A DRESS FIT TO WEAR. 234 00:14:05,300 --> 00:14:08,170 PLEASE, MA, JUST THIS ONCE. 235 00:14:08,340 --> 00:14:10,800 OH, GINNY, DON'T ARGUE WITH ME. 236 00:14:10,970 --> 00:14:14,060 NOW, YOU'VE GOT YOUR CHORES TO DO. GO DO THEM. 237 00:14:26,900 --> 00:14:28,990 WELL, THERE'S NO QUESTION ABOUT IT. 238 00:14:29,150 --> 00:14:30,740 WE'LL JUST HAVE TO PLAN ON CLOSING THE STORE 239 00:14:30,910 --> 00:14:32,200 ON FRIDAY MORNING. THAT'S ALL. 240 00:14:32,370 --> 00:14:33,490 WILLIE, USE YOUR FORK. 241 00:14:33,660 --> 00:14:34,620 YES, SIR. 242 00:14:34,790 --> 00:14:36,410 SEEMS KIND OF EXPENSIVE TO ME, HARRIET. 243 00:14:36,580 --> 00:14:38,500 WELL, AFTER ALL, DON'T YOU WANT TO SEE 244 00:14:38,660 --> 00:14:40,670 YOUR DAUGHTER'S DEBUT AS AN ACTRESS, 245 00:14:40,830 --> 00:14:44,000 NOT TO MENTION MINE AS THE PLAYWRIGHT? 246 00:14:44,170 --> 00:14:45,800 YOU'RE GOING TO WRITE IT? 247 00:14:45,960 --> 00:14:47,550 MM-HMM. 248 00:14:47,720 --> 00:14:51,590 MOTHER'S THE ONLY PERSON IN WALNUT GROVE WHO'S BEEN TO A REAL PLAY. 249 00:14:51,760 --> 00:14:53,180 Nels: YES, I'M SURE SHE IS. 250 00:14:53,350 --> 00:14:56,510 IT STILL SOUNDS LIKE A LOT OF TO-DO ABOUT NOTHING TO ME. 251 00:14:56,680 --> 00:14:58,600 WELL, AFTER ALL, WILLIE NEEDS A PART, 252 00:14:58,770 --> 00:15:01,060 SO I CAN WRITE SOMETHING IN IT FOR HIM. 253 00:15:01,230 --> 00:15:03,270 I'M NOT GOING TO BE A LITTLE WOMAN. 254 00:15:03,440 --> 00:15:05,150 Harriet: OH, DON'T BE SILLY. 255 00:15:05,320 --> 00:15:07,860 WELL, THIS IS ONE TIME I TEND TO AGREE WITH WILLIE. 256 00:15:08,030 --> 00:15:09,860 YOU OUGHT TO DO SOMETHING MORE APPROPRIATE FOR A BOY, 257 00:15:10,030 --> 00:15:12,700 LIKE THIS NEW MARK TWAIN BOOK, "TOM SAWYER." 258 00:15:12,870 --> 00:15:15,330 NONE OF THE BOYS WILL DO ANYTHING WITH WILLIE. 259 00:15:15,490 --> 00:15:18,410 THEY WOULD IF I DIDN'T RUN OUT OF LICORICE. 260 00:15:18,580 --> 00:15:21,120 WILLIE, I'VE TOLD YOU, YOU CAN'T BUY FRIENDS. 261 00:15:21,290 --> 00:15:23,540 I WASN'T. I WAS JUST TRYING TO RENT THEM. 262 00:15:23,710 --> 00:15:24,920 OH, WILLIE. 263 00:15:25,090 --> 00:15:27,710 I'VE GOT A COPY OF "TOM SAWYER" UPSTAIRS. 264 00:15:27,880 --> 00:15:29,630 YOU READ IT. YOU'LL FIND SOMETHING IN IT. 265 00:15:29,800 --> 00:15:32,050 A WHOLE BOOK? THAT COULD TAKE A YEAR! 266 00:15:32,220 --> 00:15:34,140 NOT IF YOU WORK AT IT, DEAR. 267 00:15:34,300 --> 00:15:36,390 AFTER ALL, THERE'S NO SACRIFICE 268 00:15:36,560 --> 00:15:38,470 TOO GREAT FOR ONE'S ART, 269 00:15:38,640 --> 00:15:40,180 AND BESIDES, YOU HAVE TO GIVE TO GET. 270 00:15:40,350 --> 00:15:41,850 I DON'T KNOW NOTHING ABOUT SACRIFICE, 271 00:15:42,020 --> 00:15:43,190 BUT I'M GOING TO HAVE TO GIVE 272 00:15:43,350 --> 00:15:44,900 A WHOLE LOT OF LICORICE. 273 00:15:47,900 --> 00:15:50,570 Willie: AH, COME ON, FELLAS. 274 00:15:50,740 --> 00:15:53,910 MY PA SAYS "TOM SAWYER" IS THE BEST BOOK HE EVER READ. 275 00:15:54,070 --> 00:15:55,950 HE EVEN MARKED SOME PAGES IN IT. 276 00:15:56,120 --> 00:15:57,910 I GUESS YOU WANT TO BE TOM SAWYER. 277 00:15:58,080 --> 00:16:00,620 YEAH, BUT IT'S MY PA'S BOOK. 278 00:16:00,790 --> 00:16:03,080 WHY DON'T YOU GET HIM TO DO A PLAY WITH YOU? 279 00:16:03,250 --> 00:16:04,670 I CAN'T DO THAT, 280 00:16:04,830 --> 00:16:06,960 BUT MA SAYS WHOEVER'S IN THE PLAY 281 00:16:07,130 --> 00:16:11,010 CAN HAVE A LICORICE STICK AND SOME SARSAPARILLA AFTER WE DO IT. 282 00:16:11,170 --> 00:16:14,220 SURE ARE ASKING A LOT FOR A LITTLE LICORICE AND SARSAPARILLA. 283 00:16:14,390 --> 00:16:16,180 I MIGHT BE ABLE TO GET SOME MARBLES. 284 00:16:16,350 --> 00:16:18,430 WAIT A MINUTE. YOUR PA'S GOT CHEWING TOBACCO 285 00:16:18,600 --> 00:16:19,810 IN THAT STORE OF HIS, AIN'T HE? 286 00:16:19,970 --> 00:16:23,350 - I GUESS. - AND SOME CIGARS? 287 00:16:23,520 --> 00:16:26,230 YEAH, BUT HE WON'T LET ME USE THEM. 288 00:16:26,400 --> 00:16:27,730 FORGET THE OTHER STUFF. 289 00:16:27,900 --> 00:16:29,900 YOU GET US A CHAW, SOME CIGARS, 290 00:16:30,070 --> 00:16:31,610 AND WE'LL DO THAT "TOM SAWYER" FOR YOU. 291 00:16:31,780 --> 00:16:34,650 YEAH, BUT YOU GOT TO GET THE STUFF BEFORE THE PLAY, 292 00:16:34,820 --> 00:16:36,280 AND YOU CAN'T TELL NOBODY. 293 00:16:36,450 --> 00:16:38,620 OKAY, BUT YOU GOT TO DO AS I SAY. 294 00:16:38,780 --> 00:16:40,620 JUST SO LONG AS YOU KEEP YOUR BARGAIN. 295 00:16:40,790 --> 00:16:43,080 LET'S HAVE A LOOK AT THAT BOOK. 296 00:16:58,010 --> 00:16:58,800 HELLO, MR. MAYFIELD. 297 00:16:58,970 --> 00:17:00,300 - HI, MR. EDWARDS. - HI, PA. 298 00:17:00,470 --> 00:17:02,520 HOW YOU DOING? ARE YOU GIRLS REHEARSING YOUR PLAY TODAY? 299 00:17:02,680 --> 00:17:04,100 WE HAVEN'T EVEN GOTTEN OUR PARTS YET. 300 00:17:04,270 --> 00:17:06,140 YEAH. WE HAVE TO MEET WITH MRS. OLESON AFTER SCHOOL. 301 00:17:06,310 --> 00:17:07,980 OH, THAT SOUNDS LIKE A BARREL OF LAUGHS. 302 00:17:08,150 --> 00:17:09,560 I DIDN'T KNOW YOU GIRLS WERE DOING A PLAY. 303 00:17:09,730 --> 00:17:11,070 - "LITTLE WOMEN." - "LITTLE WOMEN"? 304 00:17:11,230 --> 00:17:13,320 OH, YEAH. I SEEN ONE OF THEM IN A SHOW IN ST. LOUIS. 305 00:17:13,490 --> 00:17:15,110 LITTLE BITTY DEVIL, ABOUT THAT TALL. 306 00:17:15,280 --> 00:17:16,820 [LAUGHTER] 307 00:17:16,990 --> 00:17:18,820 NO. THIS IS DIFFERENT. 308 00:17:18,990 --> 00:17:21,330 IT'S A BOOK. [GIGGLES] 309 00:17:21,490 --> 00:17:23,160 IT'S DIFFERENT. 310 00:17:24,460 --> 00:17:27,250 SURE WOULD LIKE IT IF YOU COULD COME, MR. MAYFIELD. 311 00:17:27,420 --> 00:17:31,000 I'D BE PROUD TO. I DON'T SUPPOSE YOUR MA'S GOING TO BE THERE. 312 00:17:31,170 --> 00:17:34,340 I DON'T THINK SO. SHE'S GOT A LOT TO DO. 313 00:17:34,510 --> 00:17:36,920 YEAH. I RECKON. DON'T YOU WORRY. I'LL BE THERE. 314 00:17:37,090 --> 00:17:38,090 [BELL RINGING] 315 00:17:38,260 --> 00:17:39,340 HEY, COME ON. WE HAVE TO HURRY. 316 00:17:39,510 --> 00:17:40,640 - BYE! - BYE, MR. MAYFIELD. 317 00:17:40,800 --> 00:17:42,510 BYE-BYE! SEE YOU AT SUPPER! 318 00:17:47,020 --> 00:17:49,150 THAT LITTLE'UN'S A LOVELY CHILD. 319 00:17:49,310 --> 00:17:51,400 SPITTING IMAGE OF HER MA. 320 00:17:51,570 --> 00:17:55,110 THOSE TWO ARE GOING TO MAKE SOME MAN A FINE FAMILY. 321 00:17:55,280 --> 00:17:56,240 YOU HEAR THAT, CHARLES? 322 00:17:56,400 --> 00:17:57,650 I DO BELIEVE THAT'S THE FIRST TIME 323 00:17:57,820 --> 00:18:00,320 I EVER HEARD A LOVESICK COYOTE IN THE DAYLIGHT. 324 00:18:00,490 --> 00:18:02,490 HAD KIND OF THAT RING TO IT, HAROLD. 325 00:18:02,660 --> 00:18:04,620 YOU BEEN CALLING ON THE WIDOW CLARK, HAVE YOU? 326 00:18:04,790 --> 00:18:06,700 UH, NOT SO YOU'D NOTICE. 327 00:18:06,870 --> 00:18:09,040 SHE JUST DON'T COTTON TO ME, I GUESS. 328 00:18:09,210 --> 00:18:10,420 I TRIED EVERYTHING. 329 00:18:10,580 --> 00:18:12,380 Isaiah: WELL, YOU KNOW WHAT YOU OUGHT TO DO? 330 00:18:12,540 --> 00:18:14,250 WHAT YOU OUGHT TO DO IS YOU GOT TO LET HER KNOW 331 00:18:14,420 --> 00:18:15,510 HOW YOU FEEL, YOU SEE? 332 00:18:15,670 --> 00:18:17,510 THEN YOU TELL HER HOW IT'S GOING TO BE. 333 00:18:17,670 --> 00:18:20,970 I MEAN, THERE AIN'T A WOMAN NOWHERE THAT DON'T APPRECIATE A FIRM HAND. 334 00:18:21,140 --> 00:18:22,550 WELL, YOU-- YOU TAKE GRACE. 335 00:18:22,720 --> 00:18:25,010 NOW I--I MEAN, SHE'D STILL BE PINING HER NIGHTS AWAY ALONE 336 00:18:25,180 --> 00:18:26,470 IF I HADN'T SPOKE UP. 337 00:18:26,640 --> 00:18:29,100 YES, SIR. I MEAN, I TOLD HER HOW IT WAS GOING TO BE. 338 00:18:29,270 --> 00:18:30,600 I TOLD HER WHAT WAS GOING TO HAPPEN-- 339 00:18:30,770 --> 00:18:33,480 MORNING, GRACE. ISAIAH WAS JUST TALKING ABOUT YOU. 340 00:18:33,650 --> 00:18:36,570 WE'LL LEAVE YOU TWO ALONE. 341 00:18:36,740 --> 00:18:38,820 [CHOKING] 342 00:18:41,660 --> 00:18:44,870 UH, UH, GRACE, WE... 343 00:18:57,010 --> 00:18:58,340 THERE. 344 00:18:58,510 --> 00:19:01,760 NOW, UH, MARY, 345 00:19:01,930 --> 00:19:03,930 YOU WILL BE MARMEE, THE MOTHER. 346 00:19:04,100 --> 00:19:06,100 I THOUGHT IT WAS A VERY NICE PART FOR YOU, DEAR. 347 00:19:06,270 --> 00:19:10,230 - THANK YOU. - AND, LAURA, YOU BE BETH. 348 00:19:10,390 --> 00:19:12,270 AND, UH, GINNY, 349 00:19:12,440 --> 00:19:15,520 I THOUGHT YOU WOULD MAKE AN EXCELLENT JO. 350 00:19:15,690 --> 00:19:16,820 [CHUCKLES] YES. 351 00:19:16,980 --> 00:19:18,030 NELLIE, DEAR. 352 00:19:18,190 --> 00:19:19,820 NELLIE IS GOING TO BE MEG. 353 00:19:19,990 --> 00:19:23,780 I TRIED TO TAILOR ALL THE PARTS FOR EACH OF YOU. 354 00:19:23,950 --> 00:19:25,990 NOW, GIRLS, IF YOU'LL JUST TAKE THOSE HOME WITH YOU 355 00:19:26,160 --> 00:19:27,410 AND MEMORIZE THE LINES 356 00:19:27,580 --> 00:19:29,200 SO YOU'LL KNOW THEM FOR TOMORROW'S REHEARSAL. 357 00:19:29,370 --> 00:19:31,210 THAT WON'T TAKE LONG. 358 00:19:31,370 --> 00:19:34,920 YES, MA'AM. WE WILL. 359 00:19:35,090 --> 00:19:37,250 Nellie: OH, AND DON'T ANY OF YOU BE LATE TOMORROW. 360 00:19:37,420 --> 00:19:42,010 THE MAN'S GOING TO BE HERE RIGHT AFTER SCHOOL WITH MY WIG. 361 00:19:42,180 --> 00:19:43,430 A WIG? 362 00:19:43,590 --> 00:19:45,090 YOU'RE GETTING A WIG, NELLIE? 363 00:19:45,260 --> 00:19:46,640 YES, AND A PRETTY ONE, TOO. 364 00:19:46,810 --> 00:19:49,140 HE'S GOING TO FIT IT ON ME AND EVERYTHING. 365 00:19:49,310 --> 00:19:51,140 WHAT DO YOU NEED A WIG FOR? 366 00:19:51,310 --> 00:19:52,350 WELL, LAURA, 367 00:19:52,520 --> 00:19:55,810 ALL FINE ACTRESSES NOWADAYS WEAR WIGS, 368 00:19:55,980 --> 00:19:58,440 AND IT IS NELLIE'S DEBUT. 369 00:19:58,610 --> 00:19:59,730 [CHUCKLES] 370 00:19:59,900 --> 00:20:01,070 CAN'T WAIT TO SEE IT. 371 00:20:01,240 --> 00:20:02,530 I CAN'T EITHER. 372 00:20:02,700 --> 00:20:03,990 COME ON, LAURA. 373 00:20:04,160 --> 00:20:05,410 Harriet: OH, GIRLS, 374 00:20:05,570 --> 00:20:08,080 NOW, DON'T FORGET, STUDY HARD. 375 00:20:08,240 --> 00:20:10,160 YES, MA'AM. WE WILL. 376 00:20:15,420 --> 00:20:17,040 THERE YOU ARE, MR. OLESON. 377 00:20:17,210 --> 00:20:18,500 THANK YOU-- 378 00:20:18,670 --> 00:20:21,260 I DO HOPE I SEE YOU FRIDAY AT THE SCHOOL ENTERTAINMENT. 379 00:20:21,420 --> 00:20:22,510 OH, YES, I'LL BE THERE. 380 00:20:22,670 --> 00:20:24,720 - GOOD-BYE. - GOOD-BYE. 381 00:20:31,980 --> 00:20:34,020 WILLIE! WHAT ARE YOU DOING? 382 00:20:34,190 --> 00:20:35,310 I NEED A SAW. 383 00:20:35,480 --> 00:20:36,520 WHAT FOR? 384 00:20:36,690 --> 00:20:37,860 THE PLAY, "TOM SAWYER." 385 00:20:38,020 --> 00:20:39,980 ALL THE BOYS ARE GETTING READY TO PRACTICE. 386 00:20:40,150 --> 00:20:42,110 OH, YOU GOT SOME BOYS TO DO THE PLAY WITH YOU, HUH? 387 00:20:42,280 --> 00:20:45,150 YEAH, EVEN SOME OF THE BIG BOYS WANT TO PLAY NOW. 388 00:20:45,320 --> 00:20:46,320 IS THAT SO? 389 00:20:46,490 --> 00:20:48,030 WELL, THIS OUGHT TO DO FINE. 390 00:20:48,200 --> 00:20:49,330 DO YOU NEED A HAMMER AND NAILS? 391 00:20:49,490 --> 00:20:51,830 - NO, JUST A SAW. - WELL, DON'T LOSE IT. 392 00:20:52,000 --> 00:20:54,370 I WON'T! 393 00:20:54,540 --> 00:20:57,880 SO THE BIG BOYS, HUH? 394 00:20:58,040 --> 00:21:00,380 Laura: I KNEW WE SHOULDN'T HAVE DONE THIS PLAY WITH NELLIE. 395 00:21:00,550 --> 00:21:01,460 Mary: WELL, IT'S TOO LATE NOW. 396 00:21:01,630 --> 00:21:03,050 I SUPPOSE. 397 00:21:03,220 --> 00:21:05,220 BESIDES, THIS WAY, YOU DON'T HAVE TO MEMORIZE TOO MANY LINES. 398 00:21:05,380 --> 00:21:06,800 I ALREADY KNOW THEM. 399 00:21:06,970 --> 00:21:09,600 "OH, YES," AND "OH, MY." 400 00:21:09,760 --> 00:21:10,760 THAT'S IT! 401 00:21:10,930 --> 00:21:12,810 SEE WHAT I MEAN? YOU KNOW THEM ALREADY. 402 00:21:12,980 --> 00:21:14,310 YEAH. 403 00:21:17,440 --> 00:21:19,060 Laura: THINK I'LL ADD ONE MORE LINE. 404 00:21:19,230 --> 00:21:20,270 Mary: WHAT? 405 00:21:20,440 --> 00:21:21,860 Laura: "SHUT UP, NELLIE." 406 00:21:22,030 --> 00:21:23,400 [LAUGHING] 407 00:21:29,870 --> 00:21:31,330 - HELLO, GIRLS. - HI, MA. 408 00:21:31,490 --> 00:21:32,580 HOW WAS SCHOOL TODAY? 409 00:21:32,740 --> 00:21:35,040 ALL RIGHT. WE GOT OUR PARTS FOR THE PLAY. 410 00:21:35,210 --> 00:21:36,960 Caroline: YOU DON'T SOUND VERY EXCITED. 411 00:21:37,120 --> 00:21:38,460 THERE'S NOT MUCH TO BE EXCITED ABOUT. 412 00:21:38,630 --> 00:21:39,920 NELLIE GOT ALL THE LINES. 413 00:21:40,090 --> 00:21:41,380 AH, IT CAN'T BE THAT BAD. 414 00:21:41,550 --> 00:21:42,920 WAIT TILL YOU READ IT. 415 00:21:43,090 --> 00:21:45,090 ALL I HAVE TO SAY IS TWO YESES, 416 00:21:45,260 --> 00:21:47,760 "THAT'S RIGHT," AND "LET MEG TELL YOU." 417 00:21:47,930 --> 00:21:49,470 GUESS WHO PLAYS MEG. 418 00:21:49,640 --> 00:21:50,720 [SIGHS] 419 00:21:50,890 --> 00:21:53,060 WELL, I'M SURE MRS. OLESON DID HER BEST. 420 00:21:53,220 --> 00:21:55,140 FOR NELLIE, SHE SURE DID. 421 00:21:55,310 --> 00:21:58,560 Mary: GINNY WENT IN AND I WOULDN'T EVEN BE IN MRS. OLESON'S OLD PLAY. 422 00:21:58,730 --> 00:22:00,190 OH, DOES GINNY HAVE A BETTER PART? 423 00:22:00,360 --> 00:22:02,820 NO, JUST THAT SHE'S EXCITED ABOUT DOING IT 424 00:22:02,980 --> 00:22:04,690 WITH THE PARENTS COMING AND ALL. 425 00:22:04,860 --> 00:22:08,400 WELL, IT'LL BE OVER ON FRIDAY. 426 00:22:08,570 --> 00:22:11,030 THAT'S NOT TOO MUCH TO ENDURE. 427 00:22:11,200 --> 00:22:12,490 I GUESS... 428 00:22:12,660 --> 00:22:16,370 MA, IF THIS IS WHAT PLAY-ACTING IS LIKE, 429 00:22:16,540 --> 00:22:19,500 I'M NEVER GOING TO GO ON STAGE. 430 00:22:19,670 --> 00:22:22,790 HA HA! 431 00:22:22,960 --> 00:22:24,750 "TOM SURVEYED HIS LAST TOUCH 432 00:22:24,920 --> 00:22:26,510 "WITH THE EYE OF THE ARTIST. 433 00:22:26,670 --> 00:22:28,840 "THEN HE GAVE HIS BRUSH 434 00:22:29,010 --> 00:22:32,300 ANOTHER GENTLE SWEEP..." 435 00:22:32,470 --> 00:22:33,600 Nels: DOING A NICE JOB, BOYS. 436 00:22:33,760 --> 00:22:35,310 "...RESULTS AS BEFORE." 437 00:22:35,470 --> 00:22:37,020 THANKS, PA. 438 00:22:37,930 --> 00:22:41,480 "BEN REACHED UP ALONGSIDE OF HIM. 439 00:22:41,650 --> 00:22:44,480 "TOM'S MOUTH WATERED FOR THE APPLE, 440 00:22:44,650 --> 00:22:47,900 "BUT HE STUCK TO HIS WORK. 441 00:22:48,070 --> 00:22:49,780 HELLO, OLD CHAP." 442 00:22:49,950 --> 00:22:51,030 WILLIE! 443 00:22:51,200 --> 00:22:52,740 YES, PA? 444 00:22:55,450 --> 00:22:56,410 NOTHING. 445 00:22:56,580 --> 00:22:58,540 Willie: "TOM SURVEYED HIS LAST TOUCH 446 00:22:58,710 --> 00:23:00,790 "WITH THE EYE OF THE ARTIST. 447 00:23:00,960 --> 00:23:03,000 "THEN HE GAVE HIS BRUSH 448 00:23:03,170 --> 00:23:05,290 ANOTHER GENTLE SWEEP." 449 00:23:28,690 --> 00:23:30,740 IF THOSE THERE FLOWERS ARE FOR GINNY, 450 00:23:30,900 --> 00:23:33,240 SHE'S ALREADY LEFT FOR SCHOOL. 451 00:23:41,870 --> 00:23:44,080 I DIDN'T PICK THEM FOR GINNY. I... 452 00:23:44,250 --> 00:23:46,040 I PICKED THEM FOR YOU. 453 00:23:46,210 --> 00:23:48,130 WHATEVER FOR? 454 00:23:51,760 --> 00:23:54,550 A MAN COMES TO CALL, IT ONLY SEEMS RIGHT. 455 00:23:54,720 --> 00:23:56,100 I DON'T REMEMBER EVER SAYING ANYTHING 456 00:23:56,260 --> 00:23:59,850 TO GIVE YOU THE IDEA I WAS RECEIVING GENTLEMAN CALLERS. 457 00:24:00,020 --> 00:24:01,390 NO, MA'AM, YOU DIDN'T, 458 00:24:01,560 --> 00:24:03,770 BUT I JUST FIGURED IF I DIDN'T GET IT OUT PRETTY SOON, 459 00:24:03,940 --> 00:24:05,100 I JUST WOULDN'T SAY IT AT ALL. 460 00:24:05,270 --> 00:24:07,230 - MR. MAYFIELD-- - JUST--PLEASE. 461 00:24:07,400 --> 00:24:10,280 IT'S HARD FOR ME TO-- TO SAY WHAT'S ON MY MIND. 462 00:24:14,030 --> 00:24:18,160 I MEAN, YOU BEING SUCH A HANDSOME WOMAN, I... 463 00:24:18,330 --> 00:24:20,830 YOU KNOW HOW I FEEL ABOUT THE LITTLE'UN. 464 00:24:21,000 --> 00:24:24,870 I WANT YOU TO KNOW THAT... 465 00:24:25,040 --> 00:24:26,960 I FEEL AS STRONG ABOUT YOU. 466 00:24:27,130 --> 00:24:32,010 WHAT I'M TRYING TO SAY IS... 467 00:24:32,170 --> 00:24:33,130 IT WOULD DO ME PROUD 468 00:24:33,300 --> 00:24:36,340 IF YOU WOULD JOIN ME, ACCOMPANY ME T-- 469 00:24:36,510 --> 00:24:39,140 WITH GINNY, TO SEE HER DOINGS AT THE SCHOOL. 470 00:24:42,180 --> 00:24:44,520 I COULDN'T DO THAT. 471 00:24:47,360 --> 00:24:48,690 BUT WHY? 472 00:24:48,860 --> 00:24:50,020 BECAUSE I WON'T BE GOING. 473 00:24:50,190 --> 00:24:53,440 THERE'S PLENTY TO DO AROUND HERE. 474 00:24:53,610 --> 00:24:54,570 THE LITTLE'UN WILL BE HEARTBROKE. 475 00:24:54,740 --> 00:24:56,110 WELL, 476 00:24:56,280 --> 00:24:59,120 SHE'S JUST GOING TO HAVE TO LEARN TO LIVE WITH DISAPPOINTMENT. 477 00:24:59,280 --> 00:25:01,160 I HAVE. 478 00:25:03,120 --> 00:25:06,620 YOUR MAN HAS BEEN GONE FOR MORE THAN TWO YEARS NOW, 479 00:25:06,790 --> 00:25:08,920 AND MOURNING 10 MORE WON'T BRING HIM BACK. 480 00:25:09,090 --> 00:25:10,130 GIVEN MY CHOICE, 481 00:25:10,300 --> 00:25:11,960 I WOULDN'T BE MOURNING. 482 00:25:12,130 --> 00:25:13,960 I'D HAVE GONE WITH HIM. 483 00:25:17,220 --> 00:25:18,970 HE WOULDN'T HAVE WANTED THAT 484 00:25:19,140 --> 00:25:22,310 ANY MORE THAN MY WOMAN WOULD HAVE WANTED ME TO FOLLOW HER 5 YEARS AGO, 485 00:25:22,470 --> 00:25:25,100 AND HE SURE WOULDN'T WANT YOU HIDING YOURSELF OUT HERE-- 486 00:25:25,270 --> 00:25:28,560 GOOD DAY, MR. MAYFIELD. 487 00:25:28,730 --> 00:25:30,360 AH, CAN I--PLEASE. I--LISTEN, I CAME OUT TO TALK-- 488 00:25:30,520 --> 00:25:33,900 GOOD DAY, MR. MAYFIELD. NOW, WOULD YOU PLEASE GO? 489 00:25:52,550 --> 00:25:55,130 THERE WE ARE, MY DEAR. 490 00:25:55,300 --> 00:25:57,170 LOOKS AS THOUGH YOU GREW IT YOURSELF, 491 00:25:57,340 --> 00:25:58,430 IF I DO SAY SO. 492 00:25:58,590 --> 00:26:00,970 - A VERITABLE CLEOPATRA. - OH. 493 00:26:01,140 --> 00:26:02,720 HERE. HAVE A LOOK FOR YOURSELF. 494 00:26:02,890 --> 00:26:03,930 IT'S AWFUL LONG. 495 00:26:04,100 --> 00:26:06,140 WELL, IT'S SUPPOSED TO BE, DEAR. 496 00:26:06,310 --> 00:26:07,940 UH, ISN'T IT, MR. MASON? 497 00:26:08,100 --> 00:26:09,900 OH, YES. GIVES IT BODY. 498 00:26:10,060 --> 00:26:12,400 AFTER ALL, THIS IS THE FINEST HAIR. HA HA. 499 00:26:12,570 --> 00:26:14,400 WOULDN'T WANT TO WASTE IT ON A SKIMPY WIG. 500 00:26:14,570 --> 00:26:15,820 Harriet: NO. I'M SURE. 501 00:26:15,990 --> 00:26:17,950 I WANT IT CURLED, LIKE MY HAIR. 502 00:26:18,110 --> 00:26:21,030 Harriet: YES. YES, SHE MUST HAVE CURLS. 503 00:26:21,200 --> 00:26:23,030 THAT'S A LOT OF HAIR TO BE CURLING. 504 00:26:23,200 --> 00:26:24,910 I WANT CURLS. 505 00:26:25,080 --> 00:26:27,870 Man: WELL, I CAN DO THAT, OF COURSE, BUT THERE WILL BE AN EXTRA CHARGE. 506 00:26:28,040 --> 00:26:29,210 IT TAKES MOST OF THE EVENING. 507 00:26:29,370 --> 00:26:33,790 OH. OH, WELL, HOW MUCH WILL IT BE FOR THE CURLS? 508 00:26:33,960 --> 00:26:35,050 LET'S SEE. 509 00:26:35,210 --> 00:26:38,380 18, 19. CARRY THE 2. 510 00:26:38,550 --> 00:26:41,220 ALL TOLD, IT COMES TO $27. 511 00:26:41,390 --> 00:26:43,050 $27? 512 00:26:43,220 --> 00:26:44,350 WELL, FOR GOODNESS' SAKES, 513 00:26:44,510 --> 00:26:47,270 ALL I WANTED WAS A LITTLE WIG FOR A PLAY. 514 00:26:47,430 --> 00:26:49,480 MOTHER, I WANT THIS ONE. 515 00:26:49,640 --> 00:26:52,770 MRS. OLESON, I PAID $18 FOR THE HAIR ALONE. 516 00:26:52,940 --> 00:26:54,980 YOU PAID SOMEBODY $18, 517 00:26:55,150 --> 00:26:56,400 JUST TO LET YOU CUT THEIR HAIR? 518 00:26:56,570 --> 00:26:59,030 Man: TRUE, AND THE PRICE IS GOING UP ALL THE TIME. 519 00:26:59,200 --> 00:27:01,240 AFTER ALL, OUR PA SAYS 520 00:27:01,410 --> 00:27:03,320 HAIR IS A WOMAN'S CROWNING GLORY. 521 00:27:03,490 --> 00:27:05,030 AH, THAT IT IS. 522 00:27:05,200 --> 00:27:07,200 THAT'S WHY A FINE WIG 523 00:27:07,370 --> 00:27:10,210 IS WORTH ITS WEIGHT IN GOLD. 524 00:27:10,370 --> 00:27:12,000 AH, YES, WELL, 525 00:27:12,170 --> 00:27:14,130 NOW, WE'LL TAKE IT, BUT IT MUST BE CURLED. 526 00:27:14,290 --> 00:27:15,880 OH, I HAVE THE CURLING IRON IN THE WAGON. 527 00:27:16,050 --> 00:27:17,130 IT'LL BE READY BY MORNING. 528 00:27:17,300 --> 00:27:19,050 Harriet: ALL RIGHT. THANK YOU, MR. MASON. 529 00:27:19,220 --> 00:27:20,630 THANK YOU, MRS. OLESON. 530 00:27:25,810 --> 00:27:27,100 Harriet: ALL RIGHT, GIRLS, COME ALONG. 531 00:27:27,270 --> 00:27:28,310 LET'S BEGIN OUR REHEARSAL. 532 00:27:28,480 --> 00:27:30,100 DOES EVERYBODY KNOW HER LINES? 533 00:27:30,270 --> 00:27:32,480 Nellie: I STUDIED MINE THIS MORNING. 534 00:27:32,650 --> 00:27:34,150 NOW, UH, MARY, 535 00:27:34,310 --> 00:27:37,270 YOU STAND RIGHT THERE, 536 00:27:37,440 --> 00:27:38,900 AND, LAURA, 537 00:27:39,070 --> 00:27:40,940 YOU STAND RIGHT BACK THERE. 538 00:27:41,110 --> 00:27:42,280 DARLING, GET DOWN HERE. 539 00:27:42,450 --> 00:27:43,450 GINNY. 540 00:27:43,620 --> 00:27:46,240 GINNY, COME, DARLING. 541 00:27:46,410 --> 00:27:49,950 YOU STAND RIGHT HERE IN BACK OF NELLIE, 542 00:27:50,120 --> 00:27:52,160 JUST RIGHT DOWN THERE 543 00:27:52,330 --> 00:27:54,000 IN THE MIDDLE OF THE STAGE DOWN FRONT. 544 00:27:54,170 --> 00:27:55,540 YES. OH, YES. 545 00:27:55,710 --> 00:27:58,750 OH, THAT'S JUST EXACTLY HOW I PICTURED IT. HA! 546 00:28:10,480 --> 00:28:12,560 [SOBBING] 547 00:28:21,360 --> 00:28:24,030 CARRIE? 548 00:28:24,200 --> 00:28:25,610 WHAT'S THE MATTER, HONEY? 549 00:28:25,780 --> 00:28:29,540 I WANT TO BE IN THE PLAY WITH MARY AND LAURA. 550 00:28:29,700 --> 00:28:34,000 OH, WELL, YOU WILL BE WHEN YOU GET BIGGER. 551 00:28:34,170 --> 00:28:36,290 EVERYBODY ALWAYS SAYS THAT. 552 00:28:36,460 --> 00:28:39,170 WHAT IF I DON'T GET BIGGER? 553 00:28:39,340 --> 00:28:42,170 Charles: BUT YOU WILL. 554 00:28:42,340 --> 00:28:45,010 I HOPE SO. 555 00:28:46,140 --> 00:28:47,140 HEY, I TELL YOU WHAT. 556 00:28:47,300 --> 00:28:48,680 YOU KNOW, IT'S JUST AS MUCH FUN 557 00:28:48,850 --> 00:28:51,060 TO GO SEE A PLAY AS IT IS TO BE IN ONE. 558 00:28:51,220 --> 00:28:53,350 YOU MEAN I CAN GO? 559 00:28:53,520 --> 00:28:54,640 WELL, SURE YOU CAN. 560 00:28:54,810 --> 00:28:56,810 I'M GOING TO GO TELL MA. 561 00:28:56,980 --> 00:28:59,190 ALL RIGHT. 562 00:28:59,360 --> 00:29:02,860 MA! MA! I'M GOING TO GO-- 563 00:29:03,030 --> 00:29:04,030 [BARKING] 564 00:29:04,200 --> 00:29:06,490 I'LL TELL YOU LATER! 565 00:29:22,550 --> 00:29:23,880 Ginny: THE PLAY'S GOING TO BE FUN. 566 00:29:24,050 --> 00:29:26,180 Mary: YEAH. IT SURE IS. 567 00:29:26,340 --> 00:29:28,430 SURE AM GLAD THAT PLAY'S TOMORROW. 568 00:29:28,600 --> 00:29:31,100 OTHERWISE, I WOULDN'T HAVE ANYTHING ELSE TO SAY. 569 00:29:31,260 --> 00:29:33,520 SHE TOOK OUT ONE OF MY YESES AND MY "THAT'S RIGHT." 570 00:29:33,680 --> 00:29:36,770 WELL, STOP COMPLAINING. IT'LL ALL BE OVER SOON. 571 00:29:36,940 --> 00:29:39,900 THAT'S WHAT DR. BAKER SAID WHEN HE PULLED MY TOOTH. 572 00:29:40,060 --> 00:29:41,860 IT STILL HURT. 573 00:29:42,030 --> 00:29:44,400 I LIKE THE PLAY. 574 00:29:44,570 --> 00:29:47,400 I JUST WISH MY MA WAS COMING. 575 00:29:47,570 --> 00:29:49,490 SHE'S NOT GOING TO BE THERE? 576 00:29:49,660 --> 00:29:50,700 MM-MMM. 577 00:29:50,870 --> 00:29:52,450 WELL, DID SHE TELL YOU WHY? 578 00:29:52,620 --> 00:29:54,330 SHE GAVE LOTS OF REASONS. 579 00:29:54,500 --> 00:29:56,750 Mary: MOTHERS DO THAT WHEN THEY DON'T WANT YOU TO ARGUE. 580 00:29:56,920 --> 00:29:59,370 THE PROBLEM IS FINDING OUT THE REAL REASON. 581 00:29:59,540 --> 00:30:02,800 OUR PA IS GOOD AT THAT. THEN HE ARGUES REAL SWEETLY. 582 00:30:02,960 --> 00:30:05,170 ALWAYS GETS AROUND MA THAT WAY. 583 00:30:05,340 --> 00:30:06,510 DOES IT REALLY WORK? 584 00:30:06,670 --> 00:30:08,800 Mary: WORKS FOR PA. 585 00:30:08,970 --> 00:30:11,010 I FORGOT SOMETHING. I HAVE TO GO BACK. 586 00:30:11,180 --> 00:30:12,220 DO YOU WANT US TO WAIT? 587 00:30:12,390 --> 00:30:15,180 NO. GO ON. I'LL GET HOME ALL RIGHT. 588 00:30:36,290 --> 00:30:38,000 Mrs. Clark: GINNY? 589 00:30:38,160 --> 00:30:39,120 MAMA? 590 00:30:39,290 --> 00:30:40,620 ABOUT TIME YOU WERE GETTING HOME. 591 00:30:40,790 --> 00:30:41,790 ALL THIS PLAY-ACTING 592 00:30:41,960 --> 00:30:44,590 DOESN'T GET YOUR CHORES DONE. 593 00:30:44,750 --> 00:30:47,840 WELL, GET YOUR CHORES-- WHAT IS THIS? 594 00:30:48,010 --> 00:30:49,420 IT'S FOR YOU, MOM. 595 00:30:49,590 --> 00:30:50,970 WELL, WHAT IS IT? 596 00:30:51,140 --> 00:30:54,300 A PRESENT. OPEN IT. 597 00:30:54,470 --> 00:30:58,850 OH...OH, WHERE DID YOU EVER GET THIS DRESS? 598 00:30:59,020 --> 00:31:01,940 YOU SAID YOU'D COME TO THE PLAY IF YOU HAD A DECENT DRESS TO WEAR, 599 00:31:02,110 --> 00:31:04,150 AND THIS WAS THE PRETTIEST MR. OLESON HAD. 600 00:31:04,320 --> 00:31:06,230 BUT WHERE DID YOU GET THE MONEY FOR IT? 601 00:31:06,400 --> 00:31:08,240 IT'S A SECRET. 602 00:31:08,400 --> 00:31:10,320 GINNY. 603 00:31:12,070 --> 00:31:14,070 IT WAS THAT MR. MAYFIELD, WASN'T IT? 604 00:31:14,240 --> 00:31:16,290 WELL, YOU CAN JUST TAKE THIS DRESS BACK TO MR. OLESON, 605 00:31:16,450 --> 00:31:18,290 AND YOU CAN TAKE THAT MONEY BACK TO MR. MAYFIELD. 606 00:31:18,450 --> 00:31:19,500 IT WASN'T MR. MAYFIELD-- 607 00:31:19,660 --> 00:31:20,830 NOW, DON'T YOU LIE TO ME. 608 00:31:21,000 --> 00:31:22,120 YOU HAD NO MONEY. 609 00:31:22,290 --> 00:31:23,330 BUT I DID. 610 00:31:23,500 --> 00:31:25,090 NOW, NOT ANOTHER WORD. 611 00:31:25,250 --> 00:31:27,050 NOW, YOU WILL GO TO YOUR ROOM WITHOUT YOUR SUPPER, 612 00:31:27,210 --> 00:31:29,760 AND FIRST THING IN THE MORNING, YOU'LL TAKE THIS BACK WHERE IT BELONGS, 613 00:31:29,920 --> 00:31:31,220 AND YOU CAN TELL THAT MR. MAYFIELD 614 00:31:31,380 --> 00:31:34,260 THAT WE DON'T APPRECIATE HIS TRICKS. 615 00:31:34,430 --> 00:31:36,930 NOW, GO DO AS YOU'RE TOLD. 616 00:32:13,550 --> 00:32:15,720 CAROLINE! 617 00:32:15,890 --> 00:32:16,890 HI, DARLING. 618 00:32:17,060 --> 00:32:18,060 HI. 619 00:32:18,220 --> 00:32:19,850 I THOUGHT YOU JUST SCRUBBED THIS FLOOR. 620 00:32:20,020 --> 00:32:24,230 I JUST WANTED TO WET-MOP IT, BUT I CAN'T FIND THE MOP. 621 00:32:24,400 --> 00:32:25,400 LAURA! 622 00:32:25,560 --> 00:32:27,900 Laura: YES, MA? 623 00:32:28,070 --> 00:32:29,780 HAVE YOU SEEN THE MOP? 624 00:32:29,940 --> 00:32:31,570 Laura: THE MOP? 625 00:32:31,740 --> 00:32:32,740 YES, THE MOP. 626 00:32:32,900 --> 00:32:34,030 Laura: THE NEW MOP? 627 00:32:34,200 --> 00:32:36,370 YES, THE NEW MOP. 628 00:32:36,530 --> 00:32:39,450 Laura: WELL, I... 629 00:32:39,620 --> 00:32:41,750 - LAURA. - YES, SIR? 630 00:32:41,910 --> 00:32:43,540 WOULD YOU COME TO THE STAIRS, PLEASE, DEAR? 631 00:32:43,710 --> 00:32:45,500 Laura: RIGHT NOW? 632 00:32:45,670 --> 00:32:47,830 RIGHT NOW. 633 00:32:52,340 --> 00:32:53,920 HA HA! 634 00:32:54,090 --> 00:32:55,800 WELL, I CAN SEE THAT YOU FOUND THE MOP. 635 00:32:55,970 --> 00:32:58,350 NOW, WHY DO YOU HAVE IT ON YOUR HEAD? 636 00:32:58,510 --> 00:33:00,640 WELL... 637 00:33:00,810 --> 00:33:03,770 NELLIE GETS TO WEAR A WIG IN THE PLAY. 638 00:33:03,940 --> 00:33:05,770 I WAS JUST SEEING HOW IT LOOKS. 639 00:33:05,940 --> 00:33:09,110 WELL, YOU LOOK MORE LIKE MEDUSA THAN YOU DO LIKE BETH. 640 00:33:09,270 --> 00:33:10,770 WHO'S MEDUSA? 641 00:33:10,940 --> 00:33:11,820 Charles: NEVER MIND WHO MEDUSA IS. 642 00:33:11,990 --> 00:33:13,320 JUST GET THE MOP OFF YOUR HEAD 643 00:33:13,490 --> 00:33:15,700 AND BACK ON THE MOP HANDLE WHERE IT BELONGS, ALL RIGHT? 644 00:33:15,860 --> 00:33:18,320 YES, SIR. 645 00:33:28,580 --> 00:33:30,000 GEE WHIZ. 646 00:33:30,170 --> 00:33:32,630 NELLIE'S GOT ALL THE LINES. 647 00:33:32,800 --> 00:33:35,470 AND NOW SHE'S GOT ALL THE HAIR. 648 00:34:12,670 --> 00:34:14,090 HEY, THERE, LITTLE'UN. 649 00:34:14,260 --> 00:34:16,920 YOU LIKE A LIFT INTO TOWN? 650 00:34:17,090 --> 00:34:19,760 I AIN'T GOING TO TOWN. 651 00:34:33,020 --> 00:34:36,230 WELL, FOR SOMEONE WHO'S NOT HEADING ANYWHERE, YOU'RE UP AWFUL EARLY. 652 00:34:36,400 --> 00:34:38,820 MOST FOLKS AIN'T EVEN HAD THEIR BREAKFAST YET. 653 00:34:38,990 --> 00:34:41,070 I WASN'T HUNGRY. 654 00:34:41,240 --> 00:34:44,790 WELL, NOW, THAT IS AWFUL SERIOUS. 655 00:34:46,120 --> 00:34:47,290 OF COURSE, I HEARD ACTOR PEOPLE 656 00:34:47,460 --> 00:34:49,660 THAT DON'T EAT MUCH BEFORE THEY DO A SHOW. 657 00:34:49,830 --> 00:34:52,170 I'M NOT GOING TO BE IN THE SHOW. 658 00:34:52,340 --> 00:34:54,170 WELL, WHY NOT, LITTLE'UN? 659 00:34:54,340 --> 00:34:56,710 BECAUSE MAMA'S NOT GOING TO COME. 660 00:34:56,880 --> 00:34:59,800 I BEGGED HER, MR. MAYFIELD. 661 00:34:59,970 --> 00:35:01,590 SHE JUST DOESN'T CARE. 662 00:35:01,760 --> 00:35:04,010 YOUR MAMA'S HARD TO UNDERSTAND SOMETIMES, 663 00:35:04,180 --> 00:35:05,560 BUT SHE DOES CARE FOR YOU. 664 00:35:05,720 --> 00:35:09,180 NO, SHE DOESN'T. I EVEN BOUGHT HER A DRESS. 665 00:35:09,350 --> 00:35:11,060 SHE TOLD ME TO TAKE IT BACK. 666 00:35:11,230 --> 00:35:12,850 IS THAT WHAT'S IN THIS PACKAGE? 667 00:35:13,020 --> 00:35:16,690 SHE WOULDN'T BELIEVE ME. SHE THOUGHT IT WAS FROM YOU. 668 00:35:16,860 --> 00:35:18,150 SHE--SHE WOULDN'T TAKE IT. 669 00:35:18,320 --> 00:35:19,990 THAT'S ALL RIGHT. THAT'S ALL RIGHT. 670 00:35:20,150 --> 00:35:22,110 IT'S ALL RIGHT. JUST STOP CRYING NOW. 671 00:35:22,280 --> 00:35:24,910 LOOK, I'LL TAKE THIS PACKAGE, 672 00:35:25,080 --> 00:35:28,790 AND I GOT A FEELING YOUR MAMA'S GOING TO CHANGE HER MIND. HMM? 673 00:35:28,960 --> 00:35:30,080 BUT SHE SAID THAT SHE-- 674 00:35:30,250 --> 00:35:32,000 LISTEN, IT DOESN'T MATTER WHAT PEOPLE SAY. 675 00:35:32,170 --> 00:35:34,040 THEY SAY A LOT OF THINGS THEY DON'T MEAN. 676 00:35:34,210 --> 00:35:35,790 WHY DON'T YOU TAKE THE LONG WAY TO SCHOOL? 677 00:35:35,960 --> 00:35:38,510 GO DOWN BY THE CREEK. WASH THOSE TEARS AWAY. 678 00:35:38,670 --> 00:35:40,420 WE CAN'T HAVE THE PRETTIEST GAL IN SCHOOL 679 00:35:40,590 --> 00:35:42,380 ALL TEARY-EYED, NOW, CAN WE? 680 00:35:42,550 --> 00:35:44,090 YOU REALLY THINK I'M PRETTY? 681 00:35:44,260 --> 00:35:47,060 I SURE DO, AND I'D BE SURELY DISAPPOINTED 682 00:35:47,220 --> 00:35:50,640 IF I DIDN'T SEE YOU IN THAT PLAY TODAY. 683 00:35:50,810 --> 00:35:52,060 I'LL TAKE CARE OF THIS. 684 00:35:52,230 --> 00:35:55,940 MY PROMISE--YOUR MAMA'S GOING TO BE AT THAT PLAY. 685 00:35:56,110 --> 00:35:57,980 NOW, YOU DO WHAT I SAY. 686 00:36:13,920 --> 00:36:15,960 HYAH! HYAH! 687 00:36:52,620 --> 00:36:55,620 [KNOCK ON DOOR] 688 00:37:00,840 --> 00:37:03,760 MR. MAYFIELD, I THOUGHT I SAID EVERYTHING I HAD TO SAY. 689 00:37:03,930 --> 00:37:06,220 NOT THIS TIME, MRS. CLARK. 690 00:37:06,390 --> 00:37:08,550 THIS HAS NOTHING TO DO WITH ME. 691 00:37:08,720 --> 00:37:10,060 IT HAS TO DO WITH YOUR DAUGHTER. 692 00:37:10,220 --> 00:37:13,350 WELL, I DON'T SEE WHERE GINNY IS ANY CONCERN OF YOURS. 693 00:37:13,520 --> 00:37:15,270 DID YOU SPEAK WITH HER THIS MORNING? 694 00:37:15,440 --> 00:37:18,440 NO. SHE WAS GONE BEFORE I CAME BACK FROM DOING THE MILKING. 695 00:37:18,610 --> 00:37:20,860 I THOUGHT SO. 696 00:37:21,030 --> 00:37:22,440 YOU KNOW SHE BOUGHT THIS DRESS FOR YOU? 697 00:37:22,610 --> 00:37:25,150 YES, AND I KNOW WHERE SHE GOT THE MONEY, TOO, MR.-- 698 00:37:25,320 --> 00:37:27,030 WELL, YOU KNOW A LOT MORE THAN I KNOW, MRS. CLARK. 699 00:37:27,200 --> 00:37:29,700 ALL I KNOW IS I FOUND A LITTLE GIRL CRYING THIS MORNING 700 00:37:29,870 --> 00:37:31,660 ON WHAT SHOULD BE THE BIGGEST DAY OF HER LIFE, 701 00:37:31,830 --> 00:37:33,450 ALL BECAUSE HER MOTHER CAN'T TELL THE DIFFERENCE 702 00:37:33,620 --> 00:37:34,750 BETWEEN WHAT'S PITY FOR HERSELF 703 00:37:34,910 --> 00:37:36,040 AND WHAT'S SELFISH TO HER OWN DAUGHTER. 704 00:37:36,210 --> 00:37:37,710 MR. MAYFIELD, ARE YOU TELLING ME THAT-- 705 00:37:37,880 --> 00:37:42,250 YES. IF YOU DECIDE TO DO WHAT'S RIGHT AND PUT ON THIS DRESS, 706 00:37:42,420 --> 00:37:45,420 I'LL BE WAITING WITH THE WAGON... 707 00:37:45,590 --> 00:37:47,880 BECAUSE I, FOR ONE, WANT TO SEE GINNY'S PLAY. 708 00:38:08,070 --> 00:38:10,530 WILLIE, WHAT DO YOU THINK YOU'RE DOING? 709 00:38:10,700 --> 00:38:13,120 JUST GETTING SOME STUFF FOR THE PLAY, PA. 710 00:38:13,290 --> 00:38:16,620 YOU DON'T NEED ANY OF THAT FOR "TOM SAWYER." 711 00:38:16,790 --> 00:38:18,580 BUT I PROMISED. MA SAID I COULD. 712 00:38:18,750 --> 00:38:21,380 WELL, YOU DO AS I SAY. GET ON OVER TO THE SCHOOL. 713 00:38:21,540 --> 00:38:22,960 - BUT-- - DO AS I SAY. 714 00:38:23,130 --> 00:38:24,550 Harriet: NELLIE, COME ALONG, DARLING. 715 00:38:24,710 --> 00:38:25,800 WE'RE GOING TO BE LATE. 716 00:38:25,970 --> 00:38:28,050 Nellie: I'M NOT GOING. 717 00:38:29,590 --> 00:38:30,930 OH. [CHUCKLES] 718 00:38:31,100 --> 00:38:32,890 OH, NELS, YOU JUST GO ALONG WITHOUT US. 719 00:38:33,060 --> 00:38:34,930 SHE'S GOT STAGE FRIGHT. 720 00:38:35,100 --> 00:38:38,560 I'VE NEVER HEARD OF AN ACTRESS YET WHO DIDN'T HAVE SOME TEMPERAMENT. 721 00:38:41,020 --> 00:38:43,230 WHAT'S HER EXCUSE THE REST OF THE TIME? 722 00:38:45,280 --> 00:38:46,780 NELLIE! 723 00:38:46,940 --> 00:38:48,900 AHH. 724 00:38:49,070 --> 00:38:50,990 NELLIE, OPEN THE DOOR, DEAR. 725 00:38:51,160 --> 00:38:54,660 Nellie: I'M NOT GOING, AND I'M NOT GOING TO WEAR THIS OLD WIG. 726 00:38:54,830 --> 00:38:57,000 OH, YES, YOU ARE, DEAR. 727 00:38:57,160 --> 00:38:58,790 MOTHER'S ALREADY PAID FOR IT. 728 00:38:58,960 --> 00:39:00,670 Nellie: I'M NOT GOING TO DO IT. 729 00:39:00,830 --> 00:39:02,330 YES, YOU ARE, NELLIE OLESON. 730 00:39:02,500 --> 00:39:03,960 NOW, YOU OPEN THE DOOR THIS INSTANT, 731 00:39:04,130 --> 00:39:07,800 OR I AM GOING TO GET YOUR FATHER'S STROP. 732 00:39:10,340 --> 00:39:13,640 WELL, YOU'RE THE ONE WHO WANTED TO WEAR CURLS. 733 00:39:13,800 --> 00:39:15,640 WHY'D YOU LISTEN TO ME? I'M ONLY A CHILD. 734 00:39:15,810 --> 00:39:17,350 I'LL CHILD YOU. 735 00:39:17,520 --> 00:39:20,230 YOU GET DOWN THOSE STEPS. 736 00:39:37,790 --> 00:39:39,870 [CHATTING] 737 00:39:49,380 --> 00:39:50,840 HOW YOU DOING? 738 00:39:53,470 --> 00:39:54,930 WHAT DO YOU MEAN YOU DON'T HAVE THE CIGARS? 739 00:39:55,100 --> 00:39:56,850 MY PA WOULDN'T LET ME HAVE THEM. 740 00:39:57,010 --> 00:39:59,180 IF YOU HADN'T PROMISED, WE WOULDN'T HAVE BEEN IN YOUR OLD PLAY. 741 00:39:59,350 --> 00:40:00,600 IT'S NOT MY FAULT. 742 00:40:00,770 --> 00:40:03,690 THAT WAS JUST A STORY. YOU NEVER MEANT TO GET THEM. 743 00:40:03,850 --> 00:40:05,730 - DID SO. - YOU DID NOT. 744 00:40:05,900 --> 00:40:07,150 - DID SO. - DID NOT. 745 00:40:07,320 --> 00:40:08,730 DID SO. 746 00:40:08,900 --> 00:40:09,940 DID NOT. 747 00:40:10,110 --> 00:40:12,490 [ADULTS CHATTING] 748 00:40:22,250 --> 00:40:23,830 Boy: WILLIE, A PROMISE IS A PROMISE. 749 00:40:24,000 --> 00:40:25,130 NOT HERE YET? 750 00:40:25,290 --> 00:40:26,040 MM-MMM. 751 00:40:26,210 --> 00:40:27,590 DON'T WORRY. 752 00:40:27,750 --> 00:40:30,550 IF MR. MAYFIELD SAID SHE'D BE HERE, SHE'LL GET HERE. 753 00:40:30,710 --> 00:40:33,880 I HOPE SO, AND I HOPE I REMEMBER MY LINES. 754 00:40:34,050 --> 00:40:37,510 YOU WOULDN'T HAVE ANYTHING TO WORRY ABOUT IF YOU HAD MY PART. 755 00:40:37,680 --> 00:40:40,220 Nellie: WELL, I'M READY. ARE YOU? 756 00:40:40,390 --> 00:40:43,890 GEE, NELLIE. THAT'S SOME WIG. [WHISTLES] 757 00:40:44,060 --> 00:40:46,230 I LIKE IT. MY MOTHER SAYS IT'S VERY PRETTY. 758 00:40:46,400 --> 00:40:48,610 SHE WOULD. 759 00:40:48,770 --> 00:40:52,150 MOST OF THE PARENTS ARE ALREADY HERE. 760 00:40:52,320 --> 00:40:54,070 [SIGHS] IS EVERYONE READY? 761 00:40:54,240 --> 00:40:55,490 All: YES, MA'AM. 762 00:40:55,660 --> 00:40:57,070 WILLIE, YOU'RE FIRST. 763 00:40:57,240 --> 00:40:59,160 NOW, EVERYONE, DO YOUR BEST. 764 00:41:04,420 --> 00:41:06,370 GOOD MORNING. 765 00:41:06,540 --> 00:41:08,670 I'M GLAD SO MANY OF YOU COULD MAKE IT THIS MORNING. 766 00:41:08,840 --> 00:41:11,380 THE CHILDREN HAVE WORKED VERY HARD ON THEIR PRESENTATIONS, 767 00:41:11,550 --> 00:41:13,090 AND SINCE WE HAVE 5 OF THEM, 768 00:41:13,260 --> 00:41:14,760 I GUESS WE BEST GET STARTED. 769 00:41:14,930 --> 00:41:16,380 THE FIRST ONE IS ONE I'M SURE 770 00:41:16,550 --> 00:41:19,390 YOU'VE ALL ENJOYED-- "TOM SAWYER." 771 00:41:26,900 --> 00:41:28,440 WILLIE. 772 00:41:31,280 --> 00:41:32,400 WILLIE, IT'S TIME. 773 00:41:32,570 --> 00:41:34,490 [GASPS] 774 00:41:38,280 --> 00:41:41,280 [AUDIENCE LAUGHING] 775 00:41:41,450 --> 00:41:43,450 Harriet: OH, WILLIE! 776 00:41:43,620 --> 00:41:46,250 WHAT ON EARTH HAPPENED? 777 00:41:48,710 --> 00:41:51,170 IT WASN'T MY FAULT. 778 00:41:51,340 --> 00:41:52,800 IT WOULDN'T HAVE HAPPENED 779 00:41:52,960 --> 00:41:56,090 IF YOU'D HAVE GIVEN ME THE CIGARS LIKE YOU SAID. 780 00:41:56,260 --> 00:41:58,340 [LAUGHTER] 781 00:42:01,810 --> 00:42:04,220 GOOD HEAVENS. WHAT A MESS. 782 00:42:32,960 --> 00:42:36,130 FOR OUR-- OUR NEXT PRESENTATION, 783 00:42:36,300 --> 00:42:38,050 ONE OF MY FAVORITE STORIES: 784 00:42:38,220 --> 00:42:39,630 "LITTLE WOMEN." 785 00:42:42,260 --> 00:42:45,640 STARRING NELLIE OLESON AS MEG... 786 00:42:45,810 --> 00:42:48,810 HA HA HA! 787 00:42:48,980 --> 00:42:52,060 MARY INGALLS AS MARMEE, THE MOTHER... 788 00:42:55,730 --> 00:42:59,700 LAURA INGALLS AS BETH... 789 00:42:59,860 --> 00:43:02,820 YAY! 790 00:43:02,990 --> 00:43:05,410 AND GINNY CLARK AS JO. 791 00:43:16,170 --> 00:43:17,210 AHEM. 792 00:43:17,380 --> 00:43:20,050 "LITTLE WOMEN," WRITTEN BY MY MOTHER. 793 00:43:20,220 --> 00:43:22,390 MOTHER MARMEE HAS JUST RECEIVED WORD 794 00:43:22,550 --> 00:43:24,550 THAT HER HUSBAND HAS FALLEN SICK IN WASHINGTON, 795 00:43:24,720 --> 00:43:26,220 AND SHE HAS TO MAKE THE TRIP TO SEE HIM. 796 00:43:26,390 --> 00:43:28,810 I'M MEG, AND I'VE JUST SAVED THE DAY 797 00:43:28,980 --> 00:43:31,100 BY ARRANGING FOR MR. BROOKS TO TAKE HER. 798 00:43:31,270 --> 00:43:34,810 NOW MARMEE AND I SIT SEWING IN THE PARLOR. 799 00:43:37,320 --> 00:43:40,490 I DO SO LOVE SEWING. DON'T YOU, MARMEE? 800 00:43:40,650 --> 00:43:41,820 Mary: YES, MEG. 801 00:43:41,990 --> 00:43:45,660 Nellie: I DO HOPE BETH COMES SOON WITH THE TEA. 802 00:43:48,250 --> 00:43:49,500 IS IT NICE AND HOT? 803 00:43:49,660 --> 00:43:52,250 YES. 804 00:43:52,420 --> 00:43:56,040 I DO SO LOVE TEA. DON'T YOU, MARMEE? 805 00:43:56,210 --> 00:43:57,210 YES, MEG. 806 00:43:57,380 --> 00:43:59,340 Nellie: OH, HERE COMES JO. 807 00:43:59,510 --> 00:44:02,090 I WONDER WHAT SHE COULD HAVE BEEN UP TO. 808 00:44:04,600 --> 00:44:05,640 WHAT'S THIS? 809 00:44:05,800 --> 00:44:07,260 LET MEG TELL YOU. 810 00:44:07,430 --> 00:44:11,270 Nellie: A ROLL OF BILLS, $25, HER CONTRIBUTION 811 00:44:11,440 --> 00:44:15,190 TOWARDS MAKING FATHER COMFORTABLE AND BRINGING HIM HOME. 812 00:44:15,360 --> 00:44:16,980 OH? 813 00:44:17,150 --> 00:44:19,030 HOW EVER COULD YOU HAVE GOTTEN IT? 814 00:44:19,190 --> 00:44:21,110 I HOPE YOU DIDN'T BEG, BORROW, OR STEAL IT. 815 00:44:21,280 --> 00:44:25,320 LET ME SEE. HOW EVER COULD YOU HAVE DONE IT? 816 00:44:25,490 --> 00:44:28,530 OH, YOU CUT YOUR HAIR. 817 00:44:30,580 --> 00:44:32,910 OH, GINNY, YOU REALLY DID CUT YOUR HAIR. 818 00:44:33,080 --> 00:44:34,170 WHY, GINNY? 819 00:44:34,330 --> 00:44:36,960 IT'S ONLY HAIR. IT'LL GROW BACK. 820 00:44:37,130 --> 00:44:40,000 YOU'RE NOT SUPPOSED TO SAY THAT. 821 00:44:40,170 --> 00:44:42,300 GINNY, YOU DIDN'T REALLY HAVE TO CUT YOUR HAIR, 822 00:44:42,470 --> 00:44:45,510 NOT FOR A SILLY OLD PLAY. 823 00:44:45,680 --> 00:44:48,600 I DIDN'T DO IT FOR THE PLAY. 824 00:44:50,060 --> 00:44:54,020 Mary: THEN WHY'D YOU CUT IT? 825 00:44:54,190 --> 00:44:57,360 I JUST WANTED TO. 826 00:44:57,520 --> 00:44:59,770 THAT'S NOT TRUE. 827 00:44:59,940 --> 00:45:01,110 YOU KNOW IT'S NOT. 828 00:45:01,280 --> 00:45:03,240 Nellie: YOU'RE RUINING THE PLAY! 829 00:45:03,400 --> 00:45:06,610 BE QUIET, NELLIE! 830 00:45:06,780 --> 00:45:08,830 YOU CAN TELL US, GINNY. 831 00:45:12,870 --> 00:45:16,460 I SOLD IT TO MR. MASON. 832 00:45:17,670 --> 00:45:19,380 Mary: WHY? 833 00:45:19,550 --> 00:45:21,380 WHY, GINNY? 834 00:45:21,550 --> 00:45:22,840 WHY? 835 00:45:23,010 --> 00:45:25,720 SO I COULD BUY A NEW DRESS... 836 00:45:25,880 --> 00:45:28,180 FOR MY MOTHER 837 00:45:28,350 --> 00:45:31,260 SO SHE COULD COME HERE TODAY. 838 00:45:39,940 --> 00:45:42,730 OH, I LOVE YOU. 839 00:45:42,900 --> 00:45:45,860 I'M SO SORRY. 840 00:45:48,070 --> 00:45:51,200 WHEN AM I GOING TO GET TO SAY MY LINE? 841 00:45:53,040 --> 00:45:57,000 BE QUIET, NELLIE. THE PLAY IS OVER. 842 00:45:57,170 --> 00:45:59,670 [APPLAUSE] 843 00:46:51,550 --> 00:46:54,600 DID YOU LIKE THE PLAY, MR. MAYFIELD? 844 00:46:54,770 --> 00:46:56,390 THOUGHT YOU WERE GREAT, LITTLE'UN. 845 00:46:56,560 --> 00:46:58,430 DO YOU MIND ABOUT MY SHORT HAIR? 846 00:46:58,600 --> 00:47:00,440 NAH. THAT MAKES YOU THE PRETTIEST. 847 00:47:00,600 --> 00:47:04,110 OH, I THINK SO, TOO. 848 00:47:04,270 --> 00:47:05,690 LET'S GO. 849 00:47:06,780 --> 00:47:08,030 HOW DO YOU FEEL? 850 00:47:08,200 --> 00:47:10,110 ARE YOU SURE YOU NEVER WANT TO GO ON THE STAGE AGAIN? 851 00:47:10,280 --> 00:47:13,120 IT'S ALL RIGHT, I GUESS, BUT NEVER AGAIN WITH NELLIE OLESON. 852 00:47:13,280 --> 00:47:15,200 WAS THAT NELLIE? I COULDN'T TELL UNDER ALL THAT HAIR. 853 00:47:15,370 --> 00:47:16,450 HA HA HA! 854 00:47:16,620 --> 00:47:18,750 HOW ABOUT YOU, MARY? 855 00:47:18,910 --> 00:47:20,960 PLAY-ACTING'S ALL RIGHT, I GUESS, 856 00:47:21,120 --> 00:47:22,290 BUT WHEN IT TURNS OUT RIGHT, 857 00:47:22,460 --> 00:47:25,460 REAL LIFE'S A WHOLE LOT BETTER. 858 00:47:29,630 --> 00:47:33,140 I AGREE WITH YOU THERE, SWEETHEART. THERE'S NO DOUBT ABOUT IT. 859 00:47:33,300 --> 00:47:35,100 COME ON. LET'S GO HOME. 61502

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