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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:02:19,430 --> 00:02:21,220 - LANSFORD... - HUH? 2 00:02:21,390 --> 00:02:22,890 YOU'RE UP AND DRESSED ALREADY. 3 00:02:23,050 --> 00:02:26,970 I WANTED TO GET TO THE POST EARLY IN CASE THERE WAS A LETTER. 4 00:02:27,140 --> 00:02:29,600 I'LL FIX YOU BREAKFAST BEFORE YOU GO. 5 00:02:29,770 --> 00:02:31,900 I'VE ALREADY BEEN. 6 00:02:33,900 --> 00:02:36,730 LAND SAKES, WHAT TIME IS IT? 7 00:02:36,900 --> 00:02:38,940 OH, NEVER MIND THE TIME. 8 00:02:39,110 --> 00:02:41,570 LOOKY HERE. 9 00:02:41,740 --> 00:02:43,620 IS IT...? 10 00:02:43,780 --> 00:02:47,580 IT'S FROM YOUR BOY. IT'S FROM CHARLES. 11 00:02:47,750 --> 00:02:50,120 WELL, READ IT, FOR HEAVEN'S SAKES. 12 00:02:50,290 --> 00:02:53,170 HOLD ON, NOW, WHILE I GET MY SPECTACLES. 13 00:02:57,340 --> 00:02:59,420 YEAH. YEAH. 14 00:02:59,590 --> 00:03:01,630 "DEAR MA AND PA, 15 00:03:01,800 --> 00:03:04,340 "SORRY IT'S BEEN SO LONG SINCE MY LAST LETTER, 16 00:03:04,510 --> 00:03:07,350 BUT YOU KNOW I NEVER WAS MUCH FOR WRITING." 17 00:03:07,520 --> 00:03:08,640 SAME OLD EXCUSE. 18 00:03:08,810 --> 00:03:11,890 SHH. LET ME JUST... 19 00:03:12,060 --> 00:03:15,060 "CAROLINE AND THE CHILDREN ARE ALL WELL." 20 00:03:15,230 --> 00:03:17,360 IS SHE WITH CHILD? 21 00:03:17,530 --> 00:03:19,780 I ONLY STARTED READING. 22 00:03:19,940 --> 00:03:21,110 GO ON. 23 00:03:21,280 --> 00:03:24,490 YOU READ THE WHOLE LETTER ON YOUR WAY BACK. 24 00:03:24,660 --> 00:03:26,950 IS SHE HAVING A BABY? 25 00:03:27,120 --> 00:03:29,620 IT DOESN'T SAY SO IN THE LETTER. 26 00:03:29,790 --> 00:03:32,040 WHAT'S THE MATTER WITH THOSE TWO? 27 00:03:32,210 --> 00:03:33,460 THEY'D BETTER GET ON TO HAVING A SON 28 00:03:33,630 --> 00:03:36,210 TO CARRY ON THE NAME OF INGALLS. 29 00:03:36,380 --> 00:03:38,670 I'M SURE THEY'RE DOING THEIR BEST, MOTHER. 30 00:03:38,840 --> 00:03:40,670 NOW, CAN I CONTINUE? 31 00:03:40,840 --> 00:03:45,090 I NEVER ASKED YOU TO STOP IN THE FIRST PLACE. 32 00:03:45,260 --> 00:03:47,470 "OUR CROPS LOOK GOOD THIS YEAR, 33 00:03:47,640 --> 00:03:49,930 "AND BARRING DROUGHT OR GRASSHOPPERS, 34 00:03:50,100 --> 00:03:53,060 "WE SHOULD HAVE SOME GOOD MONEY BANKED COME WINTER. 35 00:03:53,230 --> 00:03:55,560 "THE CHILDREN ARE GROWING SO FAST, 36 00:03:55,730 --> 00:03:57,810 "YOU CAN ALMOST SEE IT DAILY. 37 00:03:57,980 --> 00:04:00,190 "MARY IS CLOSE TO BEING A WOMAN, 38 00:04:00,360 --> 00:04:02,690 "AND THE YOUNG MEN ARE ALREADY BUZZING AROUND HER 39 00:04:02,860 --> 00:04:04,780 LIKE BEES TO HONEY." 40 00:04:04,950 --> 00:04:07,240 THAT CHILD IS STILL A BABE. 41 00:04:07,410 --> 00:04:08,620 I HOPE YOUR SON HAS SENSE ENOUGH 42 00:04:08,790 --> 00:04:10,240 TO KEEP THE BOYS AWAY. 43 00:04:10,410 --> 00:04:12,370 "TELL MA NOT TO WORRY. 44 00:04:12,540 --> 00:04:16,750 "I'LL SEE TO IT ANYONE COMES COURTING HER MIND THEIR MANNERS 45 00:04:16,920 --> 00:04:19,920 OR I'LL TAKE THE STICK TO THEM." 46 00:04:20,090 --> 00:04:24,220 WELL, THANK GOODNESS MY SON HAS HIS WITS ABOUT HIM. 47 00:04:25,840 --> 00:04:29,720 FIRST HE'S MY SON, THEN HE'S YOUR SON. 48 00:04:29,890 --> 00:04:33,140 GO ON READING. 49 00:04:33,310 --> 00:04:35,390 "IF ALL GOES WELL WITH MY CROP, 50 00:04:35,560 --> 00:04:37,730 "I'LL BE ABLE TO ADD ON TO THE HOUSE. 51 00:04:37,900 --> 00:04:39,650 "I TALKED IT OVER WITH CAROLINE, 52 00:04:39,820 --> 00:04:41,980 "AND SHE AND I HOPED YOU MIGHT THINK ABOUT 53 00:04:42,150 --> 00:04:44,570 "MOVING WEST AND LIVE WITH US. 54 00:04:44,740 --> 00:04:48,070 "THERE'S GOOD FOLK HERE AND A FINE CHURCH, 55 00:04:48,240 --> 00:04:49,870 "AND WE MISS YOU BOTH. 56 00:04:50,030 --> 00:04:51,950 "WHEN I PLAY THE VIOLIN AT NIGHT, 57 00:04:52,120 --> 00:04:55,000 "WE ALL THINK ABOUT DANCING GRANDMA. 58 00:04:55,160 --> 00:04:57,580 "I GOT TO CLOSE. PLEASE THINK ON IT. 59 00:04:57,750 --> 00:04:59,130 "WE ALL LOVE YOU. 60 00:04:59,290 --> 00:05:03,050 YOUR SON, CHARLES PHILIP INGALLS." 61 00:05:06,840 --> 00:05:10,180 HE SIGNS HIS WHOLE NAME, CHARLES PHILIP INGALLS, 62 00:05:10,350 --> 00:05:12,560 LIKE A LETTER OF INTRODUCTION. 63 00:05:14,890 --> 00:05:16,850 DANCING GRANDMA... 64 00:05:17,020 --> 00:05:20,900 YEAH. THERE WASN'T A SOUL COULD KEEP UP WITH YOU 65 00:05:21,070 --> 00:05:22,150 IN THEM BIG WOODS-- 66 00:05:22,320 --> 00:05:25,610 NOT AT DANCING A JIG, THEY COULDN'T. 67 00:05:25,780 --> 00:05:27,150 I WANT TO HOLD IT. 68 00:05:29,570 --> 00:05:32,660 BUT YOU CAN'T SEE IN THIS LIGHT. 69 00:05:32,830 --> 00:05:34,370 I KNOW. 70 00:05:34,540 --> 00:05:36,540 I JUST WANT TO HOLD IT. 71 00:05:40,790 --> 00:05:42,500 I'LL HEAT YOU SOME BROTH. 72 00:05:49,800 --> 00:05:51,640 LANSFORD. 73 00:05:51,800 --> 00:05:54,470 YES, MAMA? 74 00:05:54,640 --> 00:05:57,140 TELL ME WE CAN GO. 75 00:05:57,310 --> 00:06:00,650 OH...MAMA. 76 00:06:00,810 --> 00:06:03,480 I KNOW. 77 00:06:03,650 --> 00:06:05,480 PLEASE... 78 00:06:05,650 --> 00:06:08,320 TELL ME THAT WE'LL GO... 79 00:06:08,490 --> 00:06:10,490 IN THE SPRING. 80 00:06:10,660 --> 00:06:14,700 TELL ME THAT I'LL SEE MY BABES AGAIN. 81 00:06:14,870 --> 00:06:17,080 YOU WILL, IN THE SPRING. 82 00:06:18,830 --> 00:06:21,210 YOU'RE NOT JUST SAYING IT THIS TIME? 83 00:06:24,500 --> 00:06:27,050 I PROMISE, MAMA. 84 00:06:42,650 --> 00:06:44,230 Mrs. Colby: LANSFORD... 85 00:06:45,940 --> 00:06:47,980 HOW LONG TILL SUNUP? 86 00:07:39,120 --> 00:07:43,420 [TURKEYS GOBBLING] 87 00:07:43,580 --> 00:07:44,920 HA HA HA! 88 00:07:45,080 --> 00:07:47,000 SHE'S SURE HAVING A HARD TIME MAKING UP HER MIND. 89 00:07:47,170 --> 00:07:48,750 WELL, IT'S A BIG DECISION, BREWSTER-- 90 00:07:48,920 --> 00:07:50,880 PICKING OUT THE BIRDS YOU'RE GOING TO RAISE FOR THANKSGIVING. 91 00:07:51,050 --> 00:07:53,260 IT MAY BE THANKSGIVING BEFORE SHE PICKS ONE. 92 00:07:53,430 --> 00:07:56,390 HA. I KNOW WHAT YOU MEAN. I THINK I'LL HURRY HER UP. 93 00:08:01,180 --> 00:08:02,310 YOU GOT ANY IDEA YET? 94 00:08:02,480 --> 00:08:05,350 NO. THERE'S SO MANY. 95 00:08:05,520 --> 00:08:07,020 THERE IS A BUNCH OF THEM. 96 00:08:07,190 --> 00:08:08,400 THEY JUST ALL LOOK ALIKE TO ME. 97 00:08:08,570 --> 00:08:10,110 NOT TO ME. 98 00:08:10,280 --> 00:08:11,190 OH. 99 00:08:11,360 --> 00:08:13,990 SHOULD I PICK A GIRL TURKEY OR A BOY? 100 00:08:14,160 --> 00:08:16,320 UH, LET'S SEE. I THINK YOU OUGHT TO GET A TOM. 101 00:08:16,490 --> 00:08:18,780 WHICH ONE'S NAME IS TOM? 102 00:08:18,950 --> 00:08:20,910 [CHUCKLES] NO, IT'S NOT THE TURKEY'S NAME. 103 00:08:21,080 --> 00:08:24,460 IT'S JUST A WORD THEY USE TO LET YOU KNOW IT'S A BOY TURKEY. 104 00:08:24,620 --> 00:08:28,210 WHAT'S A GIRL'S TURKEY'S NAME? 105 00:08:28,380 --> 00:08:29,540 HENS. 106 00:08:29,710 --> 00:08:32,170 JUST HENS? NO NAME? 107 00:08:32,340 --> 00:08:34,340 Charles: AFRAID NOT. 108 00:08:35,760 --> 00:08:37,970 [GOBBLES] 109 00:08:38,140 --> 00:08:41,010 IS THAT A TOM TURKEY? 110 00:08:41,180 --> 00:08:42,220 YEAH. 111 00:08:42,390 --> 00:08:43,480 I'LL TAKE HIM. 112 00:08:43,640 --> 00:08:45,060 ALL RIGHT. 113 00:08:45,230 --> 00:08:47,150 [GOBBLES] 114 00:08:47,310 --> 00:08:50,360 AH, HE'S A NICE ONE, HUH? COME ON. 115 00:09:02,410 --> 00:09:04,000 WHOA. 116 00:09:04,160 --> 00:09:05,500 CAROLINE! 117 00:09:14,220 --> 00:09:16,130 HEY, COME ON OVER HERE! SEE WHAT WE GOT HERE! 118 00:09:16,300 --> 00:09:17,630 A TURKEY! 119 00:09:30,230 --> 00:09:32,020 GOT A LITTLE SURPRISE FOR YOU RIGHT HERE. 120 00:09:32,190 --> 00:09:34,860 LOOK IT HERE. LOOK AT THAT TURKEY. 121 00:09:35,030 --> 00:09:36,900 CARRIE PICKED HIM OUT ALL BY HERSELF. 122 00:09:37,070 --> 00:09:39,320 HIS NAME IS TOM. 123 00:09:39,490 --> 00:09:40,660 HE'S A FINE TURKEY. 124 00:09:40,830 --> 00:09:41,580 YOU BET HE IS! 125 00:09:41,740 --> 00:09:43,030 NOW, COME ON. 126 00:09:43,200 --> 00:09:47,000 WE'LL GO IN THE BARN AND BUILD A PROPER PEN FOR HIM. 127 00:09:47,160 --> 00:09:49,420 BOY, YOU WAIT AND SEE HOW BIG HE GETS. 128 00:09:49,580 --> 00:09:50,920 CHARLES... 129 00:09:52,380 --> 00:09:54,880 I WANT TO TALK TO YOU. 130 00:09:55,050 --> 00:09:57,590 CARRIE, YOU GO AHEAD AND TAKE THE BIRD INSIDE. 131 00:09:57,760 --> 00:09:59,720 YEAH, YOU GO ON INSIDE. 132 00:09:59,890 --> 00:10:02,220 CAN I HELP BUILD YOU A PEN, TOO? 133 00:10:02,390 --> 00:10:03,560 WHY, YOU BET YOU CAN. 134 00:10:03,720 --> 00:10:06,980 JUST GO ON IN THERE. I'LL BE IN IN A SECOND. 135 00:10:15,070 --> 00:10:16,480 WHAT'S THE MATTER? 136 00:10:16,650 --> 00:10:19,070 A LETTER CAME FROM YOUR FATHER TODAY... 137 00:10:19,240 --> 00:10:22,910 OH. DECIDED NOT TO COME ALREADY, HUH? 138 00:10:23,080 --> 00:10:24,740 HE'S AS STUBBORN AS I AM. 139 00:10:24,910 --> 00:10:25,870 CHARLES... 140 00:10:26,040 --> 00:10:27,160 I KNOW YOU'RE DISAPPOINTED. 141 00:10:27,330 --> 00:10:28,540 HE STILL MAY CHANGE HIS MIND. 142 00:10:28,710 --> 00:10:30,330 YOU WAIT TILL MA WORKS ON HIM A LITTLE BIT-- 143 00:10:30,500 --> 00:10:31,960 SHE'LL GET... 144 00:10:41,390 --> 00:10:43,180 OH, MAMA... 145 00:10:46,390 --> 00:10:48,680 [SOBBING] IT'S MY MAMA. 146 00:10:59,110 --> 00:11:00,240 THERE WE GO. 147 00:11:00,400 --> 00:11:01,450 MA... 148 00:11:01,610 --> 00:11:02,740 YES, CARRIE? 149 00:11:02,910 --> 00:11:04,620 PA CRIED. 150 00:11:04,780 --> 00:11:05,740 I KNOW. 151 00:11:05,910 --> 00:11:08,450 Carrie: BECAUSE HIS MA WENT AWAY? 152 00:11:08,620 --> 00:11:10,580 THAT'S RIGHT. 153 00:11:10,750 --> 00:11:12,750 WHERE DID SHE GO? 154 00:11:15,130 --> 00:11:16,460 SHE WENT TO HEAVEN. 155 00:11:16,630 --> 00:11:20,720 IS GOD UP IN HEAVEN? JESUS IS THERE. 156 00:11:20,880 --> 00:11:22,880 YES. 157 00:11:23,050 --> 00:11:24,890 IT'S BEAUTIFUL THERE. 158 00:11:25,050 --> 00:11:27,760 WHY DID PA CRY? 159 00:11:27,930 --> 00:11:31,100 WELL... 160 00:11:31,270 --> 00:11:34,520 IT'S LIKE WHEN YOUR BROTHER DIED. 161 00:11:34,690 --> 00:11:36,360 YOUR PA AND I CRIED. 162 00:11:36,520 --> 00:11:38,150 I CRIED, TOO. 163 00:11:38,320 --> 00:11:40,530 Caroline: I KNOW. 164 00:11:40,700 --> 00:11:46,120 BUT WE CRIED BECAUSE WE MISSED HIM, 165 00:11:46,280 --> 00:11:50,290 BECAUSE WE WANTED HIM TO BE WITH US. 166 00:11:50,450 --> 00:11:51,830 DO YOU UNDERSTAND? 167 00:11:52,000 --> 00:11:54,500 A LITTLE BIT. 168 00:11:54,670 --> 00:11:57,170 I WISH TOM COULD SLEEP WITH ME. 169 00:11:59,170 --> 00:12:02,630 THERE WILL BE NO TURKEY SLEEPING IN YOUR BED. 170 00:12:05,050 --> 00:12:06,510 NOW CLOSE YOUR EYES. 171 00:12:06,680 --> 00:12:07,850 GOOD NIGHT, MA. 172 00:12:08,010 --> 00:12:09,970 GOOD NIGHT, CARRIE. 173 00:12:18,860 --> 00:12:22,360 CHARLES, SOME MORE COFFEE? 174 00:12:22,530 --> 00:12:24,740 NO, NO. I'M ALMOST FINISHED. 175 00:12:26,660 --> 00:12:28,370 I WANT TO GET THIS PEN DONE. 176 00:12:28,530 --> 00:12:31,580 CARRIE'S SO ANXIOUS TO TAKE CARE OF THAT BIRD. 177 00:12:45,380 --> 00:12:48,470 WHY DIDN'T HE WRITE US SHE WAS SICK? 178 00:12:51,060 --> 00:12:53,520 THEN MAYBE I COULD HAVE SEEN HER BEF-- 179 00:12:55,560 --> 00:12:57,770 HE PROBABLY DIDN'T WANT TO WORRY YOU. MAYBE-- 180 00:12:57,940 --> 00:13:00,820 HE'S A STUBBORN OLD MAN, THAT'S WHY. 181 00:13:03,030 --> 00:13:04,530 HE WOULDN'T COME OUT WITH US IN THE FIRST PLACE 182 00:13:04,700 --> 00:13:06,820 BECAUSE HE WAS STUBBORN. 183 00:13:08,870 --> 00:13:11,490 AIN'T NOTHING LEFT IN THOSE WOODS. 184 00:13:13,040 --> 00:13:14,250 LOST EVERYTHING, LIVING IN A SHACK, 185 00:13:14,410 --> 00:13:17,580 AND HE STILL WOULDN'T COME WITH US. 186 00:13:17,750 --> 00:13:20,250 IT WAS BECAUSE OF HIS PRIDE. 187 00:13:22,460 --> 00:13:25,470 WELL, LOOK WHERE HIS PRIDE'S GOT HIM NOW. 188 00:13:29,050 --> 00:13:32,180 HE'S JUST AN OLD MAN, AND HE'S LIVING ALONE. 189 00:13:36,230 --> 00:13:38,350 LOOK WHERE IT'S GOT HIM NOW. 190 00:13:47,280 --> 00:13:50,110 WE'LL BE JUST FINE WHILE YOU'RE GONE. 191 00:13:53,790 --> 00:13:55,790 WELL, AREN'T YOU GOING TO BRING 192 00:13:55,960 --> 00:13:59,250 THAT STUBBORN, OLD, PRIDEFUL FATHER OF YOURS OUT HERE? 193 00:14:02,460 --> 00:14:04,590 I'M SURE GOING TO TRY. 194 00:14:20,310 --> 00:14:22,310 [TRAIN WHISTLE BLOWING] 195 00:14:22,480 --> 00:14:23,980 I LOVE YOU! 196 00:14:40,880 --> 00:14:43,460 [TRAIN WHISTLE BLOWING] 197 00:16:06,420 --> 00:16:11,920 CHARLES! 198 00:16:20,600 --> 00:16:22,680 CHARLES PHILIP INGALLS! 199 00:16:29,020 --> 00:16:31,110 YOU COME WHEN I CALL YOU, BOY. 200 00:16:32,650 --> 00:16:33,990 NOW! 201 00:16:48,630 --> 00:16:50,130 YOUR MA SAYS YOU'RE RUNNING AWAY FROM HOME. 202 00:16:50,300 --> 00:16:52,630 IS THAT SO? 203 00:16:52,800 --> 00:16:54,630 Lansford: IS THAT SO? 204 00:16:54,800 --> 00:16:56,180 [QUIETLY] YES, SIR. 205 00:16:56,340 --> 00:16:58,300 WELL, SPEAK UP. IF YOU'RE OLD ENOUGH TO BE RUNNING OFF, 206 00:16:58,470 --> 00:17:00,600 YOU'RE OLD ENOUGH TO BE HEARD. 207 00:17:00,760 --> 00:17:03,430 [LOUDER] YES, SIR. I'M RUNNING AWAY. 208 00:17:03,600 --> 00:17:05,350 THAT'S BETTER. 209 00:17:05,520 --> 00:17:08,310 YOU SHOULD HAVE COME TO ME BEFORE YOU LEFT. 210 00:17:08,480 --> 00:17:11,400 YOU GOT 10 CENTS COMING IN CHORE MONEY. 211 00:17:11,570 --> 00:17:13,860 YOU'LL BE NEEDING IT TO MAKE A FRESH START. 212 00:17:14,030 --> 00:17:15,740 WHICH WAY YOU HEADING? 213 00:17:15,900 --> 00:17:17,110 WEST, SIR. 214 00:17:17,280 --> 00:17:19,410 WEST? OH, THAT'S A GOOD CHOICE. 215 00:17:19,580 --> 00:17:21,490 A LOT OF COUNTRY OUT THERE. 216 00:17:21,660 --> 00:17:24,580 YOU MIND IF I WALK ALONG WITH YOU A SPELL? 217 00:17:24,750 --> 00:17:26,830 NO, SIR. 218 00:17:28,330 --> 00:17:31,670 YOU MIND MY ASKING WHY YOU'RE LEAVING? 219 00:17:31,840 --> 00:17:33,250 LOTS OF THINGS. 220 00:17:33,420 --> 00:17:35,010 FOR INSTANCE? 221 00:17:35,170 --> 00:17:38,720 WELL, SCHOOL, FOR ONE. 222 00:17:38,890 --> 00:17:41,010 OH, YEAH. KIND OF A WASTE OF TIME, HUH? 223 00:17:41,180 --> 00:17:42,140 YES, SIR. 224 00:17:42,310 --> 00:17:44,270 WELL, THAT'S YOUR MA'S DOING. 225 00:17:44,430 --> 00:17:47,310 SHE HOLDS GREAT STORE IN READING AND WRITING. 226 00:17:47,480 --> 00:17:50,230 OF COURSE, READING CAN BE KIND OF FUN. 227 00:17:50,400 --> 00:17:52,820 OH, IT'S NOT JUST SCHOOL. 228 00:17:52,980 --> 00:17:54,190 IT'S PETER, TOO. 229 00:17:54,360 --> 00:17:55,860 OH, OLDER BROTHER, HUH? 230 00:17:56,030 --> 00:17:58,820 YEAH. HE ACTS LIKE HE WAS YOU, 231 00:17:58,990 --> 00:18:01,530 ALWAYS TELLING THE REST OF US KIDS WHAT TO DO. 232 00:18:01,700 --> 00:18:03,450 BOSSY, HUH? I KNOW WHAT YOU MEAN. 233 00:18:03,620 --> 00:18:05,370 I GOT THE SAME PROBLEM WITH YOUR MA. 234 00:18:05,540 --> 00:18:06,910 - YOU DO? - OF COURSE I DO. 235 00:18:07,080 --> 00:18:08,710 MAKING ME SETTLE DOWN-- 236 00:18:08,870 --> 00:18:10,290 OF COURSE, I DIDN'T MIND AT FIRST, 237 00:18:10,460 --> 00:18:15,050 BUT A MAN GETS ITCHY TO MOVE ON, LIKE YOU'RE DOING. 238 00:18:15,210 --> 00:18:17,260 GET AWAY FROM TOWN, 239 00:18:17,420 --> 00:18:20,220 SEE THE WORLD. 240 00:18:20,390 --> 00:18:22,350 YOU KNOW SOMETHING, CHARLES? 241 00:18:22,510 --> 00:18:25,350 YOU AND ME-- WE'RE IN THE SAME BOAT! 242 00:18:25,520 --> 00:18:26,470 WE ARE? 243 00:18:26,640 --> 00:18:28,060 YES, BOY, WE ARE, AND, BY GOLLY, 244 00:18:28,230 --> 00:18:29,940 THERE'S NO REASON FOR IT. 245 00:18:30,100 --> 00:18:31,520 A MAN OUGHT NOT TO BE DOING THINGS 246 00:18:31,690 --> 00:18:33,230 THAT HE DOESN'T WANT TO BE DOING. 247 00:18:33,400 --> 00:18:35,150 HE SHOULD DO JUST WHAT HE WANTS IN THIS LIFE 248 00:18:35,320 --> 00:18:37,990 AND THE HECK WITH THE REST OF THE WORLD. 249 00:18:38,150 --> 00:18:41,780 BY GOLLY, BOY, YOU'VE MADE UP MY MIND FOR ME. 250 00:18:41,950 --> 00:18:43,070 I'M GOING WITH YOU! 251 00:18:43,240 --> 00:18:44,240 WHAT? 252 00:18:44,410 --> 00:18:45,870 LISTEN, IT WON'T TAKE ME MORE THAN AN HOUR 253 00:18:46,040 --> 00:18:47,250 TO THROW A FEW THINGS INTO A KNAPSACK. 254 00:18:47,410 --> 00:18:49,710 YOU WAIT FOR ME RIGHT HERE. 255 00:18:49,870 --> 00:18:51,830 - PA! - YEAH, BOY? 256 00:18:52,000 --> 00:18:54,000 ARE YOU SURE YOU KNOW WHAT YOU'RE DOING? 257 00:18:54,170 --> 00:18:56,300 WELL, I DO NOW, THANKS TO YOU. 258 00:18:56,460 --> 00:18:58,090 WELL, WHAT ABOUT MA? 259 00:18:58,260 --> 00:18:59,420 WELL, WHAT ABOUT HER? 260 00:18:59,590 --> 00:19:01,630 WELL, SHE LOVES YOU, 261 00:19:01,800 --> 00:19:03,720 AND SHE'LL MISS YOU SOMETHING FIERCE. 262 00:19:03,890 --> 00:19:04,970 WELL, SHE LOVES YOU, TOO, 263 00:19:05,140 --> 00:19:06,680 BUT YOU'RE NOT LETTING THAT STOP YOU, 264 00:19:06,850 --> 00:19:07,890 SO NEITHER AM I. 265 00:19:08,060 --> 00:19:10,940 WELL, WHAT ABOUT PETER 266 00:19:11,100 --> 00:19:13,650 AND LYDIA AND POLLY? 267 00:19:13,810 --> 00:19:16,610 WELL, YOU JUST SAID THAT PETER'S ALWAYS ACTING LIKE ME. 268 00:19:16,780 --> 00:19:18,150 HE CAN TAKE CARE OF YOUR SISTERS. 269 00:19:18,320 --> 00:19:20,440 HE'S NOT LIKE YOU. 270 00:19:20,610 --> 00:19:22,280 HE AIN'T NOTHING LIKE YOU. 271 00:19:22,450 --> 00:19:23,660 YOU JUST SAID HE WAS! 272 00:19:23,820 --> 00:19:27,740 OH, YOU SHOULDN'T PAY NO MIND TO WHAT I SAY. 273 00:19:27,910 --> 00:19:29,370 I'M JUST LITTLE. 274 00:19:29,540 --> 00:19:33,420 WELL, YOU'RE BIG ENOUGH TO BE RUNNING OFF, AREN'T YOU? 275 00:19:33,580 --> 00:19:35,590 AREN'T YOU? 276 00:19:35,750 --> 00:19:39,550 I WASN'T GOING TO RUN OFF, PA... 277 00:19:39,720 --> 00:19:42,630 NOT REALLY. 278 00:19:42,800 --> 00:19:45,850 THINGS AREN'T SO BAD, 279 00:19:46,010 --> 00:19:49,720 AND THERE'S STILL ROOM IN THE BIG WOODS, 280 00:19:49,890 --> 00:19:54,900 AND MA DOESN'T MEAN IT WHEN SHE'S BOSSY SOMETIMES. 281 00:19:55,060 --> 00:19:59,150 Charles: IT'S MOSTLY BECAUSE SHE LOVES YOU. 282 00:19:59,320 --> 00:20:00,650 YOU THINK SO? 283 00:20:00,820 --> 00:20:02,400 I KNOW IT. 284 00:20:02,570 --> 00:20:04,410 Lansford: AND YOU'RE SURE YOU'RE NOT GOING TO RUN OFF? 285 00:20:04,570 --> 00:20:07,200 SURE, I'M SURE. 286 00:20:07,370 --> 00:20:12,160 WELL...IF YOU'RE MAN ENOUGH TO STAY, 287 00:20:12,330 --> 00:20:13,750 I WILL, TOO. 288 00:20:16,170 --> 00:20:19,460 BY GOLLY, ALL THIS TALKING'S GIVEN ME AN APPETITE. 289 00:20:19,630 --> 00:20:21,210 WHAT SAY WE GO HOME? 290 00:20:21,380 --> 00:20:22,840 I WOULDN'T BE SURPRISED IF YOUR MA'S GOT 291 00:20:23,010 --> 00:20:25,470 A FRESH PIE IN THE OVEN. 292 00:20:25,640 --> 00:20:27,090 HOW'S THAT SOUND? 293 00:20:27,260 --> 00:20:29,600 HOME SOUNDS GOOD. 294 00:20:50,700 --> 00:20:52,200 Ticket Inspector: TICKETS, PLEASE. 295 00:20:55,710 --> 00:20:56,960 GOING A LONG WAY. 296 00:20:57,130 --> 00:20:58,460 YEAH. 297 00:20:58,630 --> 00:21:00,540 I'M GOING HOME. 298 00:21:04,510 --> 00:21:05,550 GOING HOME. 299 00:21:05,720 --> 00:21:09,550 [TRAIN WHISTLE BLOWING] 300 00:21:37,710 --> 00:21:39,080 ELIZA! 301 00:21:41,670 --> 00:21:43,000 CHARLES? 302 00:21:44,920 --> 00:21:47,760 ELIZA ANN! 303 00:21:47,930 --> 00:21:49,340 CHARLES! 304 00:21:53,850 --> 00:21:56,390 OH, DARLING, LET ME LOOK AT YOU. 305 00:21:56,560 --> 00:21:58,810 THE PRETTIEST GAL AROUND EXCEPT FOR YOUR SISTER. 306 00:21:58,980 --> 00:21:59,940 HOW IS CAROLINE? 307 00:22:00,110 --> 00:22:02,190 OH, SHE'S FINE. SHE SENDS HER LOVE. 308 00:22:02,360 --> 00:22:03,570 WHAT AM I DOING, HAVING YOU STAND OUT HERE? 309 00:22:03,730 --> 00:22:04,610 COME ON INSIDE. 310 00:22:04,780 --> 00:22:06,070 I'LL START US A GOOD SUPPER. 311 00:22:06,240 --> 00:22:08,860 ALL RIGHT. SOUNDS GOOD. I HAVEN'T SEEN PAPA YET. 312 00:22:09,030 --> 00:22:11,120 I'LL GO SEE HIM AFTER SUPPER. 313 00:22:11,280 --> 00:22:12,450 HOW'S THAT BROTHER OF MINE? 314 00:22:12,620 --> 00:22:14,490 OH, JUST AS ORNERY AS THE DAY I MARRIED HIM. 315 00:22:14,660 --> 00:22:16,330 HOW'S PAPA FEELING? 316 00:22:16,500 --> 00:22:18,290 NOT TOO WELL, I'M AFRAID. 317 00:22:18,460 --> 00:22:19,790 PETER SEEING A LOT OF HIM? 318 00:22:19,960 --> 00:22:23,290 NO. THINGS AREN'T TOO GOOD BETWEEN THEM. 319 00:22:23,460 --> 00:22:24,880 WHY? WHAT'S THE MATTER? 320 00:22:25,050 --> 00:22:27,970 I'D BEST LET PETER TELL YOU WHEN HE GETS HOME. 321 00:22:33,260 --> 00:22:34,760 Peter: YOU FINISHED WITH YOUR SUPPER, AMELIA? 322 00:22:34,930 --> 00:22:36,140 YES, SIR. 323 00:22:36,310 --> 00:22:37,350 Peter: YOU MAY BE EXCUSED. 324 00:22:37,520 --> 00:22:39,560 CAN I WAIT UNTIL JAMES IS THROUGH? 325 00:22:39,730 --> 00:22:41,480 Peter: HE'S THROUGH RIGHT NOW. 326 00:22:41,650 --> 00:22:43,690 YOU'RE BOTH EXCUSED. 327 00:22:45,320 --> 00:22:47,360 Amelia: NICE TO SEE YOU AGAIN, UNCLE CHARLES. 328 00:22:47,530 --> 00:22:49,280 IT'S NICE TO SEE YOU AGAIN, AMELIA. 329 00:22:51,990 --> 00:22:53,120 CLOSE THE DOOR. 330 00:22:53,280 --> 00:22:54,660 Amelia: YES, SIR. 331 00:23:02,330 --> 00:23:03,830 A FINE SUPPER, ELIZA. 332 00:23:04,000 --> 00:23:05,040 THANK YOU. 333 00:23:05,210 --> 00:23:06,210 THERE'S A BIT MORE. 334 00:23:06,380 --> 00:23:08,840 NO, NO. I'VE HAD MY FILL, THANK YOU. 335 00:23:09,010 --> 00:23:13,840 WELL, I EXPECT WE BETTER TALK ABOUT PA NOW. 336 00:23:14,010 --> 00:23:15,680 I APPRECIATE YOUR NOT SAYING ANYTHING 337 00:23:15,850 --> 00:23:18,430 UNTIL THE CHILDREN WERE THROUGH. 338 00:23:18,600 --> 00:23:21,230 I DON'T LIKE TO TALK ABOUT IT IN FRONT OF THEM. 339 00:23:23,520 --> 00:23:24,860 GO ON. 340 00:23:26,530 --> 00:23:32,490 WELL, YOU HAVEN'T SEEN HIM FOR WHAT--4 YEARS? 341 00:23:32,660 --> 00:23:34,910 WELL, IT'S ALMOST 5, YEAH. 342 00:23:35,080 --> 00:23:39,290 WELL, IF YOU THOUGHT HE WAS BAD WHEN HE LOST THE FARM, 343 00:23:39,450 --> 00:23:42,040 WAIT TILL YOU SEE HIM NOW. 344 00:23:42,210 --> 00:23:44,250 HE JUST... 345 00:23:44,420 --> 00:23:47,920 DON'T DO NOTHING BUT TALK ABOUT FAILING 346 00:23:48,090 --> 00:23:50,050 AND DYING-- 347 00:23:50,220 --> 00:23:52,260 Peter: MOSTLY DYING. 348 00:23:53,680 --> 00:23:55,550 WELL, IT'S ONLY BEEN A MONTH SINCE MA DIED. 349 00:23:55,720 --> 00:23:57,640 IT TAKES A LITTLE TIME. 350 00:23:57,810 --> 00:24:01,230 I'M NOT SO SURE IT'S GOOD FOR HIM TO BE ALONE SO MUCH. 351 00:24:01,390 --> 00:24:03,850 IT'S WHAT HE WANTS. IT'S HIS CHOICE. 352 00:24:05,400 --> 00:24:07,230 WELL, MAYBE WE SHOULDN'T LET HIM MAKE THAT DECISION. 353 00:24:07,400 --> 00:24:09,480 BUT WHAT IN GOD'S NAME DO YOU EXPECT ME TO DO? 354 00:24:09,650 --> 00:24:11,820 - PETER. - NO! 355 00:24:11,990 --> 00:24:13,740 WHO DOES HE THINK HE IS, COMING BACK HERE 356 00:24:13,910 --> 00:24:15,570 AND ACCUSING ME OF... 357 00:24:15,740 --> 00:24:17,620 OF NOT TREATING PA RIGHT? 358 00:24:17,780 --> 00:24:19,080 IT'S WELL AND GOOD FOR HIM, 359 00:24:19,240 --> 00:24:20,620 LIVING HALFWAY ACROSS THE WORLD AWAY FROM ALL THIS! 360 00:24:20,790 --> 00:24:22,290 PETER, I'M NOT ACCUSING YOU OF ANYTHING. 361 00:24:22,460 --> 00:24:24,210 I'M JUST TRYING TO FIGURE OUT WHAT'S BEST FOR PA. 362 00:24:24,370 --> 00:24:27,960 AND I'M TRYING TO FIGURE OUT WHAT'S BEST FOR ME AND MY FAMILY! 363 00:24:28,130 --> 00:24:29,750 I'M NOT GOING TO HAVE HIM AROUND HERE, 364 00:24:29,920 --> 00:24:31,630 WITH HIS TALKING ABOUT FAILING, 365 00:24:31,800 --> 00:24:33,590 ABOUT BEING USELESS. 366 00:24:33,760 --> 00:24:35,090 HE DID THAT TO MA FOR YEARS, 367 00:24:35,260 --> 00:24:37,680 UP UNTIL THE DAY SHE DIED! 368 00:24:37,850 --> 00:24:39,680 WELL, HE'S NOT GOING TO DO IT TO ME, 369 00:24:39,850 --> 00:24:41,810 OR TO MY FAMILY. 370 00:24:47,520 --> 00:24:51,400 WELL, I THINK I'D BETTER GET ON OVER AND SEE PA. 371 00:24:51,570 --> 00:24:54,400 I'LL STOP BY AND SAY GOOD-BYE ON MY WAY HOME. 372 00:24:58,490 --> 00:25:01,580 Peter: DON'T GO AND SEE HIM, LITTLE BROTHER. 373 00:25:01,750 --> 00:25:03,950 IT WON'T DO NO GOOD. 374 00:25:04,120 --> 00:25:06,000 JUST GO ON HOME, 375 00:25:06,170 --> 00:25:08,960 REMEMBER HIM THE WAY HE WAS WHEN WE WERE LITTLE. 376 00:25:12,300 --> 00:25:14,760 THAT'S ALL I DO, REMEMBER HIM, PETER. 377 00:25:17,140 --> 00:25:18,970 AND SO I'VE GOT TO GO SEE HIM. 378 00:25:56,340 --> 00:25:57,680 PAPA? 379 00:26:02,430 --> 00:26:05,850 CHARLES? IS THAT YOU, BOY? 380 00:26:06,020 --> 00:26:08,520 YES, SIR. 381 00:26:08,690 --> 00:26:11,520 WHERE IN HEAVEN'S NAME HAVE YOU BEEN, BOY? 382 00:26:11,690 --> 00:26:15,360 YOUR MA'S HAD SUPPER ON THE TABLE FOR AN HOUR! 383 00:26:15,530 --> 00:26:17,400 I CAME HOME AS SOON AS I COULD. 384 00:26:17,570 --> 00:26:19,320 WELL, THAT'S NO ANSWER. 385 00:26:19,490 --> 00:26:21,950 WHERE WERE YOU? SPEAK UP. 386 00:26:22,120 --> 00:26:25,950 I WAS DOING SOME PLOWING FOR MR. HOLBROOK. 387 00:26:29,540 --> 00:26:30,920 I'LL NOT HAVE IT! 388 00:26:31,080 --> 00:26:33,500 PAPA, WE NEED THE MONEY! 389 00:26:33,670 --> 00:26:34,880 THE LOAN'S COME DUE! 390 00:26:35,050 --> 00:26:37,300 AS LONG AS YOU LIVE IN MY HOUSE 391 00:26:37,470 --> 00:26:40,050 AND UNDER MY ROOF, YOU'LL DO AS I SAY! 392 00:26:40,220 --> 00:26:43,140 AND I SAY THAT YOU'LL NOT WORK FOR HOLBROOK 393 00:26:43,310 --> 00:26:45,220 OR FOR ANYONE ELSE! 394 00:26:47,350 --> 00:26:50,060 I'LL TAKE CARE OF THIS FAMILY. 395 00:26:50,230 --> 00:26:51,980 YOU AND YOUR MA THINK THAT I CAN'T DO IT. 396 00:26:52,150 --> 00:26:53,940 WELL, I'LL SHOW YOU. 397 00:26:54,110 --> 00:26:56,480 HAD A BAD RUN OF LUCK, THAT'S ALL. 398 00:26:56,650 --> 00:26:58,900 BUT THAT'LL CHANGE. IT'S BOUND TO CHANGE. 399 00:26:59,070 --> 00:27:03,120 AND WHEN IT DOES, OH, WE'LL BE LIVING IN A FINE HOUSE, 400 00:27:03,280 --> 00:27:07,540 AND YOUR MA WILL BE DANCING IN STORE-BOUGHT SHOES. 401 00:27:07,700 --> 00:27:09,460 YOU HEAR ME, BOY? 402 00:27:16,000 --> 00:27:17,500 PAPA. 403 00:27:19,340 --> 00:27:21,220 I CAME AS SOON AS I COULD. 404 00:27:32,440 --> 00:27:33,940 MY SON... 405 00:28:21,950 --> 00:28:24,070 [VIOLIN PLAYING] 406 00:28:47,800 --> 00:28:49,010 OH, LAND SAKES. 407 00:28:49,180 --> 00:28:50,310 WHEN I HEAR MUSIC LIKE THAT, 408 00:28:50,470 --> 00:28:52,180 MY FEET WANT TO DANCE. 409 00:28:52,350 --> 00:28:54,180 THEN GO AHEAD. 410 00:28:54,350 --> 00:28:55,440 WHAT'LL IT BE? 411 00:28:55,600 --> 00:28:56,730 DON'T YOU DARE. 412 00:28:56,900 --> 00:28:58,730 I'LL END UP BY DUNKING BOTH OF US. 413 00:28:58,900 --> 00:29:03,030 OH, YOU'RE THE BEST DANCER IN ALL OF WISCONSIN. 414 00:29:03,190 --> 00:29:04,990 WELL, I WAS... 415 00:29:05,160 --> 00:29:06,860 I GUESS. 416 00:29:07,030 --> 00:29:09,530 CAN'T DANCE LIKE THAT ANYMORE, THOUGH. 417 00:29:09,700 --> 00:29:11,080 GUESS I'M GETTING OLD. 418 00:29:11,240 --> 00:29:13,200 OH, YOU'LL NEVER GET OLD. 419 00:29:13,370 --> 00:29:15,500 YOU'RE JUST OUT OF PRACTICE IS ALL. 420 00:29:18,630 --> 00:29:20,670 WELL, WE HAVEN'T DANCED IN A WHILE, HAVE WE? 421 00:29:20,840 --> 00:29:23,550 Charles: NO, MA'AM. 422 00:29:23,720 --> 00:29:27,720 YOUR PA HAD GREAT PLANS FOR US, CHARLES. 423 00:29:27,890 --> 00:29:30,550 HE WANTED TO DO GOOD THINGS FOR ALL OF US. 424 00:29:30,720 --> 00:29:32,810 WE DON'T NEED SO MUCH. 425 00:29:32,970 --> 00:29:35,310 WE CAN ALWAYS MAKE DO. 426 00:29:35,480 --> 00:29:37,100 OF COURSE WE CAN. 427 00:29:37,270 --> 00:29:41,320 THEN WHY DOESN'T HE EVER SMILE ANYMORE? 428 00:29:41,480 --> 00:29:44,530 BECAUSE HE FEELS HE LET US DOWN. 429 00:29:44,690 --> 00:29:48,410 BECAUSE HIS GREAT DREAM DIDN'T COME TRUE. 430 00:29:48,570 --> 00:29:51,410 IT WASN'T HIS FAULT WE LOST THE FARM. 431 00:29:51,580 --> 00:29:54,700 TWO CROPS LOST ON ACCOUNT OF WEATHER. 432 00:29:54,870 --> 00:29:57,120 A MAN CAN'T TAKE BLAME ON WEATHER. 433 00:29:57,290 --> 00:29:58,870 WELL, HE SHOULDN'T, 434 00:29:59,040 --> 00:30:01,080 BUT HE DOES! 435 00:30:01,250 --> 00:30:03,670 THAT'S THE TROUBLE WITH DREAMS. 436 00:30:03,840 --> 00:30:06,510 THEY ONLY WORK OUT IF THINGS GO JUST RIGHT. 437 00:30:07,880 --> 00:30:10,180 I WISH PA NEVER HAD THOSE DREAMS. 438 00:30:10,350 --> 00:30:13,430 WISH WE'D JUST STAYED IN ONE PLACE AND MADE DO. 439 00:30:13,600 --> 00:30:17,850 OH, YOU SAY THAT NOW, BUT JUST YOU WAIT. 440 00:30:18,020 --> 00:30:20,440 THERE'S A LOT OF YOUR PA IN YOU, CHARLES. 441 00:30:20,610 --> 00:30:22,610 Mrs. Colby: IT WASN'T YOUR PA'S DREAMS THAT WERE WRONG. 442 00:30:22,770 --> 00:30:24,270 IT WAS JUST THAT HE COUNTED TOO MUCH ON THEM. 443 00:30:24,440 --> 00:30:26,940 THAT'S WHAT WAS WRONG. 444 00:30:27,110 --> 00:30:29,490 YOUR OLDER BROTHER'S MORE LIKE ME. 445 00:30:29,660 --> 00:30:31,490 HE'S GOING TO SETTLE IN ONE PLACE 446 00:30:31,660 --> 00:30:34,540 AND STAY PUT, 447 00:30:34,700 --> 00:30:35,790 MAKE DO. 448 00:30:35,950 --> 00:30:37,290 SO WILL I. 449 00:30:37,460 --> 00:30:40,000 I WANT TO BE LIKE YOU AND PETER. 450 00:30:40,170 --> 00:30:43,960 THE GOOD LORD MIGHT NOT WANT YOU TO BE. 451 00:30:44,130 --> 00:30:47,340 BUT DON'T YOU BE AFRAID TO DREAM, SON. 452 00:30:47,510 --> 00:30:49,590 Mrs. Colby: AND MORE IMPORTANT, 453 00:30:49,760 --> 00:30:52,260 DON'T YOU BE AFRAID TO FAIL. 454 00:30:52,430 --> 00:30:55,100 BECAUSE IF YOU'RE NOT AFRAID AND YOU FAIL, 455 00:30:55,270 --> 00:30:57,720 WELL, IT DOESN'T MAKE YOU WEAKER. 456 00:30:57,890 --> 00:30:59,690 IT JUST MAKES YOU STRONGER. 457 00:31:04,190 --> 00:31:07,440 WISH ON A WILDFLOWER... 458 00:31:07,610 --> 00:31:08,990 WHAT? 459 00:31:09,150 --> 00:31:11,110 I HAD A DREAM ONCE. 460 00:31:11,280 --> 00:31:14,620 ALL I HAD TO DO WAS WISH ON A WILDFLOWER, AND IT CAME TRUE. 461 00:31:14,780 --> 00:31:19,330 OH, CHARLES INGALLS, YOU AND YOUR WISHES AND YOUR DREAMS. 462 00:31:19,500 --> 00:31:22,000 YOU JUST SAID DON'T BE AFRAID TO DREAM. 463 00:31:23,290 --> 00:31:26,380 SEEMS TO ME I DID SAY SOMETHING LIKE THAT. 464 00:31:37,180 --> 00:31:38,680 THERE. 465 00:31:39,850 --> 00:31:42,270 GUESS WE'D BETTER GO HOME NOW. 466 00:32:41,250 --> 00:32:44,500 [THUNDER] 467 00:32:44,670 --> 00:32:46,830 GOT A GOOD STORM GOING. 468 00:32:47,000 --> 00:32:49,210 MA ALWAYS DID LIKE A GOOD STORM. 469 00:32:49,380 --> 00:32:53,510 REMEMBER? SHE SAID IT WAS GOD'S WAY OF SHOWING US HIS POWER. 470 00:32:53,680 --> 00:32:56,840 CHURCH ATTENDANCE ALWAYS DID SEEM TO BE UP AFTER A GOOD ONE. 471 00:33:00,600 --> 00:33:02,270 YOU KNOW, I WAS TELLING YOU ABOUT MY CROP. 472 00:33:02,430 --> 00:33:03,560 WELL, IT'S GOING TO BE A DANDY. 473 00:33:03,730 --> 00:33:05,730 I WISH YOU COULD SEE IT. 474 00:33:05,900 --> 00:33:07,100 GOING TO ADD ANOTHER ROOM ON THE PLACE. 475 00:33:07,270 --> 00:33:08,520 I'VE BEEN WANTING TO DO IT FOR A LONG TIME. 476 00:33:08,690 --> 00:33:11,020 AND NOW WITH THIS CROP, WE'LL BE ABLE TO. 477 00:33:11,190 --> 00:33:12,320 TAKE A LITTLE WHILE TO GET IT FIXED, 478 00:33:12,490 --> 00:33:14,990 BUT WE COULD MAKE A LITTLE PLACE FOR YOU 479 00:33:15,150 --> 00:33:17,570 IN THE SODDY TILL IT WAS READY. 480 00:33:17,740 --> 00:33:20,490 CAROLINE AND THE GIRLS SURE ARE LOOKING FORWARD TO SEEING YOU. 481 00:33:22,450 --> 00:33:23,700 NOT A BAD TRIP NOW, EITHER. 482 00:33:23,870 --> 00:33:25,460 THINGS ARE A LOT DIFFERENT NOW WITH THE TRAINS. 483 00:33:25,620 --> 00:33:28,250 JUST EASY RIDE ALL THE WAY. 484 00:33:28,420 --> 00:33:30,790 I CAN'T LEAVE YOUR MA. 485 00:33:38,800 --> 00:33:41,930 [THUNDER] 486 00:33:46,140 --> 00:33:48,440 SHE'S GONE NOW, PA. THERE'S NOTHING FOR YOU HERE. 487 00:33:48,600 --> 00:33:51,570 SHE'S HERE. I CAN'T LEAVE HER. 488 00:33:51,730 --> 00:33:54,150 IF SHE WERE HERE, SHE'D TELL YOU TO COME WITH ME. 489 00:33:54,320 --> 00:33:57,400 GO BACK TO YOUR FAMILY AND LEAVE ME BE. 490 00:33:57,570 --> 00:33:59,160 I CAN'T DO THAT. YOU'RE MY FATHER. 491 00:33:59,320 --> 00:34:00,410 YOU'RE PART OF MY FAMILY. 492 00:34:00,580 --> 00:34:04,700 GO HOME, AND LET ME DIE IN PEACE. 493 00:34:04,870 --> 00:34:06,870 OH, THAT'S RIGHT. START TALKING ABOUT DYING. 494 00:34:07,040 --> 00:34:08,120 THAT'S ALL I WANT. 495 00:34:08,290 --> 00:34:09,830 IT'S ALWAYS BEEN WHAT YOU WANT. 496 00:34:10,000 --> 00:34:11,460 WHENEVER THINGS DIDN'T TURN OUT JUST RIGHT, 497 00:34:11,630 --> 00:34:15,300 YOU SAW TO IT EVERYBODY WAS JUST AS MISERABLE AS YOU WERE. 498 00:34:15,470 --> 00:34:17,170 [THUNDER] 499 00:34:17,340 --> 00:34:19,180 YOU WATCH HOW YOU TALK TO YOUR FATHER. 500 00:34:19,340 --> 00:34:21,470 WHY, PA? AM I TELLING A LIE? 501 00:34:21,640 --> 00:34:23,430 YOU KNOW, YOU TOLD ME ONCE A MAN COULD SAY ANYTHING HE WANTED 502 00:34:23,600 --> 00:34:24,680 AS LONG AS HE WAS SPEAKING THE TRUTH. 503 00:34:24,850 --> 00:34:26,600 WELL, THAT'S WHAT I'M DOING NOW. 504 00:34:26,770 --> 00:34:28,140 YOU'RE STAYING HERE, MOURNING, 505 00:34:28,310 --> 00:34:30,310 TALKING ABOUT DYING. - I WANT TO BE WITH HER! 506 00:34:30,480 --> 00:34:32,230 YOU'RE WITH HER NOW! 507 00:34:32,400 --> 00:34:34,150 IF YOU JUST HAD THAT FAITH YOU WERE ALWAYS TALKING ABOUT, 508 00:34:34,320 --> 00:34:36,570 YOU'D KNOW THAT. 509 00:34:36,740 --> 00:34:38,240 GOD FORGIVE YOU FOR SAYING THAT. 510 00:34:38,400 --> 00:34:41,660 OH, NO. NO, PA, GOD FORGIVE YOU FOR WASTING THE LIFE HE GAVE YOU 511 00:34:41,820 --> 00:34:45,660 FEELING SORRY FOR YOURSELF. 512 00:34:45,830 --> 00:34:47,750 [THUNDER] 513 00:34:51,460 --> 00:34:56,090 YOU KNOW, ALL MA EVER CARED ABOUT WAS YOU BEING HAPPY. 514 00:34:56,260 --> 00:34:59,550 I PRAY TO GOD SHE CAN'T SEE YOU NOW. 515 00:34:59,720 --> 00:35:17,650 [THUNDER] 516 00:35:37,550 --> 00:35:39,210 MAMA... 517 00:35:43,300 --> 00:35:45,430 I'M SORRY, MAMA. 518 00:35:47,430 --> 00:35:50,020 I DIDN'T MEAN TO HURT HIM. 519 00:35:53,100 --> 00:35:56,270 I JUST DIDN'T KNOW WHAT ELSE TO DO. 520 00:35:56,440 --> 00:35:57,770 [THUNDER] 521 00:35:57,940 --> 00:35:59,940 I LOVE HIM, YOU KNOW... 522 00:36:01,570 --> 00:36:03,490 I JUST... 523 00:36:03,660 --> 00:36:06,120 DIDN'T KNOW WHAT ELSE TO DO. 524 00:36:09,580 --> 00:36:11,870 [THUNDER] 525 00:36:13,670 --> 00:36:15,040 OH, MY GOD! 526 00:36:17,130 --> 00:36:18,460 [THUNDER] 527 00:36:20,380 --> 00:36:26,050 PAPA! 528 00:36:34,480 --> 00:36:38,020 PA! 529 00:36:38,190 --> 00:36:39,730 PAPA! 530 00:36:39,900 --> 00:36:41,320 PAPA, GET UP! 531 00:36:41,490 --> 00:36:43,780 PAPA, COME ON! 532 00:36:45,870 --> 00:36:47,570 PAPA, GET OUT OF THE BED! 533 00:36:47,740 --> 00:36:49,240 PAPA! 534 00:36:51,830 --> 00:36:53,500 COME ON! 535 00:36:58,460 --> 00:37:11,260 [THUNDER] 536 00:37:36,580 --> 00:37:38,710 WHY DIDN'T YOU LET ME DIE? 537 00:37:38,880 --> 00:37:40,170 WHY? 538 00:37:42,000 --> 00:37:44,170 NOT THIS WAY, PAPA... 539 00:37:46,550 --> 00:37:48,010 NOT THIS WAY. 540 00:37:49,760 --> 00:37:52,390 Charles: YOU'VE DONE ENOUGH TO MAMA ALREADY. 541 00:37:55,020 --> 00:37:58,020 PA, WE'RE GOING HOME. 542 00:38:02,360 --> 00:38:04,110 WE'RE GOING HOME. 543 00:38:33,970 --> 00:38:35,310 PA. 544 00:38:39,690 --> 00:38:41,730 I GOT US A RIDE WITH MR. HILYARD. 545 00:38:41,900 --> 00:38:44,940 OH. THAT'S NEIGHBORLY OF HIM. 546 00:39:22,860 --> 00:39:24,940 WE'RE GOING NOW, MA. 547 00:39:26,980 --> 00:39:28,150 I WISH THINGS WERE DIFFERENT. 548 00:39:28,320 --> 00:39:30,650 I WISH YOU WERE GOING WITH US. 549 00:39:30,820 --> 00:39:34,410 I KNOW HOW MUCH YOU WANTED TO SEE THOSE GRANDKIDS OF YOURS AGAIN. 550 00:39:36,490 --> 00:39:39,660 YOU'D BE PROUD OF THEM, TOO, MA. 551 00:39:39,830 --> 00:39:41,500 YOU'D REALLY BE PROUD. 552 00:39:46,250 --> 00:39:50,380 PA DOESN'T WANT TO GO, YOU KNOW. HE... 553 00:39:50,550 --> 00:39:53,760 JUST WANTS TO STAY HERE AND DIE. 554 00:39:57,520 --> 00:40:00,600 AND I DON'T KNOW WHAT I'M GOING TO DO ABOUT IT, BUT I'M GOING TO TRY. 555 00:40:03,060 --> 00:40:05,810 I PROMISE YOU THAT I'M GOING TO TRY. 556 00:40:10,030 --> 00:40:13,110 SO JUST BE HAPPY, MA... 557 00:40:13,280 --> 00:40:16,160 AND TRY NOT TO WORRY ABOUT ANYTHING. 558 00:40:18,870 --> 00:40:20,120 BECAUSE YOU DID EVERYTHING YOU COULD, 559 00:40:20,290 --> 00:40:22,460 AND IT'S UP TO US NOW. 560 00:40:27,380 --> 00:40:29,460 I SURE LOVE YOU, MA. 561 00:41:29,230 --> 00:41:31,150 COME ON, TOM! 562 00:41:31,320 --> 00:41:33,610 COME ON! 563 00:41:33,780 --> 00:41:34,690 [SQUAWK] 564 00:41:34,860 --> 00:41:36,990 COME ON! WE'VE GOT TO GO FOR A WALK. 565 00:41:37,160 --> 00:41:38,820 COME ON, TOM! 566 00:41:38,990 --> 00:41:40,490 COME ON! 567 00:41:42,540 --> 00:41:45,290 YOU'D BETTER BE GOOD. COME ON. 568 00:41:45,460 --> 00:41:47,370 [SQUAWK] 569 00:41:52,380 --> 00:41:55,130 CARRIE, WHAT ARE YOU DOING? 570 00:41:55,300 --> 00:41:57,880 I'M TAKING TOM FOR A WALK. 571 00:41:58,050 --> 00:42:00,140 CARRIE, TURKEYS DON'T GO FOR WALKS. 572 00:42:00,300 --> 00:42:02,560 THEN WHY DO THEY HAVE LEGS? 573 00:42:02,720 --> 00:42:04,930 SO PEOPLE CAN EAT DRUMSTICKS. 574 00:42:05,100 --> 00:42:06,890 YOU CAN'T EAT TOM'S LEGS. 575 00:42:07,060 --> 00:42:09,850 HE'S MY OWN TURKEY. PA SAID SO. 576 00:42:10,020 --> 00:42:12,650 WELL, WHY DO YOU THINK PA GAVE HIM TO YOU TO RAISE? 577 00:42:12,820 --> 00:42:16,650 SO HE COULD EAT SUPPER WITH US ON THANKSGIVING. 578 00:42:16,820 --> 00:42:17,990 CARRIE, IT'S SO WE-- 579 00:42:18,160 --> 00:42:21,410 LAURA. YOU CAN TAKE TOM FOR HIS WALK, CARRIE. 580 00:42:21,580 --> 00:42:24,580 ALL RIGHT. COME ON, TOM. LET'S GO. 581 00:42:29,080 --> 00:42:30,750 [SQUAWKS] 582 00:42:34,380 --> 00:42:35,920 I JUST CAN'T BELIEVE IT. 583 00:42:36,090 --> 00:42:37,380 SHE DOESN'T KNOW. 584 00:42:37,550 --> 00:42:38,720 I GUESS NOT. 585 00:42:38,880 --> 00:42:40,130 WELL, PA MUST HAVE TOLD HER 586 00:42:40,300 --> 00:42:42,050 THAT WE'RE GOING TO HAVE A TURKEY FOR SUPPER. 587 00:42:42,220 --> 00:42:45,890 THAT'S IT! THAT HAS TO BE IT. 588 00:42:46,060 --> 00:42:49,190 CARRIE THOUGHT HE MEANT WE WERE GOING TO HAVE HIM FOR SUPPER, 589 00:42:49,350 --> 00:42:51,600 NOT THAT WE WERE GOING TO HAVE HIM FOR SUPPER. 590 00:42:51,770 --> 00:42:52,770 Charles: HEY! 591 00:42:52,940 --> 00:42:54,570 - IT'S PA! - AND GRANDPA! 592 00:43:01,700 --> 00:43:02,700 GRANDPA! 593 00:43:02,870 --> 00:43:04,080 OH, GRANDPA, WE MISSED YOU. 594 00:43:04,240 --> 00:43:06,290 OH, I MISSED YOU TOO. 595 00:43:06,450 --> 00:43:09,120 NOW, LET ME LOOK AT YOU. 596 00:43:09,290 --> 00:43:10,670 LOOK AT THE TWO OF YOU! 597 00:43:10,830 --> 00:43:12,210 YOU'VE ALL GROWN UP! 598 00:43:12,380 --> 00:43:14,540 I TOLD YOU, DIDN'T I? 599 00:43:14,710 --> 00:43:16,800 PAPA INGALLS! 600 00:43:16,960 --> 00:43:18,460 CAROLINE! 601 00:43:20,970 --> 00:43:22,050 OH! 602 00:43:22,220 --> 00:43:23,600 HA HA HA! 603 00:43:25,640 --> 00:43:27,020 HOW NICE TO SEE YOU! 604 00:43:27,180 --> 00:43:30,270 OH, AND YOU! 605 00:43:32,560 --> 00:43:34,520 WELCOME HOME. 606 00:43:34,690 --> 00:43:36,150 THANK YOU. 607 00:43:41,240 --> 00:43:42,490 [FIDDLE PLAYING] 608 00:43:42,660 --> 00:43:44,740 [CLAPPING] 609 00:44:02,380 --> 00:44:04,050 HA HA HA! 610 00:44:06,100 --> 00:44:07,100 HA HA! 611 00:44:07,260 --> 00:44:08,310 FASTER THIS TIME. 612 00:44:08,470 --> 00:44:10,270 FASTER NEXT TIME, PA. 613 00:44:10,430 --> 00:44:14,060 ALL RIGHT, YOU ASKED FOR IT. 614 00:44:14,230 --> 00:44:15,560 [CLAPPING] 615 00:44:15,730 --> 00:44:18,820 I THINK I'LL SIT THIS ONE OUT. 616 00:44:18,980 --> 00:44:20,990 OOH! 617 00:44:21,150 --> 00:44:22,780 I DON'T KNOW WHERE THEY GET THE ENERGY. 618 00:44:22,950 --> 00:44:24,530 LOOK AT THAT LAURA. 619 00:44:28,200 --> 00:44:30,240 SHE REMINDS ME SO MUCH OF MAMA. 620 00:44:30,410 --> 00:44:31,540 WHEN SHE WENT TO DANCING, 621 00:44:31,710 --> 00:44:33,670 THERE WASN'T A PARTNER COULD KEEP UP. 622 00:44:33,830 --> 00:44:35,250 I REMEMBER. 623 00:44:35,420 --> 00:44:37,920 AH, LAURA. 624 00:44:38,090 --> 00:44:40,630 YOU CERTAINLY PICKED THE RIGHT NAME FOR HER. 625 00:44:40,800 --> 00:44:42,800 I DID PICK IT, DIDN'T I? 626 00:44:42,970 --> 00:44:44,800 YOU INSISTED ON IT. 627 00:44:44,970 --> 00:44:48,050 YOU SAID ANY BABE WHO COULD MOVE HER FEET THAT FAST 628 00:44:48,220 --> 00:44:50,430 HAD TO BE NAMED AFTER GRANDMA. 629 00:44:50,600 --> 00:44:52,140 WELL, YOU GOT TO ADMIT I WAS RIGHT! 630 00:44:52,310 --> 00:44:54,810 YOU WERE RIGHT. 631 00:44:54,980 --> 00:44:58,480 I WISH GRANDMA COULD HAVE SEEN HER ONE MORE TIME. 632 00:45:16,210 --> 00:45:17,290 CAROLINE DID THE BEST JOB SHE COULD 633 00:45:17,460 --> 00:45:18,920 WITH THIS PLACE ON SHORT NOTICE. 634 00:45:19,090 --> 00:45:20,000 I'LL HAVE THAT NEW ROOM OF YOURS 635 00:45:20,170 --> 00:45:21,340 FIXED UP BEFORE YOU KNOW IT. 636 00:45:21,510 --> 00:45:23,260 OH, I COULD SLEEP ON A BED OF NAILS TONIGHT. 637 00:45:23,420 --> 00:45:24,800 OH, YOU MUST BE TIRED. 638 00:45:24,970 --> 00:45:26,680 PROBABLY SHOULDN'T HAVE HAD THOSE FOLKS OVER TONIGHT. 639 00:45:26,840 --> 00:45:29,260 OH, NONSENSE. I HAD A FINE TIME. 640 00:45:29,430 --> 00:45:31,930 THAT EDWARDS AND HIS FAMILY-- THEY'RE NICE FOLKS. 641 00:45:32,100 --> 00:45:33,350 THERE ARE A LOT OF NICE FOLKS AROUND HERE. 642 00:45:33,520 --> 00:45:34,770 YOU'RE GOING TO LIKE IT. 643 00:45:34,940 --> 00:45:39,060 WELL, I BETTER LET YOU GET SOME REST. 644 00:45:39,230 --> 00:45:40,360 OH, CHARLES. 645 00:45:40,520 --> 00:45:41,900 YEAH? 646 00:45:42,070 --> 00:45:43,900 UM... 647 00:45:44,070 --> 00:45:48,870 DON'T GET STARTED ON THAT ROOM JUST YET... 648 00:45:49,030 --> 00:45:51,200 NOT JUST YET. 649 00:45:51,370 --> 00:45:54,620 WHY NOT? THIS IS GOING TO BE YOUR HOME NOW. 650 00:45:54,790 --> 00:45:57,620 WELL, IT'S HARD TO EXPLAIN. 651 00:45:57,790 --> 00:45:58,880 I FEEL KIND OF STRANGE 652 00:45:59,040 --> 00:46:01,290 LIVING IN THE HOUSE WITH YOU... 653 00:46:01,460 --> 00:46:03,550 JUST YET. 654 00:46:03,710 --> 00:46:05,840 I DON'T UNDERSTAND. 655 00:46:06,010 --> 00:46:08,090 OH, I THINK YOU DO. 656 00:46:08,260 --> 00:46:09,760 WE DIDN'T SAY MORE THAN TWO WORDS TO EACH OTHER 657 00:46:09,930 --> 00:46:13,680 ALL THE WAY BACK FROM WISCONSIN. 658 00:46:13,850 --> 00:46:15,430 WELL, IT'S DIFFERENT NOW, PA. YOU'RE HERE. 659 00:46:15,600 --> 00:46:16,640 I MEAN, TONIGHT-- 660 00:46:16,810 --> 00:46:20,310 OH, TONIGHT WAS DIFFERENT. 661 00:46:20,480 --> 00:46:21,650 THERE WERE LOTS OF PEOPLE, 662 00:46:21,820 --> 00:46:23,650 AND THERE WAS MUSIC. 663 00:46:23,820 --> 00:46:25,900 BUT... 664 00:46:26,070 --> 00:46:28,740 ON THE TRAIN, COMING BACK WITH YOU, 665 00:46:28,910 --> 00:46:31,450 I REALIZED... 666 00:46:31,620 --> 00:46:33,410 WE DON'T KNOW EACH OTHER. 667 00:46:36,620 --> 00:46:37,870 I LOVE YOU, PAPA. I-- 668 00:46:38,040 --> 00:46:41,040 OH, I'M NOT TALKING ABOUT LOVING, BOY. 669 00:46:41,210 --> 00:46:43,920 I'M TALKING ABOUT KNOWING! 670 00:46:44,090 --> 00:46:46,710 OH, I KNEW YOU WHEN YOU WERE LITTLE, 671 00:46:46,880 --> 00:46:48,300 AND YOU KNEW ME 672 00:46:48,470 --> 00:46:50,760 THE WAY A LITTLE BOY KNOWS HIS PA-- 673 00:46:50,930 --> 00:46:54,470 ALWAYS RIGHT, ALWAYS STRONG, 674 00:46:54,640 --> 00:46:56,600 ALWAYS NEEDED. 675 00:46:59,850 --> 00:47:01,810 WE'LL START THE ROOM ANYTIME YOU SAY. 676 00:47:05,610 --> 00:47:08,360 IS THERE ANYTHING YOU NEED? ANYTHING I CAN GET YOU? 677 00:47:08,530 --> 00:47:10,280 NO, I'M FINE. 678 00:47:11,740 --> 00:47:13,370 YOU SURE? 679 00:47:13,530 --> 00:47:16,120 YOU DON'T HAVE TO WORRY. 680 00:47:16,290 --> 00:47:17,910 IT'LL BE ALL RIGHT. 681 00:47:21,000 --> 00:47:22,830 I'LL SEE YOU IN THE MORNING. 682 00:47:25,800 --> 00:47:27,630 SEE YOU IN THE MORNING, PA. 46687

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