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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,529 --> 00:00:11,141 [CHILDREN LAUGHING] 2 00:00:11,185 --> 00:00:13,274 [INDISTINCT CHATTER] 3 00:00:16,103 --> 00:00:18,714 GARCIA: OH. THANK YOU FOR PICKING ME UP. 4 00:00:18,757 --> 00:00:20,368 YEAH. OF COURSE. 5 00:00:20,411 --> 00:00:22,196 OH, I DON'T KNOW HOW LONG ESTHER'S GONNA BE IN THE SHOP. 6 00:00:22,239 --> 00:00:24,154 THE MECHANIC, SHE SAYS THEY HAVE TO GET A SPECIAL PART 7 00:00:24,198 --> 00:00:25,851 FROM CALIFORNIA BECAUSE, YOU KNOW, ESTHER RUNS ON BIODIESEL, 8 00:00:25,895 --> 00:00:27,157 BUT WHEN THAT PART IS INSIDE ESTHER, 9 00:00:27,201 --> 00:00:28,506 SHE'S GONNA RUN LIKE A DREAM. 10 00:00:28,550 --> 00:00:30,334 SHE MIGHT RUN FOR ANOTHER 100,000 MILES. 11 00:00:30,378 --> 00:00:32,032 ISN'T THIS PLACE GREAT? 12 00:00:32,075 --> 00:00:33,163 IT IS. YEAH. I'VE NEVER BEEN HERE BEFORE, 13 00:00:33,207 --> 00:00:34,599 BUT I ORDERED EXACTLY WHAT YOU TOLD ME. 14 00:00:34,643 --> 00:00:35,905 YES! USUALLY, I'M A TEA GAL, 15 00:00:35,948 --> 00:00:37,298 BUT THEIR NITRO COLD BREW HERE IS EVERYTHING. 16 00:00:37,341 --> 00:00:38,429 WOMAN: ORDER FOR EMILY. 17 00:00:38,473 --> 00:00:39,517 OH. THIS IS US. OOH! 18 00:00:39,561 --> 00:00:40,736 UH, QUESTION. 19 00:00:40,779 --> 00:00:42,390 DID YOU WATCH THE SHOW LAST NIGHT? 20 00:00:42,433 --> 00:00:43,739 NO. I'M BEHIND. 21 00:00:43,782 --> 00:00:44,783 SPOILER ALERT. MAY I? 22 00:00:44,827 --> 00:00:46,524 GO AHEAD.OK. THE BLOND ONE, 23 00:00:46,568 --> 00:00:48,831 SHE DIED TWICE LAST WEEK! 24 00:00:48,874 --> 00:00:50,528 IT WAS CRAZY WITH A "K"! 25 00:00:50,572 --> 00:00:52,008 ALL RIGHT. SO THERE WAS THAT BATTLE, RIGHT, 26 00:00:52,052 --> 00:00:53,357 AND THEY NEEDED HER TO HAVE A SECRET IDENTITY. 27 00:00:53,401 --> 00:00:55,229 WELL, AFTER THAT RACECAR THING, 28 00:00:55,272 --> 00:00:56,839 AND THEN THIS WEEK, SHE'S BACK AT WORK. 29 00:00:56,882 --> 00:00:58,667 WAIT. SHE'S ALREADY BACK AT WORK? 30 00:00:58,710 --> 00:01:00,582 YES, BECAUSE SHE HAS SPECIAL HEALING POWERS, REMEMBER? 31 00:01:00,625 --> 00:01:02,062 SHE GETS BACK TO WORK, AND SHE PROFESSES 32 00:01:02,105 --> 00:01:04,238 HER UNDYING LOVE TO HER BOSS STEFFI, 33 00:01:04,281 --> 00:01:05,804 AND I, LIKE, SCREAMED, 34 00:01:05,848 --> 00:01:08,155 "THEY'RE GONNA DO THAT NOW? NOW?" 35 00:01:08,198 --> 00:01:10,461 I MEAN, SHE HAS LOVED HER FOR YEARS AND YEARS. 36 00:01:10,505 --> 00:01:11,941 REMEMBER THAT ONE CASE THEY HAD, 37 00:01:11,984 --> 00:01:13,290 AND THEY WENT ON THE DATE AFTERWARDS-- 38 00:01:13,334 --> 00:01:14,596 NOT A DATE. IT WAS A NON-DATE DATE, BUT STILL-- 39 00:01:14,639 --> 00:01:16,293 AND THEN SERGIO, HE PUKED UP A FUR BALL 40 00:01:16,337 --> 00:01:18,034 ON SOME CLEAN LAUNDRY BECAUSE HE'S DIABOLICAL, 41 00:01:18,078 --> 00:01:19,340 BUT YOU'RE HERE, AND I'M HERE, 42 00:01:19,383 --> 00:01:20,950 AND IT'S A BEAUTIFUL WEDNESDAY MORNING-- 43 00:01:20,993 --> 00:01:23,953 PENELOPE, THAT ISN'T YOUR FIRST COFFEE, IS IT? 44 00:01:23,996 --> 00:01:26,564 WELL, IT DOESN'T COUNT IF YOU BREW IT YOURSELF. 45 00:01:26,608 --> 00:01:29,176 I'M CUTTING YOU OFF NOW. 46 00:01:29,219 --> 00:01:30,655 FAIR PLAY. 47 00:01:44,191 --> 00:01:46,758 [CELL PHONE RINGING] 48 00:01:50,066 --> 00:01:51,546 [SIGHS] 49 00:01:57,291 --> 00:01:58,640 [KNOCK ON DOOR] 50 00:01:58,683 --> 00:01:59,902 MORNING. HEY. 51 00:01:59,945 --> 00:02:01,556 ANOTHER DAY, ANOTHER DOLLAR. 52 00:02:01,599 --> 00:02:03,688 YEP. GOOD OLD-FASHIONED GOVERNMENT DOLLAR. 53 00:02:03,732 --> 00:02:06,735 I CAN TELL GARCIA HIT UP HER FAVORITE COFFEE TRUCK 54 00:02:06,778 --> 00:02:07,997 ON HER WAY TO WORK. 55 00:02:08,040 --> 00:02:10,042 I HAD TO CUT HER OFF. 56 00:02:10,086 --> 00:02:12,175 WAIT. DON'T YOU HAVE A BUDGET MEETING THIS MORNING? 57 00:02:12,219 --> 00:02:14,134 UH, YES, I DO. 58 00:02:14,177 --> 00:02:15,744 EMILY. 59 00:02:15,787 --> 00:02:18,225 YEAH? 60 00:02:18,268 --> 00:02:20,183 YOU BURIED THE LEDE. 61 00:02:20,227 --> 00:02:21,924 FLOWERS? 62 00:02:21,967 --> 00:02:24,622 THAT ANDREW MENDOZA'S A KEEPER. 63 00:02:24,666 --> 00:02:28,017 MM-HMM. 64 00:02:28,060 --> 00:02:30,106 CAN'T BE LATE FOR THAT MEETING. MM-HMM. 65 00:02:32,587 --> 00:02:34,676 MAN: THIS FISCAL YEAR, THE BUREAU SAW 66 00:02:34,719 --> 00:02:37,809 A $46 MILLION REDUCTION. 67 00:02:37,853 --> 00:02:40,377 THE BAU WAS FIRST AGAINST ALL OTHER UNITS 68 00:02:40,421 --> 00:02:43,598 IN DIRECT AND INDIRECT COSTS FOR YOUR TRAVEL. 69 00:02:43,641 --> 00:02:45,861 I THINK UNIT CHIEF PRENTISS CAN BETTER SPEAK 70 00:02:45,904 --> 00:02:47,819 TO THEIR NEEDS. 71 00:02:47,863 --> 00:02:49,995 YES, OF COURSE. 72 00:02:50,039 --> 00:02:53,912 UH, THIS FISCAL YEAR, THE BAU's COSTS HAVE INCREASED... 73 00:03:04,923 --> 00:03:06,708 MAN: PRENTISS. 74 00:03:06,751 --> 00:03:09,276 YOU HAVE A SECOND TO GO OVER WITH REQUESTS WITH THE DIRECTOR? 75 00:03:09,319 --> 00:03:10,755 ABSOLUTELY.MAYBE GRAB SOME LUNCH. 76 00:03:10,799 --> 00:03:12,540 I KNOW HE'S BEEN WANTING TO SPEAK WITH YOU. 77 00:03:12,583 --> 00:03:13,932 I'D LOVE TO. 78 00:03:15,456 --> 00:03:16,892 I THOUGHT THAT WENT WELL. YEAH! 79 00:03:16,935 --> 00:03:18,546 DO YOU THINK SHE'LL GET TO SCHOOL ON TIME? 80 00:03:18,589 --> 00:03:20,025 IT'S NOT FAR, RIGHT? 81 00:03:20,069 --> 00:03:21,462 NO. THEY'LL MAKE IT. 82 00:03:21,505 --> 00:03:22,898 KARA'S A GREAT KID. 83 00:03:22,941 --> 00:03:25,683 HER FOSTER MOM'S TAKING REALLY GOOD CARE OF HER. 84 00:03:25,727 --> 00:03:27,729 SHE ADORES YOU. 85 00:03:27,772 --> 00:03:29,687 BECOMING AN UNCLE 5 YEARS AGO WAS A BIG SURPRISE, 86 00:03:29,731 --> 00:03:32,777 BUT NOW, MAN, I CAN'T IMAGINE MY LIFE WITHOUT HER. 87 00:03:32,821 --> 00:03:34,431 YOU'RE GONNA BE A GREAT DAD. 88 00:03:36,781 --> 00:03:40,263 THANKS. UM, HOW LONG DOES THIS USUALLY TAKE? 89 00:03:40,307 --> 00:03:44,876 A WHILE, SO JUST HANG IN THERE. 90 00:03:44,920 --> 00:03:46,138 BRENDA, I CAN'T THANK YOU ENOUGH. 91 00:03:46,182 --> 00:03:47,575 IT'S MY PLEASURE. 92 00:03:47,618 --> 00:03:48,967 I'LL BE IN TOUCH.GREAT. 93 00:03:53,885 --> 00:03:56,105 OH. YOU'RE FOLLOWING ME NOW. 94 00:03:56,148 --> 00:03:57,541 IT'S SO AWKWARD WHEN THIS HAPPENS 95 00:03:57,585 --> 00:03:58,760 BECAUSE WE ALREADY SAID GOOD-BYE. 96 00:03:58,803 --> 00:04:00,240 NO. I GET IT. YOU WANTED TO SPEND 97 00:04:00,283 --> 00:04:01,458 A FEW EXTRA MINUTES WITH ME. 98 00:04:01,502 --> 00:04:02,851 YOU COULD HAVE JUST ASKED, SEAN. 99 00:04:02,894 --> 00:04:04,505 OH. I WISH I HAD THE TIME, BUT ACTUALLY, 100 00:04:04,548 --> 00:04:06,594 I'M RUNNING LATE FOR A MEETING. 101 00:04:06,637 --> 00:04:08,378 MAYBE NEXT TIME. 102 00:04:08,422 --> 00:04:10,075 THIS IS ME. OH. 103 00:04:10,119 --> 00:04:11,860 BYE, SEAN. BYE. 104 00:04:31,575 --> 00:04:32,968 [CAR STARTS] 105 00:04:44,022 --> 00:04:46,547 [LIQUID GUSHING] 106 00:05:03,172 --> 00:05:05,174 EVERYTHING IS WRONG! 107 00:05:05,217 --> 00:05:08,699 EVERYTHING YOU KNOW IS WRONG... 108 00:05:08,743 --> 00:05:10,222 AND THIS IS PROOF! 109 00:05:13,922 --> 00:05:16,577 PRETTY GRUESOME STUFF. 110 00:05:16,620 --> 00:05:19,928 YEAH. THIS IS THE THIRD KILLING IN THE LAST TWO MONTHS? 111 00:05:19,971 --> 00:05:21,799 YES. THE DENVER DIVISION INVITED US IN. 112 00:05:21,843 --> 00:05:23,845 THEY'VE GOT 3 MEN DEAD. 113 00:05:23,888 --> 00:05:25,194 EACH WAS DECAPITATED. 114 00:05:25,237 --> 00:05:26,891 HEADS NOWHERE TO BE FOUND. 115 00:05:26,935 --> 00:05:28,371 GARCIA: THE FIRST TWO WERE KILLED IN PUBLIC YET SECLUDED AREAS, 116 00:05:28,415 --> 00:05:30,852 ONE ON A BIKE PATH, THE OTHER AT A PARK. 117 00:05:30,895 --> 00:05:32,767 THIS THE FIRST TIME THIS GUY'S LEFT A MESSAGE? 118 00:05:32,810 --> 00:05:34,508 PRENTISS: YEAH. NOTHING LIKE THIS WAS FOUND AT THE OTHER CRIME SCENES. 119 00:05:34,551 --> 00:05:36,031 GARCIA: YEAH, AND SPEAKING OF THIS MESSAGE, 120 00:05:36,074 --> 00:05:37,902 IT WAS FILMED ON THE VICTIM'S PHONE, 121 00:05:37,946 --> 00:05:39,077 SO THERE'S NO WAY TO TRACK IT. 122 00:05:39,121 --> 00:05:40,557 THE UNSUB's NOT AFRAID OF BEING SEEN. 123 00:05:40,601 --> 00:05:41,906 WE SHOULD TAKE THE PARTIAL WE HAVE OF HIS FACE, 124 00:05:41,950 --> 00:05:43,430 RUN IT THROUGH VICAP, AND SEE IF IT HITS. 125 00:05:43,473 --> 00:05:45,345 AND WHAT DID HE MEAN BY "EVERYTHING YOU KNOW IS WRONG 126 00:05:45,388 --> 00:05:47,521 AND THIS IS PROOF"? 127 00:05:47,564 --> 00:05:48,870 PROOF OF WHAT? 128 00:05:48,913 --> 00:05:51,786 POWER, CONTROL, HIS DOMINANCE OVER THE VICTIMS. 129 00:05:51,829 --> 00:05:53,918 WELL, HIS WORD CHOICE PLUS THAT HEAD, IT FEELS LIKE A TAUNT 130 00:05:53,962 --> 00:05:55,703 DIRECTED AT HE VIEWER, NOT THE VICTIM. 131 00:05:55,746 --> 00:05:57,487 IF IT WAS A TAUNT DIRECTED AT THE GENERAL PUBLIC, 132 00:05:57,531 --> 00:05:59,141 HE WOULD HAVE UPLOADED IT SOMEWHERE. 133 00:05:59,184 --> 00:06:00,577 THEN IT MUST BE LAW ENFORCEMENT. 134 00:06:00,621 --> 00:06:02,231 EITHER WAY, THE DISTINCT LACK OF EMPATHY 135 00:06:02,274 --> 00:06:03,537 AND REMORSE IN HIS VOICE 136 00:06:03,580 --> 00:06:04,886 PLUS HIS GENERAL DEMEANOR 137 00:06:04,929 --> 00:06:06,409 AND THE NATURE OF HIS CRIMES TELLS US 138 00:06:06,453 --> 00:06:07,802 THAT HE'S AN ORGANIZED OFFENDER 139 00:06:07,845 --> 00:06:09,412 WITH A SPECIFIC PSYCHOPATHOLOGY. 140 00:06:09,456 --> 00:06:11,501 ONE THAT INCLUDES TAKING HIS VICTIM'S HEADS. 141 00:06:11,545 --> 00:06:13,155 NOTHING HERE SAYS HE'S CLOSE TO BEING DONE. 142 00:06:13,198 --> 00:06:14,896 WHEELS UP IN 10. 143 00:06:23,383 --> 00:06:25,036 DENVER, HUH? 144 00:06:25,080 --> 00:06:27,038 YEAH. 145 00:06:27,082 --> 00:06:29,998 MENDOZA CALL YOU DIRECTLY? 146 00:06:30,041 --> 00:06:32,870 UH, NO ACTUALLY. IT CAME THROUGH OFFICIAL CHANNELS. 147 00:06:32,914 --> 00:06:36,439 SO...YOU AND ANDREW LONG DISTANCE-- 148 00:06:36,483 --> 00:06:38,049 HOW'S THAT BEEN GOING? 149 00:07:02,857 --> 00:07:05,468 VOICE: KYLE! 150 00:07:05,512 --> 00:07:07,035 YOU'RE GETTING CLOSER. 151 00:07:38,501 --> 00:07:41,678 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 152 00:07:48,903 --> 00:07:51,166 PRENTISS: "HISTORY HAS A WAY OF ALTERING VILLAINS 153 00:07:51,209 --> 00:07:54,299 SO THAT WE CAN NO LONGER SEE OURSELVES IN THEM." 154 00:07:54,343 --> 00:07:56,737 ADAM SERWER. 155 00:07:56,780 --> 00:07:58,347 GO AHEAD, GARCIA. 156 00:07:58,390 --> 00:08:00,828 GARCIA: OK, FAM. WE GOT DOSSIERS ON TOP OF DOSSIERS. 157 00:08:00,871 --> 00:08:02,394 OUR FIRST VICTIM IS MANNY RODRIGUEZ-- 158 00:08:02,438 --> 00:08:04,484 LATE THIRTIES, DIVORCED, NO KIDS. 159 00:08:04,527 --> 00:08:06,355 HE WAS A TWICE-ELECTED CITY COUNCILPERSON. 160 00:08:06,398 --> 00:08:09,619 POLITICS CAN BE MESSY. HE MAY HAVE RUFFLED SOME FEATHERS. 161 00:08:09,663 --> 00:08:11,491 JAREAU: PERHAPS, BUT OUR SECOND VICTIM 162 00:08:11,534 --> 00:08:13,362 ISAAC WILEY WAS IN HIS LATE 20s. 163 00:08:13,405 --> 00:08:14,885 HE WORKED FOR A TECH FIRM. 164 00:08:14,929 --> 00:08:16,321 THERE'S NOTHING IN HIS FILE 165 00:08:16,365 --> 00:08:17,801 THAT COULD BE CONSIDERED CONTROVERSIAL 166 00:08:17,845 --> 00:08:19,237 OR POLITICAL. 167 00:08:19,281 --> 00:08:21,544 OUR LATEST VICTIM SEAN McAFEE WAS AN ARCHITECT, 168 00:08:21,588 --> 00:08:24,329 EARLY 30s, SINGLE, NEVER MARRIED, NO KIDS. 169 00:08:24,373 --> 00:08:25,853 SO ALL 3 HAD DIFFERENT JOBS 170 00:08:25,896 --> 00:08:27,637 AND LIVED IN DIFFERENT PARTS OF TOWN. 171 00:08:27,681 --> 00:08:30,553 ALVEZ: GARCIA, HAVE YOU FOUND ANY OVERLAP SOCIALLY? 172 00:08:30,597 --> 00:08:32,860 DO I HAVE TO START CALLING YOU NEWBIE AGAIN? 173 00:08:32,903 --> 00:08:35,863 OK. SO YOU WOULD HAVE LED WITH THAT. 174 00:08:35,906 --> 00:08:37,429 SHUT THE FRONT DOOR. 175 00:08:37,473 --> 00:08:39,867 ANDREW MENDOZA SIGNED THIS REPORT. 176 00:08:39,910 --> 00:08:42,478 ANDREW MENDOZA IS PRENTISS' BOYFRIEND. 177 00:08:42,522 --> 00:08:44,306 HE'S THE HEAD OF THE DENVER FIELD OFFICE? 178 00:08:44,349 --> 00:08:49,006 UH, YES. HE HAS BEEN FOR THE PAST, UH, TWO MONTHS. 179 00:08:49,050 --> 00:08:51,313 UM, HIS DAUGHTER AND EX-WIFE MOVED 180 00:08:51,356 --> 00:08:52,662 TO COLORADO A YEAR AGO, 181 00:08:52,706 --> 00:08:54,229 AND HE'D BEEN WAITING FOR A TRANSFER 182 00:08:54,272 --> 00:08:55,926 SO HE COULD BE CLOSER TO KEELY. 183 00:08:55,970 --> 00:08:57,972 SHE STARTS HIGH SCHOOL SOON, SO... 184 00:09:01,279 --> 00:09:04,544 ALVEZ: BUT YOU GUYS ARE, UM-- YOU'RE GOOD? 185 00:09:04,587 --> 00:09:06,763 YEAH. YEAH. IT'S ALL GOOD. 186 00:09:06,807 --> 00:09:08,852 ANYWAY, WE HAVE BIGGER FISH TO FRY 187 00:09:08,896 --> 00:09:10,854 THAN MY PERSONAL LIFE, SO WHEN WE LAND, 188 00:09:10,898 --> 00:09:12,552 SIMMONS, ROSSI, AND I WILL SET UP 189 00:09:12,595 --> 00:09:13,770 AT THE DENVER DIVISION. 190 00:09:13,814 --> 00:09:17,208 JJ, REID, CHECK OUT THE LATEST CRIME SCENE. 191 00:09:17,252 --> 00:09:19,994 TARA AND LUKE, YOU WILL GO TO THE M.E.'s OFFICE. 192 00:09:20,037 --> 00:09:21,386 GARCIA: SO WE'RE JUST NOT GONNA TALK 193 00:09:21,430 --> 00:09:23,301 ABOUT THAT TALL HUNK OF WATER YOU CALL YOUR BAE? 194 00:09:23,345 --> 00:09:24,346 NO. 195 00:09:24,389 --> 00:09:25,608 I HAVE SO MANY QUESTIONS. 196 00:09:25,652 --> 00:09:27,479 LIKE, IS HE LEFT-HANDED? WHAT DOES HE SLEEP IN? 197 00:09:27,523 --> 00:09:28,437 IS HE ALLERGIC TO CATS? 198 00:09:28,480 --> 00:09:29,612 PRENTISS: BYE, PENELOPE. 199 00:09:29,656 --> 00:09:30,831 WAS HE EVER IN BAND? 200 00:09:38,534 --> 00:09:41,711 HEY. I GOT TO GO, ALL RIGHT? 201 00:09:41,755 --> 00:09:43,583 DAVE, GOOD TO SEE YOU. 202 00:09:43,626 --> 00:09:44,627 SAME HERE. 203 00:09:44,671 --> 00:09:45,672 HOW YOU DOING?HOW ARE YOU, BROTHER? 204 00:09:45,715 --> 00:09:47,412 GOOD TO SEE YOU.YOU, TOO. YOU, TOO. 205 00:09:47,456 --> 00:09:48,675 AND CHIEF PRENTISS. 206 00:09:48,718 --> 00:09:51,634 OH, HI. YEAH. 207 00:09:51,678 --> 00:09:54,028 ANDREW, UH, WHAT HAVE YOU GOT FOR US? 208 00:09:54,071 --> 00:09:56,117 WELL, FIRST OFF, WE GOT YOU GUYS SET UP OVER HERE, 209 00:09:56,160 --> 00:09:57,988 AND WAITING TO BE INTERVIEWED ARE 210 00:09:58,032 --> 00:09:59,729 THE FRIENDS AND FAMILY OF THE FIRST TWO VICTIMS. 211 00:09:59,773 --> 00:10:02,340 ALSO A WOMAN NAMED ALICE CLARKE IS COMING IN. 212 00:10:02,384 --> 00:10:04,734 SHE'S THE LAST KNOWN PERSON TO SPEAK TO SEAN McAFEE. 213 00:10:04,778 --> 00:10:07,215 GREAT. WE'LL JUST NEED A FEW MINUTES TO SET UP. 214 00:10:07,258 --> 00:10:09,086 ALL RIGHT. 215 00:10:09,130 --> 00:10:10,566 HEY. 216 00:10:12,263 --> 00:10:14,439 I MISSED YOU. 217 00:10:14,483 --> 00:10:15,963 IT'S GOOD TO SEE YOU. 218 00:10:16,006 --> 00:10:18,487 UH-HUH. THINK WE NEED TO TALK. 219 00:10:18,530 --> 00:10:21,098 WE WILL WHEN THE CASE IS OVER. 220 00:10:26,538 --> 00:10:28,236 JAREAU: ALL RIGHT. THANKS. 221 00:10:28,279 --> 00:10:30,412 SO, UH, NEIGHBORS REPORTED SEEING 222 00:10:30,455 --> 00:10:32,457 AN OLDER FORD STATION WAGON IN THE AREA. 223 00:10:32,501 --> 00:10:33,937 HOPEFULLY WE CAN GET PLATES. 224 00:10:33,981 --> 00:10:36,287 DID YOU SEE THE ADDITIONAL HOME SURVEILLANCE? 225 00:10:36,331 --> 00:10:38,028 I DID. I JUST WATCHED ALL THE FOOTAGE. 226 00:10:38,072 --> 00:10:39,421 HOPEFULLY, THE EXTRA ANGLES CAN HELP GARCIA 227 00:10:39,464 --> 00:10:41,031 WITH HER FACIAL RECOGNITION SEARCH. 228 00:10:41,075 --> 00:10:42,685 SEAN HAD CAMERAS ALL OVER HIS HOUSE, 229 00:10:42,729 --> 00:10:44,600 BUT BASED ON THE UNSUB's BEHAVIOR, 230 00:10:44,644 --> 00:10:45,993 HE HAD NO IDEA HE WAS BEING FILMED. 231 00:10:46,036 --> 00:10:47,559 THAT MEANS THE UNSUB PROBABLY WASN'T STALKING HIM. 232 00:10:47,603 --> 00:10:49,344 THIS WAS ALL IMPULSE. 233 00:10:49,387 --> 00:10:51,346 HE RANSACKED THE PLACE AFTER KILLING SEAN. 234 00:10:51,389 --> 00:10:53,783 IN THE VIDEO WE SAW, HE CLEARLY WASN'T LOOKING FOR ANYTHING. 235 00:10:53,827 --> 00:10:55,437 HE JUST LOST IT. 236 00:10:55,480 --> 00:10:56,656 DID YOU SEE THE WAY THAT HE KEPT SQUINTING 237 00:10:56,699 --> 00:10:58,222 AND SHIELDING HIS EYES EVEN THOUGH 238 00:10:58,266 --> 00:11:00,529 THERE WAS NO LIGHT ABOVE HIM? 239 00:11:00,572 --> 00:11:01,791 LIGHT SENSITIVITY. 240 00:11:01,835 --> 00:11:03,184 PLUS EMOTIONAL OUTBURSTS. 241 00:11:03,227 --> 00:11:04,489 PRETTY CLEAR HE'S GOING THROUGH SOME KIND 242 00:11:04,533 --> 00:11:05,882 OF PSYCHOTIC BREAK. 243 00:11:05,926 --> 00:11:07,405 THAT COULD MAKE HIM EASIER TO SPOT. 244 00:11:07,449 --> 00:11:09,712 WE SHOULD ASK EYEWITNESSES ABOUT STRANGERS 245 00:11:09,756 --> 00:11:13,542 EXHIBITING ANY INNOCUOUS, REPETITIVE BEHAVIORS. 246 00:11:13,585 --> 00:11:15,283 THERE WERE NO DEFENSIVE WOUNDS, 247 00:11:15,326 --> 00:11:17,198 NO SIGNS OF TORTURE OR LIGATURE MARKS, 248 00:11:17,241 --> 00:11:19,548 SO IT'S UNLIKELY HE WAS HELD. 249 00:11:19,591 --> 00:11:21,158 DID YOU RUN A TOX SCREEN? 250 00:11:21,202 --> 00:11:23,073 CAME UP CLEAN JUST AS IN THE PREVIOUS TWO MURDERS. 251 00:11:23,117 --> 00:11:24,858 ALVEZ: WELL, IF OUR UNSUB DIDN'T DRUG SEAN 252 00:11:24,901 --> 00:11:26,598 AND HE DIDN'T FIGHT BACK, THEN HE MUST HAVE 253 00:11:26,642 --> 00:11:28,513 INCAPACITATED HIM SOMEHOW. 254 00:11:28,557 --> 00:11:30,515 YEAH. PERHAPS WITH A SHARP BUMP TO THE BACK OF THE HEAD. 255 00:11:30,559 --> 00:11:32,561 WAS THE C.O.D. DECAPITATION? 256 00:11:32,604 --> 00:11:33,954 I BELIEVE SO. 257 00:11:36,739 --> 00:11:39,568 HE MOST LIKELY USED SOME KIND OF A HEAVY BLADE, 258 00:11:39,611 --> 00:11:41,091 A BROAD OR A FELLING AX. 259 00:11:41,135 --> 00:11:42,484 THAT WAS MY THINKING, AS WELL, 260 00:11:42,527 --> 00:11:44,573 AND IT WAS DONE PERIMORTEM. 261 00:11:44,616 --> 00:11:46,270 SEAN WAS ALIVE WHEN THIS HAPPENED? 262 00:11:46,314 --> 00:11:48,011 YEAH, AND THIS KILLER KNEW WHAT HE WAS DOING. 263 00:11:48,055 --> 00:11:49,621 A COUPLE OF CLEAN STRIKES, AND--KKTT-- 264 00:11:49,665 --> 00:11:51,362 HE WAS FINISHED. 265 00:11:51,406 --> 00:11:53,408 THAT FEELS QUICK, ALMOST TRANSACTIONAL. 266 00:11:53,451 --> 00:11:55,497 YEAH. HE DIDN'T WANT TO PROLONG THE EXPERIENCE. 267 00:11:55,540 --> 00:11:57,760 HE WAS FOCUSED. HE WANTED TO GET IT DONE WITH. 268 00:11:57,804 --> 00:11:59,588 AND CHECK OUT THIS LATENT BRUISING. 269 00:11:59,631 --> 00:12:01,764 AT FIRST, I WASN'T SURE IF IT HAPPENED DURING THE ATTACK 270 00:12:01,808 --> 00:12:05,028 OR WHEN HE FELL, BUT IT APPEARS TO BE SOME KIND OF MARKING. 271 00:12:05,072 --> 00:12:08,118 THE UNSUB MUST HAVE PRESSED IT INTO HIS CHEST. 272 00:12:08,162 --> 00:12:11,469 DR. MARTINEZ, DID YOU FIND ANYTHING SIMILAR ON THE OTHER VICTIMS? 273 00:12:11,513 --> 00:12:13,776 THERE WAS SOME LATENT BRUISING IN THE SAME VICINITY, 274 00:12:13,820 --> 00:12:16,083 BUT I'M NOT SURE ABOUT SYMBOLS OR MARKINGS. 275 00:12:16,126 --> 00:12:17,345 ARE THE BODIES STILL HERE? 276 00:12:17,388 --> 00:12:18,520 YES, THEY ARE. 277 00:12:18,563 --> 00:12:20,391 WELL, LET'S TAKE A LOOK.OK. 278 00:12:27,268 --> 00:12:29,574 MENDOZA: MS. CLARKE, THANK YOU FOR COMING IN. 279 00:12:29,618 --> 00:12:32,403 HAVE A SEAT. 280 00:12:32,447 --> 00:12:35,058 I UNDERSTAND YOU WORKED WITH SEAN McAFEE. 281 00:12:35,102 --> 00:12:37,452 YES, THAT'S RIGHT. WE'RE WORKING-- 282 00:12:37,495 --> 00:12:39,454 WE WORKED ON THE SAME PROJECT TOGETHER, 283 00:12:39,497 --> 00:12:41,151 THIS HIGH RISE GOING UP DOWNTOWN. 284 00:12:41,195 --> 00:12:43,327 AND HE CALLED YOU YESTERDAY AFTERNOON? 285 00:12:43,371 --> 00:12:45,242 YES. HE WAS RUNNING LATE. 286 00:12:45,286 --> 00:12:46,853 HE JUST WANTED TO LET ME KNOW THAT I SHOULD 287 00:12:46,896 --> 00:12:48,768 START THE MEETING BY MYSELF. 288 00:12:48,811 --> 00:12:50,813 I WAS SURPRISED, BUT HE ALSO HAS A LOT 289 00:12:50,857 --> 00:12:53,337 OF PERSONAL THINGS GOING ON IN HIS LIFE, SO-- 290 00:12:53,381 --> 00:12:55,600 OH, YEAH? LIKE WHAT? 291 00:12:55,644 --> 00:12:57,864 HE HAS A SISTER THAT JUST WENT TO JAIL FOR 10 YEARS-- 292 00:12:57,907 --> 00:12:59,300 DRUGS OR SOMETHING. 293 00:12:59,343 --> 00:13:02,564 SEAN WAS FILING FOR CUSTODY OF HER DAUGHTER KARA. 294 00:13:02,607 --> 00:13:04,044 HE WANTED TO RAISE HER. 295 00:13:04,087 --> 00:13:05,828 THAT'S WHY HE WAS LATE 296 00:13:05,872 --> 00:13:09,353 BECAUSE HE WAS HAVING LUNCH WITH HIS NIECE AND THE CASE WORKER. 297 00:13:09,397 --> 00:13:10,441 IT WAS THEIR FIRST SIT-DOWN. 298 00:13:10,485 --> 00:13:12,095 SEAN WAS GONNA BE A FATHER. 299 00:13:16,186 --> 00:13:18,058 WE GOT TO BRING THAT CASE WORKER IN. 300 00:13:18,101 --> 00:13:20,582 YES, AND LIKE OUR OTHER TWO VICTIMS, 301 00:13:20,625 --> 00:13:24,020 SEAN WAS LAST SEEN WITH OR AROUND A CHILD. 302 00:13:24,064 --> 00:13:26,283 THEY'RE FATHERS OR FATHER FIGURES. 303 00:13:26,327 --> 00:13:27,894 THAT'S WHY THE UNSUB IS TARGETING THEM. 304 00:13:27,937 --> 00:13:29,373 YEAH. 305 00:13:29,417 --> 00:13:30,635 MAN: WATCH YOUR HEAD! 306 00:13:30,679 --> 00:13:32,768 [INDISTINCT CHATTER] 307 00:13:35,553 --> 00:13:39,731 HEY, HEY. I GOT IT. I GOT IT. THANK YOU. 308 00:13:39,775 --> 00:13:41,255 HEY. COME ON, BUD. LET'S GO. 309 00:13:41,298 --> 00:13:43,866 EVEN LIONEL MESSI HAS TO PRACTICE. 310 00:13:43,910 --> 00:13:45,607 COMING! 311 00:13:52,440 --> 00:13:55,530 LEWIS: SO IT TURNS OUT THAT THERE WAS LATENT BRUISING 312 00:13:55,573 --> 00:13:58,794 ON THE TORSOS AND CHESTS OF ALL 3 VICTIMS. 313 00:13:58,838 --> 00:14:01,579 A CLOSER ANALYSIS OF THE CONTUSIONS REVEALED 314 00:14:01,623 --> 00:14:04,321 THAT THEY'RE SOME KIND OF CHARACTERS. 315 00:14:04,365 --> 00:14:07,585 NOW TAKEN TOGETHER, WE THINK THEY MAY BE MATHEMATICAL SYMBOLS, 316 00:14:07,629 --> 00:14:09,587 PERHAPS PART OF A LARGER EXPRESSION. 317 00:14:09,631 --> 00:14:13,374 SCHRODINGER'S EQUATION. THEY FORM THE BASIS OF SCHRODINGER'S EQUATION. 318 00:14:15,593 --> 00:14:18,640 PRENTISS: WELL, I'VE HEARD OF SCHRODINGER'S CAT. 319 00:14:18,683 --> 00:14:20,772 BOTH DESCRIBE POTENTIAL ENERGY. 320 00:14:20,816 --> 00:14:23,863 SCHRODINGER'S EQUATION IS THE BASIS OF QUANTUM MECHANICS. 321 00:14:23,906 --> 00:14:25,342 IT DESCRIBES THE PROBABILITY THAT 322 00:14:25,386 --> 00:14:26,996 A PARTICLE WILL BEHAVE IN A CERTAIN WAY 323 00:14:27,040 --> 00:14:28,998 IN A CERTAIN PLACE IN A CERTAIN TIME. 324 00:14:29,042 --> 00:14:31,392 THE IMPLICATIONS OF THIS GAVE RISE TO THE MANY WORLDS THEORY 325 00:14:31,435 --> 00:14:32,610 OF THE UNIVERSE. 326 00:14:32,654 --> 00:14:34,569 MENDOZA: WHICH IS THAT REALITY AS WE KNOW IT 327 00:14:34,612 --> 00:14:37,180 IS ONLY ONE OF MANY POSSIBLE UNIVERSES. 328 00:14:37,224 --> 00:14:40,009 YEAH. YEAH. I'M WITH YOU. 329 00:14:40,053 --> 00:14:41,532 I WATCH "DOCTOR WHO." 330 00:14:41,576 --> 00:14:43,491 JAREAU: OK. SO DOES OUR UNSUB THINK HE'S 331 00:14:43,534 --> 00:14:45,275 IN A PARALLEL UNIVERSE? 332 00:14:45,319 --> 00:14:46,886 ALVEZ: WHAT DOES KILLING DADS HAVE TO DO 333 00:14:46,929 --> 00:14:48,583 WITH PARALLEL UNIVERSES? 334 00:14:48,626 --> 00:14:50,585 I MEAN, MAYBE HE'S MAD AT HIS OWN? 335 00:14:50,628 --> 00:14:52,717 EVEN IF HE IS, WHY TAKE THEIR HEADS? 336 00:14:52,761 --> 00:14:54,023 IT DOESN'T LINE UP. 337 00:14:54,067 --> 00:14:55,895 YOU KNOW, WE SAID THESE KILLS ARE TRANSACTIONAL. 338 00:14:55,938 --> 00:14:59,202 MAYBE THE HEADS ARE SACRIFICES OR TOKENS OF SOME SORT, 339 00:14:59,246 --> 00:15:01,335 SOMETHING THE UNSUB NEEDS TO DO 340 00:15:01,378 --> 00:15:05,078 IN ORDER TO PASS BETWEEN REALITIES. 341 00:15:05,121 --> 00:15:06,862 I MEAN, IT ONLY HAS TO MAKE SENSE TO HIM. 342 00:15:06,906 --> 00:15:08,733 YEAH. MATT'S RIGHT. 343 00:15:08,777 --> 00:15:10,997 MOST SERIAL KILLERS ENGAGE IN SOME KIND 344 00:15:11,040 --> 00:15:12,476 OF FANTASTICAL THINKING, RIGHT-- 345 00:15:12,520 --> 00:15:14,348 BUNDY, DAHMER. 346 00:15:14,391 --> 00:15:16,350 SON OF SAM THOUGHT HE SAW A TALKING DOG, 347 00:15:16,393 --> 00:15:18,395 BUT THIS PARTICULAR DELUSION THAT 348 00:15:18,439 --> 00:15:20,354 THIS UNSUB IS EXPERIENCING, 349 00:15:20,397 --> 00:15:22,138 IT COMES FROM SOMEWHERE. 350 00:15:22,182 --> 00:15:24,227 NOT TO MENTION, OUTSIDE OF OUR BOY GENIUS, 351 00:15:24,271 --> 00:15:26,490 MOST PEOPLE DON'T KNOW THAT EQUATION. 352 00:15:26,534 --> 00:15:28,710 YEAH. WE SHOULD BE LOOKING FOR PEOPLE WITH A BACKGROUND 353 00:15:28,753 --> 00:15:30,973 IN THEORETICAL PHYSICS AND QUANTUM MECHANICS. 354 00:15:31,017 --> 00:15:34,020 AND FAST BECAUSE BASED ON THE MARKINGS ON THOSE BODIES, 355 00:15:34,063 --> 00:15:36,196 HIS EQUATION ISN'T COMPLETE. 356 00:15:36,239 --> 00:15:38,241 HE HASN'T FINISHED HIS PROOF YET. 357 00:15:40,374 --> 00:15:42,767 YES, HONEY. I GOT THE ONION PAKORA 358 00:15:42,811 --> 00:15:46,075 AND THE MANGO CHUTNEY, TOO, EXTRA HOT. 359 00:15:46,119 --> 00:15:48,643 OK. ALL RIGHT. THEN SHE CAN HAVE MY BUTTER CHICKEN. 360 00:15:48,686 --> 00:15:51,515 ALL RIGHT. SEE YOU SOON. LOVE YOU. 361 00:15:56,520 --> 00:15:58,087 UNH! 362 00:16:00,307 --> 00:16:03,614 [THUD] 363 00:16:03,658 --> 00:16:05,138 [SPLAT] 364 00:16:05,181 --> 00:16:06,966 CREATURE: HA HA HA! 365 00:16:11,448 --> 00:16:15,583 YOU HAVE TO MARK HIM, KYLE. 366 00:16:23,069 --> 00:16:25,810 THANKS. VICTIM'S NAME WAS DAN MONTGOMERY. 367 00:16:25,854 --> 00:16:27,725 HE WAS PICKING UP FOOD FOR HIS WIFE AND SON. 368 00:16:27,769 --> 00:16:29,205 DID HE HAVE THE SAME KIND OF LATENT BRUISING 369 00:16:29,249 --> 00:16:30,815 ON HIS CHEST AS THE OTHERS? 370 00:16:30,859 --> 00:16:32,904 YEAH. THE NEXT SYMBOLS IN THE EQUATION. 371 00:16:32,948 --> 00:16:35,211 OK. THANKS. 372 00:16:35,255 --> 00:16:36,996 MAN: LOOK. I'M NOT SAYING IT WAS A WALK OF SHAME OR ANYTHING, 373 00:16:37,039 --> 00:16:40,695 BUT, UH, THESE ARE YESTERDAY'S CLOTHES. 374 00:16:40,738 --> 00:16:42,001 OH. SOUNDS LIKE A HELL OF A NIGHT. 375 00:16:42,044 --> 00:16:43,132 THIS IS KEVIN PATTERSON. 376 00:16:43,176 --> 00:16:44,655 HE WAS IN THE BAR NEXT DOOR LAST NIGHT. 377 00:16:44,699 --> 00:16:46,266 WHAT'D YOU SEE?I HAD A FEW DRINKS, 378 00:16:46,309 --> 00:16:47,919 UH, MET A WOMAN. 379 00:16:47,963 --> 00:16:49,051 WE GOT TO CHATTING. 380 00:16:49,095 --> 00:16:50,748 THINGS WERE GOING WELL. 381 00:16:50,792 --> 00:16:52,359 I WAS PRETTY SURE SHE LIKED ME. 382 00:16:52,402 --> 00:16:54,665 ANYWAY, I STEPPED OUTSIDE WHILE SHE WAS IN THE RESTROOM. 383 00:16:54,709 --> 00:16:57,016 THEN I SAW THIS GUY ACROSS THE WAY. 384 00:16:57,059 --> 00:17:00,976 HE, UH, HAD SOMETHING IN HIS HAND, I THINK, A LARGE STICK, 385 00:17:01,020 --> 00:17:04,023 BUT I HEARD HIM SAY, "ISN'T THIS ENOUGH? 386 00:17:04,066 --> 00:17:05,981 WHY ISN'T THIS ENOUGH?" 387 00:17:06,025 --> 00:17:07,678 WHO WAS HE TALKING TO? 388 00:17:07,722 --> 00:17:11,160 NOBODY. I JUST FIGURED HE WAS SOME HOMELESS DRUNK, 389 00:17:11,204 --> 00:17:13,815 BUT THEN HE TURNED TO ME STONE-COLD SOBER 390 00:17:13,858 --> 00:17:17,514 AND SAID, "I NEED TO GET BACK." 391 00:17:17,558 --> 00:17:20,952 FREAKED ME OUT, AND THE GIRL I MET CAME OUT OF THE BAR. 392 00:17:20,996 --> 00:17:22,432 WE LEFT TOGETHER. 393 00:17:22,476 --> 00:17:24,086 UH, I NEVER SAW A BODY OR ANYTHING. 394 00:17:24,130 --> 00:17:25,305 I DIDN'T THINK ABOUT IT AGAIN TILL THIS MORNING 395 00:17:25,348 --> 00:17:27,089 WHEN I SAW THE NEWS. 396 00:17:27,133 --> 00:17:28,786 ALL RIGHT. WE'RE GONNA NEED THE NAME OF THE WOMAN YOU LEFT WITH. 397 00:17:28,830 --> 00:17:30,658 AND, KEVIN, I'D LIKE YOU TO WORK WITH ONE OF OUR SKETCH ARTISTS. 398 00:17:30,701 --> 00:17:32,051 IS THAT ALL RIGHT? 399 00:17:32,094 --> 00:17:33,182 OH, YEAH. YEAH. OF COURSE. 400 00:17:33,226 --> 00:17:34,575 GREAT. 401 00:17:34,618 --> 00:17:37,186 RIGHT THIS WAY. 402 00:17:37,230 --> 00:17:39,928 OUR UNSUB's PSYCHOSIS IS GETTING WORSE. 403 00:17:39,971 --> 00:17:41,451 HE'S HALLUCINATING NOW. 404 00:17:41,495 --> 00:17:42,670 YEAH. HE'S NOT EVEN CONCERNED ABOUT A POTENTIAL WITNESS 405 00:17:42,713 --> 00:17:44,585 SEEING HIM EITHER. 406 00:17:44,628 --> 00:17:46,326 WELL, WHAT WAS THE LAST THING KEVIN HEARD HIM SAY? 407 00:17:46,369 --> 00:17:48,850 HE NEEDS TO GET BACK. 408 00:17:48,893 --> 00:17:50,895 SO LET'S PUT THIS ALL TOGETHER. 409 00:17:50,939 --> 00:17:54,856 PARALLEL UNIVERSES, WRONG TIMELINE, 410 00:17:54,899 --> 00:17:58,120 GET BACK AS IN CROSS OVER. 411 00:17:58,164 --> 00:17:59,861 I THINK I KNOW HOW THIS IS ALL CONNECTED. 412 00:17:59,904 --> 00:18:01,906 WE NEED TO DELIVER THE PROFILE. 413 00:18:04,039 --> 00:18:07,260 WE'RE LOOKING FOR A MALE IN HIS LATE 30s OR EARLY 40S, 414 00:18:07,303 --> 00:18:09,697 WHO WE BELIEVE IS KILLING IN ORDER 415 00:18:09,740 --> 00:18:12,047 TO CROSS OVER INTO A PARALLEL UNIVERSE. 416 00:18:12,091 --> 00:18:14,354 SIMMONS: THIS UNSUB IS A MAN LIVING INSIDE A DELUSION, 417 00:18:14,397 --> 00:18:16,965 A FRACTURED REALITY THAT HE BELIEVES IS WRONG. 418 00:18:17,008 --> 00:18:18,880 ROSSI: THE IDEA THAT WE'RE LIVING IN THE WRONG TIMELINE 419 00:18:18,923 --> 00:18:22,884 IS MOST COMMONLY DESCRIBED AS THE MANDELA EFFECT. 420 00:18:22,927 --> 00:18:26,017 LEWIS: THE MANDELA EFFECT IS A PSYCHOLOGICAL PHENOMENON SIMILAR 421 00:18:26,061 --> 00:18:28,324 TO FALSE MEMORY SYNDROME. 422 00:18:28,368 --> 00:18:30,587 IT'S SO CALLED BECAUSE A SIGNIFICANT NUMBER OF PEOPLE HAVE 423 00:18:30,631 --> 00:18:32,459 A VERY CLEAR MEMORY OF NELSON MANDELA 424 00:18:32,502 --> 00:18:34,374 DYING IN PRISON IN THE 1980s 425 00:18:34,417 --> 00:18:36,289 WHEN WE KNOW THAT NOT TO BE TRUE. 426 00:18:36,332 --> 00:18:37,986 HE DID, IN FACT, SURVIVE, WAS RELEASED, 427 00:18:38,029 --> 00:18:39,248 AND MADE PRESIDENT OF SOUTH AFRICA 428 00:18:39,292 --> 00:18:41,120 UNTIL HE PASSED AWAY IN 2013. 429 00:18:41,163 --> 00:18:43,470 SCIENTISTS AND PSYCHOLOGISTS HAVEN'T FIGURED OUT 430 00:18:43,513 --> 00:18:44,732 THIS PHENOMENON YET. 431 00:18:44,775 --> 00:18:46,125 REID: BUT A POPULAR THEORY ON LINE IS 432 00:18:46,168 --> 00:18:48,823 THAT WE ARE CURRENTLY LIVING IN A PARALLEL REALITY, 433 00:18:48,866 --> 00:18:50,390 THAT AT SOME POINT IN THE RECENT PAST 434 00:18:50,433 --> 00:18:52,174 OUR WORLD OR TIMELINE SHIFTED, 435 00:18:52,218 --> 00:18:54,089 AND THE EVIDENCE IS ALL AROUND US. 436 00:18:54,133 --> 00:18:58,441 THINGS WE COLLECTIVELY REMEMBER TO BE ONE WAY ARE ACTUALLY ANOTHER. 437 00:18:58,485 --> 00:19:01,488 NAMES OF CHILDHOOD BOOKS, AUTHORS, 438 00:19:01,531 --> 00:19:03,620 CERTAIN PHRASES, EVEN BRANDS. 439 00:19:03,664 --> 00:19:07,755 "THE BERENSTEIN BEARS" WHILE OTHERS RECALL "THE BERENSTAIN BEARS." 440 00:19:07,798 --> 00:19:09,496 UNH! 441 00:19:09,539 --> 00:19:11,628 UNH! UNH! 442 00:19:11,672 --> 00:19:14,762 REID: OR CURIOUS GEORGE-- DO YOU GUYS REMEMBER A TAIL OR NO TAIL? 443 00:19:14,805 --> 00:19:16,111 A TAIL. 444 00:19:16,155 --> 00:19:17,504 GOT TO HAVE A TAIL, RIGHT? 445 00:19:17,547 --> 00:19:19,070 HE'S A MONKEY. 446 00:19:19,114 --> 00:19:20,855 NO TAIL. 447 00:19:20,898 --> 00:19:22,161 SIMMONS: WE DON'T KNOW WHAT SPARKED OUR UNSUB's 448 00:19:22,204 --> 00:19:23,553 INTEREST IN THE MANDELA EFFECT, 449 00:19:23,597 --> 00:19:24,946 BUT WHEN WE FIND THAT, WE FIND HIM. 450 00:19:24,989 --> 00:19:26,774 MENDOZA: DO WE HAVE A THEORY ON WHY HE'S TARGETING 451 00:19:26,817 --> 00:19:28,819 FATHERS OR FATHER FIGURES? 452 00:19:28,863 --> 00:19:30,778 WELL, AS OF RIGHT NOW, GIVEN THE VIOLENCE, 453 00:19:30,821 --> 00:19:34,825 HE SEEMS DRIVEN BY A HATRED PERHAPS TOWARDS HIS OWN FATHER. 454 00:19:34,869 --> 00:19:36,349 ALVEZ: THIS MAN IS DANGEROUS. 455 00:19:36,392 --> 00:19:39,003 HE'S ISOLATED, AND HE'S MISSION-ORIENTED. 456 00:19:39,047 --> 00:19:41,876 [GRUNTING] 457 00:19:41,919 --> 00:19:44,444 ALVEZ: WE HAVE TO ISSUE A WARNING TO THE PUBLIC NOT TO CONFRONT HIM. 458 00:19:44,487 --> 00:19:46,315 [SCREAMING] 459 00:19:46,359 --> 00:19:48,317 HE'S OUT THERE. LET'S GET TO WORK. 460 00:19:48,361 --> 00:19:51,015 THANK YOU. 461 00:19:51,059 --> 00:19:52,843 AAH! 462 00:19:52,887 --> 00:19:55,281 [BREATHING HEAVILY] 463 00:19:59,372 --> 00:20:01,504 WHY WON'T YOU LET ME SEE HIM? 464 00:20:01,548 --> 00:20:06,335 YOU CAN'T SEE WHAT YOU REFUSE TO LOOK AT, KYLE. 465 00:20:06,379 --> 00:20:07,989 YOU'RE RUNNING OUT OF TIME. 466 00:20:17,694 --> 00:20:18,782 COFFEE? 467 00:20:18,826 --> 00:20:20,871 LEWIS: YES. THANK YOU. 468 00:20:20,915 --> 00:20:22,873 LOOK, GUYS. WE ARE BANGING OUR HEADS 469 00:20:22,917 --> 00:20:24,179 AGAINST A WALL HERE. 470 00:20:24,223 --> 00:20:25,659 I MEAN, DENVER IS LITTERED WITH COLLEGES, 471 00:20:25,702 --> 00:20:26,921 AND WE'VE ALREADY WORKED OUR WAY 472 00:20:26,964 --> 00:20:28,531 THROUGH MOST OF THE ACADEMICS AND SCIENTISTS. 473 00:20:28,575 --> 00:20:29,880 WELL, YOU KNOW WHAT? WE JUST NEED TO STEP BACK 474 00:20:29,924 --> 00:20:31,752 AND LOOK AT THINGS DIFFERENTLY. 475 00:20:31,795 --> 00:20:36,017 THE MANDELA EFFECT IS A UNIQUE PSYCHOLOGICAL CONSTRUCT, RIGHT? 476 00:20:36,060 --> 00:20:38,019 I MEAN, THERE'S GOT TO BE A GOOD REASON 477 00:20:38,062 --> 00:20:40,195 WHY HE LATCHED ONTO IT IN PARTICULAR. 478 00:20:40,239 --> 00:20:42,153 WELL, CREATION OF DISSOCIATIVE REALITIES 479 00:20:42,197 --> 00:20:46,506 CAN OFTEN BE A CRUTCH FOR PEOPLE WHO'VE SUFFERED EXTREME TRAUMA. 480 00:20:46,549 --> 00:20:48,377 OK. LET'S RUN WITH THAT. 481 00:20:48,421 --> 00:20:51,206 WE'RE LOOKING FOR A LOSS TRIGGERED BY AN EVENT 482 00:20:51,250 --> 00:20:54,209 LIKELY CAUSED BY THE UNSUB HIMSELF, 483 00:20:54,253 --> 00:20:56,951 AND THEN THIS INABILITY TO ACCEPT THIS REALITY 484 00:20:56,994 --> 00:20:59,954 WOULD BE A DEFENSE MECHANISM FOR A MIND RACKED WITH GUILT. 485 00:20:59,997 --> 00:21:03,523 ALVEZ: SO UNABLE TO FACE REALITY, OUR UNSUB HAS CREATED HIS OWN. 486 00:21:03,566 --> 00:21:06,439 STILL DOESN'T EXPLAIN WHY HE'S KILLING FATHER FIGURES, THOUGH. 487 00:21:06,482 --> 00:21:09,006 UNLESS IT DOES. SAY HIS OWN GUILT 488 00:21:09,050 --> 00:21:11,052 IS A MAJOR FACTOR IN A BREAK LIKE THIS. 489 00:21:11,095 --> 00:21:13,272 THAT WOULD MEAN THAT HE'S PICKING OUT DADS 490 00:21:13,315 --> 00:21:14,925 OUT OF SOME KIND OF SELF-LOATHING. 491 00:21:14,969 --> 00:21:19,930 THIS ISN'T ABOUT HIS HATRED TOWARD HIS OWN DAD. 492 00:21:19,974 --> 00:21:21,454 THESE MEN ARE SURROGATES FOR HIM. 493 00:21:21,497 --> 00:21:23,804 HE'S ANGRY AT HIMSELF. 494 00:21:23,847 --> 00:21:25,458 OUR UNSUB's THE FATHER HERE. 495 00:21:38,514 --> 00:21:41,125 HEY. 496 00:21:41,169 --> 00:21:42,736 WHAT HAPPENED TO YOU LAST NIGHT? 497 00:21:42,779 --> 00:21:43,954 I THOUGHT YOU'D COME BY. 498 00:21:43,998 --> 00:21:45,086 I TEXTED YOU. 499 00:21:45,129 --> 00:21:47,871 UM... 500 00:21:47,915 --> 00:21:49,917 OH. HERE. COME WITH ME. 501 00:21:59,970 --> 00:22:01,842 TALK TO ME. 502 00:22:01,885 --> 00:22:03,626 I DON'T KNOW WHAT TO SAY. 503 00:22:03,670 --> 00:22:05,715 WELL, MAYBE YOU START WITH WHY YOU CANCELED 504 00:22:05,759 --> 00:22:07,804 YOUR TRIP A COUPLE WEEKS AGO. 505 00:22:07,848 --> 00:22:09,197 LIKE I SAID, THERE WAS AN ABDUCTION. 506 00:22:09,240 --> 00:22:12,026 EMILY, THERE'S ALWAYS GONNA BE A CASE, 507 00:22:12,069 --> 00:22:13,941 AND YOU KNOW I KNOW, OK, 508 00:22:13,984 --> 00:22:15,682 BUT YOU WERE SUPPOSED TO COME FOR THE WEEKEND, 509 00:22:15,725 --> 00:22:17,161 FINALLY MEET KEELY. 510 00:22:17,205 --> 00:22:18,511 MM-HMM. 511 00:22:18,554 --> 00:22:21,775 AND NOW YOU'RE BACK TO DODGING MY CALLS AND TEXTS. 512 00:22:21,818 --> 00:22:23,254 DID I DO SOMETHING WRONG? 513 00:22:23,298 --> 00:22:26,693 NO, AND THANK YOU FOR THE FLOWERS. 514 00:22:26,736 --> 00:22:31,437 OH, YOU'RE WELCOME, BUT IF NOT, THEN WHAT IS IT? 515 00:22:31,480 --> 00:22:38,008 THIS HAS JUST BEEN HARDER THAN I THOUGHT IT WAS GONNA BE. 516 00:22:38,052 --> 00:22:42,012 YOU KNOW, I NEVER WANTED MOVING HERE TO CHANGE ANYTHING BETWEEN US. 517 00:22:42,056 --> 00:22:47,104 WHAT I WANT...IS YOU. 518 00:22:47,148 --> 00:22:49,193 I WANT US, 519 00:22:49,237 --> 00:22:50,456 BUT RIGHT NOW, IT FEELS LIKE 520 00:22:50,499 --> 00:22:53,241 YOU'RE...PULLING AWAY. 521 00:22:53,284 --> 00:22:55,112 OHH. 522 00:22:55,156 --> 00:22:58,377 ARE WE BREAKING UP? 523 00:22:58,420 --> 00:23:01,554 NO. THAT'S NOT WHAT I WANT. 524 00:23:01,597 --> 00:23:03,294 WELL, THEN WHAT DO YOU WANT? TELL ME. 525 00:23:03,338 --> 00:23:04,948 I'LL DO IT. 526 00:23:19,093 --> 00:23:21,182 WE'RE AT WORK. 527 00:23:24,968 --> 00:23:27,797 BEFORE YOU GO BACK TO D.C., 528 00:23:27,841 --> 00:23:29,930 I JUST WANT TO KNOW WHERE WE STAND, OK? 529 00:23:37,981 --> 00:23:39,113 [SIGHS] 530 00:23:41,463 --> 00:23:42,856 OH, HEY. I WAS JUST LOOKING FOR YOU. 531 00:23:42,899 --> 00:23:43,987 WHAT'S UP? 532 00:23:44,031 --> 00:23:45,554 PENELOPE FOUND SOMETHING HINKY 533 00:23:45,598 --> 00:23:46,903 IN REGARDS TO THE SOCIAL WORKER 534 00:23:46,947 --> 00:23:48,470 WHO WAS HELPING SEAN McAFEE. 535 00:23:48,514 --> 00:23:49,863 SHE'S BRINGING THE OTHERS UP TO SPEED NOW. 536 00:23:49,906 --> 00:23:52,256 OK. GREAT. 537 00:23:56,783 --> 00:23:58,480 GO AHEAD, GARCIA. 538 00:23:58,524 --> 00:23:59,742 OK. SO OUR INITIAL INTERVIEW WITH SEAN'S CASE WORKER 539 00:23:59,786 --> 00:24:01,918 BRENDA HACKER DIDN'T RAISE ANY RED FLAGS, 540 00:24:01,962 --> 00:24:03,790 BUT SHE WAS THE LAST PERSON TO SEE HIM ALIVE, 541 00:24:03,833 --> 00:24:05,879 SO I DID SOME ADDITIONAL SPELUNKING. 542 00:24:05,922 --> 00:24:07,010 AND? 543 00:24:07,054 --> 00:24:08,098 WELCOME TO THE THUNDERDOME. 544 00:24:08,142 --> 00:24:09,143 I LOOKED AT BRENDA'S FINANCIAL RECORDS, 545 00:24:09,186 --> 00:24:12,059 HER PHONE RECORDS, HER CASE RECORDS. 546 00:24:12,102 --> 00:24:15,149 SHE SPECIALIZES IN A VERY SPECIFIC CLIENTELE, 547 00:24:15,192 --> 00:24:17,630 SINGLE DADS WHO ARE FIGHTING FOR CUSTODY 548 00:24:17,673 --> 00:24:19,109 OF THEIR CHILD OR CHILDREN, 549 00:24:19,153 --> 00:24:23,113 AND SHE HAS AN UNUSUALLY HIGH SUCCESS/PLACEMENT RATE. 550 00:24:23,157 --> 00:24:24,375 HOW UNUSUAL? 551 00:24:24,419 --> 00:24:25,986 LIKE, GET YOURSELF TO VEGAS, CALL YOUR BOOKIE, 552 00:24:26,029 --> 00:24:27,161 THE FIX IS IN UNUSUAL. 553 00:24:27,204 --> 00:24:28,554 YOU THINK SHE'S GREASING THE WHEELS? 554 00:24:28,597 --> 00:24:31,208 OH, SHE'S LUBING THEM UP BIG TIME. 555 00:24:31,252 --> 00:24:32,514 UH, STOP SMILING, LUKE ALVEZ. 556 00:24:32,558 --> 00:24:34,298 I CAN FEEL IT. THAT JOKE WAS NOT FOR YOU. 557 00:24:34,342 --> 00:24:36,213 WHAT I'M SAYING IS HER TESTIMONY HOLDS 558 00:24:36,257 --> 00:24:37,780 A SPECIAL KIND OF WEIGHT WITH THE JUDGE. 559 00:24:37,824 --> 00:24:39,347 SHE'S GOT HER FINGER IN THE COOKIE JAR SOMEHOW OR ANOTHER. 560 00:24:39,390 --> 00:24:40,957 WE SHOULD BRING HER BACK IN. 561 00:24:41,001 --> 00:24:42,742 DOESN'T SEEM LIKE A COINCIDENCE THAT SHE WORKS WITH FATHERS 562 00:24:42,785 --> 00:24:44,134 AND OUR UNSUB MIGHT BE ONE. 563 00:24:44,178 --> 00:24:46,093 LEWIS: GOOD WORK, GARCIA. 564 00:24:46,136 --> 00:24:47,311 ALVEZ: PENELOPE. 565 00:24:47,355 --> 00:24:49,705 NEW PHONE. WHO DIS? 566 00:24:49,749 --> 00:24:51,925 THANK YOU. 567 00:24:51,968 --> 00:24:54,144 YOU SHOULD WORSHIP AT MY THRONE, LUKE ALVEZ. 568 00:24:54,188 --> 00:24:59,802 OH, BUT I DO. I DO. YOU KNOW I DO. 569 00:24:59,846 --> 00:25:01,325 WHAT DOES THAT EVEN MEAN? 570 00:25:03,066 --> 00:25:04,198 MAN: ANOTHER TIME. 571 00:25:04,241 --> 00:25:05,808 COME ON, DAD. 572 00:25:05,852 --> 00:25:07,027 MO WOULD LET ME DRIVE. 573 00:25:07,070 --> 00:25:08,550 I HAVE MY LEARNER'S PERMIT. 574 00:25:08,594 --> 00:25:09,682 BOY: YEAH. LET HER, DAD. 575 00:25:09,725 --> 00:25:10,639 HERE. YOU CAN START THE CAR, 576 00:25:10,683 --> 00:25:12,336 BUT THAT'S IT. 577 00:25:12,380 --> 00:25:14,338 GIRL: DAD, THAT'S SO LAME. 578 00:25:14,382 --> 00:25:15,862 MAN: THAT'S ALL YOU'RE GONNA GET FOR NOW. 579 00:25:15,905 --> 00:25:18,081 I'LL TAKE YOU OUT LATER WHEN IT'S JUST THE TWO OF US. 580 00:25:19,692 --> 00:25:22,346 [SIGHS] 581 00:25:22,390 --> 00:25:24,784 [CAR STARTS] 582 00:25:24,827 --> 00:25:27,700 KYLE: UNH! 583 00:25:27,743 --> 00:25:28,918 UNH! 584 00:25:28,962 --> 00:25:30,224 OHH! 585 00:25:30,267 --> 00:25:31,791 DAD?! 586 00:25:33,749 --> 00:25:34,881 AAH! AAH! 587 00:25:34,924 --> 00:25:37,536 OH, NO! 588 00:25:37,579 --> 00:25:39,799 AAH! AAH! AAH! 589 00:25:39,842 --> 00:25:42,279 BOY: DAD!KYLE: DRIVE, DRIVE! 590 00:25:42,323 --> 00:25:44,107 DRIVE NOW! NO, NO! 591 00:25:44,151 --> 00:25:46,632 GO! 592 00:25:46,675 --> 00:25:49,678 GIRL: AAH!DRIVE! 593 00:25:49,722 --> 00:25:51,506 [TIRES SQUEALING] 594 00:26:02,691 --> 00:26:04,650 WOW. THIS PLACE REALLY CLEARS OUT AT LUNCH. 595 00:26:04,693 --> 00:26:06,739 YEAH. THIS GRANOLA BAR WILL DO IT FOR ME. 596 00:26:06,782 --> 00:26:09,916 HMM. ME, TOO. 597 00:26:09,959 --> 00:26:11,918 SO YOU'RE NOT HAVING LUNCH WITH ANDREW? 598 00:26:15,791 --> 00:26:18,054 3 MONTHS AGO, 599 00:26:18,098 --> 00:26:21,144 ANDREW ASKED ME TO MOVE TO DENVER WITH HIM, 600 00:26:21,188 --> 00:26:23,712 BUT I'M HAPPY WHERE I AM. 601 00:26:23,756 --> 00:26:25,409 I'M NOT READY TO LEAVE THE BAU. 602 00:26:25,453 --> 00:26:27,934 I HAVEN'T EVEN MET HIS DAUGHTER YET. 603 00:26:27,977 --> 00:26:30,545 WHY? YOU'VE BEEN SEEING HIM FOR OVER A YEAR. 604 00:26:30,589 --> 00:26:33,200 KEELY WAS ALREADY IN COLORADO, 605 00:26:33,243 --> 00:26:35,202 AND THE COUPLE OF TIMES SHE VISITED LAST YEAR, 606 00:26:35,245 --> 00:26:37,030 THE TIMING JUST DIDN'T WORK OUT. 607 00:26:37,073 --> 00:26:39,467 HEY. YOU'RE PUTTING UP WALLS. 608 00:26:39,510 --> 00:26:42,035 I KNOW BECAUSE I'VE PUT UP PLENTY MYSELF. 609 00:26:42,078 --> 00:26:44,124 UPROOTING MY WHOLE LIFE? 610 00:26:44,167 --> 00:26:46,474 MOVING HALFWAY ACROSS THE COUNTRY? 611 00:26:46,517 --> 00:26:48,868 THAT'S JUST NOT SOMETHING THAT I EVER HAD IN MY PLANS, 612 00:26:48,911 --> 00:26:50,391 AND WHAT IF IT DOESN'T WORK OUT? 613 00:26:50,434 --> 00:26:53,133 TAKE IT FROM A GUY WHO JUST MARRIED HIS THIRD EX-WIFE 614 00:26:53,176 --> 00:26:55,222 FOR THE SECOND TIME. 615 00:26:55,265 --> 00:26:59,139 ALL OF THIS WORK IS WORTH IT. 616 00:26:59,182 --> 00:27:02,533 YOU DESERVE THIS. BE HONEST WITH HIM. 617 00:27:02,577 --> 00:27:05,536 TELL HIM HOW YOU FEEL. 618 00:27:05,580 --> 00:27:07,538 SIMMONS: SORRY TO INTERRUPT. DENVER PD JUST FOUND 619 00:27:07,582 --> 00:27:08,975 ANOTHER DECAPITATED BODY. 620 00:27:09,018 --> 00:27:11,194 THE HEAD IS MISSING, AND SO ARE THE MAN'S TWO KIDS. 621 00:27:11,238 --> 00:27:13,240 JJ AND REID ARE EN ROUTE. 622 00:27:13,283 --> 00:27:14,415 [CAMERA SHUTTER CLICKS] 623 00:27:18,201 --> 00:27:20,029 THE FACT THAT HE LEFT HIS VEHICLE BEHIND 624 00:27:20,073 --> 00:27:22,162 MEANS HE HAS NO INTENTION OF COMING BACK. 625 00:27:22,205 --> 00:27:23,554 HE'S NEVER REALLY HIDDEN FROM US, 626 00:27:23,598 --> 00:27:25,774 BUT THIS JUST FEELS LIKE THE FINAL STRAW. 627 00:27:25,818 --> 00:27:27,210 HE'S FINISHED ONE WAY OR ANOTHER. 628 00:27:27,254 --> 00:27:29,343 BASED ON HIS EQUATION, THESE ARE HIS FINAL 3 VICTIMS. 629 00:27:29,386 --> 00:27:30,953 OK, BUT THEN WHY THE CHANGE IN M.O.? 630 00:27:30,997 --> 00:27:32,651 WHY ABDUCT TWO TEENAGERS? 631 00:27:32,694 --> 00:27:35,262 PROBABLY HAS SOMETHING TO DO WITH THE LOSS THAT HE SUFFERED. 632 00:27:38,265 --> 00:27:40,093 JAREAU: OH. 633 00:27:40,136 --> 00:27:41,268 LOOK AT THIS. 634 00:27:44,445 --> 00:27:48,014 OH, ETHAN. I'VE BEEN LEAVING YOU MESSAGES. 635 00:27:48,057 --> 00:27:49,363 I HOPE YOU'RE GETTING THEM. 636 00:27:49,406 --> 00:27:50,973 I'VE BEEN TRYING TO EXPLAIN TO YOU 637 00:27:51,017 --> 00:27:54,194 THAT THERE ARE AN INFINITE NUMBER OF REALITIES, 638 00:27:54,237 --> 00:27:57,501 BRANCHES, AND 7 YEARS AGO, 639 00:27:57,545 --> 00:28:00,983 OUR UNIVERSE, IT BRANCHED INTO ANOTHER ONE. 640 00:28:01,027 --> 00:28:03,551 IT--IT WAS ANOTHER TIMELINE. 641 00:28:03,594 --> 00:28:06,946 IT WAS THE WRONG ONE BECAUSE YOU AREN'T HERE, 642 00:28:06,989 --> 00:28:12,473 BUT I'VE FIGURED OUT A WAY TO CROSS OVER TO GET BACK TO YOU. 643 00:28:12,516 --> 00:28:14,127 I'M COMING FOR YOU. 644 00:28:14,170 --> 00:28:15,955 IT'S ALL GONNA BE OK. 645 00:28:15,998 --> 00:28:18,479 DON'T BE SCARED. 646 00:28:18,522 --> 00:28:20,176 DAD IS COMING. 647 00:28:20,220 --> 00:28:21,830 SO IT WAS HIS SON THAT HE LOST. 648 00:28:21,874 --> 00:28:23,876 HE'LL DO ANYTHING TO GET BACK TO HIM, EVEN KILL, 649 00:28:23,919 --> 00:28:25,094 MAYBE EVEN TRADE ONE KID'S LIFE 650 00:28:25,138 --> 00:28:26,879 FOR ANOTHER. 651 00:28:26,922 --> 00:28:29,838 SON'S NAME IS ETHAN, RIGHT? 652 00:28:29,882 --> 00:28:31,405 ETHAN WAS THE FINAL PIECE OF THE PUZZLE. 653 00:28:31,448 --> 00:28:33,407 OUR UNSUB's NAME IS GEORGE KYLE PETERS. 654 00:28:33,450 --> 00:28:35,191 HE GOES BY KYLE. HE'S A FORMER 655 00:28:35,235 --> 00:28:36,497 HIGH SCHOOL PHYSICS TEACHER, 656 00:28:36,540 --> 00:28:38,978 AND HIS SON ETHAN DIED WHEN HE WAS 7 YEARS OLD 657 00:28:39,021 --> 00:28:40,893 IN A HORRIFIC CAR CRASH. 658 00:28:40,936 --> 00:28:43,069 I'M SENDING YOU THE INFO NOW. 659 00:28:43,112 --> 00:28:45,114 IT SAYS HERE THAT KYLE WAS DRIVING 660 00:28:45,158 --> 00:28:47,377 HIS 7-YEAR-OLD SON HOME FROM A MOVIE 661 00:28:47,421 --> 00:28:50,380 WHEN HE STRUCK A PATCH OF BLACK ICE AND LOST CONTROL. 662 00:28:50,424 --> 00:28:52,905 ETHAN WAS... DECAPITATED. 663 00:29:00,086 --> 00:29:02,088 RUSTY! 664 00:29:02,131 --> 00:29:05,787 GARCIA: TWO MONTHS AGO WAS THE 7-YEAR ANNIVERSARY OF THIS DEATH. 665 00:29:05,831 --> 00:29:07,267 THE ANNIVERSARY WAS HIS TRIGGER. 666 00:29:07,310 --> 00:29:10,139 KYLE WAS IN A COMA FOR MONTHS FOLLOWING THE ACCIDENT. 667 00:29:10,183 --> 00:29:13,142 WHEN HE WOKE UP, HIS SON WAS GONE. 668 00:29:13,186 --> 00:29:14,665 WELL, THAT'S A HELL OF A STRESSOR. 669 00:29:14,709 --> 00:29:17,668 LEWIS: KYLE'S MIND WOULD NOT LET HIM PROCESS THIS GRIEF. 670 00:29:17,712 --> 00:29:20,149 [SCREAMING] 671 00:29:20,193 --> 00:29:22,630 NO MATTER WHAT KIND OF SUPPORT HE MIGHT HAVE GOTTEN, 672 00:29:22,673 --> 00:29:24,545 HE COULD NOT CONCEIVE OF A WORLD THAT DID NOT HAVE HIS SON IN IT, 673 00:29:24,588 --> 00:29:27,200 SO HE CREATED A NEW ONE, 674 00:29:27,243 --> 00:29:29,463 ONE WHERE ETHAN WAS STILL ALIVE. 675 00:29:29,506 --> 00:29:31,508 WHERE'S KYLE BEEN THE LAST 7 YEARS? 676 00:29:31,552 --> 00:29:33,032 IN AND OUT OF INSTITUTIONS. 677 00:29:33,075 --> 00:29:34,207 HE WAS RELEASED 4 MONTHS AGO. 678 00:29:34,250 --> 00:29:36,339 [KYLE SCREAMING] 679 00:29:36,383 --> 00:29:39,168 I DID EVERYTHING YOU ASKED! 680 00:29:39,212 --> 00:29:41,040 I BROUGHT YOU THEIR HEADS AS PROOF. 681 00:29:41,083 --> 00:29:43,651 7 LIVES FOR THE 7 YEARS THAT HAVE PASSED. 682 00:29:43,694 --> 00:29:45,218 ALVEZ: THE TWO TEENS THAT HE KIDNAPPED, 683 00:29:45,261 --> 00:29:48,395 EMMA AND COLIN CHOI, COLIN'S 14. 684 00:29:48,438 --> 00:29:51,528 THAT'S THE SAME AGE HIS SON WOULD HAVE BEEN IF HE SURVIVED. 685 00:29:51,572 --> 00:29:53,966 MENDOZA: LOOKS LIKE WE CAUGHT A BREAK. 686 00:29:54,009 --> 00:29:55,881 GARCIA WANTED US TO PULL HARD COPIES 687 00:29:55,924 --> 00:29:57,317 OF ALL OF BRENDA HACKER'S FILES, 688 00:29:57,360 --> 00:29:59,058 THE ONES THAT HADN'T BEEN DIGITIZED. 689 00:29:59,101 --> 00:30:01,147 TURNS OUT 12 YEARS AGO BRENDA WAS ASSIGNED 690 00:30:01,190 --> 00:30:02,801 TO HELP KYLE PETERS GET CUSTODY 691 00:30:02,844 --> 00:30:04,367 OF HIS SON ETHAN. 692 00:30:04,411 --> 00:30:06,805 WAIT A MINUTE. THE SAME PERSON WAS THE CASE WORKER 693 00:30:06,848 --> 00:30:09,111 FOR OUR THIRD VICTIM SEAN AND OUR UNSUB? 694 00:30:09,155 --> 00:30:10,678 WE THINKING THAT'S JUST AS COINCIDENCE? 695 00:30:10,721 --> 00:30:12,332 WELL, ACTUALLY, IT MIGHT BE. 696 00:30:12,375 --> 00:30:14,290 SOCIAL WORKERS HERE, THEY'RE FORCED TO SEE A LOT OF CLIENTS, 697 00:30:14,334 --> 00:30:15,857 COVER A LOT OF GROUND, 698 00:30:15,901 --> 00:30:17,424 AND WE HAVEN'T SEEN ANY CONNECTION 699 00:30:17,467 --> 00:30:19,165 BETWEEN HER AND OUR OTHER VICTIMS, SO-- 700 00:30:19,208 --> 00:30:20,688 HOLD ON. IT SAYS HERE KYLE WAS ARRESTED 701 00:30:20,731 --> 00:30:23,343 ON TWO DUI CHARGES IN COLLEGE. 702 00:30:23,386 --> 00:30:25,388 HE SOUGHT HELP FOR A DRINKING PROBLEM. 703 00:30:25,432 --> 00:30:28,174 AND YET BRENDA STILL MANAGED TO GET HIM CUSTODY. 704 00:30:28,217 --> 00:30:29,740 LIKE I SAID, CALL YOUR BOOKIES. 705 00:30:29,784 --> 00:30:32,178 THAT WOULD INDICATE A CLASSIC NARCISSISTIC SAVIOR COMPLEX. 706 00:30:32,221 --> 00:30:34,310 BRENDA LIKES THAT THESE MEN NEED HER, 707 00:30:34,354 --> 00:30:35,877 AND SHE USES IT AGAINST THEM. 708 00:30:35,921 --> 00:30:38,140 PENELOPE, I NEED EVERYTHING YOU'VE FOUND ON HER SO FAR. 709 00:30:38,184 --> 00:30:39,707 GOT IT. COMING, COMING. 710 00:30:39,750 --> 00:30:41,143 IS BRENDA HERE? 711 00:30:41,187 --> 00:30:42,753 JUST ARRIVED. PUT HER IN MY OFFICE. 712 00:30:42,797 --> 00:30:45,887 OK. WE NEED TO CHECK OUT KYLE'S HOME AND LAST KNOWNS. 713 00:30:45,931 --> 00:30:48,281 TALK TO HIS FORMER CO-WORKERS AND NEIGHBORS. 714 00:30:48,324 --> 00:30:50,152 HE'S TAKEN THESE KIDS SOMEPLACE, 715 00:30:50,196 --> 00:30:51,980 LIKELY SOMEWHERE PERSONAL. 716 00:30:58,595 --> 00:31:01,555 I DID EVERYTHING YOU ASKED! 717 00:31:01,598 --> 00:31:04,079 NOW IT'S TIME TO MAKE THE TRADE! 718 00:31:04,123 --> 00:31:05,907 WHO'S HE TALKING TO? 719 00:31:05,951 --> 00:31:09,128 COLIN: HE'S CRAZY. THERE'S NO ONE THERE. 720 00:31:09,171 --> 00:31:10,651 WE'VE GOT TO GET OUT OF HERE. 721 00:31:10,694 --> 00:31:12,044 HOW? 722 00:31:12,087 --> 00:31:13,306 HELP ME WITH MY TAPE. 723 00:31:13,349 --> 00:31:14,916 KYLE: THAT'S NOT WHAT WE AGREED TO! 724 00:31:14,960 --> 00:31:18,137 YOU TOLD ME THAT THIS WOULD BE OVER WITH! 725 00:31:18,180 --> 00:31:20,530 WAIT A MINUTE. SHE WAS MAKING MONEY OFF THESE GUYS? 726 00:31:20,574 --> 00:31:22,141 YEP. EXTORTION PLAIN AS DAY. 727 00:31:22,184 --> 00:31:24,708 WHAT? ALL THESE CALLS, ALL THIS TIME TOGETHER. 728 00:31:24,752 --> 00:31:26,710 MAYBE IT DIDN'T STOP THERE. 729 00:31:26,754 --> 00:31:29,104 WELL, BRENDA'S SMART. SHE'S NOT GONNA INCRIMINATE HERSELF. 730 00:31:29,148 --> 00:31:30,453 WELL, WE CAN'T GIVE HER AN OUT. 731 00:31:30,497 --> 00:31:32,194 BRENDA KNOWS OUR UNSUB AND WELL. 732 00:31:32,238 --> 00:31:34,196 RIGHT NOW, SHE'S OUR BEST BET AT FINDING THOSE KIDS. 733 00:31:35,763 --> 00:31:38,244 BRENDA, WHEN WAS THE LAST TIME YOU SAW KYLE PETERS? 734 00:31:38,287 --> 00:31:40,855 10, 12 YEARS AGO. 735 00:31:40,899 --> 00:31:43,031 BUT YOU WERE AWARE THAT HIS SON PASSED AWAY? 736 00:31:43,075 --> 00:31:45,077 YEAH. I HEARD. I DIDN'T KNOW HIM VERY WELL. 737 00:31:45,120 --> 00:31:47,340 I WAS JUST HIS CASE WORKER. 738 00:31:47,383 --> 00:31:48,950 ACCORDING TO CELL PHONE RECORDS, YOU CALLED KYLE 739 00:31:48,994 --> 00:31:51,692 7 YEARS AGO. 740 00:31:51,735 --> 00:31:53,128 I DON'T REALLY REMEMBER. 741 00:31:53,172 --> 00:31:55,652 AND PRIOR TO THAT WHEN YOU WERE HANDLING HIS CASE, 742 00:31:55,696 --> 00:31:58,220 YOU CALLED HIM 4 OR 5 TIMES A DAY 743 00:31:58,264 --> 00:32:00,135 FROM YOUR PERSONAL PHONE, 744 00:32:00,179 --> 00:32:01,484 SOMETIMES AFTER HOURS. 745 00:32:01,528 --> 00:32:02,921 THAT SOUND LIKE WORK TO YOU? 746 00:32:02,964 --> 00:32:04,487 UH, IT DOES NOT. 747 00:32:04,531 --> 00:32:06,533 I THINK YOU KNEW KYLE A LOT BETTER THAN YOU'RE LETTING ON. 748 00:32:06,576 --> 00:32:09,666 PERHAPS YOU SAW EACH OTHER SOCIALLY. 749 00:32:09,710 --> 00:32:11,799 I'M NOT COMFORTABLE WITH THIS CONVERSATION. 750 00:32:11,842 --> 00:32:15,934 BRENDA, THESE ARE FINANCIAL RECORDS, YOURS. 751 00:32:15,977 --> 00:32:18,719 UH, YOU'LL SEE THAT THERE ARE A LARGE NUMBER OF CASH DEPOSITS 752 00:32:18,762 --> 00:32:20,329 DURING THE TIME PERIOD IN QUESTION, 753 00:32:20,373 --> 00:32:22,723 AND WHAT'S INTERESTING IS THAT THEY MATCH UP 754 00:32:22,766 --> 00:32:25,682 WITH THESE RECORDS HERE, WHICH ARE KYLE'S BANK RECORDS. 755 00:32:25,726 --> 00:32:28,511 THEY SHOW WITHDRAWALS FROM THE SAME TIME PERIOD. 756 00:32:28,555 --> 00:32:30,557 I DON'T LIKE WHAT YOU'RE IMPLYING. 757 00:32:30,600 --> 00:32:33,473 PRENTISS: MS. HACKER, KYLE HAS KILLED 5 PEOPLE. 758 00:32:33,516 --> 00:32:35,127 HE'S ABDUCTED TWO TEENAGERS, 759 00:32:35,170 --> 00:32:37,172 MOST LIKELY WITH THE INTENT TO KILL THEM, TOO. 760 00:32:37,216 --> 00:32:39,174 I DON'T KNOW ANYTHING ABOUT THAT. 761 00:32:39,218 --> 00:32:41,742 I HAVEN'T DONE ANYTHING WRONG. 762 00:32:41,785 --> 00:32:44,658 WELL, NOW THAT'S NOT ENTIRELY TRUE, BRENDA, IS IT? 763 00:32:44,701 --> 00:32:46,921 YOU TARGET SINGLE MEN, LIKE SEAN, 764 00:32:46,965 --> 00:32:50,446 FATHERS WHO ARE DESPERATE TO RETAIN CUSTODY OF THEIR CHILDREN. 765 00:32:50,490 --> 00:32:52,666 YOU GET THEM TO SLIP YOU A LITTLE CASH UNDER THE TABLE, 766 00:32:52,709 --> 00:32:55,408 AND IN EXCHANGE, YOU DOCTOR THEIR FILES. 767 00:32:55,451 --> 00:32:57,671 YOU CAN'T PROVE THAT. 768 00:32:57,714 --> 00:32:59,325 NOT YET. 769 00:32:59,368 --> 00:33:02,284 YOU CONVINCED A JUDGE THAT KYLE SHOULD GET CUSTODY OF HIS SON 770 00:33:02,328 --> 00:33:05,244 DESPITE HIS HISTORY WITH ALCOHOL ABUSE. 771 00:33:05,287 --> 00:33:08,116 MY GUESS IS HE WAS DRUNK ON THE NIGHT OF THE ACCIDENT, 772 00:33:08,160 --> 00:33:09,770 AND WHEN HE WOKE UP FROM HIS COMA, 773 00:33:09,813 --> 00:33:12,251 YOU CALLED HIM, AND YOU HELPED HIM FIX HIS STORY. 774 00:33:12,294 --> 00:33:14,383 YOU ADDED IN THAT BIT ABOUT THE BLACK ICE. 775 00:33:14,427 --> 00:33:18,126 NOW IT'S PRETTY CLEAR THAT STORY WAS TO PROTECT YOU, NOT HIM. 776 00:33:18,170 --> 00:33:20,433 YOU DIDN'T WANT ANYBODY DIGGING INTO KYLE'S PAST 777 00:33:20,476 --> 00:33:23,827 AND FINDING SOMETHING THAT YOU WORKED SO HARD TO HIDE. 778 00:33:23,871 --> 00:33:26,961 THE WAY I SEE IT, THAT'S CHILD ENDANGERMENT. 779 00:33:27,005 --> 00:33:28,441 SO, BRENDA, DO YOURSELF A FAVOR. 780 00:33:28,484 --> 00:33:30,486 SIT BACK DOWN AND TELL US 781 00:33:30,530 --> 00:33:32,184 ABOUT YOUR RELATIONSHIP WITH KYLE, 782 00:33:32,227 --> 00:33:34,882 AND WE'LL TAKE YOUR COOPERATION INTO CONSIDERATION. 783 00:33:41,149 --> 00:33:42,368 WHAT DO YOU WANT TO KNOW? 784 00:33:42,411 --> 00:33:44,761 EVERYTHING THAT WASN'T IN HIS CASE FILE. 785 00:33:44,805 --> 00:33:46,328 [GRUNTING] 786 00:33:46,372 --> 00:33:49,070 KYLE: NOW WE AGREED, RUSTY. 787 00:33:49,114 --> 00:33:50,985 IT HAD TO BE. 788 00:33:51,029 --> 00:33:53,031 THAT'S WHAT YOU SAID! 789 00:33:53,074 --> 00:33:55,294 AAH! 790 00:33:55,337 --> 00:33:57,383 [GROANING] 791 00:34:02,301 --> 00:34:04,346 [WHIMPERING] 792 00:34:06,392 --> 00:34:08,002 UGH. 793 00:34:22,538 --> 00:34:23,931 PRENTISS: BRENDA TOLD US THAT KYLE AND HIS SON 794 00:34:23,974 --> 00:34:25,367 LOVED TO EXPLORE AN AREA AROUND AN ABANDONED GOLD MINE 795 00:34:25,411 --> 00:34:26,890 IN THE FOOTHILLS. 796 00:34:26,934 --> 00:34:28,414 YEAH. THEY WENT EVERY WEEKEND. 797 00:34:28,457 --> 00:34:30,111 SIMMONS: THAT MAKES SENSE. KYLE WAS A SCIENTIST. 798 00:34:30,155 --> 00:34:32,722 HE WANTED TO FOSTER A SIMILAR LOVE IN HIS SON. 799 00:34:32,766 --> 00:34:34,985 ALVEZ: WE'RE SURE THIS IS WHERE HE WOULD TAKE EMMA AND COLIN? 800 00:34:35,029 --> 00:34:37,075 IT'S IDEAL. THE MINE'S SECLUDED. 801 00:34:37,118 --> 00:34:38,424 IT'S BEEN VACANT FOR DECADES. 802 00:34:38,467 --> 00:34:40,948 WE NEED TO BE CAREFUL. WE'RE GONNA BE ON HIS TURF. 803 00:34:45,866 --> 00:34:47,650 RUSTY: THIS IS IT, KYLE. 804 00:34:47,694 --> 00:34:50,914 THIS CHILD FOR YOURS. 805 00:34:50,958 --> 00:34:53,743 PLEASE DON'T HURT ME. 806 00:34:53,787 --> 00:34:56,355 [CRYING] 807 00:34:56,398 --> 00:34:59,009 I JUST--I--I CAN'T. 808 00:34:59,053 --> 00:35:01,011 I'M SORRY. I CAN'T. 809 00:35:01,055 --> 00:35:03,362 DON'T YOU WANT TO SEE YOUR SON AGAIN? 810 00:35:03,405 --> 00:35:05,146 OHH, OHH. 811 00:35:05,190 --> 00:35:06,930 PLEASE. 812 00:35:06,974 --> 00:35:08,802 THIS CHILD FOR YOURS. 813 00:35:08,845 --> 00:35:10,195 PLEASE. 814 00:35:15,243 --> 00:35:18,420 I'M SORRY. 815 00:35:18,464 --> 00:35:20,118 I'M SO SORRY, ETHAN. 816 00:35:23,077 --> 00:35:26,907 I'M SORRY. I'M SORRY. 817 00:35:26,950 --> 00:35:29,475 I'M SORRY. 818 00:35:29,518 --> 00:35:31,129 I'M SO SORRY, ETHAN. 819 00:35:47,797 --> 00:35:50,060 OHH! I'M SO SORRY! 820 00:35:51,845 --> 00:35:54,064 I'M SO SORRY, ETHAN. 821 00:35:56,241 --> 00:35:58,199 I'M SORRY. I'M SORRY. 822 00:35:59,940 --> 00:36:02,029 SIMMONS: THESE TRACKS LEAD INSIDE. 823 00:36:02,072 --> 00:36:03,509 LEWIS: THIS HAS GOT TO BE IT. 824 00:36:03,552 --> 00:36:05,032 ALVEZ: ACCORDING TO THE MAP, THERE'S ANOTHER ENTRANCE 825 00:36:05,075 --> 00:36:06,120 AT THE NORTH. 826 00:36:06,164 --> 00:36:07,600 ROSSI: WE SHOULD SPLIT UP. 827 00:36:07,643 --> 00:36:11,647 LEWIS, ALVEZ, SIMMONS, SEE IF THERE'S ANOTHER WAY IN. 828 00:36:11,691 --> 00:36:13,997 KYLE: I'M SORRY. 829 00:36:14,041 --> 00:36:16,565 ROSSI: KYLE PETERS, FBI! 830 00:36:16,609 --> 00:36:19,525 DROP THE AX! PUT IT DOWN! 831 00:36:19,568 --> 00:36:21,091 PRENTISS: KYLE, LOOK AT ME. 832 00:36:23,137 --> 00:36:24,878 YOU DON'T UNDERSTAND! 833 00:36:24,921 --> 00:36:27,097 HE IS ON THE OTHER SIDE, HE IS TRAPPED ON THE OTHER SIDE. 834 00:36:27,141 --> 00:36:28,925 HE NEEDS ME! I AM HIS FATHER! 835 00:36:28,969 --> 00:36:31,276 I DO UNDERSTAND. 836 00:36:31,319 --> 00:36:33,278 I KNOW WHAT IT'S LIKE TO HAVE 837 00:36:33,321 --> 00:36:36,455 SOMEONE YOU LOVE STUCK IN ANOTHER WORLD, 838 00:36:36,498 --> 00:36:38,805 WANTING ONE THING, HAVING ANOTHER, 839 00:36:38,848 --> 00:36:41,024 BUT REALLY HAVING NEITHER, 840 00:36:41,068 --> 00:36:42,939 AFRAID TO FACE THE TRUTH. 841 00:36:42,983 --> 00:36:46,595 YOU HAVE TO FACE IT, KYLE. 842 00:36:46,639 --> 00:36:48,728 RUSTY: KYLE. 843 00:36:48,771 --> 00:36:51,861 NO. HE SAID THIS THE ONLY WAY TO GET HIM BACK. 844 00:36:51,905 --> 00:36:53,602 HE SAID A BOY FOR A BOY. 845 00:36:53,646 --> 00:36:56,388 PRENTISS: IT'S NOT. EVERYTHING IS WRONG. 846 00:36:56,431 --> 00:36:57,650 NO. 847 00:36:57,693 --> 00:36:59,260 THAT'S WHAT YOU THINK, RIGHT? 848 00:36:59,304 --> 00:37:00,609 ERR! 849 00:37:00,653 --> 00:37:01,828 THAT THESE SACRIFICES YOU'VE BEEN MAKING 850 00:37:01,871 --> 00:37:03,264 WILL HELP YOU GET YOUR SON BACK, 851 00:37:03,308 --> 00:37:05,310 BUT THEY WON'T. 852 00:37:05,353 --> 00:37:07,312 IT'S NOT REAL. ERR! 853 00:37:07,355 --> 00:37:08,922 LOOK AGAIN. 854 00:37:12,142 --> 00:37:14,144 KYLE, YOU HAVE TO FACE THE TRUTH. 855 00:37:24,503 --> 00:37:27,027 [KYLE SOBBING] 856 00:37:38,343 --> 00:37:39,866 OH, NO. 857 00:37:46,133 --> 00:37:48,483 WHAT IS THE TRUTH? 858 00:37:48,527 --> 00:37:49,832 HE'S GONE. 859 00:37:49,876 --> 00:37:51,269 OHH! 860 00:37:51,312 --> 00:37:52,922 ETHAN IS GONE. 861 00:37:54,359 --> 00:37:56,317 [SQUEALS] 862 00:37:56,361 --> 00:37:59,407 I JUST WANTED TO SEE HIM AGAIN. 863 00:37:59,451 --> 00:38:01,801 [SOBBING] 864 00:38:01,844 --> 00:38:04,020 [AX CLATTERS] 865 00:38:04,064 --> 00:38:05,848 WE NEED MEDICS ASAP. 866 00:38:08,895 --> 00:38:10,549 COME ON. 867 00:38:10,592 --> 00:38:14,204 OH, GOD. I'M SORRY. I'M SORRY! 868 00:38:14,248 --> 00:38:16,729 I'M SORRY. I'M SORRY. 869 00:38:36,270 --> 00:38:37,315 MOM! MOM! 870 00:38:37,358 --> 00:38:39,055 MOM! 871 00:38:44,060 --> 00:38:47,368 JAREAU: ALL THIS TALK OF ALTERNATE REALITIES. 872 00:38:47,412 --> 00:38:51,111 WHO DO YOU THINK YOU'D BE IN A PARALLEL UNIVERSE, 873 00:38:51,154 --> 00:38:53,418 YOU KNOW, IN ONE OF YOUR IMAGINED FUTURES? 874 00:38:53,461 --> 00:38:54,680 REID: I DON'T KNOW. 875 00:38:54,723 --> 00:38:55,898 COME ON. 876 00:38:55,942 --> 00:38:58,466 IF YOU WEREN'T AN FBI AGENT, 877 00:38:58,510 --> 00:39:01,339 WHAT WOULD YOU DO? 878 00:39:01,382 --> 00:39:03,079 YOU PROMISE NOT TO LAUGH? 879 00:39:08,041 --> 00:39:10,826 A COWBOY. 880 00:39:10,870 --> 00:39:12,959 A COWBOY? MM-HMM. YEAH. 881 00:39:13,002 --> 00:39:15,831 I'D, UM, YOU KNOW, HAVE SOME HORSES, 882 00:39:15,875 --> 00:39:17,267 A FEW CATTLE, 883 00:39:17,311 --> 00:39:20,749 BE SURROUNDED BY NATURE. 884 00:39:20,793 --> 00:39:23,143 AND WHAT WOULD YOU DO WITH CATTLE? 885 00:39:23,186 --> 00:39:26,320 WELL, YOU KNOW, LOOK AT THEM, PET THEM. 886 00:39:26,364 --> 00:39:28,366 I--I HADN'T REALLY THOUGHT ABOUT THAT, 887 00:39:28,409 --> 00:39:30,890 BUT I'LL--I'LL FIGURE IT OUT. 888 00:39:30,933 --> 00:39:35,024 WOW. I WAS--WAS NOT EXPECTING THAT. 889 00:39:35,068 --> 00:39:37,897 AHEM. AND, UH, YOU'RE THERE 890 00:39:37,940 --> 00:39:39,377 WITH WILL AND THE BOYS. 891 00:39:39,420 --> 00:39:43,250 YOU RUN THE FLOWER SHOP ON HICKORY STREET. 892 00:39:43,293 --> 00:39:45,426 IT'S THIS CUTE, LITTLE STREET IN A TINY TOWN 893 00:39:45,470 --> 00:39:47,167 IN THE MIDDLE OF NOWHERE, 894 00:39:47,210 --> 00:39:48,821 AND ROSSI'S THERE. 895 00:39:48,864 --> 00:39:51,432 HE RUNS A SALOON, WHICH HE LIVES ABOVE, 896 00:39:51,476 --> 00:39:56,045 AND GARCIA HAS A SANCTUARY FOR WOUNDED ANIMALS. 897 00:39:56,089 --> 00:39:58,787 ROSSI: MAY I INTEREST ANYONE IN A BEVERAGE? 898 00:39:58,831 --> 00:40:01,964 WOW. THAT'S TIMING. 899 00:40:02,008 --> 00:40:05,794 SO, UH, DAVE, IN ANOTHER LIFE, 900 00:40:05,838 --> 00:40:07,796 WHAT WOULD YOU BE? 901 00:40:07,840 --> 00:40:10,233 OH, THAT'S EASY. A BOXER. 902 00:40:10,277 --> 00:40:11,626 JAREAU: HMM. 903 00:40:11,670 --> 00:40:13,933 IN FACT, THERE WAS A TIME I WAS HAVING DINNER 904 00:40:13,976 --> 00:40:16,457 WITH MUHAMMAD ALI, AND WE WERE HAVING A DISCUSSION 905 00:40:16,501 --> 00:40:18,807 JUST ON THIS SUBJECT-- 906 00:40:18,851 --> 00:40:22,942 ROADS TAKEN OR NOT TAKEN IN THIS LIFE. 907 00:40:22,985 --> 00:40:25,597 AND WHAT DID HE SAY? 908 00:40:25,640 --> 00:40:31,080 I DON'T QUITE REMEMBER BECAUSE I WAS DRINKING FOR THE TWO OF US, 909 00:40:31,124 --> 00:40:33,256 AND IT WAS THE BEST SCOTCH I'D EVER HAD, 910 00:40:33,300 --> 00:40:36,259 AND THAT'S SAYING... A LOT. 911 00:40:36,303 --> 00:40:39,524 SO TO PATHS NOT TAKEN. 912 00:40:41,830 --> 00:40:43,266 TO PATHS NOT TAKEN. 913 00:40:48,010 --> 00:40:49,447 [DOORBELL RINGS] 914 00:40:49,490 --> 00:40:50,709 MENDOZA: GET THE STOVE, ALL RIGHT? 915 00:40:50,752 --> 00:40:53,407 YOU KNOW DADDY LIKES TO BURN STUFF. 916 00:40:53,451 --> 00:40:55,191 HI. 917 00:40:55,235 --> 00:40:57,672 I THOUGHT YOU LEFT. 918 00:40:57,716 --> 00:40:58,847 THE TEAM DID, 919 00:40:58,891 --> 00:41:01,850 BUT, UH, I WASN'T READY TO GO. 920 00:41:01,894 --> 00:41:04,810 IN FACT, I WAS HOPING WE COULD HAVE DINNER TONIGHT. 921 00:41:04,853 --> 00:41:08,030 UH, WELL, MY DAUGHTER AND I ARE JUST ABOUT TO EAT. 922 00:41:08,074 --> 00:41:11,817 OH, OF COURSE. I--I'M SORRY. 923 00:41:11,860 --> 00:41:15,298 I DIDN'T MEAN TO INTRUDE. 924 00:41:15,342 --> 00:41:16,909 HEY. 925 00:41:19,346 --> 00:41:21,479 I'D LOVE IT IF YOU'D JOIN US. 926 00:41:21,522 --> 00:41:24,394 HEH. I WOULD LOVE TO. 927 00:41:27,223 --> 00:41:28,964 THANK YOU. 928 00:41:39,801 --> 00:41:41,368 [MENDOZA SIGHS] 929 00:41:41,411 --> 00:41:44,893 KEELY, THIS IS EMILY. 930 00:41:44,937 --> 00:41:48,549 EMILY, THIS IS KEELY. 931 00:41:48,593 --> 00:41:51,900 HI. I HAVE HEARD SO MUCH ABOUT YOU. 932 00:41:51,944 --> 00:41:54,468 AND I'VE HEARD SO MUCH ABOUT YOU. 933 00:41:54,512 --> 00:41:56,949 YOU DID NOT OVERSELL IT, DAD. 934 00:41:56,992 --> 00:42:00,735 KEELY.DAD. 935 00:42:00,779 --> 00:42:03,738 OH! HA HA HA! 936 00:42:03,782 --> 00:42:07,176 UH, I WOULD ACTUALLY REALLY LIKE TO HEAR 937 00:42:07,220 --> 00:42:09,048 MORE ABOUT THAT. 938 00:42:09,091 --> 00:42:12,834 WHAT EXACTLY DID YOUR DAD NOT OVERSELL? 939 00:42:12,878 --> 00:42:14,793 MAYBE WE SHOULD COMPARE NOTES. 940 00:42:14,836 --> 00:42:16,272 I LIKE HER. 941 00:42:16,316 --> 00:42:18,144 MAYBE WE SHOULDN'T COMPARE NOTES. HOW ABOUT THAT? 942 00:42:18,187 --> 00:42:19,928 NO. I THINK THAT'S ACTUALLY A PERFECT IDEA. 943 00:42:19,972 --> 00:42:21,930 HERE YOU GO. THERE WE ARE. 944 00:42:21,974 --> 00:42:23,758 PRENTISS, VOICE-OVER: "WE MUST BE WILLING TO LET GO 945 00:42:23,802 --> 00:42:25,804 "OF THE LIFE WE'VE PLANNED 946 00:42:25,847 --> 00:42:29,155 SO AS TO HAVE THE LIFE THAT IS WAITING FOR US." 947 00:42:29,198 --> 00:42:30,765 JOSEPH CAMPBELL. 948 00:42:30,809 --> 00:42:32,898 THE FACT THAT HE SAID YOU'RE ABSOLUTELY GORGEOUS. 949 00:42:51,830 --> 00:42:53,266 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC 950 00:42:53,309 --> 00:42:54,789 AND CBS, INC. 951 00:42:54,833 --> 00:42:56,791 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE 952 00:42:56,835 --> 00:42:58,401 --WWW.NCICAP.ORG-- 65723

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