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[theme music]
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JULIAN PRIEST: The
highest spiritual plane
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available to humankind
is not grace,
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00:01:15,730 --> 00:01:18,008
nor peace, nor satisfaction.
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It is, of course, love,
emotional symbiosis.
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Our greatest achievement.
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To bask in the warm
glow of adoration.
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To love and be loved in return.
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Easier said than done.
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But to accept love one
must accept oneself.
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And if you find yourselfincapable of accepting love,
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then love cannot heal you.
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Cannot even find you.
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You must find it.
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[chatter in arabic]
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[car door shuts]
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[dogs barking]
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Hello.
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Is anyone there?
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[giggle]
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Foreigner.
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Are you the one
they call Sofia?
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As you see.
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Cigarette?
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Thank you.
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00:04:01,413 --> 00:04:04,727
And now, are you Sofia
the bottle maker?
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If you have money, yes.
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I have money.
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Then, we have both found whatwe seek, I think, mademoiselle.
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To Maris, my
niece and namesake,
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to whom I share so
much and of whom I have
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been allowed to know so little.
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Having no children of my own andfeeling myself close to leaving
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this particular form.
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I have taken the liberty
of naming you my heir.
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I, therefore, leave you
all I have to leave.
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This house, if and when
it may be useful to you,
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and everything in it.
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[blowing]
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[cell phone ringing]
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Maris D'Isquard.
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Diehl, how'd you
get this number?
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DIEHL [ON PHONE]: Where are you?
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Oh.
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Some place.
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DIEHL [ON PHONE]: I
called the hospital.
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Yeah.
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Well, they released me.
DIEHL [ON PHONE]: Yeah.
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I figured that out by myself.
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Look.
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I know you're upset.
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You've been through a lot.
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Yeah.
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A miscarriage, Diehl.
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You can say it.
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[sigh] I lost the baby,
and I'm never going
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to have any more children.
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But other than that,
I'm just dandy.
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DIEHL [ON PHONE]: You'reshutting yourself off, Maris.
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No kidding.
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DIEHL [ON PHONE]:
You're shutting me out.
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That's what I want.
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DIEHL [ON PHONE]:
I'm your husband.
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Well, not for much
longer, you're not.
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Maris, meet Maris.
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AUNT MARIS [VOICEOVER]: Ourfamily, who treat me as pariah,
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have no doubt tried to eraseall traces of my presence
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from your life.
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Should you wish to know more,should you desire to explore
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the contents I have
entrusted to you,
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be sure to listen
to the recording
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I made when I was your age.
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[record scratching]
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AUNT MARIS [ON PHONOGRAPH ]:Maris. [cough] One, two, three.
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Maris.
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Testing.
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Testing.
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Maris D'Isquard.
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My name is Maris D'Isquard,and the year is 1949.
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I'm in a recording booth at theMagazine de Musique Modernes
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in Morocco.
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Preserving my story
for posterity.
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The strange tale of my meetingwith Sofia the bottle maker.
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My narrative found in a bottle.
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Merci.
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Strange occupation
for a beautiful woman,
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the making of bottles.
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But they are useful
things, bottles.
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Sometimes, one may keepoil in them or a perfume.
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Or perfumed oil.
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Absolument.
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In my country, we believethat if the bottle
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is of a particular kind,things may be caught within it.
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Such as?
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One will pay for the
information of course.
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Oh yes.
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One will.
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You have been traveling
a very long time.
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Yes
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But you have not found
that which you seek.
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And who said I was
searching at all?
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SOFIA: There are those
who come to my country
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simply desiring pleasure,and there are those who are
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running away from themselves.
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And I don't even
mention the profiteers.
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And which am I?
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You wish to be lost.
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It is a dangerous destination.
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I'm ready.
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You do not
appreciate the risks.
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Not yet.
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AUNT MARIS [ON PHONOGRAPH ]:The next time I came to see her,
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Sofia looked at me.
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Her eyes infinitely sad.
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Have you ever heard of
genies, mademoiselle?
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Jinn.
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Genie.
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Ah, yes.
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Like the tale in
"The Arabian Nights"
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of the genie in the bottle.
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Jinn is real.
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The story's not.
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But what is true is that
they can be captured
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in a bottle such as this.
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Genies are evil angels.
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They come from the desert,from the empty places.
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Creatures infinitely
powerful, infinitely
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malign with power to changeeverything and anything
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at once like smoke.
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And if one should buy
one of these bottles,
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with one of the genies trappedinside, will it grant me three
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wishes?
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We are not speaking of achildren's tale, madamoiselle.
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Then, it will not
be my eternal slave?
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It is eternal.
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What good is it to me?
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No good at all.
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Except if you wish to experiencethe greatest of pleasure
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that the world can provide.
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The genie can be
yours, mademoiselle.
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But only if you are ready topay the price for its ownership.
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The price?
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Oh yes.
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For the genie demands muchin return for its service.
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It will be your slave, anendless source of erotic power.
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Worship you in life and dowhat you ask even after death.
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And in return, you will
bind yourself to it.
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It will never leave you, never.
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Unless you order it to do so.
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But remember.
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Once you taste the
love of the genie,
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you will never again be
satisfied with the love
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of any human man or woman.
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[inaudible], mademoiselle.
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A genie is a perfect
lover and a jealous one.
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It craves flesh, and itwill take it however it can.
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And it can be
yours, mademoiselle.
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All this for the mere priceof a blue glass bottle
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Can one really ask
someone to believe
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such a tale without proof?
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Without proof?
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Of course not.
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In order to bind the genieto you, mademoiselle,
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you must be truly
transformed, not only
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in mind but in body as well.
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You must be cleansed.
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Made over.
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Made new.
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And now, mademoiselle,
your proof.
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[air gusting]
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MARIS: I must have it.
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Then, you shall
have it, mademoiselle.
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And whatever you care to givewill be more than enough.
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But why?
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If you already had
such a treasure, why?
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I mean why would you sell it?
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Why sell it at all?
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Because I am afraid.
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SOFIA [ON PHONOGRAPH]:
I am afraid.
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I am afraid.
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I am afraid.
I am afraid.
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00:21:36,364 --> 00:21:37,261
I am afraid.
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00:21:37,365 --> 00:21:38,745
I am afraid.
I am afraid.
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00:21:38,849 --> 00:21:39,712
I am afraid.
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00:21:39,815 --> 00:21:40,747
I am afraid.
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I am afraid.
- I'm afraid.
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SOFIA [ON PHONOGRAPH]:
I am afraid.
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I am afraid.
189
00:21:44,303 --> 00:21:45,200
I am afraid.
190
00:21:45,304 --> 00:21:46,201
I am afraid.
191
00:21:46,305 --> 00:21:47,167
I am afraid.
192
00:21:47,271 --> 00:21:48,168
I am afraid.
193
00:21:48,272 --> 00:21:49,169
I am afraid.
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I am afraid.
195
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I am afraid.
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00:21:51,240 --> 00:21:52,138
I am afraid.
197
00:21:52,241 --> 00:21:53,139
I am afraid.
198
00:21:53,242 --> 00:21:54,140
I am afraid.
199
00:21:54,243 --> 00:21:55,141
I am afraid.
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00:21:55,244 --> 00:21:56,038
I am--
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[record scratches]
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[air whirring]
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[moaning] Yes.
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Yes.
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00:23:05,763 --> 00:23:06,523
Come inside.
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00:23:10,250 --> 00:23:11,010
Come inside.
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00:23:53,121 --> 00:23:57,608
But remember once you possessthe genie, the one thing it
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00:23:57,712 --> 00:24:00,749
will beg and plead
for, above all others,
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you must never let
it inside your body.
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00:24:04,822 --> 00:24:10,069
Or it will grow like a child.
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00:24:10,172 --> 00:24:15,833
And when it is done, it willpeal you back like a dead skin.
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00:24:15,937 --> 00:24:22,599
Steal your flesh and go outunchecked into the world.
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00:24:22,702 --> 00:24:25,981
For the sake of everyone,yourself included,
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00:24:26,085 --> 00:24:28,190
you must never allow
this to happen.
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00:24:38,028 --> 00:24:41,928
You ask me why I'm
afraid, mademoiselle.
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00:24:42,032 --> 00:24:46,623
Why would I sell my only
chance at such pleasure,
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00:24:46,726 --> 00:24:50,143
even though I know I wouldnever again feel its like.
218
00:24:50,247 --> 00:24:55,286
I am afraid, because
I can feel myself
219
00:24:55,390 --> 00:25:03,260
begin to listen to the genie'slies, to want to believe them.
220
00:25:03,363 --> 00:25:09,231
I am afraid, because
I am weakening.
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00:25:09,335 --> 00:25:13,304
Soon, I will let
it come inside me.
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00:25:13,408 --> 00:25:14,996
I will welcome it.
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00:25:29,217 --> 00:25:31,530
AUNT MARIS [ON PHONOGRAPH]: This then, is my story.
224
00:25:31,633 --> 00:25:34,256
And my warning if
you are listening,
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00:25:34,360 --> 00:25:38,537
remember what Sofia said ifit's not already too late.
226
00:25:44,128 --> 00:25:45,440
[knocking]
227
00:25:45,544 --> 00:25:48,305
DIEHL: Maris.
228
00:25:48,408 --> 00:25:49,202
Come on, Maris.
229
00:25:49,306 --> 00:25:50,549
I know you're here.
230
00:25:50,652 --> 00:25:51,860
We got to deal with this.
231
00:25:51,964 --> 00:25:53,137
[knocking]
232
00:25:53,241 --> 00:25:55,174
Some people who cannot
cope with their present
233
00:25:55,277 --> 00:25:57,279
state of being turn and flee.
234
00:25:57,383 --> 00:25:58,591
Others don't run.
235
00:25:58,695 --> 00:26:01,180
They explore.
236
00:26:01,283 --> 00:26:04,390
And the two may be
similar, but the journey
237
00:26:04,493 --> 00:26:06,841
is far from the same.
238
00:26:06,944 --> 00:26:10,292
For you can run to any countryin the world or beyond,
239
00:26:10,396 --> 00:26:14,642
and you will find nothingnew, nothing changed.
240
00:26:14,745 --> 00:26:15,815
You'll make no discoveries.
241
00:26:18,749 --> 00:26:22,063
For the only undiscoveredcountry left to explore
242
00:26:22,166 --> 00:26:23,443
is inside you.
243
00:26:27,551 --> 00:26:30,899
[theme music]
244
00:26:46,018 --> 00:26:46,777
THEME SONG: Love.
245
00:26:50,988 --> 00:26:51,748
Obsession.
246
00:26:56,925 --> 00:26:57,685
Power.
247
00:27:01,378 --> 00:27:02,172
A possession.
248
00:27:17,946 --> 00:27:19,568
Hunger.
15772
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