All language subtitles for Crossing.Lines.S01E09.New.Scars.Old.Wounds.Part.1.1080p.NF.WEB-DL.DD5.1.H.264-SiGMA_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:31,600 --> 00:00:33,080 [SHOT FIRES] 2 00:00:34,360 --> 00:00:36,440 [GASPS AWAKE] 3 00:01:14,760 --> 00:01:16,520 I'M SORRY I'M LATE. 4 00:01:16,560 --> 00:01:18,920 DO YOU WANT A COFFEE? 5 00:01:18,960 --> 00:01:22,640 NO. I WANT TO GET MOVING AS QUICKLY AS POSSIBLE. 6 00:01:22,680 --> 00:01:24,680 WHAT DO YOU NEED THEM TO THINK? 7 00:01:24,720 --> 00:01:26,720 [SIGHS] 8 00:01:26,760 --> 00:01:29,200 THAT THERE IS NO PRESSURE ON DIMITROV AT ALL. 9 00:01:29,240 --> 00:01:30,720 WILL THEY BELIEVE THAT? 10 00:01:30,760 --> 00:01:31,640 NO. 11 00:01:31,680 --> 00:01:33,360 NEVER. 12 00:01:33,400 --> 00:01:34,280 BUT THEY WILL BELIEVE 13 00:01:34,320 --> 00:01:35,680 THAT I AM LOOKING FOR HIM 14 00:01:35,720 --> 00:01:36,880 IN THE WRONG PLACE. 15 00:01:36,920 --> 00:01:38,240 HE IS STILL IN MOSCOW? 16 00:01:38,280 --> 00:01:41,080 NO, HE'S ABOUT 190 KILOMETRES SOUTH, NEAR TULA. 17 00:01:41,120 --> 00:01:44,400 WHERE DO YOU WANT HIM TO THINK YOU ARE? 18 00:01:44,440 --> 00:01:46,840 HE HAS A RATHER LARGE PRESENCE IN POLAND, 19 00:01:46,880 --> 00:01:49,160 SO IT'S LOGICAL FOR ME TO BE THERE, 20 00:01:49,200 --> 00:01:51,680 AND I HAVE NUMEROUS CONTACTS IN WARSAW 21 00:01:51,720 --> 00:01:53,800 WHO WILL HELP SELL THE RUSE. 22 00:01:53,840 --> 00:01:55,000 WOULD YOU ACTUALLY GO THERE? 23 00:01:55,040 --> 00:01:56,080 YES, OF COURSE, 24 00:01:56,120 --> 00:01:57,760 AND THEN I WILL GO UNDERGROUND, 25 00:01:57,800 --> 00:02:01,680 BUT ANYONE WHO IS WATCHING ME WOULD BELIEVE I AM STILL THERE. 26 00:02:01,720 --> 00:02:06,840 SO, I WILL SAY WE SPOKE THAT YOU ARE GOING TO WARSAW 27 00:02:06,880 --> 00:02:08,000 AND TO FOLLOW-- 28 00:02:08,040 --> 00:02:09,880 YEAH, BUT BE CAREFUL. 29 00:02:09,920 --> 00:02:12,440 SMALL TALK. 30 00:02:12,480 --> 00:02:14,520 JUST A COUPLE HAVING BREAKFAST. 31 00:02:14,560 --> 00:02:15,840 TALK ABOUT THE-- 32 00:02:15,880 --> 00:02:17,360 MICHEL, WE KNOW HOW TO TALK TO EACH OTHER. 33 00:02:19,360 --> 00:02:21,280 OF COURSE. 34 00:02:21,320 --> 00:02:23,320 BUT YOU MUST EXPLAIN 35 00:02:23,360 --> 00:02:25,560 THAT YOU ARE MOVING TO THE AMSTERDAM APARTMENT, 36 00:02:25,600 --> 00:02:26,960 THAT YOU ARE LEAVING THE FRENCH FLAT EMPTY. 37 00:02:27,000 --> 00:02:31,560 HOW WILL WE KNOW IF IT WORKS? 38 00:02:31,600 --> 00:02:33,120 IT WILL. 39 00:02:33,160 --> 00:02:34,720 WHAT IF IT DOESN'T? 40 00:02:34,760 --> 00:02:36,840 IT WILL. 41 00:02:44,040 --> 00:02:46,320 [KNOCKS] 42 00:02:46,360 --> 00:02:48,360 SHARI ISN'T THERE. 43 00:02:48,400 --> 00:02:51,440 SHE NEVER CAME HOME. 44 00:02:51,480 --> 00:02:53,840 DO YOU HAVE ANY IDEA WHERE SHE WENT? 45 00:02:53,880 --> 00:02:56,520 SAID SHE WAS GOING BY YOU. 46 00:02:57,920 --> 00:03:00,480 WELL, IF... IF YOU SEE HER, 47 00:03:00,520 --> 00:03:02,600 WOULD YOU TELL HER THAT I CAME BY? 48 00:03:02,640 --> 00:03:04,360 SURE. 49 00:03:09,840 --> 00:03:10,920 [ELEVATOR DINGS] 50 00:03:14,840 --> 00:03:16,920 HEY. HI. 51 00:03:16,960 --> 00:03:17,960 WHAT DID YOU DO? 52 00:03:18,000 --> 00:03:20,360 EXCUSE ME? 53 00:03:20,400 --> 00:03:21,960 A NUMBER OF MY FILES WERE RAIDED LAST NIGHT. 54 00:03:22,000 --> 00:03:23,320 YOUR FILES? 55 00:03:23,360 --> 00:03:24,680 MY COMPUTER FILES! 56 00:03:24,720 --> 00:03:25,960 I WAS HACKED. 57 00:03:26,000 --> 00:03:27,960 THEY WENT THROUGH EVERYTHING. 58 00:03:28,000 --> 00:03:29,320 MY NEW DEVICE PLANS, MY SCANGEN FILES, 59 00:03:29,360 --> 00:03:32,280 MY PERSONAL FILES, EVERYTHING. 60 00:03:32,320 --> 00:03:33,520 WHY ARE YOU MAD AT ME? 61 00:03:33,560 --> 00:03:35,720 BECAUSE I TRACED THEM, EVA. 62 00:03:35,760 --> 00:03:38,160 THE ATTACK CAME FROM ITALY. 63 00:03:38,200 --> 00:03:39,880 FROM THE ITALIAN POLICE. 64 00:03:42,120 --> 00:03:45,720 [SLAMS DOOR] 65 00:03:51,080 --> 00:03:52,720 [SHARP KNOCKING] 66 00:03:52,760 --> 00:03:54,920 HEY, GARBAGE GUY! 67 00:03:54,960 --> 00:03:56,640 [KNOCKING PERSISTENTLY] HEY! 68 00:03:56,680 --> 00:03:59,200 ANYBODY IN THERE? 69 00:04:00,200 --> 00:04:01,360 [IN A BREATHLESS VOICE] YEAH. 70 00:04:01,400 --> 00:04:03,200 ARE YOU THE GARBAGE GUY? YOU THE CLEANER? 71 00:04:03,240 --> 00:04:06,880 WHEN THE CARNIVAL'S OPEN. SOMETIMES. 72 00:04:06,920 --> 00:04:08,680 OH, WELL, THAT'S NICE, 73 00:04:08,720 --> 00:04:12,080 BECAUSE, UH, SOME BAD STUFF HAPPENED LAST NIGHT 74 00:04:12,120 --> 00:04:14,120 THAT YOU HAVE TO DEAL WITH. 75 00:04:14,160 --> 00:04:15,960 WHAT BAD STUFF? 76 00:04:16,000 --> 00:04:19,120 SOMEONE KNOCKED OVER THE PORTA-SHITTERS. 77 00:04:19,160 --> 00:04:20,200 ALL OF 'EM! 78 00:04:20,240 --> 00:04:21,800 IT'S A BIG MESS. 79 00:04:21,840 --> 00:04:23,840 I MEAN, THERE'S TWO TYPES OF PEOPLE IN THIS WORLD, 80 00:04:23,880 --> 00:04:25,040 RIGHT? 81 00:04:25,080 --> 00:04:28,200 THOSE THAT KNOCK THE PORTA JOHNS OVER, 82 00:04:28,240 --> 00:04:31,040 AND THOSE THAT GOTTA PICK THIS SHIT UP. 83 00:04:31,080 --> 00:04:32,680 GUESS WHICH TYPE YOU ARE. 84 00:04:32,720 --> 00:04:34,440 YEAH, I'LL GET IT, 85 00:04:34,480 --> 00:04:35,520 I'LL GET IT. 86 00:04:35,560 --> 00:04:36,920 ARE YOU AMERICAN? 87 00:04:36,960 --> 00:04:38,160 WHAT? 88 00:04:38,200 --> 00:04:39,560 ARE YOU DEAF? 89 00:04:39,600 --> 00:04:41,160 WHAT I SAID WAS 90 00:04:41,200 --> 00:04:43,080 "ARE YOU AMERICAN?" 91 00:04:43,120 --> 00:04:45,640 YOU SOUND AMERICAN TO ME. 92 00:04:45,680 --> 00:04:47,840 YEAH. 93 00:04:47,880 --> 00:04:49,240 YEAH, I'M FROM ALL OVER. I'M A MUTT. 94 00:04:49,280 --> 00:04:51,720 OKAY, MUTT. ALL RIGHT. 95 00:04:51,760 --> 00:04:54,520 START CLEANING THIS SHIT UP! 96 00:04:54,560 --> 00:04:57,880 STINKY POO-POO! EVERYWHERE! 97 00:04:57,920 --> 00:05:00,440 I CAN SMELL IT FROM HERE! 98 00:05:00,480 --> 00:05:03,600 [CELL PHONE RINGS] 99 00:05:07,720 --> 00:05:09,200 -YEAH? -WHO IS THIS? 100 00:05:09,240 --> 00:05:11,160 WHO IS THIS? 101 00:05:11,200 --> 00:05:12,200 INSPECTOR SEEGER. 102 00:05:12,240 --> 00:05:13,440 WHO AM I SPEAKING TO, PLEASE? 103 00:05:13,480 --> 00:05:14,920 DID YOU SAY "INSPECTOR"? 104 00:05:14,960 --> 00:05:16,120 YES, SIR. 105 00:05:16,160 --> 00:05:17,440 WHAT DO YOU DO? 106 00:05:17,480 --> 00:05:18,960 DO? 107 00:05:19,000 --> 00:05:20,840 [STAMMERS] WHAT DO I DO? I WORK FOR THE ICC. 108 00:05:20,880 --> 00:05:23,360 THE CRIMINAL COURT? 109 00:05:23,400 --> 00:05:25,120 AND, UH, CAN I LOOK THAT UP SOMEWHERE? 110 00:05:25,160 --> 00:05:26,160 EXCUSE ME? 111 00:05:26,200 --> 00:05:27,160 VERIFY IT. 112 00:05:27,200 --> 00:05:29,080 WHO IS THIS? 113 00:05:29,120 --> 00:05:30,880 INSPECTOR ARABELA SEEGER. 114 00:05:30,920 --> 00:05:34,160 WOULD THE ICC HAVE A RECORD OF YOUR WORKING THERE? 115 00:05:34,200 --> 00:05:36,600 WELL, YOU CAN LOOK AT THE NAME PLATE ON MY DESK. 116 00:05:36,640 --> 00:05:38,040 WHAT TIME? 117 00:05:38,080 --> 00:05:39,920 WHAT DEPARTMENT DO YOU WORK FOR? 118 00:05:39,960 --> 00:05:41,320 NORTH HOLLAND. 119 00:05:41,360 --> 00:05:42,800 THE NETHERLANDS. 120 00:05:42,840 --> 00:05:44,840 YEAH, WELL, HOW ABOUT THIS, INSPECTOR NORTH HOLLAND? 121 00:05:44,880 --> 00:05:46,280 HOW ABOUT YOU TELL ME WHY THE HELL YOU'RE CALLING ME? 122 00:05:46,320 --> 00:05:47,560 OH. 123 00:05:47,600 --> 00:05:48,960 OF COURSE. 124 00:05:49,000 --> 00:05:50,360 RUDE OF ME. 125 00:05:50,400 --> 00:05:53,800 BECAUSE I'M STANDING OVER A DEAD WOMAN IN AN ALLEY 126 00:05:53,840 --> 00:05:57,560 AND YOURS IS THE LAST NUMBER SHE DIALED ON HER CELL PHONE. 127 00:06:01,680 --> 00:06:03,920 [♪♪♪] 128 00:06:44,600 --> 00:06:46,600 [TELEPHONE RINGS] 129 00:06:47,920 --> 00:06:50,560 ANNE-MARIE! 130 00:06:50,600 --> 00:06:54,000 ANNE-MARIE, ANSWER YOUR BLOODY PHONE! 131 00:07:01,040 --> 00:07:02,160 McCONNELL. 132 00:07:02,200 --> 00:07:03,360 OUI, BONJOUR. VOUS PARLEZ FRANCAIS? 133 00:07:03,400 --> 00:07:05,720 ONLY ENOUGH TO ORDER OVER-PRICED WINE. 134 00:07:05,760 --> 00:07:07,120 EXCUSEZ-MOI? 135 00:07:07,160 --> 00:07:08,600 NO FRANCAIS. 136 00:07:08,640 --> 00:07:11,720 OKAY, I'M LOOKING FOR DETECTIVE SERGEANT SAN? 137 00:07:11,760 --> 00:07:13,360 ANNE-MARIE? SHE'S NOT HERE. 138 00:07:13,400 --> 00:07:14,840 WHAT DO YOU NEED? 139 00:07:14,880 --> 00:07:15,920 I HAVE BEEN EXPECTING A REPORT 140 00:07:15,960 --> 00:07:17,360 FROM THE ARRESTS SHE MADE THE OTHER NIGHT. 141 00:07:17,400 --> 00:07:18,880 AND YOU'RE A COP? 142 00:07:18,920 --> 00:07:21,680 YES, FROM HER OLD UNIT IN LYON. 143 00:07:21,720 --> 00:07:22,840 LISTEN, WE HAVE TWO MEN IN HOLDING 144 00:07:22,880 --> 00:07:24,280 WE MUST RELEASE SOON WITHOUT REPORTS. 145 00:07:24,320 --> 00:07:26,240 I'M SORRY, SHE'S NOT HERE. 146 00:07:26,280 --> 00:07:28,080 I NEED TO TALK TO HER SOON. 147 00:07:28,120 --> 00:07:30,560 I'M SURE SHE'LL BE IN ANY TIME. 148 00:07:30,600 --> 00:07:31,920 WHAT'S YOUR NAME? 149 00:07:31,960 --> 00:07:32,960 TELL HER IT'S PARE-- 150 00:07:33,000 --> 00:07:35,160 FRANCOIS PARE FROM LYON. 151 00:07:35,200 --> 00:07:36,560 SHE HAS THE NUMBER. IT'S HER OLD DESK. 152 00:07:36,600 --> 00:07:39,520 ALL RIGHT, MATE. CHEERS. 153 00:07:39,560 --> 00:07:41,200 SEE HERE? 154 00:07:41,240 --> 00:07:42,640 THIS IS THE I.P. ADDRESS 155 00:07:42,680 --> 00:07:44,160 OF THE COMPUTER THAT HACKED MINE. 156 00:07:44,200 --> 00:07:46,040 IT'S BASED IN ROME. 157 00:07:46,080 --> 00:07:48,000 HOW CLOSE CAN YOU TRACE IT? 158 00:07:48,040 --> 00:07:49,960 HOW CLOSE? 159 00:07:50,000 --> 00:07:51,880 YEAH. CAN YOU LOCATE THE ACTUAL COMPUTER? 160 00:07:51,920 --> 00:07:53,120 WHY? 161 00:07:53,160 --> 00:07:54,320 SO I KNOW WHO IT WAS 162 00:07:54,360 --> 00:07:55,880 BEFORE I CALL AND SCREAM AT SOMEONE. 163 00:07:55,920 --> 00:07:57,560 [CHUCKLES] 164 00:07:57,600 --> 00:07:59,360 SO YOU'RE SAYING YOU HAVE NO IDEA WHO DID THIS? 165 00:07:59,400 --> 00:08:02,440 YEAH, I'M SAYING THAT I HAVE NO IDEA. 166 00:08:02,480 --> 00:08:03,640 BECAUSE, REMEMBER YOU SAID 167 00:08:03,680 --> 00:08:05,000 YOU WERE GOING TO TELL THEM ABOUT ME? 168 00:08:05,040 --> 00:08:06,640 I ALSO REMEMBER THAT I TOLD YOU, SEBASTIAN, 169 00:08:06,680 --> 00:08:08,200 THAT I WAS JOKING, REMEMBER? 170 00:08:08,240 --> 00:08:10,440 OKAY, BUT THE SEARCH THEY MADE, 171 00:08:10,480 --> 00:08:12,400 THEY KNEW EXACTLY WHERE THEY WERE GOING. 172 00:08:12,440 --> 00:08:15,200 THEY ACCESSED AND TARGETED MY SYSTEMS DIRECTLY. 173 00:08:15,240 --> 00:08:17,200 THERE WAS NO FISHING AROUND. 174 00:08:17,240 --> 00:08:20,960 I DIDN'T TELL THEM, OKAY? 175 00:08:21,000 --> 00:08:23,040 OKAY. 176 00:08:23,080 --> 00:08:24,920 I DON'T KNOW HOW CLOSE I CAN GET 177 00:08:24,960 --> 00:08:25,920 TO THE SPECIFIC COMPUTER. 178 00:08:25,960 --> 00:08:26,960 EVERY TIME I TRY, 179 00:08:27,000 --> 00:08:28,760 I GET KICKED OUT OF THEIR SYSTEM. 180 00:08:28,800 --> 00:08:31,840 IT'S LIKE IT'S JUST WAITING FOR ME TO RETALIATE. 181 00:08:31,880 --> 00:08:33,960 SO HOW CAN THAT BE? 182 00:08:34,000 --> 00:08:35,680 SOMEHOW THEY HAVE ALL OF MY INFORMATION, 183 00:08:35,720 --> 00:08:38,160 AND ARE SET UP SPECIFICALLY TO TRACK MY USAGE. 184 00:08:38,200 --> 00:08:41,080 THEY CAN SHADOW ME ALMOST ANYWHERE ON THE WEB. 185 00:08:43,960 --> 00:08:44,880 I'LL HANDLE IT. 186 00:08:46,240 --> 00:08:47,760 THEY HAVE PERSONAL INFORMATION, EVA. 187 00:08:50,200 --> 00:08:53,360 VERY PERSONAL. 188 00:08:53,400 --> 00:08:55,280 YEAH. 189 00:08:55,320 --> 00:08:57,760 I GOT IT. I SAID I'LL HANDLE IT. 190 00:08:57,800 --> 00:09:00,640 [CELL PHONE RINGS] 191 00:09:00,680 --> 00:09:01,880 BERGER. 192 00:09:01,920 --> 00:09:04,560 SEBASTIAN, I NEED YOUR HELP WITH SOMETHING. 193 00:09:10,520 --> 00:09:12,760 GOOD MORNING. 194 00:09:12,800 --> 00:09:14,760 GOOD MORNING. BREAKFAST? 195 00:09:14,800 --> 00:09:16,960 JUST A CUP OF TEA. 196 00:09:17,000 --> 00:09:17,960 DID YOU SLEEP WELL? 197 00:09:18,000 --> 00:09:19,720 I'M SORRY? 198 00:09:19,760 --> 00:09:21,680 DID YOU SLEEP WELL? 199 00:09:21,720 --> 00:09:24,560 OH. YES. I SLEPT FINE. 200 00:09:24,600 --> 00:09:26,880 I DID NOT. 201 00:09:26,920 --> 00:09:28,600 WELL, I'M SORRY TO HEAR THAT. 202 00:09:28,640 --> 00:09:30,040 DO YOU KNOW WHY? 203 00:09:30,080 --> 00:09:31,840 NO. 204 00:09:31,880 --> 00:09:32,920 IT'S BECAUSE I SAW DORN YESTERDAY. 205 00:09:34,560 --> 00:09:35,880 DID YOU? 206 00:09:35,920 --> 00:09:37,480 YEAH. 207 00:09:37,520 --> 00:09:40,520 HE FOUND DIMITROV. HE'S GOING TO POLAND. 208 00:09:40,560 --> 00:09:43,040 POLAND? 209 00:09:43,080 --> 00:09:44,840 OUTSIDE WARSAW. 210 00:09:44,880 --> 00:09:47,440 THAT'S WHERE HE BELIEVES HE CAN CATCH HIM. 211 00:09:47,480 --> 00:09:49,320 THAT'S GREAT NEWS. 212 00:09:49,360 --> 00:09:50,320 I KNOW. 213 00:09:50,360 --> 00:09:52,440 WHEN WILL HE BE GOING? 214 00:09:52,480 --> 00:09:53,960 TODAY. 215 00:09:54,000 --> 00:09:56,480 GOOD. 216 00:09:59,720 --> 00:10:03,440 THIS IS ALMOST OVER, REBECCA. 217 00:10:03,480 --> 00:10:05,920 ALMOST OVER. 218 00:10:08,320 --> 00:10:11,000 YES... 219 00:10:11,040 --> 00:10:12,000 [SLAMS PHONE DOWN] 220 00:10:12,040 --> 00:10:13,920 [EVA CURSING IN ITALIAN] 221 00:10:13,960 --> 00:10:15,240 [WHISTLES APPRECIATIVELY] 222 00:10:15,280 --> 00:10:18,000 WOW, THAT SOUNDS HOT. 223 00:10:18,040 --> 00:10:20,400 EVERYTHING SOUNDS HOT TO YOU. 224 00:10:20,440 --> 00:10:21,680 I DON'T MEAN LIKE THAT. 225 00:10:21,720 --> 00:10:22,520 I MEAN, IT SOUNDS LIKE YOU'RE PISSED OFF. 226 00:10:22,560 --> 00:10:23,520 WELL, I AM PISSED OFF. 227 00:10:23,560 --> 00:10:24,520 BECAUSE NOBODY AT MY OLD OFFICE 228 00:10:24,560 --> 00:10:26,440 EVER ANSWERS THE PHONE. 229 00:10:26,480 --> 00:10:27,760 WHAT IS IT 230 00:10:27,800 --> 00:10:29,600 WITH EVERYONE AND THEIR OLD OFFICES TODAY? 231 00:10:29,640 --> 00:10:31,000 [SIGHING] WHAT DO YOU MEAN? 232 00:10:31,040 --> 00:10:34,080 ONE OF ANNE-MARIE'S MATES FROM LYON CALLED EARLIER 233 00:10:34,120 --> 00:10:36,160 ABOUT SOME ARREST REPORT SHE NEVER DID. 234 00:10:36,200 --> 00:10:38,600 THAT DOESN'T SOUND LIKE ANNE-MARIE. 235 00:10:38,640 --> 00:10:39,680 I KNOW. 236 00:10:39,720 --> 00:10:40,680 HAVE YOU TALKED TO HER AT ALL? 237 00:10:40,720 --> 00:10:41,840 SHE WASN'T HERE YESTERDAY, 238 00:10:41,880 --> 00:10:43,000 AND I HAVEN'T SEEN HER TODAY. 239 00:10:43,040 --> 00:10:44,120 NO. 240 00:10:44,160 --> 00:10:45,200 MAYBE HICKMAN KNOWS WHERE SHE IS. 241 00:10:45,240 --> 00:10:47,160 THEY SPEND A LOT OF TIME TOGETHER. 242 00:10:47,200 --> 00:10:48,560 WHERE IS HE? 243 00:10:48,600 --> 00:10:50,440 SEBASTIAN WENT TO MEET HIM SOMEWHERE, 244 00:10:50,480 --> 00:10:51,560 WITH THE SCANGEN. 245 00:10:51,600 --> 00:10:52,520 A CRIME SCENE? 246 00:10:52,560 --> 00:10:53,760 I GUESS SO. 247 00:10:53,800 --> 00:10:56,600 HOW COME NO ONE EVER TELLS ME ANYTHING? 248 00:11:04,320 --> 00:11:06,160 HEY, THANKS FOR COMING. 249 00:11:06,200 --> 00:11:07,560 BIG SCENE. 250 00:11:07,600 --> 00:11:09,760 I DON'T THINK THEY GET A LOT OF BIG SCENES 251 00:11:09,800 --> 00:11:10,880 HERE IN MAYBERRY. 252 00:11:10,920 --> 00:11:12,160 MAYBERRY? 253 00:11:12,200 --> 00:11:16,040 IT'S FROM THE ANDY GRIFFITH SHOW. 254 00:11:16,080 --> 00:11:18,000 UM... JUST LEAVE THAT FOR NOW. 255 00:11:20,080 --> 00:11:22,040 ALL I KNOW FOR SURE 256 00:11:22,080 --> 00:11:25,240 IS THAT THERE'S A DEAD WOMAN. 257 00:11:25,280 --> 00:11:28,400 AND IF IT'S WHO I THINK IT IS, 258 00:11:28,440 --> 00:11:30,640 IT'S NOT GOING TO BE FROM NATURAL CAUSES. 259 00:11:30,680 --> 00:11:33,480 WHO DO YOU THINK IT IS? 260 00:11:33,520 --> 00:11:35,080 SOMEONE I KNOW. 261 00:11:35,120 --> 00:11:37,560 INTIMATELY. 262 00:11:37,600 --> 00:11:39,600 OH, SORRY. 263 00:11:39,640 --> 00:11:41,000 BUT HOW DO YOU-- 264 00:11:41,040 --> 00:11:42,640 WHETHER IT IS HER, OR IT ISN'T, 265 00:11:42,680 --> 00:11:44,200 I ASKED YOU TO COME HERE 266 00:11:44,240 --> 00:11:46,160 BECAUSE I WANT TO HELP THESE FOLKS HAVE EVERY ADVANTAGE 267 00:11:46,200 --> 00:11:47,440 IN FIGURING OUT WHO DID THIS. 268 00:11:47,480 --> 00:11:48,680 SURE. 269 00:11:48,720 --> 00:11:50,480 I CAN'T IMAGINE THE NORTH HOLLAND P.D. 270 00:11:50,520 --> 00:11:52,920 HAS A WHOLE HECK OF A LOT OF RESOURCES. 271 00:11:52,960 --> 00:11:54,640 DO YOU HAVE ANY IDEA 272 00:11:54,680 --> 00:11:55,640 WHO MIGHT HAVE WANTED TO HURT HER? 273 00:11:55,680 --> 00:11:57,600 NOT YET. 274 00:12:03,520 --> 00:12:05,080 YOU'VE GOT EVERYTHING YOU NEED? 275 00:12:05,120 --> 00:12:06,640 YEAH. 276 00:12:06,680 --> 00:12:08,240 YOU SURE YOU WANT TO COME BACK WITH ME TO AMSTERDAM? 277 00:12:08,280 --> 00:12:09,800 I'M SURE. 278 00:12:09,840 --> 00:12:12,080 I'M BORED OF WAITING AROUND HERE FOR YOU TO COME HOME. 279 00:12:12,120 --> 00:12:15,280 LET'S GO THEN. 280 00:12:20,600 --> 00:12:24,760 [SHUTTERS CLICKING] 281 00:12:26,240 --> 00:12:27,360 ARE YOU HICKMAN? 282 00:12:27,400 --> 00:12:28,680 INSPECTOR SEEGER? 283 00:12:28,720 --> 00:12:31,320 ARABELA, PLEASE. 284 00:12:31,360 --> 00:12:32,480 ARABELA, 285 00:12:32,520 --> 00:12:34,160 THIS IS SEBASTIAN BERGER. 286 00:12:34,200 --> 00:12:36,400 NICE TO MEET YOU. 287 00:12:36,440 --> 00:12:37,920 I WORK WITH SEBASTIAN AT THE ICC. 288 00:12:37,960 --> 00:12:40,120 SEBASTIAN BROUGHT ALONG 289 00:12:40,160 --> 00:12:41,640 SOME VERY SPECIAL INVESTIGATIVE EQUIPMENT. 290 00:12:41,680 --> 00:12:42,920 IT MIGHT BE HELPFUL. 291 00:12:42,960 --> 00:12:44,160 HELPFUL? 292 00:12:44,200 --> 00:12:45,560 EVIDENCE IDENTIFICATION AND COLLECTION. 293 00:12:45,600 --> 00:12:47,280 WE DON'T NEED ANY HELP. 294 00:12:47,320 --> 00:12:48,880 WELL, YOU NEVER KNOW, RIGHT? 295 00:12:48,920 --> 00:12:49,760 WRONG. 296 00:12:49,800 --> 00:12:51,120 THIS WAY, PLEASE. 297 00:12:59,160 --> 00:13:01,520 [SHUTTERS CLICKING] 298 00:13:08,600 --> 00:13:10,040 DO YOU KNOW THIS WOMAN? 299 00:13:16,120 --> 00:13:17,920 OH, MY GOD. 300 00:13:19,240 --> 00:13:21,880 SHE'S NOT... 301 00:13:21,920 --> 00:13:25,160 IT'S NOT WHO I THOUGHT IT WAS GOING TO BE. 302 00:13:25,200 --> 00:13:27,000 BUT YOU DO KNOW HER? 303 00:13:27,040 --> 00:13:28,720 SHE'S PRETTY DISFIGURED, BUT YEAH. 304 00:13:28,760 --> 00:13:30,320 YES OR NO? 305 00:13:30,360 --> 00:13:33,680 YES. HER NAME IS ANIKA. 306 00:13:33,720 --> 00:13:36,480 SHE'S A BANK MANAGER IN AMSTERDAM. 307 00:13:39,360 --> 00:13:40,880 DO YOU RECOGNIZE HER? 308 00:13:40,920 --> 00:13:42,400 I DOUBT HER MOTHER WOULD RECOGNIZE HER. 309 00:13:42,440 --> 00:13:43,520 I HOPE SHE DOESN'T HAVE TO. 310 00:13:43,560 --> 00:13:45,280 IT'S THE BANK MANAGER. 311 00:13:45,320 --> 00:13:46,440 FROM THE ROBBERY. 312 00:13:46,480 --> 00:13:47,960 THE ONE THAT OUTED YOU AS A COP? 313 00:13:48,000 --> 00:13:49,440 -YEAH. -REALLY? 314 00:13:49,480 --> 00:13:51,840 I WOULD HAVE NEVER-- ARE YOU SURE? 315 00:13:51,880 --> 00:13:52,920 YEAH, IT'S HER. 316 00:13:52,960 --> 00:13:54,480 IT'S ANIKA. 317 00:13:54,520 --> 00:13:55,760 WHY WOULD SHE CALL YOU? 318 00:13:55,800 --> 00:13:58,960 THAT'S THE SAME THING I WAS GOING TO ASK. 319 00:13:59,000 --> 00:14:00,240 A 10-SECOND CALL 320 00:14:00,280 --> 00:14:03,000 WAS THE LAST THING ON HER CELL. 321 00:14:03,040 --> 00:14:06,880 A 10-SECOND CALL TO YOU. 322 00:14:07,880 --> 00:14:09,200 GIVE US A MINUTE. 323 00:14:13,040 --> 00:14:15,400 I'M SORRY, WAS THAT A QUESTION? 324 00:14:15,440 --> 00:14:16,520 IS IT TRUE? 325 00:14:16,560 --> 00:14:17,960 YOU ALREADY KNOW IT IS. 326 00:14:18,000 --> 00:14:19,520 IF YOU'RE GOING TO TRY TO CATCH SOMEONE IN A LIE, 327 00:14:19,560 --> 00:14:21,600 ASK THE QUESTION BEFORE YOU GIVE THEM THE ANSWER. 328 00:14:21,640 --> 00:14:24,440 OKAY, WHAT DID SHE WANT? 329 00:14:24,480 --> 00:14:27,160 10 SECONDS DOESN'T MEAN WE TALKED, 330 00:14:27,200 --> 00:14:28,440 ONLY THAT SHE DIALED MY PHONE. 331 00:14:28,480 --> 00:14:29,920 YOU'RE SAYING THE CALL DIDN'T CONNECT? 332 00:14:29,960 --> 00:14:32,440 I'M SAYING YOU HAVE NO EVIDENCE THAT IT DID. 333 00:14:32,480 --> 00:14:35,080 "THIS IS HICKMAN. I'LL CALL YOU BACK." 334 00:14:35,120 --> 00:14:36,240 COME AGAIN? 335 00:14:36,280 --> 00:14:38,360 YOUR NO-FRILLS OUTGOING MESSAGE 336 00:14:38,400 --> 00:14:40,200 TAKES LESS THAN TWO SECONDS. 337 00:14:40,240 --> 00:14:42,320 THAT LEAVES AN EIGHT-SECOND WINDOW. 338 00:14:42,360 --> 00:14:45,480 A HANG-UP WOULD HAVE RESULTED IN A THREE-SECOND CALL. 339 00:14:45,520 --> 00:14:47,120 THAT'S NOT EVIDENCE. 340 00:14:47,160 --> 00:14:48,600 TRUE. 341 00:14:48,640 --> 00:14:50,840 BUT HER CELLULAR PROVIDER ALREADY VERIFIED 342 00:14:50,880 --> 00:14:52,400 THE CALL WENT THROUGH. 343 00:14:52,440 --> 00:14:53,720 THERE YOU GO. 344 00:14:53,760 --> 00:14:54,840 I HAD A FEELING YOU HAD MORE. 345 00:14:54,880 --> 00:14:56,360 A CONNECTION WAS MADE. 346 00:14:56,400 --> 00:14:58,040 IT'S STILL NOT PROOF THAT WE TALKED. 347 00:14:58,080 --> 00:14:59,080 ARE YOU SAYING YOU DIDN'T? 348 00:14:59,120 --> 00:15:00,040 THAT'S PRIVATE. 349 00:15:00,080 --> 00:15:01,760 I'M SORRY? 350 00:15:01,800 --> 00:15:03,040 WHAT WE TALKED ABOUT 351 00:15:03,080 --> 00:15:05,400 HAS TO DO WITH AN ONGOING INVESTIGATION. 352 00:15:05,440 --> 00:15:06,600 INTO WHAT? 353 00:15:06,640 --> 00:15:08,240 SORRY. 354 00:15:08,280 --> 00:15:09,520 THAT'S UNFORTUNATE. 355 00:15:09,560 --> 00:15:11,080 NO, WHAT'S UNFORTUNATE IS 356 00:15:11,120 --> 00:15:12,920 THAT YOU THINK I HAD SOMETHING TO DO WITH THIS MURDER. 357 00:15:12,960 --> 00:15:14,720 I DON'T BELIEVE I EVER SAID THAT. 358 00:15:14,760 --> 00:15:17,080 YOU KNOW WHAT, I JUST GOT TIRED OF YOUR GAME. 359 00:15:19,320 --> 00:15:20,840 I'M NOT FINISHED. 360 00:15:20,880 --> 00:15:22,520 I ONLY CAME HERE 361 00:15:22,560 --> 00:15:26,680 BECAUSE I THOUGHT YOUR VICTIM WAS SOMEONE THAT I'M CLOSE TO. 362 00:15:26,720 --> 00:15:28,480 THAT DOES NOT DESCRIBE ME AND ANIKA. 363 00:15:28,520 --> 00:15:29,800 I HAVE NOTHING ELSE FOR YOU. 364 00:15:29,840 --> 00:15:31,760 HOW LONG HAS THE OTHER WOMAN BEEN MISSING? 365 00:15:31,800 --> 00:15:33,480 I DIDN'T SAY SHE WAS MISSING. 366 00:15:33,520 --> 00:15:37,640 NO, BUT I TOLD YOU I WAS STANDING OVER A DEAD WOMAN. 367 00:15:37,680 --> 00:15:40,560 IF YOU THOUGHT IT WAS THE PERSON YOU'RE CLOSE TO, 368 00:15:40,600 --> 00:15:42,160 SHE MUST BE MISSING. 369 00:15:42,200 --> 00:15:44,560 TWO MISSING WOMEN WITH YOU IN COMMON. 370 00:15:44,600 --> 00:15:46,120 THAT'S UNFORTUNATE. 371 00:15:46,160 --> 00:15:49,840 IF YOU'RE GOING TO ARREST ME, THEN WHY DON'T YOU DO THAT? 372 00:15:49,880 --> 00:15:52,040 OTHERWISE, I'M GOING TO BACK MY OFFICE AT THE HAGUE. 373 00:15:52,080 --> 00:15:52,920 OKAY. 374 00:15:52,960 --> 00:15:54,320 OKAY? 375 00:15:54,360 --> 00:15:55,800 CARL HICKMAN, 376 00:15:55,840 --> 00:15:58,040 YOU'RE UNDER ARREST FOR THE MURDER OF ANIKA HAUTEN. 377 00:16:07,600 --> 00:16:09,920 [SIGHING] 378 00:16:09,960 --> 00:16:10,960 [CELL PHONE RINGS] 379 00:16:13,000 --> 00:16:13,960 YES? 380 00:16:14,000 --> 00:16:15,160 LOUIS? 381 00:16:15,200 --> 00:16:16,400 IT'S DONE. 382 00:16:16,440 --> 00:16:17,960 THEY WILL THINK YOU ARE GOING TO POLAND. 383 00:16:18,000 --> 00:16:20,320 I'M ON WAY TO THE AIPORT NOW. 384 00:16:20,360 --> 00:16:21,560 WE'RE ON THE TRAIN. 385 00:16:21,600 --> 00:16:23,960 WE'RE GOING TO AMSTERDAM TOGETHER. 386 00:16:24,000 --> 00:16:25,000 FOR NOW. 387 00:16:25,040 --> 00:16:26,440 I'M SORRY? 388 00:16:26,480 --> 00:16:28,360 GOOD LUCK, DORN. 389 00:16:28,400 --> 00:16:30,360 THANK YOU FOR TAKING THIS FOR US. 390 00:16:30,400 --> 00:16:31,600 FOR ETIENNE. 391 00:16:31,640 --> 00:16:34,480 DON'T THANK ME UNTIL I'VE SUCCEEDED. 392 00:16:34,520 --> 00:16:36,320 I HAVE FAITH. 393 00:16:36,360 --> 00:16:38,320 LET'S HOPE IT'S NOT MISPLACED. 394 00:16:38,360 --> 00:16:39,360 IT'S NOT. 395 00:16:39,400 --> 00:16:40,840 I WILL TELL HER. 396 00:16:40,880 --> 00:16:42,320 CALL ME WHEN YOU CAN. 397 00:16:42,360 --> 00:16:43,920 I'LL CALL YOU WHEN I GET BACK. 398 00:16:43,960 --> 00:16:46,400 [SIGHS] 399 00:16:46,440 --> 00:16:48,400 HE SENDS YOU LOVE. 400 00:16:48,440 --> 00:16:49,840 WILL HE BE ALL RIGHT? 401 00:16:49,880 --> 00:16:51,960 WHAT DO YOU WANT ME TO TELL YOU, 402 00:16:52,000 --> 00:16:53,320 THE TRUTH? 403 00:16:53,360 --> 00:16:55,000 YES. 404 00:16:55,040 --> 00:16:56,640 YOU WANT THE TRUTH, 405 00:16:56,680 --> 00:16:59,000 BUT YOU LIED TO HIM THIS MORNING. 406 00:16:59,040 --> 00:17:01,040 I LIED? 407 00:17:01,080 --> 00:17:02,400 YEAH. 408 00:17:02,440 --> 00:17:03,640 YOU TOLD HIM 409 00:17:03,680 --> 00:17:04,960 THAT WE KNOW HOW TO TALK TO EACH OTHER. 410 00:17:05,000 --> 00:17:07,280 BUT WE DON'T. 411 00:17:08,520 --> 00:17:11,680 NOT ANYMORE. 412 00:17:13,360 --> 00:17:15,840 YOU'RE NOT GOING TO BELIEVE THIS. 413 00:17:15,880 --> 00:17:17,880 WHAT'S UP? 414 00:17:17,920 --> 00:17:20,240 HICKMAN ASKED ME TO GO TO A CRIME SCENE WITH HIM. 415 00:17:20,280 --> 00:17:21,600 TO GATHER SOME EVIDENCE. 416 00:17:21,640 --> 00:17:22,960 IS THAT A CASE FOR US? 417 00:17:23,000 --> 00:17:25,080 NO. IT'S A SINGLE MURDER. 418 00:17:25,120 --> 00:17:28,800 HOW IS HICKMAN INVOLVED? 419 00:17:30,160 --> 00:17:31,840 THEY ARRESTED HIM FOR IT. 420 00:17:31,880 --> 00:17:33,840 YOU'RE KIDDING. 421 00:17:33,880 --> 00:17:35,240 THEY ARRESTED HICKMAN FOR MURDER? 422 00:17:35,280 --> 00:17:37,040 THE VICTIM IS THAT BANK MANAGER, 423 00:17:37,080 --> 00:17:39,080 THE ONE THAT OUTED HIM AS A COP DURING THE ROBBERY. 424 00:17:39,120 --> 00:17:40,440 IS THAT WHY THEY THINK HE DID IT? 425 00:17:40,480 --> 00:17:43,480 NO, I'M NOT SURE THE DETECTIVE EVEN KNEW THAT. 426 00:17:43,520 --> 00:17:44,560 ALL SHE SAID WAS 427 00:17:44,600 --> 00:17:45,880 THAT THE BANK MANAGER 428 00:17:45,920 --> 00:17:47,200 MADE A PHONE CALL TO HICKMAN BEFORE SHE DIED. 429 00:17:47,240 --> 00:17:48,760 THAT DOESN'T SEEM LIKE A WHOLE LOT OF EVIDENCE. 430 00:17:48,800 --> 00:17:51,200 NO. 431 00:17:51,240 --> 00:17:52,840 WASN'T THE WOMAN AT THE BANK BLONDE? 432 00:17:52,880 --> 00:17:54,040 -YEAH. -VERY BLONDE. 433 00:17:54,080 --> 00:17:55,400 THIS WOMAN HAD DARK HAIR. 434 00:17:55,440 --> 00:17:57,120 -DARK HAIR? -SHE DYED IT? 435 00:17:57,160 --> 00:17:58,200 APPARENTLY, BUT... 436 00:17:58,240 --> 00:17:59,840 HOW WOULD HICKMAN KNOW THAT? 437 00:17:59,880 --> 00:18:01,760 HE RECOGNIZED THE BODY STRAIGHT AWAY. 438 00:18:01,800 --> 00:18:03,880 THE HAIR COLOUR DIDN'T EVEN SEEM TO SURPRISE HIM. 439 00:18:03,920 --> 00:18:06,160 AND WHY WOULD SHE CALL HIM? 440 00:18:07,680 --> 00:18:10,080 I DON'T KNOW, BUT I GUESS WE SHOULD CALL THE MAJOR. 441 00:18:11,400 --> 00:18:12,720 [CELL PHONE RINGS] 442 00:18:12,760 --> 00:18:14,720 MAJOR DANIEL. 443 00:18:14,760 --> 00:18:16,120 IT'S EVA. WHEN DOES YOUR TRAIN ARRIVE? 444 00:18:16,160 --> 00:18:18,200 ABOUT AN HOUR. 445 00:18:18,240 --> 00:18:20,000 WHY? 446 00:18:20,040 --> 00:18:21,440 HICKMAN HAS BEEN ARRESTED. 447 00:18:21,480 --> 00:18:22,760 WHAT? 448 00:18:22,800 --> 00:18:25,040 YEAH. ARRESTED. 449 00:18:25,080 --> 00:18:26,640 -WHEN? -JUST NOW. 450 00:18:26,680 --> 00:18:30,560 I'LL BE THERE AS SOON AS I CAN. 451 00:18:30,600 --> 00:18:33,080 WHAT IS IT? 452 00:18:33,120 --> 00:18:35,840 I WON'T BE ABLE TO GO 453 00:18:35,880 --> 00:18:38,000 TO THE AMSTERDAM APARTMENT WITH YOU. 454 00:18:40,160 --> 00:18:41,560 [SIGHS] 455 00:18:41,600 --> 00:18:44,320 IS THAT SUPPOSED TO BE A SURPRISE? 456 00:18:44,360 --> 00:18:45,520 PLEASE. 457 00:18:45,560 --> 00:18:49,680 COULD YOU JUST, ONCE, BE UNDERSTANDING? 458 00:18:49,720 --> 00:18:50,760 FOR ONCE? 459 00:18:50,800 --> 00:18:53,560 YEAH. 460 00:18:53,600 --> 00:18:55,520 HICKMAN HAS BEEN ARRESTED-- 461 00:18:55,560 --> 00:18:57,000 I DON'T-- I DON'T CARE. 462 00:18:57,960 --> 00:18:58,840 WELL, I DO. 463 00:18:58,880 --> 00:19:00,400 I HAVE TO. 464 00:19:00,440 --> 00:19:02,560 FINE. 465 00:19:02,600 --> 00:19:03,560 I'M GOING BACK TO PARIS. 466 00:19:03,600 --> 00:19:04,760 EXCUSE ME? 467 00:19:04,800 --> 00:19:06,240 ON THE NEXT TRAIN BACK. 468 00:19:06,280 --> 00:19:08,200 OUR FLAT IS STILL BUGGED. 469 00:19:08,240 --> 00:19:09,200 WELL, IF THEY WANT TO LISTEN TO ME PACK, 470 00:19:09,240 --> 00:19:10,520 THEY CAN LISTEN. 471 00:19:10,560 --> 00:19:13,560 WE SAID WE ARE GOING TO AMSTERDAM TOGETHER. 472 00:19:13,600 --> 00:19:16,280 WE'VE SAID MANY THINGS MANY TIMES, LOUIS. 473 00:19:16,320 --> 00:19:18,320 THE PLANS ALWAYS CHANGE, 474 00:19:18,360 --> 00:19:19,440 AND ALWAYS END 475 00:19:19,480 --> 00:19:22,560 WITH ME IN THAT APARTMENT, ALONE. 476 00:19:22,600 --> 00:19:25,440 IF THEY'VE BEEN LISTENING, THEY KNOW THAT, TOO. 477 00:19:25,480 --> 00:19:27,120 THIS WILL NOT SEEM ODD TO THEM IN THE LEAST. 478 00:19:27,160 --> 00:19:29,640 THIS IS MY JOB, ALL RIGHT? MY JOB! 479 00:19:29,680 --> 00:19:30,640 [CLEARS THROAT AWKWARDLY] 480 00:19:30,680 --> 00:19:32,880 WHAT? WHAT! 481 00:19:34,600 --> 00:19:35,840 WHAT DO YOU WANT ME TO DO, 482 00:19:35,880 --> 00:19:37,840 JUST IGNORE IT? 483 00:19:37,880 --> 00:19:40,040 ALL I EVER ASKED WAS FOR A LITTLE BALANCE. 484 00:19:40,080 --> 00:19:42,040 BALANCE. 485 00:19:42,080 --> 00:19:43,600 YES. 486 00:19:43,640 --> 00:19:45,320 THAT'S NOT THE REASON WHY YOU HATE ME. 487 00:19:45,360 --> 00:19:46,920 I DON'T HATE YOU. 488 00:19:46,960 --> 00:19:47,880 YES. YOU DO. 489 00:19:47,920 --> 00:19:50,680 YOU BLAME ME FOR ETIENNE. 490 00:19:50,720 --> 00:19:52,040 OH, PLEASE. 491 00:19:52,080 --> 00:19:54,600 YOU THINK I DON'T SEE IT IN YOUR EYES 492 00:19:54,640 --> 00:19:55,720 EVERY TIME YOU LOOK AT ME? 493 00:19:55,760 --> 00:19:56,720 I'VE NEVER BLAMED YOU. 494 00:19:56,760 --> 00:19:58,600 [LAUGHS MIRTHLESSLY] 495 00:19:58,640 --> 00:20:00,080 DID YOU REMEMBER 496 00:20:00,120 --> 00:20:04,240 THIS MORNING I TOLD YOU I DIDN'T SLEEP WELL. 497 00:20:04,280 --> 00:20:05,960 THE TRUTH IS 498 00:20:06,000 --> 00:20:10,720 I HAVEN'T SLEPT WELL ONCE SINCE THAT NIGHT. 499 00:20:10,760 --> 00:20:14,320 I HAVE THE SAME DREAM. 500 00:20:14,360 --> 00:20:15,840 I COME HOME, 501 00:20:15,880 --> 00:20:18,240 OUR HOUSE IS BURNING, 502 00:20:18,280 --> 00:20:20,520 AND YOU ARE ON THE GROUND 503 00:20:20,560 --> 00:20:24,760 WITH ETIENNE IN YOUR ARMS. 504 00:20:24,800 --> 00:20:27,320 AND YOU KEEP SAYING SOMETHING TO ME. 505 00:20:27,360 --> 00:20:32,760 OVER AND OVER. 506 00:20:32,800 --> 00:20:36,160 DO YOU REMEMBER... 507 00:20:36,200 --> 00:20:39,760 WHAT YOU SAID TO ME THAT NIGHT? 508 00:20:45,440 --> 00:20:46,960 [WHISPERS] "WHAT DID YOU DO?" 509 00:20:47,000 --> 00:20:49,520 WHAT DID I DO? 510 00:20:49,560 --> 00:20:51,720 WHAT DID I DO? 511 00:20:51,760 --> 00:20:54,720 SO, YOU CAN LEAVE ME IN THIS HELL, 512 00:20:54,760 --> 00:20:57,480 YOU CAN DIVORCE ME IF YOU WANT. 513 00:20:57,520 --> 00:20:59,840 YOU CAN GET ON WITH YOUR LIFE 514 00:20:59,880 --> 00:21:02,880 IF YOU WANT. 515 00:21:02,920 --> 00:21:06,400 JUST DON'T TELL ME IT'S BECAUSE OF MY TEAM, 516 00:21:06,440 --> 00:21:08,680 OR MY JOB. 517 00:21:23,280 --> 00:21:25,720 NOT ONLY DO I WORK FOR THE ICC, 518 00:21:25,760 --> 00:21:27,440 I'M A FORMER NYPD DETECTIVE. 519 00:21:27,480 --> 00:21:29,680 DO YOU REALLY BELIEVE 520 00:21:29,720 --> 00:21:31,920 THAT I MURDERED THIS WOMAN? 521 00:21:33,760 --> 00:21:35,760 I WANT TO SHOW YOU SOME THINGS. 522 00:21:35,800 --> 00:21:37,520 AND WHEN I'M FINISHED, 523 00:21:37,560 --> 00:21:39,400 I'M GOING TO ASK YOU ONE QUESTION. 524 00:21:39,440 --> 00:21:40,960 ONE? 525 00:21:41,000 --> 00:21:43,160 ONE. 526 00:21:43,200 --> 00:21:45,320 A FEW WEEKS AGO, 527 00:21:45,360 --> 00:21:47,360 YOU WERE A HOSTAGE IN A BANK ROBBERY, 528 00:21:47,400 --> 00:21:48,640 DURING WHICH 529 00:21:48,680 --> 00:21:50,080 MY HOMICIDE VICTIM-- 530 00:21:50,120 --> 00:21:51,440 A FELLOW HOSTAGE-- 531 00:21:51,480 --> 00:21:53,200 INFORMED THE ROBBERS THAT YOU ARE AN OFFICER 532 00:21:53,240 --> 00:21:55,440 AND PUT YOU IN GRAVE DANGER. 533 00:21:55,480 --> 00:21:58,120 THE ROBBERS THEN FOUND A HYPODERMIC KIT ON YOU, 534 00:21:58,160 --> 00:22:00,440 EXPOSING YOU AS A DRUG ABUSER. 535 00:22:00,480 --> 00:22:02,160 [CHUCKLES] 536 00:22:02,200 --> 00:22:03,120 PLEASE, 537 00:22:03,160 --> 00:22:04,280 LET ME FINISH. 538 00:22:04,320 --> 00:22:06,200 PLEASE. 539 00:22:06,240 --> 00:22:09,200 MY VICTIM THEN FILED AN OFFICIAL STATEMENT 540 00:22:09,240 --> 00:22:11,760 WITH AMSTERDAM CHIEF HELSTROM 541 00:22:11,800 --> 00:22:14,400 AND, APPARENTLY, ALSO WITH YOUR BOSS AT THE HAGUE, 542 00:22:14,440 --> 00:22:15,280 MAJOR DANIEL, 543 00:22:15,320 --> 00:22:19,000 ATTESTING TO YOUR DRUG USE. 544 00:22:19,040 --> 00:22:21,240 I CAN'T IMAGINE THIS WENT WELL FOR YOU. 545 00:22:21,280 --> 00:22:25,280 A WEEK LATER, 546 00:22:25,320 --> 00:22:28,040 AFTER THE ROBBERY, 547 00:22:28,080 --> 00:22:30,080 MY VICTIM REPORTED 100,000 EURO 548 00:22:30,120 --> 00:22:31,920 MISSING FROM THE VAULT, 549 00:22:31,960 --> 00:22:34,200 DESPITE THE FACT EVERY OTHER WITNESS 550 00:22:34,240 --> 00:22:36,880 REPORTED THE PERPETRATORS NEVER TOOK ANY MONEY 551 00:22:36,920 --> 00:22:38,720 AND NONE WAS FOUND ON THEM 552 00:22:38,760 --> 00:22:40,880 DURING THEIR ARREST. 553 00:22:40,920 --> 00:22:42,720 AFTER THAT, 554 00:22:42,760 --> 00:22:46,480 YOU WENT TO MY VICTIM'S FLAT FOR SIX MINUTES. 555 00:22:46,520 --> 00:22:49,040 THEN YOU LEFT. 556 00:22:49,080 --> 00:22:50,320 SHE EXITED 557 00:22:50,360 --> 00:22:52,280 A FEW MINUTES LATER IN A GREAT HURRY 558 00:22:52,320 --> 00:22:53,880 WITH TWO BAGS, 559 00:22:53,920 --> 00:22:57,360 ONE OF WHICH WAS FOUND AT THE MURDER SCENE. 560 00:22:57,400 --> 00:22:59,200 SHE WENT TO THE BANK, 561 00:22:59,240 --> 00:23:00,720 WHERE SHE WAS NO LONGER EMPLOYED, 562 00:23:00,760 --> 00:23:03,560 ILLEGALLY ACCESSED THEIR COMPUTER SYSTEMS 563 00:23:03,600 --> 00:23:05,720 AND CLOSED AN ACCOUNT, 564 00:23:05,760 --> 00:23:08,760 AN ACCOUNT HELD BY A TRAVELLING CARNIVAL, 565 00:23:08,800 --> 00:23:10,360 WHICH WINTERS OUTSIDE OF AMSTERDAM, 566 00:23:10,400 --> 00:23:13,160 WHERE YOU WORK AND LIVE. 567 00:23:13,200 --> 00:23:15,840 THE 10-SECOND PHONE CALL SHE MADE TO YOU 568 00:23:15,880 --> 00:23:20,200 WAS 15 MINUTES AFTER CLOSING THIS ACCOUNT. 569 00:23:21,320 --> 00:23:23,760 SHE WAS THEN FOUND BEATEN TO DEATH 570 00:23:23,800 --> 00:23:28,680 WITH WHAT MY EXAMINER IS CALLING TREMENDOUS RAGE 571 00:23:28,720 --> 00:23:31,120 BY A PERSON WHO KNEW HER, 572 00:23:31,160 --> 00:23:33,560 AND YOU REFUSE TO TELL ME 573 00:23:33,600 --> 00:23:36,200 WHAT THE PHONE CALL SHE MADE TO YOU WAS ABOUT. 574 00:23:36,240 --> 00:23:40,600 FINALLY, WHILE YOU WERE WITH ME AT THE HOMICIDE SCENE, 575 00:23:40,640 --> 00:23:41,720 MY COLLEAGUES FOUND, 576 00:23:41,760 --> 00:23:45,240 BEHIND THE TRAILER YOU RESIDE IN, 577 00:23:45,280 --> 00:23:48,080 THE OTHER PIECE OF LUGGAGE SHE LEFT WITH. 578 00:23:48,120 --> 00:23:49,680 IT HAD A COMPARTMENT RIPPED OUT OF IT 579 00:23:49,720 --> 00:23:51,040 AT SOME POINT. 580 00:23:51,080 --> 00:23:52,360 I DON'T KNOW WHAT WAS IN IT, 581 00:23:52,400 --> 00:23:56,560 BUT 100,000 EURO IS A PRETTY GOOD GUESS. 582 00:23:56,600 --> 00:23:58,440 ARE YOU FINISHED? 583 00:23:58,480 --> 00:24:00,480 YES. 584 00:24:00,520 --> 00:24:02,720 WHAT'S YOUR QUESTION? 585 00:24:02,760 --> 00:24:06,000 WHAT WOULD YOU DO IF YOU WERE ME? 586 00:24:09,240 --> 00:24:11,800 I'D LOCK ME UP. 587 00:24:16,960 --> 00:24:18,840 DO WE KNOW ANYTHING NEW? 588 00:24:18,880 --> 00:24:20,520 WE WAITED FOR YOU. 589 00:24:20,560 --> 00:24:22,240 WHERE IS ANNE-MARIE? 590 00:24:22,280 --> 00:24:23,640 WE DON'T KNOW. 591 00:24:23,680 --> 00:24:24,720 SHE NEVER CAME IN. 592 00:24:24,760 --> 00:24:25,920 ONE OF HER OLD COLLEAGUES SAYS 593 00:24:25,960 --> 00:24:26,920 THEY'RE WAITING FOR A REPORT FROM HER 594 00:24:26,960 --> 00:24:28,280 ON SOME PRISONERS. 595 00:24:28,320 --> 00:24:30,840 MAJOR DANIEL? 596 00:24:30,880 --> 00:24:32,040 YEAH. 597 00:24:32,080 --> 00:24:33,080 I AM COMMANDER BERGEN. 598 00:24:33,120 --> 00:24:34,360 THEY TOLD ME YOU WERE COMING. 599 00:24:34,400 --> 00:24:35,600 HI. 600 00:24:35,640 --> 00:24:36,680 WHERE IS HICKMAN? 601 00:24:36,720 --> 00:24:38,000 HE'S FINE. 602 00:24:38,040 --> 00:24:39,720 WHY DON'T WE TALK IN MY OFFICE? 603 00:24:39,760 --> 00:24:41,360 COME ON. 604 00:24:45,520 --> 00:24:48,600 YOU KNOW WHAT'S WRONG WITH THIS CASE, RIGHT? 605 00:24:48,640 --> 00:24:52,480 I HAD A DOLL ONCE THAT LOOKED ALMOST REAL-- 606 00:24:52,520 --> 00:24:55,760 A LITTLE GIRL WITH BIG EYES 607 00:24:55,800 --> 00:24:58,320 AND A SINGLE TEAR GOING DOWN HER CHEEK. 608 00:24:58,360 --> 00:24:59,880 SHE TERRIFIED ME. 609 00:25:01,560 --> 00:25:03,280 NOT EXACTLY WHERE I WAS GOING. 610 00:25:03,320 --> 00:25:05,360 HAVE YOU EVER HEARD OF THE UNCANNY VALLEY? 611 00:25:05,400 --> 00:25:06,760 NO. 612 00:25:06,800 --> 00:25:10,600 IN ADVANCED ROBOTICS OR DIGITAL ANIMATION, 613 00:25:10,640 --> 00:25:13,160 WHEN REPLICAS OF HUMAN BEINGS 614 00:25:13,200 --> 00:25:15,560 BEGIN TO LOOK LIKE ACTUAL HUMAN BEINGS, 615 00:25:15,600 --> 00:25:18,720 IT CAUSES A REACTION SIMILAR TO DISGUST. 616 00:25:18,760 --> 00:25:20,880 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 617 00:25:20,920 --> 00:25:23,240 MY POINT IS, 618 00:25:23,280 --> 00:25:27,880 I AM IN THE DETECTIVE VERSION OF THE UNCANNY VALLEY RIGHT NOW. 619 00:25:27,920 --> 00:25:29,840 IT LOOKED LIKE A GOOD CASE, BUT-- 620 00:25:29,880 --> 00:25:30,920 UNTIL IT GOT TOO PERFECT. 621 00:25:32,360 --> 00:25:35,840 INSPECTOR, THE BAG? 622 00:25:35,880 --> 00:25:39,920 A 20-YEAR HOMICIDE DETECTIVE MURDERS AN ACQUAINTANCE, 623 00:25:39,960 --> 00:25:43,960 LEAVING BEHIND A MOUNTAIN OF CIRCUMSTANTIAL EVIDENCE, 624 00:25:44,000 --> 00:25:46,000 AND THEN PROPS THE PERFECT PIECE OF PHYSICAL EVIDENCE 625 00:25:46,040 --> 00:25:47,560 AGAINST THE BACK WALL OF HIS HOME. 626 00:25:47,600 --> 00:25:49,520 SO, YOU DON'T THINK I DID IT? 627 00:25:49,560 --> 00:25:51,040 NOT ANYMORE. 628 00:25:51,080 --> 00:25:52,440 THEN WHAT THE HELL AM I DOING HERE? 629 00:25:52,480 --> 00:25:56,160 MY BOSS DOESN'T QUITE UNDERSTAND THE CONCEPT. 630 00:25:56,200 --> 00:26:00,280 I NEED SOMETHING TO CHANGE MY COMMANDER'S MIND. 631 00:26:00,320 --> 00:26:01,480 WHAT CAN I DO? 632 00:26:01,520 --> 00:26:03,040 TELL ME ABOUT THE PHONE CALL, 633 00:26:03,080 --> 00:26:06,000 OR THE INVESTIGATION IT WAS ABOUT. 634 00:26:06,040 --> 00:26:10,480 GIVE ME A LOGICAL EXPLANATION FOR ANY OF THIS. 635 00:26:14,640 --> 00:26:16,120 I'M SORRY. 636 00:26:16,160 --> 00:26:17,600 YOU'D RATHER GO TO JAIL 637 00:26:17,640 --> 00:26:19,400 THAN TELL ME ABOUT YOUR INVESTIGATION? 638 00:26:19,440 --> 00:26:21,640 IF THOSE ARE MY ONLY CHOICES. 639 00:26:21,680 --> 00:26:24,120 I NEED TO GET OUT OF HERE, INSPECTOR. 640 00:26:24,160 --> 00:26:25,840 I TOLD YOU, THERE'S A WOMAN. 641 00:26:25,880 --> 00:26:27,360 THE MISSING WOMAN? 642 00:26:27,400 --> 00:26:29,000 APPARENTLY SO. 643 00:26:29,040 --> 00:26:30,320 INSPECTOR? 644 00:26:30,360 --> 00:26:32,160 CAN YOU BRING YOUR FILES? 645 00:26:32,200 --> 00:26:33,160 NOW? 646 00:26:33,200 --> 00:26:34,080 YES, SIR. 647 00:26:42,680 --> 00:26:43,840 I'LL BE BACK. 648 00:26:43,880 --> 00:26:45,360 I'LL BE WAITING. 649 00:27:29,040 --> 00:27:31,600 [EVA SPEAKS ITALIAN] 650 00:27:31,640 --> 00:27:33,280 IT'S ALMOST ALL CIRCUMSTANTIAL. 651 00:27:33,320 --> 00:27:35,360 YEAH, BUT THAT'S A LOT OF BLOODY CIRCUMSTANCE. 652 00:27:35,400 --> 00:27:36,760 DID HICKMAN KNOW 653 00:27:36,800 --> 00:27:38,080 THAT THE BANK MANAGER MADE AN OFFICIAL STATEMENT 654 00:27:38,120 --> 00:27:39,000 ABOUT HIS DRUG USE? 655 00:27:39,040 --> 00:27:40,280 YES. 656 00:27:40,320 --> 00:27:42,760 IT WAS NUMBING DRUGS, NOT NARCOTICS. 657 00:27:42,800 --> 00:27:44,480 HOW DID HE FIND OUT ABOUT THE STATEMENT? 658 00:27:44,520 --> 00:27:45,720 I TOLD HIM. 659 00:27:45,760 --> 00:27:47,080 HE ASKED ME. I TOLD HIM. 660 00:27:47,120 --> 00:27:48,440 YOU TOLD HIM? 661 00:27:48,480 --> 00:27:49,560 YES. 662 00:27:49,600 --> 00:27:50,800 YOU DIDN'T THINK 663 00:27:50,840 --> 00:27:52,360 IT COULD POSSIBLY MAKE HIM ANGRY WITH HER? 664 00:27:52,400 --> 00:27:53,560 NO. I DON'T LIE. 665 00:27:53,600 --> 00:27:55,360 NOT TO MY TEAM, NOT TO DETECTIVE HICKMAN. 666 00:27:55,400 --> 00:27:58,400 SORRY, THIS IS ALL TOO PERFECT. 667 00:27:58,440 --> 00:28:00,320 I DON'T DISAGREE. 668 00:28:00,360 --> 00:28:02,160 YES. EVA AND SEBASTIAN, 669 00:28:02,200 --> 00:28:04,280 GO BACK TO THE SCENE, TAKE YOUR SCANGEN, 670 00:28:04,320 --> 00:28:05,960 SEE WHAT YOU FIND. 671 00:28:06,000 --> 00:28:07,240 OKAY. 672 00:28:07,280 --> 00:28:08,880 TOMMY, 673 00:28:08,920 --> 00:28:09,920 GO TO THE MORGUE, 674 00:28:09,960 --> 00:28:11,600 TAKE A LOOK AT THE BODY. 675 00:28:11,640 --> 00:28:13,760 I LOVE A GOOD AUTOPSY IN THE MORNING. 676 00:28:13,800 --> 00:28:15,400 I'LL TAKE YOU. 677 00:28:15,440 --> 00:28:16,680 I'M GOING THERE ANYWAY TO CHECK WITH THE MEDICAL EXAMINER. 678 00:28:29,520 --> 00:28:32,280 [STARTS ENGINE] 679 00:28:35,440 --> 00:28:37,760 WHEN WAS THE LAST TIME YOU SAW HER? 680 00:28:37,800 --> 00:28:39,280 LEAVING THE SCENE 681 00:28:39,320 --> 00:28:41,320 TO TAKE THE RESCUED WOMEN TO A SHELTER IN CALAIS. 682 00:28:41,360 --> 00:28:43,160 AND THEN? 683 00:28:43,200 --> 00:28:45,840 THEN I ASSUMED SHE WOULD GO BACK HOME TO AMSTERDAM. 684 00:28:45,880 --> 00:28:47,560 MY INVESTIGATOR SAYS 685 00:28:47,600 --> 00:28:49,560 SHE WAS SUPPOSED TO SEND YOU REPORTS? 686 00:28:49,600 --> 00:28:51,880 YES. YES, AND IF WE DON'T GET THEM SOON, 687 00:28:51,920 --> 00:28:53,480 WE'LL HAVE TO LET THE PRISONERS GO. 688 00:28:53,520 --> 00:28:54,840 OKAY, LISTEN TO ME, 689 00:28:54,880 --> 00:28:56,840 IF YOU HEAR ANYTHING FROM ANNE-MARIE, 690 00:28:56,880 --> 00:28:59,320 PLEASE LET ME KNOW IMMEDIATELY. 691 00:28:59,360 --> 00:29:00,640 YES, OF COURSE. 692 00:29:00,680 --> 00:29:03,320 THANK YOU. 693 00:29:10,160 --> 00:29:12,120 OKAY, HERE WE GO. 694 00:29:15,680 --> 00:29:18,520 WHAT? 695 00:29:20,240 --> 00:29:21,440 IT'S NOT WORKING PROPERLY. 696 00:29:21,480 --> 00:29:23,240 WHAT DOES THAT MEAN? 697 00:29:23,280 --> 00:29:24,560 NO... 698 00:29:25,680 --> 00:29:27,960 NO, NO, NO, NO... 699 00:29:28,000 --> 00:29:28,880 WHAT IS IT? 700 00:29:28,920 --> 00:29:30,040 IT'S INFECTED. 701 00:29:30,080 --> 00:29:32,440 THE CODE SEEMS TO BE EATING ITSELF! 702 00:29:32,480 --> 00:29:34,320 -WHAT? -DAMN IT! 703 00:29:34,360 --> 00:29:37,160 THE WHOLE SCANGEN PROGRAM SEEMS TO BE AFFECTED. 704 00:29:38,760 --> 00:29:39,920 I NEED TO GET BACK TO THE OFFICE 705 00:29:39,960 --> 00:29:41,000 TO ACCESS MY BACK-UPS! 706 00:29:41,040 --> 00:29:41,920 HOW COULD THAT HAPPEN? 707 00:29:41,960 --> 00:29:44,160 I TOLD YOU, I WAS HACKED. 708 00:29:44,200 --> 00:29:45,520 FROM ROME. 709 00:29:49,000 --> 00:29:50,440 OH. 710 00:29:50,480 --> 00:29:52,000 TOLD YOU IT WAS BAD. 711 00:29:52,040 --> 00:29:53,000 AS YOU CAN SEE, 712 00:29:53,040 --> 00:29:54,200 THERE IS A TREMENDOUS AMOUNT 713 00:29:54,240 --> 00:29:56,560 OF BLUNT FORCE TRAUMA ABOUT THE FACE. 714 00:29:56,600 --> 00:29:57,920 ANY IDEA OF THE WEAPON USED? 715 00:29:57,960 --> 00:30:01,440 WE HAVEN'T BEEN ABLE TO LOCATE ANY RESIDUE 716 00:30:01,480 --> 00:30:02,680 TO GET A MATERIAL SAMPLE. 717 00:30:02,720 --> 00:30:04,960 YOU WON'T FIND ANY WEAPON RESIDUE. 718 00:30:05,000 --> 00:30:06,080 WHY NOT? 719 00:30:06,120 --> 00:30:07,560 BECAUSE THAT WAS DONE WITH FISTS. 720 00:30:07,600 --> 00:30:08,560 ARE YOU SURE? 721 00:30:08,600 --> 00:30:10,160 I WAS A BARE KNUCKLE FIGHTER. 722 00:30:10,200 --> 00:30:12,560 I AM VERY SURE. 723 00:30:13,920 --> 00:30:15,120 IS THIS POSSIBLE? 724 00:30:15,160 --> 00:30:17,240 THE KILLER WOULD HAVE TO BE VERY POWERFUL. 725 00:30:17,280 --> 00:30:18,440 BUT IT'S POSSIBLE? 726 00:30:18,480 --> 00:30:19,520 OH, DEFINITELY. 727 00:30:19,560 --> 00:30:21,000 HERE'S WHAT ELSE I'M SURE ABOUT. 728 00:30:21,040 --> 00:30:23,120 THESE WOUNDS EXCLUDE HICKMAN. 729 00:30:23,160 --> 00:30:25,080 HOW? 730 00:30:25,120 --> 00:30:26,120 WHOEVER DID THAT, 731 00:30:26,160 --> 00:30:28,160 DID IT WITH TWO HANDS. 732 00:30:31,960 --> 00:30:34,480 LEFT AND RIGHT. 733 00:30:34,520 --> 00:30:36,040 IN CASE YOU HAVEN'T NOTICED, 734 00:30:36,080 --> 00:30:37,200 HICKMAN CAN'T PICK HIS NOSE 735 00:30:37,240 --> 00:30:38,600 WITH HIS RIGHT HAND, 736 00:30:38,640 --> 00:30:39,840 MUCH LESS PUNCH SOMEONE HARD ENOUGH TO DO THAT. 737 00:30:39,880 --> 00:30:42,320 WHAT ABOUT THESE GASHES? 738 00:30:42,360 --> 00:30:44,280 IF IT WAS DONE WITH FISTS... 739 00:30:45,240 --> 00:30:46,840 A RING. 740 00:30:46,880 --> 00:30:48,240 A BIG ONE. 741 00:30:53,080 --> 00:30:54,760 A RING WITH AN INITIAL. 742 00:30:58,320 --> 00:31:01,680 WELL, HE'LL BE BUSY FOR A BIT, THEN. 743 00:31:01,720 --> 00:31:03,640 WHEN HE DOES GET BACK, 744 00:31:03,680 --> 00:31:06,840 WE'VE GOT SOMETHING VERY SPECIAL PLANNED FOR HIM. 745 00:31:06,880 --> 00:31:08,560 YES, "WE." 746 00:31:08,600 --> 00:31:10,840 ME AND HIS LITTLE FRIEND HERE. 747 00:31:10,880 --> 00:31:12,040 MM-HMM. 748 00:31:13,400 --> 00:31:14,400 AW... 749 00:31:19,000 --> 00:31:20,840 YES, SIR. I'M VERY SURE, 750 00:31:20,880 --> 00:31:22,200 AND THE CORONER AGREES WITH ME. 751 00:31:22,240 --> 00:31:25,080 THE BLOWS WERE CLEARLY STRUCK WITH BOTH HANDS. 752 00:31:25,120 --> 00:31:27,000 AYE, BUT I'VE SEEN WHAT HE CAN'T DO, COMMANDER. 753 00:31:27,040 --> 00:31:29,640 HICKMAN WILL NOT BE PUNCHING ANYONE RIGHT-HANDED. 754 00:31:29,680 --> 00:31:31,160 YES, SIR. 755 00:31:31,200 --> 00:31:32,720 ALL RIGHT, WE'LL BE ON THE WAY BACK. 756 00:31:32,760 --> 00:31:34,240 INSPECTOR SEEGER? 757 00:31:34,280 --> 00:31:35,640 YES, SIR? 758 00:31:35,680 --> 00:31:37,240 WE'VE LOCATED INFORMATION ON THE VICTIM'S FAMILY. 759 00:31:37,280 --> 00:31:38,880 YOU HAVE? 760 00:31:38,920 --> 00:31:40,000 THEY'RE LOCAL, 761 00:31:40,040 --> 00:31:41,160 AND WE'LL NEED THEM TO COME DOWN 762 00:31:41,200 --> 00:31:42,200 TO MAKE A POSITIVE IDENTIFICATION. 763 00:31:42,240 --> 00:31:43,520 OF COURSE. 764 00:31:43,560 --> 00:31:45,080 WILL YOU BE MAKING THE DEATH NOTIFICATION, 765 00:31:45,120 --> 00:31:47,400 OR WOULD YOU LIKE US TO HANDLE IT? 766 00:31:47,440 --> 00:31:48,920 NO. 767 00:31:48,960 --> 00:31:50,120 NO, I'LL GO. 768 00:31:50,160 --> 00:31:51,160 OKAY. 769 00:31:54,640 --> 00:31:56,480 LEAST FAVOURITE PART OF THE JOB. 770 00:31:56,520 --> 00:31:58,440 I NEVER MET A COP WHO DIDN'T HATE IT. 771 00:31:58,480 --> 00:32:00,920 BUT, YOU KNOW, AS BAD AS IT IS 772 00:32:00,960 --> 00:32:04,600 TO NOTIFY A FAMILY SOMEONE ISN'T COMING HOME, 773 00:32:04,640 --> 00:32:05,760 IT DOESN'T BOTHER ME AS MUCH 774 00:32:05,800 --> 00:32:07,680 AS THE UNIDENTIFIED BODIES WE GET. 775 00:32:09,440 --> 00:32:11,240 THIS ONE, FOR EXAMPLE. 776 00:32:11,280 --> 00:32:12,080 CAR ACCIDENT. 777 00:32:12,120 --> 00:32:13,680 BODY BURNT UP. 778 00:32:13,720 --> 00:32:15,280 VEHICLE BURNT UP. 779 00:32:15,320 --> 00:32:17,680 NO PLATES, NO VIN? 780 00:32:17,720 --> 00:32:18,760 CORONER IS HOPING 781 00:32:18,800 --> 00:32:20,960 DENTAL RECORDS OR DNA WILL HELP. 782 00:32:21,000 --> 00:32:23,840 IMAGINE WAITING FOR SOMEONE TO COME HOME 783 00:32:23,880 --> 00:32:25,240 WHO NEVER DOES, 784 00:32:25,280 --> 00:32:27,040 AND YOU'LL NEVER KNOW WHY. 785 00:32:28,720 --> 00:32:31,640 I'LL GO WITH YOU IF YOU WANT, 786 00:32:31,680 --> 00:32:33,080 TO NOTIFY THE OTHER VICTIM'S FAMILY. 787 00:32:33,120 --> 00:32:35,920 I'D APPRECIATE THAT. 788 00:33:10,040 --> 00:33:11,760 THEY'RE RELEASING YOU. 789 00:33:11,800 --> 00:33:12,760 WHY? 790 00:33:12,800 --> 00:33:14,320 TOMMY PROVED 791 00:33:14,360 --> 00:33:16,040 THAT THE VICTIM WAS BEATEN WITH TWO HANDS. 792 00:33:16,080 --> 00:33:18,320 FIRST TIME THIS EVER HELPED OUT. 793 00:33:18,360 --> 00:33:19,840 THE KILLER WAS WEARING A RING. 794 00:33:19,880 --> 00:33:21,600 MONOGRAMMED. 795 00:33:21,640 --> 00:33:22,760 WITH THE LETTER "G." 796 00:33:22,800 --> 00:33:24,360 SON OF A BITCH. 797 00:33:24,400 --> 00:33:25,840 I THINK WE NEED TO TALK. 798 00:33:25,880 --> 00:33:27,480 NOT IN THIS BUILDING. 799 00:34:01,760 --> 00:34:05,080 [SILENCED GUNSHOT SNIPES] 800 00:34:06,520 --> 00:34:07,680 [GUNFIRE] 801 00:34:14,520 --> 00:34:15,520 [SHOT SNIPES] 802 00:34:35,440 --> 00:34:38,480 [HELICOPTER WHIRRS OVERHEAD] 803 00:34:44,080 --> 00:34:46,440 WHEN? 804 00:34:46,480 --> 00:34:48,200 GOOD. 805 00:34:48,240 --> 00:34:49,680 GOOD. 806 00:34:49,720 --> 00:34:52,560 THE POLICE LET HIM GO. 807 00:34:52,600 --> 00:34:55,040 LET'S GO MAKE A HOMECOMING. 808 00:34:58,520 --> 00:34:59,400 CARL! 809 00:34:59,440 --> 00:35:00,520 I HAVE TO GO, LOUIS. 810 00:35:00,560 --> 00:35:01,480 SOMEONE I KNOW MAY BE IN TROUBLE. 811 00:35:01,520 --> 00:35:02,480 CONFRONT GENOVESE? 812 00:35:02,520 --> 00:35:05,000 AT THE CARNIVAL? 813 00:35:05,040 --> 00:35:07,160 WHAT DID YOU SAY? 814 00:35:07,200 --> 00:35:09,200 HOW DO YOU KNOW THE NAME GENOVESE? 815 00:35:09,240 --> 00:35:11,200 WELL, THAT'S THE GUY WHO HURT YOU, YES? 816 00:35:11,240 --> 00:35:12,200 WAS IT ANNE-MARIE? 817 00:35:12,240 --> 00:35:13,440 ANNE-MARIE? 818 00:35:13,480 --> 00:35:14,560 YES, DID SHE TELL YOU ABOUT HIM? 819 00:35:14,600 --> 00:35:15,680 SHE KNOWS? 820 00:35:15,720 --> 00:35:16,680 IS THAT WHY SHE'S GONE? 821 00:35:16,720 --> 00:35:18,640 OH, GOD, NO, LOUIS. 822 00:35:18,680 --> 00:35:20,040 I ASKED HER TO RUN HIS NAME MONTHS AGO. 823 00:35:20,080 --> 00:35:22,280 WHERE SHE IS TODAY HAS NOTHING TO DO WITH THAT. 824 00:35:22,320 --> 00:35:23,600 WELL, SHE NEVER BETRAYED YOU. 825 00:35:23,640 --> 00:35:24,720 GOOD, SO HOW DO YOU KNOW? 826 00:35:24,760 --> 00:35:26,520 LOUIS, HOW DO YOU... 827 00:35:30,040 --> 00:35:33,600 YOU ALWAYS KNEW. 828 00:35:33,640 --> 00:35:35,400 YOU KNEW THE DAY YOU CAME TO THE CARNIVAL. 829 00:35:35,440 --> 00:35:38,280 YOU LEFT PEOPLE BEHIND IN NEW YORK, 830 00:35:38,320 --> 00:35:40,080 PEOPLE WHO CARE ABOUT YOU. 831 00:35:40,120 --> 00:35:41,720 THEY CALLED ME WHEN YOU MOVED HERE. 832 00:35:43,600 --> 00:35:44,880 HOW LONG WERE YOU WATCHING ME? 833 00:35:44,920 --> 00:35:47,560 I JUST CHECKED IN FROM TIME TO TIME. 834 00:35:47,600 --> 00:35:48,600 YOU SPIED ON ME. 835 00:35:48,640 --> 00:35:49,520 AS A FRIEND. 836 00:35:49,560 --> 00:35:50,960 THAT'S NOT GOOD ENOUGH. 837 00:35:51,000 --> 00:35:52,160 YOU'RE PROBABLY RIGHT. 838 00:35:52,200 --> 00:35:54,240 I'M NOT TALKING ABOUT THIS RIGHT NOW. 839 00:35:54,280 --> 00:35:55,200 WHERE ARE YOU GOING? 840 00:35:55,240 --> 00:35:57,240 I'M GOING TO A CARNIVAL, 841 00:35:57,280 --> 00:36:00,560 BECAUSE GENOVESE IS MY MESS TO CLEAN UP! 842 00:36:00,600 --> 00:36:02,160 I CAN'T LET YOU DO THAT, CARL. 843 00:36:02,200 --> 00:36:03,320 EXCUSE ME? 844 00:36:03,360 --> 00:36:04,840 YOU ARE A MEMBER OF MY TEAM. 845 00:36:04,880 --> 00:36:06,920 I CAN'T LET YOU BECOME A VIGILANTE. 846 00:36:06,960 --> 00:36:08,600 YOU KNOW WHAT, YOU'RE RIGHT. 847 00:36:08,640 --> 00:36:09,920 YES, I AM. 848 00:36:09,960 --> 00:36:10,960 I QUIT. 849 00:36:22,720 --> 00:36:23,960 WHAT'S WRONG WITH SEBASTIAN? 850 00:36:24,000 --> 00:36:25,960 HIS SCANGEN. 851 00:36:26,000 --> 00:36:27,560 YOU SHOULD LET HIM EXPLAIN IT. 852 00:36:28,600 --> 00:36:29,840 WHERE IS HICKMAN? 853 00:36:29,880 --> 00:36:31,360 -HE QUIT. -HE WHAT? 854 00:36:34,560 --> 00:36:37,120 NO... 855 00:36:37,160 --> 00:36:38,120 SEBASTIAN? 856 00:36:38,160 --> 00:36:39,120 IT'S ALL GONE. 857 00:36:39,160 --> 00:36:40,120 WHAT IS GONE? 858 00:36:40,160 --> 00:36:41,200 ALL OF MY WORK. 859 00:36:41,240 --> 00:36:42,840 MY BACK-UP FILES, IT'S ALL GONE. 860 00:36:42,880 --> 00:36:43,880 HOW? 861 00:36:45,160 --> 00:36:47,440 WHAT AM I GOING TO DO NOW? 862 00:36:47,480 --> 00:36:50,320 SEBASTIAN, I NEED YOU TO PULL YOURSELF TOGETHER. 863 00:36:50,360 --> 00:36:51,440 CAN YOU DO THAT? 864 00:36:57,200 --> 00:36:59,440 [HELICOPTER WHIRRING OVERHEAD] 865 00:37:08,080 --> 00:37:10,720 MAJOR SAID TO GET BACK HERE FAST. 866 00:37:10,760 --> 00:37:12,440 YEAH, WELL, HE'S IN WITH SEBASTIAN NOW. 867 00:37:12,480 --> 00:37:13,360 WHERE'S HICKMAN? 868 00:37:13,400 --> 00:37:14,360 MAJOR SAYS HE QUIT. 869 00:37:14,400 --> 00:37:16,040 -SERIOUSLY? -MM-HMM. 870 00:37:16,080 --> 00:37:17,400 I HOPE THAT ISN'T MY FAULT. 871 00:37:17,440 --> 00:37:18,480 IT'S NOT. 872 00:37:18,520 --> 00:37:19,800 BUT I NEED YOUR HELP. 873 00:37:28,040 --> 00:37:30,880 ZATRZYMAJ! 874 00:37:33,640 --> 00:37:35,240 PROSZE ZATRZYMAJ! 875 00:37:37,080 --> 00:37:39,600 IF YOU DON'T WANT TO BE INVOLVED, I UNDERSTAND. 876 00:37:39,640 --> 00:37:41,040 ARE YOU KIDDING? 877 00:37:41,080 --> 00:37:45,160 I DON'T GET TO DO SOMETHING LIKE THIS TOO OFTEN. 878 00:37:46,200 --> 00:37:48,000 GOOD. LET'S GET READY. 879 00:38:05,520 --> 00:38:06,600 [CELL PHONE RINGS] 880 00:38:06,640 --> 00:38:07,680 MAJOR DANIEL. 881 00:38:07,720 --> 00:38:09,000 LOUIS, THANK GOD. 882 00:38:09,040 --> 00:38:10,120 DORN? 883 00:38:10,160 --> 00:38:11,520 IT WAS A SET-UP, LOUIS! 884 00:38:11,560 --> 00:38:12,760 WHAT? 885 00:38:12,800 --> 00:38:14,320 THE WHOLE THING. THEY KNEW I WAS COMING. 886 00:38:14,360 --> 00:38:17,000 THEY MUST HAVE KNOWN THAT WE DISCOVERED THEIR BUGS. 887 00:38:17,040 --> 00:38:18,240 WHAT ARE YOU TELLING ME? 888 00:38:18,280 --> 00:38:20,640 YOU AND REBECCA HAVE TO GO UNDERGROUND. 889 00:38:20,680 --> 00:38:23,280 GET OUT OF YOUR AMSTERDAM APARTMENT 890 00:38:23,320 --> 00:38:24,600 AND FIND SOMEWHERE ELSE TO STAY. 891 00:38:24,640 --> 00:38:25,600 DO YOU UNDERSTAND? 892 00:38:25,640 --> 00:38:26,760 REBECCA? 893 00:38:26,800 --> 00:38:28,400 MOVE QUICKLY, LOUIS. 894 00:38:28,440 --> 00:38:30,480 QUICKLY. 895 00:38:30,520 --> 00:38:32,960 BUT, DORN, REBECCA WENT BACK TO PARIS. 896 00:38:33,000 --> 00:38:35,800 SHARI? 897 00:38:37,960 --> 00:38:41,000 OH, MY GOD. 898 00:39:07,440 --> 00:39:09,960 [CLANG AND CLAMOR OF CARNIVAL FUNHOUSE] 899 00:39:20,000 --> 00:39:23,080 GENOVESE! 900 00:39:26,240 --> 00:39:29,640 I'M HERE! 901 00:39:31,040 --> 00:39:32,480 [GENOVESE, OVER P.A.]: I GOT A PATHETIC STORY FOR YOU. 902 00:39:32,520 --> 00:39:35,360 YOU KNOW OUR DUTCH BANK BROAD? 903 00:39:35,400 --> 00:39:38,040 ANIKA? 904 00:39:38,080 --> 00:39:40,080 SHE WOULDN'T COP TO 905 00:39:40,120 --> 00:39:43,480 WHO HAD HER CLOSE DOWN MY BANK ACCOUNT, 906 00:39:43,520 --> 00:39:45,680 BUT I KNEW THAT SHE DIDN'T DO THAT SHIT ON HER OWN. 907 00:39:45,720 --> 00:39:48,160 [HICKMAN SHOUTS]: YOU DIDN'T HAVE TO KILL HER! 908 00:39:48,200 --> 00:39:50,000 [GENOVESE, OVER P.A.]: THAT'S BESIDE THE POINT. 909 00:39:50,040 --> 00:39:55,200 SHE'S NOT THE FIRST CHIPPIE THAT NEEDED A BROKEN NOSE 910 00:39:55,240 --> 00:39:57,360 BEFORE THEY START TALKING. 911 00:39:57,400 --> 00:39:58,680 I PUNCHED HER ONCE, 912 00:39:58,720 --> 00:40:03,080 AND SHE TOLD ME EVERYTHING. 913 00:40:03,120 --> 00:40:04,040 EVERYTHING. 914 00:40:04,080 --> 00:40:06,080 SHE ROBBED THE BANK, 915 00:40:06,120 --> 00:40:07,520 SHE SAID I COULD HAVE THE MONEY. 916 00:40:07,560 --> 00:40:08,600 AND THEN YOU KNOW WHAT? YOU KNOW WHAT SHE DID? 917 00:40:08,640 --> 00:40:11,720 SHE SOLD YOU OUT. 918 00:40:11,760 --> 00:40:13,320 SHE SAID, "IT'S HICKMAN. 919 00:40:13,360 --> 00:40:16,080 HIS NAME IS CARL HICKMAN!" 920 00:40:16,120 --> 00:40:17,720 I COULDN'T WAIT FOR YOU TO FIND OUT! 921 00:40:17,760 --> 00:40:19,120 I WANTED YOU TO KNOW. 922 00:40:20,480 --> 00:40:21,920 [GENOVESE]: YEAH, BUT, 923 00:40:21,960 --> 00:40:23,760 I DIDN'T HAVE A CLUE WHO CARL HICKMAN WAS, MAN. 924 00:40:23,800 --> 00:40:25,960 I MEAN, I KNOW NOW. 925 00:40:26,000 --> 00:40:27,280 YOU TRAVELLED HALF WAY AROUND THE WORLD, 926 00:40:27,320 --> 00:40:28,440 TO COME AND GET ME 927 00:40:28,480 --> 00:40:30,440 IN THAT CRAPPY TRAILER, 928 00:40:30,480 --> 00:40:32,400 BUT I SWEAR TO GOD, I HAD TO SEARCH YOU, MAN. 929 00:40:32,440 --> 00:40:35,600 I DIDN'T HAVE A CLUE. 930 00:40:35,640 --> 00:40:37,160 AND YOU KNOW WHAT, 931 00:40:37,200 --> 00:40:40,440 GIVEN OUR HISTORY TOGETHER, CARL, THAT IS PATHETIC. 932 00:40:40,480 --> 00:40:41,600 [LIGHT SWITCH SNAPS] 933 00:40:41,640 --> 00:40:44,240 DID YOU ACTUALLY COME BY YOURSELF? 934 00:40:44,280 --> 00:40:45,840 WHERE'S SHARI? 935 00:40:45,880 --> 00:40:48,520 THAT'S VERY BALLSY 936 00:40:48,560 --> 00:40:51,040 FOR A ONE-ARMED CARNIE SHIT SCOOPER. 937 00:40:51,080 --> 00:40:53,120 THIS IS BETWEEN ME AND YOU! 938 00:40:53,160 --> 00:40:54,440 NO, THAT CHANGED 939 00:40:54,480 --> 00:40:55,880 WHEN YOU SACRIFICED LITTLE ANIKA. 940 00:40:55,920 --> 00:40:58,200 LEAVE SHARI OUT OF IT. 941 00:40:58,240 --> 00:41:00,760 SHE'S NOT A PART OF IT! 942 00:41:00,800 --> 00:41:02,360 [GUNSHOT BLASTS] 943 00:41:02,400 --> 00:41:03,840 SHE IS NOW, SPORT. 944 00:41:03,880 --> 00:41:05,200 COME ON! 945 00:41:05,240 --> 00:41:07,160 AND FACE ME, 946 00:41:07,200 --> 00:41:09,360 YOU SON OF A BITCH! 947 00:41:09,400 --> 00:41:11,520 [LIGHT SWITCH SNAPS] 948 00:41:14,040 --> 00:41:15,800 [BLOW THUDS] 949 00:41:17,480 --> 00:41:18,840 IT'S MORE LIKE A SON OF A WHORE, 950 00:41:18,880 --> 00:41:20,760 BUT THAT WAS AN HONEST MISTAKE. 951 00:41:20,800 --> 00:41:23,360 DID YOU BRING ANY KIDS WITH YOU? 952 00:41:23,400 --> 00:41:25,520 AH, YOU GOT ME WITH THAT ONE. 953 00:41:25,560 --> 00:41:27,000 [KICK THUDS HEAVILY] 954 00:41:27,040 --> 00:41:28,200 [GROANING IN PAIN] 955 00:41:32,000 --> 00:41:34,960 A REVOLVER, REALLY? 956 00:41:35,000 --> 00:41:36,440 CARL? 957 00:41:36,480 --> 00:41:40,080 YOU REALLY THINK SIX BULLETS IS ENOUGH TO COME AT ME? 958 00:41:40,120 --> 00:41:42,920 IT ONLY TAKES ONE. 959 00:41:42,960 --> 00:41:43,840 SHUT UP. 960 00:41:43,880 --> 00:41:46,560 [COUGHING] 961 00:41:46,600 --> 00:41:48,680 STOP TALKING. 962 00:41:48,720 --> 00:41:50,240 [GROANING IN PAIN] 963 00:41:50,280 --> 00:41:52,760 I KNOW YOU PROBABLY CAN'T SEE THIS RIGHT NOW 964 00:41:52,800 --> 00:41:54,760 'CAUSE YOU'RE ALSO BLURRY-EYED, 965 00:41:54,800 --> 00:41:56,440 BUT THIS GUN HERE, 966 00:41:56,480 --> 00:41:58,560 THIS IS THE ONE THAT I USED TO KILL THE FORTUNE TELLER. 967 00:41:58,600 --> 00:42:01,080 THERE'S ONE SHOT LEFT IN THE CHAMBER. 968 00:42:01,120 --> 00:42:02,360 OH. OH, AND BEFORE I FORGET. 969 00:42:02,400 --> 00:42:06,040 SHE'D LEFT A MESSAGE FOR THE POLICE, 970 00:42:06,080 --> 00:42:09,080 TELLING THEM THAT WHEN YOU GOT BACK FROM JAIL, 971 00:42:09,120 --> 00:42:10,360 YOU WERE ALL CRAZY. 972 00:42:10,400 --> 00:42:13,640 YOU WERE ALL, LIKE, WILD-EYED AND CRAZY. 973 00:42:13,680 --> 00:42:16,960 IT WAS JUST CRAZY! 974 00:42:22,320 --> 00:42:25,000 KNOW HOW I GOT HER TO DO THAT? 975 00:42:25,040 --> 00:42:27,760 SHE WAS A LOT STRONGER THAN THAT LITTLE DUTCH GIRL, 976 00:42:27,800 --> 00:42:28,760 I'LL TELL YOU THAT, 977 00:42:28,800 --> 00:42:29,800 BUT IN THIS CASE... 978 00:42:31,520 --> 00:42:33,040 NOT SUCH A GOOD IDEA FOR HER. 979 00:42:51,320 --> 00:42:53,200 ALL RIGHT. 980 00:42:53,240 --> 00:42:55,360 SO... 981 00:42:55,400 --> 00:42:57,480 YOU ARE GOING TO GET DISCOVERED SOONER OR LATER, 982 00:42:57,520 --> 00:42:59,080 AND YOU'LL HAVE A LOT OF EXPLAINING TO DO, RIGHT? 983 00:42:59,120 --> 00:43:00,960 UM... 984 00:43:01,000 --> 00:43:03,880 THIS RIGHT HERE-- 985 00:43:03,920 --> 00:43:05,160 [HANDCUFFS RATTLING] 986 00:43:05,200 --> 00:43:06,440 JUST... 987 00:43:06,480 --> 00:43:10,880 SMELLS OF SORT OF MURDER-SUICIDE, DOESN'T IT? 988 00:43:10,920 --> 00:43:13,640 IT DOES. 989 00:43:13,680 --> 00:43:15,920 BUT YOU'RE GONNA HAVE TO DRAG LITTLE MISS FORTUNE TELLER 990 00:43:15,960 --> 00:43:17,520 OVER THERE TO THE GUN, 991 00:43:17,560 --> 00:43:19,960 YOU HAVE SHOWN A LOT OF DETERMINATION IN THE PAST. 992 00:43:20,000 --> 00:43:22,280 IN FACT, 993 00:43:22,320 --> 00:43:25,600 LET ME HELP YOU. 994 00:43:25,640 --> 00:43:26,840 LITTLE ANIKA, 995 00:43:26,880 --> 00:43:31,280 SHE TOLD ME ABOUT ANOTHER ONE OF YOUR ISSUES. 996 00:43:31,320 --> 00:43:34,680 NOW, THIS COULD BE STRONGER THAN YOU'RE USED TO, 997 00:43:34,720 --> 00:43:36,560 BUT MAYBE NOT. 998 00:43:36,600 --> 00:43:37,840 EITHER WAY, 999 00:43:37,880 --> 00:43:39,040 IT'S GOING TO HELP TAKE THE EDGE OFF 1000 00:43:39,080 --> 00:43:40,120 WHAT YOU GOTTA DO. 1001 00:43:46,240 --> 00:43:48,080 YOU KNOW, 1002 00:43:48,120 --> 00:43:50,880 I THOUGHT ABOUT JUST KILLING YOU, 1003 00:43:50,920 --> 00:43:52,640 BUT I KIND OF DID THAT ALREADY, 1004 00:43:52,680 --> 00:43:53,680 IN NEW YORK, 1005 00:43:53,720 --> 00:43:55,120 DIDN'T I? 1006 00:43:55,160 --> 00:43:57,400 I MEAN, WHAT COULD BE WORSE 1007 00:43:57,440 --> 00:43:59,040 THAN LEAVING YOU TO LIVE YOUR LIFE 1008 00:43:59,080 --> 00:44:00,520 THE WAY YOU'RE LIVING IT NOW? 1009 00:44:00,560 --> 00:44:03,160 TWICE. 1010 00:44:03,200 --> 00:44:06,560 [MOUTHS SILENTLY] 1011 00:44:12,880 --> 00:44:14,120 REBECCA! 1012 00:44:22,520 --> 00:44:25,040 REBECCA! 1013 00:44:33,880 --> 00:44:35,520 REBECCA. 65839

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.