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These are the user uploaded subtitles that are being translated: 1 00:00:16,400 --> 00:00:17,400 SO YOU FINALLY FOUND THE BOLLOCKS 2 00:00:17,440 --> 00:00:19,280 TO COME OUT IN THE OPEN. 3 00:00:19,320 --> 00:00:21,360 I DON'T HIDE. 4 00:00:21,400 --> 00:00:23,600 IS THAT WHAT YOU TELL YOURSELF NOW? 5 00:00:23,640 --> 00:00:25,240 IT'S THE TRUTH. 6 00:00:25,280 --> 00:00:26,480 WELL, LOOK AROUND YOU, BROTHER. 7 00:00:26,520 --> 00:00:29,000 IT'S NOT EXACTLY DUBLIN. 8 00:00:29,040 --> 00:00:30,720 THIS IS WHERE MY JOB IS. 9 00:00:30,760 --> 00:00:33,320 [LAUGHS] 10 00:00:33,360 --> 00:00:34,480 YOU LAUGH AGAIN, 11 00:00:34,520 --> 00:00:36,520 I'LL KNOCK THE TEETH OUT OF YOUR HEAD. 12 00:00:36,560 --> 00:00:37,840 WELL, CAREFUL, NOW. 13 00:00:37,880 --> 00:00:40,480 I'M NOT EXACTLY 10 YEARS OLD ANYMORE. 14 00:00:40,520 --> 00:00:44,240 YOU'RE NO SMARTER THAN YOU WERE BACK THEN. 15 00:00:44,280 --> 00:00:45,640 ALEX VAUGHN? 16 00:00:45,680 --> 00:00:46,640 YOU'RE RUNNING AROUND 17 00:00:46,680 --> 00:00:48,520 WITH THAT BRIT GOB-SHITE? 18 00:00:48,560 --> 00:00:50,440 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 19 00:00:50,480 --> 00:00:51,720 I SAW YOU ON THE ROOF OF THAT BANK. 20 00:00:51,760 --> 00:00:53,240 I WAS HOME WITH THE WIFE AND KIDS THAT DAY. 21 00:00:53,280 --> 00:00:54,600 I DIDN'T SAY WHAT DAY. 22 00:00:54,640 --> 00:00:56,160 PICK ONE. 23 00:00:59,160 --> 00:01:01,360 DOES DA KNOW YOU'RE WITH THIS TOSSER? 24 00:01:01,400 --> 00:01:02,920 DA? 25 00:01:04,720 --> 00:01:07,040 YOU TALK TO ME ABOUT DA? 26 00:01:07,080 --> 00:01:09,640 WHICH DO YOU THINK WOULD BOTHER HIM MORE? 27 00:01:09,680 --> 00:01:11,040 ME RUNNING WITH ALEX VAUGHAN 28 00:01:11,080 --> 00:01:12,320 OR STANDING HERE TALKING TO YOU? 29 00:01:12,360 --> 00:01:13,440 VAUGHAN IS BAD PEOPLE. 30 00:01:13,480 --> 00:01:14,840 HE NEVER TURNED GRASS. 31 00:01:14,880 --> 00:01:16,440 I'M NO GRASS. 32 00:01:16,480 --> 00:01:17,640 YOU'RE ON THE OTHER SIDE. 33 00:01:17,680 --> 00:01:19,920 I NEVER INFORMED ON THE FAMILY. 34 00:01:19,960 --> 00:01:20,920 NEVER. 35 00:01:20,960 --> 00:01:21,920 I'M TRYING TO HELP YOU. 36 00:01:21,960 --> 00:01:22,960 WHY DO YOU EVEN CARE? 37 00:01:23,000 --> 00:01:24,640 YOU'RE STILL MY BROTHER. 38 00:01:24,680 --> 00:01:28,240 I THOUGHT YOU DIDN'T WANT ME TO LAUGH. 39 00:01:31,520 --> 00:01:33,040 COLIN... 40 00:01:33,080 --> 00:01:35,720 NOW, YOU LISTEN CLOSE. 41 00:01:37,160 --> 00:01:40,120 THE NEXT TIME I SEE YOU AT A CRIME SCENE, 42 00:01:40,160 --> 00:01:41,480 I WON'T LET YOU WALK AWAY. 43 00:01:41,520 --> 00:01:43,320 YOU LET ME? 44 00:01:43,360 --> 00:01:44,840 I HAD YOU IN MY SIGHTS FIVE OR SIX TIMES, 45 00:01:44,880 --> 00:01:45,960 AND YOU KNOW I NEVER MISS. 46 00:01:46,000 --> 00:01:47,520 THEN WHY DIDN'T YOU TAKE THE SHOT? 47 00:01:47,560 --> 00:01:48,880 BECAUSE YOU WOULDN'T KNOW IT WAS ME. 48 00:01:50,480 --> 00:01:52,680 WHEN I KILL YOU, I WANT YOU TO KNOW. 49 00:01:55,880 --> 00:01:57,240 ALWAYS A TREAT, BIG BROTHER. 50 00:02:11,560 --> 00:02:12,640 IT'S OPEN. 51 00:02:12,680 --> 00:02:13,920 SEE? I TOLD YOU. 52 00:02:13,960 --> 00:02:14,920 OKAY. 53 00:02:14,960 --> 00:02:16,920 LET'S GO. 54 00:02:21,920 --> 00:02:23,880 [COCKS GUN] 55 00:02:24,760 --> 00:02:26,200 OPEN IT. 56 00:02:29,120 --> 00:02:30,320 YOU'RE CRAZY. 57 00:02:30,360 --> 00:02:32,160 YOU KNOW WHO OWNS THIS BUILDING? 58 00:02:32,200 --> 00:02:33,400 JUST OPEN IT! 59 00:02:33,440 --> 00:02:34,640 HEY, TAKE IT EASY. 60 00:02:42,440 --> 00:02:43,880 [HITS HIM] 61 00:02:45,600 --> 00:02:47,560 PAOLO, NO ONE WAS SUPPOSED TO GET HURT. 62 00:02:47,600 --> 00:02:49,400 IT'S NOT LIKE I KILLED HIM. 63 00:02:49,440 --> 00:02:51,280 HE'S GONNA HAVE A HEADACHE. 64 00:02:51,320 --> 00:02:52,560 COME ON. 65 00:02:53,880 --> 00:02:54,880 WOW. 66 00:02:56,040 --> 00:02:57,040 [LAUGHING] 67 00:02:57,920 --> 00:02:58,880 OH, MY GOD. 68 00:02:58,920 --> 00:03:00,680 THIS IS AMAZING. 69 00:03:07,520 --> 00:03:08,920 WHOA, WE HAVE TO GO. 70 00:03:09,880 --> 00:03:10,800 RUN! 71 00:03:14,000 --> 00:03:15,080 RUN! RUN! 72 00:03:15,120 --> 00:03:16,600 [SHOTS BLASTING] 73 00:03:21,600 --> 00:03:24,600 THIS WAY! THIS WAY! COME ON! 74 00:03:28,880 --> 00:03:30,200 [TIRES SQUEALING, HORN BLARING] 75 00:03:30,240 --> 00:03:31,440 MOVE! IDIOTI! 76 00:03:31,480 --> 00:03:33,480 WHAT'S GOING ON? 77 00:03:33,520 --> 00:03:34,560 I'M VERY SORRY. YOU MUST COME WITH US. 78 00:03:34,600 --> 00:03:35,400 WHAT? 79 00:03:35,440 --> 00:03:37,000 JUST DRIVE THE CAR! 80 00:03:38,160 --> 00:03:39,160 HEY, PUT THE GUN DOWN! 81 00:03:39,200 --> 00:03:40,600 WHERE THE HELL ARE YOU TAKING ME? 82 00:03:42,280 --> 00:03:43,280 YOU IDIOT! 83 00:03:43,320 --> 00:03:45,120 YOU WANT TO TELL MR. CONTI 84 00:03:45,160 --> 00:03:48,080 THAT YOU NOT ONLY LET HIM GET ROBBED, 85 00:03:48,120 --> 00:03:49,760 YOU KILLED HIS DAUGHTER? 86 00:03:49,800 --> 00:03:51,320 LET THEM? THEY ATTACKED ME! 87 00:03:53,880 --> 00:03:56,080 [MUTTERING] POOR MAN. 88 00:03:56,120 --> 00:03:56,920 [GUNSHOT] 89 00:03:58,000 --> 00:03:59,040 GET THE CARS, 90 00:03:59,080 --> 00:04:00,480 AND BRING THIS PIECE OF SHIT WITH US. 91 00:04:03,600 --> 00:04:06,040 GIANCARLO SPEAKING. 92 00:04:06,080 --> 00:04:09,360 THERE'S BEEN TROUBLE AT THE WAREHOUSE. 93 00:04:13,280 --> 00:04:14,880 DO YOU EVER GO HOME? 94 00:04:14,920 --> 00:04:17,040 YOU ARE HERE WHEN I COME IN, YOU ARE HERE WHEN I LEAVE. 95 00:04:17,080 --> 00:04:19,120 AH, SLEEP'S TOTALLY OVERRATED. 96 00:04:20,480 --> 00:04:22,080 WHAT IS THAT? 97 00:04:22,120 --> 00:04:23,360 THE BANK ROBBERY GOT ME THINKING. 98 00:04:23,400 --> 00:04:25,760 THERE HAS TO BE A WAY TO GET OUR OWN CAMERAS 99 00:04:25,800 --> 00:04:27,320 INSIDE A SCENE LIKE THAT. 100 00:04:27,360 --> 00:04:28,680 YOU KNOW? IF THEY DISABLE THE ONES THAT ARE THERE? 101 00:04:30,880 --> 00:04:31,680 LOOK. 102 00:04:34,360 --> 00:04:35,680 OH, WOW, THAT'S PRETTY COOL. 103 00:04:35,720 --> 00:04:36,680 I'M WORKING ON THE RESOLUTION, 104 00:04:36,720 --> 00:04:37,720 BUT THE TECHNOLOGY IS THERE. 105 00:04:38,720 --> 00:04:41,760 PROBLEM IS, 106 00:04:41,800 --> 00:04:42,960 I DON'T REALLY KNOW 107 00:04:43,000 --> 00:04:44,080 HOW TO GET THEM INTO WHERE WE NEED THEM. 108 00:04:44,120 --> 00:04:45,160 IT DOESN'T DO MUCH GOOD 109 00:04:45,200 --> 00:04:47,000 IF THE BAD GUYS KNOW THEY'RE THERE. 110 00:04:47,040 --> 00:04:48,480 WELL, YOU'LL FIGURE IT OUT, I GUESS. 111 00:04:48,520 --> 00:04:50,440 DID YOU FINISH YOUR REPORTS ON THE BANK ROBBERY? 112 00:04:50,480 --> 00:04:51,440 ON MY DESK. 113 00:04:51,480 --> 00:04:52,440 CAN I TAKE IT? 114 00:04:52,480 --> 00:04:54,000 SURE. 115 00:04:57,680 --> 00:05:01,000 IS THIS THE LITTLE BOY FROM GERMANY? 116 00:05:01,040 --> 00:05:02,720 YOUR EX-PARTNER'S SON? 117 00:05:02,760 --> 00:05:03,680 GUESS SO. 118 00:05:03,720 --> 00:05:05,040 YOU GUESS SO? 119 00:05:05,080 --> 00:05:06,120 WHAT DO YOU MEAN? 120 00:05:06,160 --> 00:05:07,280 YOU HAVE HIS PHOTO ON YOUR DESK. 121 00:05:07,320 --> 00:05:10,040 I HAD PHOTOS OF EVERYONE FROM THAT CASE. 122 00:05:10,080 --> 00:05:11,400 WE HAD A BOARD GOING, REMEMBER? 123 00:05:11,440 --> 00:05:13,680 YEAH, I REMEMBER. 124 00:05:15,960 --> 00:05:17,520 SORRY FOR ASKING. 125 00:05:17,560 --> 00:05:19,360 GOOD LUCK WITH YOUR CAMERA. 126 00:05:30,520 --> 00:05:31,600 SIR-- 127 00:05:31,640 --> 00:05:34,200 SORRY. 128 00:05:35,520 --> 00:05:36,600 DID YOU SLEEP HERE? 129 00:05:36,640 --> 00:05:39,240 WHAT ARE YOU DOING IN MY OFFICE? 130 00:05:39,280 --> 00:05:40,880 I JUST LEFT THE BANK ROBBERY REPORTS 131 00:05:40,920 --> 00:05:42,320 ON YOUR DESK FOR REVIEW. 132 00:05:42,360 --> 00:05:44,320 DO YOU NEED SOMETHING ELSE? 133 00:05:44,360 --> 00:05:46,160 NO. SORRY. 134 00:05:46,200 --> 00:05:47,000 EVA... 135 00:05:48,440 --> 00:05:49,640 FORGIVE ME. 136 00:05:49,680 --> 00:05:52,520 IT'S BEEN A LONG NIGHT. 137 00:05:54,440 --> 00:05:55,680 IS EVERYTHING OKAY? 138 00:05:55,720 --> 00:05:58,160 YEAH. 139 00:05:59,240 --> 00:06:02,640 PULL OVER! PULL OVER! 140 00:06:02,680 --> 00:06:04,720 CAN YOU GO GRAB US SOME FOOD? 141 00:06:04,760 --> 00:06:06,800 DON'T DO ANYTHING STUPID. 142 00:06:10,600 --> 00:06:12,000 [SHE PROTESTS]: HEY! 143 00:06:20,080 --> 00:06:20,920 GO. 144 00:06:20,960 --> 00:06:22,160 WHAT? 145 00:06:22,200 --> 00:06:23,080 GO. YOU'RE FREE. 146 00:06:23,120 --> 00:06:23,880 NO. 147 00:06:23,920 --> 00:06:24,760 WHAT DO YOU MEAN NO? 148 00:06:24,800 --> 00:06:27,160 THIS IS MY CAR. YOU GO. 149 00:06:27,200 --> 00:06:28,880 I'M THE ONE WITH THE GUN. 150 00:06:28,920 --> 00:06:30,960 WELL, I'M NOT GIVING YOU MY CAR. 151 00:06:41,120 --> 00:06:42,720 [GIANCARLO]: WE TRACKED HER CELL PHONE TO MANZANO. 152 00:06:42,760 --> 00:06:45,560 YES, DON'T WORRY, MR. CONTI. 153 00:06:49,200 --> 00:06:50,560 THERE HE IS! 154 00:06:52,080 --> 00:06:53,920 [SHOTS BLASTING] 155 00:06:54,880 --> 00:06:55,840 RUN! RUN! THEY'RE COMING! 156 00:06:55,880 --> 00:06:57,760 START THE CAR! START THE CAR! 157 00:06:57,800 --> 00:06:58,800 WE NEED TO GO! 158 00:07:01,400 --> 00:07:03,240 COME ON! COME ON! 159 00:07:03,280 --> 00:07:04,600 [GIANCARLO]: DON'T SHOOT! DON'T SHOOT! 160 00:07:09,000 --> 00:07:12,880 NO WITNESSES. COME ON. 161 00:07:14,400 --> 00:07:15,720 [♪♪♪] 162 00:08:07,240 --> 00:08:09,080 [RETCHING] 163 00:08:12,360 --> 00:08:14,640 HEY, IT'S OKAY, PAOLO. IT'S OKAY. 164 00:08:14,680 --> 00:08:16,400 IT'S NOT OKAY, ANTONIO. IT'S NOT OKAY. 165 00:08:16,440 --> 00:08:18,640 THEY SHOT INNOCENT PEOPLE. 166 00:08:18,680 --> 00:08:19,520 THEY MURDERED THEM... 167 00:08:19,560 --> 00:08:20,480 IT'S OVER, COME ON. 168 00:08:20,520 --> 00:08:22,680 HEY, YOU SAID THEY SHOT PEOPLE? 169 00:08:22,720 --> 00:08:24,240 YEAH, IN THE MARKET. 170 00:08:24,280 --> 00:08:25,680 THEY DIDN'T CARE WHO THEY HIT. 171 00:08:25,720 --> 00:08:27,520 MY FATHER'S SECURITY 172 00:08:27,560 --> 00:08:29,640 WOULD NEVER ACT LIKE THAT. 173 00:08:29,680 --> 00:08:32,840 YOU ARE... 174 00:08:32,880 --> 00:08:34,480 NICOLA CONTI IS YOUR FATHER? 175 00:08:34,520 --> 00:08:35,680 YEAH. 176 00:08:35,720 --> 00:08:37,240 THAT'S WHY THEY STOP SHOOTING AT US 177 00:08:37,280 --> 00:08:38,280 EVERY TIME WE GET NEAR HER. 178 00:08:38,320 --> 00:08:40,040 I DON'T UNDERSTAND 179 00:08:40,080 --> 00:08:42,200 WHY GIANCARLO JUST DIDN'T TAKE YOU INTO CUSTODY. 180 00:08:42,240 --> 00:08:43,760 CUSTODY? WHO DO YOU THINK THEY ARE? 181 00:08:43,800 --> 00:08:45,400 I KNOW WHO THEY ARE! 182 00:08:45,440 --> 00:08:46,880 MY FATHER IS A VERY IMPORTANT BUSINESSMAN, 183 00:08:46,920 --> 00:08:49,640 AND THOSE MEN ARE HIS SECURITY! 184 00:08:49,680 --> 00:08:51,120 WHAT KIND OF BUSINESSMAN 185 00:08:51,160 --> 00:08:52,440 HAS A WAREHOUSE FULL OF THIS, HUH? 186 00:08:52,480 --> 00:08:54,560 WHAT DID YOU THINK WE WERE STEALING? 187 00:08:54,600 --> 00:08:56,000 PAOLO, WE HAVE TO GO. COME ON. 188 00:08:57,880 --> 00:08:59,480 I'M SORRY, BUT YOU'RE COMING WITH US. 189 00:08:59,520 --> 00:09:00,960 COME ON, JUMP IN THE CAR. 190 00:09:02,400 --> 00:09:03,720 MOVE. 191 00:09:03,760 --> 00:09:04,600 COME ON, DRIVE. 192 00:09:04,640 --> 00:09:05,600 HEAD FOR THE BORDER. 193 00:09:05,640 --> 00:09:06,560 FAST! COME ON! 194 00:09:31,920 --> 00:09:34,960 [RINGS DOORBELL] 195 00:09:35,000 --> 00:09:37,000 [FOOTSTEPS APPROACH QUICKLY] 196 00:09:37,040 --> 00:09:39,120 OKAY, I HAVE TWO BAGS. 197 00:09:39,160 --> 00:09:40,720 I'LL HAVE TO CARRY THEM 198 00:09:40,760 --> 00:09:42,240 ONE AT A TIME. 199 00:09:45,760 --> 00:09:48,000 HEY, UM... I THOUGHT YOU WERE THE TAXI. 200 00:09:48,040 --> 00:09:49,560 SO I GATHER. 201 00:09:49,600 --> 00:09:51,880 I'M IN A HURRY. 202 00:09:53,600 --> 00:09:56,320 YOU GONNA PRETEND WE HAVE NOTHING TO TALK ABOUT? 203 00:09:58,280 --> 00:09:59,560 I'M NOT GOING TO APOLOGIZE 204 00:09:59,600 --> 00:10:01,680 FOR SURVIVING A LIFE OR DEATH SITUATION. 205 00:10:01,720 --> 00:10:04,920 I DON'T BLAME YOU FOR TELLING THEM THAT I'M A COP. 206 00:10:04,960 --> 00:10:05,920 I WAS ABOUT TO TELL THEM. 207 00:10:05,960 --> 00:10:07,080 I SURE WASN'T GOING TO HAVE THEM 208 00:10:07,120 --> 00:10:08,360 HURT ANYONE ELSE. 209 00:10:08,400 --> 00:10:09,200 WAS IT ABOUT THE NEEDLE? 210 00:10:09,240 --> 00:10:10,280 NO, BUT-- 211 00:10:10,320 --> 00:10:12,040 I DIDN'T WANT TO TALK ABOUT THAT, 212 00:10:12,080 --> 00:10:13,200 BUT YOUR BOSS WAS PRETTY INSISTENT. 213 00:10:14,680 --> 00:10:15,440 MY BOSS? 214 00:10:15,480 --> 00:10:16,520 THE FRENCHMAN. 215 00:10:16,560 --> 00:10:19,040 THE ROBBERS WERE THE FIRST TO TELL, 216 00:10:19,080 --> 00:10:20,640 BUT HE WANTED ME TO CORROBORATE IT. 217 00:10:20,680 --> 00:10:21,720 IN WRITING. 218 00:10:21,760 --> 00:10:23,160 IT'S NOT ABOUT THAT EITHER. 219 00:10:23,200 --> 00:10:25,080 WELL, I DON'T HAVE TIME FOR GUESSING GAMES. 220 00:10:25,120 --> 00:10:26,400 HAVE YOU GOT TIME FOR 100,000 EURO? 221 00:10:26,440 --> 00:10:27,320 I'M SORRY? 222 00:10:27,360 --> 00:10:28,280 THAT'S WHAT YOU REPORTED. 223 00:10:28,320 --> 00:10:30,760 100,000 MISSING FROM THE VAULT. 224 00:10:30,800 --> 00:10:32,360 YEAH, ONE OF THE ROBBERS GOT AWAY. 225 00:10:32,400 --> 00:10:33,760 YEAH, THE IRISH KID, THE TIGER. 226 00:10:33,800 --> 00:10:35,040 YEAH, NEWLY RICH IRISH KID. 227 00:10:35,080 --> 00:10:36,160 100,000 ISN'T RICH, 228 00:10:36,200 --> 00:10:39,080 BUT IT'S A NICE NUMBER FOR A NEW START. 229 00:10:40,040 --> 00:10:42,000 I CAME TO THE BANK THAT MORNING 230 00:10:42,040 --> 00:10:45,920 ABOUT AN ACCOUNT THAT BELONGING TO A CARNIVAL, 231 00:10:45,960 --> 00:10:48,160 AND YOU SEEMED TO KNOW WHAT I WAS TALKING ABOUT. 232 00:10:51,120 --> 00:10:52,320 WHAT DO YOU WANT? 233 00:10:52,360 --> 00:10:53,560 MY GUESS IS 234 00:10:53,600 --> 00:10:55,320 THAT YOU DON'T NEED ANYONE PAYING ATTENTION 235 00:10:55,360 --> 00:10:58,760 TO HOW YOU'RE FINANCING YOUR NEW START. 236 00:10:58,800 --> 00:10:59,840 PAYING ATTENTION? 237 00:10:59,880 --> 00:11:01,000 I WORK WITH A BUNCH OF PEOPLE, 238 00:11:01,040 --> 00:11:02,240 AND YOU KNOW WHAT, 239 00:11:02,280 --> 00:11:03,960 THEY WILL TRACK YOU ANYWHERE IN THE WORLD. 240 00:11:04,000 --> 00:11:05,600 THEY'RE GOOD. THEY'RE REALLY GOOD. 241 00:11:05,640 --> 00:11:07,760 AND THE MOMENT YOU SPEND A PENNY MORE THAN YOU SHOULD, 242 00:11:07,800 --> 00:11:11,840 GUESS WHAT? I'LL BE THERE. 243 00:11:11,880 --> 00:11:13,080 OR? 244 00:11:13,120 --> 00:11:15,080 OR I'LL IGNORE YOU FOR THE REST OF OUR LIVES. 245 00:11:15,120 --> 00:11:16,320 FORGET WE EVER MET. 246 00:11:16,360 --> 00:11:18,240 IF? 247 00:11:23,360 --> 00:11:24,800 IF YOU CLOSE THAT ACCOUNT. 248 00:11:27,040 --> 00:11:28,880 THAT'S MY NUMBER. 249 00:11:28,920 --> 00:11:32,400 ANIKA, CALL ME WHEN IT'S DONE. 250 00:11:46,680 --> 00:11:50,400 HOLD THE GUN, I'LL BE RIGHT BACK. 251 00:11:50,440 --> 00:11:51,640 AND I NEED TO GO. 252 00:11:51,680 --> 00:11:52,840 WHAT? 253 00:11:52,880 --> 00:11:55,280 UNLESS YOU WANT ME TO PEE RIGHT HERE. 254 00:11:55,320 --> 00:11:56,560 JUST GIVE ME THE KEY. 255 00:11:56,600 --> 00:11:58,160 EXCUSE ME, I'M NOT STUPID. YOU'D LEAVE ME. 256 00:11:58,200 --> 00:11:59,520 WHO'S THE HOSTAGE? 257 00:11:59,560 --> 00:12:01,320 I'M NOT GIVING YOU MY CAR. 258 00:12:53,600 --> 00:12:54,880 HI. 259 00:12:59,240 --> 00:13:00,280 THANK YOU FOR COMING. 260 00:13:05,320 --> 00:13:06,480 I'VE BEEN WALKING. 261 00:13:06,520 --> 00:13:08,280 ALL NIGHT? 262 00:13:08,320 --> 00:13:10,680 IT DIDN'T SEEM SO UNTIL THE SUN CAME UP. 263 00:13:10,720 --> 00:13:12,360 LOUIS HAS BEEN CALLING YOU. 264 00:13:12,400 --> 00:13:14,560 THAT'S WHY I THREW MY PHONE AWAY. 265 00:13:14,600 --> 00:13:16,720 YOU THREW IT AWAY? 266 00:13:16,760 --> 00:13:18,440 IN THE RIVER. 267 00:13:18,480 --> 00:13:20,960 FROM A BRIDGE. 268 00:13:22,240 --> 00:13:25,040 WELL, HE IS VERY WORRIED ABOUT YOU. 269 00:13:26,200 --> 00:13:27,960 I WANT TO APOLOGIZE. 270 00:13:28,000 --> 00:13:29,440 I WAS CRUEL TO YOU 271 00:13:29,480 --> 00:13:31,400 YESTERDAY ON THE TRAIN. 272 00:13:31,440 --> 00:13:32,640 YOU DID NOT DESERVE THAT. 273 00:13:32,680 --> 00:13:36,560 CRUELTY AND HONESTY, 274 00:13:36,600 --> 00:13:39,600 IT'S VERY HARD TO SEPARATE THE TWO OF THEM SOMETIMES. 275 00:13:39,640 --> 00:13:43,080 I KNOW WHAT I INTENDED, AND THAT WAS TO HURT YOU. 276 00:13:44,720 --> 00:13:46,720 AND I'M SORRY. 277 00:13:47,920 --> 00:13:50,720 "IN ORDER TO MOVE OTHERS DEEPLY, 278 00:13:50,760 --> 00:13:54,520 WE MUST DELIBERATELY ALLOW OURSELVES 279 00:13:54,560 --> 00:13:55,760 TO BE CARRIED AWAY 280 00:13:55,800 --> 00:13:59,760 BEYOND THE BOUNDS OF OUR NORMAL SENSIBILITIES." 281 00:14:01,280 --> 00:14:02,080 JOSEPH CONRAD. 282 00:14:02,880 --> 00:14:04,840 THE IMMORTAL. 283 00:14:04,880 --> 00:14:05,880 WHAT IF CRUELTY BECOMES 284 00:14:05,920 --> 00:14:07,760 MY NORMAL SENSIBILITY? 285 00:14:07,800 --> 00:14:09,120 THAT'S NONSENSE. 286 00:14:09,160 --> 00:14:12,280 THIS HAS BEEN A VERY DIFFICULT TIME FOR ALL OF US, 287 00:14:12,320 --> 00:14:14,400 BUT WE WILL PERSEVERE. 288 00:14:14,440 --> 00:14:16,520 IT IS WHO WE ARE, REBECCA. 289 00:14:18,680 --> 00:14:20,120 DID YOU TELL LOUIS I WAS HERE? 290 00:14:21,520 --> 00:14:23,760 NO. YOU ASKED ME NOT TO. 291 00:14:25,480 --> 00:14:26,240 WILL YOU CALL HIM? 292 00:14:26,280 --> 00:14:27,880 YES, OF COURSE I WILL. 293 00:14:27,920 --> 00:14:29,920 SHALL I TELL HIM YOU'RE HERE? 294 00:14:29,960 --> 00:14:31,520 YEAH. PLEASE. 295 00:14:31,560 --> 00:14:34,000 I NEED TO WORK THINGS OUT. 296 00:14:39,360 --> 00:14:41,440 YOU'RE LOOKING FOR ME? 297 00:14:41,480 --> 00:14:43,480 YEAH. 298 00:14:43,520 --> 00:14:45,640 DID YOU TALK TO ANNE-MARIE THIS MORNING? 299 00:14:45,680 --> 00:14:46,760 NO. 300 00:14:46,800 --> 00:14:48,320 ALL RIGHT, LISTEN. 301 00:14:48,360 --> 00:14:50,600 [PLAYS BACK VOICE MAIL] MAJOR, THIS IS ANNE-MARIE. 302 00:14:50,640 --> 00:14:55,080 I GOT A CALL ABOUT AN OPEN CASE THAT I LEFT AT MY OLD UNIT, 303 00:14:55,120 --> 00:14:57,400 A GROUP OF TRAFFICKED WOMEN COMING TO THE SOUTH OF CALAIS. 304 00:14:57,440 --> 00:14:59,000 I'M GOING TO HELP MY FORMER TEAM MAKE THE ARREST 305 00:14:59,040 --> 00:15:00,360 SO I CAN CLOSE THE CASE. 306 00:15:00,400 --> 00:15:01,680 I'LL LET YOU KNOW WHEN I'M BACK, 307 00:15:01,720 --> 00:15:03,920 AND I HAVE MY ICC CELL IF YOU NEED ME. BYE. 308 00:15:06,520 --> 00:15:09,040 SHE NEVER CHECKED BACK IN, AND I CAN'T REACH HER. 309 00:15:09,080 --> 00:15:10,960 DO YOU KNOW IF SHE EVER MADE THE ARREST? 310 00:15:11,000 --> 00:15:12,360 CAN YOU ASK SEBASTIAN 311 00:15:12,400 --> 00:15:14,160 IF THERE IS ANY RECORD OF THE ARREST IN THE SYSTEM? 312 00:15:14,200 --> 00:15:15,720 SURE. 313 00:15:15,760 --> 00:15:17,520 THANK YOU. 314 00:15:17,560 --> 00:15:22,280 YOU ASKED ME ABOUT MY NEEDLE AFTER THE BANK ROBBERY. 315 00:15:22,320 --> 00:15:24,000 WHO TOLD YOU ABOUT THAT? 316 00:15:24,040 --> 00:15:27,320 THE ROBBER, VAUGHAN. 317 00:15:27,360 --> 00:15:28,440 HE TOLD THE LOCAL CHIEF, 318 00:15:28,480 --> 00:15:29,720 AND THE LOCAL CHIEF TOLD ME. 319 00:15:29,760 --> 00:15:31,360 DID YOU TALK TO ANYBODY ELSE? 320 00:15:32,320 --> 00:15:34,120 YEAH. 321 00:15:34,160 --> 00:15:36,200 THE BANK MANAGER. 322 00:15:36,240 --> 00:15:37,320 SHE CONFIRMED IT, 323 00:15:37,360 --> 00:15:40,720 IN WRITING. 324 00:15:40,760 --> 00:15:41,680 YOU WANT TO SEE? 325 00:15:41,720 --> 00:15:45,280 NO, THANKS. I WAS THERE. 326 00:15:45,320 --> 00:15:46,800 [CELL PHONE RINGS] 327 00:15:49,400 --> 00:15:50,560 DORN? 328 00:15:50,600 --> 00:15:52,120 HEY. 329 00:15:52,160 --> 00:15:53,080 SWITCH ON THE TV. 330 00:15:53,120 --> 00:15:54,760 THERE'S SOMETHING YOU SHOULD SEE. 331 00:15:56,200 --> 00:15:59,600 20 DEAD IN A MASS SHOOTING IN MANZANO, ITALY, 332 00:15:59,640 --> 00:16:02,840 INCLUDING THE ALLEGED SHOOTER, THIS MAN. 333 00:16:02,880 --> 00:16:04,960 PRELIMINARY REPORTS IDENTIFY HIM 334 00:16:05,000 --> 00:16:07,880 AS A LOCAL FARMER WHO COMMITTED SUICIDE AT THE SCENE. 335 00:16:07,920 --> 00:16:09,200 THAT'S HORRIBLE. 336 00:16:09,240 --> 00:16:11,080 NO, IT'S MORE THAN HORRIBLE. 337 00:16:11,120 --> 00:16:12,480 WHAT DO YOU MEAN? 338 00:16:12,520 --> 00:16:13,960 I MEAN THAT THIS GUY IS NOT A FARMER. 339 00:16:14,000 --> 00:16:15,360 HE'S A MEMBER OF AN ORGANIZED CRIME GROUP 340 00:16:15,400 --> 00:16:16,160 CALLED NDRANGHETA. 341 00:16:16,200 --> 00:16:18,080 IT'S A KIND OF MAFIA. 342 00:16:18,120 --> 00:16:20,080 I ARRESTED HIM BEFORE. 343 00:16:20,120 --> 00:16:22,520 HIS NAME IS GINO FRUSCETTI. 344 00:16:23,640 --> 00:16:25,640 CARL, I NEED TO GO SOMEWHERE. 345 00:16:25,680 --> 00:16:27,320 CAN YOU TAKE CHARGE HERE? 346 00:16:27,360 --> 00:16:28,200 OKAY? 347 00:16:28,240 --> 00:16:29,520 YEAH, YOU GOT IT. 348 00:16:29,560 --> 00:16:30,360 GOOD. 349 00:16:32,400 --> 00:16:34,120 THE LOCALS THINK I'M WRONG. 350 00:16:34,160 --> 00:16:35,920 THEY HAVE A WITNESS WHO SAYS HE KNEW HIM 351 00:16:35,960 --> 00:16:38,320 AND CONFIRMS HE WAS BOTH A FARMER AND THE SHOOTER. 352 00:16:38,360 --> 00:16:39,320 COULD YOU BE MISTAKEN? 353 00:16:39,360 --> 00:16:40,600 NO. 354 00:16:40,640 --> 00:16:41,640 I NOT ONLY ARRESTED HIM, I KNOW WHO HE WORKS FOR. 355 00:16:41,680 --> 00:16:43,760 DID YOU GUYS SEE THE MASS SHOOTING? 356 00:16:43,800 --> 00:16:45,640 YEAH, WE WERE JUST TALKING ABOUT IT. 357 00:16:45,680 --> 00:16:46,720 THE GUY THEY SAY IS THE SHOOTER 358 00:16:46,760 --> 00:16:48,600 IS SOMEONE I ARRESTED IN ITALY. 359 00:16:48,640 --> 00:16:50,240 THEY CAUGHT THE SHOOTER ALREADY? 360 00:16:50,280 --> 00:16:51,400 YEAH, WELL, THEY SAY HE'S A LOCAL FARMER. 361 00:16:51,440 --> 00:16:52,840 LOCAL? DIDN'T EVEN KNOW THEY HAD FARMS 362 00:16:52,880 --> 00:16:54,120 IN THAT PART OF SLOVENIA. 363 00:16:54,160 --> 00:16:55,840 IT'S NOT IN SLOVENIA. IT'S IN ITALY. 364 00:16:55,880 --> 00:16:57,680 NO, IT'S SLOVENIA. 365 00:16:57,720 --> 00:16:59,240 YOU'RE BOTH RIGHT. 366 00:16:59,280 --> 00:17:02,320 THERE'S A SECOND MASS SHOOTING 367 00:17:02,360 --> 00:17:03,640 AT A PETROL STATION NEAR BRDA, SLOVENIA. 368 00:17:03,680 --> 00:17:05,600 AT LEAST NINE DEAD THERE. 369 00:17:05,640 --> 00:17:06,960 TWO MASS SHOOTINGS? 370 00:17:07,000 --> 00:17:08,520 [EVA]: THEY'RE NOT EVEN AN HOUR APART. 371 00:17:08,560 --> 00:17:11,280 CAN'T BE A COINCIDENCE. 372 00:17:12,280 --> 00:17:15,520 [♪♪♪] 373 00:17:23,880 --> 00:17:25,920 AND YOU'RE SURE THAT THIS GUY THEY SAY IS THE SHOOTER, 374 00:17:25,960 --> 00:17:27,720 HE'S NOT A FARMER BUT SOME MAFIA GUY? 375 00:17:27,760 --> 00:17:30,120 YEAH. HE WORKS FOR AN NDRANGHETA BOSS 376 00:17:30,160 --> 00:17:31,960 CALLED NICOLA CONTI. 377 00:17:32,000 --> 00:17:34,120 HE'S BASED RIGHT IN THAT AREA. 378 00:17:34,160 --> 00:17:35,760 I KNOW HIM VERY WELL. 379 00:17:35,800 --> 00:17:37,200 THEN WE'VE GOT THIS SECOND SHOOTING SCENE AN HOUR AWAY. 380 00:17:37,240 --> 00:17:38,960 SAME TYPE OF WEAPONS. 381 00:17:39,000 --> 00:17:40,200 IT'S A MASS MURDER SPREE STILL MOVING. 382 00:17:40,240 --> 00:17:41,400 IF THIS AIN'T SOMETHING FOR US, 383 00:17:41,440 --> 00:17:42,520 THEN WHAT THE HELL IS? 384 00:17:43,520 --> 00:17:45,600 SEBASTIAN, TOMMY, GO TO THE LATEST SCENE IN SLOVENIA. 385 00:17:45,640 --> 00:17:46,880 EVA, YOU AND I 386 00:17:46,920 --> 00:17:49,280 ARE GOING TO GO TALK TO THIS MAFIA GUY, CONTI. 387 00:17:49,320 --> 00:17:51,760 I'LL LET LOUIS KNOW WHAT'S GOING ON. 388 00:17:56,280 --> 00:17:57,720 GOD, YOU'RE SO BEAUTIFUL. 389 00:17:57,760 --> 00:18:01,600 I'M SORRY I WORRIED YOU. 390 00:18:03,640 --> 00:18:04,640 IT'S FINE. 391 00:18:04,680 --> 00:18:06,200 NO, IT'S NOT FINE. 392 00:18:06,240 --> 00:18:08,040 I WAS ANGRY. 393 00:18:08,080 --> 00:18:09,640 BUT THAT WASN'T THE WAY TO HANDLE IT. 394 00:18:09,680 --> 00:18:12,640 YOU ARE ANGRY ABOUT THE BUGS? 395 00:18:12,680 --> 00:18:13,920 YES, BUT MOSTLY 396 00:18:13,960 --> 00:18:15,560 ABOUT YOU SENDING MICHEL TO HANDLE TELLING ME. 397 00:18:15,600 --> 00:18:17,200 THAT WAS NOT MY INTENTION. 398 00:18:17,240 --> 00:18:18,160 HICKMAN WAS TRAPPED-- 399 00:18:18,200 --> 00:18:19,360 I DON'T NEED TO KNOW. 400 00:18:19,400 --> 00:18:22,400 IT MAY HAVE BEEN PERFECTLY LEGITIMATE, LOUIS, 401 00:18:22,440 --> 00:18:23,600 BUT IT TOOK PRECEDENCE. 402 00:18:23,640 --> 00:18:25,920 OVER US. OVER ME. 403 00:18:25,960 --> 00:18:27,760 AGAIN. 404 00:18:27,800 --> 00:18:29,520 [CELL PHONE RINGS] 405 00:18:29,560 --> 00:18:31,320 [CLEARS THROAT AWKWARDLY] 406 00:18:31,360 --> 00:18:32,760 I'M SORRY, EXCUSE ME. 407 00:18:32,800 --> 00:18:35,440 [TURNS OFF PHONE] 408 00:18:35,480 --> 00:18:37,640 WE NEED TO USE THE BUGS 409 00:18:37,680 --> 00:18:40,600 TO GET DISINFORMATION TO THE RUSSIANS. 410 00:18:40,640 --> 00:18:41,680 DORN TOLD YOU THAT? 411 00:18:41,720 --> 00:18:44,120 I DIDN'T NEED TO BE TOLD, LOUIS. 412 00:18:44,160 --> 00:18:45,160 I WAS A PROSECUTOR, 413 00:18:45,200 --> 00:18:47,520 REMEMBER? 414 00:18:47,560 --> 00:18:48,680 WHEN WILL WE DO IT? 415 00:18:48,720 --> 00:18:49,600 I WILL ASK DORN TO-- 416 00:18:49,640 --> 00:18:50,640 SOON. 417 00:18:50,680 --> 00:18:52,240 I NEED THIS TO BE OVER. 418 00:18:52,280 --> 00:18:53,040 SO DO I. 419 00:18:53,080 --> 00:18:55,160 NOT IN THE WAY I DO. 420 00:18:56,280 --> 00:18:57,600 WHAT DO YOU MEAN? 421 00:18:57,640 --> 00:18:59,760 I'M STUCK. 422 00:18:59,800 --> 00:19:02,120 LIKE A CAR IN MUD. 423 00:19:02,160 --> 00:19:05,480 I CAN'T... 424 00:19:05,520 --> 00:19:06,440 I CAN'T MOVE FORWARD, 425 00:19:06,480 --> 00:19:09,560 I CAN'T MOVE BACKWARD, 426 00:19:09,600 --> 00:19:11,320 AND I'M SINKING, 427 00:19:11,360 --> 00:19:13,000 DEEPER EVERY DAY. 428 00:19:13,040 --> 00:19:14,320 MAYBE-- 429 00:19:14,360 --> 00:19:16,760 NO, LISTEN. 430 00:19:16,800 --> 00:19:17,960 YOU HAVE YOUR WORK. 431 00:19:18,000 --> 00:19:20,360 YOUR TEAM, YOUR LIFE. 432 00:19:20,400 --> 00:19:21,520 I HAVE NOTHING. 433 00:19:21,560 --> 00:19:23,360 I GAVE IT ALL UP FOR A FAMILY. 434 00:19:23,400 --> 00:19:25,000 BUT NOW ETIENNE'S GONE... 435 00:19:26,160 --> 00:19:27,440 AND I HAVE NOTHING. 436 00:19:27,480 --> 00:19:30,680 WE WILL DO WHATEVER IT IS WE NEED TO DO 437 00:19:30,720 --> 00:19:34,360 TO MAKE THEM PAY FOR KILLING OUR SON. 438 00:19:34,400 --> 00:19:35,640 WHATEVER. 439 00:19:37,520 --> 00:19:38,280 YES. 440 00:19:38,320 --> 00:19:40,040 AND THEN... 441 00:19:40,080 --> 00:19:42,320 WE'LL GET ON WITH OUR LIVES. 442 00:19:42,360 --> 00:19:45,160 YES. 443 00:19:47,160 --> 00:19:50,160 YOU KNOW, I'VE BEEN THINKING 444 00:19:50,200 --> 00:19:54,680 WE NEED TIME FOR YOU AND ME. 445 00:19:54,720 --> 00:19:57,640 LIKE A LONG HOLIDAY. 446 00:19:57,680 --> 00:20:00,960 WHEN IT'S OVER. 447 00:20:01,000 --> 00:20:04,240 LOUIS... 448 00:20:04,280 --> 00:20:07,840 BY "GETTING ON WITH OUR LIVES," 449 00:20:07,880 --> 00:20:09,200 I MEAN A DIVORCE. 450 00:20:09,240 --> 00:20:10,960 [STIFLES A GASP] 451 00:20:17,200 --> 00:20:18,400 I'M GOING HOME TO PARIS. 452 00:20:18,440 --> 00:20:20,200 GET THERE AS SOON YOU CAN 453 00:20:20,240 --> 00:20:21,840 SO WE CAN DO WHAT NEEDS TO BE DONE-- 454 00:20:21,880 --> 00:20:22,920 [CELL PHONE RINGS] 455 00:20:22,960 --> 00:20:26,480 AND I CAN LEAVE THAT APARTMENT FOREVER. 456 00:20:26,520 --> 00:20:27,720 ANSWER YOUR PHONE. 457 00:20:27,760 --> 00:20:30,280 THE JOB IS CALLING. 458 00:20:30,320 --> 00:20:34,920 [CELL PHONE RINGING] 459 00:20:39,160 --> 00:20:41,080 AND THERE'S ANOTHER ONE NEARBY? 460 00:20:41,120 --> 00:20:42,880 YEAH, JUST ACROSS THE BORDER IN SLOVENIA. 461 00:20:42,920 --> 00:20:45,000 BUT YOU DON'T KNOW THEY'RE CONNECTED? 462 00:20:45,040 --> 00:20:46,440 SIR, I KNOW FOR SURE 463 00:20:46,480 --> 00:20:48,000 THE MAN THEY SAY IS RESPONSIBLE FOR THE FIRST ONE 464 00:20:48,040 --> 00:20:49,480 IS NOT WHO THEY SAY HE IS. 465 00:20:49,520 --> 00:20:51,080 THERE IS DEFINITELY SOMETHING ODD GOING ON THERE, 466 00:20:51,120 --> 00:20:53,320 SOMETHING CRIMINAL. 467 00:20:53,360 --> 00:20:56,880 SERGEANT, AS CHARMED AS I AM BY YOUR PASSION, 468 00:20:56,920 --> 00:20:59,240 I CANNOT GO INTO THE COURT AND SAY, 469 00:20:59,280 --> 00:21:02,640 "THERE'S SOMETHING ODD GOING ON THERE." 470 00:21:02,680 --> 00:21:04,760 IT'S MY PROFESSIONAL JUDGMENT THAT THIS IS SOMETHING 471 00:21:04,800 --> 00:21:07,040 THAT ABSOLUTELY FALLS UNDER OUR PURVIEW. 472 00:21:07,080 --> 00:21:08,960 I'D STAKE MY REPUTATION ON IT. 473 00:21:09,000 --> 00:21:11,400 SERGEANT VITTORIA, 474 00:21:11,440 --> 00:21:13,960 WOULD YOU EXCUSE US, PLEASE? 475 00:21:15,120 --> 00:21:17,440 SERGEANT? 476 00:21:25,520 --> 00:21:26,720 SIT DOWN. 477 00:21:33,960 --> 00:21:35,760 SO YOU'RE WILLING TO STAKE YOUR REPUTATION ON IT? 478 00:21:35,800 --> 00:21:37,080 ABSOLUTELY. 479 00:21:37,120 --> 00:21:38,280 AND WHO EXACTLY 480 00:21:38,320 --> 00:21:41,000 DO YOU THINK YOU ARE REPUTED TO BE? 481 00:21:42,960 --> 00:21:45,560 WELL... HOW ABOUT I WAS A NEW YORK CITY DETECTIVE 482 00:21:45,600 --> 00:21:46,760 FOR 20 YEARS. 483 00:21:46,800 --> 00:21:49,040 YOU ARE A DRUG ADDICT, DETECTIVE HICKMAN. 484 00:21:49,080 --> 00:21:50,880 RECOVERING DRUG ADDICT. 485 00:21:50,920 --> 00:21:52,520 IT'S MY UNDERSTANDING 486 00:21:52,560 --> 00:21:54,480 THAT YOU'VE RECENTLY BEGUN SHOOTING UP. 487 00:21:54,520 --> 00:21:56,520 FAIRLY RECENTLY, BUT THAT'S ONLY-- 488 00:21:56,560 --> 00:21:59,240 A NUMBING AGENT. I KNOW. I HEARD. 489 00:21:59,280 --> 00:22:01,920 I HAVE NO IDEA WHY LOUIS DECIDED 490 00:22:01,960 --> 00:22:04,000 THAT YOU WOULD BE THE PERSON TO TAKE CHARGE 491 00:22:04,040 --> 00:22:05,280 IN HIS ABSENCE, 492 00:22:05,320 --> 00:22:06,840 BUT HIS TRUST IN YOU 493 00:22:06,880 --> 00:22:10,680 IS WHAT IS MEANINGFUL TO ME TODAY, 494 00:22:10,720 --> 00:22:12,360 NOT YOUR WILLINGNESS 495 00:22:12,400 --> 00:22:15,360 TO STAKE YOUR TATTERED REPUTATION. 496 00:22:15,400 --> 00:22:18,120 WELL, I HAVE NO IDEA WHY HE PUT ME IN CHARGE EITHER. 497 00:22:18,160 --> 00:22:20,360 BUT HE DID. 498 00:22:20,400 --> 00:22:22,440 NOW, I'D LOVE TO SIT WITH YOU SOMEDAY 499 00:22:22,480 --> 00:22:23,880 AND DISCUSS MY DRUG ADDICTIONS 500 00:22:23,920 --> 00:22:25,920 AND THE HELL THAT I LIVE THROUGH EVERY GODDAMNED MINUTE 501 00:22:25,960 --> 00:22:26,920 TO STAY OFF THEM, 502 00:22:26,960 --> 00:22:28,520 DESPITE MEDICALLY NEEDING THEM, 503 00:22:28,560 --> 00:22:30,840 JUST TO FUNCTION ON THIS TEAM. 504 00:22:30,880 --> 00:22:32,640 BUT RIGHT NOW 505 00:22:32,680 --> 00:22:34,600 WHAT I NEED FROM YOU 506 00:22:34,640 --> 00:22:36,280 IS TO ASK THE COURT 507 00:22:36,320 --> 00:22:38,920 TO LET US HANDLE THESE MOVING MASS MURDERERS. 508 00:22:41,000 --> 00:22:42,440 HAVE YOU ALREADY SENT YOUR TEAM OUT THERE? 509 00:22:42,480 --> 00:22:44,720 McCONNELL AND BERGER ARE THERE AT THE SECOND SCENE. 510 00:22:44,760 --> 00:22:46,120 THEY HAVEN'T DONE ANYTHING, 511 00:22:46,160 --> 00:22:47,960 AND I CAN CERTAINLY CALL THEM BACK. 512 00:22:48,000 --> 00:22:49,680 NO. 513 00:22:49,720 --> 00:22:50,840 LET THEM DO THEIR WORK. 514 00:22:50,880 --> 00:22:53,400 I'LL DEAL WITH THE COURT. 515 00:22:54,400 --> 00:22:57,960 STOP WHOEVER IT IS WHO IS KILLING PEOPLE OUT THERE. 516 00:23:08,520 --> 00:23:10,160 OKAY. THAT MUST BE HER. 517 00:23:11,680 --> 00:23:13,400 TOMMY McCONNELL. THIS IS SEBASTIAN BERGER. 518 00:23:13,440 --> 00:23:14,600 WE'RE FROM THE ICC. 519 00:23:14,640 --> 00:23:15,840 MARINA NOVEK, 520 00:23:15,880 --> 00:23:17,880 SENIOR CRIMINALIST OF THE NATIONAL POLICE. 521 00:23:17,920 --> 00:23:19,040 I WAS TOLD YOU WERE COMING. 522 00:23:19,080 --> 00:23:20,840 GOOD. DO YOU MIND IF I TAKE A LOOK AROUND? 523 00:23:20,880 --> 00:23:21,880 PLEASE. 524 00:23:36,160 --> 00:23:37,640 [SHELL CASINGS CLATTERING] 525 00:23:44,280 --> 00:23:45,120 [BULLET SNIPES] 526 00:23:45,960 --> 00:23:48,400 [GLASS BREAKS] 527 00:23:57,960 --> 00:24:00,920 THERE WERE FIVE SHOOTERS FIRING AT A CAR HERE. 528 00:24:00,960 --> 00:24:03,000 SOMEONE FIRED TWO SHOTS FROM BACK THERE, 529 00:24:03,040 --> 00:24:04,720 HIT ONE OF THEM, THEN LEFT. 530 00:24:06,920 --> 00:24:09,040 I'LL GET THE SCANGEN. 531 00:24:15,520 --> 00:24:17,200 [THUNDER RUMBLES OVERHEAD] 532 00:24:25,280 --> 00:24:26,800 OKAY, CLEAR. 533 00:24:31,280 --> 00:24:32,520 THE LAST CAR THERE 534 00:24:32,560 --> 00:24:35,480 WOULD HAVE LEFT A RESIDUE OF ITS TIRE TRACKS. 535 00:24:35,520 --> 00:24:37,920 LET ME ISOLATE ONE. 536 00:24:37,960 --> 00:24:44,600 NOW, I CAN RUN THAT THROUGH TIRE PATTERN DATABASES... 537 00:24:47,360 --> 00:24:49,600 OKAY, THAT TIRE, THAT PATTERN, 538 00:24:49,640 --> 00:24:51,240 THAT WEIGHT AND THAT WHEELBASE, 539 00:24:51,280 --> 00:24:56,120 WE'RE PROBABLY LOOKING FOR A 2011 BMW CONVERTIBLE. 540 00:24:56,160 --> 00:24:57,360 CONVERTIBLE? 541 00:24:57,400 --> 00:24:58,440 THERE'S ONLY TAIL LIGHT GLASS THERE, 542 00:24:58,480 --> 00:25:01,640 AND HE SAID THEY SHOT BACK, RIGHT? 543 00:25:01,680 --> 00:25:03,720 HARD TO DO WITHOUT BREAKING WINDOWS. 544 00:25:03,760 --> 00:25:05,360 AND IT'S BLACK! 545 00:25:05,400 --> 00:25:07,080 PAINT TRANSFERS. 546 00:25:07,120 --> 00:25:09,360 LOW TECH, BUT EFFECTIVE. 547 00:25:11,000 --> 00:25:12,000 YOU SHOULD TELL YOUR HIGHWAY UNITS 548 00:25:12,040 --> 00:25:13,280 TO BE ON THE LOOKOUT FOR THAT CAR. 549 00:25:13,320 --> 00:25:15,120 RIGHT, OKAY. 550 00:25:19,360 --> 00:25:20,480 SOMETHING'S NOT RIGHT. 551 00:25:20,520 --> 00:25:22,600 HOW DID THEY GET AWAY? 552 00:25:22,640 --> 00:25:26,480 FIVE GUYS WITH MACHINE GUNS SHOOTING FROM HERE. 553 00:25:26,520 --> 00:25:28,000 THEY LET THAT CAR BACK OUT AND LEAVE? 554 00:25:28,040 --> 00:25:30,680 THAT WHOLE AREA BACK THERE SHOULD BE FULL OF HOLES. 555 00:25:30,720 --> 00:25:33,440 IT'S LIKE THEY DIDN'T WANT TO HIT THEM. 556 00:25:33,480 --> 00:25:35,080 THEY DIDN'T WANT TO HIT ONE OF THEM. 557 00:25:35,120 --> 00:25:38,640 BUT WHERE ARE THEY NOW? 558 00:25:42,120 --> 00:25:42,920 HELP! 559 00:25:42,960 --> 00:25:44,120 HELP! 560 00:25:44,160 --> 00:25:45,640 THEY SHOT HIM! 561 00:26:16,400 --> 00:26:19,720 [CELL PHONE VIBRATES] 562 00:26:21,360 --> 00:26:22,320 ANGELA? 563 00:26:22,360 --> 00:26:23,160 PAPA? 564 00:26:23,200 --> 00:26:25,120 ANGELA, WHERE ARE YOU? 565 00:26:40,600 --> 00:26:41,440 DID YOU HEAR ANYTHING? 566 00:26:41,480 --> 00:26:44,160 THEY'RE STILL WORKING ON HIM. 567 00:26:48,760 --> 00:26:51,800 THESE ARE GUNSHOT WOUNDS. CALL THE POLICE. 568 00:26:59,640 --> 00:27:00,920 HE SAID IT WAS GOING TO BE EASY. 569 00:27:00,960 --> 00:27:02,320 WE'D WATCHED IT FOR WEEKS. 570 00:27:02,360 --> 00:27:03,680 NO ONE EVEN REALLY GUARDED THE STUFF. 571 00:27:03,720 --> 00:27:04,920 THEY WERE LAZY. 572 00:27:04,960 --> 00:27:06,440 WHY, ANTONIO? 573 00:27:06,480 --> 00:27:08,000 WHY STEAL FROM MY FATHER? 574 00:27:14,080 --> 00:27:15,440 A FEW YEARS AGO, 575 00:27:15,480 --> 00:27:18,440 YOUR FATHER TOOK OVER ALL THE LAND AROUND OUR AREA, 576 00:27:18,480 --> 00:27:19,640 INCLUDING OUR FARMS. 577 00:27:19,680 --> 00:27:21,680 WITH THE HELP OF A CORRUPT JUDGE, 578 00:27:21,720 --> 00:27:24,480 HE STOLE ALL THE LAND FROM UNDER EVERYONE. 579 00:27:24,520 --> 00:27:27,000 THEN HE FORCED THEM TO GROW DRUGS INSTEAD OF FOOD. 580 00:27:29,600 --> 00:27:31,960 THEN THE POLICE EVENTUALLY RAIDED THE FARMS, 581 00:27:32,000 --> 00:27:34,520 BUT HE SAID HE WAS JUST A LANDLORD 582 00:27:34,560 --> 00:27:36,800 WHO HAD NO CONTROL OVER WHAT THE TENANTS WAS DOING. 583 00:27:40,560 --> 00:27:42,280 INSTEAD OF THE HUMILIATION OF PRISON, 584 00:27:42,320 --> 00:27:44,000 MY FATHER HUNG HIMSELF IN OUR BARN. 585 00:27:50,320 --> 00:27:51,440 OF COURSE IT'S UP TO US NOW 586 00:27:51,480 --> 00:27:53,280 TO TAKE CARE OF MY MOTHER AND SISTERS, 587 00:27:53,320 --> 00:27:55,040 BUT THE ARMY TOOK THE PROPERTY AWAY, 588 00:27:55,080 --> 00:28:00,080 SAID WE LOST IT WHEN WE USED IT FOR DRUGS, SO... 589 00:28:00,120 --> 00:28:01,160 [SIGHS] 590 00:28:01,200 --> 00:28:02,920 THAT'S WHY. 591 00:28:02,960 --> 00:28:04,400 THAT'S WHY WE DECIDED 592 00:28:04,440 --> 00:28:06,760 TO TAKE SOME MONEY FROM YOUR FATHER, 593 00:28:06,800 --> 00:28:10,120 TO SURVIVE. 594 00:28:10,160 --> 00:28:12,880 I'M SO SORRY. 595 00:28:15,320 --> 00:28:16,760 IT'S NOT YOU. 596 00:28:16,800 --> 00:28:19,920 IT'S NOT YOU, IT'S YOUR FATHER. 597 00:28:28,600 --> 00:28:30,080 EVA! 598 00:28:30,120 --> 00:28:31,680 EVA VITTORIA, 599 00:28:31,720 --> 00:28:34,320 STILL THE MOST BEAUTIFUL WOMAN IN ITALY. 600 00:28:35,920 --> 00:28:38,880 NICOLA CONTI. 601 00:28:38,920 --> 00:28:40,520 STILL PRETENDING TO BE A LEGITIMATE BUSINESSMAN. 602 00:28:40,560 --> 00:28:41,400 [CHUCKLING] EVA... 603 00:28:41,440 --> 00:28:42,560 SERGEANT VITTORIA. 604 00:28:42,600 --> 00:28:44,680 MUST WE BE FORMAL? 605 00:28:44,720 --> 00:28:47,040 YOUR FATHER AND I WERE LIKE BROTHERS. 606 00:28:47,080 --> 00:28:48,920 BROTHERS? 607 00:28:48,960 --> 00:28:50,600 AND WHERE IS YOUR BROTHER TODAY? 608 00:28:50,640 --> 00:28:51,960 AH. 609 00:28:52,000 --> 00:28:54,720 THAT IS ESPECIALLY HURTFUL. 610 00:28:54,760 --> 00:28:57,240 [CARL]: WHAT KIND OF BUSINESS DO YOU HAVE HERE, MR. CONTI? 611 00:28:57,280 --> 00:28:58,200 AS YOU SEE. 612 00:28:58,240 --> 00:28:59,280 CARTAGE, FREIGHT. 613 00:28:59,320 --> 00:29:00,960 SHIPPING AND RECEIVING. 614 00:29:01,000 --> 00:29:02,480 WHY OPEN A SHIPPING BUSINESS 615 00:29:02,520 --> 00:29:04,200 AS FAR FROM A PORT AS YOU CAN BE, 616 00:29:04,240 --> 00:29:05,560 ALONG A STRETCH OF NARROW ROADS 617 00:29:05,600 --> 00:29:06,520 WITH IMPOSSIBLE TRAFFIC 618 00:29:06,560 --> 00:29:09,160 AND NO RAILROAD NEARBY? 619 00:29:09,200 --> 00:29:10,440 ARE YOU A POLICE OFFICER? 620 00:29:10,480 --> 00:29:12,440 WHY OPEN YOUR BUSINESS HERE? 621 00:29:12,480 --> 00:29:16,320 A FAVORABLE DEAL ON THE PROPERTY. HMM? 622 00:29:16,360 --> 00:29:18,640 NOW THE BIG QUESTION. 623 00:29:18,680 --> 00:29:20,200 WHO WAS BLEEDING? 624 00:29:20,240 --> 00:29:22,680 BLEEDING? 625 00:29:23,560 --> 00:29:24,360 EVA... 626 00:29:25,440 --> 00:29:27,360 DO WE HAVE ANY FLUID COLLECTION SUPPLIES? 627 00:29:30,960 --> 00:29:32,720 THERE YOU GO. 628 00:29:40,600 --> 00:29:42,200 THAT COULD BE ANYTHING. 629 00:29:42,240 --> 00:29:45,040 MAYBE YOU HAVEN'T SEEN ENOUGH BLOOD IN YOUR LIFE. 630 00:29:46,200 --> 00:29:48,120 THOUGHT YOU'D ENJOY THAT. 631 00:29:48,160 --> 00:29:50,840 MAYBE A WORKER GOT HURT. 632 00:29:50,880 --> 00:29:54,000 MAYBE. 633 00:29:54,040 --> 00:29:55,600 MAYBE HE GOT HURT IN THERE. 634 00:29:55,640 --> 00:29:56,920 EXCUSE ME? 635 00:29:56,960 --> 00:29:59,360 MIGHT EVEN STILL BE IN THERE, BLEEDING. 636 00:29:59,400 --> 00:30:00,400 NOW. 637 00:30:00,440 --> 00:30:02,080 MAYBE WE SHOULD HAVE A LOOK IN THERE. 638 00:30:02,120 --> 00:30:04,880 YOU WANT TO GO INTO THE WAREHOUSE? 639 00:30:04,920 --> 00:30:06,560 VERY MUCH SO. 640 00:30:06,600 --> 00:30:09,440 I TREMBLE WITH ANTICIPATION. 641 00:30:09,480 --> 00:30:10,840 I ASSUME YOU HAVE A WARRANT? 642 00:30:10,880 --> 00:30:13,240 WE ALREADY HAVE AN AUTHORIZATION ON THE WAY 643 00:30:13,280 --> 00:30:15,160 FROM THE INTERNATIONAL CRIMINAL COURT. 644 00:30:16,880 --> 00:30:18,120 THEN WE'LL WAIT. 645 00:30:20,560 --> 00:30:22,440 WE'LL WAIT. 646 00:30:22,480 --> 00:30:25,560 [HELICOPTER FLIES OVER] 647 00:30:36,200 --> 00:30:37,320 [POLICE RADIO CRACKLE]: A UNIT WAS DISPATCHED, 648 00:30:37,360 --> 00:30:38,560 BUT THERE'S BEEN NO RESPONSE. 649 00:30:38,600 --> 00:30:40,440 [TOMMY]: OKAY, WE'RE AT THE HOSPITAL NOW. 650 00:30:40,480 --> 00:30:41,360 THERE'S THE BMW. 651 00:30:51,640 --> 00:30:53,000 THIS IS THE UNIT 652 00:30:53,040 --> 00:30:54,160 THAT GOT THE FIRST CALL ABOUT IT. 653 00:30:54,200 --> 00:30:55,360 WHO MADE THE CALL? 654 00:30:55,400 --> 00:30:57,240 THE NURSE. 655 00:31:07,240 --> 00:31:08,520 HAVE YOUR CRIME SCENE UNITS 656 00:31:08,560 --> 00:31:11,000 START PROCESSING THIS SCENE. 657 00:31:11,040 --> 00:31:12,760 IF THERE'S GOOD NEWS TO BE HAD, 658 00:31:12,800 --> 00:31:14,520 IT'S THAT WE CAN'T BE TOO FAR BEHIND THEM NOW. 659 00:31:19,200 --> 00:31:20,960 WE NEED TO FINISH THIS. 660 00:31:21,000 --> 00:31:24,800 MAYBE WE'LL FIND SOMETHING IN THE BMW. 661 00:31:42,120 --> 00:31:43,240 [WINCING IN PAIN] 662 00:31:43,280 --> 00:31:44,880 YOU NEED A DOCTOR. 663 00:31:44,920 --> 00:31:47,360 NO... 664 00:31:47,400 --> 00:31:49,080 NO DOCTORS. 665 00:31:49,120 --> 00:31:50,600 THEY KILLED PAOLO. 666 00:31:50,640 --> 00:31:51,640 THEY KILLED HIM. 667 00:31:51,680 --> 00:31:54,280 I'M SO SORRY. 668 00:31:54,320 --> 00:31:55,680 [BOTH CRYING] 669 00:31:57,280 --> 00:31:59,360 I'LL BE BACK, OKAY? I'LL BE BACK. 670 00:31:59,400 --> 00:32:00,560 WHERE ARE YOU GOING? WHERE ARE YOU GOING? 671 00:32:00,600 --> 00:32:02,680 TO SEE IF IT'S CLEAR. WE CAN'T STAY HERE. 672 00:32:02,720 --> 00:32:05,600 IT'S OKAY. I'LL BE BACK. 673 00:32:22,360 --> 00:32:24,640 [CELL PHONE VIBRATES] 674 00:32:27,680 --> 00:32:28,840 EXCUSE ME. 675 00:32:28,880 --> 00:32:30,240 [CARL]: I'LL BE HERE. 676 00:32:33,720 --> 00:32:35,440 WHERE ARE YOU? 677 00:32:35,480 --> 00:32:36,600 GIANCARLO SAID 678 00:32:36,640 --> 00:32:38,080 YOU RAN FROM THE CLINIC. 679 00:32:38,120 --> 00:32:39,360 THEY'RE JUST SCARED BOYS, 680 00:32:39,400 --> 00:32:41,840 AND THEY'RE JUST TRYING TO HELP THEIR FAMILY. 681 00:32:41,880 --> 00:32:43,400 I PROMISE. 682 00:32:43,440 --> 00:32:44,240 MY LOVE, 683 00:32:44,280 --> 00:32:46,120 LISTEN TO ME. 684 00:32:46,160 --> 00:32:48,600 IT'S VERY COMMON TO FEEL SORRY FOR SOMEONE 685 00:32:48,640 --> 00:32:50,880 WHO HAS YOU HOSTAGE. 686 00:32:50,920 --> 00:32:51,920 JUST TELL ME WHERE YOU ARE, 687 00:32:51,960 --> 00:32:53,960 AND GIANCARLO WILL COME GET YOU. 688 00:32:54,000 --> 00:32:55,760 I'M NOT FEELING SORRY! 689 00:32:55,800 --> 00:32:58,160 IT'S GIANCARLO'S KILLING PEOPLE. 690 00:32:58,200 --> 00:32:59,280 HE'S KILLED INNOCENT PEOPLE. 691 00:32:59,320 --> 00:33:00,640 HE KILLED PAOLO! 692 00:33:00,680 --> 00:33:02,040 WHO IS PAOLO? 693 00:33:02,080 --> 00:33:03,080 HE'S ONE OF THE BOYS. 694 00:33:03,120 --> 00:33:05,000 HE'S ANTONIO'S BROTHER. 695 00:33:05,040 --> 00:33:06,400 YOU'RE WORRIED ABOUT THEM? 696 00:33:06,440 --> 00:33:09,280 DO NOT BLAME GIANCARLO FOR DOING HIS JOB. 697 00:33:09,320 --> 00:33:10,840 HE IS TRYING TO RESCUE YOU. 698 00:33:10,880 --> 00:33:13,520 TELL THEM TO GIVE YOU AND MY PROPERTY BACK, 699 00:33:13,560 --> 00:33:16,600 AND IT WILL ALL END. 700 00:33:16,640 --> 00:33:19,200 YOUR PROPERTY? 701 00:33:38,200 --> 00:33:39,480 PLEASE STOP! 702 00:33:39,520 --> 00:33:40,320 STOP, PLEASE! 703 00:33:40,360 --> 00:33:41,240 PLEASE, STOP! STOP! 704 00:33:41,280 --> 00:33:42,960 PLEASE, SIR... 705 00:33:43,000 --> 00:33:44,600 I DON'T WANT TO HURT YOU. 706 00:33:44,640 --> 00:33:46,160 SIR, I JUST REALLY NEED YOUR CAR. 707 00:33:46,200 --> 00:33:47,640 COME ON, STEP OUT. 708 00:33:47,680 --> 00:33:48,480 COME ON. 709 00:33:50,120 --> 00:33:51,160 [COCKING GUN] 710 00:33:51,200 --> 00:33:51,960 -SORRY, SIR. -THROW ME THE BAG. 711 00:33:52,000 --> 00:33:53,880 WHOA, WHOA, I SURRENDER. 712 00:33:53,920 --> 00:33:55,600 [SHOT BLASTS] 713 00:33:58,680 --> 00:33:59,440 ARE THOSE GUNSHOTS? 714 00:33:59,480 --> 00:34:00,480 NOT GUNSHOTS. 715 00:34:00,520 --> 00:34:01,520 ONE DEFINITE GUNSHOT. 716 00:34:01,560 --> 00:34:03,000 EAST OF HERE. FROM A REVOLVER. 717 00:34:03,040 --> 00:34:05,280 WHAT, YOU CAN TELL WHAT KIND OF GUN? 718 00:34:05,320 --> 00:34:06,160 IT'S NOT ALL ABOUT COMPUTERS. 719 00:34:06,200 --> 00:34:07,040 COME ON. 720 00:34:08,160 --> 00:34:09,320 WHAT DID YOU DO? 721 00:34:09,360 --> 00:34:11,400 ANGELA, WHAT DID YOU DO? 722 00:34:12,480 --> 00:34:13,280 LET'S GO. 723 00:34:17,880 --> 00:34:18,920 ENOUGH. 724 00:34:18,960 --> 00:34:20,400 WHAT? 725 00:34:20,440 --> 00:34:22,280 I'M GOING TO A POLICE STATION TO TURN MYSELF IN. 726 00:34:22,320 --> 00:34:24,920 WE'RE ALMOST IN ITALY, ANTONIO. 727 00:34:24,960 --> 00:34:26,160 THEN WHAT? 728 00:34:26,200 --> 00:34:28,760 SPEND THE REST OF MY LIFE HIDING FROM HIM? 729 00:34:28,800 --> 00:34:31,440 OR WORSE, WAITING FOR MY MOTHER AND SISTERS TO BE KILLED? 730 00:34:31,480 --> 00:34:33,840 IT'S OVER, ANGELA. 731 00:34:33,880 --> 00:34:36,680 WHAT ABOUT ME? WHAT DO I DO NOW? 732 00:34:36,720 --> 00:34:39,040 YOU GO HOME. 733 00:34:40,360 --> 00:34:42,160 HOW AM I SUPPOSED TO GO HOME NOW? 734 00:34:42,200 --> 00:34:42,960 YOU HAVE A GOOD LIFE! 735 00:34:43,000 --> 00:34:43,920 NO, I DON'T! 736 00:34:43,960 --> 00:34:45,360 I HAVE A LIE! 737 00:34:45,400 --> 00:34:49,640 I CAN'T PRETEND I DON'T, NEVER AGAIN! 738 00:34:49,680 --> 00:34:51,160 EVERYTHING HAS CHANGED, ANTONIO. 739 00:34:57,520 --> 00:34:58,800 [CRASHING] 740 00:35:00,280 --> 00:35:01,840 -WHAT ARE THEY DOING? -I DON'T KNOW! 741 00:35:01,880 --> 00:35:03,080 LET THEM KNOW YOU'RE IN THE CAR! 742 00:35:03,120 --> 00:35:05,000 HE KNOWS, ANTONIO. HE'S LOOKING RIGHT AT ME. 743 00:35:05,040 --> 00:35:06,000 WHAT? 744 00:35:13,680 --> 00:35:14,640 [CRASHING] 745 00:35:14,680 --> 00:35:16,160 [TIRES SQUEALING] 746 00:35:17,360 --> 00:35:18,600 [METAL CRUNCHING] 747 00:35:39,000 --> 00:35:41,200 ARE YOU OKAY? 748 00:35:43,760 --> 00:35:44,520 [SHOT SNIPES] 749 00:35:44,560 --> 00:35:45,360 [GASPS] 750 00:35:45,400 --> 00:35:46,400 [SOBS] 751 00:35:46,440 --> 00:35:47,240 [SHOTS BLAST] 752 00:35:53,080 --> 00:35:54,720 [FIRING] 753 00:35:57,440 --> 00:35:58,760 DON'T WASTE ANY MORE SHOT. 754 00:35:58,800 --> 00:36:00,320 THEY AREN'T GOING FAR. 755 00:36:00,360 --> 00:36:01,560 WE'LL GET THEM AT THE BOTTOM. 756 00:36:01,600 --> 00:36:03,440 HURRY UP, LET'S GO. 757 00:36:09,880 --> 00:36:11,600 NOTHING. 758 00:36:13,720 --> 00:36:14,720 [EVA]: WE WENT THROUGH THE WHOLE BUILDING. 759 00:36:14,760 --> 00:36:16,480 IT'S COMPLETELY EMPTY. 760 00:36:16,520 --> 00:36:18,040 NOW WILL YOU BELIEVE 761 00:36:18,080 --> 00:36:20,040 I AM NOTHING BUT A SIMPLE BUSINESSMAN? 762 00:36:20,080 --> 00:36:21,320 NEVER. 763 00:36:21,360 --> 00:36:22,880 [CELL PHONE RINGS] 764 00:36:22,920 --> 00:36:24,160 IT'S TOMMY. 765 00:36:24,200 --> 00:36:25,280 THEY'RE STILL IN SLOVENIA. 766 00:36:25,320 --> 00:36:28,280 TOMMY, YOU HAVE EVERYBODY? 767 00:36:28,320 --> 00:36:30,480 THERE'S A FOURTH CRIME SCENE. 768 00:36:30,520 --> 00:36:32,200 SOMEONE WAS SHOT HERE, BUT THERE'S NO BODY. 769 00:36:32,240 --> 00:36:33,760 THERE'S FIVE MORE VICTIMS 770 00:36:33,800 --> 00:36:34,880 BACK AT A MEDICAL CLINIC. 771 00:36:34,920 --> 00:36:36,000 THE MASS SHOOTINGS AREN'T RANDOM. 772 00:36:36,040 --> 00:36:37,600 THEY APPEAR TO BE A MOVING GUNFIGHT. 773 00:36:37,640 --> 00:36:38,720 THERE'S A GROUP OF GUYS 774 00:36:38,760 --> 00:36:40,320 CHASING A SMALLER GROUP IN A BLACK BMW, 775 00:36:40,360 --> 00:36:41,600 WHICH IS DISABLED 776 00:36:41,640 --> 00:36:44,680 OUTSIDE THE MEDICAL CLINIC WE JUST CAME FROM. 777 00:36:44,720 --> 00:36:46,400 [CARL]: DID YOU GET ANYTHING OUT OF THE BMW? 778 00:36:46,440 --> 00:36:47,480 ONLY A GUESS. 779 00:36:47,520 --> 00:36:48,880 THE SEAT, THE WAY IT'S POSITIONED, 780 00:36:48,920 --> 00:36:50,400 I THINK ONE OF THE PEOPLE WE'RE CHASING 781 00:36:50,440 --> 00:36:52,160 MIGHT BE A WOMAN. 782 00:36:52,200 --> 00:36:54,120 [EVA]: WHERE IS SHE? 783 00:36:54,160 --> 00:36:55,760 WHERE'S YOUR DAUGHTER? 784 00:36:55,800 --> 00:36:56,840 WHERE'S ANGELA? 785 00:36:56,880 --> 00:36:58,320 HOW OLD IS SHE NOW? 786 00:36:58,360 --> 00:37:00,520 20, 21? 787 00:37:00,560 --> 00:37:02,400 ARE THEY CHASING HER? 788 00:37:02,440 --> 00:37:03,840 IS THAT WHAT THIS IS ALL ABOUT? 789 00:37:03,880 --> 00:37:05,560 [IN ITALIAN]: GIVE ME YOUR TELEPHONE. 790 00:37:05,600 --> 00:37:06,640 [LAUGHS] 791 00:37:06,680 --> 00:37:07,440 GIVE ME YOUR PHONE! 792 00:37:07,480 --> 00:37:08,320 EVA-- 793 00:37:08,360 --> 00:37:09,760 WHERE IS IT? 794 00:37:11,280 --> 00:37:13,360 THE LAST CALL HE RECEIVED, I THINK IT WAS HER. 795 00:37:13,400 --> 00:37:14,680 HAVE SEBASTIAN TRAP AND TRACE IT. 796 00:37:14,720 --> 00:37:16,960 STOP IT, STOP IT! 797 00:37:25,320 --> 00:37:28,760 IT'S BEST NOT TO FIGHT, ANGELA. 798 00:37:28,800 --> 00:37:30,880 YOU'LL ONLY DELAY WHAT WILL HAPPEN. 799 00:37:30,920 --> 00:37:32,160 PLEASE... 800 00:37:32,200 --> 00:37:33,320 PLEASE WHAT? 801 00:37:33,360 --> 00:37:34,840 HE'S JUST A SCARED BOY, GIANCARLO. 802 00:37:34,880 --> 00:37:35,880 YOU DON'T APPRECIATE 803 00:37:35,920 --> 00:37:37,240 WHAT YOU HAVE, 804 00:37:37,280 --> 00:37:38,960 AND YOU NEVER APPRECIATE 805 00:37:39,000 --> 00:37:41,080 THOSE WHO HELP YOU KEEP IT. 806 00:37:41,120 --> 00:37:42,360 MEN LIKE ME AND BRUNO 807 00:37:42,400 --> 00:37:44,080 HAVE BEEN DYING PROTECTING YOUR FAMILY 808 00:37:44,120 --> 00:37:45,240 FOR YEARS. 809 00:37:45,280 --> 00:37:48,080 I NEVER ASKED FOR THAT, GIANCARLO. 810 00:37:49,560 --> 00:37:50,960 DOESN'T MAKE YOU INNOCENT. 811 00:37:51,000 --> 00:37:52,760 SHE'S MR. CONTI'S DAUGHTER. 812 00:37:52,800 --> 00:37:53,760 [FIRES] 813 00:37:55,680 --> 00:37:57,640 MR. CONTI'S DAUGHTER, 814 00:37:57,680 --> 00:37:58,920 WHO... 815 00:37:58,960 --> 00:38:00,280 FOR THE FIRST TIME IN YOUR LIFE, 816 00:38:00,320 --> 00:38:02,720 YOU WILL PAY THE PRICE FOR SOMETHING YOU'VE DONE. 817 00:38:05,080 --> 00:38:06,360 DROP YOUR WEAPON! 818 00:38:06,400 --> 00:38:07,640 [GUNFIRE CRACKLING] 819 00:38:09,800 --> 00:38:12,560 [HELICOPTER WHIRS OVERHEAD] 820 00:38:22,760 --> 00:38:24,280 [FIRING] 821 00:38:27,640 --> 00:38:28,680 HEY, ASSHOLE! 822 00:38:37,160 --> 00:38:39,440 YOU OKAY? 823 00:38:41,920 --> 00:38:43,600 [FIRES] 824 00:38:48,720 --> 00:38:50,360 LOW TECH, BUT EFFECTIVE, RIGHT? 825 00:38:53,680 --> 00:38:55,080 IT'S OKAY, WE GOT THEM. 826 00:38:58,200 --> 00:38:59,520 WHERE IS SHE? 827 00:38:59,560 --> 00:39:00,760 DON'T WORRY ABOUT ME, I'M FINE. 828 00:39:00,800 --> 00:39:01,760 WHERE'S ANGELA? 829 00:39:01,800 --> 00:39:05,960 THEY WERE RIGHT THERE. 830 00:39:06,000 --> 00:39:07,560 ANGELA! 831 00:39:10,720 --> 00:39:11,720 ANGELA! 832 00:39:13,000 --> 00:39:14,160 [ANGELA, SHOOTING] LEAVE US ALONE! 833 00:39:16,800 --> 00:39:17,800 [WHISPERS] THERE SHE IS. 834 00:39:20,440 --> 00:39:22,960 WE'RE NOT HERE TO HURT YOU. 835 00:39:23,000 --> 00:39:24,480 I PROMISE. 836 00:39:24,520 --> 00:39:26,600 THEN GO AWAY! 837 00:39:26,640 --> 00:39:28,760 LOOK. 838 00:39:28,800 --> 00:39:29,920 ANGELA? 839 00:39:29,960 --> 00:39:31,120 [CRYING] PLEASE... 840 00:39:33,400 --> 00:39:36,840 I'LL PUT MY GUN DOWN, OKAY? 841 00:39:36,880 --> 00:39:38,080 I SAID LEAVE US ALONE. 842 00:39:41,200 --> 00:39:43,760 I'M NOT GOING TO USE MY GUN. 843 00:39:44,560 --> 00:39:48,160 I PROMISE. 844 00:39:48,200 --> 00:39:51,240 I JUST CAME FROM YOUR FATHER'S COMPOUND. 845 00:39:52,720 --> 00:39:55,600 THE ONE HE ROBBED 846 00:39:55,640 --> 00:39:57,160 AND KIDNAPPED YOU FROM. 847 00:39:57,200 --> 00:39:59,640 HE WAS JUST TRYING TO PROTECT HIS FAMILY. 848 00:40:02,120 --> 00:40:04,480 BUT HE CAUSED A LOT OF PEOPLE TO GET HURT. 849 00:40:06,560 --> 00:40:08,200 BUT IT WASN'T HIM. 850 00:40:08,240 --> 00:40:11,120 IT WASN'T HIM. THEY DID IT. THEY DID IT. 851 00:40:11,160 --> 00:40:12,360 [SOBBING] AND IT WAS ME. 852 00:40:12,400 --> 00:40:14,080 IT WAS ME THEY WERE TRYING TO-- 853 00:40:14,120 --> 00:40:15,440 IT'S MY FAULT! 854 00:40:16,920 --> 00:40:17,880 ANGELA, 855 00:40:17,920 --> 00:40:19,640 ANGELA... 856 00:40:19,680 --> 00:40:20,720 LOOK AT ME. 857 00:40:23,040 --> 00:40:25,600 DO YOU REMEMBER ME? 858 00:40:27,080 --> 00:40:27,920 NO. 859 00:40:27,960 --> 00:40:28,920 I'M EVA. 860 00:40:28,960 --> 00:40:31,040 EVA VITTORIA. 861 00:40:31,080 --> 00:40:35,000 WHEN YOU WERE YOUNG, YOU LIVED IN ROME. 862 00:40:35,040 --> 00:40:38,760 WE MET ONCE. I WAS HOME FROM UNIVERSITY. 863 00:40:46,600 --> 00:40:50,160 OUR FATHERS WERE... 864 00:40:53,440 --> 00:40:55,880 THEY DID BUSINESS TOGETHER. 865 00:40:58,160 --> 00:40:59,720 MY FATHER DOESN'T DO BUSINESS. 866 00:40:59,760 --> 00:41:01,840 HE'S A KILLER AND A DRUG DEALER. 867 00:41:01,880 --> 00:41:03,200 I KNOW. 868 00:41:10,000 --> 00:41:11,520 I KNOW WHAT IT'S LIKE 869 00:41:11,560 --> 00:41:13,640 TO THINK YOUR LIFE IS ONE THING, 870 00:41:13,680 --> 00:41:16,840 THEN FIND OUT IT'S ANOTHER. 871 00:41:16,880 --> 00:41:19,120 THAT IT'S ALL A LIE. 872 00:41:19,160 --> 00:41:20,760 WHEN I WAS YOUR AGE, 873 00:41:20,800 --> 00:41:23,400 MY PARENTS WERE MURDERED. 874 00:41:25,000 --> 00:41:27,720 THEIR CAR WAS BLOWN UP... 875 00:41:27,760 --> 00:41:30,080 BY MY FATHER'S BUSINESS PARTNER. 876 00:41:30,120 --> 00:41:32,120 NICOLA CONTI. 877 00:41:32,160 --> 00:41:34,040 NO... 878 00:41:34,080 --> 00:41:37,640 AFTER THEY DIED, 879 00:41:37,680 --> 00:41:39,560 I FULLY LEARNED THE TRUTH 880 00:41:39,600 --> 00:41:41,280 ABOUT WHERE OUR LUXURY CAME FROM. 881 00:41:41,320 --> 00:41:43,720 IT TOOK A LONG TIME, 882 00:41:43,760 --> 00:41:47,640 BUT I ALSO REALIZED 883 00:41:47,680 --> 00:41:51,080 THAT MY PAST WAS GONE. 884 00:41:51,120 --> 00:41:52,080 IT HAD HAPPENED. 885 00:41:52,120 --> 00:41:53,080 IT WAS WHAT IT WAS, 886 00:41:53,120 --> 00:41:54,840 AND NOTHING I DID COULD CHANGE IT. 887 00:41:54,880 --> 00:41:58,120 YOU CAN'T CONTROL YOUR PAST, 888 00:41:58,160 --> 00:41:59,880 BUT ALONE, 889 00:41:59,920 --> 00:42:04,360 YOU CAN CONTROL AND CHANGE YOUR FUTURE. 890 00:42:04,400 --> 00:42:06,440 OKAY? 891 00:42:16,680 --> 00:42:18,680 YOU CAN TRUST ME. 892 00:42:18,720 --> 00:42:20,240 OKAY? 893 00:42:27,440 --> 00:42:29,480 YOU'RE GOING TO BE FINE. 894 00:42:29,520 --> 00:42:31,600 I PROMISE. 895 00:42:31,640 --> 00:42:34,800 OKAY? 896 00:42:37,880 --> 00:42:39,720 HEY, TOMMY. 897 00:42:42,080 --> 00:42:44,280 THEY'RE GOOD GUYS. 898 00:42:45,480 --> 00:42:46,440 OKAY. 899 00:42:46,480 --> 00:42:49,000 [EVA]: CAN YOU HELP ME WITH HIM? 900 00:42:50,160 --> 00:42:51,680 YOU COME WITH ME. 901 00:42:51,720 --> 00:42:53,280 OKAY... 902 00:42:55,720 --> 00:42:57,240 YOU OKAY? 903 00:42:57,280 --> 00:42:59,200 -YEAH. -YEAH? 904 00:42:59,240 --> 00:43:00,560 OKAY... 905 00:43:21,000 --> 00:43:24,760 [♪♪♪] 906 00:44:04,960 --> 00:44:07,000 [SIGHS NERVOUSLY] 907 00:44:10,280 --> 00:44:13,600 KATHRIN, IT'S SEBASTIAN. I, UM... 908 00:44:13,640 --> 00:44:15,480 LISTEN, I... 909 00:44:15,520 --> 00:44:19,400 I HAD A... AN INTERESTING DAY, 910 00:44:19,440 --> 00:44:21,960 AND IT'S GOT ME THINKING ABOUT SOMETHING. 911 00:44:22,000 --> 00:44:25,640 NO, THAT'S NOT TRUE, UM... 912 00:44:25,680 --> 00:44:27,760 I'VE BEEN THINKING ABOUT THIS A LOT. 913 00:44:27,800 --> 00:44:31,160 EVERY DAY, IN FACT. 914 00:44:31,200 --> 00:44:33,920 I THINK WE SHOULD TALK. 915 00:44:33,960 --> 00:44:36,600 SO, UH... CALL ME, OKAY? 916 00:44:36,640 --> 00:44:38,200 I'LL BE-- 917 00:44:40,360 --> 00:44:41,760 JUST CALL ME? 918 00:44:41,800 --> 00:44:43,960 THANKS. 919 00:44:53,400 --> 00:44:54,440 [CARL]: SEBASTIAN.... 920 00:44:54,480 --> 00:44:56,400 I HEAR YOU MADE A NICE SHOT TODAY. 921 00:44:56,440 --> 00:44:57,920 WELL... 922 00:44:57,960 --> 00:44:59,160 MORE LUCK THAN SKILL, REALLY. 923 00:44:59,200 --> 00:45:01,920 I CAN RELATE. 924 00:45:03,480 --> 00:45:06,040 KIND OF MAKES YOU THINK OF YOUR OWN MORTALITY, DOESN'T IT? 925 00:45:06,080 --> 00:45:07,840 YEAH. 926 00:45:07,880 --> 00:45:09,520 BUT YOU DID GOOD. 927 00:45:12,600 --> 00:45:13,560 HEY, WHAT DID YOU FIND OUT 928 00:45:13,600 --> 00:45:15,400 ABOUT THAT ANNE-MARIE THING? 929 00:45:15,440 --> 00:45:17,080 OH, DAMN. 930 00:45:17,120 --> 00:45:19,440 YEAH, SHE MADE A NUMBER OF RESCUES, 931 00:45:19,480 --> 00:45:20,520 EIGHT GIRLS. 932 00:45:20,560 --> 00:45:22,480 I TALKED TO A SERGEANT IN THE AREA 933 00:45:22,520 --> 00:45:23,480 WHO SAID AS FAR AS HE KNEW, 934 00:45:23,520 --> 00:45:25,040 SHE WAS FOLLOWING IT UP THE CHAIN 935 00:45:25,080 --> 00:45:26,280 AND WANTED TO MAKE THE FIRST ARRAIGNMENT. 936 00:45:28,560 --> 00:45:30,360 I KIND OF FIGURED IT WAS SOMETHING LIKE THAT. 937 00:45:33,360 --> 00:45:34,600 SEE YOU TOMORROW. 938 00:45:43,960 --> 00:45:46,760 [CELL PHONE VIBRATES] 939 00:45:51,520 --> 00:45:52,960 -CARL? - HEY-- 940 00:45:53,000 --> 00:45:56,040 SOMETHING IS GOING ON HERE. 941 00:45:56,080 --> 00:45:57,040 THEY ARE GOING CRAZY. 942 00:45:57,080 --> 00:45:58,760 WHO'S GOING CRAZY? 943 00:45:58,800 --> 00:46:00,720 GENOVESE, THE MANAGER. 944 00:46:00,760 --> 00:46:02,560 OH. I DID THAT. 945 00:46:02,600 --> 00:46:04,200 YOU DID? 946 00:46:04,240 --> 00:46:06,400 I HIT THEM WHERE IT HURTS, IN THE WALLET. 947 00:46:06,440 --> 00:46:09,080 JUST STAY AWAY FROM THEM, ALL RIGHT? 948 00:46:09,120 --> 00:46:11,320 I ALWAYS DO. 949 00:46:11,360 --> 00:46:12,320 WHERE ARE YOU? 950 00:46:12,360 --> 00:46:14,880 [CHUCKLES] YOUR PLACE. 951 00:46:16,680 --> 00:46:18,360 YOU STAYING THERE? 952 00:46:20,400 --> 00:46:22,080 I COULD. 953 00:46:24,440 --> 00:46:26,120 I'LL SEE YOU IN AN HOUR, ALL RIGHT? 954 00:46:26,160 --> 00:46:27,800 OKAY. 955 00:46:45,120 --> 00:46:48,840 [DOOR BANGS OPEN] 956 00:46:48,880 --> 00:46:50,600 WHAT DO YOU WANT? 957 00:47:01,160 --> 00:47:04,000 [♪♪♪] 61766

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