All language subtitles for Crossing.Lines.S01E07.The.Animals.1080p.NF.WEB-DL.DD5.1.H.264-SiGMA_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,600 --> 00:00:07,720 BUON GIORNO, RAGAZZI! 2 00:00:07,760 --> 00:00:08,840 HEY. 3 00:00:08,880 --> 00:00:10,360 HEY. I BROUGHT LOVE. 4 00:00:10,400 --> 00:00:11,160 LOVE? 5 00:00:11,200 --> 00:00:12,720 UH-HUH. BOCCONOTTI. 6 00:00:12,760 --> 00:00:14,040 BOCCONE MEANS "MOUTHFUL," 7 00:00:14,080 --> 00:00:16,160 BUT I CALL THEM "BOCCONE DEL AMORE," 8 00:00:16,200 --> 00:00:17,480 WHICH MEANS "MOUTHFULS OF LOVE." 9 00:00:17,520 --> 00:00:19,280 OH, THEY'RE A LITTLE BIT LIKE WINDBEUTEL. 10 00:00:19,320 --> 00:00:20,920 "WINDBEUTEL?" 11 00:00:20,960 --> 00:00:23,000 KNOW WHAT'S WRONG WITH GERMANY? 12 00:00:23,040 --> 00:00:25,360 YOU DON'T USE PASSION IN YOUR FOOD'S NAME. 13 00:00:25,400 --> 00:00:26,560 YES, WE DO. 14 00:00:26,600 --> 00:00:27,920 "SAUERBRATEN"? "WIENER SCHNITZEL"? 15 00:00:27,960 --> 00:00:28,920 WIENER SCHNITZEL IS AUSTRIAN. 16 00:00:28,960 --> 00:00:31,040 TOMMY, 17 00:00:31,080 --> 00:00:33,600 WOULD YOU PREFER TO EAT SOMETHING CALLED "SAUERBRATEN," 18 00:00:33,640 --> 00:00:35,760 OR SOMETHING CALLED "MOUTHFULS OF LOVE?" 19 00:00:35,800 --> 00:00:37,840 ANYTHING QUIET. 20 00:00:37,880 --> 00:00:39,120 DIDN'T SHAKESPEARE ALREADY SAY, 21 00:00:39,160 --> 00:00:40,920 "A ROSE BY ANY OTHER NAME IS STILL A ROSE." 22 00:00:40,960 --> 00:00:41,960 YEAH. 23 00:00:42,000 --> 00:00:43,120 BUT THAT WAS ABOUT SMELL, 24 00:00:43,160 --> 00:00:44,120 AND SMELL IS NOT LOVE. 25 00:00:44,160 --> 00:00:45,600 SMELL IS SMELL. 26 00:00:45,640 --> 00:00:47,840 I'M GOING TO GO WHERE PEOPLE KNOW HOW TO BE QUIET. 27 00:00:49,640 --> 00:00:50,920 DID YOU PARTY AGAIN LAST NIGHT? 28 00:00:55,680 --> 00:00:58,480 CHILL OUT, MOTHER, WILL YOU? 29 00:00:59,560 --> 00:01:00,640 NEEDS MORE LOVE. 30 00:01:03,800 --> 00:01:04,600 HELLO. 31 00:01:04,640 --> 00:01:05,560 SIR. 32 00:01:11,440 --> 00:01:14,960 YOUR IRISHMAN SMELLS LIKE A DISTILLERY. 33 00:01:15,000 --> 00:01:16,680 GOOD MORNING, DORN. 34 00:01:16,720 --> 00:01:19,320 THERE'S SOMETHING I NEED TO SHOW YOU. 35 00:01:23,720 --> 00:01:27,160 THIS IS THE HOTEL ROOM I WAS IN LAST WEEK IN MOSCOW. 36 00:01:27,200 --> 00:01:29,280 YOU WERE IN MOSCOW? 37 00:01:29,320 --> 00:01:31,480 I SECRETED A CAMERA 38 00:01:31,520 --> 00:01:33,520 TO SEND BACK THESE IMAGES. 39 00:01:33,560 --> 00:01:37,360 ICC GAVE ME MY OWN AES-ENCRYPTED WP TO WIFI. 40 00:01:37,400 --> 00:01:39,560 THEY FOUND IT IN LESS THAN A MINUTE. 41 00:01:39,600 --> 00:01:41,960 THEY ARE UNUSUALLY GOOD. 42 00:01:42,000 --> 00:01:43,920 YOU WERE NOT SUPPOSED TO GO. 43 00:01:43,960 --> 00:01:47,520 THE POINT, LOUIS, IS THAT DIMITROV KNEW. 44 00:01:47,560 --> 00:01:49,360 HE KNEW I WAS THERE. 45 00:01:49,400 --> 00:01:50,960 HE KNEW I WAS LOOKING FOR HIM. 46 00:01:51,000 --> 00:01:52,880 THOSE ARE HIS MEN. 47 00:01:52,920 --> 00:01:55,240 ARE YOU ABSOLUTELY CERTAIN 48 00:01:55,280 --> 00:01:57,680 THAT THE MARIANSKI KIDNAPPING HAD NOTHING TO DO WITH 49 00:01:57,720 --> 00:01:59,440 HIM BEING MY SOURCE? 50 00:01:59,480 --> 00:02:00,760 I'M SURE. 51 00:02:00,800 --> 00:02:02,480 THE KIDNAPPING WAS PLANNED BY THE EX-WIFE. 52 00:02:02,520 --> 00:02:04,480 TO HURT HIM, FOR HIS MONEY. 53 00:02:04,520 --> 00:02:05,600 SHE CONFESSED. 54 00:02:09,520 --> 00:02:11,440 AND YOU'VE SAID NOTHING ABOUT MY LOOKING INTO THIS? 55 00:02:11,480 --> 00:02:13,920 NO. NO ONE. 56 00:02:13,960 --> 00:02:14,960 EXCEPT REBECCA. 57 00:02:15,000 --> 00:02:17,000 YOU TOLD IT TO REBECCA. 58 00:02:19,640 --> 00:02:22,640 SHE WENT BACK TO PARIS YESTERDAY. 59 00:02:22,680 --> 00:02:26,560 [TELEPHONE RINGS] 60 00:02:26,600 --> 00:02:28,640 HELLO? 61 00:02:28,680 --> 00:02:29,600 REBECCA, 62 00:02:29,640 --> 00:02:31,520 GOOD NEWS. 63 00:02:31,560 --> 00:02:32,520 I'M COMING HOME THIS MORNING. 64 00:02:32,560 --> 00:02:33,560 OH! 65 00:02:33,600 --> 00:02:35,160 LOUIS, THAT'S LOVELY. 66 00:02:35,200 --> 00:02:36,600 COULD WE HAVE LUNCH TOGETHER? 67 00:02:36,640 --> 00:02:38,480 ARE YOU ASKING ME ON A DATE? 68 00:02:38,520 --> 00:02:40,520 PLEASE? 69 00:02:40,560 --> 00:02:41,640 I'D LOVE THAT. 70 00:02:41,680 --> 00:02:42,720 GOOD. 71 00:02:42,760 --> 00:02:43,680 I'LL SEE YOU AT NOON. 72 00:02:43,720 --> 00:02:45,000 OKAY, SEE YOU. 73 00:02:45,040 --> 00:02:47,960 ANNE-MARIE? 74 00:02:48,000 --> 00:02:49,280 I NEED TO GO TO PARIS FOR THE DAY. 75 00:02:49,320 --> 00:02:51,360 ANNE-MARIE? 76 00:02:51,400 --> 00:02:53,760 DO YOU KNOW WHERE HICKMAN IS? 77 00:02:53,800 --> 00:02:56,560 [ANNE-MARIE]: HE SAID HE HAD TO RUN AN ERRAND. 78 00:03:15,280 --> 00:03:18,520 [WEAPON MAGAZINES CLICKING] 79 00:03:33,360 --> 00:03:35,640 ET BON. 80 00:03:45,800 --> 00:03:46,840 [CLEARS THROAT AWKWARDLY] 81 00:03:46,880 --> 00:03:48,600 DO YOU SPEAK ENGLISH? 82 00:03:48,640 --> 00:03:50,880 DOESN'T EVERYBODY? 83 00:03:50,920 --> 00:03:52,280 WE'RE CERTAINLY TRYING. 84 00:03:52,320 --> 00:03:54,960 MAY I SEE THE MANAGER? 85 00:03:55,000 --> 00:03:56,240 DO YOU HAVE AN APPOINTMENT? 86 00:03:56,280 --> 00:03:58,960 NO, BUT WHEN HE KNOWS WHAT I'M HERE ABOUT, 87 00:03:59,000 --> 00:04:00,600 HE'LL WANT TO TALK TO ME. 88 00:04:00,640 --> 00:04:04,480 I'M AFRAID YOU CAN ONLY SEE MR. STOOP WITH AN APPOINTMENT. 89 00:04:04,520 --> 00:04:07,040 SO LET'S MAKE AN APPOINTMENT. 90 00:04:07,080 --> 00:04:09,160 HE HAS NOTHING FREE TILL MONDAY. 91 00:04:09,200 --> 00:04:10,280 [SIGHS] 92 00:04:10,320 --> 00:04:11,120 YOU DON'T NEED TO CHECK? 93 00:04:11,160 --> 00:04:12,120 NO. 94 00:04:12,160 --> 00:04:15,280 WE HAVE PROCEDURES IN PLACE. 95 00:04:15,320 --> 00:04:17,680 YOU'RE NOT THE TYPE TO HIDE BEHIND PROCEDURE. 96 00:04:17,720 --> 00:04:18,800 I'M NOT HIDING. 97 00:04:18,840 --> 00:04:19,920 NO, YOU'RE SITTING AT THE HELP DESK, 98 00:04:19,960 --> 00:04:21,280 KEEPING YOUR FINGERS BUSY 99 00:04:21,320 --> 00:04:22,680 SO THAT THE REST OF THE STAFF CAN SEE 100 00:04:22,720 --> 00:04:24,360 THAT YOU'RE STILL PREPARED TO GET YOUR HANDS DIRTY 101 00:04:24,400 --> 00:04:26,480 EVEN THOUGH YOU'RE WEARING A 1,000 EURO SUIT. 102 00:04:26,520 --> 00:04:29,000 AND YOUR NAMETAG SAYS "SECRETARY," 103 00:04:29,040 --> 00:04:30,400 BUT ANIKA 104 00:04:30,440 --> 00:04:32,320 IS NO MORE A SECRETARY THAN THE SECRETARY OF STATE, 105 00:04:32,360 --> 00:04:36,040 AND YOU DON'T FOLLOW PROCEDURES, YOU WRITE THEM. 106 00:04:36,080 --> 00:04:37,040 [CHUCKLES INDULGENTLY] 107 00:04:37,080 --> 00:04:37,960 IT'S PRONOUNCED AHH-NI-KA. 108 00:04:38,000 --> 00:04:39,080 OH. 109 00:04:39,120 --> 00:04:42,480 AND MY SUIT COST 800 EUROS, 110 00:04:42,520 --> 00:04:44,320 AND, THOUGH I'M MODERATELY IMPRESSED 111 00:04:44,360 --> 00:04:46,480 AND JUST A LITTLE BIT FLATTERED, 112 00:04:46,520 --> 00:04:47,600 YOU STILL CAN'T SEE HIM. 113 00:04:49,040 --> 00:04:51,160 ANIKA, 114 00:04:51,200 --> 00:04:54,360 I'M GOING TO GIVE YOU A WAY OUT OF OUR LITTLE IMPASSE 115 00:04:54,400 --> 00:04:56,000 BY ASKING YOU 116 00:04:56,040 --> 00:05:00,040 TO PUT THIS ACCOUNT NUMBER UNDER HIS NOSE, 117 00:05:00,080 --> 00:05:03,160 ALONG WITH THE MAGIC WORD 118 00:05:03,200 --> 00:05:04,960 "CARNIVAL." 119 00:05:07,080 --> 00:05:08,120 PLEASE? 120 00:05:10,680 --> 00:05:12,280 PLEASE. 121 00:05:37,440 --> 00:05:38,760 [CELL PHONE RINGS] 122 00:05:38,800 --> 00:05:40,360 BERGER. 123 00:05:40,400 --> 00:05:41,760 [HICKMAN]: KEEP THE LINE OPEN. 124 00:05:41,800 --> 00:05:42,840 OKAY, YOU HAVE FIVE MINUTES. 125 00:05:42,880 --> 00:05:44,600 WHERE'S YOUR PANIC BUTTON? 126 00:05:45,800 --> 00:05:47,080 [ANIKA]: EXCUSE ME? 127 00:05:47,120 --> 00:05:48,600 WHERE'S YOUR PANIC BUTTON? WE'RE ABOUT TO BE-- 128 00:05:48,640 --> 00:05:50,680 [SHOUTING] DOWN! DOWN! 129 00:05:50,720 --> 00:05:52,400 [FIRING WEAPONS] 130 00:06:08,240 --> 00:06:09,800 [FIRES GUN] 131 00:06:11,800 --> 00:06:13,240 DOWN ON THE FLOOR! 132 00:06:14,120 --> 00:06:16,800 [SHOOTING OUT CAMERAS] 133 00:06:27,200 --> 00:06:30,680 YOUR ATTENTION, IF YOU PLEASE. 134 00:06:30,720 --> 00:06:32,320 I'M NOT HERE FOR YOUR MONEY, 135 00:06:32,360 --> 00:06:34,360 I AM HERE FOR THE BANK'S MONEY. 136 00:06:34,400 --> 00:06:37,280 WHAT THEY HAVE STOLEN, I AM STEALING BACK. 137 00:06:37,320 --> 00:06:39,120 FOR MOST OF YOU, 138 00:06:39,160 --> 00:06:40,280 THIS WILL GO SMOOTHLY AND EFFICIENTLY, 139 00:06:40,320 --> 00:06:41,320 AND YOU CAN GET BACK TO YOUR LIVES. 140 00:06:41,360 --> 00:06:43,960 HOWEVER, 141 00:06:44,000 --> 00:06:45,320 THERE MAY BE ONE OR TWO 142 00:06:45,360 --> 00:06:48,640 WHO BELIEVE THIS IS A TIME FOR HEROES. 143 00:06:49,920 --> 00:06:51,440 [FIRING] 144 00:06:51,480 --> 00:06:52,920 [GLASS SHATTERS] 145 00:06:56,000 --> 00:06:58,720 HE ONLY MISSES IF HE WANTS TO. 146 00:06:58,760 --> 00:07:02,200 SO... 147 00:07:02,240 --> 00:07:06,880 ARE THERE ANY HEROES AMONGST YOU TODAY? 148 00:07:06,920 --> 00:07:08,320 ANYONE 149 00:07:08,360 --> 00:07:09,480 WHO WOULD LIKE TO INTERFERE IN OUR BUSINESS HERE? 150 00:07:09,520 --> 00:07:11,160 BECAUSE IF YOU DO, 151 00:07:11,200 --> 00:07:13,600 WE WILL NOT ONLY KILL YOU, 152 00:07:13,640 --> 00:07:18,040 WE WILL KILL EVERY SINGLE PERSON IN THIS BANK. 153 00:07:20,440 --> 00:07:24,480 [♪♪♪] 154 00:08:09,560 --> 00:08:10,600 WHAT'S GOING ON? 155 00:08:10,640 --> 00:08:11,840 IT'S HICKMAN. 156 00:08:11,880 --> 00:08:15,400 HE SEEMS TO BE INSIDE A ROBBERY. 157 00:08:16,080 --> 00:08:18,640 DORN... 158 00:08:18,680 --> 00:08:20,920 CAN YOU TAKE CARE OF PARIS FOR ME, PLEASE? 159 00:08:20,960 --> 00:08:25,360 YOUR AMERICAN IS INSIDE A BANK ROBBERY? 160 00:08:25,400 --> 00:08:26,760 QUITE AN UNLUCKY FELLOW. 161 00:08:26,800 --> 00:08:28,640 BAD LUCK OR COINCIDENCE? 162 00:08:28,680 --> 00:08:30,240 COINCIDENCE IS A CONCEPT 163 00:08:30,280 --> 00:08:32,440 I HAVE A GREAT DEAL OF DIFFICULTY WITH. 164 00:08:32,480 --> 00:08:34,680 WHAT ARE YOU SAYING? 165 00:08:34,720 --> 00:08:38,360 THAT HE DOES GET HIMSELF INTO A NUMBER OF... 166 00:08:38,400 --> 00:08:39,360 FIXES. 167 00:08:39,400 --> 00:08:40,920 GET YOUR CELL PHONES OUT 168 00:08:40,960 --> 00:08:42,520 AND HOLD THEM IN YOUR RIGHT HAND 169 00:08:42,560 --> 00:08:43,520 WHERE I CAN SEE 'EM! 170 00:08:47,160 --> 00:08:50,920 LOT OF GREAT BIG BAGS TO BRING TO A ROBBERY. 171 00:08:50,960 --> 00:08:52,520 THREE, FOUR, FIVE BAGS. 172 00:08:52,560 --> 00:08:54,560 YES, I CAN SEE THAT. 173 00:08:54,600 --> 00:08:58,920 FULLY AUTOMATIC MACHINE PISTOLS. 174 00:09:02,720 --> 00:09:04,360 WHO ARE YOU? 175 00:09:04,400 --> 00:09:06,280 [GUNMAN SHOUTS ANGRILY] COME ON! 176 00:09:06,320 --> 00:09:07,480 COME ON. 177 00:09:07,520 --> 00:09:09,200 THAT'S IT, GO ON. 178 00:09:09,240 --> 00:09:10,520 HEY... 179 00:09:10,560 --> 00:09:11,760 WHERE'S YOUR PHONE? 180 00:09:11,800 --> 00:09:13,200 MY RIGHT HAND IS DISABLED. 181 00:09:13,240 --> 00:09:14,640 I CAN'T HOLD A PHONE IN IT. 182 00:09:14,680 --> 00:09:16,200 WHAT? 183 00:09:16,240 --> 00:09:17,320 IT WAS HARD TO UNDERSTAND 184 00:09:17,360 --> 00:09:20,120 WHEN ALL FIVE OF YOU WERE SCREAMING, 185 00:09:20,160 --> 00:09:21,680 BUT YOU SAID TO USE MY RIGHT HAND. 186 00:09:21,720 --> 00:09:23,240 WHAT'S GOING ON? 187 00:09:23,280 --> 00:09:25,120 SAYS HIS RIGHT HAND DOESN'T WORK. 188 00:09:25,160 --> 00:09:27,200 ARE YOU TRYING TO BE FUNNY? 189 00:09:27,240 --> 00:09:28,360 NO. 190 00:09:28,400 --> 00:09:29,600 YOU THINK YOU'RE JOHN WAYNE? 191 00:09:29,640 --> 00:09:30,880 NOT EVEN CLOSE. 192 00:09:30,920 --> 00:09:32,800 USE YOUR LEFT HAND. 193 00:09:46,200 --> 00:09:47,920 I GOT THIS ONE. 194 00:09:47,960 --> 00:09:49,160 SORRY, WOLF. 195 00:09:49,200 --> 00:09:50,600 NO WORRIES. GET THE MANAGER. 196 00:09:51,960 --> 00:09:55,040 YOU KNOW WHY I WEAR A WOLF MASK? 197 00:09:56,400 --> 00:09:58,560 YOU SMELL LIKE A WET DOG? 198 00:09:58,600 --> 00:10:01,280 WOLVES ARE ADEPT AT SEEING THEIR WAY THROUGH TRAPS. 199 00:10:01,320 --> 00:10:04,440 THEY HAVE AN UNCANNY TALENT FOR READING THE LAY OF THE LAND. 200 00:10:04,480 --> 00:10:06,960 HUNTERS EVEN REPORT THEM DIGGING UP TRAPS 201 00:10:07,000 --> 00:10:09,520 AND DEACTIVATING THEM BEFORE THEY BECOME A PROBLEM. 202 00:10:11,160 --> 00:10:12,640 YOU'RE NOT GOING TO BECOME A PROBLEM, 203 00:10:12,680 --> 00:10:15,080 ARE YOU, JOHN WAYNE WITH THE CRIPPLED HAND? 204 00:10:15,120 --> 00:10:17,520 SHOULD I DEACTIVATE YOU? 205 00:10:17,560 --> 00:10:19,960 NO PROBLEM HERE. 206 00:10:24,080 --> 00:10:25,320 HE HUNG UP. 207 00:10:25,360 --> 00:10:26,560 I GOT A TRACE, THOUGH. 208 00:10:26,600 --> 00:10:28,840 HE'S AT THE INTERNATIONAL BANK DEN HAAG. 209 00:10:28,880 --> 00:10:30,840 I TOLD THE LOCALS WE HAVE AN OFFICER INSIDE. 210 00:10:30,880 --> 00:10:34,600 HE SAID SIX ROBBERS, FIVE BAGS OF EQUIPMENT, 211 00:10:34,640 --> 00:10:36,520 AND FULL AUTO PISTOLS. 212 00:10:36,560 --> 00:10:38,040 I'LL GET INSIDE THE SECURITY CAMERAS. 213 00:10:38,080 --> 00:10:41,400 MOVE! MOVE! GET IN THERE! 214 00:10:41,440 --> 00:10:43,760 MOVE IT! 215 00:10:46,000 --> 00:10:48,400 LOOK WHAT I FOUND IN THE CLOSET. 216 00:10:48,440 --> 00:10:49,440 THE BANK MANAGER 217 00:10:49,480 --> 00:10:50,920 AND A FAT LADY AND HER HUSBAND. 218 00:10:50,960 --> 00:10:52,760 SHE'S NOT FAT, SHE'S PREGNANT. 219 00:10:52,800 --> 00:10:54,480 GET ON THE FLOOR! 220 00:10:54,520 --> 00:10:55,880 FACE DOWN! 221 00:10:55,920 --> 00:10:58,280 SHE CAN'T LIE ON HER FRONT BECAUSE OF THE BABY. 222 00:10:58,320 --> 00:11:01,000 I WAS HOPING YOU'D LET HER GO, KEEP ME INSTEAD. 223 00:11:01,040 --> 00:11:03,160 AND I WAS HOPING YOU'D DO AS YOU'RE TOLD 224 00:11:03,200 --> 00:11:04,760 SO I DON'T HAVE TO WASTE TWO BULLETS. 225 00:11:04,800 --> 00:11:06,960 PLEASE! I WILL DO IT! 226 00:11:07,000 --> 00:11:08,000 HAVEN'T YOU GOT ENOUGH HOSTAGES? 227 00:11:08,040 --> 00:11:09,360 WHY DON'T YOU LET HER GO? 228 00:11:09,400 --> 00:11:11,720 MAYBE I'M NOT MAKING MYSELF CLEAR. 229 00:11:11,760 --> 00:11:14,800 KEEP YOUR MOUTH SHUT. 230 00:11:16,480 --> 00:11:19,120 LET'S GET THE LADY A CHAIR. 231 00:11:19,160 --> 00:11:21,640 WHAT ARE WE, ANIMALS? 232 00:11:21,680 --> 00:11:23,200 COME ON, MY LOVE, SIT DOWN. 233 00:11:23,240 --> 00:11:25,000 YOU, TOO. COZY UP. 234 00:11:26,280 --> 00:11:27,520 THERE NOW, IS THAT BETTER, 235 00:11:27,560 --> 00:11:30,560 JOHN WAYNE WITH THE CRIPPLED HAND? 236 00:11:30,600 --> 00:11:34,160 MR. BANK MANAGER... 237 00:11:34,200 --> 00:11:35,520 THE VAULT KEY. 238 00:11:35,560 --> 00:11:36,520 KEY? 239 00:11:36,560 --> 00:11:38,160 THE VAULT'S ON A TIME LOCK. 240 00:11:38,200 --> 00:11:40,760 WHICH OPENS IN 365 SECONDS, 241 00:11:40,800 --> 00:11:42,280 AND REQUIRES THE KEY 242 00:11:42,320 --> 00:11:47,280 WHICH YOU WEAR AROUND YOUR NECK. 243 00:11:47,320 --> 00:11:49,280 I'M GETTING VERY TIRED OF BEING QUESTIONED. 244 00:11:49,320 --> 00:11:50,720 I'M SORRY. 245 00:11:52,160 --> 00:11:54,040 WHY WAS THAT YOUNG COUPLE HERE TO SEE YOU TODAY? 246 00:11:54,080 --> 00:11:55,280 EXCUSE ME? 247 00:11:55,320 --> 00:11:57,640 I'M NOT BIG ON REPEATING MYSELF. 248 00:11:57,680 --> 00:11:59,520 THEY APPLIED FOR CREDIT. 249 00:11:59,560 --> 00:12:00,520 A LOAN. 250 00:12:00,560 --> 00:12:03,560 AH. WERE THEY SUCCESSFUL? 251 00:12:03,600 --> 00:12:05,200 WERE YOU SUCCESSFUL? 252 00:12:05,240 --> 00:12:07,080 WERE YOU ABLE TO ACQUIRE A LOAN? 253 00:12:07,120 --> 00:12:09,840 WHAT DID YOU WANT, SOMETHING FOR THE BABY? 254 00:12:09,880 --> 00:12:11,600 IT'S OKAY, SIR, WE DIDN'T-- 255 00:12:11,640 --> 00:12:13,240 WHAT DID YOU NEED? 256 00:12:13,280 --> 00:12:15,080 FURNITURE, FOR THE NURSERY. 257 00:12:15,120 --> 00:12:17,560 FURN-- A BED FOR THE BABY AND HE SAID NO? 258 00:12:17,600 --> 00:12:19,120 [MANAGER]: NO, I DIDN'T HAVE A CHOICE! 259 00:12:19,160 --> 00:12:20,760 WHAT'S THAT? 260 00:12:20,800 --> 00:12:22,160 [WOLF]: DO YOU WORK? 261 00:12:22,200 --> 00:12:24,000 [FATHER-TO-BE]: YES. YES, I WORK. 262 00:12:24,040 --> 00:12:25,080 -EVERY DAY. -EVERY DAY. 263 00:12:25,120 --> 00:12:27,000 PLEASE, SIR, IT IS NOT HIS FAULT. 264 00:12:27,040 --> 00:12:28,960 OUR CREDIT IS NOT GOOD. 265 00:12:29,000 --> 00:12:30,400 NOW, HOW CAN IT BE 266 00:12:30,440 --> 00:12:32,880 THAT GET YOU REFUSE THIS HARDWORKING YOUNG COUPLE 267 00:12:32,920 --> 00:12:34,640 THE FUNDS TO LOOK AFTER THEIR NEWBORN, 268 00:12:34,680 --> 00:12:36,640 AND SOMEHOW THEY THINK IT'S THEIR FAULT? 269 00:12:36,680 --> 00:12:37,840 WE HAVE A FORMULA... 270 00:12:37,880 --> 00:12:39,280 SCORES, WHICH... 271 00:12:39,320 --> 00:12:40,880 I'D LIKE YOU TO RECONSIDER MR. BANK MANAGER. 272 00:12:40,920 --> 00:12:42,240 CAN YOU DO THAT FOR ME? 273 00:12:42,280 --> 00:12:43,720 CAN YOU PUT ASIDE YOUR FORMULAS AND YOUR SCORES 274 00:12:43,760 --> 00:12:45,160 AND ACT LIKE A BLOODY HUMAN BEING? 275 00:12:45,200 --> 00:12:46,240 YES. OF COURSE. 276 00:12:46,280 --> 00:12:48,120 THEY CAN HAVE IT, ANYTHING THEY WANT! 277 00:12:48,160 --> 00:12:49,320 NO. PLEASE... 278 00:12:55,640 --> 00:12:58,960 NOW, I KNOW YOU'RE NOT PREDISPOSED, CULTURALLY, 279 00:12:59,000 --> 00:13:00,200 TO SILENCE, 280 00:13:00,240 --> 00:13:01,960 BUT I NEED YOU TO UNDERSTAND 281 00:13:02,000 --> 00:13:05,840 THIS IS NOT AN AUDIENCE PARTICIPATION SPORT. 282 00:13:07,440 --> 00:13:08,840 [SHOUTING IN PROTEST] 283 00:13:10,000 --> 00:13:11,040 NO! NO, NO DON'T SHOOT! 284 00:13:11,080 --> 00:13:12,080 DON'T SHOOT! 285 00:13:12,120 --> 00:13:13,440 THEY PUT A BOMB ON ME! 286 00:13:13,480 --> 00:13:14,640 [SHOUTS OF ALARM] 287 00:13:17,040 --> 00:13:19,320 DON'T SHOOT! THEY PUT A BOMB ON ME! 288 00:13:19,360 --> 00:13:20,760 DON'T SHOOT! 289 00:13:21,800 --> 00:13:24,560 [EXPLOSION RUMBLES OUTSIDE] 290 00:13:28,560 --> 00:13:29,560 WHO WAS IT? 291 00:13:33,240 --> 00:13:36,240 AM I MAKING MYSELF CLEAR NOW, 292 00:13:36,280 --> 00:13:37,760 JOHN WAYNE WITH THE CRIPPLED HAND? 293 00:13:42,120 --> 00:13:43,560 KEEP ALL THESE PEOPLE BACK, OKAY? 294 00:13:43,600 --> 00:13:45,080 WE STILL DON'T KNOW WHAT WE'RE DEALING WITH IN THERE. 295 00:13:45,120 --> 00:13:46,200 AND KEEP YOUR HEADS DOWN. 296 00:13:51,160 --> 00:13:53,160 OKAY, I WANT A SNIPER ON THAT BALCONY. 297 00:13:53,200 --> 00:13:55,400 I WANT ONE ON THAT BALCONY, I WANT ONE ON THAT ROOF. 298 00:13:55,440 --> 00:13:56,480 OKAY, GO. 299 00:13:56,520 --> 00:13:57,640 SEBASTIAN, DO YOU HAVE CONTROL 300 00:13:57,680 --> 00:13:58,800 OF THE INTERIOR SECURITY CAMERAS? 301 00:13:58,840 --> 00:14:00,440 WHAT? 302 00:14:00,480 --> 00:14:01,760 CARL IS INSIDE! 303 00:14:01,800 --> 00:14:03,400 YEAH, I KNOW, BUT THERE ARE NO LIVE IMAGES. 304 00:14:03,440 --> 00:14:05,160 THE CAMERAS SEEM TO HAVE BEEN DESTROYED. 305 00:14:05,200 --> 00:14:07,520 I'M PULLING UP THE FOOTAGE FROM THE TIME OF THE ROBBERY. 306 00:14:07,560 --> 00:14:11,360 WHY DID THEY KILL MR. STOOL? 307 00:14:11,400 --> 00:14:14,680 HE GAVE THEM THE VAULT KEY. 308 00:14:14,720 --> 00:14:16,920 THEY SEEM TO WANT A SHOW. 309 00:14:20,840 --> 00:14:22,920 I DON'T KNOW. 310 00:14:22,960 --> 00:14:24,840 THAT WOKE THE COPS UP. 311 00:14:24,880 --> 00:14:27,440 NOTHING LIKE A BANK MANAGER FULL OF PETN. 312 00:14:27,480 --> 00:14:30,720 TO LIVEN UP THE PARTY. 313 00:14:30,760 --> 00:14:33,000 I'M MONITORING THEIR FREQUENCIES. 314 00:14:33,040 --> 00:14:34,200 GOOD. 315 00:14:34,240 --> 00:14:36,040 MR. PIG, PREP THE DOORS. 316 00:14:36,080 --> 00:14:37,640 MR. TIGER, HEAD UPSTAIRS, 317 00:14:37,680 --> 00:14:40,240 IF YOU PLEASE. 318 00:15:01,160 --> 00:15:03,680 [♪♪♪] 319 00:15:12,440 --> 00:15:13,480 RIGHT THERE. 320 00:15:13,520 --> 00:15:15,040 YOU'RE SURE? 321 00:15:15,080 --> 00:15:16,000 YEAH. COMPLETELY. 322 00:15:16,040 --> 00:15:18,400 THEY IN THE VAULT? 323 00:15:18,440 --> 00:15:20,400 YEAH, IT'S THE RIGHT AREA. 324 00:15:20,440 --> 00:15:22,200 THEY NEED TO DRILL? 325 00:15:40,960 --> 00:15:43,320 EACH CAMERA, ONE SHOT. 326 00:15:43,360 --> 00:15:45,080 GUY'S GOOD. 327 00:15:45,120 --> 00:15:46,520 GOOD? 328 00:15:46,560 --> 00:15:48,160 TO HIT THOSE LITTLE CAMERAS, THE GUY'S EXCELLENT. 329 00:15:48,200 --> 00:15:50,480 WHY DO THIS FOR A SIMPLE ROBBERY? 330 00:15:50,520 --> 00:15:52,480 THEY HAD MASKS ON. 331 00:15:52,520 --> 00:15:54,360 BACK THAT UP. 332 00:15:56,080 --> 00:15:57,160 HE'S SHOOTING GOOFY-FOOT. 333 00:15:57,200 --> 00:15:58,360 WHAT'S "GOOFY-FOOT?" 334 00:15:58,400 --> 00:16:00,520 LEFT-HANDED, BUT STANDING LIKE A RIGHTY. 335 00:16:00,560 --> 00:16:02,000 SEE? 336 00:16:02,040 --> 00:16:04,880 THE WRONG FOOT'S IN THE FRONT. 337 00:16:04,920 --> 00:16:07,080 NOBODY SHOOTS LIKE THAT. 338 00:16:07,120 --> 00:16:08,640 WHY DESTROY THE CAMERAS 339 00:16:08,680 --> 00:16:10,400 IF THEY'RE WEARING MASKS? 340 00:16:10,440 --> 00:16:11,400 THEY HAVE MORE THAN ENOUGH TIME TO ROB THE PLACE 341 00:16:11,440 --> 00:16:12,520 AND GET OUT. 342 00:16:12,560 --> 00:16:13,600 THEY DON'T SEEM TO BE IN A HURRY. 343 00:16:13,640 --> 00:16:15,840 BANK ROBBERIES AVERAGE SIX MINUTES 344 00:16:15,880 --> 00:16:17,280 BETWEEN PASSING OF NOTE TO ESCAPE. 345 00:16:17,320 --> 00:16:19,400 THESE GUYS HAVE BEEN INSIDE FOR ALMOST 10. 346 00:16:19,440 --> 00:16:22,040 THEIR VAN IS ALREADY IN POLICE CUSTODY, 347 00:16:22,080 --> 00:16:23,400 SO EVEN IF THEY DO COME OUT, 348 00:16:23,440 --> 00:16:24,240 THEY'RE NOT GOING TO GO ANYWHERE. 349 00:16:24,280 --> 00:16:26,360 UNLESS THEY DON'T PLAN 350 00:16:26,400 --> 00:16:27,920 TO COME OUT THE FRONT DOOR. 351 00:16:27,960 --> 00:16:29,120 THE FIRST THING YOU LOOK FOR WHEN YOU PLAN THESE THINGS 352 00:16:29,160 --> 00:16:30,240 IS A WAY OUT. 353 00:16:30,280 --> 00:16:31,560 I MEAN, WOULDN'T YOU? 354 00:16:31,600 --> 00:16:33,280 AS FAR AS I CAN TELL, THEY DON'T HAVE ONE. 355 00:16:33,320 --> 00:16:34,560 WELL, YEAH, THAT'S MAYBE 356 00:16:34,600 --> 00:16:36,360 EXACTLY WHAT THEY DON'T WANT US TO SEE. 357 00:16:36,400 --> 00:16:37,440 HOW THEY'RE GOING TO ESCAPE. 358 00:16:37,480 --> 00:16:39,080 AND HICKMAN SAID 359 00:16:39,120 --> 00:16:41,800 THAT THEY BROUGHT A LOT OF EQUIPMENT INTO THE BANK. 360 00:16:41,840 --> 00:16:43,240 OKAY, I'LL PULL CITY RECORDS 361 00:16:43,280 --> 00:16:44,640 TO SEE IF THERE ARE ANY POINTS OF HIDDEN EGRESS. 362 00:16:44,680 --> 00:16:46,040 SEBASTIAN. 363 00:16:46,080 --> 00:16:47,000 HICKMAN'S PHONE? 364 00:16:47,040 --> 00:16:49,360 IT'S NOT WORKING. PERMANENTLY. 365 00:16:50,960 --> 00:16:54,240 WHAT HAPPENED TO YOUR HAND? 366 00:16:54,280 --> 00:16:55,800 ACCIDENT. 367 00:16:55,840 --> 00:16:57,160 HEY! 368 00:16:58,120 --> 00:16:58,920 DIDN'T WOLF TELL YOU 369 00:16:58,960 --> 00:17:00,200 TO SHUT THE HELL UP? 370 00:17:00,240 --> 00:17:02,120 WHATEVER YOUR BOSS SAYS. 371 00:17:02,160 --> 00:17:04,240 HE AIN'T MY BOSS. 372 00:17:06,480 --> 00:17:07,480 PIG? 373 00:17:07,520 --> 00:17:08,680 YOU OKAY THERE? 374 00:17:08,720 --> 00:17:10,720 YEAH, YEAH, YEAH, NO WORRIES. 375 00:17:10,760 --> 00:17:12,400 I'VE GOT IT. 376 00:17:14,000 --> 00:17:16,840 DO YOU WANT ME TO CRIPPLE THAT HAND EVEN MORE? 377 00:17:16,880 --> 00:17:19,240 DON'T GET YOURSELF IN TROUBLE. 378 00:17:25,480 --> 00:17:27,320 UH, I'VE BEEN THINKING 379 00:17:27,360 --> 00:17:29,280 THAT MAYBE MY SHARE SHOULD BE A LITTLE BIGGER. 380 00:17:30,840 --> 00:17:34,000 I MEAN, I DID TAKE MOST OF THE CHANCES. 381 00:17:34,040 --> 00:17:36,360 YOU'VE BEEN THINKING. 382 00:17:36,400 --> 00:17:38,080 OKAY, I'VE GOT A VOICE RECOGNITION HIT 383 00:17:38,120 --> 00:17:39,200 ON THE RINGLEADER. 384 00:17:39,240 --> 00:17:40,560 ALEX VAUGHN. 385 00:17:40,600 --> 00:17:41,760 BRITISH NATIONAL. 386 00:17:41,800 --> 00:17:43,960 [TOMMY]: ALEX VAUGHN IS OUT OF PRISON? 387 00:17:44,000 --> 00:17:45,200 PAROLED TWO YEARS GO. 388 00:17:45,240 --> 00:17:46,560 [TOMMY]: HE HAD A DRUG TRAFFICKING CREW 389 00:17:46,600 --> 00:17:47,840 IN THE '90s. 390 00:17:47,880 --> 00:17:50,360 SAYS HE BECAME RADICALIZED IN PRISON 391 00:17:50,400 --> 00:17:53,800 AND TURNED TO ORGANIZED ANARCHY AND ANTI-CAPITALISM. 392 00:17:53,840 --> 00:17:57,520 HE'S SUSPECTED OF A SHOOTING AT THE G8 SUMMIT IN 2010. 393 00:17:57,560 --> 00:17:59,880 THEY'RE ANTI-CAPITALIST BANK ROBBERS 394 00:17:59,920 --> 00:18:02,640 WHO ARE GREEDY? 395 00:18:02,680 --> 00:18:05,240 [TOMMY]: NO, THEY'RE ASSHOLES WITH GUNS. 396 00:18:11,240 --> 00:18:13,040 [GROUND SHATTERS] 397 00:18:13,080 --> 00:18:14,400 [SNIFFS AND GROANS IN DISGUST] 398 00:18:14,440 --> 00:18:17,000 AW, THAT IS REALLY UNPLEASANT. 399 00:18:17,040 --> 00:18:18,480 I USED TO WORK ON A PERFUME COUNTER, 400 00:18:18,520 --> 00:18:20,400 ALL I CAN SMELL IS FLOWERS. 401 00:18:20,440 --> 00:18:21,800 WELL, MAYBE YOU SHOULD DO THE RECCE? 402 00:18:21,840 --> 00:18:23,400 MAYBE YOU SHOULD GET DOWN THERE. 403 00:18:29,880 --> 00:18:30,920 [TOOL WHINES] 404 00:18:32,960 --> 00:18:35,360 WHERE IS MY NEGOTIATOR? 405 00:18:35,400 --> 00:18:36,520 I DON'T THINK IT'LL MATTER. 406 00:18:36,560 --> 00:18:37,680 WE'RE FROM THE ICC. 407 00:18:37,720 --> 00:18:39,600 ONE OF MY TEAM MEMBERS IS IN THERE. 408 00:18:39,640 --> 00:18:41,160 THE COP IS ONE OF YOURS? 409 00:18:41,200 --> 00:18:43,080 THE WANKER IN CHARGE IS CALLED ALEX VAUGHN. 410 00:18:43,120 --> 00:18:44,680 YOU CAN'T TRUST HIM. 411 00:18:44,720 --> 00:18:46,640 THIS GETS BETTER ALL THE TIME. 412 00:18:46,680 --> 00:18:49,400 DO YOU HAVE A MOBILE COMMAND POST OF SOME KIND? 413 00:18:49,440 --> 00:18:51,320 IT'S BEING SET UP NOW. WHY? 414 00:18:51,360 --> 00:18:53,920 BECAUSE WE SHOULDN'T BE STANDING HERE. 415 00:18:53,960 --> 00:18:56,320 DON'T LOOK UP, BUT THEY HAVE A SNIPER WITH THEM. 416 00:19:05,760 --> 00:19:09,960 [IN IRISH ACCENT] YOU MUST BE JOKING. 417 00:19:27,640 --> 00:19:28,520 ALL IS GOOD! 418 00:19:28,560 --> 00:19:30,000 SEE? 419 00:19:30,040 --> 00:19:31,840 I TOLD YOU I HAD IT ALL DOWN. 420 00:19:31,880 --> 00:19:33,360 THAT IS WHY I THINK IT'S FAIR 421 00:19:33,400 --> 00:19:35,040 TO TALK ABOUT A LARGER REMUNERATION. 422 00:19:35,080 --> 00:19:37,480 YOU WANT TO RENEGOTIATE. 423 00:19:37,520 --> 00:19:39,240 YEAH, EXACTLY, A RENEGOTIATION. 424 00:19:44,840 --> 00:19:48,360 CONSIDER THAT OUR FINAL OFFER. 425 00:19:48,400 --> 00:19:50,240 WOLF! 426 00:19:50,280 --> 00:19:52,400 SUITS ARE HERE. 427 00:19:56,080 --> 00:19:57,640 SHOWTIME. 428 00:20:03,840 --> 00:20:05,000 POLICE! 429 00:20:06,440 --> 00:20:07,920 HE WANTS TO TALK TO YOU! 430 00:20:07,960 --> 00:20:09,800 THERE IS A PICTURE-- 431 00:20:09,840 --> 00:20:11,800 NO, NO-- 432 00:20:11,840 --> 00:20:13,480 [WINCING] 433 00:20:13,520 --> 00:20:14,520 HEY! BE GENTLE WITH HER! 434 00:20:14,560 --> 00:20:15,360 SHE'S PREGNANT! 435 00:20:15,400 --> 00:20:17,440 BE GENTLE, PLEASE. 436 00:20:17,480 --> 00:20:19,160 ARE YOU OKAY? 437 00:20:19,200 --> 00:20:20,680 YEAH? BE GENTLE, PLEASE. 438 00:20:20,720 --> 00:20:22,600 IT'S PROCEDURE. YOU'RE GOING TO BE FINE, OKAY? 439 00:20:22,640 --> 00:20:23,600 TRUST ME. 440 00:20:23,640 --> 00:20:25,320 GIVE ME THE PHONE. 441 00:20:25,360 --> 00:20:27,360 YOU'RE GOING TO BE FINE. 442 00:20:32,360 --> 00:20:34,040 THIS IS CHIEF HELSTROM. 443 00:20:34,080 --> 00:20:35,560 [WOLF]: OH, YES, WE KNOW WHO YOU ARE, ROBERT. 444 00:20:35,600 --> 00:20:37,200 WE ARE VERY WELL PREPARED. 445 00:20:37,240 --> 00:20:39,000 YOU'LL BE GETTING A LIST OF DEMANDS SOON. 446 00:20:39,040 --> 00:20:40,800 AND IN CASE YOU'RE THINKING OF TRYING SOMETHING, 447 00:20:40,840 --> 00:20:42,120 WHAT YOU'RE LOOKING AT 448 00:20:42,160 --> 00:20:43,680 IS ONLY A SMALL AMOUNT OF WHAT WE BROUGHT. 449 00:20:43,720 --> 00:20:45,640 WE HAVE ENOUGH EXPLOSIVE IN HERE 450 00:20:45,680 --> 00:20:46,680 TO LEVEL THREE BLOCKS. 451 00:20:46,720 --> 00:20:47,760 AM I MAKING MYSELF CLEAR? 452 00:20:54,440 --> 00:20:56,720 LOOK, I WANT EVERY MAN AND WOMAN ON DUTY 453 00:20:56,760 --> 00:20:58,360 DOWN HERE NOW! 454 00:21:00,400 --> 00:21:01,480 I WAS WRONG. 455 00:21:01,520 --> 00:21:03,600 THEY AREN'T JUST ASSHOLES WITH GUNS. 456 00:21:03,640 --> 00:21:05,960 THEY'RE ASSHOLES WITH BOMBS. 457 00:21:06,000 --> 00:21:07,440 IS HE GOING TO BE OKAY? 458 00:21:07,480 --> 00:21:09,360 YEAH. WE'LL HELP WHERE WE CAN. 459 00:21:09,400 --> 00:21:11,640 PETN IS AS VOLATILE AS IT GETS. 460 00:21:11,680 --> 00:21:13,560 THEY'RE DEFINITELY NOT COMING OUT OF THE FRONT DOOR. 461 00:21:13,600 --> 00:21:15,480 I'M THINKING MAYBE I SHOULD GET UP HIGH, 462 00:21:15,520 --> 00:21:17,320 TRY AND LOCATE THEIR SNIPER. 463 00:21:17,360 --> 00:21:19,960 KEEP MY EYE ON HIM. 464 00:21:20,000 --> 00:21:22,400 ALL RIGHT, GOOD IDEA. 465 00:21:22,440 --> 00:21:23,960 OKAY. 466 00:21:27,080 --> 00:21:28,800 [KNOCKING INSISTENTLY] 467 00:21:30,520 --> 00:21:33,520 YOU'RE READY? 468 00:21:33,560 --> 00:21:34,480 READY? 469 00:21:36,200 --> 00:21:37,680 LOUIS DID NOT TELL YOU I WAS COMING. 470 00:21:37,720 --> 00:21:39,440 NO. 471 00:21:39,480 --> 00:21:40,720 APOLOGIES, REBECCA. 472 00:21:40,760 --> 00:21:41,720 MAY WE COME IN? 473 00:21:41,760 --> 00:21:42,800 YEAH. 474 00:21:45,000 --> 00:21:48,040 WE NEED YOU TO COME BACK TO THE HAGUE. 475 00:21:48,080 --> 00:21:49,560 WHY? 476 00:21:49,600 --> 00:21:51,680 MAY I EXPLAIN ON THE WAY? 477 00:21:54,600 --> 00:21:55,440 [QUIETLY] DAMAGE NOTHING, 478 00:21:55,480 --> 00:21:56,880 BUT BE EXTREMELY THOROUGH. 479 00:21:56,920 --> 00:21:59,200 ALWAYS. 480 00:22:19,680 --> 00:22:22,720 GOD DAMMIT. 481 00:22:38,000 --> 00:22:40,920 THEY'VE WIRED SOME OF THE DOORS WITH PETN. 482 00:22:40,960 --> 00:22:42,000 THERE'S A LOT OF THAT 483 00:22:42,040 --> 00:22:43,720 ON THE OPEN MARKET LATELY. 484 00:22:43,760 --> 00:22:45,520 IT'S THE ORDNANCE OF CHOICE FOR TERRORISTS. 485 00:22:45,560 --> 00:22:47,320 EXPLOSIVES DON'T HELP THEM GET AWAY. 486 00:22:47,360 --> 00:22:49,920 IT ONLY KEEPS US OUTSIDE. 487 00:22:49,960 --> 00:22:51,080 I'M GOING THROUGH THE CITY PLANNING SCHEMATICS 488 00:22:51,120 --> 00:22:53,280 TO SEE IF THERE IS ANYTHING NEARBY 489 00:22:53,320 --> 00:22:54,720 THEY COULD BE ACCESSING FOR AN ESCAPE. 490 00:22:54,760 --> 00:22:57,800 LISTEN, IF YOU FIND ANYTHING, LET ME KNOW, OKAY? 491 00:22:57,840 --> 00:22:59,080 WILL DO. 492 00:22:59,120 --> 00:23:00,360 [OFFICER]: ONE OF THE HOSTAGES 493 00:23:00,400 --> 00:23:02,200 IS DEFINITELY A COP, UNIT TEN. 494 00:23:02,240 --> 00:23:03,360 EXCUSE ME. 495 00:23:03,400 --> 00:23:05,920 DID YOU JUST BROADCAST THAT? 496 00:23:10,480 --> 00:23:11,480 I'M GONE. 497 00:23:11,520 --> 00:23:12,800 WHAT ARE YOU DOING? 498 00:23:12,840 --> 00:23:13,600 I SAID I'D PULL OUT IF ANYTHING WENT WRONG. 499 00:23:13,640 --> 00:23:14,600 WHAT WENT WRONG? 500 00:23:14,640 --> 00:23:15,680 I CAN'T SAY. 501 00:23:15,720 --> 00:23:17,280 I NEED AN EYE IN THE SKY FOR THIS. 502 00:23:17,320 --> 00:23:18,280 WELL, SEND THE PIG. 503 00:23:18,320 --> 00:23:19,280 PIG'S GOT HIS OWN ROLE TO PLAY-- 504 00:23:19,320 --> 00:23:20,280 LOOK! 505 00:23:20,320 --> 00:23:21,480 I'M SORRY, ALL RIGHT? 506 00:23:21,520 --> 00:23:22,400 BUT AS SOON AS EVERYTHING'S READY HERE, 507 00:23:22,440 --> 00:23:23,480 I'M GOING MY OWN WAY. 508 00:23:28,760 --> 00:23:30,520 [QUIETLY] WANT ME TO TAKE CARE OF THE TIGER? 509 00:23:30,560 --> 00:23:32,880 NO, HE'LL COME ROUND. 510 00:23:32,920 --> 00:23:34,320 WOLF... 511 00:23:34,360 --> 00:23:35,320 I NEED TO TELL YOU SOMETHING. 512 00:23:35,360 --> 00:23:36,360 NOT NOW. 513 00:23:36,400 --> 00:23:37,960 YES, NOW. 514 00:23:39,400 --> 00:23:41,520 [RABBIT]: WE HAVE A SPECIAL GUEST. 515 00:23:41,560 --> 00:23:45,480 WHY AREN'T THEY LEAVING? 516 00:23:45,520 --> 00:23:47,920 BECAUSE THIS ISN'T A ROBBERY. 517 00:23:47,960 --> 00:23:49,200 IT ISN'T? 518 00:23:49,240 --> 00:23:50,440 THEY'VE BEEN IN THE VAULT 20 MINUTES, 519 00:23:50,480 --> 00:23:51,880 AND ALMOST EVERY BAG THEY BROUGHT WITH THEM 520 00:23:51,920 --> 00:23:54,040 IS RIGHT THERE ON THE FLOOR. 521 00:23:54,080 --> 00:23:55,200 WHAT DO YOU MEAN? 522 00:23:55,240 --> 00:23:57,720 THEY HAVEN'T TAKEN ANY MONEY. 523 00:23:57,760 --> 00:24:00,120 ARE THERE ANY GUNS HIDDEN HERE, ANYWHERE? 524 00:24:00,160 --> 00:24:01,680 [WHISPERING] GUNS? UM... 525 00:24:01,720 --> 00:24:03,800 THERE'S A SECURITY OFFICE IN THE BACK CORNER, 526 00:24:03,840 --> 00:24:08,120 BUT I DON'T KNOW WHAT'S IN THERE. 527 00:24:08,160 --> 00:24:09,200 OKAY, LOOK, I'M A COP. 528 00:24:09,240 --> 00:24:10,360 YOU ARE? 529 00:24:10,400 --> 00:24:11,880 AND IF THE OPPORTUNITY PRESENTS ITSELF, 530 00:24:11,920 --> 00:24:14,120 I MAY NEED YOU TO DIVERT THEM. 531 00:24:14,160 --> 00:24:15,400 NO, HE SAID HE WOULD KILL EVERYONE-- 532 00:24:15,440 --> 00:24:16,800 ANIKA, LOOK, THEY WIRED THE FRONT DOOR 533 00:24:16,840 --> 00:24:17,800 WITH EXPLOSIVES, 534 00:24:17,840 --> 00:24:18,800 AND THEY'RE WALKING AROUND HERE 535 00:24:18,840 --> 00:24:19,800 WITHOUT THEIR MASKS ON. 536 00:24:19,840 --> 00:24:21,080 WHATEVER THEY'RE DOING, 537 00:24:21,120 --> 00:24:22,440 THEY'RE NOT GOING THROUGH IT 538 00:24:22,480 --> 00:24:24,520 TO LEAVE 20 WITNESSES TO TALK TO SKETCH ARTISTS. 539 00:24:24,560 --> 00:24:25,520 OH, NO... 540 00:24:25,560 --> 00:24:27,600 NOW, I MAY NOT GET THE CHANCE, 541 00:24:27,640 --> 00:24:30,600 BUT IF I DO, I'LL NEED YOUR HELP. 542 00:24:30,640 --> 00:24:32,320 CAN YOU DO THAT FOR ME, 543 00:24:32,360 --> 00:24:34,120 ANIKA WHO PRETENDS SHE ISN'T THE ONE 544 00:24:34,160 --> 00:24:37,760 WHO IS RUNNING THIS PLACE? 545 00:24:40,920 --> 00:24:42,520 [WHIMPERS] 546 00:24:48,080 --> 00:24:49,440 LOUIS WILL EXPLAIN EVERYTHING 547 00:24:49,480 --> 00:24:50,840 WHEN WE GET TO THE HAGUE, 548 00:24:50,880 --> 00:24:54,000 BUT IT SEEMS I HAVE... 549 00:24:54,040 --> 00:24:59,320 PAINTED MYSELF IN A RATHER DANGEROUS CORNER. 550 00:24:59,360 --> 00:25:00,920 IS THERE ANYTHING I CAN DO? 551 00:25:00,960 --> 00:25:02,120 I DON'T THINK SO. 552 00:25:02,160 --> 00:25:04,120 I MEAN, YOU HAVEN'T TOLD ANYONE 553 00:25:04,160 --> 00:25:05,800 ABOUT MY HUNTING FOR THE MAN 554 00:25:05,840 --> 00:25:07,040 WHO PUT THE BOMB IN YOUR GARAGE, 555 00:25:07,080 --> 00:25:08,680 HAVE YOU? 556 00:25:08,720 --> 00:25:09,960 WHAT DOES THAT HAVE TO DO WITH 557 00:25:10,000 --> 00:25:11,560 THIS CORNER YOU'VE PAINTED YOURSELF INTO? 558 00:25:11,600 --> 00:25:14,920 I BELIEVE I'M ON THE TRAIL 559 00:25:14,960 --> 00:25:18,200 OF THE MAN WHO ORDERED THE BOMB TO BE PLANTED. 560 00:25:18,240 --> 00:25:23,160 LAST WEEK IN RUSSIA, I WAS VERY CLOSE TO HIM. 561 00:25:23,200 --> 00:25:25,840 AND? 562 00:25:25,880 --> 00:25:27,400 HE KNEW I WAS COMING. 563 00:25:27,440 --> 00:25:30,760 AND WHAT DO YOU... 564 00:25:37,200 --> 00:25:40,520 IF THERE ARE ANY BUGS, THAT MAN WILL FIND THEM. 565 00:25:42,360 --> 00:25:45,080 [SIGHS] 566 00:25:45,120 --> 00:25:46,640 HOW LONG HAVE THEY BEEN LISTENING? 567 00:25:46,680 --> 00:25:48,440 I ASSURE YOU, 568 00:25:48,480 --> 00:25:50,880 THEY WILL ONLY HAVE BEEN LISTENING 569 00:25:50,920 --> 00:25:52,600 FOR TALK OF THE INVESTIGATION. 570 00:25:52,640 --> 00:25:53,720 THEY WILL NOT BE CONCERNED 571 00:25:53,760 --> 00:25:54,880 WITH THINGS OF A PERSONAL NATURE. 572 00:25:54,920 --> 00:25:56,880 ARE YOU TALKING ABOUT SEX, MICHEL? 573 00:25:56,920 --> 00:25:58,840 BECAUSE THERE ARE A GOOD MANY THINGS 574 00:25:58,880 --> 00:26:00,520 "OF A PERSONAL NATURE" 575 00:26:00,560 --> 00:26:02,800 THAT GO ON IN A MARRIAGE 576 00:26:02,840 --> 00:26:05,840 THAT DON'T INVOLVE SEX. 577 00:26:05,880 --> 00:26:07,200 BUT THEN, YOU WOULDN'T KNOW ABOUT THAT. 578 00:26:07,240 --> 00:26:09,960 I DIDN'T MEAN TO MINIMIZE THE INTRUSION, REBECCA. 579 00:26:12,320 --> 00:26:13,960 I REMEMBER THE FIRST CASE 580 00:26:14,000 --> 00:26:16,920 I BROUGHT TO YOU AS A PROSECUTOR. 581 00:26:16,960 --> 00:26:19,080 IT LAID THE GROUNDWORK 582 00:26:19,120 --> 00:26:22,520 FOR ESTABLISHING RAPE AS A CRIME OF GENOCIDE. 583 00:26:22,560 --> 00:26:25,360 YOU TOOK THOSE TUTSI WOMEN ASIDE 584 00:26:25,400 --> 00:26:27,080 AND YOU TOLD THEM NOT TO BE ANGRY, 585 00:26:27,120 --> 00:26:28,960 THAT ANGER WOULD HURT THEIR CASE. 586 00:26:29,000 --> 00:26:32,840 PERSONAL ANGER WOULD CLOUD EVERY ASPECT OF THE TRIAL. 587 00:26:32,880 --> 00:26:35,000 DO YOU REMEMBER? 588 00:26:35,040 --> 00:26:36,320 I REMEMBER. 589 00:26:37,920 --> 00:26:40,040 I NEED YOU 590 00:26:40,080 --> 00:26:44,400 TO NOT TAKE PERSONALLY WHAT THESE MEN DID. 591 00:26:44,440 --> 00:26:46,880 THEY LISTENED TO US. 592 00:26:46,920 --> 00:26:48,800 TO US TALK, 593 00:26:48,840 --> 00:26:50,720 TO US HOLD EACH OTHER, 594 00:26:50,760 --> 00:26:52,840 TO US CRY. 595 00:26:52,880 --> 00:26:56,120 THESE ANIMALS, THEY TOOK MY SON AWAY, 596 00:26:56,160 --> 00:26:58,480 AND THEN THEY TOOK MY GRIEF. 597 00:26:58,520 --> 00:27:01,120 THEY'VE LEFT ME NOTHING. 598 00:27:01,160 --> 00:27:04,840 DID YOU FIND THE SNIPER? 599 00:27:04,880 --> 00:27:06,400 NO. 600 00:27:06,440 --> 00:27:08,000 DOESN'T MEAN HE ISN'T AROUND, THOUGH, 601 00:27:08,040 --> 00:27:11,320 SO TELL EVERYONE TO STAY AS UNEXPOSED AS POSSIBLE. 602 00:27:11,360 --> 00:27:13,960 [CELL PHONE RINGS] 603 00:27:14,000 --> 00:27:15,320 YES? 604 00:27:15,360 --> 00:27:17,840 I WANT SIX PORSCHES LINED UP OUTSIDE. 605 00:27:17,880 --> 00:27:19,000 ALL BLACK. 606 00:27:19,040 --> 00:27:21,080 AND I WANT ONE PILOT AND A GULFSTREAM 607 00:27:21,120 --> 00:27:22,480 READY TO GO AT ROTTERDAM AIRPORT, 608 00:27:22,520 --> 00:27:25,040 AMSTERDAM AIRPORT SCHIPHOL, 609 00:27:25,080 --> 00:27:26,480 ANTWERP INTERNATIONAL, 610 00:27:26,520 --> 00:27:27,800 AND GILZE-RIJEN AIRPORT. 611 00:27:27,840 --> 00:27:29,000 IS THAT CLEAR? 612 00:27:29,040 --> 00:27:31,440 YOU WANT SIX PORSCHES AND FOUR PLANES? 613 00:27:31,480 --> 00:27:32,440 NOT PLANES, 614 00:27:32,480 --> 00:27:33,800 GULFSTREAMS. 615 00:27:33,840 --> 00:27:36,320 AND YOU HAVE ONE HOUR, 616 00:27:36,360 --> 00:27:39,240 OR I'M TURNING THIS BANK INTO AN ABATTOIR, 617 00:27:39,280 --> 00:27:42,080 STARTING WITH THE COP WE HAVE AMONGST OUR HOSTAGES. 618 00:27:48,360 --> 00:27:50,360 HOW DID THEY FIND OUT? 619 00:27:50,400 --> 00:27:53,760 EVA SAID A UNIFORM BROADCAST IT ON THE RADIO. 620 00:27:53,800 --> 00:27:55,160 THEY MUST BE LISTENING. 621 00:27:55,200 --> 00:27:56,240 WHAT'S THAT? 622 00:27:56,280 --> 00:27:58,920 SECURITY CAMERA FOOTAGE. 623 00:27:58,960 --> 00:28:00,640 WISH THEY HADN'T DISABLED THEM SO QUICKLY. 624 00:28:00,680 --> 00:28:03,200 I WANT TO SEE WHAT HAPPENED BEFORE THEY ENTERED. 625 00:28:03,240 --> 00:28:04,520 BEFORE? 626 00:28:04,560 --> 00:28:06,240 HICKMAN SAID THERE WERE SIX OF THEM, RIGHT? 627 00:28:06,280 --> 00:28:07,920 ONLY FIVE CAME IN. 628 00:28:07,960 --> 00:28:09,920 SO, ONE WAS ALREADY INSIDE. 629 00:28:09,960 --> 00:28:11,200 I'M NOT HICKMAN, 630 00:28:11,240 --> 00:28:13,200 BUT SOMETHING MADE HIM SUSPICIOUS ENOUGH 631 00:28:13,240 --> 00:28:15,200 TO DIAL YOU. 632 00:28:15,240 --> 00:28:16,240 LET'S SEE IF I CAN FIND IT. 633 00:28:16,280 --> 00:28:20,040 WHICH ONE OF YOU IS A COP? 634 00:28:24,880 --> 00:28:26,720 I'M NOT BIG ON REPEATING MYSELF, 635 00:28:26,760 --> 00:28:27,760 BUT THIS IS IMPORTANT, 636 00:28:27,800 --> 00:28:30,480 SO ONE MORE TIME. 637 00:28:30,520 --> 00:28:32,720 WHICH ONE OF YOU IS A COP? 638 00:28:34,480 --> 00:28:37,200 MY MONEY'S ON YOU, DADDY TO BE. 639 00:28:37,240 --> 00:28:38,720 I'M A BRICK-LAYER. 640 00:28:38,760 --> 00:28:40,440 NO ONE ELSE FITS THE BILL. COME ON, SPORT, ON YOUR FEET. 641 00:28:40,480 --> 00:28:42,440 ADMIT IT. -NO-- 642 00:28:42,480 --> 00:28:43,440 LOOK AT YOU, COPPER HAIRCUT. 643 00:28:43,480 --> 00:28:44,680 COPPER CLOTHES. 644 00:28:44,720 --> 00:28:46,640 THERE'S A COPPER IN THOSE EYES! ADMIT IT! 645 00:28:46,680 --> 00:28:47,800 NO, IT'S HIM! 646 00:28:55,240 --> 00:28:58,320 [WHISPERS] I'M SORRY. 647 00:28:58,360 --> 00:28:59,960 THE CRIPPLE? 648 00:29:00,000 --> 00:29:01,600 BLOODY SCRAPING THE BARREL 649 00:29:01,640 --> 00:29:02,760 FOR COPS, HUH? 650 00:29:02,800 --> 00:29:04,360 HE CAN'T EVEN HOLD A PHONE. 651 00:29:06,240 --> 00:29:08,440 DID YOU SEARCH HIM? 652 00:29:08,480 --> 00:29:10,280 YOU TOLD ME-- YOU SAID TO GET THE PHONES-- 653 00:29:10,320 --> 00:29:12,800 GET HIM ON HIS FEET AND SEARCH HIM. 654 00:29:23,120 --> 00:29:24,600 HMM... 655 00:29:24,640 --> 00:29:26,320 WHAT'S THIS? 656 00:29:26,360 --> 00:29:29,280 I WAS WORKING WITH THE DUTCH POLICE ON A DRUG RING. 657 00:29:29,320 --> 00:29:31,520 THAT WAS CONFISCATED FROM SOMEONE THIS MORNING. 658 00:29:31,560 --> 00:29:32,880 IT'S POLICE PROCEDURE TO WALK AROUND 659 00:29:32,920 --> 00:29:34,600 WITH EVIDENCE IN YOUR POCKET? 660 00:29:34,640 --> 00:29:36,120 IT WAS A SEIZE AND DESTROY OPERATION. 661 00:29:36,160 --> 00:29:38,680 OH, AND YOU JUST FORGOT THE DESTROY PART? 662 00:29:38,720 --> 00:29:40,400 IT'S NOT YOUR WORK, IT'S YOUR WORKS, BABY. 663 00:29:40,440 --> 00:29:42,000 SOME COP. A CRIPPLED JUNKIE. 664 00:29:42,040 --> 00:29:43,280 A JUNKIE WITH STONES, I'LL GIVE YOU THAT, 665 00:29:43,320 --> 00:29:45,320 BUT A JUNKIE NONETHELESS. 666 00:29:45,360 --> 00:29:49,000 NO, NO, NO, HE ISN'T CAPABLE OF BEING A PROBLEM FOR US. 667 00:29:49,040 --> 00:29:51,000 YOU KNOW, I NEVER WOULD HAVE GUESSED IT WAS HIM 668 00:29:51,040 --> 00:29:52,360 WITHOUT YOU. 669 00:29:52,400 --> 00:29:54,720 YOU KNOW WHAT THAT MEANS, DON'T YOU, SWEETHEART? 670 00:29:54,760 --> 00:29:56,640 IT MEANS YOU'RE A GRASS! 671 00:29:56,680 --> 00:29:58,160 A STOOLIE! AN INFORMANT! 672 00:29:58,200 --> 00:30:00,040 AND THERE IS NOTHING I HATE MORE THAN A GRASS! 673 00:30:00,080 --> 00:30:01,960 [YELPS IN FEAR] 674 00:30:03,600 --> 00:30:05,640 GET SOME ROPE AND CUT IT. 675 00:30:08,760 --> 00:30:12,560 YOU'RE MAKING A MISTAKE. 676 00:30:12,600 --> 00:30:15,240 PIG, GIVE ME YOUR GUN. 677 00:30:20,760 --> 00:30:23,200 I MIGHT HAVE SOMETHING. 678 00:30:23,240 --> 00:30:24,840 TELL US. 679 00:30:24,880 --> 00:30:27,360 THERE'S AN OLD SEWER SYSTEM THAT RUNS RIGHT UNDER THE BANK. 680 00:30:27,400 --> 00:30:28,880 IT HASN'T BEEN USED FOR YEARS. 681 00:30:28,920 --> 00:30:30,160 IT'S UNSTABLE, 682 00:30:30,200 --> 00:30:31,120 BUT THAT'S PROBABLY HOW THEY'RE LEAVING. 683 00:30:31,160 --> 00:30:33,120 ANY IDEA WHERE IT COMES OUT? 684 00:30:33,160 --> 00:30:34,560 EVERYWHERE. 685 00:30:34,600 --> 00:30:36,640 BUT MOST OF THE EXITS ARE SEALED PERMANENTLY. 686 00:30:36,680 --> 00:30:38,520 I'M NARROWING DOWN SOME LIKELY ESCAPE ROUTES. 687 00:30:38,560 --> 00:30:41,200 [CELL PHONE RINGS] 688 00:30:41,240 --> 00:30:42,760 IT'S ONLY BEEN 30 MINUTES! 689 00:30:42,800 --> 00:30:44,160 [WOLF]: I'M COMING OUT. 690 00:30:44,200 --> 00:30:45,760 AND I AIN'T ALONE, 691 00:30:45,800 --> 00:30:47,160 SO YOU'D BETTER NOT TRY ANYTHING! 692 00:30:47,200 --> 00:30:48,480 EVERYONE'S HERE. 693 00:30:48,520 --> 00:30:49,520 [HELSTROM]: I WANT EVERY MAN AND WOMAN ON DUTY 694 00:30:49,560 --> 00:30:51,480 DOWN HERE NOW! 695 00:30:52,360 --> 00:30:54,440 EVERY MAN AND WOMAN ON DUTY... 696 00:31:00,600 --> 00:31:01,880 [WHIMPERING SOFTLY] 697 00:31:01,920 --> 00:31:02,880 [OFFICERS SHOUT] 698 00:31:04,320 --> 00:31:05,920 WAIT! 699 00:31:11,200 --> 00:31:12,520 [TOMMY]: TELL THEM NOT TO SHOOT, CHIEF! 700 00:31:12,560 --> 00:31:14,040 THAT'S NOT THE BANK ROBBER! THAT'S NOT VAUGHN! 701 00:31:14,080 --> 00:31:15,400 ARE YOU SURE? 702 00:31:15,440 --> 00:31:16,960 LOOK, THEY JUST WANT TO KEEP EVERYBODY BUSY. 703 00:31:17,000 --> 00:31:18,480 TELL YOUR MEN TO STAND DOWN, PLEASE! 704 00:31:18,520 --> 00:31:20,960 ONE BULLET COULD BLOW US ALL AWAY. 705 00:31:21,000 --> 00:31:22,120 YOU NEED TO THINK ABOUT WHAT YOU'RE DOING. 706 00:31:22,160 --> 00:31:23,320 SHUT UP. 707 00:31:23,360 --> 00:31:24,360 YOU'VE BEEN SCREWED. 708 00:31:24,400 --> 00:31:27,000 I SAID SHUT UP. 709 00:31:27,040 --> 00:31:29,000 MAJOR, I HAD EOD TRAINING IN THE ARMY. 710 00:31:29,040 --> 00:31:30,000 I'VE HAD BOMB TRAINING AS WELL, 711 00:31:30,040 --> 00:31:31,120 JUST LESS FORMAL. 712 00:31:31,160 --> 00:31:32,120 WHAT DOES THAT MEAN? 713 00:31:32,160 --> 00:31:33,120 YOU PROBABLY DON'T WANT TO KNOW-- 714 00:31:33,160 --> 00:31:34,280 HEY, STOP, WHOA. 715 00:31:34,320 --> 00:31:35,840 IF ANYONE DOES THIS, IT'S ME, OKAY? 716 00:31:35,880 --> 00:31:36,760 THAT'S CLEAR? 717 00:31:36,800 --> 00:31:38,240 OKAY. 718 00:31:38,280 --> 00:31:39,280 ALL RIGHT, CLEAR BACK. 719 00:31:39,320 --> 00:31:40,720 GET BACK. 720 00:31:40,760 --> 00:31:42,640 EVERYBODY, STAND DOWN AND CLEAR BACK. CLEAR BACK! 721 00:31:42,680 --> 00:31:44,640 ANSWER ONE QUESTION. 722 00:31:44,680 --> 00:31:46,240 WHY DID WOLF TAKE YOUR GUN? 723 00:31:46,280 --> 00:31:49,520 HE SAID HE NEEDED YOUR GUN, RIGHT? 724 00:31:49,560 --> 00:31:51,120 WHY? 725 00:31:51,160 --> 00:31:53,240 TO TAPE. 726 00:31:54,720 --> 00:31:57,320 HE COULD HAVE TAPED ANY GUN TO THAT GUY'S HAND. 727 00:32:07,080 --> 00:32:08,200 DON'T MOVE. 728 00:32:09,720 --> 00:32:11,600 IT'S GONNA BE ALL RIGHT. 729 00:32:13,800 --> 00:32:15,040 THERE'S NO TIMER. 730 00:32:15,080 --> 00:32:16,200 ONLY A DETONATION CORD. 731 00:32:16,240 --> 00:32:18,040 IS IT ATTACHED TO A REMOTE DEVICE? 732 00:32:18,080 --> 00:32:20,080 PULLING OUT THE CORD WILL DEFUSE THE BOMB, 733 00:32:20,120 --> 00:32:22,200 BUT THERE MAY BE PEOPLE WATCHING FROM INSIDE. 734 00:32:22,240 --> 00:32:23,280 WATCHING? 735 00:32:24,560 --> 00:32:25,480 FOR SOMEONE TO GET CLOSE. 736 00:32:25,520 --> 00:32:27,640 ALL RIGHT. 737 00:32:27,680 --> 00:32:30,240 WHERE'S YOUR SECURITY GUARD, YOUR INSIDE MAN? 738 00:32:31,280 --> 00:32:32,760 I'M GUESSING 739 00:32:32,800 --> 00:32:35,320 THAT FOX STABBED HIM WITH THE KNIFE THAT SHE GAVE YOU. 740 00:32:35,360 --> 00:32:37,560 HE'S PROBABLY DEAD, RIGHT? 741 00:32:37,600 --> 00:32:38,840 AND YOU'RE HOLDING THE MURDER WEAPON. 742 00:32:41,240 --> 00:32:43,120 OKAY. 743 00:32:43,160 --> 00:32:46,000 I'M GOING TO REMOVE THE CORD. 744 00:32:46,040 --> 00:32:47,840 I WANT YOU BOTH STILL. 745 00:32:47,880 --> 00:32:49,520 YOUR PRINTS ARE ON THE GUNS THAT ARE LEFT. 746 00:32:49,560 --> 00:32:50,920 YOUR PRINTS ARE ON THE KNIFE. 747 00:32:50,960 --> 00:32:52,600 YOUR PRINTS ARE ON THE EXPLOSIVE VEST 748 00:32:52,640 --> 00:32:53,800 THAT WAS ON THE MANAGER, 749 00:32:53,840 --> 00:32:55,640 THE PIECES THAT ARE LAYING OUT THERE. 750 00:32:55,680 --> 00:32:57,200 YOUR PRINTS ARE ON THE VESTS 751 00:32:57,240 --> 00:32:58,200 WITH THE PEOPLE OUTSIDE RIGHT NOW, 752 00:32:58,240 --> 00:32:59,200 THE VESTS THAT THEY'RE WEARING. 753 00:32:59,240 --> 00:33:00,560 AND IF YOU PRESS THAT BUTTON, 754 00:33:00,600 --> 00:33:02,880 YOUR PRINTS ARE GONNA BE ON THAT DETONATOR, TOO. 755 00:33:02,920 --> 00:33:04,360 [EXHALES SHARPLY] 756 00:33:07,320 --> 00:33:09,400 HEY... 757 00:33:09,440 --> 00:33:11,640 THEY'RE LONG GONE, 758 00:33:11,680 --> 00:33:13,480 AND THEY'VE DUMPED THIS WHOLE THING 759 00:33:13,520 --> 00:33:16,040 RIGHT IN YOUR LAP. 760 00:33:17,240 --> 00:33:18,960 [BREATHING NERVOUSLY] 761 00:33:20,280 --> 00:33:23,960 ALL OF THEM HAD GLOVES ON. 762 00:33:24,000 --> 00:33:27,160 EXCEPT YOU. 763 00:33:29,240 --> 00:33:31,560 HE WAS MY FRIEND. 764 00:33:38,320 --> 00:33:40,360 [ANIKA YELPS] 765 00:33:40,400 --> 00:33:42,480 [SOBBING IN RELIEF] 766 00:34:01,000 --> 00:34:03,080 A WOMAN. 767 00:34:03,120 --> 00:34:06,040 HE'S STARING AT A BEAUTIFUL... 768 00:34:10,920 --> 00:34:12,600 [HICKMAN]: A LOT OF GREAT BIG BAGS 769 00:34:12,640 --> 00:34:14,240 TO BRING TO A ROBBERY... 770 00:34:14,280 --> 00:34:15,920 [TYPING RAPIDLY] 771 00:34:17,840 --> 00:34:19,600 SEBASTIAN! 772 00:34:19,640 --> 00:34:20,880 HOW MANY ARE THERE? 773 00:34:20,920 --> 00:34:22,840 SIX. FIVE MEN, ONE WOMAN. 774 00:34:22,880 --> 00:34:24,160 DID YOU SEE A MAN WITH ONE GLOVE? 775 00:34:24,200 --> 00:34:25,280 THE AMERICAN. 776 00:34:25,320 --> 00:34:27,280 THEY KNOW HE'S A COP. 777 00:34:30,640 --> 00:34:32,080 IT'S NOT A BANK ROBBERY. 778 00:34:32,120 --> 00:34:34,200 ANNE-MARIE IDENTIFIED ONE OF THE ROBBERS. 779 00:34:34,240 --> 00:34:35,560 HER HUSBAND IS IN A PRISON 780 00:34:35,600 --> 00:34:36,400 THAT SITS RIGHT ON TOP OF THE OLD SEWER SYSTEM 781 00:34:36,440 --> 00:34:37,600 LESS THAN A MILE AWAY. 782 00:34:37,640 --> 00:34:39,000 HEAD FOR SCHEVENINGEN PRISON. 783 00:34:39,040 --> 00:34:41,080 WE'RE SENDING YOU COORDINATES. 784 00:34:41,120 --> 00:34:42,320 WE'LL EXPLAIN TO YOU AS YOU'RE ON THE WAY. 785 00:34:42,360 --> 00:34:43,560 GO. GO! 786 00:34:43,600 --> 00:34:45,840 WE'LL CALL YOU FROM THE ROAD. 787 00:34:50,320 --> 00:34:51,400 [CELL PHONE RINGS] 788 00:34:51,440 --> 00:34:52,480 BERGER. 789 00:34:52,520 --> 00:34:54,040 -SEBASTIAN? -HICKMAN? 790 00:34:54,080 --> 00:34:55,320 ARE YOU OKAY? 791 00:34:55,360 --> 00:34:56,680 THE BANK'S SECURE. I'VE GOT ONE IN CUSTODY. 792 00:34:56,720 --> 00:34:57,760 HE SURRENDERED. 793 00:34:57,800 --> 00:34:58,760 SURRENDERED? 794 00:34:58,800 --> 00:35:00,080 YEAH, I CAN BE VERY PERSUASIVE. 795 00:35:00,120 --> 00:35:01,560 BUT THE DOORS ARE WIRED AND READY TO BLOW. 796 00:35:01,600 --> 00:35:03,000 TELL WHOEVER'S OUTSIDE, 797 00:35:03,040 --> 00:35:05,080 DO NOT COME IN WITHOUT A BOMB SQUAD. 798 00:35:05,120 --> 00:35:06,680 PRETTY SURE THEY DUG A TUNNEL. 799 00:35:06,720 --> 00:35:08,720 ANY IDEA WHAT'S UNDER THIS BANK? 800 00:35:08,760 --> 00:35:11,240 AN OLD SEWER LINE THAT LEADS UNDER A NEARBY PRISON. 801 00:35:13,600 --> 00:35:16,120 I DOUBT THIS CELL IS GOING TO WORK UNDERGROUND. 802 00:35:16,160 --> 00:35:17,800 DO YOU THINK YOU CAN TRACK IT? 803 00:35:17,840 --> 00:35:19,040 ANY CHANCE I CAN GET YOU NOT TO GO? 804 00:35:19,080 --> 00:35:21,080 NONE. 805 00:35:23,880 --> 00:35:26,240 [GROANING IN PAIN] 806 00:35:49,560 --> 00:35:50,880 [ANNE-MARIE]: THE FEMALE ROBBER'S NAME 807 00:35:50,920 --> 00:35:52,320 IS SHEILA GANZ. 808 00:35:52,360 --> 00:35:54,520 HER HUSBAND, KONRAD GANZ, DOING 25 TO LIFE, 809 00:35:54,560 --> 00:35:56,040 WAS JUST TRANSFERRED THERE. 810 00:35:56,080 --> 00:35:57,960 THE OLD SEWER LINE GOES RIGHT UNDERNEATH THAT PRISON. 811 00:35:58,000 --> 00:36:00,480 AND GANZ WAS ALEX VAUGHN'S CELL MATE IN THE U.K. 812 00:36:07,440 --> 00:36:09,880 [FOX]: IT'S HERE. WE ARE UNDER THE PRISON. 813 00:36:17,880 --> 00:36:19,720 GIVE IT TO ME. 814 00:36:20,760 --> 00:36:22,120 OKAY. DOWN. 815 00:36:39,680 --> 00:36:41,320 [EXPLOSION RUMBLES] 816 00:36:45,160 --> 00:36:47,520 YOU ALL RIGHT, MATE? 817 00:36:49,400 --> 00:36:51,880 [CHUCKLING HAPPILY] 818 00:36:51,920 --> 00:36:53,200 PLENTY OF TIME FOR THAT LATER, EH? COME ON. 819 00:37:23,280 --> 00:37:24,600 THIS IS THE ONE. 820 00:37:44,400 --> 00:37:45,520 COME ON... 821 00:37:45,560 --> 00:37:46,960 GUYS. 822 00:37:47,000 --> 00:37:49,120 HICKMAN'S STOPPED. 823 00:37:49,160 --> 00:37:51,120 HE'S AT FIRST AVENUE AND HOLMGREN. 824 00:37:51,160 --> 00:37:52,600 [TOMMY]: YEAH, WE'RE ONLY A FEW BLOCKS FROM THERE. 825 00:37:52,640 --> 00:37:55,240 COME ON, COME ON, COME ON. 826 00:37:55,280 --> 00:37:56,800 WHAT'S HE DOING? 827 00:37:56,840 --> 00:37:58,160 HE'S STILL AT THAT SAME SPOT, 828 00:37:58,200 --> 00:38:00,120 SIGNALLING US THAT SOMETHING IS HAPPENING. 829 00:38:11,960 --> 00:38:13,920 [EVA]: GO TO THE SEWER. I'LL STAY HERE. 830 00:38:17,160 --> 00:38:19,440 IS THAT IT ALREADY? 831 00:38:21,040 --> 00:38:22,280 DON'T MOVE! 832 00:38:23,520 --> 00:38:24,600 GAME'S UP. 833 00:38:24,640 --> 00:38:25,840 YOU'RE ON YOUR OWN. RUN. 834 00:38:25,880 --> 00:38:27,080 RUN! 835 00:38:32,760 --> 00:38:33,720 STOP! 836 00:38:33,760 --> 00:38:35,440 DOWN! DOWN! DOWN! 837 00:38:35,480 --> 00:38:37,560 ON YOUR KNEES NOW! 838 00:38:37,600 --> 00:38:38,680 KNEES! 839 00:38:44,280 --> 00:38:45,160 FAR ENOUGH! 840 00:38:47,240 --> 00:38:48,600 YOU? 841 00:38:48,640 --> 00:38:50,920 ME. 842 00:38:53,560 --> 00:38:55,160 HOW THE HELL DID YOU GET AWAY FROM PIG? 843 00:38:55,200 --> 00:38:57,560 HELPED HIM REALIZE WHAT A MESS YOU LEFT HIM. 844 00:38:57,600 --> 00:38:59,560 I SHOULD HAVE KILLED YOU WHEN I HAD A CHANCE. 845 00:38:59,600 --> 00:39:00,840 PROBABLY. 846 00:39:00,880 --> 00:39:02,000 I'M STILL GOING TO. 847 00:39:02,040 --> 00:39:03,360 DROP THE WEAPON. 848 00:39:03,400 --> 00:39:04,680 HOW DID THAT HAPPEN, THE HAND? 849 00:39:04,720 --> 00:39:06,920 BIRTH DEFECT. 850 00:39:06,960 --> 00:39:08,000 [CHUCKLES] YEAH... 851 00:39:08,040 --> 00:39:09,440 NO, NO, NO, 852 00:39:09,480 --> 00:39:10,480 THEY WOULD HAVE NEVER LET YOU BE A COP WITH THAT. 853 00:39:10,520 --> 00:39:12,120 WHAT WAS IT, LINE OF DUTY? 854 00:39:12,160 --> 00:39:13,560 I'M NOT GOING TO ASK AGAIN TO DROP THAT GUN. 855 00:39:13,600 --> 00:39:15,760 WERE YOU A JUNKIE BEFORE YOU GOT HURT, 856 00:39:15,800 --> 00:39:16,760 OR IS THAT ALL POST-WOUND? 857 00:39:16,800 --> 00:39:18,720 I'M NOT A JUNKIE. 858 00:39:18,760 --> 00:39:19,840 [SCOFFS] 859 00:39:19,880 --> 00:39:22,240 [CHUCKLING] 860 00:39:22,280 --> 00:39:25,560 WHAT THE HELL WAS A CRIPPLED AMERICAN COP DOING 861 00:39:25,600 --> 00:39:27,000 IN A BANK IN THE NETHERLANDS? 862 00:39:27,040 --> 00:39:29,160 PLAYING JOHN WAYNE. 863 00:39:29,200 --> 00:39:30,280 [FIRES] 864 00:39:33,240 --> 00:39:34,560 ALL RIGHT! 865 00:39:34,600 --> 00:39:35,960 ALL RIGHT, ALL RIGHT, ALL RIGHT, YOU GOT ME. 866 00:39:36,000 --> 00:39:37,040 YOU GOT ME, YOU GOT ME. 867 00:39:38,560 --> 00:39:41,120 THAT WAS... 868 00:39:41,160 --> 00:39:42,520 PRETTY IMPRESSIVE. 869 00:39:42,560 --> 00:39:46,360 YEAH, WELL, I WAS AIMING FOR HIS HEAD. 870 00:39:46,400 --> 00:39:48,920 I TOLD YOU, I'M NOT LEFT-HANDED. 871 00:39:50,840 --> 00:39:52,400 -UNIT FOUR, WE HAVE FIVE IN CUSTODY. 872 00:39:53,960 --> 00:39:56,840 -WE WERE TOLD THERE WERE SIX. 873 00:40:04,040 --> 00:40:06,280 WAS HE ONE OF THEM? 874 00:40:10,480 --> 00:40:12,840 NO. 875 00:40:12,880 --> 00:40:14,560 YOU SURE? 876 00:40:26,880 --> 00:40:29,000 I'M OUT OF HERE, LOUIS. 877 00:40:32,120 --> 00:40:34,160 CAN I TALK TO YOU FOR A MINUTE? 878 00:40:39,520 --> 00:40:41,040 SURE. 879 00:40:41,080 --> 00:40:42,440 ARE YOU SHOOTING UP? 880 00:40:46,440 --> 00:40:47,720 ARE YOU? 881 00:40:49,840 --> 00:40:51,440 WHERE'D YOU HEAR THAT FROM? 882 00:40:51,480 --> 00:40:53,440 I NEED TO KNOW. 883 00:40:54,920 --> 00:40:55,800 IT'S A NUMBING AGENT. 884 00:40:55,840 --> 00:40:57,000 IT'S CALLED LIDOCAINE. 885 00:40:57,040 --> 00:40:58,200 I SHOOT IT INTO MY HAND. 886 00:40:58,240 --> 00:40:59,360 I TRIED THE PILLS, BUT YOU KNOW WHAT? 887 00:40:59,400 --> 00:41:01,480 THEY'RE JUST NOT STRONG ENOUGH. 888 00:41:01,520 --> 00:41:03,520 ARE YOU SURE? 889 00:41:03,560 --> 00:41:06,320 [CHUCKLES RUEFULLY] AM I SURE? 890 00:41:12,560 --> 00:41:15,920 SO NOW HE'S SHOOTING UP. 891 00:41:16,920 --> 00:41:18,520 DON'T WORRY. 892 00:41:18,560 --> 00:41:19,880 MY NAME IS ON THIS TEAM, 893 00:41:19,920 --> 00:41:21,160 MY REPUTATION. 894 00:41:21,200 --> 00:41:23,680 I'LL TAKE CARE OF IT, DORN. 895 00:41:25,480 --> 00:41:27,680 THEY FOUND THREE LISTENING DEVICES 896 00:41:27,720 --> 00:41:29,360 IN YOUR FLAT. 897 00:41:31,280 --> 00:41:32,640 DID YOU REMOVE THEM? 898 00:41:32,680 --> 00:41:34,640 NO, OF COURSE, I DID NOT REMOVE THEM. 899 00:41:35,680 --> 00:41:37,000 WE WILL USE THEM 900 00:41:37,040 --> 00:41:38,720 TO DELIVER INFORMATION TO DIMITROV 901 00:41:38,760 --> 00:41:39,760 THAT WE WANT HIM TO HAVE. 902 00:41:39,800 --> 00:41:40,840 IT'S THE BEST WEAPON. 903 00:41:40,880 --> 00:41:42,320 REBECCA WILL NEVER-- 904 00:41:42,360 --> 00:41:43,720 HE THINKS OF REBECCA NOW? 905 00:41:43,760 --> 00:41:44,920 NOW? 906 00:41:46,320 --> 00:41:49,040 YOU DID NOT CALL HER, LOUIS. 907 00:41:49,080 --> 00:41:51,400 YOU DIDN'T WARN HER THAT I WAS COMING INSTEAD OF YOU, 908 00:41:51,440 --> 00:41:52,720 THAT I WAS COMING WITH A TECHNICIAN, 909 00:41:52,760 --> 00:41:54,680 THAT ANY OF THIS WAS HAPPENING. 910 00:41:54,720 --> 00:41:55,680 WHERE IS SHE? 911 00:41:55,720 --> 00:41:57,600 I-I DON'T KNOW. 912 00:41:58,920 --> 00:42:01,600 [DORN]: SHE IS SOMEWHERE IN THE BUILDING. 913 00:42:03,120 --> 00:42:04,720 [LOUIS]: HAS ANYONE SEEN MY WIFE? 914 00:42:04,760 --> 00:42:06,000 [SEBASTIAN]: SHE JUST LEFT. 915 00:42:06,040 --> 00:42:07,160 SHE LEFT? 916 00:42:07,200 --> 00:42:09,160 [EVA]: ABOUT 10 MINUTES AGO. 917 00:42:12,920 --> 00:42:14,520 YOU'RE NOT COMING? 918 00:42:14,560 --> 00:42:17,560 I'LL PASS TONIGHT. 919 00:42:17,600 --> 00:42:18,680 REALLY? 920 00:42:18,720 --> 00:42:20,360 YEAH. 921 00:42:21,120 --> 00:42:23,040 GOOD FOR YOU. 922 00:42:28,200 --> 00:42:30,160 [SIGHS] 923 00:42:44,920 --> 00:42:46,640 [DIALING NUMBER] 924 00:42:54,840 --> 00:42:57,840 HELLO? 925 00:42:57,880 --> 00:42:58,920 HI. 926 00:42:58,960 --> 00:43:00,600 YEAH, IT'S ME. 927 00:43:00,640 --> 00:43:02,040 I'M FINE. 928 00:43:02,080 --> 00:43:04,960 I'M FINE! JUST LISTEN. 929 00:43:05,000 --> 00:43:08,240 I NEED YOU TO, UM... 930 00:43:09,240 --> 00:43:12,400 I SAW COLIN TODAY. 931 00:43:12,440 --> 00:43:13,680 AYE. 932 00:43:13,720 --> 00:43:16,800 I NEED YOU TO TELL HIM THAT I SAW HIM. 933 00:43:16,840 --> 00:43:20,000 NO, HE'LL KNOW WHAT I MEAN. 934 00:43:20,040 --> 00:43:23,080 ALL RIGHT? AND I NEED YOU TO TELL HIM TO CALL ME. 935 00:43:23,120 --> 00:43:25,720 I WANT TO SPEAK TO HIM. 936 00:43:25,760 --> 00:43:27,280 CAN YOU DO THAT? 937 00:43:29,160 --> 00:43:32,240 LOVE YOU, MA. 938 00:43:32,280 --> 00:43:33,640 ALL RIGHT. 61885

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.