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These are the user uploaded subtitles that are being translated: 1 00:00:03,520 --> 00:00:05,960 [RADIO CHATTER] 2 00:00:13,800 --> 00:00:17,040 [QUIET CONVERSATION] 3 00:00:21,840 --> 00:00:24,160 FIRST, DISCONNECT EVERYTHING FROM THE POWER. 4 00:00:24,200 --> 00:00:25,360 A SURGE COULD FRY THE CPUs. 5 00:00:25,400 --> 00:00:27,240 HOW COULD THEY HAVE SET A BOMB HERE? 6 00:00:27,280 --> 00:00:28,640 WELL, CLEARLY, 7 00:00:28,680 --> 00:00:30,440 THEY'VE BEEN PLANNING THIS FOR QUITE SOME TIME. 8 00:00:30,480 --> 00:00:32,320 WHAT ABOUT THE FAMILY COMPUTER? 9 00:00:32,360 --> 00:00:33,760 THUMB DRIVE. 10 00:00:33,800 --> 00:00:34,960 I HAVE EVERYTHING, IF I NEED TO ACCESS IT AGAIN. 11 00:00:35,000 --> 00:00:36,720 IT WAS A SMALL BOMB IN THE SECURITY HUB. 12 00:00:36,760 --> 00:00:39,000 PRETTY MUCH THE ONLY ROOM DAMAGED. 13 00:00:39,040 --> 00:00:40,000 CLEVER, THOUGH. 14 00:00:40,040 --> 00:00:41,440 JUST TOOK OUT THE MAIN POWER. 15 00:00:41,480 --> 00:00:42,400 [HICKMAN]: WHERE'S LOUIS? 16 00:00:42,440 --> 00:00:43,560 [TOMMY]: HE'S UPSTAIRS, 17 00:00:43,600 --> 00:00:45,520 GATHERING STUFF BEFORE WE EVACUATE. 18 00:00:45,560 --> 00:00:48,280 [♪♪♪] 19 00:01:05,680 --> 00:01:08,200 MAYBE HOUSEKEEPING HAS THE DAY OFF. 20 00:01:10,400 --> 00:01:13,000 YEAH. 21 00:01:14,400 --> 00:01:16,800 THIS LAPTOP MAY HELP. 22 00:01:20,880 --> 00:01:22,680 I THINK WE SHOULD GET OUTSIDE. 23 00:01:26,840 --> 00:01:28,760 WHAT THE HELL KIND OF SECURITY DID YOU HIRE? 24 00:01:28,800 --> 00:01:29,880 EXCUSE ME? 25 00:01:29,920 --> 00:01:32,400 FIRST, THEY LET MAXIM GET KIDNAPPED, 26 00:01:32,440 --> 00:01:33,640 THEN SOMEBODY PLANTS A BOMB IN THEIR OFFICE. 27 00:01:33,680 --> 00:01:35,400 SO THIS IS ALL THEIR FAULT? 28 00:01:35,440 --> 00:01:37,000 FAULT? 29 00:01:37,040 --> 00:01:39,040 I DON'T THINK THEY ARE SMART ENOUGH FOR BLAME. 30 00:01:39,080 --> 00:01:41,120 [FRUSTRATED SIGH] 31 00:01:41,160 --> 00:01:42,400 YOU OKAY? 32 00:01:42,440 --> 00:01:44,440 HOW WAS I EVER MARRIED TO THAT? 33 00:01:44,480 --> 00:01:46,520 THERE WAS AN EXPLOSION? 34 00:01:46,560 --> 00:01:49,640 A SMALL, CONTROLLED BLAST IN THE SECURITY HUB. 35 00:01:49,680 --> 00:01:50,720 A GUARD WAS INJURED. 36 00:01:50,760 --> 00:01:53,440 AND... THE KIDNAPPERS? 37 00:01:53,480 --> 00:01:54,840 THEY CALLED, BUT... 38 00:01:54,880 --> 00:01:56,200 WE'RE WAITING FOR A NEW CONTACT, 39 00:01:56,240 --> 00:01:58,960 AND IT APPEARS THAT THEY CAUSED THE EXPLOSION. 40 00:01:59,000 --> 00:02:00,200 MARIANSKI'S RIGHT ABOUT ONE THING. 41 00:02:00,240 --> 00:02:01,680 THAT BOMB MEANS THE KIDNAPPERS 42 00:02:01,720 --> 00:02:02,640 WERE INSIDE YOUR HOUSE, 43 00:02:02,680 --> 00:02:04,920 WITH TIME TO PLANT IT. 44 00:02:04,960 --> 00:02:07,640 [♪♪♪] 45 00:02:07,680 --> 00:02:09,240 THEY'RE ALL OUT OF THE HOUSE. 46 00:02:09,280 --> 00:02:10,840 GOOD. 47 00:02:10,880 --> 00:02:12,440 I'VE NEVER SEEN THOSE POLICE BEFORE, THOUGH. 48 00:02:12,480 --> 00:02:13,720 IT DOESN'T MATTER. 49 00:02:13,760 --> 00:02:15,320 HAVEN'T WE ALWAYS BEEN TOLD 50 00:02:15,360 --> 00:02:17,600 TO ABANDON IF ANYTHING UNKNOWN HAPPENS? 51 00:02:17,640 --> 00:02:19,640 JUST MAKE THE SECOND PHONE CALL. 52 00:02:19,680 --> 00:02:21,320 -BUT-- -NOW! 53 00:02:21,360 --> 00:02:23,880 [♪♪♪] 54 00:02:27,760 --> 00:02:30,440 [PHONE BUZZES, VIBRATING] 55 00:02:36,200 --> 00:02:38,960 I HAVE A CALL. 56 00:02:39,000 --> 00:02:40,960 THE NUMBER SAYS BLOCKED. 57 00:02:41,000 --> 00:02:42,760 DON'T LET IT RING TOO LONG. 58 00:02:44,080 --> 00:02:45,680 YES? 59 00:02:45,720 --> 00:02:47,320 WHAT? 60 00:02:48,720 --> 00:02:51,000 SHE WANTS IT ON SPEAKER. 61 00:02:51,040 --> 00:02:53,560 HELLO? CAN YOU HEAR ME? 62 00:02:53,600 --> 00:02:54,840 HELLO? 63 00:02:54,880 --> 00:02:56,400 OKAY. 64 00:02:56,440 --> 00:02:59,800 DO WE HAVE ALL YOUR ATTENTION NOW? 65 00:02:59,840 --> 00:03:01,440 YOU ALREADY HAD OUR ATTENTION. 66 00:03:01,480 --> 00:03:02,880 THE BOMB WAS UNNECESSARY. 67 00:03:02,920 --> 00:03:04,360 [KATYA]: WHAT WE HEARD 68 00:03:04,400 --> 00:03:07,920 WAS MR. MARIANSKI REFUSING TO MEET THE DEMAND. 69 00:03:07,960 --> 00:03:10,200 WE ANSWERED HIS REFUSAL. 70 00:03:10,240 --> 00:03:12,640 YOU NOW HAVE UNTIL 2:00 P.M. 71 00:03:12,680 --> 00:03:15,480 WE WILL CONTACT YOU IN TWO HOURS. EXACTLY. 72 00:03:15,520 --> 00:03:16,960 VIA SKYPE. 73 00:03:17,000 --> 00:03:20,400 OR YOU WILL NEVER SEE MAXIM AGAIN. 74 00:03:20,440 --> 00:03:22,680 [♪♪♪] 75 00:03:22,720 --> 00:03:25,360 WILL YOU BE ABLE TO GET A COMPUTER RUNNING IN TWO HOURS? 76 00:03:25,400 --> 00:03:27,680 I CAN SET ONE UP IN 45 SECONDS, MADAME. 77 00:03:27,720 --> 00:03:29,120 TIME'S NOT A FACTOR. 78 00:03:29,160 --> 00:03:31,640 WHEN YOU'RE SET UP, GO THOUGH THIS. IT'S MAXIM'S. 79 00:03:31,680 --> 00:03:33,760 CAPTAIN GEROUX? MAY WE USE YOUR STATION IN TOWN? 80 00:03:33,800 --> 00:03:35,600 OF COURSE. 81 00:03:35,640 --> 00:03:37,920 WE SHOULD GO, RIGHT NOW. 82 00:03:47,880 --> 00:03:48,880 WHY? 83 00:03:48,920 --> 00:03:50,040 THAT PHONE CALL, 84 00:03:50,080 --> 00:03:51,600 SHE WAITED UNTIL I WAS IN THE GROUP, 85 00:03:51,640 --> 00:03:53,160 UNTIL I COULD HEAR, EVEN SAID "OKAY" 86 00:03:53,200 --> 00:03:54,320 JUST AS I GOT HERE, 87 00:03:54,360 --> 00:03:55,440 AND THEN SHE ASKED 88 00:03:55,480 --> 00:03:56,960 IF SHE HAD ALL OF OUR ATTENTION. 89 00:03:57,000 --> 00:03:58,200 MEANING? 90 00:03:58,240 --> 00:03:59,840 MEANING THAT I THINK SHE'S WATCHING US. 91 00:03:59,880 --> 00:04:01,560 [♪♪♪] 92 00:04:01,600 --> 00:04:03,840 IT IS KATYA. IN FLORENCE. 93 00:04:03,880 --> 00:04:06,360 I THINK YOU NEED TO LET OUR SUPERIORS KNOW. 94 00:04:06,400 --> 00:04:09,200 I BROUGHT A DEAL TO YAN, 95 00:04:09,240 --> 00:04:12,080 AND HE SAID HE GOT AUTHORIZATION TO CARRY IT OUT, 96 00:04:12,120 --> 00:04:13,240 BUT NOW, 97 00:04:13,280 --> 00:04:15,960 I'M NOT SURE HE ACTUALLY TOLD ANYONE. 98 00:04:16,000 --> 00:04:20,000 [♪♪♪] 99 00:05:00,360 --> 00:05:03,240 [GEROUX]: WE'VE PREPARED A PLACE FOR YOU TO WORK. 100 00:05:03,280 --> 00:05:05,440 I'LL NEED THE WIFI PASSWORD AND DETAILS FOR LOGGING IN. 101 00:05:05,480 --> 00:05:06,600 I HAVE ALL THAT. 102 00:05:06,640 --> 00:05:07,880 HOW DO YOU KNOW WE HAVEN'T CHANGED IT? 103 00:05:07,920 --> 00:05:09,120 IT'S BEEN THE SAME 104 00:05:09,160 --> 00:05:10,480 SINCE IT WAS INSTALLED SEVEN YEARS AGO, 105 00:05:10,520 --> 00:05:11,680 HASN'T IT? 106 00:05:12,680 --> 00:05:15,040 [♪♪♪] 107 00:05:15,080 --> 00:05:16,960 MR. MARIANSKI. 108 00:05:18,240 --> 00:05:19,520 NOW WOULD BE A GOOD TIME 109 00:05:19,560 --> 00:05:20,960 TO START GATHERING THE MONEY. 110 00:05:21,000 --> 00:05:22,760 I'M ALREADY WORKING ON IT. 111 00:05:22,800 --> 00:05:25,480 [♪♪♪] 112 00:05:28,520 --> 00:05:30,000 [HICKMAN]: ONE HOUR UNTIL CONTACT. 113 00:05:30,040 --> 00:05:32,760 WE'LL BE READY. 114 00:05:32,800 --> 00:05:36,520 [♪♪♪] 115 00:05:37,880 --> 00:05:39,200 [QUIET CHEER] 116 00:05:39,240 --> 00:05:41,400 [BEEPS PHONE OFF] 117 00:05:41,440 --> 00:05:42,840 PHASE TWO IS-- 118 00:05:42,880 --> 00:05:44,080 WHAT'S WRONG? 119 00:05:44,120 --> 00:05:45,640 I'M FINE. 120 00:05:45,680 --> 00:05:47,080 GOOD. MESSAGE HAS BEEN DELIVERED. 121 00:05:47,120 --> 00:05:48,840 PHASE TWO IN ONE HOUR. 122 00:05:53,080 --> 00:05:55,480 WHAT IS YOUR PROBLEM TODAY? 123 00:05:55,520 --> 00:05:57,800 DID WE HAVE TO KILL THE GIRL? 124 00:06:00,760 --> 00:06:02,960 [HE SIGHS WEARILY] 125 00:06:06,840 --> 00:06:08,200 YOU HAVE REGRETS? 126 00:06:08,240 --> 00:06:09,520 SHE WASN'T A THREAT. 127 00:06:09,560 --> 00:06:12,680 YOU KNOW WE HAD TO KILL HER. 128 00:06:12,720 --> 00:06:14,800 AND YOU KNOW WHY. 129 00:06:14,840 --> 00:06:17,760 NOW IS THE WRONG TIME TO GET WEAK, MASHA. 130 00:06:17,800 --> 00:06:21,000 WE ARE CLOSE TO DONE. HUH? 131 00:06:23,120 --> 00:06:24,920 DO I NEED TO WORRY ABOUT YOU? 132 00:06:26,560 --> 00:06:29,680 [♪♪♪] 133 00:06:41,880 --> 00:06:44,440 [♪♪♪] 134 00:06:49,720 --> 00:06:52,720 BECAUSE I NEED IT LIQUIDATED, FRANCOIS. 135 00:06:52,760 --> 00:06:54,480 STOP QUESTIONING ME. 136 00:06:54,520 --> 00:06:56,920 NO, DON'T CALL ME BACK. DO IT! 137 00:06:59,160 --> 00:07:01,280 FRENCH BANKERS. 138 00:07:01,320 --> 00:07:04,400 THEY ACT LIKE THEY OWN MY MONEY. 139 00:07:04,440 --> 00:07:06,360 WILL YOU BE ABLE TO GET IT? 140 00:07:06,400 --> 00:07:08,080 IT WON'T BE EASY. 141 00:07:08,120 --> 00:07:10,120 MADAME PELLETIER? 142 00:07:10,160 --> 00:07:11,120 IS THERE ANY NEWS? 143 00:07:11,160 --> 00:07:12,480 NO. NOT YET. 144 00:07:12,520 --> 00:07:15,320 I NEED YOU TO LIST ALL WORKMEN 145 00:07:15,360 --> 00:07:18,120 WHO HAVE BEEN IN YOUR HOME IN THE LAST FEW MONTHS. 146 00:07:18,160 --> 00:07:19,240 WORKMEN? 147 00:07:19,280 --> 00:07:21,000 YEAH. CONSTRUCTION WORKERS, 148 00:07:21,040 --> 00:07:23,320 UTILITY WORKERS, ANYONE WITH TOOLS. 149 00:07:23,360 --> 00:07:25,400 SOMEONE PLANTED THAT EXPLOSIVE, 150 00:07:25,440 --> 00:07:26,760 AND EVIDENCE TECHS JUST UNCOVERED THIS. 151 00:07:26,800 --> 00:07:29,000 YOUR CAMERA SYSTEM WAS DEFINITELY COMPROMISED. 152 00:07:30,040 --> 00:07:31,200 FOR HOW LONG? 153 00:07:31,240 --> 00:07:32,720 THERE'S NO WAY OF KNOWING. 154 00:07:32,760 --> 00:07:34,720 CAMERAS INSIDE, TOO? 155 00:07:34,760 --> 00:07:36,000 IT APPEARS SO. 156 00:07:36,040 --> 00:07:37,200 WHY? 157 00:07:37,240 --> 00:07:39,120 ARE YOU WORRIED, MR. MARIANSKI? 158 00:07:39,160 --> 00:07:42,240 WERE YOU DOING SOMETHING INSIDE YOU SHOULDN'T HAVE BEEN? 159 00:07:44,000 --> 00:07:46,160 I DON'T EVEN LIVE THERE. 160 00:07:46,200 --> 00:07:48,000 DOESN'T MEAN YOU HAVE NOTHING TO HIDE. 161 00:07:49,000 --> 00:07:50,080 WHAT DID YOU SAY? 162 00:07:50,120 --> 00:07:51,360 THINGS LIKE THIS ARE GENERALLY DONE 163 00:07:51,400 --> 00:07:53,200 BY PEOPLE DRESSED AS WORKMEN. 164 00:07:53,240 --> 00:07:54,760 THAT LIST WILL BE VERY HELPFUL. THANK YOU. 165 00:07:54,800 --> 00:07:55,680 LOUIS? 166 00:07:55,720 --> 00:07:58,560 [♪♪♪] 167 00:07:58,600 --> 00:07:59,960 YEAH. 168 00:08:02,320 --> 00:08:04,280 LOUIS, WHAT'S GOING ON? 169 00:08:04,320 --> 00:08:05,280 WHAT DO YOU MEAN? 170 00:08:05,320 --> 00:08:07,800 WHAT WAS THAT ABOUT? 171 00:08:09,000 --> 00:08:11,320 LOOK AFTER YOURSELF, CARL. 172 00:08:11,360 --> 00:08:13,160 -CAPTAIN DANIEL? -YEAH? 173 00:08:13,200 --> 00:08:14,400 LAPTOP'S NOT MAXIM'S. 174 00:08:14,440 --> 00:08:15,920 IT BELONGS TO THE GIRLFRIEND, LAURE, 175 00:08:15,960 --> 00:08:17,680 WHICH MIGHT ACTUALLY BE MORE HELPFUL, 176 00:08:17,720 --> 00:08:20,800 BECAUSE, IF SHE WAS INVOLVED, THERE MIGHT BE EVIDENCE ON IT. 177 00:08:20,840 --> 00:08:23,320 AH. LET ME KNOW. 178 00:08:23,360 --> 00:08:25,480 [♪♪♪] 179 00:08:28,320 --> 00:08:30,800 [♪♪♪] 180 00:08:41,480 --> 00:08:42,760 DETECTIVE VICENTE. 181 00:08:42,800 --> 00:08:44,960 HEY, HEY... 182 00:08:45,000 --> 00:08:46,280 LOOK WHO'S HOME. 183 00:08:46,320 --> 00:08:48,560 FLORENCE WAS NEVER MY HOME. 184 00:08:48,600 --> 00:08:49,880 WELL, ITALY WAS. 185 00:08:49,920 --> 00:08:52,800 UNTIL YOU ACCEPTED A DETAIL TO THE NETHERLANDS. 186 00:08:52,840 --> 00:08:55,680 YOU SOUND JEALOUS. 187 00:08:55,720 --> 00:08:58,600 WHY? ARE THE MEN HANDSOME THERE? 188 00:09:00,040 --> 00:09:02,280 HOW DID YOU KNOW I'D BE HERE? 189 00:09:02,320 --> 00:09:04,240 YOUR FRIEND AT THE I.C.C. 190 00:09:04,280 --> 00:09:07,200 WAS SNOOPING THROUGH OUR COMPUTERS... AGAIN. 191 00:09:07,240 --> 00:09:08,520 HE DOESN'T SNOOP. 192 00:09:08,560 --> 00:09:11,440 HE JUST GETS INFORMATION WE NEED TO DO OUR JOB. 193 00:09:11,480 --> 00:09:13,280 I AM NOTIFIED WHEN HE DOES THAT NOW. 194 00:09:13,320 --> 00:09:15,320 THANK YOU FOR THAT. 195 00:09:15,360 --> 00:09:17,360 I NEVER SHOULD'VE TOLD YOU. 196 00:09:17,400 --> 00:09:19,960 WHY ARE YOU SO INTERESTED IN SUCH AN OLD CASE? 197 00:09:20,000 --> 00:09:21,880 BECAUSE WE HAVE A SIMILAR ONE IN CANNES. 198 00:09:21,920 --> 00:09:23,360 OUR CASE IS CLOSED. 199 00:09:23,400 --> 00:09:24,840 IT'S A TOTAL RESOLUTION. 200 00:09:24,880 --> 00:09:26,160 NO, IT'S NOT! 201 00:09:26,200 --> 00:09:27,480 I HAVE A HUNDRED QUESTIONS. 202 00:09:27,520 --> 00:09:28,880 WHERE WAS HE HELD? 203 00:09:28,920 --> 00:09:30,360 HOW WAS THE TURN-OVER HANDLED? 204 00:09:30,400 --> 00:09:31,520 WAS RANSOM PAID? HOW MUCH? 205 00:09:31,560 --> 00:09:33,280 AND HOW WERE THE DEMANDS DELIVERED? 206 00:09:33,320 --> 00:09:35,480 MAKE AN OFFICIAL REQUEST. 207 00:09:35,520 --> 00:09:36,680 LISTEN. 208 00:09:36,720 --> 00:09:38,040 I'LL DO THIS FOR YOU. 209 00:09:38,080 --> 00:09:40,080 YOU GO BACK TO YOUR TEAM, 210 00:09:40,120 --> 00:09:41,240 I'LL GET THE INFORMATION 211 00:09:41,280 --> 00:09:42,440 TO YOU THROUGH THE PROPER CHANNELS. 212 00:09:42,480 --> 00:09:44,200 LOOK, I HAVE A VICTIM BEING HELD 213 00:09:44,240 --> 00:09:45,800 BY KIDNAPPERS NOW, 214 00:09:45,840 --> 00:09:47,440 SO I DON'T REALLY HAVE TIME FOR "PROPER CHANNELS," OKAY? 215 00:09:47,480 --> 00:09:49,000 WHERE ARE YOU GOING NOW? 216 00:09:49,040 --> 00:09:51,560 THE ONLY WITNESS WORKED AT THE SCHOOL, 217 00:09:51,600 --> 00:09:53,200 SO I'M GONNA START WITH HER. 218 00:09:53,240 --> 00:09:55,040 AND THEN YOU GONNA HAVE DINNER WITH ME? 219 00:09:55,080 --> 00:09:56,440 YOU NEVER CHANGE! 220 00:09:56,480 --> 00:09:58,160 I GOT A SPECIAL PLACE 221 00:09:58,200 --> 00:10:00,080 THAT'S GONNA BLOW YOUR MIND! 222 00:10:00,120 --> 00:10:01,880 [BLOWS A KISS] 223 00:10:03,920 --> 00:10:06,120 [KNOCKING] 224 00:10:06,160 --> 00:10:09,000 SENORA? 225 00:10:09,040 --> 00:10:12,720 [♪♪♪] 226 00:10:12,760 --> 00:10:14,920 KATYA. PLEASE. 227 00:10:19,760 --> 00:10:21,480 SO, WHAT DO YOU REMEMBER 228 00:10:21,520 --> 00:10:23,160 ABOUT THE ALLESANDRO COSANZA KIDNAPPING? 229 00:10:24,200 --> 00:10:25,840 ALLESANDRO? 230 00:10:25,880 --> 00:10:27,120 MM-HMM. 231 00:10:27,160 --> 00:10:29,880 OH. UH... I THOUGHT THAT CASE WAS CLOSED? 232 00:10:31,280 --> 00:10:33,840 I'M NOT FROM THE SAME UNIT 233 00:10:33,880 --> 00:10:36,320 AS THE FIRST INVESTIGATORS. 234 00:10:36,360 --> 00:10:38,920 AND YOU'RE LISTED AS THE ONLY WITNESS. 235 00:10:38,960 --> 00:10:41,520 WHY WAS THERE NO ONE ELSE? 236 00:10:43,840 --> 00:10:46,440 UH, WHAT UNIT DO YOU WORK FOR? 237 00:10:46,480 --> 00:10:49,120 PLEASE ANSWER MY QUESTION. 238 00:10:50,600 --> 00:10:52,880 THE SCHOOL WAS CLOSED. 239 00:10:52,920 --> 00:10:55,840 I WAS HERE EARLY THAT MORNING, FOR A MEETING. 240 00:10:55,880 --> 00:10:57,280 WITH WHOM? 241 00:10:57,320 --> 00:10:58,880 [CHUCKLES SADLY] 242 00:10:58,920 --> 00:11:00,880 WITH ALLESANDRO, ACTUALLY. 243 00:11:00,920 --> 00:11:03,080 BUT, UM, UNFORTUNATELY, 244 00:11:03,120 --> 00:11:05,800 HE NEVER MADE IT INTO THE BUILDING. 245 00:11:05,840 --> 00:11:08,480 BUT WHY WERE YOU MEETING WITH HIM? 246 00:11:08,520 --> 00:11:10,720 I WANTED TO SHOW HIM SOME OPTIONS 247 00:11:10,760 --> 00:11:12,560 FOR MOVING ON AFTER GRADUATION. 248 00:11:12,600 --> 00:11:15,800 BUT HE WAS ONLY IN HIS SECOND YEAR. 249 00:11:17,640 --> 00:11:19,360 SO YOU NEEDED TO SCHEDULE A MEETING 250 00:11:19,400 --> 00:11:20,800 DURING OFF-HOURS 251 00:11:20,840 --> 00:11:22,480 TO DISCUSS SOMETHING THAT WOULDN'T HAPPEN 252 00:11:22,520 --> 00:11:25,040 FOR THE NEXT TWO YEARS, IS THAT CORRECT? 253 00:11:25,080 --> 00:11:26,720 [CLEARS THROAT] AHEM. 254 00:11:26,760 --> 00:11:29,360 I'M SORRY, UH... 255 00:11:29,400 --> 00:11:32,760 DID YOU TELL ME WHAT POLICE UNIT YOU WORK FOR? 256 00:11:32,800 --> 00:11:36,920 IS THERE A PROBLEM ANSWERING THESE QUESTIONS? 257 00:11:38,480 --> 00:11:41,120 YOU KNOW, UH... 258 00:11:41,160 --> 00:11:44,520 IT WAS A VERY TRAUMATIC EVENT IN MY LIFE 259 00:11:44,560 --> 00:11:47,040 THAT I'D RATHER FORGET. 260 00:11:48,880 --> 00:11:51,200 LIEUTENANT VICENTE HANDLED IT. 261 00:11:51,240 --> 00:11:53,360 YOU SHOULD CONTACT HIM. 262 00:11:54,720 --> 00:11:57,040 I'M ONLY TRYING TO UNDERSTAND WHAT HAPPENED, 263 00:11:57,080 --> 00:11:59,280 TO APPLY IT TO A CURRENT KIDNAPPING 264 00:11:59,320 --> 00:12:00,440 WE HAVE GOING ON. 265 00:12:00,480 --> 00:12:02,360 -ANOTHER KIDNAPPING? -YEAH. 266 00:12:02,400 --> 00:12:05,000 -[PHONE RINGING] -GOD, THAT'S HORRIBLE. 267 00:12:05,040 --> 00:12:08,440 BUT, AS YOU SEE, I'M VERY BUSY, 268 00:12:08,480 --> 00:12:12,360 AND I REALLY DON'T KNOW MORE THAN WHAT IS IN THAT REPORT. 269 00:12:12,400 --> 00:12:14,480 THE OFFICERS WERE VERY THOROUGH. 270 00:12:16,520 --> 00:12:17,880 OKAY, THEN. 271 00:12:19,200 --> 00:12:20,960 WELL, THANKS FOR YOUR HELP... 272 00:12:22,080 --> 00:12:23,200 ..."KATYA"? 273 00:12:23,240 --> 00:12:25,080 YES. 274 00:12:25,120 --> 00:12:27,400 THIS IS DEFINITELY THE GIRLFRIEND'S LAPTOP. 275 00:12:27,440 --> 00:12:30,920 ALL THE ROOT DIRECTORY DOCUMENTS HAVE HER NAME AS AN EXTENSION. 276 00:12:30,960 --> 00:12:33,520 I'D LOVE TO GET INTO HER FACEBOOK ACCOUNT, 277 00:12:33,560 --> 00:12:35,200 BUT, OF COURSE, IT'S PASSWORD-PROTECTED. 278 00:12:35,240 --> 00:12:37,880 MAY I? 279 00:12:40,240 --> 00:12:41,800 [PUNCHES KEY] 280 00:12:41,840 --> 00:12:43,440 FIRST TRY? 281 00:12:43,480 --> 00:12:45,280 THE MOST COMMON FEMALE PASSWORD 282 00:12:45,320 --> 00:12:46,600 IS "PASSWORD." 283 00:12:46,640 --> 00:12:48,520 SERIOUSLY? 284 00:12:48,560 --> 00:12:49,960 SERIOUSLY. 285 00:12:50,000 --> 00:12:51,720 MALES' IS "1-2-3-4-5-6." 286 00:12:51,760 --> 00:12:53,600 HUMANS ARE A DOOMED RACE. 287 00:12:53,640 --> 00:12:55,600 [SNICKERS] 288 00:13:00,240 --> 00:13:02,320 MR. MARIANSKI. 289 00:13:04,720 --> 00:13:06,120 IS IT BAD NEWS? 290 00:13:06,160 --> 00:13:08,280 DO YOU KNOW MORE THAN YOU'VE SAID? 291 00:13:08,320 --> 00:13:09,880 WHAT? 292 00:13:11,280 --> 00:13:14,480 [♪♪♪] 293 00:13:20,320 --> 00:13:23,000 COULD THIS BE BECAUSE OF A BUSINESS DEALING 294 00:13:23,040 --> 00:13:24,480 WITH YOUR OLD COLLEAGUES? 295 00:13:24,520 --> 00:13:25,880 I'VE BEEN A LEGITIMATE BUSINESSMAN 296 00:13:25,920 --> 00:13:27,400 FOR MORE THAN A DECADE. 297 00:13:27,440 --> 00:13:28,920 BUT YOU WEREN'T BEFORE. 298 00:13:28,960 --> 00:13:30,440 FAR FROM IT. 299 00:13:30,480 --> 00:13:34,120 LOOK, YOU CAN ASK ME ANYTHING, INVESTIGATE ANYTHING. 300 00:13:34,160 --> 00:13:36,960 NAMES, DATES-- I DON'T CARE. 301 00:13:37,000 --> 00:13:41,360 MAXIM IS THE ONLY GOOD THING I EVER DID. 302 00:13:41,400 --> 00:13:43,200 I WOULD DIE FOR HIM. 303 00:13:44,960 --> 00:13:47,080 EXCUSE ME. 304 00:13:48,320 --> 00:13:51,320 [♪♪♪] 305 00:13:52,520 --> 00:13:54,680 GUARD'S GONNA MAKE IT. 306 00:13:54,720 --> 00:13:56,800 MARIANSKI CALLED THEM STUPID FOR LETTING IT HAPPEN. 307 00:13:56,840 --> 00:13:58,040 I DON'T KNOW ABOUT STUPID, 308 00:13:58,080 --> 00:13:59,560 BUT A BOMB PLANTED 309 00:13:59,600 --> 00:14:01,280 IN THE SECURITY HUB DOES SCREAM 310 00:14:01,320 --> 00:14:02,280 OPERATIONAL FLAW. 311 00:14:02,320 --> 00:14:03,640 KNOW WHAT ELSE IT SCREAMS? 312 00:14:03,680 --> 00:14:05,240 INSIDE JOB. 313 00:14:05,280 --> 00:14:08,360 AND WE'RE RUNNING OUT OF PEOPLE ON THE INSIDE. 314 00:14:08,400 --> 00:14:11,880 [♪♪♪] 315 00:14:24,040 --> 00:14:25,880 I HAVE A DELIVERY FOR MR. MARIANSKI. 316 00:14:25,920 --> 00:14:27,960 [♪♪♪] 317 00:14:34,160 --> 00:14:36,920 [♪♪♪] 318 00:14:50,640 --> 00:14:51,880 10 MILLION. 319 00:14:51,920 --> 00:14:53,200 THANK YOU. 320 00:14:53,240 --> 00:14:54,080 YOU GOT IT ALL? 321 00:14:54,120 --> 00:14:56,880 OF COURSE I DID. 322 00:15:04,040 --> 00:15:06,640 [♪♪♪] 323 00:15:28,600 --> 00:15:32,040 [♪♪♪] 324 00:15:35,680 --> 00:15:38,080 [SKYPE ALERT PINGS] 325 00:15:39,280 --> 00:15:40,320 YOU ARE LATE! 326 00:15:40,360 --> 00:15:42,320 I STILL HAVE TWO MORE MINUTES. 327 00:15:42,360 --> 00:15:44,800 YOU WERE SUPPOSED TO SIGN IN AT 10:55! 328 00:15:44,840 --> 00:15:46,040 KNOW WHERE I WAS? 329 00:15:46,080 --> 00:15:48,080 TALKING TO A COP ABOUT THE LAST KIDNAPPING. 330 00:15:48,120 --> 00:15:50,600 SHE WAS CONNECTING DOTS TO THIS ONE. 331 00:15:50,640 --> 00:15:51,920 DID YOU TELL HER ANYTHING? 332 00:15:51,960 --> 00:15:53,000 OF COURSE NOT! 333 00:15:53,040 --> 00:15:54,200 THEN FORGET ABOUT HER. 334 00:15:54,240 --> 00:15:56,320 THIS WILL BE OVER IN A FEW HOURS 335 00:15:56,360 --> 00:15:57,840 AND WE'LL ALL BE RICH. 336 00:15:57,880 --> 00:16:00,400 PATCH ME THROUGH. 337 00:16:05,560 --> 00:16:07,600 [KATYA SIGHS] 338 00:16:07,640 --> 00:16:09,280 [SKYPE ALERT PINGS] 339 00:16:09,320 --> 00:16:12,400 [♪♪♪] 340 00:16:13,920 --> 00:16:15,360 [KATYA'S VOICE]: PAY ATTENTION. 341 00:16:15,400 --> 00:16:16,840 I WANT TO SEE MY SON! 342 00:16:16,880 --> 00:16:20,680 PAY ATTENTION AND WATCH CAREFULLY. 343 00:16:20,720 --> 00:16:23,720 MAXIM'S LIFE WILL DEPEND ON IT. 344 00:16:23,760 --> 00:16:26,400 I WANT TO SHOW YOU SOMETHING. 345 00:16:26,440 --> 00:16:28,800 THESE... 346 00:16:28,840 --> 00:16:31,000 ARE TWO STANDARD AIR TANKS. 347 00:16:31,040 --> 00:16:35,440 EACH ONE HAS GOT 187 MINUTES OF AIR. 348 00:16:35,480 --> 00:16:37,080 REMEMBER THAT NUMBER. 349 00:16:37,120 --> 00:16:40,800 IT WILL BE VERY IMPORTANT TO YOUR SON'S FUTURE... 350 00:16:40,840 --> 00:16:42,440 OR LACK OF. 351 00:16:44,080 --> 00:16:45,600 THIS TUBE... 352 00:16:45,640 --> 00:16:49,720 CONNECTS ONE OF THE TANKS TO A THING WE CALL... 353 00:16:49,760 --> 00:16:51,440 "THE BOX." 354 00:16:51,480 --> 00:16:53,960 YOU CAN'T BREATHE INSIDE 355 00:16:54,000 --> 00:16:57,480 UNLESS ONE OF THE AIR TANKS IS PROVIDING THE AIR. 356 00:16:57,520 --> 00:17:00,360 SEE? THERE'S A LITTLE CAMERA... 357 00:17:00,400 --> 00:17:02,360 AND HERE IS HOW IT WORKS. 358 00:17:02,400 --> 00:17:05,400 MAXIM GOES INTO THE BOX, WE SWITCH ONE OF THE TANKS ON. 359 00:17:05,440 --> 00:17:09,400 THAT GIVES HIM 187 MINUTES OF AIR. 360 00:17:09,440 --> 00:17:14,200 THE RANSOM DROP WILL BE IN 180 MINUTES-- 361 00:17:14,240 --> 00:17:17,640 EXACTLY 2:00 P.M. 362 00:17:17,680 --> 00:17:19,120 AT THE CANNES MARINA. 363 00:17:19,160 --> 00:17:24,360 THAT GIVES OUR COURIER SEVEN MINUTES TO GET AWAY 364 00:17:24,400 --> 00:17:26,360 AND MAKE THE PHONE CALL TO SAY HE'S OKAY. 365 00:17:26,400 --> 00:17:27,360 THEN... 366 00:17:27,400 --> 00:17:30,120 WE'LL SWITCH OVER THE AIR TANKS 367 00:17:30,160 --> 00:17:32,480 AND TELL YOU WHERE TO COME AND GET HIM. 368 00:17:32,520 --> 00:17:35,000 OH... 369 00:17:35,040 --> 00:17:37,440 AND IT DOESN'T MATTER WHO DOES THE DROP-OFF-- 370 00:17:37,480 --> 00:17:40,400 THE COPS, THE LAWYERS... YOU CAN SEND AN ARMY. 371 00:17:40,440 --> 00:17:42,960 BECAUSE IF THAT PHONE CALL IS NOT MADE 372 00:17:43,000 --> 00:17:45,880 IN THAT SEVEN MINUTES AFTER THE DROP... 373 00:17:45,920 --> 00:17:47,480 WELL, I THINK YOU'LL GET IT. 374 00:17:50,680 --> 00:17:52,720 SHOWTIME. 375 00:17:54,120 --> 00:17:55,560 DOWN! 376 00:17:55,600 --> 00:17:57,080 -[MAXIM GRUNTS] -NO! DON'T HURT HIM! 377 00:17:57,120 --> 00:17:59,880 [MRS. MARIANSKI SOBBING] 378 00:18:07,400 --> 00:18:08,960 ["THE BOX" CLOSING] 379 00:18:12,960 --> 00:18:15,320 [LOCK CLACKS] 380 00:18:15,360 --> 00:18:17,160 THERE. 381 00:18:17,200 --> 00:18:19,520 187 MINUTES 382 00:18:19,560 --> 00:18:22,120 UNTIL SWITCH-OVER... 383 00:18:22,160 --> 00:18:24,720 OR SUFFOCATION. 384 00:18:24,760 --> 00:18:27,080 YOUR CHOICE. 385 00:18:28,800 --> 00:18:29,720 OH! 386 00:18:29,760 --> 00:18:31,680 ONE MORE THING. 387 00:18:31,720 --> 00:18:33,520 [♪♪♪] 388 00:18:36,240 --> 00:18:38,120 REMEMBER THE LITTLE CAMERA? 389 00:18:38,160 --> 00:18:42,600 JUST IN CASE THINGS DO GO BAD... 390 00:18:42,640 --> 00:18:46,840 YOU CAN BE WITH HIM ALL THE WAY UNTIL THE END. 391 00:18:46,880 --> 00:18:48,600 [MAXIM]: HELP ME! 392 00:18:48,640 --> 00:18:50,560 OH, NO! DON'T HURT HIM! 393 00:18:50,600 --> 00:18:51,880 [MRS. MARIANSKI SOBBING] 394 00:18:51,920 --> 00:18:55,000 [POUNDING LID] 395 00:18:57,000 --> 00:18:59,000 HELP ME! 396 00:19:03,440 --> 00:19:06,760 IT'S ME AGAIN. KATYA. 397 00:19:06,800 --> 00:19:08,000 YOU WANTED TO KNOW 398 00:19:08,040 --> 00:19:09,760 WHEN THEY MADE CONTACT WITH THE PARENTS? 399 00:19:09,800 --> 00:19:11,920 THEY JUST SET UP A DROP. 400 00:19:11,960 --> 00:19:14,520 THEY PUT THE GUY IN THE BOX. 401 00:19:14,560 --> 00:19:17,560 YOU DIDN'T KNOW, DID YOU? 402 00:19:17,600 --> 00:19:19,040 [SIGHS] 403 00:19:19,080 --> 00:19:21,840 NOW, POLICE CAME HERE TODAY... A WOMAN. 404 00:19:21,880 --> 00:19:23,680 ASKING QUESTIONS ABOUT THE LAST ONE. 405 00:19:23,720 --> 00:19:25,760 I SAID NOTHING. 406 00:19:25,800 --> 00:19:27,280 YOU HAVE TO BELIEVE 407 00:19:27,320 --> 00:19:29,600 I DIDN'T KNOW THIS WAS FREELANCE. 408 00:19:29,640 --> 00:19:32,320 YAN TOLD ME IT WAS ALL APPROVED! 409 00:19:32,360 --> 00:19:33,480 I DIDN'T KNOW! 410 00:19:33,520 --> 00:19:34,560 [CLICK] 411 00:19:34,600 --> 00:19:38,440 HELLO? HELLO! 412 00:19:40,480 --> 00:19:42,880 [♪♪♪] 413 00:19:47,800 --> 00:19:49,880 [♪♪♪] 414 00:20:06,720 --> 00:20:08,960 [DOOR THUDS] 415 00:20:16,320 --> 00:20:19,280 [♪♪♪] 416 00:20:32,760 --> 00:20:35,280 OH, MY GOD. 417 00:20:35,320 --> 00:20:38,560 [♪♪♪] 418 00:20:42,400 --> 00:20:44,280 WE HAVE A FEED. SOMETHING'S COMING THROUGH. 419 00:20:44,320 --> 00:20:45,680 MR. MARIANSKI. 420 00:20:45,720 --> 00:20:47,080 THIS COULD BE ANOTHER CONTACT FROM THE KIDNAPPERS. 421 00:20:49,560 --> 00:20:50,520 HELLO? 422 00:20:50,560 --> 00:20:51,760 EVA? WHERE ARE YOU? 423 00:20:51,800 --> 00:20:53,000 HOW DID YOU GET ON THIS SKYPE? 424 00:20:53,040 --> 00:20:54,200 [VOICES IN HALL, CHATTING] 425 00:20:54,240 --> 00:20:56,880 I'M IN THE FLAT OF A WOMAN NAMED KATYA. 426 00:20:56,920 --> 00:20:59,840 SHE WAS THE ONLY WITNESS IN THE FLORENCE KIDNAPPING, 427 00:20:59,880 --> 00:21:02,280 AND SHE WORKED AT THE ART SCHOOL THE VICTIM ATTENDED. 428 00:21:02,320 --> 00:21:03,360 ART SCHOOL? 429 00:21:03,400 --> 00:21:04,360 YOU KNOW IT? 430 00:21:04,400 --> 00:21:05,520 DIDN'T MAXIM GO TO 431 00:21:05,560 --> 00:21:06,440 AN ART SCHOOL IN ITALY FOR A WHILE? 432 00:21:06,480 --> 00:21:07,680 YES, THE CENTRO DI-- 433 00:21:07,720 --> 00:21:09,280 CENTRO DI RESTAURO. I JUST LEFT THERE. 434 00:21:09,320 --> 00:21:10,600 IT'S A BLOCK FROM HERE. 435 00:21:10,640 --> 00:21:12,320 THE CONNECTION BETWEEN THE VICTIMS. 436 00:21:12,360 --> 00:21:14,320 KATYA. SHE'S A GUIDANCE COUNSELLOR. 437 00:21:14,360 --> 00:21:16,960 SHE HANDLED MAXIM'S ENROLLMENT. 438 00:21:17,000 --> 00:21:20,000 ASKED ME A HUNDRED QUESTIONS ABOUT HIM, AND ABOUT YOU. 439 00:21:20,040 --> 00:21:23,560 [EVA]: THERE ARE THREE SCREENS HERE. 440 00:21:23,600 --> 00:21:26,120 ONE OF THEM HAS MAXIM IN SOME KIND OF A SMALL BOX, 441 00:21:26,160 --> 00:21:31,000 AND ANOTHER ONE IS SHOWING A FIREPLACE AND A BRICK WALL? 442 00:21:31,040 --> 00:21:32,960 AN EMPTY ROOM. 443 00:21:33,000 --> 00:21:34,200 BEFORE WE SWITCHED OVER TO THE BOX CAM, 444 00:21:34,240 --> 00:21:35,240 THERE WAS A MAN ON CAMERA. 445 00:21:35,280 --> 00:21:36,560 THEY LEFT THE CONNECTION OPEN? 446 00:21:36,600 --> 00:21:38,040 WITH KATYA. 447 00:21:38,080 --> 00:21:40,000 THAT IMAGE IS COMING FROM WHERE THEY'RE HOLDING HIM. 448 00:21:40,040 --> 00:21:41,800 CAN WE USE THIS TO FIND THEM? 449 00:21:41,840 --> 00:21:43,400 MAYBE. EVA. 450 00:21:43,440 --> 00:21:45,120 I'M GOING TO TELL YOU HOW TO LOCATE 451 00:21:45,160 --> 00:21:46,480 THE IP ADDRESS OF THOSE LAPTOPS. 452 00:21:46,520 --> 00:21:47,880 IF THEY'RE ACTING AS THE COMMUNICATIONS SERVER 453 00:21:47,920 --> 00:21:49,080 FOR THE OPERATION, THEN ALL THE OTHER COMPUTERS 454 00:21:49,120 --> 00:21:50,280 SHOULD BE ROUTED THROUGH THEM, 455 00:21:50,320 --> 00:21:51,640 THEN WE HAVE A CHANCE. 456 00:21:51,680 --> 00:21:53,400 RIGHT. I'M READY. OKAY. 457 00:21:53,440 --> 00:21:54,680 THE OTHER LAPTOP WITH MAXIM'S FEED, 458 00:21:54,720 --> 00:21:56,320 IS IT A MAC OR A PC? 459 00:21:56,360 --> 00:21:58,080 -WHAT? -THE SYMBOL ON THE LAPTOP. 460 00:21:58,120 --> 00:21:59,040 IS IT A MAC OR A PC? 461 00:21:59,080 --> 00:22:01,160 WHAT SYMBOL? 462 00:22:01,200 --> 00:22:02,320 EVA! TURN AROUND! 463 00:22:02,360 --> 00:22:04,520 -[GASPS] -NO! 464 00:22:04,560 --> 00:22:05,640 GET UP. 465 00:22:05,680 --> 00:22:07,920 [♪♪♪] 466 00:22:10,960 --> 00:22:12,360 [CHAIR CLATTERS] 467 00:22:13,320 --> 00:22:15,360 [WOMEN GRUNTING] 468 00:22:27,520 --> 00:22:29,400 GO GET THE GUN! 469 00:22:33,360 --> 00:22:35,920 [BLOWS LANDING] 470 00:22:43,200 --> 00:22:45,880 [KATYA CRYING OUT] 471 00:22:45,920 --> 00:22:47,080 [THUD] 472 00:22:47,120 --> 00:22:48,120 SHE'S GONE. 473 00:22:50,240 --> 00:22:51,760 EVA... 474 00:22:51,800 --> 00:22:53,840 [KATYA GASPS] 475 00:22:54,800 --> 00:22:57,520 [PANTING] 476 00:22:57,560 --> 00:22:59,200 WHERE'S MAXIM? 477 00:22:59,240 --> 00:23:02,160 WHERE'S THE BOX? 478 00:23:02,200 --> 00:23:04,320 IT DOESN'T MATTER. 479 00:23:04,360 --> 00:23:06,480 WHAT DO YOU MEAN, IT DOESN'T MATTER? 480 00:23:06,520 --> 00:23:09,640 I KNEW IT WASN'T AUTHORIZED. 481 00:23:09,680 --> 00:23:12,760 I KNEW AND THEY'LL KNOW. 482 00:23:12,800 --> 00:23:14,040 [WHEEZING] 483 00:23:14,080 --> 00:23:17,840 WE'RE ALL DEAD ANYWAY. 484 00:23:17,880 --> 00:23:19,320 IT... 485 00:23:19,360 --> 00:23:21,120 DOESN'T MATTER! 486 00:23:21,160 --> 00:23:22,800 [EVA YELPS AS MUFFLED SHOT FIRES] 487 00:23:22,840 --> 00:23:25,120 [GASPS] 488 00:23:28,160 --> 00:23:30,880 [STUNNED GASPING] 489 00:23:35,440 --> 00:23:36,680 [LOUIS]: COME ON, EVA. COME ON, COME ON. 490 00:23:36,720 --> 00:23:38,080 NOT HEARING FROM HER DOESN'T MEAN-- 491 00:23:38,120 --> 00:23:39,360 I DON'T WANT TO LOSE ANOTHER ONE. 492 00:23:39,400 --> 00:23:40,440 OKAY? 493 00:23:43,480 --> 00:23:45,160 [CELL RINGING, EVA WHEEZING] 494 00:23:45,200 --> 00:23:46,440 HELLO? 495 00:23:46,480 --> 00:23:47,760 YEAH. EVA. 496 00:23:47,800 --> 00:23:49,840 ARE YOU ALL RIGHT? 497 00:23:49,880 --> 00:23:53,360 YEAH, YEAH. YEAH, I'M-- I'M ALL RIGHT. 498 00:23:54,320 --> 00:23:56,520 BUT THE LADY, KATYA... 499 00:23:56,560 --> 00:23:58,600 SHE'S NOT... 500 00:23:58,640 --> 00:23:59,800 [EVA CONTINUES WHEEZING] 501 00:23:59,840 --> 00:24:02,320 WILL SHE BE ABLE TO HELP US FIND MAXIM? 502 00:24:02,360 --> 00:24:03,840 NOT AT ALL, SIR. 503 00:24:03,880 --> 00:24:05,480 SHE'S DEAD. 504 00:24:05,520 --> 00:24:07,320 I STILL MIGHT BE ABLE TO USE 505 00:24:07,360 --> 00:24:09,760 THE LAPTOPS TO LOCATE THEM. I WILL CALL YOU. 506 00:24:09,800 --> 00:24:11,280 MAJOR. YOU NEED TO GET GOING. 507 00:24:11,320 --> 00:24:12,360 WHY? 508 00:24:12,400 --> 00:24:13,400 THE RANSOM. 509 00:24:13,440 --> 00:24:16,080 YEAH. 510 00:24:21,480 --> 00:24:23,240 [WHEEZING] 511 00:24:23,280 --> 00:24:24,680 LAURE... 512 00:24:24,720 --> 00:24:27,560 YOU SAID YOU'D TAKE ME DANCING BEFORE THE PARTY. 513 00:24:27,600 --> 00:24:29,640 DON'T FORGET THE PARTY AFTER. 514 00:24:29,680 --> 00:24:31,920 WHY... 515 00:24:31,960 --> 00:24:33,960 YOU DESERVE TONIGHT, BABY. 516 00:24:34,000 --> 00:24:36,360 WHY DID YOU DO THIS? 517 00:24:38,920 --> 00:24:41,040 HE THINKS HIS GIRLFRIEND DID THIS. 518 00:24:41,080 --> 00:24:44,360 SO WHAT? 519 00:24:44,400 --> 00:24:46,160 IT'S SAD. 520 00:24:46,200 --> 00:24:49,440 HE'S A RICH, SPOILED ASSHOLE. 521 00:24:49,480 --> 00:24:51,080 [LIPS SMACKING] 522 00:24:51,120 --> 00:24:54,760 HIS HEART BREAKS LIKE EVERYONE ELSE'S. 523 00:24:58,560 --> 00:24:59,960 DID YOU REALLY JUST SAY THAT? 524 00:25:00,000 --> 00:25:01,280 SHUT UP. 525 00:25:01,320 --> 00:25:03,240 [SNICKERING] 526 00:25:03,280 --> 00:25:06,480 "HIS HEART BREAKS LIKE EVERYONE ELSE'S!" 527 00:25:06,520 --> 00:25:08,640 OH! [CHUCKLING] 528 00:25:08,680 --> 00:25:10,640 WHERE DID THAT COME FROM? 529 00:25:10,680 --> 00:25:11,880 SOMETIMES, I HATE YOU. 530 00:25:11,920 --> 00:25:15,840 "HIS HEART BREAKS LIKE EVERYONE ELSE'S!" 531 00:25:15,880 --> 00:25:17,640 [DOOR SLAMS] 532 00:25:17,680 --> 00:25:19,880 [♪♪♪] 533 00:25:26,800 --> 00:25:28,320 [TOMMY]: YOU'RE SURE 534 00:25:28,360 --> 00:25:31,280 YOU'RE ALL RIGHT DOING THIS DROP ON YOUR OWN? 535 00:25:31,320 --> 00:25:34,400 I FORGOT TO TELL YOU SOMETHING, TOMMY. 536 00:25:34,440 --> 00:25:35,840 I'M A COP. 537 00:25:35,880 --> 00:25:36,800 [LAUGHS] 538 00:25:36,840 --> 00:25:38,000 AND YOU? 539 00:25:38,040 --> 00:25:39,320 YOU'RE OKAY? 540 00:25:39,360 --> 00:25:40,880 ME? 541 00:25:40,920 --> 00:25:44,040 YEAH. WE HAVEN'T REALLY TALKED SINCE SIENNA'S FUNERAL. 542 00:25:47,920 --> 00:25:50,880 AH. NO WORRIES, BOSS. 543 00:25:50,920 --> 00:25:52,680 I'M GOOD. 544 00:25:54,240 --> 00:25:57,200 [♪♪♪] 545 00:26:06,840 --> 00:26:09,080 BE CAREFUL OUT THERE, MAJOR. 546 00:26:09,120 --> 00:26:12,000 YEAH. DON'T DO ANYTHING I WOULDN'T DO. 547 00:26:12,040 --> 00:26:13,320 DON'T DO ANYTHING HE WOULD DO. 548 00:26:13,360 --> 00:26:15,960 I'LL BE FINE. 549 00:26:16,000 --> 00:26:19,120 [♪♪♪] 550 00:26:19,160 --> 00:26:20,640 I WISH I COULD SHOW YOU 551 00:26:20,680 --> 00:26:23,160 HOW MUCH I APPRECIATE WHAT YOU ARE ALL DOING. 552 00:26:23,200 --> 00:26:26,840 A BONUS AT CHRISTMASTIME WOULDN'T BE TURNED DOWN. 553 00:26:26,880 --> 00:26:29,080 I'LL REMEMBER THAT. 554 00:26:30,200 --> 00:26:32,280 [♪♪♪] 555 00:26:34,800 --> 00:26:36,520 WHAT? I'M NOT A COP ANYMORE. 556 00:26:36,560 --> 00:26:38,640 UH, NO. NO, NO. I JUST, UM... 557 00:26:38,680 --> 00:26:40,400 I NEED TO SHOW YOU SOMETHING. 558 00:26:43,440 --> 00:26:45,880 [♪♪♪] 559 00:26:48,520 --> 00:26:50,600 [CELL RINGS] 560 00:26:50,640 --> 00:26:52,760 DORN. 561 00:26:52,800 --> 00:26:54,640 LOUIS. 562 00:26:54,680 --> 00:26:56,160 I DON'T KNOW, DORN. 563 00:26:56,200 --> 00:26:58,600 YOU DON'T KNOW? 564 00:26:58,640 --> 00:27:00,760 I CAN'T TELL IF IT'S CONNECTED OR NOT. 565 00:27:00,800 --> 00:27:01,920 HE SAYS IT'S NOT. 566 00:27:01,960 --> 00:27:03,760 YOU ASKED HIM? 567 00:27:03,800 --> 00:27:05,440 NOT DIRECTLY. 568 00:27:05,480 --> 00:27:08,240 LISTEN, I AM IN THE MIDDLE OF SOMETHING NOW. 569 00:27:08,280 --> 00:27:10,120 I DON'T THINK YOU SHOULD GO TO RUSSIA 570 00:27:10,160 --> 00:27:11,560 UNTIL WE CAN BE CERTAIN 571 00:27:11,600 --> 00:27:13,440 DIMITROV DOESN'T KNOW. 572 00:27:13,480 --> 00:27:15,440 RIGHT. GOOD IDEA. 573 00:27:15,480 --> 00:27:17,360 THANK YOU, LOUIS. 574 00:27:17,400 --> 00:27:19,880 [♪♪♪] 575 00:27:24,480 --> 00:27:27,480 [SPEAKING RUSSIAN] 576 00:27:33,400 --> 00:27:36,480 [♪♪♪] 577 00:27:45,720 --> 00:27:48,120 [♪♪♪] 578 00:27:50,400 --> 00:27:52,080 I THINK YOU'RE RIGHT. 579 00:27:52,120 --> 00:27:55,760 WHAT SHOULD WE DO ABOUT IT? 580 00:27:57,680 --> 00:27:59,960 NOTHIN'. 581 00:28:00,000 --> 00:28:02,000 YET. 582 00:28:04,000 --> 00:28:06,720 [QUIETLY]: IT'S ALMOST OVER. 583 00:28:09,240 --> 00:28:11,360 [MAXIM]: IS SOMEONE WATCHING THIS? 584 00:28:11,400 --> 00:28:13,400 ANYONE? 585 00:28:14,520 --> 00:28:17,280 SOMEONE? 586 00:28:17,320 --> 00:28:21,720 IT'S NOT LIKE YOU COULD ANSWER, RIGHT? 587 00:28:23,040 --> 00:28:25,560 I NEED TO SAY SOMETHING TO MY PARENTS. 588 00:28:28,080 --> 00:28:31,440 YOU WERE RIGHT ABOUT LAURE, MOM. 589 00:28:31,480 --> 00:28:34,760 IT'S ALL BECAUSE OF HER. 590 00:28:38,400 --> 00:28:41,960 I WAS STUPID TO BELIEVE ANYONE COULD LIKE ME FOR ME, 591 00:28:42,000 --> 00:28:46,880 BUT I'VE BEEN THINKING ABOUT ME AND YOU AND DAD. 592 00:28:48,240 --> 00:28:51,440 WHY WERE WE ALWAYS SO ANGRY? 593 00:28:53,760 --> 00:28:54,840 [SHIVERS WEARILY] 594 00:28:54,880 --> 00:28:58,320 YOU MAD AT DAD... 595 00:28:58,360 --> 00:29:01,200 DAD MAD AT ME, ME MAD AT EVERYBODY. 596 00:29:03,960 --> 00:29:08,080 THE WHOLE HOUSE WAS ANGRY ALL THE TIME. 597 00:29:08,120 --> 00:29:10,880 I HATED IT. 598 00:29:12,360 --> 00:29:15,480 AND, RIGHT NOW, HONESTLY... 599 00:29:15,520 --> 00:29:20,600 I CAN'T REMEMBER WHY IT WAS LIKE THAT. 600 00:29:20,640 --> 00:29:23,200 IT'S NO USE TO BE MAD. 601 00:29:25,160 --> 00:29:28,760 ALL I WANT TO DO IS GO HOME AND BE TOGETHER. 602 00:29:31,720 --> 00:29:34,000 ANYWAY... 603 00:29:34,040 --> 00:29:37,000 IF SOMEONE FINDS THIS WHEN IT'S... 604 00:29:43,280 --> 00:29:45,080 BE STRONG, SON. 605 00:29:45,120 --> 00:29:46,920 HELP IS COMING. 606 00:29:46,960 --> 00:29:49,200 TELL MY PARENTS I'M SORRY... 607 00:29:51,240 --> 00:29:55,480 [WHEEZES] ...AND I'M GOING TO MISS THEM. 608 00:29:59,840 --> 00:30:02,600 [♪♪♪] 609 00:30:02,640 --> 00:30:03,720 I HAVE IT, THE EMPTY ROOM. 610 00:30:18,280 --> 00:30:21,240 [♪♪♪] 611 00:30:22,200 --> 00:30:24,640 WHERE DO I FIND MAXIM? 612 00:30:24,680 --> 00:30:26,040 [LATCH CLACKS] 613 00:30:27,720 --> 00:30:29,680 TOMMY, THE TARGET IS ON THE MOVE. 614 00:30:29,720 --> 00:30:31,960 I HAVE IT, MAJOR. NORTH. 615 00:30:32,000 --> 00:30:33,640 [LOUIS]: STAY AS FAR BACK AS YOU CAN 616 00:30:33,680 --> 00:30:35,200 UNTIL HE MAKES THE CALL. 617 00:30:35,240 --> 00:30:37,240 WE NEED THEM TO CHANGE THAT TANK OVER. 618 00:30:37,280 --> 00:30:40,280 CAPTAIN GEROUX AND HIS MEN WILL TRACK IT FROM THE GROUND. 619 00:30:40,320 --> 00:30:41,760 DON'T LOSE THAT MONEY. 620 00:30:41,800 --> 00:30:43,560 YOU GOT IT, BOSS. 621 00:30:43,600 --> 00:30:45,960 [LOUIS]: MAXIM HAS ONLY FIVE MINUTES OF AIR LEFT. 622 00:30:46,000 --> 00:30:48,280 [♪♪♪] 623 00:30:51,520 --> 00:30:53,440 [♪♪♪] 624 00:30:53,480 --> 00:30:54,840 [HUSHED]: LOOK! THE ROOM! 625 00:30:54,880 --> 00:30:56,160 YOU DON'T NEED TO WHISPER. 626 00:30:56,200 --> 00:30:57,280 IT'S A ONE-WAY CONNECTION. 627 00:30:57,320 --> 00:30:59,240 THEY DON'T KNOW WE CAN SEE THEM. 628 00:30:59,280 --> 00:31:01,480 [YAN]: YES, YES, YES, YES! MASHA! 629 00:31:01,520 --> 00:31:02,920 "MASHA"? HE NAMED HER. 630 00:31:02,960 --> 00:31:04,160 YEAH. YEAH. 631 00:31:05,800 --> 00:31:07,800 [YAN]: HE'S GOT THE MONEY. 632 00:31:07,840 --> 00:31:09,480 HE'S GOT THE MONEY! 633 00:31:09,520 --> 00:31:11,760 [LAUGHING] 634 00:31:13,920 --> 00:31:15,840 GO AND CHANGE THE AIR TANKS. 635 00:31:15,880 --> 00:31:17,520 I'LL TELL THEM THAT THEY CAN PICK HIM UP. 636 00:31:17,560 --> 00:31:20,320 CAN YOU ISOLATE THOSE FACES? 637 00:31:20,360 --> 00:31:23,480 RUNNING THEM THROUGH FACIAL RECOGNITION SOFTWARE NOW. 638 00:31:31,880 --> 00:31:33,760 [AIR HISSING] 639 00:31:34,880 --> 00:31:36,640 [MAXIM POUNDING ON LID] 640 00:31:36,680 --> 00:31:38,120 [YAN]: COME ON, COME ON. 641 00:31:38,160 --> 00:31:39,560 I THINK THEY'VE CHANGED TANKS OVER. 642 00:31:39,600 --> 00:31:41,280 [YAN]: COME ON, COME ON! 643 00:31:41,320 --> 00:31:42,880 PICK UP, KATYA! PICK UP. 644 00:31:42,920 --> 00:31:45,320 PICK UP. PICK UP. PICK UP. PICK UP. PICK UP. PICK UP! 645 00:31:45,360 --> 00:31:46,880 KATYA'S NOT GOING TO ANSWER. 646 00:31:46,920 --> 00:31:47,920 COME ON! TELL US WHERE YOU ARE! 647 00:31:47,960 --> 00:31:49,560 KATYA! WHERE THE HELL-- 648 00:31:49,600 --> 00:31:50,760 OKAY, THE MALE IS NAMED-- 649 00:31:50,800 --> 00:31:53,400 -YAN! -PICK UP! 650 00:31:53,440 --> 00:31:54,480 WHAT THE... 651 00:31:54,520 --> 00:31:57,520 [♪♪♪] 652 00:31:57,560 --> 00:31:59,840 [SHOTS FIRING] 653 00:31:59,880 --> 00:32:01,400 -[GASPING] -OH, MY GOD! 654 00:32:02,880 --> 00:32:04,080 [SHELL CASINGS CLATTER] 655 00:32:06,840 --> 00:32:08,280 NO! YOU HAVE TO FIND HIM! 656 00:32:08,320 --> 00:32:11,320 -HE HAS ONLY THREE HOURS! -THEY'RE FOLLOWING THE MONEY! 657 00:32:11,360 --> 00:32:12,840 YOU HAVE TO! 658 00:32:12,880 --> 00:32:14,600 OH, GOD! THEY DON'T KNOW! THEY DON'T KNOW WHERE HE IS! 659 00:32:14,640 --> 00:32:16,160 LET THEM WORK! 660 00:32:16,200 --> 00:32:17,360 IT'S OKAY. IT'S OKAY. 661 00:32:19,480 --> 00:32:20,520 WE STILL HAVE A GOOD TRACK, RIGHT? 662 00:32:20,560 --> 00:32:22,160 STILL GOING STRAIGHT NORTH. 663 00:32:22,200 --> 00:32:23,680 ANNE-MARIE, CALCULATE THE EXACT AMOUNT 664 00:32:23,720 --> 00:32:24,960 OF TIME WE HAVE LEFT! 665 00:32:25,000 --> 00:32:26,200 THE EXACT AMOUNT! 666 00:32:26,240 --> 00:32:27,080 GO, TOMMY! 667 00:32:27,120 --> 00:32:28,440 THE TRACKER... 668 00:32:28,480 --> 00:32:29,920 -...IT'S NOT MOVING. -CALL THEM IN, TOMMY. 669 00:32:29,960 --> 00:32:32,280 TAKE HIM DOWN. 670 00:32:32,320 --> 00:32:35,040 [TIRES SQUEALING] 671 00:32:41,880 --> 00:32:43,120 AGAINST THE WALL! 672 00:32:43,160 --> 00:32:45,800 [SHOUTS]: WHERE IS HE? THE GUY IN THE BOX? 673 00:32:45,840 --> 00:32:46,840 WHAT DO YOU WANT? 674 00:32:46,880 --> 00:32:47,800 CAPTAIN! 675 00:32:47,840 --> 00:32:48,960 I JUST DELIVERED! 676 00:32:49,000 --> 00:32:50,560 I WAS TOLD TO PUT THEM IN THAT CAN! 677 00:32:50,600 --> 00:32:51,640 WHO PAID YOU? 678 00:32:51,680 --> 00:32:54,640 I WORK FOR THE COMPANY! 679 00:32:54,680 --> 00:32:55,880 GET HIM OUT OF HERE! 680 00:32:55,920 --> 00:32:58,360 ALL RIGHT. 681 00:32:58,400 --> 00:33:00,360 HE DIDN'T KNOW ANYTHING. 682 00:33:00,400 --> 00:33:02,360 HE'S JUST A DELIVERY MAN. 683 00:33:02,400 --> 00:33:03,640 [FRUSTRATED SIGH] 684 00:33:03,680 --> 00:33:05,320 TIME'S RUNNING OUT. WHAT ARE WE GONNA DO? 685 00:33:07,560 --> 00:33:09,160 NOW'S THE TIME. 686 00:33:14,760 --> 00:33:17,400 [HICKMAN]: MAY I HAVE A MOMENT, PLEASE? ALONE? 687 00:33:17,440 --> 00:33:18,440 I DON'T UNDERSTAND. 688 00:33:18,480 --> 00:33:20,680 WHAT'S GOING ON? 689 00:33:20,720 --> 00:33:23,040 IT'S ALL RIGHT, MONSIEUR. 690 00:33:23,080 --> 00:33:25,880 [♪♪♪] 691 00:33:34,720 --> 00:33:36,760 -ANNE-MARIE? -MM-HMM? 692 00:33:36,800 --> 00:33:38,120 WOULD YOU SAY THAT'S A WINDOW? 693 00:33:38,160 --> 00:33:40,080 WHAT? 694 00:33:40,120 --> 00:33:41,600 LOOK AT THE GLASS, ON THE TABLE. 695 00:33:41,640 --> 00:33:42,920 IS THAT A WINDOW REFLECTED IN IT? 696 00:33:42,960 --> 00:33:46,600 MAYBE... 697 00:33:46,640 --> 00:33:47,920 LET ME ENHANCE THIS. 698 00:33:47,960 --> 00:33:50,280 I'LL GET AN IMAGE OF THE LANDSCAPE OUTSIDE. 699 00:33:50,320 --> 00:33:52,720 AND WE SHOULD LOOK AT ALL THE FOOTAGE WE'VE BEEN SENT. 700 00:33:52,760 --> 00:33:54,160 YOU KNOW, THE RANSOM, 701 00:33:54,200 --> 00:33:57,760 IT'S ALMOST EXACTLY WHAT LEV HAS LEFT. 702 00:33:57,800 --> 00:34:00,160 THEY COULDN'T HAVE KNOWN THAT... 703 00:34:00,200 --> 00:34:03,400 BUT HIS FINANCIALS WERE ON YOUR COMPUTER. 704 00:34:03,440 --> 00:34:04,960 DOES HE KNOW THAT? 705 00:34:05,000 --> 00:34:06,880 I MEAN, YOU HAD TO FIGURE WE WOULD FIND THAT OUT. 706 00:34:06,920 --> 00:34:09,440 [WORDS CATCH] UH... 707 00:34:09,480 --> 00:34:13,240 THAT MUST'VE BEEN LEFT THERE WHEN WE-- WHEN HE MOVED... 708 00:34:13,280 --> 00:34:16,560 AND THE CAMERAS, THE BOMB... H... 709 00:34:16,600 --> 00:34:19,080 HOW COULD THEY HAVE GOTTEN INTO 710 00:34:19,120 --> 00:34:21,320 AND OUT OF YOUR HOME WITHOUT BEING SEEN? 711 00:34:21,360 --> 00:34:22,440 AND WHEN I SAID 712 00:34:22,480 --> 00:34:24,520 THAT THE CAMERAS INSIDE... 713 00:34:24,560 --> 00:34:26,640 WERE PROBABLY COMPROMISED, 714 00:34:26,680 --> 00:34:28,760 CAROLINE, YOU DIDN'T EVEN BLINK. 715 00:34:28,800 --> 00:34:31,600 I'D THINK THE NOTION OF THOSE KIDNAPPERS WATCHING YOU 716 00:34:31,640 --> 00:34:32,840 WALK AROUND YOUR HOUSE 717 00:34:32,880 --> 00:34:35,320 WOULD HAVE BOTHERED YOU JUST A LITTLE. 718 00:34:35,360 --> 00:34:36,960 I MUST NOT HAVE-- 719 00:34:37,000 --> 00:34:38,600 WAS THAT TO PUT PRESSURE ON LEV? 720 00:34:38,640 --> 00:34:39,960 YOU KNEW THE INSURANCE WAS CANCELLED, 721 00:34:40,000 --> 00:34:41,440 YOU KNEW HE'D BALK AT THE AMOUNT? 722 00:34:41,480 --> 00:34:44,360 DID YOU NEED A FINAL CONVINCER? A BOMB? 723 00:34:44,400 --> 00:34:45,760 NO. I WOULD NEVER, I-- 724 00:34:45,800 --> 00:34:47,440 CAROLINE, ON LAURE'S FACEBOOK ACCOUNT, 725 00:34:47,480 --> 00:34:51,360 SHE SENT A MESSAGE TO HER SISTER ABOUT MAXIM'S SURPRISE PARTY, 726 00:34:51,400 --> 00:34:54,120 ABOUT HOW SHE WAS SUPPOSED TO TAKE HIM TO THE CLUB, 727 00:34:54,160 --> 00:34:55,280 THEN TO THE PARTY, 728 00:34:55,320 --> 00:34:57,200 BUT NOBODY WAS SUPPOSED TO KNOW. 729 00:34:58,960 --> 00:35:02,040 AND THEN SHE WAS EXCITED THAT YOU... 730 00:35:02,080 --> 00:35:04,560 TRUSTED HER ENOUGH TO HELP YOU SURPRISE HIM, 731 00:35:04,600 --> 00:35:07,040 THAT YOU, CAROLINE... 732 00:35:07,080 --> 00:35:10,480 GAVE HER THE ADDRESS TO THAT NON-EXISTENT PARTY. 733 00:35:12,480 --> 00:35:15,040 [♪♪♪] 734 00:35:19,040 --> 00:35:21,080 [QUIET SOB] 735 00:35:22,640 --> 00:35:25,440 I DON'T KNOW WHERE THEY ARE HOLDING HIM. 736 00:35:26,680 --> 00:35:28,440 THAT WAS THEIR ONE CONDITION-- 737 00:35:28,480 --> 00:35:31,040 THAT I WOULDN'T KNOW UNTIL THEY HAD THE MONEY. 738 00:35:37,280 --> 00:35:39,920 TELL ME EVERYTHING YOU KNOW. 739 00:35:39,960 --> 00:35:42,520 EVERYTHING. 740 00:35:46,840 --> 00:35:50,040 THE OTHER ONE WENT SO WELL. 741 00:35:50,080 --> 00:35:52,440 MAXIM WAS A NEW STUDENT AT THE ART SCHOOL 742 00:35:52,480 --> 00:35:54,800 WHEN THE OTHER BOY WAS KIDNAPPED. 743 00:35:56,720 --> 00:35:59,160 I OVERHEARD IT-- THE WOMAN, KATYA, 744 00:35:59,200 --> 00:36:01,720 WAS ON THE PHONE WITH THE KIDNAPPERS. 745 00:36:01,760 --> 00:36:03,920 SHE DIDN'T KNOW I WAS THERE. 746 00:36:03,960 --> 00:36:07,440 AT FIRST, I WAS GOING TO TURN HER IN, 747 00:36:07,480 --> 00:36:09,120 BUT... 748 00:36:09,160 --> 00:36:10,880 I THOUGHT, 749 00:36:10,920 --> 00:36:13,120 "LET'S SEE HOW THIS GOES." 750 00:36:14,760 --> 00:36:17,440 "SEE HOW IT TURNS OUT." 751 00:36:17,480 --> 00:36:20,560 I GUESS I WAS ALREADY THINKING ABOUT LEV, 752 00:36:20,600 --> 00:36:22,760 AND HURTING HIM. 753 00:36:24,320 --> 00:36:26,800 I HATE HIM SO MUCH. 754 00:36:32,240 --> 00:36:36,120 WHEN THE OTHER BOY, ALLESANDRO, WAS RETURNED SAFELY, 755 00:36:36,160 --> 00:36:38,720 COMPLETELY UNHURT, 756 00:36:38,760 --> 00:36:41,760 I WENT TO SEE KATYA AND TOLD HER THAT I WOULD TURN THEM IN, 757 00:36:41,800 --> 00:36:43,960 UNLESS WE COULD WORK TOGETHER, 758 00:36:44,000 --> 00:36:46,880 AND THAT MY EX-HUSBAND WAS VERY RICH AND... 759 00:36:51,080 --> 00:36:54,920 HE ALMOST CUT US OFF COMPLETELY. 760 00:36:54,960 --> 00:36:57,560 HE OWES ME. 761 00:36:57,600 --> 00:36:59,120 HE OWES MAXIM. 762 00:36:59,160 --> 00:37:00,520 WHAT ABOUT THE GIRL? 763 00:37:02,000 --> 00:37:03,800 WHY WAS SHE KILLED? 764 00:37:05,520 --> 00:37:07,280 I DON'T KNOW. 765 00:37:07,320 --> 00:37:09,640 DO YOU HAVE ANY IDEA WHERE THEY'RE HOLDING HIM? 766 00:37:09,680 --> 00:37:11,880 [SOB ESCAPES] 767 00:37:15,960 --> 00:37:18,080 [SIGHS DARKLY] 768 00:37:19,200 --> 00:37:21,680 [♪♪♪] 769 00:37:23,360 --> 00:37:26,440 [DOOR OPENS, THEN CLOSES] 770 00:37:29,680 --> 00:37:33,640 [HICKMAN]: SHE CONFESSED, BUT DOESN'T KNOW WHERE HE IS. 771 00:37:33,680 --> 00:37:35,680 SHE DID IT? 772 00:37:36,800 --> 00:37:37,920 YEAH. 773 00:37:37,960 --> 00:37:40,120 YOU'RE SURE? 774 00:37:40,160 --> 00:37:42,440 YEAH. 775 00:37:42,480 --> 00:37:44,800 TO GET BACK AT THE HUSBAND. 776 00:37:46,120 --> 00:37:49,160 [♪♪♪] 777 00:38:00,320 --> 00:38:02,200 [CELL RINGS] 778 00:38:02,240 --> 00:38:03,920 [GRUNTS] 779 00:38:03,960 --> 00:38:06,240 LOUIS? 780 00:38:06,280 --> 00:38:09,200 YEAH. IT WAS NOT DIMITROV. 781 00:38:09,240 --> 00:38:11,240 ARE YOU SURE? 782 00:38:11,280 --> 00:38:12,480 YEAH. 783 00:38:12,520 --> 00:38:14,240 IT WAS THE MOTHER. 784 00:38:14,280 --> 00:38:19,320 SHE SET IT UP TO HURT MARIANSKI OVER PERSONAL ISSUES. 785 00:38:19,360 --> 00:38:21,840 THANK YOU, LOUIS. 786 00:38:21,880 --> 00:38:24,480 [SPEAKS RUSSIAN] 787 00:38:26,080 --> 00:38:28,280 [GRAVEL CRUNCHING] 788 00:38:33,320 --> 00:38:36,640 [SPEAKS RUSSIAN] 789 00:38:36,680 --> 00:38:38,960 [♪♪♪] 790 00:38:41,400 --> 00:38:42,840 WHAT'S GOING ON? 791 00:38:42,880 --> 00:38:45,240 WE HAVE AN IMAGE OF THE LANDSCAPE OUTSIDE THE HOUSE. 792 00:38:45,280 --> 00:38:47,840 I ENHANCED THE REFLECTION OF A WINDOW 793 00:38:47,880 --> 00:38:49,360 IN THE GLASS ON THE TABLE. 794 00:38:49,400 --> 00:38:53,240 I HAVE A GEO-PROFILING PROGRAM THAT I CAN FEED IT INTO, 795 00:38:53,280 --> 00:38:54,760 SEE WHAT MATCHES THAT AREA. 796 00:38:54,800 --> 00:38:58,480 IF I CAN FIND ANOTHER POINT, WE CAN CROSS-REFERENCE. 797 00:38:58,520 --> 00:39:00,000 LOOK! 798 00:39:00,040 --> 00:39:02,320 [DISPATCH RADIOS CRACKLING] 799 00:39:02,360 --> 00:39:04,040 WHAT? 800 00:39:04,080 --> 00:39:05,840 THERE. DOESN'T THAT LOOK LIKE A RADIO TELESCOPE, 801 00:39:05,880 --> 00:39:06,840 ON THE HILL? 802 00:39:06,880 --> 00:39:08,880 OH, IT SURE DOES. 803 00:39:08,920 --> 00:39:11,040 WE CAN TRIANGULATE WITH THE LANDSCAPE 804 00:39:11,080 --> 00:39:13,480 FROM THE WINDOW REFLECTED IN THE GLASS. 805 00:39:15,600 --> 00:39:17,400 COME ON! 806 00:39:19,280 --> 00:39:20,360 YES! 807 00:39:20,400 --> 00:39:21,640 IS THAT LIVE? 808 00:39:21,680 --> 00:39:23,760 NO, IT'S A SATELLITE IMAGE. TOMMY. 809 00:39:23,800 --> 00:39:27,080 WE BELIEVE MAXIM COULD BE IN A VERY ISOLATED AREA. 810 00:39:27,120 --> 00:39:28,720 YOU NEED TO FIND IT FAST. 811 00:39:28,760 --> 00:39:30,120 SHOOT. 812 00:39:30,160 --> 00:39:31,120 I'M GOING TO SEND YOU SOME NAV COORDINATES 813 00:39:31,160 --> 00:39:32,320 TO YOUR PDA. 814 00:39:32,360 --> 00:39:33,840 WE THINK THIS IS WHERE MAXIM IS. 815 00:39:33,880 --> 00:39:36,400 IT'S AN ISOLATED FARMHOUSE, 816 00:39:36,440 --> 00:39:39,520 SURROUNDED BY WHITISH STONE OUTCROPPINGS. 817 00:39:39,560 --> 00:39:41,160 [ANNE-MARIE]: THERE'S A RADIO COM TOWER 818 00:39:41,200 --> 00:39:43,720 A HALF KILOMETRE NORTH OF THE FARMHOUSE. 819 00:39:43,760 --> 00:39:45,120 [TOMMY]: ALL RIGHT. 820 00:39:45,160 --> 00:39:48,080 [LOUIS]: TOMMY, WE DON'T HAVE A LOT OF TIME. 821 00:39:51,600 --> 00:39:54,080 [MAXIM WHEEZING ON VIDEO] 822 00:39:54,120 --> 00:39:56,800 [♪♪♪] 823 00:39:58,320 --> 00:39:59,520 [HICKMAN]: IT'S IN A SMALL VALLEY, TOMMY. 824 00:39:59,560 --> 00:40:01,080 THE FARMHOUSE SHOULD BE IN THE CENTRE. 825 00:40:01,120 --> 00:40:02,880 NOTHING! 826 00:40:02,920 --> 00:40:04,720 [SEBASTIAN]: YOU'RE LOOKING FOR A RADIO TOWER 827 00:40:04,760 --> 00:40:05,880 AND A FARMHOUSE NEARBY. 828 00:40:05,920 --> 00:40:07,520 I DON'T SEE IT! 829 00:40:07,560 --> 00:40:10,600 [♪♪♪] 830 00:40:10,640 --> 00:40:12,080 [TOMMY]: I'M JUST SEEING FIELDS, MATE. 831 00:40:12,120 --> 00:40:14,240 [LOUIS]: TIME IS RUNNING OUT. 832 00:40:19,880 --> 00:40:21,080 [TOMMY]: NO, WAIT, WAIT! 833 00:40:21,120 --> 00:40:22,840 THIS MIGHT BE SOMETHING! 834 00:40:24,800 --> 00:40:26,400 [TOMMY]: THIS MUST BE IT! 835 00:40:26,440 --> 00:40:27,880 SEND ME DOWN THERE NOW! 836 00:40:27,920 --> 00:40:30,800 [♪♪♪] 837 00:40:41,360 --> 00:40:44,320 [♪♪♪] 838 00:40:52,880 --> 00:40:55,480 [♪♪♪] 839 00:40:58,360 --> 00:41:00,840 ALL RIGHT. I HAVE HIM. 840 00:41:00,880 --> 00:41:03,240 YEAH, HE'S BREATHING. HE'S GOOD. 841 00:41:03,280 --> 00:41:06,200 [♪♪♪] 842 00:41:06,240 --> 00:41:08,080 HE'S GOT HIM. 843 00:41:08,120 --> 00:41:10,440 [♪♪♪] 844 00:41:17,800 --> 00:41:20,200 [♪♪♪] 845 00:41:24,120 --> 00:41:26,120 [LEV]: WHAT WILL HAPPEN TO HER? 846 00:41:26,160 --> 00:41:28,000 CAN SHE AFFORD A GOOD LAWYER? 847 00:41:28,040 --> 00:41:30,400 THE BEST. 848 00:41:30,440 --> 00:41:31,760 GOOD. 849 00:41:31,800 --> 00:41:35,360 WHAT SHE DID IS INEXCUSABLE... 850 00:41:35,400 --> 00:41:37,240 BUT I'M NOT BLAMELESS IN IT. 851 00:41:37,280 --> 00:41:39,480 [LOUIS PATS LEV'S ARM] 852 00:41:44,600 --> 00:41:45,840 SO I GUESS THE CHRISTMAS GIFT 853 00:41:45,880 --> 00:41:47,440 WON'T BE NECESSARY? 854 00:41:47,480 --> 00:41:50,680 [LAUGHS] I WAS JUST JOKING ABOUT THAT. 855 00:41:50,720 --> 00:41:53,400 STILL... I'M FINE WITH IT. 856 00:41:53,440 --> 00:41:55,960 WHAT DO YOU MEAN? 857 00:41:56,000 --> 00:41:59,120 30,000 SEEMS MORE THAN FAIR TO GET MY SON BACK. 858 00:41:59,160 --> 00:42:02,320 [♪♪♪] 859 00:42:10,280 --> 00:42:11,880 I NEED TO... 860 00:42:14,000 --> 00:42:16,360 THERE'S A LOT TO EXPLAIN TO HIM. 861 00:42:16,400 --> 00:42:18,760 [QUIETLY]: YEAH. 862 00:42:20,680 --> 00:42:22,960 [♪♪♪] 863 00:42:25,280 --> 00:42:27,320 PAPA... 864 00:42:32,880 --> 00:42:35,920 [DOOR CREAKS OPEN, THEN SHUTS] 865 00:42:47,680 --> 00:42:50,200 [♪♪♪] 866 00:43:07,960 --> 00:43:10,360 I'M SORRY. 867 00:43:12,280 --> 00:43:14,920 IT'S ALL RIGHT. 868 00:43:21,040 --> 00:43:23,160 I DON'T WANT TO FORGET. 869 00:43:23,200 --> 00:43:25,480 REBECCA... 870 00:43:26,840 --> 00:43:28,880 I KNOW. 871 00:43:35,160 --> 00:43:36,480 [TAKES A BREATH, RELIEVED] 872 00:43:36,520 --> 00:43:38,720 [♪♪♪] 873 00:43:41,600 --> 00:43:42,600 [KNOCKING] 874 00:43:48,440 --> 00:43:50,240 I SAW THE LIGHT. 875 00:43:50,280 --> 00:43:52,400 COME IN. 876 00:43:54,280 --> 00:43:56,640 COME IN, PLEASE. 877 00:43:59,480 --> 00:44:01,480 SIT. 878 00:44:07,360 --> 00:44:10,320 YOU WANTED TO KNOW IF GENOVESE LEFT AGAIN? 879 00:44:10,360 --> 00:44:11,880 I DID. 880 00:44:11,920 --> 00:44:13,440 A BUNCH OF THEM LEFT. 881 00:44:13,480 --> 00:44:16,280 GENOVESE, THE MANAGER, THE BOSS. 882 00:44:16,320 --> 00:44:18,200 THEY ALL LEFT IN A HURRY. 883 00:44:18,240 --> 00:44:19,400 FOR GOOD? 884 00:44:19,440 --> 00:44:22,360 THEY SAID THEY'D BE BACK IN A FEW DAYS, 885 00:44:22,400 --> 00:44:25,120 BUT SOMETHING SEEMED TO BE BOTHERING THEM. 886 00:44:32,560 --> 00:44:34,640 THANK YOU. 887 00:44:36,160 --> 00:44:39,280 YOU'RE WELCOME. 888 00:44:39,320 --> 00:44:41,720 SHARI? 889 00:44:44,400 --> 00:44:47,440 DON'T GO. 890 00:45:01,440 --> 00:45:03,560 [FOOTSTEPS] 891 00:45:06,280 --> 00:45:07,680 -HEY! -HEY. 892 00:45:07,720 --> 00:45:08,960 YOU'RE WORKING STILL? 893 00:45:09,000 --> 00:45:10,560 YEAH, I JUST WANTED TO DO THE REPORTS 894 00:45:10,600 --> 00:45:13,040 WHILE EVERYTHING WAS STILL FRESH IN MY MIND. 895 00:45:14,240 --> 00:45:16,960 YOU GUYS SAVED HIM. 896 00:45:17,000 --> 00:45:19,440 NO, WE ALL DID IT. 897 00:45:19,480 --> 00:45:21,480 YEAH. 898 00:45:22,760 --> 00:45:24,440 SEBASTIAN HERE? 899 00:45:24,480 --> 00:45:27,040 YEAH, HE'S PUTTING HIS EQUIPMENT BACK TOGETHER. 900 00:45:27,080 --> 00:45:29,120 CAN I ASK YOU SOMETHING? 901 00:45:29,160 --> 00:45:31,360 YEAH. 902 00:45:32,960 --> 00:45:36,000 HOW CAN I TELL SOMEONE THAT... 903 00:45:36,040 --> 00:45:38,480 I MAY HAVE VIOLATED THEIR TRUST, 904 00:45:38,520 --> 00:45:41,200 AND HAVE THEM STILL LIKE ME? 905 00:45:44,640 --> 00:45:47,360 I IMAGINE YOU JUST, UM... 906 00:45:47,400 --> 00:45:50,760 YOU JUST TELL THEM, AND HOPE FOR THE BEST. 907 00:45:53,720 --> 00:45:55,680 YEAH. 908 00:45:55,720 --> 00:45:57,560 RIGHT. 909 00:45:57,600 --> 00:46:00,360 MAYBE TOMORROW. 910 00:46:00,400 --> 00:46:02,760 THANKS. CIAO. 911 00:46:02,800 --> 00:46:04,800 CIAO. 912 00:46:08,760 --> 00:46:11,120 [♪♪♪] 913 00:46:22,160 --> 00:46:23,960 YES. IT'S SB335. 914 00:46:24,000 --> 00:46:25,840 [CHUCKLES DRYLY] 915 00:46:25,880 --> 00:46:28,880 YES, I HAD A VERY BAD NIGHT, 916 00:46:28,920 --> 00:46:32,560 BUT IT'S OKAY, I HAVE THE MONEY. 917 00:46:32,600 --> 00:46:34,080 ALL 30,000 OF IT. 918 00:46:36,800 --> 00:46:38,840 [♪♪♪] 919 00:46:38,880 --> 00:46:41,880 [SIGHING HEAVILY] 59533

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