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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,305 --> 00:00:02,785 PREVIOUSLY ON "ARROW"... 2 00:00:02,828 --> 00:00:05,135 THIS PLACE LOOKS EXACTLY LIKE IT DID WHEN I WAS 13. 3 00:00:05,179 --> 00:00:07,137 OLIVER: WE HAD PLANNED TO COME BACK HERE WITH BOTH OF YOU. 4 00:00:07,181 --> 00:00:09,009 MIA: YEAH. THAT DIDN'T REALLY WORK OUT. 5 00:00:09,052 --> 00:00:10,314 BECAUSE I DIED. 6 00:00:10,358 --> 00:00:12,055 HAVE YOU COME TO DOUBT YOUR COMMITMENT 7 00:00:12,099 --> 00:00:13,709 TO THIS MISSION? 8 00:00:13,752 --> 00:00:15,145 OLIVER: IT MIGHT HELP IF I ACTUALLY KNEW WHY. 9 00:00:15,189 --> 00:00:16,668 MONITOR: THE RECOVERY OF YOUR UNIVERSE 10 00:00:16,712 --> 00:00:18,148 WILL REQUIRE A SINGLE TASK. 11 00:00:18,192 --> 00:00:20,281 YOU MUST BETRAY OLIVER QUEEN. 12 00:00:20,324 --> 00:00:21,934 LAUREL: IF SAVING IT MEANS GOING BACK 13 00:00:21,978 --> 00:00:23,066 TO THE PERSON THAT I USED TO BE, 14 00:00:23,110 --> 00:00:25,068 THEN WHAT THE HELL IS THE POINT? 15 00:00:25,112 --> 00:00:26,156 I'M SORRY. 16 00:00:26,200 --> 00:00:28,028 [TRANQUILIZER DARTS FIRE] 17 00:00:28,985 --> 00:00:32,336 [CROWD CHEERING ON TV] 18 00:00:32,380 --> 00:00:34,251 ANNOUNCER: TARK DRIVES THE LANE. 19 00:00:34,295 --> 00:00:36,123 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 20 00:00:36,166 --> 00:00:40,823 BINGO! COUNT IT AND THE FOUL! 21 00:00:40,866 --> 00:00:42,346 OHH. 22 00:00:42,390 --> 00:00:44,087 ANNOUNCER: COMETS, WHO HAVE STORMED ALL THE WAY BACK 23 00:00:44,131 --> 00:00:46,089 TO TIE IT UP IN THE FOURTH QUARTER. 24 00:00:46,133 --> 00:00:48,483 MIA: NO WAY. IT TASTES THE SAME. 25 00:00:48,526 --> 00:00:51,312 CONNOR: I'M TELLING YOU THESE BIG BELLY BURGERS ARE JUST BETTER. 26 00:00:51,355 --> 00:00:52,530 WILLIAM: I THINK HE'S RIGHT. 27 00:00:52,574 --> 00:00:54,141 THIS IS PRE-GWESPIN FOODS MERGER. 28 00:00:54,184 --> 00:00:57,144 MIA: DAD, WHAT ARE YOU STILL DOING HERE? 29 00:00:57,187 --> 00:00:59,102 OLIVER: HOW DID WE GET HERE? 30 00:00:59,146 --> 00:01:00,625 WHAT DO YOU MEAN? 31 00:01:00,669 --> 00:01:04,064 UH, I WAS ON A ROOF WITH JOHN AND LAUREL, 32 00:01:04,107 --> 00:01:05,717 AND WE WERE TRANQED. 33 00:01:05,761 --> 00:01:07,458 YEAH. BY LYLA. 34 00:01:07,502 --> 00:01:10,157 DAD SAID IT WAS ALL JUST A BIG MISUNDERSTANDING. 35 00:01:14,378 --> 00:01:17,599 AHEM. WHAT DID WE DO WITH BUROV'S PLAN FOR THE WEAPON? 36 00:01:17,642 --> 00:01:20,210 YOU SAID WE DIDN'T NEED IT ANYMORE. 37 00:01:20,254 --> 00:01:22,169 WHY? THE MONITOR'S STILL OUT THERE. 38 00:01:22,212 --> 00:01:23,692 HE'S STILL A THREAT. 39 00:01:23,735 --> 00:01:25,389 DAD, ARE YOU OK? 40 00:01:25,433 --> 00:01:27,913 YOU--YOU LOOK LIKE YOU DON'T REMEMBER ANY OF THIS. 41 00:01:27,957 --> 00:01:30,612 I... 42 00:01:30,655 --> 00:01:32,309 I NEED TO TALK TO JOHN. 43 00:01:32,353 --> 00:01:34,355 CONNOR: THAT SHOULD BE EASY. 44 00:01:34,398 --> 00:01:38,794 HE'S WAITING FOR YOU AT THAT FANCY FUNDRAISER. 45 00:01:38,837 --> 00:01:40,317 WHAT FUNDRAISER? 46 00:01:40,361 --> 00:01:42,363 THE ONE YOU'RE VERY LATE FOR. 47 00:01:42,406 --> 00:01:45,322 I MEAN, YOU DO REMEMBER YOU'RE OLIVER QUEEN, RIGHT? 48 00:01:47,759 --> 00:01:49,283 [ELEVATOR DINGS] 49 00:01:49,326 --> 00:01:50,893 [JAZZ PLAYING] 50 00:01:50,936 --> 00:01:54,766 [WOMAN LAUGHING] 51 00:01:54,810 --> 00:01:56,420 MAN: HEY, QUEEN, WHAT'S THE DIFFERENCE 52 00:01:56,464 --> 00:01:58,379 BETWEEN A COP AND THE GREEN ARROW? 53 00:01:58,422 --> 00:02:01,164 A COP DOESN'T NEED TO PLAY DRESS-UP TO DO HIS JOB. 54 00:02:01,208 --> 00:02:04,298 HA. YEAH, SURE THING. OHH! 55 00:02:04,341 --> 00:02:08,040 -I'M SO SORRY, MR. QUEEN. -IT'S FINE, IT'S FINE. 56 00:02:08,084 --> 00:02:09,216 JOHN: THERE YOU ARE, MAN. 57 00:02:09,259 --> 00:02:12,697 THE PARTY STARTED AN HOUR AGO, OLIVER. 58 00:02:12,741 --> 00:02:14,873 DO YOU REMEMBER GETTING TRANQED LAST NIGHT? 59 00:02:14,917 --> 00:02:18,660 YEAH. UH, LYLA FEELS AWFUL ABOUT THAT. 60 00:02:18,703 --> 00:02:20,183 BY THE WAY, THAT WASN'T LAST NIGHT. 61 00:02:20,227 --> 00:02:22,403 -THAT WAS TWO DAYS AGO. -WHAT? NO. 62 00:02:22,446 --> 00:02:24,361 NO, NO. THAT-- JOHN, THAT IS THE LAST THING 63 00:02:24,405 --> 00:02:26,363 THAT I REMEMBER BEFORE WAKING UP 64 00:02:26,407 --> 00:02:29,279 IN MY APARTMENT EARLIER TONIGHT. 65 00:02:29,323 --> 00:02:31,455 YOU OK, MAN? 66 00:02:31,499 --> 00:02:35,590 NO. THIS IS--THIS-- IS THIS THE-- 67 00:02:35,633 --> 00:02:37,374 THIS IS THE MONITOR. 68 00:02:37,418 --> 00:02:39,159 -OLIVER. -YOUR WIFE IS WORKING 69 00:02:39,202 --> 00:02:40,464 WITH THE MONITOR, JOHN. WHAT-- 70 00:02:40,508 --> 00:02:42,640 LYLA: I THOUGHT WE ALREADY SETTLED THIS. 71 00:02:42,684 --> 00:02:45,208 I HAVE BEEN WORKING WITH THE MONITOR BUT AS A DOUBLE AGENT, 72 00:02:45,252 --> 00:02:47,776 WHICH I TOLD YOU ON THE ROOF. 73 00:02:47,819 --> 00:02:49,169 I DON'T--I DON'T REMEMBER THAT. 74 00:02:49,212 --> 00:02:50,866 I'M NOT REMEMBERING ANYTHING. 75 00:02:50,909 --> 00:02:52,433 OLIVER, LOOK. JUST MAYBE YOU SHOULD GO HOME, MAN, 76 00:02:52,476 --> 00:02:54,304 GET A LITTLE SLEEP, OK, JUST SOME REST. 77 00:02:54,348 --> 00:02:57,177 OLIVER, THERE YOU ARE. MAYOR'S LOOKING FOR YOU. COME ON. 78 00:02:57,220 --> 00:02:59,004 WHAT? 79 00:02:59,048 --> 00:03:01,093 -WHAT HAPPENED THERE? -OH. 80 00:03:01,137 --> 00:03:03,444 CAN'T GIVE A SPEECH WITH A STAINED SHIRT. 81 00:03:03,487 --> 00:03:04,923 GIVE A S--WHAT SPEECH? I'M GIVING A SPEECH? 82 00:03:04,967 --> 00:03:09,319 VERY FUNNY. YOUR JOINT REMARKS WITH THE MAYOR. 83 00:03:09,363 --> 00:03:13,105 RENE, UM, SERIOUS QUESTION. 84 00:03:13,149 --> 00:03:15,499 WHEN DID PALMER TECH GET REBUILT? 85 00:03:15,543 --> 00:03:18,110 YOU REALLY NEED TO DROP THIS AMNESIA ROUTINE QUICK. 86 00:03:18,154 --> 00:03:20,156 THIS FUNDRAISER IS OUR ONLY CHANCE TO TAKE 87 00:03:20,200 --> 00:03:22,941 THE SCPD VIGILANTE PILOT PROGRAM GLOBAL. 88 00:03:22,985 --> 00:03:24,334 THE MAYOR NEEDS YOU TO BE ON POINT. 89 00:03:24,378 --> 00:03:26,336 -HE'S WAITING FOR YOU. -HE WHO? 90 00:03:26,380 --> 00:03:28,164 ISN'T--ISN'T POLLARD THE MAYOR? 91 00:03:28,208 --> 00:03:29,209 QUENTIN: IN HER DREAMS MAYBE. 92 00:03:36,259 --> 00:03:38,653 WHAT'S THE MATTER, OLIVER? YOU LOOK LIKE YOU'VE SEEN A GHOST. 93 00:03:46,356 --> 00:03:47,575 SO LISTEN. I WAS THINKING ABOUT MAKING 94 00:03:47,618 --> 00:03:49,316 A FEW CHANGES TO THE SPEECH, 95 00:03:49,359 --> 00:03:53,015 SO I FIGURED I SHOULD RUN IT BY YOU FIRST. 96 00:03:53,058 --> 00:03:56,105 THIS IS NOT POSSIBLE. THIS IS... 97 00:03:56,148 --> 00:03:58,107 WHAT? DON'T TELL ME YOU'RE SCARED 98 00:03:58,150 --> 00:04:02,329 OF A LITTLE LAST-MINUTE MEMORIZATION, OLIVER. 99 00:04:02,372 --> 00:04:04,505 IT'S BEEN A WHILE SINCE I'VE SEEN YOU. 100 00:04:04,548 --> 00:04:08,770 COUPLE OF DAYS MAYBE. YOU'RE LOOKING AT ME LIKE IT'S BEEN YEARS. 101 00:04:08,813 --> 00:04:10,772 NO. YOU'RE RIGHT. A COUPLE DAYS. 102 00:04:10,815 --> 00:04:12,730 RIGHT. SO LISTEN. I WAS THINKING 103 00:04:12,774 --> 00:04:14,515 ABOUT ADDING A LINE ABOUT, YOU KNOW, 104 00:04:14,558 --> 00:04:17,039 ME TELLING YOU IT WAS A BAD IDEA TO UNMASK, 105 00:04:17,082 --> 00:04:19,476 BUT, YOU KNOW, MAYBE A JOKE ABOUT HOW 106 00:04:19,520 --> 00:04:21,086 YOU'D RATHER TAKE IT TO SUPERMAX 107 00:04:21,130 --> 00:04:22,523 THAN TAKE MY ADVICE. 108 00:04:22,566 --> 00:04:24,612 HEH. YOU KNOW? WHAT DO YOU THINK? 109 00:04:24,655 --> 00:04:26,744 YOU KNOW THAT I WENT TO SLABSIDE? 110 00:04:26,788 --> 00:04:28,572 UH...YEAH. WHAT'S THAT, 111 00:04:28,616 --> 00:04:31,923 YOUR WAY OF SAYING I SHOULD HAVE COME VISIT MORE OFTEN? 112 00:04:31,967 --> 00:04:34,926 QUENTIN, RIGHT BEFORE I TURNED MYSELF IN... 113 00:04:37,451 --> 00:04:39,366 DIAZ SHOT YOU, RIGHT? 114 00:04:39,409 --> 00:04:41,150 OH. YEAH. 115 00:04:41,193 --> 00:04:43,500 THAT SON OF A BITCH ALMOST KILLED ME. 116 00:04:43,544 --> 00:04:47,199 ALMOST DIED IN THE O.R. YOU DON'T REMEMBER? 117 00:04:47,243 --> 00:04:49,463 I REMEMBER IT DIFFERENTLY. 118 00:04:49,506 --> 00:04:52,640 WELL, THE DOCTORS CALLED IT A MIRACLE. 119 00:04:52,683 --> 00:04:54,555 I WAS WITHOUT OXYGEN FOR SO LONG, 120 00:04:54,598 --> 00:04:56,208 I SHOULD HAVE BEEN 6 FEET UNDER. 121 00:04:56,252 --> 00:04:59,386 FELT LIKE I ESCAPED MY FATE OR SOMETHING. 122 00:04:59,429 --> 00:05:01,475 RENE: HEY. THERE'S SOMETHING YOU NEED TO SEE. 123 00:05:07,263 --> 00:05:10,919 SO...THERE'S A HOSTAGE SITUATION AT THE SCPD. 124 00:05:10,962 --> 00:05:12,921 THE LEADER'S DEMANDING TO MEET WITH THE MAYOR. 125 00:05:12,964 --> 00:05:14,575 NO. YOU CAN'T GO DOWN THERE. 126 00:05:14,618 --> 00:05:16,228 RENE: WE'LL CALL IN A SPECIAL-OPS TEAM. 127 00:05:16,272 --> 00:05:18,753 I'M THE MAYOR. NOBODY DOES MY DIRTY WORK FOR ME. 128 00:05:18,796 --> 00:05:20,711 GIVE MY APOLOGIES TO THE GUESTS. 129 00:05:20,755 --> 00:05:22,409 I'M--I'M GONNA COME WITH YOU. 130 00:05:22,452 --> 00:05:24,889 OK, BUT YOU MIGHT WANT TO BRING A CHANGE OF CLOTHES 131 00:05:24,933 --> 00:05:27,631 BECAUSE SOMETHING TELLS ME WE'RE GONNA NEED THE GREEN GUY. 132 00:05:31,853 --> 00:05:34,029 [SIRENS, HELICOPTER FLYING] 133 00:05:34,072 --> 00:05:35,813 GET THE FEDS ON THE LINE. TELL THEM I NEED BACKUP 134 00:05:35,857 --> 00:05:37,641 -HERE NOW, RIGHT NOW. -YES, MA'AM. 135 00:05:37,685 --> 00:05:39,295 QUENTIN: WHAT'S THE SITUATION, CAPTAIN? 136 00:05:39,339 --> 00:05:40,949 ARMED MERCS STORMED MY PRECINCT, 137 00:05:40,992 --> 00:05:43,647 TOOK A DOZEN OF MY GUYS HOSTAGE. 138 00:05:43,691 --> 00:05:45,432 HOW DID THEY GET BY YOUR MEN? 139 00:05:45,475 --> 00:05:47,825 IT'S A LONG STORY THAT I DON'T HAVE TIME TO TELL. 140 00:05:47,869 --> 00:05:49,827 THE ONLY DEMAND WAS TO SPEAK TO THE MAYOR. 141 00:05:49,871 --> 00:05:51,525 ALL RIGHT. WELL, I'LL GO TALK TO THEM. 142 00:05:51,568 --> 00:05:53,396 I APPRECIATE THAT, BUT THERE IS NO WAY 143 00:05:53,440 --> 00:05:55,050 I'M SENDING YOU IN THERE. 144 00:05:55,093 --> 00:05:56,617 LISTEN. I WORE THE BLUES A LONG TIME 145 00:05:56,660 --> 00:05:58,140 BEFORE I WORE THIS MONKEY SUIT, OK? 146 00:05:58,183 --> 00:05:59,576 -I CAN HOLD MY OWN. -I KNOW, SIR. 147 00:05:59,620 --> 00:06:01,186 IT'S NOT THE POINT. 148 00:06:01,230 --> 00:06:02,797 SHE'S RIGHT. IT'S TOO RISKY. 149 00:06:02,840 --> 00:06:04,407 SAYS THE MAN WHO RISKS HIS LIFE EVERY DAY 150 00:06:04,451 --> 00:06:06,583 FOR THIS CITY? 151 00:06:06,627 --> 00:06:08,368 GIVE ME A VEST. I'LL GO IN THERE, 152 00:06:08,411 --> 00:06:10,021 I'LL DISTRACT THE SON OF A BITCH, 153 00:06:10,065 --> 00:06:11,414 AND IN THE MEANTIME, YOU SNEAK AROUND THE BACK 154 00:06:11,458 --> 00:06:13,590 AND DO YOUR THING, OK? 155 00:06:13,634 --> 00:06:15,244 THE LONGER THIS DRAGS ON, 156 00:06:15,287 --> 00:06:17,551 THE WORSE IT GETS. 157 00:06:17,594 --> 00:06:19,683 LET ME DO THIS. 158 00:06:19,727 --> 00:06:23,557 I'LL HAVE HIS BACK. 159 00:06:23,600 --> 00:06:25,994 I WANT YOU ON COMMS THE WHOLE TIME. 160 00:06:26,037 --> 00:06:27,169 SURE. 161 00:06:28,126 --> 00:06:29,606 MAN ON RADIO: ALL UNITS, BE ADVISED 162 00:06:29,650 --> 00:06:31,434 MAYOR LANCE IS ENTERING THE BUILDING. 163 00:06:31,478 --> 00:06:33,654 I REPEAT MAYOR LANCE IS ENTERING THE BUILDING. 164 00:06:36,570 --> 00:06:38,746 THIS IS MAYOR QUENTIN LANCE. 165 00:06:38,789 --> 00:06:40,661 I'M UNARMED. I'M COMING IN. 166 00:06:44,012 --> 00:06:45,753 -THAT'S FAR ENOUGH. -ALL RIGHT. 167 00:06:45,796 --> 00:06:48,320 JUST--JUST TAKE IT EASY, OK? 168 00:06:48,364 --> 00:06:49,844 TAKE IT EASY. 169 00:06:51,498 --> 00:06:53,500 OLIVER ON COMMS: I'M IN POSITION. KEEP HIM TALKING. 170 00:06:53,543 --> 00:06:56,067 YOU ASKED FOR ME. HERE I AM. 171 00:06:56,111 --> 00:06:57,634 WHAT DO YOU WANT TO TALK ABOUT WITH ME? 172 00:06:57,678 --> 00:06:58,940 YOU'RE THE MAYOR. YOU'RE A GUY 173 00:06:58,983 --> 00:07:00,724 WHO CAN MAKE THINGS HAPPEN. 174 00:07:00,768 --> 00:07:02,683 WHY DON'T YOU LET A FEW OF THESE GUYS GO WHILE WE TALK? 175 00:07:02,726 --> 00:07:04,424 SO I CAN GET STORMED BY THE COPS? 176 00:07:04,467 --> 00:07:06,382 NO, THANKS. I'M NOT STUPID. 177 00:07:06,426 --> 00:07:08,210 BUT IT WOULD SHOW THAT YOU DON'T WANT ANYBODY TO GET HURT 178 00:07:08,253 --> 00:07:09,690 BECAUSE IF ANYBODY GETS HURT, 179 00:07:09,733 --> 00:07:11,474 YOU'RE IN REAL TROUBLE. 180 00:07:11,518 --> 00:07:13,998 ACTUALLY, I THINK YOU'RE ALREADY IN TROUBLE. 181 00:07:14,042 --> 00:07:15,696 I'M THE ONE HOLDING THE GUN. 182 00:07:15,739 --> 00:07:18,263 OLIVER: NOT FOR LONG. PUT IT DOWN. 183 00:07:18,307 --> 00:07:19,961 MAN: AGH. ERR. 184 00:07:20,004 --> 00:07:23,051 OLIVER: THIS...IS...OVER. 185 00:07:23,094 --> 00:07:25,488 THIS ISN'T OVER UNTIL YOU STOP IT, OLIVER. 186 00:07:25,532 --> 00:07:27,229 THAT'S THE ONLY WAY OUT. 187 00:07:27,272 --> 00:07:30,188 WHAT ARE YOU TALKING ABOUT? 188 00:07:30,232 --> 00:07:31,407 -NO! -QUENTIN! 189 00:07:31,451 --> 00:07:32,800 [EXPLOSION] 190 00:07:34,018 --> 00:07:35,367 AHH! 191 00:07:35,411 --> 00:07:36,978 ANNOUNCER: TARK DRIVES THE LANE. 192 00:07:37,021 --> 00:07:38,936 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 193 00:07:38,980 --> 00:07:42,374 BINGO! COUNT IT AND THE FOUL! 194 00:07:44,812 --> 00:07:46,770 THAT'S AN 8-0 RUN BY THE COMETS, 195 00:07:46,814 --> 00:07:48,468 WHO HAVE STORMED ALL THE WAY BACK 196 00:07:48,511 --> 00:07:51,166 TO TIE IT UP IN THE FOURTH QUARTER. 197 00:07:54,038 --> 00:07:57,912 88 APIECE. WHAT A COMEBACK FOR THE COMETS, 198 00:07:57,955 --> 00:07:59,653 AND THERE'S A TIMEOUT... 199 00:07:59,696 --> 00:08:01,611 MIA: NO WAY. IT TASTES THE SAME. 200 00:08:01,655 --> 00:08:03,613 CONNOR: I'M TELLING YOU THIS BIG BELLY BURGER'S JUST BETTER. 201 00:08:03,657 --> 00:08:04,832 WILLIAM: I THINK HE'S RIGHT. 202 00:08:04,875 --> 00:08:06,877 THIS IS PRE-GWESPIN FOODS MERGER. 203 00:08:09,924 --> 00:08:12,317 OOH, DAD. WHAT ARE YOU STILL DOING HERE? 204 00:08:13,710 --> 00:08:15,277 I'M LATE FOR A FUNDRAISER. 205 00:08:15,320 --> 00:08:16,670 YEAH. REALLY LATE. 206 00:08:18,628 --> 00:08:21,413 WILLIAM: YOU WANT A BURGER? THOSE THINGS NEVER HAVE GOOD FOOD. 207 00:08:25,113 --> 00:08:27,637 DID SOMETHING HAPPEN AT THE SCPD HEADQUARTERS? 208 00:08:27,681 --> 00:08:30,553 LIKE WHAT? 209 00:08:30,597 --> 00:08:32,903 NEVER MIND. 210 00:08:32,947 --> 00:08:34,775 [DING, JAZZ PLAYING] 211 00:08:34,818 --> 00:08:39,214 [WOMAN LAUGHING] 212 00:08:39,257 --> 00:08:40,650 MAN: HEY, QUEEN. WHAT'S THE DIFFERENCE 213 00:08:40,694 --> 00:08:42,783 BETWEEN A COP AND THE GREEN ARROW? 214 00:08:42,826 --> 00:08:45,655 A COP DOESN'T NEED TO PLAY DRESS-UP TO DO HIS JOB. 215 00:08:45,699 --> 00:08:47,222 HA HA HA! 216 00:08:47,265 --> 00:08:50,834 -OOH! NICE REFLEXES, MR. QUEEN. -THANK YOU. 217 00:08:50,878 --> 00:08:54,708 THERE YOU ARE. YOU KNOW THE PARTY STARTED AN HOUR AGO, RIGHT? 218 00:08:54,751 --> 00:08:56,013 I NEED TO SPEAK WITH YOU. 219 00:08:56,057 --> 00:08:57,580 UH, THIS IS GONNA SOUND CRAZY. 220 00:08:57,624 --> 00:09:01,149 UM...I HAVE BEEN HERE BEFORE. SO HAVE YOU. 221 00:09:01,192 --> 00:09:02,846 WHAT ARE YOU TALKING ABOUT? 222 00:09:02,890 --> 00:09:04,587 ABOUT THE MONITOR DROPPING ME INTO SOME SORT 223 00:09:04,631 --> 00:09:07,242 OF ALTERNATE REALITY T-T-TIME LOOP OR SOMETHING, 224 00:09:07,285 --> 00:09:08,852 WHERE EVERYTHING IS DIFFERENT, 225 00:09:08,896 --> 00:09:10,462 WHERE LANCE IS STILL ALIVE. 226 00:09:10,506 --> 00:09:12,160 OLIVER, LANCE HAS ALWAYS BEEN ALIVE. 227 00:09:12,203 --> 00:09:14,292 NO, HE HASN'T. YOU JUST DON'T REMEMBER 228 00:09:14,336 --> 00:09:16,991 BECAUSE THE MONITOR HAS DONE SOMETHING TO PEOPLE'S MEMORIES, 229 00:09:17,034 --> 00:09:18,993 BUT I--I THINK I KNOW THE WAY OUT OF THIS, 230 00:09:19,036 --> 00:09:22,866 BUT I--I NEED TO STOP A BOMB AT THE SCPD. 231 00:09:22,910 --> 00:09:24,738 OLIVER, WILL YOU JUST CALM DOWN, MAN? 232 00:09:24,781 --> 00:09:27,305 IF THERE WAS A BOMB, WE WOULD KNOW ABOUT IT. 233 00:09:27,349 --> 00:09:28,742 LYLA WOULD KNOW ABOUT IT. 234 00:09:28,785 --> 00:09:30,004 LYLA'S A PART OF THIS. 235 00:09:30,047 --> 00:09:31,658 LYLA: PART OF WHAT? 236 00:09:31,701 --> 00:09:33,007 JOHN: OLIVER SEEMS TO THINK THAT HE'S CAUGHT 237 00:09:33,050 --> 00:09:34,486 IN SOME SORT OF TIME LOOP. 238 00:09:34,530 --> 00:09:35,792 IF WE'RE TRAVELING BACK IN TIME, 239 00:09:35,836 --> 00:09:37,315 I'D LIKE TO REVISIT MY 20S. 240 00:09:37,359 --> 00:09:38,708 I--I NEED TO SPEAK WITH QUENTIN. 241 00:09:38,752 --> 00:09:41,668 THE MAYOR'S WAITING FOR ME. 242 00:09:41,711 --> 00:09:42,886 YEAH. HOW'D YOU KNOW? 243 00:09:42,930 --> 00:09:45,541 MR. MAYOR. 244 00:09:45,585 --> 00:09:47,456 OH. HEY, OLIVER. LISTEN. 245 00:09:47,499 --> 00:09:49,806 I, UH--I MADE A FEW LAST-MINUTE CHANGES TO THE SPEECH, SO-- 246 00:09:49,850 --> 00:09:53,070 -WE NEED TO TALK. -SURE. LET'S. 247 00:09:53,114 --> 00:09:56,117 UH, YEAH. I WANTED TO RUN THESE CHANGES BY YOU ANYWAY. 248 00:09:56,160 --> 00:09:58,423 YOU WANT TO ADD A JOKE ABOUT SLABSIDE, 249 00:09:58,467 --> 00:10:00,861 ABOUT HOW I WOULD RATHER SPEND TIME 250 00:10:00,904 --> 00:10:03,820 IN A SUPERMAX THAN TAKE YOUR ADVICE. 251 00:10:03,864 --> 00:10:06,301 YOU STEAL A COPY OF MY SPEECH OR SOMETHING? 252 00:10:06,344 --> 00:10:09,347 WE'VE HAD THIS EXACT CONVERSATION ALREADY. 253 00:10:09,391 --> 00:10:13,308 WHAT ARE YOU TALKING ABOUT? 254 00:10:13,351 --> 00:10:16,659 FULLY AWARE OF HOW THIS IS GOING TO SOUND. 255 00:10:16,703 --> 00:10:21,359 QUENTIN, I AM TRAPPED IN SOME SORT OF... TIME LOOP, 256 00:10:21,403 --> 00:10:25,146 WHERE THE SAME EVENTS JUST KEEP REPEATING THEMSELVES. 257 00:10:25,189 --> 00:10:27,322 -LIKE "GROUNDHOG DAY." -SURE 258 00:10:27,365 --> 00:10:30,151 EXCEPT THIS ONE ENDS IN A LOT OF PEOPLE DEAD, 259 00:10:30,194 --> 00:10:32,632 INCLUDING THE TWO OF US. 260 00:10:32,675 --> 00:10:36,679 OK. HOW CAN I HELP? 261 00:10:36,723 --> 00:10:38,202 DO YOU ACTUALLY BELIEVE ME? 262 00:10:38,246 --> 00:10:41,162 OLIVER, I'VE SEEN ONE DAUGHTER DIE 263 00:10:41,205 --> 00:10:42,729 AND COME BACK TO LIFE TWICE. 264 00:10:42,772 --> 00:10:44,818 I'VE SEEN ANOTHER COME FROM SOME OTHER EARTH. 265 00:10:44,861 --> 00:10:47,777 I'VE SEEN A GUY IN RED RUN SO FAST HE CAN REVERSE TIME. 266 00:10:47,821 --> 00:10:50,693 THIS IS NOT EXACTLY OUTSIDE THE NORM, IS IT? 267 00:10:50,737 --> 00:10:53,696 ALSO, I'M DONE LEARNING MY LESSON ABOUT DOUBTING YOU 268 00:10:53,740 --> 00:10:56,481 BECAUSE THAT ALWAYS BITES ME IN THE ASS. HEH. 269 00:10:56,525 --> 00:10:58,570 [SIGHS] 270 00:10:58,614 --> 00:11:00,834 WHAT HAPPENS NOW? 271 00:11:00,877 --> 00:11:02,923 VERY SHORTLY, WE ARE GONNA LEARN THAT 272 00:11:02,966 --> 00:11:05,708 THERE IS A HOSTAGE SITUATION AT THE SCPD. 273 00:11:05,752 --> 00:11:09,799 THEY'RE GOING TO INSIST THAT THEY TALK TO YOU AND ONLY YOU. 274 00:11:09,843 --> 00:11:11,932 AND HOW DOES IT GO SOUTH? 275 00:11:11,975 --> 00:11:14,021 THERE'S A HIDDEN EXPLOSIVE DEVICE 276 00:11:14,064 --> 00:11:16,284 THAT I DIDN'T KNOW ABOUT THE FIRST TIME THROUGH, 277 00:11:16,327 --> 00:11:19,330 AND JUDGING FROM THE BLAST, IT'S UNDERNEATH THE BUILDING. 278 00:11:19,374 --> 00:11:22,594 EH. SO YOU FIND IT, YOU KEEP US FROM GOING BOOM. 279 00:11:22,638 --> 00:11:24,814 -WHAT THEN? -I BREAK OUT OF THE LOOP. 280 00:11:24,858 --> 00:11:26,729 GREAT. 281 00:11:26,773 --> 00:11:29,732 HERE YOU ARE. THERE'S SOMETHING YOU NEED TO SEE. 282 00:11:31,691 --> 00:11:32,779 [SIRENS, HELICOPTER] 283 00:11:32,822 --> 00:11:34,432 GET THE FEDS ON THE LINE. 284 00:11:34,476 --> 00:11:35,956 -TELL THEM I NEED BACKUP NOW. -YES, MA'AM. 285 00:11:35,999 --> 00:11:37,218 WHAT'S THE SITUATION, CAPTAIN? 286 00:11:37,261 --> 00:11:38,654 ARMED MERCS STORMED THE PRECINCT, 287 00:11:38,698 --> 00:11:40,351 TOOK A DOZEN OF MY GUYS HOSTAGE. 288 00:11:43,964 --> 00:11:45,530 THEY HAVE A BOMB. 289 00:11:45,574 --> 00:11:47,184 WE ALREADY DID A SWEEP OF THE ENTIRE BUILDING. 290 00:11:47,228 --> 00:11:49,752 IT'S NOT IN THE BUILDING. IT'S UNDERNEATH IT. 291 00:11:49,796 --> 00:11:51,188 HOW COULD YOU POSSIBLY KNOW THAT? 292 00:11:51,232 --> 00:11:55,453 I TRUST HIM. INSTINCT THING. 293 00:11:55,497 --> 00:11:56,933 SO WHAT DO YOU WANT TO DO? 294 00:11:56,977 --> 00:11:58,848 THIS IS MAYOR QUENTIN LANCE. 295 00:11:58,892 --> 00:12:01,851 I'M UNARMED. I'M COMING IN. 296 00:12:09,946 --> 00:12:12,079 STOP RIGHT THERE. 297 00:12:15,125 --> 00:12:18,172 OH. IT'S YOU. WOULD YOU RELAX? 298 00:12:18,215 --> 00:12:20,435 WE ARE BOTH HERE FOR THE SAME THING. 299 00:12:20,478 --> 00:12:22,350 HEY. HOW DID YOU KNOW TO COME DOWN HERE? 300 00:12:22,393 --> 00:12:24,787 I MAY HAVE LEARNED ABOUT THE EXISTENCE 301 00:12:24,831 --> 00:12:27,529 OF THIS PLACE AS A PART OF A FORMER CAREER. 302 00:12:27,572 --> 00:12:28,878 HOW DID YOU KNOW ABOUT THE BOMB? 303 00:12:28,922 --> 00:12:31,315 YOU WOULDN'T BELIEVE ME IF I TOLD YOU. 304 00:12:31,359 --> 00:12:33,796 WELL, ACTUALLY, SINCE YOU'RE NOT GOING TO REMEMBER ANYWAY, 305 00:12:33,840 --> 00:12:37,844 THERE IS A CRAZY SPACE GOD WHO HAS ME TRAPPED IN A TIME LOOP. 306 00:12:37,887 --> 00:12:39,933 YEAH? ME, TOO. 307 00:12:39,976 --> 00:12:41,935 -IT'S MY SECOND TIME THROUGH. -SAME. 308 00:12:41,978 --> 00:12:43,937 -I WAKE UP IN THE BUNKER. -I WAKE UP IN MY APARTMENT, 309 00:12:43,980 --> 00:12:45,677 SO CLEARLY, THE MONITOR IS DOING THIS. 310 00:12:45,721 --> 00:12:48,028 -YOU MEAN PUNISHING US? -YEAH. 311 00:12:48,071 --> 00:12:51,945 WE ARE THE TWO PEOPLE WHO HAVE ROYALLY PISSED HIM OFF THE MOST. 312 00:12:51,988 --> 00:12:54,121 IN RUSSIA, I DISOBEYED HIM, 313 00:12:54,164 --> 00:12:55,992 AND YOU--YOU TRIED TO DESTROY HIM. 314 00:12:56,036 --> 00:12:57,951 AT LEAST WE'RE IN IT TOGETHER NOW. 315 00:12:57,994 --> 00:12:59,909 I THINK DISARMING THAT IS THE WAY OUT OF HERE. 316 00:12:59,953 --> 00:13:02,085 HOW LONG DO YOU THINK UNTIL THIS THING GOES BOOM? 317 00:13:02,129 --> 00:13:04,000 OH. YOUR GUESS IS AS GOOD AS MINE. 318 00:13:04,044 --> 00:13:06,394 QUENTIN'S UPSTAIRS BUYING US SOME TIME. 319 00:13:07,874 --> 00:13:09,832 -QUENTIN--HE'S HERE? -YEAH. 320 00:13:09,876 --> 00:13:11,791 [BUZZING] 321 00:13:11,834 --> 00:13:13,749 I THINK WE JUST ACTIVATED SOME KIND OF FAILSAFE. 322 00:13:13,793 --> 00:13:15,795 LOOK. WE NEED MORE TIME WITH THE NEXT LOOP, LAUREL. 323 00:13:15,838 --> 00:13:17,709 IT WOULD PROBABLY HELP IF WE FOUND EACH OTHER FASTER NEXT TIME. 324 00:13:17,753 --> 00:13:19,407 THERE'S A PARTY AT THE PALMER TECH BUILDING. 325 00:13:19,450 --> 00:13:21,061 -MEET ME THERE. -ARE WE TALKING FORMAL WEAR OR-- 326 00:13:21,104 --> 00:13:22,671 ANNOUNCER: TARK DRIVES THE LANE. 327 00:13:22,714 --> 00:13:25,065 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 328 00:13:25,108 --> 00:13:26,283 BINGO! 329 00:13:26,327 --> 00:13:28,372 MIA: NO WAY. IT'S THE SAME. 330 00:13:28,416 --> 00:13:30,244 CONNOR: I'M TELLING YOU. THIS BIG BELLY BURGER IS JUST BETTER. 331 00:13:30,287 --> 00:13:31,941 GUESS YOU REALIZED YOU'RE LATE. 332 00:13:31,985 --> 00:13:33,029 SOMETHING LIKE THAT. 333 00:13:33,073 --> 00:13:33,900 [DING, JAZZ PLAYING] 334 00:13:33,943 --> 00:13:35,466 [WOMAN LAUGING] 335 00:13:35,510 --> 00:13:36,990 MAN: HEY, QUEEN. WHAT'S THE DIFFERENCE 336 00:13:37,033 --> 00:13:38,339 BETWEEN A COP AND THE GREEN ARROW? 337 00:13:38,382 --> 00:13:40,036 COP DOESN'T NEED TO PLAY DRESS-UP TO DO HIS JOB. 338 00:13:40,080 --> 00:13:41,516 SORRY. 339 00:13:42,952 --> 00:13:44,911 MR. MAYOR. 340 00:13:44,954 --> 00:13:47,870 HEY, OLIVER. LISTEN. I MADE A FEW LAST-MINUTE CHANGES 341 00:13:47,914 --> 00:13:49,480 TO THE SPEECH. 342 00:13:49,524 --> 00:13:51,004 AND YOU FIGURED YOU SHOULD RUN THEM BY ME FIRST. 343 00:13:51,047 --> 00:13:53,006 YEAH, EXACTLY. 344 00:13:53,049 --> 00:13:55,356 HEY, BABY GIRL. 345 00:13:55,399 --> 00:13:58,402 I DIDN'T THINK YOU WERE GONNA MAKE IT. 346 00:13:58,446 --> 00:13:59,969 ME EITHER. 347 00:14:00,013 --> 00:14:01,710 YOU OK, HONEY? 348 00:14:04,626 --> 00:14:06,497 I'M JUST REALLY HAPPY TO SEE YOU. 349 00:14:06,541 --> 00:14:09,849 OH. I'M HAPPY TO SEE YOU, TOO. 350 00:14:09,892 --> 00:14:11,372 THOUGH I GOT TO SAY I'M GLAD YOU LEFT 351 00:14:11,415 --> 00:14:12,939 THE BLACK LIPSTICK AT HOME TONIGHT. 352 00:14:12,982 --> 00:14:14,592 YOU KNOW THAT I'M EARTH-2 LAUREL. 353 00:14:14,636 --> 00:14:16,203 WHO ELSE WOULD YOU BE? 354 00:14:16,246 --> 00:14:17,944 LOOK. I'M REALLY SORRY TO INTERRUPT, 355 00:14:17,987 --> 00:14:19,380 BUT YOU AND I NEED TO GO. 356 00:14:19,423 --> 00:14:21,425 YOU'RE COMING WITH US. WE NEED YOUR HELP. 357 00:14:23,906 --> 00:14:25,038 [SIRENS, HELICOPTER] 358 00:14:25,081 --> 00:14:26,430 WHAT DO YOU MEAN THERE'S A BOMB? 359 00:14:26,474 --> 00:14:27,867 OLIVER: I KNOW HOW TO STOP IT, 360 00:14:27,910 --> 00:14:29,129 BUT YOU HAVE TO TRUST ME. 361 00:14:29,172 --> 00:14:30,304 I'M GONNA NEED A VEST. 362 00:14:30,347 --> 00:14:32,132 NOT THIS TIME, QUENTIN. 363 00:14:32,175 --> 00:14:33,568 THIS IS MAYOR QUENTIN LANCE. 364 00:14:33,611 --> 00:14:36,876 YOU WANTED TO TALK. LET'S TALK. 365 00:14:38,529 --> 00:14:41,271 THE DETONATOR OPERATES ON AN OSCILLATING FREQUENCY. 366 00:14:41,315 --> 00:14:42,751 IF WE CAN FIND THE RIGHT ONE, 367 00:14:42,794 --> 00:14:45,101 WE SHOULD BE ABLE TO DISRUPT IT. 368 00:14:45,145 --> 00:14:46,668 QUENTIN: VINCENT, LISTEN TO ME. 369 00:14:46,711 --> 00:14:48,278 I KNOW YOU DON'T REALLY WANT TO DO THIS. 370 00:14:48,322 --> 00:14:49,976 VINCENT: AND I KNOW THAT IF YOU DON'T GET IN HERE 371 00:14:50,019 --> 00:14:52,630 THESE MEN ARE GONNA DIE. 372 00:14:52,674 --> 00:14:53,980 I HAVE AN IDEA. 373 00:14:54,023 --> 00:14:55,982 [CANARY CRY] 374 00:14:56,025 --> 00:14:58,985 WE DID IT. 375 00:14:59,028 --> 00:15:00,290 OK. FINE. YOU DID IT. 376 00:15:02,031 --> 00:15:04,555 WE STOPPED THE BOMB. WHAT THE HELL ARE WE STILL DOING HERE? 377 00:15:04,599 --> 00:15:06,253 I DON'T--I-- 378 00:15:06,296 --> 00:15:08,037 WE MUST HAVE MISSED SOMETHING. 379 00:15:09,996 --> 00:15:11,127 -NO! -NO! 380 00:15:11,171 --> 00:15:12,650 [GUNSHOT] 381 00:15:12,694 --> 00:15:14,870 LAUREL: NO! NO! 382 00:15:16,872 --> 00:15:18,439 ANNOUNCER: TARK DRIVES THE LANE. 383 00:15:18,482 --> 00:15:20,789 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 384 00:15:20,832 --> 00:15:22,008 BINGO! 385 00:15:26,447 --> 00:15:28,057 NICE TO HAVE YOU HERE THIS EVENING. 386 00:15:28,101 --> 00:15:29,972 THANKS FOR COMING. 387 00:15:32,453 --> 00:15:35,673 ALL RIGHT. QUENTIN'S DEATH IS THE RESET POINT, 388 00:15:35,717 --> 00:15:37,675 WHICH MEANS THAT 389 00:15:37,719 --> 00:15:39,460 SAVING HIM MUST BE THE KEY. 390 00:15:39,503 --> 00:15:41,375 WHAT KIND OF SICK GAME IS THE MONITOR PLAYING? 391 00:15:41,418 --> 00:15:43,029 I DON'T KNOW. WE NEED TO FIND OUT 392 00:15:43,072 --> 00:15:44,987 WHO IS BEHIND THIS HOSTAGE SITUATION. 393 00:15:45,031 --> 00:15:47,772 IF IT'S JUST ABOUT KILLING QUENTIN, THEN WHY PLANT A BOMB? 394 00:15:47,816 --> 00:15:49,296 IT SEEMS LIKE A LOT OF EXTRA WORK. 395 00:15:49,339 --> 00:15:51,211 MAYBE WHOEVER IS BEHIND THIS WANTS 396 00:15:51,254 --> 00:15:52,821 THEIR INVOLVEMENT KEPT A SECRET. 397 00:15:52,864 --> 00:15:55,128 DO YOU REALLY THINK THERE'S A LARGER CONSPIRACY HERE? 398 00:15:55,171 --> 00:15:56,999 THOSE WERE MERCENARIES, LAUREL, 399 00:15:57,043 --> 00:15:58,783 WHICH MEANS THAT SOMEBODY HAD TO HIRE THEM. 400 00:15:58,827 --> 00:16:02,962 GREAT, AND I'M SURE THEY'RE GONNA BE REALLY EASY TO FIND, TOO. 401 00:16:03,005 --> 00:16:04,876 ANY IDEA WHERE TO START? 402 00:16:06,095 --> 00:16:07,314 LET'S GET QUENTIN OUT OF HERE. 403 00:16:07,357 --> 00:16:09,098 WHY DON'T YOU TAKE HIM TO THE BUNKER? 404 00:16:09,142 --> 00:16:11,144 WHAT ABOUT YOU? 405 00:16:11,187 --> 00:16:12,319 [SIGHS] 406 00:16:12,362 --> 00:16:14,321 I'M GONNA GO TAKE A LOOK AT THAT BOMB. 407 00:16:17,977 --> 00:16:21,589 LAUREL, I DIDN'T THINK YOU'D MAKE IT TONIGHT. 408 00:16:21,632 --> 00:16:23,721 I AM REALLY NOT IN THE MOOD FOR SMALL TALK 409 00:16:23,765 --> 00:16:25,288 WITH THE MONITOR'S BESTIE. 410 00:16:25,332 --> 00:16:27,073 -EXCUSE ME. -IT TURNS OUT TRANQ DARTS, 411 00:16:27,116 --> 00:16:29,031 THEY DON'T FEEL SO GOOD. 412 00:16:29,075 --> 00:16:31,381 I TOLD YOU THAT WAS A BIG MISUNDERSTANDING. 413 00:16:31,425 --> 00:16:33,557 WELL, UNDERSTAND THIS. THE SECOND I GET OUT 414 00:16:33,601 --> 00:16:36,038 OF THIS SADISTIC "EDGE OF TOMORROW" REBOOT, 415 00:16:36,082 --> 00:16:37,648 I AM GOING TO MAKE SURE TO TELL EVERYONE 416 00:16:37,692 --> 00:16:40,129 EXACTLY WHAT KIND OF TRAITOR YOU REALLY ARE. 417 00:16:40,173 --> 00:16:43,132 LAUREL, I TRULY HAVE NO IDEA WHAT YOU'RE TALKING ABOUT, 418 00:16:43,176 --> 00:16:45,265 BUT WHATEVER IT IS YOU'RE FEELING TOWARD ME, 419 00:16:45,308 --> 00:16:46,918 THAT'S ON YOU. 420 00:16:46,962 --> 00:16:49,138 THANK YOU FOR THE ADVICE, DR. PHIL, 421 00:16:49,182 --> 00:16:50,879 AND NOW HERE'S SOME FOR YOU. 422 00:16:50,922 --> 00:16:52,837 THE NEXT TIME YOU DECIDE TO DOUBLE-CROSS SOMEONE, 423 00:16:52,881 --> 00:16:56,885 DON'T PICK A WOMAN WHO SPECIALIZES IN REVENGE. 424 00:16:56,928 --> 00:16:58,843 YOU'RE THREATENING ME. 425 00:16:58,887 --> 00:17:01,324 YES. YES, I AM, BUT DON'T WORRY. 426 00:17:01,368 --> 00:17:03,239 YOU WON'T REMEMBER ANYWAY, 427 00:17:03,283 --> 00:17:05,154 AND BY THE WAY, I PULL OFF 428 00:17:05,198 --> 00:17:07,026 THE SHORT HAIR WAY BETTER THAN YOU DO. 429 00:17:14,250 --> 00:17:16,209 WHAT ARE YOU DOING HERE? 430 00:17:16,252 --> 00:17:21,127 WELL, WORD CAME DOWN THAT THE GREEN ARROW CALLED IN A BOMB THREAT, 431 00:17:21,170 --> 00:17:24,130 SO I THOUGHT TO MYSELF, "HOW DID HE KNOW ABOUT THAT, 432 00:17:24,173 --> 00:17:25,914 AND WHY DIDN'T HE CALL ME?" 433 00:17:25,957 --> 00:17:29,048 BECAUSE THE MONITOR HAS ME TRAPPED IN A TIME LOOP. 434 00:17:29,091 --> 00:17:31,093 ALREADY TOLD YOU THAT. 435 00:17:31,137 --> 00:17:32,703 OK. DEFINITELY NOT THE ANSWER I WAS EXPECTING, 436 00:17:32,747 --> 00:17:35,097 BUT IF THE MONITOR'S INVOLVED, ANYTHING IS POSSIBLE. 437 00:17:35,141 --> 00:17:37,099 ANY IDEA HOW TO BREAK OUT? 438 00:17:37,143 --> 00:17:39,580 I HAVE TO SAVE QUENTIN'S LIFE. 439 00:17:39,623 --> 00:17:41,234 I THOUGHT THAT THIS WAS THE KEY TO IT, 440 00:17:41,277 --> 00:17:43,192 BUT I'M NOT FINDING ANYTHING. 441 00:17:43,236 --> 00:17:45,194 WELL, HAS TO BE SOMETHING. NO CASE IS UNSOLVABLE. 442 00:17:45,238 --> 00:17:47,066 THIS MIGHT BE IMPOSSIBLE. 443 00:17:47,109 --> 00:17:48,589 WELL, YOU'LL FIGURE IT OUT. 444 00:17:48,632 --> 00:17:50,634 I DO WISH I WAS AS SURE AS YOU ARE. 445 00:17:50,678 --> 00:17:54,073 YOU WANT TO KNOW WHAT MAKES ME SO SURE? YOU. 446 00:17:54,116 --> 00:17:56,118 YOU, OLIVER. YOU ALWAYS FIGURE IT OUT. 447 00:17:56,162 --> 00:17:58,816 YOU NEVER STOP FIGHTING. YOU NEVER GIVE UP. 448 00:17:58,860 --> 00:18:00,209 YOU ALWAYS KEEP AT IT. 449 00:18:00,253 --> 00:18:02,081 WHY SHOULD THIS BE ANY DIFFERENT? 450 00:18:02,124 --> 00:18:04,735 WHATEVER VERSION THIS IS OF YOU, 451 00:18:04,779 --> 00:18:07,260 YOU STILL GIVE THE BEST ADVICE. 452 00:18:07,303 --> 00:18:08,783 -YEAH. I'M FLATTERED. -WELL, A.R.G.U.S. HAS 453 00:18:08,826 --> 00:18:12,178 SOME MORE SOPHISTICATED ANALYTICAL EQUIPMENT. 454 00:18:12,221 --> 00:18:16,138 ANY CHANCE YOU CAN GET ME IN THERE? 455 00:18:16,182 --> 00:18:18,271 YEAH. I BET I CAN MAKE A FEW CALLS. 456 00:18:19,837 --> 00:18:22,144 SO YOU'RE TELLING ME WE'RE IN SOME KIND 457 00:18:22,188 --> 00:18:25,800 OF A ALTERNATE REALITY BASED ON THE PLOT OF A BILL MURRAY MOVIE? 458 00:18:25,843 --> 00:18:29,673 WELL, I WAS GONNA GO WITH A TOM CRUISE FLICK BUT BASICALLY. 459 00:18:29,717 --> 00:18:32,589 ALSO JUST REALLY GLAD THAT YOU BELIEVE ME. 460 00:18:32,633 --> 00:18:34,591 WELL, IT'S NOT THE CRAZIEST THING YOU EVER TOLD ME. 461 00:18:34,635 --> 00:18:36,332 I MEAN, I'M JUST GLAD THIS MONITOR GUY 462 00:18:36,376 --> 00:18:38,291 JUST KEPT ME AS MAYOR, YOU KNOW? 463 00:18:40,249 --> 00:18:44,253 WHAT IS IT? WHAT'S THAT LOOK? 464 00:18:44,297 --> 00:18:48,257 IT--IT'S JUST THAT, UH, IN MY WORLD 465 00:18:48,301 --> 00:18:52,914 OR IN THE REAL WORLD, UH, YOU'RE NOT MAYOR ANYMORE. 466 00:18:52,957 --> 00:18:55,482 REALLY? OHH. POLLARD. 467 00:18:55,525 --> 00:18:58,311 SHE ALWAYS HAD IT IN FOR ME. HEH. 468 00:19:01,662 --> 00:19:04,360 THERE SOMETHING ELSE? 469 00:19:04,404 --> 00:19:07,058 LAUREL. SWEETHEART, I ALWAYS KNOW WHEN YOU'RE 470 00:19:07,102 --> 00:19:08,190 HIDING SOMETHING FROM ME. 471 00:19:08,234 --> 00:19:09,452 PLEASE TELL ME. WHAT IS IT? 472 00:19:09,496 --> 00:19:11,411 IT--IT'S A YEAR AND A HALF AGO 473 00:19:11,454 --> 00:19:13,195 WHEN DIAZ-- WHEN HE SHOT YOU 474 00:19:13,239 --> 00:19:16,067 IN--IN THE REAL REALITY OR WHATEVER, 475 00:19:16,111 --> 00:19:18,896 YOU--YOU DIDN'T EXACTLY, UM-- 476 00:19:18,940 --> 00:19:22,944 [SIGHS] 477 00:19:22,987 --> 00:19:24,989 I DIDN'T RECOVER. 478 00:19:25,033 --> 00:19:29,168 NO. NO. YOU DIED TO SAVE ME. 479 00:19:32,345 --> 00:19:35,304 BEST WAY I COULD HAVE GONE. 480 00:19:35,348 --> 00:19:37,567 WHAT?! I'M SORRY. I BASICALLY JUST 481 00:19:37,611 --> 00:19:41,310 TOLD YOU YOU'RE A GHOST, AND YOU'RE COMPLETELY OK WITH THAT? 482 00:19:41,354 --> 00:19:43,443 IT DOESN'T--IT DOESN'T FAZE YOU? YOU'RE COMPLETELY CALM? 483 00:19:43,486 --> 00:19:47,186 I ALWAYS FELT LIKE I CHEATED DEATH WITH THAT ONE. 484 00:19:47,229 --> 00:19:51,277 GUESS THAT'S BECAUSE I DIDN'T. 485 00:19:51,320 --> 00:19:54,758 FATE'S JUST TRICKY LIKE THAT. 486 00:19:54,802 --> 00:19:57,326 [CELL PHONE VIBRATING] 487 00:20:00,982 --> 00:20:03,376 -IT'S OLIVER. -YEAH? 488 00:20:03,419 --> 00:20:04,725 HE FIGURE OUT WHO WANTS ME DEAD? 489 00:20:04,768 --> 00:20:07,597 NOT YET, BUT HE DID FIGURE OUT THE LOCATION 490 00:20:07,641 --> 00:20:08,946 OF THE MERCS' HIDEOUT. 491 00:20:08,990 --> 00:20:11,297 OK. SO WE BETTER GO. 492 00:20:15,475 --> 00:20:17,172 [BANG] 493 00:20:22,656 --> 00:20:24,919 HOW'D YOU FIND THIS PLACE? 494 00:20:24,962 --> 00:20:26,616 UH, WE ANALYZED THE BOMB 495 00:20:26,660 --> 00:20:28,270 AND TRACED THE CHEMICAL SIGNATURE 496 00:20:28,314 --> 00:20:29,837 BACK TO THIS BUILDING. 497 00:20:29,880 --> 00:20:32,231 INTERESTING. 498 00:20:32,274 --> 00:20:33,362 -WHAT? -YOUR MOUTH 499 00:20:33,406 --> 00:20:35,451 BUT FELICITY'S WORDS. 500 00:20:35,495 --> 00:20:38,280 IT STILL DOESN'T TELL US WHO HIRED THESE BOZOS. 501 00:20:38,324 --> 00:20:40,369 MAYBE THIS WILL HELP. 502 00:20:43,938 --> 00:20:46,332 [COMPUTER BEEPING] 503 00:20:53,121 --> 00:20:54,644 [TIMER BEEPING] 504 00:20:54,688 --> 00:20:56,211 BOMB! 505 00:21:02,522 --> 00:21:04,219 OHH. 506 00:21:09,137 --> 00:21:11,661 [GROANING] 507 00:21:14,229 --> 00:21:15,883 LYLA, WHAT THE HELL ARE YOU DOING? 508 00:21:15,926 --> 00:21:18,320 HELPING YOU. YOU'RE MISSING THE POINT, OLIVER. 509 00:21:18,364 --> 00:21:20,366 -WHAT? -YOU CAN'T FIGHT THIS. 510 00:21:22,324 --> 00:21:23,499 UGH. 511 00:21:24,718 --> 00:21:26,285 OLIVER: LYLA! 512 00:21:34,249 --> 00:21:35,642 ANNOUNCER: TARK DRIVES THE LANE. 513 00:21:35,685 --> 00:21:37,470 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 514 00:21:37,513 --> 00:21:40,603 BINGO! COUNT IT AND THE FOUL! 515 00:21:40,647 --> 00:21:44,520 [JAZZ PLAYING] 516 00:21:44,564 --> 00:21:47,349 NO SIGN OF LYLA ANYWHERE. YOU? 517 00:21:47,393 --> 00:21:49,351 JOHN JUST TOLD ME SHE GOT CALLED AWAY 518 00:21:49,395 --> 00:21:50,570 ON A LAST-MINUTE A.R.G.U.S. MISSION, 519 00:21:50,613 --> 00:21:52,833 MEANING SHE'S NEVER EVEN BEEN HERE. 520 00:21:52,876 --> 00:21:55,575 MAYBE THE MONITOR DELETED HER FOR GOING ROGUE. 521 00:21:55,618 --> 00:21:57,490 [BABY VOICE] HEH. WOULDN'T THAT BE SO, SO SAD? 522 00:21:57,533 --> 00:21:59,361 SHE'S CLEARLY HELPING HIM. THERE'S NO REASON FOR HER 523 00:21:59,405 --> 00:22:00,754 TO SWITCH SIDES RIGHT NOW. 524 00:22:00,797 --> 00:22:03,234 SO WHY REVEAL HER HAND? IT MAKES NO SENSE. 525 00:22:03,278 --> 00:22:04,627 ALL RIGHT. YOU SPOKE WITH HER. 526 00:22:04,671 --> 00:22:06,542 WAS THERE ANYTHING, ANYTHING AT ALL 527 00:22:06,586 --> 00:22:08,631 IN THE CONVERSATION THAT STOOD OUT? 528 00:22:08,675 --> 00:22:11,417 SHE SAID HOW I FEEL TOWARDS HER WAS ON ME 529 00:22:11,460 --> 00:22:15,377 LIKE IT'S MY FAULT THAT I'M STUCK HERE. 530 00:22:15,421 --> 00:22:19,207 I TOLD YOU THE MONITOR'S PUNISHING US. 531 00:22:19,250 --> 00:22:20,643 I'M NOT SO SURE. 532 00:22:20,687 --> 00:22:23,342 WE'VE HAD TO WATCH QUENTIN DIE OVER AND OVER AGAIN, 533 00:22:23,385 --> 00:22:24,908 AND WE CAN'T SAVE HIM. 534 00:22:24,952 --> 00:22:27,781 IF I HAD TO DESIGN HELL, THIS WOULD BE IT. 535 00:22:27,824 --> 00:22:30,479 BUT RIGHT BEFORE LYLA DISAPPEARED, 536 00:22:30,523 --> 00:22:32,829 SHE TOLD ME SHE WAS TRYING TO HELP ME. 537 00:22:32,873 --> 00:22:36,355 SHE ALSO TOLD YOU YOU CAN'T FIGHT THIS. 538 00:22:36,398 --> 00:22:39,445 IT SEEMS PRETTY CLEAR TO ME THAT WE'RE NOT SUPPOSED TO WIN. 539 00:22:39,488 --> 00:22:41,490 THE FIRST TIME THAT I MET MAR NOVU, 540 00:22:41,534 --> 00:22:44,450 IT FELT--IT FELT THE SAME. 541 00:22:44,493 --> 00:22:47,061 IT WAS LIKE I WAS PUT IN A SITUATION WHERE THERE WAS NO WAY OUT, 542 00:22:47,104 --> 00:22:48,671 BUT IT WAS A TEST, LAUREL. 543 00:22:48,715 --> 00:22:51,065 IT WAS A TEST JUST LIKE I THINK THAT THIS IS. 544 00:22:51,108 --> 00:22:52,849 -A TEST OF WHAT? -I DON'T KNOW, 545 00:22:52,893 --> 00:22:55,417 BUT THERE IS A WAY OUT OF HERE, 546 00:22:55,461 --> 00:22:57,071 AND I'M GONNA FIND IT. 547 00:22:57,114 --> 00:22:59,247 -YOU JUST NEVER GIVE UP, DO YOU? -NO, I DON'T. 548 00:22:59,290 --> 00:23:02,511 ARE YOU WITH ME? 549 00:23:02,555 --> 00:23:04,470 FINE. 550 00:23:04,513 --> 00:23:07,255 WHAT'S OUR PLAY? 551 00:23:07,298 --> 00:23:08,865 WE GO BACK TO THE MERCS' HIDEOUT. 552 00:23:08,909 --> 00:23:10,563 WE KNOW WHERE THE DANGER IS THIS TIME, 553 00:23:10,606 --> 00:23:13,304 SO WE CAN DO THINGS DIFFERENTLY. 554 00:23:13,348 --> 00:23:16,351 YOU GRAB QUENTIN, AND I'LL MEET YOU THERE. 555 00:23:16,395 --> 00:23:17,657 OK. 556 00:23:19,180 --> 00:23:21,051 QUENTIN: SO YOU'RE TELLING ME WE'VE BEEN HERE ONCE 557 00:23:21,095 --> 00:23:22,575 AND STILL CAME BACK FOR MORE? 558 00:23:22,618 --> 00:23:25,491 AT LEAST NOW WE KNOW WHAT NOT TO DO. 559 00:23:25,534 --> 00:23:26,840 OK. 560 00:23:36,415 --> 00:23:38,504 ALL RIGHT. THAT SHOULD DISABLE THE BOMB. 561 00:23:38,547 --> 00:23:40,506 WELL, I CERTAINLY HOPE SO BECAUSE I AM GETTING 562 00:23:40,549 --> 00:23:42,812 SICK AND TIRED OF GETTING BLOWN UP. 563 00:23:44,684 --> 00:23:46,512 OLIVER: ALL RIGHT. QUENTIN: OK. SO NOW WHAT? 564 00:23:46,555 --> 00:23:50,341 WE FIND OUT WHO HIRED THOSE MERCS TO KILL YOU. 565 00:23:51,734 --> 00:23:54,650 MONEY LEADS TO A MAN NAMED ANDERSON WHITE. 566 00:23:54,694 --> 00:23:55,782 NEVER HEARD OF HIM. 567 00:23:55,825 --> 00:23:57,523 LAUREL: LOOKS LIKE HE'S BEEN ACCUSED 568 00:23:57,566 --> 00:23:58,785 OF NOT TOO MANY NICE THINGS-- 569 00:23:58,828 --> 00:24:01,614 MONEY LAUNDERING, RACKETEERING. 570 00:24:01,657 --> 00:24:03,659 DOESN'T EXPLAIN WHY HE'D WANT ME DEAD. 571 00:24:03,703 --> 00:24:05,487 WELL, THAT'S WHAT WE'RE GONNA FIND OUT. 572 00:24:05,531 --> 00:24:08,142 CEO OF A COMPANY NAMED GLOBAL SOLUTIONS. 573 00:24:08,185 --> 00:24:10,057 THEY HAVE A WAREHOUSE DOWN BY THE DOCKS. 574 00:24:10,100 --> 00:24:11,450 LET'S GO. 575 00:24:15,758 --> 00:24:17,543 WE NEED TO FIND WHITE. 576 00:24:23,984 --> 00:24:25,072 [GUNSHOT] 577 00:24:25,115 --> 00:24:26,900 NO! NO! 578 00:24:26,943 --> 00:24:29,685 MAN: BACK THIS WAY! 579 00:24:29,729 --> 00:24:32,340 OLIVER: COME ON, COME ON. LAUREL: I GOT YOU. I GOT YOU. 580 00:24:32,383 --> 00:24:35,038 [QUENTIN GROANING] 581 00:24:35,082 --> 00:24:37,476 OLIVER: I'LL TAKE CARE OF THE REST. 582 00:24:37,519 --> 00:24:39,695 [MOANING] 583 00:24:39,739 --> 00:24:41,523 ERR! UGH. 584 00:24:41,567 --> 00:24:43,569 OH, I'M SORRY, BABY GIRL. 585 00:24:43,612 --> 00:24:45,005 LOOKS LIKE WE LOST THIS ROUND. 586 00:24:45,048 --> 00:24:50,445 NO. NO! I AM NOT LETTING YOU DIE AGAIN. 587 00:24:50,489 --> 00:24:52,926 -IT'S TOO LATE. -NO. 588 00:24:52,969 --> 00:24:56,538 IT--IT'S--IT'S TIME TO SAY GOOD-BYE. 589 00:24:56,582 --> 00:24:58,627 I'M NOT GIVING UP ON YOU, QUENTIN. 590 00:24:58,671 --> 00:25:01,282 QUENTIN, I AM NOT GIVING UP ON YOU. 591 00:25:01,325 --> 00:25:03,893 YOU NEVER GAVE UP ON ME. 592 00:25:03,937 --> 00:25:06,635 YOU BELIEVED IN ME WHEN NOBODY ELSE DID. 593 00:25:06,679 --> 00:25:10,683 WELL, THAT'S WHAT DADS DO. THEY BELIEVE. 594 00:25:10,726 --> 00:25:12,336 I WANT YOU TO KNOW THAT YOU 595 00:25:12,380 --> 00:25:15,426 ARE THE REASON THAT I'M TRYING TO BE A HERO. 596 00:25:15,470 --> 00:25:17,428 IT'S BECAUSE OF YOU. 597 00:25:19,474 --> 00:25:23,957 SWEETHEART... YOU ARE A HERO. 598 00:25:24,000 --> 00:25:27,221 YOU ARE. 599 00:25:27,264 --> 00:25:28,788 THANK YOU. 600 00:25:28,831 --> 00:25:31,573 THANK YOU. I NEVER HAD THE CHANCE TO TELL YOU 601 00:25:31,617 --> 00:25:33,357 HOW MUCH YOU MEAN TO ME. 602 00:25:33,401 --> 00:25:36,491 [BREATHING HEAVILY] 603 00:25:36,535 --> 00:25:38,319 -WELL... -THANK YOU. 604 00:25:38,362 --> 00:25:40,669 I THINK YOU JUST DID. 605 00:25:40,713 --> 00:25:43,106 [GASPING] 606 00:25:43,150 --> 00:25:45,544 I LOVE YOU. I LOVE YOU. 607 00:26:01,821 --> 00:26:04,171 GOOD-BYE. 608 00:26:04,214 --> 00:26:06,652 DAMN IT. 609 00:26:06,695 --> 00:26:09,655 ALL RIGHT. OK. ALL RIGHT, LAUREL. 610 00:26:09,698 --> 00:26:11,961 WE FIX THIS NEXT TIME. WE'LL FIX IT. 611 00:26:15,661 --> 00:26:18,359 I CAN'T DO THIS AGAIN. 612 00:26:18,402 --> 00:26:20,361 I'M DONE, OLIVER. 613 00:26:20,404 --> 00:26:22,668 ALL I HAVE EVER WANTED WAS A CHANCE 614 00:26:22,711 --> 00:26:24,583 TO SAY GOOD-BYE TO QUENTIN. 615 00:26:27,847 --> 00:26:29,718 NOW I HAVE. 616 00:26:32,503 --> 00:26:33,766 ANNOUNCER: TARK DRIVES THE LANE. 617 00:26:33,809 --> 00:26:35,724 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 618 00:26:35,768 --> 00:26:39,946 BINGO! COUNT IT AND THE FOUL! 619 00:26:41,687 --> 00:26:43,514 LAUREL? 620 00:26:45,342 --> 00:26:47,127 LAUREL! 621 00:26:55,788 --> 00:26:58,704 SHE'S NOT HERE. 622 00:26:58,747 --> 00:27:00,662 -WHERE IS SHE? -GONE. 623 00:27:00,706 --> 00:27:02,838 WHAT DID YOU--WHAT DID YOU DO, LYLA? 624 00:27:02,882 --> 00:27:05,101 I DIDN'T DO ANYTHING. LAUREL GOT WHAT SHE NEEDED FROM THIS. 625 00:27:05,145 --> 00:27:06,886 I DON'T HAVE TIME FOR THESE GAMES, LYLA, 626 00:27:06,929 --> 00:27:09,802 SO WHATEVER THIS IS, GET ME OUT OF HERE RIGHT NOW! 627 00:27:09,845 --> 00:27:10,977 I CAN'T DO THAT, OLIVER. 628 00:27:11,020 --> 00:27:12,674 MAR NOVU NEEDS YOU TO UNDERSTAND 629 00:27:12,718 --> 00:27:14,720 NO GOOD WILL COME FROM STRUGGLE. 630 00:27:14,763 --> 00:27:17,636 THE ONLY WAY TO WIN IS TO ACCEPT THE INEVITABLE. 631 00:27:17,679 --> 00:27:19,855 I HAVE NO IDEA WHAT THAT MEANS. 632 00:27:19,899 --> 00:27:22,858 LEARN THAT, AND THIS WILL END. 633 00:27:26,035 --> 00:27:27,210 LYLA! 634 00:27:32,694 --> 00:27:34,435 SO IF ME DYING IS THE PROBLEM, 635 00:27:34,478 --> 00:27:36,132 MAYBE BRINGING ME INTO THE LION'S DEN ISN'T SO SMART. 636 00:27:36,176 --> 00:27:38,004 COULDN'T THINK OF A BETTER WAY TO KEEP YOU SAFE. 637 00:27:38,047 --> 00:27:39,875 YEAH. THAT MAKES SENSE. 638 00:27:39,919 --> 00:27:41,094 HUH! 639 00:27:42,791 --> 00:27:45,011 AH-AH-AH-AH. UNLESS YOU WANT A HOLE FOR A HEAD. 640 00:27:45,054 --> 00:27:47,578 OLIVER: ARE YOU ANDERSON WHITE? 641 00:27:47,622 --> 00:27:49,058 YOU REALLY THINK MR. WHITE WOULD BE HERE? 642 00:27:49,102 --> 00:27:51,713 HE ORDERED A HIT ON MY FRIEND. WHY? 643 00:27:55,848 --> 00:27:58,024 QUENTIN: I GUESS THE CLOCK'S TICKING. 644 00:27:58,067 --> 00:28:01,244 [ALARM BLARING] 645 00:28:01,288 --> 00:28:02,855 LOOKS LIKE A LIST OF HITS. 646 00:28:02,898 --> 00:28:04,639 AND CLIENTS. CODED AND ANONYMOUS. 647 00:28:04,683 --> 00:28:05,858 WHITE'S JUST THE MIDDLEMAN. 648 00:28:05,901 --> 00:28:07,729 A CEO WITH A HEALTHY SIDE BUSINESS BROKERING 649 00:28:07,773 --> 00:28:09,688 HITS FOR WEALTHY ASSHATS. 650 00:28:09,731 --> 00:28:11,385 ALL RIGHT. WE'RE BACK TO SQUARE ONE. 651 00:28:11,428 --> 00:28:13,300 WE HAVE NO IDEA HOW DEEP THIS RABBIT HOLE GOES. 652 00:28:13,343 --> 00:28:15,084 WE GOT TO GET GOING. 653 00:28:22,091 --> 00:28:23,745 UNH! 654 00:28:38,891 --> 00:28:40,849 GET DOWN! GET DOWN! 655 00:28:43,243 --> 00:28:47,464 HEY. YOU OK? YOU ALL RIGHT? OK. 656 00:28:47,508 --> 00:28:48,988 COME ON. COME ON. 657 00:28:49,031 --> 00:28:51,599 [GROANING] 658 00:28:51,642 --> 00:28:54,210 COME ON. 659 00:28:54,254 --> 00:28:56,082 HEY, HEY, HEY, HEY. 660 00:28:56,125 --> 00:28:57,518 WHOA! 661 00:28:57,561 --> 00:28:59,955 [GUNFIRE] 662 00:29:01,000 --> 00:29:03,306 GO, GO, GO, GO, GO, GO! 663 00:29:04,917 --> 00:29:06,875 MAN: AAH! 664 00:29:06,919 --> 00:29:09,748 -GET THEM. -GO, GO, GO. 665 00:29:29,332 --> 00:29:31,291 LET'S GO. COME ON. 666 00:29:31,334 --> 00:29:32,988 GET DOWN, GET DOWN! 667 00:29:42,998 --> 00:29:44,913 OVER THERE! 668 00:29:44,957 --> 00:29:46,741 DOWN, QUENTIN! 669 00:29:51,050 --> 00:29:54,531 OHH. OH, IT'S THE LAST ONE. 670 00:29:54,575 --> 00:29:56,316 HOW MANY ARROWS YOU GOT LEFT? 671 00:29:59,232 --> 00:30:00,537 NOT ENOUGH. 672 00:30:00,581 --> 00:30:02,757 OH, BOY. AREN'T WE THE COUPLE? 673 00:30:02,801 --> 00:30:04,846 WE ARE GONNA FIND A WAY OUT OF THIS. 674 00:30:04,890 --> 00:30:06,979 THERE HAS TO BE A WAY TO FIX IT, 675 00:30:07,022 --> 00:30:08,545 AND WE ARE GONNA FIND IT, QUENTIN. 676 00:30:08,589 --> 00:30:10,243 IT DOESN'T MATTER HOW MANY TIMES. WE'RE GONNA FIND IT! 677 00:30:10,286 --> 00:30:12,419 HEH HEH. YEAH? SURE. WHAT'S IT GONNA BE, 678 00:30:12,462 --> 00:30:14,421 60 TIMES, 100 TIMES? 679 00:30:14,464 --> 00:30:16,858 IT'S GONNA BE HOWEVER MANY TIMES IT TAKES! 680 00:30:20,079 --> 00:30:23,691 YOU KNOW, GETTING HUNTED LIKE THIS 681 00:30:23,734 --> 00:30:24,953 IN A SPACE LIKE THIS IS KIND OF LIKE 682 00:30:24,997 --> 00:30:27,086 WHAT I WAS DOING TO YOU ALL THOSE YEARS AGO. 683 00:30:27,129 --> 00:30:28,696 REMEMBER? 684 00:30:28,739 --> 00:30:30,959 [SIGHS] 685 00:30:31,003 --> 00:30:32,656 [GROANS] 686 00:30:32,700 --> 00:30:34,702 OHH. OOF. 687 00:30:34,745 --> 00:30:37,052 SORT OF MAKES SENSE I'D GO OUT LIKE THIS NOW, DON'T YOU THINK? 688 00:30:37,096 --> 00:30:39,228 WOULD YOU PLEASE JUST SAVE YOUR STRENGTH? 689 00:30:39,272 --> 00:30:40,621 [EXHALES] 690 00:30:40,664 --> 00:30:43,015 FOR WHAT? 691 00:30:43,058 --> 00:30:45,539 OLIVER, YOU TAKE CARE OF THESE GUYS, 692 00:30:45,582 --> 00:30:46,801 THERE'LL BE MORE BEHIND THEM, 693 00:30:46,845 --> 00:30:48,020 THERE WILL BE MORE BEHIND THEM. 694 00:30:48,063 --> 00:30:50,109 THERE IS NO SAVING ME FROM THIS! 695 00:30:50,152 --> 00:30:54,940 OK? YOU EVER THINK THAT'S THE POINT? 696 00:30:54,983 --> 00:30:58,682 MAYBE YOU'RE NOT SUPPOSED TO. 697 00:30:58,726 --> 00:31:02,034 I'M NOT GIVING UP... 698 00:31:02,077 --> 00:31:04,906 AND YOU'RE NOT GIVING UP EITHER. 699 00:31:04,950 --> 00:31:07,953 OH, NO, NO, NO. I'M NOT GIVING UP. 700 00:31:07,996 --> 00:31:10,607 MAYBE I'M GIVING IN. 701 00:31:10,651 --> 00:31:14,524 YOU SEE, I'VE BEEN OUTRUNNING DEATH FOR A WHILE NOW. 702 00:31:14,568 --> 00:31:17,136 THE SIEGE, THE ISLAND, 703 00:31:17,179 --> 00:31:21,183 BUT WHEN DIAZ SHOT ME, THAT FELT DIFFERENT 704 00:31:21,227 --> 00:31:26,014 LIKE I WAS FINALLY AT THE END, 705 00:31:26,058 --> 00:31:28,756 AND I MADE MY PEACE WITH THAT. 706 00:31:33,108 --> 00:31:35,937 AND MAYBE IT'S TIME YOU DID, TOO. 707 00:31:45,816 --> 00:31:47,906 IT LOOKS LIKE FATE'S KNOCKING. 708 00:31:49,995 --> 00:31:52,780 YOU JUST GET READY TO MOVE. 709 00:32:06,185 --> 00:32:08,013 I'LL SEE YOU ON THE OTHER SIDE, OLIVER. 710 00:32:13,453 --> 00:32:14,715 QUENTIN. 711 00:32:14,758 --> 00:32:16,369 [EXPLOSION] 712 00:32:23,158 --> 00:32:24,986 ANNOUNCER: TARK DRIVES THE LANE. 713 00:32:25,030 --> 00:32:26,988 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 714 00:32:27,032 --> 00:32:31,645 BINGO! COUNT IT AND THE FOUL! 715 00:32:31,688 --> 00:32:33,386 THAT'S AN 8-0 RUN BY THE COMETS, 716 00:32:33,429 --> 00:32:35,866 WHO HAVE STORMED ALL THE WAY BACK TO TIE IT UP HERE 717 00:32:35,910 --> 00:32:37,172 IN THE FOURTH QUARTER. 718 00:32:37,216 --> 00:32:38,217 88 APIECE. 719 00:32:38,260 --> 00:32:40,045 WHAT A COMEBACK FOR THE COMETS, 720 00:32:40,088 --> 00:32:41,437 AND THERE'S AS TIMEOUT. 721 00:32:41,481 --> 00:32:42,961 [TURNS OFF TV] 722 00:33:03,242 --> 00:33:06,158 MIA: NO WAY. IT TASTES THE SAME. 723 00:33:06,201 --> 00:33:09,552 DAD, WHAT ARE YOU STILL DOING HERE? 724 00:33:09,596 --> 00:33:14,122 OLIVER: HEY, GUYS. I'M JUST HEADING OUT THE DOOR. 725 00:33:14,166 --> 00:33:16,995 WANTED TO LET YOU KNOW, ALL OF YOU KNOW 726 00:33:17,038 --> 00:33:22,174 WHAT A--JUST WHAT A GIFT 727 00:33:22,217 --> 00:33:24,741 GETTING TO KNOW YOU ALL HAS BEEN. 728 00:33:24,785 --> 00:33:27,266 DAD, YOU'RE GOING TO A FUNDRAISER. 729 00:33:27,309 --> 00:33:29,094 IT'S NOT LIKE YOU'RE GOING INTO WAR. 730 00:33:29,137 --> 00:33:30,399 HEH HEH. 731 00:33:30,443 --> 00:33:33,054 ALTHOUGH I GUESS I CAN SEE THE SIMILARITIES. 732 00:33:33,098 --> 00:33:35,100 I THINK HE'S TALKING ABOUT CRISIS. 733 00:33:39,278 --> 00:33:42,063 I'M JUST REALLY PROUD OF ALL YOU GUYS. 734 00:33:42,107 --> 00:33:44,109 I'M REALLY PROUD. 735 00:33:45,675 --> 00:33:48,635 I GOT TO GO. 736 00:33:48,678 --> 00:33:50,202 DAD... 737 00:33:54,554 --> 00:33:56,425 YOU'RE GONNA BE FINE. 738 00:33:56,469 --> 00:33:58,688 SO ARE YOU. 739 00:33:58,732 --> 00:34:01,561 ALL OF YOU WILL BE 740 00:34:01,604 --> 00:34:03,041 WHATEVER HAPPENS. 741 00:34:05,130 --> 00:34:06,783 [DING, JAZZ PLAYING] 742 00:34:06,827 --> 00:34:09,090 [WOMAN LAUGHING] 743 00:34:09,134 --> 00:34:11,092 MAN: HEY, QUEEN. WHAT'S THE DIFFERENCE 744 00:34:11,136 --> 00:34:13,921 BETWEEN A COP--HEY! 745 00:34:21,233 --> 00:34:22,451 QUENTIN: YEAH. LOVELY. 746 00:34:22,495 --> 00:34:24,366 QUENTIN, EXCUSE ME. 747 00:34:24,410 --> 00:34:25,933 HEY. 748 00:34:25,976 --> 00:34:27,239 WHAT'S THE MATTER, OLIVER? 749 00:34:27,282 --> 00:34:29,154 YOU LOOK LIKE YOU'VE SEEN A GHOST. 750 00:34:29,197 --> 00:34:31,199 MAYBE I DID. 751 00:34:31,243 --> 00:34:33,332 MAY I SPEAK WITH YOU FOR A SECOND? 752 00:34:33,375 --> 00:34:35,769 SURE. 753 00:34:35,812 --> 00:34:38,119 UH, YEAH, YOU WANT TO GO OVER THE SPEECH? 754 00:34:38,163 --> 00:34:41,035 BECAUSE I WAS THINKING ABOUT ADDING A FEW LINES. 755 00:34:43,429 --> 00:34:45,039 I HAVE A QUESTION FOR YOU. 756 00:34:45,083 --> 00:34:46,910 SURE. 757 00:34:46,954 --> 00:34:50,827 BACK WHEN I WAS RUNNING AROUND AS THE HOOD, 758 00:34:50,871 --> 00:34:52,351 YOU WERE TRYING TO ARREST ME. 759 00:34:52,394 --> 00:34:53,787 -YOU REMEMBER THAT? -HEH HEH HEH. 760 00:34:53,830 --> 00:34:56,137 AH. YEAH. THE GOOD, OLD DAYS. 761 00:34:56,181 --> 00:34:58,270 HOW COULD I EVER FORGET? 762 00:34:58,313 --> 00:35:00,185 THE QUESTION IS... 763 00:35:02,970 --> 00:35:05,059 WHAT MADE YOU DECIDE THAT I WASN'T 764 00:35:05,103 --> 00:35:07,757 YOUR ENEMY ANYMORE? 765 00:35:07,801 --> 00:35:11,021 WHAT CHANGED YOUR MIND? 766 00:35:11,065 --> 00:35:15,852 HEH. OH, YOU KNOW, MY DAUGHTERS FOR ONE. 767 00:35:15,896 --> 00:35:17,289 BECAUSE I DIDN'T RAISE DUMMIES, 768 00:35:17,332 --> 00:35:19,291 AND, UH, YOU KNOW, IF THEY WERE OK WITH YOU, 769 00:35:19,334 --> 00:35:21,945 THEN I FIGURED I SHOULD BE, TOO. 770 00:35:21,989 --> 00:35:26,341 -YEAH. -THEY TRUSTED ME, 771 00:35:26,385 --> 00:35:27,734 AND YOU TRUSTED THEM. 772 00:35:27,777 --> 00:35:29,214 YEAH. THEY GOT ME TO LISTEN TO WHAT I ALWAYS KNEW 773 00:35:29,257 --> 00:35:31,781 IN MY GUT, THAT WE WERE ON THE SAME SIDE 774 00:35:31,825 --> 00:35:33,653 AND FIGHTING FOR THE SAME GOAL, 775 00:35:33,696 --> 00:35:37,091 AND IT JUST TOOK ME A WHILE TO GET THERE. 776 00:35:37,135 --> 00:35:38,788 SORRY. 777 00:35:38,832 --> 00:35:40,573 IT'S OK. 778 00:35:40,616 --> 00:35:42,183 OLIVER, IS THERE ANY PARTICULAR REASON 779 00:35:42,227 --> 00:35:44,490 FOR THIS TRIP DOWN MEMORY LANE? 780 00:35:44,533 --> 00:35:46,144 YEAH. 781 00:35:49,016 --> 00:35:51,714 GOD, I'VE BEEN HANGING ON TO SOMETHING. 782 00:35:54,369 --> 00:35:56,023 SOMEONE TOLD ME JUST RECENTLY THAT, 783 00:35:56,066 --> 00:36:00,332 UH...IT'S ABOUT TIME I MADE PEACE WITH IT. 784 00:36:03,161 --> 00:36:07,034 OK. SOUNDS LIKE A SMART SOMEONE. 785 00:36:10,820 --> 00:36:12,300 YEAH. 786 00:36:15,956 --> 00:36:19,220 OH, I SHOULDN'T HAVE TO SAY GOOD-BYE TO YOU AGAIN. 787 00:36:19,264 --> 00:36:22,397 GOOD-BYE? 788 00:36:22,441 --> 00:36:25,748 EVENING'S JUST GETTING STARTED. 789 00:36:25,792 --> 00:36:27,315 YEAH. 790 00:36:29,622 --> 00:36:33,452 THANK YOU, QUENTIN FOR EVERYTHING. 791 00:36:35,280 --> 00:36:36,803 RENE: MR. MAYOR. 792 00:36:36,846 --> 00:36:38,718 WE'RE GONNA SEE EACH OTHER AGAIN, OLIVER. 793 00:36:38,761 --> 00:36:40,241 RENE: MR. MAYOR! 794 00:36:40,285 --> 00:36:42,069 [WHISPERING] HOSTAGE SITUATION. 795 00:36:42,112 --> 00:36:43,505 AHEM. 796 00:36:45,203 --> 00:36:47,205 I HOPE SO. 797 00:37:12,360 --> 00:37:14,928 LYLA: CONGRATULATIONS, OLIVER. 798 00:37:14,971 --> 00:37:16,625 NOW YOU UNDERSTAND. 799 00:37:20,238 --> 00:37:22,240 I COULDN'T CHANGE QUENTIN'S FATE. 800 00:37:24,416 --> 00:37:27,375 I CAN'T CHANGE MINE EITHER, CAN I? 801 00:37:27,419 --> 00:37:30,291 NO. I'M SORRY. 802 00:37:33,120 --> 00:37:34,600 WHY DID THE MONITOR GO TO ALL 803 00:37:34,643 --> 00:37:38,081 OF THIS TROUBLE JUST TO-- 804 00:37:38,125 --> 00:37:39,387 JUST TO PROVE A POINT? 805 00:37:39,431 --> 00:37:41,389 YOU'VE ALWAYS BEEN A MAN WHO NEEDED TO 806 00:37:41,433 --> 00:37:43,522 SEE THINGS FOR HIMSELF. 807 00:37:43,565 --> 00:37:46,351 TELLING YOU WOULDN'T HAVE BEEN ENOUGH. 808 00:37:46,394 --> 00:37:48,614 HOW LONG HAVE YOU WORKED FOR HIM? 809 00:37:48,657 --> 00:37:49,963 A WHILE. 810 00:37:50,006 --> 00:37:52,400 YOU LIED TO US, LYLA. 811 00:37:52,444 --> 00:37:54,228 YOU... 812 00:37:56,056 --> 00:37:57,536 YOU LIED TO JOHN. 813 00:37:57,579 --> 00:37:59,059 KEEPING THIS FROM JOHN HAS BEEN 814 00:37:59,102 --> 00:38:00,539 THE HARDEST THING I'VE EVER HAD TO DO. 815 00:38:00,582 --> 00:38:01,801 THEN WHY DO IT? 816 00:38:01,844 --> 00:38:04,151 THE SAME REASON YOU LEFT FELICITY AND MIA 817 00:38:04,194 --> 00:38:07,197 IN THAT CABIN-- TO PROTECT MY FAMILY. 818 00:38:07,241 --> 00:38:09,330 DO YOU HONESTLY BELIEVE THAT WORKING 819 00:38:09,374 --> 00:38:12,333 WITH THE MONITOR IS THE BEST WAY TO DO THAT? 820 00:38:12,377 --> 00:38:13,682 IT'S THE ONLY WAY. 821 00:38:13,726 --> 00:38:16,555 THE CRISIS IS COMING. THERE IS NO STOPPING IT. 822 00:38:16,598 --> 00:38:18,426 ALL WE CAN DO IS TRY TO SURVIVE IT. 823 00:38:18,470 --> 00:38:20,341 OK. HELP ME OUT HERE, LYLA. 824 00:38:20,385 --> 00:38:23,126 I DON'T EVEN KNOW WHAT IT IS. 825 00:38:23,170 --> 00:38:28,262 I KNOW, BUT YOU WILL...SOON. 826 00:38:28,306 --> 00:38:29,698 WHAT I CAN TELL YOU 827 00:38:29,742 --> 00:38:31,352 IS THERE IS AN EVIL COMING THAT IS GREATER 828 00:38:31,396 --> 00:38:34,312 THAN ANYTHING WE'VE EVER HAD TO FACE. 829 00:38:38,620 --> 00:38:40,535 CAN WE STOP IT? 830 00:38:40,579 --> 00:38:43,364 I DON'T KNOW... 831 00:38:43,408 --> 00:38:45,671 BUT YOU ARE THE ONLY CHANCE WE HAVE. 832 00:38:48,630 --> 00:38:50,719 SO EVERYTHING I'VE DONE 833 00:38:50,763 --> 00:38:54,593 FROM THE MOMENT I LEFT THAT CABIN, 834 00:38:54,636 --> 00:38:57,944 THIS HAS ALL BEEN SOME... 835 00:38:57,987 --> 00:38:59,467 BIGGER PART OF A TEST? 836 00:38:59,511 --> 00:39:01,730 HE NEEDED TO BE SURE YOU WERE READY. 837 00:39:01,774 --> 00:39:04,907 HE'S JUST BEEN SENDING ME ON USELESS MISSIONS. 838 00:39:04,951 --> 00:39:06,344 THEY WEREN'T USELESS. 839 00:39:06,387 --> 00:39:08,389 THE DWARF STAR PARTICLES, DR. WONG, 840 00:39:08,433 --> 00:39:10,565 EVEN THE ANTIMATTER WEAPON, 841 00:39:10,609 --> 00:39:12,219 THEY ALL HAVE A PURPOSE, 842 00:39:12,262 --> 00:39:14,482 JUST NOT THE ONE YOU WERE EXPECTING. 843 00:39:20,749 --> 00:39:23,273 WHY DID HE INVOLVE MY CHILDREN? 844 00:39:23,317 --> 00:39:25,537 TIME IS A GIFT. 845 00:39:30,890 --> 00:39:32,413 WHAT NOW? 846 00:39:32,457 --> 00:39:34,415 YOU COMPLETE YOUR FINAL MISSION. 847 00:39:37,331 --> 00:39:39,464 I'LL SEE YOU THERE. 848 00:39:41,683 --> 00:39:43,729 [WIND BLOWING] 849 00:39:54,696 --> 00:39:57,351 OHH. 850 00:39:57,395 --> 00:39:58,831 WHERE ARE WE? 851 00:40:01,007 --> 00:40:03,575 YOU OK? 852 00:40:03,618 --> 00:40:05,751 I HAVE A KILLER HEADACHE. 853 00:40:05,794 --> 00:40:09,581 THE LAST THING THAT I REMEMBER IS QUENTIN... 854 00:40:09,624 --> 00:40:12,671 DYING IN THAT WAREHOUSE. 855 00:40:12,714 --> 00:40:14,629 I WAS WEARING THESE ON THE ROOF 856 00:40:14,673 --> 00:40:18,938 WHEN WE GOT TRANQED, SO DOES THAT MEAN THAT-- 857 00:40:18,981 --> 00:40:20,940 WE GOT OUT. 858 00:40:20,983 --> 00:40:23,464 HOW? 859 00:40:23,508 --> 00:40:25,466 WE LEARNED OUR LESSONS. 860 00:40:25,510 --> 00:40:28,034 I GOT OUT AFTER I SAID GOOD-BYE. 861 00:40:28,077 --> 00:40:30,819 WHY WOULD THE MONITOR LET ME SEE QUENTIN ONE LAST TIME? 862 00:40:30,863 --> 00:40:35,868 IT WAS A REWARD FOR NOT BETRAYING ME. 863 00:40:35,911 --> 00:40:38,697 DIDN'T REALLY THINK REWARDS WERE HIS BRAND. 864 00:40:38,740 --> 00:40:42,570 NO. WE WERE WRONG ABOUT HIM. 865 00:40:42,614 --> 00:40:45,573 AND LYLA WAS RIGHT? 866 00:40:45,617 --> 00:40:47,706 THAT'S ANNOYING. 867 00:40:47,749 --> 00:40:49,795 SO WHY DID YOU HAVE TO LEARN TO LET LANCE GO? 868 00:40:49,838 --> 00:40:54,190 BECAUSE DEEP DOWN, I STILL BELIEVED 869 00:40:54,234 --> 00:40:56,584 THAT I COULD FIGHT MY FATE. 870 00:41:00,240 --> 00:41:01,850 NOW I KNOW I CAN'T. 871 00:41:07,552 --> 00:41:10,859 LYLA SAID WE HAD ONE LAST THING TO DO, 872 00:41:10,903 --> 00:41:12,905 ONE FINAL MISSION. 873 00:41:12,948 --> 00:41:15,255 I CAN'T WAIT TO FIND OUT WHAT THAT IS. 874 00:41:15,298 --> 00:41:17,039 [SIGHS] 875 00:41:17,083 --> 00:41:20,260 WHERE THAT IS. 876 00:41:20,303 --> 00:41:22,523 WE'RE NOT IN STAR CITY. 877 00:41:25,570 --> 00:41:26,832 MIA: DAD. 878 00:41:29,530 --> 00:41:30,792 YOU OK? 879 00:41:30,836 --> 00:41:32,533 WHERE THE HELL ARE WE? 880 00:41:36,755 --> 00:41:38,713 WE'RE ON LIAN YU. 881 00:42:16,403 --> 00:42:17,665 MAN: GREG, MOVE YOUR HEAD! 59586

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